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Crinoline filaments
Rolling over and over
Mid-flight the ochre velvet ribbons sailed to the left
Instead of to the right
Two feet retreating
But with one shoe on

Memory returns
For a few seconds of
the calamity
At that private house in Paris
She’d tumbled down the central staircase
Sailing with legs overhead
until she stopped miraculously with her ***
at the shining leather toes of the footman.
He kept his head up.
She wore a beautiful dress.
Her hair was quite precise and she hoped that that would be a sufficient enough apology towards an empty silence.

But this isn’t that.
I shoved her.
And she went willingly. They all do.
We’re roughly a group of fifty-three.

Gathering in the last few years
Whispering over drinks
of tumors
And vascular difficulties
Of pills and appointments and forgetfulness
They never mentioned that
In those climate controlled rooms with
Blackboards covered in Latin and Trigonometry
Of the body’s failure.
Now there’s no longer any mention made of the kids
or whether or not that husband was worth the bother

Did we notice atop
The balance beam not a peep was mentioned
About the moment when you can no longer walk or stand?
That the brain asks please but the body will not comply?
How cool the marbled floor feels against your cheek while you lay for hours in your own feces?
One can rest comfortably knowing at long last that that wallpaper was the right choice.
Kept one really engaged while waiting and waiting for someone.
And that is just the beginning, right?

Perhaps some assumed that the end would come with a daily circle reviewing the contents of their chamber ***
Grimacing and worn
While they recline in white nightclothes
Something akin to what they saw on the BBC

Perhaps a startled disquiet at the rebuke of their intent and gamely stares from a premiere specialist in Switzerland
an expert in alternative therapies
for what someone dared call
terminal
Anyway, this is quicker.

So we’ve come together
As sisters
And when the time is right I get the call
We go onto the roof
There’s an elevator now because
Otherwise that wouldn’t work
And one by one
In small batches
They are dispatched
It doesn’t take as long as you would think
We are confident and have agency
We were taught that we could do anything
And they are right.

The ones with a lot of metal can be a bit tricky
They have balance issues
But are always chic and always polite
There was a time when we were forced to be together when we clearly did not want to.
We never thought as one.
Some families are better than others.
But everything is different now

One day it will be my turn and
I wonder who will deliver me?
And what shall I wear?
Will I try to see where I’m going or will I rest comfortably in my finale.

I adore the way the wind catches the cloth.
How the crystalline beads are removed around the neck and handed over
so as not to add to any distraction
Or delay
The pinky coral mouthed “Thank you” and
And the sweet eyes that once were bright and shining say their
Goodbyes
Rippling
twirling
looping
interweaving
cascading
Down.
Kathy Dehaven Apr 2016
Dylan Klebold (17)... Senior.... September 11, 1981- April 20, 1999
Eric Harris (18)... Senior.... April 9, 1981- April 20, 1999
Cassie Bernall (17)... Senior.... November 6, 1981- April 20, 1999
Lauren Townsend (18)... Senior.... January 17, 1981- April 20, 1999
Rachel Scott (17)... Senior.... August 5, 1981- April 20, 1999
Corey DePooter (17)... Senior.... March 3, 1982- April 20, 1999
Daniel Mauser (15)... Sophy.... June 25, 1983- April 20 1999
Daniel Rhohrbough (15)... Sophy.... March 2, 1984-  April 20, 1999
Dave Sanders (47)... Old ****.... October 22, 1951- April 20, 1999
Kelly Fleming (16)... Junior.... January 6, 1983- April 20, 1999
Steve Curnow (14)... Freshmeat.... August 28, 1984- April 20, 1999
Matt Kechter (16)...Sophy.... February 19, 1983- April 20, 1999
Isaiah Shoels (18)... Senior.... August 4, 1980- April 20, 1999
John Tomlin (16)... Junior.... September 1, 1982- April 20, 1999
Kyle Velasquez (16)... Junior....May 5, 1982- April 20, 1999
Martin Narrod Apr 2014
12 Monkeys
17 Girls
127 Hours
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2001 A Space Odyssey
360
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A Perfect Getaway
A Serbian Film
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Adaptation
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Albert Nobbs
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American Beauty
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Amorres Perros
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Anchorman
Andy Warhol's Bad 1977
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Animal Kingdom
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Arachnophobia
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Bad Company
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Badlands 1973
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Before Night Falls
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Blade Runner Final Cut
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Blood Work
Blue Valentine
Breach
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Born on the Fourth of July
Boyz in the Hood
Bullet
Bulworth
Brothers
Caddyshack 1 & 2
Career Opportunities
Carlos The Jackal The Movie
Carne by Gaspar Noe - French
Cashback
CB4
Charlie Wilson's War
Chelsea Girls 1966
Cherry
Chinatown
Ciao Manhattan ft. Edie Sedgewick 1972
Cinema Paradiso
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Clear and Present Danger
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Contact
Corpse Bride
Courage Under Fire
Crazy Stupid Love
Dark Shadows
Dave 1993
Daybreakers
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Dead Presidents
Defiance
Desperately Seeking Susan
Despicable Me
Detachment
Die Hard Quadrilogy
**** Tracy
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Django Unchained
Dogtooth - Greek
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Doubt
Dracula, Bram Stoker's
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Dream House
Drive
Drop Zone
Dumbo
Dune Extended Edition
Ears Open, Eyeballs Click
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Edward Scissorhands
Empire of the Sun
Encino Man
Enter the Void by Gaspar Noe
Eraser 1999
Eyes Wide Shut 1999
Face Off 1997
Fallen
Fantastic Mr. Fox
Fast Times at Ridgemont High
Fight Club
Fill the Void
Fish Tank
Fitzcarraldo
Five Minutes in Heaven
Flickan 2009 - Swedish
Flubber 1997
Folks!
Forbidden Planet 1956
Fracture
Friday 1995
Friday After Next 2002
Frost Nixon
******* Amal - Swedish
Full Metal Jacket
Funny Farm 1988
Funny Games
Fur- An Imaginary Portrait of Diane Arbus
G.I. Jane
G.I. Joe Retaliation
Gangs of New York
Gangster Squad
Garden State
Get Rich or Die Tryin'
Ghostbusters 1
Girlfriend
Girl, Interrupted
Glengarry Glen Ross
Gomorra - Italian
Great Expectations 1998
Greenberg
Grindhouse Death Proof
Grindhouse Planet Terror
Groundhog Day 1993
Grumpy Old Men
Grumpier Old Men
Gummo
Gus Van Sant's Last Days
Half Nelson
Hannibal
Havoc
Haywire
Heartbreak Ridge
Heat
Hell on the Pacific 1986
Hesher
Hitchcock
Holy Rollers
Hook
Honey I Shrunk the Kids
Hyde Park on Hudson
I Am Curious Blue
I Am Curious Yellow
I Heart Huckabees
I Stand Alone by Gaspar Noe - French
If Looks Could **** 1991
I'm Not There
In Bruges
In The Line of Fire
Inglorious Basterds
Inland Empire
Innerspace 1987
Innocence
Interview With the Vampire
Jacob's Ladder
James Bond - Diamonds Are Forever 1971
James Bond - From Russia With Love 1963
James Bond - Goldfinger 1964
James Bond - Never Say Never Again 1983
James Bond - On Her Majesty's Secret Service 1969
James Bond - Thunderball 1965
James Bon - You Only Live Twice 1967
Jane Eyre
Jeremiah Johnson 1972
JFK
Joe Versus the Volcano
Johnny English 2
Julien Donkey-Boy
Juno
Just Cause
Kapringen aka A Hijacking - Icelandic
Ken Park
Killing Season
Killing Them Softly
Kindergarten Cop
Kingpin
Koyaanisqatsi
Krippendorf's Tribe
Kiss the Girls
La Vie En Rose
Last Night
Last of the Dogmen
Leon: The Professional
Leonard Pt. 6
Les Miserables
Lie With Me
Life of Pi
Lincoln
Lions For Lambs
Little Children
Lord of the Rings Trilogy BR Extended
Lord of War
Lost Highway
Love and Other Drugs
Love in the Time of Cholera
Love Liza
Lovers of the Arctic Circle
Mad Max 1979
Mad Max 2 1981
Mad Max 3 1985
Major Payne
Malcolm X
Man on Fire
Manhunter
Maverick 1994
Meet Joe Black
Melancholia
Menace II Society DIrector's Cut 1993
Mesrine 1 Killer Instinct - French
Mesrine 2 Public Enemy - French
Milk
Minority Report
Mission Impossible Ghost Protocol
Mister Lonely
Money Train
Moonrise Kingdom
Moulin Rouge
Mr. and Mrs. Smith
****** By Numbers
Munich
My Sassy Girl 2008
Naqoyqatsi Life As War
National Lampoon's Christmas Vacation
National Treasure Book of Secrets
Never Cry Wolf
Never Let Me Go
New Jack City
New York I Love You
Night on Earth 1991 - Italian
Nixon
Not Fade Away
Notes on a Scandal
O Brother, Where Art Thou
October Sky
Olympus Has Fallen
Ondskan - Swedish
One False Move
Out of Africa
Outbreak
Palmetto
Paris Texas Criterion 1984
Passenger 57
Paths of Glory 1957
Perfect Sense
Peter Pan
Philadelphia 1993
Pinocchio
Pirate Radio
Platoon 1986
Pleasantville
*******
Project X 1987
Proof
Quiz Show
Rabbits
Revolver
Robocop Trilogy
Robot and Frank
Rolling Stone's Gimme Shelter
Romance and Cigarettes
Romeo and Juliet 1996
Sahara
Saving Private Ryan
Schindler's List
Searching For Bobby Fischer
Secretary, The
Seven Years in Tibet
Sgt. Bilko
Shame 2011
Shine
Shooter
Shopgirl
Sid and Nancy
Sin City
Sky Captain and The World of Tomorrow
Skyfall
Slackers
Sleepers
Sleeping Beauty 1959
Sleeping Beauty 2011
Sleepy Hollow
Snow White and the Seven Dwarfs
Somewhere
South Central
Sphere
Spread
Spy Game
Stand Up Guys
Stay
Summer Hours - French
Sweeney Todd - The Demon Barber of Fleet Street
Synecdoche, NY
Syriana
Talk To Her - Habla Con Ella
Taken 1 & 2
Takers
****
Taxidermia
Tetro
Thank You For Smoking
That Thing You Do!
The Adjustment Bureau
The Age of Innocence by Martin Scorcese 1993
The Bad Lieutenant - Port of Call New Orleans 2009
The Basketball Diaries
The Beach 2000
The Believer
The Beverly Hillbillies
The Black Dahlia
The Blue Lagoon 1980
The Book of Eli
The Boxer
The Constant Gardner
The Conversation
The Curious Case of Benjamin Button
The Darjeeling Limited
The Dark Knight
The Dark Knight Rises
The Day of the Jackal
The Diving Bell and the Butterfly
The Fifth Element
The Flock
The Flowers of War
The Fountain
The Getaway
The Girl With the Dragon Tattoo 2011
The Golden Compass
The Good Shepherd
The Good The Bad and The Ugly
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The Green Mile
The Grey
The Help
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The Hurricane
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The Ice Storm
The Ides of March
The Illusionist
The Imaginarium of Doctor Parnassus
The Impossible
The Informers
The Invasion
The Iron Lady
The Island of Dr. Moreau
The Jackal
The ****
The Killer Inside Me
The Kingdom
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The Lost Boys
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The Man Who Fell to Earth 1976
The Master
The Mechanic
The Money Pit
The Naked Gun 1
The Naked Gun 2
The Naked Gun 3
The New World
The Pelican Brief
The Place Beyond the Pines
The Prestige
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The Right Stuff
The Road
The Rock
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The Rules of Attraction
The *** Diary
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The Skin I Live In - Mexican
The Soloist
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The Town
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The Way Back
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There's Something About Mary
Three Days of the Condor
Three Kings
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To the Wonder
To Rome With Love

Tombstone
Total Recall 1990
Trainspotting
Trash Humpers
True Lies
Two Lovers
Two Weeks in September(Brigette Bardot) 1967
Tyrannosaur
Unbreakable
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Wall Street 2010
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We Are The Night
War Witch
We Need to Talk About Kevin
Weekend by Jean-Luc Godard - French
Weekend 2011
West of Memphis
What Doesn't **** You
What's Eating Gilbert Grape
When Harry Met Sally
Where the Wild Things Are
White House Down
White Material Criterion 2009
White Oleander
Who is Harry Nilsson?
Wolf 1992
Womb
You Will Meet a Tall Dark Stranger
Zardoz 1974


Documentaries & Music Videos


BBC - Life in Cold Blood
BBC - Planet Earth
BBC - Rolling Stones Crossfire Hurricane
BBC - Great Bear Steakout
BBC - Ice Age Giants
BBC - Insect Worlds
BBC - Life on Earth 1979
BBC - Lost Cities of the Ancients
BBC - Operation Snow Tiger
BBC - Penguins: Spy in the Huddle
BBC - Polar Bear: Spy on the Ice
BBC - Richard Hammond's Miracles of Nature
BBC - The Life of Birds
BBC - Wonders of Life
David Blaine Collection
**** Proenke Collection - Alone and Solitude, The Frozen North
Encounters at the End of the World 2007
Nanook of the North
National Geographic Wild Kingdom of the Oceans Giants of the Deep: Whales
Shine A Light - The Rolling Stones
Vladimir Horowitz - Der Ietzte Romantiker
Vladimir Horowitz - Live in Vienna 1987
Vladimir Horowitz - The 1968 TV Concert
Whale Adventure with Nigel Marvin
RAJ NANDY Dec 2017
THE TRUE STORY OF JERUSALEM IN VERSE :
  FOLLOWING DONALD TRUMP'S RECOGNITION
Dear Readers, to usher in the spirit of Christmas, I wish to
share with you the true Story of Jerusalem in Verse. Based on
Biblical chronology, and several articles about its Early History.
Though the three of our World’s greatest religions have a common
lineage, yet religious bickering and hatred continues to exist in
our present age! Let this Season of Christmas bring peace with
goodwill and love. Let us all pray together for a peaceful World!
If you like this true story, kindly recommend it to all your poet
friends to read this slice of History. Thanks, from Raj Nandy.

   STORY OF JERUSALEM - GOD'S “PROMISED LAND”
                         IN VERSE: By Raj Nandy
                  
                       INTRODUCTION
After reading my ‘Arab Contribution to Science’ and the
downfall of Islam’s Golden Age,
A friend had requested me to write about The Crusades.
Now the Mongol contribution was far greater towards
Islamic Empire’s downfall,
For though the First Crusade besieged the Holy City of
Jerusalem making it fall,
The subsequent Crusades to the Seljuk Turks lost all!
But before writing about the Nine Crusades proper,
To acquaint my readers with the historic city of
Jerusalem becomes my present endeavor.
For Jerusalem is sacred to the Jews, Christian, and the
Muslims alike,
As their holy relics and shrines are housed in that Old
City’s revered sites!
But prior to narrating the story of Old Jerusalem City,
Let me tell you briefly about its early history.
About the patriarch Abraham, whom God led to this
‘Promised Land’.
From where this true story of Jerusalem really began.

                 HISTORICAL  BACKGROUND
The city of Jerusalem was twice razed to the ground.
Besieged 23 times, attacked 52 times, captured and
recaptured 44 times, surprising as it all may sound!
In an era of idolatry and multiple gods, Abraham born*
in the ancient City of Ur,# believed in a single God!
(1800 BC)
So God was pleased and in a covenant with Patriarch
Abraham,
Blessed him to become the ‘Father of Many Nations’
in a distant ‘Promised Land’!
Thus Abraham with his wife Sarah and nephew Lot,
Entered the Land of Canaan as promised by God.
But when a famine ravaged the Land of Canaan,
Abraham had moved onto Egypt on his own!
Having suffered there for some ungodly acts, his
return to the Land of Canaan remains a historical fact.
Through Abraham and Sarah’s Egyptian maid Hagar, -
his son Ishmael was born.
From Ishmael descended the ‘Ishmaelites’, to
become the Twelve Arab Tribes later on!
Next, with the blessings of the Lord, to Abraham
and Sarah son Isaac was born.
Isaac’s son Jacob fathered the Twelve Jewish Tribes,
Who became collectively known as the ‘Israelites’.
From the ‘Tribe of Benjamin’ came King Saul, the
first King of united Israel rising tall.
From the ‘Tribe of Judah’ King David, Solomon, and
several Kings of Judah did rise;
As proud forefathers of the Messiah Jesus Christ!
Thus in Judaism both the Arabs and the Christians
find a common lineage;
Yet unfortunately bitter differences continue to
exist even in our present age!
NOTES: Canaan was the ancient name of a large & prosperous
country (at times independent, at others a territory to Egypt),
which roughly corresponds to present day Lebanon, Syria, Jordan, and Israel. Canaan
was also known as ‘Phoenicia’ between 3200 BC & 539 BC. # Ur = an important
Sumerian city-state in ancient Mesopotamia.


           ORIGINS OF JERUSALEM
Jerusalem has been hailed by many names,
Gets mentioned as ‘Rushalium’ in an ancient
Egyptian text!  (2000 BC)
Also as Salem, Moriah, Jebus and Zion, this capital city
of the Israelites had been known.
Jerusalem as the remnant town of Salem, is also
mentioned in the ‘Book of Joshua’ Chapter Ten.
It was earlier a Jebusite City, which was conquered by  
King David around 1003 BC;
When David shifted his capital to Jerusalem from Hebron.
In Jerusalem he kept the Holy Ark in a sacred Tabernacle,
For which his son King Solomon had built the First Great
Temple.
This Sacred Ark contained the ‘Ten Commandments’,
Which accompanied the Israelites during their 40 years
of desert wandering with Moses, as their guidance!
But since majority of the tribes were hesitant to fight the
Canaanites for their ‘Promised Land’,
God blessed Joshua, the successor of Moses, to lead the
Tribes to their ‘Promised Land’.
NOTE: Jebusite was one of the ancient Canaanite tribes, conquered by
King David.

        TURBULENT HISTORY OF JERUSALEM
Now cutting across several centuries of its dynamic
history, let me continue with Jerusalem’s Story.
The death of King Solomon (931 BC) ended Israel’s
‘Golden Age’,
And this united Kingdom of Israel was split into
Northern and Southern states.
Ten Tribes formed the Northern Kingdom of Israel
with its capital at Samaria;
While Jerusalem became the capital of the Southern
half called Judea.
In unity lies strength, and in division further dissention;
This kingdom of King David and Solomon now becomes
prey to several foreign invasions!
Jerusalem gets attacked by the Egyptians, Assyrians,
Babylonians, Persians, and those imperial Romans, who
had initially built but later destroyed the Second
Jewish Temple!
The cruel King Herod, Judea’s Roman Protector,
Though of unstable mind, was a great builder!
‘The Wailing Wall’ and most of the ruins visible today,
Were built by the despot Herod as Archeologists say!
King Herod enlarged the Temple Mount with a massive
retaining wall around it.
Renovated the Second Temple which finally acquired  
his name!
But in 70 AD the Roman Emperor Titus, razed this
Second Temple to the ground, as Historians inform us!
Jerusalem had some peace under the Christian Byzantine
Emperor Constantine,
Who upheld Christianity, and his mother Helena inspired
the building of many hallowed shrines;
Only to be occupied by the Seljuk Turks later, who
desecrated those shrines!
Till the First Crusade in 1099 captured Jerusalem, to
provide eighty eight years of respite.
Next in 1187 the Seljuk Turk Saladin conquered Jerusalem;
When a peace treaty with Richard ‘The Lion Heart’ allowed
the visit of its ‘Holy Shrines’ by the Christians.
The British captured Jerusalem from the Ottoman Turks
in Nineteen hundred and seventeen;
And in 1948 the State of Israel was born, realizing
Abraham’s dream!
But surrounded by hostile enemies on all sides, Israel
had to fight continuously for its survival as a Nation;
And now I pause to pay my humble tribute to those
valiant Israelites with salutation!

           THE OLD CITY OF JERUSALEM
Nestled on the hollow of the hills of Judea this city
spreads out on a plateau 800 meters above the sea.
With its Dome shining in the sun, dominating  some five
thousand years of history!
The City stretches 0.9 square kilometers surrounded by
retaining walls between 16 to 46 feet in height.
Which includes more than 200 monuments and sacred
sites!
Until the 1860s the Old City had represented entire
Jerusalem collectively.
But later under the initiative of the British, settlements
outside its wall began confidently.
During 1946 when Israel declared its Independence,
The ‘old city’ remained under the control of the Jordanians;
Only to be liberated during the Six Day’s War in 1967!

           OLD CITY GATES AND QUARTERS
The walls around the Old City stretch for 4.5 kilometers,
With its height varying between five to sixteen meters.
It has 43 surveillance towers and eleven gates.
However, only seven gates remain open as on date.
The current wall was built in 1538 by Sultan Suleiman
the Magnificent.
On the southern side of this wall is the Zion Gate, leading
to the Armenian Quarters overlooking Mount Zion outside;
Where lies King David’s tomb, a Holy Site.
The Dung Gate leads to the Jewish Quarters from the south;
And the way to Al-Aksa Mosque inside the Temple Mount.
The Jaffa or the Main Gate is on the west, with its famous
Citadel and the ‘Tower of David’ built by King Herod.
This gate leads to the Christian Quarters inside, while the
road goes to the port of Jaffa outside.
A New Gate was also built further up on the north-western
side,    (in1898)
For entry of the German Emperor William the Second,
through the Christian side!
The Damascus Gate in the middle of the Northern Wall
was the largest and the most heavily defended Gate.
Where excavations have revealed an old ‘Roman Gate’
beneath it.
Through this Gate had entered the Holy Crusade!
Further east on the northern wall is the ‘Herod’s Gate’,
Leading to the Muslim Quarters and the ‘Souk’, – the
Arab markets.
On the East is the Lions Gate, with carved figure of
lions on the gate’s crest;
Both for the Christian and the Jews this gate has a
special significance!
For this gate marks the walk ‘Via Dolorosa’, the path
taken by Jesus from the Garden of Gethsemane to
his Crucifixion Site,
Where stands the Church of Holy Sepulcher built by
the Emperor Constantine.
In 1967 the Israeli 55th Para Brigade entered through this
‘Lions Gate’, after a hand-to-hand fight with the Jordanians.
When they hoisted the Star of David on the Temple Mount  
to reclaim Jerusalem!
Jerusalem was declared as their Capital City,
Concluding a chapter of its turbulent History!

Since the time of the Crusades Jerusalem has remained
traditionally divided into Jewish, Christian, Muslim, and
Armenian sections;
Each with its sacred Synagogues, Churches, and Mosques,
defying the City’s unification!
Yet amidst the gong of church bells, the call of Muezzin,
and recitation of the Torah,
Old Jerusalem reverberates with a unique religious
euphoria!

           SACRED MONUMENTS AND SITES
‘The Wailing Wall’ is the more popular name for that part
of Western Wall built by King Herod during 19 BC,
Around the Second Jewish Temple which he renovated,
for the world to see!
Today only 167 feet of this exposed ‘Wall’ remains,
which is 62 feet high.
As a solitary witness to that once glorious past, which
evokes a deep sighs!
It is the holiest of Jewish shrines today where they
congregate.
To pray in front of this Sacred Wall and to loudly lament,
The loss of their Great Temple which was once made!
Inside the cracks in the wall many folded papers can be
seen;
Coating their petitions to God with prayers from within!

The Temple Mount is perhaps the oldest of all shrines.
Sacred to both the Christians and the Muslims alike!
For here on a rock alter Abraham had bound his son
Isaac,
Ready to sacrifice him when the Lord put him to a test!
Here King Solomon had built the First Jewish Temple;
Which during 587 BC, was destroyed by the King of
Babylon!
The King also took the Jews into captivity lasting nearly
seventy long years;
And Psalm 137 tells us how the Jews remembering Zion
on the banks of River of Babylon, - shed their tears!
That old song by ‘Bonny M’, now rings in my ears!
This was also the site of the Second Temple destroyed
by the Romans.
Who renamed Jerusalem as ‘Aelia Capitolina’, making
the City pagan!
Al-Aqsa Mosque or ‘The Farthest Mosque’, located on the
Mount, was completed around 705 AD they say.
Has been claimed by the Muslims as the site where their
Prophet traveled ‘during the night’ from Mecca to pray;
And from where angle Gabriel accompanied him to
Heaven or ‘Jannat,’ - all the way!
So they constructed the ‘Dome of The Rock’ to mark
this ascension;
Which around 691 AD saw its completion.
The Golden Gate on the east leading to the Temple Mount,
Was sealed by the Muslims during Sixth Century following
their fears and doubts.
For the Jew’s claim their Messiah will enter through this
Golden Gate one day.
Which unnerved the Muslims whatever one may say.
So outside this sealed gate they also built a cemetery;
Let future events gradually unfold in Jerusalem’s Story!

                       CONCLUSION
Now dear readers I conclude this narration, with some
food for thought and contemplation.
‘Jerusalem’ is mentioned in the Jewish Bible 669 times,
and 154 times as ‘Zion’. (‘Land of Israel’)
In the Christian Bible it is mentioned 161 times; but not
once in the Hindu ‘Gita’, the Buddhist Scriptures, or in
the Muslim Koran;
Not forgetting the fact that God is Supreme and One!
The Koran speaks only of “The Furthest Mosque” where  
the Prophet went to pray,
From Mecca we know Holy Medina comes on the way.*
(please see notes below)
The Holy Bible is also a record of Early Civilizations ,
Supported by Archaeological finds, carbon dating, and
countless excavations.
The Jewish claim to the ‘Land of Canaan’ is more than
3000 years old;
And Israel today occupies 75% of that historic piece of
land we know and have been told!
The Old City in 1981 has been declared as UNESCO’s
Heritage Site.
Let the ‘Spirit of Humanity’ overtake all religious divide!
It is true that History has evolved from the Myths and
Legends of the past.
But it is for us to separate the wheat from the chaff.
I have done adequate research of this Ancient History.
Now I leave it to You my Readers for drawing your own conclusions after reading this true Story!
Thank you readers for reading patiently,
From Raj Nandy of New Delhi .
ALL COPY RIGHTS ARE WITH THE AUTHOR ONLY
*** Dear Readers, I have pointed out in the concluding portion that as per all available evidence, claim of the Holy Kaaba on the Temple Mount by the Muslims is not supported by the true History of Jerusalem!
Harry J Baxter Jun 2014
I was in a rush to grow up
look Mom no cuts
just a stomach of disgust
and the fear that I might go nuts this year
........
I've lost all faith in a world so full of hate
and I don't ******* love music
I just use it to escape
but wait,
I'm caught between wanting to punch someone in the face
and putting a bullet in my head to leave the human race
everything takes its toll
but no there's no toll I can take
I haven't yet found a good reason to be awake
Introducing my corroded bumps I hide behind my smile
I'm angry with the universe for the way she treats me now
and keeps me down
stealing all my energy
feeling like my enemy
concealing my identity
RIP OLIVER HART. If you are interested at all in finding poetry within other mediums of art, the midwest underground hip hop scene is an epicenter for story telling and poetry withing hip hop. Look up eyedea/oliver hart, Atmosphere, Sage Francis, Brother Ali, Grieves, Cecil Otter, Dessa, POS, and Mac Lethal
RAJ NANDY Dec 2015
Dear Readers, to usher in the spirit of Christmas, I wish to
share with you the true Story of Jerusalem in Verse. Based on
Biblical chronology, and several articles about its Early History.
Though the three of our World’s greatest religions have a common
lineage, yet religious bickering and hatred continues to exist
in our present age! Let this Season of Christmas bring peace with
goodwill and love. Let us all pray together for a peaceful World!
If you like this true story, kindly recommend it to all your poet
friends to read this slice of History. Thanks, from Raj Nandy.


   STORY OF JERUSALEM - “THE PROMISED LAND”
                IN VERSE: By Raj Nandy
                  
                       INTRODUCTION
After reading my ‘Arab Contribution to Science’ and the
downfall of Islam’s Golden Age,
A friend had requested me to write about The Crusades.
Now the Mongol contribution was far greater towards
Islamic Empire’s downfall,
For though the First Crusade besieged the Holy City of
Jerusalem making it fall,
The subsequent Crusades to the Seljuk Turks lost all!
But before writing about the Nine Crusades proper,
To acquaint my readers with the historic city of
Jerusalem becomes my present endeavor.
For Jerusalem is sacred to the Jews, Christian, and the
Muslims alike,
As their holy relics and shrines are housed in that Old
City’s revered sites!
But prior to narrating the story of Old Jerusalem City,
Let me tell you briefly about its early history.
About the patriarch Abraham, whom God led to this
‘Promised Land’.
From where this true story of Jerusalem really began.

                 HISTORICAL  BACKGROUND
The city of Jerusalem was twice razed to the ground.
Besieged 23 times, attacked 52 times, captured and
recaptured 44 times, surprising as it all may sound!
In an era of idolatry and multiple gods, Abraham born*
in the ancient City of Ur,# believed in a single God!
(1800 BC)
So God was pleased and in a covenant with Patriarch
Abraham,
Blessed him to become the ‘Father of Many Nations’
in a distant ‘Promised Land’!
Thus Abraham with his wife Sarah and nephew Lot,
Entered the Land of Canaan as promised by God.
But when a famine ravaged the Land of Canaan,
Abraham had moved onto Egypt on his own!
Having suffered there for some ungodly acts, his
return to the Land of Canaan remains a historical fact.
Through Abraham and Sarah’s Egyptian maid Hagar, -
his son Ishmael was born.
From Ishmael descended the ‘Ishmaelites’, to
become the Twelve Arab Tribes later on!
Next, with the blessings of the Lord, to Abraham
and Sarah son Isaac was born.
Isaac’s son Jacob fathered the Twelve Jewish Tribes,
Who became collectively known as the ‘Israelites’.
From the ‘Tribe of Benjamin’ came King Saul, the
first King of united Israel rising tall.
From the ‘Tribe of Judah’ King David, Solomon, and
several Kings of Judah did rise;
As proud forefathers of the Messiah Jesus Christ!
Thus in Judaism both the Arabs and the Christians
find a common lineage;
Yet unfortunately bitter differences continue to
exist even in our present age!
NOTES: Canaan was the ancient name of a large & prosperous
country (at times independent, at others a territory to Egypt),
which roughly corresponds to present day Lebanon, Syria, Jordan, and Israel. Canaan was also known as ‘Phoenicia’ between 3200 BC & 539 BC. # Ur = an important Sumerian city-state in ancient Mesopotamia.


               ORIGINS OF JERUSALEM
Jerusalem has been hailed by many names,
Gets mentioned as ‘Rushalium’ in an ancient
Egyptian text!  (2000 BC)
Also as Salem, Moriah, Jebus and Zion, this capital city
of the Israelites had been known.
Jerusalem as the remnant town of Salem, is also
mentioned in the ‘Book of Joshua’ Chapter Ten.
It was earlier a Jebusite City
, which was conquered by  
King David around 1003 BC;
When David shifted his capital to Jerusalem from Hebron.
In Jerusalem he kept the Holy Ark in a sacred Tabernacle,
For which his son King Solomon had built the First Great
Temple.
This Sacred Ark contained the ‘Ten Commandments’,
Which accompanied the Israelites during their 40 years
of desert wandering with Moses, as their guidance!
But since majority of the tribes were hesitant to fight the
Canaanites for their ‘Promised Land’,
God blessed Joshua, the successor of Moses, to lead the
Tribes to their ‘Promised Land’.
NOTE: Jebusite was one of the ancient Canaanite tribes, conquered by
King David.

            TURBULENT HISTORY OF JERUSALEM
Now cutting across several centuries of its dynamic
history, let me continue with Jerusalem’s Story.
The death of King Solomon (931 BC) ended Israel’s
‘Golden Age’,
And this united Kingdom of Israel was split into
Northern and Southern states.
Ten Tribes formed the Northern Kingdom of Israel
with its capital at Samaria;
While Jerusalem became the capital of the Southern
half called Judea.
In unity lies strength, and in division further dissention;
This kingdom of King David and Solomon now becomes
prey to several foreign invasions!
Jerusalem gets attacked by the Egyptians, Assyrians,
Babylonians, Persians, and those imperial Romans, who
had initially built but later destroyed the Second
Jewish Temple!
The cruel King Herod, Judea’s Roman Protector,
Though of unstable mind, was a great builder!
‘The Wailing Wall’ and most of the ruins visible today,
Were built by the despot Herod as Archeologists say!
King Herod enlarged the Temple Mount with a massive
retaining wall around it.
Renovated the Second Temple which finally acquired  
his name!
But in 70 AD the Roman Emperor Titus, razed this
Second Temple to the ground, as Historians inform us!
Jerusalem had some peace under the Christian Byzantine
Emperor Constantine,
Who upheld Christianity, and his mother Helena inspired
the building of many hallowed shrines;
Only to be occupied by the Seljuk Turks later, who
desecrated those shrines!
Till the First Crusade in 1099 captured Jerusalem, to
provide eighty eight years of respite.
Next in 1187 the Seljuk Turk Saladin conquered Jerusalem;
When a peace treaty with Richard ‘The Lion Heart’ allowed
the visit of its ‘Holy Shrines’ by the Christians.
The British captured Jerusalem from the Ottoman Turks
in Nineteen hundred and seventeen;
And in 1948 the State of Israel was born, realizing
Abraham’s dream!
But surrounded by hostile enemies on all sides, Israel
had to fight continuously for its survival as a Nation;
And now I pause to pay my humble tribute to those
valiant Israelites with salutation!

                              THE OLD CITY
Nestled on the hollow of the hills of Judea this city
spreads out on a plateau 800 meters above the sea.
With its Dome shining in the sun, dominating  some five
thousand years of history!
The City stretches 0.9 square kilometers surrounded by
retaining walls between 16 to 46 feet in height.
Which includes more than 200 monuments and sacred
sites!
Until the 1860s the Old City had represented entire
Jerusalem collectively.
But later under the initiative of the British, settlements
outside its wall began confidently.
During 1946 when Israel declared its Independence,
The ‘old city’ remained under the control of the Jordanians;
Only to be liberated during the Six Day’s War in 1967!

                OLD CITY GATES AND QUARTERS
The walls around the Old City stretch for 4.5 kilometers,
With its height varying between five to sixteen meters.
It has 43 surveillance towers and eleven gates.
However, only seven gates remain open as on date.
The current wall was built in 1538 by Sultan Suleiman
the Magnificent.
On the southern side of this wall is the Zion Gate, leading
to the Armenian Quarters overlooking Mount Zion outside;
Where lies King David’s tomb, a Holy Site.
The Dung Gate leads to the Jewish Quarters from the south;
And the way to Al-Aksa Mosque inside the Temple Mount.
The Jaffa or the Main Gate is on the west, with its famous
Citadel and the ‘Tower of David’ built by King Herod.
This gate leads to the Christian Quarters inside, while the
road goes to the port of Jaffa outside.
A New Gate was also built further up on the north-western
side,    (in1898)
For entry of the German Emperor William the Second,
through the Christian side!
The Damascus Gate in the middle of the Northern Wall
was the largest and the most heavily defended Gate.
Where excavations have revealed an old ‘Roman Gate’
beneath it.
Through this Gate had entered the Holy Crusade!
Further east on the northern wall is the ‘Herod’s Gate’,
Leading to the Muslim Quarters and the ‘Souk’, – the
Arab markets.
On the East is the Lions Gate, with carved figure of
lions on the gate’s crest;
Both for the Christian and the Jews this gate has a
special significance!
For this gate marks the walk ‘Via Dolorosa’, the path
taken by Jesus from the Garden of Gethsemane to
his Crucifixion Site,
Where stands the Church of Holy Sepulcher built by
the Emperor Constantine.
In 1967 the Israeli 55th Para Brigade entered through this
‘Lions Gate’, after a hand-to-hand fight with the Jordanians.
When they hoisted the Star of David on the Temple Mount  
to reclaim Jerusalem!
Jerusalem was declared as their Capital City,
Concluding a chapter of its turbulent History!

Since the time of the Crusades Jerusalem has remained
traditionally divided into Jewish, Christian, Muslim, and
Armenian sections;
Each with its sacred Synagogues, Churches, and Mosques,
defying the City’s unification!
Yet amidst the gong of church bells, the call of Muezzin,
and recitation of the Torah,
Old Jerusalem reverberates with a unique religious
euphoria!

               SACRED MONUMENTS AND SITES
‘The Wailing Wall’ is the more popular name for that part
of Western Wall built by King Herod during 19 BC,
Around the Second Jewish Temple which he renovated,
for the world to see!
Today only 167 feet of this exposed ‘Wall’ remains,
which is 62 feet high.
As a solitary witness to that once glorious past, which
evokes a deep sighs!
It is the holiest of Jewish shrines today where they
congregate.
To pray in front of this Sacred Wall and to loudly lament,
The loss of their Great Temple which was once made!
Inside the cracks in the wall many folded papers can be
seen;
Coating their petitions to God with prayers from within!

The Temple Mount is perhaps the oldest of all shrines.
Sacred to both the Christians and the Muslims alike!
For here on a rock alter Abraham had bound his son
Isaac,
Ready to sacrifice him when the Lord put him to a test!
Here King Solomon had built the First Jewish Temple;
Which during 587 BC, was destroyed by the King of
Babylon!
The King also took the Jews into captivity lasting nearly
seventy long years;
And Psalm 137 tells us how the Jews remembering Zion
on the banks of River of Babylon, - shed their tears!
That old song by ‘Bonny M’, now rings in my ears!
This was also the site of the Second Temple destroyed
by the Romans.
Who renamed Jerusalem as ‘Aelia Capitolina’, making
the City pagan!
Al-Aqsa Mosque or ‘The Farthest Mosque’, located on the
Mount, was completed around 705 AD they say.
Has been claimed by the Muslims as the site where their
Prophet traveled ‘during the night’ from Mecca to pray;
And from where angle Gabriel accompanied him to
Heaven or ‘Jannat,’ - all the way!
So they constructed the ‘Dome of The Rock’ to mark
this ascension;
Which around 691 AD saw its completion.
The Golden Gate on the east leading to the Temple Mount,
Was sealed by the Muslims during Sixth Century following
their fears and doubts.
For the Jew’s claim their Messiah will enter through this
Golden Gate one day.
Which unnerved the Muslims whatever one may say.
So outside this sealed gate they also built a cemetery;
Let future events gradually unfold in Jerusalem’s Story!

                            CONCLUSION
Now dear readers I conclude this narration, with some
food for thought and contemplation.
‘Jerusalem’ is mentioned in the Jewish Bible 669 times,
and 154 times as ‘Zion’. (‘Land of Israel’)
In the Christian Bible it is mentioned 161 times; but not
once in the Hindu ‘Gita’, the Buddhist Scriptures, or in
the Koran;
Not forgetting the fact that God is Supreme and One!
The Koran speaks only of “The Furthest Mosque” where  
the Prophet went to pray,
From Mecca we know Holy Medina comes on the way.
The Holy Bible is also a record of Early Civilizations ,
Supported by Archaeological finds, carbon dating, and
countless excavations.
The Jewish claim to the ‘Land of Canaan’ is more than
3000 years old;
And Israel today occupies 75% of that historic piece of
land we know and have been told!
The Old City in 1981 has been declared as UNESCO’s
Heritage Site.
Let the ‘Spirit of Humanity’ overtake all religious divide!
It is true that History has evolved from the Myths and
Legends of the past.
But it is for us to separate the wheat from the chaff.
I have done adequate research of this Ancient History.
Now I leave it to you for drawing your own conclusions
after reading this true Story!
Thank you readers for reading patiently,
From Raj Nandy of New Delhi .
ALL COPY RIGHTS  ARE WITH THE AUTHOR ONLY
JT Apr 2017
1981

They came in like diseased eagles; mutated
forms of those they wore on their chest and
with the change once again in the weather,
the ZOMO swooped in to quell what was
‘wrong’, what would bring them down. They
run in the streets as well as the miners,
running for different reasons and different
aims. I look down, out my window and see
the army helmets littering the street like rats.
            Police.          Rats.
I could no longer see a difference. My father
went to work that morning. I clutch my doll
knowing the chance of seeing him again is
            Miniscule.   Poor.
There is no more cereal in the cupboard;
there is no more cereal in the shop; there is
no more shop. The ZOMO set it on fire when the word

                          Solidarity

appeared in the window.
“We are closing the border for the safety of the People”
            Incorrect.     Unjustified.
For the safety of You, the Elite.
“Nine killed in mine shooting”
Which side?
Only the ZOMO carry guns.
            Fascism.       Communism.
I could no longer see a difference
Michael R Burch Dec 2021
The Story
by Kamal Nasser
translation by Michael R. Burch

I will tell you a story ...
a story that lived in the dreams of my people,
a story that comes from the world of tents.
It is a story inspired by hunger and embellished by dark nights of terror.
It is the story of my country, a handful of refugees.
Every twenty of them have a pound of flour between them
and a few promises of relief ... gifts and parcels.
It is the story of the suffering ones
who stood waiting in line ten years,
in hunger,
in tears and agony,
in hardship and yearning.
It is a story of a people who were misled,
who were thrown into the mazes of the years.
And yet they stood defiant,
disrobed yet united
as they trudged from the light to their tents:
the revolution of return
into the world of darkness.

Kamal Nasser was a much-admired Palestinian poet and Palestinian Christian, who due to his renowned integrity was known as "The Conscience." He was a member of Jordan's parliament in 1956. He was murdered in 1973 by an Israeli death squad whose most notorious member was future Israeli Prime Minister Ehud Barak. Barak (born Ehud Brog) later ruled as Israel’s tenth Prime Minister from 1999 to 2001. His adopted Hebrew name Barak means "lightning." As a younger man, Brog/Barak was a member of a secret assassination unit that liquidated Palestinians in Lebanon and the occupied territories. In the 1973 covert mission Operation Spring of Youth in Beirut, which was part of the larger Operation Wrath of God, he disguised himself as a woman in order to assassinate Palestinians. The raid resulted in the deaths of two women, one of them an elderly Italian. Two Lebanese policemen were also killed, along with the poet Kamal Nasser.

Nasser was the PLO's most prominent Christian and he enjoyed "great appeal" in Lebanon, Syria, and Iraq "both as a distinguished poet and likeable personality." He was the “conscience of the Palestinian revolution,” according to Nazih Abul-Nidal, who worked with him on the magazine Filastin al-Thawra. Nasser “had the most democratic outlook of all Palestinian leaders at the time,” he recalls. He respected opposing views, admired the commitment of young people, and was a major recruitment asset for the Palestinian revolution. “That is why he was put high on the hit-list.” The previous year, the Israelis had murdered another renowned Palestinian writer and activist in Beirut, Ghassan Kanafani, by *****-trapping his car. Nasser’s successor, Majed Abu Sharar, was also assassinated by Israelis, in Rome in 1981 while attending a conference in solidarity with the Palestinian people.

Keywords/Tags: Kamal Nasser, Palestinian, Palestine, PLO, Conscience, Ramallah, Christian, religion, poet, Arab, Arabic, Arab Spring, betrayal, conflict, courage, devotion
Michael R Burch Dec 2020
LOVE POEMS by Michael R. Burch

These are love poems written by Michael R. Burch: original poems and translations about passion, desire, lust, ***, dating, making out, relationships and marriage. On an amusing note, my steamy Baudelaire translations have become popular with the pros ― **** stars and escort services!



Sappho, fragment 42
translation by Michael R. Burch

Eros harrows my heart:
wild winds whipping desolate mountains
uprooting oaks.



Preposterous Eros
by Michael R. Burch

“Preposterous Eros” – Patricia Falanga

Preposterous Eros shot me in
the buttocks, with a Devilish grin,
spent all my money in a rush
then left my heart effete pink mush.



Sappho, fragment 155
translation by Michael R. Burch

A short revealing frock?
It's just my luck
your lips were made to mock!



Sappho, fragment 22
loose translation by Michael R. Burch

That enticing girl's clinging dresses
leave me trembling, overcome by happiness,
as once, when I saw the Goddess in my prayers
eclipsing Cyprus.



Negligibles
by Michael R. Burch

Show me your most intimate items of apparel;
begin with the hem of your quicksilver slip ...



Warming Her Pearls
by Michael R. Burch

Warming her pearls,
her ******* gleam like constellations.
Her belly is a bit rotund ...
she might have stepped out of a Rubens.



She bathes in silver
by Michael R. Burch

She bathes in silver,
afloat
on her reflections ...



****** Errata
by Michael R. Burch

I didn’t mean to love you; if I did,
it came unbid-
en,
and should’ve remained hid-
den!



Are You the Thief
by Michael R. Burch

When I touch you now,
O sweet lover,
full of fire,
melting like ice
in my embrace,

when I part the delicate white lace,
baring pale flesh,
and your face
is so close
that I breathe your breath
and your hair surrounds me like a wreath ...

tell me now,
O sweet, sweet lover,
in good faith:
are you the thief
who has stolen my heart?



The Effects of Memory
by Michael R. Burch

A black ringlet
curls to lie
at the nape of her neck,
glistening with sweat
in the evaporate moonlight ...
This is what I remember

now that I cannot forget.

And tonight,
if I have forgotten her name,
I remember:
rigid wire and white lace
half-impressed in her flesh ...

our soft cries, like regret,

... the enameled white clips
of her bra strap
still inscribe dimpled marks
that my kisses erase ...
now that I have forgotten her face.



Moments
by Michael R. Burch

There were moments full of promise,
like the petal-scented rainfall of early spring,
when to hold you in my arms
and to kiss your willing lips
seemed everything.

There are moments strangely empty
full of pale unearthly twilight
―how the cold stars stare!―
when to be without you is a dark enchantment
the night and I share.



The Communion of Sighs
by Michael R. Burch

There was a moment
without the sound of trumpets or a shining light,
but with only silence and darkness and a cool mist
felt more than seen.
I was eighteen,
my heart pounding wildly within me like a fist.
Expectation hung like a cry in the night,
and your eyes shone like the corona of a comet.

There was an instant . . .
without words, but with a deeper communion,
as clothing first, then inhibitions fell;
liquidly our lips met
―feverish, wet―
forgotten, the tales of heaven and hell,
in the immediacy of our fumbling union . . .
when the rest of the world became distant.

Then the only light was the moon on the rise,
and the only sound, the communion of sighs.



Righteous
by Michael R. Burch

Come to me tonight
in the twilight, O, and the full moon rising,
spectral and ancient, will mutter a prayer.

Gather your hair
and pin it up, knowing
that I will release it a moment anon.

We are not one,
nor is there a scripture
to sanctify nights you might spend in my arms,

but the swarms
of stars revolving above us
revel tonight, the most ardent of lovers.



For All that I Remembered
by Michael R. Burch

For all that I remembered, I forgot
her name, her face, the reason that we loved ...
and yet I hold her close within my thought.
I feel the burnished weight of auburn hair
that fell across her face, the apricot
clean scent of her shampoo, the way she glowed
so palely in the moonlight, angel-wan.

The memory of her gathers like a flood
and bears me to that night, that only night,
when she and I were one, and if I could ...
I'd reach to her this time and, smiling, brush
the hair out of her eyes, and hold intact
each feature, each impression. Love is such
a threadbare sort of magic, it is gone
before we recognize it. I would crush
my lips to hers to hold their memory,
if not more tightly, less elusively.



Le Balcon (The Balcony)
by Charles Baudelaire
loose translation by Michael R. Burch

Paramour of memory, ultimate mistress,
source of all pleasure, my only desire;
how can I forget your ecstatic caresses,
the warmth of your ******* by the roaring fire,
paramour of memory, ultimate mistress?

Each night illumined by the burning coals
we lay together where the rose-fragrance clings―
how soft your *******, how tender your soul!
Ah, and we said imperishable things,
each night illumined by the burning coals.

How beautiful the sunsets these sultry days,
deep space so profound, beyond life’s brief floods ...
then, when I kissed you, my queen, in a daze,
I thought I breathed the bouquet of your blood
as beautiful as sunsets these sultry days.

Night thickens around us like a wall;
in the deepening darkness our irises meet.
I drink your breath, ah! poisonous yet sweet!,
as with fraternal hands I massage your feet
while night thickens around us like a wall.

I have mastered the sweet but difficult art
of happiness here, with my head in your lap,
finding pure joy in your body, your heart;
because you’re the queen of my present and past
I have mastered love’s sweet but difficult art.

O vows! O perfumes! O infinite kisses!
Can these be reborn from a gulf we can’t sound
as suns reappear, as if heaven misses
their light when they sink into seas dark, profound?
O vows! O perfumes! O infinite kisses!

My translation of Le Balcon has become popular with **** sites, escort services and dating sites. The pros seem to like it!



Les Bijoux (The Jewels)
by Charles Baudelaire
loose translation by Michael R. Burch

My lover **** and knowing my heart's whims
Wore nothing more than a few bright-flashing gems;
Her art was saving men despite their sins―
She ruled like harem girls crowned with diadems!

She danced for me with a gay but mocking air,
My world of stone and metal sparking bright;
I discovered in her the rapture of everything fair―
Nay, an excess of joy where the spirit and flesh unite!

Naked she lay and offered herself to me,
Parting her legs and smiling receptively,
As gentle and yet profound as the rising sea―
Till her surging tide encountered my cliff, abruptly.

A tigress tamed, her eyes met mine, intent ...
Intent on lust, content to purr and please!
Her breath, both languid and lascivious, lent
An odd charm to her metamorphoses.

Her limbs, her *****, her abdomen, her thighs,
Oiled alabaster, sinuous as a swan,
Writhed pale before my calm clairvoyant eyes;
Like clustered grapes her ******* and belly shone.

Skilled in more spells than evil imps can muster,
To break the peace which had possessed my heart,
She flashed her crystal rocks’ hypnotic luster
Till my quietude was shattered, blown apart.

Her waist awrithe, her ******* enormously
Out-******, and yet ... and yet, somehow, still coy ...
As if stout haunches of Antiope
Had been grafted to a boy ...

The room grew dark, the lamp had flickered out.
Mute firelight, alone, lit each glowing stud;
Each time the fire sighed, as if in doubt,
It steeped her pale, rouged flesh in pools of blood.



The Perfect Courtesan
by Michael R. Burch

after Baudelaire, for the courtesans

She received me into her cavities,
indulging my darkest depravities
with such trembling longing, I felt her need ...

Such was the dalliance to which we agreed—
she, my high rider;
I, her wild steed.

She surrendered her all and revealed to me—
the willing handmaiden, delighted to please,
the Perfect Courtesan of Ecstasy.



Invitation to the Voyage
by Charles Baudelaire
loose translation/interpretation by Michael R. Burch

My child, my sister,
Consider the rapture
Of living together!
To love at our leisure
Till the end of all pleasure,
Then in climes so alike you, to die!

The misty sunlight
Of these hazy skies
Charms my spirit:
So mysterious
Your treacherous eyes,
Shining through tears.

There, order and restraint redress
Opulence, voluptuousness.

Gleaming furniture
Burnished by the years
Would decorate our bedroom
Where the rarest flowers
Mingle their fragrances
With vague scents of amber.

The sumptuous ceilings,
The limpid mirrors,
The Oriental ornaments …
Everything would speak
To our secretive souls
In their own indigenous language.

There, order and restraint redress
Opulence, voluptuousness.

See, rocking on these channels:
The sleepy vessels
Whose vagabond dream
Is to satisfy
Your merest desire.

They come from the ends of the world:
These radiant suns
Illuminating fields,
Canals, the entire city,
In hyacinth and gold.
The world falls asleep
In their warming light.

There, order and restraint redress
Opulence, voluptuousness.



What Goes Around, Comes
by Michael R. Burch

This is a poem about loss
so why do you toss your dark hair―
unaccountably glowing?

How can you be sure of my heart
when it’s beyond my own knowing?

Or is it love’s pheromones you trust,
my eyes magnetized by your bust
and the mysterious alchemies of lust?

Now I am truly lost!



Passionate One
by Michael R. Burch

for Beth

Love of my life,
light of my morning―
arise, brightly dawning,
for you are my sun.

Give me of heaven
both manna and leaven―
desirous Presence,
Passionate One.

Manna is "heavenly bread" and leaven is what we use to make earthly bread rise. So this poem is saying that one's lover offers the best of heaven and earth.



Second Sight
by Michael R. Burch

I never touched you―
that was my mistake.

Deep within,
I still feel the ache.

Can an unformed thing
eternally break?

Now, from a great distance,
I see you again

not as you are now,
but as you were then―

eternally present
and Sovereign.



After the Deluge
by Michael R. Burch

She was kinder than light
to an up-reaching flower
and sweeter than rain
to the bees in their bower
where anemones blush
at the affections they shower,
and love’s shocking power.

She shocked me to life,
but soon left me to wither.
I was listless without her,
nor could I be with her.
I fell under the spell
of her absence’s power.
in that calamitous hour.

Like blithe showers that fled
repealing spring’s sweetness;
like suns’ warming rays sped
away, with such fleetness ...
she has taken my heart―
alas, our completeness!
I now wilt in pale beams
of her occult remembrance.



Love Has a Southern Flavor
by Michael R. Burch

Love has a Southern flavor: honeydew,
ripe cantaloupe, the honeysuckle’s spout
we tilt to basking faces to breathe out
the ordinary, and inhale perfume ...

Love’s Dixieland-rambunctious: tangled vines,
wild clematis, the gold-brocaded leaves
that will not keep their order in the trees,
unmentionables that peek from dancing lines ...

Love cannot be contained, like Southern nights:
the constellations’ dying mysteries,
the fireflies that hum to light, each tree’s
resplendent autumn cape, a genteel sight ...

Love also is as wild, as sprawling-sweet,
as decadent as the wet leaves at our feet.



Violets
by Michael R. Burch

Once, only once,
when the wind flicked your skirt
to an indiscrete height

and you laughed,
abruptly demure,
outblushing shocked violets:

suddenly,
I knew:
everything had changed

and as you braided your hair
into long bluish plaits
the shadows empurpled,

the dragonflies’
last darting feints
dissolving mid-air,

we watched the sun’s long glide
into evening,
knowing and unknowing.

O, how the illusions of love
await us in the commonplace
and rare

then haunt our small remainder of hours.



Smoke
by Michael R. Burch

The hazy, smoke-filled skies of summer I remember well;
farewell was on my mind, and the thoughts that I can't tell
rang bells within (the din was in) my mind, and I can't say
if what we had was good or bad, or where it is today.
The endless days of summer's haze I still recall today;
she spoke and smoky skies stood still as summer slipped away ...



How Long the Night
(anonymous Old English Lyric, circa early 13th century AD)
translation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast―
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



Shattered
by Vera Pavlova
translation by Michael R. Burch

I shattered your heart;
now I limp through the shards
barefoot.



Snapshots
by Michael R. Burch

Here I scrawl extravagant rainbows.
And there you go, skipping your way to school.
And here we are, drifting apart
like untethered balloons.

Here I am, creating "art,"
chanting in shadows,
pale as the crinoline moon,
ignoring your face.

There you go,
in diaphanous lace,
making another man’s heart swoon.
Suddenly, unthinkably, here he is,

taking my place.



The Darker Nights
by Michael R. Burch

Nights when I held you,
nights when I saw
the gentlest of spirits,
yet, deeper, a flaw ...

Nights when we settled
and yet never gelled.
Nights when you promised
what you later withheld ...



Moon Poem
by Michael R. Burch
after Linda Gregg

I climb the mountain
to inquire of the moon ...
the advantages of loftiness, absence, distance.
Is it true that it feels no pain,
or will she contradict me?

Originally published by Borderless Journal (Singapore)

The apparent contradiction of it/she is intentional, since the speaker doesn’t know if the moon is an inanimate object or can feel pain.



Because You Came to Me
by Michael R. Burch

Because you came to me with sweet compassion
and kissed my furrowed brow and smoothed my hair,
I do not love you after any fashion,
but wildly, in despair.

Because you came to me in my black torment
and kissed me fiercely, blazing like the sun
upon parched desert dunes, till in dawn’s foment
they melt, I am undone.

Because I am undone, you have remade me
as suns bring life, as brilliant rains endow
the earth below with leaves, where you now shade me
and bower me, somehow.



Stay With Me Tonight
by Michael R. Burch

Stay with me tonight;
be gentle with me as the leaves are gentle
falling to the earth.
And whisper, O my love,
how that every bright thing, though scattered afar,
retains yet its worth.

Stay with me tonight;
be as a petal long-awaited blooming in my hand.
Lift your face to mine
and touch me with your lips
till I feel the warm benevolence of your breath’s
heady fragrance like wine.

That which we had
when pale and waning as the dying moon at dawn,
outshone the sun.
And so lead me back tonight
through bright waterfalls of light
to where we shine as one.



Insurrection
by Michael R. Burch

She has become as the night―listening
for rumors of dawn―while the dew, glistening,

reminds me of her, and the wind, whistling,
lashes my cheeks with its soft chastening.

She has become as the lights―flickering
in the distance―till memories old and troubling

rise up again and demand remembering ...
like peasants rebelling against a mad king.



Medusa
by Michael R. Burch

Friends, beware
of her iniquitous hair―
long, ravenblack & melancholy.

Many suitors drowned there―
lost, unaware
of the length & extent of their folly.



Daredevil
by Michael R. Burch

There are days that I believe
(and nights that I deny)
love is not mutilation.

Daredevil, dry your eyes.

There are tightropes leaps bereave―
taut wires strumming high
brief songs, infatuations.

Daredevil, dry your eyes.

There were cannon shots’ soirees,
hearts barricaded, wise . . .
and then . . . annihilation.

Daredevil, dry your eyes.

There were nights our hearts conceived
dawns’ indiscriminate sighs.
To dream was our consolation.

Daredevil, dry your eyes.

There were acrobatic leaves
that tumbled down to lie
at our feet, bright trepidations.

Daredevil, dry your eyes.

There were hearts carved into trees―
tall stakes where you and I
left childhood’s salt libations . . .

Daredevil, dry your eyes.

Where once you scraped your knees;
love later bruised your thighs.
Death numbs all, our sedation.

Daredevil, dry your eyes.



Mingled Air
by Michael R. Burch

for Beth

Ephemeral as breath, still words consume
the substance of our hearts; the very air
that fuels us is subsumed; sometimes the hair
that veils your eyes is lifted and the room

seems hackles-raised: a spring all tension wound
upon a word. At night I feel the care
evaporate—a vapor everywhere
more enervate than sighs: a mournful sound

grown blissful. In the silences between
I hear your heart, forget to breathe, and glow
somehow. And though the words subside, we know
the hearth light and the comfort embers gleam

upon our dreaming consciousness. We share
so much so common: sighs, breath, mingled air.



Elemental
by Michael R. Burch

There is within her a welling forth
of love unfathomable.
She is not comfortable
with the thought of merely loving:
but she must give all.

At night, she heeds the storm's calamitous call;
nay, longs for it. Why?
O, if a man understood, he might understand her.
But that never would do!
Darling, as you embrace the storm,

so I embrace elemental you.



Duet, Minor Key
by Michael R. Burch

Without the drama of cymbals
or the fanfare and snares of drums,
I present my case
stripped of its fine veneer:
Behold, thy instrument.

Play, for the night is long.



honeybee
by Michael R. Burch

love was a little treble thing―
prone to sing
and (sometimes) to sting



don’t forget ...
by Michael R. Burch

don’t forget to remember
that Space is curved
(like your Heart)
and that even Light is bent
by your Gravity.

The opening lines were inspired by a famous love poem by e. e. cummings. I have dedicated this poem to my wife Beth, but you're welcome to dedicate it to the light-bending person of your choice, as long as you credit me as the author.



Sudden Shower
by Michael R. Burch

The day’s eyes were blue
until you appeared
and they wept at your beauty.



She Was Very Strange, and Beautiful
by Michael R. Burch

She was very strange, and beautiful,
like a violet mist enshrouding hills
before night falls
when the hoot owl calls
and the cricket trills
and the envapored moon hangs low and full.

She was very strange, in a pleasant way,
as the hummingbird
flies madly still,
so I drank my fill
of her every word.
What she knew of love, she demurred to say.

She was meant to leave, as the wind must blow,
as the sun must set,
as the rain must fall.
Though she gave her all,
I had nothing left . . .
yet I smiled, bereft, in her receding glow.



Isolde's Song
by Michael R. Burch

Through our long years of dreaming to be one
we grew toward an enigmatic light
that gently warmed our tendrils. Was it sun?
We had no eyes to tell; we loved despite
the lack of all sensation―all but one:
we felt the night's deep chill, the air so bright
at dawn we quivered limply, overcome.

To touch was all we knew, and how to bask.
We knew to touch; we grew to touch; we felt
spring's urgency, midsummer's heat, fall's lash,
wild winter's ice and thaw and fervent melt.
We felt returning light and could not ask
its meaning, or if something was withheld
more glorious. To touch seemed life's great task.

At last the petal of me learned: unfold.
And you were there, surrounding me. We touched.
The curious golden pollens! Ah, we touched,
and learned to cling and, finally, to hold.



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.

And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf―
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain―
golden and humble in all its weary worth.



Heat Lightening
by Michael R. Burch

Each night beneath the elms, we never knew
which lights beyond dark hills might stall, advance,
then lurch into strange headbeams tilted up
like searchlights seeking contact in the distance . . .

Quiescent unions . . . thoughts of bliss, of hope . . .
long-dreamt appearances of wished-on stars . . .
like childhood’s long-occluded, nebulous
slow drift of half-formed visions . . . slip and bra . . .

Wan moonlight traced your features, perilous,
in danger of extinction, should your hair
fall softly on my eyes, or should a kiss
cause them to close, or should my fingers dare

to leave off childhood for some new design
of whiter lace, of flesh incarnadine.



Redolence
by Michael R. Burch

Now darkness ponds upon the violet hills;
cicadas sing; the tall elms gently sway;
and night bends near, a deepening shade of gray;
the bass concerto of a bullfrog fills
what silence there once was; globed searchlights play.

Green hanging ferns adorn dark window sills,
all drooping fronds, awaiting morning’s flares;
mosquitoes whine; the lissome moth again
flits like a veiled oud-dancer, and endures
the fumblings of night’s enervate gray rain.

And now the pact of night is made complete;
the air is fresh and cool, washed of the grime
of the city’s ashen breath; and, for a time,
the fragrance of her clings, obscure and sweet.



A Surfeit of Light
by Michael R. Burch

There was always a surfeit of light in your presence.
You stood distinctly apart, not of the humdrum world―
a chariot of gold in a procession of plywood.

We were all pioneers of the modern expedient race,
raising the ante: Home Depot to Lowe’s.
Yours was an antique grace―Thrace’s or Mesopotamia’s.

We were never quite sure of your silver allure,
of your trillium-and-platinum diadem,
of your utter lack of flatware-like utility.

You told us that night―your wound would not scar.
The black moment passed, then you were no more.
The darker the sky, how much brighter the Star!

The day of your funeral, I ripped out the crown mold.
You were this fool’s gold.



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and―spent of flame―
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies―
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None―winsome, bright or rare―
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew―
each moonless night the nettles grew

and strangled hope, where love dies too.



Unfoldings
by Michael R. Burch

for Vicki

Time unfolds ...
Your lips were roses.
... petals open, shyly clustering ...
I had dreams
of other seasons.
... ten thousand colors quiver, blossoming.

Night and day ...
Dreams burned within me.
... flowers part themselves, and then they close ...
You were lovely;
I was lonely.
... a ****** yields herself, but no one knows.

Now time goes on ...
I have not seen you.
... within ringed whorls, secrets are exchanged ...
A fire rages;
no one sees it.
... a blossom spreads its flutes to catch the rain.

Seasons flow ...
A dream is dying.
... within parched clusters, life is taking form ...
You were honest;
I was angry.
... petals fling themselves before the storm.

Time is slowing ...
I am older.
... blossoms wither, closing one last time ...
I'd love to see you
and to touch you.
... a flower crumbles, crinkling, worn and dry.

Time contracts ...
I cannot touch you.
... a solitary flower cries for warmth ...
Life goes on as
dreams lose meaning.
... the seeds are scattered, lost within a storm.



Chloe
by Michael R. Burch

There were skies onyx at night ... moons by day ...
lakes pale as her eyes ... breathless winds
******* tall elms; ... she would say
that we loved, but I figured we’d sinned.

Soon impatiens too fiery to stay
sagged; the crocus bells drooped, golden-limned;
things of brightness, rinsed out, ran to gray ...
all the light of that world softly dimmed.

Where our feet were inclined, we would stray;
there were paths where dead weeds stood untrimmed,
distant mountains that loomed in our way,
thunder booming down valleys dark-hymned.

What I found, I found lost in her face
while yielding all my virtue to her grace.



If You Come to San Miguel
by Michael R. Burch

If you come to San Miguel
before the orchids fall,
we might stroll through lengthening shadows
those deserted streets
where love first bloomed ...

You might buy the same cheap musk
from that mud-spattered stall
where with furtive eyes the vendor
watched his fragrant wares
perfume your ******* ...

Where lean men mend tattered nets,
disgruntled sea gulls chide;
we might find that cafetucho
where through grimy panes
sunset implodes ...

Where tall cranes spin canvassed loads,
the strange anhingas glide.
Green brine laps splintered moorings,
rusted iron chains grind,
weighed and anchored in the past,

held fast by luminescent tides ...
Should you come to San Miguel?
Let love decide.



Vacuum
by Michael R. Burch

Over hushed quadrants
forever landlocked in snow,
time’s senseless winds blow ...

leaving odd relics of lives half-revealed,
if still mostly concealed ...
such are the things we are unable to know

that once intrigued us so.

Come then, let us quickly repent
of whatever truths we’d once determined to learn:
for whatever is left, we are unable to discern.

There’s nothing left of us here; it’s time to go.



The Sky Was Turning Blue
by Michael R. Burch

Yesterday I saw you
as the snow flurries died,
spent winds becalmed.
When I saw your solemn face
alone in the crowd,
I felt my heart, so long embalmed,
begin to beat aloud.

Was it another winter,
another day like this?
Was it so long ago?
Where you the rose-cheeked girl
who slapped my face, then stole a kiss?
Was the sky this gray with snow,
my heart so all a-whirl?

How is it in one moment
it was twenty years ago,
lost worlds remade anew?
When your eyes met mine, I knew
you felt it too, as though
we heard the robin's song
and the sky was turning blue.



Roses for a Lover, Idealized
by Michael R. Burch

When you have become to me
as roses bloom, in memory,
exquisite, each sharp thorn forgot,
will I recall―yours made me bleed?

When winter makes me think of you―
whorls petrified in frozen dew,
bright promises blithe spring forsook,
will I recall your words―barbed, cruel?



Nothing Returns
by Michael R. Burch

A wave implodes,
impaled upon
impassive rocks . . .

this evening
the thunder of the sea
is a wild music filling my ear . . .

you are leaving
and the ungrieving
winds demur:

telling me
that nothing returns
as it was before,

here where you have left no mark
upon this dark
Heraclitean shore.



First and Last
by Michael R. Burch

for Beth

You are the last arcane rose
of my aching,
my longing,
or the first yellowed leaves―
vagrant spirals of gold
forming huddled bright sheaves;
you are passion forsaking
dark skies, as though sunsets no winds might enclose.

And still in my arms
you are gentle and fragrant―
demesne of my vigor,
spent rigor,
lost power,
fallen musculature of youth,
leaves clinging and hanging,
nameless joys of my youth to this last lingering hour.



Your Pull
by Michael R. Burch

for Beth

You were like sunshine and rain―
begetting rainbows,
full of contradictions, like the intervals
between light and shadow.

That within you which I most opposed
drew me closer still,
as a magnet exerts its unyielding pull
on insensate steel.



Love Is Not Love
by Michael R. Burch

for Beth

Love is not love that never looked
within itself and questioned all,
curled up like a zygote in a ball,
throbbed, sobbed and shook.

(Or went on a binge at a nearby mall,
then would not cook.)

Love is not love that never winced,
then smiled, convinced
that soar’s the prerequisite of fall.

When all
its wounds and scars have been saline-rinsed,
where does Love find the wherewithal
to try again,
endeavor, when

all that it knows
is: O, because!



The Stake
by Michael R. Burch

for Beth

Love, the heart bets,
if not without regrets,
will still prove, in the end,
worth the light we expend
mining the dark
for an exquisite heart.



The One True Poem
by Michael R. Burch

for Beth

Love was not meaningless ...
nor your embrace, nor your kiss.

And though every god proved a phantom,
still you were divine to your last dying atom ...

So that when you are gone
and, yea, not a word remains of this poem,

even so,
We were One.



The Poem of Poems
by Michael R. Burch

for Beth

This is my Poem of Poems, for you.
Every word ineluctably true:
I love you.



Enigma
by Michael R. Burch

for Beth

O, terrible angel,
bright lover and avenger,
full of whimsical light
and vile anger;
wild stranger,
seeking the solace of night,
or the danger;
pale foreigner,
alien to man, or savior.

Who are you,
seeking consolation and passion
in the same breath,
screaming for pleasure, bereft
of all articles of faith,
finding life
harsher than death?

Grieving angel,
giving more than taking,
how lucky the man
who has found in your love,
this -our reclamation;
fallen wren,
you must strive to fly
though your heart is shaken;
weary pilgrim,
you must not give up
though your feet are aching;
lonely child,
lie here still in my arms;
you must soon be waking.

"O Terrible Angel" is the title of my second collection of love poems for my wife Beth, who is more formally known as Elizabeth Steed Harris Burch.



She Gathered Lilacs
by Michael R. Burch

for Beth

She gathered lilacs
and arrayed them in her hair;
tonight, she taught the wind to be free.

She kept her secrets
in a silver locket;
her companions were starlight and mystery.

She danced all night
to the beat of her heart;
with her tears she imbued the sea.

She hid her despair
in a crystal jar,
and never revealed it to me.

She kept her distance
as though it were armor;
gauntlet thorns guard her heart like the rose.

Love! -Awaken, awaken
to see what you've taken
is still less than the due my heart owes!



Once
by Michael R. Burch

for Beth

Once when her kisses were fire incarnate
and left in their imprint bright lipstick, and flame;
when her breath rose and fell over smoldering dunes,
leaving me listlessly sighing her name...

Once when her ******* were as pale, as beguiling,
as wan rivers of sand shedding heat like a mist,
when her words would at times softly, mildly rebuke me
all the while as her lips did more wildly insist...

Once when the thought of her echoed and whispered
through vast wastelands of need like a Bedouin chant,
I ached for the touch of her lips with such longing
that I vowed all my former vows to recant...

Once, only once, something bloomed, of a desiccate seed:
this implausible blossom her wild rains of kisses decreed.



At Once
by Michael R. Burch

for Beth

Though she was fair,
though she sent me the epistle of her love at once
and inscribed therein love's antique prayer,
I did not love her at once.

Though she would dare
pain's pale, clinging shadows, to approach me at once,
the dark, haggard keeper of the lair,
I did not love her at once.

Though she would share
the all of her being, to heal me at once,
yet more than her touch I was unable to bear.
I did not love her at once.

And yet she would care,
and pour out her essence...
and yet -there was more!
I awoke from long darkness

and yet -she was there.
I loved her the longer;
I loved her the more
because I did not love her at once.



Twice
by Michael R. Burch

Now twice she has left me
and twice I have listened
and taken her back, remembering days

when love lay upon us
and sparkled and glistened
with the brightness of dew through a gathering haze.

But twice she has left me
to start my life over,
and twice I have gathered up embers, to learn:

rekindle a fire
from ash, soot and cinder
and softly it sputters, refusing to burn.



Will there be Starlight
by Michael R. Burch

for Beth

Will there be starlight
tonight
while she gathers
damask
and lilac
and sweet-scented heathers?

And will she find flowers,
or will she find thorns
guarding the petals
of roses unborn?

Oh, will there be moonlight
tonight
while she gathers
seashells
and mussels
and albatross feathers?

And will she find treasure
or will she find pain
at the end of this rainbow
of moonlight on rain?



Kissin' 'n' buzzin'
by Michael R. Burch

for Beth

Kissin' 'n' buzzin'
the bees rise
in a dizzy circle of two.
Oh, when I'm with you,
I feel like kissin' 'n' buzzin' too.



The Quickening
by Michael R. Burch

for Beth

I never meant to love you
when I held you in my arms
promising you sagely
wise, noncommittal charms.

And I never meant to need you
when I touched your tender lips
with kisses that intrigued my own -
such kisses I had never known,
nor a heartbeat in my fingertips!



Let Me Give Her Diamonds
by Michael R. Burch

for Beth

Let me give her diamonds
for my heart's
sharp edges.

Let me give her roses
for my soul's
thorn.

Let me give her solace
for my words
of treason.

Let the flowering of love
outlast a winter
season.

Let me give her books
for all my lack
of reason.

Let me give her candles
for my lack
of fire.

Let me kindle incense,
for our hearts
require

the breath-fanned
flaming perfume
of desire.



If I Falter
by Michael R. Burch

for Beth

If I regret
fire in the sunset
exploding on the horizon,
then let me regret loving you.

If I forget
for even a moment
that you are the only one,
then let me forget that the sky is blue.

If I should yearn
in a season of discontentment
for the vagabond light of a companionless moon,
let dawn remind me that you are my sun.

If I should burn -one moment less brightly,
one moment less true -
then with wild scorching kisses,
inflame me, inflame me, inflame me anew.



Because Her Heart Is Tender
by Michael R. Burch

for Beth

She scrawled soft words in soap: "Never Forget, "
Dove-white on her car's window, and the wren,
because her heart is tender, might regret
it called the sun to wake her. As I slept,
she heard lost names recounted, one by one.

She wrote in sidewalk chalk: "Never Forget, "
and kept her heart's own counsel. No rain swept
away those words, no tear leaves them undone.

Because her heart is tender with regret,
bruised by razed towers' glass and steel and stone
that shatter on and on and on and on,
she stitches in damp linen: "NEVER FORGET, "
and listens to her heart's emphatic song.

The wren might tilt its head and sing along
because its heart once understood regret
when fledglings fell beyond, beyond, beyond...
its reach, and still the boot-heeled world strode on.

She writes in adamant: "NEVER FORGET"
because her heart is tender with regret.



She Spoke
by Michael R. Burch

for Beth

She spoke
and her words
were like a ringing echo dying
or like smoke
rising and drifting
while the earth below is spinning.

She awoke
with a cry
from a dream that had no ending,
without hope
or strength to rise,
into hopelessness descending.

And an ache
in her heart
toward that dream, retreating,
left a wake
of small waves
in circles never completing.



Virginal
by Michael R. Burch

for Beth

For an hour
every wildflower
beseeches her,
"To thy breast,
Elizabeth! "

But she is mine;
her lips divine
and her ******* and hair
are mine alone.
Let the wildflowers moan.



the last defense of Love
by Michael R. Burch

for Beth

... if all the parables of Love
fell mute, and every sermon too,
and every hymn and votive psalm
proved insufficient to the task
of proving Love might yet be true
in such a cruel, uncaring world...
the last defense of Love, my Love,
the gods might offer, would be You.



Your Gift
by Michael R. Burch

for Beth

Counsel, console.
This is your gift.

Calm, kiss and encourage.

Tenderly lift
each world-wounded heart
from its near-fatal dart.

Mend every rift.

Bid pain, "Depart! "
Help friends' healing to start.
Keep every reason to grieve
for your own untaught heart.



Rehearsal Reversal
by Michael R. Burch

The wonder of a first kiss
is:
the next will be better,
if less memorable...

and what’s unforgettable’s
this:
that, somehow,
although you just met her,

in the exchange of eclectic eyes
love came, an electric surmise,
with the smell of cordite hair
on a warm wool sweater

more than amply bosomed.
Use
any excess static to light
the fuse.

Fumble-fingered, her bra strap’s cinch
refuses to budge an inch
in either direction.
Who’s

ever prepared to be so stymied?
Smile,
lean back, drag, “relax” awhile
from practice imperfect. I’ll

leave you two jaybirds alone.
Yes, tomorrow she’ll
answer the phone,
show up for your first real date:

late, breathless, and braless!
(WAIT —
before you celebrate:
still celibate).



Reverse Strip
by Michael R. Burch

She cupped her ******* in cotton, wire-cinched,
pulled a pale taupe sheath across red-gilded toes,
across sun-auburned thighs, to midriff, rose,
paraded nimbly to her dresser, pinched
a winsome pair of *******—white with hearts—
between thumb and forefinger, just to show
how well she knew my taste. Then, bowing low,
she stepped into them (here, the music starts,
a vampish tune), slow-wriggled them waist-high.
She used her thumbs to snap elastic to
its proper place. She chose a slip—sky blue—
then shrugged it on, and patted down each thigh.

She then sat down and smiled (there’d be no dress),
uncrossed her legs, shrugged free one talcumed breast...



Dawn Flight
by Michael R. Burch

for Martin Mc Carthy

What is it about love
that defies explanation?—

the weightlessness of being,
the long elliptic climb

into darkness
amid the world’s constant uproar,

the sea’s black waves crashing
incessantly like thunder beneath us,

the long triumphant soar
into thinning contrails of nothingness,

like meteors through ether,
seeing the earth’s dark curve

outlined,
spinning softly beneath us...

gliding, suspended at last,
over the earth pliant and motionless...

feeling, suddenly, the vast
onrush

and illumination.



Of Transience
by Michael R. Burch

How many nights her vulnerability
leaned close and softly pressed its cheek to mine,
held fast by tiny buckled straps impressed
on shoulders white as swans’ white eglantine...

And many were the marks which left their trace,
then soon were gone. The thinnest finest veil
of ashen hair revealed her *******, betrayed
all that I wanted most, but still would fail

to keep me there till morning. For her sighs,
I kissed her lips in wonder; we became
one with the distant thunder. Love is wise
when it comes in flashes, streaking moonlit rain,

but leaves no mark—as transient, as bright
as the searing imprint lightning pens at night.



*******
by Michael R. Burch

It was not for the feast of docile eyes
she shed her latex jeans, her vinyl blouse;
it was not for the catcalls that her thighs,
black-gartered, parted slightly, to arouse
limp dreams, limp organs as onlookers cheered,
revealing paunches belts could not belay.
She shunned their touch, as lepers to be feared,
swerved half-way through her dance, then waltzed away.

But something in her eyes—a mystery
as old as lust, half-veiled by raven hair—
bespoke this certain knowledge: love is free,
but *** must have its fee, transport its fare.
They pay for what they want, and in return
she teaches them what men will never learn.



At the Natchez Trace
by Michael R. Burch

for Beth

I.
Solitude surrounds me
though nearby laughter sounds;
around me mingle men who think
to drink their demons down,
in rounds.

Beside me stands a woman,
a stanza in the song
that plays so low and fluting
and bids me sing along.

Beside me stands a woman
whose eyes reveal her soul,
whose cheeks are soft as eiderdown,
whose hips and ******* are full.

Beside me stands a woman
who scarcely knows my name;
but I would have her know my heart
if only I knew where to start.

II.
Not every man is as he seems;
not all are prone to poems and dreams.
Not every man would take the time
to meter out his heart in rhyme.
But I am not as other men—
my heart is sentenced to this pen.

III.
Men speak of their "ambition"
but they only know its name . . .
I never say the word aloud,
but I have felt the Flame.

IV.
Now, standing here, I do not dare
to let her know that I might care;
I never learned the lines to use;
I never worked the wolves' bold ruse.
But if she looks my way again,
perhaps I will, if only then.

V.
How can a man have come so far
in searching after every star,
and yet today,
though years away,
look back upon the winding way,
and see himself as he was then,
a child of eight or nine or ten,
and not know more?

VI.
My life is not empty; I have my desire . . .
I write in a moment that few man can know,
when my nerves are on fire
and my heart does not tire
though it pounds at my breast—
wrenching blow after blow.

VII.
And in all I attempted, I also succeeded;
few men have more talent to do what I do.
But in one respect, I stand now defeated;
In love I could never make magic come true.

VIII.
If I had been born to be handsome and charming,
then love might have come to me easily as well.
But if had that been, then would I have written?
If not, I'd remain; **** that demon to hell!

IX.
Beside me stands a woman,
but others look her way
and in their eyes are eagerness . . .
for passion and a wild caress?
But who am I to say?

Beside me stands a woman;
she conjures up the night
and wraps itself around her
till others flit about her
like moths drawn to firelight.

X.
And I, myself, am just as they,
wondering when the light might fade,
yet knowing should it not dim soon
that I might fall and be consumed.

XI.
I write from despair
in the silence of morning
for want of a prayer
and the need of the mourning.
And loneliness grips my heart like a vise;
my anguish is harsher and colder than ice.
But poetry can bring my heart healing
and deaden the pain, or lessen the feeling.
And so I must write till at last sleep has called me
and hope at that moment my pen has not failed me.

XII.
Beside me stands a woman,
a mystery to me.
I long to hold her in my arms;
I also long to flee.

Beside me stands a woman;
how many has she known
more handsome, charming,
chic, alarming?
I hope I never know.

Beside me stands a woman;
how many has she known
who ever wrote her such a poem?
I know not even one.



BeMused
by Michael R. Burch

You will find in her hair
a fragrance more severe
than camphor.
You will find in her dress
no hint of a sweet
distractedness.
You will find in her eyes
horn-owlish and wise
no metaphors
of love, but only reflections
of books, books, books.

If you like Her looks …

meet me in the long rows,
between Poetry and Prose,
where we’ll win Her favor
with jousts, and savor
the wine of Her hair,
the shimmery wantonness
of Her rich-satined dress;
where we’ll press
our good deeds upon Her, save Her
from every distress,
for the lovingkindness
of Her matchless eyes
and all the suns of Her tongues.

We were young,
once,
unlearned and unwise . . .
but, O, to be young
when love comes disguised
with the whisper of silks
and idolatry,
and even the childish tongue claims
the intimacy of Poetry.



There’s a Stirring and Awakening in the World
by Michael R. Burch

There’s a stirring and awakening in the world,
and even so my spirit stirs within,
imagining some Power beckoning—
the Force which through the stamen gently whirrs,
unlocking tumblers deftly, even mine.

The grape grows wild-entangled on the vine,
and here, close by, the honeysuckle shines.
And of such life, at last there comes there comes the Wine.

And so it is with spirits’ fruitful yield—
the growth comes first, Green Vagrance, then the Bloom.

The world somehow must give the spirit room
to blossom, till its light shines—wild, revealed.

And then at last the earth receives its store
of blessings, as glad hearts cry—More! More! More!

Originally published by Borderless Journal



POEMS ABOUT POOL SHARKS

These are poems about pool sharks, gamblers, con artists and other sharks. I used to hustle pool on bar tables around Nashville, where I ran into many colorful characters, and a few unsavory ones, before I hung up my cue for good.

Shark
by Michael R. Burch

They are all unknowable,
these rough pale men—
haunting dim pool rooms like shadows,
propped up on bar stools like scarecrows,
nodding and sagging in the fraying light . . .

I am not of them,
as I glide among them—
eliding the amorphous camaraderie
they are as unlikely to spell as to feel,
camouflaged in my own pale dichotomy . . .

That there are women who love them defies belief—
with their missing teeth,
their hair in thin shocks
where here and there a gap of scalp gleams like bizarre chrome,
their smell rank as wet sawdust or mildewed laundry . . .

And yet—
and yet there is someone who loves me:
She sits by the telephone
in the lengthening shadows
and pregnant grief . . .

They appreciate skill at pool, not words.
They frown at massés,
at the cue ball’s contortions across green felt.
They hand me their hard-earned money with reluctant smiles.
A heart might melt at the thought of their children lying in squalor . . .
At night I dream of them in bed, toothless, kissing.
With me, it’s harder to say what is missing . . .



Fair Game
by Michael R. Burch

At the Tennessee State Fair,
the largest stuffed animals hang tilt-a-whirl over the pool tables
with mocking button eyes,
knowing the playing field is unlevel,
that the rails slant, ever so slightly, north or south,
so that gravity is always on their side,
conspiring to save their plush, extravagant hides
year after year.

“Come hither, come hither . . .”
they whisper; they leer
in collusion with the carnival barkers,
like a bevy of improbably-clad hookers
setting a “fair” price.
“Only five dollars a game, and it’s so much Fun!
And it’s not really gambling. Skill is involved!
You can make us come: really, you can.
Here are your *****. Just smack them around.”

But there’s a trick, and it usually works.
If you break softly so that no ball reaches a rail,
you can pick them off: One. Two. Three. Four.
Causing a small commotion,
a stir of whispering, like fear,
among the hippos and ostriches.



Con Artistry
by Michael R. Burch

The trick of life is like the sleight of hand
of gamblers holding deuces by the glow
of veiled back rooms, or aces; soon we’ll know
who folds, who stands . . .

The trick of life is like the pool shark’s shot—
the wild massé across green velvet felt
that leaves the winner loser. No, it’s not
the rack, the hand that’s dealt . . .

The trick of life is knowing that the odds
are never in one’s favor, that to win
is only to delay the acts of gods
who’d ante death for sin . . .

and death for goodness, death for in-between.
The rules have never changed; the artist knows
the oldest con is life; the chips he blows
can’t be redeemed.



Pool's Prince Charming
by Michael R. Burch

this is my tribute poem, written on the behalf of his fellow pool sharks, for the legendary Saint Louie Louie Roberts

Louie, Louie, Prince of Pool,
making all the ladies drool ...
Take the “nuts”? I'd be a fool!
Louie, Louie, Prince of Pool.

Louie, Louie, pretty as Elvis,
owner of (ahem) a similar pelvis ...
Compared to you, the books will shelve us.
Louie, Louie, pretty as Elvis.

Louie, Louie, fearless gambler,
ladies' man and constant rambler,
but such a sweet, loquacious ambler!
Louie, Louie, fearless gambler.

Louie, Louie, angelic, chthonic,
pool's charming hero, but tragic, Byronic,
winning the Open drinking gin and tonic?
Louie, Louie, angelic, chthonic.

I used poetic license about what Louie Roberts was or wasn't drinking at the 1981 U. S. Open Nine-Ball Championship. Was Louie drinking hard liquor as he came charging back through the losers' bracket to win the whole shebang? Or was he pretending to drink for gamesmanship or some other reason? I honestly don't know. As for the word “chthonic,” it’s pronounced “thonic” and means “subterranean” or “of the underworld.” And the pool world can be very dark indeed, as Louie’s tragic demise suggests. But everyone who knew Louie seemed to like him, if not love him dearly, and many sharks have spoken of Louie in glowing terms, as a bringer of light to that underworld.



My wife and I were having a drink at a neighborhood bar which has a pool table. A “money” game was about to start; a spectator got up to whisper something to a friend of ours who was about to play someone we hadn’t seen before. We couldn’t hear what was said. Then the newcomer broke—with such force that his stick flew straight up in the air and shattered the light dangling overhead. There was a moment of stunned silence, then our friend turned around and remarked: “He really does shoot the lights out, doesn’t he?” — Michael R. Burch



Rounds
by Michael R. Burch

Solitude surrounds me
though nearby laughter sounds;
around me mingle men who think
to drink their demons down,
in rounds.

Now agony still hounds me
though elsewhere mirth abounds;
hidebound I stand and try to think,
not sink still further down,
spellbound.

Their ecstasy astounds me,
though drunkenness compounds
resounding laughter into joy;
alloy such glee with beer and see
bliss found.

Originally published by Borderless Journal



Poems about Fathers and Grandfathers



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they've become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Sanctuary at Dawn
by Michael R. Burch

I have walked these thirteen miles
just to stand outside your door.
The rain has dogged my footsteps
for thirteen miles, for thirty years,
through the monsoon seasons...
and now my tears
have all been washed away.

Through thirteen miles of rain I slogged,
I stumbled and I climbed
rainslickened slopes
that led me home
to the hope that I might find
a life I lived before.

The door is wet; my cheeks are wet,
but not with rain or tears...
as I knock I sweat
and the raining seems
the rhythm of the years.

Now you stand outlined in the doorway
―a man as large as I left―
and with bated breath
I take a step
into the accusing light.

Your eyes are grayer
than I remembered;
your hair is grayer, too.
As the red rust runs
down the dripping drains,
our voices exclaim―

'My father! '
'My son! '



Sunset
by Michael R. Burch

for my Grandfather, George Edwin Hurt Sr.

Between the prophecies of morning
and twilight's revelations of wonder,
the sky is ripped asunder.

The moon lurks in the clouds,
waiting, as if to plunder
the dusk of its lilac iridescence,

and in the bright-tentacled sunset
we imagine a presence
full of the fury of lost innocence.

What we find within strange whorls of drifting flame,
brief patterns mauling winds deform and maim,
we recognize at once, but cannot name.



Sailing to My Grandfather
by Michael R. Burch

for my Grandfather, George Edwin Hurt Sr.

This distance between us
―this vast sea
of remembrance―
is no hindrance,
no enemy.

I see you out of the shining mists
of memory.
Events and chance
and circumstance
are sands on the shore of your legacy.

I find you now in fits and bursts
of breezes time has blown to me,
while waves, immense,
now skirt and glance
against the bow unceasingly.

I feel the sea's salt spray―light fists,
her mists and vapors mocking me.
From ignorance
to reverence,
your words were sextant stars to me.

Bright stars are strewn in silver gusts
back, back toward infinity.
From innocence
to senescence,
now you are mine increasingly.

Note: Under the Sextant's Stars is a painting by Benini.



Salat Days
by Michael R. Burch

for my grandfather, Paul Ray Burch, Sr.

I remember how my grandfather used to pick poke salat...
though first, usually, he'd stretch back in the front porch swing,
dangling his long thin legs, watching the sweat bees drone,
talking about poke salat―
how easy it was to find if you knew where to look for it...
standing in dew-damp clumps by the side of a road, shockingly green,
straddling fence posts, overflowing small ditches,
crowding out the less-hardy nettles.

'Nobody knows that it's there, lad, or that it's fit tuh eat
with some bacon drippin's or lard.'

'Don't eat the berries. You see―the berry's no good.
And you'd hav'ta wash the leaves a good long time.'

'I'd boil it twice, less'n I wus in a hurry.
Lawd, it's tough to eat, chile, if you boil it jest wonst.'

He seldom was hurried; I can see him still...
silently mowing his yard at eighty-eight,
stooped, but with a tall man's angular gray grace.

Sometimes he'd pause to watch me running across the yard,
trampling his beans,
dislodging the shoots of his tomato plants.

He never grew flowers; I never laughed at his jokes about The Depression.

Years later I found the proper name―'pokeweed'―while perusing a dictionary.

Surprised, I asked why anyone would eat a ****.
I still can hear his laconic reply...

'Well, chile, s'm'times them times wus hard.'



All Things Galore
by Michael R. Burch

for my grandfathers George Edwin Hurt Sr. and Paul Ray Burch, Sr.

Grandfather,
now in your gray presence
you are

somehow more near

and remind me that,
once, upon a star,
you taught me

wish

that ululate soft phrase,
that hopeful phrase!

and everywhere above, each hopeful star
gleamed down
and seemed to speak of times before
when you clasped my small glad hand
in your wise paw

and taught me heaven, omen, meteor...



Attend Upon Them Still
by Michael R. Burch

for my grandparents George and Ena Hurt

With gentleness and fine and tender will,
attend upon them still;
thou art the grass.

Nor let men's feet here muddy as they pass
thy subtle undulations, nor depress
for long the comforts of thy lovingness,

nor let the fuse
of time wink out amid the violets.
They have their use―

to wave, to grow, to gleam, to lighten their paths,
to shine sweet, transient glories at their feet.
Thou art the grass;

make them complete.



Be that Rock
by Michael R. Burch

for my grandfather George Edwin Hurt Sr.

When I was a child
I never considered man's impermanence,
for you were a mountain of adamant stone:
a man steadfast, immense,
and your words rang.

And when you were gone,
I still heard your voice, which never betrayed,
'Be strong and of a good courage,
neither be afraid...'
as the angels sang.

And, O! , I believed
for your words were my truth, and I tried to be brave
though the years slipped away
with so little to save
of that talk.

Now I'm a man―
a man... and yet Grandpa... I'm still the same child
who sat at your feet
and learned as you smiled.
Be that rock.



Of Civilization and Disenchantment
by Michael R. Burch

for Anais Vionet

Suddenly uncomfortable
to stay at my grandfather's house―
actually his third new wife's,
in her daughter's bedroom
―one interminable summer
with nothing to do,
all the meals served cold,
even beans and peas...

Lacking the words to describe
ah! , those pearl-luminous estuaries―
strange omens, incoherent nights.

Seeing the flares of the river barges
illuminating Memphis,
city of bluffs and dying splendors.

Drifting toward Alexandria,
Pharos, Rhakotis, Djoser's fertile delta,
lands at the beginning of a new time and 'civilization.'

Leaving behind sixty miles of unbroken cemetery,
Alexander's corpse floating seaward,
bobbing, milkwhite, in a jar of honey.

Memphis shall be waste and desolate,
without an inhabitant.

Or so the people dreamed, in chains.



Keep Up
by Michael R. Burch

Keep Up!
Daddy, I'm walking as fast as I can;
I'll move much faster when I'm a man...

Time unwinds
as the heart reels,
as cares and loss and grief plummet,
as faith unfailing ascends the summit
and heartache wheels
like a leaf in the wind.

Like a rickety cart wheel
time revolves through the yellow dust,
its creakiness revoking trust,
its years emblazoned in cold hard steel.

Keep Up!
Son, I'm walking as fast as I can;
take it easy on an old man.



My Touchstone
by Michael R. Burch

for my grandfather George Edwin Hurt Sr.

A man is known
by the life he lives
and those he leaves,

by each heart touched,
which, left behind,
forever grieves.



Joy in the Morning
by Michael R. Burch

for my grandparents George Edwin Hurt Sr. and Christine Ena Hurt

There will be joy in the morning
for now this long twilight is over
and their separation has ended.

For fourteen years, he had not seen her
whom he first befriended,
then courted and married.

Let there be joy, and no mourning,
for now in his arms she is carried
over a threshold vastly sweeter.

He never lost her; she only tarried
until he was able to meet her.

Keywords/Tags: George Edwin Hurt Christine Ena Spouse reunited heaven joy together forever



Poems about Mothers and Grandmothers



Dawn
by Michael R. Burch

for my grandmothers Lillian Lee and Christine Ena Hurt

Bring your peculiar strength
to the strange nightmarish fray:
wrap up your cherished ones
in the golden light of day.



Mother's Day Haiku
by Michael R. Burch

for my grandmothers Lillian Lee and Christine Ena Hurt

Crushed grapes
surrender such sweetness:
a mother’s compassion.

My footprints
so faint in the snow?
Ah yes, you lifted me.

An emu feather ...
still falling?
So quickly you rushed to my rescue.

The eagle sees farther
from its greater height:
our mothers' wisdom.



The Rose
by Michael R. Burch

for my grandmother, Lillian Lee, who used to grow the most beautiful roses

The rose is—
the ornament of the earth,
the glory of nature,
the archetype of the flowers,
the blush of the meadows,
a lightning flash of beauty.

This poem above is my translation of a Sappho epigram.



The Greatest of These ...
by Michael R. Burch

for my mother, Christine Ena Burch, and the grandmother of my son Jeremy

The hands that held me tremble.
The arms that lifted
fall.
Angelic flesh, now parchment,
is held together with gauze.

But her undimmed eyes still embrace me;
there infinity can be found.
I can almost believe such infinite love
will still reach me, underground.



Arisen
by Michael R. Burch

for my mother, Christine Ena Burch

Mother, I love you!
Mother, delightful,
articulate, insightful!

Angels in training,
watching over, would hover,
learning to love
from the Master: a Mother.

You learned all there was
for this planet to teach,
then extended your wings
to Love’s ultimate reach ...

And now you have soared
beyond eagles and condors
into distant elevations
only Phoenixes can conquer.

Amen

Published as the collection "Love Poems by Michael R. Burch"

Keywords/Tags: love, Eros, ******, erotica, passion, desire, lust, ***, dating, marriage, romance, romantic, romanticism
That tree said
    I don't like that white car under me,
                    it smells gasoline
That other tree next to it said
    O you're always complaining
             you're a neurotic
        you can see by the way you're bent over.

                                        July 6, 1981, 8 p.m.
judy smith Dec 2016
She has dressed Oscar-winning actress Lupita Nyong'o and Uganda's chess Woman Candidate Master Phiona Mutesi for the premiere of 'Queen of Katwe'. She has also designed several Miss Uganda and Miss Tourism contestants among others.

Yet Brenda Niwagaba Maraka, who is undoubtedly among Uganda's top fashion designers, describes herself as "just a simple person who loves work and fashion". She is also quick to recognise people who have inspired her, including renowned fashion designer and artist Stella Atal and Xenson Samson Ssenkaaba

In January 2007, Maraka officially launched 'Brendamaraka' as a fashion label.

"I work to represent Uganda as a tropical country through fashion and also extend Kampala's position as a fashion hub," said Maraka.

For the love of developing and inspiring others through her fashion skills, Maraka grooms two talented and interested students in fashion and design every year.

Come next year January, Maraka is set to showcase at her own fashion show marking ten years in the industry.

It will be the highest point for a woman who from way back, as a young girl, has loved being artistic. It was no surprise that she concentrated on art in school and one of her fondest memories as a student is designing costumes for school plays and beauty pageants.

"That confirmed my goal in life of creating designs through my own fashion label," she says, "I love to create new things."

At 13 years old, after completing primary education, Maraka proceeded to Namasagali College in Kamuli for O-level and these to her were years of fun and building character. She then left to a new environment of only girls at Trinity College Nabbingo for A-level and by the time she left she had forged a career path.

"It was a totally different and harder experience. However, by the time I completed Form six, I knew what I was meant to be a fashion designer courtesy of the school's arrangement on career guidance," says Maraka.

She was offered several opportunities including one on government sponsorship at Makerere University all of which were meant to grow her fashion career but Maraka settled for a fashion design program at the London Academy of Design and dress making where she completed in 2005.

Maraka chose exposure to international fashion trends at the London school at a cost rather than free education in Uganda. She rates it as a priceless decision that has paid off.

In 2014 as part of her internship program, Maraka made a maiden runaway showcase during the Uganda International Fashion Week and since then she has not looked back. She has participated in a number of fashion events both in Uganda and UK.

In comparing London's fashion industry to Uganda, Maraka says London has already established big brands and it is close to impossible for anyone starting out.

"The industry is faster, bigger and people produce too many new collections every year as the market demands," she says.

By contrast, she says, Uganda offers limitless opportunities are limitless or, in her words, "There is room to define who you are".

Maraka was born in Soroti-Teso, Eastern Uganda in 1981. She was raised by a single mother Elizabeth Maraka who worked long at the Soroti Flying School and she says is her great inspiration. She used to make dresses for her and remains her stylist to date. Maraka grew up as an only child because her twin siblings died. It is the reason she is also called Akello, meaning 'follower of twins'.

Liteside

Any three things we don't know about you?

I am an only child of my mother. I really love sports to the extent that I train for kickboxing. I had a dream of representing Uganda for RIO 2016 though it didn't come to pass. When I am confident enough to have my face punched, I will get to the ring.

I love to travel and for this year, I chose to visit every part of Uganda that I had never visited. One of them was Kidepo and it was a breathtaking experience where I realised I had made it. I also visited the pyramids in Cairo.

What is your idea of perfect happiness?

Doing what you love. If you think you can regret doing it, then it's not worth doing. Even when you fail to achieve at something you loved doing, you gain satisfaction.

What is your greatest fear?

I have a phobia for rodents. I can face anything in life but not them.

What is the trait you most deplore in yourself?

I am not a confrontational person yet sometimes I wish I could be one to give my all. It makes people walk all over me.

What is the trait you most deplore in others?

I just don't like dishonest people. I appreciate honesty.

Which living person do you most admire?

My Mother, Elizabeth Maraka; she taught me to be a strong person, believe in myself and to see good in people. I am privileged to live with her even as an adult.

What is your greatest extravagance?

Everything about improving my fashion and design career.

What is the greatest thing you have ever done?

I still have to do it and I am planning on how to achieve it.

What is your current state of mind?

I am at peace and love my life.

What do you consider the most overrated virtue?

That whole saying of 'Government should help us' or 'government has not done much' just breaks my heart. How I wish the same people would ask themselves what they have done for government as well. Anyone can start small and grow big.

What does being powerful mean to you?

Being able to make a difference in someone's life or inspire someone. It can also mean being well connected in society.

On what occasion do you lie?

I like to be real.

What do you most dislike about your appearance?

When I was young I was chubby and I didn't like it but I have since found peace in myself.

Which living person do you most despise?

Even when I see the worst in a person, I don't destroy bridges because I might need them tomorrow.

What is the quality you most like in a man?

Having a plan or purpose in life.

What is the quality you most like in a woman?

Having a purpose in life.

Which words or phrases do you most overuse?

I like saying 'you know' and 'yeah'.

What or who is the greatest love of your life?

I guess it is my Mum but there are so many other people I love.

When and where were you happiest?

There is no one single moment because there are so many things I do that bring happiness to me. Finishing School in 2006 was a happy moment but also each time I remember when I had my first fashion show during my internship in 2004, I am fulfilled.

Which talent would you most like to have?

I love music and may be one day I hope I will drop an album. I used to play a violin and hope that one day I will do it once more.

If you could change one thing about yourself, what would it be?

I am just in love with myself.

What do you consider your greatest achievement?

I am still a work in progress; I haven't yet reached there.

If you were to die and come back as a person or a thing, what would it be?

As me and fix everything I didn't do from as far as a child.

Where would you most like to live?

Uganda but particularly in Karamoja and Kidepo; the landscape and weather are amazing. It can rain so heavily and dry up so fast.

What is your most treasured possession?

I never got to see my grandfather but I was given a crucifix from his things. It has that sentimental value and makes me relate with him. But even when everything is taken away from me, I can start afresh and build-up.

What do you regard as the lowest depth of misery?

Suffering from cancer; I visited Mulago Cancer ward and witnessed people suffer in too much pain. Things like broken heart can be amended but not cancer.

What is your favorite occupation?

I always wanted to be a fashion designer.

What do you most value in your friends?

Honesty

Who are your favorite writers?

I am not a fan of any particular person but I love to read inspirational pieces.

Who is your hero of fiction?

I like Superman and how he comes in to rescue at the right time. I wish there were true supermen.

Which historical figure do you most identify with?

I may model myself to Mother Theresa but I can't come even an inch to who she was and what she did.

What is your greatest regret?

I don't regret anything.

How would you like to die?

I want to die of old age on my bed with my grand children all looking and smiling at me.

What is your motto?

Always make sure you are climbing the right hill.Read more at:www.marieaustralia.com/backless-formal-dresses | http://www.marieaustralia.com/long-formal-dresses
Now that people are becoming more aware of my poetic efforts, interests are being expressed regarding the background of my poetry - in addition, to my spiritual muse. One never knows exactly when the Spirit of God will move on your soul; fortunately I was paying a little bit of attention, one cold winter night...

I've been a member of the IT (Information Technology) community since June of 1981, a profession that constantly tries to turn you into a slave from an employee. Rarely did I ever bring home work; sometimes it was unavoidable, given arbitrary deadlines and poor managerial planning. After dinner on this particular night, I had spread out the pages of computer 'source code' across the entire kitchen table, while attempting to solve a logic problem. ('Source Code' is the logic written by a computer programmer, in a given computer language, that addresses a specific business function. The term is equivalent to a computer 'program'.)

Once I had spent roughly 90 minutes struggling to solve the issue at hand, I treated myself to a mental break. I noticed the gentle reflection of moonlight on the window and decided that I would step outside onto my breezeway for some fresh air. The evening sky that night was a magnificient sight, like many other times. Absent were the visible presence of clouds and the stars seemed noticeably brighter. Taking in this grand view, I let my mind wander, temporarily forgetting about the thousand lines of computer code awaiting me. Gazing upwards, I was quietly reminded of God's promise to Abraham - that his offspring would be as numerous as the stars. I also contemplated why God had designed the heavens to demonstrate His existence.

When the coldness of the winter night started to permeate my body, it was time to terminate my break. Stepping back into my warm home, my brain was re-energized and thankful for the brief, mental hiatus. Trying to re-focus on my work became difficult, as phrases of poem snippets bombarded my soul as "shooting stars". I had been writing haikus and senryus for several years, but not 'traditional' poetry. So to move on, I grabbed a blank piece of paper and started writing, capturing the poem's concept. At the time, I did not recognize or fully appreciate what had transpired. This was my first non-haiku poem written by me; it would be over a year later before I thought to publish my first book.

Having taken the time to compose this poem, I was blessed by God, for taking time to honor Him. Less than ten minutes later, I solved the problem and enjoyed immense relief; plus I got to spend quality time for the rest of the night with my wife. In addition, I completed my project deadline to my boss' delight and surprise.
Tom Orr Nov 2012
It’s been three years since I took my last photograph. Photography had lost its appeal and there were no longer moments I wanted to capture, to freeze in time. I only wanted to move on, just to walk... Besides, my camera’s broken and I can’t for the life of me be bothered to get a new one. I’d rather spend the money on a trip to Brussels, that’s next on the list.

I suppose I’d say I have one true fear in the world and that’s staying still. My mother used to say “Oh Alfie, you’re like one of them AHDD children” and after I correcting her, I’d usually just shrug as if to say “Well, what do you expect me to do about it?” It could be said that my mother was one of those people who just had no time for the world, society was not her priority. One time a member of a local charity knocked on our door asking for a donation. My mother stood there, cemented like a gargoyle and poured out a flurry of very high decibel palaver about how her husband was in the marines and how she owed the world nothing because of it. I have to admit, it was a pseudo-logic that I’ve, to this day, not quite decoded.

My father made the decision to enter the Royal Marines at the age of 19 and my mother hasn’t forgiven him for it since. Perhaps that’s why she’s so sensitive about the whole “I owe society nothing” thing. I used to argue with her about it, about how it seemed right that he made his own decision to fight on behalf of his countrymen, but part of me has always despised his decision. I’ve gradually developed a cliché, but not inaccurate, view that soldiers are merely puppets for rich men’s wars and that glorifying the armed forces is just a sickening way to try and justify ******. Of course, I never shared this view with my father, even if I had, he’d have long forgotten. Whenever he comes back from service, I’m usually in some other part of the world, sitting in an outdoor café, preferring my life. It’s thoughts like this make me feel that I'm more like my mother than I primarily thought. I suppose some may call it selfish, but I merely believe it to be good observation, and therefore an intelligent alternative to what society wants me to believe. We’ll stick with arrogant.

My excuse is that arrogance was part of my job; I had to be correct, all the time. I was in that awkward career position, where I wasn't quite high up enough to be able to fully express my own views and so I had to stick to the hard-line “everything has to be extremely left-wing” approach. Journalism: the home to those who mould the minds of the world; or the breeding ground of *******, if you will. Personally, I was lucky enough to have no permanent boss; essentially I was my own. I wrote my columns for Liberal newspapers all across Europe and they edited them at their own will. It paid the bills, but like my views on my father’s military situation, I still possessed that distaste for the immorality of it all. I still remember my first article. I was 17 at the time, the writing type, enjoyed all things politics. It was for a moderately popular newspaper/magazine company in Western France, named “La Quotidienne”. I’d written a piece on local traders not receiving fair deals for their produce and as a result, the editor had asked me if I’d like to have my own regular column. The column was named “Teen Activist”, which nowadays I deem to be relatively patronising, but it was rather humbling all the same.    

I probably ought to explain some geography. I was born in Surrey, England in 1981 and lived there until my mother decided to move us to France in 1985. The military weren't too pleased with the move, because of course, this made us spies. The whole ordeal was a bit messy, but not really worth noting. We moved to Rennes, which is where today, I would consider home; although I haven’t actually seen home for a good 5 years. I guess the important thing is where I am and where I've been, but as I said before, I’d rather concentrate now on where I'm going. To Belgium, my suitcase is packed once more and my tired passport taped like an extra vital ***** to my wrist (because despite my relentless travelling, I always manage to leave my passport in some unsuspecting hotel room by accident). Blame the occupied mind of a ceaseless traveller.
This is NOT a poem - please feel free, however, to read and comment - every opinion is valued :)
v V v Aug 2015
(In some semblance of order)

(1967 to 1975)

kittens
carpet burns
fear
WGN presents “One-Eyed Jacks” starring Marlon Brando
my grandmother’s basement
slaps from my mother
fear
kicks from my father
fear
Nerf basketball
10CC “I'm Not in Love”
fear

(1976 to 1980)

sunny, cool, fall days
the woods on Sundays
tall green grass
raised red seams on a baseball
fear
Tickle Pink wine
the smell of hashish
the buzz of high tension wires
Stroh's beer, pull tab tall boys
the woods at night
the breeze through the car window
her breath in my ear
fear

(1981 to 1988)

“Footloose” starring Kevin Bacon
Michelob Light in bottles
extra spicy guacamole
fear
“Members Only” black jacket
para mutual wagering
*******
4 seam fastball
fear
the garlic taste of Dimethyl Sulfoxide (DMSO)
a 91 mph fastball
Feldene dissolved in Dimethyl Sulfoxide and applied to my skin via a tongue depressor
my 93.5 mph fastball
the roar of the crowd
fear
October
the swirling light and sound of a west Texas freight train at night in fog
Jesus Christ
fear

(1989 to 1999)

the anticipation of child #1
the birth of child #2
6 hours of uninterrupted sleep after child #3
an 8mm obstructed kidney stone
fear
morphine
fear
Vicodin
fear
sunny, cool, fall days
“The Road Less Traveled” by M Scott Peck
hydrocodone
fear
the woods in fall
thunder
******
fear
the woods in winter
the rumble of Niagara Falls
******
fear
Oxycontin
shame
******
fear
“Ruthless Trust” by Brennan Manning
the woods in spring
The Stanley Cup
fear

(2000 to 2004)

detox
nostalgia of my youth
photos of my children as children
hydrocodone
detox
fear
Jose Cuervo silver tequila
sunny, cool, spring days
Major League Baseball opening day
Jose Cuervo Gold tequila
fear
Chinaco Reposado tequila
the stench of pavement
Gran Patron tequila
the heat of pavement
Herradura Anejo tequila
detox
hydrocodone
fear
Marca Negra Mezcal
detox
AA meetings
Oxycontin
fear
Alice in Chains “Down in a Hole”
detox
nostalgia for opiates
fear

(2005 to 2007)

AA meetings
Camel 99's
her infidelity
fear
photos of my children as children
Camel 99's
the sweet, sweet voice of Martin Sexton
AA meetings
shame
regret
fear
Suboxone
regret
shame
fear

(2008 to 2010)

the tenderness of your touch
a king size memory foam mattress
the tenderness of your touch
Amerique Verte Absinthe
fear
discussions with the dead
the tenderness of your touch
Ray Lamontagne “Winter Birds”
the tenderness of your touch
ablution by Amerique Verte Absinthe
fear
visions of the dead
fear
visits from the dead

(2011 to 2014)

their forgiveness
AA meetings
Camel 99's
my inability to sleep
fear
www.hellopoetry.com
the tenderness of your touch
the tenderness of your touch
the tenderness of your touch
the tenderness of your touch
fear
Centenario Reposado tequila
regret
Tramadol in large amounts
regret
thoughts of you leaving me
thoughts of me being left alone
thoughts of you being left alone
regret

nothing
nothing
nothing

the words I have just written

darkness

fear
I am excited to announce that this poem was recently published in print in "Storm Cycle 2014" The Best of Kind of a Hurricane Press, copyright 2015 A.J. Huffman and April Salzano, editors. The anthology is available online at both Amazon and Barnes and Noble.
Michael S Davis Apr 2013
The way of the Spirit is...

Love, the Spirit's essence;
Joy, the Spirit's song;
Peace, the Spirit's rest;
Longsuffering, the Spirit's patience;
Gentleness, the Spirit's touch;
Goodness, the Spirit's manner;
Faith, the Spirit's attitude;
Meekness, the Spirit's strength;
Temperance, the Spirit's control.

©1981 Michael S. Davis
A Commentary on Galatians 5:22-23
Brian O'blivion Jul 2013
kiss me like the plague
hands of the sea
fingers an armada

kiss me with your barb wire lips
your lipstick's like a curse
crooked teeth and gapped
your smile like a hearse

kiss me with pink scars on your drop dead skin
(lead me to your slaughter)
thighs spun into spider silk
(I’ll be your sacrificial lamb)
1 pint water
3 drops mother’s milk
Mateuš Conrad Feb 2016
there's this common consensus among the irish
in england that they're the big fish,
the shark migrants, the ones who say
do to other migrants, rather than be, among us;
for example? they take poles to be (holy) fools;
oddly enough irish arithmetic doesn't really
spawn in other ethnicities too well,
unless of course it's an arithmetic for the
number of pints of Guinness you drink;
funny to reduce a civilisation to a pint of beer
as the civilisation's biggest input for the world
to see; walk into an irish pub donning a little
german flag on your arm and you're immediately
courted with a sing-along-song with the words:
i can't serve you: i've never seen a people
so adamantly proud to have been colonised
when uprooting others who were not:
a shamrock of honour no doubt.

christianity was adopted by the roman
empire, for the jews and the romans
shared an aquiline physiognomy,
in rude terms it's also called the Gaul Nose.

let's see... what else? ah, there's this problem
about the criticism of communism,
after all, western europe (inc. sweden...
huh? sweden?! sweden was neutral!)
was given the marshall plan bail out,
e.r.p. monopoly money...
eastern europe wasn't given that option,
it was given communism, a higher
bidder took offer, the jew said of the slav:
make him proud; of the german? not
so much proud but in a chicken house
of glass and cubicle, offices of paper lifting
mächtigmensch: in fifty years time,
having lost momentum of the industrial
revolution, exported everything to china
(unlike american national capitalism
china's national capitalism is subtler,
just a little tag on a shirt: MADE IN CHINA,
but... designed in caulifornia, the white brain
state), they'll be left with a recurring mid-life
crisis having to brand each life, sell it,
exhaust any chance of entering dialectics,
spewing out opinion after opinion after
even more opinion, basically taking out
a mortgage on an interesting life, and that'll
be the end of it... the advertising boys and girls,
by-products of a New Age Iconoclasm,
not with images, like St. Jerome hunched
or St. Francis of Assisi begging for birdsong
translations of the dove's descent
onto the head of John the Baptist...
New Age Iconoclasm, you see it everywhere:
usually with a trade-mark and a copyright...
New Age Iconoclasm examples?
Coca-Cola... Pepsi... MTv... Levis... Apple...
TM TM... COPYRIGHT FM....
the only damnable thing not ready for nostalgia
concerning former communist states...
well there was poland under the martial law...
a satellite state gearing up to either civil war
or the empire of the warsaw pact (z.s.s.r.)
1981 - 1983... terrible times... but not communist time...
now everyone wants socialism...
food banks in england, migrants in shanty towns
in france... germans being very courteous (hmm),
greeks throwing falafel into turkey,
spain the gem of south america frozen...
all in all, every european frightened of federalism
that cripples u.s.a., no european wants federalism,
no european wants to be bleached into speaking
*klar englisch
, centuries of differences done in
conglomerating over the course of a few decades?
madness! no one wants to be like the scots
or the irish or the welsh... who simply say...
aye, buts wee 'ave an accent...
indeed, all you have is a historic insinuation
to what your tongue used to speak,
before the great kabbalistic anatomists
told you to always speak with your eyes open,
rather than sometimes closing them, and speaking
using the kabbalah to see the mouth's anatomy
of the 20 and above organs, including the main one,
the tongue, the brain of the mouth.

p.s. there's only one aspect of kabbalah that
seems dumb from the start,
akin to being pulverised by too many
maxims from philosophy,
and thoughtlessness of the oriental aversion
to think anything that might create
a self in transit...
it's numerology... i've never understood
a point of it, from such a methodological
investigation of phonetics with the
scalpel that is the tetragrammaton,
in order that alpha bravo charlie dumb-dumb
could not exist to stress clarity of
pronunciation / so that bravado would
not be investigated using linguistic cryptology,
as noted via: bruh-vah-doh / brəˈvɑːdəʊ
to saying: a = 1, b = 2, c = 3...
and the words kept me going were represented
by 11 + 5 + 16 + 20, 13 + 5, 7 + 15 + 9 + 14 + 7
actually meant anything.
Andrew Rueter May 2020
In the 1970s there was a wave of soft pop that struck America
one band at the crest of that wave was The Carpenters
formed by Richard and Karen Carpenter
they were wildly successful
their song We’ve Only Just Begun is still a ubiquitous wedding song
Karen’s smooth and pure voice drew giant crowds
but despite how timeless her music is
it is equally contrasted by the briefness of her life.

Karen captivated a worldwide audience with her music
but some people just can’t be reached
indoctrinated by our superficial society
thinking every celebrity should be a supermodel
critics made snide comments about her being Richard’s chubby sister
even though she wasn’t overweight
and Richard was addicted to Quaaludes
but even more important than the public was Karen’s own mother
who worried of the public’s feelings more than her own daughter’s.

Karen felt pushed to lose weight
so she hired a nutritionist
who loaded her down with carbohydrates
which obviously made her fatter
crushing her faith in nutrition
turning her towards unhealthy methods
...which worked...at first...
but unfortunately it kept working
and she refused to change, unlike her body.

Fans who once cheered for her
now gasped when they saw her emaciated skeleton take the stage
they thought she might’ve had cancer
and were concerned about her weight
but to her it was the same crowd telling her to lose weight
now telling her to gain weight
she was done hearing it
and stuck in her ways.

Her friends were worried about her
and pleaded for her to seek help
but her mother’s profession was repression
so Karen hid her depression
while her mother told her psychiatrists were for crazy people.

Karen tried using a man to make her problems disappear
and married Tom Burris two months after meeting him in 1980
he would verbally abuse her; calling her a bag of bones
then he’d *** money off her; amounts up to $50,000 at a time
needless to say the relationship was ill fated
and they divorced in 1981.

Finally Karen’s friends convinced her to see a therapist
who brought her family into a counseling session
and urged them to tell Karen they love her
of course Richard was willing to say so, they were always really close
especially after Karen had helped him with his own addiction issues
but Karen’s mother refused
berating the therapist for using her first name; Agnes
and informing him that wasn’t how their family did things.

Karen Carpenter passed away February 4, 1982 at the age of 32
she died from ipecac poisoning
she used the substance to induce vomiting every day
and it slowly dissolved her heart.

Richard was devastated.

There’s not much I can add
I guess Karen’s story speaks for itself
it just ****** me off critics jeer with impunity and without empathy
they’re free to cajole great artists while having no value themselves
driving artists away until we’re only left with negativity
it makes me want to cut out all the demons’ razor sharp tongues
before they get a taste of another angel’s wings
but would that really protect those angels
if they’re born to demons?
Jeremy Duff Feb 2013
My father was not good to his body when he was younger.
The smoking and drinking and snorting and fighting and drinking and crashes and drinking were not good for him.
My father was not good to his body when he was younger.
One summer, when he was 16, everyday he would take a bottle of wine from his mother's liquor cabinet, buy a pack of cigarettes at the corner store, meet up with his friend Mario, who also stole a bottle of wine, and together they would ride down to the river and smoke and drink and swim. Everyday, for a full 1970's summer they did this.
And now he tells me, that at the time they were having fun and they were not worried about money or addictions or the future.
They were just having fun.
My father was not good to his body when he was younger.
One day, in the dead of fall 1981, he and his friends Mario, Mark, ****** and John all got together at Mark's apartment on the corner of 51st and Diablo boulevard. They hit the town, drank, snuck into movie theatres, harassed girls and had a good time. They returned to Mark's apartment at 2 am and thought it a good idea to steal Mark's mom's new car. They decided to go to Reno.
Driving, as my dad put it, well above the speed limit on Highway 49, they collided head on with a big rig. There were no fatalities but my dad broke his shoulder and suffered a minor concussion. Mark's mom chose to not press charges nor did the driver of the big rig. The next day my father was back at work, refusing to adhere to the doctor's orders of taking it easy and wearing a soft cast, entrapping his left arm against his chest, climbing under cars, changing oil, and repairing engines.
My father was not good to his body when he was younger.
One cold winter's day, in December of '82, my father's ever faithful companion, Mario, picked my father and his dog, Wimpy, up and they drove over to a small burger joint named Big A's. My father ordered two bacon cheeseburgers and a large rootbeer. Mario got the same, only with a single bacon cheeseburger. My father father gave his second bacon cheeseburger to his pitbull Wimpy.
My father was better to his dog than he was to his own body.
Now, my father coughs himself to sleep every night, and has chronic bronchitis. His liver and kidneys are shot and he plans to not live passed sixty. He will be turning fifty in two weeks.
My father was not good to his body when he was younger.
L Seagull Jun 2016
You do not do, you do not do  
Any more, black shoe
In which I have lived like a foot  
For thirty years, poor and white,  
Barely daring to breathe or Achoo.

Daddy, I have had to **** you.  
You died before I had time——
Marble-heavy, a bag full of God,  
Ghastly statue with one gray toe  
Big as a Frisco seal

And a head in the freakish Atlantic  
Where it pours bean green over blue  
In the waters off beautiful Nauset.  
I used to pray to recover you.
Ach, du.

In the German tongue, in the Polish town  
Scraped flat by the roller
Of wars, wars, wars.
But the name of the town is common.  
My ****** friend

Says there are a dozen or two.  
So I never could tell where you  
Put your foot, your root,
I never could talk to you.
The tongue stuck in my jaw.

It stuck in a barb wire snare.  
Ich, ich, ich, ich,
I could hardly speak.
I thought every German was you.  
And the language obscene

An engine, an engine
Chuffing me off like a Jew.
A Jew to Dachau, Auschwitz, Belsen.  
I began to talk like a Jew.
I think I may well be a Jew.

The snows of the Tyrol, the clear beer of Vienna  
Are not very pure or true.
With my gipsy ancestress and my weird luck  
And my Taroc pack and my Taroc pack
I may be a bit of a Jew.

I have always been scared of you,
With your Luftwaffe, your gobbledygoo.  
And your neat mustache
And your Aryan eye, bright blue.
Panzer-man, panzer-man, O You——

Not God but a *******
So black no sky could squeak through.  
Every woman adores a Fascist,  
The boot in the face, the brute  
Brute heart of a brute like you.

You stand at the blackboard, daddy,  
In the picture I have of you,
A cleft in your chin instead of your foot  
But no less a devil for that, no not  
Any less the black man who

Bit my pretty red heart in two.
I was ten when they buried you.  
At twenty I tried to die
And get back, back, back to you.
I thought even the bones would do.

But they pulled me out of the sack,  
And they stuck me together with glue.  
And then I knew what to do.
I made a model of you,
A man in black with a Meinkampf look

And a love of the rack and the *****.  
And I said I do, I do.
So daddy, I’m finally through.
The black telephone’s off at the root,  
The voices just can’t worm through.

If I’ve killed one man, I’ve killed two——
The vampire who said he was you  
And drank my blood for a year,
Seven years, if you want to know.
Daddy, you can lie back now.

There’s a stake in your fat black heart  
And the villagers never liked you.
They are dancing and stamping on you.  
They always knew it was you.
Daddy, daddy, you *******, I’m through.

Sylvia Plath, “Daddy” from Collected Poems. Copyright © 1960, 1965, 1971, 1981 by the Estate of Sylvia Plath. Editorial matter copyright © 1981 by Ted Hughes. Used by permission of HarperCollins Publishers.
Source: Collected Poems (HarperCollins Publishers Inc, 1992)
#sylviaplath
Michael R Burch Feb 2021
SELF REFLECTIONS

These are poems about mirrors, images, self-image, reflections and self-reflection. How do we see ourselves differently than other people see us? Why do our impressions of ourselves sometimes end up like so much shattered glass?



Self Reflection
by Michael R. Burch

for anyone struggling with self-image

She has a comely form
and a smile that brightens her dorm ...
but she's grossly unthin
when seen from within;
soon a griefstricken campus will mourn.

Yet she'd never once criticize
a friend for the size of her thighs.
Do unto others—
sisters and brothers?
Yes, but also ourselves, likewise.



Reflections
by Michael R. Burch

I am her mirror.
I say she is kind,
lovely, breathtaking.
She screams that I’m blind.

I show her her beauty,
her brilliance and compassion.
She refuses to believe me,
for that’s the latest fashion.

She storms and she rages;
she dissolves into tears
while envious Angels
are, by God, her only Peers.



Is the mirror unkind
by Michael R. Burch

To your lovely brown eyes is the mirror unkind,
revealing far more than reflections defined
in superficial glass, so lacking in depth?
Is the mirror unkind, at times, darling Beth?

What you see my dear, I see different by far,
as our sun from Centauri is just a “small” star,
but here it brings life and warms each day’s start.
Oh, and a mirror can never reveal a true heart.



On Looking into Curious George’s Mirrors
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon aka Seamus Cassidy

Maya was made in the image of God;
may the reflections she sees in those curious mirrors
always echo back Love.

Amen



The Mistake
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

All your life, O Ghalib,
You kept repeating the same mistake:
Your face was *****
But you were obsessed with cleaning the mirror!



Shattered
by Vera Pavlova
loose translation/interpretation by Michael R. Burch

I shattered your heart;
now I limp through the shards
barefoot.



Radiance
by Michael R. Burch

for Dylan Thomas

The poet delves earth’s detritus—hard toil—
for raw-edged nouns, barbed verbs, vowels’ lush bouquet;
each syllable his pen excretes—dense soil,
dark images impacted, rooted clay.

The poet sees the sea but feels its meaning—
the teeming brine, the mirrored oval flame
that leashes and excites its turgid surface ...
then squanders years imagining love’s the same.

Belatedly he turns to what lies broken—
the scarred and furrowed plot he fiercely sifts,
among death’s sicksweet dungs and composts seeking
one element that scorches and uplifts.



Downdraft
by Michael R. Burch

for Dylan Thomas

We feel rather than understand what he meant
as he reveals a shattered firmament
which before him never existed.

Here, there are no images gnarled and twisted
out of too many words,
but only flocks of white birds

wheeling and flying.

Here, as the sun spins, reeling and dying,
the voice of a last gull
or perhaps a lost soul,

echoes its lonely madrigal
and we feel its strange pull
on the astonished soul.

O My Prodigal!

The vents of the sky, ripped asunder,
echo this wild, primal thunder—
now dying into undulations of vanishing wings . . .

and this voice which in haggard bleak rapture still somehow downward sings.




Resemblance
by Michael R. Burch

Take this geode with its rough exterior—
crude-skinned, brilliant-hearted ...
a diode of amethyst—wild, electric;
its sequined cavity—parted, revealing.
Find in its fire all brittle passion,
each jagged shard relentlessly aching.
Each spire inward—a fission startled;
in its shattered entrails—fractured light,
the heart ice breaking.



Wonderland
by Michael R. Burch

We stood, kids of the Lamb, to put to test
the beatific anthems of the blessed,
the sentence of the martyr, and the pen’s
sincere religion. Magnified, the lens
shot back absurd reflections of each face—
a carnival-like mirror. In the space
between the silver backing and the glass,
we caught a glimpse of Joan, a frumpy lass
who never brushed her hair or teeth, and failed
to pass on GO, and frequently was jailed
for awe’s beliefs. Like Alice, she grew wee
to fit the door, then couldn’t lift the key.
We failed the test, and so the jury’s hung.
In Oz, “The Witch is Dead” ranks number one.



Mirror
by Kajal Ahmad, a Kurdish poet
loose translation/interpretation by Michael R. Burch

My era's obscuring mirror
shattered
because it magnified the small
and made the great seem insignificant.
Dictators and monsters filled its contours.
Now when I breathe
its jagged shards pierce my heart
and instead of sweat
I exude glass.



Polish
by Michael R. Burch

Your fingers end in talons—
the ones you trim to hide
the predator inside.
Ten thousand creatures sacrificed;
but really, what’s the loss?
Apply a splash of gloss.
You picked the perfect color
to mirror nature’s law:
red, like tooth and claw.



Mending Glass
by Michael R. Burch

In the cobwebbed house—
lost in shadows
by the jagged mirror,
in the intricate silver face
cracked ten thousand times,
silently he watches,
and in the twisted light
sometimes he catches there
a familiar glimpse of revealing lace,
white stockings and garters,
a pale face pressed indiscreetly near
with a predatory leer,
the sheer flash of nylon,
an embrace, or a sharp slap,
. . . a sudden lurch of terror.

He finds bright slivers
—the hard sharp brittle shards,
the silver jags of memory
starkly impressed there—
and mends his error.



The Poet
by Michael R. Burch

He walks to the sink,
takes out his teeth,
rubs his gums.
He tries not to think.

In the mirror, on the mantle,
Time—the silver measure—
does not stare or blink,
but in a wrinkle flutters,
in a hand upon the brink
of a second, hovers.

Through a mousehole,
something scuttles
on restless incessant feet.

There is no link
between life and death
or from a fading past
to a more tenuous present
that a word uncovers
in the great wink.

The white foam lathers
at his thin pink
stretched neck
like a tightening noose.
He tries not to think.



POEMS ABOUT POOL SHARKS

These are poems about pool sharks, gamblers, con artists and other sharks. I used to hustle pool on bar tables around Nashville, where I ran into many colorful characters, and a few unsavory ones, before I hung up my cue for good.

Shark
by Michael R. Burch

They are all unknowable,
these rough pale men—
haunting dim pool rooms like shadows,
propped up on bar stools like scarecrows,
nodding and sagging in the fraying light . . .

I am not of them,
as I glide among them—
eliding the amorphous camaraderie
they are as unlikely to spell as to feel,
camouflaged in my own pale dichotomy . . .

That there are women who love them defies belief—
with their missing teeth,
their hair in thin shocks
where here and there a gap of scalp gleams like bizarre chrome,
their smell rank as wet sawdust or mildewed laundry . . .

And yet—
and yet there is someone who loves me:
She sits by the telephone
in the lengthening shadows
and pregnant grief . . .

They appreciate skill at pool, not words.
They frown at massés,
at the cue ball’s contortions across green felt.
They hand me their hard-earned money with reluctant smiles.
A heart might melt at the thought of their children lying in squalor . . .
At night I dream of them in bed, toothless, kissing.
With me, it’s harder to say what is missing . . .



Fair Game
by Michael R. Burch

At the Tennessee State Fair,
the largest stuffed animals hang tilt-a-whirl over the pool tables
with mocking button eyes,
knowing the playing field is unlevel,
that the rails slant, ever so slightly, north or south,
so that gravity is always on their side,
conspiring to save their plush, extravagant hides
year after year.

“Come hither, come hither . . .”
they whisper; they leer
in collusion with the carnival barkers,
like a bevy of improbably-clad hookers
setting a “fair” price.
“Only five dollars a game, and it’s so much Fun!
And it’s not really gambling. Skill is involved!
You can make us come: really, you can.
Here are your *****. Just smack them around.”

But there’s a trick, and it usually works.
If you break softly so that no ball reaches a rail,
you can pick them off: One. Two. Three. Four.
Causing a small commotion,
a stir of whispering, like fear,
among the hippos and ostriches.



Con Artistry
by Michael R. Burch

The trick of life is like the sleight of hand
of gamblers holding deuces by the glow
of veiled back rooms, or aces; soon we’ll know
who folds, who stands . . .

The trick of life is like the pool shark’s shot—
the wild massé across green velvet felt
that leaves the winner loser. No, it’s not
the rack, the hand that’s dealt . . .

The trick of life is knowing that the odds
are never in one’s favor, that to win
is only to delay the acts of gods
who’d ante death for sin . . .

and death for goodness, death for in-between.
The rules have never changed; the artist knows
the oldest con is life; the chips he blows
can’t be redeemed.



Pool's Prince Charming
by Michael R. Burch

this is my tribute poem, written on the behalf of his fellow pool sharks, for the legendary Saint Louie Louie Roberts

Louie, Louie, Prince of Pool,
making all the ladies drool ...
Take the “nuts”? I'd be a fool!
Louie, Louie, Prince of Pool.

Louie, Louie, pretty as Elvis,
owner of (ahem) a similar pelvis ...
Compared to you, the books will shelve us.
Louie, Louie, pretty as Elvis.

Louie, Louie, fearless gambler,
ladies' man and constant rambler,
but such a sweet, loquacious ambler!
Louie, Louie, fearless gambler.

Louie, Louie, angelic, chthonic,
pool's charming hero, but tragic, Byronic,
winning the Open drinking gin and tonic?
Louie, Louie, angelic, chthonic.

I used poetic license about what Louie Roberts was or wasn't drinking at the 1981 U. S. Open Nine-Ball Championship. Was Louie drinking hard liquor as he came charging back through the losers' bracket to win the whole shebang? Or was he pretending to drink for gamesmanship or some other reason? I honestly don't know. As for the word “chthonic,” it’s pronounced “thonic” and means “subterranean” or “of the underworld.” And the pool world can be very dark indeed, as Louie’s tragic demise suggests. But everyone who knew Louie seemed to like him, if not love him dearly, and many sharks have spoken of Louie in glowing terms, as a bringer of light to that underworld.



My wife and I were having a drink at a neighborhood bar which has a pool table. A “money” game was about to start; a spectator got up to whisper something to a friend of ours who was about to play someone we hadn’t seen before. We couldn’t hear what was said. Then the newcomer broke—with such force that his stick flew straight up in the air and shattered the light dangling overhead. There was a moment of stunned silence, then our friend turned around and remarked: “He really does shoot the lights out, doesn’t he?” — Michael R. Burch



Rounds
by Michael R. Burch

Solitude surrounds me
though nearby laughter sounds;
around me mingle men who think
to drink their demons down,
in rounds.

Now agony still hounds me
though elsewhere mirth abounds;
hidebound I stand and try to think,
not sink still further down,
spellbound.

Their ecstasy astounds me,
though drunkenness compounds
resounding laughter into joy;
alloy such glee with beer and see
bliss found.

Originally published by Borderless Journal

Keywords/Tags: mirror, image, images, imagery, self, self-image, self discovery, fear of self, self control, self harm, reflection, reflections, reflecting, glass, mrbref
typhany Dec 2017
but i am putting it down
until it hurts
and grips me vicariously
'til i'm twisted around-
i'm turned into a mug's handle

it's the same plastic feeling
i had before
i miss the solid glass,
and the strips of wood
i teased with my angel fingers

the mirror couldn't see me
today
i didn't let it.
how could i?
my eyes are too small, here

shaggy planet earth
was invaded in 1981
beginning with my first soul:
i was so young
i didn't know better

tossed out, i'm left to drink up
the abundance of this world.
swallowing more light and dark
than my small eyes can;
i turned to ethanol.

hemingway entered my life
in the fall of '09
i couldn't have been more in love.
maybe that's why
i'm pen in one hand, drink in the other.
Sin Aug 2014
we were all born crying.
wailing, raw pink lungs
gasping,
choking, on new filtered air.

but maybe, we cry not because
of a cold chill
and fluorescent state of confusion,
but simply because we've been born once again.

maybe we cry because our past lives
will never repeat themselves-

no more grandkids, the splintered back porch with the hissing screen door,

no more ten day vacations at the spare house in Spain,

no more dates at a drive in, the 1981 firebird where the windows would always steam,

no handprints along glass,
footprints on the subway.

no more
"welcome home" kisses from your dog,
"goodnight" kisses from your wife.

when we are born,
maybe we cry because
in that simple movement toward new light
our hand lingers along the wall behind us,
and flips off the switch.

every painful lesson,
heartbreak,
first times,
failiure.
all of it recycled;
repetition that never comes to end.

maybe, we cry because
we have forgotten the words
of the song we know we've heard.
the one you once danced to
at your wedding;
the one they cried to, at your funeral.

maybe we cry because
we have forgotten the color of the ink
scratched on our past suicide notes.

maybe, because
we think the gunshot did not take us
to heaven.

but there are angels
and they don't wear halos and stroke harps-
they roam the earth.
instead of showing you the light,
they teach how to form the flame inside yourself.

we were all born crying.
and it is not from loss or fear itself;
not because our soul is homesick
for the house it can't recall-
we cry for the warmth of our mothers worn hands.
the new rhythm slow in her chest,
amber hair falling
from the foreign ***** of her shoulder;

we are just one soul on this journey
body to body, heart to heart.
maybe we cry because
in that moment, we ourselves realize
that each life is, a miracle.
Michael R Burch Feb 2020
Moon Lake
by Michael R. Burch

Starlit recorder of summer nights,
what magic spell bewitches you?
They say that all lovers love first in the dark...
Is it true?
Is it true?
Is it true?

Starry-eyed seer of all that appears
and all that has appeared—
What sights have you seen?
What dreams have you dreamed?
What rhetoric have you heard?

Is love an oration,
or is it a word?
Have you heard?
Have you heard?
Have you heard?

I believe I wrote this poem in my late teens, during my “Romantic Period.”



Tomb Lake
by Michael R. Burch

Go down to the valley
  where mockingbirds cry,
  alone, ever lonely . . .
  yes, go down to die.
And dream in your dying
  you never shall wake.
  Go down to the valley;
  go down to Tomb Lake.
Tomb Lake is a cauldron
  of souls such as yours —
  mad souls without meaning,
  frail souls without force.
Tomb Lake is a graveyard
  reserved for the dead.
  They lie in her shallows
  and sleep in her bed.

I believe this poem and "Moon Lake" were companion poems, written around my senior year in high school, in 1976. In addition to having similar titles, they had similar "staircase" indention styles. According to my notes, I modified "Moon Lake" two years later in 1978, at which time the poem was substantially finished. I then modified "Tomb Lake" in 1981, but must have forgotten about it, because I don't show that I ever submitted the poem for publication or did anything with it for more than 40 years. Keywords/Tags: Moon, Lake, Lakes, Water, Reflection, Reflections, Image, Imagery, Mirror, Magic, Magician, Seer, Prophet, Shaman, Spell, Spells, Enchanted, Enchantment, Sorcery, Bewitchment, Bewilderment, Incantation, Rhapsody, Love Talk, Love Potion, Romance, First Love, Dark, Dreams
Michael R Burch Mar 2020
hymn to Apollo
by Michael R. Burch

something of sunshine attracted my i
as it lazed on the afternoon sky,
golden, splashed on the easel of god;
what, i thought,
could this elfin stuff be,
to, phantomlike, flit
through tall trees
on fall days, such as these?

and the breeze
whispered a dirge
to the vanishing light;
enchoired with the evening, it sang;
its voice enchantedly rang
chanting “Night!” . . .

till all the bright light
retired,
expired.

This poem appeared in my high school literary journal, the Lantern, so it was written by age 18, but probably around age 16 or 17. That was my "cummings" period. Keywords/Tags: sun, god, sunshine, Apollo, elfin, phantom, ghostly, magical, enchanted, bright, light, brilliant, sky, golden



Moon Lake
by Michael R. Burch

Starlit recorder of summer nights,
what magic spell bewitches you?
They say that all lovers love first in the dark...
Is it true?
Is it true?
Is it true?

Starry-eyed seer of all that appears
and all that has appeared—
What sights have you seen?
What dreams have you dreamed?
What rhetoric have you heard?

Is love an oration,
or is it a word?
Have you heard?
Have you heard?
Have you heard?

I believe I wrote this poem in my late teens, during my “Romantic Period.”



Tomb Lake
by Michael R. Burch

Go down to the valley
  where mockingbirds cry,
  alone, ever lonely . . .
  yes, go down to die.
And dream in your dying
  you never shall wake.
  Go down to the valley;
  go down to Tomb Lake.
Tomb Lake is a cauldron
  of souls such as yours —
  mad souls without meaning,
  frail souls without force.
Tomb Lake is a graveyard
  reserved for the dead.
  They lie in her shallows
  and sleep in her bed.

I believe this poem and "Moon Lake" were companion poems, written around my senior year in high school, in 1976. In addition to having similar titles, they had similar "staircase" indention styles. According to my notes, I modified "Moon Lake" two years later in 1978, at which time the poem was substantially finished. I then modified "Tomb Lake" in 1981, but must have forgotten about it, because I don't show that I ever submitted the poem for publication or did anything with it for more than 40 years. Keywords/Tags: Moon, Lake, Lakes, Water, Reflection, Reflections, Image, Imagery, Mirror, Magic, Magician, Seer, Prophet, Shaman, Spell, Spells, Enchantment, Sorcery, Bewitchment, Bewilderment, Incantation, Rhapsody, Love Talk, Love Potion
Michael R Burch Mar 2020
Circe
by Michael R. Burch

She spoke
and her words
were like a ringing echo dying
or like smoke
rising and drifting
while the earth below is spinning.
She awoke
with a cry
from a dream that had no ending,
without hope
or strength to rise,
into hopelessness descending.
And an ache
in her heart
toward that dream, retreating,
left a wake
of small waves
in circles never completing.

Originally published by Romantics Quarterly

Keywords/Tags: Circe, enigma, enigmatic, enchantress, siren, enchanted, witch, goddess, magic, Ulysses, pigs, sty



Moon Lake
by Michael R. Burch

Starlit recorder of summer nights,
what magic spell bewitches you?
They say that all lovers love first in the dark...
Is it true?
Is it true?
Is it true?

Starry-eyed seer of all that appears
and all that has appeared—
What sights have you seen?
What dreams have you dreamed?
What rhetoric have you heard?

Is love an oration,
or is it a word?
Have you heard?
Have you heard?
Have you heard?

I believe I wrote this poem in my late teens, during my “Romantic Period.”



Tomb Lake
by Michael R. Burch

Go down to the valley
  where mockingbirds cry,
  alone, ever lonely . . .
  yes, go down to die.
And dream in your dying
  you never shall wake.
  Go down to the valley;
  go down to Tomb Lake.
Tomb Lake is a cauldron
  of souls such as yours —
  mad souls without meaning,
  frail souls without force.
Tomb Lake is a graveyard
  reserved for the dead.
  They lie in her shallows
  and sleep in her bed.

I believe this poem and "Moon Lake" were companion poems, written around my senior year in high school, in 1976. In addition to having similar titles, they had similar "staircase" indention styles. According to my notes, I modified "Moon Lake" two years later in 1978, at which time the poem was substantially finished. I then modified "Tomb Lake" in 1981, but must have forgotten about it, because I don't show that I ever submitted the poem for publication or did anything with it for more than 40 years. Keywords/Tags: Moon, Lake, Lakes, Water, Reflection, Reflections, Image, Imagery, Mirror, Magic, Magician, Seer, Prophet, Shaman, Spell, Spells, Enchantment, Sorcery, Bewitchment, Bewilderment, Incantation, Rhapsody, Love Talk, Love Potion
JB Mar 2015
It's 1:45 AM

I'll write a poem for you. I don't know what it's about.

Maybe it's about something that happened to me recently.
Maybe it's a reflection on a weird habit I need to change
Like taking an eight-hour nap after work (why?)

Or maybe it's just to fill in the blanks of my mind
That I know will end up being used in a little bit
For "Computer Love"

Kraftwerk released it in 1981.
Before **** sites and YouTube videos of girls kissing.
Coldplay used the same melody for a 2005 song, "Talk".
(Class it up, Chris Martin.)

Now my little observation is done.
And I can make a rendezvous with the Internet
A data date.
Lilith Meredith Jun 2013
He is ancient steadfast
I am sure he was here when the world was created
I am sure he will be here when it ends
His gentle face carved with hard lines
He poured forth knowledge in his native Persian tongue
He called me Shohre
I learned it was his sister's name
He looked at me like a granddaughter and treated me just as sweet

“Ghabl az enghalab...”
Before the revolution...
After which would follow painful reminiscing of
The days before the current regime
When wine bubbled out from Shiraz
Men and women danced late into the night
And soft voices wove love songs in street cafes

“Ghabl az enghalab moalem dar daneshgah boodam.”
Before the revolution I was a university professor.
“Yeki az daneshjooyanam Ahmedinejad bood.”
One of my students was Ahmedinejad.
And in English, clear as hate,
“He was a *******.”

One night I stayed back for extra lessons
We ate cherries from Costco and
Read excerpts from his autobiography
Pages crafted from right to left, vignettes of
His military service in Mashhad
And consequent teaching career

“Ba'ad az enghalab...”
After the revolution...
Was always followed with war stories
Political dissidents lost to Evin prison
Sharia law imposed on moderate minds
Escaping Iran by night with a phony visa

“Ba'ad az enghalab dar ketabkhane bayad kar konam”
After the revolution I had to work in the library.
“Khoastam yad bedahm, pas man o zanam be Amrika raftim.”
I wanted to teach, so my wife and I came to America.
He has not been home since 1981.

On December third of 2009 he walked smugly into the classroom
Setting a tape player happily on a desk.
He opened a folder from right to left
Produced a well-worn cassette
And played Happy Birthday, in Persian, for me.
He smiled at me with hands folded throughout the song
As I’d imagine he had smiled at
All the other special women in his life named Shohre.

He never played Happy Birthday for any of the other students.
Or gave them cherries,
Or went to their weddings,
Or held them while they cried when their grandfather died.
I do not know what he saw in me
But in each other we found family years and miles away from home.
Part III in a series.
Lucius Furius Dec 2021
I cried at Field of Dreams.
It wasn't Dad I was thinking of --
it was you --
us, lobbing that ball
back and forth.
  
You blossomed:      Specht Fans 11 …  Tuesday night.
Fireballer Bob Specht struck out 11 and allowed only two hits in leading the BPO Elks to a 4-0 victory over Lee Plumbing.

You were ten.

You threw so hard
my hand burned even with a catcher's mitt and sponge.
  
You stalled;
others caught you.
Age fifteen, and your career was done.
  
You were musical;
played trombone in the marching band.
  
School? You did well,
but were never really exceptional.
You defied conventions,
went to extremes.
  
In college, it wasn't enough to just protest;
you had to join the SDS,
to always be daring the police to arrest you.
  
You took ******, mescaline, speed, *******.
  
You were cynical, negative, moody;
scorned all masks and indirection.
What you offered was a ruthless honesty:
in a fake and superficial world,
no small commodity.
You married --
Justice of the Peace, no friends or family.
Seemed happier.
It didn't last;
you divorced.
  
Talked of suicide, occasionally.
I argued it to be a misunderstanding
of emotions' relativity:
Only the starving understand
the exquisite flavor of plain bread.
  
You wandered.
Work took us farther apart.

You became obsessed with a married woman
who had no intention of leaving her husband.
  
Injured your eye in a car accident.
The doctor prescribed corticosteroids.
  
I fell in love and got married.
You were best man.
  
And then:
P.M., May 20, 1981: A body was discovered in the kitchen of the second floor apartment at 68 High St. by the building's owner, Joseph Albertson. Mr. Albertson positively identified the body as that of Robert Edward Specht, the apartment's leasee.  The deceased had received a gunshot wound to the head. A .25-caliber Beretta revolver registered to the deceased was found one foot from the body. The substantial damage to the face and head, consistent with a very close firing range, the lack of any signs of intrusion or struggle, and the written materials (identified as being in Mr. Specht's handwriting) found next to the body, indicate that the wound was self-inflicted.

You'd left a note: "No hope of finding love. Refuse to live without."

Was it the accident, the drugs
that made you less communicative?
My marriage? Some inner-driven change?
  
Would that I could have eased your pain.
You were thirty-one.
Hear Lucius/Jerry read the poem:  humanist-art.org/old-site/audio/SoF_029_bobby.MP3 .
This poem is part of the Scraps of Faith collection of poems ( https://humanist-art.org/scrapsoffaith.htm )
Mateuš Conrad May 2016
symphony arrangement for poetry - personae distinctions of hidden violins and woodwinds, somewhere along the way brass - leaving Cabaret Voltaire (Zurich), moving to the Beat Hotel (9 Rue Gît-le-Cœur, Paris), ending up on the Cowgate (Edinburgh).

when you read newspapers you realise that dinosaurs roam
the land, the fortress of printing press, unlike the printing press
(which was taken seriously from the word go!)
the internet has been largely squandered; you read these
things in newspapers, the evolutionary reaction - ensuring that
among these dinosaurs are also opinion pieces, dinosaurs write accounts of what's happening, batrachotoxin amphibians write
opinions: i.e. what isn't happening: opinions go forward unchecked
and undisputed, added that there are many potions in the cauldron
it's hard to pick one out and dig deeper until both parties are in no position to hold such and such opinion, given the missing
muscle of implementing change or the skeleton to keep
the status quo - but this is a slight deviation from what i
was intending to convey - the old guard of printing is worried
sick that it might be usurped in the long run - it prints damaging
reports about the existence of the internet, looking at it as not
a niche environment, which it technically is - but cats, ****, cats,
****, apparently we all log on to meow and moan -
as a tool of entertainment it's the least thrilling source of
the desired "entertainment", the unscripted nature of this niche environment is what's actually good about it, in that a single
person can become both writer, editor and publisher -
but indeed, the internet has been squandered,
although it improved from what used to be a wholly anonymous
environment peppered with dangers of random encounters -
the infamous chat rooms changed even more to infamous
phone-books: you heard it, stories of cyber bullying - the internet
has been squandered, by all means, trying to save it is a bit like
trying to save the world, or as one Tao principle suggested to me
early on forged in me: the best way you can aid the world
is to forget the world, and let the world forget you.
a film director would say, well, i'm stuck in the house,
i'm thinking of shooting a biopic of Lawrence of Arabia...
i see a desert, a man riding a camel through it...
but you have to then start muling over the facts: you'll have to get funding, get the casting right,  but no one likes shooting in
the desert, you have to get  the catering sorted, you start shooting,
but the camera track ruins the desert, so you have to move
to another part of the desert that's pristine with wind parallel
ridges in the sand, then the studio calls you and says you're
spending too much money, then peter o'toole stumbles
out from the trailer hungover almost everyday; sure, you need inspiration and ideas, but that's only 1% or the whole,
99% is working with people - as a director you're not actually
playing god, you're helping other people, De Niro preferred
mumbling something prior to a scene, but Seymour Hoffman
went into a scene like a crocodile quickly snapping
to the shout of cut! and the clapperboard.
i suppose poetry could be like that too,
99% being the audience and the necessary oration,
that would work - unless of course you'd do the same with
painting - but whereas with painting you're invited to critical
thinking, see an artist next to his painting elaborating on
the themes and use of colours? i don't want to assert common sense
wisdom from one profession and apply the same wisdom
                                      to another with a trans-occupational
relativism: that red           is relative to               crimson -
              but we'll have to do away with lighting,
              darkening and what not, so yes,
red is relative to crimson insofar as we forget lighting
and Edward Hopper. anyone can appreciate the
lazy approach, but i took to some mammoths without the help
of audio books, a reasoning man, not a mob gob emotive conjurer worth a tonne of heckles and haggles - but i guess the dream
through this gamble would be the monetary reward...
you know... after so many years writing for peanuts i have lost
all appetite for spending money beyond what i consider
to be a workable cure for insomnia - i don't have to buy music
any more since i can stream it, i have more privacy without
a mobile phone, all i have is this little brick wall that's stationary
in this virtual jungle on which i scribble - with the radius from
this point being anything ranging from 1 to 6 sensible miles,
beyond 6 and we're talking blisters on feet; can you imagine what
our predecessors could endure in terms of walking? they had hoofs
instead of feet, while we have skin as smooth as a baby's buttock
cheeks on the soles of our feet. the strangeness of modernity:
1. a man drives a car with with a bicycle on the roof, just so he can    
    peddle down a scenic route...
2. the volume of skimmed milk bottle is the same as full fat milk,
    but if you bought full fat milk and added water to it the volume
    would triple (via semi, so yes, triple)...
3. healthy diets - 350% increase in vegan population
   in Britain over the past 10 years - the protein problem
   (once it was the fat problem, low fat yoghurt came about,
    turned everything into a sugar problem), i.e. women aged
    between 19 & 24 requiring to hit the 58 gram daily
    recommendation of protein would have to eat:

everyday foods
chicken breast (251g = 276Kcal)
eggs x4 (460g = 658Kcal)
salmon fillet (291g = 533Kcal)                                 v.

clean-eating foods
quinoa (1,318g = 1,582Kcal)
chia seeds (371g = 1,818Kcal)
                              goji berries (405g = 1,504Kcal)
                              kimchi (3,222g = 863Kcal)
                              tofu (707g = 70Kcal)
                              ******* (384g = 632Kcal)
                              coconut yoghurt (3,422g = 6,844Kcal)
almond milk (14,500ml = 3,625Kcal)
avocado (2,900g = 4,843Kcal)

  as healthy as stuffing turkeys for Thanksgiving, can you imagine
  drinking fourteen, fourteen litres of almond milk?! i don't even
  have to imagine drinking 700ml of whiskey to get the point
  and reach the threshold of the effectiveness of sleeping pills...
  no alcohol, no sleeping pills, better sit it out than take so near  
  ineffective buggers; although as a warning: you might end up
  sleeping for *12 hours
- variations on the BMI and previous habits
  of drinking - socially? not so much, medically? primarily -
  not in favour of the anti-alcohol lobby being part of the "safety"  
  guidelines given to the public...
4. charities' costs eat up 78% of donations,
    another 21st century anomaly, effectively dismissed
    by the church's alms giving history depicted in Sistine opulence,
    so no wonder whether in cardinal robes or suited and booted for
    the near-invisible secular religiosity, such poverty of symbolism
    compared with the predecessors, at least back then you'd
    know who to send to the guillotine - and this is how Louis XIV
    treated his courtesans, he made a certain type of clothing
    mandatory, a Versailles school uniform as it were,
    most the the courtesans went bankrupt having to buy the
    clothes, some pieces would be equivalent of a sports car,
    they went bankrupt to remain in the club,
    so they borrowed monkey from Louis, and so Louis kept
    them in his pocket: poor rich people, or necessary
    leeches (as once used in medicine, Louis' absolutism
    being the sole malady, abuse of power necessitates
    paranoia); or to quote Lisolette about the royal *******
    'mouse droppings in pepper.' Philippe (Duc d'Orléans)
    was the transvestite who charged into battle
    and conquered the Dutch, much to his brother's
    shame at having only made conquests in the bed - well
money here, money there, shoving a piano into a concert hall accompanied by an orchestra, something Chopin would never
do not wishing to leave the comforts of salons - although
Metallica dared to.
                                                             ­           welcome to
the age of silica and chameleons (cha cha cha champ a camcorder anyone? well, imagine what scrutiny Narcissus would pay a photograph, imagine giving a photograph to Narcissus and
wonder would he change his behaviour), get fooled by
the adverts once, second time you'll eventually see needing to feed
a charity's bureaucracy rather than an African, hence the migrant
                                                                                                    crisis...
sometimes there are no surprises as to where certain things
originate, Marxism and England, zenith of the empire,
or as historians claim, the decadence of the Romans was their fascination with food prior to the end: ready-meals and
microwaves among cooking shows, currently the daily program
of channels, esp. that of 4 is culinary and horse racing,
all the interesting programs are broadcast when everyone
is about to fall asleep... Saville bankrupted the B.B.C.
posthumously: a game show, "jackpot" of one grand.
- advertisement didn't expect live T.V., the mute button,
the pause button and the fast forward button...
but in a 100 years time if not more they'll look back at us as
having finally exhausted Groundhog Day (starring Bill Murray) -
sure, the technological breakthroughs were great, magical,
but the content? 20th century most probably,
the ideal time of fluid and at ease plagiarism - obviously
exceptions were made, but this walking nightmare
of the exhausted second half of the 20th century caught up
in the 21st century - dialogue replaced by visuals,
clash of the titans (1981) v. clash of the titans (2010) -
the only good bit of the latter is the inclusion of Hades -
it's beautiful, i'm nostalgic to a history i was born in and
belonged to, i'm not a nostalgic Nietzsche or Hölderlin
bumming about singing praises of the Ancient Greeks -
you see, it's close-at-heart nostalgia because i belonged to it,
the infant of it - a peculiar circumstance to be in; or coming
to terms with the first signs of decay: cartoon network's
cow & chicken with i r baboon - have you seen the horrors
of modern cartoons compared with computer graphics?
readies them to  pick up gaming soon after,
given gaming graphics. in summary - some say sitting behind
a computer screen is a sign of a lack of self-assurance,
or confidence, self- anything you want to suffix with, well,
that could be true, but you have a photograph included,
and the days of the typewriter are over - but i could also say
the same about certain brands or shops, are they too lacking
self-confidence to stop their existence on  the high street?
the royal mail delivers junk, you might get 100 junk envelopes
and a christmas  card... o.k. make that 1000 to 10,000 envelopes
of junk and one letter directly addressing you that hasn't been
written using an analogue like

dear mr. / mrs. xxxxxxxxxxxxxxxx

we would like to inform you that your insurance
claim has expired.            etc.

the infancy of this century is what's deceptive, the greatest
deception i can think of - the great health scares and subsequent
over-usage of antibiotics breeding super-bugs in hospitals
anything and everything under the sun - including
that damnable idea that the planet Mars employs people whom
it's attracting into its orbit - earthly geologists must be bewildered
that the only subject of learning from all of man's
capacity to send into space is geology: and on the return flight
home we realised that we'd only be bringing back some arenite
(sandstone); that quote about about painting being 50 years
ahead of writing, the same is true with science fiction and
actual science.
Spier Jan 2018
nineteen eighty-one
her hair is like the sun’s voice
i am blind for her
Mateuš Conrad Jul 2016
on this page i write pain, and the html censor revises it with flower... need for a positive vocabulary feedback of life in general?! what is this hippy ****, what's the point of writing the raw when you're revised as well done, missing the Tartar alt.?!

variations on E.C.T. as catalogued by
Sylvia Plath in the Bell Jar -
Ken Kesey's One Flew Over the Cuckoos Nest -
mute Indian the winner in that one -
Hubert Selby Jr's Requiem for a Dream -
or perhaps from?
never mind - the mild electric chair
for therapeutic purposes, gamer crew and
the virtual reality mask - so many profess
to needing one - IQ enhancing stereotypes -
but there's me with a bottle of whiskey
and some spare time -
the professionals speak of an undoubted
pain threshold -
so instead of outright killing each other
we masked it behind outright necessity of
turning **** sapiens into guinea pigs -
clap... clap... clap... clap... and that clap
already resounds prior to this marking and forth
toward another century of the desert of
Darwinism - ever hear that joke?
a chemist, and physicist and a Darwinist
enter a bar - a chemist orders Hapsburg 98% proof
absinthe, a physicist order a shandy,
while the theoretical biologist (Darwinist)
orders a gene atlas and pseudo **** safety pins to mark
his route should he be drunk, and should be,
but isn't, he's on a rampage of walkie-talkie steroids
befitting only the tongue - raps and raps
without rhymes - 'buddy, drink something!'
'i'll drink a smoothie of aborted fetuses,
in that Christian calendar: the feast day of a would
be Mozart', oh hell, a would-be ****** too...
you have to much capacity and the claustrophobic
area of expression, believe me, they won't let
you fill your full potential -
take to rank, take to surgical instructions -
the man in charge at Oxford says:
please don't use frightening words electroshock therapeutics -
but i swear that's what it was?
treating momentary lapses in apathy - angry,
jealous, psychopathy - i.e. people uncomfortable
with the idea of Σ (totality, given neurology and
the brain myth, found elsewhere, or in / as total) / soul -
leave them be, we need psychopaths to give us
consumer gratification for the and in with the existence
of corporate sister nationhood -
well, unless you want a start-up in the sense of
a French Revolution - that one's booked:
only in America - elsewhere we're just Palestinians,
throwing rocks and paper-drones at metal -
testing out Newton and not the Einstein's parabola -
algebraic notation *x
(time) hyphenation y (space) -
which means given algebra there's a third missing,
from Kantian standpoint of 0 - a z... god?
or, wait, refrain from Darwinism's anti-social collective
of a personal will - oh i don't know, improvise!
but what critique came to Communism (post-theoretical
socialism) came to the project of a multiculturalism -
this time round it wasn't the Pope that undermined it -
still, people confuse an attack on Communism
with an attack on Martial Law - the actual critique
came against Martial Law years December 13, 1981 to July 22, 1983,
we feared the Soviet invasion - why do you think
my communist party member grandfather lives
without complaint? of course the first to complain
are the farmers - before them the nobles drank,
got bored, cured boredom with borderline paedophilia -
the bemoaning - the king ****** me last at Versailles -
i lost my virginity and i subsequently lost my
ideal, i defined reality with a symptom.
so once we warred and killed each other -
but since we're a bit more pacified these days -
we decided to internalise warring with each other,
and instead of killing each other we decided to
experiment on each other - the reinterpretation of
E.S.T. into E.C.T.; prices start at £89.00 for the basic
kit to imitate death row simulation... you the funny
thing is... once you've experienced a brain haemorrhage
you became a slight sadist - you want the pain to come
to finish you off - some say the soul is bound to bones -
animation, pure and simple - that the non-existence of
soul is proved by the remain of bones - but that's
whiffed away with the Hindu practice of cremation -
and that's dark comedy given the Nazis -
it's almost like the Nazis wanted to end the debate,
the already Gothic practise of burial and bone-keeping -
as if invoking the geometry the soul would pick up first,
the abstracts of mechanisation, the canvas readied for
ether muscles and juice - ****** ended up
Hinduism on amphetamines; ****, i think i lost a bracket (
somewhere... oh well, i guess i must end with ).
Mateuš Conrad Jul 2016
let's call this busy-body James Joyce, given: pages 15 - 81, and the dates 1969 through to 1981 and the locations - Athens, Methymna, Los Angeles, Austin - then let's call in the plumber and see what the problem was.

S.M.P.E. - *Sulmo mihi partria est
- Sulmo, my homeland,
variant of S.P.Q.R. - spare person quartered reason,
and the sum of its parts - more or less...
is there a valid point to mention the relationship
between the Paeligni and the Republic? none, what-soever,
but we're buying time, so might as well;
and do i have any gratitude akin to the expression
quidquid hoc libelli, qualecumque? probably not -
let's go for a miracle, or charlatanism for a while,
December, Austin, Texas 1981 - and Dr. Preston
simply said of Ovid: contrary to what you may read
somewhere else, he's so human he tears you apart,
he's immensely creative, he's far more complex,
far wider in vision and tougher than most people think.
aye aye in the House of Commons, including the S.N.P.,
it had to happen one time or another, a wee ***-for-tattle.
Ovid suffered in the 18th but not the 19th century,
whatever movement was in the years 17-, default by
association - others would call it a cousin ******* a cousin -
or the "probably" of 18 b.c., Augustus passes the first
stage of the legislation and reform lex iulia de maritandis
ordinibus
and the lex iulia de adulteriis coercendis,
while all the senators are told to wear fishnet leggings
under the togas, to prove the smooth arrangement of
a change in political whiffs of mustard from the *** air:
pungent, really pungent stuff - disperses a crowd like
a bucking donkey on steroids and lysergic acid -
overload of heaven (carrots) and hell (sticks) in a timed
framework of strobe lighting - pray for the animal,
but not the senators. these days bachelors are favoured,
prenups are all the rage - obviously the intricacies of
Roman governing outlived itself in England - Nero and
whoever else were adopted - adoption was big back then,
no harem, just... well... "innocent" little harems in Versailles,
the joy of lying, that too died a little bit, gangrene lips
kissed it and a reality checked in under the pseudonym
reality, or was it rat-cages-rattled? i'm not sure,
you have to ask the porter - starboard me shimmy
and timber... a few apologias later we see the mascara drip
from Pont de l'Alma and Charlie Chaplin on the drums
singing: Harry and Will, your mamma will not be seen
*******, better dead than red, yoddelay yoddelay yo.
well, if you want to instil Louis XIV boudoir ambitions,
the mamma has to go, with the cheap Rolex guy from
Knightsbridge - what a tacky place, you can just imagine
walking through it eating tacos. via: by the way,
alcohol is twice as potent and 100x more enjoyable in
terms of sedation than anti-psychotics, and D was on them -
sadism is a kaleidoscopic venture, you never know when
the pusher will come, yep, the pharmaceutical pusher,
gets orders like any dumbo on the street corner from
the mafia and the Vietnam kids minding the business
in a semi-detached loft - pushers everywhere, even if
in "theory" they want to distance themselves from Big Pharma,
it's the circle of life - otherwise we'd have thomas more's vision,
i'd drop the -e, and add an extra -r. Ovid: back when
writing poetry was deemed anti-social - you could write that,
it's not the Homeric standard of adventure and heroism
and bad denture - back when writing poetry was deemed
anti-social - good enough for the internet to pop up,
yesterday i was talking to a U.P.S. a.i. - and she understood
by stressed elocution - next, more, next, more, repeat,
face-to-face time also a big downer, old school face to face -
people need pixel fencing - pixel fencing is the way to go -
there's one behind those fly eyes - also pixel - just cover
your eyes with a t-shirt and stretch it - fly eyes -
but now from the man herself -
transmute the *** of your lover whenever you mention
him: write 'her' instead
(book 3)... wait a minute,
isn't that a shorter version of what's cited in the Gospel
of St. Thomas? when you make the two one,
and when you make the inner as the outer... you
make the male and female into a single one...

to be honest... if these guys are implying what i think
they're implying, i'd rather do a Jonah - and then turn
around and say: tell that to the mandrakes!
Spiros Zafiris Nov 2012
The photograph of you
on the north wall of the back room
of bar Night Magic
has impressed me so,
dear Leonard,
that I wonder, "How many beautiful losers
has it seduced?"

You are simply beautiful...
    the way you hold your brow
standing there in the company
of Lenin and Nietzsche
~~
..(C) 1981/2012 Spiros Zafiris
..from Midnight Magic (1981)
~~

— The End —