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Mateuš Conrad Nov 2016
before i pull this one out of my *** (again - listen, these words are not coming from either head or heart, it's best to pull them from the bowels, a gut-wrenching-feeling is more potent than that "something" that "something" delusional pulled from a clenched heart... as far as i know, the brain is incapable of emotions, it doesn't understand them, and since it doesn't understand them: it ridicules them)... which brings me to point:

(a) perhaps the idea of a soul is out-dated... why wouldn't it be, 21g worth of breath does not equal a soul... hence the autopsy of man, each detail studied seperately, the cardiologist knows the heart, the neurologist the brain etc., but some items work in a solipsistic mode... the heart is robotic, automaton pump queen (and not the kind of pump you'd get from Shveeden) - thump thump thump! come to think of it, most of our bodies are robotic, automated... lucky for me: i don't have to think about the heart doing what it does, it just per se does it... i'm not even sure i'm gifted with the a.i. brain functions... but there's an underlying principle that governs all of these items... some call it the self... i prefer: the Σ ultimatum... some would call it soul... but there has to be something akin to the Σ ultimatum that allows me to become detached from this body, while at the same time be bound to it: high blood pressure, heart attack on the horizon... take the high blood pressure pills... ****... what was (b)? oh... yes...

(b) i'm sorry, virginity doesn't cut it for me, lucky me that it was isabella of grenoble that allowed me to move aside from: god, prior to losing my virginity.... roxette: do you feel excited, you're still the one (shanaia twain), fade to black - metallica... i was such a romantic before i lost this dreaded curse... i was a romantic... 19th century style romanticism... but you really can see past this sort of romanticism unless you haven't ******... these days the right complains about cultural marxism: plenty of things to complain about... it makes as much sense as a pickle in a dollop of custard... or cooking with pale indian ale to make a stew: bad idea... wine, brandy, cider? fine... beer? terrible idea to cook with... but unless you haven't lost your virginity, you can't see what cultural marxism chose as its opponent: cultural darwinism... you know how little you hear about darwinism outside of the english speaking world? zero to none, yes, it's an accepted fact, but this fact does not permeate outside of the fact per se, the fact contains itself and the whole subsequent narrative because subconsciously stored... no other people than the people who found it ensure there are subplot proof statements of a reconfirmation of the validity... the whole social science bogus trap of rating people on looks... contradicting the meritocracy of that old Socratic saying: let me be as beautiful on the inside as on the outside... if you haven't ******: you're still the same old romantic i was at puberty... once you ****... well... cultural marxism dwarfs... yes yes it's there... so? but at the same time you can at least appreciate seeing the antithesis: cultural darwinism... the romantic needs to die the most carnal death via experience... all my ideals were shattered, this perfection of woman... i very much liked the idea / not even the ideal of a woman... but when the idea fizzled out and there was no ideal to begin with... i saw cultural darwinism for the very first time and... it was as ugly as cultural marxism so heavily criticized by the conservative right of the west... so... i decided to walk the middle ground, ignoring both sides (of the argument).

(c) i wouldn't have come up with a point see, unless my favorite square schematic didn't pop into my mind, Kantian, as ever: the best philosophy is the antithesis of English pragmatism and overt-politicisation, so it has to be German, ergo? i will not explain these terms, i figured: if i nail a decent example to fit each category, that's enough: since you can then visualize the concept via the example:

analytical a priori                           synthetic a priori
there's a need to throw                   learning
a ball at                                                to throw a ball
a target                                                 at a target once
                                                            ­  the need has been
                                                            ­  established...



synthetic a posteriori                    analytical a posteriori
there's a  need to                           perfecting to throw
      throw a ball at                               a ball at a target
a target, in order
to perfect this need...

                                            baseball..­. cricket...
at least: that's how i define knowledge of something
simple without having to use mathematics
that Kant used to explain... 2 + 2 = 4...
mathematics isn't exactly a man's best friend
at explaining philosophy...
you write philosophy that alligns itself
to mathematics... no wonder: moths in books...
yawns, unfinished works...
i found that sports work just as well
as mathematics... and you have the already
primitive objects to work with...
rather than pseudo-objects: i.e. numbers...
the abstracts of perception: i'm actually 6ft2...
not 6ft1... karolína plíšková is 6ft1...
       as noted when watching her today...

  i'll admit, i'm always a bit shaky when it comes
to this sqaure, whether it's over-simplified,
notably the top left corner: analytical a priori,
i'm always of a mindset that wants to associated
this definition with: analytical a- priori...
  i.e. borrowing from atheism:
    to analyse something without there
being a prior to example...
               analysis without a prior example...
i guess that's the mojo of science... the driving force...
back to sports... bow and arrow...
   tools: target...
       whether a bow and arrow and a deer
to begin with...
or a hand and ball and a wicket to end with...

there's a need to throw                  
a ball at a target...

            and cricket was the precursor of
baseball, but prior to cricket?
   there was archery...
              and prior to archery...
   there was forever a fundamental need,
e.g. to go from point X to point Z...
   see... as much as Kant wanted...
   numbers don't really solve the "problem"
of explaining something: algebra would be
better suited... x + y = z...
                    with numbers either hovering
above, or below (in the instance of chemistry's
subscript)...

talking of squares... sūdoku...
well, if at any time the french were to receive a hard-on
in terms of inventing something,
the english: rugby, cricket, football, tennis...
the french really did read some of the hebrew
qabbalah literature, as i am doing...
magic squares...
       the secular version of this puzzle
first appeared on july 6, 1895 (the modern version)...

it came to us from India and China...
again... why do western cultural darwinists
always tell our genesis from
the perspective of: "out of Africa"?
aren't there elephants in India?
            i will not believe i originated in Africa,
i'm not an "out of Africa" sorry state of
incompetence... i place my origins in
the sub-continent... at least that's where my
current language originates from...
the great migration across the Siberian tundra,
rather than some African savannah...
after all the Bangladeshi and the Sri Lankans
(the tear of India) resemble burnt cinnamon
in tone, some even as dark skinned as
east africans...
   if the germanic people want to stick to
the "out of Africa" narrative (notably the English):
let them have it... i place my origins in
India...

   never mind, now i'll write a name's dropping
history of how july 6th, 1895 happened...
the "magic" squares...

    from either India or China (chess from India)...
moschopulus of contantinople
  introduced them (the "magic" squares)
in the early 1400s... apparently ancient qabbalists
had knowledge of them
  (so... a trip well spent)...
                             rabbi joseph tzayah (1505 - 1573)
magnum opus: responsa...
             rabbi joseph castro: avkat rokhel...
tzayah in jerusalem wrote his major work
Evven HaShoham (the onyx stone) - 1538 -
   a year later the book: tzeror ha-chaim discussing
the Talmud: he never really bothered about
the Zohar...
               the hebrai word for "letters": otiot...
divided into two:
                         tav aleph (a line of aleph)
and tav yod (a line of yod)...
                   one is to never concentrate
upon the keter within the realm of the sefirot...
hence the matisyahu expression:
   king without a crown...
                         one example of a "magic" square
later dictated into a 9 x 9 newspaper puzzle?
      2     9     4
      7     5     3
      6     1     8     (up down across = 15...
my date of birth? 15th may 1986,
no coincidence, just stating an oblivion's
worth of a "point)... 15 x 3 = 45...
   and that's about as significant as any
                               insignificance can be...

album of choice?
    old horn tooth - from the ghost grey depths...

and without even associating the arabs
to the hebrai practice of gamatria,
i once inquired an old pakistani (who tried to convert me)
what: Alif, Lam, Meem
implied in the opening of the al-baqarah sutra
implied?
   he replied: god knew...
        so i thought, you don't know what
alif (letter) what lam (letter) and meem (also a letter)
means? you have to search for god
for the answers? good look making me into
a proselyte... mind you:
if the jews abhor proselytes,
while the muslims are so so oh so *******
welcoming... isn't that a tad bit suspicious?
how can a muslim convert me
when he can't explain to me what
alif lam and meem implies at the opening
of al-baqarah?!
            let's play some hijāʾī order game...
and the three letters...
       28 letters in total...
alif (28), lam (6), meem (5)...
    i'm not even going to go into the gamatria
mental gymnsastics related to any
"significance"...
   point was made upon the question being
asked... if a muslim tries to covert you...
and he can't explain to you
the significance of alif lam meem at the beginning
of al-baqarah... they're letters...
well... how is he going to explain to you
what's bothersome about those letters
to begin with? ALM... does that imply: zakat?!
to give alms? zakat being one of the pillars
of islam?
  **** me... i haven't even converted
and it would appear: i know more than the person
who tried to convert me!

.i. Yuri Gagarin and the yo-yo

if ever the potency of a "keyboard crusader"
existed, it's now -
   i can dangle a mouse above a bear-trap
and tell an elephant of a phobia concerning
mice any day of the week,
          when in fact i'm talking about
a mousetrap: nothing more.
     hence the exaggeration in the imagery
comparison:
        or it begins with a story told in the 20th
century:
             when women put down their mascara
brushes, men put down their swords:
never mind the voice in the wilderness:
       mind the voice in the crowd -
there's absolutely no reason to speculate
urbanity and tribal environments without
addressing, or regressing the crowd,
or as i like to call it: what Nietzsche said,
minus the Wake... but now inclusive of the wake
and the Bacchus cult of fun fun fun.
            the Wake in condor terms?
we congregate praying for something to die...
      i don't pretend to be whatever
that sachet of concrete-Cartesian labels entitles me
too:        for the most part
        people say 'i am' without a thought to
govern the rain shaman telling you what thought
is required to 'be', oh, a very old ontological
stipend: you need people to experience a collectivisation,
a herding, a "bound together" sort of mentality
before the critic arrives and says: well, that's not
what i'm really about.
                    a bit like the **** firs, mouth second
debacle...
                but what heart they had, our predecessors!
what heart!
             they'd wage war over a woman,
a Helen,
                  would you wage a war against
the feminist version of Helen these days?
would you pluck a Scottish thistle over an English rose?
      true: you might be a bishop
and of lesser rank... but would you wage a war
over the women of these days?
my **** is in a pickle jar anyway! we have become
a *** of a species unburdened by an obligation...
             finally! we can become eternal bachelors
sort of ******* that we're here, and hear less and less
of sayings about the "things that matter".
            you know what vile? really really vile?
oh i know my contemporaries when i bother to
hear them talk, oddly enough never bother when they
think, i'm quiet content with a Godot stage of
a park bench and an old man as my company,
      i know Douglas Murray,
               i know the wild-eyed Icke,
but a thing that concerns me is why: the safety room
parallel to the leftist thesis of offensive speech
was put in play when a discussion took off
concerning feminism, between milo yiannopoulus
and julie bindel - that's like saying:
ask a pederast to talk for a heterosexual man
with a woman safe-space...
                                no one wants to hear
the heterosexual side of the argument....
  you'll sooner see heterosexual intellects have their
marriages come undone then get paired with either
side of the argument...
     little richard is in the pickle jar anyway,
and he's not coming out...
                it's a bit like ****** for dummies....
       hence i have to succumb to violence without
the glory, tongue waggling blah blah
when i'd gladly take a weapon and shove it into
a shattered cranium bone: had i the ****** chance to
do so!
           no heterosexual is taken seriously:
and won't be:
    of a woman to be like a rosy cushion on which
i can lay my head after the darkly toils of
    roofing, or laying bricks, or excavating the sewers...
no! let the Chinese do that:
the basic argument of slavery, although imported
therefore ****** ******* fine.
                         cryogenic fathers,
      pickled *****:      where's the middle in all of this?
     a coconut just fell from the Boddhi tree:
money!           and those that defend it,
don't know squat about the tribalism of squatters!
but hey! they have the ****** stage!
         i have a bench when someone approaches me
and talk, doing the best thing possible:
               knitting opinions -
i don't want the truth of opinions: i want a sweater,
or a pair of socks! that's metaphor for something
different altogether.
  keyboard crusader? really? can i ask you for
directions to the high street, in every single town
across the country? i can't find one!
         no one hears a heterosexual argument
on the various topics: because there isn't one -
                     as of the end of the 20th century,
working classes in the west striving to ensure
there is something mundane to do during the day
and kick back with the family in the evening
are the "inferior" neanderthals: who
haven't jacked into discovering a 3D reality
of what's otherwise a 2D computer screen and
aren't hooked on #crack;
honestly, so much debating ought to be opera,
and so much opera ought to be debating -
    ah: that famous tingle of utopian paradoxes
never in duality, but always in dichotomy.
   keyboard crusader?
really? i thought people were always moaning
about how many emails they receive:
   and never a single postcard from, say,
someplace like Venice?
           it's still early days,
                   and already we're brewing enough
cliches to replace all known nouns in
    the surrogate mother that's the dictionary
of our completed version of a soul -
if ever to be experienced upon meeting the omni-vocabulary;
jigsaws, i know my idiosyncratic version
of events, he says photosynthesis within parameters
                            of photon deconstruction of hydrogen;
'cos' it's sub; d'uh! i say god i say this perfected
version of nearing telepathy - you say god i hope you
don't mean satan's clause - great anagram to frighten
children with: the Babushka surprise of a Pumpkin head
laughing it's way toward: how easy life would be
if we had all that time to think it through as being hard,
rather than that mortal fleetingness in both thought
and body.

ii. Macbeth

it really dawned on me, when i was watching the film
Macbeth (2015) -
            there was an eeriness to it, a near perfection
of Shakespeare on screen...
           honestly? i'd rather read Kant early on in life
while i have the vigour, and leave old age to Shakespeare...
but it truly was eerie all over the place.
      i do recall seeing Romeo + Juliet
          and reading the script, and imagining the fallacy
of word for word translation from theatre to cinema
of the script: the narrator a news channel anchor,
and everything said, word, for, word.
that film with DiCaprio as Romeo and Claire Danes
as Juliet - it just felt itchy, uncomfortable -
                            Shakespeare, word for word, on screen?!
     (surprise, then astonishment, not !? or astonishment,
   then the surprise, because: it didn't really work);
and it didn't! you can't adapt Shakespeare to the screen
and put everything in! i noticed it at that ******
generous scene in Macbeth concerning the battle
of Ellon... so i was like like... this isn't typescript...
(and thank **** it isn't) -
you can't depict Shakespeare word for word,
to be honest, Macbeth (2015) is the only worthy
translation of Macbeth (the text) into Macbeth (the movie);
all this scientific exactness in previous examples
like Romeo + Juliet, the Merchant of Venice
and a Midsummer's Night Dream don't work,
it's their precision making,
     a theatre cast can take it, but a cinema going crowd,
with all these cutting and copying and repasting
    succinct moments? it doesn't work!
maybe because there's no actual narrator in the staged
examples? narrator as a necessary character understudy:
surely Puck and the news anchor are there:
don't know about the Shylock scenario...
           but these screen adaptations didn't work for me,
too rigid, too formal... in the case of Macbeth?
finally! the long awaited piquant version of Shakespeare:
all that matters, and the rest is thrown into
poetic technique: imagery, metaphor,
                everything that's necessary can be given grammar
as image and not word!
       want an example? from the text...
the Royal Shakespeare
  from the text of Professor Delius
  and introduction by f. j. Furnivall, ll.d.
         vol. v (special edition)
Cassell & Company, Ltd.

        sure, it feels like a Roman Polanski moment
akin to the 9th Gate scenic affair of a bibliophile
fetishist, and it is:

     ... (the only enemy of enso poetry
is the bladder) ...

well the screen play first:

banquo: what are these?
macbeth: live you? or are you aught
                          that man may question?
       speak if you can - what are you?
1st witch: macbeth! hail to thee
                    thane of Glamis!
2nd witch: macbeth... hail to thee,
       thane of Cawdor!
3rd witch: all hail Macbeth! that shalt be king in-after.

but such disparity, such **** as if once
of Lucretia, then of the authority,
for i have before me the original composition:
which is not worth cinema -
nonetheless, a **** takes place:
an assortment for the abdication of a king:
or as ever suggested: the wrong footed path:
never was tossing a coin in a gamble
that of tossing a crown into the air
for a court jester to appear less amusing
and more scolding.

act i, scene iii: post the battle of ellon...
  if ever the refusal to give up Greek myth,
then Macbeth's witches
      and Perseus' Graeae -
                            or naturalise a myth:
like you might not naturalise a strengthened
economy.... canonise the nation
with Elgin Marbles - Elgin: less than
what's said to be the exfoliation of the Aegean -
a municipality somewhere in Scotland:
west of Aberdeen, on the Northern Sea's
battering of the coast...
but word for word? or how to write Shakespeare
into cinema?
                 herr zensor must come into play -
you have to bypass imagery in poetic tongue
and relay it with actual images, a direly needed
necessity:

just after the three witches arrive,
enter Macbeth and Bonquo...

   Macb. so foul and fair a day i have not seen.
Ban. how far is't call'd to Fores? - what are these,
     so wither'd and so wild in their attire,
that look not like th' inhabitants o' the earth,
   and yet are on 't?
             live you? or are you aught that man may
question?

                  (how word for word, but the words
waggle from a different tongue, namely that of
Macbeth, and not that of Banquo, hence
italicised).
                   continuing:
       you seem to understand me,
by each at once her choppy finger laying upon her
skinny lips: - you should be women, and yet your
beards forbid me to interpret that you are so.
Macb. speak, if you can - what are you?
         the witches. all hail, Macbeth!
     hail to thee, thane of Glamis!
         all hail, Macbeth! hail to thee, thane
of Cawdor!
         all hail, Macbeth! that shalt be king hereafter.
            
so does he really belong on the psychoanalytic
couch? is he really that necessarily wonton of talk?
  Cawdor v. Gondor - it's an ongoing narrative.
but is he in need of a couch?
                 what sort of talk is talk when
in fact the only talk that's need to be said is the talk
of man's sexualised naturalisation for strife,
and here: as if knocking on a door:
you want to simply hear the onomatopoeia of
the Kabbalah in a woman gasping for breath
while puny Jewish boys under strict rabbinical
studies study?

                mama, take this badge from  me,
i can't use it, anymore,
            it's getting dark, too dark to see,
feels like i'm knockin' on heaven's door -
      my big mouth and man as a piston
                                               Ferrari acrobat


(even the soundtrack is a shrill, a strangulation
variant of higher pitch of the bagpipes -
not that braveheart ****** of whisking out
a song like for the love of a princess addition to:
  and can i have a madonna to boot too?
it's piercing, a whale sonar above refrigerator
white noise hum for the new age Buddha -
and that's because all the poetry has been excavated
  to suit cinema: not theatre).

and this is the first adaptation of Shakespeare i actually
could stomach...
     the genius was in how Macbeth spoke the lines
of Bonqua - so the character didn't start smacking
the narrative ****** in terms of solipsism:
even Shakespeare can be attacked on this front...
        if in the movie Banqua said all that was in
the typescript: the film wouldn't have worked...
i don't know what the big deal is with Lady Macbeth:
i thought that in the olden days
Macbeth suggested to King Duncan that:
can i leave the warring if you **** my wife?
i can go on the contract that you **** my wife
and i stop serving you?
      first impressions: strange English.
well, i'm sure she's important as it might be said:
within the programme of Orthodoxy,
            but never catholic (metadoxy) tradition of
saying: way hey! ensnare the mare in a funfair!
       and play the game: pin the tale on the donkey!
heads or tails?      it looks pretty damnable
     in the first place: as all honesty hogs to pout and
***** a hoggish sneeze out of the story.

iii. shaken, not stirred

and indeed, how many a times
did not a neon blossom sprout,
thinking it might rattle an oratory
with an oak in autumn, and behold
a swarm of leaves descend -
not out of passing ease,
but out of wishful thinking
that some indentation might be made:
with whom the hands of will reside,
and yet: to no gratifying effect,
to whatever atomic-centralisation
dream, be that ego or be it hydrogen
(lending hands: so too
electric or thus negative, neutral and
thus proto) - shake foundation
and give a revising repertoire of
              the covering dust humanity
that once made famous: never
again to learn the humility of the start;
        to whatever centric dream that
does not waver in demands of orientation,
be it father (sun), son (shadow)
  or the holy spirit (night) -
  make them earn! be obscure!
            or simply say: in the community
of the stated congregation:
  i find all to be as night,
   and safer that plague the father:
  i am not akin to the shadow:
                   but the shadow in mirror.
so, a centric dream that does not
waver in demands for orientation,
has ever or will be enthroned in man's
heart as the stability of Sabbath's demands
       for less, oh so much less to agitate with!
as too, when the ancient appliances
were adorned by countless demands of
mimic, so too our modern
fibbles are to stage a usurping of
such things demanded and their mimic;
for with such disclosure does all fate
of anewed become burdened in what
history could be: shaken,
rather than simply a stirring of the void,
nothing more than the unburdening
of sweetening a cup of coffee, of that and
the layers: or bitter at the top, drank
through toward the sedimented sweetness -
and all that: hoping i could have retained
that silver spoon lodged in my ***
          when i first met her and thought about
consolidating marriage: so fresh, eager prune
of the flesh embodiment as first
    watered ash, then entombed in marble
and the eternal... ah
               but it was all just the faintest of dreams;
so lumberjack sleep ensued,
                      as did a kindred worth ethic:
we are a long way from Eden...
      there is but the idyll of the absurd fruition of
albreit macht frei... or a redefinement of
such stakes as: what occupies our days?
                    if not war, if not disease,
if not the Chinese... what does, occupy our days?
Ayad Gharbawi Jan 2010
PASSION PLAY

Ayad Gharbawi




Location: Desert Shore, Bitterly Cold Night, next to strong waves from the ocean.
Characters: Man ((M) and his Lover, a Woman (W).

----------------------------------------


W: “Search as I forever do, in manifold ways unknown, I seek but to love thee, and the meagre goodness from Life, with steely ardour - my armour faithful.”
M: “Alone I may be, and still, yes I love thee; these days heavy are and beset I am by burdensome trivialities, but I remain trusting, though my corner so narrow remain.”
W: “My Love! Your speech I hear aloud and thine lips I live within and yet, my Love, all Solitude I am. Man! I am unaided! In this journey of sinful thorns, my love, in this unforgiving journey, this blurred odyssey, I stand alone”.
M: “This trial you speak of, but I do know of it well; so, listen then: within the strength of trusted togetherness we can plough on, though everlasting harm shall do its spiteful tricks, warm to our united truth shall we remain.”
W: (Surprised) “O! My love! This thought I cannot hear! My life, my destiny, is but mine. And all have their own solitary roads of jagged rocks to embrace, like it we or not. We heartbreaking earthly sad beasts, either fiercely clutch at integrity, or we do let it go to perish away.”
M: (Confused) “My Love! I do hear, I do hear. But when Times decide on burdening us, what then can we achieve? To face Reality within the frail arms of solitude is to ignore, to refuse the severe threats of repulsive grins.”
(Silence)
M: (Passionately) “O! My sweet! Only in us, can we envelope, through joined, clasped warmth can we be as one united! The screams that so truly are meant to slice us off, only we, our Unity, can destroy. For mine eyes can only find sleep in your ears, and it is so - for otherwise nothing and no one can be.”
W: (Angry) “My Passion too is bubbling for thine bewildered ears. Am I not your soul? Do we not suffer as one? Do we not reflect as one? Am I not your lover true? Is not our warmth not weighty to our fickle bones?”
(Silence)
W: (Passionate) “But, Lover, this much ought I to formally declare unto thee: For our eyes, and all eyes, envision unequally at one another. Till eternity, in its casual, indifferent flicker, snatches at us all wretched mortals, the gazes from lords to paupers remain veritably mismatched. O my passion! My woeful heart! These words I thunder forth defines love unfeigned, and what mine eyes do pour out unto thine ears is authenticity true.
(Silence)
W: (Passionately) “What joined mem’ries you choose to caress may possess thee, but your exactness for what love is to you, doth not dwell in mine mind. What tears, what weepings you do, fall stormily upon thine own soul’s wildernesses. You choose to be chained by changing visions and indefinite sentiments of light weight – though so poignant at the moment they veritably are?”
M: (Inquiring) “My love! I cherish thee; where hast thou been in thine mind, for now ye talk of that truth you relate to in your heart. Your pronouncements, what depths I do feel! Can it perchance be that my passion has strayed our winds far from me?”
W: “No, my love! Why is anger, I feel, lush on thine tongue?”
M: (Surprised and Frightened) “Anger! I am too distant from that affliction! But yes, I feel my words make only for unstable murmurs in my breath.”
W: (Quietly) “Then, do tell me, lover, who do your murmurs betray - myself or yourself then?”
M: (Quietly) “Perhaps so, perhaps so. But my anxiety wilfully demands of me to eradicate your vision.”
W: (Firmly) “You answer naught from my undemanding question. Or, are mine meanings too violent for you? What aches thee?”
M: (Passionately) “My sweet! In so many moments, I created mysterious planets for thee! Bizarre worlds of contrasts and opposites and musical words of antiquity and sensual ravines. My love! I, my soul, my life, my inner deepest breath, tempted as I am by Fates’ inscrutable cruelties to ashamedly yield, I have yet always expressed to mine eyes’ heart, though they be in bleak darkness, to faithfully fight without pause all shades of vice and still yet - with loving integrity; I have stood with arms of righteousness and love for thee up and never down! Yes, sincere good and venal ill remain joined in life for all to feel, but you knew it was not for me to disentangle them. And so, I pronounce unto thee, still, and yet ever and ever more, my love for thee, though still beholding a thousand mountains before me, I remain sturdy for thee; I remain undisturbed by burly laws, and by exotic dictums, I stand fierce and unhurt, save in your absence.”
W: (With Sadness) “My beloved, your vivid voice stabs the falsehoods for thee, and I say unto thee, unto thee your excessive and unreasonable chains, and for myself my unreasonable and extreme chains remain.”
M: (Shocked) “But I burden thee with no steely chains, nor verbal fetters! For naught I produce for thee save grace, passion and freedom to love for us both to be in Unity Sacred! Dost thou embrace my visions as ‘shackles’, then ‘tis better we agree to class that which we are as but madness! Hear me, for my tears now must truly change their colours!”
W: (Determined) “Your feverish hands clutch only upon mine erratic wings!”
M: (Anger) “Never! Never! For I clutch only to destroy all malevolence; as for thee, Lady of the purest, untouched, guarded, secluded Ponds, I seek to unshackle for you the scattered, scared shadows that yearn for thine sovereignty. And what is this ‘sovereignty’ but our Sacred Union? What curse deemest you I impose? Do you equal my purest passions with atrocities? Murmur unto mine ears, your clearest love for me.”
W: “Ah! You enquire of me my ‘sincerity’ for thee? What demands!”
(Silence)
M: “I see naught but heaving forests of love betwixt us, and yet, you discover my words being ‘demanding’?”
W: (Drily) “Perchance, your visions are indistinct and ever more blurred, through these years cannot be ignored.”
M: (Begging) “My love! All mine life, though it be lengthy, I fought most venal tyranny, and for this moment, you question my righteousness?”
W: (Indignantly) “I have been plunged into seas hostile and I have plunged in a thousand miles of inert minds troubled beyond conceivable comprehension and I have yet to have my Right for my own greedy, ravenous flesh to be vigorously and forcefully embraced by sensuality and serenity. Yes, I do love thee, and yet in our union, as in all unions, I have been adorned with naught, save snickering, gossiping scenes of festive *****, games, chatter and farewells, themselves festooned within silly and sincerely stupid smiles and frowns, and shallow tears and never ending ludicrous chatter unworthy of monkeys conversing. I have met programmed rows of pats, respect and all other so-called decent intents and gestures, but, where, lover that you are of mine, where does my personal heart, throb and manically vibrate, save in your heavenly imaginations?”
(Silence)
W: (Quietly but Determinedly) “My love! I truly thee love and with passions, I tell you, of proportions of precise exactitudes; in your eyes I have witnessed symphonies of exquisiteness; and, I of thee ask: where dwelleth your own love for myself in thine body?”
(Silence)
W: (Passionate) “Do you recognise the changing structures that form this, that I name ‘My Love’? In my solitude eternal, I do evermore and always do pause, and be pensive, and be thinking of questions, such as ‘where’, ‘why’, ‘when’ ‘how’, and ‘which’ should be my path; I am forever and ever more searching, seeking the heavens of every corner, and the irritable tempests, within my changing self as they themselves do try to seek me, and we forever, through inconceivable murkiness, do try to assemble the everlasting entirety of these disorganized puzzles into some measure of comprehensible cohesion that ‘I’ am. That is how the ‘I’ you love is forever changing and thereby formulating itself, and within all these meandering passions, and endless errors, where am I to feel thee? Where? And where do you seek me? In which land? In which forest? You trivialise my beingness as you focus upon my lands as being that which so effortless to find, and yet, you are much too distant from an understanding of my conflicting, emerging civilisations.”
(Silence)
W: (Passionate) If the utterance ‘Never’ is pathetic for thee, then allow me to introduce you to my latest heart: for it screams out that single, protracted utterance! Never! My love, these winds of raging wraths, both within and outside by flesh, must and can only be annihilated by mine own sincerities – were I not to play against my own self. My uncontrolled desires and, yes, thirsty manic passions can only be tempered and thoroughly satiated to the utter brim, by mine own loving, sources of pleasure, my own uncontrollable ecstasies. As for the rest of ****** pleasures, my own erroneous words, speeches and utterances can only be severed and sliced by my tranquillity.”
M: (Resigned) “I hear thine words. Do not abandon me. Do not destroy our civilisation of justice.”
W: “What we share, the bonds, are enjoyment. Listen though to mine lips: enjoyment is what - when it is to be compared with convulsive ecstatic quivers of satisfaction?”
M: (Puzzled) “And what of all our journeys to attain that unity? For all that, is it to be of mere insignificance? And if that be your truth, for what then did we toil and labour for unity of minds and bodies?”
W: (Laughing) “Did you understand from Life itself, that here it was, grandly to proclaim its furtive faces unto thine own awaiting face?! “
M: (Baffled) “It was so far too plain and vastly clear unto me these sceneries we faced before our loving bodies.”
W: “Yes, and I too, did see them with thee. Our four eyes, did see unity for that flicker of time. How true you speak! But, time clocked on, I saw you as you stood there, moving nowhere, unawares that it was your duty to squash onwards whatever vile breaths faced us.”
M: (Desperate) “And did I not? Did I abandon thee in these crushing paths?”
W: (Accusing) “No, you did not. Never, once did you abandon me. I ask of thee; for what sense do we feel a need for a continuation of these gruelling marches? For unity? For love? Or, is love unity? Was that and is this our reason for us to carry on with these shackles?”
M: “For assuredly, yes, and more yes, I tell thee! Toil and gruelling dawns, and unbearable evenings and the whitest of nights are all for the sacred attainment of that heavenly summit of joy I name as blessed ‘Love’.”
W: (Assured) “And, Sire, what if my nerves, blood and ****** hunger tell thee in truth that we, all of us, need no longer, and need never in truth, to undertake these paths, for we find naught that nourishes us at the blessed summit of your definition of what ‘Love’ is?”
M: (Confused & Sad) “So, I falter here and now upon understanding your speech; do I reason from thee that our loving days in unity are frivolously bygone now?”
W: (Calmly & Gracefully) “Do the wandering birds, and do the blind bats, and do the reckless storms, and do the blindly, raging waves and do the supremely arrogant oceans eternally march on in but one direction only with the savage passage of time within their particular lives? You did pronounce that you built planets for our unity; well then, did you not view how planets endlessly revolve along the same path?”
(Pause)
W: (Calmly & with Dignity) “For, Sire, I am not as a Planet - could you not feel that throughout our journeys? You endlessly query and question ‘who’ it is that ‘I’ am? Well, I speak this much on myself; I am as the birds, and the bats, and the storms and the waves and the oceans.”  
M: (Angry) “Woman! I can only then tell of thee that you are naught but feuding clutter and violent disarray!”
W: (Unconcerned) “Those are your words. Not mine. Speak for what you wish, Sire.”
M: (Angry) “And I stand here, before thee, in anger – nay, more, more! In fury!”
W: (Laughing) “For what? For the deeds that created but sticky, and grimy grains of sand for the undoubted pleasure our eyes?”
M: “And so you label our truths, our love so much! Fair indeed, you speak, Woman of Justice.”
W: (Arrogantly) “Man! Express your delights for your own delights. And, alas, there the circle and reality ends – and it ends only for you. That is one morsel of truth for you to ponder. What we ‘created’ and what we ‘loved’ was never and never, ever be the same for you as it is for me. Are you a sincere believer that your personal vision is the same sight all other seeing creatures envision?”
M: (Angry) “Woman, you enrage me! Your arrogance is drenching thine rags.”
W: (Sarcastic) “Tis the Man with no reason who allows his breath and words to be a veritable cesspool of fuming stenches!”
M: “But I, that I am, no longer can define your contours?”
W: (Pointedly) “Precisely, Man, precisely. Perhaps, now you have come closer to the vulnerable shores of reality!”
M: (Confused) “Do you express that you are ever varying and so for that reason there is not a one unified you?”
W: (Calmly) “For we are all ‘varying’, to borrow your word – if you do so allow me, Sire. There was never ‘unity’ of soul, nor mind, nor self, nor of any one personality. This, I desire, that you may understand.”
M: (Aghast) “Then if that be your truth and then, are we naught but multitudes of ever changing confusions, Lady of the Desert?”
W: (Calmly) “Yes and no! For those who are muscular and full of fertile vigour in their flesh, and in their intellects, and those that are severely and strictly scholastic, then they do need and they can succeed in time, in their never ending struggle to bring together the mutually antagonistic factions of that which constitutes our beingness. And, as for the dense brained soulless beings, then, it is equally veritably true that, a descent into madness can be rapidly produced, since from their erratic constituents, they cannot attract together these antagonistic and mutually-hating emotions in some vision of cohesion, and thus mayhem can be fashioned.”
(Silence)
M: (Calmly) “So, pray do tell me, where does Love and Justice and Truth and Morality stand in your universe?”
W: (Serenely) “That has been mine desire to hear the words being produced from your lips, Man!”
(Pause)
W: “So, now perhaps, your sight may be getting clearer, for your question is certainly apt. Foremost, we pathetic mortals, we the be are forever slimy specks of sand that  crumbles, must necessarily seek to survive and flourish within whatever forest, desert, meadow we find ourselves cast upon.”
M: (Startled) “At what cost, Woman? At the expense of Morality?”
W: (Rapidly) “Yes and no.”
M: (Shocked) “Horrendous! How can you spout out such filth?”
W: (Quietly) “Restrain your stupidities, and give more room to your intelligence, Sire.”
(Silence)
W: (Gracefully) “In times of trouble, what can Man do when he be forced to embrace evil, even though he finds the act of the embrace loathsome, but he does what he does for the truth of his vital existence to continue. Only when he need never embrace vile, and then allows himself to commit the act, then he is for certainty to incur the everlasting wrath of God. Evil is thus never one truth to be utterly rejected, perchance you may now see. ”
M: (Calm but Tired) “I follow your words and their ideas therein.”
W: (Gracefully) “When you talk to me on Man and everlasting, conflicting changes within that self-same creature, I tell you with all the earnestness that I possess, of what God has scattered and endowed upon me; for this beast, we all call in unity Man, this creature has far too many a numberless number of mutually self-contradicting, distrusting, loving, hating, inspiring and a never ending number of feelings and emotions that are in constant flow and change – as in any rapid river descending unto its eventual destination, which in its case, is the sea, while in our case, it is Death itself for sure.”
M: (Despair) “And how can this beast ‘love’ anyone within this welter of confusion?”
W: (Rapidly) “He cannot!”
M: (Rapidly, Begging) “But Man and Woman do love with bristling passions! Do you deny that, Woman?!”
W: (Calmly, eyes downwards looking) “Yes, and no. Since the beast has needs, based on his vastly intricate constituents, to ‘love’ his fellow beast, he imagines and believes
Ayad Gharbawi Jan 2010
PASSION PLAY

Ayad Gharbawi




Location: Desert Shore, Bitterly Cold Night, next to strong waves from the ocean.
Characters: Man ((M) and his Lover, a Woman (W).

----------------------------------------



W: “Search as I forever do, in manifold ways unknown, I seek but to love thee, and the meagre goodness from Life, with steely ardour - my armour faithful.”
M: “Alone I may be, and still, yes I love thee; these days heavy are and beset I am by burdensome trivialities, but I remain trusting, though my corner so narrow remain.”
W: “My Love! Your speech I hear aloud and thine lips I live within and yet, my Love, all Solitude I am. Man! I am unaided! In this journey of sinful thorns, my love, in this unforgiving journey, this blurred odyssey, I stand alone”.
M: “This trial you speak of, but I do know of it well; so, listen then: within the strength of trusted togetherness we can plough on, though everlasting harm shall do its spiteful tricks, warm to our united truth shall we remain.”
W: (Surprised) “O! My love! This thought I cannot hear! My life, my destiny, is but mine. And all have their own solitary roads of jagged rocks to embrace, like it we or not. We heartbreaking earthly sad beasts, either fiercely clutch at integrity, or we do let it go to perish away.”
M: (Confused) “My Love! I do hear, I do hear. But when Times decide on burdening us, what then can we achieve? To face Reality within the frail arms of solitude is to ignore, to refuse the severe threats of repulsive grins.”
(Silence)
M: (Passionately) “O! My sweet! Only in us, can we envelope, through joined, clasped warmth can we be as one united! The screams that so truly are meant to slice us off, only we, our Unity, can destroy. For mine eyes can only find sleep in your ears, and it is so - for otherwise nothing and no one can be.”
W: (Angry) “My Passion too is bubbling for thine bewildered ears. Am I not your soul? Do we not suffer as one? Do we not reflect as one? Am I not your lover true? Is not our warmth not weighty to our fickle bones?”
(Silence)
W: (Passionate) “But, Lover, this much ought I to formally declare unto thee: For our eyes, and all eyes, envision unequally at one another. Till eternity, in its casual, indifferent flicker, snatches at us all wretched mortals, the gazes from lords to paupers remain veritably mismatched. O my passion! My woeful heart! These words I thunder forth defines love unfeigned, and what mine eyes do pour out unto thine ears is authenticity true.
(Silence)
W: (Passionately) “What joined mem’ries you choose to caress may possess thee, but your exactness for what love is to you, doth not dwell in mine mind. What tears, what weepings you do, fall stormily upon thine own soul’s wildernesses. You choose to be chained by changing visions and indefinite sentiments of light weight – though so poignant at the moment they veritably are?”
M: (Inquiring) “My love! I cherish thee; where hast thou been in thine mind, for now ye talk of that truth you relate to in your heart. Your pronouncements, what depths I do feel! Can it perchance be that my passion has strayed our winds far from me?”
W: “No, my love! Why is anger, I feel, lush on thine tongue?”
M: (Surprised and Frightened) “Anger! I am too distant from that affliction! But yes, I feel my words make only for unstable murmurs in my breath.”
W: (Quietly) “Then, do tell me, lover, who do your murmurs betray - myself or yourself then?”
M: (Quietly) “Perhaps so, perhaps so. But my anxiety wilfully demands of me to eradicate your vision.”
W: (Firmly) “You answer naught from my undemanding question. Or, are mine meanings too violent for you? What aches thee?”
M: (Passionately) “My sweet! In so many moments, I created mysterious planets for thee! Bizarre worlds of contrasts and opposites and musical words of antiquity and sensual ravines. My love! I, my soul, my life, my inner deepest breath, tempted as I am by Fates’ inscrutable cruelties to ashamedly yield, I have yet always expressed to mine eyes’ heart, though they be in bleak darkness, to faithfully fight without pause all shades of vice and still yet - with loving integrity; I have stood with arms of righteousness and love for thee up and never down! Yes, sincere good and venal ill remain joined in life for all to feel, but you knew it was not for me to disentangle them. And so, I pronounce unto thee, still, and yet ever and ever more, my love for thee, though still beholding a thousand mountains before me, I remain sturdy for thee; I remain undisturbed by burly laws, and by exotic dictums, I stand fierce and unhurt, save in your absence.”
W: (With Sadness) “My beloved, your vivid voice stabs the falsehoods for thee, and I say unto thee, unto thee your excessive and unreasonable chains, and for myself my unreasonable and extreme chains remain.”
M: (Shocked) “But I burden thee with no steely chains, nor verbal fetters! For naught I produce for thee save grace, passion and freedom to love for us both to be in Unity Sacred! Dost thou embrace my visions as ‘shackles’, then ‘tis better we agree to class that which we are as but madness! Hear me, for my tears now must truly change their colours!”
W: (Determined) “Your feverish hands clutch only upon mine erratic wings!”
M: (Anger) “Never! Never! For I clutch only to destroy all malevolence; as for thee, Lady of the purest, untouched, guarded, secluded Ponds, I seek to unshackle for you the scattered, scared shadows that yearn for thine sovereignty. And what is this ‘sovereignty’ but our Sacred Union? What curse deemest you I impose? Do you equal my purest passions with atrocities? Murmur unto mine ears, your clearest love for me.”
W: “Ah! You enquire of me my ‘sincerity’ for thee? What demands!”
(Silence)
M: “I see naught but heaving forests of love betwixt us, and yet, you discover my words being ‘demanding’?”
W: (Drily) “Perchance, your visions are indistinct and ever more blurred, through these years cannot be ignored.”
M: (Begging) “My love! All mine life, though it be lengthy, I fought most venal tyranny, and for this moment, you question my righteousness?”
W: (Indignantly) “I have been plunged into seas hostile and I have plunged in a thousand miles of inert minds troubled beyond conceivable comprehension and I have yet to have my Right for my own greedy, ravenous flesh to be vigorously and forcefully embraced by sensuality and serenity. Yes, I do love thee, and yet in our union, as in all unions, I have been adorned with naught, save snickering, gossiping scenes of festive *****, games, chatter and farewells, themselves festooned within silly and sincerely stupid smiles and frowns, and shallow tears and never ending ludicrous chatter unworthy of monkeys conversing. I have met programmed rows of pats, respect and all other so-called decent intents and gestures, but, where, lover that you are of mine, where does my personal heart, throb and manically vibrate, save in your heavenly imaginations?”
(Silence)
W: (Quietly but Determinedly) “My love! I truly thee love and with passions, I tell you, of proportions of precise exactitudes; in your eyes I have witnessed symphonies of exquisiteness; and, I of thee ask: where dwelleth your own love for myself in thine body?”
(Silence)
W: (Passionate) “Do you recognise the changing structures that form this, that I name ‘My Love’? In my solitude eternal, I do evermore and always do pause, and be pensive, and be thinking of questions, such as ‘where’, ‘why’, ‘when’ ‘how’, and ‘which’ should be my path; I am forever and ever more searching, seeking the heavens of every corner, and the irritable tempests, within my changing self as they themselves do try to seek me, and we forever, through inconceivable murkiness, do try to assemble the everlasting entirety of these disorganized puzzles into some measure of comprehensible cohesion that ‘I’ am. That is how the ‘I’ you love is forever changing and thereby formulating itself, and within all these meandering passions, and endless errors, where am I to feel thee? Where? And where do you seek me? In which land? In which forest? You trivialise my beingness as you focus upon my lands as being that which so effortless to find, and yet, you are much too distant from an understanding of my conflicting, emerging civilisations.”
(Silence)
W: (Passionate) If the utterance ‘Never’ is pathetic for thee, then allow me to introduce you to my latest heart: for it screams out that single, protracted utterance! Never! My love, these winds of raging wraths, both within and outside by flesh, must and can only be annihilated by mine own sincerities – were I not to play against my own self. My uncontrolled desires and, yes, thirsty manic passions can only be tempered and thoroughly satiated to the utter brim, by mine own loving, sources of pleasure, my own uncontrollable ecstasies. As for the rest of ****** pleasures, my own erroneous words, speeches and utterances can only be severed and sliced by my tranquillity.”
M: (Resigned) “I hear thine words. Do not abandon me. Do not destroy our civilisation of justice.”
W: “What we share, the bonds, are enjoyment. Listen though to mine lips: enjoyment is what - when it is to be compared with convulsive ecstatic quivers of satisfaction?”
M: (Puzzled) “And what of all our journeys to attain that unity? For all that, is it to be of mere insignificance? And if that be your truth, for what then did we toil and labour for unity of minds and bodies?”
W: (Laughing) “Did you understand from Life itself, that here it was, grandly to proclaim its furtive faces unto thine own awaiting face?! “
M: (Baffled) “It was so far too plain and vastly clear unto me these sceneries we faced before our loving bodies.”
W: “Yes, and I too, did see them with thee. Our four eyes, did see unity for that flicker of time. How true you speak! But, time clocked on, I saw you as you stood there, moving nowhere, unawares that it was your duty to squash onwards whatever vile breaths faced us.”
M: (Desperate) “And did I not? Did I abandon thee in these crushing paths?”
W: (Accusing) “No, you did not. Never, once did you abandon me. I ask of thee; for what sense do we feel a need for a continuation of these gruelling marches? For unity? For love? Or, is love unity? Was that and is this our reason for us to carry on with these shackles?”
M: “For assuredly, yes, and more yes, I tell thee! Toil and gruelling dawns, and unbearable evenings and the whitest of nights are all for the sacred attainment of that heavenly summit of joy I name as blessed ‘Love’.”
W: (Assured) “And, Sire, what if my nerves, blood and ****** hunger tell thee in truth that we, all of us, need no longer, and need never in truth, to undertake these paths, for we find naught that nourishes us at the blessed summit of your definition of what ‘Love’ is?”
M: (Confused & Sad) “So, I falter here and now upon understanding your speech; do I reason from thee that our loving days in unity are frivolously bygone now?”
W: (Calmly & Gracefully) “Do the wandering birds, and do the blind bats, and do the reckless storms, and do the blindly, raging waves and do the supremely arrogant oceans eternally march on in but one direction only with the savage passage of time within their particular lives? You did pronounce that you built planets for our unity; well then, did you not view how planets endlessly revolve along the same path?”
(Pause)
W: (Calmly & with Dignity) “For, Sire, I am not as a Planet - could you not feel that throughout our journeys? You endlessly query and question ‘who’ it is that ‘I’ am? Well, I speak this much on myself; I am as the birds, and the bats, and the storms and the waves and the oceans.”  
M: (Angry) “Woman! I can only then tell of thee that you are naught but feuding clutter and violent disarray!”
W: (Unconcerned) “Those are your words. Not mine. Speak for what you wish, Sire.”
M: (Angry) “And I stand here, before thee, in anger – nay, more, more! In fury!”
W: (Laughing) “For what? For the deeds that created but sticky, and grimy grains of sand for the undoubted pleasure our eyes?”
M: “And so you label our truths, our love so much! Fair indeed, you speak, Woman of Justice.”
W: (Arrogantly) “Man! Express your delights for your own delights. And, alas, there the circle and reality ends – and it ends only for you. That is one morsel of truth for you to ponder. What we ‘created’ and what we ‘loved’ was never and never, ever be the same for you as it is for me. Are you a sincere believer that your personal vision is the same sight all other seeing creatures envision?”
M: (Angry) “Woman, you enrage me! Your arrogance is drenching thine rags.”
W: (Sarcastic) “Tis the Man with no reason who allows his breath and words to be a veritable cesspool of fuming stenches!”
M: “But I, that I am, no longer can define your contours?”
W: (Pointedly) “Precisely, Man, precisely. Perhaps, now you have come closer to the vulnerable shores of reality!”
M: (Confused) “Do you express that you are ever varying and so for that reason there is not a one unified you?”
W: (Calmly) “For we are all ‘varying’, to borrow your word – if you do so allow me, Sire. There was never ‘unity’ of soul, nor mind, nor self, nor of any one personality. This, I desire, that you may understand.”
M: (Aghast) “Then if that be your truth and then, are we naught but multitudes of ever changing confusions, Lady of the Desert?”
W: (Calmly) “Yes and no! For those who are muscular and full of fertile vigour in their flesh, and in their intellects, and those that are severely and strictly scholastic, then they do need and they can succeed in time, in their never ending struggle to bring together the mutually antagonistic factions of that which constitutes our beingness. And, as for the dense brained soulless beings, then, it is equally veritably true that, a descent into madness can be rapidly produced, since from their erratic constituents, they cannot attract together these antagonistic and mutually-hating emotions in some vision of cohesion, and thus mayhem can be fashioned.”
(Silence)
M: (Calmly) “So, pray do tell me, where does Love and Justice and Truth and Morality stand in your universe?”
W: (Serenely) “That has been mine desire to hear the words being produced from your lips, Man!”
(Pause)
W: “So, now perhaps, your sight may be getting clearer, for your question is certainly apt. Foremost, we pathetic mortals, we the be are forever slimy specks of sand that  crumbles, must necessarily seek to survive and flourish within whatever forest, desert, meadow we find ourselves cast upon.”
M: (Startled) “At what cost, Woman? At the expense of Morality?”
W: (Rapidly) “Yes and no.”
M: (Shocked) “Horrendous! How can you spout out such filth?”
W: (Quietly) “Restrain your stupidities, and give more room to your intelligence, Sire.”
(Silence)
W: (Gracefully) “In times of trouble, what can Man do when he be forced to embrace evil, even though he finds the act of the embrace loathsome, but he does what he does for the truth of his vital existence to continue. Only when he need never embrace vile, and then allows himself to commit the act, then he is for certainty to incur the everlasting wrath of God. Evil is thus never one truth to be utterly rejected, perchance you may now see. ”
M: (Calm but Tired) “I follow your words and their ideas therein.”
W: (Gracefully) “When you talk to me on Man and everlasting, conflicting changes within that self-same creature, I tell you with all the earnestness that I possess, of what God has scattered and endowed upon me; for this beast, we all call in unity Man, this creature has far too many a numberless number of mutually self-contradicting, distrusting, loving, hating, inspiring and a never ending number of feelings and emotions that are in constant flow and change – as in any rapid river descending unto its eventual destination, which in its case, is the sea, while in our case, it is Death itself for sure.”
M: (Despair) “And how can this beast ‘love’ anyone within this welter of confusion?”
W: (Rapidly) “He cannot!”
M: (Rapidly, Begging) “But Man and Woman do love with bristling passions! Do you deny that, Woman?!”
W: (Calmly, eyes downwards looking) “Yes, and no. Since the beast has needs, based on his vastly intricate constituents, to ‘love’ his fellow beast, he imagines and believes
There is one thing that ought to be taught in all the colleges,
Which is that people ought to be taught not to go around always making apologies.
I don't mean the kind of apologies people make when they run over you or borrow five dollars or step on your feet,
Because I think that is sort of sweet;
No, I object to one kind of apology alone,
Which is when people spend their time and yours apologizing for everything they own.
You go to their house for a meal,
And they apologize because the anchovies aren't caviar or the partridge is veal;
They apologize privately for the crudeness of the other guests,
And they apologize publicly for their wife's housekeeping or their husband's jests;
If they give you a book by Dickens they apologize because it isn't by Scott,
And if they take you to the theater, they apologize for the acting and the dialogue and the plot;
They contain more milk of human kindness than the most capacious diary can,
But if you are from out of town they apologize for everything local and if you are a foreigner they apologize for everything American.
I dread these apologizers even as I am depicting them,
I shudder as I think of the hours that must be spend in contradicting them,
Because you are very rude if you let them emerge from an argument victorious,
And when they say something of theirs is awful, it is your duty to convince them politely that it is magnificent and glorious,
And what particularly bores me with them,
Is that half the time you have to politely contradict them when you rudely agree with them,
So I think there is one rule every host and hostess ought to keep with the comb and nail file and bicarbonate and aromatic spirits on a handy shelf,
Which is don't spoil the denouement by telling the guests everything is terrible, but let them have the thrill of finding it out for themselves.
Filmore Townsend Nov 2013
quandering, pondering
and whiskey has become
first and only desk liquor. now
digressing to the Blue Eyed
beauty writ of this the final
page of notebook. and now,
reflecting on this early hour.
an hour when the goat's
head stares thru to soul
with always lifeless eyes. stares
thru this soul with lack of
energy, with entire days'
lack of consumption. and with
ease this one has been long
and gone in falsified attraction
of angelfaced Blue Eyed
matriarch; this one patriarch.
thought entirely conceived. contrac-
epted by reality of situation. by
reality in general sense, yet words
spew unfiltered with lingering hope
behind slanted smile. shying stares,
all the while watching from eyes'
corners. voices of all but her's
fall deaf; vessels otherwise mute to
concerns not of the Blue Eye's. and
here this one finds self lost to rom-
anticized thoughts knowing they can
be found sterilized via logic.
contradicting always, yet
no brass holding finger locked to
joint. and realizations of actual
place spears forehead; spears fore-
brain. disrupting what is preconceived
concerning entangled souls. hair falling
aside temples. point of restraint, this
one must end before depression catches
hold; this one calling abrupt ending.
Flow May 2019
Logically, if a tour guide tells you what to expect when walking through a haunted house, he first must tell the tour group when the monsters will jump out and how to handle situations like these. The guide must give strategies to the group to help people deal with what is ahead, and by doing so, he can prepare his group to see the haunted house in an uncommon way. This is an insightful way of giving people a different perspective about the experience of a haunted house. This way of experiencing a Halloween thrill allows people to be comfortable with what is being shown and can offer them to analyze it much deeper than just the mere experience. This is how a guide brings people to another dimension of understanding.
For centuries, philosophers and other logical master minds have been formulating models about what logic is. Defining terms to understand logic, philosophy, religion, and contradictions will provide people with the tools to grasp their own beliefs. This will show individuals what is clearly going on with people in Western Society. There are many things to address in people’s beliefs systems and the models that they use to understand logic. For example, a phone call and a further in-depth Interview resulted in a chance to ask questions from a professor at a well-known
college in Florida. This Professor specializes teaching philosophy and defining terms. This is what Professor Luke C. Rogers insisted:
“Things work, that's logic. If there's a mechanic that we figure out behind things whether it be math, science, the fundamental mechanics belong to logic. Logic is split into deductive and inductive branches” (Rogers).
I compared the definitions of deductive reasoning to a Philosophy professor and a Philosophy website that had multiple terms. This is a simpler definition of what Deductive reasoning means:
“Deductive reasoning, or deduction, is one of the two basic types of logical inference. A logical inference is a connection from a first statement (a “premise”) to a second statement (“the conclusion”) for which the rules of logic show that if the first statement is true, the second statement should be true” (“Deductive Reasoning”).
In other words, deductive reasoning goes from a general statement to a specific statement. Inductive reasoning is the opposite. Logic is reasoning. If one defines it based on common models from math, science, etc. They will accept established theoretical concepts. Math, science, and philosophy are forms of logic to classify and formulate opinions. If someone stated that math is merely a model of reality, would it be something temporary? The answer is controversial and can be understood in various ways. When formulating logic, one must first acknowledge what logic means. Some people need common models to understand what is called physical and non-physical reality. These are philosophies intended on explaining these forms:
“Philosophy is defined as the love of wisdom. Wisdom comes in two forms: truth and value/meaning.  The ways in which we get at truth and value/meaning constitute philosophy. Logic, for instance, is the direct study of truth and all the methods that human beings attain it” (Rogers).
Many times, common logical contradictions about beliefs will spread throughout the world. Contradictions can be common which is why a definition of what it means is vital for understanding if common beliefs are logically consistent. This was what Rogers has to say about the meaning of logical contradictions:  
“A logical contradiction would be a pair of statements where in both cannot be deductively true. That is, if one is known for certain to be true, the other can be known for certain to be false. A belief system that contains both such statements is shown inconsistent due to this contradiction” (Rogers).
By creating clear definitions in any theoretical discussion, one will be led logically to explore reasoning, either deductive or inductive. This will guide people to see how beliefs and reality can coexist. An example of this dichotomy lies in any discussion of religion.
Christianity is an example of how a belief system within which logic is only applied sometimes; many events that were believed to occur can lack logical proof. This shows how people can overlook logic when faith is involved in someone’s belief. Another example might be when someone definitively defines something to be healthy because it was tested and proved in a controlled study. Common belief systems and logical models like these are inherently flawed because change is consistent and must be inclusive in beliefs. Contradiction of beliefs are common in Western society and must be acknowledged to notice logical flaws. Throughout history, this has occurred multiple times. The founding fathers of our country owned slaves during the time they were enforcing equality. In the 12th hundreds, the series of holy wars took place to purify what was done by Christians.
Why would a group of people believe in Biblical stories that aren’t scientifically proven, and still believe in science? Many stories in the Christian Bible express what is called the “Word of God”. Contradictory beliefs are a phenomenon in Western society based on facts from the CIA. About “46.5% are Protestant in the United States” (“The World Factbook”). The majority believe in something that isn’t factual, yet people still believe in it anyway. Sometimes, people overlook what appears to be logical to worship a different belief. A portion of text from the Christian bible says:
“Moses stretched out his hand over the sea, and all that night the Lord drove the sea back with a strong east wind and turned it into dry land. The waters were divided…” (Exodus 14:21-31).
If people have enough faith in a story, then they will believe it under any factual, science-based understanding. However, this is contradictory to what some people believe because in this case, some people believe in science but only sometimes. To believe in science sometimes, is merely taking a logical model of reality and then making it convenient to what you believe in. It is also an example of how faith, logic, and beliefs can all be manipulated. By observing beliefs systems like these, one can show how contradictory our beliefs are to maintain our precious belief systems.
The effects of possessing blind faith can be both rational and irrational. Faith without proof is an indication of trust in the unknown. Some might say that faith can be proven through biblical scriptures. However, that perspective in based simply on interpretations of translations.
Is this sentence “This statement is false” true or false? This has been an ancient puzzle that hasn’t been rationally solved. Famous Greek philosophers have died, without solving this disturbing statement. An article from the “Curiosity” website explained further: “If the sentence is false, then it must be true. That's what makes it a paradox. It's an argument that leads to a self-contradictory conclusion.” (Hamer 1). The paradox that is from the sentence “This statement is false” has many answers and continues to be open for a rational answer. This is to show how contradictions have existed in history for decades. The issue it has on how we handle contradictions affects how we handle dilemmas throughout life.
How does one know which foods, liquids, and supplements are healthy when different studies contradict each other? It is important to realize that in Western society, the internet with many online sources and accessibility to them are being exposed to more people who are interested in being aware of what is good and bad for you. An online video that was hosted by Olivia Gordon, a member of a YouTube channel with 5.6 Million viewers titled “Why Nutrition Studies Keep Contradicting Each Other”, addressed studies that were proven wrong. She then further explained how randomized controlled trials take place. In the video, a study was cited about the health benefits of wine:
“In 2012, a randomized controlled trial by Hungarian researchers found that adults who received resveratrol supplements showed an improvement in a bunch of signs of cardiovascular disease” (Saleh).
This correlates with wine because it contains a compound known as resveratrol which can lower cardiovascular disease, according to this study. By this time, it was a fact according to many people, and created an epidemic about wine being good for your cardiovascular system. Gordon explained how both science-based test groups and some people’s belief systems were proven to be wrong, according to a study calculated in 2014. Gordon then replied with: “In 2014, an observational study of adults in Italy didn’t find any effect of resveratrol on signs of cardiovascular disease of mortality” (Saleh). This shows that studies can be contradictory, whether someone wants to believe in it or not. It is important for people to see what appears to be fact as an unrestricted model of what was found. When scientists discover something new, it doesn’t mean that it’s conclusive. People who finalize their beliefs from a new conclusion in science aren’t open minded to what can happen in the future. Logically, this is key for understanding beliefs about nutrition and health because thinking that one study is definitive, eliminates any other viable possibility. History proves that change is consistent. Acknowledging how some people create their belief systems, can help people who are aware of this have a deeper and meaningful life. Most importantly, believing in something doesn’t have to be definite because evidence can change the outcome of a study.
The understandings of philosophy and logic helps people question facts. Logic is understood by following models that are based on reality from facts, studies, and sources previously mentioned. We use models that leads to our understanding of our physical and non- physical reality. However, change is constant and can alter many things that are perceived to be fact. This is important to discuss because including this factor in one’s belief system may guide them to explore their own and analyze the system that creates it. Being aware of how people in Western society maintain their beliefs takes it to another dimension. Flexible thinking is an efficient way to adapt to the change of new facts and studies. Belief systems are very diverse throughout the Western society. There are serious flaws in belief systems which can lead to a commonality of irrational thinking. The primary topic mentioned in this paper revolves around the contradiction of beliefs. When we cling to our beliefs, logical consistency becomes nebulous. We prefer illusions to retain our beliefs. Even if you wear a mask, is the truth still there? Or, is it okay to believe in an illusion?

Works Cited
“The World Factbook: United States.” Central Intelligence Agency, Central Intelligence Agency, 1 Feb. 2018, www.cia.gov/library/publications/the-world-factbook/geos/us.html.
Saleh, Nesreen Abu. “Why Nutrition Studies Keep Contradicting Each Other.” YouTube, YouTube, 18 Apr. 2018, www.youtube.com/watch?v=uPIQ7YhE4cE.
“Deductive Reasoning.” Philosophy Terms, 25 Oct. 2018, philosophyterms.com/deductive-reasoning/.
Rogers, Luke C. Personal Interview. 28 Apr. 2019.
Hamer, Ashley. “The Liar Paradox Is a Self-Referential Conundrum.” Curiosity.com, 19 Nov. 2016, curiosity.com/topics/the-liar-paradox-is-a-self-referential-conundrum-curiosity/.
“BibleGateway.” Exodus 14:21-31 NIV - - Bible Gateway, Biblica Inc, 2011, www.biblegateway.com/passage/?search=Exodus 14:21-31&version=NIV.
A final paper for a college English class :)
Odd Odyssey Poet Aug 2022
—in all of my ways, I'm not ashamed to
call your name. But so shameful of me to only
say a prayer when things don't go my way. Echoing
the final phrase, "in Jesus name" hoping everything
magically becomes okay.

Seems when I'm in trouble, I only choose to pray
a spiritual prayer that day. And I'll go back to sinning
in about two days.

But let me rephrase, "God loves you, and cares for you"
whether I'm telling it to the crowd, or secretly trying to
remind myself. "Don't envy another," says an envious
colleague, after he congratulations them in an overexaggerating
tone. But when I'm home alone; it's either myself tearing myself
with tears, until my face is torn. Or punching the wall, then
after using the other hand to cope with a little ****.

Actually it's a lot—a lot of the times I'm lost in empty
picture screens, till a quick satisfaction is found. Then after
washing the sins off, while staring in the mirror, and not looking
so proud. As the realism comes to light, as the realist sees their
misdeeds way past the dark.

Like a pick-up truck, hauling heavy loads of these burdens.
But we like to pretend our backs don't snack while forcing
to look like an always good person. In third person, we don't
see all the places you're hurting. But it takes first person, for I
to realise I'm inwardly cursing of those new struggles soon
to worsen.

To oppose another, being the face I choose during the day;
opposing my loving father. And in it feeling ashamed, and so
afraid to call His name; only when things aren't looking too okay.

But here's a glass to all CC's, raise your voice if you know you've
been that type of way. Let me keep you in my prayers; perhaps
you'll learn to speak honestly by tomorrow, than with a mouth of contradicting yesterdays.

                                                 ...don't worry children,
                                your father still hears your prayer!
I have a mouth, but I cannot speak.
I have two eyes, but I cannot see.
I have two ears, but I cannot hear.
I have two feet, but I cannot walk.
I have two hands, but I cannot touch;
I cannot feel not even a single thing.
Is this the one, the numbness that I feel?

                                                      I have a body, but we are apart.
                               I am complete, but I feel empty in my heart.
                                                      I must be missing pieces of me.
                                              But I am whole, why can I not see?!
                                     These holes inside, they cannot be filled.
                              My dilapitated house, must never be rebuilt.
                                                 Please stay away and leave me be.  
                                              My isolation is what keeps me sane,
                                                         ­                             **it sets me free
© Cyrille Octaviano, 2015
David Bojay Jan 2014
art is your body on top of mine

baby let me break your heart

baby i want to make you hopeless

baby i want to be the reason you’re depressed

baby i want to be the reason you consider suicide

baby i want you to cry

baby stab your **** for me

if you loved me, you’d do what i told you to do

baby soak me with your spit

dry me with your breathe

baby **** your religion praise me

give up what you believe, for me
A true story by  Thula Bopela**

I have no idea whether the white man I am writing about is still alive or not. He gave me an understanding of what actually happened to us Africans, and how sinister it was, when we were colonized. His name was Ronald Stanley Peters, Homicide Chief, Matabeleland, in what was at the time Rhodesia. He was the man in charge of the case they had against us, ******. I was one of a group of ANC/ZAPU guerillas that had infiltrated into the Wankie Game Reserve in 1967, and had been in action against elements of the Rhodesian African rifles (RAR), and the Rhodesian Light Infantry (RLI). We were now in the custody of the British South Africa Police (BSAP), the Rhodesian Police. I was the last to be captured in the group that was going to appear at the Salisbury (Harare) High Court on a charge of ******, 4 counts.
‘I have completed my investigation of this case, Mr. Bopela, and I will be sending the case to the Attorney-General’s Office, Mr. Bosman, who will the take up the prosecution of your case on a date to be decided,’ Ron Peters told me. ‘I will hang all of you, but I must tell you that you are good fighters but you cannot win.’
‘Tell me, Inspector,’ I shot back, ‘are you not contradicting yourself when you say we are good fighters but will not win? Good fighters always win.’
‘Mr. Bopela, even the best fighters on the ground, cannot win if information is sent to their enemy by high-ranking officials of their organizations, even before the fighters begin their operations. Even though we had information that you were on your way, we were not prepared for the fight that you put up,’ the Englishman said quietly. ‘We give due where it is to be given after having met you in battle. That is why I am saying you are good fighters, but will not win.’
Thirteen years later, in 1980, I went to Police Headquarters in Harare and asked where I could find Detective-Inspector Ronald Stanley Peters, retired maybe. President Robert Mugabe had become Prime Minster and had released all of us….common criminal and freedom-fighter. I was told by the white officer behind the counter that Inspector Peters had retired and now lived in Bulawayo. I asked to speak to him on the telephone. The officer dialed his number and explained why he was calling. I was given the phone, and spoke to the Superintendent, the rank he had retired on. We agreed to meet in two days time at his house at Matshe-amhlophe, a very up-market suburb in Bulawayo. I travelled to Bulawayo by train, and took a taxi from town to his home.
I had last seen him at the Salisbury High Court after we had been sentenced to death by Justice L Lewis in 1967. His hair had greyed but he was still the tall policeman I had last seen in 1967. He smiled quietly at me and introduced me to his family, two grown up chaps and a daughter. Lastly came his wife, Doreen, a regal-looking Englishwoman. ‘He is one of the chaps I bagged during my time in the Service. We sent him to the gallows but he is back and wants to see me, Doreen.’ He smiled again and ushered me into his study.
He offered me a drink, a scotch whisky I had not asked for, but enjoyed very much I must say. We spent some time on the small talk about the weather and the current news.
‘So,’ Ron began, ‘they did not hang you are after all, old chap! Congratulations, and may you live many more!’ We toasted and I sat across him in a comfortable sofa. ‘A man does not die before his time, Ron’ I replied rather gloomily, ‘never mind the power the judge has or what the executioner intends to do to one.’
‘I am happy you got a reprieve Thula,’, Ron said, ‘but what was it based on? I am just curious about what might have prompted His Excellency Clifford Du Pont, to grant you a pardon. You were a bunch of unrepentant terrorists.’
‘I do not know Superintendent,’ I replied truthfully. ‘Like I have said, a man does not die before his time.’ He poured me another drink and I became less tense.
‘So, Mr. Bopela, what brings such a lucky fellow all the way from happy Harare to a dull place like our Bulawayo down here?’
‘Superintendent, you said to me after you had finished your investigations that you were going to hang all of us. You were wrong; we did not all hang. You said also that though we were good fighters we would not win. You were wrong again Superintendent; we have won! We are in power now. I told you that good fighters do win.’
The Superintendent put his drink on the side table and stood up. He walked slowly to the window that overlooked his well-manicured garden and stood there facing me.
‘So you think you have won Thula? What have you won, tell me. I need to know.’
‘We have won everything Superintendent, in case you have not noticed. Every thing! We will have a black president, prime minister, black cabinet, black members of Parliament, judges, Chiefs of Police and the Army. Every thing Superintendent. I came all the way to come and ask you to apologize to me for telling me that good fighters do not win. You were wrong Superintendent, were you not?’
He went back to his seat and picked up his glass, and emptied it. He poured himself another shot and put it on the side table and was quiet for a while.
‘So, you think you have won everything Mr. Bopela, huh? I am sorry to spoil your happiness sir, but you have not won anything. You have political power, yes, but that is all. We control the economy of this country, on whose stability depends everybody’s livelihood, including the lives of those who boast that they have political power, you and your victorious friends. Maybe I should tell you something about us white people Mr. Bopela. I think you deserve it too, seeing how you kept this nonsense warm in your head for thirteen hard years in prison. ‘When I get out I am going to find Ron Peters and tell him to apologize for saying we wouldn’t win,’ you promised yourself. Now listen to me carefully my friend, I am going to help you understand us white people a bit better, and the kind of problem you and your friends have to deal with.’
‘When we planted our flag in the place where we built the city of Salisbury, in 1877, we planned for this time. We planned for the time when the African would rise up against us, and perhaps defeat us by sheer numbers and insurrection. When that time came, we decided, the African should not be in a position to rule his newly-found country without taking his cue from us. We should continue to rule, even after political power has been snatched from us, Mr. Bopela.’
‘How did you plan to do that my dear Superintendent,’ I mocked.
‘Very simple, Mr. Bopela, very simple,’ Peters told me.
‘We started by changing the country we took from you to a country that you will find, many centuries later, when you gain political power. It would be totally unlike the country your ancestors lived in; it would be a new country. Let us start with agriculture. We introduced methods of farming that were not known I Africa, where people dug a hole in the ground, covered it up with soil and went to sleep under a tree in the shade. We made agriculture a science. To farm our way, an African needed to understand soil types, the fertilizers that type of soil required, and which crops to plant on what type of soil. We kept this knowledge from the African, how to farm scientifically and on a scale big enough to contribute strongly to the national economy. We did this so that when the African demands and gets his land back, he should not be able to farm it like we do. He would then be obliged to beg us to teach him how. Is that not power, Mr. Bopela?’
‘We industrialized the country, factories, mines, together with agricultural output, became the mainstay of the new economy, but controlled and understood only by us. We kept the knowledge of all this from you people, the skills required to run such a country successfully. It is not because Africans are stupid because they do not know what to do with an industrialized country. We just excluded the African from this knowledge and kept him in the dark. This exercise can be compared to that of a man whose house was taken away from him by a stronger person. The stronger person would then change all the locks so that when the real owner returned, he would not know how to enter his own house.’
We then introduced a financial system – money (currency), banks, the stock market and linked it with other stock markets in the world. We are aware that your country may have valuable minerals, which you may be able to extract….but where would you sell them? We would push their value to next-to-nothing in our stock markets. You may have diamonds or oil in your country Mr. Bopela, but we are in possession of the formulas how they may be refined and made into a product ready for sale on the stock markets, which we control. You cannot eat diamonds and drink oil even if you have these valuable commodities. You have to bring them to our stock markets.’
‘We control technology and communications. You fellows cannot even fly an aeroplane, let alone make one. This is the knowledge we kept from you, deliberately. Now that you have won, as you claim Mr. Bopela, how do you plan to run all these things you were prevented from learning? You will be His Excellency this, and the Honorable this and wear gold chains on your necks as mayors, but you will have no power. Parliament after all is just a talking house; it does not run the economy; we do. We do not need to be in parliament to rule your Zimbabwe. We have the power of knowledge and vital skills, needed to run the economy and create jobs. Without us, your Zimbabwe will collapse. You see now what I mean when I say you have won nothing? I know what I am talking about. We could even sabotage your economy and you would not know what had happened.’
We were both silent for some time, I trying not to show how devastating this information was to me; Ron Peters maybe gloating. It was so true, yet so painful. In South Africa they had not only kept this information from us, they had also destroyed our education, so that when we won, we would still not have the skills we needed because we had been forbidden to become scientists and engineers. I did not feel any anger towards the man sitting opposite me, sipping a whisky. He was right.
‘Even the Africans who had the skills we tried to prevent you from having would be too few to have an impact on our plan. The few who would perhaps have acquired the vital skills would earn very high salaries, and become a black elite grouping, a class apart from fellow suffering Africans,’ Ron Peters persisted. ‘If you understand this Thula, you will probably succeed in making your fellow blacks understand the difference between ‘being in office’ and ‘being in power’. Your leaders will be in office, but not in power. This means that your parliamentary majority will not enable you to run the country….without us, that is.’
I asked Ron to call a taxi for me; I needed to leave. The taxi arrived, not quickly enough for me, who was aching to depart with my sorrow. Ron then delivered the coup de grace:
‘What we are waiting to watch happening, after your attainment of political power, is to see you fighting over it. Africans fight over power, which is why you have seen so many coups d’etat and civil wars in post-independent Africa. We whites consolidate power, which means we share it, to stay strong. We may have different political ideologies and parties, but we do not **** each other over political differences, not since ****** was defeated in 1945. Joshua Nkomo and Robert Mugabe will not stay friends for long. In your free South Africa, you will do the same. There will be so many African political parties opposing the ANC, parties that are too afraid to come into existence during apartheid, that we whites will not need to join in the fray. Inside whichever ruling party will come power, be it ZANU or the ANC, there will be power struggles even inside the parties themselves. You see Mr. Bopela, after the struggle against the white man, a new struggle will arise among yourselves, the struggle for power. Those who hold power in Africa come within grabbing distance of wealth. That is what the new struggle will be about….the struggle for power. Go well Mr. Bopela; I trust our meeting was a fruitful one, as they say in politics.’
I shook hands with the Superintendent and boarded my taxi. I spent that night in Bulawayo at the YMCA, 9th Avenue. I slept deeply; I was mentally exhausted and spiritually devastated. I only had one consolation, a hope, however remote. I hoped that when the ANC came into power in South Africa, we would not do the things Ron Peters had said we would do. We would learn from the experiences of other African countries, maybe Ghana and Nigeria, and avoid coups d’etat and civil wars.
In 2007 at Polokwane, we had full-blown power struggle between those who supported Thabo Mbeki and Zuma’s supporters. Mbeki lost the fight and his admirers broke away to form Cope. The politics of individuals had started in the ANC. The ANC will be going to Maungaung in December to choose new leaders. Again, it is not about which government policy will be best for South Africa; foreign policy, economic, educational, or social policy. It is about Jacob Zuma, Kgalema Motlhante; it is about Fikile Mbalula or Gwede Mantashe. Secret meetings are reported to be happening, to plot the downfall of this politician and the rise of the other one.
Why is it not about which leaders will best implement the Freedom Charter, the pivotal document? Is the contest over who will implement the Charter better? If it was about that, the struggle then would be over who can sort out the poverty, landlessness, unemployment, crime and education for the impoverished black masses. How then do we choose who the best leader would be if we do not even know who will implement which policies, and which policies are better than others? We go to Mangaung to wage a power struggle, period. President Zuma himself has admitted that ‘in the broad church the ANC is,’ there are those who now seek only power, wealth and success as individuals, not the nation. In Zimbabwe the fight between President Robert Mugabe and Morgan Tsvangirai has paralysed the country. The people of Zimbabwe, a highly-educated nation, are starving and work as garden and kitchen help in South Africa.
What the white man told me in Bulawayo in 1980 is happening right in front of my eyes. We have political power and are fighting over it, instead of consolidating it. We have an economy that is owned and controlled by them, and we are fighting over the crumbs falling from the white man’s ‘dining table’. The power struggle that raged among ANC leaders in the Western Cape cost the ANC that province, and the opposition is winning other municipalities where the ANC is squabbling instead of delivering. Is it too much to understand that the more we fight among ourselves the weaker we become, and the stronger the opposition becomes?
Thula Bopela writes in his personal capacity, and the story he has told is true; he experienced alone and thus is ultimately responsible for it.
Malia Dec 2019
Contradicting concepts
Are the essence of my being
Yes, it may not make sense
But it makes sense to me.

I love the things that can’t be seen
Or touched or heard or smelled
The type of thing that’s not tangible
That I am always seeing.

I love the way it sparks my fire
Of kindling curiosity
I don’t know if you guys agree
Or if it is only me.
Àŧùl Jan 2015
I agree what her name says,
I disagree with whatever any donkey brays.

She's kindhearted and also so very gorgeous,
She has got an angelic heart.

Elsa you are one of the most beautiful poets I've ever seen,
And you just need to ignore people contradicting it as they are not free from sin.
Elsa, this one's for you.
You are one of the few good hearts I know.
Trust me when I say so, because the mirror might be wrong but not me.
My HP Poem #728
©Atul Kaushal
Erin Lewis Jul 2012
Although I cry, I am not sad
Tis merely rain falling
From a twisted tormented tempest

Although I laugh, I am not happy
Tis merely the sound
Of fate's endless humor

Although I try, I fail to succeed
Life is a chaos of questions
With the answers unseen

Although I live, my heart doesn't beat
Tis merel the sound
Of the bird's rat-ti-tat-tat

Although I sing, my voice makes not a whisper
Tis merely the wind
Singing to nature

Although I speak, I do not say
But my tears are uttering
The words dark as night
We are each our own moon.
Charismatic souls reflecting sunlight,
As if to illuminate a room,
We glow against black, void; an endless night.
Like a caterpillar to a butterfly, emerging from a tight knit cocoon,
Spreading each wing, confidently slicing the evening air…taking flight.
Or even a flower freshly bloomed on a midsummer’s afternoon.
The moon: a flower, silently smiling despite the plight.

Aside from what each day shuffles in; each night simmers out
No matter how often we feel we have lost ourselves…
Or leave way to fill our heads with doubt.
With recurring assumptions of a worldwide redemption:omnipotent stealth.
Needn't some take longer than others to sprout?
Staring blankly into a mirror, or a moonless night sky: hungry for answers, yet facing an empty shelf.
However, that doesn't infer we embark on a divergent route.
Simply due to lack of clarity, lack of reasoning behind each card dealt.

With that in mind,
Just as the moon,true colors may dwindle…they may fade, yet in essence are always there.
Even on a cloudy day, or when the sunshine is at its peak…and just as well for the blind.
Full moon, half moon, new moon…waxing, waning: dynamic phases the night sky shares.
Moon phases;moody faces…natures way of emphasizing personality defined.
Notwithstanding the dark side, each moon may wear.
Like a guilty pleasure manifesting in a secret shrine,
We all suppress a certain side; to pompous to face reality genuinely bare.

Fragments of our faces may always be hidden,
But there’s one thing that will never absorb into the eclipse: emotion.
Some figure each phase, each wave of vibes … simply fate already written.
Devils advocate begs to differ… let your mind emit all distraction and harmonize with the ocean.
Effervescent rays,warm barrels in which emotions, old and new, have ridden.
Chaotically contradicting thoughts, pulling and pushing, creating the paradox of serene commotion.
A world of words from each moon face: a beautiful encryption.
We are each our own moon, written in the waves, compelled by life’s devotion.
July 24, 2013
Jessica Rae Aug 2013
Thoughts racing she's not sure what to say.
Waking up each morning, spontaneous everyday.
She looks for happiness, in the worst places.
Lives on each day, not remembering any faces.
Once she's up, it a rap, she's off to the races.
Birds she adores, she's always wanting more.
Even when she's all worn out, and all sore.
Roads are her motivation, yeah it lowers all her frustration.
High hopes, are her salvation.
With every might, she holds onto concentration.
Oh hell with this petty *** nation,
nothing about her is rationed.
Just let her travel, and drop her off at the nearest train station.
(est.j.r.e.)
The rain pours heavy on my windowpanes; it is only through the darkness that I realize what pain truly means. The sorrow, the lack of luster in everyday that has changed and I fear for those who do not yet know what madness life brings. It is nothing yet everything to understand what suffering brings. The state of darkness looming upon wake, and when the dreams of your subconscious mind come to life and haunt you day by day, I fear for those who do not yet know real pain. The loss of someone you love being ripped away, so abruptly; worse than a Band-Aid on fresh wounds, so terribly worse than seeing someone you love fall deeper and deeper into the chasm of their own demons, like a well you’re drowning and eventually succumb to frightening disdain. One realizes that everything in life isn't truly the same, change is the only constant in this delirious world of contradicting facsimiles.

You have nothing but hope and faith in this world of detriment. And I hope someday you find what you're truly looking for, whether it be love or the meaning to life. But never forget who you truly are, regardless of the pain and the tears that washed away the innocence of your years and fears. I am truly sorry for what you have endured, but I cannot look back anymore, nor ponder upon those heart wrenching fears you called my own, of which I cannot call my own. You must own them like cheap records, and let them die in the night like the decades of musical loss and dying discords.  You must find yourself in this beautiful world, never give up on everything wonderful. For you are worth much more than words, much more than anything I could ever endure.
© 2014 Christina Jackson
Hersch Rothmel Jun 2013
its all been said before better than I’ve said it
so just forget it I meant what I said and
Im tired of feeling so distant from everyone
and pretending that Im coherent

So tell me a story of ignorant bliss
before I was cursed with giving a ****
no time to regret old actions and ways
Tell yourself that your changing but U’ll never change

Its grimy and gritty and ****** and ******
But at least we got music each other and such
and if I get too ****** up don’t assume that I’m drunk
Because it takes too long to feel it
Because it takes too long to feel it
Because it takes too long to feel it
Because it takes too long to feel it

Why cant I go away
to an imaginary place thats locked in my dreams
So close but so out of reach
If I wanted to I could just be there in an instant
and fly, fly so high
till I realize that I cant get away
if i hide, I wont hide, I cant hide

Its grimy and gritty and ****** and ******
But at least we got music each other and such
and if I get too ****** up don’t assume that I’m drunk
Because it takes too long to feel it
Because it takes too long to feel it
Because it takes too long to feel it
Because it takes too long to feel it
Eve Sep 2020
Today I was accused to being a bad influence yet again,

Simply because I facilitate the forbidden wants/needs of the people I love,

Simply because I give them a place to get high and vent without being judged,

Simply because I create an aura where they feel free to express themselves in whatever ways they like- modest, humble even ******,

And simply because the ones they love refuse to facilitate their haram (forbidden).

Haram is bad – we all know this

But being human is about passing through all things good and all things bad.

Being a Muslim, most of my choices are haram;

Not properly attired to the laws of my religion,

My speech is not of a young lady with modesty- rather it is defined with sheer profanity,

I rather laugh from my heart even though it’s supposedly a *****’s act,

I refuse to lower my gaze around men; the same men that stole from me

The same men that refused to lower their gaze from me.

I deny myself the potential for love because of the expectation of great dismay

And I drown myself with the 34000 thoughts of what if??!

This poem is becoming a disaster; my thoughts aren’t flowing straight,

I went from bad influence to haram to rebellious to depressing;

What the **** is this **** going on inside my head- it aches with great displeasure.

How do I contain my contradicting self?

Someone help me please, my soul is crying and sobbing for something to fill this void-

The void that is desperately trying to full itself with the acceptance of the people who are hell bent on not accepting me.

Why am I like this? A contradicting ******* disaster

-fir.m
I adore
I adore your laugh
Even though I've heard it twice
I adore your smile
Even though I've seen it only a few
I adore your body
Because what I have seen and felt was perfection
I adore your hands
Because they made me feel like never before
I adore your touch
It is magical
I adore your voice
Because it is like no other
I adore your scent
Because it was contradicting-sweet and bitter

But really, truly
I just adore you.
pitch black god8 Apr 2018
this peculiar notion transmigrates into a startling potion,
one that creates, not slakes human thirst,
a consequential first position for those who are in possess
of a direct line to gods who hide in the pitch black,
perforce one must make discrete deferential inquiries
avec une politesse indirecte

just in case we are wrong

(honest aside:
as composition proceeds, ear buds fill me with
Music of Transmigration, notably Op. 11, of S. Barber making
contradicting souls passing through me tenable and malleable)

naturellment,
loud radio silence, was I naive to expect otherwise?

perhaps god is not the subject of this poem
but perhaps the author(!)  who's
just  keeping his "hand" in the poem game,
spoofing human memes,
with a spot of fun even in
New Z--l-and-other domiciles

after all who has more
nominalistic titles,
is cursed and blessed,
by almost everyone
at least once a day, and in
a thousand different names
with an impishly
cruel sense of what this human gig
it created.
is about

tonight
I am a composer,
tomorrow’s decomposer,
or just a funny named follower

ah,
the answer is in the
data
My very first poem; yay!
I don't stand on formality,
you can call me #8
Cherub Nitman Nov 2013
I could write about all of the things that make you wonderful,
or all of the things that don't,
but either way you'd be getting what you want.
I could write about your eyes,
and how they make my bones vibrate.
The way that they morph into hollow chestnut soldiers who have accepted their dreadful fate,
Or the way they surrender to your smile prompting fire to question it's purpose.
I could write about your lips,
and how they're the strongest magnets I know.
The way they ******* my elbows and make my fingertips tingle,
Or the fact that they taste like my favorite flavor of euphoria.

But I'm sure you've heard it all before,
So instead,
I will write what I feel.
Because your eyes are yours,
and your lips are yours,
but my feelings belong to me.

You know that feeling in your lungs when you've just run a thousand miles,
that pain in your head after you've cried a thousand tears,
you are that feeling, you are that pain.

I used to be a granite countertop,
shiny and cold,
as still as a living stone could be.
My eyes were a place for people's empty glasses,
nothing more,
and my smile was a painting made from the grease of half eaten pizzas.


At first, you managed to make gravity give up on me,
the granite shattered and I became something else,
hovering above success and failure,
elation and pain.
Unable to touch down because none of the above sounded okay.
Afraid of the good as well as the bad,
no laughs and no tears,
no daydreaming about future love affairs,
just an observer,
a hot air balloon.

Then you touched me,
And it burned like a cult of dragons,
Breathing fire down my spine.
Your hands turned my skin into sparkling water,
Bubbling and fizzing,
Unsettled razzle dazzle.
Each time our lips touch,
I taste a bitter happiness,
Sour, spicy, sweet,
Pixie dust and dragonflies.
Time has lost it's steady pace.

I am a slave to your existence,
Like the way that jellyfish move, without control or purpose,
or the way the sand can't run away from the sea.
Somehow you've managed to pump wonder into my lungs,
and fill my head with weeping willows.
the dancer in my beating heart, found her rhythm in yours.

Some nights, after you've fallen asleep,
I imagine myself sleeping atop your eyelashes,
cuddling with constant contradicting comparisons,
snuggling with smug smiling faces,
spooning the speckled souls who speak without thinking,
tangled in your secret stash of picturesque ideals.


I wish we could jump in a death cab,
and go somewhere brand new,
because baby, I could stare at those bright eyes for all of eternity.
Tucker Landis Nov 2012
As the bliss of midnight approaches them
The clouds shed the light of a cold moon

Leading their lives together, the end is gone
And the illusion they feel,
Cannot be repeated

Drying is the fluid of love,
Solidifying and holding them still in time,
Longing for the night to persist.

They know the morning approaches,
The expectation of the sunrise means an end.
The end of night is the end of all time,
And as unfathomable as eternal endings are, it still ensues

Moon setting,
Sun rising,
The contradicting feelings swim,
Uncertain of the future their love has ended.

The bliss of her death, as the blood runs down his fingers, consumes him, and the sharp pain absorbs him.

Until the night and cold moon flash again
The two will lay with security as true as the sky is broad.
Frieda P Oct 2013
You want to read little pristine pretty posies
not get involved betwixt & ignore the thorns of life
whatcha gonna do when your scratch becomes infected
hiding in the bushes of denial will get you hives
of the contradicting type, bucking like a bronco
amidst the flowery storm clouds of refusal
riding through wild fields of four leaf clovers
on unicorns wings of phantasmal puff'd perfectly pink skies
pseudo fairy tales conjured up in the mind
never to cross the median line of reality's mock deception
swallow the chimerical pill of inauthentic utopia
just be sure your mythical allegory never plays havoc
in your secret garden of rainbow streaming sublimity,
the fall is greater from the zenith of repudiation
"You cannot hide yourself behind a fairytale forever..."
Only For You Jan 2015
I've never believed in love

but how can I explain the feeling I get when I look at you
Aquinas Oct 2014
The arms of the clock are reaching high to God
As I lay on my floor thinking in contradicting circles
Contemplating the words I need to say
To save the friendships I've just made
They're all so precious to me
But I see them slowly

Becoming less, and less
And less, and less
Interested in
Me
CharlesC Jan 2014
Oh that strange
minuscule Atom..
Atom has posed
with planets spinning
with electrons jumping
with self-contradicting
waves and photons..
These secret poses
Over a century
Reveal and conceal
An amazing truth..

Atom smiles slyly
such confusion here..
Yet now and then
A scientist is startled
By a mirror reflection
A poet Behold..
Self-knowing arrives:
My name is Atom
and long enough
have I posed…!
When it comes to atoms, language can be used
only as in poetry. The poet, too, is not nearly so
concerned with describing facts as with creating images.
Niels Bohr
Evie G Mar 2022
A conversation over a cup of coffee
(Sainsbury’s low quality)

The kettle burbles in the background
Bartering bubbles for blatant babbling

The granules flop, shake if they stop
Right from the top, into brown slop.  

Stir with a spoon,
Stare into the eye of the storm:

Vanilla swirls, auburn curls,
Minding their manners, glances from girls.

Hazelnut eyes, thinking they’re wise.
Smile contradicting the, frankly, **** skies.

Pupils dilate,
Chalk dusted slate,
Tea leaves are telling me this must be fate

Dumb conversation,
Mind saying more,
Something unsaid seems to open a door

I’d rather its shut, its dangerous but
Sugar, im just an emotional ****

I’ll let you in, this time you win
‘Another coffee?’
You ask, with a grin.
jls Jan 2015
Empty promises;
you learn to admire them in their pretty little boxes.
Wrapped in silk lies,
smoothed over with false hope and contradicting faith.
EgoFeeder May 2013
What a sick ******* disturbing race;
And it's sad to say i'm the epitome of disgrace
So what the **** does that make me?
A self destructive **** with no integrity!

If I could peel through the rind of my skull          
The laughter around me might become a little dull
For the sake of my dignity and self enjoyment
I should make this last and indulge in some torment

Oh how fun it is to pretend that I'm on the petistil
Performing this unfulfilled sacrifice for a simple thrill
My slur gnarled into the cries of a self loathing comic;
For even the greatest have stated the best comedy is tragic!

So, gather 'round and pay respect to this nervous wreck;
Who befriends only pets or rather the comfort of a speck
Watch this defeatist plead for the misery of his next life;
The facts of fate are simple just take a glimpse at ones strife

I'm sure you'll see the ardent path beneath your detrimental stars;
Just gaze inside of your guilt and the afterlife doesn't seem so far
Look a little deeper through your pride to see exactly what you fear;
For Your reason blocks out what you cannot conceive and are dying to hear

That is the Irony of Sanity and we where it ******* well
Even before we reach our carnal end; we've seen the extent of hell
Although, I've never completely doubted the superstition of religion;
The thought of an eternal consciousness is entirely fiction

The only thing immortal about a human is it's opaque particles;
Physical existence will never fail to rot through it's perpetual circle!
It may seem hysterical to be hearing this from someone in my position;
But, It doesn't take a scholar to comprehend a personal realization

For I have foreseen myself as the lowest form of life to be;
My sincerest companions that made up the majority of my company
What shall be the retribution for this un-deserving carnation?
I shall plague each day as the worthless paramount of reanimation...

Dispatching my profession as the corrupted author of treachery;
And the needle begins to caper as I shed a contradicting mockery
All our indirect implications are rather redundant
Failing in comparison to the hidden word of the hierophant

For a mind with no sense can only tell a story in riddles;
And, Poetics itself is like watching a fox while he plays the fiddle!
The slyness of word play is exponentially folded when the theme is penance:
and don't even get me started on corroding intent with dis-tasteful connivance!

All of which being oppressed between the confines of these rhymes;
statements never stated that had been contrived at the time
A procession of silence establishing an obvious struggle of emotion    
Declaring the truth of hesitation and our twisted mental notion

How joyous it is to state a fact that can't be truly written;
Every word I've cast has no significance and is better off forgotten
I've been wasting all this ink converting beauty into reality
Completing eviscerating all meaning;Leaving nothing but a literal subtlety
Matt Holt Apr 2013
The only way I can do something is by contradicting myself.
Contradicting myself to the point where I don't want to do anything.
At the point where anxiety take over and grips my throat and my mind overdoses on hatred towards the world.
At the tipping point of letting go when the person that's holding me is me.
My mind can be at a blank and then out of nowhere it can feel like it needs to overdose on Adderall because it can't shut up -- when the only thing I'm trying to do is to look for a moment where anxiety doesn't take up every existence of my brain.
feedback plezzzzzz
Brittani Cramer Feb 2014
I don't know what to say
because it's hard to think in this strange head of mine
and I know things I want to say
just not how to say them.
It doesn't make sense, really.
but it's true.
Sometimes I think I want to die ,
but I also want to live.
I'm afraid to tell you that I'm in love with you because you might hurt me,
but I trust you enough to know that you won't.
Life is full of contradictions,
and I'm a living one.
Instrospect Jun 2015
I'm through loving you with my heart
For it expires
It expires like everything else
In my body
I want to love you with my soul
To stand the test of time
To last beyond a lifetime
I want to be able to say,
"I'm all yours."
Without anything in this universe
Contradicting my statement.
I'm all yours.

-D.D.
I don't know. I'm just feeling a lot of things lately.
mark deo biongan Jan 2015
why is love blind
why when inlove we always bind
to the play this game of heart and mind
on which there are no ways to you find

we dont see but we follow our feelings
we trust without hesitating
if what we do is contradicting
or just being inlove is addicting

so why are we loving if we could get blinded
on things we do for love were not guided
we suffer of being a slave of love
But still we smile even when we are treated like a grub

i guess that love is blind if following the heart
better you think of it before you start
because it will be too late once you begin
you'll get blinded within
by the love that opens your heart
blinds your sight apart
Anshula Nema Sep 2015
When all of a sudden,
A person makes you feel so comfortable,
That you start and end your day with them.
You have got no idea about what's going on and you end up being more than best friends.
There is this relationship,
Which is more of understanding,
More of emotions,
He knows what I want without me saying it.
The very eye contact we almost everyday avoid so that non of us could see that we adore them.
The silence is more than enough to say words.
I know you are a bit more sensitive than I'm,
I know you are a bit more hurt than I'm,
But trust me ,
I would love to heal all your pains,
I would love to spend my life with you.
But the fact is contradicting.
I know you respect me,
I know you adore me,
But at the same time you think I'm far too perfect to be with.
Which at some point hurts me.
But still there is some hope,
That one day you'll understand the love I carry in my heart for you.
I may not say things,
But I care,
I may not show,
But I feel.
This relationship is way ahead of what is called a "relationship".
It does not needs any words, any explanations.
All it needs is time,
Time which we spend together,
Emotions, emotions which are buried deep inside.
And the love , love which is in our hearts, unconditional.
And so there I'm with some hope inside, that someday you'll understand.
#somedayyou'llunderstand
Amanda Kay Burke Oct 2018
We go deeper than we realize
Memory of us bleeding pictures heavy
Endure a number of slices from words
To assure us we are very unsteady

My soul has not stopped shaking since
You set off the earthquake that destroyed
Any defenses in okay shape
Your ripples I tried to avoid

Is it wrong to say I wish we'd never become
Friends so I would not get caught in your net
Let you entice me with flattery
Today my feet aren't getting wet

Crumbling but cannot show cracks
Taking measures so you won't decode
The variety of contradicting statements
I eagerly continue to unload

Leftovers of our romance
Strange and out of place
Feels like we are actors
Or athletes in a race

Despite the villian you see me as
I am hurting beneath my skin
Do what you like with lonely days
Jealousy predestined to creep in

Poetry too honest for you
Been a critic at best
I have found negativity can motivate
Claimed strength put to test

See you and I struggle as well
You run, catch up to my heels
There's no way you can match my pace
Tired, I let you control the steering wheel

Know exactly the right buttons to press
Tempers over edge when we fought
Dream of forgetting your incredible name
In reality mind for some reason will not
I can't get you out of my mind even after all this time maybe i should have waited longer before we separated but i made a rushed decision on your heart left an incision, im now haunted by regret and memories i cant forget, maybe there's a reason my heart won't set you free, is it possible somehow we are still meant tto be?
High stepping, hard working,
soul stirring, black sister
Risk taker, ball breaker,
ends meat maker,
black sister
Always fixing, modeling,
leading, never contradicting,
black sister
Sparkles like Champagne
she intoxicates many men
Her search for true
freedom keeps her sane,
black sister
Special in every way not
given credit by society
But she will have her day
I am proud to be a
black sister
natalie anderson Mar 2013
CONTRADICTORY - n.anderson
by Natalie Elizabeth (Notes) on Tuesday, May 29, 2012 at 7:32pm

I'm disposable yet beautiful,

I'm discontent but content,

I'm ***** although cleaner than most.



Constantly I'm waiting for my contradictions to catch up with me.



I'm sick of life yet dying to live,

I cant get up yet I'm flying high,

I'm alive but essential parts of me are dead.



When will my head stop contradicting every feeling every thought?



I'm white but I'm black,

I'm quiet but I'm screaming,

I'm genius but incompetent



There they are again.



I'm happy but sad,

I'm ecstatic but devastated,

I'm constantly grieving but full of life,



Look at them all piling up like skulls in a pile tumbling over themselves.



I laugh but I'm in tears,

I'm lascivious, I am *** but I am distorted and putrid,

I am the essence of light but in the middle I am ink black.



My contradictions i cannot escape.
Madisen Kuhn May 2013
how do you expect me
to believe i deserve better
when you’re the one proving
that i’m not worth fighting for

and don’t you even dare say
“it’s not you, it’s me”
because i know one day
you will meet a girl
and her eyes will shine like diamonds
and your heart will always
ache to be next to her
and you will do whatever it takes
to have her, no matter what
you will overcome every obstacle
to ensure that she is forever yours

so don’t even try to feed me lies like
“you are good enough”
when you’re completely contradicting that
by leaving me here broken and alone

— The End —