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Styles Jul 2017
Your flame glows
And flame throws
Insane vibes
Than makes my viens flow
My body over heats
To temperatures Celsius unknown  
our bodies taking measures
Heighten pleasures
Too bad to be a miracle
Too good to be forgotten
Memories clone
Yet, it's heaven sent
by principle
Our bodies quake with sensations
Unbelievable
Reaching heights without ******
unachievable
Take loving making to the next decimal
Feeding our appetites until we are plenty full
And our eruptions stop exploding
And we lay there motionlessly stile
Calm as a lonely
lake as satisfied as ice is chill
Cooling each other down
like the wind does the sun
Looking at each other like our work
here is done
The sun sets in molten gold.
The evening clouds form a jade disk.
Where is he?
Dense white mist envelops the willows.
A sad flute plays “Falling Plum Blossoms.”
How many Spring days are left now?
This Feast of Lanterns should be joyful.
The weather is calm and lovely.
But who can tell if it
Will be followed by wind and rain?
Ayad Gharbawi Dec 2009
WOMAN BUTCHERED



Ayad Gharbawi


Child that gathered knowledge
Knowledge frightening to human nature
Girl-child was awakened
Herself she awakened
Saw the glow of eyes buttery
Glow of hatred molten
Glow of **** howling
Child, pretended innocence pretty
Child smiled all along the paths unknown
Yet, her body recognized colours unimaginable in their serenity sublime
Figures in her sleep strange, yet beautiful
Songs of sweet sleep, yet alerting in their soothing abilities
Little girl, who are you?
Why won’t you let us
Define you?
Little girl
Honourable lady woman
Did you grow up at all?
Or did you just die in your infancy?
As so many before you have
Did you come
To feel and understand
Your sensitive dimensions?
We would have made sure that you would be mature
If you were submissive enough for us!
Child girl, laughs uneasily and seriously
Child girl, sees lofty, exalted visions possessive
Visions of history’s episodes are expressed pointedly in your compulsive embraces
The foolish martyred are reading holy sermons for their self remembrance
Soldier unknown unmasking his face mangled to the surprised horror and utter disgust
Of his family, friends and other serious clowns
Singing an anthem of Fate’s real truth and nature and essence
Heroine unnumbered, chained to deformity
And becoming a mirror of what they did chain you to
Child girl scarred and petrified by disturbed scenes committed lovingly and lavishly by Man
Child girl curls, yet anticipates
Listen! The foot-steps frighten you once more
The shrieking manic clown has arrived again, red eyed and even more
Laughing dreary, spitting words jumbled and aloud
Figure of shame stands in front of you
Intents pre-arranged by his late father
Little girl!
Are you a woman yet?
Hearing swirls of delirious, sickening
Madness, uncontrollable panic and deathly angst
Hearing painter’s brush strokes that scream their gasps of breathlessness out
Loudly and chaotically
Hears the anguish of colours’ contrasts and contradict each other to the point of
Serious suicide
Little child! Sees the begging deaf pleading for choirs heavenly to sing seriously
Sees the miserable, emaciated crumbles crumbling,
Yet foolishly searching for a non-existent tenderness in darkness painted by drunken Satans
With the foulest, blackest oil colours in their leprous fingers
They try to paint you; define you
Analyze you; dissect you
Categorize you; classify you
Little girl; woman; ******?
Alone and sincerely and deceptively guided by complicated, intertwining hatreds
That severely despised the existence of each other’s truths and falsities
Feeling sovereignty abused by casual, bored
Unconcerned sub-humans in powerful positions on earth
Pierced in pain
My sweet girl, you are now
Pierced in deathly, unforgiving
Pains and hatreds never forgotten
Sweet Humanity
Sweet Man
Sweet human beings
How sweet you all truly are!
Terry O'Leary Dec 2013
Ill-fated crowds neath unchained clouds: the Silent City braved
against a sudden flashing flood, unleashing lashing waves,
which stripped its stony structures, blown with neutron bursts that laved.

Its barren streets, although effete, resound of yesterday
with chit-chat words no longer heard (though having much to say)
since teeming life (at one time, rife), surceased and slipped away.

Within its walls? Whist buildings, tall... Outside the City? Dunes,
which limn its frail forgotten tales, in weird unworldly runes
with symbols strung like halos hung in lifeless, limp festoons.

Above! The dismal ditch of dusk reveals a velvet streak,
through which the winter’s wicked winds will sometimes weave and sneak,
and faraway a cable sways, a bridge clings hushed and bleak.

Thin shadows shift, like silver shafts, throughout the doomed domain
reflecting white, wee wisps of light in ebon beads of bane
which cast a crooked smile across a faceless windowpane.

Wan neon lights glow through the nights, through darkness sleek as slate,
while lanterns (hovered, high above, in silent swinging gait),
whelm ballrooms, bars, bereft bazaars, though no one’s left to fete.

Death's silhouettes show no regrets, 'twixt twilight’s ashen shrouds,
oblivious she always was to cries in dying crowds –
in foggy neap the spirits creep beyond the mushroom clouds.


No ghosts of ones with jagged tongues will sing a silent psalm
nor haunt pale lips with languid quips to pierce the deathly calm,
nor yet redress the emptiness that shifting shades embalm.



The City’s blur? A sepulcher for Christians, Muslims, Jews –
Cathedrals, Temples, vacant now, enshrine their residues,
for churches, mosques and synagogues abide without a bruise.

No cantillation, belfry bells, monastic chants inspire
and Minarets, though standing yet, host neither voice nor crier -
abodes and buildings silhouette a muted spectral choir.

A church’s Gothic ceilings guard the empty pews below
and, all alone amongst the stones, a maiden’s blue jabot.
The Saints, in crypts, though nondescript, grace halos now aglow.

Stray footsteps swarm through church no more (apostates that profane)
though echoes in the nave still din and chalice cups retain
an altar wine that tastes of brine decaying in the rain.

Coiled candle sticks, with twisted wicks, no longer 'lume the cracks -
their dying flames revealed the shame, mid pendant pearls of wax,
when deference to innocence dissolved in molten tracks.

Six steeple towers, steel though now drab daggers in the sky!
Their hallowed halls no longer call when breezes wander by –
for, filled with dread to wake the dead, they've ceased to sough or sigh.

The chapel chimes? Their clapper rope (that tongue-tied confidante)
won’t writhe to ring the carillon, alone and lean and gaunt –
its flocks of jute, now fallen mute, adorn the holy font.


No saints will come with jagged tongues to sing a silent psalm
nor bless pale lips with languid quips to pierce the deathly calm,
nor pray for mercy, grace deferred, nor beg lethean balm.


Beyond the suburbs, farmers’ fields (where donkeys often brayed)
inhale gray gusts of barren dust where living seed once laid
and in the haze a scarecrow sways, impaled upon a *****.

Green trees gone dark in palace parks (where kids once paused to play),
watch lifeless things on phantom swings (like statues made of clay)
guard marbled tombs in graveyards groomed for grievers bent to pray.

And castle clocks, unwound, defrock with speechless spinning spokes,
unfurling blight of reigning Night by sweeping off her cloaks,
and flaunting dun oblivion, her Baroness evokes.

The sun-bleached bones of those who'd flown lie scattered down the lanes
while other souls who’d hid in holes left bones with yellow stains
of plaintive tears (shed insincere, for no one felt the pains).

The wraiths that scream in sleepless dreams have ceased to terrify
though terrors wrought by conscience fraught now stalk and lurk nearby
within the shrouds of curtained clouds, frail fabrics on the sky.

And fog no longer seeps beyond the edge of doom’s café,
for when she trails her mourning veils, she fills the cabaret
with sallow smears of misty tears in sheets of shallow gray.

The City’s still, like hollowed quill with ravished feathered vane,
baptized in floods of spattered blood, once flowing through a vein.
The fruits of life, destroyed in strife... ’twas truly all in vain.


No umbras hum with jagged tongues nor sing a silent psalm
nor lade pale lips with languid quips to pierce the deathly calm –
they've seen, you see, life’s brevity, beneath a neutron bomb.


EPILOGUE

Beyond the Silent City’s walls, the victors laugh and play
while celebrating PEACE ON EARTH, the devil’s sobriquet
for neutron radiation death in places far away.
SM Feb 2014
A young she wolf is born
Scorched fur of molten lava and heated coal
Flames consume her path
She leaves a soot trail
Ember eyes shine the spark of life
The animal instinct to hunt
And so she will hunt
Through the hell that surrounds her
The hell she creates
A paradise of flames
“The Fire in this Wolf lives”
Alyssa Underwood Mar 2016
I

He did not wear his scarlet coat,
  For blood and wine are red,
And blood and wine were on his hands
  When they found him with the dead,
The poor dead woman whom he loved,
  And murdered in her bed.

He walked amongst the Trial Men
  In a suit of shabby grey;
A cricket cap was on his head,
  And his step seemed light and gay;
But I never saw a man who looked
  So wistfully at the day.

I never saw a man who looked
  With such a wistful eye
Upon that little tent of blue
  Which prisoners call the sky,
And at every drifting cloud that went
  With sails of silver by.

I walked, with other souls in pain,
  Within another ring,
And was wondering if the man had done
  A great or little thing,
When a voice behind me whispered low,
  “That fellows got to swing.”

Dear Christ! the very prison walls
  Suddenly seemed to reel,
And the sky above my head became
  Like a casque of scorching steel;
And, though I was a soul in pain,
  My pain I could not feel.

I only knew what hunted thought
  Quickened his step, and why
He looked upon the garish day
  With such a wistful eye;
The man had killed the thing he loved
  And so he had to die.

Yet each man kills the thing he loves
  By each let this be heard,
Some do it with a bitter look,
  Some with a flattering word,
The coward does it with a kiss,
  The brave man with a sword!

Some **** their love when they are young,
  And some when they are old;
Some strangle with the hands of Lust,
  Some with the hands of Gold:
The kindest use a knife, because
  The dead so soon grow cold.

Some love too little, some too long,
  Some sell, and others buy;
Some do the deed with many tears,
  And some without a sigh:
For each man kills the thing he loves,
  Yet each man does not die.

He does not die a death of shame
  On a day of dark disgrace,
Nor have a noose about his neck,
  Nor a cloth upon his face,
Nor drop feet foremost through the floor
  Into an empty place

He does not sit with silent men
  Who watch him night and day;
Who watch him when he tries to weep,
  And when he tries to pray;
Who watch him lest himself should rob
  The prison of its prey.

He does not wake at dawn to see
  Dread figures throng his room,
The shivering Chaplain robed in white,
  The Sheriff stern with gloom,
And the Governor all in shiny black,
  With the yellow face of Doom.

He does not rise in piteous haste
  To put on convict-clothes,
While some coarse-mouthed Doctor gloats, and notes
  Each new and nerve-twitched pose,
******* a watch whose little ticks
  Are like horrible hammer-blows.

He does not know that sickening thirst
  That sands one’s throat, before
The hangman with his gardener’s gloves
  Slips through the padded door,
And binds one with three leathern thongs,
  That the throat may thirst no more.

He does not bend his head to hear
  The Burial Office read,
Nor, while the terror of his soul
  Tells him he is not dead,
Cross his own coffin, as he moves
  Into the hideous shed.

He does not stare upon the air
  Through a little roof of glass;
He does not pray with lips of clay
  For his agony to pass;
Nor feel upon his shuddering cheek
  The kiss of Caiaphas.


II

Six weeks our guardsman walked the yard,
  In a suit of shabby grey:
His cricket cap was on his head,
  And his step seemed light and gay,
But I never saw a man who looked
  So wistfully at the day.

I never saw a man who looked
  With such a wistful eye
Upon that little tent of blue
  Which prisoners call the sky,
And at every wandering cloud that trailed
  Its raveled fleeces by.

He did not wring his hands, as do
  Those witless men who dare
To try to rear the changeling Hope
  In the cave of black Despair:
He only looked upon the sun,
  And drank the morning air.

He did not wring his hands nor weep,
  Nor did he peek or pine,
But he drank the air as though it held
  Some healthful anodyne;
With open mouth he drank the sun
  As though it had been wine!

And I and all the souls in pain,
  Who tramped the other ring,
Forgot if we ourselves had done
  A great or little thing,
And watched with gaze of dull amaze
  The man who had to swing.

And strange it was to see him pass
  With a step so light and gay,
And strange it was to see him look
  So wistfully at the day,
And strange it was to think that he
  Had such a debt to pay.

For oak and elm have pleasant leaves
  That in the spring-time shoot:
But grim to see is the gallows-tree,
  With its adder-bitten root,
And, green or dry, a man must die
  Before it bears its fruit!

The loftiest place is that seat of grace
  For which all worldlings try:
But who would stand in hempen band
  Upon a scaffold high,
And through a murderer’s collar take
  His last look at the sky?

It is sweet to dance to violins
  When Love and Life are fair:
To dance to flutes, to dance to lutes
  Is delicate and rare:
But it is not sweet with nimble feet
  To dance upon the air!

So with curious eyes and sick surmise
  We watched him day by day,
And wondered if each one of us
  Would end the self-same way,
For none can tell to what red Hell
  His sightless soul may stray.

At last the dead man walked no more
  Amongst the Trial Men,
And I knew that he was standing up
  In the black dock’s dreadful pen,
And that never would I see his face
  In God’s sweet world again.

Like two doomed ships that pass in storm
  We had crossed each other’s way:
But we made no sign, we said no word,
  We had no word to say;
For we did not meet in the holy night,
  But in the shameful day.

A prison wall was round us both,
  Two outcast men were we:
The world had ****** us from its heart,
  And God from out His care:
And the iron gin that waits for Sin
  Had caught us in its snare.


III

In Debtors’ Yard the stones are hard,
  And the dripping wall is high,
So it was there he took the air
  Beneath the leaden sky,
And by each side a Warder walked,
  For fear the man might die.

Or else he sat with those who watched
  His anguish night and day;
Who watched him when he rose to weep,
  And when he crouched to pray;
Who watched him lest himself should rob
  Their scaffold of its prey.

The Governor was strong upon
  The Regulations Act:
The Doctor said that Death was but
  A scientific fact:
And twice a day the Chaplain called
  And left a little tract.

And twice a day he smoked his pipe,
  And drank his quart of beer:
His soul was resolute, and held
  No hiding-place for fear;
He often said that he was glad
  The hangman’s hands were near.

But why he said so strange a thing
  No Warder dared to ask:
For he to whom a watcher’s doom
  Is given as his task,
Must set a lock upon his lips,
  And make his face a mask.

Or else he might be moved, and try
  To comfort or console:
And what should Human Pity do
  Pent up in Murderers’ Hole?
What word of grace in such a place
  Could help a brother’s soul?

With slouch and swing around the ring
  We trod the Fool’s Parade!
We did not care: we knew we were
  The Devil’s Own Brigade:
And shaven head and feet of lead
  Make a merry masquerade.

We tore the tarry rope to shreds
  With blunt and bleeding nails;
We rubbed the doors, and scrubbed the floors,
  And cleaned the shining rails:
And, rank by rank, we soaped the plank,
  And clattered with the pails.

We sewed the sacks, we broke the stones,
  We turned the dusty drill:
We banged the tins, and bawled the hymns,
  And sweated on the mill:
But in the heart of every man
  Terror was lying still.

So still it lay that every day
  Crawled like a ****-clogged wave:
And we forgot the bitter lot
  That waits for fool and knave,
Till once, as we tramped in from work,
  We passed an open grave.

With yawning mouth the yellow hole
  Gaped for a living thing;
The very mud cried out for blood
  To the thirsty asphalte ring:
And we knew that ere one dawn grew fair
  Some prisoner had to swing.

Right in we went, with soul intent
  On Death and Dread and Doom:
The hangman, with his little bag,
  Went shuffling through the gloom
And each man trembled as he crept
  Into his numbered tomb.

That night the empty corridors
  Were full of forms of Fear,
And up and down the iron town
  Stole feet we could not hear,
And through the bars that hide the stars
  White faces seemed to peer.

He lay as one who lies and dreams
  In a pleasant meadow-land,
The watcher watched him as he slept,
  And could not understand
How one could sleep so sweet a sleep
  With a hangman close at hand?

But there is no sleep when men must weep
  Who never yet have wept:
So we—the fool, the fraud, the knave—
  That endless vigil kept,
And through each brain on hands of pain
  Another’s terror crept.

Alas! it is a fearful thing
  To feel another’s guilt!
For, right within, the sword of Sin
  Pierced to its poisoned hilt,
And as molten lead were the tears we shed
  For the blood we had not spilt.

The Warders with their shoes of felt
  Crept by each padlocked door,
And peeped and saw, with eyes of awe,
  Grey figures on the floor,
And wondered why men knelt to pray
  Who never prayed before.

All through the night we knelt and prayed,
  Mad mourners of a corpse!
The troubled plumes of midnight were
  The plumes upon a hearse:
And bitter wine upon a sponge
  Was the savior of Remorse.

The **** crew, the red **** crew,
  But never came the day:
And crooked shape of Terror crouched,
  In the corners where we lay:
And each evil sprite that walks by night
  Before us seemed to play.

They glided past, they glided fast,
  Like travelers through a mist:
They mocked the moon in a rigadoon
  Of delicate turn and twist,
And with formal pace and loathsome grace
  The phantoms kept their tryst.

With mop and mow, we saw them go,
  Slim shadows hand in hand:
About, about, in ghostly rout
  They trod a saraband:
And the ****** grotesques made arabesques,
  Like the wind upon the sand!

With the pirouettes of marionettes,
  They tripped on pointed tread:
But with flutes of Fear they filled the ear,
  As their grisly masque they led,
And loud they sang, and long they sang,
  For they sang to wake the dead.

“Oho!” they cried, “The world is wide,
  But fettered limbs go lame!
And once, or twice, to throw the dice
  Is a gentlemanly game,
But he does not win who plays with Sin
  In the secret House of Shame.”

No things of air these antics were
  That frolicked with such glee:
To men whose lives were held in gyves,
  And whose feet might not go free,
Ah! wounds of Christ! they were living things,
  Most terrible to see.

Around, around, they waltzed and wound;
  Some wheeled in smirking pairs:
With the mincing step of demirep
  Some sidled up the stairs:
And with subtle sneer, and fawning leer,
  Each helped us at our prayers.

The morning wind began to moan,
  But still the night went on:
Through its giant loom the web of gloom
  Crept till each thread was spun:
And, as we prayed, we grew afraid
  Of the Justice of the Sun.

The moaning wind went wandering round
  The weeping prison-wall:
Till like a wheel of turning-steel
  We felt the minutes crawl:
O moaning wind! what had we done
  To have such a seneschal?

At last I saw the shadowed bars
  Like a lattice wrought in lead,
Move right across the whitewashed wall
  That faced my three-plank bed,
And I knew that somewhere in the world
  God’s dreadful dawn was red.

At six o’clock we cleaned our cells,
  At seven all was still,
But the sough and swing of a mighty wing
  The prison seemed to fill,
For the Lord of Death with icy breath
  Had entered in to ****.

He did not pass in purple pomp,
  Nor ride a moon-white steed.
Three yards of cord and a sliding board
  Are all the gallows’ need:
So with rope of shame the Herald came
  To do the secret deed.

We were as men who through a fen
  Of filthy darkness *****:
We did not dare to breathe a prayer,
  Or give our anguish scope:
Something was dead in each of us,
  And what was dead was Hope.

For Man’s grim Justice goes its way,
  And will not swerve aside:
It slays the weak, it slays the strong,
  It has a deadly stride:
With iron heel it slays the strong,
  The monstrous parricide!

We waited for the stroke of eight:
  Each tongue was thick with thirst:
For the stroke of eight is the stroke of Fate
  That makes a man accursed,
And Fate will use a running noose
  For the best man and the worst.

We had no other thing to do,
  Save to wait for the sign to come:
So, like things of stone in a valley lone,
  Quiet we sat and dumb:
But each man’s heart beat thick and quick
  Like a madman on a drum!

With sudden shock the prison-clock
  Smote on the shivering air,
And from all the gaol rose up a wail
  Of impotent despair,
Like the sound that frightened marshes hear
  From a ***** in his lair.

And as one sees most fearful things
  In the crystal of a dream,
We saw the greasy hempen rope
  Hooked to the blackened beam,
And heard the prayer the hangman’s snare
  Strangled into a scream.

And all the woe that moved him so
  That he gave that bitter cry,
And the wild regrets, and the ****** sweats,
  None knew so well as I:
For he who lives more lives than one
  More deaths than one must die.


IV

There is no chapel on the day
  On which they hang a man:
The Chaplain’s heart is far too sick,
  Or his face is far too wan,
Or there is that written in his eyes
  Which none should look upon.

So they kept us close till nigh on noon,
  And then they rang the bell,
And the Warders with their jingling keys
  Opened each listening cell,
And down the iron stair we tramped,
  Each from his separate Hell.

Out into God’s sweet air we went,
  But not in wonted way,
For this man’s face was white with fear,
  And that man’s face was grey,
And I never saw sad men who looked
  So wistfully at the day.

I never saw sad men who looked
  With such a wistful eye
Upon that little tent of blue
  We prisoners called the sky,
And at every careless cloud that passed
  In happy freedom by.

But there were those amongst us all
  Who walked with downcast head,
And knew that, had each got his due,
  They should have died instead:
He had but killed a thing that lived
  Whilst they had killed the dead.

For he who sins a second time
  Wakes a dead soul to pain,
And draws it from its spotted shroud,
  And makes it bleed again,
And makes it bleed great gouts of blood
  And makes it bleed in vain!

Like ape or clown, in monstrous garb
  With crooked arrows starred,
Silently we went round and round
  The slippery asphalte yard;
Silently we went round and round,
  And no man spoke a word.

Silently we went round and round,
  And through each hollow mind
The memory of dreadful things
  Rushed like a dreadful wind,
And Horror stalked before each man,
  And terror crept behind.

The Warders strutted up and down,
  And kept their herd of brutes,
Their uniforms were ***** and span,
  And they wore their Sunday suits,
But we knew the work they had been at
  By the quicklime on their boots.

For where a grave had opened wide,
  There was no grave at all:
Only a stretch of mud and sand
  By the hideous prison-wall,
And a little heap of burning lime,
  That the man should have his pall.

For he has a pall, this wretched man,
  Such as few men can claim:
Deep down below a prison-yard,
  Naked for greater shame,
He lies, with fetters on each foot,
  Wrapt in a sheet of flame!

And all the while the burning lime
  Eats flesh and bone away,
It eats the brittle bone by night,
  And the soft flesh by the day,
It eats the flesh and bones by turns,
  But it eats the heart alway.

For three long years they will not sow
  Or root or seedling there:
For three long years the unblessed spot
  Will sterile be and bare,
And look upon the wondering sky
  With unreproachful stare.

They think a murderer’s heart would taint
  Each simple seed they sow.
It is not true! God’s kindly earth
  Is kindlier than men know,
And the red rose would but blow more red,
  The white rose whiter blow.

Out of his mouth a red, red rose!
  Out of his heart a white!
For who can say by what strange way,
  Christ brings his will to light,
Since the barren staff the pilgrim bore
  Bloomed in the great Pope’s sight?

But neither milk-white rose nor red
  May bloom in prison air;
The shard, the pebble, and the flint,
  Are what they give us there:
For flowers have been known to heal
  A common man’s despair.

So never will wine-red rose or white,
  Petal by petal, fall
On that stretch of mud and sand that lies
  By the hideous prison-wall,
To tell the men who ***** the yard
  That God’s Son died for all.

Yet though the hideous prison-wall
  Still hems him round and round,
And a spirit man not walk by night
  That is with fetters bound,
And a spirit may not weep that lies
  In such unholy ground,

He is at peace—this wretched man—
  At peace, or will be soon:
There is no thing to make him mad,
  Nor does Terror walk at noon,
For the lampless Earth in which he lies
  Has neither Sun nor Moon.

They hanged him as a beast is hanged:
  They did not even toll
A reguiem that might have brought
  Rest to his startled soul,
But hurriedly they took him out,
  And hid him in a hole.

They stripped him of his canvas clothes,
  And gave him to the flies;
They mocked the swollen purple throat
  And the stark and staring eyes:
And with laughter loud they heaped the shroud
  In which their convict lies.

The Chaplain would not kneel to pray
  By his dishonored grave:
Nor mark it with that blessed Cross
  That Christ for sinners gave,
Because the man was one of those
  Whom Christ came down to save.

Yet all is well; he has but passed
  To Life’s appointed bourne:
And alien tears will fill for him
  Pity’s long-broken urn,
For his mourner will be outcast men,
  And outcasts always mourn.


V

I know not whether Laws be right,
  Or whether Laws be wrong;
All that we know who lie in gaol
  Is that the wall is strong;
And that each day is like a year,
  A year whose days are long.

But this I know, that every Law
  That men have made for Man,
Since first Man took his brother’s life,
  And the sad world began,
But straws the wheat and saves the chaff
  With a most evil fan.

This too I know—and wise it were
  If each could know the same—
That every prison that men build
  Is built with bricks of shame,
And bound with bars lest Christ should see
  How men their brothers maim.

With bars they blur the gracious moon,
  And blind the goodly sun:
And they do well to hide their Hell,
  For in it things are done
That Son of God nor son of Man
  Ever should look upon!

The vilest deeds like poison weeds
  Bloom well in prison-air:
It is only what is good in Man
  That wastes and withers there:
Pale Anguish keeps the heavy gate,
  And the Warder is Despair

For they starve the little frightened child
  Till it weeps both night and day:
And they scourge the weak, and flog the fool,
  And gibe the old and grey,
And some grow mad, and all grow bad,
And none a word may say.

Each narrow cell in which we dwell
  Is foul and dark latrine,
And the fetid breath of living Death
  Chokes up each grated screen,
And all, but Lust, is turned to dust
  In Humanity’s machine.

The brackish water that we drink
  Creeps with a loathsome slime,
And the bitter bread they weigh in scales
  Is full of chalk and lime,
And Sleep will not lie down, but walks
  Wild-eyed and cries to Time.

But though lean Hunger and green Thirst
  Like asp with adder fight,
We have little care of prison fare,
  For what chills and kills outright
Is that every stone one lifts by day
  Becomes one’s heart by night.

With midnight always in one’s heart,
  And twilight in one’s cell,
We turn the crank, or tear the rope,
  Each in his separate Hell,
And the silence is more awful far
  Than the sound of a brazen bell.

And never a human voice comes near
  To speak a gentle word:
And the eye that watches through the door
  Is pitiless and hard:
And by all forgot, we rot and rot,
  With soul and body marred.

And thus we rust Life’s iron chain
  Degraded and alone:
And some men curse, and some men weep,
  And some men make no moan:
But God’s eternal Laws are kind
  And break the heart of stone.

And every human heart that breaks,
  In prison-cell or yard,
Is as that broken box that gave
  Its treasure to the Lord,
And filled the unclean *****’s house
  With the scent of costliest nard.

Ah! happy day they whose hearts can break
  And peace of pardon win!
How else may man make straight his plan
  And cleanse his soul from Sin?
How else but through a broken heart
  May Lord Christ enter in?

And he of the swollen purple throat.
  And the stark and staring eyes,
Waits for the holy hands that took
  The Thief to Paradise;
And a broken and a contrite heart
  The Lord will not despise.

The man in red who reads the Law
  Gave him three weeks of life,
Three little weeks in which to heal
  His soul of his soul’s strife,
And cleanse from every blot of blood
  The hand that held the knife.

And with tears of blood he cleansed the hand,
  The hand that held the steel:
For only blood can wipe out blood,
  And only tears can heal:
And the crimson stain that was of Cain
  Became Christ’s snow-white seal.


VI

In Reading gaol by Reading town
  There is a pit of shame,
And in it lies a wretched man
  Eaten by teeth of flame,
In burning winding-sheet he lies,
  And his grave has got no name.

And there, till Christ call forth the dead,
  In silence let him lie:
No need to waste the foolish tear,
  Or heave the windy sigh:
The man had killed the thing he loved,
  And so he had to die.

And all men **** the thing they love,
  By all let this be heard,
Some do it with a bitter look,
  Some with a flattering word,
The coward does it with a kiss,
  The brave man with a sword!
PrttyBrd Oct 2016
She glistens in shades of rose wine
Warmth melting inhibitions
Flesh begging to be devoured
A hint of its sweetness
beckons as it lingers on still air
Molten steel
Heat rises
A gentle touch
Electricity liquefies
There, in the light
transformed by a glance
that holds a promise of passion
Aquiescence in liquid candy
She is consumed
He is ravenous
yearning to be sated
Yet, feeding the very hunger
that drives him
straight through her soul
10616
Shofi Ahmed May 2017
The sunset imbues its last glance
as molten lavas cool into exotic crimson
painting the colour of romance on the seabed.
What glance did you cast?
Stunned moon turns up a notch,
keeps looking over the ocean,
yet to drink a drop!
Ah, holy smoke,
what did you drop?
In Nero’s private stage,
Disaster was
His audience. Rome mimics fallen Troy in play.
What was reflected in Nero’s eyes
when he sang of the swirling patterns
of fire? When Rome was caught burning;
When conspiring led to its fall.

Fire engulfed Rome with fiery teeth.
The clouds hide or faint into black smoke.
The skies bleed heavily with rust
Its brassy color mixing with the
*** of burning seas, like oceans melting

Could you not feel the sun’s weight?
Now it is incomparable to
Molten seas and softened lead!

Blood spilt from sea-point, waves wallow the cries
Of the fallen. Like a bellowing sound marching
Against caverns of ears, Copper soldiers
Melt into clouds oozing with emotion,
Shattering their now empty metal hearts,
Hollow hearts that outlive the muteness.

It is awakened when
Spark and light is absent.

(Paolo Jerome D. Cristobal / June 26, 2009 - Alabang)
2nd Prize Winner - POETRY CATEGORY - Cesar S. Tiangco Literary Awards 2010
Sid Lollan Aug 2017
◊ ◊ ◊ ◊ ◊

(Authors of (obligatory)
Redemption: what is true genius if it ain’t dead yet?
Let you, who **** it, not be present for its resurrection.)

◊ ◊ ◊ ◊ ◊

i had a nightmare:

i opened the door of my ranch-house in the boonies of
southern pa.
out-into the grasses of the old Congo;
There stood the Lion.
20 feet away
i, frozen in the magnitude of his vision;
spirit, dominated by his
completely;
Not even a growl.
i remained
paralyzed—he licked the backs of his paws
and combed a wiry mane...
…a halfa-second was a year if it was a halfa-second now...
but
somewhere in there
i regained my legs and without knowing
pivoted,
grabbed the doorknob. Twist. Open. Step inside.
turn to close the...doorway is gone, the house has vanished
And
HE WAS RIGHT ON TOP OF ME

i was nothing but-a body of plastic fear
molten,
melted and cast into mannequin limbs and head.
i could feel the Lion’s entire, real
spirit crushing spirt
on my hollow caste self.

his breathe stunk of blood that
forced my replicaego into infant curl…
…Finally, the beast roared a canyon
i shivered!
a shiver that shook inside my head
thru the spine to shake
my bones inside the bed.

Thru the constricting red curtain of bloodclot eye
spy the tiny eclipse
of the Black Crow inna massive sheet of african sun;
i must be dead already.
The Lion feels the Crow perched onna cape fig nearby
and his muscles tighten accordingly, his beastly hunger
displaced by boiled-blood anger.

Eye-to-Eye
with the beast
where Fear has reached saturation-point;
it is Nothing if it is Everything…
…the Crow lets out a hiss
like spikes of radio-static, interrupted by series
of whooping-caws…
…stomach vibrated by the Lion’s low,
almost internal growl. For the
first time, his tranquilizing orbs
divert from mine
to capture the Black Crow perched on the dying cape fig.
uncertainty taps my shoulder…then…i feel my body;
the weight releases
and as i motion to rise from the grass and dirt, the Congo dissolves and i’m
sitting up on my mattress with broken springs in the humid
summer slumber of southern pa.

◊ ◊ ◊ ◊ ◊

-What security?
programmed,
under deep-cover;
jungian re-uploads. Them. Resurrected witha blackmarket
medicine a Witch Doctor devolution;
Replicate, regenerate, forever
<01100101 01100001 01110100 00100000 01110100 01101000 01100101 00100000 01110100 01100001 01101001 01101100 00100000 01110100 01101111 00100000 01100111 01110010 01101111 01110111 00100000 01100001 00100000 01101000 01100101 01100001 01100100>
Bottom feeding grave robbers and tomb vandals are all they are!-

-Better check what ya put down here…liable to shape a ghoul,
and you know this haunt is made-up of enough spooks-

◊ ◊ ◊ ◊ ◊

Professors of chaos preach:
O wanderers!
write me the manifesto
walking atop a line of hot coals
-I smell me some burning soles-

(They intend to:
Pour, pure from cold-clear spring-spout
      into muddy-brown-clay, dissolved,
rushing against dried-up bones of gully-walls…
…the Crow just sits above
         and laughs there

Don’t ya see it?)

History
is not about the past,
but
about what the present
can mold the past
into
for the future.
-the marble’s trajectory sure to
flip onnit’s axis d’pending on which record you dig-

(One mistake
can a coward make
or
one accident happen
up-on that a martyr stake’d.
etched in the rut of each separate fate;)


The lion
must roar for his P R I D E
        (or?)
lion wears his hide
as a mascot
Black Crow eats crow egg blues
        black crow spotted me yellow in the bushes
pants down, gun-in-hand
-send your prayers-

◊ ◊ ◊ ◊ ◊
“Why did you melt your waxen man
          Sister Helen?
To-day is the third since you began.”
“The time was long, yet the time ran,
          Little brother.”
     (O Mother, Mary Mother,
Three days to-day, between Hell and Heaven!)

“But if you have done your work aright,
          Sister Helen,
You’ll let me play, for you said I might.”
“Be very still in your play to-night,
          Little brother.”
     (O Mother, Mary Mother,
Third night, to-night, between Hell and Heaven!)

“You said it must melt ere vesper-bell,
          Sister Helen;
If now it be molten, all is well.”
“Even so,—nay, peace! you cannot tell,
          Little brother.”
     (O Mother, Mary Mother,
O what is this, between Hell and Heaven?)

“Oh the waxen knave was plump to-day,
          Sister Helen;
How like dead folk he has dropp’d away!”
“Nay now, of the dead what can you say,
          Little brother?”
     (O Mother, Mary Mother,
What of the dead, between Hell and Heaven?)

“See, see, the sunken pile of wood,
          Sister Helen,
Shines through the thinn’d wax red as blood!”
“Nay now, when look’d you yet on blood,
          Little brother?”
     (O Mother, Mary Mother,
How pale she is, between Hell and Heaven!)

“Now close your eyes, for they’re sick and sore,
          Sister Helen,
And I’ll play without the gallery door.”
“Aye, let me rest,—I’ll lie on the floor,
          Little brother.”
     (O Mother, Mary Mother,
What rest to-night, between Hell and Heaven?)

“Here high up in the balcony,
          Sister Helen,
The moon flies face to face with me.”
“Aye, look and say whatever you see,
          Little brother.”
     (O Mother, Mary Mother,
What sight to-night, between Hell and Heaven?)

“Outside it’s merry in the wind’s wake,
          Sister Helen;
In the shaken trees the chill stars shake.”
“Hush, heard you a horse-tread as you spake,
          Little brother?”
     (O Mother, Mary Mother,
What sound to-night, between Hell and Heaven?)

“I hear a horse-tread, and I see,
          Sister Helen,
Three horsemen that ride terribly.”
“Little brother, whence come the three,
          Little brother?”
     (O Mother, Mary Mother,
Whence should they come, between Hell and Heaven?)

“They come by the hill-verge from Boyne Bar,
          Sister Helen,
And one draws nigh, but two are afar.”
“Look, look, do you know them who they are,
          Little brother?”
     (O Mother, Mary Mother,
Who should they be, between Hell and Heaven?)

“Oh, it’s Keith of Eastholm rides so fast,
          Sister Helen,
For I know the white mane on the blast.”
“The hour has come, has come at last,
          Little brother!”
     (O Mother, Mary Mother,
Her hour at last, between Hell and Heaven!)

“He has made a sign and called Halloo!
          Sister Helen,
And he says that he would speak with you.”
“Oh tell him I fear the frozen dew,
          Little brother.”
     (O Mother, Mary Mother,
Why laughs she thus, between Hell and Heaven?)

“The wind is loud, but I hear him cry,
          Sister Helen,
That Keith of Ewern’s like to die.”
“And he and thou, and thou and I,
          Little brother.”
     (O Mother, Mary Mother,
And they and we, between Hell and Heaven!)

“Three days ago, on his marriage-morn,
          Sister Helen,
He sicken’d, and lies since then forlorn.”
“For bridegroom’s side is the bride a thorn,
          Little brother?”
     (O Mother, Mary Mother,
Cold bridal cheer, between Hell and Heaven!)

“Three days and nights he has lain abed,
          Sister Helen,
And he prays in torment to be dead.”
“The thing may chance, if he have pray’d,
          Little brother!”
     (O Mother, Mary Mother,
If he have pray’d, between Hell and Heaven!)

“But he has not ceas’d to cry to-day,
          Sister Helen,
That you should take your curse away.”
“My prayer was heard,—he need but pray,
          Little brother!”
     (O Mother, Mary Mother,
Shall God not hear, between Hell and Heaven?)

“But he says, till you take back your ban,
          Sister Helen,
His soul would pass, yet never can.”
“Nay then, shall I slay a living man,
          Little brother?”
     (O Mother, Mary Mother,
A living soul, between Hell and Heaven!)

“But he calls for ever on your name,
          Sister Helen,
And says that he melts before a flame.”
“My heart for his pleasure far’d the same,
          Little brother.”
     (O Mother, Mary Mother,
Fire at the heart, between Hell and Heaven!)

“Here’s Keith of Westholm riding fast,
          Sister Helen,
For I know the white plume on the blast.”
“The hour, the sweet hour I forecast,
          Little brother!”
     (O Mother, Mary Mother,
Is the hour sweet, between Hell and Heaven?)

“He stops to speak, and he stills his horse,
          Sister Helen;
But his words are drown’d in the wind’s course.”
“Nay hear, nay hear, you must hear perforce,
          Little brother!”
     (O Mother, Mary Mother,
What word now heard, between Hell and Heaven?)

“Oh he says that Keith of Ewern’s cry,
          Sister Helen,
Is ever to see you ere he die.”
“In all that his soul sees, there am I
          Little brother!”
     (O Mother, Mary Mother,
The soul’s one sight, between Hell and Heaven!)

“He sends a ring and a broken coin,
          Sister Helen,
And bids you mind the banks of Boyne.”
“What else he broke will he ever join,
          Little brother?”
     (O Mother, Mary Mother,
No, never join’d, between Hell and Heaven!)

“He yields you these and craves full fain,
          Sister Helen,
You pardon him in his mortal pain.”
“What else he took will he give again,
          Little brother?”
     (O Mother, Mary Mother,
Not twice to give, between Hell and Heaven!)

“He calls your name in an agony,
          Sister Helen,
That even dead Love must weep to see.”
“Hate, born of Love, is blind as he,
          Little brother!”
     (O Mother, Mary Mother,
Love turn’d to hate, between Hell and Heaven!)

“Oh it’s Keith of Keith now that rides fast,
          Sister Helen,
For I know the white hair on the blast.”
“The short short hour will soon be past,
          Little brother!”
     (O Mother, Mary Mother,
Will soon be past, between Hell and Heaven!)

“He looks at me and he tries to speak,
          Sister Helen,
But oh! his voice is sad and weak!”
“What here should the mighty Baron seek,
          Little brother?”
     (O Mother, Mary Mother,
Is this the end, between Hell and Heaven?)

“Oh his son still cries, if you forgive,
          Sister Helen,
The body dies but the soul shall live.”
“Fire shall forgive me as I forgive,
          Little brother!”
     (O Mother, Mary Mother,
As she forgives, between Hell and Heaven!)

“Oh he prays you, as his heart would rive,
          Sister Helen,
To save his dear son’s soul alive.”
“Fire cannot slay it, it shall thrive,
          Little brother!”
     (O Mother, Mary Mother,
Alas, alas, between Hell and Heaven!)

“He cries to you, kneeling in the road,
          Sister Helen,
To go with him for the love of God!”
“The way is long to his son’s abode,
          Little brother.”
     (O Mother, Mary Mother,
The way is long, between Hell and Heaven!)

“A lady’s here, by a dark steed brought,
          Sister Helen,
So darkly clad, I saw her not.”
“See her now or never see aught,
          Little brother!”
     (O Mother, Mary Mother,
What more to see, between Hell and Heaven?)

“Her hood falls back, and the moon shines fair,
          Sister Helen,
On the Lady of Ewern’s golden hair.”
“Blest hour of my power and her despair,
          Little brother!”
     (O Mother, Mary Mother,
Hour blest and bann’d, between Hell and Heaven!)

“Pale, pale her cheeks, that in pride did glow,
          Sister Helen,
’Neath the bridal-wreath three days ago.”
“One morn for pride and three days for woe,
          Little brother!”
     (O Mother, Mary Mother,
Three days, three nights, between Hell and Heaven!)

“Her clasp’d hands stretch from her bending head,
          Sister Helen;
With the loud wind’s wail her sobs are wed.”
“What wedding-strains hath her bridal-bed,
          Little brother?”
     (O Mother, Mary Mother,
What strain but death’s, between Hell and Heaven?)

“She may not speak, she sinks in a swoon,
          Sister Helen,—
She lifts her lips and gasps on the moon.”
“Oh! might I but hear her soul’s blithe tune,
          Little brother!”
     (O Mother, Mary Mother,
Her woe’s dumb cry, between Hell and Heaven!)

“They’ve caught her to Westholm’s saddle-bow,
          Sister Helen,
And her moonlit hair gleams white in its flow.”
“Let it turn whiter than winter snow,
          Little brother!”
     (O Mother, Mary Mother,
Woe-wither’d gold, between Hell and Heaven!)

“O Sister Helen, you heard the bell,
          Sister Helen!
More loud than the vesper-chime it fell.”
“No vesper-chime, but a dying knell,
          Little brother!”
     (O Mother, Mary Mother,
His dying knell, between Hell and Heaven!)

“Alas! but I fear the heavy sound,
          Sister Helen;
Is it in the sky or in the ground?”
“Say, have they turn’d their horses round,
          Little brother?”
     (O Mother, Mary Mother,
What would she more, between Hell and Heaven?)

“They have rais’d the old man from his knee,
          Sister Helen,
And they ride in silence hastily.”
“More fast the naked soul doth flee,
          Little brother!”
     (O Mother, Mary Mother,
The naked soul, between Hell and Heaven!)

“Flank to flank are the three steeds gone,
          Sister Helen,
But the lady’s dark steed goes alone.”
“And lonely her bridegroom’s soul hath flown,
          Little brother.”
     (O Mother, Mary Mother,
The lonely ghost, between Hell and Heaven!)

“Oh the wind is sad in the iron chill,
          Sister Helen,
And weary sad they look by the hill.”
“But he and I are sadder still,
          Little brother!”
     (O Mother, Mary Mother,
Most sad of all, between Hell and Heaven!)

“See, see, the wax has dropp’d from its place,
          Sister Helen,
And the flames are winning up apace!”
“Yet here they burn but for a space,
          Little brother! ”
     (O Mother, Mary Mother,
Here for a space, between Hell and Heaven!)

“Ah! what white thing at the door has cross’d,
          Sister Helen?
Ah! what is this that sighs in the frost?”
“A soul that’s lost as mine is lost,
          Little brother!”
     (O Mother, Mary Mother,
Lost, lost, all lost, between Hell and Heaven!)
G Mar 2014
Molten lead fist
Self justification
Slap the face, the maker
Your bleeding heart
For your own penny thoughts
Slap the mirror, the maker
Society isn't the threat
Just your sunken shadow
and your molten, righteous, fist
Adeoye Favour I Jun 2019
Molten Magma  
There is nothing after no more
And no more after nothing

When a rock get crushed
When a mountain turns powder

When a bone is broken
When the baoba is fell

When monument burn to ashes
When the land rupture
       Giving way to fiery fury
And chaotic chasm,
    
Then there is nothing after no more,
And no more after nothing

When the beginning takes off from the end
     And the end from the beginning
And a poor soul at the receiving end of their tyranny,
  
Then there is nothing after no more,
And no more after nothing

When a poor soul had been poured
like a drink offering,
He becomes the cup and the drink,
He is a product of time immemorial  and
disruptive transformation,
  He becomes the fire and the ice,
  The wind and the whirlwind,
He becomes the roaring thunder
       And the thunder roaring
Argh,he becomes the molten magma,
Threatening the foundation of the cosmos
*Fell (transitive; to strike down,**** or destroy)
© Adeoye Favour I.
@Favwrites
@Favcreatives
Roberta Day Apr 2014
It travels to my toes and
  tingles my extremities
It’s the peak of an early morning stretch
  the last sensation of a sneeze
It happens when you laugh or
  when I envision your face
It matters not the time or place
I’m left staring at blank walls
  just to picture you
I could write a book of all
  the feelings I want to spew
I anticipate an eruption
to happen rather soon
I fear I may smother you
  in my molten affection
and you’ll run for safety to a
far place for your own protection
And only I, because I too strongly yearned
  will inevitably be the one burned
(still terrible with titles)
Nick Strong Jun 2014
Breathing fire, from below,
Spitting a molten soul skywards,
Flinging pumice, ash, and fear,
The angry Vulcan casts,  
His ever darkening shadow cross,
As the timely reminder , of
The fragility of this existence.

© Nick Strong 2014
Amanda M Sep 2015
she counts the stars
above her head
they shine bright,
they gleam and they glow,
but her future grows dim.
the tunnel closes day by day
her skin turns dark
her lips turn pale
she thinks on dreams and empty promises
and sweet nothings.
but somehow, she lives.
her heart beats, second by second
a hot, molten heart
It stretches her skin
pounds further and further out of her chest.
What would you do with a molten heart?
Her heart grew too hot for her body to bear
It burned her hands and feet and face, so
it turned cold. she turned cold.
it chilled her. It chilled her veins and
her bones and
her mind, and it set her free.
This was for my English class. I'm hoping it'll get me more into poetry.
‘Twas many moons ago in fled days of yore,
In a distant realm of a golden shore,
When there dwelt a maiden of golden hair,
The last fairest by the name of Lenore.

The sweetness of her mellifluous voice,
Like only Angels of high heaven can make;
The beaminess of her impeccable face,
Reflections of a dawn sun-kissed lake.

Once by a golden noontide, so they say,
Perfectly salubrious was the day,
Fairly enriched by heaven's fairest ray
That Lenore chose to potter by the bay.

She marveled at so wide a limpid sea,
That was a vast luminous blue millpond,
Whispering mellifluous lullabies
Like of Angels upon heaven's compound.

“O sea, thou art lovely like a sweet dream,”
Quoth Lenore, “In thy waters I must swim.”
Hence as quick as a plummeting sunbeam,
In waters jumped the little seraphim.

Frosted in sheer elation she galloped
Upon the crest of so gentle a wave,
But every sea creature lifted its head,
Whilst doleful as marigold by a grave,

And in faint whispers didst bid her adieu,
"Farewell Lenore," till she was out of view,
Away where mortals of yore never knew,
Away where none canst ever have a clue.

In a while, the sun had shone her last ray
And solitary stars were beaming bright
Upon heaven's timelessly stonking bay,
But she still alone In the dead of night.

By luck, on yonder was a galleon
Of a sundeck decked with bright neon,
Her glossy sails as if from diamond hewn,
With words golden blazoned upon her stern:

Come thou little maiden, come thou aboard,
But little did innocent Lenore know,
At the back words in clear ruby-red read:
“To the kingdom of eternal sorrow.”

Not so long faded the night, dawn was nigh,
Heaven's molten gold began oozing by,
Whilst silvery clouds waltzed athwart the sky,
That Lenore's eyes slavered with ecstasy.

But then, there came a dog in the manger,
A hateful wave assailed the galleon
And heavens raged with roaring thunder
That echoed louder than the hungriest lion.

Tossing her where the sea kisses the skies,
Hence now but a speck on the horizons,
And there she galloped by and by downwards
Till wrecked upon shadowy blue islands

That bore words by the shores: “Little maiden,
Welcome thou to the kingdom of Nineva,
Where mortals shalt see thee never again,
For here you'll dwell forever and ever.”

This sent poor Lenore reeling far in mind
That with cinder-like eyes stumbled behind
But her galleon she could hardly find
For it had long vanished into the wind.

But hark! Yonder woods sprang a companion,
A lad whose names were Edgar Alan Poe;
Bestrode upon a snowy fair stallion
Who unto her whispered softly and low:

“If the moon be fair, then thy skin fairer,
If the stars be bright, then thine eyes brighter,
If snow be white, then thy lip’s gems whiter,
If the sun be hot, then thy hair hotter,

Then tell me, what bringeth thou to Nineva,
A realm of eternal sorrow and fear,
Where no mortal hath escaped ever,
But ever doomed in dungeons of despair?”

Despite her visage was lugubrious,
Her worries were all now but fugacious,
That yonder fair floral woods susurrous
Galloped whilst trees sang in tunes mellifluous.

For Edgar’s words of kindness had soothed her
Now doth she beam with ethereal luster
Like of night lanterns upon heavens shore
Scintillating in a wondrous cluster.

Alas! strange and covetous myriad eyes
By yon brier coveted the beauty queen
That as passes a fiend in the night skies
Did spy upon her with eyes all unseen

'Tis then when Edgar was away hunting
Whilst the beauty queen was all alone singing
When those dreamy figures came whispering
Amongst each other whilst wildly smiling.

Bestrode upon many a snowy fair horse,
Their strange faces, as pale as death her self.
Their voices, as if thousand snakes didst hiss,
Betwixt them, there lordly sprang an elf

Who unto her said, "how sweet thou dost sing,
Thy melodious voice would so please our king,
Unto thee, rubies and pearls shalt he bring,
Of banished gold shalt be thy nuptial ring."

"Nay", softly replied the little maiden,
To thy king I canst not walk down the isle,
For in violent love I'm with a swain,
Thy king's treasures outweigh not his smile.

"Wretch", why dost thou abhor our proposal?
For soon thou art to regret having done so,
So cried the elf, "opting for a mortal
Than a mighty king who is immortal"?

"Hark! Fair moon, see that morrow by noontide
Thou art by the edge of yon verdant moor,
For then thou shalt come with us yonder side
Neath the sea, and dwell with us evermore."

At this, a wild wind danced by many a leaf
And so vanished the strange troop of the elf
That she busted with a sigh of relief
Though deep within, her soul kindled with grief.

Not long, news sprinkled into the swain's ear
Who gathered a troop of a thousand men
Each bearing a bow, a hummer and spear,
All ready to guard the beauty queen.

When came morrow, they took little Lenore
And laid her beneath a lone sycamore
That stood by the edge of a lonely moor,
And then all matched towards the shingly shore.

No army led by any hostile king
Towards them could ever come any near.
There job was great that they did chant and sing
Songs of triumph of the fled days of yore.

Alas! To match towards the sycamore,
There pale and cold laid innocent Lenore
With not any single bone of poor her
Broken, but her breath taken evermore.

Mute, forlon, and motionless stood the swain
With bitter tears galloping from his eye,
With his soul 'neath a sepulchre of pain
That from yon day on, the realm he did curse.

For in Nineva, a realm dim and deep,
There not a mean ray of light canst now creep,
And there all creatures night and day dost weep
Till sweet Lenore wakes from eternal sleep.


©Kikodinho Edward Alexandros, Kampala, Uganda. 16th.July.2018.

#tale #adventure #fantasy #Lenore #EdgarAlanPoe #Nineva
"Nineva" is a magical kingdom in "Kikos's Legendarium"...a miscellany of tales of mystery and maccabre like you've never heard of. Tales such as: The Enchanted Gold, The Dwarf Of Nineva, Woods Have Eyes, Jazabel The Witch, The Novelty Tea ***, The Witch's Cauldron, The Lonely Hut, The Nectar Stream, among so many others.
And this tale is as well one of a grand scene in an adventurous movie script im penning.

#Each line in decasyllables
#Lenore is a name of a maiden I borrowed from Edgar Alan Poe's tales of mystery.
Our LIFE is just a spark
The real fire is LOVE

We live in sparks
Scattered brains
Shallow intelligence
Never to dwell into
The depth of LOVE
And its Molten

In fire
In burning
In flame
In annihilation
In blaze
-Is the real disposition of LOVE

Okay
Let us contemplate
Deeply

If Life isn't
same to every person
Is LOVE too same to every person?
The real difference between
LIFE and LOVE is

If LIFE is like knowledge of fire
LOVE is the ultimate spiritual volcano

Look at history
LOVE keeps on the alter
But LIFE desecrate LOVE
We assign barriers to LOVE
of Age, caste, creed, education
Race, culture, nations, ***
And we set fire to LOVE
Centuries are wasted in
Being in REAL TRUE PURE LOVE

Only those who marvelled
At the conflagration of LOVE
Beyond LIFE
Only those who jumped into that volcano
Are blessed with LOVE Divinity

The depth of LOVE
Is being molten
Within your beloved's soul
I hear stories of an ancient land so pure.
I see photographs of bluer than blue skies
over a lake of molten gold.

I drink kahwa flavoured with almond and saffron
and add honey, sweetened by bees from the valley,
my hips swaying in a crewel work on wool skirt.

I hear songs of freedom, I know people who fled.
The muezzin prays for peace over bloodstains and tears
while children still play under walnut trees.

Clouds gather to pray at Shankaracharya Temple
on a mountain dipping its toes into water
while empty shikaras speak of visiting ghosts.

Mothers whose eyes never tire, looking over the sunset
for long lost sons; wives who still lay out their husband’s
slippers on a carpet with frayed edges.

Postmen deliver letters to addresses long abandoned;
a generation of elders, eyes of agate, gnarled fingers, brew tea
surrounded by memories of children killed, daughters *****.

I write for all people who live in war.
I write for the age of innocence to return.
I write for soft rain to wash away sin.

I write for the return to reason.
I write for peace to flutter gently through groves
of apricot, almond, apple and walnut.

Feel the pain. Hear the refrain. Smell the emptiness.
This is now. This is now. This is not in the pages
of a fading history text. This is now. This is now.
I

The Trumpet-Vine Arbour

The throats of the little red trumpet-flowers are wide open,
And the clangour of brass beats against the hot sunlight.
They bray and blare at the burning sky.
Red! Red! Coarse notes of red,
Trumpeted at the blue sky.
In long streaks of sound, molten metal,
The vine declares itself.
Clang! -- from its red and yellow trumpets.
Clang! -- from its long, nasal trumpets,
Splitting the sunlight into ribbons, tattered and shot with noise.

I sit in the cool arbour, in a green-and-gold twilight.
It is very still, for I cannot hear the trumpets,
I only know that they are red and open,
And that the sun above the arbour shakes with heat.
My quill is newly mended,
And makes fine-drawn lines with its point.
Down the long, white paper it makes little lines,
Just lines -- up -- down -- criss-cross.
My heart is strained out at the pin-point of my quill;
It is thin and writhing like the marks of the pen.
My hand marches to a squeaky tune,
It marches down the paper to a squealing of fifes.
My pen and the trumpet-flowers,
And Washington's armies away over the smoke-tree to the Southwest.
'Yankee Doodle,' my Darling! It is you against the British,
Marching in your ragged shoes to batter down King George.
What have you got in your hat? Not a feather, I wager.
Just a hay-straw, for it is the harvest you are fighting for.
Hay in your hat, and the whites of their eyes for a target!
Like Bunker Hill, two years ago, when I watched all day from the house-top
Through Father's spy-glass.
The red city, and the blue, bright water,
And puffs of smoke which you made.
Twenty miles away,
Round by Cambridge, or over the Neck,
But the smoke was white -- white!
To-day the trumpet-flowers are red -- red --
And I cannot see you fighting,
But old Mr. Dimond has fled to Canada,
And Myra sings 'Yankee Doodle' at her milking.
The red throats of the trumpets bray and clang in the sunshine,
And the smoke-tree puffs dun blossoms into the blue air.


II


The City of Falling Leaves

Leaves fall,
Brown leaves,
Yellow leaves streaked with brown.
They fall,
Flutter,
Fall again.
The brown leaves,
And the streaked yellow leaves,
Loosen on their branches
And drift slowly downwards.
One,
One, two, three,
One, two, five.
All Venice is a falling of Autumn leaves --
Brown,
And yellow streaked with brown.

'That sonnet, Abate,
Beautiful,
I am quite exhausted by it.
Your phrases turn about my heart
And stifle me to swooning.
Open the window, I beg.
Lord! What a strumming of fiddles and mandolins!
'Tis really a shame to stop indoors.
Call my maid, or I will make you lace me yourself.
Fie, how hot it is, not a breath of air!
See how straight the leaves are falling.
Marianna, I will have the yellow satin caught up with silver fringe,
It peeps out delightfully from under a mantle.
Am I well painted to-day, 'caro Abate mio'?
You will be proud of me at the 'Ridotto', hey?
Proud of being 'Cavalier Servente' to such a lady?'
'Can you doubt it, 'Bellissima Contessa'?
A pinch more rouge on the right cheek,
And Venus herself shines less . . .'
'You bore me, Abate,
I vow I must change you!
A letter, Achmet?
Run and look out of the window, Abate.
I will read my letter in peace.'
The little black slave with the yellow satin turban
Gazes at his mistress with strained eyes.
His yellow turban and black skin
Are gorgeous -- barbaric.
The yellow satin dress with its silver flashings
Lies on a chair
Beside a black mantle and a black mask.
Yellow and black,
Gorgeous -- barbaric.
The lady reads her letter,
And the leaves drift slowly
Past the long windows.
'How silly you look, my dear Abate,
With that great brown leaf in your wig.
Pluck it off, I beg you,
Or I shall die of laughing.'

A yellow wall
Aflare in the sunlight,
Chequered with shadows,
Shadows of vine leaves,
Shadows of masks.
Masks coming, printing themselves for an instant,
Then passing on,
More masks always replacing them.
Masks with tricorns and rapiers sticking out behind
Pursuing masks with plumes and high heels,
The sunlight shining under their insteps.
One,
One, two,
One, two, three,
There is a thronging of shadows on the hot wall,
Filigreed at the top with moving leaves.
Yellow sunlight and black shadows,
Yellow and black,
Gorgeous -- barbaric.
Two masks stand together,
And the shadow of a leaf falls through them,
Marking the wall where they are not.
From hat-tip to shoulder-tip,
From elbow to sword-hilt,
The leaf falls.
The shadows mingle,
Blur together,
Slide along the wall and disappear.
Gold of mosaics and candles,
And night blackness lurking in the ceiling beams.
Saint Mark's glitters with flames and reflections.
A cloak brushes aside,
And the yellow of satin
Licks out over the coloured inlays of the pavement.
Under the gold crucifixes
There is a meeting of hands
Reaching from black mantles.
Sighing embraces, bold investigations,
Hide in confessionals,
Sheltered by the shuffling of feet.
Gorgeous -- barbaric
In its mail of jewels and gold,
Saint Mark's looks down at the swarm of black masks;
And outside in the palace gardens brown leaves fall,
Flutter,
Fall.
Brown,
And yellow streaked with brown.

Blue-black, the sky over Venice,
With a pricking of yellow stars.
There is no moon,
And the waves push darkly against the prow
Of the gondola,
Coming from Malamocco
And streaming toward Venice.
It is black under the gondola hood,
But the yellow of a satin dress
Glares out like the eye of a watching tiger.
Yellow compassed about with darkness,
Yellow and black,
Gorgeous -- barbaric.
The boatman sings,
It is Tasso that he sings;
The lovers seek each other beneath their mantles,
And the gondola drifts over the lagoon, aslant to the coming dawn.
But at Malamocco in front,
In Venice behind,
Fall the leaves,
Brown,
And yellow streaked with brown.
They fall,
Flutter,
Fall.
Nat Yonce Nov 2010
Cottonball girls with Q-tip legs dance gently
On Epsom salt beaches
As waves of rubbing alcohol lick their feet.
Father, let us run among them.
Let us clean and clear our faces in their festival of mirrors.

We shall rebury the awful jewels I found
With the failed veiled assassin's prescribed directions.
Rx marks the spot.

You may keep the map, for it keeps you in knowledge.
I do not wish that curse upon my conscience.
You may keep the knowledge, for it keeps you in power.
I do not wish the crown in that course.

Molten

Molten


Forty milligram
Molten
Sterilehappy
© 2009
Ground smolders and smokes

Luminescent men, humps at the front

**** and poke

The air acrid, the smell of burning stone

On a wall three boys

Gaze, eyes wide, mouths

Marleyesque, dropping

Bewitched as the florescent men

Smooth and calm the steaming earth

Spraying water from a can

To quench its thirst

The seething, black

And exhausted ground

Murmurs in sick response

To its own fragmented curse

A yellow dragon near by

Belches black blood

Oozing from its innards

Through Gothic gargoyle mouth

The lime coloured men shovel

This toxic *****, smear it

Across the gasping earth

That lies, ripped like a jagged

Wound on a dying man

The lime colored men

Mount the yellow dragon

Speed off, leaving

The scorched ground

Burning and hissing,

With sulphurous smoke

A million sizzling angry snakes

The three boys run away in freight

Dropping playthings as they fumble

And tumble in their horrified flight

The black earth cries, bubbles

And consumes their toys

Passes sentence

Makes them L'Enfant Commune

The lost boys

Then there is a quiver

A tedious tremble, a treble;

That played like stretched

Elastic flicked with

Forefinger and thumb

Making the heart numb

Extracting false confessions

A stench of putrid untruth

*** charades of delicate

Ravaged faced youth

A drole de ménage

Slave to the hunger

Of the unknown demand

The French grooming

Of horses, that may charm

The curious but leaves curiosity

Still smouldering in the

Hidden depths of the

Universal mind

Sanumbolists in the

Fullness of a dream of

Ineffable torture consume need

The boys cry out, for the

Earth has stolen a liars tongue

Branded them abominable

With decaying enormities

Detestable, enamelled eyes

Lurk and peer from

Behind gauzed curtains

A corpse of understanding

That inspects the invisible

Images of imbeciles

Parchments dripping in powdered

Crystalline drops smear the pavements

The boys wave their arms

But no-one sees them

There is the rise and fall of cryptic waves

That ebb and flow scorching

A shore of silent sorrows

Lapping feverously at the

Arc of a whirlpool

Whose decreasing concentric

Circles **** the boys down

Into an eternity of hot tears

Leaves them without parents

Gives their brothers and sisters

Into a slavery of barbarous belief

A ferocious language

Banning the boys from all beaches

Provides tyrannical pilgrimages

To black robbed priests

Possessors' of serpents' hearts

The yellow dragon returns

Lemon coloured men spill

From its foaming mouth

The boys hide behind

Dead rose bushes

Ah, but their tenebrous

Trembles creak in the

Blotched and bloodied

Butchers sawdust

A fabulous elegance cradles them

Making the smoking dragon angry

It spews molten bile taken

From the bloated stomachs

Of white beasts

The luminosity of the

Lemon coloured men

Increases to blindness

They wave tattered antediluvian

Bark and scream from

Their dark, deceitful, anchored armchairs

From railed and spiked alters

Spitting bitterest gall

The lemon coloured men

Butcher the fabulous elegance

Leaving the boys naked

Prey to the perfections of

Puerile generosities

That vows to extinguish

Their human desire

Vacant eyes with

Nauseating sight strut

A cruel distortion

Terrifying voices offer

Demonic destruction

The boys weep, but

no-one hears them

A violent paradise

Of popular poses tries,

But fails to caress them

The dragon burns the boys

But no-one smells them

Their terror turns to molten flesh

The lemon coloured men

Spread it over the earth

The beast' heart beats

Joyfully in its bulbous belly

Sacred men smile while

Pitiless priests provide

A comedy

The boys become a hallow

Antique night their left

Legs held up for all

To see

Delirium devours the minds

Of a subjugated people

The deadly hissing of the earth

Like a silken spectre rises

Making scintillating shudders

Through the spiked splinters

Of time

Intelligence is reduced

To the rubble of religious

Intolerance

Lime, yellow, lemon drips

Heated plastic from false eyes

There are cries, sights and sounds

But no-one hears, sees or speaks

No real people are left

Similar boys watch from a wall

Huddle together and weep
To Paint a Water Lily

A green level of lily leaves
Roofs the pond's chamber and paves

The flies' furious arena: study
These, the two minds of this lady.

First observe the air's dragonfly
That eats meat, that bullets by

Or stands in space to take aim;
Others as dangerous comb the hum

Under the trees.  There are battle-shouts
And death-cries everywhere hereabouts

But inaudible, so the eyes praise
To see the colours of these flies

Rainbow their arcs, spark, or settle
Cooling like beads of molten metal

Through the spectrum.  Think what worse
is the pond-bed's matter of course;

Prehistoric bedragoned times
Crawl that darkness with Latin names,

Have evolved no improvements there,
Jaws for heads, the set stare,

Ignorant of age as of hour—
Now paint the long-necked lily-flower

Which, deep in both worlds, can be still
As a painting, trembling hardly at all

Though the dragonfly alight,
Whatever horror nudge her root.
CA Guilfoyle Oct 2015
Sonoran desert
sacred, hot breathed
scorch of footsteps, blood red sands
sun bleached bones and skulls
this wash a hallowed holy ghost
an unnerving place of hiss and fire
molten sun to dry the water
a drowning fever of prickly sweat
last night the Yaqui man you met
undulating in a purification ceremony
lashing energy cords cut
he is laughing like coyote, wild eyed
green the velvet desert peyote
awakened you have come to understand
a universe within a fleck of sand.
Jade Jul 2018
There goes Lady Fate,
donned in solar sparks
and her lace corset
whose  overt promiscuity
catches the attention of
one unsuspecting astronaut–
his helm fogs as he exhales,
his breath crude and lascivious.
Even Neptune’s eyes themselves
glitter wetly with passion
as she struts towards Polaris in
her pinprick stilettos.

She adjusts her stance accordingly:

I. Purse lips into a smoulder
(might as well look
pretty while ya get the job done.)

II. Aim for the desired target
(that there’s the bull’s eye.)

III. Wreak havoc
just as any Fate is meant to do.
(But, of course.)

She picks up her staff and fires.

The universe tremors
in an unbridled spiral
of colour and chaos
as the planets
d    a    r    t
about like billiards,                                    
                          colliding/|\with/|\ the/|\ stars

who,  in the midst of the madness,
d i v e r g e and c
r* o* s s
for fear of being vanquished.

A cluster of mismatched constellations
and forsaken cosmic particles
settle into a state of
mutual negligence and destruction.
And, together, they liquefy into
a festering pool of molten silver.

Lady Fate grins–
yes, she has the stars right
where she wants them now–
and, in a final act of defiance,
she strikes against the earth
and watches with satisfaction as
it hurtles towards the silver
and sinks down into the molten
like an eight ball.
(And everyone knows it’s
Game Over
once you’ve sunk the eight ball).

From where she stands–
bent over Polaris
in seductive pretentiousness —
she relishes
in the screams
of some wretched lover–
the first to ever be
betrayed by the stars.
wendee mcmoon Nov 2017
Strike a match and I will burn
Becoming the fires that rage in Hell
With the molten ocean waves that churn.

My love is passion and I yearn
I must break free of this prison, this cell
Strike a match and I will burn.

Watch my heart as it begins to turn
I screamed and gasped as I fell
With the molten ocean waves that churn.

Maybe I will never learn
But what I've seen I will never tell
Strike a match and I will burn.

My heart claims it will not spurn
And that my feelings for you will not quell
With the molten ocean waves that churn.

These feelings I have worked to earn
I have finally cast my final spell.
Strike a match and I will burn,
With the molten ocean waves that churn.
A villanelle I composed for my Intro to Creative Writing class. It was very hard to write, and it took me a bit to complete it and be satisfied. To learn more about villanelles, click here: https://www.poets.org/poetsorg/text/villanelle-poetic-form
A P Taylor Dec 2016
Heated cheese, gooey head
as screams writhing.
Voices cackle, sense long fled,
nails board scrape, fleece,
dry scything.

Metal taste in jaw arriving
of sharp magma lead.
World is bent as pitch striving,
hot, red muddle increase,
coals spread.

Head beating as jaw swoons,
vice builds steel grip.
Confusion by drugs flail moon,
as soprano screeches piece,
tune shred.

Sauce pan cooks on shoulder,
steam heats, thriving.
As ventures across my left ear,
in fingers of molten grease,
pile driving
Awful tooth ache currently
Grassblade Dec 2013
Sledding, a white flurry of glitter
Glass trees throw soft needles a-sprinkle
A blissful silver rocket. It all flies by
Sparkles of diamond on the ceiling or sky

Radiant light, its fate to be wrinkled
by the dim labyrinth of this shining prism.
Gray aurora, dancing in the diamond rain

Iron curtains hide the truth
Glass and pains of steel, in a prism of gray
Do you see windows or mirrors?
All I see, a magnificent pane

A merry toast! To all I say cheers,
with a smile worth its years.
Lift your brittle glass as you would lift a curse.
And drink heartily from the once molten, crystal sand.

Drink the guile and drink the hate
Drink the lies of shame and berate
Drink to see that a flower in  gray
is a prism for life, not a fancy bouquet.
Soul Scribe Oct 2018
I dive into her eyes like the ocean.
Compulsion, not designed, shows emotion.
I notice, the sunrise, it feels molten.
I'm woven, into waves, and now frozen.

As I lay at the bottom of the sea.
Turning back towards *****’s salty me.
I realize the problem that could be.
In loving such a wondrous spirit free.

You are mine and I do not want to share.
The horror that I just might not compare.
As I gaze into your heart’s eternal stare.
Forever my eyes rest on you I swear.

Your heart warms me up so I don't drown.
I don't swim to the surface, I dive down.
AB Jul 2014
On this night
The king-god Zeus does battle
With the titans of old.
The sky is livened
By his hurled bolts of lightening.
Their targets simply
Unseen to the mortal eye.

The calm is shattered
By the clash of thunderbolt
On stone and molten rock.
Our protector, he remains.
Though many have forgotten him
To myth, legend, and lore
We have forgotten the safety
That his lightning strikes provide.

On sunny days
Cloudless nights
We are allowed to forget his ways.
But on this night
In these dark and stormy hours,
The true believers remember.
That Zeus has watched over us
For millennia. Battling an unseen
War, waged in the tales of old
But carried out before our eyes.

We must recall that he,
The one King-God, Zeus, has
Watched over us dutifully since time
Before time before memory.
He has kept us safe
From the titans of old.
And the lightening strikes
Remind us of stories untold
Hilda Sep 2014
Sweet gentle daughter of dreaming blue eyes
Reflecting visions from some distant sphere;
Untainted by nightmares of icy fear,
Nor saddened yet by fate's mocking disguise.
Unopened book of fickle tomorrow,
Not certain of how future may unfold,
With hours of lead or hours of molten gold;
Unenlightened yet by unknown sorrow.
Sands rush through the hourglass of wasted years,
While breaking our young hearts with shattered dreams.
The clock of life wrings disappointed tears,
Unhampered by our plans and clever schemes.
Beware grim reaper swinging ***** blade
Who mocks thee as childhood days slowly fade.

**~Hilda~
© Hilda September 20, 2014 4:48 PM
Dedicated to my dear daughter Marian.
Ember Evanescent Jan 2015
You were so hot I spun twice to see, call me a fan
Your regal youth made my blood boil, call you peter pan

You were like a boomerang I wanted to throw away but you kept coming back to me,
And maybe I've always been scared of hurdles and you were my biggest one, 'cause I just can't get over you, you see

I thought you were like a paradox:
Cool as ice and hot as molten rock

You were like a magician with words, drove me so crazy I was pulling out my hare,
You steal my heart like a pirate captain when I sea you standing there,

But you didn’t have any morals, I deserve to call you *****ible
Yet you still think you're cute. you know? leaving my house the way you came would be adooreble

I discovered your texts to her on my birthday, the cake was ruined with my tiers
You caught my Eye with your animal magnetism, but you’ve been a cheetah for years

What? you think this is a game? No, you don't have a clue!
You had a monopoly on my life and now your name is taboo

You said you needed some time and space to yourself you were the only one in the galaxy I Wanted,
I guess life never turns out how you planet and since you left I've been feeling haunted,

Why did I believe you were a great catch? Just because you master *****?
You made me think we could smash; every second felt like a brawl

Loving you was no gouda, though I swiss you now that you’re gone, it isn’t easy,
I said goodbye, It’s not you it’s brie, sorry that was cheesy.

You gave my life flavor but you were just a masked spyce that made my life sour like limes
I know I need to chili but you have really bad taste and we’re out of thyme

I need a holiday from your lies, my patience is running short
I’m better off with you gone, and leaving you is my last
resort

I guess we didn't have that spark no need to be astunished,
all I know now is: IT IS TIME YOU WERE PUNISHED.
We had a lot of fun making this, and it was Spencer’s idea, I hope you guys enjoy it as much as we enjoyed creating it :)
We love puns and so this entire poem is made up of puns.

Spencer’s lines are in the normal writing, and my lines are italicized.

It took forever to write! (Which was mostly my fault because I procrastinate and have no time! It was a lot of work though.) Anyway, this is our collaboration!

-Ember Evanescent
-The-ever-brilliant Spencer Craig

:)
I.

Hear the sledges with the bells—
Silver bells!
What a world of merriment their melody foretells!
How they ******, ******, ******,
In their icy air of night!
While the stars, that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells—
From the jingling and the tinkling of the bells.

II.

Hear the mellow wedding bells,
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight!
From the molten golden-notes,
And all in tune,
What a liquid ditty floats
To the turtle-dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the future! how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells,
Of the bells, bells, bells, bells,
Bells, bells, bells—
To the rhyming and the chiming of the bells!

III.

Hear the loud alarum bells—
Brazen bells!
What a tale of terror now their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,
Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire
Leaping higher, higher, higher,
With a desperate desire,
And a resolute endeavor
Now—now to sit or never,
By the side of the pale-faced moon.
Oh, the bells, bells, bells!
What a tale their terror tells
Of Despair!
How they clang, and clash, and roar!
What a horror they outpour
On the ***** of the palpitating air!
Yet the ear it fully knows,
By the twanging,
And the clanging,
How the danger ebbs and flows;
Yet the ear distinctly tells,
In the jangling,
And the wrangling,
How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells—
Of the bells—
Of the bells, bells, bells, bells,
Bells, bells, bells—
In the clamor and the clangor of the bells!

IV.

Hear the tolling of the bells—
Iron bells!
What a world of solemn thought their monody compels!
In the silence of the night,
How we shiver with affright
At the melancholy menace of their tone!
For every sound that floats
From the rust within their throats
   Is a groan.
And the people—ah, the people—
They that dwell up in the steeple.
    All alone,
And who toiling, toiling, toiling,
  In that muffled monotone,
Feel a glory in so rolling
  On the human heart a stone—
They are neither man nor woman—
They are neither brute nor human—
    They are Ghouls:
And their king it is who tolls;
And he rolls, rolls, rolls,
         Rolls
A paean from the bells!
And his merry ***** swells
With the paean of the bells!
And he dances, and he yells;
Keeping time, time, time,
In a sort of Runic rhyme,
To the paean of the bells—
    Of the bells:
Keeping time, time, time,
In a sort of Runic rhyme,
  To the throbbing of the bells—
Of the bells, bells, bells—
  To the sobbing of the bells;
Keeping time, time, time,
  As he knells, knells, knells,
In a happy Runic rhyme,
To the rolling of the bells—
Of the bells, bells, bells—
To the tolling of the bells,
Of the bells, bells, bells, bells,
  Bells, bells, bells—
To the moaning and the groaning of the bells.
Light...
Walking blindly through the dark, hearing no sound. I reach out for you, grasping for your warmth. You’re nowhere to be found. I’m blind and I’m lost. Lost within the dark woods of your soul. I want your warmth, the touch of your hands. The feel of your lips against mine. Yet, I feel nothing. Nothing but the coldness of where you used to be. The coldness of alone. Alone and shivering with the anticipation of finding you once more. But, for now I wander through these woods, fighting the darkness and whatever may lurk within. I will find you, search and fight until my heart beats no more. I sit thinking of you, thinking of the morbid array of thoughts that swim through that beautifully twisted mind of yours. You appeal to me. The darkness of your soul delights me. I love the anticipation of the next sick and twisted thing that will slip through those beautiful lips of yours. The attraction to you consumes my every being. Consumes me for everything I ever have or ever will be.

Darkness...
I savor the flavor of a thousand delights found in one single moment when your twisted smile lights the shadow of time to the core of emotion, leaving me more complete with every instance, and a little less myself each time we part, anticipating every next moment together in madness, lunacy, and contentment.

Light...
I bask in the ambiance of your soul. I bathe in the light of your eyes. I devour each word that falls from your lips. Every moment spent together I die some inside knowing that you’ll never be mine. I’ll never be the one to feel the warmth of your lips, the tenderness in your kisses. Never feel the ecstasy in which I so desire. You shall never be mine, yet the torment of being around you draws me in ever so much more. I may never have you to call my own, so I will satisfy my own needs by looking into your eyes, by hopelessly clinging to every word. Loving someone who never will be mine will be my death. A death I so willingly accept.

Darkness...
So we collide and coincide on opposite plateaus of the same parallel, a product of storms never raged, battles never won, and pleasures never quenched, holding moments passed in equal satisfaction as those that may have been, as the imploding loss of unknowing melds the two into one final entity, more powerful than the feeling of gratitude for all of the powers that be for giving us the one thing no one could ever replace……the penetrating ecstasy orbiting about this world of our own creation, to revel in every moment together, and suffer every second torn apart, in time, and in mind.

Light...
We wander through the dark, hand in hand. I feel your supple lips brush my cheek. I turn to look into your eyes once more when I realize you have changed. Your soul has become dark. Your eyes have become cold. I’m afraid of you now. Afraid of your touch, of your love. I try to turn from you, to get away, but you hold on tight. Your grasp on my hand sends shivers up my spine. I need to be free of you, to get away from you to save my own soul from being lost into the new darkness which has become you.

Darkness...
I’m lost within the shadows cast by every inner demon, unraveling their chaotic waltz to the symphony of my pain. I turn to whisper my deepest secret, my lips trailing the ghosts of my heart’s desire upon your cheek, and realize it can never come to pass, turning before the very words can die upon breath now sustaining me in suffocation. I grasp your hand more tightly, magnifying the tremors in my own, as the fear of losing myself without you intensifies. I need to be free of you, if only to save you from the darkness now contaminating the waters of my soul, for how can you be my heart’s salvation if it means the damnation of your own soul as you descend with me into oblivion? How can I whisper when shouts of madness waver upon my tongue? How can I speak my heart and my fear when such a morbid chorus drowns out my sanest of thought, turning my emotions into a chaotic lesson in confusion and eminent danger? I see my future, far more clearly than my past, for every memory made without you is one I would give my soul to forget, knowing I would die in vain, for the memories we favor the least haunt us more vividly than the happiest of moments could ever dare imagine. The choice between fading alone in unending torment and dying with you by my side, suffering in silence as I scream absurdities upon the dying wind is simple. Living without you is my eternal hell. So easy to fall in love. So hard to stand alone.

Light...
Only always is what you told me. Only always will you be there. Only always will you care. Only always will you only have eyes for me. Only always do you lie. Only always do you cause me pain. Only always do you inflict such dire emotions in me that I can no longer bare. Only always will I die by your touch. Only always, my love.

Darkness...
Only always will I be so calm in my insanity. Only you will always be the one to draw the best from me. Only always will I dare to drown in nothingness compared to every thought you only always bring to mind, each time I stare into the void that lies between what’s real and only memory of things that only always never come to pass between the glass refraction, only always cutting swiftly to the bone, condemning me to hold on to words that only always go unspoken. Only always will I be broken, bleeding upon the foundations of souls forever seeking completion, only always incomplete. Only always alone. Everything I've tried to find inside a dark and weary world, I find in your eyes, within your words, within your soul. The interwoven feelings of contentment and deprivation cradle me in confliction as I hold opposing worlds within my grasp, watching as they collide in euphoric tragedy, spawning chaos amidst a field of hauntingly menacing desires, blooming like undead roses from the devastation that my life once was, empowering loss with hope and regret, and the knowledge that, even though never to be mine own, such a thing, such a feeling, does, indeed, exist within a world so heartless and corrupt. Mine to behold, but never mine to hold for more than just a picture of what life can be...perfectly imperfect, and still possible for me.

Light...
You slowly caress my soul with the diseases on your tongue. How can one fornicate such passion within the heart of a beast like me?

Darkness...
You stir within me the echo of desire, reverberating ironically throughout my every thought, as the deepest part of me quivers with satisfaction.

Light...
A satisfaction I so desperately yearn for. The very essence of you makes me quiver in this ironic state of bliss. Your body has become a metaphor of emphasis for me.

Darkness...
I remain intoxicated, imbibing wine flowing from the beauty of your soul, captivated by the fire tearing through my veins like molten glass with every beat of my tormented heart, counting every second spent dreaming in vain into its unrightful place upon the skin of eternity.

Light...
With nowhere to go, nowhere to hide, your words haunt my soul; haunt every fiber of my being. Drown me in a flood of emotion that I cannot seem to waiver. Your words flow through my body as the disease which is you spreads to my core.

Darkness...
The very thought of the object of my idolatry imprisons me in thin air, levitating over balance and corruption, wrestling two demons at once: that which damns me with morality, and that which delivers me with the anticipation of every mistake, crying to be born, to thrive, to be obeyed. Take my hand. Set my heart free. Burn with me in depthless passion, void of conscience, bursting at the seams with long suffered lust come to fruition, calming every shrieking moan of absolution, losing our souls as we have lost our minds, with violent denial, giving way to complete and total gratification of knowing that although we suffer so well amidst all that drags us further into hell fire, we suffer willingly in the greedy embrace of mutual condemnation.

Light...
        The words that flow from your fingertips flow through me and reverberate through my mind into my soul. My soul which you are such a dire part of. You who lifts me up when I am within inches of knocking upon Hell’s hollow doors. You are the one who comforts me when I am mere inches away from taking my last breath. I will love you until the end of time. As you contemplate if I truly care, now that my heart pulsates on this flaccid plane of existence, and that you will always be one of the many reasons my heart will continue to thump its many beats.  I reach for you, finding nothing but the coldness of where you were. This atrocity of life haunts me, ridiculing me for ever having loved you. The beast within me screams your name to no avail. I’m lost and alone without you near. Time has lost its meaning. I’m trapped in a void of nothingness. Wondering ever so much when you are going to set me free. Why won’t you set me free? Crying amongst the pain you cannot feel. Tears disintegrate into the harshness of the rain. The validity of your words go once more unspoken. Hence once again the darkness has become the only reality in which I thrive. I mustn't relive the days amongst your lies. The lies you have spit at me with such callousness. The unspoken realm of my reality has become so clear, so vivid. I must be rid of you. Must free my soul from the snare you've captured me within. Yet the fire within your eyes has compelled me once more. For why must I fall into the depths of you?

Darkness...
        Yet pain I do feel, for every time that I draw close, you drift further away even as your heart reaches for me. It is the rain itself that disintegrates into the harshness of the tears I shed in longing for the day when you understand that my words are pure and not some greedy guise, for the darkness wherein you dwell is but the shadow that your doubt casts upon your weary heart. If it had all been a lie, then why do the memories that so torment you ring so true, more savagely with every second that passes in which we are not drowning in each others arms? It be not untruth, but frustration that empowers my words, for the very thought of life without you is only the precursor to my living hell. The reality of all is that you are my life and you are my death, sustaining me and suffocating in equal measure, imbibing my heart with your very essence, and rending it asunder with every tear you shed in unbelief. If you must be rid of me, then do so quickly, and have pity upon my tormented soul, for I wish not for you to fall into the depths of my sorrow, but to fall with me as I fall into the undying beauty that is you.
This was an ongoing creatively descriptive collaboration between myself and a fellow writer and one of my dearest and best friends, Jonnie Shelly Steffens Back, about an angel of Darkness and an angel of Light falling in love, and the conflict of differences and misunderstandings in doubt heeding such an ironic union. My character was Darkness, and hers, Light. I acquired her permission to post this, otherwise, it would not be. It may still have more to flow, and there may very well be a play written from this at one point when we are able to work together again.
Terry O'Leary Aug 2013
PROLOGUE

Umpteen billion years
Big Bang, supernova, gas
Brief eclipse of time

Gases swirling, fall
Sun and planets, water, goo
Brief eclipse of time

Another billion
life, amoeba, fishes swim
Brief eclipse of time

Movement, change and flux
slither, crawl, climb, walk and talk
Brief eclipse of time

Ra, Sol, Helios,
Mithra and the Mighty Eye
Brief eclipse of time

Life begins and ends
birth, joy, laugh, cry, death, and dust
Brief eclipse of time

Waves cleave seas, shores, skies
forever folding, pulsing
Brief eclipse of time


            
CHRONICLE

The Mighty Eye begins to slip and slowly sink,
(unfocused, stained, diffuse)
while frizzled waves imbibe her searing tears,
with salted languid lips.

The Mighty Eye, now weary, thin,
is gazing through the frozen cracks,
as sundry straying clouds,
bloated,
sidle feebly by
and wax their billowed tracks
upon the heated sky,
and cool the rush of rolling waves
beneath the blotted sky.

The waves
(impaled on time and space inside me),
gently tumbling aging pebbles
and lifeless shells across the shifting sands,
seem unaware
as they once again arise
to greet the Mighty Eye,
to close the Mighty Eye,
to ***** the Mighty Eye.

But then again,
perhaps the waves are well aware indeed,
yet simply unconcerned
and feel no need to care.

For, as the frazzled froth is rushing forward
madly towards the sandy shores beyond,
before retreating slowly,
then careening brashly forth ahead again,
eternally,
it matters little if the Mighty Eye will cast
her blazing glance from high above,
or else retire for the night,
kissed sweetly by the liquid lips
of distant faithless waves
in a brief eclipse of time.

The trees, they hang in time and space around me –
trees, which in time before had swayed,
so gently tugged by ocean breezes,
trees, which in time before were lightly lit
with emerald tinted leaves,
trees, which in time before had reached to space above
with twisted tangled fingers,
grasping fingers,
fingers drenched with golden tears
shed by the Mighty Eye.

The trees, they hang in space and time,
benumbed and frozen motionless around me
chilled with rooted premonitions of the void,
their branches clutching darkness  
and their leaves foreboding doom.

The muted winds begin to whisper tales
of many frightened things,
which, with mournful apprehension
have hunkered down behind the haze
and ceased their joyful play.

And all the while dank shadows gaily dance
a dismal dance,
for their time is soon to come.

The fitful shore lies suddenly still.

Unfeeling stones and hollow shells,
are paused a little,
stalled,
and dropped haphazardly,
midst their mindless random journey,
now abandoned by the sea,

for fickle waves have slipped away
to greet a falling prey.

And as the Mighty Eye droops lower,
laminated molten lips
are pursed and pucker higher,
******* in the sky.

Within a trice the Mighty Eye
submits and squints, distended red,
perhaps tormented by fantastic thoughts
of imminent demise,
or else of being lashed beneath a lid
of distant faithless waves.

And as her dying flash dissolves,
two lurid lips arise,
three ***** lips -
a thousand parted limpid lips
which asudden,
though with little haste,
consume the Mighty Eye.

                  
EPILOGUE**

The trees are now but lurking shades
amongst the murky shadows.

Relentless fog slips slowly by -
her floating tongues drip silence
as they slink like snakes in stealth nearby.

The lacerated faithless lips have once again returned
to kiss the vacant vapid shores
in a brief eclipse of time.
PrttyBrd Oct 2014
Thick skin falls in pieces
To reveal a molten liquid center
A beauty never gazed upon by another
A glow of heat and pain and ...love
Hidden from prying eyes
Kept safe from strangers and "loved ones" alike
Permanent fists grip tightly
As the center boils hot upon its release
And a trickle becomes a flood
In the right hands...

In the right heart
The stiff grip loosens
And new skin, soft and supple
Replaces the old
Stronger than one could have imagined
Sweeter than one could hope
A butterfly against the odds
And a struggle ends in .....**love
100914
For that sweet one, the one no one else can truly see.

— The End —