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I am not black.
Prince ea said it right,
That’s what the world calls me, but   it’s not me,
I didn’t come out of my mother’s womb saying “heey everybody, I’m black”,
No. I was taught to be black,
And you were taught to call me that, along with whatever you call yourself,
It’s just a LABEL.

See, from birth the world false feeds us these LABELS,
And eventually, we all swallow them, we digest and accept the LABELS, never ever doubting them.

But there is one problem,
LABELS are not you,
And LABELS are not me,
LABELS are just LABELS.

But who we truly are is not skin deep,
See, when I drive my car no one would ever confuse the car for me,
Well, when I drive my body, why do you confuse me for my body, it’s my body, get it!. Not me.

Let me break it down,
See, our bodies are just cars that we operate and drive around,
The dealership we call society decided to label mine the Black Edition,
And with no money down that is zero percent and no test-drive,
We were forced to own these cars for the rest of our lives.

Forgive me, but I fail to see the logic or pride,
In defining myself or judging another by the cars we drive,
Because who we truly are is found inside.

Listen, I’m not here to tell you how science is concluded,
That genetically we are all mixed in,
And that all human species doesn’t exist,
Or how every historian knows the evolution of all human beings that was invented in the 5th century  and it has worked perfectly.

No. I am not here to lecture.
I just wanna ask one question,
Who would you be if the world never gave you a LABEL?,
Never gave you a box to check,
Someone please answer that cause i'm still in the dark,
No. We would be one,
We would be together,
No longer living in the era of calling human beings people,
These LABELS that will forever blind us from seeing a person for who are,
But instead seeing them through their judgmental, prejudicial, artificial filters of who we think they are,
And when you let an artificial label define yourself,
Then my friend, you have chosen smallness over Greatness and minimized yourself,
Confined and divided yourself from others,
And it is undeniable fact that where there is division there will be conflict,
And conflict starts wars, therefore every war has started over labels,
It’s always us versus them,
So the answer to war, racism, sexism and every other –eism is so simple that every politician has missed it,
It’s the labels,
We must reap them off.

Isn’t it funny how no baby is born racist?
Yet every baby cries when they hear the cry’s of another,
No matter their gender, culture or color,
Proven that deep down we were meant to connect and care for each other,
That is our mission,
And that is not my opinion,
That is the truth in a world that has sold us fiction,
Please listen, Labels only distorted our vision,
Which is for  half of those watching these will dismiss it or feel resistance and conflicted,
But, just remember, so did the caterpillar before it broke the which shell and became the magnificent butterfly,
Well these labels are our shells and we must do the same thing so we can finally spread our wings,
Human beings were not meant to be slapped with labels like groceries and supermarkets,
DNA cannot be regulate everyday,
We were meant to be free and only until we remove them all,
And stop living and thinking so small,
Will we be free to see ourselves and each other for who we truly are.
An inspiration from the great Prince ea.This goes to everyone out there, as he said, "we are not LABELS, labels are not you and labels are not me, Labels are just labels.We must reap them off".
Rachel Julia Oct 2015
I hate labels.
so you may ask me why do you compulsively put words and purposes and dates and times on everything you have.
I hate labels but I love organization.
The problem with labels is they rarely tell the whole story.
Labels are short, just a snapshot of the essence that the thing or person boils down to
but I don’t believe anything can really be that simple.
Labels can make everything easier.
You get the main point, the thing that stands out, FAST.
but that’s like starting a story at it’s ******, you get no previous information and that high point that holds so much meaning if you've read the entire story turns flat.
A flat character doesn’t grow or change or feel all that much but they usually have a label.
Labels turn real multidimensional, complicated, interesting people into flat characters.
He is not gay.
She is not a cutter.
and He is not transgender.
They are real people and you cannot possibly fit a person into a single worded description of the thing that stands out about them or makes them different.  
That is not enough for me!
The gay guy likes ice cream and romantic comedies, he's afraid of commitment, that scar is from his own blade and he volunteers on Wednesdays.
The cutter is seventeen and she lives with her grandparents. Almost everybody shes loved has walked away.
She has hair the color of sand at the beach and she wants to work in security at the airport so she can finally have control over who leaves and who stays.
The transgender man never felt trapped in the wrong body, the world just told him that his body was wrong. He’s a freshman in college and nobody ever told him how hard it would be. He calls his mom every night because he knows she worries and he cares. He has skin the color of caramel and he desperately wants to get married.
I hope you now understand that a label is never never enough.
You could argue that I’m afraid of being defined and of defining others with just a word,
but if you ask me a fear of labels is a very legitimate, considerate, and justifiable fear to have.
Labels are simply not enough.
And that's why I hate labels.
Stevie Nov 2020
So I guess the world is screaming that we need to end Racism and Offensive words and Labels, but what happens when a piece of writing from someone who is seeing the whole world screaming about one thing, but yet acting normal just after a few weeks of it hitting the social media and media outlets.

So I decided to write this including all the Racial and offensive terms that I could research and put them in a list, If we are to discuss and try and make things better, then why should we be scared to be called racist or evil for pin pointing stupidity out because everyone else whether upset, angry or hateful towards someone or a community, even a group and let see how many people lie about not using any offensive or racist term online or in person, even if you thought it and not even said it.

Cause thinking the offensive or racist term/word also makes you just as bad of a person that speaks the words.

"

A Fair amount of Research when into this, and it a good way of explaining,
How we all see each other and every single person on this planet.
This was written to prove that everything is offensive,
that no one is every in a situation that is similar, but in a situation where histories are different,
But yet, if you are offended by this, trust me, I bet you even use some offensive, racial terms and labels to describe someone you hate or don't like,
So what makes you different from me or the next person who is classed as offensive.

Labels, Stop,
Labels, Go ahead,
Labels, all the others,
Go ahead and write them,
Fabric, paper and on skin,
Just let the labels sink in.


All Races and Enthics Racial Terms that are Labels, Not only Blacks and White's.
You're Racist,
You're a Ngger,
You're a ******,
You're 8 Mile.
You're a Albino,
You're a Bean Dipper,
You're a Beach N
gger,
You're a Baijo.
You're a *****,
You're a Guati,
You're a Beanbag,
You're a Border N*gger,
Border Hopper,
You're a FOB,
You're an Curry Muncher,
You're a Desi,
You're a Dot/Dot Head,
Here Dotti,
We are at war with the Crunchies,
The Whacky jinglies,
You're an Irish Cat Licker,
Are you actually an F.B.I,
You're religious, you ***** Mackerel Snapper,
Look at all these Irish Indian Narrow Backs,

All Other Labels,
You're a puff,
You're a *****,
You're a ***,
You're a *****,
You're so Ratchet,
You're an illegal Alien,
Hey we both gay, but that no ****,
*****, **, ****,
You're Bisexual - that just straight privilege,
You're a ******,
He, She, Never mind you just look like cousin IT,
You're a ****, ****, Never mind I can see you're a *****,
You're stupid, thick, dumb,
Just a fat *** that just chubby and overweight,
******* hell, you're crazy, lost the plot,
You are ******* disturbed, bat **** crazy, Psychotic *******,
You're a bible thumper, that explains the homophobic ****,
You're a Fundie, God botherer,
Bible Basher, you know God is a child thrasher,
You're a *****,
You're small are you a ******,
You look like you're apart of DC/Marvel a ******* Mutant,
Eww what is wrong with your face are you a Mongol,
That just hysterical so you must be *******,
everyone is a ******* Imbecile.
Lani Foronda Jul 2014
I don't like labels.
Labels mean restrictions.
Oh, you want to do that?
No no, you can't!

Labels mean expectations and
Expectations means disappointment.
Labels mean something has to be
Ought to be
Like this
& not like that.
We'd constantly be thinking if what we were doing
Was what we should be doing.

I like labels.
Labels mean structure,
And structure means order.
If everything was in its place-
Exactly as it ought to be-
We'd be okay.
We wouldn't have to worry about crossing over the lines
That the world has drawn up against us.
We'd know what to expect
And what to feel.
September26,2013
Cara Christie Apr 2018
some people find labels oppressing

straight
gay
cis
trans
black
hispanic
girl
boy
none of the above

even the absence of a label is a label itself

labels are things that corner you in,
limit you to one word,
a word in which you MUST fit the bounds

labels only exist for things we know about,
what if we don’t even have a word for it yet?
they’re limiting in this way too

yet,
i find that i enjoy labels

i enjoy labeling myself as a white, cisgender, pansexual girl

labels help me fit in
they help me to make sense of myself
and place myself in certain categories

labeling gender can be tough for some people
but i like identifying as a girl

labels can shut you in but they can also free you

free you from yourself
from the expectations of society
from embarrassment and dysphoria

i like labels
i don’t know about you
but they make life a whole lot easier for me
just a quick write so i hope you guys don’t judge it too harshly haha :)
raðljóst Jan 2013
sometimes it's tiring
to sit and listen
to our friends
who talk about labels
labels of clothing
labels of people
labels and labels
silly names for what
they want to be known for
hipster
geek
or
prep
but what do these labels serve?
the greed for attention?
our eyes drawn to
their facebook pages
their clothes
their hair and their
make up
but do we really see them?
we're blind to the souls
and overlook the spirits
of our peers
with selective sights
we look on the surface
and judge what we see
to be what they are
I am sitting with my computer on my lap and apple in my left hand while writing this. My "friends" are sitting at the table with me, and at the next table beside it in the library. A quiet place that once was, is now full of people trying to define themselves and fit in. They're so loud, and today, I am very silent. I am eating my apple and listening as I type this. Kate is beside me working on biology, headphones in to block out the rest, and a boy I  don't know is trying to pass math. I find better company in the people who say nothing than the people who say so much but mean so little.
Julius Dec 2013
For all the people who tell me I can't be a feminist

My feminism ruins my chat up lines
So much so that you couldn't call them that
I feel pathetic, ironic
Less of a man
Because I haven't touched a girl without her permission
Girls spill their drinks on me in clubs (with no apology), boys don't
Boys ask permission before they touch my entertaining hair
I love women, they're better to be around
I'm not gay, bi maybe but don't stick labels on me
Actually girls do that to me all the time
Literally, they rub their wet hands on my clothes
And stick stickers on me like I'm an object
But no a man is not objectified
Male equals misogynist
Equals creep
I can't criticise a woman's actions, thats sexist
They're in the struggle
This makes me wish I was a girl
I want informal privileges
I'm a ****** is that clear by now?
I don't know if I can **** a girl with my *****
With all of HIStory behind me

I suffer under patriarchy, but not like you do
I understand even non feminist girls,
Or bad feminists,
Still products of this gut wrenching, repulsive system
I'm crying now, an emotional wreck
My mates, some female, will tell me not to act like a girl
But that joke isn't funny anymore
It's too close to home and it's too near the bone
(or *****)
Literally the **** in my trousers is a curse I can't control
An animalistic cage that traps me within expectations
As I write outside a club, three people grab my hair
One male, so I'll take back the generalisation that they ask first. He didn't.
Girls look cold out here
They've come out like this for me
And I shouldn't feel guilty but I do
In the club I'm genuinely objectified
Girls get slurs, sexually abusive labels, they're human there
I'm literally shoved aside like a door by girls eager to look hot at the bar
The only feminist in a room full of chicks

I tolerate this because I love women
Is that sexist?
Is that gay?
If so that's very disappointing
But I've masturbated to **** involving girls
Is that sexist?
Female friendly ****
****** **** - Is that sexist?
I'm academic, I 'get' the gender binaries
Transcend sexuality labels - Is that arrogance?
Why don't these ******* love me?
Note the ironic slur
(Males can be ******* too)
So maybe I'm just the *****
But...I'm sorry
This is poetry, or prose dressed up like it
Emotional inadequacy dressed up like it
I've seen like minded men dispense with the term 'feminism' in pursuit of popularity
That tears me apart because women do the same
I'm not gay
I'm not gay
Stop with the labels
**** me with a strap-on if you have to
Get us back
But I'm not submissive, just overly dedicated
It'll hurt because my **** is virginal
Pure
Sure, I'm a feminist
But stop with the labels
This has become obscene
Put me on page 3 and call me a hero

I'm being sexist here
By noticing gender
Real feminists, please improve me
Fake feminists, how dare you use my views against me?
If I wasn't ugly I wouldn't be a feminist
(Product of my environment and all that)
Like you but with a rather different inferiority complex
As I said, please love me?
Or at least, let me be your friend because the average boy repulses me
Maybe we have at least that in common?
These men cause me to
Try to emasculate me
Women too even but it's understandably rarer
Though on the rise in our modern age
As feminism "succeeds"
But this is my pathetic emotional venting
My male sense of self importance
Or am I too harsh on myself?
Ok so I'll self aggrandise
I transcend your petty, completely logical movement
Look at yourself in the mirror
Metaphorically
(I'm fat too, and some girls make me feel the pain of it)
Yeah I'm a feminist ally
But I'll school half of you

"You've" made me leave the club now
I can't look at these amazing women the same way they want me to anymore
But by 'you've' I mean 'I'VE'
The emphasis is on me to remain rational,
Calculating (my chances with who in the club),
Hardy,
The breadwinner
The one with the jeans
Look, I'd wear a dress if it wasn't for the connotations
Ramifications
I'm ahead of my time, let's agree on what we can
I'm on your side can't you see?
I'm big, I could hurt you and I hate myself
For representing what could be
What is
What my brothers do behind my back
(Because my sickly chivalry would have me try my hardest to pummel these ******* into the ground to protect the damsel in distress)
But I'm not a violent person
As I text, I cant go back into the club but to say goodbye
to my female friend who I came out with alone despite the ****** undercurrent
I half notice two men try to charm this girl
I hear echoes of 'This Charming Man'
(Later I will go and stand on my own, leave on my own, go home, cry and want to die)
These ******* 'gentle' men

But here I'm being arrogant
Self indulgent
Assertive
Typically 'male'
I see a fight break out
The women aren't allowed to be involved
Their voices are drowned out though they push themselves between combatants
Men, we are responsible for wars
**** all of you (*some)
I'd trade social and political male privilege for free 'freedom from guilt'
I'd trade my **** away so I'm not called one callously
(You could even use it as a ***** if you wanted, but its not as big as the shop-bought alternative)
And the funniest thing is, I think my words are important
Think I can say all this and be a controversial,
Exciting
Challenging figure
Asserting my intellectual dominance
Now that's ironic
Ironic to the core that eats at me
That makes me feel like your plaything
Because these ironic jokes like me calling you ******* are too close to home, too near the bone
The bone I gave away, possibly to you (but it hardly matters)
I'm too 'above it all' to be loved or to love faithfully (like Morrissey?)
But all I ask is for your love

That's all I ask
For me to **** on the **** of your respect and trust
Like I did my mother, using her for milk
For sustenance
So my kind survives
And now I go back to the wild,
To the looks that barely notice me as they smash or glance off me
That label me a pig
Or a creep
Or a ****, a *******
Or a gay,
Or a man
Or a feminist

---

So next thing I know I'm with a load of girls again
(Rugby playing girls my mate knows)
I'm the only 'lad' (Irony really hurts)
I'm told my presence makes them claustrophobic
I give them five minutes
(Because my male voice counts for nothing when deciding on a club)
I tell them I'm a feminist
The more honest way out than pretending I'm gay
Its OK now
Thanks, labels.
I swallowed and dealt with the rejection because I'd just had this emotional vent
Thanks vent
And thanks girls for trying to make me feel small and unwelcome at your table
Because it makes me better
Makes me stronger (like men desire to be)
Only I was a step, a poem, a vent ahead this time
So I wasn't crushed or pierced under your high heel
High horse
You weren't willing to flip the tradition on its head and buy my entry to the club
When I couldn't pay
But it's OK.
At least you were real with me
And I'll be there in spirit
In my dreams
Checking you out while you buy drinks
Then wake up and hate myself again

Tears were in my eyes when the girl said that to me
But I, like a true misogynist,
Fought them back and remained a gentleman
Polite and robotically rational
Pliable
But really, how painfully ironic are these semantics?
To 'fight' emotion
To 'fight' honesty?

Like men do, because we're all the same
Jade Oct 2014
People place negative & positive labels on us.
Sometimes without us even knowing.
Those positive labels being,
Caring, nice, sweet, and beautiful.
But those negative labels being,
ungrateful, self-fish, and ugly.
Most of the time we carry the weight of only those negative labels.
But you have to rebuke every negative label,
And replace them with your positive labels.
Labels.
Judgement.
Stigma.
Will we not even try to understand?
To hold out our hand?
To come alongside.
In words of comfort.
Words of love.
To the divorced.
Who feel like they've failed.

Labels.
Judgement.
Stigma.
Will we not even try to understand?
To hold out our hand?
To the mentally ill.
Whose tormenting thoughts are a living hell.

Labels.
Judgement.
Stigma.
Will we not even try to understand?
To hold out our hand?
To the lost teen caught up in the downward
spiral of addiction.
Where escape from life is so appealing to them.

Labels.
Judgement.
Stigma.
Will we not even try to understand?
To hold out our hand?
To the homeless man without a dime.
Whose every moment is a struggle to survive.

Labels.
Judgement.
Stigma.
Will we not even try to understand?
To hold out our hand?
To the child in the classroom who doesn't fit in.
Who needs an aide to settle them.

Labels.
Judgement.
Stigma.
Will we not even try?
To accept.
To comfort.
To...
love.
To hold out our hand.
And then...
watch God heal.
The broken hearts.
Of the marginalized.
From the pain
of
the
stigma.
Of those who don't fit in.
ClawedBeauty101 Dec 2017
Dead...
The nightmare from hell
A ****** at heart
The shadow that fell...

Dark...
The ash against the snow
The black sheep of the family tree
What Labels do I not know?...

Doomed...
The fault line in the ground
The corner of the darkest hall
Where no life is found...


Time has passed and your Labels mean nothing to me now!!!

For where sin abounds... Grace all the more abounds!!!


Redeemed...
Temple of the Holy Ghost
A branch of the True vine!
Holy and Blameless before God and the Heavenly Host...

Righteous...
Seated in the heavenly places with Christ
God’s workmanship
Partaker of His promise, through the ****** price...

Raised...
From my death grappling grave of sin
Was once dark but now filled with light
One of the many unworthy who were chosen

It's been so recently those Labels have been eating me alive...

But Lord you always remind me who I am in Christ!

The Labels make me crumble up... have I failed to be a guide?

Your word and church, they bring me strength to survive!...

                      **Shut Up Labels! For I have Been Revived!
Romans 3:24 - But they are justified freely by his grace through the redemption that is in Christ Jesus
1 Corinthians 6:19 - Do you not know that you are God's temple and that God's Spirit lives in you?
John 15:1, 5 - I am the true vine and my Father is the gardener. I am the vine; you are the branches. The one who remains in me--and I in him--bears much fruit, because apart from me you can accomplish nothing.
Ephesians 1:4 - For he chose us in Christ before the foundation of the world that we may be holy and unblemished in his sight in love

2 Corinthians 5:21 - God made the one who did not know sin to be sin for us, so that in him we would become the righteousness of God
Ephesians 2:6 - And he raised us up with him and seated us with him in the heavenly realms in Christ Jesus …
Ephesians 2:10 - For we are his workmanship, having been created in Christ Jesus for good works that God prepared beforehand so we may do them.
Ephesians 3:6 - The Gentiles are fellow heirs, fellow members of the body, and fellow partakers of the promise in Christ Jesus

Colossians 3:1 - Therefore, if you have been raised with Christ, keep seeking the things above, where Christ is, seated at the right hand of God.
Galatians 5:1 - For freedom Christ has set us free. Stand firm, then, and do not be subject again to the yoke of slavery.
Ephesians 5:8 - For you were at one time darkness, but now you are light in the Lord. Walk as children of the light.
1 Thessalonians 1:4 - We know, brothers and sisters loved by God, that he has chosen you …


May make this into a song someday Lord willing, I know everyone has been given a Label, and as you can see from reading the poem I have been given quiet a few and several more. It doesn't matter what and who the world says I am, it what God says I am and as long I am doing what the Lord is telling me to do and I am obeying him, I should NOT fear these Labels...

I do hope and pray someday I'll be given a new label... or seen differently...for now... all I can do is pray and wait
Melanie Dunn Sep 2010
In reality everyone judges.
So caught up in their name brands.
Whether or not we hold our grudges,
Labels are for soup cans.

We assume that everyone we meet fits a certain frame,
It's easier to do this, so that we will understand.
But once you get to know someone, your first impressions' put to shame.
Because labels are for soup cans.

Smart kids are nerdy and will never be intimate.
Popular kids are jocks and girls with fake tans.
Then there's the rebels who take risks and think nothing of it.
But labels are for soup cans.

In reality everyone judges,
But again, labels are for soup cans.
This was just a silly villanelle.
Mason Jay May 2016
bow tie and collars
nice pair of suspenders
buzzcut and braid
wanna get laid?
***-tuned world
labels all swirled
high level of confusion
doubt and frustration
all the stigma about
sexuality gender who you are

we tell you where you fit
labels aplenty
let me name many
****, ***, thot, *****
these and much much more
*****, *****, and traitor
see you all later
*******, druggie, and ****
nerd, geek, emo, goth
****, ******, loner
crackhead and stoner
athletic and pretty
simple or ****
labels aplenty
go on, take your pick
Willard Wells May 2015
I've grown tired of labels in life
Are you White
Are you Black
Are you Asian
Are you Green

There are so many labels in life
Are you Muslim
Are you Jewish
Are you Catholic
Are you Agnostic

They continue to put labels in life
Are you a homeowner
Are you a renter
Are you in an apartment
Are you in a house

They're driving me insane labels in life
Are you Democrat
Are you Republican
Are you Green
Are you Independent

What does it mean in the big scheme of things????????????????

Nothing at all as the only label that matters is

HUMAN
Blood, gore
***, *****
High, drugs
Thief, mugs
Anger, harm
Cut, arm
****, *******
Looser, *******
*****, ****
Slutty, shunned
******, ugly
Smart, nerdy
Stupid, dumb
Perfect, come
Gay, handy
Ignorant, trani
Black, ******
White, *******
Lost, dog
Fat, hog
Illegal, immigrant
Immoral, rent

Discriminate
Hate
Procrastinate
Fake

We all give labels to everyone
All of us, let's have some fun
Let's go out and **** someone
Who hurts you, don't let them run

Make all pay for labels begun.
Pen
Some people take comfort in labels
Finding which little box to fit in
Knowing just by a glance, by a hashtag, a stance
That others can see what's within
Some people rely on their labels
On things that tell them who they are
That simplify life into boxes of white
Scribbled meaning stuck onto their jar
Now some people, they run from all labels
Afraid that they hold them down  
And losing their minds to a few words and lines
In social adhesive are bound
See people forget that their labels
Are choices, not simply assigned
Meanings can change and symbols rearrange
By those by whom they were designed

So friend, take back charge of your labels
Because You create them in the end
And if labels align, well that would be fine,
But remember that you hold the pen.

|b.g.|
A commentary on social media bios and a label crazy yet label hating society.
Charlie Hazels May 2014
language warning*

So what.
I am a person, with hobbies
Interests

We need labels to understand, but I don't remember anything about labels to discriminate.
How can a feminist be racist? Or any other paradox

They are just labels- to explain and no more. **** all of those *******

So... I'm bisexual
Shock!
Horror!

Nothing more anymore
Identity limited- Why the **** should it be?

To say that just one of my labels defines me, it makes me inferior- well that makes you as a ****

The Jewish labelled with their numbers- me with a word- do you see what you do to me
And to yourself.
Im not in any way reducing the holocaust. It was a horrific thing but so is dicrimination because of labels.
Katie Biesiada Apr 2014
I am an introvert.
Or so they say.
But I don’t know why they say half the things they do anyway…
What is an introvert?
Someone who enjoys the quiet
Page turns of a good book?
Someone who enjoys the
Euphoria of sipping tea?
Someone who prefers yoga
Basked in the candle-light glow
Over a mind full of mary jane?
Why yes, then,
I am an introvert…
…drowning in my own solitude
Ana S Apr 2016
Fat, skinny, anorexic, depressed
Emo, fake, two-faced
*******, brainiac, crazy,
Tall, short, giraff, mouse
Gay, straight, ****, ***
Bipolar, white, black
Christian, Jew,
Anger creates labels
Insecurity creates labels.
Labels
Destroy us.
Labels
n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
Alex McDaniel Aug 2013
Youth is a ****** up place.
We walk around with the blind fold of adolescence covering our eyes.
Nine times out of ten you'll step the wrong way and fall of the edge.
The most ****** up thing about youth,
Is the labels.
People judge you,
You judge them,
Creating an instant stand still of insecurity and intimidation.
A lot of stress can come from the labels you but on other people,
But sometimes we forget to look at the labels we are putting on ourselves.
We try so hard to fit in,
To be something we aren't.
We want to have the same label that everyone else has,
And society accepts it.
But why not be different,
Why not stand out,
Why not stand up for something you believe in,
Something that you can call your own,
Why not,
Be yourself.
mori walts Apr 2016
ME?
I am like a riddle
WRITTEN
but
UNREADABLE.
unless
you
know
that
ENDINGS
are
BEGINNINGS.
then
you
know me
as
{INFINITY}
Kelly Rose Jan 2016
“I am not going to be the person
I am expected to be anymore”

I heard this thought and was
Kind of blown away
Making me question
All sorts of things
Like…

Who do I expect me to be?
Who do others expect me to be?
Am I
Daughter
Wife
Lover
Do I even care?
What do these labels even mean?
Why can’t I label me Friend?
Is there anything expected of
An acquaintance?
I am trying on new labels

Poet
Writer

Whatever the label
Poet, daughter, wife, maybe even friend
These masks sit a little uncomfortably upon me
And…

What of the unspoken and often unseen labels

Broken
Weird
Crazy

Do these fit me any better?

I don’t think I have ever been
The person others expected

Certainly not myself!

How extraordinary!
“I’m not going to be the person
I am expected to be anymore”

Kelly Rose
9/19/2014

Heard this in a commercial and it hit a nerve  
Someone asked me to post an old poem and I give others the option of posting an older poem that touched them - it is a lovely experience
raingirlpoet Dec 2014
peeling off labels is like peeling off skin of a 3rd degree sunburn
i hate how it looks
and it's gonna hurt like hell
but i don't want the evidence there
why do i even care so much?

dear society
rip
i am not "anorexic"
tear
i have metabolism issues

the stickiness gums up
i didn't ask for this
shred
i'm not "antisocial"
strip
but i like being alone

stab
i'm not teen angst
hack
i'm growing up
stop telling me
i have problems
scratch
i know i have problems

i'm not canned vegetables
why do you need to know my contents?
pick
i'm not yours to scrutinize
stop staring at my body
stop trying to get into my head

stop slapping **** on me
and expecting me to fit into the little labeled box
i'm not
your labels
Dhia Awanis Apr 2017
We were born in different shapes, colors, and size
Not a single embryo was able to decide their DNA or blood type
But that shouldn't make us less humans than the others
It's the diversity that makes us exquisite and beautiful

Break down the stereotype that beauty is fair skin,
that beauty is a skinny and blonde-haired lady
that beauty is wearing clothes with branded labels
that beauty is applying tons of foundation and mascara

Who are we to determine the standard of beauty, anyway?
While each of us is God's creativity,
authentically made by His hands

Who are we to judge God's taste in art, anyway?
While each of us is uniquely magnificent,
as His creations are never less than a masterpiece

Keep in mind that the real beauty lies within ourselves,
beneath our skin, between our thoughts, and inside our soul
Embrace your inner beauty
Life* often speaks in rhythm & blues
whispering trumpets to bended ears, while reminding us
that smiles belong only in photographs; and tears
behind the curtain of an indifferent face

We walk fine
lines, between tragedy
and genius, lines so rarely straight
we seek balance in mediocrity
and solitude in unfinished lifes

We become incomplete puzzles
forcing squares into circular places
by tearing away pieces of the whole
and conforming to the empty spaces

some things were never meant to be changed

We place people into boxes, neatly organizing them
by the
labels* we give their cracks and flaws
seldom ever realizing that *broken has a beauty all it's own
, and...

*some things were never meant be mended
Ellyn k Thaiden Apr 2014
Bigender
Pansexual
Asexual
Gay
Lesbian
Cisgender
Transgender
Agen­der

And many more
Labels racing through
My head
I can't even think straight
Or let alone be straight

I once thought pansexual
But I don't prefer physical interaction
Maybe bisexual?
But I like anyone and
Everyone

Asexual?
I've gotten off
I just don't prefer to
Shutting myself off
Is something I can do

Female and male stereo types
But I fit neither one
Sometimes I'm more of a man
Than my brothers could ever be
And sometimes I am more girly

All these labels
And I'm so confused
Does anyone really know?
Maybe I don't fit
Any labels

Maybe I'm just
Me
Damian Murphy Feb 2016
Lesbian, bisexual, transgender, gay
What are they all only labels anyway?
Nowt of individuals do labels say,
Truth be told all they do is get in the way!
What is it with this need to put labels on?
What we really need is to see the person!
To judge others only by labels given
Is stupidity, hard to be forgiven.
So it is with gender, race, colour or creed;
And all other labels we just do not need.
LGBT is, I believe, the correct acronym, mixed up deliberately to show my disdain for labels.....
Alexandria May 2015
Labels are used at
a supermarket
for items, not people
I'm a person, not an item

Is it okay
to label someone
a nerd because
they're smart or
a **** because
they play a sport

Labels come naturally
from your mouth
like thoughts to
your head

Is it okay
to label
someone?

Labels are used at
a supermarket
for items, not people
I'm a person, not an item
Becky Cheung May 2014
Ramblings about things I like and things I don’t

(because I have the time to write and I have been asking myself what I really like or want.)

I dislike

things about the modern society sometimes -- like how some people are trapped by their self imposed sense of success driven by their greed and selfishness since they only seems to look out for the wellbeing of themselves. There seems to be something disturbing about the city somehow though I cannot point it out exactly what that makes me feel uncomfortable but perhaps it is the perfect street and buildings all over like a factory manner.

I like

places without the perfect street and buildings and I want to have an adventure and live like going to Cambodia and India to learn about their culture and help some kids there. There I will be rich in experience and purpose and laugh at how sometimes I take things for granted or my own self imposed narrow point of view about the world at large.

I dislike

stereotyping and how human judge people based on external stuff like looks, race or background but I suspect it is our nature as humans to put things into label like marketing or something. Placing labels on someone's appearance or race or anything else alone ***** and stereotypes are disgusting. Take some time to look beyond the surface -- labels are meant for can soup. There is no point having a beautiful façade on the surface but empty in the inside.

I like

beautiful minds, people that are comfortable with themselves despite their imperfection and people being who they are despite it may goes against the norms of society and I think gays are bold (though I am not gay or something), they defeat their insecurities and conquer their inner demons on how people look at them.

I dislike

how cheesy pop music is at times and prefer words that touch me and lyrics that mean more than just about ******, stupid heartbreak or explicit things.

I like

words that make give me inner hope and a will to continue to walk or beautifully written and something that inspire or I can relate to. Perhaps occasionally books that make my heart break a little with a rush of emotion -- even it is somebody's tale or not true but I love the passion of it all.

I like

art. Art that have a story and meaning behind them and not just random models on the cover of the magazines with too much makeup and too much photoshop with the focus on just looks alone.

I like

to take photos of random things and the simple beautiful around us that many of us fail to see and honest heart to heart conversation with a few close friends in a homely environment instead of a big crowd of acquaintance.

I dislike

how some people cannot seem to understand something unless you push it right in their faces, when someone is only nice to me when they need something or just keep up with the appearance which is stupid.

I dislike

each other's' masks and the need to decipher the feelings beyond the masks without being told what it is specifically, people with ******* up beliefs of what is right and wrong and those who can be easily manipulated and people that manipulate them for their own benefit.

I like

beautifully hand crafted items and non factory made stuff. They are one of a kind yet sometimes I can be a walking contradiction and I do like man-made things because once in a while it gives an artificial glint of happiness and if you lost it or break it, you can always have a new one.

I dislike this world.
I like this world.

I want to live in a world with things that bring me a simple glimpse of joy and perhaps that is all I wish to ask for.
Ellyn k Thaiden Nov 2013
No no no
Let's back up here
And clarify what being
Pansexual means

I am not
Greedy
Selfish
*** crazed
Possessed
Or *** obsessed

I have always been told
That it matters what's on
The inside
Not the out

So excuse me
When I love someone
For their mind
Not their body

Body is a bonus
Not the main course
Yes I have physical attractions
To all body types

But at the end of the day
You can't love just the body
It's the interior decorating
Of the soul that counts
I hate labels. But I am what I am. I don't think love is put into one gender or the other.
What if today, you met the love of your life. But they are a "gender" that you don't like. would you pass it up? Or they use to be a girl or guy, But now they're different. Would you pass up such beautiful and true love?
Mateuš Conrad Nov 2016
before i pull this one out of my *** (again - listen, these words are not coming from either head or heart, it's best to pull them from the bowels, a gut-wrenching-feeling is more potent than that "something" that "something" delusional pulled from a clenched heart... as far as i know, the brain is incapable of emotions, it doesn't understand them, and since it doesn't understand them: it ridicules them)... which brings me to point:

(a) perhaps the idea of a soul is out-dated... why wouldn't it be, 21g worth of breath does not equal a soul... hence the autopsy of man, each detail studied seperately, the cardiologist knows the heart, the neurologist the brain etc., but some items work in a solipsistic mode... the heart is robotic, automaton pump queen (and not the kind of pump you'd get from Shveeden) - thump thump thump! come to think of it, most of our bodies are robotic, automated... lucky for me: i don't have to think about the heart doing what it does, it just per se does it... i'm not even sure i'm gifted with the a.i. brain functions... but there's an underlying principle that governs all of these items... some call it the self... i prefer: the Σ ultimatum... some would call it soul... but there has to be something akin to the Σ ultimatum that allows me to become detached from this body, while at the same time be bound to it: high blood pressure, heart attack on the horizon... take the high blood pressure pills... ****... what was (b)? oh... yes...

(b) i'm sorry, virginity doesn't cut it for me, lucky me that it was isabella of grenoble that allowed me to move aside from: god, prior to losing my virginity.... roxette: do you feel excited, you're still the one (shanaia twain), fade to black - metallica... i was such a romantic before i lost this dreaded curse... i was a romantic... 19th century style romanticism... but you really can see past this sort of romanticism unless you haven't ******... these days the right complains about cultural marxism: plenty of things to complain about... it makes as much sense as a pickle in a dollop of custard... or cooking with pale indian ale to make a stew: bad idea... wine, brandy, cider? fine... beer? terrible idea to cook with... but unless you haven't lost your virginity, you can't see what cultural marxism chose as its opponent: cultural darwinism... you know how little you hear about darwinism outside of the english speaking world? zero to none, yes, it's an accepted fact, but this fact does not permeate outside of the fact per se, the fact contains itself and the whole subsequent narrative because subconsciously stored... no other people than the people who found it ensure there are subplot proof statements of a reconfirmation of the validity... the whole social science bogus trap of rating people on looks... contradicting the meritocracy of that old Socratic saying: let me be as beautiful on the inside as on the outside... if you haven't ******: you're still the same old romantic i was at puberty... once you ****... well... cultural marxism dwarfs... yes yes it's there... so? but at the same time you can at least appreciate seeing the antithesis: cultural darwinism... the romantic needs to die the most carnal death via experience... all my ideals were shattered, this perfection of woman... i very much liked the idea / not even the ideal of a woman... but when the idea fizzled out and there was no ideal to begin with... i saw cultural darwinism for the very first time and... it was as ugly as cultural marxism so heavily criticized by the conservative right of the west... so... i decided to walk the middle ground, ignoring both sides (of the argument).

(c) i wouldn't have come up with a point see, unless my favorite square schematic didn't pop into my mind, Kantian, as ever: the best philosophy is the antithesis of English pragmatism and overt-politicisation, so it has to be German, ergo? i will not explain these terms, i figured: if i nail a decent example to fit each category, that's enough: since you can then visualize the concept via the example:

analytical a priori                           synthetic a priori
there's a need to throw                   learning
a ball at                                                to throw a ball
a target                                                 at a target once
                                                            ­  the need has been
                                                            ­  established...



synthetic a posteriori                    analytical a posteriori
there's a  need to                           perfecting to throw
      throw a ball at                               a ball at a target
a target, in order
to perfect this need...

                                            baseball..­. cricket...
at least: that's how i define knowledge of something
simple without having to use mathematics
that Kant used to explain... 2 + 2 = 4...
mathematics isn't exactly a man's best friend
at explaining philosophy...
you write philosophy that alligns itself
to mathematics... no wonder: moths in books...
yawns, unfinished works...
i found that sports work just as well
as mathematics... and you have the already
primitive objects to work with...
rather than pseudo-objects: i.e. numbers...
the abstracts of perception: i'm actually 6ft2...
not 6ft1... karolína plíšková is 6ft1...
       as noted when watching her today...

  i'll admit, i'm always a bit shaky when it comes
to this sqaure, whether it's over-simplified,
notably the top left corner: analytical a priori,
i'm always of a mindset that wants to associated
this definition with: analytical a- priori...
  i.e. borrowing from atheism:
    to analyse something without there
being a prior to example...
               analysis without a prior example...
i guess that's the mojo of science... the driving force...
back to sports... bow and arrow...
   tools: target...
       whether a bow and arrow and a deer
to begin with...
or a hand and ball and a wicket to end with...

there's a need to throw                  
a ball at a target...

            and cricket was the precursor of
baseball, but prior to cricket?
   there was archery...
              and prior to archery...
   there was forever a fundamental need,
e.g. to go from point X to point Z...
   see... as much as Kant wanted...
   numbers don't really solve the "problem"
of explaining something: algebra would be
better suited... x + y = z...
                    with numbers either hovering
above, or below (in the instance of chemistry's
subscript)...

talking of squares... sūdoku...
well, if at any time the french were to receive a hard-on
in terms of inventing something,
the english: rugby, cricket, football, tennis...
the french really did read some of the hebrew
qabbalah literature, as i am doing...
magic squares...
       the secular version of this puzzle
first appeared on july 6, 1895 (the modern version)...

it came to us from India and China...
again... why do western cultural darwinists
always tell our genesis from
the perspective of: "out of Africa"?
aren't there elephants in India?
            i will not believe i originated in Africa,
i'm not an "out of Africa" sorry state of
incompetence... i place my origins in
the sub-continent... at least that's where my
current language originates from...
the great migration across the Siberian tundra,
rather than some African savannah...
after all the Bangladeshi and the Sri Lankans
(the tear of India) resemble burnt cinnamon
in tone, some even as dark skinned as
east africans...
   if the germanic people want to stick to
the "out of Africa" narrative (notably the English):
let them have it... i place my origins in
India...

   never mind, now i'll write a name's dropping
history of how july 6th, 1895 happened...
the "magic" squares...

    from either India or China (chess from India)...
moschopulus of contantinople
  introduced them (the "magic" squares)
in the early 1400s... apparently ancient qabbalists
had knowledge of them
  (so... a trip well spent)...
                             rabbi joseph tzayah (1505 - 1573)
magnum opus: responsa...
             rabbi joseph castro: avkat rokhel...
tzayah in jerusalem wrote his major work
Evven HaShoham (the onyx stone) - 1538 -
   a year later the book: tzeror ha-chaim discussing
the Talmud: he never really bothered about
the Zohar...
               the hebrai word for "letters": otiot...
divided into two:
                         tav aleph (a line of aleph)
and tav yod (a line of yod)...
                   one is to never concentrate
upon the keter within the realm of the sefirot...
hence the matisyahu expression:
   king without a crown...
                         one example of a "magic" square
later dictated into a 9 x 9 newspaper puzzle?
      2     9     4
      7     5     3
      6     1     8     (up down across = 15...
my date of birth? 15th may 1986,
no coincidence, just stating an oblivion's
worth of a "point)... 15 x 3 = 45...
   and that's about as significant as any
                               insignificance can be...

album of choice?
    old horn tooth - from the ghost grey depths...

and without even associating the arabs
to the hebrai practice of gamatria,
i once inquired an old pakistani (who tried to convert me)
what: Alif, Lam, Meem
implied in the opening of the al-baqarah sutra
implied?
   he replied: god knew...
        so i thought, you don't know what
alif (letter) what lam (letter) and meem (also a letter)
means? you have to search for god
for the answers? good look making me into
a proselyte... mind you:
if the jews abhor proselytes,
while the muslims are so so oh so *******
welcoming... isn't that a tad bit suspicious?
how can a muslim convert me
when he can't explain to me what
alif lam and meem implies at the opening
of al-baqarah?!
            let's play some hijāʾī order game...
and the three letters...
       28 letters in total...
alif (28), lam (6), meem (5)...
    i'm not even going to go into the gamatria
mental gymnsastics related to any
"significance"...
   point was made upon the question being
asked... if a muslim tries to covert you...
and he can't explain to you
the significance of alif lam meem at the beginning
of al-baqarah... they're letters...
well... how is he going to explain to you
what's bothersome about those letters
to begin with? ALM... does that imply: zakat?!
to give alms? zakat being one of the pillars
of islam?
  **** me... i haven't even converted
and it would appear: i know more than the person
who tried to convert me!

.i. Yuri Gagarin and the yo-yo

if ever the potency of a "keyboard crusader"
existed, it's now -
   i can dangle a mouse above a bear-trap
and tell an elephant of a phobia concerning
mice any day of the week,
          when in fact i'm talking about
a mousetrap: nothing more.
     hence the exaggeration in the imagery
comparison:
        or it begins with a story told in the 20th
century:
             when women put down their mascara
brushes, men put down their swords:
never mind the voice in the wilderness:
       mind the voice in the crowd -
there's absolutely no reason to speculate
urbanity and tribal environments without
addressing, or regressing the crowd,
or as i like to call it: what Nietzsche said,
minus the Wake... but now inclusive of the wake
and the Bacchus cult of fun fun fun.
            the Wake in condor terms?
we congregate praying for something to die...
      i don't pretend to be whatever
that sachet of concrete-Cartesian labels entitles me
too:        for the most part
        people say 'i am' without a thought to
govern the rain shaman telling you what thought
is required to 'be', oh, a very old ontological
stipend: you need people to experience a collectivisation,
a herding, a "bound together" sort of mentality
before the critic arrives and says: well, that's not
what i'm really about.
                    a bit like the **** firs, mouth second
debacle...
                but what heart they had, our predecessors!
what heart!
             they'd wage war over a woman,
a Helen,
                  would you wage a war against
the feminist version of Helen these days?
would you pluck a Scottish thistle over an English rose?
      true: you might be a bishop
and of lesser rank... but would you wage a war
over the women of these days?
my **** is in a pickle jar anyway! we have become
a *** of a species unburdened by an obligation...
             finally! we can become eternal bachelors
sort of ******* that we're here, and hear less and less
of sayings about the "things that matter".
            you know what vile? really really vile?
oh i know my contemporaries when i bother to
hear them talk, oddly enough never bother when they
think, i'm quiet content with a Godot stage of
a park bench and an old man as my company,
      i know Douglas Murray,
               i know the wild-eyed Icke,
but a thing that concerns me is why: the safety room
parallel to the leftist thesis of offensive speech
was put in play when a discussion took off
concerning feminism, between milo yiannopoulus
and julie bindel - that's like saying:
ask a pederast to talk for a heterosexual man
with a woman safe-space...
                                no one wants to hear
the heterosexual side of the argument....
  you'll sooner see heterosexual intellects have their
marriages come undone then get paired with either
side of the argument...
     little richard is in the pickle jar anyway,
and he's not coming out...
                it's a bit like ****** for dummies....
       hence i have to succumb to violence without
the glory, tongue waggling blah blah
when i'd gladly take a weapon and shove it into
a shattered cranium bone: had i the ****** chance to
do so!
           no heterosexual is taken seriously:
and won't be:
    of a woman to be like a rosy cushion on which
i can lay my head after the darkly toils of
    roofing, or laying bricks, or excavating the sewers...
no! let the Chinese do that:
the basic argument of slavery, although imported
therefore ****** ******* fine.
                         cryogenic fathers,
      pickled *****:      where's the middle in all of this?
     a coconut just fell from the Boddhi tree:
money!           and those that defend it,
don't know squat about the tribalism of squatters!
but hey! they have the ****** stage!
         i have a bench when someone approaches me
and talk, doing the best thing possible:
               knitting opinions -
i don't want the truth of opinions: i want a sweater,
or a pair of socks! that's metaphor for something
different altogether.
  keyboard crusader? really? can i ask you for
directions to the high street, in every single town
across the country? i can't find one!
         no one hears a heterosexual argument
on the various topics: because there isn't one -
                     as of the end of the 20th century,
working classes in the west striving to ensure
there is something mundane to do during the day
and kick back with the family in the evening
are the "inferior" neanderthals: who
haven't jacked into discovering a 3D reality
of what's otherwise a 2D computer screen and
aren't hooked on #crack;
honestly, so much debating ought to be opera,
and so much opera ought to be debating -
    ah: that famous tingle of utopian paradoxes
never in duality, but always in dichotomy.
   keyboard crusader?
really? i thought people were always moaning
about how many emails they receive:
   and never a single postcard from, say,
someplace like Venice?
           it's still early days,
                   and already we're brewing enough
cliches to replace all known nouns in
    the surrogate mother that's the dictionary
of our completed version of a soul -
if ever to be experienced upon meeting the omni-vocabulary;
jigsaws, i know my idiosyncratic version
of events, he says photosynthesis within parameters
                            of photon deconstruction of hydrogen;
'cos' it's sub; d'uh! i say god i say this perfected
version of nearing telepathy - you say god i hope you
don't mean satan's clause - great anagram to frighten
children with: the Babushka surprise of a Pumpkin head
laughing it's way toward: how easy life would be
if we had all that time to think it through as being hard,
rather than that mortal fleetingness in both thought
and body.

ii. Macbeth

it really dawned on me, when i was watching the film
Macbeth (2015) -
            there was an eeriness to it, a near perfection
of Shakespeare on screen...
           honestly? i'd rather read Kant early on in life
while i have the vigour, and leave old age to Shakespeare...
but it truly was eerie all over the place.
      i do recall seeing Romeo + Juliet
          and reading the script, and imagining the fallacy
of word for word translation from theatre to cinema
of the script: the narrator a news channel anchor,
and everything said, word, for, word.
that film with DiCaprio as Romeo and Claire Danes
as Juliet - it just felt itchy, uncomfortable -
                            Shakespeare, word for word, on screen?!
     (surprise, then astonishment, not !? or astonishment,
   then the surprise, because: it didn't really work);
and it didn't! you can't adapt Shakespeare to the screen
and put everything in! i noticed it at that ******
generous scene in Macbeth concerning the battle
of Ellon... so i was like like... this isn't typescript...
(and thank **** it isn't) -
you can't depict Shakespeare word for word,
to be honest, Macbeth (2015) is the only worthy
translation of Macbeth (the text) into Macbeth (the movie);
all this scientific exactness in previous examples
like Romeo + Juliet, the Merchant of Venice
and a Midsummer's Night Dream don't work,
it's their precision making,
     a theatre cast can take it, but a cinema going crowd,
with all these cutting and copying and repasting
    succinct moments? it doesn't work!
maybe because there's no actual narrator in the staged
examples? narrator as a necessary character understudy:
surely Puck and the news anchor are there:
don't know about the Shylock scenario...
           but these screen adaptations didn't work for me,
too rigid, too formal... in the case of Macbeth?
finally! the long awaited piquant version of Shakespeare:
all that matters, and the rest is thrown into
poetic technique: imagery, metaphor,
                everything that's necessary can be given grammar
as image and not word!
       want an example? from the text...
the Royal Shakespeare
  from the text of Professor Delius
  and introduction by f. j. Furnivall, ll.d.
         vol. v (special edition)
Cassell & Company, Ltd.

        sure, it feels like a Roman Polanski moment
akin to the 9th Gate scenic affair of a bibliophile
fetishist, and it is:

     ... (the only enemy of enso poetry
is the bladder) ...

well the screen play first:

banquo: what are these?
macbeth: live you? or are you aught
                          that man may question?
       speak if you can - what are you?
1st witch: macbeth! hail to thee
                    thane of Glamis!
2nd witch: macbeth... hail to thee,
       thane of Cawdor!
3rd witch: all hail Macbeth! that shalt be king in-after.

but such disparity, such **** as if once
of Lucretia, then of the authority,
for i have before me the original composition:
which is not worth cinema -
nonetheless, a **** takes place:
an assortment for the abdication of a king:
or as ever suggested: the wrong footed path:
never was tossing a coin in a gamble
that of tossing a crown into the air
for a court jester to appear less amusing
and more scolding.

act i, scene iii: post the battle of ellon...
  if ever the refusal to give up Greek myth,
then Macbeth's witches
      and Perseus' Graeae -
                            or naturalise a myth:
like you might not naturalise a strengthened
economy.... canonise the nation
with Elgin Marbles - Elgin: less than
what's said to be the exfoliation of the Aegean -
a municipality somewhere in Scotland:
west of Aberdeen, on the Northern Sea's
battering of the coast...
but word for word? or how to write Shakespeare
into cinema?
                 herr zensor must come into play -
you have to bypass imagery in poetic tongue
and relay it with actual images, a direly needed
necessity:

just after the three witches arrive,
enter Macbeth and Bonquo...

   Macb. so foul and fair a day i have not seen.
Ban. how far is't call'd to Fores? - what are these,
     so wither'd and so wild in their attire,
that look not like th' inhabitants o' the earth,
   and yet are on 't?
             live you? or are you aught that man may
question?

                  (how word for word, but the words
waggle from a different tongue, namely that of
Macbeth, and not that of Banquo, hence
italicised).
                   continuing:
       you seem to understand me,
by each at once her choppy finger laying upon her
skinny lips: - you should be women, and yet your
beards forbid me to interpret that you are so.
Macb. speak, if you can - what are you?
         the witches. all hail, Macbeth!
     hail to thee, thane of Glamis!
         all hail, Macbeth! hail to thee, thane
of Cawdor!
         all hail, Macbeth! that shalt be king hereafter.
            
so does he really belong on the psychoanalytic
couch? is he really that necessarily wonton of talk?
  Cawdor v. Gondor - it's an ongoing narrative.
but is he in need of a couch?
                 what sort of talk is talk when
in fact the only talk that's need to be said is the talk
of man's sexualised naturalisation for strife,
and here: as if knocking on a door:
you want to simply hear the onomatopoeia of
the Kabbalah in a woman gasping for breath
while puny Jewish boys under strict rabbinical
studies study?

                mama, take this badge from  me,
i can't use it, anymore,
            it's getting dark, too dark to see,
feels like i'm knockin' on heaven's door -
      my big mouth and man as a piston
                                               Ferrari acrobat


(even the soundtrack is a shrill, a strangulation
variant of higher pitch of the bagpipes -
not that braveheart ****** of whisking out
a song like for the love of a princess addition to:
  and can i have a madonna to boot too?
it's piercing, a whale sonar above refrigerator
white noise hum for the new age Buddha -
and that's because all the poetry has been excavated
  to suit cinema: not theatre).

and this is the first adaptation of Shakespeare i actually
could stomach...
     the genius was in how Macbeth spoke the lines
of Bonqua - so the character didn't start smacking
the narrative ****** in terms of solipsism:
even Shakespeare can be attacked on this front...
        if in the movie Banqua said all that was in
the typescript: the film wouldn't have worked...
i don't know what the big deal is with Lady Macbeth:
i thought that in the olden days
Macbeth suggested to King Duncan that:
can i leave the warring if you **** my wife?
i can go on the contract that you **** my wife
and i stop serving you?
      first impressions: strange English.
well, i'm sure she's important as it might be said:
within the programme of Orthodoxy,
            but never catholic (metadoxy) tradition of
saying: way hey! ensnare the mare in a funfair!
       and play the game: pin the tale on the donkey!
heads or tails?      it looks pretty damnable
     in the first place: as all honesty hogs to pout and
***** a hoggish sneeze out of the story.

iii. shaken, not stirred

and indeed, how many a times
did not a neon blossom sprout,
thinking it might rattle an oratory
with an oak in autumn, and behold
a swarm of leaves descend -
not out of passing ease,
but out of wishful thinking
that some indentation might be made:
with whom the hands of will reside,
and yet: to no gratifying effect,
to whatever atomic-centralisation
dream, be that ego or be it hydrogen
(lending hands: so too
electric or thus negative, neutral and
thus proto) - shake foundation
and give a revising repertoire of
              the covering dust humanity
that once made famous: never
again to learn the humility of the start;
        to whatever centric dream that
does not waver in demands of orientation,
be it father (sun), son (shadow)
  or the holy spirit (night) -
  make them earn! be obscure!
            or simply say: in the community
of the stated congregation:
  i find all to be as night,
   and safer that plague the father:
  i am not akin to the shadow:
                   but the shadow in mirror.
so, a centric dream that does not
waver in demands for orientation,
has ever or will be enthroned in man's
heart as the stability of Sabbath's demands
       for less, oh so much less to agitate with!
as too, when the ancient appliances
were adorned by countless demands of
mimic, so too our modern
fibbles are to stage a usurping of
such things demanded and their mimic;
for with such disclosure does all fate
of anewed become burdened in what
history could be: shaken,
rather than simply a stirring of the void,
nothing more than the unburdening
of sweetening a cup of coffee, of that and
the layers: or bitter at the top, drank
through toward the sedimented sweetness -
and all that: hoping i could have retained
that silver spoon lodged in my ***
          when i first met her and thought about
consolidating marriage: so fresh, eager prune
of the flesh embodiment as first
    watered ash, then entombed in marble
and the eternal... ah
               but it was all just the faintest of dreams;
so lumberjack sleep ensued,
                      as did a kindred worth ethic:
we are a long way from Eden...
      there is but the idyll of the absurd fruition of
albreit macht frei... or a redefinement of
such stakes as: what occupies our days?
                    if not war, if not disease,
if not the Chinese... what does, occupy our days?
Di Feb 2014
We're not exactly close friends
At least, not in my terms.
Yet you insist that we are so much alike.

You scream to the world
Not of any passionate emotion
Just of how much better you are because you're wierd.

Honey, you just made yourself normal, for one.
You are not better or worse
Just because you call yourself wierd.

And you're kind of a hypocrite.
As the true 'freak' would not give a single ****
About what it is that people think

And I see that you care a lot.
One must to want to hide behind a label.
'Ooh, look at me, I'm [insert here]'

Labels, labels, labels.
Shut up about them for one ****** second,
And realize that that won't take you anywhere.

You claim we are both like my favorite character.
I can say that I am,
I've read it three times and hold it close to my heart.

You take its misgivings about society and laugh.
That is not what it's ******* about!
It's about an introvert finding his way!

You are no introvert.
I'll let you have that label.
As for the rest,

I'll punch it out of your mouth someday.
About no one in particular.
Or maybe it is.
I've never given a **** anyhow.
Daylight 4U2C May 2014
Your were right.
I act so pitiful.
You were right.
I am negative.
You were right.
I'm a think in absolutes.
You were right.
I'm like a Sith.

But what do labels really change?
Do they warm you at night?
Even though it is,
you'd never admit my statement is right.
Siths are characters in star wars. It's said sith think in absolutes and they believe either you are with them completely to the point or clinging or against them.
Traveler Jan 2017
Branded deeply
Our hearts beliefs
All the labels
Society heaps
*******, *****
Prodigal Son
Know you're not
The only one

These labels need
Little proven
Psychologically
Scarlet woven
Anxieties and depression
Are certainly fixed
As long as these labels
Upon us stick
...
Traveler Tim
Be back soon.
Nigel Morgan Oct 2012
There was a moment when he knew he had to make a decision.

He had left London that February evening on the ****** Velo Train to the South West. As the two hour journey got underway darkness had descended quickly; it was soon only his reflected face he could see in the window. He’d been rehearsing most of the afternoon so it was only now he could take out the manuscript book, its pages full of working notes on the piece he was to play the following afternoon. His I-Mind implant could have stored these but he chose to circumvent this thought-transcribing technology; there was still the physical trace on the cream-coloured paper with his mother’s propelling pencil that forever conjured up his journey from the teenage composer to the jazz musician he now was. This thought surrounded him with a certain warmth on this Friday evening train full of those returning to their country homes and distant families.

It was a difficulty he had sensed from the moment he perceived a distant gap in the flow of information streaming onto the mind page

At the outset the Mind Notation project had seemed harmless, playful in fact. He allowed himself to enter into the early experiments because he knew and trusted the research team. He got paid handsomely for his time, and later for his performance work.  It was a valuable complement to his ill-paid day-to-day work as a jazz pianist constantly touring the clubs, making occasional festival appearances with is quintet, hawking his recordings around small labels, and always ‘being available’. Mind Notation was something quite outside that traditional scene. In short periods it would have a relentless intensity about it, but it was hard to dismiss because he soon realised he had been hard-wired to different persona. Over a period of several years he was now dealing with four separate I-Mind folders, four distinct musical identities.

Tomorrow he would pull out the latest manifestation of a composer whose creative mind he had known for 10 years, playing the experimental edge of his music whilst still at college. There had been others since, but J was different, and so consistent. J never interfered; there were never decisive interventions, only an explicit confidence in his ability to interpret J’s music. There had been occasional discussion, but always loose; over coffee, a walk to a restaurant; never in the lab or at rehearsals.

In performance (and particularly when J was present) J’s own mind-thought was so rich, so wide-ranging it could have been drug-induced. Every musical inference was surrounded by such intensity and power he had had to learn to ride on it as he imagined a surfer would ride on a powerful wave. She was always there - embedded in everything J seemed to think about, everything J projected. He wondered how J could live with what seemed to him to be an obsession. Perhaps this was love, and so what he played was love like a wilderness river flowing endlessly across the mind-page.

J seemed careful when he was with her. J tried hard not to let his attentiveness, this gaze of love, allow others to enter the public folders of his I-Mind space (so full of images of her and the sounds of her light, entrancing voice). But he knew, he knew when he glanced at them together in darkened concert halls, her hand on J’s left arm stroking, gently stroking, that J’s most brilliant and affecting music flowed from this source.

He could feel the pattern of his breathing change, he shifted himself in his chair, the keyboard swam under his gaze, he was playing fast and light, playing arpeggios like falling water, a waterfall of notes, cascades of extended tonalities falling into the darkness beyond his left hand, but there it was, in twenty seconds he would have to*

It had begun quite accidentally with a lab experiment. J had for some years been researching the telematics of composing and performing by encapsulating the physical musical score onto a computer screen. The ‘moist media’ of telematics offered the performer different views of a composition, and not just the end result but the journey taken to obtain that result. From there to an interest in neuroscience had been a small step. J persuaded him to visit the lab to experience playing a duet with his own brain waves.

Wearing a sensor cap he had allowed his brainwaves to be transmitted through a BCMI to a synthesiser – as he played the piano. After a few hours he realised he could control the resultant sounds. In fact, he could control them very well. He had played with computer interaction before, but there was always a preparatory stage, hours of designing and programming, then the inevitable critical feedback of the recording or glitch in performance. He soon realised he had no patience for it and so relied on a programmer, a sonic artist as assistant, as collaborator when circumstances required it.

When J’s colleagues developed an ‘app’ for the I-Mind it meant he could receive J’s instant thoughts, but thoughts translated into virtual ‘active’ music notation, a notation that flowed across the screen of his inner eye. It was astonishing; more astonishing because J didn’t have to be physically there for it to happen: he could record I-Mind files of his thought compositions.

The reference pre-score at the top of the mind page was gradually enlarging to a point where pitches were just visible and this gap, a gap with no stave, a gap of silence, a gap with no action, a gap with repeat signs was probably 30 seconds away

In the early days (was it really just 10 years ago?) the music was delivered to him embedded in a network of experiences, locations, spiritual and philosophical ideas. J had found ways to extend the idea of the notated score to allow the performer to explore the very thoughts and techniques that made each piece – usually complete hidden from the performer. He would assemble groups of miniatures lasting no more than a couple of minutes each, each miniature carrying, as J had once told him, ‘one thought and one thought only’.  But this description only referred to the musical material because each piece was loaded with a web of associations. From the outset the music employed scales and tonalities so far away from the conventions of jazz that when he played and then extended the pieces it seemed like he was visiting a different universe; though surprisingly he had little trouble working these new and different patterns of pitches into his fingers. It was uncanny the ‘fit’.

Along with the music there was always rich, often startling images she conjured up for J’s compositions. At the beginning of their association J initiated these. He had been long been seeking ways to integrate the visual image with musical discourse. After toying with the idea of devising his own images for music he conceived the notion of computer animation of textile layers. J had discovered and then encouraged the work and vision of a young woman on the brink of what was to become recognised as a major talent. When he could he supported her artistically, revelling in the keenness of her observation of the natural world and her ability to complement what J conceived. He became her lover and she his muse; he remodelled his life and his work around her, her life and her work.

When performing the most complex of music it always seemed to him that the relative time of music and the clock time of reality met in strange conjunctions of stasis. Quite suddenly clock time became suspended and musical time enveloped reality. He found he could be thinking something quite differently from what he was playing.

Further projects followed, and as they did he realised a change had begun to occur in J’s creative rationale. He seemed to adopt different personae. Outwardly he was J. Inside his musical thought he began to invent other composers, musical avatars, complete minds with different musical and personal histories that he imagined making new work.

J had manipulated him into working on a new project that had appeared to be by a composer completely unknown to him. L was Canadian, a composer who had conceived a score that adhered to the DOGME movie production manifesto, but translated into music. The composition, the visuals, the text, the technological environment and the performance had to be conceived in realtime and in one location. A live performance meant a live ‘making’, and this meant he became involved in all aspects of the production. It became a popular and celebrated festival event with each production captured in its entirety and presented in multi-dimensional strands on the web. The viewer / listener became an editor able to move between the simultaneous creative activity, weaving his or her own ‘cut’ like some art house computer game. L never appeared in person at these ‘remakings’, but via a computer link. It was only after half a dozen performances that the thought entered his mind that L was possibly not a 24-year-old woman from Toronto complete with a lively Facebook persona.

Then, with the I-Mind, he woke up to the fact that J had already prepared musical scenarios that could take immediate advantage of this technology. A BBC Promenade Concert commission for a work for piano and orchestra provided an opportunity. J somehow persuaded Tom Service the Proms supremo to programme this new work as a collaborative composition by a team created specially for the premiere. J hid inside this team and devised a fresh persona. He also hid his new I-Mind technology from public view. The orchestra was to be self-directed but featured section leaders who, as established colleagues of J’s had already experienced his work and, sworn to secrecy, agreed to the I-Mind implant.

After the premiere there were rumours about how the extraordinary synchronicities in the play of musical sections had been achieved and there was much critical debate. J immediately withdrew the score to the BBC’s consternation. A minion in the contracts department had a most uncomfortable meeting with Mr Service and the Controller of Radio 3.

With the end of this phrase he would hit the gap  . . . what was he to do? Simply lift his hands from the keyboard? Wait for some sign from the I-Mind system to intervene? His audience might applaud thinking the piece finished? Would the immersive visuals with its  18.1 Surround Sound continue on the five screens or simply disappear?

His hands left the keyboard. The screens went white except for the two repeats signs in red facing one another. Then in the blank bar letter-by-letter this short text appeared . . .


Here Silence gathers
thoughts of you

Letters shall never
spell your grace

No melody could
describe your face

No rhythm dance
the way you move

Only Silence can
express my love

ever yours ever
yours ever yours



He then realised what the date was . . . and slowly let his hands fall to his lap.
Lauren Hamilton May 2018
Preached by priests and family and friends and teachers:
LOVE ONE ANOTHER
But that changes when people choose their true love,
Mommy and Daddy told me they’ll love me no matter what
But why can’t everyone else’s parents think and treat their child the same?

Since when does the holding of two peoples hands repulse a religion?
Can someone explain to me how a hug is a new boundary crossed once people are made aware of the real reason they hug?
It is no longer a hug of friendship but of love
It is no longer shared by only a man or a woman
Or a man and a woman of the same skin color.

Melanin of the skin declares who you should love
The prince and the princess in your fairytale books tell you which gender you belong with
Why do people condemn those who fully express themselves?
Your God declares your love
Forget your heart or your mind
A book written far beyond our time labels love

Love no longer needs a label
But to others
Love must die and so shall the people who love;
The people whose love does not go according to your God and your mind.
SL Mar 2019
Labels, what are they?
You are not defined by the labels of mental health
You are not defined by doctors, or psychiatrist
You are yourself, you are more then a label
YOU ARE A HUMAN!!
Who really cares what labels you have
They are not you
You are yourself, you're the one working
You are the one who is hanging out with friends and family
Not your labels
I am writing a book this poem will be in it. However, it is true you are not your labels what so ever. You are yourself, you are beautiful.
Ashly Kocher Nov 2018
Labels...
Why is everything labeled?
             Straight
     Gay
                                         Lesbian
       Transgender
                            Bisexual
                                                    Gender fluid
Does it really even matter?
                                 Are you happy?
                Do you love yourself?
Do you love your partner?
        
             YES!!!!
Then who the hell cares!
Embrace yourself, love yourself, be yourself!
I feel it’s beautiful to see everyone happy, regardless of your “label”
Stop labeling everyone and LOVE everyone
Even if it’s not “who you are”
Let everyone be happy and live their life...
                                 Men/woman
                       Woman/woman
                Men/men
      Men to woman
Woman to men

                 Who cares!
       YOU ARE BEAUTIFUL
          YOU ARE LOVED
YOU ARE WHO YOUR MEANT TO BE
        BE YOURSELF!
I think it’s beautiful no matter what you identify as in life
Throw out the labels
Show some LOVE!

— The End —