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~~~ Act I ~~~

Behold the queen.
Drenched in such pathetic,

Luxury.

Behold the king.
Soaking in such unauthentic,

Company.


Have you seen the jack?
He been doin somethin, shady, in the,

Back.

But don't ya worry there's, no plan,
To get, caught, in such synthetic,

Conditions.


Do you feel so esteemed?
With your trifles and titles,
And what's real and what's, not?
Do you feel esteemed?
With your scandals and secrets,
Such typical tricks.


Behold!
There's the, Ace.
Look at his, pretty face.
Absorbing that,

Prestige.

But look at that, glacial, gaze.
He got something to,

Say?


Oh I see that, glacial, gaze.
Lookin at somethin you ain't ever gonna,

See.


Behold, the Ace!
With a disappointed look on his, pretty face.
Looks like he ain't gonna,

Say.


Do you feel so esteemed?
With your trifles and titles,
And what's real and what's not?
Do you feel so esteemed?
With your scandals and secrets,
You're making me sick!


Behold the queen,
Plotting with her pretty,

Ladies.

Behold the king,
Oblivious to such unauthentic,

Company.


Oh, behold!
There's jack and the Ace!
Ace, you gonna put him in his, place?
Don't ya got somethin to, say?
Nah, you ain't gonna,

Say.


You know he's their son anyway.
You wouldn't wanna scare him away.
You wouldn't do that to his,

Face.


His FILTHY!
SICK!
Stupid, face...


That ain't the,

FACE,

of a Jack!

That's the face of a...

SPOILED BRAT!



~~~ Act II ~~~

BEHOLD THE QUEEN!
Who MURDERS her husband,
And spoils her rich little son!
BEHOLD THE ACE!
He got SOMETHIN to say!
But he ain't gonna,

Say.


Just look at that, glacial gaze.
Starin at somethin he ain't ever gonna,

See.


HEY, ACE!
Why don't ya TELL jack,
Ya don't like his shady business!?
Ya scared he ain't gonna, care?
Ya scared mama gonna,

Care?


HEY ACE, HEY ACE!
That ain't the FACE of the Ace!
Not with that glacial, gaze.
You gonna keep starin at somethin you ain't ever gonna,

See?


BEHOLD THE QUEEN!
OH SO ESTEEMED!
LOOK AT HER DRENCHED IN SUCH PATHETIC, LUXURY!
OH, BEHOLD THE KING!
HE DROWNED IN SUCH UNAUTHENTIC, COMPANY!

BEHOLD THE JACK!
DOIN SOMETHIN SHADY IN THE BACK!
HEY, ACE!
You gonna put him in his place!?
You just gonna WATCH this corruption,
Let em all feel so,

Esteemed?

Gonna let a mother ****** her husband,
And spoil her rich little son!?
You gonna let him GET AWAY,
With his DANGEROUS, fun!?

OH, THEY FEEL SO ESTEEMED!
WITH THEIR MURDERS AND TRIFLES,
AND WHAT'S REAL AND WHAT'S NOT!
DO YOU FEEL SO ESTEEMED!?
Workin for his mother, that,

*****?


HEY ACE, HEY ACE!
I get it, you're right!
HEY ACE, HEY ACE!
It's above your,

Paygrade.


Hey Ace, you're right.
It's above your,

Paygrade.

But why ya gotta keep, starin,
At somethin you ain't, ever gonna,

See?


Just let that jack be,
He ain't what ya wanna,

See.


Oh Ace, it's above your, paygrade.
You know he's their son, anyway.
So you just gonna stare, with that, glacial, gaze?
At somethin you ain't ever gonna,

See?

Better hope that, mama, don't,

See.
he turned up a winning
ace on his arrival
he turned up an ace
the ace of revival

everyone engrossed
with all that he wrote
oh yeah there was a real
classiness to his tote

he'd arrived at other forums
not getting applause
those places weren't aiding
his penning cause

he turned up a winning
ace on his arrival
he turned up an ace
the ace of revival

when he found the site
where the mob noticed him
there stayed he to garner
kudos on his trim

of the adoring hordes
his arrival did infatuate
a diamond ace card
dealt him triumph's fate

he turned up a winning
ace on his arrival
he turned up an ace
the ace of revival
n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
OnlyEggy Oct 2011
All I do is win, for I'm an Ace
Painting a bulls-eye on everyone in the place
In my plane I leave everyone else
bailing out of the fight in disgrace
If I was a horseman, I'd be War
'Cuz like the card game
I win against Kings and Queens
and take them out of the deck
like the Joker on the sidelines, alone and bored.
I don't need a Diamond to win you Heart,
and I don't wanna join your Club,
this was skill and not luck from the very start
I am the Ace of Spades,
and I'll use my ***** to dig out your graves
I've been painted on the sides of planes
cars and trains
helicopters, submarines,
and the munitions that deal out the pain
I'm a trick shot Ace with the pool stick
As a quarterback, I've yet to throw a pick
As a pitcher, I make the other team sick
The starter and the backup plan
the Ultimate Ace in the Hole
The best card in a poker hand
lay me down and the money's in the bag
I run solo, streaking across the land
You only need to hold me in your hand
and your enemies will become ****
and I'll give 'em a taste
of this whirling dervish's mace
Leave them breathless upon the ground
as I rob the air from out of this place
you'll stand in awe of my greatness
take a picture, make a statue
Fill up every empty space with my name
For I am an Ace!
Another Insomniac Poem
EmperorOfMine Dec 2018
There is a king in sets of four
Next to a queen right by a door
Bowed to the ground, Jester and Jack
Shielding their lives, an Ace in tact
From one to four, to eight to ten
These sets live in a wonderland

A king declares absolute might
A will above all others too
The Ace felt every bit of strife
Ace's judgment named the king's time due
Charging at the king to end him,
The queen stepped forward, as they must

Ace felt himself lose all his rage
Bewitched and cursed by his own lust
Jester and Jack had come intact
To make the queen feel themselves laugh
Trapped by their love
Caged like a dove
The queen lost focus in this fight

Death by a knife
Daggers were thrown
They failed to keep the Ace at bay
Charging in rage
Ace lost his way
King shocked by fear of this death day

Snuffing the Jack
Next goes Jester
The king might not avoid this smack
The Ace would strike
The king went right
The first time the Ace ever missed
The king then shouts
Now thrusting out
Pushing the Ace out of the way

Ace wouldn't lose
Throwing his sword
He bent on rage and casualty
He loved the queen
They loved the Jack
This day truly's a tragedy

The king is dead
The Ace is through
Now off to a newer journey
Who would have known
This would have gone
In such a bitter fantasy
Dakota Brown May 2013
Ace
Being one in a hundred may make you isolated.
The ace in the hole.

A card game only has 4 aces which are the most special in
The deck.

But, life is still fun for the ace.
The ace, the one in a hundred
Can still
Love

They are just special.
The newest variable in the equation
Of biology.

THey don't feel the same
As normal people

They are the minority of minorities.

The ace is the special card.

Aces have more convenient lives

Not worrying about lust
Or any fuss.

They can love but not want what others do
They can flirt but not understand what flirting is

The silent minority, the aces are said to not exist.
But the ace does exist.

1 in a hundred.
Shofi Ahmed Jan 2020
(0)
Fly perfectly straight and high, and show the fly
out of the fly-bottle on your way.
Rise to victory, far above the blue sky,
Reap the reward: the opening of paradise!

The road ahead is clear and open this way,
with things small and big growing and disappearing up this way.
You will see sunrises and sunsets waxing and waning,
with mention of the moon and stars in the dark.
Be mindful as you sway, it's got to be laser-sharp.
There is no hard shoulder on this highway,
miss it by an inch and risk losing everything forever!

There is hope, there is light up high
pick up your paintbrush, just like the sun does
goodness knows how it sneaks in, right in the black
canvas of the night, painting the first light
lo, it shows up in heaven, the candle of the daylight.

As long as there is a man and a woman,
never give up, our canary bird can fly
rosy or not, the nest in every morn nets a sunrise!

(1)
A woman indeed plucks up the courage
she never had to look up to the stars
be it for the guide or the light in the night.
Fathima herself was the full Moon every night
is thanks to her Godsent innate light.

With it, she can bask in the full spread of the pi
on top of its short decimals mounting high
constantly as if countless stars in the sky.

The time and space under the sun
and that under Fathima's light
are far apart from each other
yet they coexist side by side.

As she points out,
"A circle is masculine
while pi is feminine."

Pi forms the circle with fine prints,
decimal dots continue to spring,
sprawling trillions of new digits,
the bandwagon is still increasing.
Connecting the dots is an untouched dream.

The full moon pi picture is veiled,
unseen at large, yet in short, 3.145 it can live!

(2)
Fathima flies her lock of hair
in the lurking air of the transcended pi
the primitive feminine does that,
no wonder she is God's secret feminine opus!
An immeasurable black hole lies in between
the short and transcended pi, running like a river,
dancing anew on every riverbank
in the many curls of Fathima's jet black hair.

She lent out a hair to the planet earth
and crossed over like a silhouette
without spilling out the colour
of the transcended end of the pi.
The earth takes it in the core in her heart
as if it would keepsake it forever.

Weaving the pi in Fathima embeds two hairs ties one
perfect circle at the back and one at the front of the universe.
Inside each hair the earth is finest fluid in the core
none is as deep as high as proportionate a perfect flow.
No time is as revealing no music is as sweet in this orb
no force is as mighty nor as prevailing a true giant
causing gravity and the heat at the earth's core.
Matter and spirit mix free in the play both wax lyrical
thanks to the pure resonance of 'Qun Be' the word of God!

(3)
The way to the earth's core is exposed to none other
save the Angel of Death the lucky one.

See both sides of the one lofty sky swathed in countless stars  
but the day and night render through still remains an unseen one  
Terra is shalet zeroed in Fathima is heaven on earth!  
Up in the sky-high bank turning the starry bowl upside down
Fathima took no star nor a pearl diving deep down the Arab water,
the brightest luminary came after Muhammad (PBUH),
in veil from the Night of Measures and into the flipside in the night
she's gone without lifting the veil but left her penetrating mark.

Few could find the shortcut contemplating on a blank canvas
the Moon looks down into the abyss down the sea eyes on far
for a mirror in the bottom on the as above so below matter
since Godsent Fathima touched on the all-inclusive primitive water.
The sun gets caught up in the very water dew she raised in the sky
the ancient fold of time still unfurls with the sun-kissed flowers
for the new hands yet the fingerprint on the sun remains only her!

Azrael heads to Fathima around the year 632 after death
touches down in Medina on his usual thin earth he steps.  
But this time a little mundane dust couldn't be thicker
he keeps descending deep down to the earth's centre
following from Medina but the angel locates her
inside the perfect circle a closed geometric figure.

(4)
Fathima is the female headline her secret is not all known
when she used to visit the Prophet Muhammad (PBUH)
he would stand up for her hold her hand and kiss it
and seat her on his seat, she would do the same to the prophet
when he would visit her like they did know each other
in and outside the spheres of heaven and earth!

She is the embodiment of the infinite feminine variations
the first spiritual woman created following God's word Qun.
Her is the mother tongue of the ever diversified feminine lingua
no one woman on her own can rhyme with her alone
she has no peer her rhetoric is unique like none other.
The galactic run from planet to planet up on the starry ladder
climbing high up the mountain heaven yet streams out like oval
off their rock bottom stone until that unleashes the final run
in perfect circle delving into the rhythm of the loop at the centre
made of Fathima's hair charged by 'Qun' God's uncreated word.  

Prophet David can sing on the bank of the river
and can see the fish are jumping to him out of the water.
The masculine is open form, eye on everywhere,
but not her the woman is in juxtaposition her
all-inclusive schema supplanting the details rest only on her.
She is the unseen world within the world at best imagine her!
Guess, through this inwardly open door who might disappear?
It's nature before the scientist on ultimate discovery of the matter!  

Aligning with her down the rainbow up high the land absorbs
the grooming sky looking on the running rivers within her.
Her words spread through like the smart cloud that flies far
over the lands and valleys but not even the wind none other
gets a sniff of the potion and melody it caries until that rain down
without a hurdle without a visual she moves on at the target
such a soul needs no after death lift from the angel of death.

Before Azrael Fathima loses an arc of the circle then and there
so not the earth but giant Azrael can take the pressure!
Marked by a fluid discharge since then she is cooling this fire
In Shaa Allah God willing when she ajars it, it will be elixir!  

(5)
Draw a straight line, but it won't be perfect
it keeps bending, fly straight touching the sky
the flight path won't look like a straight line
it would be like the crest of a crescent moon
like curve touched the sky, like climbing up
atop the pyramid is not going high straight on
it goes up from the widespread seked slopes.

Moves in golden ration 1.618 not the full two
and gets the designing formula flawlessly full
micro to macro all levels all the way to the true north!    

Fathima being the original feminine eyeing at her
she can tap in the knowhow of naturally feminine nature.
And discovers the immanent pattern - the world
is pre-designed and measured is never a coincidence.
The creatures' creativity, scientist's science
is to follow, discover working formulas like phi and pi.

Play along it works until an unknown hour strikes
comes with accurate knowledge dead on time
numerically correct never miss taking a life away
as if it was calculated beforehand before the birth.
A newborn is born for a limited time
already set but no one knows when it goes up  
is a deadlock clock but it isn't so shrouded
in the blueprint of the creatures' grand design
there the clock ticks safe and sounds it never dies!  

(6)
Fathima hailing from the other side of the pool
eyes on the ever live pre-design side of the creation!
Then its corporeal face was only a water drop,
the primitive one looks see-through it has dead zero
knowledge of its lively other side of the pool.
She comes closer and perfectly mirrors both sides
that shines through on her reflected face on the water.
An absolute new image that livens up the dead part
Bang - Big Bang! The corporeal world gets the spark
explodes out from the very first drop of the water!

Fathima's appearance was miraculously instrumental
God reveals nature the finite and infinite, 0 and 1,
future in the present and the death and life in play!
Nature follows suit it just saw the perfect role model
banged out but only to its corporeal set
it aspires to be with its infinite reality yet!

Fathima leaves the door open constructing a perfect circle,
hardly straight, took the mixed bag of countless variations
she zooms into the abyss irrational portion of the first matter,
the primitive water drop and aces the circle with her hair
that nothing can equate throughout the corporeal world.
Done the math discovering the zero starting point at the bottom.
The ocean of digit numbers, the DNA of all things material
banged out of it, still, the zero is numberless irrational!

(7)
All things, within oneself and in a set constantly vibrate,
strive to align with the enduring reality of itself.
The atom vibrates to reach out to its immortal portion
that doesn't die and is in the know of its lower base.
The planets are in a defined circular orbit, accurately measured
just the apex on top of their dynamic pyramid the pyramidon
is tucked away; they too have an irrational portion in the circle.

With the finest spin, they zoom in the spacious universe,
in part and like the sun outside the constellations round they go
never miss a target line yet to re-discover Fathima's perfect circle
the origin of their digital essences' breakthrough
the door to their transcended destination de jour.
Lo the matter turns the last stone pulsing across the cosmos
the mortal horizontal spread, the spirit returns home.

The earth has a line in its swansong it has a place in paradise
it's not here to stay for good neither to perish forever!

Matters form and break without losing the rope,
it's not to paint the shades of the eternal blue
but to ace an irrational portion in the circle
at the heart of the earth, as above, so below.  
The deep the high the perfect circle
up and down the centre of gravitation for all!

The matter at even or at odd the vibration within is fluid
somewhere is parched there the arch matter must make a splash.
Far away on a dark beach, the sea of the matters goes all in all
the most glowed up physical firefly rises deep from the bottom
pouring billowy potions the moon roams at the the front!

(8)
The seven seas swell up smoothly into the moonlight-dip
oh, the waterless Moon at the core is still fasting.
Led by time the sweet swan punting along the waves
streams down the watery inner circle of the planets.
Until stuck in the Moon no water in the last waterfront
but paradise is on the other side of the pool!  

The sun dips away into the night
while the eve baths in the shades of pink and gold,
the dazzling hues soon turn to taupe.
Drawing down painting the picture in full colour
only to find the time is up on the halfway,
yet to print a colour copy of the night!
The other unseen half is passed down to the Moon
tiptoeing in slow motion in the depths of the night
barely keeping the head afloat in a fathomless ocean
of shades of black hails from where knows no one.  

The sun enkindles the moon half-lit keeping itself away
amid shadows as if comparing the shades now it knows
a Mehrem a veiled female is ahead not to look on or
compared to that the sun has no light or true are both.

Wrapped in the eternal night beneath its black mole
once the moon on the front approaching most close
directly down to the centre of the earth eyes on
over that inlaid string hairy black perfect circle
never did it turn back the same gaze is still on
orbiting around the earth in synchronous rotation.

(9)
The never-ending night is becoming a night indeed
it's coming to an end so soon in our time.
In Shaa Allah I will see it with my eyes before I die
in the Night of Measures in an odd night in Ramadan
Fathima from the transcendental end of irrational heart
will turn on top of the curve opening for the first time
a 9-degree angle in the circle at the centre of the earth.

Instantly the leading force, time will get the first sniff
of the other world, so peaceful heart-melting serene.
Rapturous time feeling an ounce of the enduring peace
for the first time cutting all the corners with ease
will be propelled into its yet uncharted golden mean.
Scurrying to the peaceful abode time will be on its wings
across the globe, people will be stunned seeing
how first the times pass from then on incredibly quick!

Fathima, the first spiritual woman on duty, will start
pulling her hair back off the circle at the centre
Juxtaposed in between the worlds of here and hereafter.
She will take back every inch of it, the heavenly bodies
will feel the pinch of her every little subtle pull
that too is a boon helping them perfect their circle.

(10)
Soon she opens it just 9-degree wide at first
the Moon will see a glimpse of the first drop of water.
Without it, it's living perched without the water of life
that's destined to rain down soon and the Moon
back into its original pond shall revive!
Mapping the pi's whole infinitesimals playground
finally, Fathima will turn the circle upside down
on the dot the stunned sun shall rise in the western sky!

By now under Fathima's hair's shaded closed circle
it must have sailed far over the blue sky in the other world.
Billowing with the breeze over the sea of uncharted water
and stacking to the brim with all that it could discover
humbly stood like a cloud in that corner of the sky.

The time is finally ticking fast to rain down with love
paradise's welcoming schema rendering in waterpaint drops
on the Moon over the sea of matters, that's most glowed up firefly
ah, finally can break the fast sipping in a drop of elixir!
It's their heavenly adopted, Miʿrāj performed, primitive water.
The Moon with the seven seas will leave off the corporeal shell
gliding gracefully with this stately water nymph as if it never dies
and will make a splash plopping into the pond of paradise!  

For the matter ultimately is water and its extent is sound
Fathima will fetch it the water of life and take it to the next life!
Oh, the matter shall do both die and revive with Israfil's sound
the cloud will fly out of the dead water on the ground,
like the earth with chorus songs of the rain revives.
When that a melodious nymph in the water makes waves
see paradise is here the Moon over the sea can't take off its eyes.

(11)
Hang on though they all set ready on their horizontal span  
to pull in such a fluid yet colourful descending like a rainbow swan.
First chaste Fathima will evaporate her hair's perfume away
that's yet lingering in the water warming it up to its premium
no crowd then can see where this heady, fragrant cloud will fly!
There are the momentum and delights where that will alight.

Israfil might then blow his trumpet swooning the world away
the secret will remain a secret exception is said in the Qur'an.
A strange sound will silence the chorus of the innate digits
collapsing the floating cosmos bubbling on their music.  
The corporeal circle will collapse as if there is no base no pi
the melody of the first word Qun means Be will still be loud
supercalifragilisticexpialidocious so how can we all expire?

Israfil too will play his reviving trumpet pure mellifluous
and In Shaa Allah numerically perfect Fathima will rise
amidst the resonant Qun as like she did in the beginning
when except prophet Muhammad (PBUH) there was nothing!
Now the earth once zeroed in beneath her hair will follow her
the stunned terra will discover Fathima took her hair away
only to shift the constellation up onto the upper world!

The old songs of the planets the chorus of the digits will revive
from the zero bases in the core the digital panache that dance
planet upon the planet as if they are always at the perfect hertz.

Indeed that is yet to come, the arts of the fine layers
opening from the irrational pi, the finest one is to flower
when Fathima will unloop her circled hair at the centre
piercing the very immanent irrational cut
that no creation can fathom only the loving creator Allah
will turn odd to even in between the here and hereafter
then the ocean stuck in deep salt shall turn to enduring potion!
The As-Sirat shall turn to be the bridge to paradise
the body shall revive with the enduring soul forever
and with ah Fathima couple shall enter paradise In Shaa Allah
with the rhapsody 'all praise is for Allah' Alhamdulillah!
A presence
presenting
a continuous torment
torturing
incessantly
until, even with cessation
only a tenuous self
is present
leaving only the resin

The maniacal
manifestation
is an infestation
festering around in my head
Its existence,
a creation
created at inception,
hacking my brain
Forever a trap
creating a
maniac

Acrimonious
to all mankind
Not acting
like a man
Not one word
that's kind
Committing crimes
and getting oneself
committed
A deviation
creating a deviant
Shifted values
due to a devalued
self

An esoteric
essence
seemingly sentenced
on this journey
by judge and jury,
not by one's peers
because the many
not able
to peer
into this individuality
The duplicity
of duality
that is my reality

Challenging myself
to a dual
One in which
I both
win and lose
But in the end
not breaking even
or coming out ahead
Always ending
further back
instead

Its back breaking
and always aching
Pain from which
not capable of
faking
Effort I’m taking
Of myself making
Time for a new king
For kinsmanship
is aloof
And this man’s ship
has sailed away
Sipping a port
at a shipping port
And yet
slipping away

Deeper still
In the depth
of still water
Sinking
into the abyss
Lost and gone
But not missed
Is this the end
of our fable?
Or will our “hero”
enable himself
and in the end
be able
Deciding who to be?
Cain or Abel?
For the hurricane
is hurrying along
Its aim always the same
Constant pain
A payment he feels
for the displaced
placement
which just in case
is placed
same place
he went

Ink in the face
A disgrace
When suddenly
encased in his brain
are racing thoughts
of a plan
he’s ace’n

A label of insanity
given by those
who claim sanity
when the reality
is their thoughts are free
and optimize
a sanitized
and homogenized
batter
And in the end
it doesn’t matter

Offering suggestions
in which they
feel threatened
Pathways congested
and protested
Testing them
Even worse,
bested
A problem beset
upon them
Time to steady
the flock
Roll n’ Rock
Inoculations we’re getting
Start the injections

“It’s been an honor”
Mounting my Lipizzaner
A disarmer
A charmer
The armor
‘mi amor’
Leaving me
wanting more
But as they keep score
the task is daunting
A life that’s haunting
with such splendid decor
-
Yet, can’t take any more
Their taunting
is leaving me sore
So to the atmosphere
I open that door
and flying up above
I soar

Forever more
Feel pain no more...
Written: August 17, 2018

All rights reserved.
Martin Dove Oct 2018
I had no idea how terrible it all was
Until I matured a bit and opened my eyes
It cleared the mist that I often now miss
From the eyes of an unwilling devil
Seeing the tragedy unfold from a first-person level
I remember it all from that god awful view
The bad things I’ve done, over which I had no control
The outcomes I hoped with the manifestation of some
Who am I kidding - I’ve been among a fortunate few
Except for the fact that life dealt me an ace with a ****** *****
Not quite like anyone - an outcasted sole
With depressive thoughts - eating them straight from the bowl
Until euphoria strikes - then I’m a lightning bolt
These emotional storms - they strike me as cold
Who am I to cry and complain about life
Everyone is united by the suffering light
The random subscription to a life with a set rhythm
If only I could command my heart not to wither
For your Aces ♢♧  and Eights of ♢ ♧ Wealth and Brutality or as we boys from the Edge call it the Dead Mans Hand, and that be your hand son not that of any of me or mine, but, don't look so distressed, did we happen to mention we are impressed, though this will have to go down in your permanent  record.

I say , it's all good, and it's all fun, so get in the pit and try and Love someone, for son we are a Full House Ace of Black Hearts ♥ Ace of Spades ♠ , with the King♔♡ 's  Queen♕♡ 's  and Jack♘ ♡ 's of hearts  and it's our House you in, so, hum, does this mean the Good of our Fathers House Wins?, I say, always and forever, dare to care and spare the fear, and need not shed another tear, stand straight and no more hesitate in the last first and none last truest of loves verse.

Motörhead - Ace of Spades
h ttps://www.youtube.com/watch?v=KysKdijAhJI

Motörhead - Ace of Spades (slow Acoustic version)
h ttps://www.youtube.com/watch?v=tc-PVTj9UCk

AC DC - Who Made Who lyrics
h ttps://www.youtube.com/watch?v=GuFq3ynnBo8

AC DC Ride On
h ttps://www.youtube.com/watch?v=ugwlIQ8K4Vs
Terry O'Leary Feb 2014
THE MEETING

Alone one night neath lantern light, I trudged a weary mile.
Forlorn, I went with shoulders bent (the storms around me howled)
until I met a Silhouette behind a sultry smile –
She gazed with eyes that mesmerize (Her body caped and cowled)
and stayed my way with question fey, ‘Why don’t you while awhile?’

Though timorous (with slow address and gestures pantomimed)
Her voice was gracing echoes chasing waves in evening’s tide.
The churchyard groaned, an ***** moaned, the bells of midnight chimed
while wanton winds awoke and dinned, and mistrals multiplied.
The Persian moon, like stray balloon, arose and blithely climbed.

The Silhouette (a pale brunette) arched eyebrows meant to please,
and down the lanes, on windowpanes, the shadows danced and sighed.
A meadowlark within the dark, somewhere behind the breeze,
ennobled Her with wisps of myrrh while deigning to confide
to nightingales veiled whispered tales of human vanities.

She doffed her cloak before She spoke with sighs of sorrow sung
(like mandolins, as night begins, when mourning day’s demise)
and spun Her tale of grim travail and tears She'd shed when young.
As jagged volts of thunderbolts lit up the dismal skies,
a velvet fog embraced a bog in coils of curling tongues.

Through summer vales and winter gales Her secret thoughts were voiced.
Midst storms so cruel (neath lightning’s jewel that glistered on the ridge)
She reminisced, She touched... we kissed... Her lips were wet and moist...
A lighthouse dimmed, while moonbeams skimmed across a distant bridge
to avenues where residues of shallow shades rejoiced.

                        HER TRAGIC TALE

“Midst sweet perfume of youthful bloom, the lonely spirit braves
and often cries and sometimes dies in quest of her amour.”

While starry-eyed, a ship I spied, a’ sail upon the waves –
the galleon docked, the gannets flocked, the Captain swept ashore
where, debonair with gypsy flair, he led his salty knaves.

In passing by, he caught my eye - I tried to hide a blush,
but ambiance of innocence left fervour’s flames revealed.
His gaze (defined by eyes that shined) beheld my cheek a’ flush.
I bowed my head while caution fled, I felt my fate was sealed
- a bird in spring with fledgling wing - he’d snared a  falling thrush.

He said ‘Hello’ - I answered ‘No’ and yet before he’d gone
said I, ‘I’ll wait at Heaven’s Gate not far beyond the Pale’.
At dusk he came neath moon aflame, and left before the dawn
just humming tunes between the dunes that lined the sandy trail
beside a pond where morning yawned, where swam an ebon swan.

We met again, and once again, and once again, again
entangled in a love called sin, in whirls of make-believe.
While in my arms, with voice that charms, said he ‘I must explain -
the tide awaits in distant straits and I must take my leave’.
Then tempests stormed as passions swarmed through ardor’s hurricane.

‘Forsake your home and we may roam’ he smiled as if to tease
and still naive, said I ‘I’ll leave, in silver buckled shoes’.
He took the helm in search of realms, and quickly quit the quays -
with tearful eyes, I bade goodbyes to fare-thee-well adieus
and sailed above a wave of love across the seven seas.

We swept one morn around Cape Thorne while bound for Bullion Bay.
With naught to reck, I strolled on deck, a baby at my breast,
while flurries blew and seagulls flew within the ocean’s spray.
Our ship soon moored, we went ashore and off to Fortune’s Quest -
with gold doubloons which shone like moons, he gambled through the day.

‘The deuce is wild’ he thinly smiled; another card was drawn -
he’d staked and raised with eyes half glazed, was dealt a dismal three.
With betting tight throughout the night, the final ace long gone,
meant all was lost, at what a cost; alas, the prize was me.
To my dismay he slunk away and left me doomed at dawn.

A buccaneer with ring in ear sneered ‘now, my dear, you’re mine’.
He held my wrists to thwart my fists and then... my honor stained.
On sullied swash, the sky awash with bitter tears of brine,
I broke his clutch with nothing much of me that still remained:
a residue when he was through, left clinging to a vine.

In morning dew, the good folk knew, and spurned me in my plight.
The preacher man pronounced a ban and wouldn’t condescend,
ignored my pleas on bended knees and prayers by candlelight.
While cast aside, my baby died... my world was at an end.
Until this day, I’ve made my way beneath the shades of night.


                        AT HEAVEN’S GATES

To set Her free from destiny was far from my design,
but, though unplanned, I touched Her hand to give Her peace of mind.
She told me then, and then again, that providence Divine
had cast a curse, and even worse: despised by all mankind,
She walked alone, unseen, unknown, Her soul incarnadine.

To break this spell of living hell, of loneliness enshrined,
and end Her days within the haze, a sole redeeming deed
would give reprieve and maybe leave our destinies entwined -
Her final quest be put to rest if only I agreed,
but no surcease nor perfect peace nor hope if I declined.

The shadows, shawled in silence, crawled, the night Her fate was sealed
as vespers tolled across the wold beneath the muted fog.
The heavens cracked and sorrow slacked as chimes of children pealed
while in the hills (where midnight chills) there wailed a daemon dog -
with no delay I lead the way, the path to Potter’s Field.

Her weathered face was lined with Grace, Her eyes shone emerald green.
With me as guide She stepped inside to grieve and mourn Her loss,
and thereupon, though pale and wan, the night took on a sheen.
With weary eyes as Her disguise, She placed a wooden cross
upon a mound (unhallowed ground) and whispered ‘Sibylline...’.

A falling star flared in the far and burst, a bolide flame -
beneath the light, the Final Rite no longer hid undone.
And kneeling there in silent prayer, we seemed to share the shame
but could atone if left alone, forevermore as one.
Before we both could breathe an oath, I asked Her once Her name.

Through lips, pale red, She simply said ‘Some called me Abigail’,
and neath a birch where white doves perch, I took Her for my bride,
beheld Her smile a little while, but all to no avail...
Her cloak and cape, and shrivelled shape lie empty at my side...
for now She waits at Heaven’s Gates, not far beyond the Pale.
Megan May Jun 2014
I love you like an ace of hearts
A card as unpredictable as any other
The highest ranking or the lowest, depending on what sort of game you choose to play
I'd choose to play blackjack, and always make you worth 11 points, even if it put me over twenty-one
Because I want to prove your worth to you, even if it costs me a game or two
And I wouldn't play with just any deck
Oh no, I'd always play with the deck full of the cards you know and love
Some of these cards may become old and torn and stained, and may need to be replaced when they've run their course
But that ace of hearts will always remain, no matter how many battles it has seen
Eventually people will realize that the oldest card is your ace of hearts, but that will matter not
Because that card will stand the test of time, and remain there forevermore
"Is it a choice to be Ace?" She asks.
I don't know,
Is it a choice to be a race?
"Umm... Maybe you are just slow,
I am sure you will like *** someday!"
Why can't they just believe me?
I am Ace, it is my way.
Is it really that hard to see?
The Canberra moon festival 2018

Hi my name is Johnny brown and we had just seen a great performance on stage with a lady who does great things with a hoop and I can tell you watching it from here was absolutely amazing and I can tell you, dudes it was fantastic
And now Lucy sugerman is about to perform for us and mate, it is going to be so radical dudes, and there is going to be a great parade at 3-00 and yes it is going to be cool, and you can make lanterns as well, well that is going to be cool for everyone and now here’s Lucy with her music
Johnny’. Wasn’t Lucy fantastic
I really liked the songs she sang
And some songs that really struck our hearts, she is a fantastically talented girl and I especially liked when she sang candle in the wind, in which she sang when she was doing her live shows and it sounded really beautiful, she will be judging the talent show here at the moon festival tomorrow and rob jarrah is coming out to sing his great single called fire in me and I can guarantee he will blow everyone away with his great voice
And yes, he did blow the crowd away and now we have the ANU
K-pop club doing their dance moves for us, and boy are they the fittest individuals you have ever seen and yes, well they are displaying all the right moves
Getting into the party spirit here at the Canberra moon festival this is really cool, dudes and dudettes don’t you think and as they swing their hips and thighs
You just sit back and enjoy the music they dance to, this is really cool, hey
Yeah the ANU k pop club was really good to watch and mate
I really was tapping my foot to some of the best dance music around and they make dancing to it, so easy and well we have only 1 hour and 10 minutes from the great parade, and I think it will be cool and coming on the stage now looks like a variety of different instruments and I wonder what music they’ll play
Well, we just have to wait and see, I will try to catch the groups name, I am sure they will blow us away I just found out that the next act is the ANU Chinese classical music ensemble and I think they will be showing some great sounds for us
Yes, I thought the ANU Chinese classical music ensemble was excellent and very very cool and now as they leave the stage and the next group is the belly dancing group called bellyup
And we will see them wriggle their bellies to great Chinese music and they are cool, let’s get apart of it, well it is easy just tap your foot
Those were great belly dancers weren’t they and mate I will wanna join them on stage and yes they will blow us away and now here is a song from two students from mulwaree high school in Goulburn and mate the harmonies which are coming out of their mouths are really cool dudes
They were great and now it is the kids turn with the Australiasian school of contemplirary Chinese and these kids have a great deal of talent, they are letting their little voices become the better of all of them, and their music are radical dude and as they leave the stage, the next group are playing the beautiful sound of the flute and yes it sounds really cool, yes let’s get ready for a party dude
The flute sounded so great and the kids were very cool, even if I must say so myself and the parade starts soon starting with the dragon dance
And wasn’t that a fantastic dragon dance, they used a lot of force to shake it up, and I liked that a lot and there is a fantastic jiving dancing bunny dancing around and he surely was showing off the right dance moves, and VIP is over and we aren’t very long away the big party, the music is going to so radical dude and mate, if any of you have seen my Facebook page you will see the jiving bunny as well as the dancing dragon, it was really cool
And now we are sitting here listening to this great band rehearse and get the sound right for their performance tonight, this is going to be a great evening at epic and as the venue is the true part of the atmosphere (epic) and they have moved the VIP seating so people who feel like it could come in and party this evening and this is going to be a cool evening dudes right through to 10-00 pm tonight LET’S PARTY
As we are waiting for more performances here is a Canberra moon festival poem
We are a cheering
For the people on the stage
As well as the dragon dance
That is pretty cool
And the people on the rides
Yes they are having fun
And smooth ops rehearsing all
Their music oh yeah that is cool
Yes we are getting with it
Every single day
Party from start party from finish yeah that makes me radical dude
There are also talks on stage
From different but interesting people
Oh yeah and let’s not forget
The jiving bunny yeah he is pretty cool
And the pony and horse rides
Yes the kids love that lots
They go for a ride through the
Amusements yeah that is pretty ace
Ace ace we’re from space
And we party from the start
Till we do a ****
To prove this will be the best

And now we are watching a video on the Asian language
And yes they are telling you about how important it is to learn
Yes, this is going to be one hell of a party, don’t ya think
It was a really cool martial arts display and I thought it was pretty cool, kids and teenagers kicking each other around
And yes, it is pretty radical
The way they break the piece of wood, yeah that is really radical dude and they are going to have more belly dancing soon and yes mate I am looking forward to seeing what that is about
The belly dancing had started and some of the younger folk are coming up to try their hands on a bit of belly dancing and we are seeing everyone even the organisers or volunteers doing a bit of belly dancing it looks like people are going back to the 70s with their belly dancing skills how cool is this and some kids are learning the different styles of belly dancing and one kid made a frog lantern, pretty cool, the music is sounding great and his voice is starting to say I am a lovely lively singer
And I am cool too, yes rob jarrah
is cool and his voice is too die for and mate everyone is gathering in the area for the big party later on, mate rob has a great voice entertaining us till the main concert begins
Rob was great, his voice really expresses himself and now ANU Korean pop comes into the stage to perform some very interesting dance moves and mate they will get this party started for us tonight and they probably have been rehearsing for months to get this dance routine right, let’s get this party started
ANU k pop were ever so cool, as they move all parts of their bodies and they look ever so fit and now here is the Australian school of contempary Chinese again with some kids dancing for us and they look very fit as they are throwing their arms and how they are showing good movement yes, they are cool
And then a guitar solo and a vocalist come out to display their talents and I am sure they will be cool
I thought he sang nicely and now Micah absalum and Bryn wood and they sing for us a beautiful ballad and there is a lot of meaning in this song
And they sounded so radical as they sang it with so much meaning in it and now a ballet number which in her movement she is expressing herself as a positive and compassionate person
We have been seeing more dancers who were really cool and now there is a great young pianist named grace gee and her voice is to die for, ballads are the sound for today but dance has been coming up a close second and grace gee is good on the guitar as well, pretty awesome stuff as she sings one of her own songs which sounds great
The lights went out when Wednesday moon was juggling to lit up rings and it looked really awesome and it lasted for 2 minutes, then they had some great dance routines as well as
Some belly dancers who really shaked their bellies right and then after that they had a belly dance dance off and the winner won $30 gift voucher and she had an absolute ball it was awesome and now it is smooth ops to keep the party rolling awesome dudes
And the party is great
Smooth ops are rolling hits from John Farnham Aretha Franklin
Rip and ac/dc and abba and a bit of uptown funk you up and keeping the party rolling with a bit of the Jackson five and Tina turner’s nut bush city limits and mate this band smooth ops a fucken awesome and they are radical as well and I am well into the party spirit dancing away to these great songs, I hope the second half is just as awesome dudes and a few other oldies as well and then smooth ops came back on the stage and blew the crowd away with great music like it’s raining men and madonna’s cherish and like a prayer and a few of the hip songs that are hitting the charts now and then they played Kylie’s spinning around and thendomino and I will survive and living on a prayer which was the finish of it, it all was pretty radical dude and I can just say
With all this music and fun we had tonight, everybody was in a party mood, there were a man dancing as well as his son yeah that was so cool and now we will say party party party
Till the very end bit
Victor was a little baby,
Into this world he came;
His father took him on his knee and said:
'Don't dishonour the family name.'

Victor looked up at his father
Looked up with big round eyes:
His father said; 'Victor, my only son,
Don't you ever ever tell lies.'

Victor and his father went riding
Out in a little dog-cart;
His father took a Bible from his pocket and read;
'Blessed are the pure in heart.'

It was a frosty December
Victor was only eighteen,
But his figures were neat and his margins were straight
And his cuffs were always clean.

He took a room at the Peveril,
A respectable boarding-house;
And Time watched Victor day after day
As a cat will watch a mouse.

The clerks slapped Victor on the shoulder;
'Have you ever had woman?' they said,
'Come down town with us on Saturday night.'
Victor smiled and shook his head.

The manager sat in his office,
Smoked a Corona cigar:
Said; 'Victor's a decent fellow but
He's too mousy to go far.'

Victor went up the his bedroom,
Set the alarum bell;
Climbed into bed, took his Bible and read
Of what happened to Jezebel.

It was the First of April,
Anna to the Peveril came;
Her eyes, her lips, her *******, her hips
And her smile set men aflame,

She looked as pure as a schoolgirl
On her First Communion day,
But her kisses were like the best champagne
When she gave herself away.

It was the Second of April.
She was wearing a coat of fur;
Victor met her upon the stair
And he fell in love with her.

The first time he made his proposal,
She laughed, said; 'I'll never wed;
The second time there was a pause;
Then she smiled and shook her head.

Anna looked into her mirror,
Pouted and gave a frown:
Said 'Victor's as dull as a wet afternoon
But I've got to settle down.'

The third time he made his proposal,
As they walked by the Reservoir:
She gave him a kiss like a blow on the head,
Said; 'You are my heart's desire.'

They were married early in August,
She said; 'Kiss me, you funny boy';
Victor took her in his arms and said;
'O my Helen of Troy.'

It was the middle of September,
Victor came to the office one day;
He was wearing a flower in his buttonhole,
He was late but he was gay.

The clerks were talking of Anna,
The door was just ajar:
One said, 'Poor old Victor, but where ignorance
Is bliss, et cetera.'

Victor stood still as a statue,
The door was just ajar:
One said, 'God, what fun I had with her
In that Baby Austin car.'

Victor walked out into the High Street,
He walked to the edge of town:
He came to the allotments and the ******* heap
And his tears came tumbling down.

Victor looked up at the sunset
As he stood there all alone;
Cried; 'Are you in Heaven, Father?'
But the sky said 'Address not known'.

Victor looked at the mountains,
The mountains all covered in snow
Cried; 'Are you pleased with me, Father?'
And the answer came back, No.

Victor came to the forest,
Cried: 'Father, will she ever be true?'
And the oaks and the beeches shook their heads
And they answered: 'Not to you.'

Victor came to the meadow
Where the wind went sweeping by:
Cried; 'O Father, I love her so',
But the wind said, 'She must die'.

Victor came to the river
Running so deep and so still:
Crying; 'O Father, what shall I do?'
And the river answered, '****'.

Anna was sitting at table,
Drawing cards from a pack;
Anna was sitting at table
Waiting for her husband to come back.

It wasn't the Jack of Diamonds
Nor the Joker she drew first;
It wasn't the King or the Queen of Hearts
But the Ace of Spades reversed.

Victor stood in the doorway,
He didn't utter a word:
She said; 'What's the matter, darling?'
He behaved as if he hadn't heard.

There was a voice in his left ear,
There was a voice in his right,
There was a voice at the base of his skull
Saying, 'She must die tonight.'

Victor picked up a carving-knife,
His features were set and drawn,
Said; 'Anna it would have been better for you
If you had not been born.'

Anna jumped up from the table,
Anna started to scream,
But Victor came slowly after her
Like a horror in a dream.

She dodged behind the sofa,
She tore down a curtain rod,
But Victor came slowly after her:
Said; 'Prepare to meet thy God.'

She managed to wrench the door open,
She ran and she didn't stop.
But Victor followed her up the stairs
And he caught her at the top.

He stood there above the body,
He stood there holding the knife;
And the blood ran down the stairs and sang,
'I'm the Resurrection and the Life'.

They tapped Victor on the shoulder,
They took him away in a van;
He sat as quiet as a lump of moss
Saying, 'I am the Son of Man'.

Victor sat in a corner
Making a woman of clay:
Saying; 'I am Alpha and Omega, I shall come
To judge the earth some day.'
Rachel Ace Apr 2017
You look like a light-colored satin
Stars f
          a
            l
              l on your caramel hair
Your laureate crown is permanent

You walk fast as a local feline
L'Empereur far from his throne
You look disoriented
You look tired

It's nightfalling
Resolution parts
The moon shines
Gold minds

Lace L'étoile
Jeune ace
Shiny sleeves

I go through a mirror
You're sitting in there
I hide carefully
Not to be alert
I have found myself again
Dreaming of you inside
The reflection of your mirror

At night my opal
                           sleeves are made of satin.

   - Codelandandmore// 6:00 PM ©
Modern poem
Fred Schrott Jul 2014
People often refer to me
as a total Jack Ace.
I just tell them that, in fact,
I’m more like a rabid K-9.
Don’t mind the foam in my mouth.
When the king goes a floppin’
don’t even bother knockin’
Numbah nine.
Numbah nine.
Your tens just lost their
perfect shine, I’ll
soak you up just like
Brawny
cleaning wine.
From, The Transitive Nightfall Of Diamonds, due out 8/14 from iUniverse books
A.
SEROTONIN FIX FOR YOUR AESTHETICS

B.
WHAT'S PAST IS MOMENTARY,
THE PRESENT IS ETERNITY

C.
ALL IS DUST

D.
PERSPECTIVE RENDERS ALL

E.
THAT ELYSIAN APERTURE DARKENS IN TOTAL RECKONING

F.
PERPETUAL CONTINUUM

G.
LOST IN AN OCTOBER DESCENT

H.
THE SOUL DOES ROAM

I.
EXCEED INTROSPECTION, RECEIVE INTENTION

J.
REAL MEMORY, SURREAL THEME

K.
FOLLOW THY HEATHEN DIRECTIVE (TO THE ENDS OF THE EARTH AND) ON TO EXALTATION

L.
THE MATRIX HAS YOU

M.
GLITCHED HISTORY

N.
LET THE SUBTLE WORD SOAR

O.
YOU BROKE ME THOROUGHLY

P.
WAITING ALONE ON THIS SATELLITE

Q.
SHATTER THE SKY

R.
JUDGE WITH AS MANY ASPECTS IN MIND

S.
EMPATHY IS DIVINITY

T.
THIEVIUS RICTUS DEVILISH GENTILITY

U.
ADVENTURE WAS NEVER A CRIME

V.
CONTEXT IS ALL THAT EVER IS

W.
KNOW THY DRUG/KNOWLEDGE IS DOPE

X.
AZURE HAZE OF SUMMER VIBRANCY

Y.
MESCALITO TORNADO ON DESERT SANDS

Z.
DOOMSDAY KISS
{[UPPER-CASE](OBJECTIVE)}
Mark Toney Sep 2021
Ace
rocket power serve
up the T on the deuce side
~ point of no return




Mark Toney © 2021
9/26/2021 - Poetry form: Haiku (for you) - Mark Toney © 2021
Edna Sweetlove May 2015
I woke up to a beautiful summer morning. The sun was shining and the rainclouds were far away. I decided I would spend the day on the beach. I always enjoy visiting the beach as it gives me an opportunity to laugh at people's hideous bodies. But where? And then, suddenly, a wonderful idea came to me: why not go to a nudist beach as they always attract the ugliest people with the worst bodies imaginable. And you get to see their naughty bits too, for added humour.

So I rushed to my computer to check the Internet for possibilities and, to my utter amazement, I discovered there was a naturist beach only fifty miles from my beautiful home. As I read the details of the beach and the directions, I had a sense of déja vu; I realised with a frisson of ****** anticipation that it was the very same beach described by Victor the ****** in his wonderful story "Confessions of a ******" which held pride of place on my toilet reading shelf.

I was at the wheel of my incredibly expensive and luxurious car just as soon as my servants had packed my essential requirements: icebox with chilled vintage champagne, lightweight folding gold-plated sun-lounger, vicuna picnic rug and of course my lunch hamper. My chef had rapidly prepared a delicious impromptu luncheon of smoked salmon, steak tartare and a selection of other goodies. I decided to dispense with the services of my chauffeur in the interests of preserving the confidentiality of my destination.

In less than an hour and a half I was there; and the place was exactly as Victor had described it in his immortal novella: a long stretch of mixed sand and pebbles, backed by dunes planted with wild grass, waving romantically in the sea breeze. Idyllic, and crawling with naked perverts as a bonus. I parked my car and transported my equipment to the dunes. I regretted not having brought one of the servants as the hamper and icebox were quite cumbersome and heavy. I was perspiring gently by the time I had unloaded everything and set it all up to my satisfaction.

I took some care in selecting what I felt was the optimum location as I needed to combine the potentially conflicting benefits of wanting to see as many naked people as possible (hopefully including some *** action) with the need for privacy. After all I am famous. I finally chose a spot where there were several ghastly specimens on view for a few laughs and where I could also see a potentially interesting couple who might be exhibitionistic perverts. The man was about 45, shaven-headed, skinny and prematurely wrinkled all over by the sun (yes, I do mean all over) and he had an interesting tattoo on his back: "I love hot ***** ***", which I saw as promising. The woman was plump with pendulous ******* and very prominent buttocks; additionally - how can I put this delicately? - her **** was totally bereft of hair.

Before settling down to my lunch, I felt a little perambulation would not come amiss. So, as bold as brass, off I went for a little **** stroll through the dunes. I will not describe in full detail the visual horrors I encountered: hirsute old men playing aimlessly with wizened, shrunken todgers the size of a thimble; obese old biddies, their rolls of sun-tanned lard hanging round them like rows of bloated udders on a pregnant sow; tattooed bald queens, muscles bulging under lashings of sun-oil, their pierced genitals glinting wickedly in the sunshine; the list was endless. How could such grotesques revel in revealing their corporeal repulsion to the eager world?

And then I saw him! It had to be him! In a dip in the sand dunes lay a middle-aged, paunchy little man, intently watching a couple of old ******* groping each other incompetently. It could only be Victor the One-Legged ******! After all, just how many unipod Peeping Toms are there?

I strolled over to him, coughing discreetly so as to give him a chance to stop his furtive *******. 'Do excuse me for disturbing you,' I said, 'but are you by any chance Victor the famous ****** whose confession I read only last week?'

'Why yes,' he admitted, 'but how on earth did you recognise me?'

I smiled and pointed to the cast-off artificial leg lying next to his beach towel (which, incidentally, was emblazoned by a giant "V", a bit of an identity hint, I felt). He patted his stump ruefully and laughed uproariously so that his average-sized ***** flapped like a pennant in a Force Eight gale. 'I forgot,' he bellowed deliriously.

'I'm just about to have a spot of lunch,' I said. 'My personal Michelin-starred chef, Jean-Claude Anusse, always over-caters ridiculously as he knows I often pick up people on my excursions, so there'll be more than enough. I'm afraid it's nothing special: some smoked salmon and some assorted cold meats, possibly a spot of pâté de foie gras, if I know Jean-Claude. And, naturally, enough champagne to drown a hippo in. Please do say yes, as I have so many questions to ask you about your hobby.'

'That's very kind of you.' mumbled the astonished Peeping Tom, 'I should be very happy to accept your generous offer. Incidentally, to whom have I the honour of speaking?'

I was, frankly, shocked when I realised Victor had not recognised me, and then I remembered I was naked. That explained it. 'Why, I am none other than Edna Sweetlove, poetess to the stars, creator of the Barry Hodges "Memories" poems and biographer to the intrepid and incredible superhero SNOGGO,' I murmured sotto voce, not wishing to be mobbed for my autograph.

'Edna Sweetlove!' he exclaimed, 'you mean THE Edna Sweetlove?' And so saying he glanced down to my genital zone in order to answer the question which so many of my fans have asked over the years. He grinned as he saw the solution to the great mystery.

Victor quickly strapped on his prosthesis and accompanied me (slightly lopsidedly) to my little luncheon site. He helped me unpack our repast and then made himself as comfortable as a naked one legged ****** could reasonably expect to be without a chair.

I must say Chef and his team had excelled himself in the thirty minutes I had given them: smoked salmon roulades, a magnifique plateau de fruits de mer including a three-pound giant lobster, steak tartare, a whole cold pintarde à l'ail, a few dozen sushi rolls, a monster summer pudding, and naturally a Jeraboam of Krug '92. No wonder the hamper had been so ******* heavy. I could see Victor was impressed as I offered him a chilled flute of the most expensive champagne he had ever tasted. 'Better than the pathetic, poverty-stricken muck you were going to gobble, I expect,' I commented in a friendly way.

'Mmmmmmmmm! Absolutely delicious, Edna. I was certainly not expecting this! exclaimed the grateful freak. But before we start on what looks like a truly exquisite nosh-up, I must give you a word of warning.'

'A word of warning? What about, Victor dear?'

'Well, you see, there's no, um....er,' he blushed charmingly.

'No what, Victor? Don't be embarrassed, sweetie. This is Edna you're talking to. Spit it out, baby.'

'Well, um, there's no ******* on the beach, Edna,' explained Victor uncomfortably. 'So, if you need to pump ship, you have to do it native-style "au naturel" in the dunes over there, which can be a bit messy what with all the filth lying about the place in that area, not to mention the lavvo-voyeurs hanging round. Or else you need to swim out a bit and unload into the sea. Judging by what's on offer at your stylish picnic, we'll both be bursting for a good old **** and crap afterwards.'

I shrieked with laughter and explained there was nothing I liked better than a widdle en plein air or a double act dans l'eau. We then tucked into lunch with a vengeance. It was ******* delicious, even though I say so myself. After about fifteen minutes' happy munching, interspersed with witty small talk, Victor suddenly went rigid. 'Look over there!' he hissed and indicated the middle-aged couple by the windbreak.

I looked and I was surprised. The plump woman with the big *** was on her knees in front of her partner, giving him a vigorous *******, and he was lolling back in ecstasy, a broad smile on his face. He seemed to be looking straight at us, almost visibly willing us to watch. He winked repeatedly in a conspiratorial fashion; maybe he had St Vitus’ Dance. Or even worse, he wanted me to get stuck into the action with them.

'They're regulars here, they normally put on quite a good show,' explained Victor excitedly, his hand reaching down automatically to his rapidly stiffening ****.

'Victor!' I admonished him, 'I would prefer it if you didn't **** yourself off during lunch. How about another oyster, you silly old ****?'

'Sorry, Edna, I forgot,' he replied shamefacedly. 'No more oysters thank you; they only make me more randy than I already am. But I'll have another lobster claw if I may. My compliments to your chef.'

So we sipped our champagne and enjoyed our luncheon as we watched the couple give us their little exhibition. After a few minutes *******, the fat lady turned around and leaned forward on her hands and knees and her gnarled bald hubby ******* her doggy fashion from behind with some gusto; this made her beefy buns bounce about like two ferrets fighting in a sack.

I glanced around us and realised that, totally unbeknown to me, the little spectacle had attracted quite an audience. Nine men, young and old, short and tall, fat and skinny, stood staring transfixed by the petite scène erotique before us, all ******* wildly. 'Oi!' I called out. 'Can't you see we're eating?' I admonished them, but to no ******* avail whatsoever.

Victor was visibly torn between his innate desire to watch the copulators and masturbators and with his understandable wish not to offend his lunch companion by manhandling himself unrestrainedly. But, thank God, his natural good manners prevailed and we continued to converse and enjoy our meal in the midst of this Bacchanalian scene of depravity.

I watched dispassionately as the couple came to what sounded like a very satisfactory mutual ******, accompanied by the observers' seminal tributes to their performance. I naturally had filmed the entire scene secretly on my state-of-the-art mobile.

'If you give me your email address, Victor my love, I'll send you a copy of that little show,' I promised. He nodded in gratitude. 'Victor  the ****** at yahoo dot co dot uk,' he mumbled rapidly, 'no dots, Victorthevoyeur is all one word.'

Once we had polished off lunch, I told Victor I would like to interview him with a view to writing a short story about his life's work. He was touchingly flattered and, with a little judicious prompting and probing, told me his saga, which I recorded on my Edna-phone. I naturally don't want to pre-empt my forthcoming mini-biography of Victor, but suffice it to say that Victor told me how and why he became a ******, he regaled me with some of the staggering things he had seen, he gave me a list of some really ace ******* locations, he shared all his best peeping places with me, he gave me the ultimate lowdown on the world of Britain's most celebrated *** snooper and I was touched by his burning honesty. I felt a tear ***** my eye at this tragic tale.

All too soon it was time for us to part. After thanking me profusely and making me promise I would visit him one day so he could repay my generosity, he re-attached his metal leg and limped away towards his beach towel. I knew he was raring to go as the best of the action normally took place in the early evening.

'Farewell, dearest Victor,' I called out as he tripped clumsily over a fellow pervert who had been eavesdropping near us.
Connor Apr 2019
LGBT.
You may have never heard of this acronym before,
Or maybe you associate it with liberals, or Obama,
Or hippies.
LGBT stands for:
Lesbian:
I was approached by a straight man
At a gay bar, who asked me if
I wanted to 'have a good time'.
I told him no.
I could see something in his eyes
Flicker, and he asked me why
I told him I only liked women
In that regard
He stood up angrily,
And told me that I was an
Ugly dke anyway.

LGBT stands for
Gay:
I was holding hands with
My boyfriend while
We were walking in the park.
We watched an older woman
Walk up to us and say,
"You're going to hell."
I said, "I'll see you there,"
She glared at me before
Storming off in a rage,
mumbling, "Disgusting f
g."
On her way.

LGBT stands for
Bisexual:
I came out to my family today.
My cousin said,
"You're just confused."
My father said,
"Don't you dare walk in
My house with a f*ggot."
My mother said,
"Pick a side."
My supposed "friends" said,
"You're just desperate and greedy."
I've been dating an amazing person
That I can never share if I want to
Stay on good terms with "family".

LGBT stands for
Transgender:
I binded my chest today
With Ace bandages even though
I know it's extremely unsafe
Because I didn't want to be
Seen as a girl again.
I finally cut my own hair
And when I told my mom why
She told me,
"Leave before your father gets home."
I am sleeping on my friend's couch tonight
Because my parents couldn't accept me
As their son.

You might associate the acronym LGBT
With liberals.
Liberals that don't use their religion as an
Excuse when they're really just scared.
Or Obama who said, "No one in America
Should be scared to walk down the street
Holding the hand of the person they love."
Or hippies who refuse to conform to
Heteronormativity, because it only matters
That you love, the who or when or where or why or
How
Doesn't matter nearly as much.
People are more than their secondary ***
Characteristics.
"Love thy neighbor as thyself", right?
My second slam poem for a local contest that's coming up, about to write the second one, I'm auditioning tomorrow and I'm excited!
Zero Nine Mar 2017
You've expressed you feel a ****** disconnect.
Feel yourself some kind of alien pilot.
What's love in this, this human shell?
What's self-respect, esteem as well?
You're ******* weird and that's okay with me.
You told me for the first time, I'm queer.
That's cool. If I'm your ******, you're my ace pilot.
You're ace as **** default, I'm gray ace at best.
Why do we sit this dusty rock ridge between worlds?
If you're one, I've seen this alien's appeal.
The most delicious sight of your skin shown will have to go on ignored. And that's fine. That's fine.
I'm your little ******.
You're my ace pilot.
And that's fine.
Love all over again.
Ace Of Spades

This is your life, the hand
you've been dealt,
dance the dance live it well.
They'll always be others
less fortunate than you,
who've walked into fires
you've never been through.
Yet still find hope in
the darkest of days,
taking time to celebrate.
Counting their blessings
one by one,
knowing when the day
is done.
Tomorrow will be here soon
enough,
it's course may be rocky
the road may be rough.
You may not hold the
ace of spades,
and things you dream of
might seem far away.
Nothing is ever out
of your grasp,
faith can move mountains
erasing the past.

There is always hope!

Written By Kathy J Parenteau
Copyright © 03/14/2015
Sjr1000 Jan 2016
The ace of hearts
sat down at the table
feeling oh so confident
stares at the three of spades
in his pocket

While the king of diamonds
eyes his diamond queen
in his mind
the ten
hides behind the jack

The queens figured
tonight was the night
they were going to get laid

The deuces were quietly weeping
wondering if another deuce
on the table was going to be played

The ace of hearts
his heart was racing
as the ace of spades
made its way
followed by the ace of diamonds
and a diamond three
a rare drop
was all he could say.

The king of diamonds
to his court he smiled
as the deuce of diamonds
sparkled on the table

The queens, they trembled
wondered if the only thing getting laid
was their heads on the chopping block
this day

The third deuce had joined the pair
his heart was lifted
but still in despair
the deuces looked down the river forlornly
Many have lost it all for more

The ace of hearts was feeling cocky
a warm fullness washed over him
he looked out at his life
figured all he could do was win
he believed in love
sometimes you gotta go
all in
he smiled as he waited at the dock of the river

The king still flushed with diamonds galore
their sparkles blinded him
he joined the ace in the fog
it was either this or that
there were no more games to play

Now faced with two endings
which path to take

The queens had
had enough
on the table they folded
into a fatal swoon

Three deuces
he wavered
his hands were trembling
the game ain't over until
the rent money is gone

Gamblers
some are optimists
some are realists
some are looking for salvation
some are going to play
until they have no more left to pay
looking for death, so they say
driven by compulsions rage

all ask the question
is
this a streak or a slump?

Which was the deuces on this day?
The optimist joins the fray
The realist he folds goes on home to play another day,
All pray.

On your playing field
so far away
what is the play?
Which are you today?

As many endings
as there are
combinations of cards
sometimes it even rains frogs

The room was quiet
the aces full
the king flushing
three deuces - waiting
what to do?
I guess I am the optimist today
the sun is shining after five days of rain

A distant sight
down the river came
as the two of clubs
was beating the water's edge
running and laughing
all the way.
Texas Hold'em. Just a game. Wanted to thank Rebecca Askew for the inspiration with her crazy kitchen utensils. And about half way through writing this remembered
Townes Van Zants fabulous song, Mr. Mudd and Mr. Gold.

Crazy enough, but the hand actually plays, took some work to put it together.
HelpingHand45 Feb 2018
Even if I get hate messages saying imma dumb geek,
My favorite thing to do in Rainbow 6 is spawn peek.
I choose not to reinforce any freakin' walls,
Cause I'm the best on my team and pre-fire the halls.
They call me sweaty boi cause all I play is Ela,
But hey man I got news for ya--you're a noob lil' fella.
If ya boi be attackin', ya know I be using ash,
No one can hit me when I use that 3 speed dash.
I breach the wall and throw some stuns,
I run on in and fire my guns.
At the end of every round I end up with an ace,
My stats have basically broke the R6 database.
So yeah you can just call me wuhbzz, or just god for short,
Cause I'm the best you'll ever see, T don't need any retorts B)
outplayed geek
Mandii Morbid Aug 2017
There lies a rage inside.
Deep within, away it'll hide.
I taste the venom now and then.
The shadows slowly creeping in.
I dare never to let it go.
To turn reality into a hell I so keenly know.
Visions in my head, loop, again and again.
Begging hands to act in both blood and sin.
Just a shift, I can never lose control.
Of this ageless battle within my soul.
Else darkness will descend,
spread itself inside my skin.
Born with a secret from lives long passed.
Every body a vessel not meant to last.
I see it now, a cycle on repeat.
This cursed bond birthed in hunger and deceit.
In the end we always meet, eternal.
Through the burning flames of the infernal..
MARY, MARY, QUITE CONTRARY: A Dreadful Tale about a Dead Anglo Mother, A Dreadful, Avenging Syrian Aunt, A Stolen Baby Sister, and a Hateful, Unfaithful, Defaulting Father.

Mary, Mary, quite contrary
How does your garden grow?
With people, people who hardly know
Your vices, your intrigue, your lies, and so,
You’ve ruined lives, and now I will show

How demonizing you are, with just your thinking
About your “slemly” self,  just linking [Nice in Arabic]
That self to your own, and not us--no one else
You belong in no company, your old-time thinking.
Adopting my sister, without any inkling
Of what it takes to challenge the motherless
And seeing we ended up, also, being fatherless.

Travesties galore made this woman happy
You won hearts, but you seemed quite daffy.      
Childhood, telling us we’d never be as good
As your Syrian daughters - such a strange brood!
This kind of “teaching” by a Syrian mom was kinda lewd.

She verily and surely became our ISIS
She thought who could ever, ever be like us
She raved for hours so very against us
To that red-headed family so she could easily best us!
Humiliating us at every stop
We really, really got a lot
From her, the decadent Queen of ISIS
No, she’d never, ever be like us!

Twenty years to a guileless young person
Is a forever herstory an eternity…
A lesson, an identity…
Carried on secretly, destroying our Syrian identity.
She stole that connection, filling it with confusion
She with cruel humor would **** our loving illusion
Stopped it in its growth,
Forever unseating that family oath.
To care - without any rejection.
It was She that was The Great Defection.

Mary, Mary how does your hatred grow
Picked on those who had no Syrian power
But you didn’t see yourself becoming lower
To the ends of the earth, heartless black flower.

In her mind she’d be our Mother
But as this poet, I did not know it
Things would be better if we like sheep
Worshipped Mary, into the deep
Quite similar to the rest of her Keep
Then mayhap we’d enjoy their fully undeserved sleep.

Taught my dear baby sister like her to hate
Would I had the power to shut up her pate
Her mouth was evil to the core
I never, never could stand more.
Her hatred entered me, made me sore.

Screaming at us to keep us out
Stupid Daddy joined her in this falling out
She, successful -as any lout.
By God I thot I must be evil
Their strange behavior was not legal.
Would that she’d accept me, that dangerous eagle.
I lost my sense of self and ‘came very sad
Would that I could be like she so glad.
‘Tis fifty years now, and I can’t stop crying.
No one ever heard this “mother” sighing.

Hell, Mary, full of Face
Recognizing only your Syrian race
Did anyone else matter? Just your primitive face?
Everyone one was hurt, except you and your nace
There’ll be no one, ever, that could take your place.
Laughing to destroy our wanted Arab destiny
Which you did, and did, successfully, with your fantasy.

Mary, Mary, quite contrary
How does your garden grow?
Like plants, you lined us up all in a row
One good, two bad - you did the choosing
And what did you leave?
Only us, who did the losing.
You didn’t water those two plants.
Treated us two as if we were ants.
Watered sissa so she would grow
Your dreaded deeds no one would know
Judgement is left only to God.
But you and Dad should’ve returned to your sod.
Your behavior to the motherless seems very odd.
My sister and I two tossed peas in a pod.

Deserting us suddenly knowing only this hateful group
There’s nothing to which she wouldn’t stoop
Her sick obsession to hurt the powerless
Speaks of a very worst yes, cruel foulness.

We lived at a convent school very protected
Visiting weekends this aspiring ****,
Two sisters know she made a very strong mark
She was not our blood, we couldn’t take part
Of this constant coldness on her part.

And another Aunt with two daughters, good
They were always with us, always stood
The opposite of this wicked would-be aunt
This family, Americanized and very sane
Never did play the ancient Ottoman game
These Aunts were our world - our windowpane.

Two aunts - endowing us with a Syrian heritage,
One, the bad one, with too much leverage
The good one to teach a cheerful Syrian beverage      
With balance, love, and the length of days
Not like the other, the one who dismays.

We represented that bad woman’s target
What it came from. Could it be her precious Margaret?
No, not at all her peaceful daughter
But the other, gladly joined in on the slaughter
Making serious and even much more, fodder.

We had no tools to breach this hate
I guess that it would have to be our fate.
To live our lives just disenchanted.
Our hearts broke, as if forever lancets.
With Syrians there’d be no more dances

Taking my sweet sis turning her against us
She did truly give strong heed to finally fence us.
What ever could we find for our defenses?

Dad, real Dad, inebriated dad,
Fell in with them: became this negative father
Sought their pity--likening me as a foreign daughter
He was in love with them, weakly turning
But in turn, the two of us, spurning
Back to his Syrian fold back, not farther
Unwittingly, unrepentedly, uncaringly, joining the laughter
Discarding his American daughters to a mental slaughter.

At his picnic - family there - he called us foreigners
Foreigners we were, surely, when with them
They couldn’t ever believe in us,
Dad influenced them, peeved at us.
Made us feel like little fools.
No, we never had the tools
To fight this ignorance - Change these mules?

Punishing, punishing us as wedded women
Accused of all that they gossiped about
What did they say? And this truant dad a lout
Speaking of us in downing tones
I’d feel far better had they broken my bones.

Closing his relationships to his
Two lesser liked non-Arab sisters
Would there would be a better mister
He considered us two a mere sinful blister.

We ran away from this horrible drunk
He hated his daughters and he stunk
And then we suffered the worst of any they would dunk
Uncomfortable at their Arab-speaking home
We stopped visiting long before their moan
We were “no good”  said our Syrian family
Would that we knew that we’d be anti-Family.

They had something to hate and did they do it
We had no idea we were just a joke
Their words, their disgust, far more than a poke.
Their anti-American provincial views
Made little sense - such perverted mews
All we loved, we would really lose.
There was never any right to choose.

That Family didn’t speak, avoided us
At sissa's Syrian wedding. It was all mined
That scene returns to me all of them lined  
Winding its way into my unbidden mind,
They were so, so truly unkind
We always would be to them the “Other”
Yes, us, us, us, without a mother!

We lost three mothers, our real one gone
Also our good step-mother quickly on
Add Mary to that three, glad she is gone
Perhaps Dad guilty of the first two deaths
I shan’t continue - you’d lose your breaths.
  
But Hail that Lady, she would change our world
Sending us suddenly into a whirl.
How to change the young with screaming?
She’d not change but destroy our dreaming
Waking horribly from our Syrian dream
We just didn’t fit their shady crème de la crème.

Everyone was fooled by this greedy witch
She and her daughters I’d deem as *****
What was in them, caused their making?
Taking away, taking, taking, taking.
Good cousins now, have seen an awakening
My work of writing revealed Mary’s faking.

Hail Mary full of Face
Only using her charms to erace
The sisters she wished not to embrace
With threads of lies an unrevealing face
Syrians’ acceptance of her goldarn place  
No one ever will she replace  
In every way she used her mace
A clever poison to keep her place
Successfully, she’d snidely hid her dreams
Wearing a mask to hide her themes.

She’d always hated us through and through
We didn’t know it till she did what she’d do
Her masque did work, from dusk to dawn.
Hatred of us was what she would spawn
She would definitely **** our spirits
Would that I could reveal all her lyrics.

Our Syrian sissa’s wedding put us in place
That even there we could have little space.
No other family events could we be included.
Engagements, baptisms, we would be excluded
Their intentions now were completely nuded.   deluded!

You stole our little baby entering the world
Through our Mom’s Death
You stole my Dad’s affection
He also her straw man, worshiping Mary‘s fiction
Her stand could only be that of affliction.

Hail Mary full of Face
Face that faced nothing exçept winning the Ace
Did no one ever tell you - you were a case?
Using your screams to stuff our mind
And even more shrieking to clog our mind
No other Syrian family could be so unkind.

Always filling us with her delicious food
Only to turn against us, trussing our good mood.
I’d like to regurgitate all that poisonous food
Anything about her became totally lewd.
She bragged of her daughters - were they really that good?
When we were children, told us we’d never be like them
We never wanted to be like those hurting us.
Took our Dad’s affection, he also deserting us
We never but finally saw that they were into hurting us.

She has attacked us screaming, screaming on end
Never an explanation, never to end
She took money, stole sister too, not a lend.
With this cruel treatment, we were not able to fend.
I’ve never heard such venom in any human voice
It seared through both my ears, such an odious noise
Those first twenty years were so very splendid
But later with her actions - all was ended
With her allotted time this is how she would spend it.

Sister, affections stolen, obeying by fear
Couldn’t counter - with a mere
Stand up to this fraud of a Mother Dear.

Our baby sis had became her clay
She would remake her through many a day.
She owes us much, this lying thief
No family tree would know, not even a leaf
She stole and changed our beautiful blood
Returned nothing except a bad bad flood
Of making our names into family mud.

She then gave out inimical messages
The taunting that came from her mealy mouth
From Damascus, that lousy mouse.
Couldn’t discuss, but only scream
What ever, ever, did she mean?
This Family into which father bought.
Their apathetic “reasoning” I was never taught.

Her daughters conscripted to the Mary core
Following her words, her iron ore
Inflated us with much heavy criticism
To fill our sissa with a lack of witticism

Lying, lying she always, always hated us
For twenty years, she consistently slated us
For slaughter, just like little lambs
Motherless, she took our little lamb
She won, didn’t she, in her sham?
Mary & dad really fated us with their sick flim flam!

She’d tackle anyone, anything in her path
And she did, with her oh so dreadful wrath.
What powered this extremely devilish mind?
She had never, ever, been really kind.

Our sodden father turned to her
She was Goddess, he deemed Something
While we were nothing, nothing, NOTHING!
It didn’t happen till twenty years after
From kindliness to hypocrisy
One would not believe.
Our real selves never to retrieve.

A sweet child, sissa, full of love
Knew they were cold and she let us know
After those years, sadly though
Turned into another hateful *****
Forced to be like them, else be ditched.

Dad, dad, the precious Syrian lad
Embraced the family gatherings that they had
Youngest of the Ikmuks - he was mad
Allowed them the desecration of our pad
They could say anything--made it their fad.

He wouldn’t speak to them of their travesty
Worshipped them, and ever drastically
Wanted to be Them, lest he be
On the Outs from the Family Tree
Ousted, married out of the Tribe
Hardly now, when this happened, few are alive.
He refused to tell them we both should be here.
He would never, ever, play it fair.
“Dad, if you go, I’ll never be the same.”
He would never, never take the blame.
Of his paltry stabs at being a human
Go stuff him in a jar with more rotten cumin.

Never defended us, never, never
Always took their part like a mismatched lever.
Usually a Dad with a daughter would stay beside her
But then, he gave Mary a far wider rider.

Gatherings went on, by the family Mare.
All our lives had been spent with them before
But Iron Lady with Iron Ore
Came through later and before.
She would win, so well connected to her vile kin
Change, girl, change, you’re just an Anglo fem.
Don’t, please, don’t pay much attention to them.
Sudden hate - my thoughts now were dashed.
I changed - they took all I had and then they smashed.

They brought us into their sickly Ottoman lives
But all of them acted as if we had the hives
They, centuries‘ habit, it was the mid-1950’s why so bold?
They were too much, too much very, to behold
We were stricken, treated as in days of old
We would never be part of their unhealthy mold  [Mould?]

Regular at Church. What kind of God could she worship?
You know who should have been told? The Syrian Bishop!
The She-Devil not even relishing the Church script
Eternally, she would always, rip, rip, and then grip!
Instead looked to those after Church who would serve her!
She did just this with a total fervor.
No Communion, no worship, but her only feats
To seek and add to gossip in the streets
Afterward. When-Where everyone meets.

Se enjoyed the Devil of Power over those she knew
Verily, she should have been thrown in the loo.
Few new. Only the rejected two.

Mary, Mary full of Mace
You never did achieve much grace
Wish you could have finally
Fallen on your ignorant Face
There’s really not going to be any space
To explain your bad translation of a very good race.
The Syrian families I always know very well
Would never have made this kind of hell.

The Syrian race is good, except for this “mother”
I speak from my place as the dreaded ”Other”
You are and were a terrible, mother
You’re a crude example of this Middle Eastern  race.
Very few of them did see through your face.

In that family I barely gleaned this toxicity
But, never, ever, did I witness much felicity.
They llaughed and laughed about any Other
Played well their acts as if they cared
They knew Syrian-like we would not fare
We, Dad, all sisters three - fell for her snare.

What think you, God, of these poor children
How il-ly this Family thoroughly tilled them
Two non-Arab daughters’ given bad repute
Their shocking beliefs really made us mute
All that came from her demented mind
All that encountered Mary’s “kind”
She destroyed our conception of self
This hypocrisy would make one melt.

She infiltrated us, her daughters, and my Sissa
That we were not as good as she - but she lost her mister
Had Uncle [our blood] lived, this would never have occurred.
But Auntie [not our blood] surely had demurred.
Her hooked-nose criticizing, and simple daughters,
Psychologically--against us-- they joined in on these slaughters.
Kindness for two decades to rent, later they spent
Hell on the motherless, but hiding that intent
Taught her daughters: “Don’t be involved with them”
We really do know some of what she did, or said,
This is the kind of meal that she constantly fed
Her masque nearly hiding her evil bent.
Too bad she wasn’t forced back into her Syrian tent.

Mary, Mary quite contrary, How does your world work?
You won, you won, you ignorant, piece of work
You demanded respect from all of us, treacherous,
She got it, didn’t know it, then she brought down the two of us

Sneaky, low-life, hypocrite witch
We always thought we had a niche
But lost kids like us did never snitch
We wouldn’t, didn’t open up about that *****.

We had a twenty-year comfort zone with her
Deserted at last by her flying fur
Stolen, deserted at last by Dad--that foul mister
Stolen, deserted, lastly by our pretty baby sister.

This left us changed by this She-Devil
Would that there’d be a way to counter her evil
We couldn’t - she was always far too strong
An ISIS for us - this would last too long.

After these years, I could not grow
Was I a real woman? -  I didn’t know!
Being a mother couldn’t show
That this Family created a list of woe.

When Sissa had babies & a mom to help
We did this alone - all this we felt.
Her faulted hatred never did melt.
I didn’t know how to take a stance
Nor could I find out how to advance.
We had to oppose Aunt Mary’s dance.

That Sissa could not bo
This poem represents many years of my life. It is all true.
Carol Rae Bradford, M.Ed., Author, "Mayflower Arab: A Memoir"
Thank you for accepting my poetry. April 16, 2015

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