My name is Taylor and I have a tooth that tucks behind one of my front teeth.

I say this as my first sentence because when I look at myself in the mirror and smile, that is the first thing I notice.

But a compliment I've heard more times than once, "You have a beautiful smile."

I  wonder how many things in life are like that...

Qualities or characteristics that people agonize over are the very things that others appreciate and admire.

the electricity runs through our veins
and past the street signs we rumble by
in the car you stole, we go fifty above the speed limit,
the roof of the car is the noir sky above
and the midnight rain pelts our upturned faces
the dancing drops of water drip onto our smiling lips
the sound of the sky collapsing
echoes the flashes that streak the sky,
the flickering light casts paved roads with a brief brightness
(as if god were wearing light up sketchers)
the lacy brallette that wears me
gives me the bravery to stand up in the speeding car
the velvet pants that ripple with the wind
drink up the nighttime rain
and the rare headlights race past us,
heading into homes and hearts
the mellow playlist that connects the aux cord to our ears blasts
so loud, we can no longer hear our insecurity
the mascara that once clung to my eyelashes
now streams down my face.
on a two way street,
we drive down the middle
unafraid in the face of direct dangers
so unaware of the towering empty skyscrapers
and instead highly exhilarated
from the street signs we drive by
too fast to read the blocky lettering
the road signs glint, smiling as we wave and reach towards them
the cigarettes you smoked are thrown through the open window,
still smothering slightly.
i can still taste the smoke on your lips
and your hand tucks my hair behind my ear
and as the wind objects and inhales
unreal in the hazy a.m. car trip
the tunnel rushes towards us,
and we both hold our breaths,
as if breathing would contaminate us.
the lights that glint, cast a yellow-white glow
and for once, i see you for who you are
a boy too buzzed to feel
a kid who only felt "sort of"
a person who couldn't heal
and a lover who could never give love

The tenderness as they described it is circumnavigating more than the ******* and the roundness of my protruding *******
Perhaps by tenderness of the breast, what they really mean is tenderness of the soul and the emotions one hurriedly tucks under the crevices of their *****
If one imagines how ******* are anything but tender, with their ferocity of nurturing life and their wholly encompassing nature to weigh and weigh and weigh
Weight carried by a mother,
Shed off by her daughter,
Caressed by the one she lies with in the crevice of her soul and the gap between twin XL bunk beds and walls full of picture of people who no longer weigh her down
It's the feeling of nostalgia and nostalgia feeling this tenderness growing from one's *******.
Growth of the ***** of life as a life imagined is destroyed, nullified, kaput.
But most of all she feels nostalgia.
Nostalgia for the people whose tenderness she felt,
Nostalgia yes for her brother and grandmother cloaked in love around her neck like crystals from an iridescent silver clasp

I've mentioned the new puppy before
so it won't come as a surprise
that I'm reading a book about how dogs think.
I want to know how the flea collar feels
around his thickening neck, next to the skull
and crossbones collar, and why he tucks
his tail under when he sleeps,
and if when he is, for a few hours, in the crate,
which seems cozy enough, he devises
a plan to pay me back for this captivity.
I want to understand his relentless
drive to be where I am, to trod down the hall
and back again with his heavy paws
("That is going to be a big dog," everyone says)
even into the bathroom, which I typically
prefer to be private.

He won't go out in the rain unless
I'm standing out there too, both of us soaked
to the bone. He won't sleep without one eye
on me if I move from the space beside him.
Why would this animal
devote himself to me so utterly, I who
really can't be trusted not to throw shoes
or swat a nose when his love bites bite
too hard.  I who throw a fit about the ***
just inside the door, I who deny him access
to the cat.  I who write poems
about his private life and study him like a ******,
while he goes on sleeping.

Dearest reader,


My name is Margot Dylan and I am no longer a ******.

I stared at Dianne staring at Frieda Bentley, as she dragged on a Camel Blue and as I dragged my pen across my notepad. I sketched her figure as she walked closer to Frieda, dropping her cigarette on the ground. Frieda smiled at Dianne, as she stepped and twisted her shoe on the smoldering carcass.

And they looked at each other. Not like how normal people look at each other. And Dianne smiled. A smile that was not like any smile Dylan ever gave me.

I felt a hand on my shoulder, with ******* slipping to my collarbone. The ******* tapping belonged to a girl. The girl's name was Thora, a brunette that smelled like bubblegum and 'don't go'. Thora had something in common with Dianne: They both recently came out as gay. Unlike me, both family reactions were fairly positive. In fact, so positive that-What are you drawing?

"Margot?"

I paused, looked at Thora, and looked back at Dianne or Dylan Dunham. "That girl," I pointed in their general direction, as Dianne kissed Frieda on the forehead. Thora followed my finger in time for the kiss on the lips, "the ironic one."

Thora Nelson, daughter of Cameron Nelson and the deceased Geraldine Nelson, looked at my chin and asked, "Who is she?"

Thora's cotton-candy-blues met my puddles of mud, as I looked away, putting my notepad in my backpack. Before I zipped, I grabbed the lime green marker sleeping next to my pack of index cards. My teeth squeezed the leaf colored cap off, as I pulled out the fetus, smelling the aroma of non-toxic afterbirth.

I asked if she wanted a tattoo and she shrugged, "Oh no, you mean I get to choose whether you touch me or not?"

Lightly pressing the fiber tip to her arm, I glanced up at her and shrugged a bony shoulder, "Her name is Dylan Dunham. Well, it's actually Dianne. It's complicated. I used to call her Dylan. She used to call me Margot."

"But your name still is Margot," Thora informed as her eyes followed the acid-green ink trail.

"Some people change, some people don't," I said, with the cap held between my teeth.

I painted her arm in lime hope, by the soda machines. My eyes focused on her pores that I imagined swallowed dirt and bacteria from the side of my palm. I could feel Thora disarm me with her eyes, after I had disarmed her with my words. Her heartbeat echoed inside my grasp.

"I didn't know I was dating Leonardo DaVinci," the words flowing from her mouth.

"I am gay and Italian, so it's not like I was doing a terrific job of hiding it from you," I muttered as I finished and held her pale forearm and bracelet cuffed hand a foot from her face, "Look: it's us underneath a tree."

Turning and wrinkling her nose, she adjusted, moving her head back and forth. " Oh wow. Wow, wow, wow. Meta. So meta. So abstract. Brilliant in its simplicity, deconstructing the concept of natural complexity-"

"Shut up-"

"The tree looks like an umbrella. And we look like we have canes-"

"Those are our fishing poles. In that world, we are fishermen. Fisherwomen. Fishergals-"

"And my **** is too big and your ***** are too small and our smiles aren't big enough-well, at least mine isn't, I can't speak on your behalf," she finished.

Grabbing her arm, I looked at my masterpiece, looked at her, looked at it again, and looked at her again as her smile grew with every glance. "Well, I can see how it'd be up to debate, and you're right: very, very meta. But you do have a big ****, and I'm not one to sacrifice accuracy. Speaking of accuracy: as I look at this green ****, I realized I hit the mark by dating you. Honestly, your **** may have its own zip code..And...I'd like to be in its area? Please stop me."

Her chin touched her knee, as she doubled over, laughing. I played with her hair, wrapping her bangs around my fingers. As my hands were enveloped by her dark hair, I found a scar on her crown. I imagined Thora's milky-white fingers scrubbing through shampooed locks, trembling across the zig and zag of removed glass.

I imagined Thora Nelson, of Cameron Nelson and the deceased Geraldine Nelson, hearing sirens instead of water hitting the tiles. Her slumping to the floor, as lather and water runs down her face, each tear a memory of being dragged out of a steel ribcage, onto broken glass jungle pavement. It was too easy yet too difficult to imagine her staring at the steaming showerhead. It was too easy yet too difficult to imagine her reaching towards a metallic carcass growing in flames.

Her hand grabbed my leg and I saw her for what might have been the first time.

"Hey you. Listen. Are you listening?"

I nodded.

"I'm in love with you, Margot Dylan. Like, really in love. To the point to where I feel like I'm in a Jennifer Aniston rom-com. It's disgusting."

I didn't know what happened between my exploration of her hair and her pale face studying mine, but, before I knew it, my blood shook and barbed wire nerves orbited around pieces of my body.

The ricochet of a soda can smacking the mouth of the machine sounded. Time was either too fast or too slow, as I looked at Thora's cheap mascara eyes and chapped, soft pink lips. She was the type of girl that could make someone happy not to believe in god.

"And I love you. To the point to where I'd refuse Hogwarts because of not being able see you during the school year."

"How sweet, I know how badly you wanted to get into Ravenclaw," she smiled.

"Sacrifices must be made in the name of love, you know. And it ***** because you're not even my type," I admitted.

"Oh, how tragic. And what is your type, if I may ask?"

"You may, thank you. And the falling in love type," I'm an idiot.

"Could you be anymore cheesy?"

"Mozzarella."

She stopped and looked at me, "Hey, but really, I'm in love with you. It's real."

"I love you, too."

Her eyes were speckled,"You really love me, Margot Dylan? Because I'll believe you."

I leaned in, softly placed my hands on her cheeks, breathing the word, "Yes." I alternated between staring at her mouth and her eyes, as her lids began to drop.  My lips started to dab hers and soon grab, as if soft hooks grew out of and connected our flesh. I found the corner of her mouth, the summit of her cheek, and each crease in her lips. Nine or ninety seconds past before I stopped, pulled away, and looked into her eyes. "Hogwarts is overrated anyway," I lied. She laughed.

Her face was red, as she looked down while covering her face, "Don't look at me, I'm a dork. I'm being a loser. I'm infected."

"It's okay. You can be my infected dork and we can be losers together," my voice was a rasp.

"It really isn't. You see, my face always becomes extraordinarily red after I kiss or am kissed by someone, especially by someone beautiful. And it doesn't help that I've never been kissed by someone I love. And I've never kissed a girl before and I'm really glad you were the first, so there. Gah," her hands fenced her face,"I'm just going to hide behind these hands, don't mind me."

I was in love, "For how long?"

"Probably forever, I don't know. Or until the next installment of American Horror Story, I haven't made up my mind yet."

We heard Ms. Calloway scold Dianne about smoking on school grounds. I looked at Thora and the bell rang. Her hands slowly dropped, as everyone started to move in blurs. Bodies gaining more and more distance. Inches became miles. Feet grew into light-years, and, before I knew it, Thora kissed my cheek and said, "I hope I see you later, okay?"

My hand had something in it. My fingers unfurled and revealed high school origami. My name was on it, with a heart or a ****-I'm the artist in the relationship. I began pulling on *****, the tips of my fingers breaking the paper safe. So delicate must have been her mysterious movements.

I opened it.




A pebble flew from my hand and blipped off her bedroom window. Funny thing about bedroom windows, they look the same at 12:03 am. Or maybe they look a little different when the person you love is behind the glass, as you do an eighties-film-esque pebble throw. Before my next pebble hit the pane, her bedroom light came on.

Navy blue curtains disappeared to the sides as Thora came to the window and rubbed her eyes. A second later, she was gone as I imagined her sneaking past her father's bedroom, quietly down the stairs, and through the foyer. As I imagined this, I could hear the front door being unlocked and creaking open. I walked towards the porch and a yellow glow escaped with a silhouette living in it.

Thora's left hand is burnt, but I don't mind and I don't think I ever will. She held my hand as we walked through the threshold. At first I was nervous when I saw her father in the living room, but I instantly realized that he was passed out, as my eyes found empty beer cans sleeping beside him and around him.

"It's not like this every night," she whispered, "he just has trouble with certain months."

Thora tucks her toes when standing in place. When we were walking up stairs, I knew she would be embarrassed if I looked at her toes, so I kept my eyes on the second floor. I don't understand why she feels this way, though. She has very nice feet, and that's coming from someone who thinks feet are gross.

We walked past punched in doors adjacent to perfect picture frames. Her mother was a beautiful woman.

As we approached Thora's sticker-clad door, she turned to me and whispered, "You're about to enter the only place in the world I feel safe. So, please don't break my heart in it and please use a coaster."

My thumb kissed her smooth burn, as I took my first steps into her bedroom. The light-switch flicked and her room illuminated. There were movie posters hugging the walls, pinned to a bulletin board were pictures of lost people and found memories. She looked at me and whispered, "I don't know how to keep people."

We stood before the side of her bed and I looked at her smile, "You sure you want to do this?" Thora nodded and I reached towards her thighs to lift the bottom of her shirt. Lifting it over her head, I looked at her porcelain figure clad in black *******. I tossed the grey shirt onto her bed.

My eyes swam from her belly button to her *******. My fingers approached and stopped until she said it was okay. Tracing her curves, scars, and stretch marks, she pet my fingers. Thora glanced at my hands on her ******* and then at me, cooing, "I'm sorry."

My hands slid to her sides, "Sorry for what?"

She shrugged, "I don't know," her eyes spilling, "Sorry for this," she motioned at her torso as she stared at her bulletin board and then at me before looking away again, "I want to be perfect. I want to be perfect for you."

"Oh no, no, no," I asked for her hand and then placed it over my left breast, "Can't you feel how beautiful you are?"




Her arm was under my ******* and her hand was on my rib, occasionally running her fingertips across the bumps. She slept with her leg wrapped around mine, staying as close as she could to me. I looked at her, in her slumber, and left a faint, burgundy stain on her forehead. I reached towards our shins and pulled the black cover over our fused bodies.

I feel like I have been in a coma for seventeen years and I've just woken up. If I could, I'd stretch this moment over centuries and use it to smother wars. This relationship probably won't last past my senior year, but that's okay. It truly is.

In this moment, Thora Nelson is the love of my life, and, in ways I don't understand yet, that is the most beautiful thing in the world.



May the sun set in our eyes forever,


Margot Dylan

Heartbeats fast
whispers and plans
a mother's heart conflicted
as she wrings her hands
through the courage,
streaming tears
        she will let him go
despite her fears
Outside, canines barking harsh
men's cruel shouts
she must say her goodbyes
as the shots ring out
So many kisses
on his sweet, sleepy face
         little man deep in slumber,
in angelic grace
yes, he cried for a minute
as the morphine kicked in
and she rocked him and rocked him
his little frame, so thin
Now as his father takes him
she crumples to the wall
"By the will of God may I see
him again" she whispers
for he is her all
Outside the freeze
puffs breath into clouds
the quiet imperative for
             this next move:
Father gently slips son
into the rough-hewn jute,
No rotten potatoes today, no
this is far more important
No one will look for a tot
in a potato sack, he hopes
He looks around and slips
through the hole in the wire
These moments are critical
the need for speed is dire
A quick trip to the village
           in the black cloak of night
looking over shoulder
Finally the house…it's just there,
the next meadow over
the secret knock is sounded
and the door opened in silence
warm arms greeting, helping
carry the goods inside
Will this be a respite
from all the endless violence?
            Laid gingerly on the bed,
the sack is eased off gently
no potatoes inside
just a small sleeping boy
his parents only pride
Father strokes his hair,
Lays his palms on his head
to bless this bundle of sweetness
in his new environment
"I will come for you, my son"
tucks thin blanket around
and the deed is done
and now, in the cold lonely
smoldering air
of the burning dark
now in the kiss of hopeful protection
yes, now it's time to part

Back to his wife in the ghetto's
cold, sickened  space
to try to convince her
to bust out of that twisted place
You are my warrior, you
and all the others
Your spirit beats on
in my
     naked heart's
            thunder

Baba tucks me into bed & I ask him to read me a story.
He tells me tales of foxes & rabbits,
Each one ending in glory.
I dream of baby bunnies with cotton tails & cottage houses,
Sneaky wolves with evil plans,
Being deceived by mouses.

Baba tucks me into bed & kisses my forehead goodnight.
We exchange our “I Love You’s” as he turns off the light.
I dream of my new school & wonder if the kids will like me,
Maybe if I pretend to be sick, Baba won’t have to take me.

I yell out to Baba “goodnight!” before closing my room door.
His footsteps keep me up at night,
Till 2 am, 3 am, 4…
I want to tell him that I’m concerned for his health,
That I love him & so much more.

I tuck Baba into bed & kiss his forehead goodnight,
Telling him tales of better days, before turning off the light…

Here Kid take this what is it? whats it look like? its a prayer book thing yes so take it and hide it under your jumper why? just hide the **** thing so Benedict hides the  black book with red ends under his jumper and follows Anne into the grounds out of the French windows Anne crutches herself across the grass and makes towards the round white table and chairs and plonks herself down in a chair tossing her crutches aside Benedict sits down in the next chair looking back towards the nursing home do you think we were seen? seen doing what Kid? walking across the grass no doubt liberating Sister Dumb-arses prayer book no Anne says Benedict turns around and stares at her dont keep looking around Kid or the penguins will guess youve been up to no good me been up to no good it was your idea to take the prayer book but youve got it Kid not me but you said take it and you did well done Kid Anne says smiling she rubs her leg stump and pulls the blue skirt down further what do we do now? Benedict asks looking at Anne tempted to turn around and look behind him sit tight Kid sit tight but I cant hide the book under my jumper all day he says pass it under the table to me so he passes the prayerbook to Anne under the white table and she opens it in her lap he looks at her his stomach tightening guess whose it is? Anne asks he shrugs dont know its only Sister Bridgets how do you know? has it got her name in it? no they dont own personal property its just that it has this prayer card in it with an image of St Bridget on one side and a prayer on the other and on the top shes scrawled Sr Bridget in her bird-**** hand writing God shell go ape he says looking round at the nursing home what do we do? shush Kid what do want them to know weve got it? he stares at the building imagines the nun galloping across the lawn towards them her black robes billowing behind her like Batman turn round Kid youll look suspicious he looks round and stares at her sitting in the chair as if butter wouldnt melt in her mouth on a hot day where are you going to put it? he asks out of the sight of their eyes she says where though? she pulls up her blue skirt and tucks the black prayer book in her navy blue underwear and pulls down the skirt and brushes out the any signs you cant keep it there he says why not my knickers she says are they going to search me there? she says now just go get my wheelchair and  we can go visit the sea out the back gate he sighs and wanders back towards the home trudging across the lawn leaving Anne sitting in the chair like some royal queen on her throne she lifts up her skirt and adjusts the book more securely just as well I wore the passion killers Mum bought me she says to herself and lets down the skirt again and sits staring towards the home as she sits a few of the kids come out and make their way to the swings and slide they know her and avoid her like a plague a nun comes out too Anne stares at her its Sister Lucy a young one green as grass more ****** that the Blessed ****** herself Anne says under breath the nun walks towards Anne her hands inside her black habit how are we today Anne? the nun asks smiling my ****** leg aches Anne says o dear the nun says looking at Annes leg visible under the table have you seen Sister Paul about some pain killers? no not yet Anne says anyway its not this leg its the one not there my stump leg o I see Sister Luke says staring at the unseen stump beneath the blue skirt I could pray for your leg if you would like me to the nun says might help Anne says putting on her pious pose its hurts so much I feel like crying she allows tears to dribble out of her eyes(shes an expert of conjuring tears out of her eyes) o my dear child the nun says coming around the table and placing a hand around Annes shoulders Ill ask Sister Paul about some tablets the nun says thank you Anne whimpers feeling the prayer book move slightly as she moves in the chair she tries to adjust it with her hand to a more secure position Benedict comes across the lawn pushing the wheelchair he sees the nun and his eyes enlarge and he senses danger have they suspected Anne already about the missing prayer book? he wheels the chair behind Anne the nun looks at him arent you a good boy she says yes hes my best friend Anne says smiling through the glassy eyes the nun smiles well I best get back Ill see Sister Paul about those pills the nun says and walks off towards the home that was close Benedict say she didnt mention the prayer book Anne says she just came about me and the ****** leg and offering prayers o I see he says gazing at the stump area thinking about the stump of her leg hes seen many times are you going gawk at my stump all day or are you going to help get in the ****** wheelchair? o right yes he says and helps her get from the chair and into the wheelchair holding it steady at the back make sure the prayer book doesnt slip out of my knickers Kid she says as she rises from the chair and plonks into the wheelchair she moves the book to a more comfortable position and pulls her skirt down pass her knee just as they were about to move away Sister Bridget comes across the lawn towards them like a rhino on heat hang on Kid here comes the penguin wait wait the nun says raising a hand Benedict pauses pushing the wheelchair and stares at the approaching nun keep cool Kid Anne says under her breath act innocent as the Pope at a nudist colony Benedict feels himself perspire the nun stands in front of Anne in the wheelchair a prayer book has gone missing the nun says gazing at Anne has it? Anne says in an innocent tone yes it was taken from the Common Room shall we help look for it? Anne asks have you seen it? the nun asks no not that I know of whats it look like? Anne asks as if butter wouldnt melt a prayer book is what it looks like the nun says eyeing Anne with her suspicious eyes black cover with red ends no cant say I have Anne says Benedict looks away at the trees behind of them at the avenue between them and you Benedict have you seen it? the nun asks staring at him her eyes over him like maggots he shudders no sister not seen it at all he hates lying to  a nun he feels as if she looks into his soul and at the minor sins lurking there like naughty children then the nun looks down in Annes lap gazes at the outline of the leg stump not hiding it are we? the nun says hiding what? Anne says my stump? no I tried hiding it but its always there each morning I wake up the nun screws up her eyes and peers at them both no I mean the book where is it? no idea Anne says Benedict looks down at Annes lap where have you hidden it? the nun says havent seen it Anne says one of the children says she saw you take it the nun says me? Anne says you cant take the word of child I believe what the child tells me Benedict looks at the outline of the leg stump the child says you have it about your person she saw you from the upper bedroom window the nun says sternly must be mistaken must have seen me rub my stump they always watch me rubbing it so nosey the nun sighs and gazes at Annes lap and at the stumps outline show me your leg stump? the nun says hands on her hips Anne pulls up her skirt to reveal the stump Benedict looks too wondering if the book outline could be seen under the knickers the nun looks away where have you put it? put what? the book the prayer book the nun says I havent seen it Anne says as innocent as she can muster innocence lies will get you to Hell the nun says and walks off across the grass like a bad tempered bear what now? Benedict says Anne takes the book out of her knickers and hands it to him warm and scented what do I do with it? he asks shove it on that other chair under the table and were off to the beach so he puts the book under the table and pushes Anne off in the chair off out of reach.

the laughing ***** shrieks on
a masculine bellow till dawn

the young girl fades
into the paint
to find a way out, before she faints

the almighty angel
is shot from the sky

she has alined with satin
the unbreakable tie

the blanket sits
crumpled up in a lap

shared with the many
and yet no claps

they all sit staring
at one another

the tension’s high
yet they all are brothers

they pretend to not care
it's what they know

but beneath all that
you feel it show

a tattoo of sarcasm
ripping them open,
from the inside out
so they can't keep quiet
they always shout

no one knows the scars it makes
no one wants to, they'd cry lakes

so the young girl sits
repeated back by the mirrors

she knows a secret,
and yet she fears

that if they knew,
she'd be gone

and still she whispers it
to herself
and tucks it away,
or puts it on the shelf

the single truth in the bag of lies

unnoticeably simple,
the surrounding eyes

it's just the cast away

the rotten apple

she's aflame with the pupils of loathing.

We are flighty creatures
Always narrowly escape love
Tip-toeing the tepid water of
Forever or not-at-all

Dancing the day-rentals of
Bridesmaid and groomsman
Always hastily tucks in
Always casually skirts out

Dig in and fly out
Flying away before digging in
Day dream the day dreams come true
Dream the day dream I will say to you:

All                                                        ­                               just
I                                                           ­         so                   you
want                                    I                    ­                          to
is                                  ­                                                       back
to                   can                                                              ­ fly
fall                                                         ­                             to
so                               ­                                                         time
dee­ply                                                              ­                  life
in                                        ­                                                a
love                                                            ­                         take
with                                                        ­                            will
you                             ­          that                                        It

617

Don’t put up my Thread and Needle—
I’ll begin to Sew
When the Birds begin to whistle—
Better Stitches—so—

These were bent—my sight got crooked—
When my mind—is plain
I’ll do seams—a Queen’s endeavor
Would not blush to own—

Hems—too fine for Lady’s tracing
To the sightless Knot—
Tucks—of dainty interspersion—
Like a dotted Dot—

Leave my Needle in the furrow—
Where I put it down—
I can make the zigzag stitches
Straight—when I am strong—

Till then—dreaming I am sewing
Fetch the seam I missed—
Closer—so I—at my sleeping—
Still surmise I stitch—

Stirs its ashes and embers, its burnt sticks

An eye powdered over, half melted and solid again
Ponders
Ideas that collapse
At the first touch of attention

The light at the window, so square and so same
So full-strong as ever, the window frame
A scaffold in space, for eyes to lean on

Supporting the body, shaped to its old work
Making small movements in gray air
Numbed from the blurred accident
Of having lived, the fatal, real injury
Under the amnesia

Something tries to save itself-searches
For defenses-but words evade
Like flies with their own notions

Old age slowly gets dressed
Heavily dosed with death's night
Sits on the bed's edge

Pulls its pieces together
Loosely tucks in its shirt

The dried petals of a once green love
snake through the beige carpet--
along with potato chips,
along with icy *****,
along with grey ash of cheapshit incense,
my empire soles trample in after work.

Susan smiles and tries to reheat the leftovers.
Our bulging bellies match from a marriage of coping strategies,
stretch mark'd and daydreaming of
other seasons; sweat on foreign sheets,
other napes; Mediterranean baby's breath,
other scents; a choice between gardenia and gasoline,
Susan's a liar.
Of deceit--I've grown tired.

Newspaper, newspaper bring me a bullet.
Doorbell, doorbell bring me a blushing nomad in need of bruising.
Ringtone, ringtone bring me DHS and an actual Friday.

Susan tucks me in to the Lullaby of the Infomercial,
her fingernail seeps into my lower lip.
I roll onto my side.

Turn your dapple gray diffuse light daydream
Towards the flashlight painted cloudscape I have made for you
And before the drafted owl coos I have collected in bottles and hung from this tree
For you
I have walked through fine winged butterflies and soft twilit moss
Over sun scorched sand and in the relief of white noise water
Which
Like the circle of your arms
Tucks my dark away in the bottom of some drawer
That we may find and laugh over through our old eyes wrinkled with years of delight
Our home is walking through a stream
Steps slowed in the thickness of water

I have a Gumbie Cat in mind, her name is Jennyanydots;
Her coat is of the tabby kind, with tiger stripes and leopard spots.
All day she sits upon the stair or on the steps or on the mat;
She sits and sits and sits and sits—and that’s what makes a Gumbie Cat!

But when the day’s hustle and bustle is done,
Then the Gumbie Cat’s work is but hardly begun.
And when all the family’s in bed and asleep,
She tucks up her skirts to the basement to creep.
She is deeply concerned with the ways of the mice—
Their behaviour’s not good and their manners not nice;
So when she has got them lined up on the matting,
She teachs them music, crocheting and tatting.

I have a Gumbie Cat in mind, her name is Jennyanydots;
Her equal would be hard to find, she likes the warm and sunny spots.
All day she sits beside the hearth or on the bed or on my hat:
She sits and sits and sits and sits—and that’s what makes a Gumbie Cat!

But when the day’s hustle and bustle is done,
Then the Gumbie Cat’s work is but hardly begun.
As she finds that the mice will not ever keep quiet,
She is sure it is due to irregular diet;
And believing that nothing is done without trying,
She sets right to work with her baking and frying.
She makes them a mouse—cake of bread and dried peas,
And a beautiful fry of lean bacon and cheese.

I have a Gumbie Cat in mind, her name is Jennyanydots;
The curtain-cord she likes to wind, and tie it into sailor-knots.
She sits upon the window-sill, or anything that’s smooth and flat:
She sits and sits and sits and sits—and that’s what makes a Gumbie Cat!

But when the day’s hustle and bustle is done,
Then the Gumbie Cat’s work is but hardly begun.
She thinks that the cockroaches just need employment
To prevent them from idle and wanton destroyment.
So she’s formed, from that lot of disorderly louts,
A troop of well-disciplined helpful boy-scouts,
With a purpose in life and a good deed to do—
And she’s even created a Beetles’ Tattoo.

So for Old Gumbie Cats let us now give three cheers—
On whom well-ordered households depend, it appears.

My voice
Was the highest soprano in the choir
And I was well past puberty.
My chest may never be
As flat as yours,
My shoulders will always be
Slimmer and daintier,
My waist tucks in and allows for
Hips,
Hips that make me cringe with every ******* breath
Some days.

I will never have
That bulge between my legs
That you so wrongly call manhood.

I lack the things you tell me
Make someone a boy,
And sometimes I even lack the guts
To disagree with you;
But **** if that makes it alright to throw me in gutters,
Beat me up behind smokey dive bars,
Yell at me on the city bus,
Take away my ******* humanity.

Because I am a boy.
I am a ******* human.

You lose her when you forget to remember the little things that mean the world to her;
The sincerity in a stranger’s voice during a trip to the grocery,
The delight of finding something lost or forgotten like a sticker from when she was five,
The selflessness of a child giving a part of his meal to another,
The scent of new books in the store,
The surprise short but honest notes she tucks in her journal and others you could only see if you look closely.

You must remember when she forgets.
You lose her when you don’t notice that she notices everything about you;
Your use of the proper punctuation that tells her continuation rather than finality,
Your silence when you’re about to ask a question but you think anything you’re about to say to her would be silly,
Your mindless humming when it is too quiet,
Your handwriting when you sign your name in blank sheets of paper,
Your muted laughter when you are trying to be polite,
And more and more of what you are, which you don’t even know about yourself, because she pays attention.

She remembers when you forget.
You lose her for every second you make her feel less and less of the beauty that she is.
When you make her feel that she is replaceable.
She wants to feel cherished.
When you make her feel that you are fleeting.
She wants you to stay.
When you make her feel inadequate.
She wants to know that she is enough and she does not need to change for you, nor for anyone else because she is she and she is beautiful, kind and good.

You must learn her.
You must know the reason why she is silent.
You must trace her weakest spots.
You must write to her.
You must remind her that you are there.
You must know how long it takes for her to give up.
You must be there to hold her when she is about to.
You must love her because many have tried and failed.
And she wants to know that she is worthy to be loved, that she is worthy to be kept.

And, this is how you keep her.

My baby.
You’re wondering about the type of women you want to be. It’s a sad and soggy Sunday and you sit by the railing while it’s raining and the wind sighs at your presence.
You long for love, and peace, and mystery and excitement and you long to be wanted for who you are not who you could be if you were small.

My baby.
Everything you want isn’t everything you see.
Damaged isn’t pretty, my baby and maybe it looks it but the pain, oh baby the pain is like nothing you’ve ever felt.
And maybe you crave the mystery, maybe you crave the smudges mascara and the hunger pains.
But honest to truth my baby
Being this ****** up ain’t cute
Being this ****** up isn’t safe.
Being this ****** up makes you wonder what in the world is.

My baby there is nothing like the ache of being empty,
The sad and solemn nothing, the pitiless void that seldom empties but when it does you put stars in his eyes for he is the only other person with the key.
And a lot of the time the key doesn’t fit your locks,
The walls you’ve put up are brick.
Solid.
And for every brick you stack he takes one away, eager to pull them down he tries and baby one day you might stop building.
Maybe it’ll be on a soft and sunny Saturday when both of you are laughing and you see it within him.
You’ll stop building and he’ll smile knowing that
Yes.
Finally.
Free.

My baby your walls are thick and strong,
Most of the time,
Sometimes they fall but you pick them up and rebuild don’t let anyone see the truth.
He knows.

My baby the boy you love will never quiet fill your cup and it’ll break you but it’s not his job to.
You have to try too.
Because baby I know you hurt and I know you just want out of the cruel ******* world but now no.
Now you have someone to love you.
To love you for who you are and not who you would be if you were small.
Someone who loves you so that to go would be to take a piece of him with you.
Maybe that piece is the spark you fell in love with.
Baby no now you have someone to live for.

My baby I know you think smudged mascara and running away is desirable and makes them want more but baby.
On the good days you feel like a well oiled machine, task after task focus, seem well act well everybody laughs, smooth machine yet still lack the basic humanity that should consume you.

My baby on the bad days, broken down, some days you manage to trudge your way out of bed and into the daytime, empty but there,
Worse, the days where you can’t get up. Where you open the window and stare out into the garden you’ve always seen and you let the sadness and elusive sleepiness win until you’re exhausted with sleep.
Days where blades help you feel and help the anger inside you escape when the blood bubbles through your torn skin.

My baby the overthinking will drive you crazy, where the concept of an ear is weird even when he whispers sweet nothings into them and tucks that little stray piece of hair behind them.
Where *** is a mechanism by which sounds so wrong but feels so right but baby do not use it to cure the sadness.
It will always win.  

My baby home is haunting.
The ghosts of who you used to be haunt you, taunt you, and the love you used to feel is gone. Home isn’t home. Home is a house in the hillside.
Home is the space between his arms where your head rests against his chest and he breathes in to smell the coconut in your hair, home is the way he stares at you and smiles, home is the way he plays video games with you in his lap, home is his dilated pupils, home is the weird way you hold hands on the train, home is short jokes and home is when he looks at you as if you
You
You my baby
Are just absolutely spectacular
Even when you feel like a fleck of dust on this pointless world.

My baby though he is home, mental illness and distress isn’t pretty.
Panic attacks and ugly crying in public isn’t pretty. The disability of breathing isn’t pretty. Being perched over a toilet bowl isn’t pretty. Not eating for days isn’t pretty. Pulling out clumps of hair isn’t pretty. Being clumsy because you are so anaemic isn’t pretty. Passing out isn’t pretty. Wrist scars and bloodstained sheets aren’t pretty.
Being sick isn’t pretty.

Baby I wish we’d stopped when we knew.

Baby I wish help meant something because though you’ve tried,
Nothing gets through.

Baby when it rains it pours, and through every storm I have you, my hand is there to hold.
So we’ll call Noah’s arc and we’ll start a new world.
I know you’re hurting.
But my baby I promise one day we’ll be safe.
No longer shipwrecked.
My baby one day
One day
We’ll be free.

Doubt
So easy to say.
So hard to get past.
I've always had a little bit of it reflected inwardly because I've never been able to attain the appearance I wanted. I've never been quite thin enough. My hair has never been quite long enough. My skin never quite clear enough. And because of this its caused me to doubt other areas. If I can't get in peak physical shape, what makes me think I can become financially independent?  Get a good job?  Start my own business? If I can't control something as simple as a complexion, hair follicle or calorie, how do I think I can take on the outside world?

It's the doubt that eats you.
It's the doubt that tucks you into your grave with the could haves because you cancelled yourself out.
You're problem is not in your thighs or uneven eyebrows. Your problem is you think they're your problem.

Stop taking yourself out.
You are worthy.
You are so. worth. loving.

This year:*

(for those with brave hearts)
I hope you find the strength to make your choices and fight for the life that you want.
I hope you look up from all your hard work and realize how much you've grown.
I hope you find yourself saved sometimes.
I hope you find time to get lost, in your head, in the wilderness, to explore forests, and gaze into rivers.
I hope you find your best self looking back at you. I hope you know you're always growing.
I hope you feel challenged.
I hope you never stop believing in the view from the top of the mountain.
I hope you get there. I hope you find it was worth it.

(for the softhearted)
I hope you find more time to laugh.
With your friends, at yourself, or at the world for ever thinking it could hurt you.
I hope you can take the pain and say "thank you."
i hope you realize it has only made you all the more good, all the more beautiful.
I hope you start looking less at the mirror, start believing more in who you are in other people's eyes, what you know you are in your heart.
I hope life gets sweeter, hope you wake up with your head in the clouds, your soul flying.
I hope you finally find what you're looking for.
I hope you find yourself smiling.

(for those with big hearts)
i hope you realize how important you are, how you make people feel appreciated and loved.
i hope you realize that the world wouldn't be the same if you weren't trying so hard to make it a better place.
i hope the world tucks you into bed, proud of its little soldier.
i hope you appreciate yourself for your efforts.
i hope you never get tired of being a champion of the things people say no longer exist - so much kindness, goodness, love, peace.
i hope that you find fulfillment in the little things because sometimes, that's all we get.
little things like knowing you made someone smile, or that the people you love are doing fine, doing better.
i hope you realize that's all you need.
i hope your heart is proud of itself.
i hope the love that burns in you always keeps you warm.

(for the fainthearted)*
I hope you realize there's so much more to your life than you thought there was.
I hope you find moments that make your breath catch, a million things to marvel at.
I hope life surprises you. I hope you surprise yourself.
I hope you find your horizons expanding, and see that it's not as bad as you thought.
I hope your dreams take you places; I hope you travel paths that you never knew existed, but where you feel you belong.
I hope you discover your longings, what your heart would sing for, what you didn't know you wanted all along.
I hope you get up and chase it.

She tucks her hair
Behind her ear
Just to have it slip down
Once more.

Can you blame it?
Her hair.
For ever wanting
To caress her cheek
Once more.

It’s February, 2015, a Saturday and here I ‘yam.
Back in sunny California again:
The sun shining brightly again
On My Old Hemetucky Home,
Another mutant Stephen Foster tune.
Hemet: Riverside County,
Southern California,
The so-called Inland Empire,
According to the hyperbolic parlance,
Of sharkskin-suited land speculators,
Truly, the last of the
Patent medicine, liniments &
Snake oil hucksters.
Hemet: little oversight & lax policing
Yield a thriving, local
Medical-marijuana industry.
You are comfortably tucked . . .  
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(THAT’S RIGHT, *******: A ******* COMMERCIAL RIGHT IN THE MIDDLE OF THE ******* POEM!  GIUSEPPI MARTINO BUONAIUTO--SURELY NOBODY”S FOOL—FINALLY FIGURING OUT HOW TO MAKE POETRY PAY, THEREFORE AVOIDING THE DIED-IN-THE-GUTTER BIT.)
You are safely tucked behind the impenetrable
(www.tucks.com)
Wackenhut G4S Security-
(www.wackenhut.com)
Policed & Patrolled walls,
Of your typical over-55 gated lunatic asylum.
“For Active Adults,” reads the sign,
Whatever that means.
I’ve been thinking about the adventurous young.
What is it these bright,
Wander-lusting whippersnappers
Fixate and obsess about.
Like dropping out & coasting for a while.
Dropping out & coasting:
Not as easy to pull off for 20-somethings these days,
As it was in the late sixties/early seventies,
Flush times for Guns & Butter.
Where is it cheap to live?
Where on . . .
“This blessed plot, this earth,
This realm, this England . . .”
Where on this ozone-depleted,
Global fondue fungus ***,
Can I go to just sit still?
To think:  to make sense of it all?
It’s leisure, Kemosabe.
Leisure cultivates philosophy.
LEISURE:
The very stuff of curiosity and
REACH—
As in: “One’s grasp should exceed one’s reach”—
Idleness leads us,
Gifts us with understanding &
Self-awareness.
You are 21 again, and restless.
You are unwilling to just settle in.
So, where do you go?
Where can you live on savings?
To not work,
But not go hungry?
To just sit still,
Contemplating the state of the wicket,
Be it wicked or sticky.
Today it’s Prague and Berlin—
Or, for the truly decadent: Bangkok.
For us it was Florence or Paris—
Or, for the truly frugal,
Driving our cars to Mecca: Montreal,
"La Métropole du Québec"
Sanctified are the places we’ve chilled.
Shrines & vortexes; each holy latitude,
As Han Solo drolly reminds us:
“It’s not the years; it’s the miles.”
The amount of ground covered,
A blessing devoutly to be wished in Old Age:
But I digress.
Just the thought of hanging out
Some place really cool,
Yet relatively inexpensive--
In a parlance acquired
Over the years and the miles,
Tactfulness learned,
Manipulating the language
For fun & profit.
Common sense is aged in the barrel
And the bottle, rephrased.
Vernacular Viniculture.
Which proves my point:
If you live long enough &
Read enough of the right stuff,
Eventually you’ll discover
A precise, more exact vocabulary,
Appropriate for Old Age inner monolog.
Would Old Age be tedious?
Boring, for those who
Never went anywhere?
Both physically & spiritually speaking.
Are memories our only revenge on Old Age?
And for those hiding behind the barriers,
Safe. Ignorant. Jolly. Dull.
A fast track toward senility &
Evanescence.
Does Alzheimer’s seek out & destroy the
Most cloistered among us?
While those bold & beautiful,
Experienced, still spinning,
Still weaving a tapestry in 3-D Technicolor.
Remembrances of things past . . .
(Get back in your hole, Marcel . . .)
And as the AARP crowd knows so well:
We Baby Boomers really had it pretty soft.
Boom economics,
Conspicuous consumption,
Coonskin hats, Betsy Wetsies & Hula Hoops!
By and large:
FUN TIMES!
No Great Depression,
No chocolate rationing.
A jungle war pretty much optional,
For most of us of the
American bourgeoisie.
We’ve got a lot to remember.
We’ve much to be grateful for.
Electronic media changed everything for us.
Television and movie theaters gave us
Alternative dimensions,
Parallel lives,
Multiple identities.
Experience so real that
To see it on the screen
Was to live it, oneself.
Perhaps those video downloads
Might prove useful one day.
Comforts out on Golden Pond.
Will you still need me?
Will you still feed me?
When I'm sixty-four?
Grazie, Sir Paulie.

Truthfully this is how it’s been
how it will be for a while
beer gut receding hairline
my grumpy artist man
buys me gin and Mexican food
and tucks me into bed at 3 when I can’t take it anymore
I don’t care how many times you forget
I’m your baby and I’ll be waiting
hating your guts
to kiss you at the door

schizophrenia is back.

I talk to the creature sat at the end of my bed,
He takes his hands and places them on my head,
I cry into his palms,
He is humble,
He is kind,
The only vision that has been in the whole of my life.

I tell him my troubles,
My worries,
My pain,
He whispers and tells me to keep being sane.

I tell him I lost my mind a long time ago,
He says
"Oh my dear, no.  You are the one who's sane amoung a world that is crazy. Take this your gift and let your life flow."

He tucks me into bed,
Wipes my eyes,
Tells me to never believe anyone's lies,
He leaves me now,
Walks away,
I close my eyes,
And drift away.

After a lifetime of "my gift" giving me grief,
Pain, despair, and broken belief,
The creature he showed me,
That not all is bad,
There is hope still,
maybe I'm really not mad.

Another shift, another day, Another buck to spend or save
A million riders, maybe more, delivered to their office door
Or maybe warehouse maybe store.
Or church or shul or city school, right on time as a rule.

Clickety, clackety, clickety, clee,
I am New York, the City’s me
Come let me ride you on my knee
From Coney Isle to Pelham Bay
From Bronx to Queens eight times a day.

Ride my trains, New Yorkers do
And you’ll learn a thing or two
About the City up above, the one some hate, the one some love.
On the street they work like elves
Down below they’re just themselves.

Through summer’s heat they still submerge,
Tempers held (though always on the verge),
They push, they shove – just like above –
The crowds will jostle, then finally merge.

Downtown to work and then back to sleep
They travel just like farm-herded sheep.
In through this gate and out the other,
Give up a seat to a child and mother,
Just don’t sit too close to that unruly creep!

With these crowds huddled near
Just ride my trains with open ear,
There’s lots of tales for you to hear.


Dis stop is 86th Street, change for da numbah 4 and 5 trains.  Dis is a Brooklyn Bridge bound Numbah 6 Train.   77th Street is next.  Watch out da closin dowahs.


     I’m Doctor Z, Doctor Z are me
     I’ll fix your face or the visit’s free.
     Plastic surgery, nips and tucks
     You’ll be looking like a million bucks.

     Looka those pitchas, ain’t they hot?
     You’ll look good, too, like as not!
     Just call my numbah, free of toll
     Why should you look like an ugly troll?

     You’ll be lookin good like a rapster
     Folks start stealing your tunes on Napster
     Guys’ll love ya, dig your face
     Why keep lookin like sucha disgrace?

     Call me up, you’re glad you did
     Ugly skin you’ll soon be rid.
     Amex, Visa, Mastercard,
     Payment plans that ain’t so hard.

     So don’t forget, pick up that phone
     Soon’s you get yourself back home.
     I’ll have you looking good, one, two three
     Or else my name ain’t Doctor Z.


Dis stop is 77th Street, 68th Street Huntah College is next. Yer ona Brooklyn Bridge bound Numbah 6 Train.  Watch out da closin dowahs.


     It was a limo, now it’s the train;
     Tomorrow’s sunshine, but now it’s rain.
     The market’s mine, for taking and giving
     It’s the way I earn my living.

     Today’s losses, last week’s gain.
     A day of pleasure, months of pain.
     We sold the puts and bought the calls;
     We loaded up on each and all.

     I’ve seen it all, from Fear to Greed,
     Good motivators, they are, both.
     The fundamentals I try to heed
     Run your gains and avoid big loss.

     Rates are down, I bought the banks
     For easy credit, they should give thanks.
     Goldman, Citi, even Chase
     Why are they still in their malaise?

     “The techs are drek,” I heard him say
     But bought more of them, anyway.
     I rode the bull, I’ll tame the bear
     I’ll scream and curse and pull my hair.

     So why continue though I’m such a ****?
     I’ll cut my loss if I find honest work.



Dis is 68th Street Huntah College, 59th Street is next. Yer ona Brooklyn Bridge bound Numbah 6 Train.  Watch out da closin dowahs.


     He rides the train from near to far,
     In and out of every car.
     “Batchries, batchries, tres por un dolar!”
     Some folks buy them, most do not,
     Are they stolen, are they hot?
     “Batchries, batchries, tres por un dolar!”

     Who would by them, even a buck?
     What’re the odds they’re dead as a duck?
     “Batchries, batchries, tres por un dolar!”
     Why not the Lotto, try your luck,
     Or are you gonna be this guy’s schmuck?
     “Batchries, batchries, tres por un dolar!”


Dis is 59th Street, change for de 4 and 5 Express and for de N and de R, use yer Metrocard at sixty toid street for da F train.  51st Street is next. Dis is a Brooklyn Bridge bound Numbah 6 Train.  Watch out da closin dowahs.


     “Dat guy kips ****** wit me, Wass he
     tink, I got time for dat ****?  Man, I
     got my wuk to do, I ain gona put
     up with him
     no more.”

          “I don’t know what to tell this dude. Like,
          I really dig him but
          ***?  No way.  And
          He’s getting all too smoochie face.”

     “Right on, bro, slap dat fool up
     side his head, he leave you lone.”

          “Whoa, send him my way.  When’s the last
          time I got laid?  I’m way ready.”

          “Oh, Suzie,..”


Dis is fifty foist Street, 42nd Street Grand Central is next. Yer ona Brooklyn Bridge bound Numbah 6 Train.  Watch out da closin doors.



     Abogados es su amigos, do you believe the sign?
     Are they really a friend of mine?
     Find your lawyer on the train
     He’ll sue if the docs ***** up your brain.

     Pick a lawyer from this ad
     (I’m sure that you’ll be really glad)
     You’ll get a lawyer for your suit,
     Mean and nasty, not so cute.

     Call to live in this great nation
     1-800-IMMIGRATION.
     Or if your bills got you in a rut
     1-800-BANK-RUPT.

     We’re just three guys from Flatbush, Queens
     Who’ll sue that ******* out of his jeans.
     Mama’s proud when she rides this train
     To see my sign making so much rain.

     No SEC no corporations
     We can’t find the United Nations.
     Just give us torts and auto wrecks
     And clients with braces on their necks.

     Hurting when you do your chores?
     There’s money in that back of yours.
     Let us be your friend in courts
     Call 1-800-SUE 4 TORTS.


Dis is 42nd Street, Grand Central, change for the 4, 5 and 7 trains. Dis is a Brooklyn Bridge bound Numbah 6 Train.  Toity toid is next.  Watch out da closin doors.


They say there’s sev’ral million a day
From out in the ‘burbs, they pass this way.
Most come to work, some for to play
They all want to talk, with little to say.

Bumping and shoving, knocking folks down
A million people running around.
The hustle, the bustle the noise that’s so loud
Get me far from this madding crowd.

“We can be shopping instead of just stopping
And onto the next outbound train we go hopping.
Hey, it’s a feel that that guy’s a-copping!”

They want gourmet food, from steaks down to greens
Or neckties and suits, or casual jeans,
It’s not simply newspapers and magazines
For old people, young people, even for teens.


Yer ona Brooklyn Bridge bound Numbah 6 Train.  Dis is Thoidy toid Street, twenty eight is next.  Watch out da closin doors.


     “So what’s the backup plan if
     He doesn’t get into Trevor Day?
     I know your
     heart’s set on it, but we’ve only
     got so many strings we
     can pull, and we can’t donate a
     ******* building.”

           “Hooda believed me if I tolja the Mets
          would sail tru and the Yanks get dere
          by da skinna dere nuts?
          I doan believe it myself.  Allya
          Gotta do is keep O’Neil playin hoit
          And keep Jeter off his game an
          We’ll killum.

               “My sistah tell me she be yo *****.  I tellya I cut you up if you
                ****** wid her, I be yo ***** and donchu fuggedit.”

     “I wish you wouldn’t talk like that.
     And we can just **** good and
     Well find some more strings to pull!”

          “Big fuggin chance.  Wadder ya’ smokin?”

               “Yo sitah she ain my *****, you be my *****.  I doan be ******
                wid yo sistah.  You tell her she doan be goin round tellin folks
                dat ****.”


Yer ona Brooklyn Bridge bound Numbah 6 Train.  Dis is Twenty eight Street, twenty toid is next.  Watch out da closin dowahs.


     Do you speak Russian, French or Greek,
     We’ll assimilate you in a week.
     If Chinese is your native tongue
     You’ll speak good English from day one.

     Morning, noon, evening classes
     Part or full time, lads and lasses.
     You’ll be sounding like the masses
     With word and phrase that won’t abash us.

     Language is our stock in trade
     For us it’s how our living’s made.
     We’ll put you in a class tonight
     Soon your English’ll be out of sight.

     If you’re from Japan or Spain
     Basque or Polish, even Dane,
     Our courses put you in the main
     Stream without any need for pain.

     We’ll teach you all the latest idioms
     You’ll be speaking with perfidium.
     We’ll give you lots of proper grammar
     Traded for that sickle and hammer.

     Are you Italian, Deutsch or Swiss?
     With our classes you can’t miss
     The homogeneous amalgamation
     Of this sanitized Starbucks nation.


Dis is Twenty toid Street, 14th Street Union Square is next. Yer ona Brooklyn Bridge bound Numbah 6 Train.  Watch out da closin doors.


     “Ladies and Gentlemen, I hate to bother you
     But things are bleak of late.
     I had a job and housing, too
     Before my little quirk of fate.”

     “There came a day, not long ago,
     When to my job I came.
     They handed me a pink slip, though,
     And ev’n misspelled my name.”

     “We’ve got three kids, my wife and me.
     We’re bringing them up right.
     They’re still in school from eight to three
     With homework every night.”

     “I won’t let them see me begging here,
     They think I go to work.
     Still to that job I held so dear
     Until fate’s awful quirk.”

     “So help us now, a little, please
     A quarter, dime (or dollar still better),
     It’ll go so far to help to ease
     The chill of this cold winter weather.”

     “I’ll walk the car now, hat in hand
     I do so hope you understand
     I’m really a proud, hard working man
     Whose life just slipped out of its plan.”

     “I thank you, you’ve all been oh so grand.”


Yer ona Brooklyn Bridge bound Numbah 6 Train.  Dis is 14th Street, Union Square, change for da 4 and 5 Express, the N and the R.   Astor Place is next.  Watch out da closin doors.


     The hours are long, the pay’s no good
     I’m far from home and neighborhood.
     All day I work at Astor Place
     With sunshine never on my face.
     Candy bar a dollar, a soda more
     A magazine’s a decent score.
     Selling papers was the game
     But at two bits the Post’s to blame
     For adding hours to my long day.
     All the more work to save
     Tuition for that son of mine: that tall,
     Strong, handsome, American son


Dis is a Brooklyn Bridge bound Numbah 6 Train.  Yer at Astah Place, Bleekah Street is next.  Watch out da closin doors.


     Summer subway’s always hot, AC’s busted, like as not
     Tracks are bumpy, springs are shot ‘tween the cars they’re smoking
     ***.

     To catch the car you gotta run they squeeze you in with everyone
     Just hope no body’s got a gun 'cause getting there is half the fun.

     Packed in this car we’re awful tight seems this way both day and
     night.
     And then some guys will start a fight.  Subway ride’s a real delight.

     Danger! Keep out! Rodenticide! I read while waiting for a ride.
     This is a warning I have to chide:  
     I’m very likely to walk downtown, but I’d never do it Underground.

     Took the Downtown by mistake.  Please, conductor, hit the brake!
     Got an uptown date to make, God only knows how long I’ll take.


Yer ona Brooklyn Bridge bound Numbah 6 Train.  Dis is Bleekah Street, Spring Street is next.  Watch out da closin doors.


     The trains come through the station here,
     The racket’s music to my ear.
  &nbs

Green, red, red and green
Bangle, jiggle, twinkle and sheen
Rush and tumble, hurry and pay
Have they are all forgotten
What the point is this day?

Rushing past the man on the street
He who is huddled with nothing to eat
Sitting so quiet, tryin’ to keep warm
As he tucks in his legs away from the swarm

Blue day, Black day, black and blue
Green paper flying, silver coins too
White snow flying resistance of few
A man disappeared under the snow as it flew

Green, red, red and green
Bangle, jiggle, twinkle and sheen
Rush and tumble, hurry and pay
Have they are all forgotten
What the point is this day?

Presents and wrapping, bangles and bows
Shiver and shaking, shoes with no toes

it was that rainy day i realized how cruel the world was
like getting hit in the face with a basket ball
it hit me all at once and it hurt
it was that rainy day that i realized how much i needed the people who were never there
it was that rainy day that i realized who had treated me like dirt and walked all over me and who had respect for me
it was that rainy day that i lost,
lost what ?
everything
that little bit of magic,
that love you feel when you hug your mum or your dad
that comforting feel you get when your dad tucks you in at night
that bit of importance when you parents sit with you to do homework
all that taken away with only 5 words .......
it was that rainy day.

"And Abraham drew near, and said,
Wilt thou also destroy the righteous with the wicked?"
- Genesis 18:23

I

There are about four thousand people
Here.
They throng in blasted heat like
Little arid wasps.
Gasping summer rain,
Like the opposite of fish.
Of their individual character
I can give no generality.

They are men and women,
They stand on roofs and
Sleep on their words.
They are hot and cold
And they hate and scold.
They are devils and stars
And ***** and priests
And children of priests.
Orators, they are also:
The speakers of the state (which
Is hotter than they could
Ever know); they steal
And reel and impose their
Splitting fingernails deep into
The varnish of the
Wishing well.

They are men and women,
They stand on roofs and
Smother dreams by spitting on the sky.

II

Fox. Come and light my little room
With your brilliant breath. Have you
Come very far? From the eye of the trees?

I should leave this little town if I were you.
It has its ways and leeches from our
Dangling hands. A tongue named Lethe.

Wake early and flee back to your dark,
Summon that green corpus shell that
You came from and follow its outlying root.

You should know the power of the vine.
It crawls in the blinding night and
Strangles what it cannot feed upon.

Oh my little fox, I beg you turn back,
For in familiarity lies strength and nothing
In this wilderness will give you nourishment.

III

He walks in waterways and crunches bone.
He watches moonlight play on open wounds.
He wishes dearly for the ends of weeks.
I heard him live his life without a sound.

The high school band with a treble clef. The year
Of empty penmanship in which he wrote
A thousand notes and mailed them underground
About which neither parent knew a thing.

Encounters best discovered some years later
Work to redden ears in coffee shops,
Or rather as I’m talking to him now,
With darting speech and halting eyes and all.

Perhaps the atmosphere could lend itself to blame,
The hormones and the collusive ennui.
But little charms the tear ducts quite like saying,
“Why am I this way, do you suppose?”

I haven’t got the heart to make reply
And often pose myself the same question
Before the mirror thinking of my whims,
The muddied roads that led me where they did.

My time has run itself to pieces in
The hope of spreading my horizons, but
Some sand runs faster in the way, some gains
More ground. And mine? This distance is unknown.

I licked the shelves of Hardy, Plath, and Keats.
I lorded over idiots with glee.
I lured the fathoms of my mind to float.
And oh, the things that he must think of me.

IV

The doors know I am coming,
They dart out of my way.
My telekinesis stops there
But I troll forward
And brandish my little iron steed.

****. Adjust my strap
And push the cart onward.
My purse like a little leather
Bundle of swaddling.
I nuzzle it close to my breast.

Frozen foods. Diet says
No carbohydrates, so I adjust
My tastes. In a little town
Like this, they’ll notice if
I don’t.

Magazine aisle. Nothing
But ***-endorsing rags
And godless photo sessions fit
For lining shelves and
little else.

Lord, this vast store!
Give me strength to bet back
To my car. God, look at
That **** at the pharmacy
Asking for birth control.

And I can’t help but
Cluck my tongue at her:
I just tell Ray I have a headache
And turn on my back.
Ha, as if she’s married.

No decency any more.
Men getting married, women too!
God supposedly “Banging” us out of
Star dust. Who are those atheists
To judge my truth?

Checkout. No, self-checkout.
I don’t like that clerk
Staring at me. Receipt.
Probably a ******* anyway.
And for a moment my mind controls the doors and all things.

V

She’s gone a bit insane.
Yesterday in class, she asked
To go to the lavatory
And just went straight home.
(Poor thing, I can’t blame
Her after all that has happened.)

She’s told me about her
Father before. Whether she’ll
End up as warped remains
To be seen. She’s got my sympathy.
(Mother dead at four, brother at
Seven and something else at twelve.)

Senior year is more than
Freedom from Dad, she says.
It’s freedom from myself,
Whatever that means.
(It is her father’s profound wish
That she memorize all of Revelations.)

From the grass, she tells me
That her father explained to her
That non-dairy creamer kills
Ants. She does it with a smile.
(We don’t have to say much more,
Suffice it to say he’s a very loud man.)

She still has an averse reaction
To stories about car crashes.
And I never read her her
Early July horoscope.
(Nightmares are too kind.
Panic sifts through windowpanes.)

Her uncle doesn’t call from
The old hometown, he was
Grabbed from her life and her
Father never says why they moved here.
(Two years her junior, she jokingly
Calls me Grandma because)

She hates her real one. Prom
And graduation. A candle
Ceremony and she’s gone.
Her father left before it was over.
(I’ll miss her, but I made
Her promise not to visit.)

VI

Hot like a miracle breath.
The two seasons: Summer
And February.
We taste the heat
And drive away for the weekend.
Of course the world ends
And the “Welcome to” sign.

Unsurprisingly,
The radio dies as we
Head back to town.
Why should the death of
An intangible surprise me?
Everything else
Dies here.

Pessimism like a mockingbird.
The smoking trees
Ripple like an Ella
Fitzgerald vowel.
Hold your
Miraculous breath
And it still won’t rain.

Our abortion
Welcomes the needle heat
with a  horrifying
Little finger.
That smile,
That smile.
Jesus.

How can it stay so
Hot? No reply,
But I forgot who
Was asking.
The irony of this ****
Town sparks my
Smile.

VII

So where are you from?

        I lived up north
Before I moved down here.
They needed teachers and
I thought “Why not?” Turns
Out this place is a lot
Slower than up where I
Came from. No offense.

(Laughs) None taken.
So what are you teaching?

Senior English. Pretty cool
Subject but I was shocked
How little the kids had been
Exposed to. I hope to remedy
That soon. (Mumbles something)
Any more problems, you know?

The parents have complained?

Oh, just the usual nitpicky
Silliness: “I don’t want my
Christa or Johnny reading
Such-and-such a book.”
After a few years, I’m
Sure the parents will lighten up.
Or, (Laughs) at least I hope.

How are the kids?

Can I actually answer that one?
One or two brights but most
Just seem ready to get out.
They’d better be willing to put
In some actual thought if
They really hope to. (Pause)
It’s not all about sports.

(Laughs) I hope you’re not too
******* the athletes. They do their best.

Well, I certainly hope
They do. I won’t play
Favorites or anything like
That. Hardly fair to the
Others, right? (Laughs,
A pause, tape ends.)

VIII

He can’t breathe.

He’s been running for
Hours.
The trees. The brush.

Wonderful veins blast
Away at their work
To preserve him;
Great fibrous tendons
Work to carry him
Away from the noise.

The murderous streets with
Scoured buildings
And trees inviting the
Convening crowds to lay
Out their burdens, to
String them up and
Ease their hard frustrations.

They have not seen him as yet.
He follows Polaris,
god of the irreverent,
Meager candle for a
Drowning man.

Exposed road; he flags
A car like a madman.
Well, we shan’t go
So far as to call him that.
And has he any bags?
No.
And which way is he going?
North.

Procession. Silence.

The coolish progress
Of a blackish
Summerish
Night.
How many minutes
out of town? and how
many moments in the
rounding cruelty of acting?
The driver smiles in his driver’s
Seat, eyes lit by the green
Display, ears filled suddenly with
Static.

The bruised night
Raises its single, white eye
Like the ponderous pitch
Of a bird.

I suppose he knew from
The second he saw the car:
There was never any sanctuary
In this little cloister.

The towns spreads like
Botulism over both windows.
He stops before the courthouse.
Stops before his jury,
Hanging judges.
And you needn‘t ask yourself
“Who are they?”

I’ll tell you.

They are men and women,
They stand on roofs.

They are boys from California
Who ran like foxes but refused
To run away.

They are musicians who lived
Their lives without a sound.

They are hopeless hags who
Speak in blinding grocery stores
And **** the gossip air.

They are girls with opportunities
Burst like an innocent cell
And violated by the heavy hand
That tucks them deep to sleep.

They are cruel little ******* who
Only wanted something to listen to
While the seasons spun around them.

They are teachers who never learned.
They are hearts that never burned.
They are heads that never cooled.
Not when it’s so hot outside.

They grew uneven like a story
Written in celebration of a meaningless title.
They have every right to be angry,
And yet they level their stones
At one another instead of the
Hell a glass house can become.

They walk so slow the sun
Can stoop and eat them up
Without the briefest guilt.

Lady Winter

I.
When surly Winter sighs, her icy breath
Makes adults think of coming death,
Makes children think of falling snow,
Ice skates and sleds and away they go....

II.
Alone among her Sisters, Winter holds such power
To stop the World, to drift in Time, if only for her hour.
She puts the trees and fields to sleep,
Then covers lakes and land 'neath sheets,
And though she tucks them into bed,
Their sleeping form is of the dead.

III.
This Lady White whose frigid face
Turns from the sun with chilly grace
Has for herself a single duty:
The world to rest in icy beauty.
In the North, where'er she goes,
She dresses lands with icy snows.
In gowns of ermine stand the trees
White trains of down lie at their lees.
She sets the plain with crystal lakes,
And sugars hills with frosted flakes.
Where ever she in beauty goes,
The icy Queen her magic sows.

IV.
Strange sister of four Seasons,
Her face, at first, seems set in Death,
But we who walk out on her icy grounds,
Traverse a frozen pond or wander rounds
Deep into her forests fast asleep, know well,
We who stop to listen and to look can tell,
Life's certitude awaits the end of chilly Winter's icy fling.
(Congregation: "Even so come quickly, Lady Spring!")

The walls harbor my secrets
Pink wall paper
Tucks them away as I sleep
Ballerinas dance in my head
I want to be like them
Graceful, thin, light
My secret scrapes at a dinner plate
Longing for more
But begging for less
I want to be her
The girl in my dreams
Who has perfect pirouettes
But when I wake
My knees meet
Bathroom tiles
Bile spills into
A porcelain bowl
I'm not a ballerina  
I'm a bulimic

The crowd will think it grace
But I can hear the wind assaulting my ears
I can feel the strain in my fingers
The skin is worn from holding on

My body twists and tucks
The crowd will think it a feat
I'm just surviving the threat
Of constant gravity
Just routine

I barely notice the effort anymore
They will label my instincts majesty
I'm just trying to stay up
Having felt the bottom
I no longer believe in the net