Oh, How God test us?
To change us.
To impress us to see our truth.
When confronting your self racism?

We limit our views on certain level and express on others.
A Jewish soul marry and Italian soul.
And instantly we attack the marriage and play the religious route concerning them.

Even addressing this upon the children's blessed between them.

We, get more intense and enrage when we see another perspective.
A black male marry around white female in union.
And quickly we run the route of vengeance toward them.

Maybe because of the slavery past that so closely connected to the races.
Instead of seeing love, we see race without confronting our self racism.
Oh, the heat is more upon the white race.
Although various blacks can be just as worse.

And strange to admit, we hear the best racism preached in the house of the Lord by the church leaders.

And odds as it may seem to many.
Being racist doesn't get you any closer to heaven.

We're living in a changing world.
While holding true to old views and rules.
Refusing to be one confronting reality.

We, like many uses God's laws for verification.
When in reality all were written by men during a time when women were lesser in the eyes of men.

Which is why?
More men cries about abortion which deals with the bodies of ladies.
We , don't see men pushing laws of vasectomy.
They refusing to want to be confronting reality.

Should we call it God's law when many political males seem bent on making rules that's Man's law.
Just listen to when various men speaks.

When in truth smart males knows, it's not the *** of women that's weak.

Yes, we living in a changing world.
And it's affecting every man, woman, boy and girl and hosts of others.

When it comes to American ways of adjusting to others.
We find it's hard to accept many half-sisters and brothers.

I was falling into a deep pitch of darkness,
never having a thought of being rescued,
and only the thoughts of me falling into the abyss of darkness clouded my mind like how 21-gun salute resonates the deafening silence on one's death.

But I was saved by a blinding light,
warm arms wrapped me with comfort and security,
hands to hands with mine,
to stop me from falling.

Never have I thought I would be save by an angel in admits of all darkness that was eating me alive.
An angel he is, though we both said that we are of bad souls like devils.
Despite so, both our demons played well.

My heart beats fast around him,
and every poetry I write seems to only be indirectly pointed out of what seems to be him.

To say that this is a sickly puppy love wouldn't describe what I have for him.
An addiction, a complex disease, a deadly infatuation,
are what more seems to describe him in literal.

As if cigarettes and bottles of beers were more than enough to ****,
I might eventually die from the presence of him.

On 2505, I brave myself,
confronting or more like pouring my tongue-tied words with feelings of afraid of being rejected,
but wholeheartedly he accepted me.
The feeling were mutual and an awkward kiss we shared.

I feel my dark world lighting up,
blinding me in the consuming brightness.

Ever since then,
I felt more sick.
It wasn't a negative effect,
but I was very much deeply fallen in those brown irises of his.

His words, his movements,
the way his hands fit with mine,
the way his lips capture mine in perfection,
how could I have still survive all these while?

As day passes,
I questioned myself,
"Was I worth it?"
"Am I good enough for him?"

The thoughts of him with another sickens me and made my blood boil.
But he ensures me by saying the same.
And again, the kisses came after.

As days passed,
I, who had been busy often,
found less time to spend with him.
Getting tired and frustrated at times,
but I always feel guilty.

He would ask me to sleep and rest,
though I can be quite stubborn,
but eventually my body gave in.

Despite so, he would never get mad at me,
and I wonder and wonder..
was I ever that good of a lover for him?

All these doubts are still in mind,
but nevertheless,
I  hope that he wouldn't get bored of him.
And if ever do,
I would probably never stop chasing him.

Desperate and deeply in love,
that is the word to describing me.
But afterall, I'm just hopelessly in love with the man who is everything to me.
My best friend, my lover, my saviour, my anchor, my beautiful euphoria
and most importantly,
my everything.

Can you see how badly you have infatuated me with?

Ah, Yorkshire, thou art purer than Coventry;
and thy promises whiter; than my fluid poetry.
Thou art braver, prudent, and all the way more intelligent;
thy lands are mightier; and perhaps in every possible way-more imminent.
Thou art sincere-and so more delicate than wine, and thoughtful;
Thou adored my words, and made everything else healing, and more beautiful.

In my heart but there might have been no Yorkshire at all-
had I attended not one Coventry last fall.
I witnessed not-at t'at time, all t'is rude twilight-and toughness and madness;
and every chapped breath it had in its roughness, and hilarious-though indeed fake, felicity.
No soul has even bits of a heart, here, to forgive others' soreness,
No being wants to share; no human lives in joy, nor simplicity.
No delight indeed; as I stream my way through every roads;
Everyone is either busy with their selfishness or their coats.
No living is cared for; for humans are phantoms at night and on morns;
Vulnerability is mocked, and demised and often slyly torn.
Ah! Coventry is but a sphere of hell!
For even hell is still lighter when has it not hellfire;
As well cities are, when there is no scoundrel nor liar;
But Coventry is not at all tender;
Its wicked gasp is alive, and never to heartily surrender.
It falls for glory; it bows to such fears for pleasure;
And wanes by the light of whose death; the end of whose allure.
But thou art true-thou art as shy as every flash of virtue;
Thou art indeed-everything t'at is solemnly agreeable and brand new.
Ah, and just now-I had dreams of a fine image of thee;
Smiling within thy fullest verdure, bushes, and lavish undergrowth.
And thy summer is but vivid and friendlier;
Healing every sore heart, and turning 'em all, merrier.
Thou adored the nouns and verbs I wrote,
and admired such simple notions I quoted;
Thou shine upon me-asthe light that shall makest me grow
and the promising dim, faraway region, that lets me glow.
O, Yorkshire, this is still but too early in the transparent evening;
But I am deeply endorsed yet, by t'is poetry writing-
And with thy soul that remains but too witty,
Tearing me away, but with loveliness-
from my cautious present engagement,
Thy charms might be just too hard to bear,
for thy tongue is too sweet;
and thy veracity too chaotic, ye' imminent.
In thee shall I find peace-of that I am convinced,
Peace whose soul is calm, neat and on all occasions, careful-
Unlike t'is bustle which is at times perpetual, and sorrowful;
Unlike t'is very city of Coventry,
Which is damp with exultant bareness, and haziness,
In many ways exalted, but indeed too proud;
And its tongue which is blurred with sin and poison-
Its all-too-loud excitement makes everything but faint,
And at times sends my heart to exile, sends my heart to pain,
In every possible way too unlike thee,
With an imagery, and coaxing voices so sweet
Thou shall leave all my poems bright and freshly lit,
Even though I am still here, even though we are still yet-to meet.

Coventry is too proud and vibrant-yes, too vibrant,
Amidst its own foolishness, which sadly made itself formerly too elegant.
Too elegant to me-in various shapes, and keenly cloaked in unseen deceit,
But only by some beings, whom I was to meet, and my breath to greet.
And as I wake up to an early morning hour,
the plain summer strangely makes me thirst for honest water.
And should I love still-one intelligence t'at is so bitterly repugnant?
I shall certainly not; I shall turn to thee, Yorkshire, who is truer ye' far above, tolerant.
Ah, Yorkshire, but honesty is something Coventry promises not;
for its soul has been maliciously beheaded, and twitched,
It has been paled, corrupted, and despaired-
by its own claws, derived from the jaws of those evil souls
Veiled by their even still inhuman, disguises,
And shall still be wicked, otherwise.
In t'is sea of hate, and these waves of despondency,
I shall think of thee with tantalising depth and scrutiny,
Though thou art still imprisoned in my soul,
Thou who hath flattered and accepted me as a whole.
But Coventry is-still, accidental with some of its bindings,
For mortal as thou art, itself, and is unable to escape its fate,
Still I canst think only of the beauty of thy linings,
And upon thy lands shall I venture to fill my plate.
Ah, Yorkshire, remember that virtue is in thy hand,
but neither is vice-thy dormant enemy, is in its therein,
Virtue who is vile to all of t'is world's inconsolable men,
like in Coventry, as deemed it is, unreasonable and ungenerous, within.
Virtue which is tragically abandoned, in its pursuit of honour;
virtue which was rich, but flattened, and dismayed and disfigured
within the course of one unsupervised hour.
Ah, York, Yorkshire, when shall I ever taste the grandeur
And the very superiority of thy dignity?
For in yon picture, thou art still but a comely neighbour,
Which endorses and attests to my mute, yet unaffected-virginity.

Ah, but Coventry shall despise thee, and with its stubbornness
and overwhelming pride, shall jostle and taunt thee;
Shall defect and isolate thee-when I am but by thy side,
But God be with me still, and blind shall not, my virtuous sight.
Detesting and confronting thee for the remainders of years-as 'tis to be,
Which for thee lie ahead; as how hath it deluded me-just now!
I, who, disconcertingly, placed my heart within its sacred vow,
hath been robbed of my satisfactions, and utmost fortune,
All were perused in centuries and gone in one moon.
Ah, Yorkshire, shall I continue my poetry here-but call out endlessly to thee?
And shall I abandon this tiny caprice of mine-which is a fine, tiny desire of glory
And let myself on the loose, and for evermore be in search
of thee, whom I shall've lost-under the very indulgence of their mirth?
O, I think not!
For I shall mount my poetry-and achieve my silent dreams,
I shall take him with me, if allowed am I-to conquer him,
And make him and thee mine, just like I hath made my poetry,
And be thy light; and thy spiritual and endless reciprocal adoration
All day and night, at the end of our quest for destiny
Wherein I shall dwell, and thrive as my intellect be granted-its long-lost coronation.
O, Yorkshire, for within thy hands now I shall lie my faith-
and trudge along thy forking paths, unto the light of my fate.

Ah, Yorkshire, I am infatuated with these paintings-
these very paintings of thy lush green lands,
And of myself wandering and skulking idly about thy moors;
With my best frock, and his fingers, the one I love, entwined in my hand
As lights procured and on our storming out of yonder wooden doors.
I am shining like a bee is-upon the sweet finding of its honey;
but in whose tale 'tis like thee-to sweet and unpardonable to me.
Be with me, Yorkshire, and be with me forever, only,
As I leave behind this faint malice and commence my journey;
I shall be with thee, and my poems shall be free,
And t'is bitterness of winds shall be no more tormenting me,
Furthermore-be them what they desire to be;
But let me write; and play my song as beautifully as yon naive bee.

Ah, Yorkshire, and wait, wait again for me;
But before let me sink again into a deep sleep,
and tease thee again in my dreams;
Read me once more-the very passages of thy indolent poetry,
Take me out of my stiffness; swing me out of abhorrent Coventry.
Coventry shall be envious, and waiting forever for thy demise;
but honesty is honesty-and one that has no lies,
for thy virtue is clear as thy Western gem,
which is to God, shall always be virtue, all the same.

(The Dry Salvages—presumably les trois sauvages
      — is a small group of rocks, with a beacon, off the N.E.
      coast of Cape Ann, Massachusetts. Salvages is pronounced
      to rhyme with assuages. Groaner: a whistling buoy.)

I

I do not know much about gods; but I think that the river
Is a strong brown god—sullen, untamed and intractable,
Patient to some degree, at first recognised as a frontier;
Useful, untrustworthy, as a conveyor of commerce;
Then only a problem confronting the builder of bridges.
The problem once solved, the brown god is almost forgotten
By the dwellers in cities—ever, however, implacable.
Keeping his seasons and rages, destroyer, reminder
Of what men choose to forget. Unhonoured, unpropitiated
By worshippers of the machine, but waiting, watching and waiting.
His rhythm was present in the nursery bedroom,
In the rank ailanthus of the April dooryard,
In the smell of grapes on the autumn table,
And the evening circle in the winter gaslight.

The river is within us, the sea is all about us;
The sea is the land’s edge also, the granite
Into which it reaches, the beaches where it tosses
Its hints of earlier and other creation:
The starfish, the horseshoe crab, the whale’s backbone;
The pools where it offers to our curiosity
The more delicate algae and the sea anemone.
It tosses up our losses, the torn seine,
The shattered lobsterpot, the broken oar
And the gear of foreign dead men. The sea has many voices,
Many gods and many voices.
                                       The salt is on the briar rose,
The fog is in the fir trees.
                                       The sea howl
And the sea yelp, are different voices
Often together heard: the whine in the rigging,
The menace and caress of wave that breaks on water,
The distant rote in the granite teeth,
And the wailing warning from the approaching headland
Are all sea voices, and the heaving groaner
Rounded homewards, and the seagull:
And under the oppression of the silent fog
The tolling bell
Measures time not our time, rung by the unhurried
Ground swell, a time
Older than the time of chronometers, older
Than time counted by anxious worried women
Lying awake, calculating the future,
Trying to unweave, unwind, unravel
And piece together the past and the future,
Between midnight and dawn, when the past is all deception,
The future futureless, before the morning watch
When time stops and time is never ending;
And the ground swell, that is and was from the beginning,
Clangs
The bell.

II

Where is there an end of it, the soundless wailing,
The silent withering of autumn flowers
Dropping their petals and remaining motionless;
Where is there and end to the drifting wreckage,
The prayer of the bone on the beach, the unprayable
Prayer at the calamitous annunciation?

There is no end, but addition: the trailing
Consequence of further days and hours,
While emotion takes to itself the emotionless
Years of living among the breakage
Of what was believed in as the most reliable—
And therefore the fittest for renunciation.

There is the final addition, the failing
Pride or resentment at failing powers,
The unattached devotion which might pass for devotionless,
In a drifting boat with a slow leakage,
The silent listening to the undeniable
Clamour of the bell of the last annunciation.

Where is the end of them, the fishermen sailing
Into the wind’s tail, where the fog cowers?
We cannot think of a time that is oceanless
Or of an ocean not littered with wastage
Or of a future that is not liable
Like the past, to have no destination.

We have to think of them as forever bailing,
Setting and hauling, while the North East lowers
Over shallow banks unchanging and erosionless
Or drawing their money, drying sails at dockage;
Not as making a trip that will be unpayable
For a haul that will not bear examination.

There is no end of it, the voiceless wailing,
No end to the withering of withered flowers,
To the movement of pain that is painless and motionless,
To the drift of the sea and the drifting wreckage,
The bone’s prayer to Death its God. Only the hardly, barely prayable
Prayer of the one Annunciation.

It seems, as one becomes older,
That the past has another pattern, and ceases to be a mere sequence—
Or even development: the latter a partial fallacy
Encouraged by superficial notions of evolution,
Which becomes, in the popular mind, a means of disowning the past.
The moments of happiness—not the sense of well-being,
Fruition, fulfilment, security or affection,
Or even a very good dinner, but the sudden illumination—
We had the experience but missed the meaning,
And approach to the meaning restores the experience
In a different form, beyond any meaning
We can assign to happiness. I have said before
That the past experience revived in the meaning
Is not the experience of one life only
But of many generations—not forgetting
Something that is probably quite ineffable:
The backward look behind the assurance
Of recorded history, the backward half-look
Over the shoulder, towards the primitive terror.
Now, we come to discover that the moments of agony
(Whether, or not, due to misunderstanding,
Having hoped for the wrong things or dreaded the wrong things,
Is not in question) are likewise permanent
With such permanence as time has. We appreciate this better
In the agony of others, nearly experienced,
Involving ourselves, than in our own.
For our own past is covered by the currents of action,
But the torment of others remains an experience
Unqualified, unworn by subsequent attrition.
People change, and smile: but the agony abides.
Time the destroyer is time the preserver,
Like the river with its cargo of dead negroes, cows and chicken coops,
The bitter apple, and the bite in the apple.
And the ragged rock in the restless waters,
Waves wash over it, fogs conceal it;
On a halcyon day it is merely a monument,
In navigable weather it is always a seamark
To lay a course by: but in the sombre season
Or the sudden fury, is what it always was.

III

I sometimes wonder if that is what Krishna meant—
Among other things—or one way of putting the same thing:
That the future is a faded song, a Royal Rose or a lavender spray
Of wistful regret for those who are not yet here to regret,
Pressed between yellow leaves of a book that has never been opened.
And the way up is the way down, the way forward is the way back.
You cannot face it steadily, but this thing is sure,
That time is no healer: the patient is no longer here.
When the train starts, and the passengers are settled
To fruit, periodicals and business letters
(And those who saw them off have left the platform)
Their faces relax from grief into relief,
To the sleepy rhythm of a hundred hours.
Fare forward, travellers! not escaping from the past
Into different lives, or into any future;
You are not the same people who left that station
Or who will arrive at any terminus,
While the narrowing rails slide together behind you;
And on the deck of the drumming liner
Watching the furrow that widens behind you,
You shall not think ‘the past is finished’
Or ‘the future is before us’.
At nightfall, in the rigging and the aerial,
Is a voice descanting (though not to the ear,
The murmuring shell of time, and not in any language)
‘Fare forward, you who think that you are voyaging;
You are not those who saw the harbour
Receding, or those who will disembark.
Here between the hither and the farther shore
While time is withdrawn, consider the future
And the past with an equal mind.
At the moment which is not of action or inaction
You can receive this: “on whatever sphere of being
The mind of a man may be intent
At the time of death”—that is the one action
(And the time of death is every moment)
Which shall fructify in the lives of others:
And do not think of the fruit of action.
Fare forward.
                      O voyagers, O ******,
You who came to port, and you whose bodies
Will suffer the trial and judgement of the sea,
Or whatever event, this is your real destination.’
So Krishna, as when he admonished Arjuna
On the field of battle.
                                  Not fare well,
But fare forward, voyagers.

IV

Lady, whose shrine stands on the promontory,
Pray for all those who are in ships, those
Whose business has to do with fish, and
Those concerned with every lawful traffic
And those who conduct them.

Repeat a prayer also on behalf of
Women who have seen their sons or husbands
Setting forth, and not returning:
Figlia del tuo figlio,
Queen of Heaven.

Also pray for those who were in ships, and
Ended their voyage on the sand, in the sea’s lips
Or in the dark throat which will not reject them
Or wherever cannot reach them the sound of the sea bell’s
Perpetual angelus.

V

To communicate with Mars, converse with spirits,
To report the behaviour of the sea monster,
Describe the horoscope, haruspicate or scry,
Observe disease in signatures, evoke
Biography from the wrinkles of the palm
And tragedy from fingers; release omens
By sortilege, or tea leaves, riddle the inevitable
With playing cards, fiddle with pentagrams
Or barbituric acids, or dissect
The recurrent image into pre-conscious terrors—
To explore the womb, or tomb, or dreams; all these are usual
Pastimes and drugs, and features of the press:
And always will be, some of them especially
When there is distress of nations and perplexity
Whether on the shores of Asia, or in the Edgware Road.
Men’s curiosity searches past and future
And clings to that dimension. But to apprehend
The point of intersection of the timeless
With time, is an occupation for the saint—
No occupation either, but something given
And taken, in a lifetime’s death in love,
Ardour and selflessness and self-surrender.
For most of us, there is only the unattended
Moment, the moment in and out of time,
The distraction fit, lost in a shaft of sunlight,
The wild thyme unseen, or the winter lightning
Or the waterfall, or music heard so deeply
That it is not heard at all, but you are the music
While the music lasts. These are only hints and guesses,
Hints followed by guesses; and the rest
Is prayer, observance, discipline, thought and action.
The hint half guessed, the gift half understood, is Incarnation.
Here the impossible union
Of spheres of existence is actual,
Here the past and future
Are conquered, and reconciled,
Where action were otherwise movement
Of that which is only moved
And has in it no source of movement—
Driven by dæmonic, chthonic
Powers. And right action is freedom
From past and future also.
For most of us, this is the aim
Never here to be realised;
Who are only undefeated
Because we have gone on trying;
We, content at the last
If our temporal reversion nourish
(Not too far from the yew-tree)
The life of significant soil.

.

page one
it starts with the wave of a hand
a simple introduction
'hi, what's your name?'
it starts with looking and seeing nothing but what is there
skin and bones and blemishes and human
it starts with feeling no cliche butterflies in your stomach
and no additional voice in your head
amongst the others
and no rapid pulse in your still-beating heart

page two
somewhere along the way the waves turn into inside jokes and small smiles
crinkles by the corners of eyes
and light chuckles
and glancing just a millisecond too long

page three
and, well, glancing just a million times too often

page four
and you write poems in attempts to make yourself believe
to drown yourself in denial
to avoid confronting the - nonexistent - blooming bud growing
sprouting from all angled corners
and cracking curves
and jagged edges of you

page five
spoiler: it doesn't work

page six
and it's strange because apart from seeing what is there you see more
or really you don't see what is there
you see what you want to be there

page seven
you see skin and bones and beauty and freckles and stars and constellations in eyes and ethereal -

page eight
perfection

page nine
except perfection doesn't exist
and what you see doesn't exist
it's just your unrealistic expectations piled up from miles and smiles of movies and books and manga and everything

page nine
and you know this

page nine
but it goes into one ear and out the other

page nine
and it doesn't stop you from claiming

page nine
you're in love

page ten
if love is just infatuation with a physical manifestation of your ideals without their consent
then i guess you're right

page eleven
there are butterflies bending, banging on you, begging to be released

you wonder when your definition of beauty became a name and a face
and you wonder when love became synonymous to pain

page twelve
the butterflies turn into birds and then bears and then freaking buildings
except these building are moving and apparently earthquake proof because you can't seem to break them down
instead the buildings are breaking you down

but the truth is no, no they aren't
don't you see?
you're breaking yourself down

how do you heal if you are both the poison and the antidote?

page thirteen
if only you could rewrite the story
but how could you?
how do you rip the pages
how do you erase the sickeningly sweet
slow stabs slicing through your spine every time a smile is sent your way
how do you mute the thudding in your brain telling you that this could never be
how do you ignore the extra echoes in your head yelling at you to get yourself together

how do you get yourself together?

page fourteen
you've been asking so many questions lately
but you know the answer to all of them

page fifteen
there's a small voice
a minuscule, malevolent voice whispering maybe
whispering maybe and perhaps and potentially
maybe you're not the only one who wants to hold on just a little longer

page sixteen
but see
it's funny how the story starts with two people and now it's just one person with an overactive imagination
illustrating a person as something more
something better

page seventeen
but you're not creative enough to keep your illusion for too long
and soon you start to see less of what you want to be there and more of what is there
skin and bones and blemishes
and human

human

page eighteen
human is ugly and human is cruel and human is wretched
but human is somewhat
beautiful
in its ugliness
and human is raw in all its dishonestly
and human is real
even if you made it out not to be

page nineteen
you will never truly now human
you will never truly know anyone or anything that isn't a figment of your imagination
but it's enough

page twenty
it starts with seeing nothing but what is there
skin and bones and blemishes
and human
and then it ends
the story ends somewhere
anywhere really
but it ends

What the Poet Sees
by Michael R. Burch

What the poet sees,
he sees as a swimmer
~~~~underwater~~~~
watching the shoreline blur
sees through his breath’s weightless bubbles ...
Both worlds grow obscure.

Published by ByLine, Mandrake Poetry Review, Poetically Speaking, E Mobius Pi, Underground Poets, Little Brown Poetry, Triplopia, Poetic Ponderings, Poem Kingdom, PW Review, Muse Apprentice Guild, Mindful of Poetry, Poetry on Demand, Poet’s Haven, Famous Poets and Poems, Bewildering Stories, Neovictorian/Cochlea

Keywords/Tags: Poet, poetic vision, sight, seeing, swimmer, underwater, breath, bubbles, blur, blurry, blurred, blurring, obscure, obscured, obscuring

How valiant he lies tonight: great is his Monument!
Yet Ares cares not, neither does War relent.
by Anacreon, loose translation/interpretation by Michael R. Burch

Here he lies in state tonight: great is his Monument!
Yet Ares cares not, neither does War relent.
by Anacreon, loose translation/interpretation by Michael R. Burch

Yes, bring me Homer’s lyre, no doubt,
but first yank the bloodstained strings out!
by Anacreon, loose translation/interpretation by Michael R. Burch

Here we find Anacreon,
an elderly lover of boys and wine.
His harp still sings in lonely Acheron
as he thinks of the lads he left behind ...
by Anacreon or the Anacreontea, loose translation/interpretation by Michael R. Burch

Mariner, do not ask whose tomb this may be,
But go with good fortune: I wish you a kinder sea.
Michael R. Burch, after Plato

We who left behind the Aegean’s bellowings
Now sleep peacefully here on the mid-plains of Ecbatan:
Farewell, dear Athens, nigh to Euboea,
Farewell, dear sea!
Michael R. Burch, after Plato

Passerby,
Tell the Spartans we lie
Lifeless at Thermopylae:
Dead at their word,
Obedient to their command.
Have they heard?
Do they understand?
Michael R. Burch, after Simonides

Does my soul abide in heaven, or hell?
Only the sea gulls in their high, lonely circuits may tell.
Michael R. Burch, after Glaucus

They observed our fearful fetters,
braved the overwhelming darkness.
Now we extol their excellence:
bravely, they died for us.
Michael R. Burch, after Mnasalcas

Blame not the gale, nor the inhospitable sea-gulf, nor friends’ tardiness,
Mariner! Just man’s foolhardiness.
Michael R. Burch, after Leonidas of Tarentum

Be ashamed, O mountains and seas:
that these valorous men lack breath.
Assume, like pale chattels,
an ashen silence at death.
Michael R. Burch, after Parmenio

These men earned a crown of imperishable glory,
Nor did the maelstrom of death obscure their story.
Michael R. Burch, after Simonides

Stranger, flee!
But may Fortune grant you all the prosperity
she denied me.
Michael R. Burch, after Leonidas of Tarentum

Everywhere the sea is the sea, the dead are the dead.
What difference to me―where I rest my head?
The sea knows I’m buried.
Michael R. Burch, after Antipater of Sidon

I lie by stark Icarian rocks
and only speak when the sea talks.
Please tell my dear father that I gave up the ghost
on the Aegean coast.
Michael R. Burch, after Theatetus

Here I lie dead and sea-enclosed Cyzicus shrouds my bones.
Faretheewell, O my adoptive land that reared and nurtured me;
once again I take rest at your breast.
Michael R. Burch, after Erycius

I am loyal to you master, even in the grave:
Just as you now are death’s slave.
Michael R. Burch, after Dioscorides

Stripped of her stripling, if asked, she’d confess:
“I am now less than nothingness.”
Michael R. Burch, after Diotimus

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.
Michael R. Burch, Epitaph for a Palestinian Child

Sail on, mariner, sail on,
for while we were perishing,
greater ships sailed on.
Michael R. Burch, after Theodorides

All this vast sea is his Monument.
Where does he lie―whether heaven, or hell?
Perhaps when the gulls repent―
their shriekings may tell.
Michael R. Burch, after Glaucus

His white bones lie bleaching on some inhospitable shore:
a son lost to his father, his tomb empty; the poor-
est beggars have happier mothers!
Michael R. Burch, after Damegtus

A mother only as far as the birth pangs,
my life cut short at the height of life’s play:
only eighteen years old, so brief was my day.
Michael R. Burch, after an unknown Greek poet

Having never earned a penny,
nor seen a bridal gown slip to the floor,
still I lie here with the love of many,
to be the love of yet one more.
Michael R. Burch, after an unknown Greek poet

Little I knew―a child of five―
of what it means to be alive
and all life’s little thrills;
but little also―(I was glad not to know)―
of life’s great ills.
Michael R. Burch, after Lucian

Pity this boy who was beautiful, but died.
Pity his monument, overlooking this hillside.
Pity the world that bore him, then foolishly survived.
Michael R. Burch, after an unknown Greek poet

Insatiable Death! I was only a child!
Why did you ****** me away, in my infancy,
from those destined to love me?
Michael R. Burch, after an unknown Greek poet

Tell Nicagoras that Strymonias
at the setting of the Kids
lost his.
Michael R. Burch, after Nicaenetus

Here Saon, son of Dicon, now rests in holy sleep:
say not that the good die young, friend,
lest gods and mortals weep.
Michael R. Burch, after Callimachus

The light of a single morning
exterminated the sacred offspring of Lysidice.
Nor do the angels sing.
Nor do we seek the gods’ advice.
This is the grave of Nicander’s lost children.
We merely weep at its bitter price.
Michael R. Burch, after an unknown Greek poet

Pluto, delighting in tears,
why did you bring our son, Ariston,
to the laughterless abyss of death?
Why―why?―did the gods grant him breath,
if only for seven years?
Michael R. Burch, after an unknown Greek poet

Heartlessly this grave
holds our nightingale speechless;
now she lies here like a stone,
who voice was so marvelous;
while sunlight illumining dust
proves the gods all reachless,
as our prayers prove them also
unhearing or beseechless.
Michael R. Burch, after an unknown Greek poet

I, Homenea, the chattering bright sparrow,
lie here in the hollow of a great affliction,
leaving tears to Atimetus
and all scattered―that great affection.
Michael R. Burch, after an unknown Greek poet

We mourn Polyanthus, whose wife
placed him newly-wedded in an unmarked grave,
having received his luckless corpse
back from the green Aegean wave
that deposited his fleshless skeleton
gruesomely in the harbor of Torone.
Michael R. Burch, after Phaedimus

Once sweetest of the workfellows,
our shy teller of tall tales
―fleet Crethis!―who excelled
at every childhood game . . .
now you sleep among long shadows
where everyone’s the same . . .
Michael R. Burch, after Callimachus

Although I had to leave the sweet sun,
only nineteen―Diogenes, hail!―
beneath the earth, let’s have lots more fun:
till human desire seems weak and pale.
Michael R. Burch, after an unknown Greek poet

Though they were steadfast among spears, dark Fate destroyed them
as they defended their native land, rich in sheep;
now Ossa’s dust seems all the more woeful, where they now sleep.
Michael R. Burch, after Aeschylus

Aeschylus, graybeard, son of Euphorion,
died far away in wheat-bearing Gela;
still, the groves of Marathon may murmur of his valor
and the black-haired Mede, with his mournful clarion.
Michael R. Burch, after Aeschylus

Now his voice is prisoned in the silent pathways of the night:
his owner’s faithful Maltese . . .
but will he still bark again, on sight?
Michael R. Burch, after Tymnes

Poor partridge, poor partridge, lately migrated from the rocks;
our cat bit off your unlucky head; my offended heart still balks!
I put you back together again and buried you, so unsightly!
May the dark earth cover you heavily: heavily, not lightly . . .
so she shan’t get at you again!
Michael R. Burch, after Agathias

Wert thou, O Artemis,
overbusy with thy beast-slaying hounds
when the Beast embraced me?
Michael R. Burch, after Diodorus of Sardis

Dead as you are, though you lie still as stone,
huntress Lycas, my great Thessalonian hound,
the wild beasts still fear your white bones;
craggy Pelion remembers your valor,
splendid Ossa, the way you would bound
and bay at the moon for its whiteness,
bellowing as below we heard valleys resound.
And how brightly with joy you would canter and run
the strange lonely peaks of high Cithaeron!
Michael R. Burch, after Simonides

Constantina, inconstant one!
Once I thought your name beautiful
but I was a fool
and now you are more bitter to me than death!
You flee someone who loves you
with baited breath
to pursue someone who’s untrue.
But if you manage to make him love you,
tomorrow you'll flee him too!
Michael R. Burch, after Macedonius

Not Rocky Trachis,
nor the thirsty herbage of Dryophis,
nor this albescent stone
with its dark blue lettering shielding your white bones,
nor the wild Icarian sea dashing against the steep shingles
of Doliche and Dracanon,
nor the empty earth,
nor anything essential of me since birth,
nor anything now mingles
here with the perplexing absence of you,
with what death forces us to abandon . . .
Michael R. Burch, after Euphorion

We who left the thunderous surge of the Aegean
of old, now lie here on the mid-plain of Ecbatan:
farewell, dear Athens, nigh to Euboea,
farewell, dear sea!
Michael R. Burch, after Plato

My friend found me here,
a shipwrecked corpse on the beach.
He heaped these strange boulders above me.
Oh, how he would wail
that he “loved” me,
with many bright tears for his own calamitous life!
Now he sleeps with my wife
and flits like a gull in a gale
―beyond reach―
while my broken bones bleach.
Michael R. Burch, after Callimachus

Cloud-capped Geraneia, cruel mountain!
If only you had looked no further than Ister and Scythian
Tanais, had not aided the surge of the Scironian
sea’s wild-spurting fountain
filling the dark ravines of snowy Meluriad!
But now he is dead:
a chill corpse in a chillier ocean―moon led―
and only an empty tomb now speaks of the long, windy voyage ahead.
Michael R. Burch, after Simonides


Erinna Epigrams

This portrait is the work of sensitive, artistic hands.
See, my dear Prometheus, you have human equals!
For if whoever painted this girl had only added a voice,
she would have been Agatharkhis entirely.
by Erinna, translation by Michael R. Burch

You, my tall Columns, and you, my small Urn,
the receptacle of Hades’ tiny pittance of ash―
remember me to those who pass by
my grave, as they dash.
Tell them my story, as sad as it is:
that this grave sealed a young bride’s womb;
that my name was Baucis and Telos my land;
and that Erinna, my friend, etched this poem on my Tomb.
by Erinna, loose translation/interpretation by Michael R. Burch

Excerpts from “Distaff”
by Erinna
loose translation/interpretation by Michael R. Burch

… the moon rising …
      … leaves falling …
           … waves lapping a windswept shore …
… and our childish games, Baucis, do you remember? ...
... Leaping from white horses,
running on reckless feet through the great courtyard.  
“You’re it!’ I cried, ‘You’re the Tortoise now!”
But when your turn came to pursue your pursuers,
you darted beyond the courtyard,
dashed out deep into the waves,
splashing far beyond us …
… My poor Baucis, these tears I now weep are your warm memorial,
these traces of embers still smoldering in my heart
for our silly amusements, now that you lie ash …
… Do you remember how, as girls,
we played at weddings with our dolls,
pretending to be brides in our innocent beds? ...
... How sometimes I was your mother,
allotting wool to the weaver-women,
calling for you to unreel the thread? ...
… Do you remember our terror of the monster Mormo
with her huge ears, her forever-flapping tongue,
her four slithering feet, her shape-shifting face? ...
... Until you mother called for us to help with the salted meat ...
... But when you mounted your husband’s bed,
dearest Baucis, you forgot your mothers’ warnings!
Aphrodite made your heart forgetful ...
... Desire becomes oblivion ...
... Now I lament your loss, my dearest friend.
I can’t bear to think of that dark crypt.
I can’t bring myself to leave the house.
I refuse to profane your corpse with my tearless eyes.
I refuse to cut my hair, but how can I mourn with my hair unbound?
I blush with shame at the thought of you! …
... But in this dark house, O my dearest Baucis,
My deep grief is ripping me apart.
Wretched Erinna! Only nineteen,
I moan like an ancient crone, eyeing this strange distaff ...
O *****! . . . O Hymenaeus! . . .
Alas, my poor Baucis!

On a Betrothed Girl
by Errina
loose translation/interpretation by Michael R. Burch

I sing of Baucis the bride.
Observing her tear-stained crypt
say this to Death who dwells underground:
"Thou art envious, O Death!"
Her vivid monument tells passers-by
of the bitter misfortune of Baucis―
how her father-in-law burned the poor ******* a pyre
lit by bright torches meant to light her marriage train home.
While thou, O Hymenaeus, transformed her harmonious bridal song into a chorus of wailing dirges.
*****! O Hymenaeus!


Roman Epigrams

Wall, we're astonished that you haven't collapsed,
since you're holding up verses so prolapsed!
Ancient Roman graffiti, translation by Michael R. Burch

Ibykos Fragment 286, Circa 564 B.C.
loose translation/interpretation by Michael R. Burch

Come spring, the grand
apple trees stand
watered by a gushing river
where the maidens’ uncut flowers shiver
and the blossoming grape vine swells
in the gathering shadows.
Unfortunately
for me
Eros never rests
but like a Thracian tempest
ablaze with lightning
emanates from Aphrodite;
the results are frightening―
black,
bleak,
astonishing,
violently jolting me from my soles
to my soul.

Originally published by The Chained Muse


Elegy for a little girl, lost
by Michael R. Burch

. . . qui laetificat juventutem meam . . .
She was the joy of my youth,
and now she is gone.
. . . requiescat in pace . . .
May she rest in peace.
. . . amen . . .
Amen.


Birdsong
by Rumi
loose translation by Michael R. Burch

Birdsong relieves
my deepest griefs:
now I'm just as ecstatic as they,
but with nothing to say!
Please universe,
rehearse
your poetry
through me!


To the boy Elis
by Georg Trakl
translation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.


W. S. Rendra translations

SONNET
by W. S. Rendra
loose translation/interpretation by Michael R. Burch

Best wishes for an impending deflowering.
Yes, I understand: you will never be mine.
I am resigned to my undeserved fate.
I contemplate
irrational numbers―complex & undefined.
And yet I wish love might ... ameliorate ...
such negative numbers, dark and unsigned.
But at least I can’t be held responsible
for disappointing you. No cause to elate.
Still, I am resigned to my undeserved fate.
The gods have spoken. I can relate.
How can this be, when all it makes no sense?
I was born too soon―such was my fate.
You must choose another, not half of who I AM.
Be happy with him when you consummate.


THE WORLD'S FIRST FACE
by W. S. Rendra
loose translation/interpretation by Michael R. Burch

Illuminated by the pale moonlight
the groom carries his bride
up the hill―
both of them naked,
both consisting of nothing but themselves.

As in all beginnings
the world is naked,
empty, free of deception,
dark with unspoken explanations―
a silence that extends
to the limits of time.

Then comes light,
life, the animals and man.

As in all beginnings
everything is naked,
empty, open.

They're both young,
yet both have already come a long way,
passing through the illusions of brilliant dawns,
of skies illuminated by hope,
of rivers intimating contentment.

They have experienced the sun's warmth,
drenched in each other's sweat.

Here, standing by barren reefs,
they watch evening fall
bringing strange dreams
to a bed arrayed with resplendent coral necklaces.

They lift their heads to view
trillions of stars arrayed in the sky.
The universe is their inheritance:
stars upon stars upon stars,
more than could ever be extinguished.

Illuminated by the pale moonlight
the groom carries his bride
up the hill―
both of them naked,
to recreate the world's first face.


Brother Iran
by Michael R. Burch

for the poets of Iran

Brother Iran, I feel your pain.
I feel it as when the Turk fled Spain.
As the Jew fled, too, that constricting span,
I feel your pain, Brother Iran.

Brother Iran, I know you are noble!
I too fear Hiroshima and Chernobyl.
But though my heart shudders, I have a plan,
and I know you are noble, Brother Iran.

Brother Iran, I salute your Poets!
your Mathematicians!, all your great Wits!
O, come join the earth's great Caravan.
We'll include your Poets, Brother Iran.

Brother Iran, I love your Verse!
Come take my hand now, let's rehearse
the Rubaiyat of Omar Khayyam.
For I love your Verse, Brother Iran.

Bother Iran, civilization's Flower!
How high flew your spires in man's early hours!
Let us build them yet higher, for that's my plan,
civilization's first flower, Brother Iran.


Passionate One
by Michael R. Burch

Love of my life,
light of my morning―
arise, brightly dawning,
for you are my sun.

Give me of heaven
both manna and leaven―
desirous Presence,
Passionate One.


In My House
by Michael R. Burch

When you were in my house
you were not free―
in chains bound.

Manifest Destiny?

I was wrong;
my plantation burned to the ground.
I was wrong.
This is my song,
this is my plea:
I was wrong.

When you are in my house,
now, I am not free.
I feel the song
hurling itself back at me.
We were wrong.
This is my history.

I feel my tongue
stilting accordingly.

We were wrong;
brother, forgive me.


faith(less)
by Michael R. Burch

Those who believed
and Those who misled
lie together at last
in the same narrow bed

and if god loved Them more
for Their strange lack of doubt,
he kept it well hidden
till he snuffed Them out.


Habeas Corpus
by Michael R. Burch

from “Songs of the Antinatalist”

I have the results of your DNA analysis.
If you want to have children, this may induce paralysis.
I wish I had good news, but how can I lie?
Any offspring you have are guaranteed to die.
It wouldn’t be fair―I’m sure you’ll agree―
to sentence kids to death, so I’ll waive my fee.



Bittersight
by Michael R. Burch

for Abu al-Ala Al-Ma'arri, an ancient antinatalist poet

To be plagued with sight
in the Land of the Blind,
—to know birth is death
and that Death is kind—
is to be flogged like Eve
(stripped, sentenced and fined)
because evil is “good”
as some “god” has defined.



veni, vidi, etc.
by Michael R. Burch

the last will and testament of a preemie, from “Songs of the Antinatalist”

i came, i saw, i figured
it was better to be transfigured,
so rather than cross my Rubicon
i fled to the Great Beyond.
i bequeath my remains, so small,
to Brutus, et al.



Paradoxical Ode to Antinatalism
by Michael R. Burch

from “Songs of the Antinatalist”

A stay on love
would end death’s hateful sway,
someday.

A stay on love
would thus be love,
I say.

Be true to love
and thus end death’s
fell sway!



Lighten your tread:
The ground beneath your feet is composed of the dead.

Walk slowly here and always take great pains
Not to trample some departed saint's remains.

And happiest here is the hermit with no hand
In making sons, who dies a childless man.

Abu al-Ala Al-Ma'arri (973-1057), antinatalist Shyari
loose translation by Michael R. Burch



There were antinatalist notes in Homer, around 3,000 years ago...

For the gods have decreed that unfortunate mortals must suffer, while they remain sorrowless. — Homer, loose translation by Michael R. Burch

It is best not to be born or, having been born, to pass on as swiftly as possible.—attributed to Homer, loose translation by Michael R. Burch

One of the first great voices to directly question whether human being should give birth was that of Sophocles, around 2,500 years ago...

Not to have been born is best,
and blessed
beyond the ability of words to express.
—Sophocles, loose translation by Michael R. Burch

It’s a hundred times better not be born;
but if we cannot avoid the light,
the path of least harm is swiftly to return
to death’s eternal night!
—Sophocles, loose translation/interpretation by Michael R. Burch

Keywords/Tags: birth, control, procreation, childbearing, children,  antinatalist, antinatalism, contraception



Shock
by Michael R. Burch

It was early in the morning of the forming of my soul,
in the dawning of desire, with passion at first bloom,
with lightning splitting heaven to thunder's blasting roll
and a sense of welling fire and, perhaps, impending doom―
that I cried out through the tumult of the raging storm on high
for shelter from the chaos of the restless, driving rain ...
and the voice I heard replying from a rift of bleeding sky
was mine, I'm sure, and, furthermore, was certainly insane.


evol-u-shun
by Michael R. Burch

does GOD adore the Tyger
while it’s ripping ur lamb apart?

does GOD applaud the Plague
while it’s eating u à la carte?

does GOD admire ur intelligence
while u pray that IT has a heart?

does GOD endorse the Bible
you blue-lighted at k-mart?


Deor's Lament (circa the 10th century AD)
loose translation/interpretation by Michael R. Burch

Weland endured the agony of exile:
an indomitable smith wracked by grief.
He suffered countless sorrows;
indeed, such sorrows were his ***** companions
in that frozen island dungeon
where Nithad fettered him:
so many strong-but-supple sinew-bands
binding the better man.
That passed away; this also may.

Beadohild mourned her brothers' deaths,
bemoaning also her own sad state
once she discovered herself with child.
She knew nothing good could ever come of it.
That passed away; this also may.

We have heard the Geat's moans for Matilda,
his lovely lady, waxed limitless,
that his sorrowful love for her
robbed him of regretless sleep.
That passed away; this also may.

For thirty winters Theodric ruled
the Mæring stronghold with an iron hand;
many acknowledged his mastery and moaned.
That passed away; this also may.

We have heard too of Ermanaric's wolfish ways,
of how he cruelly ruled the Goths' realms.
That was a grim king! Many a warrior sat,
full of cares and maladies of the mind,
wishing constantly that his crown might be overthrown.
That passed away; this also may.

If a man sits long enough, sorrowful and anxious,
bereft of joy, his mind constantly darkening,
soon it seems to him that his troubles are limitless.
Then he must consider that the wise Lord
often moves through the earth
granting some men honor, glory and fame,
but others only shame and hardship.
This I can say for myself:
that for awhile I was the Heodeninga's scop,
dear to my lord. My name was Deor.
For many winters I held a fine office,
faithfully serving a just king. But now Heorrenda
a man skilful in songs, has received the estate
the protector of warriors had promised me.
That passed away; this also may.


The Temple Hymns of Enheduanna
with modern English translations by Michael R. Burch

Lament to the Spirit of War
by Enheduanna
loose translation/interpretation by Michael R. Burch

You hack down everything you see, War God!

Rising on fearsome wings
you rush to destroy our land:
raging like thunderstorms,
howling like hurricanes,
screaming like tempests,
thundering, raging, ranting, drumming,
whiplashing whirlwinds!

Men falter at your approaching footsteps.
Tortured dirges scream on your lyre of despair.

Like a fiery Salamander you poison the land:
growling over the earth like thunder,
vegetation collapsing before you,
blood gushing down mountainsides.

Spirit of hatred, greed and vengeance!
******* of heaven and earth!
Your ferocious fire consumes our land.
Whipping your stallion
with furious commands,
you impose our fates.

You triumph over all human rites and prayers.
Who can explain your tirade,
why you carry on so?


Temple Hymn 15
to the Gishbanda Temple of Ningishzida
by Enheduanna
loose translation/interpretation by Michael R. Burch

Most ancient and terrible shrine,
set deep in the mountain,
dark like a mother's womb ...

Dark shrine,
like a mother's wounded breast,
blood-red and terrifying ...

Though approaching through a safe-seeming field,
our hair stands on end as we near you!

Gishbanda,
like a neck-stock,
like a fine-eyed fish net,
like a foot-shackled prisoner's manacles ...
your ramparts are massive,
like a trap!

But once we’re inside,
as the sun rises,
you yield widespread abundance!

Your prince
is the pure-handed priest of Inanna, heaven's Holy One,
Lord Ningishzida!

Oh, see how his thick, lustrous hair
cascades down his back!

Oh Gishbanda,
he has built this beautiful temple to house your radiance!
He has placed his throne upon your dais!


The Exaltation of Inanna: Opening Lines and Excerpts
Nin-me-šara by Enheduanna
loose translation/interpretation by Michael R. Burch

Lady of all divine powers!
Lady of the resplendent light!
Righteous Lady adorned in heavenly radiance!
Beloved Lady of An and Uraš!
Hierodule of An, sun-adorned and bejeweled!
Heaven’s Mistress with the holy diadem,
Who loves the beautiful headdress befitting the office of her own high priestess!

Powerful Mistress, seizer of the seven divine powers!
My Heavenly Lady, guardian of the seven divine powers!
You have seized the seven divine powers!
You hold the divine powers in your hand!
You have gathered together the seven divine powers!
You have clasped the divine powers to your breast!
You have flooded the valleys with venom, like a viper;
all vegetation vanishes when you thunder like Iškur!
You have caused the mountains to flood the valleys!
When you roar like that, nothing on earth can withstand you!
Like a flood descending on floodplains, O Powerful One, you will teach foreigners to fear Inanna!
You have given wings to the storm, O Beloved of Enlil!
The storms do your bidding, blasting the unbelievers!
Foreign cities cower at the chaos You cause!
Entire countries cower in dread of Your deadly South Wind!
Men cower before you in their anguished implications,
raising their pitiful outcries,
weeping and wailing, beseeching Your benevolence with many wild lamentations!
But in the van of battle, everything falls before You, O Mighty Queen!
My Queen,
You are all-conquering, all-devouring!
You continue Your attacks like relentless storms!
You howl louder than the howling storms!
You thunder louder than Iškur!
You moan louder than the mournful winds!
Your feet never tire from trampling Your enemies!
You produce much wailing on the lyres of lamentations!
My Queen,
all the Anunna, the mightiest Gods,
fled before Your approach like fluttering bats!
They could not stand in Your awesome Presence
nor behold Your awesome Visage!
Who can soothe Your infuriated heart?
Your baleful heart is beyond being soothed!
Uncontrollable Wild Cow, elder daughter of Sin,
O Majestic Queen, greater than An,
who has ever paid You enough homage?
O Life-Giving Goddess, possessor of all powers,
Inanna the Exalted!
Merciful, Live-Giving Mother!
Inanna, the Radiant of Heart!
I have exalted You in accordance with Your power!
I have bowed before You in my holy garb,
I the En, I Enheduanna!
Carrying my masab-basket, I once entered and uttered my joyous chants ...
But now I no longer dwell in Your sanctuary.
The sun rose and scorched me.
Night fell and the South Wind overwhelmed me.
My laughter was stilled and my honey-sweet voice grew strident.
My joy became dust.
O Sin, King of Heaven, how bitter my fate!
To An, I declared: An will deliver me!
I declared it to An: He will deliver me!
But now the kingship of heaven has been seized by Inanna,
at Whose feet the floodplains lie.
Inanna the Exalted,
who has made me tremble together with all Ur!
Stay Her anger, or let Her heart be soothed by my supplications!
I, Enheduanna will offer my supplications to Inanna,
my tears flowing like sweet intoxicants!
Yes, I will proffer my tears and my prayers to the Holy Inanna,
I will greet Her in peace ...
O My Queen, I have exalted You,
Who alone are worthy to be exalted!
O My Queen, Beloved of An,
I have laid out Your daises,
set fire to the coals,
conducted the rites,
prepared Your nuptial chamber.
Now may Your heart embrace me!
These are my innovations,
O Mighty Queen, that I made for You!
What I composed for You by the dark of night,
The cantor will chant by day.
Now Inanna’s heart has been restored,
and the day became favorable to Her.
Clothed in beauty, radiant with joy,
she carried herself like the elegant moonlight.
Now to the Noble Hierodule,
to the Wrecker of foreign lands
presented by An with the seven divine powers,
and to my Queen garbed in the radiance of heaven ...
O Inanna, praise!


Temple Hymn 7: an Excerpt
to the Kesh Temple of Ninhursag
by Enheduanna
loose translation/interpretation by Michael R. Burch

O, high-situated Kesh,
form-shifting summit,
inspiring fear like a venomous viper!

O, Lady of the Mountains,
Ninhursag’s house was constructed on a terrifying site!

O, Kesh, like holy Aratta: your womb dark and deep,
your walls high-towering and imposing!

O, great lion of the wildlands stalking the high plains! ...


Temple Hymn 17: an Excerpt
to the Badtibira Temple of Dumuzi
by Enheduanna
loose translation/interpretation by Michael R. Burch

O, house of jeweled lapis illuminating the radiant bed
in the peace-inducing palace of our Lady of the Steppe!


Temple Hymn 22: an Excerpt
to the Sirara Temple of Nanshe
by Enheduanna
loose translation/interpretation by Michael R. Burch

O, house, you wild cow!
Made to conjure signs of the Divine!
You arise, beautiful to behold,
bedecked for your Mistress!


Temple Hymn 26: an Excerpt
to the Zabalam Temple of Inanna
by Enheduanna
loose translation/interpretation by Michael R. Burch

O house illuminated by beams of bright light,
dressed in shimmering stone jewels,
awakening the world to awe!


Temple Hymn 42: an Excerpt
to the Eresh Temple of Nisaba
by Enheduanna
loose translation/interpretation by Michael R. Burch

O, house of brilliant stars
bright with lapis stones,
you illuminate all lands!

...

The person who put this tablet together
is Enheduanna.
My king: something never created before,
did she not give birth to it?


Villanelle: Hangovers
by Michael R. Burch

We forget that, before we were born,
our parents had “lives” of their own,
ran drunk in the streets, or half-******.

Yes, our parents had lives of their own
until we were born; then, undone,
they were buying their parents gravestones

and finding gray hairs of their own
(because we were born lacking some
of their curious habits, but soon

would certainly get them). Half-******,
we watched them dig graves of their own.
Their lives would be over too soon

for their curious habits to bloom
in us (though our children were born
nine months from that night on the town

when, punch-drunk in the streets or half-******,
we first proved we had lives of our own).


Happily Never After (the Second Curse of the ***** Toad)
by Michael R. Burch

He did not think of love of Her at all
frog-plangent nights, as moons engoldened roads
through crumbling stonewalled provinces, where toads
(nee princes) ruled in chinks and grew so small
at last to be invisible. He smiled
(the fables erred so curiously), and thought
bemusedly of being reconciled
to human flesh, because his heart was not
incapable of love, but, being cursed
a second time, could only love a toad’s . . .
and listened as inflated frogs rehearsed
cheekbulging tales of anguish from green moats . . .
and thought of her soft croak, her skin fine-warted,
his anemic flesh, and how true love was thwarted.


Haunted
by Michael R. Burch

Now I am here
and thoughts of my past mistakes are my brethren.
I am withering
and the sweetness of your memory is like a tear.

Go, if you will,
for the ache in my heart is its hollowness
and the flaw in my soul is its shallowness;
there is nothing to fill.

Take what you can;
I have nothing left.
And when you are gone, I will be bereft,
the husk of a man.

Or stay here awhile.
My heart cannot bear the night, or these dreams.
Your face is a ghost, though paler, it seems
when you smile.


Have I been too long at the fair?
by Michael R. Burch

Have I been too long at the fair?
The summer has faded,
the leaves have turned brown;
the Ferris wheel teeters ...
not up, yet not down.
Have I been too long at the fair?


Her Preference
by Michael R. Burch

Not for her the pale incandescence of dreams,
the warm glow of imagination,
the hushed whispers of possibility,
or frail, blossoming hope.

No, she prefers the anguish and screams
of bitter condemnation,
the hissing of hostility,
damnation's rope.


hey pete
by Michael R. Burch

for Pete Rose

hey pete,
it's baseball season
and the sun ascends the sky,
encouraging a schoolboy's dreams
of winter whizzing by;
go out, go out and catch it,
put it in a jar,
set it on a shelf
and then you'll be a Superstar.


Moon Lake
by Michael R. Burch

Starlit recorder of summer nights,
what magic spell bewitches you?
They say that all lovers love first in the dark . . .
Is it true?
Is it true?
Is it true?

Starry-eyed seer of all that appears
and all that has appeared―
What sights have you seen?
What dreams have you dreamed?
What rhetoric have you heard?

Is love an oration,
or is it a word?
Have you heard?
Have you heard?
Have you heard?


Tomb Lake
by Michael R. Burch

Go down to the valley
where mockingbirds cry,
alone, ever lonely . . .
yes, go down to die.

And dream in your dying
you never shall wake.
Go down to the valley;
go down to Tomb Lake.

Tomb Lake is a cauldron
of souls such as yours―
mad souls without meaning,
frail souls without force.

Tomb Lake is a graveyard
reserved for the dead.
They lie in her shallows
and sleep in her bed.


Nevermore!
by Michael R. Burch

Nevermore! O, nevermore
shall the haunts of the sea―
the swollen tide pools
and the dark, deserted shore―
mark her passing again.

And the salivating sea
shall never kiss her lips
nor caress her ******* and hips
as she dreamt it did before,
once, lost within the uproar.

The waves will never **** her,
nor take her at their leisure;
the sea gulls shall not have her,
nor could she give them pleasure ...
She sleeps forevermore.

She sleeps forevermore,
a ****** save to me
and her other lover,
who lurks now, safely covered
by the restless, surging sea.

And, yes, they sleep together,
but never in that way!
For the sea has stripped and shorn
the one I once adored,
and washed her flesh away.

He does not stroke her honey hair,
for she is bald, bald to the bone!
And how it fills my heart with glee
to hear them sometimes cursing me
out of the depths of the demon sea ...
their skeletal love―impossibility!


Regret
by Michael R. Burch

Regret,
a bitter
ache to bear . . .

once starlight
languished
in your hair . . .

a shining there
as brief
as rare.

Regret . . .
a pain
I chose to bear . . .

unleash
the torrent
of your hair . . .

and show me
once again―
how rare.


Veronica Franco translations

Capitolo 19: A Courtesan's Love Lyric (I)
by Veronica Franco
loose translation/interpretation by Michael R. Burch

"I resolved to make a virtue of my desire."

My rewards will be commensurate with your gifts
if only you give me the one that lifts
me laughing ...

And though it costs you nothing,
still it is of immense value to me.

Your reward will be
not just to fly
but to soar, so high
that your joys vastly exceed your desires.

And my beauty, to which your heart aspires
and which you never tire of praising,
I will employ for the raising
of your spirits. Then, lying sweetly at your side,
I will shower you with all the delights of a bride,
which I have more expertly learned.

Then you, who so fervently burned,
will at last rest, fully content,
fallen even more deeply in love, spent
at my comfortable *****.

When I am in bed with a man I blossom,
becoming completely free
with the man who loves and enjoys me.


Capitolo 19: A Courtesan's Love Lyric (II)
by Veronica Franco
loose translation/interpretation by Michael R. Burch

"I resolved to make a virtue of my desire."

My rewards will match your gifts
If you give me the one that lifts

Me, laughing. If it comes free,
Still, it is of immense value to me.

Your reward will be―not just to fly,
But to soar―so incredibly high

That your joys eclipse your desires
(As my beauty, to which your heart aspires

And which you never tire of praising,
I employ for your spirit's raising).

Afterwards, lying docile at your side,
I will grant you all the delights of a bride,

Which I have more expertly learned.
Then you, who so fervently burned,

Will at last rest, fully content,
Fallen even more deeply in love, spent

At my comfortable *****.
When I am in bed with a man I blossom,

Becoming completely free
With the man who freely enjoys me.


Capitolo 24
by Veronica Franco
loose translation/interpretation by Michael R. Burch

(written by Franco to a man who had insulted a woman)

Please try to see with sensible eyes
how grotesque it is for you
to insult and abuse women!
Our unfortunate *** is always subject
to such unjust treatment, because we
are dominated, denied true freedom!
And certainly we are not at fault
because, while not as robust as men,
we have equal hearts, minds and intellects.
Nor does virtue originate in power,
but in the vigor of the heart, mind and soul:
the sources of understanding;
and I am certain that in these regards
women lack nothing,
but, rather, have demonstrated
superiority to men.
If you think us "inferior" to yourself,
perhaps it's because, being wise,
we outdo you in modesty.
And if you want to know the truth,
the wisest person is the most patient;
she squares herself with reason and with virtue;
while the madman thunders insolence.
The stone the wise man withdraws from the well
was flung there by a fool ...

When I bed a man
who―I sense―truly loves and enjoys me,
I become so sweet and so delicious
that the pleasure I bring him surpasses all delight,
till the tight
knot of love,
however slight
it may have seemed before,
is raveled to the core.
―Veronica Franco, loose translation/interpretation by Michael R. Burch

We danced a youthful jig through that fair city―
Venice, our paradise, so pompous and pretty.
We lived for love, for primal lust and beauty;
to please ourselves became our only duty.
Floating there in a fog between heaven and earth,
We grew drunk on excesses and wild mirth.
We thought ourselves immortal poets then,
Our glory endorsed by God's illustrious pen.
But paradise, we learned, is fraught with error,
and sooner or later love succumbs to terror.
―Veronica Franco, loose translation/interpretation by Michael R. Burch

I wish it were not considered a sin
to have liked *******.
Women have yet to realize
the cowardice that presides.
And if they should ever decide
to fight the shallow,
I would be the first, setting an example for them to follow.
―Veronica Franco, loose translation/interpretation by Michael R. Burch


Sessiz Gemi (“Silent Ship”)
by Yahya Kemal Beyatli
loose translation by Nurgül Yayman and Michael R. Burch

for the refugees

The time to weigh anchor has come;
a ship departing harbor slips quietly out into the unknown,
cruising noiselessly, its occupants already ghosts.
No flourished handkerchiefs acknowledge their departure;
the landlocked mourners stand nurturing their grief,
scanning the bleak horizon, their eyes blurring ...
Poor souls! Desperate hearts! But this is hardly the last ship departing!
There is always more pain to unload in this sorrowful life!
The hesitations of lovers and their belovèds are futile,
for they cannot know where the vanished are bound.
Many hopes must be quenched by the distant waves,
since years must pass, and no one returns from this journey.


Full Moon
by Yahya Kemal Beyatli
loose translation by Nurgül Yayman and Michael R. Burch

You are so lovely
the full moon just might
delight
in your rising,
as curious
and bright,
to vanquish night.

But what can a mortal man do,
dear,
but hope?
I’ll ponder your mysteries
and (hmmmm) try to
cope.

We both know
you have every right to say no.


The Music of the Snow
by Yahya Kemal Beyatli
loose translation/interpretation by Michael R. Burch

This melody of a night lasting longer than a thousand years!
This music of the snow supposed to last for thousand years!

Sorrowful as the prayers of a secluded monastery,
It rises from a choir of a hundred voices!

As the *****’s harmonies resound profoundly,
I share the sufferings of Slavic grief.

Then my mind drifts far from this city, this era,
To the old records of Tanburi Cemil Bey.

Now I’m suddenly overjoyed as once again I hear,
With the ears of my heart, the purest sounds of Istanbul!

Thoughts of the snow and darkness depart me;
I keep them at bay all night with my dreams!


She Was Very Strange, and Beautiful
by Michael R. Burch

She was very strange, and beautiful,
like a violet mist enshrouding hills
before night falls
when the hoot owl calls
and the cricket trills
and the envapored moon hangs low and full.

She was very strange, in a pleasant way,
as the hummingbird
flies madly still,
so I drank my fill
of her every word.
What she knew of love, she demurred to say.

She was meant to leave, as the wind must blow,
as the sun must set,
as the rain must fall.
Though she gave her all,
I had nothing left . . .
yet I smiled, bereft, in her receding glow.


The Stake
by Michael R. Burch

Love, the heart bets,
if not without regrets,
will still prove, in the end,
worth the light we expend
mining the dark
for an exquisite heart.


If
by Michael R. Burch

If I regret
fire in the sunset
exploding on the horizon,
then let me regret loving you.

If I forget
even for a moment
that you are the only one,
then let me forget that the sky is blue.

If I should yearn
in a season of discontentment
for the vagabond light of a companionless moon,
let dawn remind me that you are my sun.

If I should burn―one moment less brightly,
one instant less true―
then with wild scorching kisses,
inflame me, inflame me, inflame me anew.


Snapshots
by Michael R. Burch

Here I scrawl extravagant rainbows.
And there you go, skipping your way to school.
And here we are, drifting apart
like untethered balloons.

Here I am, creating "art,"
chanting in shadows,
pale as the crinoline moon,
ignoring your face.

There you go,
in diaphanous lace,
making another man’s heart swoon.
Suddenly, unthinkably, here he is,
taking my place.


East Devon Beacon
by Michael R. Burch

Evening darkens upon the moors,
Forgiveness--a hairless thing
skirting the headlamps, fugitive.

Why have we come,
traversing the long miles
and extremities of solitude,
worriedly crisscrossing the wrong maps
with directions
obtained from passing strangers?

Why do we sit,
frantically retracing
love’s long-forgotten signal points
with cramping, ink-stained fingers?

Why the preemptive frowns,
the litigious silences,
when only yesterday we watched
as, out of an autumn sky this vast,
over an orchard or an onion field,
wild Vs of distressed geese
sped across the moon’s face,
the sound of their panicked wings
like our alarmed hearts
pounding in unison?


The Princess and the Pauper
by Michael R. Burch

Here was a woman bright, intent on life,
who did not flinch from Death, but caught his eye
and drew him, powerless, into her spell
of wanting her himself, so much the lie
that she was meant for him―obscene illusion!―
made him seem a monarch throned like God on high,
when he was less than nothing; when to die
meant many stultifying, pained embraces.

She shed her gown, undid the tangled laces
that tied her to the earth: then she was his.
Now all her erstwhile beauty he defaces
and yet she grows in hallowed loveliness―
her ghost beyond perfection―for to die
was to ascend. Now he begs, penniless.


I, Too, Sang America (in my diapers!)
by Michael R. Burch

I, too, served my country,
first as a tyke, then as a toddler, later as a rambunctious boy,
growing up on military bases around the world,
making friends only to leave them,
saluting the flag through veils of tears,
time and time again ...

In defense of my country,
I too did my awesome duty―
cursing the Communists,
confronting Them in backyard battles where They slunk around disguised as my sniggling Sisters,
while always demonstrating the immense courage
to start my small life over and over again
whenever Uncle Sam called ...

Building and rebuilding my shattered psyche,
such as it was,
dealing with PTSD (preschool traumatic stress disorder)
without the adornments of medals, ribbons or epaulets,
serving without pay,
following my father’s gruffly barked orders,
however ill-advised ...

A true warrior!
Will you salute me?


Wulf and Eadwacer (ancient Anglo-Saxon poem)
loose translation/interpretation by Michael R. Burch

My clan’s curs pursue him like crippled game;
they'll rip him apart if he approaches their pack.
It is otherwise with us.

Wulf's on one island; we’re on another.
His island's a fortress, fastened by fens.
Here, bloodthirsty curs howl for carnage.
They'll rip him apart if he approaches their pack.
It is otherwise with us.

My hopes pursued Wulf like panting hounds,
but whenever it rained―how I wept!―
the boldest cur grasped me in his paws:
good feelings for him, but for me loathsome!

Wulf, O, my Wulf, my ache for you
has made me sick; your seldom-comings
have left me famished, deprived of real meat.
Have you heard, Eadwacer? Watchdog!
A wolf has borne our wretched whelp to the woods!
One can easily sever what never was one:
our song together.


Advice to Young Poets
by Nicanor Parra Sandoval
loose translation/interpretation by Michael R. Burch

Youngsters,
write however you will
in your preferred style.
Too much blood flowed under the bridge
for me to believe
there’s just one acceptable path.
In poetry everything’s permitted.


Prayer for a Merciful, Compassionate, etc., God to ****** His Creations Quickly & Painlessly, Rather than Slowly & Painfully
by Michael R. Burch

Lord, **** me fast and please do it quickly!
Please don’t leave me gassed, archaic and sickly!
Why render me mean, rude, wrinkly and prickly?
Lord, why procrastinate?

Lord, we all know you’re an expert killer!
Please, don’t leave me aging like Phyllis Diller!
Why torture me like some poor sap in a thriller?
God, grant me a gentler fate!

Lord, we all know you’re an expert at ******
like Abram―the wild-eyed demonic goat-herder
who’d slit his son’s throat without thought at your order.
Lord, why procrastinate?

Lord, we all know you’re a terrible sinner!
What did dull Japheth eat for his 300th dinner
after a year on the ark, growing thinner and thinner?
God, grant me a gentler fate!

Dear Lord, did the lion and tiger compete
for the last of the lambkin’s sweet, tender meat?
How did Noah preserve his fast-rotting wheat?
God, grant me a gentler fate!

Lord, why not be a merciful Prelate?
Do you really want me to detest, loathe and hate
the Father, the Son and their Ghostly Mate?
Lord, why procrastinate?


Progress
by Michael R. Burch

There is no sense of urgency
at the local Burger King.

Birds and squirrels squabble outside
for the last scraps of autumn:
remnants of buns,
goopy pulps of dill pickles,
mucousy lettuce,
sesame seeds.

Inside, the workers all move
with the same très-glamorous lethargy,
conserving their energy, one assumes,
for more pressing endeavors: concerts and proms,
pep rallies, keg parties,
reruns of Jenny McCarthy on MTV.

The manager, as usual, is on the phone,
talking to her boyfriend.
She gently smiles,
brushing back wisps of insouciant hair,
ready for the cover of Glamour or Vogue.

Through her filmy white blouse
an indiscreet strap
suspends a lace cup
through which somehow the ****** still shows.
Progress, we guess, ...

and wait patiently in line,
hoping the Pokémons hold out.


Reclamation
by Michael R. Burch

I have come to the dark side of things
where the bat sings
its evasive radar
and Want is a crooked forefinger
attached to a gelatinous wing.

I have grown animate here, a stitched corpse
hooked to electrodes.
And night
moves upon me―progenitor of life
with its foul breath.

Blind eyes have their second sight
and still are deceived. Now my nature
is softly to moan
as Desire carries me
swooningly across her threshold.

Stone
is less infinite than her crone’s
gargantuan hooked nose, her driveling lips.
I eye her ecstatically―her dowager figure,
and there is something about her that my words transfigure
to a consuming emptiness.

We are at peace
with each other; this is our venture―
swaying, the strings tautening, as tightropes
tauten, as love tightens, constricts
to the first note.

Lyre of our hearts’ pits,
orchestration of nothing, adits
of emptiness! We have come to the last of our hopes,
sweet as congealed blood sweetens for flies.
Need is reborn; love dies.


ANCIENT GREEK EPIGRAMS

These are my translations of ancient Greek and Roman epigrams, or they may be better described as interpretations or poems “after” the original poets …

You begrudge men your virginity?
Why? To what purpose?
You will find no one to embrace you in the grave.
The joys of love are for the living.
But in Acheron, dear ******,
we shall all lie dust and ashes.
—Asclepiades of Samos (circa 320-260 BC), loose translation/interpretation by Michael R. Burch

Let me live with joy today, since tomorrow is unforeseeable.
―Michael R Burch, after Palladas of Alexandria

Laments for Animals

Now his voice is prisoned in the silent pathways of the night:
his owner’s faithful Maltese . . .
but will he still bark again, on sight?
―Michael R Burch, after Tymnes

Poor partridge, poor partridge, lately migrated from the rocks;
our cat bit off your unlucky head; my offended heart still balks!
I put you back together again and buried you, so unsightly!
May the dark earth cover you heavily: heavily, not lightly . . .
so she shan’t get at you again!
―Michael R Burch, after Agathias

Hunter partridge,
we no longer hear your echoing cry
along the forest's dappled feeding ground
where, in times gone by,
you would decoy speckled kinsfolk to their doom,
luring them on,
for now you too have gone
down the dark path to Acheron.
―Michael R Burch, after Simmias

Wert thou, O Artemis,
overbusy with thy beast-slaying hounds
when the Beast embraced me?
―Michael R Burch, after Diodorus of Sardis

Dead as you are, though you lie as
still as cold stone, huntress Lycas,
my great Thessalonian hound,
the wild beasts still fear your white bones;
craggy Pelion remembers your valor,
splendid Ossa, the way you would bound
and bay at the moon for its whiteness
as below we heard valleys resound.
And how brightly with joy you would leap and run
the strange lonely peaks of high Cithaeron!
―Michael R Burch, after Simonides

Anyte Epigrams

Stranger, rest your weary legs beneath the elms;
hear how coolly the breeze murmurs through their branches;
then take a bracing draught from the mountain-fed fountain;
for this is welcome shade from the burning sun.
—Anyte, loose translation/interpretation by Michael R. Burch

Here I stand, Hermes, in the crossroads
by the windswept elms near the breezy beach,
providing rest to sunburned travelers,
and cold and brisk is my fountain’s abundance.
—Anyte, loose translation/interpretation by Michael R. Burch

Sit here, quietly shaded by the luxuriant foliage,
and drink cool water from the sprightly spring,
so that your weary breast, panting with summer’s labors,
may take rest from the blazing sun.
—Anyte, loose translation/interpretation by Michael R. Burch

This is the grove of Cypris,
for it is fair for her to look out over the land to the bright deep,
that she may make the sailors’ voyages happy,
as the sea trembles, observing her brilliant image.
—Anyte, loose translation/interpretation by Michael R. Burch

Nossis Epigrams

There is nothing sweeter than love.
All other delights are secondary.
Thus, I spit out even honey.
This is what Gnossis says:
Whom Aphrodite does not love,
Is bereft of her roses.
—Nossis, loose translation/interpretation by Michael R. Burch

Most revered Hera, the oft-descending from heaven,
behold your Lacinian shrine fragrant with incense
and receive the linen robe your noble child Nossis,
daughter of Theophilis and Cleocha, has woven for you.
—Nossis, loose translation/interpretation by Michael R. Burch

Stranger, if you sail to Mitylene, my homeland of beautiful dances,
to indulge in the most exquisite graces of Sappho,
remember I also was loved by the Muses, who bore me and reared me there.
My name, never forget it!, is Nossis. Now go!
—Nossis, loose translation/interpretation by Michael R. Burch

Pass me with ringing laughter, then award me
a friendly word: I am Rinthon, scion of Syracuse,
a small nightingale of the Muses; from their tragedies
I was able to pluck an ivy, unique, for my own use.
—Nossis, loose translation/interpretation by Michael R. Burch

Ibykos/Ibycus Epigrams

Euryalus, born of the blue-eyed Graces,
scion of the bright-tressed Seasons,
son of the Cyprian,
whom dew-lidded Persuasion birthed among rose-blossoms.
—Ibykos/Ibycus (circa 540 BC), loose translation/interpretation by Michael R Burch

Ibykos/Ibycus Fragment 286, circa 564 B.C.
this poem has been titled "The Influence of Spring"
loose translation/interpretation by Michael R Burch

Come spring, the grand
apple trees stand
watered by a gushing river
where the maidens’ uncut flowers shiver
and the blossoming grape vine swells
in the gathering shadows.

Unfortunately
for me
Eros never rests
but like a Thracian tempest
ablaze with lightning
emanates from Aphrodite;

the results are frightening—
black,
bleak,
astonishing,
violently jolting me from my soles
to my soul.

Ibykos/Ibycus Fragment 282, circa 540 B.C.
Ibykos fragment 282, Oxyrhynchus papyrus, lines 1-32
loose translation/interpretation by Michael R Burch,

... They also destroyed the glorious city of Priam, son of Dardanus,
after leaving Argos due to the devices of death-dealing Zeus,
encountering much-sung strife over the striking beauty of auburn-haired Helen,
waging woeful war when destruction rained down on longsuffering Pergamum
thanks to the machinations of golden-haired Aphrodite ...

But now it is not my intention to sing of Paris, the host-deceiver,
nor of slender-ankled Cassandra,
nor of Priam’s other children,
nor of the nameless day of the downfall of high-towered Troy,
nor even of the valour of the heroes who hid in the hollow, many-bolted horse ...

Such was the destruction of Troy.

They were heroic men and Agamemnon was their king,
a king from Pleisthenes,
a son of Atreus, son of a noble father.

The all-wise Muses of Helicon
might recount such tales accurately,
but no mortal man, unblessed,
could ever number those innumerable ships
Menelaus led across the Aegean from Aulos ...
"From Argos they came, the bronze-speared sons of the Achaeans ..."

Antipater Epigrams

Everywhere the sea is the sea, the dead are the dead.
What difference to me—where I rest my head?
The sea knows I’m buried.
―Michael R Burch, after Antipater of Sidon

Mnemosyne was stunned into astonishment when she heard honey-tongued Sappho,
wondering how mortal men merited a tenth Muse.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch,

O Aeolian land, you lightly cover Sappho,
the mortal Muse who joined the Immortals,
whom Cypris and Eros fostered,
with whom Peitho wove undying wreaths,
who was the joy of Hellas and your glory.
O Fates who twine the spindle's triple thread,
why did you not spin undying life
for the singer whose deathless gifts
enchanted the Muses of Helicon?
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

Here, O stranger, the sea-crashed earth covers Homer,
herald of heroes' valour,
spokesman of the Olympians,
second sun to the Greeks,
light of the immortal Muses,
the Voice that never diminishes.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

This herald of heroes,
this interpreter of the Immortals,
this second sun shedding light on the life of Greece,
Homer,
the delight of the Muses,
the ageless voice of the world,
lies dead, O stranger,
washed away with the sea-washed sand ...
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

As high as the trumpet's cry exceeds the thin flute's,
so high above all others your lyre rang;
so much the sweeter your honey than the waxen-celled swarm's.
O Pindar, with your tender lips witness how the horned god Pan
forgot his pastoral reeds when he sang your hymns.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

Here lies Pindar, the Pierian trumpet,
the heavy-smiting smith of well-stuck hymns.
Hearing his melodies, one might believe
the immortal Muses possessed bees
to produce heavenly harmonies in the bridal chamber of Cadmus.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

Harmonia, the goddess of Harmony, was the bride of Cadmus, so his bridal chamber would have been full of pleasant sounds.

Praise the well-wrought verses of tireless Antimachus,
a man worthy of the majesty of ancient demigods,
whose words were forged on the Muses' anvils.
If you are gifted with a keen ear,
if you aspire to weighty words,
if you would pursue a path less traveled,
if Homer holds the scepter of song,
and yet Zeus is greater than Poseidon,
even so Poseidon his inferior exceeds all other Immortals;
and even so the Colophonian bows before Homer,
but exceeds all other singers.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

I, the trumpet that once blew the ****** battle-notes
and the sweet truce-tunes, now hang here, Pherenicus,
your gift to Athena, quieted from my clamorous music.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

Behold Anacreon's tomb;
here the Teian swan sleeps with the unmitigated madness of his love for lads.
Still he sings songs of longing on the lyre of Bathyllus
and the albescent marble is perfumed with ivy.
Death has not quenched his desire
and the house of Acheron still burns with the fevers of Cypris.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

May the four-clustered clover, Anacreon,
grow here by your grave,
ringed by the tender petals of the purple meadow-flowers,
and may fountains of white milk bubble up,
and the sweet-scented wine gush forth from the earth,
so that your ashes and bones may experience joy,
if indeed the dead know any delight.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

Stranger passing by the simple tomb of Anacreon,
if you found any profit in my books,
please pour drops of your libation on my ashes,
so that my bones, refreshed by wine, may rejoice
that I, who so delighted in the boisterous revels of Dionysus,
and who played such manic music, as wine-drinkers do,
even in death may not travel without Bacchus
in my sojourn to that land to which all men must come.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

Anacreon, glory of Ionia,
even in the land of the lost may you never be without your beloved revels,
or your well-loved lyre,
and may you still sing with glistening eyes,
shaking the braided flowers from your hair,
turning always towards Eurypyle, Megisteus, or the locks of Thracian Smerdies,
sipping sweet wine,
your robes drenched with the juices of grapes,
wringing intoxicating nectar from its folds ...
For all your life, old friend, was poured out as an offering to these three:
the Muses, Bacchus, and Love.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

You sleep amid the dead, Anacreon,
your day-labor done,
your well-loved lyre's sweet tongue silenced
that once sang incessantly all night long.
And Smerdies also sleeps,
the spring-tide of your loves,
for whom, tuning and turning you lyre,
you made music like sweetest nectar.
For you were Love's bullseye,
the lover of lads,
and he had the bow and the subtle archer's craft
to never miss his target.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

Erinna's verses were few, nor were her songs overlong,
but her smallest works were inspired.
Therefore she cannot fail to be remembered
and is never lost beneath the shadowy wings of bleak night.
While we, the estranged, the innumerable throngs of tardy singers,
lie in pale corpse-heaps wasting into oblivion.
The moaned song of the lone swan outdoes the cawings of countless jackdaws
echoing far and wide through darkening clouds.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

Who hung these glittering shields here,
these unstained spears and unruptured helmets,
dedicating to murderous Ares ornaments of no value?
Will no one cast these virginal weapons out of my armory?
Their proper place is in the peaceful halls of placid men,
not within the wild walls of Enyalius.
I delight in hacked heads and the blood of dying berserkers,
if, indeed, I am Ares the Destroyer.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

May good Fortune, O stranger, keep you on course all your life before a fair breeze!
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

Docile doves may coo for cowards,
but we delight in dauntless men.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

Here by the threshing-room floor,
little ant, you relentless toiler,
I built you a mound of liquid-absorbing earth,
so that even in death you may partake of the droughts of Demeter,
as you lie in the grave my plough burrowed.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

This is your mother’s lament, Artemidorus,
weeping over your tomb,
bewailing your twelve brief years:
"All the fruit of my labor has gone up in smoke,
all your heartbroken father's endeavors are ash,
all your childish passion an extinguished flame.
For you have entered the land of the lost,
from which there is no return, never a home-coming.
You failed to reach your prime, my darling,
and now we have nothing but your headstone and dumb dust."
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

Everywhere the sea is the sea, the dead are the dead.
What difference to me—where I rest my head?
The sea knows I’m buried.
—Antipater of Sidon, loose translation/interpretation by Michael R Burch

Everywhere the Sea is the Sea
by Antipater of Sidon
loose translation/interpretation by Michael R Burch

Everywhere the Sea is the same;
why then do we idly blame
the Cyclades
or the harrowing waves of narrow Helle?

To protest is vain!

Justly, they have earned their fame.

Why then,
after I had escaped them,
did the harbor of Scarphe engulf me?

I advise whoever finds a fair passage home:
accept that the sea's way is its own.
Man is foam.
Aristagoras knows who's buried here.


Orpheus, mute your bewitching strains
by Antipater of Sidon
loose translation/interpretation by Michael R Burch

Orpheus, mute your bewitching strains;
Leave beasts to wander stony plains;
No longer sing fierce winds to sleep,
Nor seek to enchant the tumultuous deep;
For you are dead; each Muse, forlorn,
Strums anguished strings as your mother mourns.
Mind, mere mortals, mind—no use to moan,
When even a Goddess could not save her own!


Orpheus, now you will never again enchant
by Antipater of Sidon
loose translation/interpretation by Michael R Burch



Orpheus, now you will never again enchant the charmed oaks,
never again mesmerize shepherdless herds of wild beasts,
never again lull the roaring winds,
never again tame the tumultuous hail
nor the sweeping snowstorms
nor the crashing sea,
for you have perished
and the daughters of Mnemosyne weep for you,
and your mother Calliope above all.
Why do mortals mourn their dead sons,
when not even the gods can protect their children from Hades?
—Antipater of Sidon, loose translation/interpretation by Michael R Burch


The High Road to Death
by Antipater of Sidon
loose translation/interpretation by Michael R Burch

Men skilled in the stars call me brief-lifed;
I am, but what do I care, O Seleucus?
All men descend to Hades
and if our demise comes quicker,
the sooner we shall we look on Minos.
Let us drink then, for surely wine is a steed for the high-road,
when pedestrians march sadly to Death.


The Seven Wonders of the Ancient World
by Antipater of Sidon
loose translation/interpretation by Michael R Burch

I have set my eyes upon
the lofty walls of Babylon
with its elevated road for chariots
... and upon the statue of Zeus
by the Alpheus ...
... and upon the hanging gardens ...
... upon the Colossus of the Sun ...
... upon the massive edifices
of the towering pyramids ...
... even upon the vast tomb of Mausolus ...
but when I saw the mansion of Artemis
disappearing into the cirri,
those other marvels lost their brilliancy
and I said, "Setting aside Olympus,
the Sun never shone on anything so fabulous!"


Sophocles Epigrams

Not to have been born is best,
and blessed
beyond the ability of words to express.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

It’s a hundred times better not be born;
but if we cannot avoid the light,
the path of least harm is swiftly to return
to death’s eternal night!
—Sophocles, Oedipus at Colonus, loose translation/interpretation by Michael R. Burch

Never to be born may be the biggest boon of all.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Oblivion: What a blessing, to lie untouched by pain!
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

The happiest life is one empty of thought.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Consider no man happy till he lies dead, free of pain at last.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

What is worse than death? When death is desired but denied.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

When a man endures nothing but endless miseries, what is the use of hanging on day after day,
edging closer and closer toward death? Anyone who warms his heart with the false glow of flickering hope is a wretch! The noble man should live with honor and die with honor. That's all that can be said.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Children anchor their mothers to life.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

How terrible, to see the truth when the truth brings only pain to the seer!
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Wisdom outweighs all the world's wealth.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Fortune never favors the faint-hearted.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Wait for evening to appreciate the day's splendor.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Homer Epigrams

For the gods have decreed that unfortunate mortals must suffer, while they themselves are sorrowless.
—Homer, Iliad 24.525-526, loose translation/interpretation by Michael R. Burch

“It is best not to be born or, having been born, to pass on as swiftly as possible.”
—attributed to Homer (circa 800 BC), loose translation/interpretation by Michael R. Burch

Ancient Roman Epigrams

Wall, I'm astonished that you haven't collapsed,
since you're holding up verses so prolapsed!
—Ancient Roman graffiti, loose translation/interpretation by Michael R Burch

There is nothing so pointless, so perfidious as human life! ... The ultimate bliss is not to be born; otherwise we should speedily slip back into the original Nothingness.
—Seneca, On Consolation to Marcia, loose translation/interpretation by Michael R. Burch



Less Heroic Couplets: Rejection Slips
by Michael R. Burch

pour Melissa Balmain

Whenever my writing gets rejected,
I always wonder how the rejecter got elected.
Are we exchanging at the same Bourse?
(Excepting present company, of course!)

I consider the term “rejection slip” to be a double entendre. When editors reject my poems, did I slip up, or did they? Is their slip showing, or is mine?



Remembering Not to Call
by Michael R. Burch

a villanelle permitting mourning, for my mother, Christine Ena Burch

The hardest thing of all,
after telling her everything,
is remembering not to call.

Now the phone hanging on the wall
will never announce her ring:
the hardest thing of all

for children, however tall.
And the hardest thing this spring
will be remembering not to call

the one who was everything.
That the songbirds will nevermore sing
is the hardest thing of all

for those who once listened, in thrall,
and welcomed the message they bring,
since they won’t remember to call.

And the hardest thing this fall
will be a number with no one to ring.
No, the hardest thing of all
is remembering not to call.



Sailing to My Grandfather, for George Hurt
by Michael R. Burch

This distance between us
―this vast sea
of remembrance―
is no hindrance,
no enemy.

I see you out of the shining mists
of memory.
Events and chance
and circumstance
are sands on the shore of your legacy.

I find you now in fits and bursts
of breezes time has blown to me,
while waves, immense,
now skirt and glance
against the bow unceasingly.

I feel the sea's salt spray―light fists,
her mists and vapors mocking me.
From ignorance
to reverence,
your words were sextant stars to me.

Bright stars are strewn in silver gusts
back, back toward infinity.
From innocence
to senescence,
now you are mine increasingly.



All Things Galore
by Michael R. Burch

for my grandfathers George Edwin Hurt Sr. and Paul Ray Burch, Sr.

Grandfather,
now in your gray presence
you are

somehow more near

and remind me that,
once, upon a star,
you taught me

wish

that ululate soft phrase,
that hopeful phrase!

and everywhere above, each hopeful star

gleamed down

and seemed to speak of times before
when you clasped my small glad hand
in your wise paw

and taught me heaven, omen, meteor . . .



Attend Upon Them Still
by Michael R. Burch

for my grandparents George and Ena Hurt

With gentleness and fine and tender will,
attend upon them still;
thou art the grass.

Nor let men’s feet here muddy as they pass
thy subtle undulations, nor depress
for long the comforts of thy lovingness,

nor let the fuse
of time wink out amid the violets.
They have their use―

to wave, to grow, to gleam, to lighten their paths,
to shine sweet, transient glories at their feet.
Thou art the grass;

make them complete.



Sanctuary at Dawn
by Michael R. Burch

I have walked these thirteen miles
just to stand outside your door.
The rain has dogged my footsteps
for thirteen miles, for thirty years,
through the monsoon seasons ...
and now my tears
have all been washed away.

Through thirteen miles of rain I slogged,
I stumbled and I climbed
rainslickened slopes
that led me home
to the hope that I might find
a life I lived before.

The door is wet; my cheeks are wet,
but not with rain or tears ...
as I knock I sweat
and the raining seems
the rhythm of the years.

Now you stand outlined in the doorway
―a man as large as I left―
and with bated breath
I take a step
into the accusing light.

Your eyes are grayer
than I remembered;
your hair is grayer, too.
As the red rust runs
down the dripping drains,
our voices exclaim―

"My father!"
"My son!"


Ah! Sunflower
by Michael R. Burch

after William Blake

O little yellow flower
like a star ...
how beautiful,
how wonderful
we are!



Anyte Epigrams

Stranger, rest your weary legs beneath the elms;
hear how coolly the breeze murmurs through their branches;
then take a bracing draught from the mountain-fed fountain;
for this is welcome shade from the burning sun.
—Anyte, loose translation/interpretation by Michael R. Burch

Here I stand, Hermes, in the crossroads
by the windswept elms near the breezy beach,
providing rest to sunburned travelers,
and cold and brisk is my fountain’s abundance.
—Anyte, loose translation/interpretation by Michael R. Burch

Sit here, quietly shaded by the luxuriant foliage,
and drink cool water from the sprightly spring,
so that your weary breast, panting with summer’s labors,
may take rest from the blazing sun.
—Anyte, loose translation/interpretation by Michael R. Burch

This is the grove of Cypris,
for it is fair for her to look out over the land to the bright deep,
that she may make the sailors’ voyages happy,
as the sea trembles, observing her brilliant image.
—Anyte, loose translation/interpretation by Michael R. Burch



Nossis Epigrams

There is nothing sweeter than love.
All other delights are secondary.
Thus, I spit out even honey.
This is what Gnossis says:
Whom Aphrodite does not love,
Is bereft of her roses.
—Nossis, loose translation/interpretation by Michael R. Burch

Most revered Hera, the oft-descending from heaven,
behold your Lacinian shrine fragrant with incense
and receive the linen robe your noble child Nossis,
daughter of Theophilis and Cleocha, has woven for you.
—Nossis, loose translation/interpretation by Michael R. Burch

Stranger, if you sail to Mitylene, my homeland of beautiful dances,
to indulge in the most exquisite graces of Sappho,
remember I also was loved by the Muses, who bore me and reared me there.
My name, never forget it!, is Nossis. Now go!
—Nossis, loose translation/interpretation by Michael R. Burch

Pass me with ringing laughter, then award me
a friendly word: I am Rinthon, scion of Syracuse,
a small nightingale of the Muses; from their tragedies
I was able to pluck an ivy, unique, for my own use.
—Nossis, loose translation/interpretation by Michael R. Burch



Excerpts from “Distaff”
by Erinna
loose translation/interpretation by Michael R. Burch

… the moon rising …
      … leaves falling …
           … waves lapping a windswept shore …

… and our childish games, Baucis, do you remember? ...

... Leaping from white horses,
running on reckless feet through the great courtyard.  
“You’re it!’ I cried, ‘You’re the Tortoise now!”
But when your turn came to pursue your pursuers,
you darted beyond the courtyard,
dashed out deep into the waves,
splashing far beyond us …

… My poor Baucis, these tears I now weep are your warm memorial,
these traces of embers still smoldering in my heart
for our silly amusements, now that you lie ash …

… Do you remember how, as girls,
we played at weddings with our dolls,
pretending to be brides in our innocent beds? ...

... How sometimes I was your mother,
allotting wool to the weaver-women,
calling for you to unreel the thread? ...

… Do you remember our terror of the monster Mormo
with her huge ears, her forever-flapping tongue,
her four slithering feet, her shape-shifting face? ...

... Until you mother called for us to help with the salted meat ...

... But when you mounted your husband’s bed,
dearest Baucis, you forgot your mothers’ warnings!
Aphrodite made your heart forgetful ...

... Desire becomes oblivion ...

... Now I lament your loss, my dearest friend.
I can’t bear to think of that dark crypt.
I can’t bring myself to leave the house.
I refuse to profane your corpse with my tearless eyes.
I refuse to cut my hair, but how can I mourn with my hair unbound?
I blush with shame at the thought of you! …

... But in this dark house, O my dearest Baucis,
My deep grief is ripping me apart.
Wretched Erinna! Only nineteen,
I moan like an ancient crone, eying this strange distaff ...

O *****! . . . O Hymenaeus! . . .
Alas, my poor Baucis!



On a Betrothed Girl
by Erinna
loose translation/interpretation by Michael R. Burch

I sing of Baucis the bride.
Observing her tear-stained crypt
say this to Death who dwells underground:
"Thou art envious, O Death!"

Her vivid monument tells passers-by
of the bitter misfortune of Baucis —
how her father-in-law burned the poor ******* a pyre
lit by bright torches meant to light her marriage train home.
While thou, O Hymenaeus, transformed her harmonious bridal song into a chorus of wailing dirges.

*****! O Hymenaeus!

Keywords/Tags: elegy, eulogy, child, childhood, death, death of a friend, lament, lamentation, epitaph, grave, funeral

Published as the collection "Ancient Greek Epigrams"

Pretty rich girl, softly dreaming, 
a woman is so newly waking
no use at all for dad’s financing, 
consumed by flesh that is desiring 
of wanton flows that force such rousing
to be taken far from here for using 
by men unfazed by city counting.

Then sudden blackness o’erwhelming, 
all sound and vision swiftly clouding
strong arms unseen and grasping 
to sweep her off her feet and making
sense of ropes around her tight’ning, 
with her arms together jerking
forcing back to ankles spreading
with ballgag muffled screaming 
she should now be strongly fighting 
instead there is a wild arousing.

Stripping cutting all that’s hiding 
until she’s held quite naked finding
that there’s a hood that’s closing 
round her head and isolating
from any sense of air that’s cooling
and rampant need that’s now arising
she feels excitement in so being
where she feels no fear abiding.

Put down hard after easy lifting
a lid above her slamming
the sound of engine starting 
spinning wheels now are speeding 
bound in dark she’s left a-lieing 
with mouth that gives no screaming
instead a wet arousal finding 
knowing of her inner needing.

****** rising almost blinding 
fighting, writhing, needing tying 
her tortured form now pounding
forcing every sinew twisting
with such unsought pleasure giving 
this wanton **** who has such thinking
of brutal taking and ill using
by men she should be hating.

How could juices start their flowing 
as crude hands began their probing 
carrying to places far unknowing.
Rough voices talking of their doing, 
arguing ransoms for demanding
then finding her with wet arousing 
cruel laughing at her needing
until there comes a sweet dividing 
of her eager self though darkening
roughly forcing them by wanting 
that she is newly there for taking
captors now in forced confronting.

There can now be no disguising 
that this is life not fantasizing 
these coarse brutes so crudely using
think they’re forcing her submitting 
now she wants them by satisfying 
her every silent wanton needing 
of each to feed obscene desiring.

An iron bed prepared for keeping 
till the time of ransom paying 
fully tight is now her strapping
legs apart, wide spreadeagling
ignoring all her protests mewling 
but her bucking body thrusting 
makes her needing so enticing
till they give her what she’s wanting.

There is now for each unseen taking
a welcoming and wet demanding 
so there can be no inflicting 
that but which is urgent wanting
opening each hole for filling 
not once or twice but oft repeating
taking turns in fully using 
till they are all quite lost in spending.

With captive bound there’s no sating 
screaming begging ne’er abating 
always there is more demanding 
screaming all despite her gagging
each time her body hits climaxing
fighting , dragging now and forcing 
wearied jailers for more pleasuring
ignoring all their worn protesting
incessant in her primal wanting
who is using whom in this not knowing
when captors should be really scaring
but they have never known such needing
standing round and jointly fearing
of chewing less than was their biting
with this nymphomaniac in bareing.

Words in anger, muffled voicing 
some with reason in conferring
then a quick release of bindings 
a body hot for blanket wrapping 
with a fiesty female grappling
cursing now her wild desiring
yet unstilled with needy struggling
tossed in the car for rapid driving 
some miles back by unknown routing
while in the trunk much banging
till on daddy’s doorstep dumping 
ransom now in quick forgetting
as captors with relief escaping
while pretty rich girl leans back smiling
anticipating her next kidnapping.


From my Francesca Anderssen Poetry collection: **** Verse (Amazon)

450

Dreams—are well—but Waking’s better,
If One wake at morn—
If One wake at Midnight—better—
Dreaming—of the Dawn—

Sweeter—the Surmising Robins—
Never gladdened Tree—
Than a Solid Dawn—confronting—
Leading to no Day—

The child in me asks
Will we ever find passion
She had big dreams
and was determined to aim for them.

The adult me feels sad
She doesn't know what to say
How do you explain pain,
How do you explain disappointment?

Recovery, Initially, is about knowing;  Knowing that change is necessary,
Accepting that your life is not where you want it to be,  About facing up to your fears and anxiety
Then taking the first step eventually… When you, and you alone, feel you are ready.

Recovery, Critically, demands pure honesty, requires the utmost integrity
Most Especially, when confronting your past traumas, your history
Though it may make you feel angry, sad and often times guilty
This process is key if you really want to move on, to change truly.    

Recovery, Truthfully, is far from easy,  It can be fraught with challenges, setbacks, difficulty.
It can hurt physically and even worse emotionally, Testing your will power to the extremity.
It takes great Strength, Courage and Bravery; Determination, Resilience, in the face of adversity

Recovery, Thankfully, need not be a lonely journey, Though you alone must take ultimate responsibility.
There are lots of supports out there happily; from good friends, family and in your community
Though it can be hard to ask for help, understandably…Let not pride undermine your recovery.

Recovery, Ultimately, is about getting where it is you want to be, about starting anew daily
About achieving realistic goals you have set regularly, Learning from the process; what worked successfully
Starting to believe in yourself gradually, Gaining an insight into what you are capable of ...potentially

Finally, Recovery is for all, a lifelong journey, Guarding against ambivalence, relapse, constantly.
Knowing that every day will, in reality,  pose real threats for you in your recovery
But every day also presents an opportunity… to engage with, enjoy, your life more fully.

I have no other way to say how I feel
Emotions I showed, I now conceal
The bottle is filled, about to overflow
The volcano will erupt and soon explode
Anger, rage, and pain burn more flames
I have no blood,  just molten lava in my veins
At any moment, I'll spontaneously combust
I only have myself, and even that I don't trust

I don’t know if 1 +1 = 2,
If I had to count I’d point at you and you,
I don’t know how to subtract one but if one person leaves I’d be pointing at the one I didn’t lose,
I don’t know how to learn from a book,
I thought knowledge was attained through experience;
How did that turn into labeling kids with disorders; as if the archetypes that are non linear were mysterious,
We call our kids special,
Treat them different,
As if that type of nurturement were helpful;
Baffled, because these types of accusations exploit a misunderstanding that’s serious,
He learned about friendship through Toy Story,
He learned about friendship through war stories,
His imagination gave life to toys; they created the picture after that,
His application made a child a boy; a missing picture was aftermath,
He promised to never forget the love he gave before moving,
He had an obligation to forget the meaning of love before duty,
Friendship was movie,
Friendship was duty,
We may learn different; but are we truly?

We used to take these things slow,
We was too young, we used bowls,
Blunts only came with the shows,
High only came without goals,
Now I don’t even have bros,
And this was the life that I chose,
Love was up under the nose,
Had to let go, I couldn’t show,
Experiences hurt me the most,
What is a home, I am alone,
Finding my life in a post,
It’s cutting close…

Eyes closed; I feel uncomfortable in the physical,
**** me please; I find normal in the mystical,
I don’t mean to be dark but its the psychedelics that make life livable;
Jedi flipping with acid and molly,
The fungi was just a treat,
Confronting thoughts nowadays because earlier we didn’t meet,
Something went wrong; I.e. unbalanced,
Destiny discrete; to meet was an unbound chance,
And I couldn’t time it,
Now every word spoken is a time I didn’t speak,
I try to stretch my mind to find the other reality,
The gravity of this situation is projecting real without me;
Whatever happened to Chinese philosophy,
The time in which I was I and death was life and opportunity expressed divine in a time frame where we were destined to be...

Color me your color baby,
I know where you are,
Cover me your love is fading,
We shouldn’t have been too far,

I’m not happy with the results,
Ignorance is the reason I accept it,
Nothing’s expected, but I’m praying that I eject the next second,
I can only be respected after neglection,
I’m better off expressing a resurrection,
Left too early and life says it’s right,
Lead loaded caskets; well I’ll continue to write,
Left hand can be now, tomorrow’s my right,
Wait…
Happy nation, living in a happy nation,
“where the people understand andd dream of perfect man”;
WAIT...
Where’s my patience; I’m living in a happy nation,
We the people understand andd dream a perfect plan,
And I keep waiting for being to become our way in…

I want to be quiet, this is a crash,
I’m lacking nutrients; that’s my validation on why I’m thinking bad,
I’m thinking pessimistic; “She’s the best I nevver hadd” or “I swear I’m always thinking sad”,
This is the illusion, and I ain’t alluding,
I never picked a side my friend.

I took a breath to channel my inner jedi,
Lili was a witness, however she’d  disagree,
I told her , “we are god”; she had a different belief,
I stopped that ****, the fun guy was keeping me head high; I told her I accepted her the moment she accepted me,
There was a sudden relief,
I was expressing a lesson and received a blessing in the form of treat,
Now I am stuck in disbelief,
Because I literally experienced my mind and became a Jedi,
Existence itself only validated one thing, and that is the existence of me.

There once was a pond off the Astrillian shore,
Where a billion clams lay underwater, they snored,
Day after day, tides change to tides,
Yet the life of a clam is still quite a bore.

Until one day an otter, all spryly and nimble,
A prince from the infamous pool down the thimble,
Crossed the old straight with his men through mud and through wimble.

Valiantly striding his conquest was simple,
Representing his people in search of a love life to kindle.
He was quirky, and boisterous, and hard to ignore,

Splashing and thrashing about the good peoples shore,
A good lookin' pup, he swam round in circles,
Converting the Astrillian Algaeans to Murkles.

The clams weren't slow to catch on to the show,
For clams are very attentive you know,
And soon by council & seminar they mouth-fulled their garbles,

"Who yonder this monkey that endlessly wharbles?"
"Are you daft kind sirs?" asks one clam as she snarbles,
"It seems you old men have lost all your marbles,

That is the otter, his highness all the way from Port Schwarble!
He only plays cowbell, throws barbells, and a million such marvels,
It's an Astrillian holiday as far as I yarble, hmm"

She stops,
It's indeed very clear she's been pinned as kalopsious,

"My dear" one clammy clam-clam firmly speaks,
"I see your 'kidz-bop' as they say has given you gleecks,
Your highness, is an otter, we'll be extinct within weeks"

The elders agree and farble on lke sheep,
"The end is near!" the little ones squeak,

But none brave as Mandy,
This little clam candy,
Would even think that moving was handy,

Why, confronting a prince sounds totally dandy,
So she pipped and she chupped,
Getting the elders all sandy.

As she made her way up to her prince, who was also quite randy.
Approaching her man of a million wonders,
She squeaked a fine hello over his rambunctious thunder.

He stopped and observed,
"What is this, hors' doeurves?"
He plucked her and licked her, obviously deterred,

When she snarbled and blushed ignoring the blunder,
"My name is Mandy the First, from the land of down under,

She smiled as he turned to his squire,
"A fine maiden to invite to the royal dinner," laughing they snired.
"I caught wind of your plans to marry" she twinkled,
"I just thought that I'd say that I'm young and I'm single,"

And with a wink she gave off her lady like signal.
The squire scoffed at the lady so simple,
"May I remind you ma'am, this is the prince from the pool down the thimble.
He's come all this way through mud and through wimble,
In search of a maiden to love and ne'er let dwindle,
Yet this peasant clam reminds me of a fire in my belly, so long ago kindled,"

He snirped, Mandy quirped as the prince caressed her dimple,
"You'll not lay your paws on her or her people,
This girl is totally braver than you and our sheeple!
It is decided that I'll be bringing her all the way to the steeple."

The squire grumbled a pox on both sides,
"You princox, we haven't eaten since Ides,
If you really cared so much for your lady,
Then let us first feast on her friends and their babies,
For what is a wedding if we're all riddled with hunger and rabies?"

"Nay squire, for you are a bigger one,
Your princoxious gluttony far exceeds the range of the Astrillian Sun"
"Ooooooooohh!!" his guards hollered and bothered, oh but he wasn't done,

"If you really care for your stomach all the sudden,
Then come at me brother, make me your wet monkey mutton.
See if I care for your metabolic process, you square,
For nothing could separate me from my princess so fair."

And so they charged and they barged and splashed all about her,
As his guards cheered them on into brotherly slaughter,
Witnessing the madness, Mandy would rather be chowder.

As she quietly wept for her hunk of an otter,
She noticed the elders behind her surface the water.
"What do you want?!" snobbing she totally snared,

The elders snooted and bitterly declared,

"We warned you," they flarbed,
"Their kind is brutish and dull," they spat from afar,
"The feud between peoples is older than tar"

Mandy flushed beet red and crying she clacked,
"Your ignorance prevails clams, for that is your only knack,
This man loves me and I love him right back,
In fact he's saving us all from becoming a snack.
And if he succeeds I'll never see you again,

I'll never work your sand-bars, or attend colleges of mermen.
I'll never sing songs or clean up your dens,
And you'll all just be grumpy old clams forever, and then,
When I am queen I will not be so mean.

I will unite all the clamsfolk with our predators keen,
We shall not be afraid and they shall not come to prey,
And who knows maybe we'll all get along someday,"

And with that, the squire cried "Uncle!"
And the prince let go of his sleeper-hold struggle,

"Now will you praise your lady you poor jester thuggle?"
"I do, I do your highness, til death I shall juggle."
And so the otters and clams conjoined the whole island,

With only some leftover haters to beguile,
And within seven days time
People gave up on fear,

Threw out their hunger,
And then it became clear,
With only time left to ponder,

As the big day came near,
At the cathedral they concluded that love lasts much longer,
That really,

Whether one be a clam or an otter,
It is only together that we shall become stronger.

Bravery
I thought I was brave
with the scars to prove it.
My legacy -
   broken bones,  split knuckles,
   black eyes and loose teeth.
   Adulation and respect.
I fought  both man and isms
Never backed down.
But a black man, driving
an Uber taught me the truth of
true bravery.
Harassed, insulted, threatened by
a low-life passenger,
  white racism covered in a cheap suit and tie,
he refused to take the bait.
He denied himself the pleasure of
      justified violence.
He told me his story -
and anger for him, righteous indignation,
crashed over me in furious waves.
I admonished him for not
confronting that mans ignorance
   with a closed and determined fist.
Never back down, right?
Gently, he spoke the truth of
   black men in America.
His eyes caught mine in the rearview mirror.
You, he said, are innocent until proven guilty.
Protected by a system that
oppresses me.
I am guilty - period - and would be lucky
to be arrested, not killed,
  in a confrontation with that bigot.
So he did nothing, let the swine in a tie
off at his destination,
and drove on - leaving that pig to
wallow in his hate.
His bravery earned him nothing.
No adulation. No respect. No recognition.
Nothing except another day of life.
Another day with his family.
In contrast - my lifetime of bravery.
A pale reflection, when set beside his truth.
He was brave, not I.
My self-styled bravery, forever
tainted
by my privilege.

Regret. The act of doing something and feeling remorse later on; the act of wanting to take something back; the act of wishing something didn’t happen. I regret ever making the joke that when my sister and I fought; it was like World War 3. I regret not telling my brother how much he meant to me and how proud I was that he was serving our country. I regret falling in love with a man that would be forced to go into the military.

Ayden received the letter in the mail two weeks ago, informing him that he would be expected to be at the airport, to involuntarily serve our country. Something bad was going to happen. Something no one was prepared for. We were only eighteen, just seniors in high school since our birthdays took place in the summer. We had been dating one year. The thought of him going half way around the world to fight in a war that came out of nowhere, scared me half to death. It wasn’t just the fact that I was losing my boyfriend who I was incredibly in love with; It was the fact that all in one day, I would be losing my boyfriend, and my best friend. No one to share my secrets with, no one to wrap me in his arms and tell me that everything was going to be okay. Just like he had done the night before when he had finally worked up the courage to tell me what had happened. My jaw hit the floor, my eyes watered up, and I may or may not have started trembling. We had been sitting on the couch when he squeezed my hand a little tighter.

“I have to tell you something.” He said.

I turned toward him with a smile on my face, which quickly faded when I saw that his own eyes had started to tear up.

“What’s wrong?” I asked immediately.

“In a week, I won’t see you. I don’t know for how long, I don’t know when I’ll be back.” He started to explain.

“Where are you going?” I asked impatiently.

“I don’t know.”

“You have to know.”

“There’s going to be a war.” He said. “A big one.” He whispered.

“There was a draft?”

He nodded his head slightly.

“When did you find out?” I asked.

“About a week ago.”

“And you didn’t tell me?”

“I didn’t know how.”

“You didn’t know how?” I whispered.

“Ava. This hurts more than if I was breaking up with you.” He said. “I’ve wanted to tell you. I have. But I didn’t know how. How do you tell someone you’re completely in love with, that you’re going off to fight in a war? That you don’t know if you’ll be coming back?”

“You certainly don’t hide it from that person.” I whispered.

“I might not be coming back.”

“Don’t say that.” I interrupted. “Don’t ever say that again.”

I let a few tears slip down the side of my cheek. He raised his hand to my face and slowly swiped them away with his thumb. He pulled me closer into his arms and kissed my forehead.

“I love you.” He whispered into my ear.

“I love you too.” I said.

Those were the last words we said to each other a week later while standing in the airport. His parents were there too .He had already hugged them and his dad had ushered his mom out to the parking lot in order to keep her from having a panic attack. Ayden and I had stood there awkwardly for a few minutes. After all, what do you say to someone when there’s a possibility you might not ever see them again? That had been when he out of nowhere grabbed me and pulled me against his chest. Wrapping me tightly in his arms, I buried my nose into the sleeve of his jacket and savored the sweet scent of his cologne.

I stood in the window of the airport, watching planes take off after he had given me a final hug and had left to board the plane. Already, I felt like I had something missing from me. Like there was a big hole in my heart. I felt empty. After some time, I decided I should probably go home.

I didn’t cry myself to sleep last night like I thought I would’ve. Instead, I just lay in bed, looking up at the ceiling, not knowing what to think. Tomorrow would be so much different than all my other days at school. No one to hold my hand while walking down the hallway, no one to go out to lunch with, and no one to look forward to so bright and early in the morning. After what seemed like forever, I drifted off to sleep, images of Ayden appearing in my dreams.

The sound of my alarm clock woke me in the morning. And all at once, it hit me, everything that I had been thinking of before drifting off to sleep the night before. Everything that had happened yesterday hadn’t been just a dream. It had been reality and it was finally starting to set in. I threw the covers off of me and started my day like any other, minus the ‘good morning beautiful’ text that I had been so used to receiving.

When I was finally ready for school, I grabbed my keys and headed out the door. The weather fit my mood perfectly. Cloudy, dark, damp, awful weather. Unlike most days that usually occurred here in California. I was used to the sun, the nice warm breeze, not this ‘Seattle like’ weather. Driving to school, I wasn’t sure if the raindrops falling on my windshield made it blurry to see, or if it was my own tears welling up in my eyes. I pretended for it to be the first option, all the while knowing it was the second. Staying strong had been one of my traits. When things got tough, I wasn’t one to run from my problems. No, I faced those dead on. Mom always said I got that from Dad.

It’d been a long time since I’d last thought about him. He was tall, strong, and stubborn. He died serving our country. Maybe that’s what scared me most about Ayden having to go fight. I’d experience death through the military too many times in my book. My grandpa had served our country and had also died in military combat, then Dad. Maybe, it was just my family. Luck just didn’t play on our side. When my brother was finally old enough to join, he surprised us all at dinner one night.

“Have you thought anymore about that business degree you want to get?” Mom had asked.

“Well, yeah. Actually, no. I’ve decided against the business degree.” Ethan had said.

“Honey, you’re almost ready to graduate. You’re changing your mind in the blink of an eye and at possibly, the last minute?”

I had sat silently, not saying a word. Ethan had told me a few months before what he’d been thinking. He knew my opinion, but didn’t know Mom’s. I wasn’t happy with what he was deciding, but I was almost willing to support him. We were close, and I didn’t want to lose him like I had lost Dad, who I’d also been so close to.

“I want to join the military.” He said quietly, and calmly.

I remember Mom’s reaction almost perfectly. She didn’t say a word at first, just looked down at her plate. When she lifted her head a minute later, tears had begun to form in her eyes, ones she blinked away quickly, not letting them spill over onto her cheeks.

“When did you, decide this?” she asked quietly.

“I’ve thought about it for a long time. My choices were either, business, or military.” He explained. “And Mom, the business thing just isn’t working out.”

“Of all things to choose.” She whispered.

She shook her head slightly and I saw a tear fall onto the table by her plate.

“Mom, things are different these days. It’s not like when Dad fought.” He explained. “Ava supports me.” He slipped.

Mom’s head snapped up and looked at me. My head bent down, looking at the spaghetti on my plate.

“You knew?” she asked quietly.

I said nothing. Absolutely nothing. Telling Mom that I had known his decision all along wasn’t part of the plan when the three of us sat down for dinner that night.

“I thought there were no secrets in this house?” she asked.

“There isn’t.” Ethan chimed in. “Anymore.” He whispered.

Mom breathed in a deep breath and let it escape.

“Ethan, I love you. And I support whatever you choose to do. You know that. But I am telling you right now, I will be ****** if I lose another important man in my life.” She said, sternly, while looking deep into his eyes.

“Dad would’ve wanted this.” Ethan said, plainly.

“I know.”

And with that, she had excused herself and left the table. Walking down the hallway, I heard her sniffle a couple times.

The fact of those two simple words stung but as the saying goes, “the truth hurts.” Mom was a runner. She was the one who would always run from her problems instead of confronting them. The one thing that she had always said and will continue to always say, she didn’t want Ethan going into the military. Ever since Dad had died, she’d stuck to her word. Even though, we all knew Dad would’ve wanted Ethan to follow in his steps and be a commanding officer, it’d be the one thing Mom would continuously disagree on. I guess you could say I was the same way. After Ayden had told me that he had been signed for the draft, my breath had caught and I had the same reaction as Mom would’ve had. I would’ve wanted him to do anything, anything, besides go into the military. But I guess it was different this time. No one really had a say in who was on the list and who was absent. My bad luck had just started to shine through.

School dragged on. As normal. But it was different now. Ayden wasn’t there to hold my hand. He wasn’t there to greet me after my classes, wasn’t there to walk me to my car, wasn’t there to just be in my presence. It was like he had died. And just the thought of that alone, brought tears to my eyes. I wasn’t the only one whose boyfriend had been called off for the draft. No, there were others, but none of those other couples had been like Ayden and I. We weren’t just a couple. We weren’t just homecoming king and queen. No, we were best friends. I’d known him since first grade when he’d transferred to my elementary school. I had been the one assigned to show him around the school. We became friends, and later on, best friends. Freshman year of high school, Ayden and I had gone to homecoming together. Not as a couple but just as friends because neither of us had a date. Sophomore year, we had gone together again. Not because we didn’t have a date, but because we wanted to go with each other. I’ll never forget that night, because that was the night Ayden had told me he wanted to be more than friends. I had never actually thought about being more than just his friend until he had brought it up. That night, I didn’t just fall in love with a guy; I fell in love with my best friend.

The final bell rang for school to be dismissed. Once again, I felt emptiness inside while walking through the hallway. Blurs of kids rushing past me kept me from allowing my tears to spill over onto my cheeks, but that was the only thing that stopped them. After getting into my car, I put the key into the ignition but didn’t start it; I didn’t even turn the key. I put my head in my hands and took a deep breath. In my head, I thought, “One day down.”

After sitting for a few minutes in my quiet car, and letting other vehicles exit the parking lot, I finally turned the key and started my car. Hearing the soft music come on the radio, I turned it down so I could only hear the engine running. Putting my car into reverse, I wasn’t exactly sure where I was going to go. I just wanted to drive. Halfway home, I changed directions and headed to what seemed like my second house, my best friend’s house.

I knew his Mom would be off work by now and would be there to let me in. I found it ironic, as I always have that when you’re in a hurry to get somewhere; you stop at every red light possible. Red lights, stop signs, and slow moving cars in general were the only obstacles in my way that afternoon. Finally, when I was out of the traffic and almost to Ayden’s house, I pushed my foot a little harder on the gas to gain some speed. Driving up over the gravel road, I could see in the distance his Mom’s small car parked in the driveway; along with Ayden’s. Just seeing it there, gave me false hope that maybe this was all a dream and he was actually at his house, waiting for me.

Pulling into the driveway, his Mom came out onto the porch. Ayden lived in a house that you see in the movies. A tall, white one with a wraparound porch, the swing out front. I loved spending time in that house. Putting the car in park, I slowly got out and walked up to the porch.

“How did it go?” his Mom asked.

I shrugged my shoulders, while walking up the stairs. She pulled me into her arms and hugged me. Rubbing my back, she whispered,

“It’ll be okay. He’ll be coming home sooner than you know it.”

“Can I just go up to his room?” I asked.

“Of course.”

She released me from her arms and I opened the screen door to head inside while she remained on the porch. I walked up the stairs and to the right. Ayden’s door was closed. That was unlikely. He never kept his door shut just for the sake of it being shut. It was always opened. I pushed it open and walked inside. All his stuff was where he had left it. His bed was unmade, his closet doors standing open. I walked to his closet and ran my hands over his shirts, His scent filled my nose and I just wanted him home. I grabbed a button down, blue and white, thin striped shirt. He had worn it to school a couple times. I put it up to my nose, taking in faint bit of cologne that you could still smell on it, even after it going through the wash. I walked over to his bed, sitting down on the edge. With his shirt still pressed close to my face, I breathed in a heavy breath and let everything go. The tears started coming and I didn’t stop them. I started sobbing but I didn’t care. It seemed like everything that I’d ever loved, was gone. Because technically, it was, for the time. Ayden leaving to go fight in a war half way across the country scared me more than life itself, and hurt more than if he had broken up with me. I felt alone, even when there were dozens of people around me. I felt as if Ayden was dead when he was actually alive and well, as far as I knew. He’d only been gone one day and it felt like three years. Losing Ayden to the war efforts showed the true meaning in the saying, “you never really know what you have until it’s gone.” But really, the truth was, I knew what I had. I knew exactly what I had. I just took it for granted and didn’t think I’d ever lose it. And now all I wanted was Ayden back in the same country as me, back in the same house as where I was. In his room, watching a movie, playing a game, anything. That’s all I wanted at that exact moment.

I jumped up out of my sleep, my heart beating faster than a race car zooming around a track. I looked at my alarm clock, the red digits glaring, 2:33 back at my face. I swallowed and took a few more deep breaths before kicking the covers off and walking to the bathroom. I turned the light on and splashed some cool water over my face. Looking up into the mirror, I took one final deep breath and walked back to my room. Grabbing my phone from my nightstand next to my bed, I unplugged it and ran my finger over the touch screen. Reaching Ayden’s name, I touched the screen where it said to call. Holding the phone up to my ear, I waited for Ayden’s voice to answer. After about five rings and silence, his voice answered through his voicemail.

“Hey, it’s Ayden. I’m a little busy at the moment, but leave a message, and I’ll make sure to get back to you.”

My tears broke out all over again, my already swollen eyes releasing more sobs. I pulled my covers up to my chest and buried my face in them. My sobs grew a bit louder, and I heard footsteps coming from outside my bedroom door. I tried to stop, and after sniffling a couple times, the white door opened slowly.

“Honey,” Mom said, coming over to the bed.

“I can’t do this, Mom.” I sobbed.

She pulled me into her arms and rested her chin on my head while softly rubbing my back.

“It gets better.” she whispered. “It gets better.” she paused. “I promise.”

“I don’t know.” I said.

“I do.” she replied. “I went through this. You seem to keep forgetting. But I went through this exact same thing.”

I took a deep breath. “How long?” I asked. “How long does this last? This loneliness, this emptiness?”

“Too long.” she whispered.

She pulled me into her arms even more, holding me tighter, until I slowly laid down on my bed, my tears falling to my pillow. She sat on the edge of my bed, rubbing my back. It reminded me of all the times when I had been sick and she’d s

Explaining My Depression to My Mother: A Conversation
Mom, my depression is a shape shifter.
One day it is as small as a firefly in the palm of a bear,
The next, it’s the bear.
On those days I play dead until the bear leaves me alone.
I call the bad days: “the Dark Days.”
Mom says, “Try lighting candles.”
When I see a candle, I see the flesh of a church, the flicker of a flame,
Sparks of a memory younger than noon.
I am standing beside her open casket.
It is the moment I learn every person I ever come to know will someday die.
Besides Mom, I’m not afraid of the dark.
Perhaps, that’s part of the problem.
Mom says, “I thought the problem was that you can’t get out of bed.”
I can’t.
Anxiety holds me a hostage inside of my house, inside of my head.
Mom says, “Where did anxiety come from?”
Anxiety is the cousin visiting from out-of-town depression felt obligated to bring to the party.
Mom, I am the party.
Only I am a party I don’t want to be at.
Mom says, “Why don’t you try going to actual parties, see your friends?”
Sure, I make plans. I make plans but I don’t want to go.
I make plans because I know I should want to go. I know sometimes I would have wanted to go.
It’s just not that fun having fun when you don’t want to have fun, Mom.
You see, Mom, each night insomnia sweeps me up in his arms dips me in the kitchen in the small glow of the stove-light.
Insomnia has this romantic way of making the moon feel like perfect company.
Mom says, “Try counting sheep.”
But my mind can only count reasons to stay awake;
So I go for walks; but my stuttering kneecaps clank like silver spoons held in strong arms with loose wrists.
They ring in my ears like clumsy church bells reminding me I am sleepwalking on an ocean of happiness I cannot baptize myself in.
Mom says, “Happy is a decision.”
But my happy is as hollow as a pin pricked egg.
My happy is a high fever that will break.
Mom says I am so good at making something out of nothing and then flat-out asks me if I am afraid of dying.
No.
I am afraid of living.
Mom, I am lonely.
I think I learned that when Dad left how to turn the anger into lonely —
The lonely into busy;
So when I tell you, “I’ve been super busy lately,” I mean I’ve been falling asleep watching Sports Center on the couch
To avoid confronting the empty side of my bed.
But my depression always drags me back to my bed
Until my bones are the forgotten fossils of a skeleton sunken city,
My mouth a bone yard of teeth broken from biting down on themselves.
The hollow auditorium of my chest swoons with echoes of a heartbeat,
But I am a careless tourist here.
I will never truly know everywhere I have been.
Mom still doesn’t understand.
Mom! Can’t you see that neither can I?

The first time I heard it, I could not believe it. Did I hear it right? My son, Kyle, had a girlfriend, and her name was Jezebel Kawalak. That was her true name, honest to God. I thought maybe Kyle was joking, but that really was it.  Kyle was surprised himself, thinking she was joking, so Jezebel showed him the proof on her birth certificate. It was her mother’s idea to name her Jezebel. Her father was against it.

“She goes by Jez”, Kyle told me. “Everyone calls her Jez”.

I was making dinner when he told me the news of his new friend. I stopped cutting up some carrots and looked at him with great skepticism. “Jezebel? Who on earth would name their daughter that? Don’t her parents know that the name, Jezebel, is a putdown?”

I remembered the old Betty Davis film, and she was supposed to be some kind of ******. I decided to look up the name in the Bible, and Jezebel was not a nice woman, but an evil seductress and the daughter of a king. I didn’t know much about that Jezebel character from the Old Testament, but I knew she was far from nice.  Now Kyle reassured me that Jez was not all what her name implied. She was a shy, sweet girl who lived across the street and twelve houses down from us. She was petite, gentle in nature, which added coolness and calm to the picture, for her sweet nature coexisted in tune with my son’s impulsively creative disposition.

“Jez wouldn’t hurt a fly”, Kyle told me.

“Oh, sure” I said back. “But will she hurt you?”

Kyle and Jez were both sixteen and both in the tenth grade. They also attended the same high school, making their friendship all so more convenient. They were even in one class together, an English class. Like Kyle, Jez came from a divorced home and both were only children. Jez’s mom, Tammy, worked three jobs to keep things afloat, and Jez was often left alone at home to fend for herself. It was not surprising that she got quite lonely and was in need of a good, solid companion.    

Kyle never had a serious girlfriend before. He had gone out a few times with a few girls, but none of them were ever more than a brief date or two. I was glad for that. I sometimes worked a double shift as a hospital nurse and, ready or not, I was forced to deal with this new path in my son’s life. I could not always be around to make sure my son was doing what he was supposed to do. And he was far too old for anyone to really watch over him. He was still working on getting his driver’s license, slowly gaining more freedom as he was gradually gaining more trust from me. I did not like this hesitation in me, for I always knew quite well that this time would eventually come. Yet everything seemed like it was coming too fast, and I could not contain the breaking dam of my son’s ever increasing entrance into manhood.

“It is probably not like you think”, my mother told me about Kyle and Jez. “They seem like just good friends, like she is the sister that Kyle never had”.

My mother could not convince me that she knew what she was saying, not with that remark. Come on! I wasn’t born yesterday!

For the longest time, it was just the four of us, which is until my sister moved to Miami.  Kyle, my mother and I lived in Cleveland, and that seemed like a stab in the heart to me when my sister first left. But I eventually convinced myself that I could not be so selfish, and I learned to adjust to just now only “the three of us”. Kyle saw his father but his father and I divorced when he was the age of four. Since that time, he had three strong women in his life, his mother, his aunt, and his grandmother. We were not a big family, but we were a tight family unit. Whenever I had to work and when Kyle was in need of a sitter, my mother watched him. She deserved the credit for raising my son just as much as I did.

Kyle reasoned with me that he and Jez could be good study partners for each other. I rolled my eyes at that one. There would be more of Kyle playing his guitar than anything. He loved his guitar, practically was self-taught, and I had to admit that Jez had a beautiful singing voice.  Kyle loved to compose his own songs as well as he liked to play some from other artists, and he was pretty good at his talent. The trouble was that as soon as made something up in his head he quickly forgot how some of the songs went. Sometimes, he could get it right and sometimes not. But that was not because Kyle wasn’t smart enough. Actually, he was very bright.  Kyle could dream in his sleep about music and wake up frantically trying to remember what new song he was dreaming up.

The two of them sounded really sharp together, Kyle’s strumming and smooth singing and Jez’s soft back up vocals. There was no denying that they looked just as good as they sounded together. I would study Jez over as she sat next to Kyle on the couch with her golden brown hair clipped up on the back of her head, her eyes peacefully closed, and her small frame swaying in the rhythm of the music they were making.  If they weren’t working on live music, they’d be cranking up the stereo or watching television much more than they would be hitting the school books.

I was shocked when Kyle and I were alone at home and he said something quite out of the blue and totally unexpected. “You practically gave up on men, didn’t you?” he asked me.

“I beg your pardon, young man!” I snapped at him. I gave him a sharp glance and that was all that I had to say about that. I never expected him to say such a thing. Frankly, I was dumbfounded.

I did not feel like I had to answer to my son, but driving to work that day I had wondered if he was right. If my life was not wrapped around the needs of my son, my energies were put into my career. I enjoyed my independence, not like my mother who never worked outside the home once she was married. And when my father died, my mother’s financial needs were taken care of because of all those years of his hard work. It seemed like my mother came from a dying breed, not that I faulted her for who she was, but I had to take care of myself. I felt it was the right choice and better than the alternative of marrying for convenience.

Was I really that fearful of another commitment? It seemed that no man I had met since my divorce could be a good enough stepfather figure for my son. At least, I believed that was a good enough reason for me to remain unattached. How could Kyle ask me that anyway?

One day, he was destined to leave the house and have his own life. I was always so smug about women who seemed to have no life outside of their children, but was I only fooling myself? Before I knew it, I would be coming home to an empty house. Would I be alright being all alone?

All I knew is that I wanted my son to be happy, and I thought I did a pretty good job of helping him be that so far. For now everything seemed fine, but I could see how Kyle was really falling hard for Jez. In my worried mind, there was no denying that.

“You assure me that you will do nothing that you cannot undo”, I warned my son. “When I am not here, there is to be nothing done under my roof. And you know what I mean!”

“Mom, come on”, Kyle answered me. “I would never do anything like that in your house!”    

I looked at my son with a mixture of pride and sorrow. It was now I who had to look up to him to talk to him. It seemed like yesterday when I was the one towering over him. Now he was almost six feet tall, was now shaving, and was handsome like his father, his dark shaggy hair dusting his light brown eyes. I sure could not stop him from growing up. Trying to control that situation was like trying to control heaven and earth. Slowly, I was learning that I had to let go of him, for his sake and for mine.

Deep down, I knew Kyle wouldn’t do anything in my house. But I also knew that those two did not need my house to do the unspeakable, what I would not quite say to my son in proper words. I knew I was being unrealistic for some silly fear that if I said “***” it would egg on his teenage desire all the more.  Nor could I keep my son under lock and key to stop those flooding feelings.
  
It soon came to be that Jez was over every day. Why didn’t they ever go to her house? But then I was glad they were under my roof, like that would keep them out of trouble.  Jez’s house was rented and much smaller than ours, even though ours was not spacious by any means. Jez seemed to feel more at home in my house, and soon she was growing on me. Before long, I was quite used to her, for she somehow crept into my heart and won me over.  I had to admit that she almost seemed like a daughter to me.

“You did not have to make these”, I told her about a batch of oatmeal cookies she baked me.

Jez smiled at me and said, “Your favorite, with no raisins”. She put them in a cake box that she ******* with a purple ribbon and handed them over to me. She had such a sweet disposition that I wanted to tell her to go yell at her mother for giving her such a ridiculous name, but simply smiled back and gave her a hug.  

“I can see you really like her”, said my smirking mother. She had come over for dinner and was sitting with me at the dining room table. “She is really good for Kyle and you know it, too”.

Kyle just came around from out of the kitchen. “Thanks Grandma”, he said to her, and gave her a quick hug and kiss on the cheek. He then gave me thumbs up as if to show that if Grandma approved, it was a done deal.

I could not disagree with my mom. Yet I wondered what Jez’s mom would think of everything. Even though she lived down the street I never met her. I wanted to invite her over, but she was always too busy working or taking care of things. How did Jez cope with her always being gone? She needed her mother just as much at sixteen as she did when she was a young girl.

“She works pretty hard”, Jez once told me. “I feel kind of bad because maybe she would not have to work like that if I wasn’t around”.

“Jez, don’t think that way!” I exclaimed.  I could see the tears welling up in her eyes. Kyle, sitting next to her, put his arm around her and gave her a good squeeze to make her smile.

Kyle admitted, “Jez’s dad always told her she is welcome to live with him. She could but she’s not so geeked about it. He lives in California, in San Diego”.

“And he has a swimming pool and a Jacuzzi”, Jez added. “So you think I’d be crazy not to go there”.

“I’d rather live in warm weather, all year round, with a pool to swim in every day”, Kyle confessed to her.

Emphasizing her remark by playfully dotting his nose with her fingertip, she said to him, “Kyle, you know that Cleveland has one thing that San Diego does not have”.

“What’s that?” he answered in a silly voice, gleefully playing dumb.

Giggling a little, she said “You”.

Kyle leaned over, and pecked her with a kiss on her mouth. I could feel the heat in my face, embarrassed that I was blushing over an innocent kiss. But I never saw my son kiss a girl before, not in a romantic way. I got up out of my chair before they could see my discomfort. How foolish I felt! After all, I was a nurse and nothing should have shocked me like this.

There were times I felt that I had more than a leg to stand on with my fears. There was a fine line between innocent times with each other and too much togetherness, and it seemed like Kyle and Jez were crossing it.

Usually on Friday or Saturday nights, Jez and Kyle would watch a horror movie. They both loved horror flicks, the more blood and gore the better. Both loved the classics, from the original Night of the Living Dead to the modern ones like Drag Me to Hell. They’d always snuggle together on the couch with the lights off and big bowl of popcorn, and if I was not working I would be extra watchful. They could be up till past one o’clock in the morning and, even if I needed the sleep, I stayed up right with them.

Often, Kyle and Jez would fall asleep together on the couch before the movie ended. They had gotten that cozy. A few times, Kyle would wake up to still find Jez sound asleep. She was quite a sound sleeper, more than Kyle was. Instead of waking her up to take her home, Kyle would scoop her up in his arms and carry her to his bedroom. In turn, she barely made a stir but rested her head upon his shoulders, letting him take her away from the living room. After laying her upon his bed, Kyle would come back to sleep on the couch.

“How are you going to explain this to her mother?” I asked, confronting him about it”.

“I’m not sleeping with her, Mom!” he argued with me. “You can see I am staying on the couch! Jez’s mom has some new boyfriend, so why would she feel like she even belongs home? Yeah! That’s right! He is crowding Jez right out of her own house! Do you have to look at me like that? Like I am the bad guy, or something? He is living with her mom, sleeping in her bed. Why do you think Jez never wants to go home? The guy’s a total loser! He creeps her out.”

I knew I had to eventually talk to Jez’s mom. I needed her input and she needed mine. As much as I liked her, I just did not feel like Jez should be around so much. It seemed like she lived at my house when she really did not.  The only news I heard about her mom was that Tammy was angry at her daughter for not helping to clean up the house more. So now I found a sound excuse to help Kyle to listen to reason.

I had to tell him to listen to me, to trust my better judgment and experience in spacing out his time with Jez. Perhaps, he needed to see her every other day. To Kyle, that was a hard sacrifice but, along with becoming an adult, came some necessary lessons.

“If Tammy wants her daughter to be more responsible at home” I told him, “you have to learn to respect that”. Deep down, Kyle knew I was right.

So those in between days, with no visits, Kyle was either instant messaging Jez on our computer or talking to her on the phone.  He may have listened to his mother, but he was finding enough ways to not take me as seriously as he should have.

I found myself wishing that Jez would just go away. That feeling did not last long before my guilty conscience got the better part of me. Jezebel Kawalak really was a sweetheart. Everyone who really knew her loved her.

“Do you feel like she is competing with you for Kyle’s time with you?” my mother asked me.

At first, I was ready to tell my mother how out-of-line she was with that statement. Did I seem that selfish? This was the time in Kyle’s life when the childish diversions in life were being replaced with more important things like earning his own money and planning what college he wanted to go and what he wanted for his future.  Or maybe I had to accept that he would tell me that college was not for him. Now he could play his guitar and dream of being a rock star, but reality was ready to kick in for both of us.  More carefree days like these were beginning to look scarce.

I had to admit that Jez became a threat. I worried that she had a high likelihood of ending up pregnant. What would happen then? Kyle was not mature enough to deal with that possibility. I still had those desires to see Jez just go away.

One night, I was going to get what I wanted. But it was something what I never would have wished for.

It was a long day at the hospital for me. I had barely the energy to eat the diner that Kyle had made for me. He was a pretty good cook as he had to learn to make his own meals when I was working. I was brushing my teeth when I thought I heard a knock at the door, but the television was on and I wasn’t sure.  

“Kyle, is someone at the door?” I asked him.  I heard no answer.

I went into the living room and the front door was open. In the dark, I made out the two silhouettes of Kyle and Jez sitting on the cement on the front porch.

I turned the porch light on and gasped. Jez was leaning on Kyle, her face battered and her lip bleeding.

“Let’s get her inside!” I ordered Kyle.

He helped her up but she was stumbling badly. Kyle lifted her up into his arms, and she winced in pain as he carried her inside.

Kyle sat in a chair and kept Jez cradled in his arms, caressing her bruised face with his

Nota: man is the intelligence of his soil,
The sovereign ghost. As such, the Socrates
Of snails, musician of pears, principium
And lex. Sed quaeritur: is this same wig
Of things, this nincompated pedagogue,
Preceptor to the sea? Crispin at sea
Created, in his day, a touch of doubt.
An eye most apt in gelatines and jupes,
Berries of villages, a barber's eye,
An eye of land, of simple salad-beds,
Of honest quilts, the eye of Crispin, hung
On porpoises, instead of apricots,
And on silentious porpoises, whose snouts
Dibbled in waves that were mustachios,
Inscrutable hair in an inscrutable world.

One eats one pate, even of salt, quotha.
It was not so much the lost terrestrial,
The snug hibernal from that sea and salt,
That century of wind in a single puff.
What counted was mythology of self,
Blotched out beyond unblotching. Crispin,
The lutanist of fleas, the knave, the thane,
The ribboned stick, the bellowing breeches, cloak
Of China, cap of Spain, imperative haw
Of hum, inquisitorial botanist,
And general lexicographer of mute
And maidenly greenhorns, now beheld himself,
A skinny sailor peering in the sea-glass.
What word split up in clickering syllables
And storming under multitudinous tones
Was name for this short-shanks in all that brunt?
Crispin was washed away by magnitude.
The whole of life that still remained in him
Dwindled to one sound strumming in his ear,
Ubiquitous concussion, slap and sigh,
Polyphony beyond his baton's ******.

Could Crispin stem verboseness in the sea,
The old age of a watery realist,
Triton, dissolved in shifting diaphanes
Of blue and green? A wordy, watery age
That whispered to the sun's compassion, made
A convocation, nightly, of the sea-stars,
And on the cropping foot-ways of the moon
Lay grovelling. Triton incomplicate with that
Which made him Triton, nothing left of him,
Except in faint, memorial gesturings,
That were like arms and shoulders in the waves,
Here, something in the rise and fall of wind
That seemed hallucinating horn, and here,
A sunken voice, both of remembering
And of forgetfulness, in alternate strain.
Just so an ancient Crispin was dissolved.
The valet in the tempest was annulled.
Bordeaux to Yucatan, Havana next,
And then to Carolina. Simple jaunt.
Crispin, merest minuscule in the gates,
Dejected his manner to the turbulence.
The salt hung on his spirit like a frost,
The dead brine melted in him like a dew
Of winter, until nothing of himself
Remained, except some starker, barer self
In a starker, barer world, in which the sun
Was not the sun because it never shone
With bland complaisance on pale parasols,
Beetled, in chapels, on the chaste bouquets.
Against his pipping sounds a trumpet cried
Celestial sneering boisterously. Crispin
Became an introspective voyager.

Here was the veritable ding an sich, at last,
Crispin confronting it, a vocable thing,
But with a speech belched out of hoary darks
Noway resembling his, a visible thing,
And excepting negligible Triton, free
From the unavoidable shadow of himself
That lay elsewhere around him. Severance
Was clear. The last distortion of romance
Forsook the insatiable egotist. The sea
Severs not only lands but also selves.
Here was no help before reality.
Crispin beheld and Crispin was made new.
The imagination, here, could not evade,
In poems of plums, the strict austerity
Of one vast, subjugating, final tone.
The drenching of stale lives no more fell down.
What was this gaudy, gusty panoply?
Out of what swift destruction did it spring?
It was caparison of mind and cloud
And something given to make whole among
The ruses that were shattered by the large.

Here I stand at the edge of the woods, hands trembling
At the thought of entering
How am I gonna do this
My sanctuary I miss

But it was taken away
One evil dark day
Once what brought me joy
Now seems to destroy
No longer happy memories
Me in his clutch is all I see

Please my friend take my hand and lead me
For the images he left are beastly
Hold me tight while I grive
For his dark deeds seethe
His putrid touch I still feel
It's to much, to real

I want my sanctuary back
I don't want this beautiful place to turn black
I want to hear the nightingale's song again
Watch the fish in the creeks swim
Watch the breeze
Play about the tree's
I want to once again sit quietly
Seeing the deer walk about so skittishly

Please my friend hold me tight
So these thoughts of his invasion I can fight
Please stay right beside
So when it gets to much in your arms I can hide
This time the darkness I can't fight on my own
For the cut he left was down to the bone
So grip my hand tight and lead me in
One deep breath let us begin
Confronting the memory where it began
Hold on to me so I can stand
Help me dear friend take back this land

We stood in front of my grandmother’s
Old almirah, facing each other
The peacock feather and empty bags  
Of the square room fell silent all over again,
Like strangers we stood facing each other.

Then they all came, marched in, reflections,
Paraded in like martyrs of Brute’s History.
I knew them all, she knew them too
They came, touched us one by one,
Like strangers we stood facing each other.

She looked confused just like me
Watching life pass by, centuries reuniting
After a very long season break, nations-
Travelled, explorers stood upstairs watching,
Like strangers we stood facing each other.

Streets strapped the coffee cans and middle-
Aged hospitals swallowed wars. Married women
Bend over like animals and in months, unable
To breathe they gave birth to few number plates;
Like strangers we stood facing each other.

The city vomited battles, human heads
And dreams of muted foul slaves. Men and-
Their violent tradition screeched for blue number-
Plates, lean number plates, handsome number plates;
Like strangers we stood facing each other.

Unexploded bombs bounced happy homes,
My brothers, my kids, my mothers
Blew their windows and ran, ran away,
Ran afar without destination;
Like strangers we stood facing each other.

They were all dark, their land was darkness
Or were we all blind?
Like a watchman we preserved darkness,
The vapours that filled their glasses did not speak;
Like strangers we stood facing each other.

We are all reflections, ripples and mirrors
Of men-dead and living.
They all stood outside my almirah, million faces
Inside a mirror. She did recognize them;
Like strangers we stood facing each other.

She did nothing, an unusable empathy rolled in,
The hypocrite did not even cry.
In quiet hours she smelt pain, blood and
History flowing from confronting corners;
Like strangers we stood facing each other.

An insignificant obligation drowned her nerve,
They needed a home, candle flame, cotton and wool.
The land, their land has become unfamiliar
And they stood outside locked gates and laws;
Like strangers we stood facing each other.

They all smelt the same blood, the abused blood,
I tried to kiss them and they kissed me back with-
Their cold lips. I tried to touch them, they touched-
Me back with water in their eyes;
Like strangers we stood facing each other.

1

Out of the cradle endlessly rocking,
Out of the mocking-bird’s throat, the musical shuttle,
Out of the Ninth-month midnight,
Over the sterile sands, and the fields beyond, where the child, leaving his bed, wander’d alone, bare-headed, barefoot,
Down from the shower’d halo,
Up from the mystic play of shadows, twining and twisting as if they were alive,
Out from the patches of briers and blackberries,
From the memories of the bird that chanted to me,
From your memories, sad brother—from the fitful risings and fallings I heard,
From under that yellow half-moon, late-risen, and swollen as if with tears,
From those beginning notes of sickness and love, there in the transparent mist,
From the thousand responses of my heart, never to cease,
From the myriad thence-arous’d words,
From the word stronger and more delicious than any,
From such, as now they start, the scene revisiting,
As a flock, twittering, rising, or overhead passing,
Borne hither—ere all eludes me, hurriedly,
A man—yet by these tears a little boy again,
Throwing myself on the sand, confronting the waves,
I, chanter of pains and joys, uniter of here and hereafter,
Taking all hints to use them—but swiftly leaping beyond them,
A reminiscence sing.

2

Once, Paumanok,
When the snows had melted—when the lilac-scent was in the air, and the Fifth-month grass was growing,
Up this sea-shore, in some briers,
Two guests from Alabama—two together,
And their nest, and four light-green eggs, spotted with brown,
And every day the he-bird, to and fro, near at hand,
And every day the she-bird, crouch’d on her nest, silent, with bright eyes,
And every day I, a curious boy, never too close, never disturbing them,
Cautiously peering, absorbing, translating.

3

Shine! shine! shine!
Pour down your warmth, great Sun!
While we bask—we two together.

Two together!
Winds blow South, or winds blow North,
Day come white, or night come black,
Home, or rivers and mountains from home,
Singing all time, minding no time,
While we two keep together.

4

Till of a sudden,
May-be ****’d, unknown to her mate,
One forenoon the she-bird crouch’d not on the nest,
Nor return’d that afternoon, nor the next,
Nor ever appear’d again.

And thenceforward, all summer, in the sound of the sea,
And at night, under the full of the moon, in calmer weather,
Over the hoarse surging of the sea,
Or flitting from brier to brier by day,
I saw, I heard at intervals, the remaining one, the he-bird,
The solitary guest from Alabama.

5

Blow! blow! blow!
Blow up, sea-winds, along Paumanok’s shore!
I wait and I wait, till you blow my mate to me.

6

Yes, when the stars glisten’d,
All night long, on the prong of a moss-scallop’d stake,
Down, almost amid the slapping waves,
Sat the lone singer, wonderful, causing tears.

He call’d on his mate;
He pour’d forth the meanings which I, of all men, know.

Yes, my brother, I know;
The rest might not—but I have treasur’d every note;
For once, and more than once, dimly, down to the beach gliding,
Silent, avoiding the moonbeams, blending myself with the shadows,
Recalling now the obscure shapes, the echoes, the sounds and sights after their sorts,
The white arms out in the breakers tirelessly tossing,
I, with bare feet, a child, the wind wafting my hair,
Listen’d long and long.

Listen’d, to keep, to sing—now translating the notes,
Following you, my brother.

7

Soothe! soothe! soothe!
Close on its wave soothes the wave behind,
And again another behind, embracing and lapping, every one close,
But my love soothes not me, not me.

Low hangs the moon—it rose late;
O it is lagging—O I think it is heavy with love, with love.

O madly the sea pushes, pushes upon the land,
With love—with love.

O night! do I not see my love fluttering out there among the breakers?
What is that little black thing I see there in the white?

Loud! loud! loud!
Loud I call to you, my love!

High and clear I shoot my voice over the waves;
Surely you must know who is here, is here;
You must know who I am, my love.

Low-hanging moon!
What is that dusky spot in your brown yellow?
O it is the shape, the shape of my mate!
O moon, do not keep her from me any longer.

Land! land! O land!
Whichever way I turn, O I think you could give me my mate back again, if you only would;
For I am almost sure I see her dimly whichever way I look.

O rising stars!
Perhaps the one I want so much will rise, will rise with some of you.

O throat! O trembling throat!
Sound clearer through the atmosphere!
Pierce the woods, the earth;
Somewhere listening to catch you, must be the one I want.

Shake out, carols!
Solitary here—the night’s carols!
Carols of lonesome love! Death’s carols!
Carols under that lagging, yellow, waning moon!
O, under that moon, where she droops almost down into the sea!
O reckless, despairing carols.

But soft! sink low;
Soft! let me just murmur;
And do you wait a moment, you husky-noised sea;
For somewhere I believe I heard my mate responding to me,
So faint—I must be still, be still to listen;
But not altogether still, for then she might not come immediately to me.

Hither, my love!
Here I am! Here!
With this just-sustain’d note I announce myself to you;
This gentle call is for you, my love, for you.

Do not be decoy’d elsewhere!
That is the whistle of the wind—it is not my voice;
That is the fluttering, the fluttering of the spray;
Those are the shadows of leaves.

O darkness! O in vain!
O I am very sick and sorrowful.

O brown halo in the sky, near the moon, drooping upon the sea!
O troubled reflection in the sea!
O throat! O throbbing heart!
O all—and I singing uselessly, uselessly all the night.

Yet I murmur, murmur on!
O murmurs—you yourselves make me continue to sing, I know not why.

O past! O life! O songs of joy!
In the air—in the woods—over fields;
Loved! loved! loved! loved! loved!
But my love no more, no more with me!
We two together no more.

8

The aria sinking;
All else continuing—the stars shining,
The winds blowing—the notes of the bird continuous echoing,
With angry moans the fierce old mother incessantly moaning,
On the sands of Paumanok’s shore, gray and rustling;
The yellow half-moon enlarged, sagging down, drooping, the face of the sea almost touching;
The boy extatic—with his bare feet the waves, with his hair the atmosphere dallying,
The love in the heart long pent, now loose, now at last tumultuously bursting,
The aria’s meaning, the ears, the Soul, swiftly depositing,
The strange tears down the cheeks coursing,
The colloquy there—the trio—each uttering,
The undertone—the savage old mother, incessantly crying,
To the boy’s Soul’s questions sullenly timing—some drown’d secret hissing,
To the outsetting bard of love.

9

Demon or bird! (said the boy’s soul,)
Is it indeed toward your mate you sing? or is it mostly to me?
For I, that was a child, my tongue’s use sleeping,
Now I have heard you,
Now in a moment I know what I am for—I awake,
And already a thousand singers—a thousand songs, clearer, louder and more sorrowful than yours,
A thousand warbling echoes have started to life within me,
Never to die.

O you singer, solitary, singing by yourself—projecting me;
O solitary me, listening—nevermore shall I cease perpetuating you;
Never more shall I escape, never more the reverberations,
Never more the cries of unsatisfied love be absent from me,
Never again leave me to be the peaceful child I was before what there, in the night,
By the sea, under the yellow and sagging moon,
The messenger there arous’d—the fire, the sweet hell within,
The unknown want, the destiny of me.

O give me the clew! (it lurks in the night here somewhere;)
O if I am to have so much, let me have more!
O a word! O what is my destination? (I fear it is henceforth chaos;)
O how joys, dreads, convolutions, human shapes, and all shapes, spring as from graves around me!
O phantoms! you cover all the land and all the sea!
O I cannot see in the dimness whether you smile or frown upon me;
O vapor, a look, a word! O well-beloved!
O you dear women’s and men’s phantoms!

A word then, (for I will conquer it,)
The word final, superior to all,
Subtle, sent up—what is it?—I listen;
Are you whispering it, and have been all the time, you sea-waves?
Is that it from your liquid rims and wet sands?

10

Whereto answering, the sea,
Delaying not, hurrying not,
Whisper’d me through the night, and very plainly before day-break,
Lisp’d to me the low and delicious word DEATH;
And again Death—ever Death, Death, Death,
Hissing melodious, neither like the bird, nor like my arous’d child’s heart,
But edging near, as privately for me, rustling at my feet,
Creeping thence steadily up to my ears, and laving me softly all over,
Death, Death, Death, Death, Death.

Which I do not forget,
But fuse the song of my dusky demon and brother,
That he sang to me in the moonlight on Paumanok’s gray beach,
With the thousand responsive songs, at random,
My own songs, awaked from that hour;
And with them the key, the word up from the waves,
The word of the sweetest song, and all songs,
That strong and delicious word which, creeping to my feet,
The sea whisper’d me.

promise me! promise me to get me out of this hell-hole i put myself in! promise me! i don't know why i put myself through, several days of transcribing a snippet, this was merely a snippet from Kierkegaard's oeuvre, but, how unbelievable! each word was a labour, prop up the book in the right place, read, don't look at the keyboard, let the devil find work for idle hands... look for the devil who would be able to write like he might read Braille! my god, the punctuation, ****** an elephant's ***...the essential Kierkegaard - edited by howard v. hong & edna h. hong: hurt my sensibilities, or, rather, my pedantry, when it comes to punctuation... transcribing is not plagiarism... its brick-layer toils... one word, after another... if i were translating from Danish, i think i'd punctuate the text better: to give it some... panache! some: oomph! you know? this is my dedication, i'm supposed to be awake at 7am... i already shined my shoes, i've already prepped my white shirt, black trousers, black clip on tie, i have my papers (credentials) in order... tomorrow i'll be at the London Stadium overlooking West Ham take on Leeds United in the FA cup... like always, i'll be more interested in the crowd... spotting a pretty girl among the "yobs"... because i truly care about football when it's on the t.v.: in real life... i once stood with three cans of beer and watched a non-league / non-professional match compromising of enthusiasts in a park, at a distance... i couldn't see much... i still don't see much difference... unless it's on the t.v.: the stadium doesnt really "frighten" me... but this one time in the park, i sort of looked the Michael Myers part... headphones in... one young woman was trying to... communicate to this older woman: also walking her dog... about confronting me... i think i "said": gaze... i looked at them... the younger woman was trying to tell the older woman about confronting me... the older woman told the younger woman: YOU, HAVE, NOTHING, TO TALK ABOUT, WITH THIS, MAN! i was drinking a beer, standing... a decent distance from the football match: but i also remember that... that 1995 Charity Shield game at the Old Wembley between Manchester United & Newcastle: ants kicking a grain of sand... obviously i didn't understand why i might pretend to be a *****... my new favorite word... *****... alias for paedohpile... if i don't look menacing and some woman can "think" she stands a chance against me: merely posturing... then we have issues... oh **** me... transcribing... that's worse than plagiarism.... i once did the most pristine plagiarism job on some... social-science course up in Edinburgh... i was having to make up credit scores, being the romantic idiot... losing my virginity to Isabella of Grenoble... oh, get a French girlfriend, take up French... i hate the language... they write what they don't speak: phonetically... which is sort of in line with my prior ambition for the plunge - to transcribe some Kierkegaard, but also translate some SZYMON STAROWOLSKI observations... circa... 1650... the Polish-Lithuanian Commonwealth... sorry.. it's not going to happen... i've done enough transcribing enough *******'s worth of: this punctuation needs to... "go"... to better understand myself... through this iron maiden of: someone else wrote: what someone else wrote... i'll leave ol' SIMON for another take... given... transcribing is a labour... writing, freely... idiosyncratically: appealing to my, appeal...  how, why, when... oh i can deal with that, these days... it's not even concerning what sort of thesaurus peacocking exfoliation is being used / abused by the writer... i'm... more allured... by... punctuation... since i don't bother to rhyme, since i find all lyricism a tad bit... crass... what else is there? the measure of: how to stop... how to begin... how to "objectify" the conjunction-intermediacy of... punctuation... no manner of human speech can be / could be encapsulated by comparing it to a river... point being... i'd rather write as freely as i can, about the most mundane events in my own life: prop up my subjectivity than... somehow... "somehow"... succumb to some sensible objective reality... objectivity does not give me a drive... it does not equip me with a manly persevence... it's antithetical to what i understand as human nature simply because... ha ha... objectivity has been owned by the English... it's their lot of being sensible... like watching would-be journalists looking at what's currently happening in Kazakhstan... then trying to compare it to... the posturing: the civilian security of protests in Ham-Ham-H'America... and it's like... so what? the people are simply, expected to, take it?! the liberty's of the individual that believes himself to be outside the collective will... sure... well... sounds nice... unless of course... the hive really does come after you... i'm all for individual liberties, after all... i own a private library that could put the public library where i live to shame... although... i'll give them a sly one: Thomas Mann's Dr. Faustus... they owned it, i simply loaned it... fair enough... but i'd rather write about women... i was having my haircut done... closed my eyes... because... hell... the mirror and ****... with my eyes closed i was stroked by this blonde bombshell... we talked about owning dogs, about owning cats... Alsatians? oh, i really have a hard-on for them... i used to own a dobberman... prior to it being illegal to snip their ears and cut their tails... she was a cat that does that to her? like she looks to be self-harming? perhaps she should nickname him Freddy Krueger?! my maine ****? oh... it's rainy, he just sleeps in my bed... he usually sleeps with me.. what?! the bed's big enough for the both of us... i'd love to own a boxer... i'd love to own a rottweiler... i'd also love to own a Triumph bike...

one of my replies... you know, a liter of whiskey can go down well... i get double drunk from good conversation, i rarely encounter what i'd consider a good conversation... that's why... i much prefer to drink alone, of note... i had more fun pretending to talk to myself than expecting "talking" to be an anti-canvas with some, living, breathing: might have kidney failure, etc. punk or, sociopathic? here's the script:

see you now,, i'm just about to rewrite a Kierkegaard transcript.... i can't imagine it being much fun... the whole process is so unoriginal... but oh, oh so necessary... that i sort of don't want to live without it... bonus points... i''ve drank enough to make it... bearable... trans-scripting....i danced a little in my bedroom, donned my cat with a pair of sunglasses.... thank god i'm not kind of a sort of H'american version of a... "winner"... so much of life can be tolerated when it's not being competed for!...

i've just filled out an induction form for the West Ham stadium, played niceties with my supervisor, sent her an emoticon, LOLz back... i'm pumped up, ready to smack a few teenage boys into shape, what, could possibly go wrong? speaking below the depth of breath / audibility, watching the birds... i want, i want to give them a second, a third, a fourth... chance... let me give these people a chance... i know their failures... but... the possibility of being loved by one of them, whether man, or woman, whether pseudo-woman... i'll go as far as to say... i wouldn't mind a "Thai surprise"... i know they're capable of it... give me this already acquired heart of stone... and i'll show you... that they'll bleed rivers of honesty... just a little while... that is all i ask...

this is all, of course, before the plunge begins...
wait...l of course there's more, there have to be constellations
involved!

it was originally titled: Private Library Allure...
now, i'm "thinking": two ripe mangoes...
a mango curry or a mango chutney,
or perhaps, both?!

i have this one particular constellation in mind, that's visible to the naked eye, don't worry about - wait... let me take a second look:

•
                  •


                    •
      •



           •

•
    

            •          (circa)... the big wheel...
the grizzly she... in terms of gods & men...
there's an replica: much smaller...
so i guess this is the microscope: since it is enlarged
while the identical constellation
is a telescope...
       no matter... i'm thinking of this constellation

                                 •
                          
                          •
      
                   •
                       •
                    

                          •
                             •
                                •



              •
          ­                                            •

the scorpion constellation, it only appeared once
(to my knowledge) in pop culture,
in Dreamworks' the Prince of Egypt...

now wouldn't that be a waste... me simply drinking,
not allowing alcohol to be the extra calorie intake
that might require me to scribble...
waste of a good whiskey: should i simply drink it
and not focus on scribbling...

point being, i'm about to undertake something
i'm not very keen on, to prove a point,
i'm about to transcript two of the most profound pieces
of writing that recently caught my attention...

not to mention i'm reserving bragging rights...
my private library is... richer...
than the public library of the town of Romford...
i might be an alcoholic,
but i'm also a bibliophile...
there's nothing more precious thank a book...
perhaps a tonne of bricks...

why did i decide to cycle in these temperatures...
****'s sake... i'm old school,
i don't "trust" wi-fi cordless earphones...
the temperature dipped so low that
now the wires are performing at sub-optimal standards...
sort of hushed...
mind you... i love the cold of the January nights...
******* get such a hard-on for the wind
that they almost feel like they've been pierced...

none of the following will be original content,
but i just have to transcript it...
maybe a whiskey refill... a cigarette...
i need to get into the groove of typing up
someone else's work...
oh ****, there are two of them...
well... at least one of them i will not have to translate...
however: do i want to include the original...
all those diacritical markers (ctrl + c / ctrl + p)
will be rather fiddly... do i have the time?

- oh, right... i'm here... the above was...
"somewhere" / "sometime" else...
a sort of... quantum-dasein...
past-participle... black hole... blah blah...
i'm still gearing up for the transcript
of Kierkegaard...
the translation of that ****** equivalent
of the Czech: YAN HUß

-------------------------------------- (pending line)

the pending line is not moving... i've already
written a pre-scriptum a day "late"...
i think i'll manage the Kierkegaard...
but none of the ****** "crap": since...
i'm not about to translate...

once more, please refer to the essential Kierkegaard...
edited by howard. v. hong...
& edna h. hong...
            hong? i too have a terrible surname...
a bit like ******, or Stalin...
people see Elert... they immediately prompt me
with: so... you're AH-LERT?!
i never hit them back with with...
you sort of missed this zeppelin...
it's etymologically german...
in earnest... it's missing: SCH...
that's... ESCHLERT...
          but i have no trouble with people
who like... low hanging fruit...
pedestrian interactions...
         a peasant among among peasants...
a peasant who can discriminate against
peasants...
my given surname at birth was no much better...
fellow countrymen...
oh... i remember it... this one time...
tricked me...
open your mouth...
so i opened my mouth...
then quickly closed it...
i was spat at... a fellow countryman spat
in my face...
although he was aiming at my mouth...
i hold... not allegiance to the English...
1997... why was i deported?
for being an economical migrant?!
oh... the world is now, somehow, ******* welcome?!
i hold not allegiance to the English:
to the tongue: all...
but i also hold not allegiance to my inherent
****** reference... i'd rather just call it
a "reference"...

i abhor both parties... one for sort of telling me to
******* because:
they're now the church-going party of people
and my grandfather was conflated with being
a communist party member:
sure... since... socialism in a soviet
satellite was very much the same sort of shin-dig
as it was in RaSHa... ROSIYA...
*******... wanking me off a little...
**** Poland... **** England...
both can sink... to... whatever they deem
to be acceptable by their standards of...
oh... in England... peer Lord Ahmed... *****...
Rotherham... fun times!
i don't even want to know anything about
Poland.... my ethnic class by birth...
i'd rather ******* and create trans-ethnic mongrel
gremlins with a a girl from Kenya...
in Kenya...
yeah... me... in Kenya... creating a pseudo-Brazillian
republic of... copper-skinned polymaths &
multilingual freaks!
sign me up!
                  
i really didn't expect to mind much of me...
it's nice that... they read so little nd watch so much regurgitation
of a t.v...

like i once pointed out: objectivity is...
overrated... hell... it's more than that...
by now it has been hijacked by fake-news and
anti-science pseudo-narratives...

which tells you a lot about a people who
seemingly tolerate Muslims...
tolerating Muslims that don't tolerate Sufism...
i'm good with the Turkish barbers...
anything else... you better ask a Hindu...
how do Hindus "tolerate" Islam... if, at all?

these are not my words... they are a verbatim
transcript that most public libraries will not own,
but i own... ergo...

the subjective existing thinker is aware of the dialectic of communication. whereas objective thinking is indifferent to the thinking subject and his existence, the subjective thinker as existing is essentially interested in his own thinking, is existing in it.

(insert: my own questioning furthered from the genesis of this 19th century Danish thinker... point aside... i am... the queen's subject... i am not, the queen's object... the queen is not forcing me to be subjectively objectionable to... say... building a new wing for Windsor Castle... i can't be, regarded as the queen's object... constitutional monarchy doesn't work through the expedience of extension... i am the queen's subject, i am not her object... i am subjected to the queen... the monarch... but i'm not... "objected"? i'm not objecting to the hierarchy she presupposes, predisposes with... it's almost a "paradox"... but as a subject... in the most immediacy... as a subject... i am not her object... i am not her servant! that some people, within her immediacy are her objects, by regal extension, her guards, her... ******* tea nannies... sure... but... i am beyond her claim for being objectified... i am "subjectified"... how? i can fester... concern for the monarch, i can adorn her with "dasein": care... but her regal extension dilutes itself... her regal power... the cut-off point... is... when she can no longer objectify me... i can be no more her ******* tea-*****-nanny... her soldier... hell... a police officer is not made a police officer by some royal decree.... a police officer is a subject of the regal authority... a soldier? an object of the regal authority... why? the soldier serves the crown... the police officer? serves the public: the subject of the subject(s)... not... like the solider: the object of the object... to be subjected to "something": is hardly demeaning when otherwise the supposed stance of being "demeaned" is to be: objectified... counter to any sort of "argument": to be objectified... is to be spared... the experience of being: subjected to... i.e. / e.g. to objectify a woman... is a synonymous expression for... not subjecting a woman to... what objectifying her in the first place might... entail... by objectifying a woman... you're at least not subjecting her to... the undercurrents of objectification per se...

even i am thinking to myself: this sounds stupid...
the fox is currently having an asthmatic fit of giggles
come 2:20am...
if i am objectifying a woman as a "thinking thing"...
then... i'll be less likely to subject her to: think...
if i am objectifying a woman as a hammer...
then... i'll be less likely to ask her to:
also bring some nails along...
that's the positive on the micro-scale...
because on the macro-scale?
i'd rather be the queen's subject than...
be her... well... the extension of the queen:
her object... her tea-*****-nanny...
her soldier... her... prime minister...
it's a ******* weird dynamic... but...
it's the most pristine that has ever existed... period...

constitutional monarchy ought to be
the envy of the world, for some of the bad apples...
it still i... it should never be undermined...
should it ever be... i'd call that... treason!
to the very fabric of reality!
and as someone who was diagnosed as schizophrenic?!
go figure... but don't come cryuig to me...
make, sure...
you have some "ice-cream" **** readily available
to sa e you, some Rotherham **** heart-throb...
why oh why... having lived n these Isles...
for as long as i have...
the would me mothers of my would be children...
i'm not even going to beg to, ask...
low i.q. breeds low i.q.:
naive... people(s)...
           genius is an aberration...
it's a  mutation...better stuid and reproductive...
work along: plenty for the ants..
*******, ants...
and once they age?
darts?! football matches?

i can't blame them!
i have yet to cite them proper...
although: thank god the filter
of having to invest in having to read...
in people actually reading

therefore, his thinking has another kind of reflection, specifically, that of inwardness, of possession, whereby it belongs to the subject and to no one else. whereas objective thinking invests everything in the result and assists all humankind  to cheat by copying and reeling off the results and answers, subjective thinking invests everything in the process of becoming and omits the result, partly because this belongs to him, since he possesses the way, partly because he as existing is continually in the process of becoming, as is every human being who has not permitted himself to be tricked into becoming objective, into inhumanly becoming speculative thought.

the reflection of inwardness is the subjective thinker's double-reflection. in thinking, he thinks the universal, but, as existing in this thinking, as acquiring this in his inwardness, he becomes more and more subjectively isolated.

the difference between subjective and objective thinking must also manifest itself in the form of communication ˣ. this means that the subjective thinker must promptly become aware that the form of communication must artistically possess just as much reflection as he himself, existing in his thinking, possesses. artistically, please note, for the secret does not consist in his enunciating the double-reflection directly, since such an enunciation is a direct contradiction.

ordinary communication between one human being and another is entirely immediate, because people ordinarily exist in immediacy. when one person sttes something and another acknowledges the same thing verbatim, they are assumed to be in agreement and to have understood each other. yet because the one making the statement is unware of the duplexity (dobbelthed) of thought-existence, he is also unable to be aware of the double-reflection of communication. therefore, he has no intimation that this kind of agreement can be the greatest misunderstanding and naturally has no intimation that, just as the subjective existing thinker has set himself free by the duplexity, so the secret of communication specifically hinges on setting the other free, and for that very reason he must not communicate himself directly; indeed, it is even irreligious to do so. this latter applies in proportion to the essentiality of the subjective and consequently applies first and foremost within the religious domain, that is, if the communicator is not god himself or does not presume to appeal to the miraculous authority of an apostle but is just a human being and also cares to have meaning in what he says and what he does.

objective thinking is completely indifferent to subjectivity and thereby to inwardness and appropriation; its communication is therefore direct. it is obvious that it does not therefore have to be easy. but it is direct, it does not have the illusiveness and the art of double-reflection. it does not have that god-fearing and humane soliciude of subjective thinking in communicating itself; it can be understood directly; it can be reeled off. objective thinking is therefore aware only of itself and is therefore no communication, at least no artistic communication, inasmuch as it would always be required to think of the receiver and to pay attention to the form of communication in relation to the receiver's misunderstanding. objective thinking is, like most people, so fervently kind and communicative; it communicates right away and at most resorts to assurances about its truth, to recommendations and promises about how all people someday will accept this truth - so sure is it. or perhaps rather so unsure, because the assurances are recommendations are the promises, which are indeed for the sake of those others who are supposed to accept this truth, might also be for the sake of the teacher, who needs the security and dependability of a majority vote. if his contemporaries deny him this, he will draw on posterity - so sure is he. this security has something in common with the independence that, independent of the world, needs the world as witness to one's independenceso as to be certain of being independent.

ˣ double-reflection is already implicit in the ideas of communication itself: that the subjective individual (why by inwardness wants to express the life of the eternal, in which all sociality and all companionship are inconceivable because the existence-category, movement, is inconceivable here, and hence essential communication is also inconceivable because everyone must be assumed to possess everything essentially), existing in the isolation of inwardness, wants to communicate himself, consequently that he simultaneously wants to keep his thinking in the inwardness of his subjective existence and yet wants to communicate himself. it is not possible (except for thoughtlessness, for which ll things are indeed possible) for this contradiction to become manifest in a direct form. - it is not so difficult, however, to understand that a subject existing in this way may want to communicate himself. a person in love, for instance, to whom his ****** love is his very inwardness, may well want to communicate himself, but not directly, just because the inwardness of ****** love is the main thing for him. essentially occupied with continually acquiring the inwardness of ****** love, he has no result and is never finished, but he may nevertheless want to communicate; yet for that very reason he can never use a direct form, since that presupposes results and completion. so it is also in a god-relationship. just because he himself is continually in the process of becoming in an inward direction, that is, in inwardness, he can never communicate himself directly, since the movement is here the very opposite. direct communication requires certainty, but certainty is impossible for a person in the process of becoming, and it is indeed a deception. thus, to employ an ****** relationship, if a maiden in love yearns for the wedding day because this would give her assured certainty, if she wanted to make herself comfortable in legal security as a spouse, if she preferred marital yawning to maidenly yearning, then the man would rightfully deplore her unfaithfulness, although she indeed did not love anyone else, because she would have lost the idea and actually did not love him. and this, after all, is the essential unfaithfulness in an ****** relationship, the incidental unfaithfulness is to love someone else.

as a side-note... these impossible, to my mind:
imaginary "problems"...
say, for example...
the racist... the non-racist... and the... anti-racist...
do i use racial slurs, sure, but i always tend
to "translate" them to by implicitly urban scenario
tokens... i'm a "******" if i don't get on time,
i'm supposed to work for free...
i think of racism along the lines...
well... you, know... that Pakistani grooming
gang in Rotherham...
it doesn't affect me personally,
i'm a bachelor, i don't have a daughter...
but... even on my level, since i'm so far away
from the issue... i start to get affected...
**** is the lowest of the low...
i once ****** a *******... all giggly and drunk
at first... but then... she started crying during *******...
a burn-out moment on her behalf...
i had to stop... o.k. you're selling yourself... willingly...
but... i'm not going to... whatever...
if she might have claimed p.t.s.d.
i could also claim the same...

*** is ugly... just before perching myself on the windowsill
once the night arrived...
i heard a voice in the darkness... thanking me...
at the end of my garden... i wasn't exactly listening:
i never listen... but these words of: thank you
sort of penetrated me...
where is the supposed "Ummah"
when it comes to the Uyghurs?!
the fond fellows of Arabia... would rather send
their suicide virgins to the western land
with prospect of conquest, with prospect of seeking
our proselytes... than...
keep their Ummah intact... do the Arabs really think
that their Chinese believers are...
worth so little to them?
           where are the attacks on China?!
eh... Pakistani uncle said grandma
then decided to **** some cousin...
  sorry... low... hanging... fruit...
   i need a drink...
                            
        i can understand racism... esp. given the attempt
at a multicultural society...
i rather think of myself as a non-racist...
****** a black girl, ****** a Thai girl...
****** an Indian girl...
but... this... white, female, anti-racism stance?
i don't get it... daddy issues?
they must be daddy issues... parental issues...
you have to purposively make yourself anti-racist...
affirmative action buzzwords...
you can never be: the highest pinnacle of negation:
not-racist... you have to be actively: anti-racist...
you can never be passively: non-racist...
you have to... do... "x, y & z"...

these words shouldn't even see the light of day...
so much *******...
all of it... crass...
as much as the Brazil-Project of interracial
new-Arab interbreeding sounds great...
newly tanned "Spaniards"... "Arabs"...
"Indians"... if you've ever visited Kenya...
i remember being approached by these three gorgeous
Kenyan girls working the pandering circuit...
black skin glistening in the moonlight...
as if someone rubbed them with butter...
plump... one of the local Kenyan boys asked whether
i'd like to visit a local bar... i declined...
i forgot myself... took to the hammock...
slept the whole night in the open...
some ****** stole my cognac while i was asleep...
me? we best interact...
but... interracial breeding sort of disrespects...
the seeming aeons of... what allowed black people
to be black... what allowed white people to be
white...
it's no good, like... black girls are not angry
when the white girls are giving up so much ***
to their male counterparts?

if i'm supposed to "think" about race... sure... i'll give
it a short shot... because i'm expected...
i have a furry river and.. by now:
i'm more res vanus than res cogitans...
i don't think i need to think on the basis of
narration... i'll just be reactionary...
not because it's easier... it just seems rather...
necessary...

anti-racist: tropes! they are just that... people try
so hard to not-be... X... that they almost forget that...
they are X... because they are compensating for
the environment they were brought up in...
daddy's sins... mother's opinions...
by now a racist is better suited for conversation
than an anti-racist... who the ****** bleached "us"?
it's like: i can't the difference between people...
like... Somalis don't look more ancient than the rest
of the Africans?! maybe i should find more Ethiopians...

i sometimes think of "existing" in a way that...
elevates the posit of: exiting...
sure... cogito, ergo... blah blah...
but that's not enough... to exist is also readying
yourself to exit... existing is a pseudo-continuum
of rented... time, body... in order to...
make the banal finalities of / for an exit...

670

One need not be a Chamber—to be Haunted—
One need not be a House—
The Brain has Corridors—surpassing
Material Place—

Far safer, of a Midnight Meeting
External Ghost
Than its interior Confronting—
That Cooler Host.

Far safer, through an Abbey gallop,
The Stones a’chase—
Than Unarmed, one’s a’self encounter—
In lonesome Place—

Ourself behind ourself, concealed—
Should startle most—
Assassin hid in our Apartment
Be Horror’s least.

The Body—borrows a Revolver—
He bolts the Door—
O’erlooking a superior spectre—
Or More—

I have nowhere else to hide
I try to wash this skin from hate

With a dark craving mind
I try to put the past behind

In this coat beneath the layers
I need to lose this selfish pride

What can I do to make this right
I'll confront the stars tonight

Here I stand at the edge of the woods, hands trembling
At the thought of entering
How am I gonna do this
My sanctuary I miss

But it was taken away
One evil dark day
Once what brought me joy
Now seems to destroy
No longer happy memories
Me in his clutch is all I see

Please my friend take my hand and lead me
For the images he left are beastly
Hold me tight while I grive
For his dark deeds seethe
His putrid touch I still feel
It's to much, to real

I want my sanctuary back
I don't want this beautiful place to turn black
I want to hear the nightingale's song again
Watch the fish in the creeks swim
Watch the breeze
Play about the tree's
I want to once again sit quietly
Seeing the deer walk about so skittishly

Please my friend hold me tight
So these thoughts of his invasion I can fight
Please stay right beside
So when it gets to much in your arms I can hide
This time the darkness I can't fight on my own
For the cut he left was down to the bone
So grip my hand tight and lead me in
One deep breath let us begin
Confronting the memory where it began
Hold on to me so I can stand
Help me dear friend take back this land

The writer sits and ponders,
filled with empty silent dread,
‘Sorry, this word cannot be found’
the smug spellchecker says.

Weary of petty complications
he drifts, searching for inspiration,
soaring through the African sky
with glorious, lofty liberation.

The yellow plains stretch far below
herds of buffalo, running free
the lions hide amongst the grass
dotted around sandarac trees.

He soars now, over snow-capped peaks
tableclothed in angry cloud,
by eagles, gliding with their young
their talons stretched in readiness
silhouetted in the fiery sun.

He conjures now, Fijian sand, lazy swaying palms
crashing frothy, roaring waves; silky banana ***.
A sparkling ocean glittering, caked with yellow icing,
just a mirror for the setting sun.

But then wings of grace are stripped and
he plummets towards uncertainty,
falling back to swivel chair, staring
at desk lamps, coffee, burgundy.

The rain drizzles down outside,
the heating pours through well-placed vents
as Chinese Communism awaits:
confronting, mocking, dense.

perhaps if you have time,
take a moment to read the
predecessor poem in the notes below first,
in order to better understand this one


<>

the love poetry curfew so lately announced
misshapen, growing without respite, by hate extensions distended,
poet's sanity uncomprehending, for yet another! sabbath desecration,
debating internally, how long should this cessation be extended,
for the pockmarking of earth's face with fresh bloodshed,
continues unashamedly, swiftly apace, these unholy days of dread,
all haggard his mind, hazard his eyes, harden his heart
no muse could sway

but shocking himself,
poet's mirror image stares and dares
with a finger-pointing,
his own specter's absurd challenge of

"and yet, now more than ever "

when children are killed like bowling pins,
there can be no satisfaction in revenge
cannot expiate evil deeds with avenge
measure for measure add-on sins,

and yet,

poet thinks quietly, repeatedly, self-surprisingly,

and yet,
love poetry, now more than ever

asking confusedly, almost ashamedly, out loudly, yet secretly,
how can this be, for there will be again, more painful awakenings,
is it the end of days, of greeting sunrise, with a love for love poetry?
with madness come and confusion everywhere rampant,
'tis a doubtful thought, the carnage having wrought
an insoluble dissolution and can love poetry be any solution?

in poet's Adirondack safe place where life tributes were
birthed, bred and trials borne, a right writ place for unmasking,
a private soul in equal parts of joy and shame,
love and pain, loss and gain,
here the weighing scales bore equal measures
of old bereft, and life uplifting visions of,
what will come, what will be, the unforeseen,
the hopeful yet of

"and yet"

a dotted line of whitecaps  beckons the poet to tread upon,
the glassine bay's waters that lay before him, go, walk on water,
a path to point where and whence the quaking waves
have gathered, calmly begging, Oh poet!
provide  assurance, explanation, comprehension,
querying him as if all sanity, has flightly, unsightly, fled
from the home shores of human sailors, gently asking poet,

"your fellow walking earth-beasts have all sensibility killed,
these times so human terrible, we waters, cannot understand"

poet's rebellious soul all so confused, asking and answering the
waters in his head, the waters that address his eyes,
seeking wisdom words from a place where logic
has been whittled and willed away,

and yet,

love poetry, now more than ever

now is the time when a love poem beyond merely necessary,
poet's eyes cast downward in shame, his thinking, hesitant and wary,
time for prayer, not madness distraction of a love poetry commentary

the waters dissatisfied at his confusion,
part as if by Moses's staff, majesticly powerful rise up,
confronting poet with the sweetest tasking
as if they were the downtrodden and the hurting, asking...

"we storm, drown and take, for such is nature's angry periodic way,
something beyond our control no matter what we say,
to another's dictate and momentum, we must bow and obey,
but you human, have choice, and we have none -
choose love poetry and let it comfort like no other"

and the poet sighed and wrote

this poem

this poem of love,
realized and conjectured,
with inserted verses of

"and yet,"

for though the poet possessed no well of well words
more than these few saddened and impoverished,
wearied, hard scrabbled ones

and yet,

gasping and grasping a potent notion, a portent of what if,
of a world with no love poetry,
a planet that could not ever-overcome hate, dooming itself,
for love poetry and all its cousins and associates,
the only method to confiscate
these grill blackened marking silent barbell weights
so let this be ,
this is a love poem,
and now,
this is the time,
to let

"and yet"

vindicate...


<>
6:20am
Saturday July 16, 2016
and yet

i am sitting here at 3 am
confronting the empty side of my bed
my thoughts hold me hostage
to create a cage
that i will not be able to escape

i try to play dead
until they leave me alone
i try to shift shapes
for a hope they might leave
i try lighting a candle
for flicks of light to cast
the darkness away
but i soon begin to realize
that im not afraid of the dark

i cant get out of bed
my thoughts are holding me hostage
im at a place i dont want to be at
and can not leave
the sound of loneliness slowly begins to deafen me
the silver ray of moon is almost blinding me

all that i see through the reflection of my glass
are the bones of a hollow body, just like silver, starting to rust

and here i speak to my thoughts
that i have surrendered to their thoughtless plots
they ring my ears, with demands
to give up my soul to their filthy hands

i stumble as i try to stand up
i am as weak as a sedated body ready to be cut
my knees tremble like magnets
attached to no other but my bed
they repel any movement to stand up straight

panic fills my fearful cup
my gaze shifts to my reflection
and i see the ghost
of forgotten remains of someone who
has lost

i do not want to die
i deserve more
than being ended by no other than my filthy thoughts
i force my eyes open and smash the reflection with both my fists
adrenaline painfully waking my body up
with every ounce i have left
i try to detach myself from my bed
i am peeling layers off
and have never been in more pain
but it is all worth the pain
for i wont fail myself again
to become forgotten ruins
of a life-time faded into a blank sheet

there is more to my story
than just an empty bed
for i will not be manipulated
by my own self again
even if it shall be 3 a.m again