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"chafed" poems
Stuck at this game, In what seemed like forever. Stuck at a stage where... Experience points don't matter. A game set in an expansive universe, Rife with problems that arise to haunt. You can't pass and can't concede defeat. Troubles' only function is to mock and taunt. I've chafed my thumbs raw... Manipulating the knobs on my controller. My mind is a mess... In search of a happily ever after. Puzzled by puzzles, There are no cheat codes... Can't blast my way through, There are no god modes... Neither are there any hints, Nor is there a walkthrough... I'm just running in perpetual circles, In this game of me and you.
0
Feb 18, 2015
Feb 18, 2015 at 8:13 AM UTC
The Game
her mouth was sandpaper. her mouth was sandpaper and she spoke like a smooth surface, words scraped into fluidity like a wooden sphere, turned over behind teeth ‘til all friction is lost. she spoke like the walls of a birdhouse in the room of a dead carpenter: pretty unassembled things. her mouth was sandpaper and every kiss chafed, rubbing raw my lips and tongue crafting with each touch drawing blood like juice from an apple, like sap from wood already cut from the tree. her mouth was sandpaper and she told me *i bite my lips, rip at the inside of my mouth, cannibalize myself cell by cell.* bone saws in her mouth. the only difference between teeth of jaws and saws is mercy (and she swallowed her mercy long ago). her mouth was sandpaper and she spoke like a carpenter’s hands: rough palms, tough pads, a utilitarian artist a crafter of dead flesh. a mortician for dryads and kodama. the art and the artist in lips tongue and teeth. her mouth was sandpaper and i brought mine to hers again and again, her bitten-rough lips opening like doors to purgatory. less entrapment than addiction - returning once more to nails and hammers, hell’s blacksmiths below heaven’s painters above. coming back home to the space between, to bone saws and a carpenter’s hands. her mouth was sandpaper and her voice was carpentry, her teeth bone saws her words birdhouse walls. her mouth was purgatory but her hands were hands. her mouth was sandpaper. i held her hand and chafed my lips raw.
0
Mar 9, 2013
Mar 9, 2013 at 12:26 AM UTC
why i need chapstick
her mouth was sandpaper. her mouth was sandpaper and she spoke like a smooth surface, words scraped into fluidity like a wooden sphere, turned over behind teeth ‘til all friction is lost. she spoke like the walls of a birdhouse in the room of a dead carpenter: pretty unassembled things. her mouth was sandpaper and every kiss chafed, rubbing raw my lips and tongue crafting with each touch drawing blood like juice from an apple, like sap from wood already cut from the tree. her mouth was sandpaper and she told me *i bite my lips, rip at the inside of my mouth, cannibalize myself cell by cell.* bone saws in her mouth. the only difference between teeth of jaws and saws is mercy (and she swallowed her mercy long ago). her mouth was sandpaper and she spoke like a carpenter’s hands: rough palms, tough pads, a utilitarian artist a crafter of dead flesh. a mortician for dryads and kodama. the art and the artist in lips tongue and teeth. her mouth was sandpaper and i brought mine to hers again and again, her bitten-rough lips opening like doors to purgatory. less entrapment than addiction - returning once more to nails and hammers, hell’s blacksmiths below heaven’s painters above. coming back home to the space between, to bone saws and a carpenter’s hands. her mouth was sandpaper and her voice was carpentry, her teeth bone saws her words birdhouse walls. her mouth was purgatory but her hands were hands. her mouth was sandpaper. i held her hand and chafed my lips raw.
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69
Cautionary visions visit in viciously vivid fashion I'm dead and my head is missing Everyone is laughing                               But me And the sky is sorta dreary but I don't know With no eyes you don't see too clearly       Sew me a new one on, Attached at the neck Plastic instead of brittle skin and maybe then      I can exist in some form above the normally gray and grim     I pray to a faceless facade             I made a "God" in my head An eternal alternative to turn to and blame    And claim to strangers that he works in mysterious ways         My lips are chafed from singing unheard praises            I'm tasteless and it has me thinking that maybe my mouth was only a product of my imagination      **Food for thought I chew and stop            Its too **** hot for contemplation**       Still, I used to think my hands belonged to someone else      Right up until I used them both to **** myself
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Jun 25, 2018
Jun 25, 2018 at 12:38 PM UTC
I Used To Think My Hands Belonged To Someone Else
i i washed up for a living,lily, for a while there this is something george** and i have in common.. on the whole i was treated decently pearl divers are a breed unto themselves.. mine was a life of ease over eating and boredem it was hard on the spine and knees.. a piece of cake compared to digging holes (surrounded by the boss and his extended family..) the pop wagon on friday cement as a whole the olive oil factory or carrying bricks.. ii the pop wagon on a friday took only two hours brevity that was the answer.. the cement truck on tuesdays took two and half hours.. but ended in tears.. the shift in the olive oil factory could last eighteen hours.. digging holes an eternity carrying bricks up stairs works up quite a thirst.. never mind soon be.. be in pauli´ s soup kitchen where wine smooth and cool as honey bees.. chicken and macaroni..! iii the cement was high in lime and invariably chafed the skin and in that hole it would set to be picked out with olive oil and a pin..drunk,the screaming and carry on.. we laughed and held them down better digging holes..!* *it was so painful..! **down and out in paris and london by gearge orwell
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Aug 5, 2018
Aug 5, 2018 at 8:33 AM UTC
i washed up for a living,lily..
It is like some steampunk nightmare Where working overtime is a racket When what was time and a half pay On the day I get my check, I make less; Some kind of tax bracket scam thing Where working extra hours put me Into another category and increased The tax they use to grease the wheels Of a bloated government that hates me. Maybe that dates me and it isn’t true; That things have changed and it is No longer arranged that way. And maybe The way things became done was that I got it all back as a refund. But isn’t that Redundant, that I had to pay it to them To use it like per diem for their games? The shame is that I chafed and did nothing Besides ******** and frothing at the mouth. It’s not like I could go south to Ensenada, Buy a piñata that looked like Mickey Mouse, It was just that the house always wins. But I have to pay for my tiny, mundane sins. Why don’t they? Why does it go on and on And then the money’s gone and I pay more The next time some fat ***** of a politician Begins a petition to increase their slice And nicely reduce ours to a pittance So low there is no admittance to a show Or enough to replace a car that is a wreck? The albatross around my neck gets larger As it I move farther from the day it died Even though I have tried standing up straighter. It’s The Grand Guignol Theatre that life is And the strife is to not let it get me down; To be the happy clown and not the sad one In a game that was begun to make me lose. I am not confused. I see it, but it seems Even in dreams I get no kind of relief From a governmental thief with immunity; The pillages with impunity and teases That he does what he pleases. Neener, neener What in hell could possibly be meaner?
0
May 3, 2015
May 3, 2015 at 6:32 AM UTC
THE ALBATROSS
It is like some steampunk nightmare Where working overtime is a racket When what was time and a half pay On the day I get my check, I make less; Some kind of tax bracket scam thing Where working extra hours put me Into another category and increased The tax they use to grease the wheels Of a bloated government that hates me. Maybe that dates me and it isn’t true; That things have changed and it is No longer arranged that way. And maybe The way things became done was that I got it all back as a refund. But isn’t that Redundant, that I had to pay it to them To use it like per diem for their games? The shame is that I chafed and did nothing Besides ******** and frothing at the mouth. It’s not like I could go south to Ensenada, Buy a piñata that looked like Mickey Mouse, It was just that the house always wins. But I have to pay for my tiny, mundane sins. Why don’t they? Why does it go on and on And then the money’s gone and I pay more The next time some fat ***** of a politician Begins a petition to increase their slice And nicely reduce ours to a pittance So low there is no admittance to a show Or enough to replace a car that is a wreck? The albatross around my neck gets larger As it I move farther from the day it died Even though I have tried standing up straighter. It’s The Grand Guignol Theatre that life is And the strife is to not let it get me down; To be the happy clown and not the sad one In a game that was begun to make me lose. I am not confused. I see it, but it seems Even in dreams I get no kind of relief From a governmental thief with immunity; The pillages with impunity and teases That he does what he pleases. Neener, neener What in hell could possibly be meaner?
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42
I love the cold, the chill on my skin. I love the way it makes my bones want to crack and break through my chafed flesh. The way my blood slows, numbing my limbs, slowing their movement. I love the way you left me... I love the way I've been torn and left. Yes, love it how with every breath my lungs strain and gasp for the air that once soothed their burning.... I love this frustration. love how it consumes every waking moment. love how I can't get passed you. Ilove how I've tried.... I just love the corruption of my thoughts, the way they long for what was: to be tormented, twisted up yet again in mindless passion, spinning... I loved the crash that followed that high and those glorious nigh5a that are now so empty.... I love being alone. love listening to the sound of your silence. I love how it's been so long since you've graced me with your untimely presence. I just love it to death! I love still freezing from the absence of your touch. I love longing for the warmth of an endearing word from your now forlorn mouth. I love it how you still have nothing to say now that time is spent and it's too late. I love it so much, it kills me
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Feb 25, 2015
Feb 25, 2015 at 6:27 PM UTC
to "x", on sarcasm
unscrupulous universe      steeped in illusion and so      electrifiedcrazy with infernal edges chafed      against tinfoil stars      bent and      broken. they make believe that they are beautiful. unscrupulous people      sharply disillusioned and so      upandoutwild with rough edges filed smooth      with makeup and glam      but they're still      bent and      broken. they make believe that they are beautiful. understated words      creating an illusion and so      slipperysilverfleeting with dark corners coming      alive under the      pretense of fiction      bent but not      broken. they know that they are beautiful.
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May 26, 2014
May 26, 2014 at 12:59 AM UTC
Make Believe
I sprinkled sunflower petals in the warm water, to make it gold. Then dipped my body quietly in the bathtub, to wash my tainted soul.   The morning light peeked through the lemon coloured glass, while the fading fate dissolved in the pearly waves of my lash. My lifted hand reached for the sunlight, the feeble fingers swayed like dandelions. A swollen gaze perched on the broken mirror, a burning sensation impregnated my chafed lips; turning them bitter. The beauty they preach about is not divine, nothing in this world stays sublime. The saffron tinted ancient walls, kissed the amber tiled floor Everything fire; everything gold, yet no power can assuage the murkiness of my soul. My dear Van Gogh how could you think? that the yellow, if you eat, will lift your spirits?
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Nov 19, 2018
Nov 19, 2018 at 4:37 PM UTC
Under the Tuscan Sun
Whither, midst falling dew, While glow the heavens with the last steps of day, Far, through their rosy depths, dost thou pursue Thy solitary way? Vainly the fowler's eye Might mark thy distant flight to do thee wrong, As, darkly seen against the crimson sky, Thy figure floats along. Seek'st thou the plashy brink Of weedy lake, or marge of river wide, Or where the rocking billows rise and sink On the chafed ocean-side? There is a Power whose care Teaches thy way along that pathless coast-- The desert and illimitable air-- Lone wandering, but not lost. All day thy wings have fanned, At that far height, the cold, thin atmosphere, Yet stoop not, weary, to the welcome land, Though the dark night is near. And soon that toil shall end; Soon shalt thou find a summer home, and rest, And scream among thy fellows; reeds shall bend, Soon, o'er thy sheltered nest. Thou 'rt gone, the abyss of heaven Hath swallowed up thy form; yet, on my heart Deeply hath sunk the lesson thou hast given, And shall not soon depart. He who, from zone to zone, Guides through the boundless sky thy certain flight, In the long way that I must tread alone, Will lead my steps aright.
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2.3k
To a Waterfowl
Was I maudlin over our breakup? For a minute. If I think of you now, it’s like a slideshow of unflattering images. At the time, my breakup buddies reminded me you were a bad choice - like a brand of deodorant that gave me a rash or fashionable shoes that chafed, even after they were stretched. “Ruca,” my girlfriends would say, “you’re shootin-terrible, they’re a million pork-swords in the sea.” Finally, I pulled the trigger - double-tapped us. At first, reminders of you, those siren whispers of nostalgia, were everywhere - like the moon - which, I just had to live with. You passed from memory though, that’s how memory works. Events fade, like last week’s chemistry test, or yesterday’s lunch. Now, if someone asks me, “Hey, remember, what’s his name, your big love from high school?” I say “Nope.” I chose to laugh, dance - and shoot birds at the moon.
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May 30, 2023
May 30, 2023 at 8:37 PM UTC
shooting birds at the moon
She is the color of passion ー The heated sighs and whispers of promises to be broken in cold, lonely nights. She is the color of kisses ー Chafed and bruised in stolen Moments, never to be experienced again. She is the color of scorn ー Laughter, icy and vengeful, over desperate pleas as they fall to Bitter ears. She is the color of women, of mother and child, Forgotten and forsaken ー a ransom paid for one eternal Night.
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Mar 13, 2015
Mar 13, 2015 at 12:45 PM UTC
scar·let\ˈskär-lət\ n.
Your nails were soft pink crescents they chafed along my cheek. You plucked the silken petals watched them wither at your feet. I fed you dandelions, Picked stems from your teeth with my tongue. But in the creases of your mouth, I saw the weeds of doubt.
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Mar 8, 2013
Mar 8, 2013 at 11:15 AM UTC
dirt road
You can’t really picture the place. You don’t recall who was there. But you remember surprise That human ashes are not powdery dust, Apt to disintegrate like snow, Or soft like bread cast upon the waters. Dad’s ashes chafed your palms like jagged seeds As you clutched fistfuls from a plastic purple box And flung them down a hillside Somewhere in Little Cottonwood Canyon. And you remember the feeling of urgency As you retreated up the hill. You had motions to go through, Space to occupy, A black and white landscape to walk Among small figures filing along a dirt track In the airless September heat.
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Jul 25, 2015
Jul 25, 2015 at 6:54 AM UTC
What You Remember
I couldn’t have no bunch ‘a “Baby-Daddies” hanging around my life Jugglin’ ‘em- and tryin’ a keep track of What each was supposed to do for his And when And how And how much Naw…that ain’t my style ~ I’m the lady that he introduces to other ladies in his life I’m the lady that he takes to dinner with his mama I’m the lady who Can stand up under his friend-girl’s scrutiny and Bear the weight of his auntie’s infamous stare I got Way too much class to have too many babies With too many different daddies Right? You understand what I mean… ~ So when I looked up And I had ****** up And was knocked up By another woman’s husband… (With my classy self) Well… that just would not do at all I mean I may be PRO-Choice But in truth I had NO choice Right? You understand what I mean…? ~ Hell, Too many kids and girl might Fool around and end up a “pogo stick” And I ain’t no **** pogo stick… You know… “Fun to bounce around on- But no self-respecting grown man Will be seen in public with one…” I had NO choice… Right? ~ It wadn’t so bad… Once I got past the Nightmares of vacuums and clogged ******* sounds and the pain in my guts and the bleedin’ ‘til I chafed and the crying ‘til I puked and the sore leaking ******* and the   Hole in my soul… It wadn’t so bad… ~ And it had to be done Right? ~ Besides, I lived through it… And in the end-   it’s all about ME You understand what I mean… You hear what I’m screamin’? You hear What AAAAHM SCREEEAAAMING!!!?
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May 16, 2013
May 16, 2013 at 9:12 AM UTC
Irony Of Choice
I couldn’t have no bunch ‘a “Baby-Daddies” hanging around my life Jugglin’ ‘em- and tryin’ a keep track of What each was supposed to do for his And when And how And how much Naw…that ain’t my style ~ I’m the lady that he introduces to other ladies in his life I’m the lady that he takes to dinner with his mama I’m the lady who Can stand up under his friend-girl’s scrutiny and Bear the weight of his auntie’s infamous stare I got Way too much class to have too many babies With too many different daddies Right? You understand what I mean… ~ So when I looked up And I had ****** up And was knocked up By another woman’s husband… (With my classy self) Well… that just would not do at all I mean I may be PRO-Choice But in truth I had NO choice Right? You understand what I mean…? ~ Hell, Too many kids and girl might Fool around and end up a “pogo stick” And I ain’t no **** pogo stick… You know… “Fun to bounce around on- But no self-respecting grown man Will be seen in public with one…” I had NO choice… Right? ~ It wadn’t so bad… Once I got past the Nightmares of vacuums and clogged ******* sounds and the pain in my guts and the bleedin’ ‘til I chafed and the crying ‘til I puked and the sore leaking ******* and the   Hole in my soul… It wadn’t so bad… ~ And it had to be done Right? ~ Besides, I lived through it… And in the end-   it’s all about ME You understand what I mean… You hear what I’m screamin’? You hear What AAAAHM SCREEEAAAMING!!!?
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61
we talked about it at my place and yours but mostly I mourned seeing the socks pulled over your ankles while walking across streets during rain. how warm like a second skin, they rubbed against my thighs and it chafed and you kept cotton to shove down our throats when being broken felt like too much for two people so in love and so far apart.
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Aug 3, 2013
Aug 3, 2013 at 6:19 PM UTC
cotton
THE SHADOWS PALMS STRETCHED IN THE EBONY ROADS MUSING ON THE BLOCKS OF RUGGED STONE STEPS GARNERED AND GATHERED BY CHAFED PALMS. STRADDLING OVER THEM THE DEEP FURROWS AND HEATED BROWS NOW BROWN AND TANNED WEARING A RUMMAGED MOUSTACHE OF CLIMBING VINES. EVERY STEP AMUSES, A MUSE THAT DOES NOT CEASE TO AMUSE, IN THE HEAT OVERDOSES. AND WHEN THE ARECA PALMS PALIPATING IN ARRAY HOIST ABOUT LIKE ROWS OF MEN DOPED IN CEILED BANKS OF DISTRUST A CYNICAL NILA CRIES , HER PLUNDERED SANDS. NOW THE SUNKEN FERRIES , HAVE APPEARED AT HER BAY, AND PAINFULLY CHAFE EACH OTHER. A ***** FROM THE BOTTOM STIRRING THE BELL FOR THE REQUIEM PAY THE FERRYMEN. FOR THE WAYFARERS WAFFLED WRITINGS ARE ADDRESSED TO THE MEN WHO PLASTERED HER WALLS ALONE
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May 20, 2012
May 20, 2012 at 1:31 AM UTC
the shadows palms
The first time he came into the light He thought that his eyes had gone, The sun was shining, ever so bright With nothing to focus on, They led him out to sit on a rock And hacked off his ball and chain, It took a week of his ticket of leave Before he could see again. Richard Dawson, a broken man Had finally done his time, He’d spent three years in shovelling coal In the colony’s first coal mine, They said it was only his just desserts For a pocket, picked in the Strand, And sent him out on a convict ship To the hell of Van Diemen’s Land. At first they set him to breaking rocks For laying the first rough roads, He worked while tethered in iron chains That chafed his skin and his bones, He wasn’t allowed to take a rest From swinging the pick or axe, For the guards would follow the line of men And lay the whip on their backs. He lost his God and he lost his soul Or he thought that he had, out there, Where men were hung as a matter of fact And nobody seemed to care, He slaved four years with the other men But his future was looking bleak, When he hit a man who was guarding them He was sent to Saltwater Creek. If ever there was a hell on earth It was called Saltwater Creek, The devil had got in the minds of men And they formed a barbaric clique. The cells were buried, were underground, There wasn’t a spark of light, And the men were taken out of the mine When it was dark, at night. They started before the sun was up, They finished when it was gone, Were locked and chained in their pitch dark cells In a terror that just went on, And while they were buried and mining coal They’d think of the old country, While their judge sat cool in his stately robes And finished his morning tea. A man turns into a surly brute When he’s kicked and cursed, and beat, But take the sun from his daily run And his soul admits defeat. Richard Dawson, later in life At night, would take to the street, And never could quite explain to his wife The Hell of Saltwater Creek. David Lewis Paget
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Sep 30, 2013
Sep 30, 2013 at 5:16 PM UTC
Saltwater Creek
The first time he came into the light He thought that his eyes had gone, The sun was shining, ever so bright With nothing to focus on, They led him out to sit on a rock And hacked off his ball and chain, It took a week of his ticket of leave Before he could see again. Richard Dawson, a broken man Had finally done his time, He’d spent three years in shovelling coal In the colony’s first coal mine, They said it was only his just desserts For a pocket, picked in the Strand, And sent him out on a convict ship To the hell of Van Diemen’s Land. At first they set him to breaking rocks For laying the first rough roads, He worked while tethered in iron chains That chafed his skin and his bones, He wasn’t allowed to take a rest From swinging the pick or axe, For the guards would follow the line of men And lay the whip on their backs. He lost his God and he lost his soul Or he thought that he had, out there, Where men were hung as a matter of fact And nobody seemed to care, He slaved four years with the other men But his future was looking bleak, When he hit a man who was guarding them He was sent to Saltwater Creek. If ever there was a hell on earth It was called Saltwater Creek, The devil had got in the minds of men And they formed a barbaric clique. The cells were buried, were underground, There wasn’t a spark of light, And the men were taken out of the mine When it was dark, at night. They started before the sun was up, They finished when it was gone, Were locked and chained in their pitch dark cells In a terror that just went on, And while they were buried and mining coal They’d think of the old country, While their judge sat cool in his stately robes And finished his morning tea. A man turns into a surly brute When he’s kicked and cursed, and beat, But take the sun from his daily run And his soul admits defeat. Richard Dawson, later in life At night, would take to the street, And never could quite explain to his wife The Hell of Saltwater Creek. David Lewis Paget
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57
Dead summer skin falls from the yielding trees The bitter wind makes a bitter me Grumbling inner man regretting Ungrateful thanks in sweating Longing for lighter clothes I blow my chafed nose People scamper Teeth clamper My fun Done
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Nov 12, 2013
Nov 12, 2013 at 3:14 PM UTC
Too Soon The Cold
I craved presence and dreamt of intimacy: of arms wrapped tight around me in the darkness and lips like wildfire scorching throughout my skin. Of midnight drives and trips to crowd-less theaters, chafed balaclavas and pseudo-murder sprees. Of laughter and a smile not like the sunlight but the moon's: enigmatic, forlorn, lonely. Of self-destruction and notorious luxuries, and hands, laced against my own, comforting, solid, a drop of water in the desert. (A kind of love that could give me what I wanted, and what I wanted was oblivion.)
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Sep 24, 2015
Sep 24, 2015 at 9:39 AM UTC
What do you crave for?
I knew a boy who liked to draw people (with guns pressed to their temples and blades at their wrists) he liked to tell stories (about a girl with a chafed neck swinging from her closet) sometimes he wrote these stories down and submitted then to the school newspaper (but no one likes stories about sunset thighs) they thought he was crazy (did you hear- let us chat now now now) but he was not crazy (just suicidal)
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Jun 10, 2014
Jun 10, 2014 at 3:28 PM UTC
(parentheses tell the real story)
he was a burly man maybe mid-forties she was nineteen, a little naïve a little Lolitaish she didn’t know him nor him her he wore his uniform the cloak of power and authority like a sheath on his ***** the only one he had today her ******* chafed as her bra bit jeans over tightly wrapped buttocks she pulls the cord to stop the bus it is her stop two blocks from home she gets up and turns to face the door he eyes her from behind with vision hungry for a taste just a taste of what lies beneath she is thinking about getting home before she freezes the door opens she takes a step down unaware he gets up silently and pushes her out “that’s where you belong you ***** in the gutter.” unexpected tears mingle with rain in the mud. copyright/all rights reserved Audrey Howitt 2011
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Nov 10, 2011
Nov 10, 2011 at 10:41 PM UTC
The Bus Stop
I bleed outside the lines from the insides of my knees. The thousand-at-once ****** of your mild affection that paint my sore, chafed skin take my breath away- Like you've never done before. Your hurt hurts me more Than your loving ever could. You're the corner of the table that I keep bruising my thighs on, but it's a round table conference &nd; they're telling me that love is just around the corner. I have to climb over the corner of bruising, vicious love! But my table is round; how do I get over you?
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Sep 24, 2015
Sep 24, 2015 at 1:36 PM UTC
cornerstone
Moon Moon-- roughly the size of a cantaloupe. Whom eyes have chafed on, not perceiving any pain. Moon, but not quite Li Po's: Many hungry are below you hung, paused as if thinking on the paths to your glaciers.
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May 30, 2015
May 30, 2015 at 11:35 PM UTC
Moon
When we were 25 all night was eight minutes Now that we're 55 he really means all night. Pass the **** baby I'm getting chafed.
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May 23, 2013
May 23, 2013 at 10:49 PM UTC
My Silverback