I look at them and see their happiness
And in my mind the comparisons are already being drawn up.
Their delight in the late night trysts and flirtatious conversations make my thoughtful drawn out ones seem dimmer, darker and less than their experiences.
It hit me.
The insignificance of my relationship with him.
I observe my friend,
Return sweaty and crumpled,
Her shirt and skirt inside out.
She was holding her pink satin bra in her left hand.
She could barely communicate the thrills she had just experienced.
How can I compare?
The senior boys seem to line up
Out the classroom, begging from behind the hallpass, to have them run away and leave the darkness  of Mary Shelley, for their arms and lips.

I find that the silence is growing in me
Like the idea of insignificance has taken root in my mind
And it's fruits are envy
Which I cannot leave to rot.

If you see the wonder of a fairytale
the midnight trysts of the snail
the laughter of the whale
the hammer being hit by the nail

The elephant afraid of the mouse
the cuckoo burgling a house
the old woman who lived in a shoe
the ghost who couldn’t say boo

The giraffe who hated the smell of his feet
the hyena who’s laughter was like a drum beat
the ant-eater who didn’t eat ants
the day Donald Duck forgot his pants

These thoughts made me giggle
I hope it gave a funny bone a tickle

Endearing is the moon tonight
and through its silver glow,
She whispers secrets of the things
that only she could know.

Of lover's trysts on summer nights
of kisses ‘neath her smile,
Of secret murmurs begging "friends"
to stay a little while.

Of sweet caresses cherished
in the fog of memories,
Of moonlit walks in arbors sweet
'neath swaying groves of trees,

Of shadows cast by clasping hands
of hearts that feel desire,
and unrequited love
               that feels like death
                              from friendly fire.

Of promises in passion made,
with no chance to fulfill,
Of loneliness, of happiness,
of parting's bitter pill,

She whispers of the romance,
of the love that's hot and cold,
Like love that loses passion
but sustains us getting old.

She passes in the evening sky
and frolics with the stars,
And leaves this mortal on the porch
to mend life’s wounded scars.

Yet, never does she realize,
the secrets that she'd shared,
Are common knowledge
                         here on earth,
where love has all ensnared.

The victim list keeps growing

But no one really cares

The gristmill claims another one

Keep your hands in and don't stare

Hollywood is the golden land

The eternal silver screen

But many souls are lost here

A lot of greats or never beens

Child stars and veterans

The names can fill a book

Look, we've lost another one

Keep on moving, no time to look

We show concern when tales we hear

Of celebs dying young

We ruminate on films not made

And songs they've never sung

Each busload brings another group

To fill the starstruck void

And the next bus has a dozen more

With dreams, too soon destroyed

It's been this way since film began

The streets are filled with scores

Of undiscovered junkies,

And photogenic ******.

Some you know and some you don't

It's a list a mile long

It's amazing how these fragile folks

Could end up going wrong

The studios were pimps back then

With bennies all the rage

They loaded up their bonus babes

And then they sent them out on stage

We've seen the Little Rascals

You know Alfalfa Switzer, but,

Did you know he died a ******

From a bullet to his gut?

Scandals, lawsuits, hidden trysts

These stars were fully amped

Girls below the legal age,

Made Chaplins ***** a *****

Arbuckle committed ******

Other's just od'd

It's amazing how the failures

Make for a better read

Oh look another bus trip

Past the houses of the stars

All manicured and landscaped lawns

Just to hide the ****** scars

If you look behind the curtain

Back into the world of Oz

You'll find the munchkins getting plastered

And dear Judy dead because

They made her a screen idol

They broke down the girl inside

They milked her for her talent

****, they took her for a ride,

For every one like Garland

There's a thousand more in line

Just waiting for their chance to see

Their name upon that sign

Keep together, Keep on moving

There's lot's more for you to see

River Phoenix from an overdose

John Belsushi killed by speed

Peg Entwhistle jumped from high atop

The Hollywood sign we see

She decided she had had enough

In either 32 or 33.

Hughes bough loads of starlets

He liked to hide them round the town

But he was always way too busy

Getting up or coming down

James Dean died in a car crash

Add his name unto the glut

And there was young Grace Kelly

It seems our Princess was a ****

Jean Harlows husband shot himself

Clara Bow liked  having fun

In fact she ******* the USC football team

And I think she might have won

Look up and see the smiles

Of the ones who reached their dream

But, many do not go unscathed

In Space they can't hear you scream!

Sal Mineo was murdered,

Then there's dear dear Natalie Wood

They're not saying  RJ done it,

But it sure does not look good

Remember the curly headed kid

Who played Buffy on tv

She ended up so full of drugs

It's a list from A to Z

Now, when stars have problems

they do reheab and they hide

Back then they never had the chance

They just committed suicide

The man of steel, George Reeves

Was found shot in the head

They're not sure who killed Superman

So they said suicide instead,

Bob Crane, our Colonel Hogan

Made **** films and did drugs

But, whle Hogan's Heroes was still on

This was swept under the rugs

We can keep on this forever

Listing failures more than gains

For to be a fallen idol

comes with alot of pain

Child stars, just brushed aside

Their names and faces lost

Their lives are but a footnote

Is their loss the final cost?

You can peek behind the curtain

The wizard's still there today

But, if you come to visit

Please don't make the choice to stay

For, the victim list keeps growing

It gets longer every year

But, for many of these fallen stars

Is there one who'll shed a tear?

It's an image on a silver screen

We love the work they do

But of each ten thousand who do try

There's only one who's dream comes true

So, watch and listen closely

For in Hollywood you'll find

A list of tragic stories

Who the movies left behind.

I play my bowed lyre,
my mind not quite clear,
albeit I did not imbibe.

Chagrin is strummed
as I tell myself the tales
of my trysts.

Now I sit near the hearth
watching the log lessen in size,
turning to ash.

I cannot elude this aberration,
I feel the forlorn tug of my heartstrings;
my meretricious panoply of remorse shall stay within me
until my heart has become turgid with sorrow,  
until I cease to roam this world.

and I sit you stand,
there's water racing down to the tile,
I wonder what the water gets to feel,
your dripping but you don't seem to mind,
you shudder and I look away,
I am afraid  to touch you,
I'm not sure I know how,
darkness cloaks the world outside,
but I still see you,
broken,
bruised,
bleeding,
you seem to shadow the things I hide,
and use this love you will,
but I don't breathe when you touch me,
I cant formulate thought,
I want to save you but I 'm drowning in emotion,
not enough for what you need,
you say,
nonchalantly,
"*******. m.e."
I tell you I haven't.
though I imagine she's a nice girl.
I avoid the command choosing to ignore your desire,
and squander  mine,
I don't know how to love you,
I just do,
why would you stay if it was in your power,
you opened a door,
I closed it, to afraid of the feelings that lurk,
on the edges of this fragile heart,
i keep you in the almost pile,
and maybe i was just your draft,
and under a starlit sanctuary,
with only hands to guides us maybe we too could be among,
the lost things.

Ono no Komachi translations

These are my modern English translations of the ancient Japanese poems of Ono no Komachi…

As I slept in isolation
my desired beloved appeared to me;
therefore, dreams have become my reality
and consolation.
―Ono no Komachi, loose translation by Michael R. Burch

Submit to you, is that what you advise?
The way the ripples do
whenever ill winds arise?
―Ono no Komachi, loose translation by Michael R. Burch

Watching wan moonlight flooding tree limbs,
my heart also brims,
overflowing with autumn.
―Ono no Komachi, loose translation by Michael R. Burch

If fields of autumn flowers
can shed their blossoms, shameless,
why can't I also frolic here ...
as fearless and as blameless?
―Ono no Komachi, loose translation by Michael R. Burch

So cruelly severed,
a root-cut reed ...
if the river offered,
why not be freed?
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

I had thought to pluck
the flower of forgetfulness
only to find it
already blossoming in his heart.
―Ono no Komachi, loose translation by Michael R. Burch

The wildflowers and my love
wilted with the rain
as I idly wondered
where in the past does love remain?
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

I nodded off thinking about you
only to have you appear in my dreams.
Had I known that I slept,
I'd have never awakened!
—Ono no Komachi (KKS XII:552), loose translation/interpretation by Michael R. Burch

That which men call "love" ...
is it not merely the chain
preventing our escape
from this world of pain?
―Ono no Komachi, loose translation by Michael R. Burch

Did you appear
only because I was lost in thoughts of love
when I nodded off, day-dreaming of you?
(If I had known that you
couldn't possibly be true,
I'd have never awakened!)
―Ono no Komachi, loose translation by Michael R. Burch

Sad,
the end that awaits me ...
to think that before autumn yields
I'll be a pale mist
shrouding these rice fields.
―Ono no Komachi, loose translation by Michael R. Burch

In this dismal world
the living decrease
as the dead increase...
oh, how much longer
must I bear this body of grief?
―Ono no Komachi, loose translation by Michael R. Burch

Once-colorful flowers faded,
while in my drab cell
life's impulse also abated
as the long dismal rains fell.
―Ono no Komachi, loose translation by Michael R. Burch

Now bitterly I watch fall winds
battering the rice stalks,
suspecting I'll never again
find anything to harvest.
―Ono no Komachi, loose translation by Michael R. Burch

This abandoned mountain shack ...
how many nights
has autumn sheltered there?
―Ono no Komachi, loose translation by Michael R. Burch

Am I to spend the night alone
atop this summit,
cold and lost?
Won't you at least lend me
your robes of moss?
—Ono no Komachi (GSS XVII:1195), loose translation by Michael R. Burch

Two things wilt without warning,
bleeding away their colors:
a flower and a man's heart.
—Ono no Komachi (KKS XV:797), loose translation/interpretation by Michael R. Burch

Alas, the beauty of the flowers came to naught
as I watched the rain, lost in melancholy thought ...
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

Watching the long, dismal rains
inundating the earth,
my heart too is washed out, bleeds off
with the colors of the late spring flowers.
―Ono no Komachi, loose translation by Michael R. Burch

Wretched water-**** that I am,
severed from all roots:
if rapids should entice me,
why not welcome their lethal shoots?
―Ono no Komachi, loose translation by Michael R. Burch

Though I visit him
continually in my dreams,
the sum of all such ethereal trysts
is still less than one actual, solid glimpse.
―Ono no Komachi, loose translation by Michael R. Burch

I feel desire so intensely
in the lily-seed darkness
that tonight I'll turn my robe inside-out
before donning it.
—Ono no Komachi (KKS XII:554), loose translation/interpretation by Michael R. Burch

This vain life!
My looks and talents faded
like these cherry blossoms inundated
by endless rains
that I now survey, alone.
―Ono no Komachi, loose translation by Michael R. Burch

Autumn nights are "long"
only in verse and song:
for we had just begun
to gaze into each other's eyes
when dawn immolated the skies!
―Ono no Komachi, loose translation by Michael R. Burch

I think of you ceaselessly, with love...
and so... come to me at night,
for in the flight
of dreams, no one can disapprove!
―Ono no Komachi, loose translation by Michael R. Burch

On nights such as these
when no moon lights your way to me,
I lie awake, my passion blazing,
my breast an inferno wildly raging,
while my heart chars within me.
―Ono no Komachi, loose translation by Michael R. Burch

Since my body
was neglected by the one
who had promised faithfully to come,
I now lie here questioning its existence.
―Ono no Komachi, loose translation by Michael R. Burch

Since there's obviously nothing to catch
in this barren bay,
how can he fail to understand:
the fisherman who persists in coming and going
until his legs collapse in the sand?
―Ono no Komachi, loose translation by Michael R. Burch

What do I know of villages
where fisherfolk dwell?
Why do you keep demanding
that I show you the seashore,
lead you to some pearly shell?
―Ono no Komachi, loose translation by Michael R. Burch

Yielding to a love
that recognizes no boundaries,
I will approach him by night ...
for the world cannot despise
a wandering dreamer.
―Ono no Komachi, loose translation by Michael R. Burch

Now that I approach
life's inevitable winter
your ardor has faded
like blossoms devastated
by late autumn rains.
―Ono no Komachi, loose translation by Michael R. Burch

Am I to spend another night alone
atop this ice-crag,
cold and lost?
Won't you at least lend me
your robes of moss?
―Ono no Komachi, loose translation by Michael R. Burch

"It's over!"
Your words drizzle like dismal rains,
bringing tears,
as I wilt with my years.
—Ono no Komachi (KKS XV:782), loose translation/interpretation by Michael R. Burch

I pursue you ceaselessly in my dreams ...
yet we've never met; we're not even acquainted!
—Ono no Komachi, loose translation by Michael R. Burch

Like flowers wilted by drenching rains,
my beauty has faded in the onslaught of my forlorn years.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

Fiery coals searing my body
hurt me far less than the sorrow of parting.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

Love is man's most unbreakable bond.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

This moonless night,
with no way to meet him,
I grow restless with longing:
my breast’s an inferno,
my heart chars within me.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

How brilliantly
tears rain upon my sleeve
in bright gemlets,
for my despair cannot be withstood,
like a surging flood!
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

This flower's color
has drained away,
while in idle thoughts
my life drained away
as the long rains fall.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

Fatal reality!
You must do what you must, I suppose.
But even hidden in my dreams
from all prying eyes,
to watch you still pains me so!
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

In eye-opening daylight
much stands revealed,
but when I see myself
reflected in hostile eyes
even dreams become nightmares.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

I would meet him tonight
but the moon shows no path;
my desire for him,
smoldering in my breast,
burns my heart to ash!
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

Sleepless with loneliness,
I find myself longing for the handsome moon.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

Sotoba Komachi is a modern Noh play by Yukio Mishima (1925-1970). Mishima's play is based on an ancient work by Kan'ami Kiyotsugu (1333-1384). The first kanji means "stupa" (the dome of a shrine) while the second kanji means "belle" or "beautiful woman." So the title may be interpreted as something like "Beauty's Shrine" or "Shrine to Beauty." Kan'ami was the first playwright to incorporate the Kusemai song and dance style and Dengaku dances into plays. He founded a sarugaku theater group in the Kansai region of Honshu; the troupe later moved to Yamato and formed the Yuzaki theater company, which would become the school of Noh theater.

Excerpts from SOTOBA KOMACHI
by KWANAMI
loose translation/interpretation by Michael R. Burch

Priest of the Koyasan:

We who have built our homes on shallow slopes
now seek solitude in the heart's deep recesses.

Second Priest:

This single thought possessed me:
How I might bring a single seed to flower,
the wisdom of Buddha, the locus of our salvation,
until in despair I donned this dark cassock.

Ono no Komachi:

Lately so severed,
like a root-cut reed,
if the river offered,
why not be freed?

I would gladly go,
but here no wave stirs ...
I was once full of pride
now fled with the years,

gone with dark tresses
and with lustrous locks;
I was lithe as a willow
in my springtime frocks;

I once sang like a nightingale
sipping dew;
I was wild as the rose
when the skies shone blue ...
in those days before fall
when the long shadows grew.

But now I’ve grown loathsome
even to ******;
even urchins abhor me;
men treat me with scorn ...

Now I am nothing
but a poor, withered bough,
and yet there are wildflowers
in my heart, even now.

Only my body lingers, for my heart left this world long ago!

Priests (together):

O, piteous, piteous!
Is this the once-fabled flower-bright Komachi,
Komachi the Beautiful,
whose dark brows bridged eyes like young moons;
her face whitest alabaster forever;
whose many damask robes filled cedar-scented closets?



Ono no Komachi wrote tanka (also known as waka), the most traditional form of Japanese lyric poetry. She is an excellent representative of the Classical, or Heian, period (circa 794-1185 AD) of Japanese literature, and she is one of the best-known poets of the Kokinshu (circa 905), the first in a series of anthologies of Japanese poetry compiled by imperial order. She is also one of the Rokkasen — the six best waka poets of the early Heian period, during which poetry was considered the highest art. Renowned for her unusual beauty, Komachi has become a synonym for feminine beauty in Japan. She is also included among the thirty-six Poetry Immortals. It is believed that she was born sometime between 820-830 and that she wrote most of her poems around the middle of the ninth century. She is best known today for her pensive, melancholic and ****** poems. Keywords/Tags: Ono no Komachi waka tanka translation Japanese love women womanhood feminist feminism

One: The Gathering

Lo, on a field of green
Came a few warriors
Tired from endless battle
Of killing in senseless need
So together they thus decided
Something new must arise

A scattering of small huts
Were slowly built by these
A wall erected to protect
As something new was born
Once brave men, now farmers
Near the forgotten oceans

More came to this gathering
Begging entrance to be inside
For naught was sought but peace
A name was needed for here
As something born of the future
Everyone wanted to be in Atlantis

Two: Brothers

The wall kept those away
Attempting to invade inside
But security was stronger
As peace dwelled within
Foundations of an army
Protecting Atlantis from harm

Two brothers slowly plotted
How could there be peace
If no one wanted to rule?
They decided to take control
To overthrow those in council
Wanting to have power themselves

As with those who want
Both brothers plotted
Secretly against each other
Gaining two sets of followers
Deciding each was the best
To have order of Atlantis

One night two huts were ablaze
Two bodies found in the flames
For both brothers were dead
Greed had been their downfall
Once again thoughts were gone
But the seeds of betrayal were sown

Three: Fated Love

She was a warrior's daughter
But he was a farmer's son
Fell in love and secret trysts
On the cliff tops where nobody came
There it was where love came true

For she was promised to another
To an older warrior she belonged
Only she wished to follow her soul
But she knew they would slay him
Or cast him and his family out

Each night they made love
Under the moon and stars
Ignoring those unsafe rocks
For they only saw their hearts
They would be together, forever

But hidden caves lay beneath
The ground opened up under them
Both plunged down to their deaths
Until a search was made to find them
A discovery of the caves under Atlantis

Four: The Caves

Miles of rope were used
With flaming torches
For those brave to explore
The mysteries of the caves
Of the treasures they had

Strange encrusted gems
Found embedded in the walls
Mined and brought to the surface
Where the wealth of Atlantis
Became a legend to behold

These caves were too valuable
Outside forces would come
For years they crafted below
While warlords battled above
There would come the first king

As a city was created underground
A war council was born to defend
Never to see the slendours
That only a select few would see
But it would take a century

Three kings would come to rule
As the city in the caves took shape
Where wondows watched the ocean
A stairway of gold led down
The city of Atlantis was born

Copyright Chris Smith 2013

In day's prime, in summer's sweet eyelids,
Two lives arc, their eyes struggling to break a stare, sharing trysts through dulciloquent exchange,
After the deep blue blossoming lake. To avenge time, we sought it and drove our pupils
Down through the bluff and the green trees, limping past the arenose and albicant sands
Into it's quivering- I must say.

Hey fancy. You make me smile regularly,
I need you to know, because I don't always say so,

but if I didn't read what you write about
your interactions with life,
I'd definitely be not the half that I am of alive.

So thank you, from the perfume of my heart,
and the plastic that is my legs,
the opossum hair that makes me who I am,
and the light of my malaise.

crystal trysts
souls collide
intertwining
making something beautiful
golden thread
braiding hair
hands run through
curly
in the night
sleep
"but i'm not tired"
wanting to hold you
when i can't sleep
crystal trysts
hide with you
in a bed of flowers
hands on my skin
lips on mine
suns set
letting forth night
holding the moon
in your eyes.

Perhaps unrequited love
    is so much better than this--
This love behind bolted doors
    and peppered with midnight trysts.
Drunk with these stolen moments,
    you will never know my pain.
I’m just your ***** secret;
    Maybe I’ve no other name.

It was a small bit of freedom
Stolen under the dark desert sky
It was counted out
Not by minutes or hours
But kernel by kernel
Of delicious forbidden fruit
Eaten slowly
Like a lover
Savoring every sweet drop
Nothing else existed
For the moment
But the wide open night
And sweet rough skinned fruit
Torn open bit by bit
Slowly anticipating every ruby orb
That would burst it’s sweet juice
In wet pleasure
The nights were hot and dry
The smell of dust
Still hanging like a veil
And it was it all was about the dust
That freedom giving dust
Not from the dry desert
But the dust left on the window sill
Tended in soft careful piles
Next to the bars
To be carefully packed back into place
So they could lie
Lie about the night
Lie about the fruit
And the forbidden trysts
Under the outstretched arms
Of the small twisted tree
But the rough red peels
Left carelessly strewn about
By small unwitting fingers
Eventually told the truth
That the bars wouldn’t
And they started counting the fruits
Every day and every morning
The bounty now left untouched
But the night was still there
With stars close enough to hold in your hand
The hot desert breeze gently breathing
And every moment
Free

how can we know where lovers go
or when they take the notion
to stop the flow and try to slow
the rhythm of the ocean.

we cannot seek to reach this peak
or lift above that sea,
we are too weak to mug the meak
of their sincerity.

we are alone, together and free.




and here's some stream of thought (that just so happens to rhyme, kinda)...

loopy arousal.
lofty appraisals.
disabled and taken for granted.
in the eyes of the dead,
instead of the usual red,
we decided on green
to dress the scene.
the sound man listened.
the light man leered.
the chef was cooked.
i'm hooked.
heaved on to me like voyeurism
and sought like publishers.
distasteful? yes.
useful. yes.
knowledgeable? sometimes.
lurid trysts and poltergeists
expounding.
multiplication escapes me.
pen and paper **** me.

she reads meat
eyes in a meeting
persistent of the trysts of leather
her steady trap-door arose
in her deposition
the latitude of her nubile degrees
Procrastinates his step,
Subtly overdubbing the scrawny pallid ache
In the etch'd skin, her color-by-numbers comes undone.

Oh, where the fair sun's light glistens the sand,
and the crystal waves of the sea so blue,
A paradise, caressed by nature grand,
my freedom, whom I have loved before you!

Its calm mountains of beauty incarnate
to a thousand fortunes I would relish!
Trysts with knowledge, ideas passionate,
with life, liberty, shall I not cherish?

But when you, oh darling of my vision,
are ****** to the hell of mundanity,
I cling to light that darkens my mission,
drowned in the abyss of iniquity!

Dreams, awakened and fulfilled at life's cost,
Memories, future of bliss, all is lost!

an eerie song that sings of secret trysts,
of long lost love, of desolate despair
that climbs upon the ghostly midnight air,
where winter seas are bathed in cloudy mists.
and i am captivated by the cries
of melancholy winds and stormy waves
that sing around the lonely ocean caves
and drown the heavens with their lovelorn sighs.
a voice that whispered; "once i loved her so
that the wide sea could not keep us apart,
the sound you heard the beating of my heart,
or murmur of the tide, you'll never know."
as if the sea was haunted by a ghost,
who called my name along the weary coast.

I could drown myself in cups of coffee, in nicotine, old books, and whiskey.
But that won't make me crave you any less.
I could immerse myself in the deepest of enthralling literature, poems, a sea of colloquy,
Waves, strangling the current of my mind.
But you'd still be the resonant word.
I could listen to the sweetest of voices on repeat, golden like honey, sticky,
But my ears would only ever truly answer to yours.
Serpents tend to bite their own tails, a mythological and alchemic symbol of the cyclic nature of the universe: creation out of destruction.
But I'm not breaking my heart, loving you.
Swollen, yearning, daydreamed astray, gathered fast by night.
Curiosity deniable no more, innocence lost, hands wandered exploratory below.
Clambering desperate over themselves, those hands fell over folds of warmed flesh, over forgotten nooks and unfound crevasses, over trembling thighs and aching calves.
Astounded by the vast array of fresh delicacies, of unencountered sensations and deepest pleasures, she stood by loyal as those hands swiftly accustomed themselves to pursuing true ecstasy.
What divine rapture. What soaring heights of pleasure to ascend to. And what a delicious revelation to encounter such unimaginable ecstasy.
That twelfth year become a fourteenth, a fifteenth, a sixteenth.
And with the passing of each came a series of ever more adventurous trysts, the sorts of which Cousteau, Armstrong, and even Columbus could all be truly proud of.
Depths sounded, crevasses plundered, self’s nectars tasted and devoured, the pleasures of the flesh went unearthed.
Elaborate constructions lovingly shaped, waxed and honed, years of heady experimentation, trial and errors, fantasy and dreaming, all in the pursuit of even harder, better, faster, stronger *******. Perhaps it was that, or was it more a case of welcomed companionship? Ambidextrous frustration? A carnal appetite, most terrifying in its magnitude?

Isn’t it time then, you tried a little tenderness?
Be good to you.

If you see the wonder of a fairytale
the midnight trysts of the snail
the laughter of the whale
the hammer being hit by the nail

The elephant afraid of the mouse
the cuckoo burgling a house
the old woman who lived in a shoe
the ghost who couldn’t say boo

The giraffe who hated the smell of his feet
the hyena who’s laughter was like a drum beat
the ant-eater who didn’t eat ants
the day Donald Duck forgot his pants

These thoughts made me giggle
I hope it gave a funny bone a tickle

O Word of green and shafts of golden
sun; of nightly, silent silver moonlight;
and the strange songs of gentle winds!
   O Time of dreams, and trysts, and
olden memories come to life! Sweet summer,
may I sing as thou, for every leaf
of thine is pregnant with music in the soft
winds, and every rose inspires the
tenderness of song. I yield myself to the
thousand enchantments of sky and
field and wood, and play again like a child
on the soft green of the earth.
   And as the God of the universe has
made thee to bloom in tenderness, so also
may my heart be made to bloom again.

His life, he’d been frequently told,

Was a stepping stone to

Something better. His growing religious convictions

Taught him about the different levels

Of god.

The innocent child, sacrificial man, distant father,

Steadfast sister and mother.

It taught him not to lust after his pretty neighbours,

Man or woman, nor to daydream

Of unlikely trysts with all the inherent dangers

Involved but to expend his energies

In religious ecstasy instead

Agonising inwardly over the beatitude

And the internal landscape of the soul.

By the time he was forty, he reckoned

He’d got a raw deal. No money, no career,

No friends, just a lot of ****** prayers.


They put her coffin gently in

And he cried, watching it disappear

Unable to think of heaven.

He was not consoled now

By thoughts of

Infinite life.

The slow sounding of a repetitious tune

Amongst cloudy vistas of

Over egged benevolence.


He’d missed the boat, through

Worshipping too much. A rotund

Middle-aged man

With a sagging mind, brown teeth

And old fashioned clothes.

All he had now were his church

And his mother’s dying friends.


He threw dust over his mother’s grave

And walked softly away.

Subatomic
Silver smoky sauntering lovelessness
Spots on arms, purple and green
Sickness and sleepless
Wow-like, wicked witchcraft catching

Tones humming zzz'ing
Screaming across elbows
Tucked into the ****
Concrete carnivalesque berserk wildness

Ferally and virily.

U U U THANK U...............Rice Krispie
ANNDD BEATS LEAP CURIOUSLY HIDING
UNDER THE SHEETS

Perfervid fervency.

Idling- white crisps
Blinding silences
Sticky fingertips and lurid looks
Tape after tape of binded irises in the pupil symposium,
Where side-by-side the seams mend together

Innards scissor sideways
Upways downways
Exteriors in rhythmic sync

Tastes like lolli-pop rocks
Watermelon- dazzling gold
Front-step excited eyes binding.
See-cells intertwined and idling-pupils
Dance and discover
Wild hypnotic trysts of skins
Twisting in cotton scenes
Hours of comfortable comforts of living
Women and men handling
Fun funds 'n' bon-bons; investing in the bond.
And going back for seconds.

The head riffs over riptides and causeways, lip-lies and kisses on Broad Way.
Two cadavers, hog-tied. Kissing longways and long ways.
Perogative oxytocin. American Express massages scented oils and lotions.
Persons of interest abetted in sweating. Heaving torsos.
Throwing legs, arms, and sparklers. Redonkulous nectars are microscopic.
Sweet flavors on taste buds or lit by recessed black light optics.
Massaging the rhinoceros husk in this 21st century sarcophagus,
Whiles of Wilders' words were spoken
Nickels of wood soaking in splintered tubs
Thumbs under surveillance. Sneaking inches of suspicion
Leaves treated with lacquer, fables beaten within inches of their lines;

Live its Friday night!
Deviled veterans draped in moon-hide rise
Defiling puerile twenty-something lives.

These wild highs in debts of purs'd thighs
Vexed by personal lies. Hexed in white-out lines.
Riled midnight rides inside this pyre of redolent pie- stroke six and nine
Intertwine in one human form supine
While quaffing nectar wine from the vine
Rancor drives the crime and anoints bold creature types to dine
At the interstice of Sublime.

My moirai has cursed me for bumping into you on late,
albeit it is a curse,I texture it as a mot blessing,
as my experiences now shall be blossomed with our confluences,
and my fantasies shall emulate our trysts......

well hey, they decided you had to be puritan shunning your eyes at the word ****... but said you were to be crucified twice-over to see ******* and **** and other morbid clown balloon images that deviated from censoring ****-all / nothing and ensuring you were comfortable with dyslexia of pulverising images that could only be reduced to a close-resemblance of words (onomatopoeias) - ol' McDonald 'ad a farm...**

god save the queen,
god save our...
come on! come on! come on! come on!
do you wanna be in
             my gang my gang my gang?!
do you wanna be in
             my gang my gang my gang (my *******)?!
(garry gloater, uhu uh hum aha um - elvis proved
the english stiff upper lip could be cured - sore
the lippy wrinkle of disapproval insinuated, soar
like an angler's catch of the fisherman's hook!
but the stiff pelvis couldn't - exporting
a redcoat to america is like importing a ku klux hood
to england, ha ha.)
leisurely in Majorca binge drinking
in Bristol is a N.H.S. concern,
Madonna faked the *****,
the ***** faked the Madonna
because of the seasonal olive skinned trysts...
drunks' trolley banks and cabbage heads
of mashing up hairstyles at a metal rock gig...
it was once 80s Nevada deep freeze,
now it's airy new york Warhol cool...
shinobi said: dragon's ***** gave birth to
fast blinking ninjas...
all the world's a stage... but no man
should turn into the world just because
he was given a stage... tabloid literature
faked shakespeare plagiarism of death too frequently....
Anthem Britannia - sail the seas of ****** milkiness
gluten free passive vitamin C, D & A recipients
in the multi-pill... of all the former empires
i got the ****-hole... learn the basics...
the perverts are out there, ready to scream the words:
***** REEL! and get their nuts jotted down
in a blender of teenage emotion...
we're talking the new age futurism off futurism,
since the date prescribed by Fukuyama,
beginning / ending when people stopped the 100
cyclone and entered the lasting 2nd half of the 20th century
as a bleach for the 1st part of the 20th century,
meaning they had to grapple with writing history
and stop looking at art as "post-modern",
well basically modern post-mortem
of the millions dead... the art they make these
days is just gagging for a shooting-spree.

the enfeebled voice spoke of hopelessness
the inflamed flesh told of a spirit subdued
shrunken and felled by a creeping weakness
her sightless eyes  were a sign of approaching demise
yet she said she would see me in the morning
and next day under the winking sun i was at her mourning
keeping a promise made a long time ago under a cork tree
to sing about the beauty of a true heart that loved well
and how there was a place and a time for sundown trysts
in the world of articulate shadows beyond the endless blue
and there an enigmatic silhouette she waits in expectant vigil

Days like this, clouds twist
round languid trysts and linger
through each billow -
how a breath of smoke forms shadows
or a swarm of midges gather -
growing tangible as tuffets
of pubescent body hair.

If I had studied clouds
and all their undercurrent slip
streams, then my memories
might emulate
their dissipating shrouds.

Bruised wrists

****** trysts

throbbing lips

thrusting hips

burning desire

***** on fire

What’s that noise?

another surprise

over the precipice

drowning in bliss

Like stars upon the faded rim
Flowing faster, much colder, and worn thin.
Every cold, enveloped word spoke much quieter than this,
Hidden thoughts kept buried with each kiss
Hesitation slewn atop meticulous counting
Of seconds, and minutes, and hours surmounting
Every single day that has passed
Since the very moment I saw you last

Like slim and slender finger wisps
That sings like smoke that burn the lists
That sleet like snow that summer does miss
That slide like tongues into our trysts
That scars like cuts upon our fists
That slips like hands and palms on wrists
Do all my ears and eyes feel this.

Dissonance in cold maurauding sleep,
Announce the world the queen's to keep.

This is the tale, too often told
Of the idiots and the bums
And why those silly fools applaud
Whenever the apocalypse comes.
When things get good for common folk
Those in power get extremely worried.
They fear people will discover where lies
All the freedoms the rich people buried.

They were aware, while the populace isn’t
Of the changes they made in the laws;
That the elite put in place corruption
Where opportunity so recently was.
The poorly-named Conservatives
Quietly  un-conserved the truth
In order to tie the hands of men
And proselytize our gullible youth.

They vilified and imprisoned those
Among the un-bribed journalists
And went right on stealing from us
And having their illicit trysts.
Those who knew they could not rule
Unless they made villains of heroes
Bought their way to power with
Wiith numbers and many zeroes.

The populace was fed huge lies
About how horribly poor we all were,
Implying we were no better off
Than cavemen wearing only fur.
They taught the stupid among us
All of the idiots and the bums,
That they had the only answers,
That they could reverse the sums.

The idiots are easy to understand
They are looking for some answers.
The bums sit back and let it happen
And never get their stuff together.
The bums decide everything is fine
Until they lose their jobs and houses
And then the *** and idiot both;
What to do? He whines and grouses.

Meanwhile even more of the wealth
That it would take to fix our land
Rotated even more back and forth
Between the same few hands.
This is what happens every time,
This is the cycle that repeats here
Defeating progress and smashing hope
Year after Conservative year.

Just wait
Laughter
That presence within your catharsis
Jezebel
Jumpstart your
Heartache
Liberation
Fabricated Materialization
J... J…J…J…

Just wait.
Time will tell when
William Tell will attempt to shoot an arrow
through your heart.
If he misses,
you are doomed
to a life of solitude and faithless trysts
trust is a hit-or-miss.
If it pierces through,
you are condemned to a life attached
like a leech to
some being whose
too tight embraces
take your breath away.

Wait….just…
Listen.
The wind is blowing
sweeping you
off your feet.
You’re head-over-heals
in over your head
falling into a pit of
broken promises.
Only to rake them up again.

Just w….why?
Realizations that
****** should
be punished
even if its
metaphorical.

For hearts can die
and are just as hard
to resurrect
as burning stakes
which were once *****.

Wait….
all hope is not lost
for loss cannot be
everlasting
unless…
Bill’s arrow was
tipped with
what is never blessed
that which makes
all mortals quell.

But one can never know
in certainty
until that day
occurs

Just witness….
til then
dear friend
my sustainer of life
I’ll feed you
elixirs to save you
from bleeding
out your memories.
For sewing you up,
is merely temporary.

I’ll force-feed you
vitamin D until you
agree to be blissful again
and I’ll be able to tell when
your artificial smile dresses your
sorrows
in brighter colors.

Justice wades
in deeper waters
but once you reach it
it’s worth all the effort
in the world.