One Christmas was so much like another, in those years around the sea-town corner now and out of all sound
except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember
whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve
nights when I was six.

All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky
that was our street; and they stop at the rim of the ice-edged fish-freezing waves, and I plunge my hands in
the snow and bring out whatever I can find. In goes my hand into that wool-white bell-tongued ball of holidays
resting at the rim of the carol-singing sea, and out come Mrs. Prothero and the firemen.

It was on the afternoon of the Christmas Eve, and I was in Mrs. Prothero's garden, waiting for cats, with her
son Jim. It was snowing. It was always snowing at Christmas. December, in my memory, is white as Lapland,
though there were no reindeers. But there were cats. Patient, cold and callous, our hands wrapped in socks, we
waited to snowball the cats. Sleek and long as jaguars and horrible-whiskered, spitting and snarling, they
would slink and sidle over the white back-garden walls, and the lynx-eyed hunters, Jim and I, fur-capped and
moccasined trappers from Hudson Bay, off Mumbles Road, would hurl our deadly snowballs at the green of their
eyes. The wise cats never appeared.

We were so still, Eskimo-footed arctic marksmen in the muffling silence of the eternal snows - eternal, ever
since Wednesday - that we never heard Mrs. Prothero's first cry from her igloo at the bottom of the garden. Or,
if we heard it at all, it was, to us, like the far-off challenge of our enemy and prey, the neighbor's polar
cat. But soon the voice grew louder.
"Fire!" cried Mrs. Prothero, and she beat the dinner-gong.

And we ran down the garden, with the snowballs in our arms, toward the house; and smoke, indeed, was pouring
out of the dining-room, and the gong was bombilating, and Mrs. Prothero was announcing ruin like a town crier
in Pompeii. This was better than all the cats in Wales standing on the wall in a row. We bounded into the
house, laden with snowballs, and stopped at the open door of the smoke-filled room.

Something was burning all right; perhaps it was Mr. Prothero, who always slept there after midday dinner with a
newspaper over his face. But he was standing in the middle of the room, saying, "A fine Christmas!" and
smacking at the smoke with a slipper.

"Call the fire brigade," cried Mrs. Prothero as she beat the gong.
"There won't be there," said Mr. Prothero, "it's Christmas."
There was no fire to be seen, only clouds of smoke and Mr. Prothero standing in the middle of them, waving his
slipper as though he were conducting.
"Do something," he said. And we threw all our snowballs into the smoke - I think we missed Mr. Prothero - and
ran out of the house to the telephone box.
"Let's call the police as well," Jim said. "And the ambulance." "And Ernie Jenkins, he likes fires."

But we only called the fire brigade, and soon the fire engine came and three tall men in helmets brought a hose
into the house and Mr. Prothero got out just in time before they turned it on. Nobody could have had a noisier
Christmas Eve. And when the firemen turned off the hose and were standing in the wet, smoky room, Jim's Aunt,
Miss. Prothero, came downstairs and peered in at them. Jim and I waited, very quietly, to hear what she would
say to them. She said the right thing, always. She looked at the three tall firemen in their shining helmets,
standing among the smoke and cinders and dissolving snowballs, and she said, "Would you like anything to read?"

Years and years ago, when I was a boy, when there were wolves in Wales, and birds the color of red-flannel
petticoats whisked past the harp-shaped hills, when we sang and wallowed all night and day in caves that smelt
like Sunday afternoons in damp front farmhouse parlors, and we chased, with the jawbones of deacons, the
English and the bears, before the motor car, before the wheel, before the duchess-faced horse, when we rode the
daft and happy hills *******, it snowed and it snowed. But here a small boy says: "It snowed last year, too. I
made a snowman and my brother knocked it down and I knocked my brother down and then we had tea."

"But that was not the same snow," I say. "Our snow was not only shaken from white wash buckets down the sky, it
came shawling out of the ground and swam and drifted out of the arms and hands and bodies of the trees; snow
grew overnight on the roofs of the houses like a pure and grandfather moss, minutely -ivied the walls and
settled on the postman, opening the gate, like a dumb, numb thunder-storm of white, torn Christmas cards."

"Were there postmen then, too?"
"With sprinkling eyes and wind-cherried noses, on spread, frozen feet they crunched up to the doors and
mittened on them manfully. But all that the children could hear was a ringing of bells."
"You mean that the postman went rat-a-tat-tat and the doors rang?"
"I mean that the bells the children could hear were inside them."
"I only hear thunder sometimes, never bells."
"There were church bells, too."
"Inside them?"
"No, no, no, in the bat-black, snow-white belfries, tugged by bishops and storks. And they rang their tidings
over the bandaged town, over the frozen foam of the powder and ice-cream hills, over the crackling sea. It
seemed that all the churches boomed for joy under my window; and the weathercocks crew for Christmas, on our
fence."

"Get back to the postmen"
"They were just ordinary postmen, found of walking and dogs and Christmas and the snow. They knocked on the
doors with blue knuckles ...."
"Ours has got a black knocker...."
"And then they stood on the white Welcome mat in the little, drifted porches and huffed and puffed, making
ghosts with their breath, and jogged from foot to foot like small boys wanting to go out."
"And then the presents?"
"And then the Presents, after the Christmas box. And the cold postman, with a rose on his button-nose, tingled
down the tea-tray-slithered run of the chilly glinting hill. He went in his ice-bound boots like a man on
fishmonger's slabs.
"He wagged his bag like a frozen camel's ****, dizzily turned the corner on one foot, and, by God, he was
gone."

"Get back to the Presents."
"There were the Useful Presents: engulfing mufflers of the old coach days, and mittens made for giant sloths;
zebra scarfs of a substance like silky gum that could be tug-o'-warred down to the galoshes; blinding tam-o'-
shanters like patchwork tea cozies and bunny-suited busbies and balaclavas for victims of head-shrinking
tribes; from aunts who always wore wool next to the skin there were mustached and rasping vests that made you
wonder why the aunts had any skin left at all; and once I had a little crocheted nose bag from an aunt now,
alas, no longer whinnying with us. And pictureless books in which small boys, though warned with quotations not
to, would skate on Farmer Giles' pond and did and drowned; and books that told me everything about the wasp,
except why."

"Go on the Useless Presents."
"Bags of moist and many-colored jelly babies and a folded flag and a false nose and a tram-conductor's cap and
a machine that punched tickets and rang a bell; never a catapult; once, by mistake that no one could explain, a
little hatchet; and a celluloid duck that made, when you pressed it, a most unducklike sound, a mewing moo that
an ambitious cat might make who wished to be a cow; and a painting book in which I could make the grass, the
trees, the sea and the animals any colour I pleased, and still the dazzling sky-blue sheep are grazing in the
red field under the rainbow-billed and pea-green birds. Hardboileds, toffee, fudge and allsorts, crunches,
cracknels, humbugs, glaciers, marzipan, and butterwelsh for the Welsh. And troops of bright tin soldiers who,
if they could not fight, could always run. And Snakes-and-Families and Happy Ladders. And Easy Hobbi-Games for
Little Engineers, complete with instructions. Oh, easy for Leonardo! And a whistle to make the dogs bark to
wake up the old man next door to make him beat on the wall with his stick to shake our picture off the wall.
And a packet of cigarettes: you put one in your mouth and you stood at the corner of the street and you waited
for hours, in vain, for an old lady to scold you for smoking a cigarette, and then with a smirk you ate it. And
then it was breakfast under the balloons."

"Were there Uncles like in our house?"
"There are always Uncles at Christmas. The same Uncles. And on Christmas morning, with dog-disturbing whistle
and sugar ****, I would scour the swatched town for the news of the little world, and find always a dead bird
by the Post Office or by the white deserted swings; perhaps a robin, all but one of his fires out. Men and
women wading or scooping back from chapel, with taproom noses and wind-bussed cheeks, all albinos, huddles
their stiff black jarring feathers against the irreligious snow. Mistletoe hung from the gas brackets in all
the front parlors; there was sherry and walnuts and bottled beer and crackers by the dessertspoons; and cats in
their fur-abouts watched the fires; and the high-heaped fire spat, all ready for the chestnuts and the mulling
pokers. Some few large men sat in the front parlors, without their collars, Uncles almost certainly, trying
their new cigars, holding them out judiciously at arms' length, returning them to their mouths, coughing, then
holding them out again as though waiting for the explosion; and some few small aunts, not wanted in the
kitchen, nor anywhere else for that matter, sat on the very edge of their chairs, poised and brittle, afraid to
break, like faded cups and saucers."

Not many those mornings trod the piling streets: an old man always, fawn-bowlered, yellow-gloved and, at this
time of year, with spats of snow, would take his constitutional to the white bowling green and back, as he
would take it wet or fire on Christmas Day or Doomsday; sometimes two hale young men, with big pipes blazing,
no overcoats and wind blown scarfs, would trudge, unspeaking, down to the forlorn sea, to work up an appetite,
to blow away the fumes, who knows, to walk into the waves until nothing of them was left but the two furling
smoke clouds of their inextinguishable briars. Then I would be slap-dashing home, the gravy smell of the
dinners of others, the bird smell, the brandy, the pudding and mince, coiling up to my nostrils, when out of a
snow-clogged side lane would come a boy the spit of myself, with a pink-tipped cigarette and the violet past of
a black eye, cocky as a bullfinch, leering all to himself.

I hated him on sight and sound, and would be about to put my dog whistle to my lips and blow him off the face
of Christmas when suddenly he, with a violet wink, put his whistle to his lips and blew so stridently, so high,
so exquisitely loud, that gobbling faces, their cheeks bulged with goose, would press against their tinsled
windows, the whole length of the white echoing street. For dinner we had turkey and blazing pudding, and after
dinner the Uncles sat in front of the fire, loosened all buttons, put their large moist hands over their watch
chains, groaned a little and slept. Mothers, aunts and sisters scuttled to and fro, bearing tureens. Auntie
Bessie, who had already been frightened, twice, by a clock-work mouse, whimpered at the sideboard and had some
elderberry wine. The dog was sick. Auntie Dosie had to have three aspirins, but Auntie Hannah, who liked port,
stood in the middle of the snowbound back yard, singing like a big-bosomed thrush. I would blow up balloons to
see how big they would blow up to; and, when they burst, which they all did, the Uncles jumped and rumbled. In
the rich and heavy afternoon, the Uncles breathing like dolphins and the snow descending, I would sit among
festoons and Chinese lanterns and nibble dates and try to make a model man-o'-war, following the Instructions
for Little Engineers, and produce what might be mistaken for a sea-going tramcar.

Or I would go out, my bright new boots squeaking, into the white world, on to the seaward hill, to call on Jim
and Dan and Jack and to pad through the still streets, leaving huge footprints on the hidden pavements.
"I bet people will think there's been hippos."
"What would you do if you saw a hippo coming down our street?"
"I'd go like this, bang! I'd throw him over the railings and roll him down the hill and then I'd tickle him
under the ear and he'd wag his tail."
"What would you do if you saw two hippos?"

Iron-flanked and bellowing he-hippos clanked and battered through the scudding snow toward us as we passed Mr.
Daniel's house.
"Let's post Mr. Daniel a snow-ball through his letter box."
"Let's write things in the snow."
"Let's write, 'Mr. Daniel looks like a spaniel' all over his lawn."
Or we walked on the white shore. "Can the fishes see it's snowing?"

The silent one-clouded heavens drifted on to the sea. Now we were snow-blind travelers lost on the north hills,
and vast dewlapped dogs, with flasks round their necks, ambled and shambled up to us, baying "Excelsior." We
returned home through the poor streets where only a few children fumbled with bare red fingers in the wheel-
rutted snow and cat-called after us, their voices fading away, as we trudged uphill, into the cries of the dock
birds and the hooting of ships out in the whirling bay. And then, at tea the recovered Uncles would be jolly;
and the ice cake loomed in the center of the table like a marble grave. Auntie Hannah laced her tea with ***,
because it was only once a year.

Bring out the tall tales now that we told by the fire as the gaslight bubbled like a diver. Ghosts whooed like
owls in the long nights when I dared not look over my shoulder; animals lurked in the cubbyhole under the
stairs and the gas meter ticked. And I remember that we went singing carols once, when there wasn't the shaving
of a moon to light the flying streets. At the end of a long road was a drive that led to a large house, and we
stumbled up the darkness of the drive that night, each one of us afraid, each one holding a stone in his hand
in case, and all of us too brave to say a word. The wind through the trees made noises as of old and unpleasant
and maybe webfooted men wheezing in caves. We reached the black bulk of the house. "What shall we give them?
Hark the Herald?"
"No," Jack said, "Good King Wencelas. I'll count three." One, two three, and we began to sing, our voices high
and seemingly distant in the snow-felted darkness round the house that was occupied by nobody we knew. We stood
close together, near the dark door. Good King Wencelas looked out On the Feast of Stephen ... And then a small,
dry voice, like the voice of someone who has not spoken for a long time, joined our singing: a small, dry,
eggshell voice from the other side of the door: a small dry voice through the keyhole. And when we stopped
running we were outside our house; the front room was lovely; balloons floated under the hot-water-bottle-
gulping gas; everything was good again and shone over the town.
"Perhaps it was a ghost," Jim said.
"Perhaps it was trolls," Dan said, who was always reading.
"Let's go in and see if there's any jelly left," Jack said. And we did that.

Always on Christmas night there was music. An uncle played the fiddle, a cousin sang "Cherry Ripe," and another
uncle sang "Drake's Drum." It was very warm in the little house. Auntie Hannah, who had got on to the parsnip
wine, sang a song about Bleeding Hearts and Death, and then another in which she said her heart was like a
Bird's Nest; and then everybody laughed again; and then I went to bed. Looking through my bedroom window, out
into the moonlight and the unending smoke-colored snow, I could see the lights in the windows of all the other
houses on our hill and hear the music rising from them up the long, steady falling night. I turned the gas
down, I got into bed. I said some words to the close and holy darkness, and then I slept.

At the dock, come one come all
There were ships, some big some small.
Some with stripes and some with flowers
Her ship, his ship, their ship, ours.
Our ship is tiny, not built to last,
Stocked with dreams and memories past.
At one point I believed our ship was a yacht
But soon I learned that you aren’t what I thought.
So now this ship isn’t big enough for two.
This ship has sailed, without you.

i slipped out
into the waves of watercolour
that broke themselves upon the shore
of the horizon
and i disappeared
as they darkened into black

i escaped through the sunset
as words were climbing up my legs
setting fire to my ears
and forcing me to retreat away
from the choking letters and sinking ink
that tattooed all this sound into my skin

at first, the sunset saved me
and the waves that gently hit the dock felt like a heartbeat
telling me that this was how it would always be

but soon, i began to miss the panic
just for the simple fact that it was a feeling
and the sunset had stolen them all from me
leaving me bare, black and stretched high above
unable to land on the ground again
unable to even blink stars down onto the grass
unable to do anything
other than wait for the sun to rise again

but solstice has already passed
and the dark hours grow longer again
and i am pulled thin, veiling a world
that accepts me as the night
and doesn't even miss the stars

The strike of the rainbow warriors
After a few hours in the dark cages of horror we suddenly see a sharp light in the sky of evil. The golden goddess notices another ship coming towards the devils spike city.

At that moment the orange and black pirates run towards their  ships in dock and sound a long dark horn of terror. The golden goddess notices a large rainbow type ship sailing in firing laser rays at the pirates vessels of evil.

The ship sets into the dock of spike city while  some remaining  pirates get cut down and captured with blue laser nets of torture.  Our eyes  open with horror when  rainbow type creatures with bows and arrows jump out of the ship and circle our cages of horror.

A few of the black  pirate in the purple bushes try and shoot the rainbow warriors but get cut down with their laser fast arrows.  The commander of the rainbow warriors suddenly jumps down from the  ship and lifts up the cages with power and  ease while the warriors round up the captured pirates.

I comfort a shaking luitent megs while the commander shakes our hands before releasing the other golden warriors from their dark cage.  The horses bow their heads towards the commander while the golden goddess looks with hope in her beaten heart.

All of a sudden two rainbow warriors march out a swearing and aggressive woman  holding a long jagged sword and pirates armband. The rainbow warriors quickly zap her evil body  and hold her down tightly .  The golden goddess goes  over for a better look while her long tongue  of nails  cuts of a warriors head off  with ease.

The rainbow warriors  chop her evil tongue off with a swipe of the rainbow sword  before pinning her to the cold ground. two of the warriors then begin to peel  her black  dress of horror off while  other rainbow braves flock around.

A curious golden goddess peeps though for a better look while the warriors are  undoing her  small black studded bra of terror. The goddess looks on with a smile and twinkle while she screams in anger at her ******* bouncing in the dark cold night.

All of a sudden the commander comes inside the circle of torture  and begins removing her  devilish red ******* while the  warriors cheer and scream.  The golden goddess looks  on with  a content smile while  the  warriors chop her body up into bit with their  glowing swords.

After a few minutes the rest of the pirates are shot and executed with laser bouts  while we all sit watch with open mouths of  horror.  The commander then takes us aboard the rainbow ship of safety  while the pirates come back to evil spike city with four more pirate ships of torture.

We all sail across the red  evil sea towards a big large rainbow in the glowing  yellow sky whilst  being followed by two black  pirate ships.  Once we reach  through  the rainbows end we begin to notice the water  turning bright pink  and the pirate ships turning  back towards the red river of horror.

A relived golden goddess  turns towards her army and smiles while we we all jump about on the rainbow ship of safety.  I hold luitent megs tight in my arms while the green moon sets across the  blue landscape in the distance.

written by wayne mockler
ownership and copyright wayne mockler

the seagull diddled
when he perched on my dock,
though no invitation extended,
no offense was taken,
when in observation,
of the foolish humanish varietal,
did it opine

"dude,
u need to move more
and exercise those legs,
eat right,
many small meals,
like me,
write your-poetry
while in airborne motion."

all this was spoke
while he speared and swallowed
a little river perch,
in my face,
flying off contentedly,
just to drive his point home -
directly into my gut

so should the next
pedestrian creation,
be typo'd plenty,
though,
I can walk and talk,
even chew gum simultaneously,
advice from seagulls,
who defecate on my dock,
should be taken as well,
in small sized portion control

poetry is best served,
proudly prone-ly
though I did thank him kindly,
and went back to bed...

Yeah I am young once more morn late,
Call it the year of somebody's lord,
Call it nineteen sixty eight,
Hair to my shoulders
Makes me see better,
Parted down the middle,
The older black ladies,
On the new.york city subway,
One and all, bless me cause this Jew,
Looks just like Our Lord
In them Renaissance picture-books.

Ironically, that winter time,
I wear a white sheepskin jacket,
Purchased in the Old City of
Jerusalem, but don't tell'm that,
Cause they would have marched up to Harlem,
No telling what might've happened next...

Next summer reality intruded,
Money in pocket aid and ain't not enough,
Riding the bus on Euclid Ave.
To go downtown Cleveland, the Flats,
Drag racing and watching,
The river Cuyahoga burn,
Kinda of a bus drag, but very very, kinda cool.


Summer next,
Worked in a Republic Steel mill,
They called me the Macaroni Kid,
Cause stoopidly I told them that is
What I et,, with ketchup Heinz sauce,
Desert, a heath bar!
Cause I was saving my pennies,
This college kid they loved to hate,
Caused he bicycled to work and
Wasn't one of them.


Put me, little ole wiry me,
In the boxcars,
Loading and loafing the
Rebar, twisted and straight,
Came it, sent it all over,
Me, black as a
Pennsylvania coal miner,
A San Fran homeless man.
To this day, can't get my
Fingernails really clean.

At night, me and the boys on the porch,
Gettin ******, ****, music and a view of
Cleveland East, the sirens rushing around,
To the houses on fire, the next ******.

First freaked us out,
Coming to get us,
Then it became the best, finest ***
"That was so stony cool" light show.
The girls looked like Joan Baez,
And if they didn't,
We still took 'em to bed,
Pretending it was Janis,
If Joan was busy
In the dorm room next store.

Hey babe,
Wanna come back to my dorm room,
And drink wine, listen to Blood Sweat and Tears,
Make some of our own,
Cause my roomie gone down to Canton,
To visit his cleaning lady mom.

I loved that guy liked he was the first
Real person I'd ever met.
On my first day, without asking,
Ran his hands both all over my head,
Looking for the horns on the Jews head,
According his parish priest, we all had'em,
God's official representative on the consecrated earth of
Ohio.

In those days, I applied to schools
Farthest away from home,
That the student discounted airfare was no more than
59bucks which I could afford so I could go back to
NYC, and find out what was really
"Happening" man.

The summer next, worked in the East Village,
Summer Office Boy for a big corporation
In a part of town where you could buy
Leather fringed vests and the headshops sold
The paraphernalia to get hookah high,
And if you hookah lookah right,
That wasn't the thing they sold for cash money.

Took my steel mill blues money,
Bot me a '65 red mustang car,
That needed to be jumped to get started,
Courtesy of the Cleveland special hell called
Midwest winter.

That car, the floor was made of cardboard,
The four cylinders were bolted to the car,
So when u opened the hood, you saw mostly
The pavement of the parking lot,
Some tiny engine,
In between holding on for dear life.
Always kept extra brake fluid in the trunk,
In case the leak got bad on the Heights.

Needed to do what I needed to do,
So I wrote a resume of whom I was,
And whom I ain't, so I could get me a
Real big time job.

More on that someday,
When the resume is resumed,
Getting updated, that will be kinda funny,
Cause it will run about 500 pages long.

Right now, strange,
I am hard by hard by the Frisco bay,
The Ferry Building and the tripartite
Disposal systems of three garbage cans,
And who should appear, but
Otis and Sara B., (live from the Fillmore)
Singing to me about a dock on this bay.

Got me those 'high flying blues,'
The kind that say;

"Lord, look at me here,
I'm rooted like a tree here,
Got those sit-down, can't cry,
Oh, Lord, gonna die blues."

Missing that dock of mine,
In the picture next to my invisible head.
You want to know my face?
Maybe when back east,
I'll find that photo of that long haired college boy,
Leaning in on, so proud against that red Mustang.

Right now all I got these here old vignettes,
True stories one and all,
Making me miss my dock, my shelter,
On that old adirondack chair,
Where my **** aches, and my mind fevered
With poems of love children and a life that
Tho dim recalled, I see it all so well.

For the fifth year in a row, Kering and Parsons School of Fashion rolled out the ‘Empowering Imagination’ design initiative. The competition engaged twelve 2016 graduates of the Parsons BFA Fashion Design program, who "were selected for their excellence in vision, acute awareness in design identity, and mastery of technical competencies." The winners, Ya Jun Lin and Tiffany Huang, will be awarded a 2-week trip to Kering facilities in Italy in June 2016 and will have their thesis collections featured in Saks Fifth Avenue New York’s windows.

The Kering and Parsons competition, which is currently in its fifth year, is one of a growing number of design competitions, including but not limited to the LVMH Prize, the ANDAM Awards, the Council of Fashion Designers of America/Vogue Fashion Fund, and its British counterpart, the Woolmark Prize, the Ecco Domani fashion award, and the Hyères Festival. among others.

In the generations prior, designers were certainly nominated for awards, but it seems that there was not nearly as intense of a focus on design competitions as a means for designers to get their footing, for design houses to scout talent, or for these competitions to select the best of the best in a especially large pool of young talent. Fern Mallis, the former executive director of the Council of Fashion Designers of America and an industry consultant, told the New York Times: “Take the Calvin [Kleins] and the Donna [Karans] and the Ralph [Laurens] of the world. Some of these people had money from a friend or a partner who worked with them, but they weren’t out spending their time doing competitions and winning awards to get their business going.” She sheds light on an essential element: The relatively drastic difference between the state of fashion then and fashion now. Fashion then was slower, less global, and (a lot) less dominated by the internet, and so, it made for quite different circumstances for the building of a fashion brand.

Nowadays, young designers are more or less going full speed ahead right off the bat. They show comprehensive collections, many of which consist of garments and an array of accessories. They are expected to be active on social media. They are expected to establish a strong industry presence (think: Go to events and parties). They are expected to cope with the fashion business that has become large-scale and international. They are expected to collaborate to expand their reach, and while it does, at times, feel excessive, this is the reality because the industry is moving at such a quick pace, one that some argue is unsustainably rapid. The result is designers and design houses consistently building their brands and very rarely starting small. Case in point: Young brands showing pre-collections within a few years of setting up shop (for a total of four collections per year, not counting any collaboration or capsule collections), and established brands showing roughly four womenswear collections, four menswear collections, two couture collections, and quite often, a few diffusion collections each year.

The current climate of 'more is more' (more collections, more collaborations, more social media, more international know-how, etc.) in fashion is what sets currently emerging brands apart from older brands, many of which started small. This reality also sheds light on the increasing frequency with which designers rely on competitions as a means of gaining funds, as well as a means of establishing their names and not uncommonly, gaining outside funding.

The Ralphs, Tommys, Calvins and Perrys started off a bit differently. Ralph Lauren, for instance, started a niche business. The empire builder, now 74, got his start working at a department store then worked for a private label tie manufacturer (which made ties for Brooks Brothers and Paul Stuart). He eventually convinced them to let him make ties under the Polo label and work out of a drawer in their showroom. After gaining credibility thanks to the impeccable quality of his ties, he expanded into other things. Tommy Hilfiger similarly started with one key garment: Jeans. After making a name for himself by buying jeans, altering them into bellbottoms and reselling them at Brown’s in Manhattan, he opened a store catering to those that wanted a “rock star” aesthetic when he was 18-years old with $150. While the store went bankrupt by the time he was 25, it allowed him to get his foot in the door. He was offered design positions at Calvin Klein (who also got his start by focusing on a single garment: Coats. With $2,000 of his own money and $10,000 lent to him by a friend, he set up shop; in 1973, he got his big break when a major department store buyer accidentally walked into his showroom and placed an order for $50,000). Hilfiger was also offered a design position with Perry Ellis but turned them down to start his eponymous with help from the Murjani Group. Speaking of Perry Ellis, the NYU grad went to work at an upscale retail store in Virginia, where he was promoted to a buying/merchandising position in NYC, where he was eventually offered a chance to start his own label, a small operation. After several years of success, he spun it off as its own entity. Marc Jacobs, who falls into a bit of a younger generation, started out focusing on sweaters.

These few individuals, some of the biggest names in American fashion, obviously share a common technique. They intentionally started very small. They built slowly from there, and they had the luxury of being able to do so. Others, such as Hubert de Givenchy, Alexander McQueen and his successor Sarah Burton, Nicolas Ghesquière, Julien Macdonald, John Galliano and his successor Bill Gaytten, and others, spent time as apprentices, working up to design directors or creative directors, and maybe maintaining a small eponymous label on the side. As I mentioned, attempting to compare these great brand builders or notable creative directors to the young designers of today is a bit like comparing apples and oranges, as the nature of the market now is vastly different from what it looked like 20 years ago, let alone 30 or 40 years ago.

With this in mind, fashion competitions have begun to play an important role in helping designers to cope with the increasing need to establish a brand early on. It seems to me that winning (or nearly winning) a prestigious fashion competition results in several key rewards.

Primarily, it puts a designer's name and brand on the map. This is likely the least noteworthy of the rewards, as chances are, if you are selected to participate in a design competition, your name and brand are already out there to some extent as one of the most promising young designers of the moment.

Second are the actual prizes, which commonly include mentoring from industry insiders and monetary grants. We know that participation in competitions, such as the CFDA/Vogue Fashion Fund, the Woolmark Prize, the Swarovski, Ecco Domani, the LVMH Prize, etc., gives emerging designers face time with and mentoring from some of the most successful names in the industry. Chris Peters, half of the label Creatures of the Wind (pictured above), whose brand has been nominated for half of the aforementioned awards says of such participation: “It feels like we’ve talked to possibly everyone in fashion that we can possibly talk to." The grants, which range anywhere from $25,o00 to $400,000 and beyond, are obviously important, as many emerging designers take this money and stage a runway show or launch pre-collections, which often affect the business' bottom line in a major and positive way.

The third benefit is, in my opinion, the most significant. It seems that competitions also provide brands with some reputability in terms of finding funding. At the moment, the sea of young brands which is terribly vast. Like law school graduates, there are a lot of design school graduates. With this in mind, these competitions are, for the most part, serving as a selection mechanism. Sure, the inevitable industry politics and alternate agendas exist (without which the finalists lists may look a bit different), but great talent is being scouted, nonetheless. Not only is it important to showcase the most promising young talent and provide them with mentoring and grant money, as a way of maintaining an industry, but these competitions also do a monumental service to young brands in terms of securing additional funding. One of the most challenging aspects of the business for young/emerging brands is producing and growing absent outside investors' funds, and often, the only way for brands' to have access to such funds is by showing a proven sales track record, something that is difficult to establish when you've already put all of your money into your business and it is just not enough. This is a frustrating cycle for young designers.

However, this is where design competitions are a saving grace. If we look to recent Council of Fashion Designers of America/Vogue Fashion Fund winners and runners-up, for instance, it is not uncommon to see funding (distinct from the grants associated with winning) come on the heels of successful participation. Chrome Hearts, the cult L.A.-based accessories label, acquired a minority stake in The Elder Statesman, the brand established by Greg Chait, the 2012 winner, this past March. A minority stake in 2011 winner Joseph Altuzarra's eponymous label was purchased by luxury conglomerate Kering in September 2013. Creatures of the Wind, the NYC-based brand founded by Shane Gabier and Chris Peters, which took home a runner-up prize in the 2011 competition, welcomed an investment from The Dock Group, a Los Angeles-based fashion investment firm, last year, as well.

Across the pond, the British Fashion Council/Vogue Fashion Fund has awarded prizes to a handful of designers who have gone on to land noteworthy investments. In January 2013, Christopher Kane (pictured below), the 2011 winner, sold a majority stake in his brand to Kering. Footwear designer Nicholas Kirkwood was named the winner 2013 in May and by September, a majority stake in his company had been acquired by LVMH.

Thus, while the exposure that fashion design competition participants gain, and the mentoring and monetary grants that the winners enjoy, are certainly not to be discounted, the takeaway is much larger than that. These competitions are becoming the new way for investors and luxury conglomerates to source new talent, and for young brands to land the outside investments that they so desperately need to produce their collections, expand their studio space, build upon their existing collections, and even open brick and mortar stores.

While no one has scooped up inaugural LVMH winner Thomas Tait’s brand yet or fellow winner, Marques'Almeida, it is likely just be a matter of time.Read more at:www.marieaustralia.com/short-formal-dresses | http://www.marieaustralia.com/formal-dresses-sydney

Only can see is darkness. I can feel a cold piece of metal against my back and an old wooden dock beneath my feet. The smell of salt and sand fill my nose, my hair flies freely and I can hear the songs sung  from the flying birds above. I have no memory of how I got here or why am here and I can sense that I should be afraid. The blackness is removed from my face and floats way with the gentle breeze that softly floats by. I can see the picture that I painted in my mind splayed before me. I see no one. Everywhere I look is empty and I still feel anxious and scared. Finally, I see someone. Standing at the end of the dock, you turned to face me. I relax. For I know I am safe with you and you would never let anything hurt me, but as you come near, I get an unsure feeling. That's when I noticed a pain in my hands and feet, and a smile upon your face. I try to escape the pain but I am tied down and strapped into this chair you put me in. I was wrong about you. Your smile grows more intense, and at that moment, I realize this had been your plan all along. I realize that this has been another sick game to you. The pain intensifies and spreads like wild fires burning up each nerve, devouring each part of me quickly. You approach me with words on your lips just crawling to reach my ears. With your face just inche's from mine you whisper, "It was all a lie. You ment nothing. You are nothing. How can you be so stupid? Good luck putting yourself back together this time." You give me a meaningless kiss while I'm biting my tongue, holding back a scream. I'm starting to fade in and out of consciousness. It looking through blurry tears, I watch you glide away with that crooked smile still displayed in your face. You sharply turn around and look me head to toe, watch me be swallowed by the flames filled with pain. You open your mouth and say one last thing, "I love you", you tell me with a teasing tone and a half chuckle. Then with that smile never leaving sight and everything falls black again. And all I can see, is darkness.

........
Darkness comes down on the bucolic path
Draw what on the canvas!
Who will be your partner
When the craft will be departed from the dock

Lost the way in the midst of the way
In the flow of wandering of tune
Flying the handkerchief of memory
In the sky of the distinct shadow

'--' who roost into your Soul
Plowing the barren field of heart
Even Is '--' going afar today
Feeling the stars dropping on the desert

In what, what you find!
In the streams of lost tunes
'--' who stay there
Maybe '--' is a mount of distant

Why are you looking behind
At the time of departure
As the Sun of late afternoon
Only saying goodbye!!
..........
@Musfiq us shaleheen

The Midnight Dawn: The ship begins to dock.
A woman stands, looking down, silently. Black waters swirl salty white foam; Icy waters move through flapping rudders; The sounds of shifting motors pound; This is a beckoning scene for one in feelings of immersing self-isolation; And, Lora stands at this very edge. Lora stands completely unaware of the true beauty that surrounds her at this very moment.
         The ship’s docking, at Dearing's port, in the Kotzebue Sound... Alaska's pre-dawn dark blue skies with it’s tawny orangey gray clouds; A  panoramic view of white snowy peak mountains surrounds the port. And yet, the only thing Lora has on her mind … is a small Inuit village that will soon make her isolation complete.

    Out onto the deck Jeff calls, "Lora!"

Lora turns towards her husband's voice; But then, turns her eyes back to the whirling water over the stern.
  
    "Sweetheart?" Jeff places his hand on Lora’s arm, "I called the shore; The transport will be waiting… as soon as we're finished docking."
Jeff's voice becomes serene.
“ Wow. Lora, I can’t believe it. It’s been eight years since I been home last."
Jeff places his hand on Lora's.
“ It’ll be good for us to be with family. We'll leave the ship before the sunrise and we’ll arrive in the village just in time to see the final day of Tribal Awareness Week. Lora, I wish we were here a couple of weeks ago. I think my mother would have been happier meeting you when she wasn't so busy...."
  
Lora turns…, "You know, Jeff; I do wish you would just shut the hell up!”
Lora pulls her hand away.
“ Please, just keep still until we get up there.”
Her teeth clench.
“ It's another four and a half-hours, to get to  where we need to go. And, quite frankly, I think it's going to be hard enough for me to what needs to be done; And, I’d much rather get through this without having to listen to your mouth all the way up there."

"Alright.", Jeff says in a somber voice.  He turns to walk back inside but then he sees a new flicker of hope.
"Lora, I see the biplane. It's pulling in..; See it? See it, down there, at slip four, on the pier?!” Jeff smile’s pointing to the small transporter; As he does he grabs Lora kissing her cheek. “ I'm go get the porter to help me with our bags and we'll meet you down at the clearing, All right?”
"Fine.” Lora,…with a strain in her throat.
"Fine, let's just get this over with..."

    Lora stands at the clearing;… She watches the ships crew set-up for a day of helping  passengers board and depart the ship.  Jeff arranged for the two of them to leave the ship two hours earlier than everyone else so they could meet up with their connection.
As Jeff and the porter comes down the ramp a man comes down the dock waiving.
“ Jeff!”

    Jeff calls out. "Lora, here comes Gabe!"
“ Gabe! Gabe!”
"Gabe?"
"Honey!? This is my cousin, Gabriel." Jeff says to Lora as they started down the pier to the biplane. “ He runs our local transport."
    Gabe turns towards Lora.
" Yeah, I run everyone from our village up and down the river; Sometimes, I think this little craft here thinks she's just another boat! She so seldom has a chance to be airborne.”
The luggage is placed on board, Jeff and Lora settle into their seats and Gabe starts moving up the sound; Then, after about fifteen moments the little plane begins to lift, up and out, off the water.
  
    Lora becomes startled, "I thought the plane wasn't going to leave… I thought we were not going to be airborne?! I thought we were riding up the river?"
  
"Yes, Lora." Gabe states with a giggle,
"Yes, the Koyukuk River! I'm sorry, I thought Jeff would have told you?! We'll be airborne for just over an hour then we’ll reach the Koyukuk River and then, from that point, we’ll be riding the river for another three hours till we reach the village."

"Oh."
Lora sits back… and begins to stare out at the enormity of the Alaskan skyline. For her, it seems to have no end; And yet, for Lora there seems to be, nothing, nothing at all but endings on her horizon.

    The procession begins...
The parade comes down the main road in the small Inuit village. The local people are all playing drums, jingles and bones and they’re all wearing traditional ceremonial attire.

    Lora starts looking around to find her husband but Jeff is gone. Lora thinks, angrily.
‘ This is so senseless!? Why did Jeff ******* up here? I can't believe this; Here I am at The Koyukon Festival to tell his mother we're divorcing!? His mother never wanted me in his life. He was just suppose to finish his studies and come back home. I'm sure she'll be relieved to see me gone from his life.’

    Jeff comes up behind her, smiling.
"Honey, Honey isn't this wonderful?! I remember my parents and I participating all together in these events when I was small.”
Jeff points down the road. “ Hey Hon, look!" He places his arm on Lora's waistline.

    Lora turns to him with a grimace," Remove that…!"
    Jeff moved his hand and Lora turns to see where Jeff is pointing.
Lora sees, her mother-in-law, PaKaSuk; PaKa begins down the road dressed in her traditional Inuit tribal clothing.
    She has on a headdress made from the skin and skull of a coyote, and there’s a pair of small antlers imbedded on it. And, she has on tall boots made of polar-bear fur that are adorned at the rims with dangling teeth from the hunts of the past.
PaKa sings long mournful notes as she plays a soft singular beat over and over again on a drum-snare of  sealskin and whalebone.
    Jeff waves to his mother; As she sees her son, she begins to call out,


” Come fellow me one and all…;

Come fellow me to the place of the great hall;

Come to hear a tale that must be told;

Come hear the words from the time of old.”

As PaKa reaches the doorway she gestures to Jeff and Lora.
"Please come, sit here near the fireplace."
    As everyone-else  finds seat’s; PaKa kneels down, she looks deep into Lora‘s eyes; She smiles and then hands Lora a small long rectangular box.
Speaking softly, "Lora, please, hold this… But, do not open it right now; Wait until I’m done with my story. I'll return and we will talk."
  
    Lora stares at PaKa thinking…
‘She is an odd woman. To give me a gift? Looking down at the small rectangular box. She makes a huff, ‘ It's probably a brand new pen to sign the divorce papers with. She's probably…; But wait!’
Lora remembers, ‘ Jeff hasn't told her anything about the divorce yet. ‘
Lora places the box on her lap.

    The show begins...
    PaKa hushes the assembly; Cues the drums to play.
    The drums start. It is a slow, low singular beat  beating over and over…; Over and over. beating  slow low beats; Over and over... Again.

    Jeff bends down; He whispers, "Lora, the crowd is so much larger then I ever remembered it being before."
    Just then, a woman comes and sits right next to Lora and the woman has a baby sleeping in her arms.
Lora closes her eye and thinks,…
‘ Oh God… Why couldn’t this woman find somewhere else to sit; Anyplace other than here?’

    "Welcome! I am PaKaSuk...I am the Coyote-woman for my people…, now! But my story is of a Coyote-woman of long ago. Her name,… GaTraRa; The Coyote-woman Who Lost Her Tears.
Come one and all close your eyes. We shall breath deep the air and hear the drums beat…; And, we shall go… into the past.

            GaTraRa became a coyote woman when she was young. Much younger than the old custom....The old Coyote-woman would chose a young girl to replace her and she would teach the girl all of the knowledge  needed to help her people; She would learn all the wisdom of the herbs that cure and when ready she would take place. GaTraRa was chosen… And with great pride and joy of all the tribe.
She had learned much in a small time working at the side of the old Coyote-woman. But, a great sickness came to the people; Nearly half the tribe were lost...
The old coyote woman was lost…  GaTraRa was now The Coyote woman; …without knowing all the wisdom  the old coyote woman needed to give…

    Lora, sits there listening to her mother-in-law; She starts feeling cold beads of sweat against her skin. She starts feeling a slow low ache in the pit of her stomach.
    Jeff looks at Lora, "Are you alright?"
    "Leave me alone!” She swats at him. "Just go away! I'm fine. Leave me to hear this..."

    PaKaSuk continues "By our old traditions the Coyote-woman is not to join with any man; It was said… She’s to care for all the people of the tribe; But…, for GaTraRa;  GaTraRa was highly favored in the eyes of the council, And, especially by the chief elder's son, NeKraRa.
NeKraRa, who wanted the tribes very young new Coyote-woman to be his spoke a plea to the elders; GaTraRa wanted to be his as well. But she knew a Coyote-women was not allowed to join.  GaTraRa was surprised and overjoyed when the elders told her that she and NeKraRa being allowed to be joined...She felt the spirits were pleased.  And, soon after their joining they were blessed...They had conceived a child.
  
    The drums begin sounding faint and far away to Lora. The scent from  the smoke seems to be making her feel hazy.

Lora feels a low dark ache in the pit of her belly; It begins to grow; Her head lowers and her breath begins to labor. The pain is so deep Lora's eyes feel full of heat and she holds-back a feeling to cry out...
  
    PaKaSuk continues…, "It was the time of the hunt!”
  
    Eyes tighten. The pain becomes overwhelming to Lora; From a deep place within … A howling cry cries out!
"AAAAIIIIEEEEE"


    GaTraRa pushes; A baby’s cry fills the room. Her beaming sweaty body falls back onto the bedding.
    "It is a boy! You have a son!” mother-in-law smiles while wiping off the tiny crying new born.
"My child, he is a, strong, healthy boy! And, look, look see how his face shines like dawning light. NeKraRa will be pleased when he returns."

    As her husband's mother places the new born into her waiting arms, GaTraRa thinks ‘ No woman could ever be this happy.’
She looks up and says, "This day is the day of my greatest joy,"
  
Several weeks come and go. It will soon be  time for the men to return

Several weeks come and go without the young men.
The sound of drums call out from the distance; The time  for the return has come at last.
Many come to the Great Hall to greet the men when they arrive. The young Coyote-woman lefts her baby and runs happily to show her husband, NeKraRa, his fine new son.
Looking out, beyond the path, the men could be seen; They look weary of their hunt; Not all who left seems to be coming… The elder  hunters  may be a day or two behind bringing the treasures of their travels ;All the trades made with the outsiders.  The younger men come with the new pelts to cure and with the fresh meat and fish for the smoke.  As the men come closer the young women gain sight of their man; They run to walk with them to the Great Hall. But, but GaTraRa could not find her man. Her husband, NeKraRa, was nowhere among the men.
“ NeKraRa; NeKraRa !“ The young Coyote-woman begins thinking…’ He may be with the elder hunters; But why?’ She calls out several more times “ NeKraRa!”
Grabing at the men as they pass she asks,
"Where is my husband?"
    None of the men would speak to her or even look up at GaTraRa They’d just keep pass by her and enter the tribal council. Leaving her standing there holding her small baby.

    NeKraRa's father comes out of the council hall; He walks to GaTraRa and places his hand upon her arm.
"My child, our NeKraRa met his death over the ice on the very first night of the hunt."
  
    She looks down into the face of her small child.
"That was the night his son was born..."
Softly, sadly she speaks to her sleeping child cradling him in her arms,
"You will hold your father's name, my sweet boy...and his spirit.“
She walks home.

    Her mother-in-law meets her at the door, crying.
In a deep mournful tone, "My child!"
    GaTraRa just stands there with a void look on her face. Then, she looks at her baby. She lifts him up and hands him to her mother-in-law,
"Here mother," in an increasingly laboring tone,
"Here, here is our NeKraRa."

    The next day, mother-in-law waits for the baby to wake. She waits, long…, but there is no cry. She goes to lift him up and to wake him but as she pulls the blanket back she sees the baby's body is still, motionless. The baby is cold, blue and silent,
She lifts him and lets out a long wailing cry, "No...!"
  
GaTraRa runs…, only to see her baby in her mother-in-law's arms; A face full of tears and crying out over and over again, "He's gone...He is gone!"
GaTraRa falls to the floor; She begins to rock, repeating
"No…! No…! No…!"
But yet, now, not a single tear falls from her eyes.
  
Weeks pass since the death of her baby. Her duties as coyote woman become harder for her. Whenever others seek out her help she becomes angry. She says, "The spirits curse me; I went against them with family and now I have nothing; They will allow me no peace!"
All she does is watch the doorways; it is as she is waiting for someone or something...

    The council watches GaTraRa closely. Mother-in-law brings her worries to the elders.
“GaTraRa‘s sadness grows. “
Mother-in-law tells them, “She must be watched. Our Coyote-woman has felt the brush of the Raven’s feathers; Her tears are stuck within… No tears fall.”
Mother-in-law pleas to them, “ Her sorrow grows, silently! I fear, if we do nothing, she will be taken from us as well.”

    The women of the council gather together; They decide to have the grieving ritual for GaTraRa. But, none them has ever done this ritual. This was something the Coyote-woman would do.

    Days pass, the men are preparing to leave for the last hunt of the season. And, the women begin to prepare the council hall. They gather up all the things they could remember from having watched the ritual done times before.
    The chief elder sees the woman; And he asks, “What are you women doing?”
Mother-in-law tells him of what she and the other women have plan.
Shaking his head, “For as far as back as my memory takes me I have never seen a Grieving-Ritual done during this season before; And, without the young men being around. Do you really know what you are doing?”
All the women said, “ We must!”

    The men are gone…

    The women take GaTraRa to the council hall. They place her near the fire. GaTraRa watches as women gather herbs and place them in bowls.
She speaks out, “You don’t know what you are doing!?” Then, her voice saddens.
” …or maybe you do.”

    The women do not listen; Without a word, they begin to place the bowls in all the places they have remembered seeing them before…Recalling, all the men would play drums all night, during the vigil, they each pick up a drum. They gather around the fire. They stand and surround  the fire with their drums; The woman slowly begin to play.
GaTraRa, motionless, looks to the women thinks to herself, ‘Why are they doing this…I did this…to myself. They should not care

It's coming through a hole in the air,
from those nights in Tiananmen Square.
It's coming from the feel
that it ain't exactly real,
or it's real, but it ain't exactly there.
From the wars against disorder,
from the sirens night and day,
from the fires of the homeless,
from the ashes of the gay:
Democracy is coming to the U.S.A.
It's coming through a crack in the wall,
on a visionary flood of alcohol;
from the staggering account
of the Sermon on the Mount
which I don't pretend to understand at all.
It's coming from the silence
on the dock of the bay,
from the brave, the bold, the battered
heart of Chevrolet:
Democracy is coming to the U.S.A.
It's coming from the sorrow on the street
the holy places where the races meet;
from the homicidal *******'
that goes down in every kitchen
to determine who will serve and who will eat.
From the wells of disappointment
where the women kneel to pray
for the grace of G-d in the desert here
and the desert far away:
Democracy is coming to the U.S.A.
Sail on, sail on
o mighty Ship of State!
To the Shores of Need
past the Reefs of Greed
through the Squalls of Hate
Sail on, sail on
It's coming to America first,
the cradle of the best and the worst.
It's here they got the range
and the machinery for change
and it's here they got the spiritual thirst.
It's here the family's broken
and it's here the lonely say
that the heart has got to open
in a fundamental way:
Democracy is coming to the U.S.A.
It's coming from the women and the men.
O baby, we'll be making love again.
We'll be going down so deep
that the river's going to weep,
and the mountain's going to shout Amen!
It's coming to the tidal flood
beneath the lunar sway,
imperial, mysterious
in amorous array:
Democracy is coming to the U.S.A.
Sail on, sail on
o mighty Ship of State!
To the Shores of Need
past the Reefs of Greed
through the Squalls of Hate
Sail on, sail on
I'm sentimental if you know what I mean:
I love the country but I can't stand the scene.
And I'm neither left or right
I'm just staying home tonight,
getting lost in that hopeless little screen.
But I'm stubborn as those garbage bags
that Time cannot decay,
I'm junk but I'm still holding up
this little wild bouquet:
Democracy is coming to the U.S.A.

The boy who waves the boats from shore
But never dares set sail
Doesn't get lonely.
There are always boats leaving,
Always boats coming back.
He'll help load the ships
With all they need and more
Then step off as they go
And stay just on the shore.
Every passenger knows the boy
And no one knows why he's there.
There's a dock he'll walk
That extends a little into the sea
Where he sits and speaks
To fishing boats that come to visit
But only for a short time,
His toes in the water.
He can swim, and sometimes
Someone will fall from a boat
He'll jump in and swim to them,
Pull them up, be sure they're okay
Only to swim back to the dock.
The boy who waves the boats from shore
But never dares set sail
Gets lonely sometimes.

Unaware of my crime
they stood me in the dock.

I was sentenced to life....
without her.

Strange trial.
No judge.
No jury.

I wonder who my visitors will be.

YOUR bony head, Jazbo, O dock walloper,
Those grappling hooks, those wheelbarrow handlers,
The dome and the wings of you, ******,
The red roof and the door of you,
I know where your songs came from.
I know why God listens to your, "Walk All Over God's Heaven."
I heard you shooting craps, "My baby's going to have a new dress."
I heard you in the cinders, "I'm going to live anyhow until I die."
I saw five of you with a can of beer on a summer night and I listened to the five of you
    harmonizing six ways to sing, "Way Down Yonder in the Cornfield."
I went away asking where I come from.

You have had a hard day. You decide to go to the beach to relax.
When you get there you only feel worse because it's empty. It's cold and rainy. You start to think. You think about your boyfriend who wanted nothing but money and *** from you. You think about your best friend and how he molested you. You think about your brother and how he told you to **** yourself. You start to feel worse and worse. You don't know what to do. You try to distract yourself. You count the number of cinder blocks on the dock. You notice one is loose. You get and walk over to it. You try to pull it out. Its stuck. You wiggle it a bit more and it pulls out. It's heavy. You end up dropping it in the sand its so heavy. You think about how your life *****. You think about the kid at school who called you fat. Then you start to think more about how your brother told you to **** yourself. You think enough is enough. You pick up the cinder block and you walk to the end of the long dock. There is a short rope tied to the dock probably from a boat. You try to untie it. After untieing it for over twenty minutes you finally get it loose. Short but long enough to do the job. You tie one end to a cinder block but it falls off immediately. Then you try copying the knot you just untied. You pick it up and it stays. You put down the cinder block on the end of the dock. You take off your shoes and sit next to it. You let out a sigh. You take the other end of the scratchy rope and tie it around your ankle. You pick up the cinder block and put it on your lap. You start to get scared. Your breath is heavy. Your heart is racing. You stand up with the cinder block in your hands. You think this is it. You take a calming breath. The cinder block seems to feel lighter. You make the decision. You throw the cinder block with all your might and when you do you immediately feel regret. You realize this was not supposed to be your ending. When the block falls it jerks you toward the water breaking your ankle and scratches your back on the dock. When you crash into the water it is so cold it feels like a thousand tiny little knives. You scream on instinct only to realize no one can hear you. You ankle feels so swollen and full of pain. As you slowly drift to the bottom of the lake you scream and flail your arms trying to get to your ankle to untie it. You cant reach. Your almost out of breath. Your heart is racing. Everything hurts. You need to breathe so bad. You have no choice. You breathe in the water. It burns. It burns your nose. It burns your throat. It burns your lungs. Everything hurts worse and worse. You start to lose consciousness. Your vision is blurry. Everything burns. Everything hurts. Then the pain is gone for good.

stayed with a woman
and her sister
for a few weeks
up by the chesapeake
on a little river
with a dock
that audienced
the most beautiful
sunsets
a man could witness
she was a good woman
widowed
quick to think of others
before herself
never got drunk before noon
worked hard and long
for the money she earned
and I appreciated her
and her hospitality

her sister
smoked ****
and drank expensive wine
on that dock
during the earliest hours
of the day
looking upwards
all the way till that
beautiful sunset
I would join her
while her sister was hard
at work

I appreciated my woman
for her work habit
for the *** and the
hospitality she gave so
willingly and passionately
however I also appreciated
her sister
in many of the same ways
which is why I was asked
loudly and violently to
cut my visit short
after only two
quick weeks

I still miss
those sunsets

Now the other gods and the armed warriors on the plain slept
soundly, but Jove was wakeful, for he was thinking how to do honour to
Achilles, and destroyed much people at the ships of the Achaeans. In
the end he deemed it would be best to send a lying dream to King
Agamemnon; so he called one to him and said to it, “Lying Dream, go to
the ships of the Achaeans, into the tent of Agamemnon, and say to
him word to word as I now bid you. Tell him to get the Achaeans
instantly under arms, for he shall take Troy. There are no longer
divided counsels among the gods; Juno has brought them to her own
mind, and woe betides the Trojans.”
  The dream went when it had heard its message, and soon reached the
ships of the Achaeans. It sought Agamemnon son of Atreus and found him
in his tent, wrapped in a profound slumber. It hovered over his head
in the likeness of Nestor, son of Neleus, whom Agamemnon honoured
above all his councillors, and said:-
  “You are sleeping, son of Atreus; one who has the welfare of his
host and so much other care upon his shoulders should dock his
sleep. Hear me at once, for I come as a messenger from Jove, who,
though he be not near, yet takes thought for you and pities you. He
bids you get the Achaeans instantly under arms, for you shall take
Troy. There are no longer divided counsels among the gods; Juno has
brought them over to her own mind, and woe betides the Trojans at
the hands of Jove. Remember this, and when you wake see that it does
not escape you.”
  The dream then left him, and he thought of things that were,
surely not to be accomplished. He thought that on that same day he was
to take the city of Priam, but he little knew what was in the mind
of Jove, who had many another hard-fought fight in store alike for
Danaans and Trojans. Then presently he woke, with the divine message
still ringing in his ears; so he sat upright, and put on his soft
shirt so fair and new, and over this his heavy cloak. He bound his
sandals on to his comely feet, and slung his silver-studded sword
about his shoulders; then he took the imperishable staff of his
father, and sallied forth to the ships of the Achaeans.
  The goddess Dawn now wended her way to vast Olympus that she might
herald day to Jove and to the other immortals, and Agamemnon sent
the criers round to call the people in assembly; so they called them
and the people gathered thereon. But first he summoned a meeting of
the elders at the ship of Nestor king of Pylos, and when they were
assembled he laid a cunning counsel before them.
  “My friends,” said he, “I have had a dream from heaven in the dead
of night, and its face and figure resembled none but Nestor’s. It
hovered over my head and said, ‘You are sleeping, son of Atreus; one
who has the welfare of his host and so much other care upon his
shoulders should dock his sleep. Hear me at once, for I am a messenger
from Jove, who, though he be not near, yet takes thought for you and
pities you. He bids you get the Achaeans instantly under arms, for you
shall take Troy. There are no longer divided counsels among the
gods; Juno has brought them over to her own mind, and woe betides
the Trojans at the hands of Jove. Remember this.’ The dream then
vanished and I awoke. Let us now, therefore, arm the sons of the
Achaeans. But it will be well that I should first sound them, and to
this end I will tell them to fly with their ships; but do you others
go about among the host and prevent their doing so.”
  He then sat down, and Nestor the prince of Pylos with all
sincerity and goodwill addressed them thus: “My friends,” said he,
“princes and councillors of the Argives, if any other man of the
Achaeans had told us of this dream we should have declared it false,
and would have had nothing to do with it. But he who has seen it is
the foremost man among us; we must therefore set about getting the
people under arms.”
  With this he led the way from the assembly, and the other sceptred
kings rose with him in obedience to the word of Agamemnon; but the
people pressed forward to hear. They swarmed like bees that sally from
some hollow cave and flit in countless throng among the spring
flowers, bunched in knots and clusters; even so did the mighty
multitude pour from ships and tents to the assembly, and range
themselves upon the wide-watered shore, while among them ran
Wildfire Rumour, messenger of Jove, urging them ever to the fore. Thus
they gathered in a pell-mell of mad confusion, and the earth groaned
under the ***** of men as the people sought their places. Nine heralds
went crying about among them to stay their tumult and bid them
listen to the kings, till at last they were got into their several
places and ceased their clamour. Then King Agamemnon rose, holding his
sceptre. This was the work of Vulcan, who gave it to Jove the son of
Saturn. Jove gave it to Mercury, slayer of Argus, guide and
guardian. King Mercury gave it to Pelops, the mighty charioteer, and
Pelops to Atreus, shepherd of his people. Atreus, when he died, left
it to Thyestes, rich in flocks, and Thyestes in his turn left it to be
borne by Agamemnon, that he might be lord of all Argos and of the
isles. Leaning, then, on his sceptre, he addressed the Argives.
  “My friends,” he said, “heroes, servants of Mars, the hand of heaven
has been laid heavily upon me. Cruel Jove gave me his solemn promise
that I should sack the city of Priam before returning, but he has
played me false, and is now bidding me go ingloriously back to Argos
with the loss of much people. Such is the will of Jove, who has laid
many a proud city in the dust, as he will yet lay others, for his
power is above all. It will be a sorry tale hereafter that an
Achaean host, at once so great and valiant, battled in vain against
men fewer in number than themselves; but as yet the end is not in
sight. Think that the Achaeans and Trojans have sworn to a solemn
covenant, and that they have each been numbered—the Trojans by the
roll of their householders, and we by companies of ten; think
further that each of our companies desired to have a Trojan
householder to pour out their wine; we are so greatly more in number
that full many a company would have to go without its cup-bearer.
But they have in the town allies from other places, and it is these
that hinder me from being able to sack the rich city of Ilius. Nine of
Jove years are gone; the timbers of our ships have rotted; their
tackling is sound no longer. Our wives and little ones at home look
anxiously for our coming, but the work that we came hither to do has
not been done. Now, therefore, let us all do as I say: let us sail
back to our own land, for we shall not take Troy.”
  With these words he moved the hearts of the multitude, so many of
them as knew not the cunning counsel of Agamemnon. They surged to
and fro like the waves of the Icarian Sea, when the east and south
winds break from heaven’s clouds to lash them; or as when the west
wind sweeps over a field of corn and the ears bow beneath the blast,
even so were they swayed as they flew with loud cries towards the
ships, and the dust from under their feet rose heavenward. They
cheered each other on to draw the ships into the sea; they cleared the
channels in front of them; they began taking away the stays from
underneath them, and the welkin rang with their glad cries, so eager
were they to return.
  Then surely the Argives would have returned after a fashion that was
not fated. But Juno said to Minerva, “Alas, daughter of
aegis-bearing Jove, unweariable, shall the Argives fly home to their
own land over the broad sea, and leave Priam and the Trojans the glory
of still keeping Helen, for whose sake so many of the Achaeans have
died at Troy, far from their homes? Go about at once among the host,
and speak fairly to them, man by man, that they draw not their ships
into the sea.”
  Minerva was not slack to do her bidding. Down she darted from the
topmost summits of Olympus, and in a moment she was at the ships of
the Achaeans. There she found Ulysses, peer of Jove in counsel,
standing alone. He had not as yet laid a hand upon his ship, for he
was grieved and sorry; so she went close up to him and said, “Ulysses,
noble son of Laertes, are you going to fling yourselves into your
ships and be off home to your own land in this way? Will you leave
Priam and the Trojans the glory of still keeping Helen, for whose sake
so many of the Achaeans have died at Troy, far from their homes? Go
about at once among the host, and speak fairly to them, man by man,
that they draw not their ships into the sea.”
  Ulysses knew the voice as that of the goddess: he flung his cloak
from him and set off to run. His servant Eurybates, a man of Ithaca,
who waited on him, took charge of the cloak, whereon Ulysses went
straight up to Agamemnon and received from him his ancestral,
imperishable staff. With this he went about among the ships of the
Achaeans.
  Whenever he met a king or chieftain, he stood by him and spoke him
fairly. “Sir,” said he, “this flight is cowardly and unworthy. Stand
to your post, and bid your people also keep their places. You do not
yet know the full mind of Agamemnon; he was sounding us, and ere
long will visit the Achaeans with his displeasure. We were not all
of us at the council to hear what he then said; see to it lest he be
angry and do us a mischief; for the pride of kings is great, and the
hand of Jove is with them.”
  But when he came across any common man who was making a noise, he
struck him with his staff and rebuked him, saying, “Sirrah, hold
your peace, and listen to better men than yourself. You are a coward
and no soldier; you are nobody either in fight or council; we cannot
all be kings; it is not well that there should be many masters; one
man must be supreme—one king to whom the son of scheming Saturn has
given the sceptre of sovereignty over you all.”
  Thus masterfully did he go about among the host, and the people
hurried back to the council from their tents and ships with a sound as
the thunder of surf when it comes crashing down upon the shore, and
all the sea is in an uproar.
  The rest now took their seats and kept to their own several
places, but Thersites still went on wagging his unbridled tongue—a
man of many words, and those unseemly; a monger of sedition, a
railer against all who were in authority, who cared not what he
said, so that he might set the Achaeans in a laugh. He was the ugliest
man of all those that came before Troy—bandy-legged, lame of one
foot, with his two shoulders rounded and hunched over his chest. His
head ran up to a point, but there was little hair on the top of it.
Achilles and Ulysses hated him worst of all, for it was with them that
he was most wont to wrangle; now, however, with a shrill squeaky voice
he began heaping his abuse on Agamemnon. The Achaeans were angry and
disgusted, yet none the less he kept on brawling and bawling at the
son of Atreus.
  “Agamemnon,” he cried, “what ails you now, and what more do you
want? Your tents are filled with bronze and with fair women, for
whenever we take a town we give you the pick of them. Would you have
yet more gold, which some Trojan is to give you as a ransom for his
son, when I or another Achaean has taken him prisoner? or is it some
young girl to hide and lie with? It is not well that you, the ruler of
the Achaeans, should bring them into such misery. Weakling cowards,
women rather than men, let us sail home, and leave this fellow here at
Troy to stew in his own meeds of honour, and discover whether we
were of any service to him or no. Achilles is a much better man than
he is, and see how he has treated him—robbing him of his prize and
keeping it himself. Achilles takes it meekly and shows no fight; if he
did, son of Atreus, you would never again insult him.”
  Thus railed Thersites, but Ulysses at once went up to him and
rebuked him sternly. “Check your glib tongue, Thersites,” said be,
“and babble not a word further. Chide not with princes when you have
none to back you. There is no viler creature come before Troy with the
sons of Atreus. Drop this chatter about kings, and neither revile them
nor keep harping about going home. We do not yet know how things are
going to be, nor whether the Achaeans are to return with good
success or evil. How dare you gibe at Agamemnon because the Danaans
have awarded him so many prizes? I tell you, therefore—and it shall
surely be—that if I again catch you talking such nonsense, I will
either forfeit my own head and be no more called father of Telemachus,
or I will take you, strip you stark naked, and whip you out of the
assembly till you go blubbering back to the ships.”
  On this he beat him with his staff about the back and shoulders till
he dropped and fell a-weeping. The golden sceptre raised a ****** weal
on his back, so he sat down frightened and in pain, looking foolish as
he wiped the tears from his eyes. The people were sorry for him, yet
they laughed heartily, and one would turn to his neighbour saying,
“Ulysses has done many a good thing ere now in fight and council,
but he never did the Argives a better turn than when he stopped this
fellow’s mouth from prating further. He will give the kings no more of
his insolence.”
  Thus said the people. Then Ulysses rose, sceptre in hand, and
Minerva in the likeness of a herald bade the people be still, that
those who were far off might hear him and consider his council. He
therefore with all sincerity and goodwill addressed them thus:-
  “King Agamemnon, the Achaeans are for making you a by-word among all
mankind. They forget the promise they made you when they set out
from Argos, that you should not return till you had sacked the town of
Troy, and, like children or widowed women, they murmur and would set
off homeward. True it is that they have had toil enough to be
disheartened. A man chafes at having to stay away from his wife even
for a single month, when he is on shipboard, at the mercy of wind
and sea, but it is now nine long years that we have been kept here;
I cannot, therefore, blame the Achaeans if they turn restive; still we
shall be shamed if we go home empty after so long a stay—therefore,
my friends, be patient yet a little longer that we may learn whether
the prophesyings of Calchas were false or true.
  “All who have not since perished must remember as though it were
yesterday or the day before, how the ships of the Achaeans were
detained in Aulis when we were on our way hither to make war on
Priam and the Trojans. We were ranged round about a fountain
offering hecatombs to the gods upon their holy altars, and there was a
fine plane-tree from beneath which there welled a stream of pure
water. Then we saw a prodigy; for Jove sent a fearful serpent out of
the ground, with blood-red stains upon its back, and it darted from
under the altar on to the plane-tree. Now there was a brood of young
sparrows, quite small, upon the topmost bough, peeping out from
under the leaves, eight in all, and their mother that hatched them
made nine. The serpent ate the poor cheeping things, while the old
bird flew about lamenting her little ones; but the serpent threw his
coils about her and caught her by the wing as she was screaming. Then,
when he had eaten both the sparrow and her young, the god who had sent
him made him become a sign; for the son of scheming Saturn turned
him into stone, and we stood there wondering at that which had come to
pass. Seeing, then, that such a fearful portent had broken in upon our
hecatombs, Calchas forthwith declared to us the oracles of heaven.
‘Why, Achaeans,’ said he, ‘are you thus speechless? Jove has sent us
this sign, long in coming, and long ere it be fulfilled, though its
fame shall last for ever. As the serpent ate the eight fledglings
and the sparrow that hatched them, which makes nine, so shall we fight
nine years at Troy, but in the tenth shall take the town.’ This was
what he said, and now it is all coming true. Stay here, therefore, all
of you, till we take the city of Priam.”
  On this the Argives raised a shout, till the ships rang again with
the uproar. Nestor, knight of Gere

“You just need to know this is the first time I’ve ever done this without looking for an exit row.
And I’m pretty sure my seat can’t float but I’ve already fallen from the sky for you,
Already said no to the parachute,
Already told my mother you curse like a sailor and you love like the war is finally over and you have just come home and you are running down the dock in the harbor and you’re screaming my name.
You’re screaming “honey”
and I’m screaming “don’t trip”
and you’re screaming “honey honey”
and I’m screaming “baby don’t fall down”
I am running for your red lips
I am running for your red heart
With my red heart
Red as a Mississippi sunset
Honey”

i don’t know where The Pond With The Red Dock is
[turn past the black boots and the corner of infinity
it is only spoken with ashy lips
carved out of pure reality]
[in actuality it’s an ocean]

That night, I have a dream. I'm running through a golden field of poppies reflecting in the sun. The field is a engulfed in a flame of yellow and orange diamonds. I'm alone, but I feel there is someone there with me. Where they are, I have no idea. I swivel myself around in a circle, making myself dizzy and confused. Is this the best way to find a person? Dizzy and confused? They can't be seen so I spin my own vision, thinking a blurred vision would be better to find a hiding person. The logic is upside down, but so am I because I notice the sky is no longer its natural blue, but rose red and shimmering like light on the waves of the ocean.
I'm on my back, staring at the ****** sky. Underneath me, the golden poppies have been squished by my weight. The sun has gone away too. It's gone behind a cloud, a mountain, I don't know. It's gone. I am no longer thinking of the person in hiding, but of where I am at all. My ego steps in, yet I feel no worry. I'm not bothered or scared. Indifference with a side of curiosity washes over me like a cold, hard rain. I know I am dreaming. The tingling and the blurriness give it away.  When I discover this, I lift myself up somehow from the broken stemmed poppies and walk forward to the end of the field.
My bare foot touches the damp dirt. This is the first time I notice that I am not wearing any shoes. I can't tell if I am wearing any clothes. The colors are all bleeding into one, but I feel the moist dirt underneath my feet and my toes. I wiggle them and press them into the ground. They dip in, like a toe into a pool of water. The water is a paradox of temperature. There is a noise behind me with no sound. A vibration of sorts. I look over my shoulder and see the ember field of poppies, swaying back and forth in a silent wind. The sun has returned and its rays rain down on me. I close my eyes and feel the warmth, knowing I feel this because of a memory of actual life. What if a memories only purpose is to fuel dreams? What if true living is only in dreams and reality - home, work, home - is only meant for dreams? Wouldn't that be something.
I walk through the wet field of dirt and mud and come to a river. There is a dock and I walk on it to the end and discover a rope. It looks to have once been tied to something. The hard wood under my feet feels strong and sturdy. I am not afraid to fall in the water, but if I was to, I knew I could swim. I go to my knees and examine the rope. It is water logged and the twine is damaged. It's nearly come undone. The only thing it has going for it is that it is very long. At least ten feet in length. It looks to be used for tying boats to the dock. I look up and see it, the boat, sitting in the middle of the still river. There are two people inside. They are shadows until the sun shifts and I see that it is Claire and Hane.
I stand. I put my hand up and wave, but they don't see me. I shout at them, waving my hands wildly, but they do not hear me. I stamp my foot on the dock, rocking it back and forth, trying to see if the vibration will reach the boat they are sitting in, but they do not feel it. I'm invisible to them. I sit down on the edge of the dock with my legs hanging over the sides and look at my reflection in the water. There's nothing there. I look up and see they are staring not at me, but over me. They are at the sun. It's setting. I look at their faces and they are smiling warmed smiles and I struggle to make sense that they cannot see me. I look over my shoulder, wishing to feel the same, but as I do so, I feel my grip slip on the edge of the dock and my legs go forward. My back slaps against the glassy surface  of the water. I plunge in and sink until I hit the bottom. The sand bursts from both sides of me. It gets in my eyes. I can't see. I can't breathe. I wake up.

My Mom needed something from the store
So I told her I’d walk up there for her and get it.
We were barely getting by
The two of us.
She was living on a disability check
And I was in between jobs
Again
So these little walks to the store were all I had.
I got her some Epsom salts and was walking back
Had just walked past the hardware store
When a small, sleek, black, BMW pulled up next to me.
To my surprise it was a chick
A big titted redhead with pink sunglasses.
There was something in her eyes
When she peeked below the sunglasses
I saw something in them
that frightened me
A voice inside was screaming at me
Just keep walking
Just keep walking
But like a fool
I ignored it
And bent over the passenger seat
In the convertible that smelled new.
“How big is your ****?”
The lady asked
Her chest just heaving and jiggling
With every breath she took
And every word she spoke.
“What?”
“I said….how big is your ****?”
“Ha ha!”
I took a look around
Expecting to see a hidden camera
Or a film crew in a van across the street.
There was no one
No witnesses.
I leaned back down
“7 inches? Maybe 8? I don’t know lady, I haven’t measured my **** since the 11th grade!”
The redhead took off the sunglasses completely and looked me up and down
Those bright green eyes scanning me
From my worn out Converse to my greasy pompadour on my head.
It seemed like an eternity
I got uncomfortable.
Just standing there
Squirming
While the redheaded fox
Kept inspecting me.
“Okay. Get in. Hurry up.”
I wasn’t even thinking
Just reacting to it all.
I’d always dreamed of this
When I was walking down that
Same old ******* street
The only street that I ever saw
Dreaming of
A beautiful woman in a sports car.
And now here she was.
Here we were
Driving down the street
The breeze blowing in our hair
She made an immediate right turn
Onto a suburban side street.
She parked in front of a house that was up for sale.
Again she took off the sunglasses.
“Let me see it.”
She said, staring at my crotch.
“Whoa, whoa, lady. What’s this all about?”
“My husband and I…..we have certain…..tastes. Things we like, things we enjoy. He’s an older guy, so he likes to watch young guys **** me. I mean, just really give it to me good, make me scream. And of course after your services have been….rendered….you’ll be paid two-thousand dollars. Now do you think you can do that?”
“Uh……I—I think so.”
“Well, I need you to know so. And if you were bullshitting me, if that **** isn’t at least 7 inches, you can get out of the car right ******* now.”
“No it is, it is.”
“Well...”
“Well...you gotta start my engine first—“
Before I could finish my cheesy line
She was in the passenger seat
Climbing on top of me.
“Rip it open” She said looking down.
I did as I was told
And ripped the front of her blouse open
The buttons flying in all directions
Bouncing off the windows and rolling on the dashboard.
Her two, round, fake, **** sprang out of the top
Hitting me in the face
As she rubbed them up and down
And all around.
She kissed me sloppily
And then started in with that biting *******.
She met my lip so hard
It drew blood
acting purely on reflex
I grabbed her by the arms very hard
And pulled her back from me
Staring at her with those crazy, intense, eyes
That I sometimes got when startled.
“Oh…..” She said looking down, at the ******* in my Levi’s.
“Alright. You wanna see the house?” She asked.
I let go of her arms and she rolled off of me,
hopping into the driver’s seat and starting the car up.

She drove all the way to the edge of the city
Where the Red Mountains in the east
Meets the long winding road out of town
And into the desert.
It was a large ranch style mansion
Decorated with cowboy themed ****.
The redhead parked the sports car in
A massive garage
Filled with dozen of rare and expensive automobiles .
She told me to leave my plastic grocery bag of Epsom salts
In the car
She said I could get it later, when we were done.
I followed her to an elevator at the back of the garage.
We took it all the way down to the very bottom.
Stepping out of the elevator
I found myself in a large expansive grey room.
The floors were concrete
But they were shiny and slick
Reminded me of the floor in the meat department
At the job I had just lost.
The room had a few beds in it
Some custom built sets were erected all over the room
An office, a jail cell, a medieval dungeon, a medical examination room,
There were a lot these little sets built all over
In the back of the room
The corners
Were pitch black and covered in darkness.
I wondered what they had over there.
“So what do we do?” I asked, fidgeting in my pants
thumbing my switchblade stiletto in my right front pocket.
“We have to wait for my husband to come down. I just texted him.”
“Oh okay.”
“You should take your clothes off and put this on.”
The redhead said, taking a hospital gown from a hanger
Next to the medical examination set.
“….put that on and I’m gonna go get into character.”
She said, walking behind a white privacy screen
The old kind, like they used to have in doctor’s offices.
I undressed myself and got into the hospital gown.
I can’t say what it was exactly
But I still had that real nervous feeling
I couldn’t ignore it
So for some reason
I hid my switchblade on me.
Put it in the waistband of my underwear.
And that made me feel a little bit safer
This whole thing was beyond belief
I was never this lucky
Something was rotten in Denmark
I could feel it in my bones.
But there was no backing out now
I was riding this all the way
No choice.
I took a seat on the medical examination table
The thin paper crunching loudly beneath my ***
They had it down to the finest detail.
Even the little slots with the Highlights magazines.
I watched the black & white clock on the wall
And it took them 28 minutes to finally come out
The two of them together.
The tall, beautiful, redhead and the rich old man.
But they matched in an odd way
His face was nearly the same color as her hair.
A red faced, big nosed, drinker,
I’ve seen that face a thousand times
Ain’t no mistakin’ it.
He had white hair all spiked up
Like how young people have it
And he wore nothing but gold
All over himself.
Gold necklace, full fists of rings, bracelets,
I couldn’t ******* believe it
I tried my best not to laugh
I was snorting to myself
The ******* had a Mercedes medallion around his neck
Like Flavor Flav or something, it was that flamboyant.
But the guy was like 70 years old
None of it made any ******* sense.
The florescent lighting above
it did this thing where
his eyes were so sunken in
that it created these two black shadows
where his eyes should’ve been
just pitch black
endlessly hollow and empty
with a red face.
Satan himself, covered in gold and diamonds.

“What’s up?” He said, extending his well tanned, leathery claw.
“Hey.”
“Alright, so let’s not waste any time. Let’s get down to business? Huh?”
“Yeah, sure.” I said.
“**** yeah! Let’s ****! You wanna **** him baby?”
”Why do you think I got him? Hell, I almost ****** him on the way home.”
“Did you now?” He said, looking over at me with this look
I couldn’t tell if it was pleasure or rage.
“Alright, alright then.”
The chick started to walk up the three little steps
Of the examination table
Her feet were pale as snow and her toes
Shiny and red like a the paint job on a brand new Cadillac in 1956
I remember that.
She climbed on top of me
Started kissing me and
Rubbing my ****
Under the examination gown.
From the corner of my eye
I saw the husband moving over to the camera
Which was setup a few feet away
Looked to be hi-def ****.
She bit my lip again
Really ******* hard
Pulled a big chunk of skin off
“*******!” I yelled.
“What?” The husband shouted back.
“He hates it when I bite him!” The redhead shouted with a smile
blood on her lips, from mine.
“Well, don’t take any **** son! If she does that again, you just give her a good smack!”
“What?”
“Yeah, don’t be timid boy! This ain’t ******’ Sunday school! We’re ******’, here!”
She did it again
And I wasn’t even thinking of what that old coot was yelling about
I just hit her on principle.
A good open handed smack across the cheek.
“There ya ******’ go! That’s what I’m talkin’ about.”
The old man threw his hands in the air
And started doing this little dance it was the weirdest ****
I had ever seen.
The redhead grabbed my face with her hands
Taking my eyes off the old man
Who was now singing some song
And shuffling around the floor.
She looked right into my eyes
Those mint colored eyes
She whispered to me
But I read her lips
“I’m sorry.”
And she pulled me in and kissed me
Put my hands to her *******
And proceeded to kiss me
Like a long lost love
Not some guy off the street.
And that’s the last thing I remember.
Besides the ***** of the needle in my neck.
Just her red hair hanging in my face
The florescent light shining through.
When I came to
I was standing upright
But I was strapped to a table
My arms
My legs
My head
Every part of me strapped down
Tight.
I wasn’t going anywhere
This was that bad feeling I got when she looked at me.
This was where it ended. Right now.
They were both standing there
Staring at me
Smiling with drinks in their hands
The cameras rolling
They had multiple cameras setup
Some 80’s techno playing from an iPod dock.
“What? What are you gonna do?” I slurred, it was hard to talk.
“I know, I’m sorry. Okay, look. We both agree that you probably are owed an explanation, I mean….these being your last moments and all…”
The redhead interrupted, looking at me, like she had before
There was love in her eyes
“Honey…remember what I said? About how there are things that we like and things that we enjoy? I’m sorry, but this is what we like.”
“*****?” I managed to choke out,
just the sound of the words chilled my ******* blood.
“Yeah. Hey…son, let me tell ya…we’re actually saving you a whole lot of heartache and disappointment. You weren’t gonna go anywhere, you weren’t going to accomplish anything. You’d work the same **** jobs, bouncing from one to the other, until you finally died of either ***** or drugs.”
“It’s for the best, sweetie.” The redhead said.
And I’d love to tell you that
They left the room for a few minutes
And I was able to free my hand
Taking the switchblade
From my underwear
Cutting myself free
Killing them both
And cleaning out their safe’s cash and diamonds.
But this was no movie.
Well not the kind with a happy ending anyway.
That’s when she walked over to the table
And grabbed the knife.
The song on the iPod changed
And I instantly recognized it.
It was the song.
I never could explain why
But as a boy
This song would come on the radio
This 80’s electro song
And it always scared the **** out of me
Turned my stomach
I never knew why
But now it all made sense.
That song would be the last thing I ever heard.
With the cameras rolling
The redhead gave me one more kiss.
I closed my eyes and pretended.
I pretended that she was a girl that loved me
That she was kissing me goodnight
Sending me off with a smile.
I just kept my eyes closed
Squeezing them tight
And I didn’t even feel the knife
When she slit my throat right there
In that slick, shiny, grey basement.
It didn’t hurt
I didn’t feel any pain.
Just warmth.
The blood flowing down the front of my neck and chest
pure warmth sliding down me
And I started to get light headed
Everything getting dark
Very quickly.
I could hear my heartbeat
In sync with a high-pitched ringing in my ears.
The last thing I saw
Was the redhead standing there
Luckily the husband had his head behind the camera
So I didn’t have his scary face as the last thing I ever saw.
No
It was the redhead
And those mint green eyes.
They never found my body.
The couple put me through a wood chipper
And fed my scraps to their dogs
After slicing off my biceps for dinner that night.
They went on doing this for years
Picking up guys and girls from the streets
who were down on their luck
And wouldn’t be high profile missing persons.
They acquired hundreds of DVD’s
Selling these ***** films
To their elite and powerful
Friends in high places.
But they justified it all.
Surely I wouldn’t be missed.
I didn’t have a mother
Like they had a mother
I didn’t laugh and love
Like they did
I was expendable
Disposable
Use once and discard.
The rich eating the poor
Blood meal for their insatiable & gruesome appetites.
It’s okay though.
I’m not mad or anything now.
It’s just blackness
A dreamless sleep
I don’t even know how I’m telling you this
But the worst part
The thing I still think about the most
Is my mother.
And what she must of thought
When her only son
Went to the store for her
Epsom salts
And just never came back.

You'll see me here again
At the end of the dock,
In the morning mist;

Waiting for soothing rain
As waves crash the rocks,
Yet I remain the Optimist;

For when I breathe a sigh of sorrow,
I trust my sun will shine tomorrow.

Lord:

no bequest requested.
no grant, no teach,
no need or greed asked
just a hey listen up,
if your attention is elsewhere

this is an
all-on-my-own
prayer that
my eyes only utter,
my tongue,
self-silenced,
can only watch
and must approve

in fact,
this is more
of a post
than a prayer,
updating you
on the state
of what we Earth temporaries
call the heart, mind, soul
and even our,
your-designed
crafted carrier,
my body

Mine enemies call me
cursed, embittered,
they are right - but fools,
they are
so much more than wrong,
for in this they err grievous,
for they cannot see their own
bile provisioning their end

ask for no interference
from the sidelines
neither from the
sapphire mother sky
that raised me up gloriously
this morning

nor the emerald earth
that this day
both gives and gets
common bounty
gives me sustenance,
as much spiritual
as grained cereal delights

lest you think this
just one more
me-centric rants,
let us recall this prayer,
is his very own,
prayer of gratitude

woman's head
rests on my chest,
her blonde highlights,
highlight our bed
and our
life

take and tuck her tresses
from eyes and forehead,
gentle them into place,
behind her ear,
and my hand journeys on
to the skin,
flesh of her backbone,
where my fingers
spread wide,
five messengers unique,
advising all of the 120 provinces of her
heart, mind, soul and body,
she is my beloved,
and I pray,
I am hers

learning still to
live with my means,
such as they are,
sometime mean,
sometimes extraordinaire

even this skill,
to express

is a gratitude
that though
comes and goes
like summer breezes
that as now we pray,
cools my AM coffee
while studying the
patterned mystery
of the bay's
Ave Maria waves
from that
dock-by-his-name

where my heart, mind, soul
drink wet inspiration
from the still-oak-tree'd-strong-surfaced waters,
the blue glue of
our common delighted,
uncommon existence

this skill,
at this moment mine,
to share and
not to keep,
for have I not,
been blessed,
by comrades-in-arms
that kneel beside me,
asking, imploring
to be stronger yet,
for their sakes,
for them!
I pray for
best they-can-muster
sustenance of peace
of heart, mind, soul
and body

here now,
my shills,
my failing skills
cannot help express
in new ways,
a gratitude
that has a shapeless shape,
no measurement app enabled
for their comfort,
our comfort,
best grasped as
an unbounded divinity,
how so I wish I could pray for them better

focus this prayer
on the good ones,
who so greatly honor us
with a greater-than-a-creator,
gift glorious of
friendship

this walnut crack'd shell,
this container ship of
heart, mind, soul,
here there,
a few leaks sprung,
no nicotine patches
to cover

this dented car,
this dented body,
new dent every day
from only-you-know-where
still gets me there,

but
other than taking care better,
it plods along and houses
the rearrangement of this prayer's words,
and that is what is called
plenty good enough,
self-sufficient

prayers that are too long
go to the back of line,
so here we be,
but here we do not wait!

for prayers of gratitude
are instantaneous fulfilled,
and thus granted even before
they are completed

triggery diggery dock
the tumblrina ran up the clock
but fell down because obese


patriachry

Late August 8 o’clock is barefoot, and sunburned in the places that are always sunburned. Worn skin and deck slats hold onto leftover noon. Beneath, swirls the near unknown. Blue-black and edgeless, it’s awake but calmer as the day savors a slow-motion finish. Out of respect for the sunset, those at rudder or wheel embrace a lakewide no wake zone. Our blooms of whistle and sigh fill the dusk hour.
Someone somewhere is lighting a fire. It can be felt in the shoulder blades, when breathing slows. A ripe sense of abundance carries in the peach pink light—a promise that the season won’t fade, that deck children never age, and their waters never freeze. The birch chorus agrees, and this false truth soothes tired limbs that know better, but choose to accept the judgement of the night arriving. Because tender are the day’s dying breaths, and a special care is taken here for every move.
Peeling away layers, hair stands high on the skin with the pines on the hillsides. Bundle your things under the bench, or the winds may take them. There is a silence here with something to say. Toes hug wood’s edge and the muckgrasses nod in tune to a song that is there but not wholly heard. It’s important to watch first; it’s important that you try once again to read the neon pattern in the waves. A familiar laugh through cabin window will interrupt this.
The ladder is better for the evening swim. Submergence is best performed slowly then all at once, with careful attention paid to the detoured bloodflow of sunburned skin. Reflections of the promise unravel as they scatter into sky. Dip your darkness into the horizon and feel the day’s heat collapse inward, easing the blushes of your superficial pain. Let the other foot leave the trust of algaed metal, as the body’s pieces spread suspended. A group of fiery orbs blink aloft in an endless cold.
Our stars are connected only by stories, and here—where the sky is reflected in water—the hair on your hillsides can nod along to the half-heard tune of eternity. This is the end of the dock.

The peerage and the steerage class.
(Titanic's in the dock)

The benefit,
the bit the government decreed is
enough to fulfill your every need,to
clothe and feed and get you through and
pay for fares to each job interview.
Meanwhile
in the House of trouts where
those who don't know they are dead still
have their snouts in the trough,
the ayes have it.
Yes
this species of faeces who don't have a clue,
give voice to the bills that tell us what to do.
I don't know about you but
to me that doesn't seem right.

I mashup me, myself, and thee: Part II

Excerpts from my poems about poets, poetry and the process of composition. In chronological order, from the earliest to the most recent.
---------------------------------------------------------­-----------------------------------------------------------------­----


The three poems went about their business,
Bringing heaven to earth,
FYI, even Angels can't be everywhere, so,
God invented poems to do his ***** work,
Cleansing souls.

They rode in~out of town on a prankster wave,
A cheering throng was not around,
But a singular poet saw, recorded the vision,
And thus, this nameless poet,
Below unmasked, unsealed,
Cleansed one more soul,
And that soul, this soul, as required,
Paid it forward.
~
Nothing produced from this place
where routine means the gorge tastes bile,
When surcease is welcome relief,
Where dancing on ice in bare feet
Is step one to ripping your chest open by your own hands,
The toxins thus released rejuvenated by salted air,
Can be finally be transcribed onto paper
And realized.

Warn them once and then begin, you,
Get serious, delve, with hurricane unambiguity,
to torrential words upon the unsuspecting,
let them taste the rawness, only the truth provides,
let them know salt tears so briney,
They will flee this place, n'er to return.
~
One day she intro'd me as her fav poet,
To which I acknowledged by addressing her as
My number one fan,
Which seems to have stuck,
so I acknowledge her as such,
And always add a polite, respectful, winking,
Yes ma'am!
~
Like this new day,
there are always
new poems

Like last night's sunset,
day's efforts reviewed,
a special light,
a yellowed marker,
highlighting a few deserving

Take them home,
kiss them goodnight,
rest them in the poetry file
that is no file,
but a large fabric box where
sewing tools once stored

How appropriate and
how happy that makes me.
~
Yo! Yo!
Remember your first real high,
That moment
No absolution, no return.
That moment
When you admitted, confessed,
to yourself:

I am
Forever forward,
A home-grown poet.
I am
Soul enslaved to words.
The alphabet - My oxygen molecules,
I am both,
Addict and dealer
A ****** poet

Yo! Yo!
So you do recall,
The exact moment,
God-spark-within, ascendancy gained
You lost control,
Wept words instead of tears!
A ****** poet ******!

Yo! Yo!

Sophie's Choice.
You chose writing over breathing,
Worshiper of the purest pleaure,
******* in deep the smoke-high of
Head-nodding discontented contentment
Stealing anything you saw
For to satisfy the need, the craven
Craving.
****** poets!

Yo! Yo!

Don't you're ever sleep?
Hear that the city, the state,
Gonna methadone your kind
In a special program
Teach you only language to sign.
**** poets!

I am a ****** poet.

The first step taken.
Admission.
Poetry is my default rest position,

My drug of choice.
~
Have you noticed here

Each poet declaims his fellow
The better one, his teacher,
From whom they shall learn and gather up
Inspiration

Gonna run for Congress,
My first bill, Poetry-care,
Will make it a requirement that
All citizens must contribute,
Exchange once a day
To this peaceful place,
Even just a syllable, a single letter,

K?
~
Literally my eyes see words awaiting coordinating,
Poems flying by, needing plucking,
How a child eats his morning cereal,
His rituals informing, of the man yet to be,
How our bodies lay, hair unbrushed,
Tying us into a conjoined knot...

No matter that plain words are my ordinary tools,
With them I shall scribe the small,
Cherish the little, grab the middle,
Simplicity my golden rule,
Write they say, about what you know best,
Surely in the diurnal motions,
The arc of daily commotion,
Do we not all excel?
~
The ice of poetry,
glassine smooth
but
charged hardness,
hits you, ****** you,
unexpected snowball in the face,

the fire of poetry,
cherished phrase, a patois,
comfort food when
whole winter skies
swallow you bleak

mutual contradictions of poetry
savaging the soothed ego,
revealing the raging id

what's in a word anyway?
~
Please Pop, pick wise,
the life and lies, the faces and disguises,
I will need employ to achieve success
in the eyes of my reading beholders,
who own the liens on my soul
because of the promises I believed,
when you sang me
glowing lullabies of my future days,
how everyone would love my stories,
my poems, someday...
~
Place your ****** hands upon thy chest.
Let them melt thru and come to rest,
Inside, the battle ongoing, under thy breast.
Watch, eyes open, knowing, fearful.
Swiftly, with no hesitation, from within,
Rip open your body, exhaling the best,
And the worst of what you got.

The cool air rushes in,
Stirring the inside stew of:
Infected grime, shameful desires,
Secrets that should not have been exposed,
The ***** stuff that you alone know exists.

Contact with the atmosphere makes
Self-pity dies, blue blood turn red,
The TNT tightness explodes,
Ashamed, you have only one escape hatch.

Now, you are ready to write.
~
My life is on the boring side,
So welcome gents to look inside,
The surfed sites, the emails, hardly slimy,
But stay the fk away from my poetry!

Tis obvious from your midnight editing,
That my wordily, working body has been discretely
Simonized,
My data,
Googlized,
My poems,
Scrutinized,
A comma, a colon, a verb, out of place, capsized,
Little threads kept in door jambs, their alteration,
Your snooping presence, a confirming revelation
~
Where I write, here, all comes so easy,
Every glance a poem formed,
Every phrase a title to a poem served,
Every conversation overheard and those wind-lifted brought,
A seed, a germ, a word~worm hooked to the pole crook of
My finger saying, see man, time to get more ink and paper,
Go and catch us a few poems for dinner

The snapper weakfish word colors are
Running past my-by the thousands,
We will need a basket to catch but a fraction
Of what you see, more than more enough to share,
Only Happy Poems for all

It is this rhyming way I view the wold,
That is my freedom, is my-present essence,
How the poems come, how thy flow,
Peaking, I cannot berate, rarely eat,
Sleep a thing of the past (as you be aware, beware)
There is poetry in simply everything.
~
But if my aura be a comfort insufficient,
Let this surprise poetic gift awaiting your arrival,
Give you rest, from crying surcease!

For when the who, the why of me interrogatory posed,
Describe me in a brevity I ne'er possessed, say:
He was just a poet, and I,
Just, his lover, number one fan.

This truth eternal, never to change.
~
But I am open to learning, the arduous task
Of raising a teenage daughter,
After I have my head examined

Though I am just a bunch of eclectic electrons,
I got powers a few, like making life's happiness
Hearted happier, encouraging your forays into
You-know-what,
And when tables turn, a hasty retreat you beat,
For imaginary cappuccinos and poems we will meet,
Comparing notes on who felt lousier when...

But what I can do 100% is assure you
There is no lone nor lonely daughter extant,
Your voice not just clear but soft-edged,
For I have poetically adopted you,
Here and now, assuming you sign on the
.............................................................­line
~
Take these words at plain face,
and look not askance
at this fair warning,
for I am but a tragic,
empty vessel for you to fill,
you are the raconteur,
me, just a  
poet poseur extraordinaire,
street urchin, word merchant,
all my verbally, wordly goods expropriated
from the wind,  where your scattered thoughts
lie about, carelessly,
unattended
~
Guiltless in life, we but survived,
Hurting no one, no thing,
Yet, here we lie, ignored, unattended,
Yet, you fail again to see our connection?
You do not recognize us?

We are the shells, the husks of you,
Your poems unread, you labors unpreserved,
All wasted, for unless they are read, they die,
As you will too.
Some fast, by water, some slower, time-eroded,
All, ended, by drowning in the Sea of Who Cares!
~
What sourced this elegiac distich,
Too many poets, fully disclosing their downbeat, aroma of defeat?

The world is in a **** mood, not one of us, got nothing
Good to say, seems that love storms ripping hearts
With no trace of mercy, the radio has elected nonstop
Taylor Swift and Jonas Bro's
Just to make the point!

It is so easy to feel ******,
When the sun is unshining, elegant distich, **** me.

Thinking back, getting a good idea,
Found some long necked Corona overlooked,
Turn on the tv, pretend I'm a real cowboy,
And for god's sake, shut down poetry,
Good Bye Poetry, for the rest of the day.
~
once upon a time,
a traffic light rainbow,
stopped n' go, was a word design,
demarcated visions of spun sugar,
bodegas sold me
magic beans by the pound,
masterminded into cups of delight,
treasury's bounty overflowed,
now, dregs drain, sink stained,
as are my writing utensils,
my ink stained, us-less, fingers

come visit me, unknown stranger,
let us exchange fluidity, barbs,
a contest of kissing, eye lashing
wit ands shared vision stashing,
and together, once more,
write with our feet,
while holding hands,
becoming once more
poets of the street.

Only, come quickly.
~

But reading thy cries, an exercise,
Teeth-gnashing frustration.
It brings no relief.

So sad girl,
Write till you are righted,
May be it will snow on July 4th,
And tho unnatural,
So is thy grief.

Nonetheless, write me write me all about it,
Right us,
For tho snow falls, its loveliness,
Makes the heart rise up in gladness!
~
She brings me coffee in bed.
I propose a violin accompaniment.
Some babka, with nice-crumbly-in-bed
Streusel topping,
A concerto we could make!

Her derision snorted so loud,
The mollusks on the beach
From their shells come out.

"Good luck with that,
Put that fantasy on
Your **** poetry site,
Cause that is the closest you will ever get!"
~
For she will be my heroine for all time,

These words to expand with rhyme and verse,
T'is a welcome task, one familiar, but anew,
Each dawn each dusk, a daily trust, a love poem diurnal-birthed,
As if god created the world, but left upon completion,
With a grievous thirst, a new notion, he did burst.

He created the Eighth Day, for celebration of his
Most cherished invention, the idea of love.
This is where, the secret writ Eleventh Commandment occurs,
Love thy Poetry Gods, Honor them with daily verbs.
~
Officer...you should see me gut a

Poem,

Slice its belly open,
Sometimes straight, sometimes Askew,
Feed the gulls them
****** insides on the dock, by-moonlight,
Can ya cut me some slack?

Mmm, I see here in your license,
You are a disabled guy,
A **** poet ******,
Who often does his best work
Legally all alone in the HOV lane,
So I'm gonna let you off this time
Just with a warning!
~
We can share words, we can grant tiny easements,
We can weep with you unseen tears,
We can etsy you little homemade gifts
Like this.

That you can take and keep, and break out in time of need knowing full well that these words will not spoil nor rancid turn, cannot be out grown,, or torn, or rent asunder in anyway for once they are shared
They are irrevocable.
~
When you write,
It as if you write upon our
One skin,
For I am your tablet,
Your sole/sol/soul composition.

So stop kissing me
and
Write upon us.
~
This will not be the hardest poem I e're wrote,
But if there is no inspiration
For you to smote,
And armpits refuse to provide perspiration,
To source juices for a new creation,
Try this trick,
I promise you
No one will lick your ice cream cone,
Nor mistake you for Leonard Cohen,
But when you are done,
You will be High Priest of
Hello Poetry for the rest of the day!
~
You think you can write?
Then employ  a word outside your comfort zone,
Go it alone,
And write four sentences that will make
The hopeful reader stand up and
you twice as much, and shout

Hallelujah
*******.

Work. Poetry is work. Hard work.
Don't fret. But, think on it. Have the sweetest dreams.
In the morning, when you but awake,
A poem will be aborning in thy mind,
And dare I say it, you will find a new freedom
In free verse.
(I know you will slip in a rhyme or two,
I can't help but do it too)
~
Had myself forgot,
That a poem needs a
Frame of jungle gym sounds,
An aural aura resonance unbound.
Purposed to make the heart lift
Your ears say:

Say what!

It needs a tune,
An internal music,
It needs a lilt!
A cadence, that both
Marches and swings,
Even when'd urgent dirge
grief pours forth.
~
This Sabbath day you fog-hide
Your gift of bay and beach
So quiet implore, beseech,
Keep the sailors safe,
And your poets saved.

I ask much.
But I ask for all of us,
There are so many such
That are booster-chair needy
That I am succumbed, overwhelmed,
Enormity fearsome needs help even from a deity.

Small words, big hopes.

If you cannot grant it,
Won't wait for intervention,
Do it myself, answer prayers one and all,
Best I can, starting now with this
Po-hymn.
~
I used to sleep
With pen and paper on my nighttime table.
Nowadays, my iPad tablet rests upon my chest,
Not only does it keep me warn,
It takes my poems from within, Fresh Direct,^
Edits, credits, and delivers them to your door,
While I'm still sleeping.

Which is why they come at all hours.
It is also why they call them,
Love's Labour's Lost saving devices.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
**So I spend my cold, hard time
laying down cold hard verse,
Can't stop, cause it's my daddy's dying curse.

I am both: Addict and dealer, a ****** poet ******.

ok, so this is the upswell
of wheeling free without wheels--
you taste the unknown on the wind
and endless vigor vibrates in your bones.

sidewalks, dumpsters, fields for beds,
star-gaze drowsy thinkings, underfed

but overzealous of an openness we'd never seen, we'd never see again! the planet turning magical in unexpected
ways of wanderjest--
consummate rest of freedom undenied, joyful celebrants of every day!

the strangers sudden friends stop
to gather in the journey up 'til then--
tales of kindness or of danger
sharing in some facet part

integral, shining, random and forgot--
we each diverge in thanks
or so it's been with me
despite mass fear of ****** sprees
we help each other's spirit's free

some begin and end with sore feet soothed,
the destination moved;
others with a steath-pipe harshly clean:
ember throat-smack numbs the breath
and giddy paranoia settles in
as 'the white house' sailing by perverse
-ly urban planning plotted bums who smile missing ob
-ligatory chili dogs in crowded bl
-are full to frighten morning parking lot we pitched
our tent and woke to soaking feet and sleeping bags submerged in runoff corner-lake

another time we simply waited at a truck stop,
piles of the rigs just running ready there
and one for us, he said he'd bring us north,
and more, he told us of his brothels,
his debt-collecting days, the cokehead legs he shot
for honesty, he said, and sang us poems (he wrote)
of foreign women loved, some with pictures,
pickled eggs and cooler-hotdogs stale,
my first menthol cigarette: inhale and fall
into an understanding outlaws have
of skipping all the weigh-stations, of
friendship gleaned by chance, ephemerality
in strength of truth to last:
he took our picture on the exit ramp,
gave us hugs and left us waiting there,
more than just an ex-**** trucker,
hired gun for pushing coke, but a human
sentimental in a context undefined
like justice in the sense of kindness to rewind

the rain... a joyful merciless accord
of being in the storm of open-ended
waywards torn in being home and on the road
life untenable in farther reaches worn of ages never understood

but standing in a trailer whipped with highway gusts of water-gratitude
though slipping in the bouncing hay and horse manure fertileness
we joke eternal swinging backpacks soaked and knocking spin on balance play

meeting lovers simply known as such
for nights or only one, talking into dawn
at random campus dormroom sheltering
when sober, high, tempted into impulse act
afraid or pleasant easy unknown facts
just passing by she offered for the night
his first intoxicant beyond the ***
surrounded puffing passing groaning
in the rooms above below i'm listening
smirking at the undeserving joy i swallow in her eager kiss
to throb the floating line of destiny in endless acts of freedom's light

though a ride can be a head-ache too...
piled beer cans on the floor,
clanking with each swerving,
the driver even stopping for a ****,
thankful? to be riding, not walking,
but observing when we're there, the ground, this time, i bend to kiss

Sam was the most generous:
he brought me to his home, his father took me sailing, swimming with the family
serving food on lakehouse dock and later
reading with the kids, dinner bonding
then such sleeping    deep    peace
and in the morning, after breakfast
on my way with lunchbag tastes of kindness never lost

there are many more
tucked away in word-gifts, also
blueberries to pick along the roadside, more
than i'd ever seen or thought to see
cows to sleep by, horses randy for an audience to claim the pasture for

the offer is a type of gift you question to refuse,
not to lose your wits
some are quiet, kind,
most are liberal in ways they couldn't ever elsewhere be:
snapshot saints in momentary boons of spontaneity and love.
some cross lines.
so, grateful i'm ok, but never worried otherwise. i run the 'risk' it's called,
and run it still: i ask the random for assistance,
in upturned eyes discern the weather
as in ancient times the host and guest stood cultural across
in making kin of unnamed walking in,
gifting company for company along the way
trusting always in the limned choices traveled, with a existential grin