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"perceiving" poems
Trapped in a cage with golden bars of light Of ancient habit and direful duties; Below the water crashed into the bight, The whispering waves baiting with beauties. But her shadow lurked around the coast, Dashing her to the beach like drifting wood. Preventing her from what she wanted the most To reach new shores from where she stood. She wanted to travel and sail the open sea Beyond the shingle, seaweed and shells Closer to the horizon where the birds flew free Or to the arenaceous ground in diving bells. And coming back to where she started She found her seaside changed since she has parted. Or did the widening horizon change her perceiving? For returning was not the same as never leaving.
0
Sep 4, 2018
Sep 4, 2018 at 10:37 AM UTC
New horizons
The only proper way to be a conversationalist is to convince yourself that you’re boring. If you can strip back the hard shell of the ego, and look down on yourself from the eyes of an apathetic God, you will likely (and hopefully) see just how boring you really are. It isn’t a sin to be boring, in fact there are many advantages to honest self-depreciation. The main advantage, is the way you approach a conversation. “Interesting” people find it difficult to silence the affected score-keeper that dominates their internal dialogue and ruins any chance of an honest and engaged conversation. It is the voice that reminds you to show interest with your body language, and keep a dumb happy gaze laser pointed into their eyes. This dialogue is obsessed with authenticity and genuine conversation, and therefore a natural sociopath. Luckily, you are the stunning definition of boredom, an extracted dictionary cut-out of un-interesting, and nobody could possibly give a rats-ass what you have to think—least of all the Voice that controls the inner-dialogue. That Voice has packed it up to find a more interesting vessel…maybe the person standing across from you in conversation. 
 Because you are so boring, and they are the Oxford personification of intellect and fascination, you should pay careful attention to what they say—no time to worry about how they’re perceiving your reaction to whatever it is they’re saying. You are too busy to notice what sort of body language you may or may not be using to validate their half of the conversation. Instead, your time is spent carefully hanging on their every word, digesting it and projecting the whole bit into a colourful scene in your imagination. Instead, you’re too lost in the excitement of their infinitely more interesting life and impossible wealth of knowledge offered to you with each word that they speak. Instead, you are actually listening to the words that come out of their mouth and not the ones that speak to you from the inside of your own mind. This is what it means to be in conversation. This was the point of our social nature. And in a world of needy social-media junkies grabbing at the cuffs of potential ‘followers’ and ‘likes’ and trendy passer-by’s, the last thing anyone needs is the high-pitched whine of another “interesting” millennial. Lucky for you, you boring sack of yawning sloths, that you aren’t interesting too.
0
Dec 17, 2015
Dec 17, 2015 at 6:13 PM UTC
The Optimists Guide to Conversationalism:
The only proper way to be a conversationalist is to convince yourself that you’re boring. If you can strip back the hard shell of the ego, and look down on yourself from the eyes of an apathetic God, you will likely (and hopefully) see just how boring you really are. It isn’t a sin to be boring, in fact there are many advantages to honest self-depreciation. The main advantage, is the way you approach a conversation. “Interesting” people find it difficult to silence the affected score-keeper that dominates their internal dialogue and ruins any chance of an honest and engaged conversation. It is the voice that reminds you to show interest with your body language, and keep a dumb happy gaze laser pointed into their eyes. This dialogue is obsessed with authenticity and genuine conversation, and therefore a natural sociopath. Luckily, you are the stunning definition of boredom, an extracted dictionary cut-out of un-interesting, and nobody could possibly give a rats-ass what you have to think—least of all the Voice that controls the inner-dialogue. That Voice has packed it up to find a more interesting vessel…maybe the person standing across from you in conversation. 
 Because you are so boring, and they are the Oxford personification of intellect and fascination, you should pay careful attention to what they say—no time to worry about how they’re perceiving your reaction to whatever it is they’re saying. You are too busy to notice what sort of body language you may or may not be using to validate their half of the conversation. Instead, your time is spent carefully hanging on their every word, digesting it and projecting the whole bit into a colourful scene in your imagination. Instead, you’re too lost in the excitement of their infinitely more interesting life and impossible wealth of knowledge offered to you with each word that they speak. Instead, you are actually listening to the words that come out of their mouth and not the ones that speak to you from the inside of your own mind. This is what it means to be in conversation. This was the point of our social nature. And in a world of needy social-media junkies grabbing at the cuffs of potential ‘followers’ and ‘likes’ and trendy passer-by’s, the last thing anyone needs is the high-pitched whine of another “interesting” millennial. Lucky for you, you boring sack of yawning sloths, that you aren’t interesting too.
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6
there is nothing i love more than being a girl i love the way i speak, with slang only teenage girls use i love wearing dainty clothes, feeling beautiful wearing them i love collecting, knick-knacks, records, crystals above all i love the wonder of girlhood romanticizing my life perceiving my monotonous existence, as a life worth writing about
0
Dec 4, 2022
Dec 4, 2022 at 9:53 PM UTC
girlhood
Generations of people perceiving things In different levels The understanding in different horizons The horizon to the shore To the infinity The earth brings out everything new Adaptability is the key Acceptance is the key New perceiving New beings New thoughts New love New cravings New addiction New generation New adaptability New addiction New mistakes New evolution New matches New mismatches New sun New moon New stars New wrongs And the new rights The flow continues beyond understanding And let it be Understanding does not matter In the whole change is inhabitable Change is real Also the experience Perceive the change in the outer world Bring out the change in the inner world Have a common path in between Let it be Perceive change around Is the only thing important The understanding is void Don't ever complain about what you cant understand And you cannot in many cases No worries Accept it It is real It is true Perceive Feel And let go In a deeper sense of course Dip into the thought Illuminate Feel the new sun New moon A new day Come fresh and tidy Accept the change in real From without and within Keep your arms wide open Broaden your arms Chant the prayers to the universe Surrender to the universe Universe knows it all Trust You are the part of the whole The whole is the universe Created by the universe Above and beyond To the eternity You are the universe You are the change You are the perceptions You are the feel You are the agenda You are the thoughts You are the eternal soul And everybody around are And every things around are Take a deep breadth and Function as you should Function as you are Function as a change within Function as the change without Function as the change around Different generations Differences as seen Perceiving The around and within As a rule or the knowns By themselves upon themselves The new one Having a change Of terms Of rules And of surroundings Different from the generations gone The new ones for sure Has a new things to do Has a new idea A new rule New love New connections New mistakes New rights And the new wrongs The change is there Perceiving and generations Different in emotions Different in righteousness Different in fulfillment Different in atrocities Different in perceptions Different in locality Different in the differences And similar in a way They are different Only thing common Is the change Have you the perception To get into the change Around, within and without The change is happening It is present It is the thing to feel To perceive Try to understand, the less you get it Feel the change Percepts of change Accept the change you must Teach change if you can Be a change if you ought to For the new ones For the old ones And for the no ones Take a deep breadth Feel the cool breeze of change Breathe the change Live the change Teach the change Be the change See differences seem to be similarities Notion of diversities Notion of change Notion of no differences Notion of similarities People and generations Perceiving things At different levels Inhabitable is the change Perceiving change Is the key In general To say the least Chants Abundance Belongingness Grace Love Alive
0
Jan 14, 2019
Jan 14, 2019 at 10:45 PM UTC
Perceptions and Generations
Generations of people perceiving things In different levels The understanding in different horizons The horizon to the shore To the infinity The earth brings out everything new Adaptability is the key Acceptance is the key New perceiving New beings New thoughts New love New cravings New addiction New generation New adaptability New addiction New mistakes New evolution New matches New mismatches New sun New moon New stars New wrongs And the new rights The flow continues beyond understanding And let it be Understanding does not matter In the whole change is inhabitable Change is real Also the experience Perceive the change in the outer world Bring out the change in the inner world Have a common path in between Let it be Perceive change around Is the only thing important The understanding is void Don't ever complain about what you cant understand And you cannot in many cases No worries Accept it It is real It is true Perceive Feel And let go In a deeper sense of course Dip into the thought Illuminate Feel the new sun New moon A new day Come fresh and tidy Accept the change in real From without and within Keep your arms wide open Broaden your arms Chant the prayers to the universe Surrender to the universe Universe knows it all Trust You are the part of the whole The whole is the universe Created by the universe Above and beyond To the eternity You are the universe You are the change You are the perceptions You are the feel You are the agenda You are the thoughts You are the eternal soul And everybody around are And every things around are Take a deep breadth and Function as you should Function as you are Function as a change within Function as the change without Function as the change around Different generations Differences as seen Perceiving The around and within As a rule or the knowns By themselves upon themselves The new one Having a change Of terms Of rules And of surroundings Different from the generations gone The new ones for sure Has a new things to do Has a new idea A new rule New love New connections New mistakes New rights And the new wrongs The change is there Perceiving and generations Different in emotions Different in righteousness Different in fulfillment Different in atrocities Different in perceptions Different in locality Different in the differences And similar in a way They are different Only thing common Is the change Have you the perception To get into the change Around, within and without The change is happening It is present It is the thing to feel To perceive Try to understand, the less you get it Feel the change Percepts of change Accept the change you must Teach change if you can Be a change if you ought to For the new ones For the old ones And for the no ones Take a deep breadth Feel the cool breeze of change Breathe the change Live the change Teach the change Be the change See differences seem to be similarities Notion of diversities Notion of change Notion of no differences Notion of similarities People and generations Perceiving things At different levels Inhabitable is the change Perceiving change Is the key In general To say the least Chants Abundance Belongingness Grace Love Alive
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158
Stillness within tranquil, Movements within clamour; In mixture she stood there, Introvert she names. Gazing and perceiving, Simply fascinating; But residing in her world, was nothing but hollow. Catching her insight, Diverting towards him; telling herself, that she never matters. Self-pity, she would say, But I say strength; Pathetic, she labelled, Thou I say brave. She was simply a girl, Malicious was an unknown; Through dawn and dusk, She became a title. A title she called, The Introverts.
0
Apr 9, 2015
Apr 9, 2015 at 11:08 AM UTC
The Introverts
you in quail feathers means that your red is my red and the way that you taste pizza is the way that I taste it our homogeneous brains hard mother hard father the states we were raised in melt running through area 41 where the nefarious Rolando implanted our splitting branches qualia what it means for you to have mental states pure consciousness perceiving you there in the corner your toenails still painted purple
0
Nov 16, 2015
Nov 16, 2015 at 6:00 PM UTC
diaphanous
I The Broom and the Shovel, the Poker and the Tongs, They all took a drive in the Park, And they each sang a song, Ding-a-dong, Ding-a-dong, Before they went back in the dark. Mr. Poker he sate quite upright in the coach, Mr. Tongs made a clatter and clash, Miss Shovel was all dressed in black (with a brooch), Mrs. Broom was in blue (with a sash). Ding-a-dong! Ding-a-dong! And they all sang a song! II 'O Shovel so lovely!' the Poker he sang, 'You have perfectly conquered my heart! 'Ding-a-dong! Ding-a-dong! If you're pleased with my song, 'I will feed you with cold apple **** 'When you scrape up the coals with a delicate sound, 'You encapture my life with delight! 'Your nose is so shiny! your head is so round! 'And your shape is so slender and bright! 'Ding-a-dong! Ding-a-dong! 'Ain't you pleased with my song?' III 'Alas! Mrs. Broom!' sighed the Tongs in his song, 'O is it because I'm so thin, 'And my legs are so long--Ding-a-dong! Ding-a-dong! 'That you don't care about me a pin? 'Ah! fairest of creatures, when sweeping the room, 'Ah! why don't you heed my complaint! 'Must you needs be so cruel, you beautiful Broom, 'Because you are covered with paint? 'Ding-a-dong! Ding-a-dong! 'You are certainly wrong!' IV Mrs. Broom and Miss Shovel together they sang, 'What nonsense you're singing to-day!' Said the Shovel, 'I'll certainly hit you a bang!' Said the Broom, 'And I'll sweep you away!' So the Coachman drove homeward as fast as he could, Perceiving their anger with pain; But they put on the kettle and little by little, They all became happy again. Ding-a-dong! Ding-a-dong! There's an end of my song!
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4.2k
The Broom, The Shovel,The Poker, And The Tongs
I The Broom and the Shovel, the Poker and the Tongs, They all took a drive in the Park, And they each sang a song, Ding-a-dong, Ding-a-dong, Before they went back in the dark. Mr. Poker he sate quite upright in the coach, Mr. Tongs made a clatter and clash, Miss Shovel was all dressed in black (with a brooch), Mrs. Broom was in blue (with a sash). Ding-a-dong! Ding-a-dong! And they all sang a song! II 'O Shovel so lovely!' the Poker he sang, 'You have perfectly conquered my heart! 'Ding-a-dong! Ding-a-dong! If you're pleased with my song, 'I will feed you with cold apple **** 'When you scrape up the coals with a delicate sound, 'You encapture my life with delight! 'Your nose is so shiny! your head is so round! 'And your shape is so slender and bright! 'Ding-a-dong! Ding-a-dong! 'Ain't you pleased with my song?' III 'Alas! Mrs. Broom!' sighed the Tongs in his song, 'O is it because I'm so thin, 'And my legs are so long--Ding-a-dong! Ding-a-dong! 'That you don't care about me a pin? 'Ah! fairest of creatures, when sweeping the room, 'Ah! why don't you heed my complaint! 'Must you needs be so cruel, you beautiful Broom, 'Because you are covered with paint? 'Ding-a-dong! Ding-a-dong! 'You are certainly wrong!' IV Mrs. Broom and Miss Shovel together they sang, 'What nonsense you're singing to-day!' Said the Shovel, 'I'll certainly hit you a bang!' Said the Broom, 'And I'll sweep you away!' So the Coachman drove homeward as fast as he could, Perceiving their anger with pain; But they put on the kettle and little by little, They all became happy again. Ding-a-dong! Ding-a-dong! There's an end of my song!
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44
Sterling eyes close the falling red ward Big Brother has seen it all He tells me: *there is danger Terror past the massive, all-protecting Atlantic* Don’t stray there, the mouth of stumbling heads say, They want to take away Our safety, our ways, our Freedom Mr. Elected reassures *Nothing will harm you Not with me going there I don’t want you going there* He speaks like my mom Warning me of the illicits I am too vulnerable to experience It’s death I’ll go to- I’ve been told Sleepless red monocular Enlightening the air to a passive blue It’s opacity beneath and above Ascending again Mama and Baba say it’s time to go home I confront the arid peninsula of Qatar Lungs accustomed, vitality not frozen Precariously perceiving the harmful Sentiments of years past in Jordan, I wonder why my kin would ban this place Rumor on dirt pavement in a draft, ears picking up *The Atlantic is not to be crossed, A lack of morals, malintentions lay beyond the scape.* Extravagant grenade above, Falling to the horizon And no detonation, collapsing behind a curved veil Skyward lay the remnants Of heat, frozen in time The lips in a box on this shoreside Warn *the zephyrs from the ornery Reaches towards our home Be on guard of the deceitful star at night that rains red* Tomorrow may not be there My blood brothers of Lebanon say, But I wait, field of vision aligned to the east Aural stumbles translate, articulating My brethren begin their search of food And in too many moments unnoticed, Black on bottom, red on the low, blue slowly suffocating the obscurity above
0
Jul 30, 2014
Jul 30, 2014 at 9:27 PM UTC
The Middle East & The U.S
Sterling eyes close the falling red ward Big Brother has seen it all He tells me: *there is danger Terror past the massive, all-protecting Atlantic* Don’t stray there, the mouth of stumbling heads say, They want to take away Our safety, our ways, our Freedom Mr. Elected reassures *Nothing will harm you Not with me going there I don’t want you going there* He speaks like my mom Warning me of the illicits I am too vulnerable to experience It’s death I’ll go to- I’ve been told Sleepless red monocular Enlightening the air to a passive blue It’s opacity beneath and above Ascending again Mama and Baba say it’s time to go home I confront the arid peninsula of Qatar Lungs accustomed, vitality not frozen Precariously perceiving the harmful Sentiments of years past in Jordan, I wonder why my kin would ban this place Rumor on dirt pavement in a draft, ears picking up *The Atlantic is not to be crossed, A lack of morals, malintentions lay beyond the scape.* Extravagant grenade above, Falling to the horizon And no detonation, collapsing behind a curved veil Skyward lay the remnants Of heat, frozen in time The lips in a box on this shoreside Warn *the zephyrs from the ornery Reaches towards our home Be on guard of the deceitful star at night that rains red* Tomorrow may not be there My blood brothers of Lebanon say, But I wait, field of vision aligned to the east Aural stumbles translate, articulating My brethren begin their search of food And in too many moments unnoticed, Black on bottom, red on the low, blue slowly suffocating the obscurity above
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49
I guess I’m okay… What more can I say? Forget it—never mind, You wouldn’t understand anyway, Would you even know what it's like? Inside a scattered disconnected mind, Employed to go on strike? Where indirect misdirect The sincerity at play, When sinusoidal chaos spikes And past meets the future present day? As paranoid points outlandishly connect At intervals of broken lines, Memory lost in recollect, An array of misshaped bells Internally infect the eternal confines Of infinite distributional decay, Parallels with no intersect, Streetwise cells with empty signs, Burned out lights, potholes, and landmines, Littered all the way. How am I to convey that all those times You let your mind wander away That I was reading, thinking, dreaming, Teeming, never idle, never strayed, Seeing, being, so far and away, Even the brightest intellect beaming, Could not grasp the feeling In the slightest of highest orders reeling, Wound unbound, or as it would be seeming, Imperfect, even to the disarray Of the tamest prefect, whose verdict Could not predict the reflect, For in this world, seeing is deceiving, As the lamest reject, defect, Increasingly decreasing, In simplistic bliss obey Crowned unsound fallacies That contradict all meaning, Hiding behind reality, the actualities Lest, protect the thoughtlessness perceiving, Let me stop you if I may... I must interject for I digress, What nonsense was I weaving? Forget it—I've lost my mind, I best be leaving, What more can I say? It's periodic I must confess, You probably don't care anyway, Yeah, yeah, I'll be okay, Until next time I guess, I wouldn't want to be misleading.
0
May 24, 2018
May 24, 2018 at 10:10 AM UTC
A Scattered Point
I guess I’m okay… What more can I say? Forget it—never mind, You wouldn’t understand anyway, Would you even know what it's like? Inside a scattered disconnected mind, Employed to go on strike? Where indirect misdirect The sincerity at play, When sinusoidal chaos spikes And past meets the future present day? As paranoid points outlandishly connect At intervals of broken lines, Memory lost in recollect, An array of misshaped bells Internally infect the eternal confines Of infinite distributional decay, Parallels with no intersect, Streetwise cells with empty signs, Burned out lights, potholes, and landmines, Littered all the way. How am I to convey that all those times You let your mind wander away That I was reading, thinking, dreaming, Teeming, never idle, never strayed, Seeing, being, so far and away, Even the brightest intellect beaming, Could not grasp the feeling In the slightest of highest orders reeling, Wound unbound, or as it would be seeming, Imperfect, even to the disarray Of the tamest prefect, whose verdict Could not predict the reflect, For in this world, seeing is deceiving, As the lamest reject, defect, Increasingly decreasing, In simplistic bliss obey Crowned unsound fallacies That contradict all meaning, Hiding behind reality, the actualities Lest, protect the thoughtlessness perceiving, Let me stop you if I may... I must interject for I digress, What nonsense was I weaving? Forget it—I've lost my mind, I best be leaving, What more can I say? It's periodic I must confess, You probably don't care anyway, Yeah, yeah, I'll be okay, Until next time I guess, I wouldn't want to be misleading.
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51
In Gothic architecture,                          light is considered                        the most beautiful revelation of God;                     Beauty is a characteristic of an animal,                     an idea, object, person or place that provides an experience of pleasure,                           or satisfaction;                     Beauty is studied             as part of aesthetics,          [culture],                     social psychology, philosophy & sociology; An ideal beauty is an entity; admired; possessing features widely attributed                            to beauty in a particular culture;        to perfection: Ugliness [commonness],  [          ]  commonly                          considered to be the opposite                   of beauty, annihilated as an intellectual concept,                                   no longer exists;       The experience of beauty is     often involved in     an interpretation of some entity     [being in balance & harmony];                   the experience of nature may                lead to feelings of attraction                                               & emotional well-being;                                     Because perception is a purely   subjective experience,                                     it was once said that beauty                                    is in the eye of the beholder;                                                       a sentiment long debunked; There is evidence                               that hypothetical       perceptions of beauty involve                               determining aspects of                      things,                              people & landscapes;                             beauty is typically found in situations likely to enhance the survival of the perceiving collection         [of chromosomes]
0
Aug 3, 2018
Aug 3, 2018 at 6:25 PM UTC
beauty is no longer beautiful
In Gothic architecture,                          light is considered                        the most beautiful revelation of God;                     Beauty is a characteristic of an animal,                     an idea, object, person or place that provides an experience of pleasure,                           or satisfaction;                     Beauty is studied             as part of aesthetics,          [culture],                     social psychology, philosophy & sociology; An ideal beauty is an entity; admired; possessing features widely attributed                            to beauty in a particular culture;        to perfection: Ugliness [commonness],  [          ]  commonly                          considered to be the opposite                   of beauty, annihilated as an intellectual concept,                                   no longer exists;       The experience of beauty is     often involved in     an interpretation of some entity     [being in balance & harmony];                   the experience of nature may                lead to feelings of attraction                                               & emotional well-being;                                     Because perception is a purely   subjective experience,                                     it was once said that beauty                                    is in the eye of the beholder;                                                       a sentiment long debunked; There is evidence                               that hypothetical       perceptions of beauty involve                               determining aspects of                      things,                              people & landscapes;                             beauty is typically found in situations likely to enhance the survival of the perceiving collection         [of chromosomes]
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31
she saw things that made her malfunction she broke down to words that should've made her function. she tortured herself with plastered screenings repeated feelings not wanting to be of perceiving she was in and out of it, saw the fault line, lingered a bit. she then took it for what it was, saw what he was, realized he never was. Next she then meddled with hard hit reality. she understands to not give herself up, she gets the places it'll mess up, and all she wants to go is up. So time dwells, she wants to be over it, she wants nothing of it, only to be everything above it. she does not self harm anymore, because she is of no harm, she is just charm. he's made her realize that. he's accompanied her to that. so she thanks him for that. she will not whither, she is winter, with personality of a spitter she is summer with hints of glimmer she is now full of no more sorrow, no bitterness, or self wallow she is content, she is fluorescent. she is better than ever yet. the muggy cloud has gone and surpassed therefore leaving everything in the past. so she says, see you later, thanks for the class, hope everything works out for you in your middle pass, just remember to not let the next one pass and remember to not be an *** with that being said with wise words from this *** that you can kiss. hahaha so see you in the free world, and maybe then can we pass, hit a space migration for our integrations.
0
May 27, 2014
May 27, 2014 at 10:07 AM UTC
DEAR *******
This is a terrible romantic and sadomasochistic narrative. The artist's mind is clothed in fabrics. Fashion is his vocabulary. Grim-tales are often told with foreboding, exacted further through sharp, perceiving lenses. Collections of sharp silhouettes speak of a masterful and sensitive touch. A turbulence of emotions exploded in delicate and mesmerising theatricals. Taking delight in challenging popular notions, Alexander left audience continually in a lingering aftertaste of shock mixed with wonder.
0
Aug 23, 2014
Aug 23, 2014 at 11:41 AM UTC
Alexander McQueen
The Pobble who has no toes Had once as many as we; When they said "Some day you may lose them all;" He replied "Fish, fiddle-de-dee!" And his Aunt Jobiska made him drink Lavender water tinged with pink, For she said "The World in general knows There's nothing so good for a Pobble's toes!" The Pobble who has no toes Swam across the Bristol Channel; But before he set out he wrapped his nose In a piece of scarlet flannel. For his Aunt Jobiska said "No harm Can come to his toes if his nose is warm; And it's perfectly known that a Pobble's toes Are safe, -- provided he minds his nose!" The Pobble swam fast and well, And when boats or ships came near him, He tinkledy-blinkledy-winkled a bell, So that all the world could hear him. And all the Sailors and Admirals cried, When they saw him nearing the further side - "He has gone to fish for his Aunt Jobiska's Runcible Cat with crimson whiskers!" But before he touched the shore, The shore of the Bristol Channel, A sea-green porpoise carried away His wrapper of scarlet flannel. And when he came to observe his feet, Formerly garnished with toes so neat, His face at once became forlorn, On perceiving that all his toes were gone! And nobody ever knew, From that dark day to the present, Whoso had taken the Pobble's toes, In a manner so far from pleasant. Whether the shrimps, or crawfish grey, Or crafty Mermaids stole them away - Nobody knew: and nobody knows How the Pobble was robbed of his twice five toes! The Pobble who has no toes Was placed in a friendly Bark, And they rowed him back, and carried him up To his Aunt Jobiska's Park. And she made him a feast at his earnest wish Of eggs and buttercups fried with fish, - And she said "It's a fact the whole world knows, That Pobbles are happier without their toes!"
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3.2k
The Pobble Who Has No Toes
The Pobble who has no toes Had once as many as we; When they said "Some day you may lose them all;" He replied "Fish, fiddle-de-dee!" And his Aunt Jobiska made him drink Lavender water tinged with pink, For she said "The World in general knows There's nothing so good for a Pobble's toes!" The Pobble who has no toes Swam across the Bristol Channel; But before he set out he wrapped his nose In a piece of scarlet flannel. For his Aunt Jobiska said "No harm Can come to his toes if his nose is warm; And it's perfectly known that a Pobble's toes Are safe, -- provided he minds his nose!" The Pobble swam fast and well, And when boats or ships came near him, He tinkledy-blinkledy-winkled a bell, So that all the world could hear him. And all the Sailors and Admirals cried, When they saw him nearing the further side - "He has gone to fish for his Aunt Jobiska's Runcible Cat with crimson whiskers!" But before he touched the shore, The shore of the Bristol Channel, A sea-green porpoise carried away His wrapper of scarlet flannel. And when he came to observe his feet, Formerly garnished with toes so neat, His face at once became forlorn, On perceiving that all his toes were gone! And nobody ever knew, From that dark day to the present, Whoso had taken the Pobble's toes, In a manner so far from pleasant. Whether the shrimps, or crawfish grey, Or crafty Mermaids stole them away - Nobody knew: and nobody knows How the Pobble was robbed of his twice five toes! The Pobble who has no toes Was placed in a friendly Bark, And they rowed him back, and carried him up To his Aunt Jobiska's Park. And she made him a feast at his earnest wish Of eggs and buttercups fried with fish, - And she said "It's a fact the whole world knows, That Pobbles are happier without their toes!"
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48
when no objective is best for our protection protecting ourselves would be the best direction directing ourselves toward a progressive connection connecting our minds to make a collective correction correcting the obsessions that infect our perception perceiving ourselves as the essence of conception conceiving a brand new perspective of reception receiving the blessing that we call perfection
0
Oct 22, 2016
Oct 22, 2016 at 7:00 PM UTC
a collective perfection - double quantum loop poem
Redds shine like new nickels on the dark river bottom, salmon have returned to spawn the Deschutes, navigating by primal memories written in DNA, an internal Tom-Tom GPS wired in their brains. Watching them struggle up the ladder, consumed with a drive to leave offspring, they are herculean athletes battling the current and the inexorable pull of gravity. Were these the fry I helped to seed four years ago? A Squaxin woman told me once, ghosts of her Coastal Salish ancestors ride the salmon out to sea and home again. Roe in these redds dream also of the sea, their salty eyes and nostrils perceiving spirits in secret claret-red kelp beds. The waters ask only to be haunted again.
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Feb 20, 2012
Feb 20, 2012 at 5:20 PM UTC
Chinook Restored to Tumwater
Frozen moments, embraced, visions of luminous things, unpretentious pearls dancing; embers of memory linger, elegy of the lachrymose, this horizoning self lying low in saturnine tranquility and repose – paternity lost to the provisional. The cross of lassitude, forming scars of loss; estrangement, preface to ineluctable autonomy. Earthen treasure - immortal footprints, the migration of fair maidens across my effusive heart. Venus trio in bloom, aesthetic allusion, ephemeral incarnations of beauty - perishable fruit, transcending the plebeian. Aerial substance- the hermeneutic, betraying desire’s ambrosial tyranny; The permuted passage - savor the sojourn, submit to the fated peregrination. Purple orchids blossom, immortal creatures, culminating in perfection from the sheath respectively, each plume, singular, the continuum of splendor, mediate the inviolable. Eternity compounding, time and essence suffuse the already and not yet into an orbiting mosaic. The susurrant devotions of a satellite father, summon the quest - both, and, absence and proximity, conduits of distress and peace ironically, solace and terror traverse the same path. Plunge though, deep, the depth of pain; deeper, sweeter the taste of pleasure. Engender and witness, window into preeminence, surface azure, the sacred - inimitable gravity of grandeur, ma petite, you - are lived poetry seen and heard; cosmic order, a mediating heuristic - to love is to see, in the dismal, gift of distance. child of delight, evermore, Don’t I hold you? Beauty and strangeness, music found in linear, secret places beyond the tangent, purview of limitation, arousing imagination - infinititude as near as it is far. Long loneliness - dissonance that resolves; perceiving, the tertiary refrain - as exquisite verse, and matchless liqueur, sublime gratuity derived through doors of surrender. Daughter, in adoration and wonder, I hold you.
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Jan 19, 2012
Jan 19, 2012 at 5:25 PM UTC
Venus in Bloom
Frozen moments, embraced, visions of luminous things, unpretentious pearls dancing; embers of memory linger, elegy of the lachrymose, this horizoning self lying low in saturnine tranquility and repose – paternity lost to the provisional. The cross of lassitude, forming scars of loss; estrangement, preface to ineluctable autonomy. Earthen treasure - immortal footprints, the migration of fair maidens across my effusive heart. Venus trio in bloom, aesthetic allusion, ephemeral incarnations of beauty - perishable fruit, transcending the plebeian. Aerial substance- the hermeneutic, betraying desire’s ambrosial tyranny; The permuted passage - savor the sojourn, submit to the fated peregrination. Purple orchids blossom, immortal creatures, culminating in perfection from the sheath respectively, each plume, singular, the continuum of splendor, mediate the inviolable. Eternity compounding, time and essence suffuse the already and not yet into an orbiting mosaic. The susurrant devotions of a satellite father, summon the quest - both, and, absence and proximity, conduits of distress and peace ironically, solace and terror traverse the same path. Plunge though, deep, the depth of pain; deeper, sweeter the taste of pleasure. Engender and witness, window into preeminence, surface azure, the sacred - inimitable gravity of grandeur, ma petite, you - are lived poetry seen and heard; cosmic order, a mediating heuristic - to love is to see, in the dismal, gift of distance. child of delight, evermore, Don’t I hold you? Beauty and strangeness, music found in linear, secret places beyond the tangent, purview of limitation, arousing imagination - infinititude as near as it is far. Long loneliness - dissonance that resolves; perceiving, the tertiary refrain - as exquisite verse, and matchless liqueur, sublime gratuity derived through doors of surrender. Daughter, in adoration and wonder, I hold you.
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108
It is my conviction That life began inside of a dimly lit corridor. Not with a flash of brilliant light, Inside of the creator's grand hall. Not even in the decency of a simple room, No. It was an accident that happened when the Gods tripped over their robes, Simply walking On their way to the heavenly mess hall for coffee and a drag, Shaking the proverbial gold dust off of their feet So that it slipped through the cracks in the marble And crystallized in random little patterns, Wherever they happened to step. Beauty, some are bold enough to call it. And I'll find it on my face sometimes, Those golden remnants,   When the weather is warm and I've eaten a little less that day. I will linger in my mirror to see where they've landed As I whisper sweet nothings to myself, Wishing I were worthy of these repercussions of The Great Biochemical Accident. But once in a while, Someone will come along who tells me that I'm wrong. Once in a while, Somebody has enough gall, Somebody has enough, call it grace, To peel those golden freckles from my face, And to hold them gently in their palm, Perceiving them to be precious.
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Mar 2, 2012
Mar 2, 2012 at 8:40 AM UTC
The Worth Of Gold.
As the daily news I was reading, Here is the story that was leading, Zombie spider slaves, wasp masters dictating, Subsidised fake spider skills, Wasp masters must be getting their thrills, I sense an allegory, Like humanity's history, Teeming ants in a global rat race, Pleasing some master's lack of grace. Same scenario, different day, Till you retire and fade away, Who, indeed, are our wasp masters? Come on, humans, work much faster, Don't you forget to hurry, Or wasp masters shall give you curry! As the daily news I was reading, Is there no other news for leading? Yes, allegory I was perceiving.
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Aug 6, 2015
Aug 6, 2015 at 3:31 PM UTC
DAILY NEWS
When God at first made man, Having a glass of blessings standing by, Let us (said He) pour on him all we can: Let the world’s riches, which dispersed lie, Contract into a span. So strength first made a way; Then beauty flowed, then wisdom, honour, pleasure: When almost all was out, God made a stay, Perceiving that alone of all His treasure Rest in the bottom lay. For if I should (said He) Bestow this jewel also on my creature, He would adore My gifts instead of Me, And rest in Nature, not the God of Nature: So both should losers be. Yet let him keep the rest, But keep them with repining restlessness: Let him be rich and weary, that, at least, If goodness lead him not, yet weariness May toss him to My breast.
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2.5k
The Pulley
Some only seest her flesh And her bones; I seest God's handprint That brushstroked Her soul. Some only heed her outer Reflection; I seest a masterpiece In paradisal direction. Some only observe her comings And going's; Not perceiving Her tears, beyond year's; Hath been like white water's flowing. Some only descry Her Filipina eyne; Whilst under her roof She's lonesome, aloof; Pain is her daily bread, As is her heart's Screaming proof. Some only espy, the girl They seek to know; not Knowing nothing of who She really is, an Angel from God's throne. Though this Queen doesn't seest What I seest, she is blinded by Worldly lies; demon's art her Enemies, because she's God's coruscating light. If only she could take a step Out of her body and her mind; She'd be free, to perceive The treasure she is As the creator made Her after his Kind. If only she could Seest, the elegance Inside her soul; She would Knowest She was Created to be God's light, lamp; God's perfect mold. ©Brandon Nagley ©Lonesome poets poetry ©Earl Jane Sardua nagley ( agapi mou) dedicated
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Jul 28, 2016
Jul 28, 2016 at 8:31 PM UTC
Dhè coimhlionta mould ( God's perfect mold) Scottish Gaelic dialect
A cave crawls into me, turns inside out, Captures my heart and saves my skin for last. Slimy shadows spread like faith to doubt. Is this the Jungian Shadow here to lambaste While all the photons of the sun depart As quickly as they come--an original sin-- And stop my thinking like Rene Descartes, Affronting twistless logic like particle spin? Now perceiving nothing it must exist, Like Freud with OCD made Oedipus blind-- Becoming nothing nothing can resist. Finally into earth my mind confined: Create in me a ***** heart, o earth. Perhaps a worm will have a ****** birth.
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Feb 3, 2012
Feb 3, 2012 at 12:51 PM UTC
Esoteric.
*I'm a dweller on the threshold And I'm waiting at the door And I'm standing in the darkness I don't want to wait no more I have seen without perceiving I have been another man Let me pierce the realm of glamour So I know just what I am I'm a dweller on the threshold And I'm waiting at the door And I'm standing in the darkness I don't want to wait no more Feel the angel of the present In the mighty crystal fire Lift me up consume my darkness Let me travel even higher I'm a dweller on the threshold As I cross the burning ground Let me go down to the water Watch the great illusion drown I'm a dweller on the threshold And I'm waiting at the door And I'm standing in the darkness I don't want to wait no more I'm gonna turn and face the music The music of the spheres Lift me up consume my darkness When the midnight disappears I will walk out of the darkness And I'll walk into the light And I'll sing the song of ages And the dawn will end the night I'm a dweller on the threshold And I'm waiting at the door And I'm standing in the darkness I don't want to wait no more I'm a dweller on the threshold And I cross some burning ground And I'll go down to the water Let the great illusion drown I'm a dweller on the threshold And I'm waiting at the door And I'm standing in the darkness I don't want to wait no more I'm a dweller on the threshold Dweller on the threshold I'm a dweller on the threshold I'm a dweller on the threshold* *********************************************************************************
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Apr 9, 2014
Apr 9, 2014 at 1:16 PM UTC
"Dweller On The Threshold" by Van Morrison (lyrics)
*I'm a dweller on the threshold And I'm waiting at the door And I'm standing in the darkness I don't want to wait no more I have seen without perceiving I have been another man Let me pierce the realm of glamour So I know just what I am I'm a dweller on the threshold And I'm waiting at the door And I'm standing in the darkness I don't want to wait no more Feel the angel of the present In the mighty crystal fire Lift me up consume my darkness Let me travel even higher I'm a dweller on the threshold As I cross the burning ground Let me go down to the water Watch the great illusion drown I'm a dweller on the threshold And I'm waiting at the door And I'm standing in the darkness I don't want to wait no more I'm gonna turn and face the music The music of the spheres Lift me up consume my darkness When the midnight disappears I will walk out of the darkness And I'll walk into the light And I'll sing the song of ages And the dawn will end the night I'm a dweller on the threshold And I'm waiting at the door And I'm standing in the darkness I don't want to wait no more I'm a dweller on the threshold And I cross some burning ground And I'll go down to the water Let the great illusion drown I'm a dweller on the threshold And I'm waiting at the door And I'm standing in the darkness I don't want to wait no more I'm a dweller on the threshold Dweller on the threshold I'm a dweller on the threshold I'm a dweller on the threshold* *********************************************************************************
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49
555 Trust in the Unexpected— By this—was William Kidd Persuaded of the Buried Gold— As One had testified— Through this—the old Philosopher— His Talismanic Stone Discernéd—still withholden To effort undivine— ’Twas this—allured Columbus— When Genoa—withdrew Before an Apparition Baptized America— The Same—afflicted Thomas— When Deity assured ’Twas better—the perceiving not— Provided it believed—
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Trust in the Unexpected
Among the blight-killed eucalypts, among trees and bushes rusted by Christmas frosts, the yards and hillsides exhausted by five years of drought, certain airy white blossoms punctually reappeared, and dense clusters of pale pink, dark pink-- a delicate abundance. They seemed like guests arriving joyfully on the accustomed festival day, unaware of the year's events, not perceiving the sackcloth others were wearing. To some of us, the dejected landscape consorted well with our shame and bitterness. Skies ever-blue, daily sunshine, disgusted us like smile-buttons. Yet the blossoms, clinging to thin branches more lightly than birds alert for flight, lifted the sunken heart even against its will. But not as symbols of hope: they were flimsy as our resistance to the crimes committed --again, again--in our name; and yes, they return, year after year, and yes, they briefly shone with serene joy over against the dark glare of evil days. They are, and their presence is quietness ineffable--and the bombings are, were, no doubt will be; that quiet, that huge cacophany simultaneous. No promise was being accorded, the blossoms were not doves, there was no rainbow. And when it was claimed the war had ended, it had not ended.
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In California During the Gulf War