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Sydney Roberts Jun 2023
I fainted on the train.
Knees weak, face flush, fast fall
down onto the bike rack.
I went blind. Faces clouded in white 
carried me off and my mind 
turned to sawdust and jelly and a dreamy haze.

I dreamt of you,
the dalliance of winters past,
the tempter.
Those Black Hole eyes that see through me.
My nemesis, my rash, my everything.

My wiggle knees are settled down, I’m okay.
EMTs talk through me
This happens on the train every day,
(so they say.)
I am not afraid. I am thirsty. I am on the way to Hospital.
I’m okay.
Michael R Burch Apr 2020
Pool's Prince Charming
by Michael R. Burch

this is my tribute poem, written on the behalf of his fellow pool sharks, for the legendary Saint Louie Louie Roberts

Louie, Louie, Prince of Pool,
making all the ladies drool ...
Take the “nuts”? I'd be a fool!
Louie, Louie, Prince of Pool.

Louie, Louie, pretty as Elvis,
owner of (ahem) a similar pelvis ...
Compared to you, the books will shelve us.
Louie, Louie, pretty as Elvis.

Louie, Louie, fearless gambler,
ladies' man and constant rambler,
but such a sweet, loquacious ambler!
Louie, Louie, fearless gambler.

Louie, Louie, angelic, chthonic,
pool's charming hero, but tragic, Byronic,
winning the Open drinking gin and tonic?
Louie, Louie, angelic, chthonic.

NOTE: If you like my tribute you are welcome to share it, but please credit me as the author, which you can do by copying the title and subheading. I used poetic license about what Louie Roberts was or wasn't drinking at the 1981 U. S. Open Nine-Ball Championship. Was Louie drinking hard liquor as he came charging back through the losers' bracket to win the whole shebang? Or was he just pretending to drink for gamesmanship or some other reason? I honestly don't know. As for the word “chthonic,” it’s pronounced “thonic” and means “subterranean” or “of the underworld.” And the pool world at its worst can be very dark indeed, as Louie’s tragic demise suggests. But everyone who knew Louie seemed to like him, if not love him dearly, and many sharks have spoken of Louie in glowing terms, as a bringer of light to that underworld. Keywords/Tags: pool, shark, billiards, nine ball, Saint Louie Roberts, gambler, hustler
Michael R Burch Mar 2020
Safe Harbor
by Michael R. Burch

for Kevin N. Roberts

The sea at night seems
an alembic of dreams—
the moans of the gulls,
the foghorns’ bawlings.

A century late
to be melancholy,
I watch the last shrimp boat as it steams
to safe harbor again.

In the twilight she gleams
with a festive light,
done with her trawlings,
ready to sleep . . .

Deep, deep, in delight
glide the creatures of night,
elusive and bright
as the poet’s dreams.

Published by The Lyric, Grassroots Poetry, Romantics Quarterly, Angle, Poetry Porch, Poetry Life & Times. Keywords/Tags: Kevin Roberts, Kevin N. Roberts, Kevin Nicholas Roberts, Romantic, Poet, Romanticism, safe, harbor, night, dreams, imagination



These are poems I wrote for my friend Kevin Nicholas Roberts, who in addition to being a talented Romantic poet, was the founder and first editor of Romantics Quarterly.



Ophelia
by Michael R. Burch

for Kevin N. Roberts

Ophelia, madness suits you well,
as the ocean sounds in an empty shell,
as the moon shines brightest in a starless sky,
as suns supernova before they die ...



Goddess
by Michael R. Burch

for Kevin N. Roberts

“What will you conceive in me?”—
I asked her. But she
only smiled.

“Naked, I bore your child
when the wolf wind howled,
when the cold moon scowled . . .
naked, and gladly.”

“What will become of me?”—
I asked her, as she
absently stroked my hand.

Centuries later, I understand:
she whispered—“I Am.”

Published by Romantics Quarterly (the first poem in the first issue), Penny Dreadful, Unlikely Stories, Underground Poets, Poetically Speaking, Poetry Life & Times, Little Brown Poetry. Keywords: Muse, Goddess, Erato, Beloved, poetic, inspiration, lyric, poetry, divinity, Orpheus, Sappho



Safe Harbor
by Michael R. Burch

for Kevin Nicholas Roberts

The sea at night seems
an alembic of dreams—
the moans of the gulls,
the foghorns’ bawlings.

A century late
to be melancholy,
I watch the last shrimp boat as it steams
to safe harbor again.

In the twilight she gleams
with a festive light,
done with her trawlings,
ready to sleep . . .

Deep, deep, in delight
glide the creatures of night,
elusive and bright
as the poet’s dreams.

Published by The Lyric, Grassroots Poetry, Romantics Quarterly, Angle, Poetry Porch, Poetry Life & Times

This poem is a commentary on writing romantic poetry in the 21st century (“a century late to be melancholy”) and the term “safe harbor” is primarily ironic. The shrimp boat, though it seems “festive,” actually represents the unnatural “industry” of modern technical” poetry. By “technical,” I mean poetry that is more of an academic enterprise than an affair of the heart. The “creatures of night” shine with a natural luminescence, like the poet’s dreams and words.



Talent
by Michael R. Burch

for Kevin Nicholas Roberts

I liked the first passage
of her poem—where it led
(though not nearly enough
to retract what I said.)
Now the book propped up here
flutters, scarcely half read.
    It will keep.
    Before sleep,
let me read yours instead.

There's something of love
in the rhythms of night
—in the throb of streets
where the late workers drone,
in the sounds that attend
each day’s sad, squalid end—
that reminds us: till death
we are never alone.

So we write from the hearts
that will fail us anon,
    words in red
    truly bled
though they cannot reveal
    whence they came,
    who they're for.
And the tap at the door
goes unanswered. We write,
for there is nothing more
    than a verse,
    than a song,
than this chant of the blessed:
    If these words
    be my sins,
let me die unconfessed!
Unconfessed, unrepentant;
I rescind all my vows!
    Write till sleep:
    it’s the leap
only Talent allows.



Too Gentle, Angelic
by Michael R. Burch

for Kevin Nicholas Roberts

Too gentle, angelic for Nature, child,
too pure of heart for Religion’s vice . . .
Oh, charm us again, let us be beguiled!
With your passionate warmth melt men’s hearts of ice.

This poem was written shortly after the death of the poet Kevin N. Roberts. He died on December 10, 2008 and the poem was written on December 23, 2008, just before Christmas.



Beloved
by Michael R. Burch

a prayer-poem for Kevin Nicholas Roberts

O, let me be the Beloved
and let the Longing be Yours;
but if You should “love” without Force,
how then shall I love—stone, unmoved?
But let me be the Beloved,
and let the Longing be Yours.

And as for the Saint, my dear friend,
tonight let his suffering end!,
and let him be your Beloved . . .
no longer be stone: Love unmoved!
But light on him now—Love, descend!
Tonight, let his suffering end.

For how can true Love be unmoved?
If he suffers for love, Love reproved,
I will never be your Beloved,
so love him instead, so behooved!
Yes, let him be your Beloved,
or let You be nothing, so proved.

Must this be our one and sole pact—
keep you ***** forever intact?

I wrote this poem a few months before Kevin’s death.



Nightfall
by Michael R. Burch

for Kevin Nicholas Roberts

Only the long dolor of dusk delights me now,
     as I await death.
The rain has ruined the unborn corn,
         and the wasting breath
of autumn has cruelly, savagely shorn
               each ear of its radiant health.
As the golden sun dims, so the dying land seems to relinquish its vanishing wealth.

Only a few erratic, trembling stalks still continue to stand,
     half upright,
and even these the winds have continually robbed of their once-plentiful,
          golden birthright.
I think of you and I sigh, forlorn, on edge
               with the rapidly encroaching night.
Ten thousand stillborn lilies lie limp, mixed with roses, unable to ignite.

Whatever became of the magical kernel, golden within
     at the winter solstice?
What of its promised kingdom, Amen!, meant to rise again
          from this balmless poultice,
this strange bottomland where one Scarecrow commands
               dark legions of ravens and mice?
And what of the Giant whose bellows demand our negligible lives, his black vice?

I find one bright grain here aglitter with rain, full of promise and purpose
     and drive.
Through lightning and hail and nightfalls and pale, cold sunless moons
         it will strive
to rise up from its “place” on a network of lace, to the glory
             of being alive.
Why does it bother, I wonder, my brother? O, am I unwise to believe?
                                    But Jack had his beanstalk
                              and you had your poems
                         and the sun seems intent to ascend
               and so I also must climb
          to the end of my time,
     however the story
may unwind
and
end.

This poem was written around a month after Kevin’s death.



Storied Lovers
by Michael R. Burch

for Kevin and Janice Roberts

In your quest for the Beloved,
my brother, did you make
a near-fatal mistake?



Did you trust in the Enchantress,
La Belle Dame, as they say,
Sans Merci? Shall I pray
more kindly hands to gather you
to warmer *******, and hold
your Spirit there, enfold
your heart in love’s sweet blessedness?



No need! One Angel’s fond caress
was your sweet haven here.
None ever held more dear,
you harbored with your Anchoress
whenever storms drew near.



Whatever storms drew near,
however great the Flood,
she held you, kind and good,
no imperious savage Empress,
but as earthly Angels should.



In your quest for the Beloved
did the road take some strange fork
where ecstatic feys cavort
that led you to her hermitage
and her hearth, safe from that wood.
(Did La Belle Dame’s dark eyes hood?)



I am thankful for the marriage
two tender spirits shared.
When the raging waters glared
and the deadly bugles blared
like cruel Trumps of Doom, below
how strong death’s undertow!



But true spirits never sink.
Though he swam through hell’s fell stink
and a sea of putrid harms,
he swam back to your arms!

*

Life lived upon the brink
of death, man’s human fate,
can yet such Love create
that the hosts above, spellbound,
fall silent. So confound
the heavens with your Love
and fly, O tender Dove!,
to wherever hearts may rest
once having sweetly blessed
a heart like my dear brother’s
and be both storied lovers.

Amen

I wrote this poem on New Year’s Day, January 1, 2009.



You Were the One Who Talked to Angels
by Michael R. Burch

for Kevin Nicholas Roberts

You were the one who talked to Angels
while I was the one who berated God,
calling him Tyrant, Infidel, Fool,
Killer, Clown, Brute, Sod, Despot, Clod.

But you were the one who talked to Angels—
who, bathed in celestial light,
stood unarmed, except for your pen
and your journal, ecstatic, to write.

How kind their baptisms, how gentle their voices!
Considering their nature the world rejoices,
and you were their gentle, their chosen one . . .
you, my kind friend, now unkindly gone.

But you were the one who talked to Angels,
in empathy, being their kind,
a child of compassion whose tender heart
burst beneath skin’s ruptured rind.

You sought the Beloved with a questing Heart;
once found, the heav’n-quickened Spirit must fly!
You mastered Man’s strange, fatalistic Art—
to live, to love, to laugh, then die.

But living here, Angel, you found the arms
of a human Angel and, living, you knew
the glories of temporal, mortal love
where one and one eclipses two.

And now she mourns you, as we all do.

But you were the one who talked to Angels,
as William Blake did, in his day,
and, childlike, felt their eclectic grace—
sweet warmth, illuminating clay.

Two kinds of Warmth—a Wife’s, and Theirs.
Two kinds of Love—Human, Divine.
Two kinds of Grace—the Angels’, Hers.
Two Planes within one Heart combine.

And so you brought far heaven near,
and so you elevated earth
and Human Love, to where the Cloud
of Witnesses might see man’s worth.

*

My Christlike brother, who talked to Angels,
where do you soar today, I wonder?
Do you fly on white percussive wings,
far, far beyond earth’s abyssal thunder,
and looking back, regard the earth
and its lightnings and their bellowed hymns
as the sparks and groans of a temporal Forge,
as merely momentary things?

There, looking up, do you see the Host
of those who ascended, of those who see
all things more clearly, having slipped
thin veils of flesh, for Eternity?

And will you, in your Joy, forget
the sufferings of serfs below,
or will you remember, cry “Relent!”
to those with the power to bestow
the gifts of spirit upon the many
rather than just the Chosen Few,
who sell bottled grace for a pretty penny
and break the hearts of doves like you?

Or will you be the Advocate
of those who live—the ***; the *****;
the homeless man; the indigent;
the waif who begs at the kirk’s barred door
and dares not enter, for her “sins”
which the rich-robed mannequins deplore
as they circle her and mind the store?

Will mercy, pity, peace conspire
to hold you in their gravity
so that, still Human, you aspire
to change earth’s dark trajectory?

I wrote this poem the day after Kevin died.

Keywords/Tags: poetry, poems, poet, Kevin Roberts, Kevin N. Roberts, Kevin Nicholas Roberts, romantic, Romantics Quarterly
Lucas Scott Mar 2020
A low rumble in the distance
The ground trembles and turns
My knees betray me
The earth quakes
The rumble grows louder
A dust cloud draws near
A cacophony of hooves and heavy snorts
I blink, and they’re upon me
A stampede of hogs
Trampling me
Stamping me down
I contort
I cry out
I bleed
Mangled, through swollen eyes
I watch the mob reach the horizon
I’m left broken
Tattered, bruised
And coated in slime

I snap back to consciousness, and I’m sitting up in my bed.
That’s the third time tonight, I think to myself.
It’s dark, so I listen.  A powerful snore echoes beside me.
My drooling, snot-faced daughter has snuck into my room again.
I wipe her excretions from my shoulder and scoop her up.

Navigating the dark, circumventing the tissue-laden floor,
Taking extra care not to startle the guinea pig this time,
I clean and cover her up, then gently kiss her forehead.
I linger and brush her hair aside. Snorting loudly, she turns.  
With ballerina grace, I tiptoe over Barbie Dolls.

In the kitchen, the dishes overflow from the day before.
Cleaning till I’m exhausted, I ascend the stairs to my room.
A familiar rumble fills the hallway. The hooves crushing my ribs.
On my side of the bed, my daughter in a drool-filled, snotty puddle.
These dishes are getting done tonight, I think as I scoop her back up.
Martin Narrod Jul 2018
Some types of blood arrest this mouth.
Yes, some types of lips breathe fire and shout.
Some types of women shuck men of their gain, then some women run hurriedly back to their beaches again.
Some people catch anons between their legs. Others swallow vespers BeSpoke by the lust that they crave. Then envelop Gonzo love on the tip of their quill, if only boiling themselves for five minutes to ensure themselves potable.

I live for the taste of rust. I sit in the second-to-last seat on the back-left side of the bus. And I greet her legs with my aching skin, touch my fingertips to my lips to prove that I’m alive to myself.

If her scent was obeyed by royalty. I’m traversing the world if only once more as I’m praying that she’ll see me. I’m praying for our faces to believe in we. And her taste is the bang that is big from the beginning of time, one twist of the fresh zest of a lime, while the years are turned back into the furnace of time. I’m craving faces and loves I once saw. I need to feel the skin tailored for the female gods. I’m certainly loud and catering forth, I turn up the pre, and force the gain and amp up. If only to be noted again, in a bed with my goddess together we’d spend, every moment together in eternity. Immortality conceived of the beasts we achieve. Trampled by the light and tortured by the sound of ourselves. Please won’t you help me to not be forgotten myself? I’m pursing my lips and shaking my hands, I’m jumping off rooftops and eating mouthfuls of sand. Is our hero here or has she she run? Help me find Britni West, my one true love. She’s in California last I had a taste. It’s only everyone else that I lay chaste. With her I’m on top of the world, I’d quaff her spit and champion her skin. There is nothing nor no one that could come between. She’s the only one that is for me, and I’m the only he she’s told me.
My jaws are too heavy to speak
Filled with weighing loads of anguish
My ultimate soul's desire was to speak
Be able to say deep things with ease
But since walls have ears and can speak,
I refuse to allow my troubles push me to the peak.

I looked at myself and all i could see was
A soul filled with despair and broken beyond possible repair
My young soul broken by the pain caused by the sinful state of this world

But to my soul young and free;
I say to thee that thou findeth beauty in the very things that giveth thy life meaning.
Grey is no way forward
Let your mind soar like the eagle above altitudes and learn
Learn the ways of righteous living...
Find hope!!
Find love!!
Find the light and smile
It's just one other trouble.
#findBeauty  #beGlad #life is full of ups and downs  #beTrue  #stayRighteous
Daniel Mashburn Sep 2014
Who could have known that when we saw last would be your last? Who could have known that some sunny days can't last forever now?

So tell me just what were we thinking? So indestructible as this. Without definition. Like puppets on a string held up for what?

So I sing a song of mourning. Morning comes, morning comes. And I think I still see a smile. You're never gone.

And I know that these things will never be the same. And I know that I'll never see you at the games. I'll see you at the gates.

Sing for the living; don't mourn for the dead.

We don't know where we went wrong but we keep pushing on and on and on.
This is for Peter Roberts. After all, death is a funny thing

— The End —