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Slow sinks, more lovely ere his race be run,
Along Morea’s hills the setting Sun;
Not, as in northern climes, obscurely bright,
But one unclouded blaze of living light;
O’er the hushed deep the yellow beam he throws,
Gilds the green wave that trembles as it glows;
On old ægina’s rock and Hydra’s isle
The God of gladness sheds his parting smile;
O’er his own regions lingering loves to shine,
Though there his altars are no more divine.
Descending fast, the mountain-shadows kiss
Thy glorious Gulf, unconquered Salamis!
Their azure arches through the long expanse,
More deeply purpled, meet his mellowing glance,
And tenderest tints, along their summits driven,
Mark his gay course, and own the hues of Heaven;
Till, darkly shaded from the land and deep,
Behind his Delphian rock he sinks to sleep.

  On such an eve his palest beam he cast
When, Athens! here thy Wisest looked his last.
How watched thy better sons his farewell ray,
That closed their murdered Sage’s latest day!
Not yet—not yet—Sol pauses on the hill,
The precious hour of parting lingers still;
But sad his light to agonizing eyes,
And dark the mountain’s once delightful dyes;
Gloom o’er the lovely land he seemed to pour,
The land where Phoebus never frowned before;
But ere he sunk below Cithaeron’s head,
The cup of Woe was quaffed—the Spirit fled;
The soul of Him that scorned to fear or fly,
Who lived and died as none can live or die.

  But lo! from high Hymettus to the plain
The Queen of Night asserts her silent reign;
No murky vapour, herald of the storm,
Hides her fair face, or girds her glowing form;
With cornice glimmering as the moonbeams play,
There the white column greets her grateful ray,
And bright around, with quivering beams beset,
Her emblem sparkles o’er the Minaret;
The groves of olive scattered dark and wide,
Where meek Cephisus sheds his scanty tide,
The cypress saddening by the sacred mosque,
The gleaming turret of the gay kiosk,
And sad and sombre ’mid the holy calm,
Near Theseus’ fane, yon solitary palm;
All, tinged with varied hues, arrest the eye;
And dull were his that passed them heedless by.
Again the ægean, heard no more afar,
Lulls his chafed breast from elemental war:
Again his waves in milder tints unfold
Their long expanse of sapphire and of gold,
Mixed with the shades of many a distant isle
That frown, where gentler Ocean deigns to smile.

  As thus, within the walls of Pallas’ fane,
I marked the beauties of the land and main,
Alone, and friendless, on the magic shore,
Whose arts and arms but live in poets’ lore;
Oft as the matchless dome I turned to scan,
Sacred to Gods, but not secure from Man,
The Past returned, the Present seemed to cease,
And Glory knew no clime beyond her Greece!

  Hour rolled along, and Dian’******on high
Had gained the centre of her softest sky;
And yet unwearied still my footsteps trod
O’er the vain shrine of many a vanished God:
But chiefly, Pallas! thine, when Hecate’s glare
Checked by thy columns, fell more sadly fair
O’er the chill marble, where the startling tread
Thrills the lone heart like echoes from the dead.
Long had I mused, and treasured every trace
The wreck of Greece recorded of her race,
When, lo! a giant-form before me strode,
And Pallas hailed me in her own Abode!

  Yes,’twas Minerva’s self; but, ah! how changed,
Since o’er the Dardan field in arms she ranged!
Not such as erst, by her divine command,
Her form appeared from Phidias’ plastic hand:
Gone were the terrors of her awful brow,
Her idle ægis bore no Gorgon now;
Her helm was dinted, and the broken lance
Seemed weak and shaftless e’en to mortal glance;
The Olive Branch, which still she deigned to clasp,
Shrunk from her touch, and withered in her grasp;
And, ah! though still the brightest of the sky,
Celestial tears bedimmed her large blue eye;
Round the rent casque her owlet circled slow,
And mourned his mistress with a shriek of woe!

  “Mortal!”—’twas thus she spake—”that blush of shame
Proclaims thee Briton, once a noble name;
First of the mighty, foremost of the free,
Now honoured ‘less’ by all, and ‘least’ by me:
Chief of thy foes shall Pallas still be found.
Seek’st thou the cause of loathing!—look around.
Lo! here, despite of war and wasting fire,
I saw successive Tyrannies expire;
‘Scaped from the ravage of the Turk and Goth,
Thy country sends a spoiler worse than both.
Survey this vacant, violated fane;
Recount the relics torn that yet remain:
‘These’ Cecrops placed, ‘this’ Pericles adorned,
‘That’ Adrian reared when drooping Science mourned.
What more I owe let Gratitude attest—
Know, Alaric and Elgin did the rest.
That all may learn from whence the plunderer came,
The insulted wall sustains his hated name:
For Elgin’s fame thus grateful Pallas pleads,
Below, his name—above, behold his deeds!
Be ever hailed with equal honour here
The Gothic monarch and the Pictish peer:
Arms gave the first his right, the last had none,
But basely stole what less barbarians won.
So when the Lion quits his fell repast,
Next prowls the Wolf, the filthy Jackal last:
Flesh, limbs, and blood the former make their own,
The last poor brute securely gnaws the bone.
Yet still the Gods are just, and crimes are crossed:
See here what Elgin won, and what he lost!
Another name with his pollutes my shrine:
Behold where Dian’s beams disdain to shine!
Some retribution still might Pallas claim,
When Venus half avenged Minerva’s shame.”

  She ceased awhile, and thus I dared reply,
To soothe the vengeance kindling in her eye:
“Daughter of Jove! in Britain’s injured name,
A true-born Briton may the deed disclaim.
Frown not on England; England owns him not:
Athena, no! thy plunderer was a Scot.
Ask’st thou the difference? From fair Phyles’ towers
Survey Boeotia;—Caledonia’s ours.
And well I know within that ******* land
Hath Wisdom’s goddess never held command;
A barren soil, where Nature’s germs, confined
To stern sterility, can stint the mind;
Whose thistle well betrays the niggard earth,
Emblem of all to whom the Land gives birth;
Each genial influence nurtured to resist;
A land of meanness, sophistry, and mist.
Each breeze from foggy mount and marshy plain
Dilutes with drivel every drizzly brain,
Till, burst at length, each wat’ry head o’erflows,
Foul as their soil, and frigid as their snows:
Then thousand schemes of petulance and pride
Despatch her scheming children far and wide;
Some East, some West, some—everywhere but North!
In quest of lawless gain, they issue forth.
And thus—accursed be the day and year!
She sent a Pict to play the felon here.
Yet Caledonia claims some native worth,
As dull Boeotia gave a Pindar birth;
So may her few, the lettered and the brave,
Bound to no clime, and victors of the grave,
Shake off the sordid dust of such a land,
And shine like children of a happier strand;
As once, of yore, in some obnoxious place,
Ten names (if found) had saved a wretched race.”

  “Mortal!” the blue-eyed maid resumed, “once more
Bear back my mandate to thy native shore.
Though fallen, alas! this vengeance yet is mine,
To turn my counsels far from lands like thine.
Hear then in silence Pallas’ stern behest;
Hear and believe, for Time will tell the rest.

  “First on the head of him who did this deed
My curse shall light,—on him and all his seed:
Without one spark of intellectual fire,
Be all the sons as senseless as the sire:
If one with wit the parent brood disgrace,
Believe him ******* of a brighter race:
Still with his hireling artists let him prate,
And Folly’s praise repay for Wisdom’s hate;
Long of their Patron’s gusto let them tell,
Whose noblest, native gusto is—to sell:
To sell, and make—may shame record the day!—
The State—Receiver of his pilfered prey.
Meantime, the flattering, feeble dotard, West,
Europe’s worst dauber, and poor Britain’s best,
With palsied hand shall turn each model o’er,
And own himself an infant of fourscore.
Be all the Bruisers culled from all St. Giles’,
That Art and Nature may compare their styles;
While brawny brutes in stupid wonder stare,
And marvel at his Lordship’s ’stone shop’ there.
Round the thronged gate shall sauntering coxcombs creep
To lounge and lucubrate, to prate and peep;
While many a languid maid, with longing sigh,
On giant statues casts the curious eye;
The room with transient glance appears to skim,
Yet marks the mighty back and length of limb;
Mourns o’er the difference of now and then;
Exclaims, ‘These Greeks indeed were proper men!’
Draws slight comparisons of ‘these’ with ‘those’,
And envies Laïs all her Attic beaux.
When shall a modern maid have swains like these?
Alas! Sir Harry is no Hercules!
And last of all, amidst the gaping crew,
Some calm spectator, as he takes his view,
In silent indignation mixed with grief,
Admires the plunder, but abhors the thief.
Oh, loathed in life, nor pardoned in the dust,
May Hate pursue his sacrilegious lust!
Linked with the fool that fired the Ephesian dome,
Shall vengeance follow far beyond the tomb,
And Eratostratus and Elgin shine
In many a branding page and burning line;
Alike reserved for aye to stand accursed,
Perchance the second blacker than the first.

  “So let him stand, through ages yet unborn,
Fixed statue on the pedestal of Scorn;
Though not for him alone revenge shall wait,
But fits thy country for her coming fate:
Hers were the deeds that taught her lawless son
To do what oft Britannia’s self had done.
Look to the Baltic—blazing from afar,
Your old Ally yet mourns perfidious war.
Not to such deeds did Pallas lend her aid,
Or break the compact which herself had made;
Far from such counsels, from the faithless field
She fled—but left behind her Gorgon shield;
A fatal gift that turned your friends to stone,
And left lost Albion hated and alone.

“Look to the East, where Ganges’ swarthy race
Shall shake your tyrant empire to its base;
Lo! there Rebellion rears her ghastly head,
And glares the Nemesis of native dead;
Till Indus rolls a deep purpureal flood,
And claims his long arrear of northern blood.
So may ye perish!—Pallas, when she gave
Your free-born rights, forbade ye to enslave.

  “Look on your Spain!—she clasps the hand she hates,
But boldly clasps, and thrusts you from her gates.
Bear witness, bright Barossa! thou canst tell
Whose were the sons that bravely fought and fell.
But Lusitania, kind and dear ally,
Can spare a few to fight, and sometimes fly.
Oh glorious field! by Famine fiercely won,
The Gaul retires for once, and all is done!
But when did Pallas teach, that one retreat
Retrieved three long Olympiads of defeat?

  “Look last at home—ye love not to look there
On the grim smile of comfortless despair:
Your city saddens: loud though Revel howls,
Here Famine faints, and yonder Rapine prowls.
See all alike of more or less bereft;
No misers tremble when there’s nothing left.
‘Blest paper credit;’ who shall dare to sing?
It clogs like lead Corruption’s weary wing.
Yet Pallas pluck’d each Premier by the ear,
Who Gods and men alike disdained to hear;
But one, repentant o’er a bankrupt state,
On Pallas calls,—but calls, alas! too late:
Then raves for’——’; to that Mentor bends,
Though he and Pallas never yet were friends.
Him senates hear, whom never yet they heard,
Contemptuous once, and now no less absurd.
So, once of yore, each reasonable frog,
Swore faith and fealty to his sovereign ‘log.’
Thus hailed your rulers their patrician clod,
As Egypt chose an onion for a God.

  “Now fare ye well! enjoy your little hour;
Go, grasp the shadow of your vanished power;
Gloss o’er the failure of each fondest scheme;
Your strength a name, your bloated wealth a dream.
Gone is that Gold, the marvel of mankind.
And Pirates barter all that’s left behind.
No more the hirelings, purchased near and far,
Crowd to the ranks of mercenary war.
The idle merchant on the useless quay
Droops o’er the bales no bark may bear away;
Or, back returning, sees rejected stores
Rot piecemeal on his own encumbered shores:
The starved mechanic breaks his rusting loom,
And desperate mans him ‘gainst the coming doom.
Then in the Senates of your sinking state
Show me the man whose counsels may have weight.
Vain is each voice where tones could once command;
E’en factions cease to charm a factious land:
Yet jarring sects convulse a sister Isle,
And light with maddening hands the mutual pile.

  “’Tis done, ’tis past—since Pallas warns in vain;
The Furies seize her abdicated reign:
Wide o’er the realm they wave their kindling brands,
And wring her vitals with their fiery hands.
But one convulsive struggle still remains,
And Gaul shall weep ere Albion wear her chains,
The bannered pomp of war, the glittering files,
O’er whose gay trappings stern Bellona smiles;
The brazen trump, the spirit-stirring drum,
That bid the foe defiance ere they come;
The hero bounding at his country’s call,
The glorious death that consecrates his fall,
Swell the young heart with visionary charms.
And bid it antedate the joys of arms.
But know, a lesson you may yet be taught,
With death alone are laurels cheaply bought;
Not in the conflict Havoc seeks delight,
His day of mercy is the day of fight.
But when the field is fought, the battle won,
Though drenched with gore, his woes are but begun:
His deeper deeds as yet ye know by name;
The slaughtered peasant and the ravished dame,
The rifled mansion and the foe-reaped field,
Ill suit with souls at home, untaught to yield.
Say with what eye along the distant down
Would flying burghers mark the blazing town?
How view the column of ascending flames
Shake his red shadow o’er the startled Thames?
Nay, frown not, Albion! for the torch was thine
That lit such pyres from Tagus to the Rhine:
Now should they burst on thy devoted coast,
Go, ask thy ***** who deserves them most?
The law of Heaven and Earth is life for life,
And she who raised, in vain regrets, the strife.”
robin Mar 2013
her mouth was sandpaper.

her mouth was sandpaper
and she spoke like
a smooth surface,
words scraped into fluidity
like a wooden sphere,
turned over behind teeth ‘til all friction
is lost.
she spoke like the walls of a birdhouse
in the room of a dead carpenter:
pretty unassembled things.

her mouth was sandpaper
and every kiss chafed,
rubbing raw my lips
and tongue
crafting with each touch
drawing blood like
juice from an apple,
like sap
from wood already cut from the tree.

her mouth was sandpaper
and she told me
i bite my lips,
rip at
the inside of my mouth,
cannibalize myself cell
by cell.

bone saws in her mouth.
the only difference between teeth of jaws
and saws
is mercy
(and she swallowed her mercy long ago).

her mouth was sandpaper
and she spoke like a carpenter’s hands:
rough palms,
tough pads,
a utilitarian artist
a crafter of dead flesh.
a mortician for dryads
and kodama.
the art and the artist
in lips
tongue
and teeth.

her mouth was sandpaper
and i brought mine to hers
again and again,
her bitten-rough lips
opening like doors to
purgatory.
less entrapment than addiction -
returning once more to nails and hammers,
hell’s blacksmiths below
heaven’s painters above.
coming back home
to the space between,
to bone saws
and a carpenter’s hands.

her mouth was sandpaper
and her voice was carpentry,
her teeth bone saws
her words
birdhouse walls.
her mouth was purgatory
but her hands
were hands.

her mouth was sandpaper.
i held her hand
and chafed my lips raw.
ryn Feb 2015
Stuck at this game,
In what seemed like forever.
Stuck at a stage where...
Experience points don't matter.

A game set in an expansive universe,
Rife with problems that arise to haunt.
You can't pass and can't concede defeat.
Troubles' only function is to mock and taunt.

I've chafed my thumbs raw...
Manipulating the knobs on my controller.
My mind is a mess...
In search of a happily ever after.

Puzzled by puzzles,
There are no cheat codes...
Can't blast my way through,
There are no god modes...

Neither are there any hints,
Nor is there a walkthrough...
I'm just running in perpetual circles,
In this game of me and you.
NUMB, half asleep, and dazed with whirl of wheels,
And gasp of steam, and measured clank of chains,
I heard a blithe voice break a sudden pause,
Ringing familiarly through the lamp-lit night,
“Wife, here's your Venice!”
I was lifted down,
And gazed about in stupid wonderment,
Holding my little Katie by the hand—
My yellow-haired step-daughter. And again
Two strong arms led me to the water-brink,
And laid me on soft cushions in a boat,—
A queer boat, by a queerer boatman manned—
Swarthy-faced, ragged, with a scarlet cap—
Whose wild, weird note smote shrilly through the dark.
Oh yes, it was my Venice! Beautiful,
With melancholy, ghostly beauty—old,
And sorrowful, and weary—yet so fair,
So like a queen still, with her royal robes,
Full of harmonious colour, rent and worn!
I only saw her shadow in the stream,
By flickering lamplight,—only saw, as yet,
White, misty palace-portals here and there,
Pillars, and marble steps, and balconies,
Along the broad line of the Grand Canal;
And, in the smaller water-ways, a patch
Of wall, or dim bridge arching overhead.
But I could feel the rest. 'Twas Venice!—ay,
The veritable Venice of my dreams.

I saw the grey dawn shimmer down the stream,
And all the city rise, new bathed in light,
With rose-red blooms on her decaying walls,
And gold tints quivering up her domes and spires—
Sharp-drawn, with delicate pencillings, on a sky
Blue as forget-me-nots in June. I saw
The broad day staring in her palace-fronts,
Pointing to yawning gap and crumbling boss,
And colonnades, time-stained and broken, flecked
With soft, sad, dying colours—sculpture-wreathed,
And gloriously proportioned; saw the glow
Light up her bright, harmonious, fountain'd squares,
And spread out on her marble steps, and pass
Down silent courts and secret passages,
Gathering up motley treasures on its way;—

Groups of rich fruit from the Rialto mart,
Scarlet and brown and purple, with green leaves—
Fragments of exquisite carving, lichen-grown,
Found, 'mid pathetic squalor, in some niche
Where wild, half-naked urchins lived and played—
A bright robe, crowned with a pale, dark-eyed face—
A red-striped awning 'gainst an old grey wall—
A delicate opal gleam upon the tide.

I looked out from my window, and I saw
Venice, my Venice, naked in the sun—
Sad, faded, and unutterably forlorn!—
But still unutterably beautiful.

For days and days I wandered up and down—
Holding my breath in awe and ecstasy,—
Following my husband to familiar haunts,
Making acquaintance with his well-loved friends,
Whose faces I had only seen in dreams
And books and photographs and his careless talk.
For days and days—with sunny hours of rest
And musing chat, in that cool room of ours,
Paved with white marble, on the Grand Canal;
For days and days—with happy nights between,
Half-spent, while little Katie lay asleep
Out on the balcony, with the moon and stars.

O Venice, Venice!—with thy water-streets—
Thy gardens bathed in sunset, flushing red
Behind San Giorgio Maggiore's dome—
Thy glimmering lines of haughty palaces
Shadowing fair arch and column in the stream—
Thy most divine cathedral, and its square,
With vagabonds and loungers daily thronged,
Taking their ice, their coffee, and their ease—
Thy sunny campo's, with their clamorous din,
Their shrieking vendors of fresh fish and fruit—
Thy churches and thy pictures—thy sweet bits
Of colour—thy grand relics of the dead—
Thy gondoliers and water-bearers—girls
With dark, soft eyes, and creamy faces, crowned
With braided locks as bright and black as jet—
Wild ragamuffins, picturesque in rags,
And swarming beggars and old witch-like crones,
And brown-cloaked contadini, hot and tired,
Sleeping, face-downward, on the sunny steps—
Thy fairy islands floating in the sun—
Thy poppy-sprinkled, grave-strewn Lido shore—

Thy poetry and thy pathos—all so strange!—
Thou didst bring many a lump into my throat,
And many a passionate thrill into my heart,
And once a tangled dream into my head.

'Twixt afternoon and evening. I was tired;
The air was hot and golden—not a breath
Of wind until the sunset—hot and still.
Our floor was water-sprinkled; our thick walls
And open doors and windows, shadowed deep
With jalousies and awnings, made a cool
And grateful shadow for my little couch.
A subtle perfume stole about the room
From a small table, piled with purple grapes,
And water-melon slices, pink and wet,
And ripe, sweet figs, and golden apricots,
New-laid on green leaves from our garden—leaves
Wherewith an antique torso had been clothed.
My husband read his novel on the floor,
Propped up on cushions and an Indian shawl;
And little Katie slumbered at his feet,
Her yellow curls alight, and delicate tints
Of colour in the white folds of her frock.
I lay, and mused, in comfort and at ease,
Watching them both and playing with my thoughts;
And then I fell into a long, deep sleep,
And dreamed.
I saw a water-wilderness—
Islands entangled in a net of streams—
Cross-threads of rippling channels, woven through
Bare sands, and shallows glimmering blue and broad—
A line of white sea-breakers far away.
There came a smoke and crying from the land—
Ruin was there, and ashes, and the blood
Of conquered cities, trampled down to death.
But here, methought, amid these lonely gulfs,
There rose up towers and bulwarks, fair and strong,
Lapped in the silver sea-mists;—waxing aye
Fairer and stronger—till they seemed to mock
The broad-based kingdoms on the mainland shore.
I saw a great fleet sailing in the sun,
Sailing anear the sand-slip, whereon broke
The long white wave-crests of the outer sea,—
Pepin of Lombardy, with his warrior hosts—
Following the ****** steps of Attila!
I saw the smoke rise when he touched the towns
That lay, outposted, in his ravenous reach;

Then, in their island of deep waters,* saw
A gallant band defy him to his face,
And drive him out, with his fair vessels wrecked
And charred with flames, into the sea again.
“Ah, this is Venice!” I said proudly—“queen
Whose haughty spirit none shall subjugate.”

It was the night. The great stars hung, like globes
Of gold, in purple skies, and cast their light
In palpitating ripples down the flood
That washed and gurgled through the silent streets—
White-bordered now with marble palaces.
It was the night. I saw a grey-haired man,
Sitting alone in a dark convent-porch—
In beggar's garments, with a kingly face,
And eyes that watched for dawnlight anxiously—
A weary man, who could not rest nor sleep.
I heard him muttering prayers beneath his breath,
And once a malediction—while the air
Hummed with the soft, low psalm-chants from within.
And then, as grey gleams yellowed in the east,
I saw him bend his venerable head,
Creep to the door, and knock.
Again I saw
The long-drawn billows breaking on the land,
And galleys rocking in the summer noon.
The old man, richly retinued, and clad
In princely robes, stood there, and spread his arms,
And cried, to one low-kneeling at his feet,
“Take thou my blessing with thee, O my son!
And let this sword, wherewith I gird thee, smite
The impious tyrant-king, who hath defied,
Dethroned, and exiled him who is as Christ.
The Lord be good to thee, my son, my son,
For thy most righteous dealing!”
And again
'Twas that long slip of land betwixt the sea
And still lagoons of Venice—curling waves
Flinging light, foamy spray upon the sand.
The noon was past, and rose-red shadows fell
Across the waters. Lo! the galleys came
To anchorage again—and lo! the Duke
Yet once more bent his noble head to earth,
And laid a victory at the old man's feet,
Praying a blessing with exulting heart.
“This day, my well-belovèd, thou art blessed,
And Venice with thee, for St. Peter's sake.

And I will give thee, for thy bride and queen,
The sea which thou hast conquered. Take this ring,
As sign of her subjection, and thy right
To be her lord for ever.”
Once again
I saw that old man,—in the vestibule
Of St. Mark's fair cathedral,—circled round
With cardinals and priests, ambassadors
And the noblesse of Venice—richly robed
In papal vestments, with the triple crown
Gleaming upon his brows. There was a hush:—
I saw a glittering train come sweeping on,
From the blue water and across the square,
Thronged with an eager multitude,—the Duke,
And with him Barbarossa, humbled now,
And fain to pray for pardon. With bare heads,
They reached the church, and paused. The Emperor knelt,
Casting away his purple mantle—knelt,
And crept along the pavement, as to kiss
Those feet, which had been weary twenty years
With his own persecutions. And the Pope
Lifted his white haired, crowned, majestic head,
And trod upon his neck,—crying out to Christ,
“Upon the lion and adder shalt thou go—
The dragon shalt thou tread beneath thy feet!”
The vision changed. Sweet incense-clouds rose up
From the cathedral altar, mix'd with hymns
And solemn chantings, o'er ten thousand heads;
And ebbed and died away along the aisles.
I saw a train of nobles—knights of France—
Pass 'neath the glorious arches through the crowd,
And stand, with halo of soft, coloured light
On their fair brows—the while their leader's voice
Rang through the throbbing silence like a bell.
“Signiors, we come to Venice, by the will
Of the most high and puissant lords of France,
To pray you look with your compassionate eyes
Upon the Holy City of our Christ—
Wherein He lived, and suffered, and was lain
Asleep, to wake in glory, for our sakes—
By Paynim dogs dishonoured and defiled!
Signiors, we come to you, for you are strong.
The seas which lie betwixt that land and this
Obey you. O have pity! See, we kneel—
Our Masters bid us kneel—and bid us stay
Here at your feet until you grant our prayers!”
Wherewith the knights fell down upon their knees,

And lifted up their supplicating hands.
Lo! the ten thousand people rose as one,
And shouted with a shout that shook the domes
And gleaming roofs above them—echoing down,
Through marble pavements, to the shrine below,
Where lay the miraculous body of their Saint
(Shed he not heavenly radiance as he heard?—
Perfuming the damp air of his secret crypt),
And cried, with an exceeding mighty cry,
“We do consent! We will be pitiful!”
The thunder of their voices reached the sea,
And thrilled through all the netted water-veins
Of their rich city. Silence fell anon,
Slowly, with fluttering wings, upon the crowd;
And then a veil of darkness.
And again
The filtered sunlight streamed upon those walls,
Marbled and sculptured with divinest grace;
Again I saw a multitude of heads,
Soft-wreathed with cloudy incense, bent in prayer—
The heads of haughty barons, armed knights,
And pilgrims girded with their staff and scrip,
The warriors of the Holy Sepulchre.
The music died away along the roof;
The hush was broken—not by him of France—
By Enrico Dandolo, whose grey head
Venice had circled with the ducal crown.
The old man looked down, with his dim, wise eyes,
Stretching his hands abroad, and spake. “Seigneurs,
My children, see—your vessels lie in port
Freighted for battle. And you, standing here,
Wait but the first fair wind. The bravest hosts
Are with you, and the noblest enterprise
Conceived of man. Behold, I am grey-haired,
And old and feeble. Yet am I your lord.
And, if it be your pleasure, I will trust
My ducal seat in Venice to my son,
And be your guide and leader.”
When they heard,
They cried aloud, “In God's name, go with us!”
And the old man, with holy weeping, passed
Adown the tribune to the altar-steps;
And, kneeling, fixed the cross upon his cap.
A ray of sudden sunshine lit his face—
The grand, grey, furrowed face—and lit the cross,
Until it twinkled like a cross of fire.
“We shall be safe with him,” the people said,

Straining their wet, bright eyes; “and we shall reap
Harvests of glory from our battle-fields!”

Anon there rose a vapour from the sea—
A dim white mist, that thickened into fog.
The campanile and columns were blurred out,
Cathedral domes and spires, and colonnades
Of marble palaces on the Grand Canal.
Joy-bells rang sadly and softly—far away;
Banners of welcome waved like wind-blown clouds;
Glad shouts were muffled into mournful wails.
A Doge was come to be enthroned and crowned,—
Not in the great Bucentaur—not in pomp;
The water-ways had wandered in the mist,
And he had tracked them, slowly, painfully,
From San Clemente to Venice, in a frail
And humble gondola. A Doge was come;
But he, alas! had missed his landing-place,
And set his foot upon the blood-stained stones
Betwixt the blood-red columns. Ah, the sea—
The bride, the queen—she was the first to turn
Against her passionate, proud, ill-fated lord!

Slowly the sea-fog melted, and I saw
Long, limp dead bodies dangling in the sun.
Two granite pillars towered on either side,
And broad blue waters glittered at their feet.
“These are the traitors,” said the people; “they
Who, with our Lord the Duke, would overthrow
The government of Venice.”
And anon,
The doors about the palace were made fast.
A great crowd gathered round them, with hushed breath
And throbbing pulses. And I knew their lord,
The Duke Faliero, knelt upon his knees,
On the broad landing of the marble stairs
Where he had sworn the oath he could not keep—
Vexed with the tyrannous oligarchic rule
That held his haughty spirit netted in,
And cut so keenly that he writhed and chafed
Until he burst the meshes—could not keep!
I watched and waited, feeling sick at heart;
And then I saw a figure, robed in black—
One of their dark, ubiquitous, supreme
And fearful tribunal of Ten—come forth,
And hold a dripping sword-blade in the air.
“Justice has fallen on the traitor! See,
His blood has paid the forfeit of his crime!”

And all the people, hearing, murmured deep,
Cursing their dead lord, and the council, too,
Whose swift, sure, heavy hand had dealt his death.

Then came the night, all grey and still and sad.
I saw a few red torches flare and flame
Over a little gondola, where lay
The headless body of the traitor Duke,
Stripped of his ducal vestments. Floating down
The quiet waters, it passed out of sight,
Bearing him to unhonoured burial.
And then came mist and darkness.
Lo! I heard
The shrill clang of alarm-bells, and the wails
Of men and women in the wakened streets.
A thousand torches flickered up and down,
Lighting their ghastly faces and bare heads;
The while they crowded to the open doors
Of all the churches—to confess their sins,
To pray for absolution, and a last
Lord's Supper—their viaticum, whose death
Seemed near at hand—ay, nearer than the dawn.
“Chioggia is fall'n!” they cried, “and we are lost!”

Anon I saw them hurrying to and fro,
With eager eyes and hearts and blither feet—
Grave priests, with warlike weapons in their hands,
And delicate women, with their ornaments
Of gold and jewels for the public fund—
Mix'd with the bearded crowd, whose lives were given,
With all they had, to Venice in her need.
No more I heard the wailing of despair,—
But great Pisani's blithe word of command,
The dip of oars, and creak of beams and chains,
And ring of hammers in the arsenal.
“Venice shall ne'er be lost!” her people cried—
Whose names were worthy of the Golden Book—
“Venice shall ne'er be conquered!”
And anon
I saw a scene of triumph—saw the Doge,
In his Bucentaur, sailing to the land—
Chioggia behind him blackened in the smoke,
Venice before, all banners, bells, and shouts
Of passionate rejoicing! Ten long months
Had Genoa waged that war of life and death;
And now—behold the remnant of her host,
Shrunken and hollow-eyed and bound with chains—
Trailing their galleys in the conqueror's wake!

Once more the tremulous waters, flaked with light;
A covered vessel, with an armèd guard—
A yelling mob on fair San Giorgio's isle,
And ominous whisperings in the city squares.
Carrara's noble head bowed down at last,
Beaten by many storms,—his golden spurs
Caught in the meshes of a hidden snare!
“O Venice!” I cried, “where is thy great heart
And honourable soul?”
And yet once more
I saw her—the gay Sybaris of the world—
The rich voluptuous city—sunk in sloth.
I heard Napoleon's cannon at her gates,
And her degenerate nobles cry for fear.
I saw at last the great Republic fall—
Conquered by her own sickness, and with scarce
A noticeable wound—I saw her fall!
And she had stood above a thousand years!
O Carlo Zeno! O Pisani! Sure
Ye turned and groaned for pity in your graves.
I saw the flames devour her Golden Book
Beneath the rootless “Tree of Liberty;”
I saw the Lion's le
Michael John Aug 2018
i

i washed up for a living,lily,
for a while there
this is something george
and i have in common..

on the whole i was treated
decently
pearl divers are a breed unto
themselves..

mine was a life of ease
over eating and boredem
it was ******* the spine
and knees..

a piece of cake compared
to digging holes
(surrounded by the boss
and his extended family..)


the pop wagon on friday
cement as a whole
the olive oil factory or
carrying bricks..

ii

the pop wagon on a friday
took only two hours
brevity
that was the answer..

the cement truck on
tuesdays
took two and half
hours..

but ended in tears..
the shift in the olive
oil factory
could last eighteen hours..

digging holes an eternity
carrying bricks up stairs
works up quite a thirst..
never mind soon be..

be in pauli´ s soup kitchen
where wine smooth and cool
as honey bees..
chicken and macaroni..!

iii

the cement was high in lime
and invariably chafed the skin
and in that hole it would set
to be picked out with olive oil

and a pin..drunk,the screaming
and carry on..
we laughed and held them down
better digging holes..!

it was so painful..!
down and out in paris and london
by gearge orwell
So all day long the noise of battle roll'd
Among the mountains by the winter sea;
Until King Arthur's table, man by man,
Had fallen in Lyonnesse about their Lord,
King Arthur: then, because his wound was deep,
The bold Sir Bedivere uplifted him,
Sir Bedivere, the last of all his knights,
And bore him to a chapel nigh the field,
A broken chancel with a broken cross,
That stood on a dark strait of barren land.
On one side lay the ocean, and on one
Lay a great water, and the moon was full.

      Then spake King Arthur to Sir Bedivere:
"The sequel of to-day unsolders all
The goodliest fellowship of famous knights
Whereof this world holds record. Such a sleep
They sleep--the men I loved. I think that we
Shall never more, at any future time,
Delight our souls with talk of knightly deeds,
Walking about the gardens and the halls
Of Camelot, as in the days that were.
I perish by this people which I made,--
Tho' Merlin sware that I should come again
To rule once more--but let what will be, be,
I am so deeply smitten thro' the helm
That without help I cannot last till morn.
Thou therefore take my brand Excalibur,
Which was my pride: for thou rememberest how
In those old days, one summer noon, an arm
Rose up from out the ***** of the lake,
Clothed in white samite, mystic, wonderful,
Holding the sword--and how I row'd across
And took it, and have worn it, like a king:
And, wheresoever I am sung or told
In aftertime, this also shall be known:
But now delay not: take Excalibur,
And fling him far into the middle mere:
Watch what thou seest, and lightly bring me word."

      To him replied the bold Sir Bedivere:
"It is not meet, Sir King, to leave thee thus,
Aidless, alone, and smitten thro' the helm.
A little thing may harm a wounded man.
Yet I thy hest will all perform at full,
Watch what I see, and lightly bring thee word."

      So saying, from the ruin'd shrine he stept
And in the moon athwart the place of tombs,
Where lay the mighty bones of ancient men,
Old knights, and over them the sea-wind sang
Shrill, chill, with flakes of foam. He, stepping down
By zigzag paths, and juts of pointed rock,
Came on the shining levels of the lake.

      There drew he forth the brand Excalibur,
And o'er him, drawing it, the winter moon,
Brightening the skirts of a long cloud, ran forth
And sparkled keen with frost against the hilt:
For all the haft twinkled with diamond sparks,
Myriads of topaz-lights, and jacinth work
Of subtlest jewellery. He gazed so long
That both his eyes were dazzled, as he stood,
This way and that dividing the swift mind,
In act to throw: but at the last it seem'd
Better to leave Excalibur conceal'd
There in the many-knotted water-flags,
That whistled stiff and dry about the marge.
So strode he back slow to the wounded King.

      Then spake King Arthur to Sir Bedivere:
"Hast thou perform'd my mission which I gave?
What is it thou hast seen, or what hast heard?"

      And answer made the bold Sir Bedivere:
"I heard the ripple washing in the reeds,
And the wild water lapping on the crag."

      To whom replied King Arthur, faint and pale:
"Thou hast betray'd thy nature and thy name,
Not rendering true answer, as beseem'd
Thy fealty, nor like a noble knight:
For surer sign had follow'd, either hand,
Or voice, or else a motion of the mere.
This is a shameful thing for men to lie.
Yet now, I charge thee, quickly go again
As thou art lief and dear, and do the thing
I bade thee, watch, and lightly bring me word."

      Then went Sir Bedivere the second time
Across the ridge, and paced beside the mere,
Counting the dewy pebbles, fixed in thought;
But when he saw the wonder of the hilt,
How curiously and strangely chased, he smote
His palms together, and he cried aloud,

      "And if indeed I cast the brand away,
Surely a precious thing, one worthy note,
Should thus be lost forever from the earth,
Which might have pleased the eyes of many men.
What good should follow this, if this were done?
What harm, undone? deep harm to disobey,
Seeing obedience is the bond of rule.
Were it well to obey then, if a king demand
An act unprofitable, against himself?
The King is sick, and knows not what he does.
What record, or what relic of my lord
Should be to aftertime, but empty breath
And rumours of a doubt? but were this kept,
Stored in some treasure-house of mighty kings,
Some one might show it at a joust of arms,
Saying, 'King Arthur's sword, Excalibur,
Wrought by the lonely maiden of the Lake;
Nine years she wrought it, sitting in the deeps
Upon the hidden bases of the hills.'
So might some old man speak in the aftertime
To all the people, winning reverence.
But now much honour and much fame were lost."

      So spake he, clouded with his own conceit,
And hid Excalibur the second time,
And so strode back slow to the wounded King.

      Then spoke King Arthur, breathing heavily:
"What is it thou hast seen, or what hast heard?"

      And answer made the bold Sir Bedivere:
"I heard the water lapping on the crag,
And the long ripple washing in the reeds."

      To whom replied King Arthur, much in wrath:
"Ah, miserable and unkind, untrue,
Unknightly, traitor-hearted! Woe is me!
Authority forgets a dying king,
Laid widow'd of the power in his eye
That bow'd the will. I see thee what thou art,
For thou, the latest-left of all my knights,
In whom should meet the offices of all,
Thou wouldst betray me for the precious hilt;
Either from lust of gold, or like a girl
Valuing the giddy pleasure of the eyes.
Yet, for a man may fail in duty twice,
And the third time may prosper, get thee hence:
But, if thou spare to fling Excalibur,
I will arise and slay thee with my hands."

      Then quickly rose Sir Bedivere, and ran,
And, leaping down the ridges lightly, plunged
Among the bulrush-beds, and clutch'd the sword,
And strongly wheel'd and threw it. The great brand
Made lightnings in the splendour of the moon,
And flashing round and round, and whirl'd in an arch,
Shot like a streamer of the northern morn,
Seen where the moving isles of winter shock
By night, with noises of the northern sea.
So flash'd and fell the brand Excalibur:
But ere he dipt the surface, rose an arm
Clothed in white samite, mystic, wonderful,
And caught him by the hilt, and brandish'd him
Three times, and drew him under in the mere.
And lightly went the other to the King.

      Then spoke King Arthur, drawing thicker breath:
"Now see I by thine eyes that this is done.
Speak out: what is it thou hast heard, or seen?"

      And answer made the bold Sir Bedivere:
"Sir King, I closed mine eyelids, lest the gems
Should blind my purpose, for I never saw,
Nor shall see, here or elsewhere, till I die,
Not tho' I live three lives of mortal men,
So great a miracle as yonder hilt.
Then with both hands I flung him, wheeling him;
But when I look'd again, behold an arm,
Clothed in white samite, mystic, wonderful,
That caught him by the hilt, and brandish'd him
Three times, and drew him under in the mere."

      And answer made King Arthur, breathing hard:
"My end draws nigh; 't is time that I were gone.
Make broad thy shoulders to receive my weight,
And bear me to the margin; yet I fear
My wound hath taken cold, and I shall die."

      So saying, from the pavement he half rose,
Slowly, with pain, reclining on his arm,
And looking wistfully with wide blue eyes
As in a picture. Him Sir Bedivere
Remorsefully regarded thro' his tears,
And would have spoken, but he found not words,
Then took with care, and kneeling on one knee,
O'er both his shoulders drew the languid hands,
And rising bore him thro' the place of tombs.

      But, as he walk'd, King Arthur panted hard,
Like one that feels a nightmare on his bed
When all the house is mute. So sigh'd the King
Muttering and murmuring at his ear, "Quick, quick!
I fear it is too late, and I shall die."
But the other swiftly strode from ridge to ridge,
Clothed with his breath, and looking, as he walk'd
Larger than human on the frozen hills.
He heard the deep behind him, and a cry
Before. His own thought drove him like a goad.
Dry clash'd his harness in the icy caves
And barren chasms, and all to left and right
The bare black cliff clang'd round him, as he based
His feet on juts of slippery crag that rang
Sharp-smitten with the dint of armed heels--
And on a sudden, lo! the level lake,
And the long glories of the winter moon.

      Then saw they how there hove a dusky barge
Dark as a funeral scarf from stem to stern,
Beneath them; and descending they were ware
That all the decks were dense with stately forms
Black-stoled, black-hooded, like a dream--by these
Three Queens with crowns of gold--and from them rose
A cry that shiver'd to the tingling stars,
And, as it were one voice, an agony
Of lamentation, like a wind, that shrills
All night in a waste land, where no one comes,
Or hath come, since the making of the world.

      Then murmur'd Arthur, "Place me in the barge,"
And to the barge they came. There those three Queens
Put forth their hands, and took the King, and wept.
But she that rose the tallest of them all
And fairest, laid his head upon her lap,
And loosed the shatter'd casque, and chafed his hands,
And call'd him by his name, complaining loud
And dropping bitter tears against his brow
Striped with dark blood: for all his face was white
And colourless, and like the wither'd moon
Smote by the fresh beam of the springing east;
And all his greaves and cuisses dash'd with drops
Of onset; and the light and lustrous curls--
That made his forehead like a rising sun
High from the dais-throne--were parch'd with dust;
Or, clotted into points and hanging loose,
Mix'd with the knightly growth that fringed his lips.
So like a shatter'd column lay the King;
Not like that Arthur who, with lance in rest,
From spur to plume a star of tournament,
Shot thro' the lists at Camelot, and charged
Before the eyes of ladies and of kings.

      Then loudly cried the bold Sir Bedivere:
"Ah! my Lord Arthur, whither shall I go?
Where shall I hide my forehead and my eyes?
For now I see the true old times are dead,
When every morning brought a noble chance,
And every chance brought out a noble knight.
Such times have been not since the light that led
The holy Elders with the gift of myrrh.
But now the whole ROUND TABLE is dissolved
Which was an image of the mighty world;
And I, the last, go forth companionless,
And the days darken round me, and the years,
Among new men, strange faces, other minds."

      And slowly answer'd Arthur from the barge:
"The old order changeth, yielding place to new,
And God fulfils Himself in many ways,
Lest one good custom should corrupt the world.
Comfort thyself: what comfort is in me?
I have lived my life, and that which I have done
May He within Himself make pure! but thou,
If thou shouldst never see my face again,
Pray for my soul. More things are wrought by prayer
Than this world dreams of. Wherefore, let thy voice
Rise like a fountain for me night and day.
For what are men better than sheep or goats
That nourish a blind life within the brain,
If, knowing God, they lift not hands of prayer
Both for themselves and those who call them friend?
For so the whole round earth is every way
Bound by gold chains about the feet of God.
But now farewell. I am going a long way
With these thou seest--if indeed I go--
(For all my mind is clouded with a doubt)
To the island-valley of Avilion;
Where falls not hail, or rain, or any snow,
Nor ever wind blows loudly; but it lies
Deep-meadow'd, happy, fair with orchard-lawns
And bowery hollows crown'd with summer sea,
Where I will heal me of my grievous wound."

      So said he, and the barge with oar and sail
Moved from the brink, like some full-breasted swan
That, fluting a wild carol ere her death,
Ruffles her pure cold plume, and takes the flood
With swarthy webs. Long stood Sir Bedivere
Revolving many memories, till the hull
Look'd one black dot against the verge of dawn,
And on the mere the wailing died away.
DaSH the Hopeful Jun 2018
Cautionary visions visit in viciously vivid fashion
I'm dead and my head is missing
Everyone is laughing
        
                     But me

And the sky is sorta dreary but I don't know
With no eyes you don't see too clearly

      Sew me a new one on,
Attached at the neck
Plastic instead of brittle skin and maybe then
     I can exist in some form above the normally gray and grim

    I pray to a faceless facade
            I made a "God" in my head
An eternal alternative to turn to and blame
   And claim to strangers that he works in mysterious ways
        My lips are chafed from singing unheard praises
  
        I'm tasteless and it has me thinking that maybe my mouth was only a product of my imagination
     Food for thought I chew and stop
           Its too **** hot for contemplation


      Still, I used to think my hands belonged to someone else
     Right up until I used them both to **** myself
Brent Kincaid May 2015
It is like some steampunk nightmare
Where working overtime is a racket
When what was time and a half pay
On the day I get my check, I make less;
Some kind of tax bracket scam thing
Where working extra hours put me
Into another category and increased
The tax they use to grease the wheels
Of a bloated government that hates me.
Maybe that dates me and it isn’t true;
That things have changed and it is
No longer arranged that way. And maybe
The way things became done was that
I got it all back as a refund. But isn’t that
Redundant, that I had to pay it to them
To use it like per diem for their games?

The shame is that I chafed and did nothing
Besides ******* and frothing at the mouth.
It’s not like I could go south to Ensenada,
Buy a piñata that looked like Mickey Mouse,
It was just that the house always wins.
But I have to pay for my tiny, mundane sins.
Why don’t they? Why does it go on and on
And then the money’s gone and I pay more
The next time some fat ***** of a politician
Begins a petition to increase their slice
And nicely reduce ours to a pittance
So low there is no admittance to a show
Or enough to replace a car that is a wreck?

The albatross around my neck gets larger
As it I move farther from the day it died
Even though I have tried standing up straighter.
It’s The Grand Guignol Theatre that life is
And the strife is to not let it get me down;
To be the happy clown and not the sad one
In a game that was begun to make me lose.
I am not confused. I see it, but it seems
Even in dreams I get no kind of relief
From a governmental thief with immunity;
The pillages with impunity and teases
That he does what he pleases. Neener, neener
What in hell could possibly be meaner?
brooke Nov 2012
I am so very naive
sometimes it really
gets under my skin
(c) Brooke Otto
Madzq Feb 2015
I love the cold, the chill on my skin.
I love the way it makes my bones want to crack and break through my chafed flesh.
The way my blood slows, numbing my limbs, slowing their movement.
I love the way you left me...

I love the way I've been torn and left. Yes, love it how with every breath my lungs strain and gasp for the air that once soothed their burning....

I love this frustration. love how it consumes every waking moment. love how I can't get passed you. Ilove how I've tried....

I just love the corruption of my thoughts, the way they long for what was: to be tormented, twisted up yet again in mindless passion, spinning...
I loved the crash that followed that high and those glorious nigh5a that are now so empty....

I love being alone. love listening to the sound of your silence. I love how it's been so long since you've graced me with your untimely presence. I just love it to death!

I love still freezing from the absence of your touch. I love longing for the warmth of an endearing word from your now forlorn mouth. I love it how you still have nothing to say now that time is spent and it's too late.

**I love it so much, it kills me
Sarcasm at its saddest
June Montag May 2014
unscrupulous universe
     steeped in illusion and so
     electrifiedcrazy
with
infernal edges chafed
     against tinfoil stars
     bent and
     broken.
they make believe that they are beautiful.

unscrupulous people
     sharply disillusioned and so
     upandoutwild
with
rough edges filed smooth
     with makeup and glam
     but they're still
     bent and
     broken.
they make believe that they are beautiful.

understated words
     creating an illusion and so
     slipperysilverfleeting
with
dark corners coming
     alive under the
     pretense of fiction
     bent but not
     broken.
they know that they are beautiful.
we all make believe.
Afia Nov 2018
I sprinkled sunflower petals in the warm water,
to make it gold.
Then dipped my body quietly in the bathtub,
to wash my tainted soul.  
The morning light peeked through the lemon coloured glass,
while the fading fate dissolved in the pearly waves of my lash.
My lifted hand reached for the sunlight,
the feeble fingers swayed like dandelions.
A swollen gaze perched on the broken mirror,
a burning sensation impregnated my chafed lips; turning them bitter.
The beauty they preach about is not divine,
nothing in this world stays sublime.
The saffron tinted ancient walls,
kissed the amber tiled floor
Everything fire; everything gold,
yet no power can assuage the murkiness of my soul.
My dear Van Gogh how could you think?
that the yellow, if you eat, will lift your spirits?
Van Gogh's work has always inspired me and his health issues are relatable to an extreme end for me. Most of the time I feel like he is the muse while I create my work.
Whither, midst falling dew,
While glow the heavens with the last steps of day,
Far, through their rosy depths, dost thou pursue
    Thy solitary way?

    Vainly the fowler's eye
Might mark thy distant flight to do thee wrong,
As, darkly seen against the crimson sky,
    Thy figure floats along.

    Seek'st thou the plashy brink
Of weedy lake, or marge of river wide,
Or where the rocking billows rise and sink
    On the chafed ocean-side?

    There is a Power whose care
Teaches thy way along that pathless coast--
The desert and illimitable air--
    Lone wandering, but not lost.

    All day thy wings have fanned,
At that far height, the cold, thin atmosphere,
Yet stoop not, weary, to the welcome land,
    Though the dark night is near.

    And soon that toil shall end;
Soon shalt thou find a summer home, and rest,
And scream among thy fellows; reeds shall bend,
    Soon, o'er thy sheltered nest.

    Thou 'rt gone, the abyss of heaven
Hath swallowed up thy form; yet, on my heart
Deeply hath sunk the lesson thou hast given,
    And shall not soon depart.

    He who, from zone to zone,
Guides through the boundless sky thy certain flight,
In the long way that I must tread alone,
    Will lead my steps aright.
The time has been that these wild solitudes,
Yet beautiful as wild, were trod by me
Oftener than now; and when the ills of life
Had chafed my spirit--when the unsteady pulse
Beat with strange flutterings--I would wander forth
And seek the woods. The sunshine on my path
Was to me as a friend. The swelling hills,
The quiet dells retiring far between,
With gentle invitation to explore
Their windings, were a calm society
That talked with me and soothed me. Then the chant
Of birds, and chime of brooks, and soft caress
Of the fresh sylvan air, made me forget
The thoughts that broke my peace, and I began
To gather simples by the fountain's brink,
And lose myself in day-dreams. While I stood
In nature's loneliness, I was with one
With whom I early grew familiar, one
Who never had a frown for me, whose voice
Never rebuked me for the hours I stole
From cares I loved not, but of which the world
Deems highest, to converse with her. When shrieked
The bleak November winds, and smote the woods,
And the brown fields were herbless, and the shades,
That met above the merry rivulet,
Were spoiled, I sought, I loved them still,--they seemed
Like old companions in adversity.
Still there was beauty in my walks; the brook,
Bordered with sparkling frost-work, was as gay
As with its fringe of summer flowers. Afar,
The village with its spires, the path of streams,
And dim receding valleys, hid before
By interposing trees, lay visible
Through the bare grove, and my familiar haunts
Seemed new to me. Nor was I slow to come
Among them, when the clouds, from their still skirts,
Had shaken down on earth the feathery snow,
And all was white. The pure keen air abroad,
Albeit it breathed no scent of herb, nor heard
Love-call of bird, nor merry hum of bee,
Was not the air of death. Bright mosses crept
Over the spotted trunks, and the close buds,
That lay along the boughs, instinct with life,
Patient, and waiting the soft breath of Spring,
Feared not the piercing spirit of the North.
The snow-bird twittered on the beechen bough,
And 'neath the hemlock, whose thick branches bent
Beneath its bright cold burden, and kept dry
A circle, on the earth, of withered leaves,
The partridge found a shelter. Through the snow
The rabbit sprang away. The lighter track
Of fox, and the racoon's broad path, were there,
Crossing each other. From his hollow tree,
The squirrel was abroad, gathering the nuts
Just fallen, that asked the winter cold and sway
Of winter blast, to shake them from their hold.

  But Winter has yet brighter scenes,--he boasts
Splendours beyond what gorgeous Summer knows;
Or Autumn with his many fruits, and woods
All flushed with many hues. Come when the rains
Have glazed the snow, and clothed the trees with ice;
While the slant sun of February pours
Into the bowers a flood of light. Approach!
The incrusted surface shall upbear thy steps,
And the broad arching portals of the grove
Welcome thy entering. Look! the massy trunks
Are cased in the pure crystal; each light spray,
Nodding and tinkling in the breath of heaven,
Is studded with its trembling water-drops,
That stream with rainbow radiance as they move.
But round the parent stem the long low boughs
Bend, in a glittering ring, and arbours hide
The glassy floor. Oh! you might deem the spot
The spacious cavern of some ****** mine,
Deep in the womb of earth--where the gems grow,
And diamonds put forth radiant rods and bud
With amethyst and topaz--and the place
Lit up, most royally, with the pure beam
That dwells in them. Or haply the vast hall
Of fairy palace, that outlasts the night,
And fades not in the glory of the sun;--
Where crystal columns send forth slender shafts
And crossing arches; and fantastic aisles
Wind from the sight in brightness, and are lost
Among the crowded pillars. Raise thine eye,--
Thou seest no cavern roof, no palace vault;
There the blue sky and the white drifting cloud
Look in. Again the wildered fancy dreams
Of spouting fountains, frozen as they rose,
And fixed, with all their branching jets, in air,
And all their sluices sealed. All, all is light;
Light without shade. But all shall pass away
With the next sun. From numberless vast trunks,
Loosened, the crashing ice shall make a sound
Like the far roar of rivers, and the eve
Shall close o'er the brown woods as it was wont.

  And it is pleasant, when the noisy streams
Are just set free, and milder suns melt off
The plashy snow, save only the firm drift
In the deep glen or the close shade of pines,--
'Tis pleasant to behold the wreaths of smoke
Roll up among the maples of the hill,
Where the shrill sound of youthful voices wakes
The shriller echo, as the clear pure lymph,
That from the wounded trees, in twinkling drops,
Falls, mid the golden brightness of the morn,
Is gathered in with brimming pails, and oft,
Wielded by sturdy hands, the stroke of axe
Makes the woods ring. Along the quiet air,
Come and float calmly off the soft light clouds,
Such as you see in summer, and the winds
Scarce stir the branches. Lodged in sunny cleft,
Where the cold breezes come not, blooms alone
The little wind-flower, whose just opened eye
Is blue as the spring heaven it gazes at--
Startling the loiterer in the naked groves
With unexpected beauty, for the time
Of blossoms and green leaves is yet afar.
And ere it comes, the encountering winds shall oft
Muster their wrath again, and rapid clouds
Shade heaven, and bounding on the frozen earth
Shall fall their volleyed stores rounded like hail,
And white like snow, and the loud North again
Shall buffet the vexed forest in his rage.
in state of being chafed
hues of the canvas cry fake
to sympathy our comfort zones
settling our opinions in the bones
clearly who cares the tones?
With the close of each day,
and after every heartbreak
I come to the same realisation that,
You were the one and I let you go.
Michael R Burch Apr 2022
The Shijing or **** Jing or Shih-Ching (“Book of Songs” or “Book of Odes”) is the oldest Chinese poetry collection, with the poems included believed to date from around 1200 BC to 600 BC. According to tradition the poems were selected and edited by Confucius himself. Since most ancient poetry did not rhyme, these may be the world’s oldest extant rhyming poems.

Shijing Ode #4: “JIU MU”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

In the South, beneath trees with drooping branches
thick with vines that make them shady,
we find our lovely princely lady:
May she repose in happiness!

In the South, beneath trees with drooping branches
whose clinging vines make hot days shady,
we wish love’s embrace for our lovely lady:
May she repose in happiness!

In the South, beneath trees with drooping branches
whose vines, entwining, make them shady,
we wish true love for our lovely lady:
May she repose in happiness!


Shijing Ode #6: “TAO YAO”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

The peach tree is elegant and tender;
its flowers are fragrant, and bright.
A young lady now enters her future home
and will manage it well, day and night.

The peach tree is elegant and tender;
its fruits are abundant, and sweet.
A young lady now enters her future home
and will make it welcome to everyone she greets.

The peach tree is elegant and tender;
it shelters with bough, leaf and flower.
A young lady now enters her future home
and will make it her family’s bower.


Shijing Ode #9: “HAN GUANG”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

In the South tall trees without branches
offer men no shelter.
By the Han the girls loiter,
but it’s vain to entice them.
For the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.

When cords of firewood are needed,
I would cut down tall thorns to bring them more.
Those girls on their way to their future homes?
I would feed their horses.
But the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.

When cords of firewood are needed,
I would cut down tall trees to bring them more.
Those girls on their way to their future homes?
I would feed their colts.
But the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.


Shijing Ode #10: “RU FEN”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

By raised banks of the Ru,
I cut down branches in the brake.
Not seeing my lord
caused me heartache.

By raised banks of the Ru,
I cut down branches by the tide.
When I saw my lord at last,
he did not cast me aside.

The bream flashes its red tail;
the royal court’s a blazing fire.
Though it blazes afar,
still his loved ones are near ...

It was apparently believed that the bream’s tail turned red when it was in danger. Here the term “lord” does not necessarily mean the man in question was a royal himself. Chinese women of that era often called their husbands “lord.” Take, for instance, Ezra Pound’s famous loose translation “The River Merchant’s Wife.” Speaking of Pound, I borrowed the word “brake” from his translation of this poem, although I worked primarily from more accurate translations. In the final line, it may be that the wife or lover is suggesting that no matter what happens, the man in question will have a place to go, or perhaps she is urging him to return regardless. The original poem had “mother and father” rather than “family” or “loved ones,” but in those days young married couples often lived with the husband’s parents. So a suggestion to return to his parents could be a suggestion to return to his wife as well.


Shijing Ode #12: “QUE CHAO”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

The nest is the magpie's
but the dove occupies it.
A young lady’s soon heading to her future home;
a hundred carriages will attend her.

The nest is the magpie's
but the dove takes it over.
A young lady’s soon heading to her future home;
a hundred carriages will escort her.

The nest is the magpie's
but the dove possesses it.
A young lady’s soon heading to her future home;
a hundred carriages complete her procession.


Shijing Ode #26: “BO ZHOU” from “The Odes of Bei”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

This cypress-wood boat floats about,
meandering with the current.
Meanwhile, I am distraught and sleepless,
as if inflicted with a painful wound.
Not because I have no wine,
and can’t wander aimlessly about!

But my mind is not a mirror
able to echo all impressions.
Yes, I have brothers,
but they are undependable.
I meet their anger with silence.

My mind is not a stone
to be easily cast aside.
My mind is not a mat
to be conveniently rolled up.
My conduct so far has been exemplary,
with nothing to criticize.

Yet my anxious heart hesitates
because I’m hated by the herd,
inflicted with many distresses,
heaped with insults, not a few.
Silently I consider my case,
until, startled, as if from sleep, I clutch my breast.

Consider the sun and the moon:
how did the latter exceed the former?
Now sorrow clings to my heart
like an unwashed dress.
Silently I consider my options,
but lack the wings to fly away.



Chixiao (“The Owl”)
by Duke Zhou (c. 1100-1000 BC)
loose translation/interpretation by Michael R. Burch

Owl!
You've stolen my offspring,
Don't shatter my nest!
When with labors of love
I nurtured my fledglings.

Before the skies darkened
And the dark rains fell,
I gathered mulberry twigs
To thatch my nest,
Yet scoundrels now dare
Impugn my enterprise.

With fingers chafed rough
By the reeds I plucked
And the straw I threshed,
I now write these words,
Too hoarse to speak:
I am homeless!

My wings are withered,
My tail torn away,
My home toppled
And tossed into the rain,
My cry a distressed peep.

The Duke of Zhou (circa 1100-1000 BC), a member of the Zhou Dynasty also known as Ji Dan, played a major role in Chinese history and culture. He has been called “probably the first real person to step over the threshold of myth into Chinese history” and he may be the first Chinese poet we know by name today, and the spiritual ancestor of Confucius as well. The Duke was a capable and loyal regent for his young nephew King Cheng and successfully suppressed a number of rebellions. He has also been credited with writing the I Ching and the Book of Songs, also called the Book of Odes, and with creating yayue (“elegant music”) which became Chinese classical music. His poem “The Owl” was apparently written while he was away fighting on his nephew’s behalf, after court dissenters accused him of plotting to usurp the throne. Apparently the poem worked, as King Cheng welcomed his uncle back, and the Duke remained faithful till the end. Keywords/Tags: China, Chinese, translation, ode, odes, kingdom, king, duke, homeless, homelessness, homesick, homesickness

Keywords/Tags: Shijing, ****-Jing, Shih-Ching, translation, book, songs, odes, Confucius, Chinese, ancient, rhyme, rhyming, love, nature
Kat Astrid Mar 2015
She is the color of passion ー
    The heated sighs and whispers
    of promises to be broken in
    cold, lonely nights.

She is the color of kisses ー
     Chafed and bruised in stolen
      Moments, never to be
      experienced again.

She is the color of scorn ー
      Laughter, icy and vengeful,
      over desperate pleas as they
      fall to Bitter ears.

She is the color of women,
      of mother and child,
      Forgotten and forsaken ー
      a ransom paid for one eternal
      Night.
A piece that will be part of my poem anthology called Erebus & Eros. I'm still piecing the manuscript but I don't hesitate to share some of the pieces. You can say this is fitting for Women's Day (and yes, I know I missed it by a week)
bambi Mar 2013
Your nails were
soft pink crescents

they chafed
along my cheek.

You plucked
the silken petals

watched them wither
at your feet.

I fed you dandelions,

Picked stems
from your teeth

with my tongue.

But in the creases

of your mouth,


I saw the weeds of doubt.
Inspired by Shane Jones' "Lightboxes."
As the sweet sweat of roses in a still,
As that which from chafed musk-cats’ pores doth trill,
As the almighty balm of th’ early East,
Such are the sweat drops of my mistress’ breast,
And on her brow her skin such lustre sets,
They seem no sweat drops, but pearl coronets.
Rank sweaty froth thy Mistress’s brow defiles,
Like spermatic issue of ripe menstruous boils,
Or like the ****, which, by need’s lawless law
Enforced, Sanserra’s starved men did draw
From parboiled shoes and boots, and all the rest
Which were with any sovereigne fatness blest,
And like vile lying stones in saffroned tin,
Or warts, or weals, they hang upon her skin.
Round as the world’s her head, on every side,
Like to the fatal ball which fell on Ide,

Or that whereof God had such jealousy,
As, for the ravishing thereof we die.
Thy head is like a rough-hewn statue of jet,
Where marks for eyes, nose, mouth, are yet scarce set;
Like the first Chaos, or flat-seeming face
Of Cynthia, when th’ earth’s shadows her embrace.
Like Proserpine’s white beauty-keeping chest,
Or Jove’s best fortunes urn, is her fair breast.
Thine’s like worm-eaten trunks, clothed in seals’ skin,
Or grave, that’s dust without, and stink within.
And like that slender stalk, at whose end stands
The woodbine quivering, are her arms and hands.
Like rough barked elm-boughs, or the russet skin
Of men late scourged for madness, or for sin,
Like sun-parched quarters on the city gate,
Such is thy tanned skin’s lamentable state.
And like a bunch of ragged carrots stand
The short swol’n fingers of thy gouty hand.
Then like the Chimic’s masculine equal fire,
Which in the Lymbecks warm womb doth inspire
Into th’ earth’s worthless dirt a soul of gold,
Such cherishing heat her best loved part doth hold.
Thine’s like the dread mouth of a fired gun,
Or like hot liquid metals newly run
Into clay moulds, or like to that Etna
Where round about the grass is burnt away.
Are not your kisses then as filthy, and more,
As a worm ******* an envenomed sore?
Doth not thy feareful hand in feeling quake,
As one which gath’ring flowers still fears a snake?
Is not your last act harsh, and violent,
As when a plough a stony ground doth rent?
So kiss good turtles, so devoutly nice
Are priests in handling reverent sacrifice,
And such in searching wounds the surgeon is
As we, when we embrace, or touch, or kiss.
Leave her, and I will leave comparing thus,
She, and comparisons are odious.
David Adamson Jul 2015
You can’t really picture the place.  
You don’t recall who was there.

But you remember surprise
That human ashes are not powdery dust,
Apt to disintegrate like snow,
Or soft like bread cast upon the waters.

Dad’s ashes chafed your palms like jagged seeds
As you clutched fistfuls from a plastic purple box
And flung them down a hillside
Somewhere in Little Cottonwood Canyon.

And you remember the feeling of urgency
As you retreated up the hill.
You had motions to go through,
Space to occupy,
A black and white landscape to walk
Among small figures filing along a dirt track
In the airless September heat.
Sarina Aug 2013
we talked about it at my place and yours
but mostly I mourned
seeing the socks pulled over your
ankles

while walking across streets during rain.
how warm
like a second skin, they rubbed

against my thighs and it chafed and you
kept cotton to shove down
our throats
when being broken felt like too much

for two people so in love
and so far apart.
Carla Marie May 2013
I couldn’t have no bunch ‘a “Baby-Daddies” hanging around my life
Jugglin’ ‘em- and tryin’ a keep track of
What each was supposed to do for his
And when
And how
And how much
Naw…that ain’t my style
~
I’m the lady that he introduces to other ladies in his life
I’m the lady that he takes to dinner with his mama
I’m the lady who
Can stand up under his friend-girl’s scrutiny and
Bear the weight of his auntie’s infamous stare
I got
Way too much class to have too many babies
With too many different daddies
Right?
You understand what I mean…
~
So when I looked up
And I had ****** up
And was knocked up
By another woman’s husband…
(With my classy self)
Well… that just would not do at all
I mean I may be
PRO-Choice
But in truth
I had
NO choice
Right?
You understand what I mean…?
~
Hell,
Too many kids and girl might
Fool around and end up a “pogo stick”
And I ain’t no **** pogo stick…
You know…
“Fun to bounce around on-
But no self-respecting grown man
Will be seen in public with one…”
I had NO choice…
Right?
~
It wadn’t so bad…
Once I got past the
Nightmares of vacuums and clogged ******* sounds and the pain in my guts
and the bleedin’ ‘til I chafed and the crying ‘til I puked and the sore leaking ******* and the  
Hole in my soul…
It wadn’t so bad…
~
And it had to be done
Right?
~
Besides, I lived through it…
And in the end-   it’s all about ME
You understand what I mean…
You hear what I’m screamin’?
You hear
What

AAAAHM SCREEEAAAMING!!!?
Anais Vionet May 2023
Was I maudlin over our breakup? For a minute.

If I think of you now, it’s like a slideshow of unflattering images.

At the time, my breakup buddies reminded me you were a bad
choice - like a brand of deodorant that gave me a rash or fashionable shoes that chafed, even after they were stretched.

“Ruca,” my girlfriends would say, “you’re shootin-terrible, they’re a million pork-swords in the sea.”

Finally, I pulled the trigger - double-tapped us.

At first, reminders of you, those siren whispers of nostalgia, were everywhere - like the moon - which, I just had to live with.

You passed from memory though, that’s how memory works. Events fade, like last week’s chemistry test, or yesterday’s lunch.

Now, if someone asks me, “Hey, remember, what’s his name, your big love from high school?”
I say “Nope.”

I chose to laugh, dance - and shoot birds at the moon.
BLT Marriam Webster word of the day challenge: Maudlin: “exaggerated sadness”

Slang:
breakup buddies = friends who help you get over a breakup
ruca = girlfriend
shootin terrible = on a losing streak, not doing well, making bad choices
Pork-swords = come on, think about it - it’s funny.
drumhound Nov 2013
Dead summer skin falls from the yielding trees
The bitter wind makes a bitter me
Grumbling inner man regretting
Ungrateful thanks in sweating
Longing for lighter clothes
I blow my chafed nose
People scamper
Teeth clamper
My fun
Done
I wrote this in 10 - 1 syllabic form. I have never seen it done before and maybe I created something new. (If I didn't, don't tell me...I love my ignorance.) Anyway, just to add an extra step I wrote it in couplets.
The first time he came into the light
He thought that his eyes had gone,
The sun was shining, ever so bright
With nothing to focus on,
They led him out to sit on a rock
And hacked off his ball and chain,
It took a week of his ticket of leave
Before he could see again.

Richard Dawson, a broken man
Had finally done his time,
He’d spent three years in shovelling coal
In the colony’s first coal mine,
They said it was only his just desserts
For a pocket, picked in the Strand,
And sent him out on a convict ship
To the hell of Van Diemen’s Land.

At first they set him to breaking rocks
For laying the first rough roads,
He worked while tethered in iron chains
That chafed his skin and his bones,
He wasn’t allowed to take a rest
From swinging the pick or axe,
For the guards would follow the line of men
And lay the whip on their backs.

He lost his God and he lost his soul
Or he thought that he had, out there,
Where men were hung as a matter of fact
And nobody seemed to care,
He slaved four years with the other men
But his future was looking bleak,
When he hit a man who was guarding them
He was sent to Saltwater Creek.

If ever there was a hell on earth
It was called Saltwater Creek,
The devil had got in the minds of men
And they formed a barbaric clique.
The cells were buried, were underground,
There wasn’t a spark of light,
And the men were taken out of the mine
When it was dark, at night.

They started before the sun was up,
They finished when it was gone,
Were locked and chained in their pitch dark cells
In a terror that just went on,
And while they were buried and mining coal
They’d think of the old country,
While their judge sat cool in his stately robes
And finished his morning tea.

A man turns into a surly brute
When he’s kicked and cursed, and beat,
But take the sun from his daily run
And his soul admits defeat.
Richard Dawson, later in life
At night, would take to the street,
And never could quite explain to his wife
The Hell of Saltwater Creek.

David Lewis Paget
allan harold rex May 2012
THE SHADOWS PALMS
STRETCHED IN THE EBONY ROADS
MUSING ON THE BLOCKS OF RUGGED STONE STEPS
GARNERED AND GATHERED BY CHAFED PALMS.

STRADDLING OVER THEM
THE DEEP FURROWS AND HEATED BROWS
NOW BROWN AND TANNED WEARING
A RUMMAGED MOUSTACHE OF CLIMBING VINES.

EVERY STEP AMUSES,
A MUSE THAT DOES NOT CEASE TO AMUSE,
IN THE HEAT OVERDOSES.


AND WHEN THE ARECA PALMS PALIPATING
IN ARRAY
HOIST ABOUT LIKE ROWS OF MEN DOPED


IN CEILED BANKS OF DISTRUST
A CYNICAL NILA CRIES ,
HER PLUNDERED SANDS.


NOW THE SUNKEN FERRIES ,
HAVE APPEARED AT HER BAY,
AND PAINFULLY CHAFE EACH OTHER.


A ***** FROM THE BOTTOM
STIRRING THE BELL FOR THE REQUIEM
PAY THE FERRYMEN.


FOR THE WAYFARERS WAFFLED WRITINGS
ARE ADDRESSED
TO THE MEN WHO PLASTERED HER WALLS ALONE
the celebrated sailing frog
     from Montgomery County
     went a court'n, or so the tale iz toad
to a grand ole mansion built around 1910,
     and e'en 'pon

     being razed ~2012 ah no dummy
     sea worthiness still plainly showed,
twas February 28th, 1968,
     when my father
     bought the house at 324 Level Road

majority deuce score plus nineteen years,
     rush back with unfettered exuberant zeal  
this aging elf spent psalm tranquil
     May days sung sotto voce
     atop memorialized, prized,

     shingled out, ship-shape valued,
     venerated, vip voted faux ****** demesne
     "Glen Elm" named private
     100+ acre wooded common weal

many a pitch perfect spring day
     found yours truly
     frankly basking atop the spacious roof
oft times begging the cosmic force

     irrationally lyft ting this Earthlinked bing,
     this uber dreamer
     willingly taken with "****"
(magic amazing dragons)

     presuming my absence,
     would not be missed and whereabouts
     no cause for alarm,
    but the usual antics of a contemplative goof

ball, and aware
     a minor for hair (Sunkist) gold
Helios innocently beckoned,
     this then sole Sol tanned

     within the solar raised fold
surrendering while atop
     the multi acred roof where any cold
melted away, whence became bathed
    like a bronze statue of auld.

zip pose zing the weather forecast
     donned wafted air
fragrant with flowered flora
     visibility for miles
     if ether crystal clear,

this high da way countless yards
     off the ground presented flare
approximating pristine floral display
     with powerfully poignant immunity
     against cackling, jeering, scowling,

     parents or other nemesis with glare
ring (smoke emitting nostrils),
     an idyll escape for this heir
to the throne of the mountain king,
     this make believe verdant submerged lair
unwittingly left a gaping hole,

     when Gambone Brothers
     industrial machinery voraciously
     made clean sweep,
     without a trace of former imp pier
     real resilient stately structured heart
     of "Glen Elm" could no longer rear

the well built when helplessly, holistically humbly
     brought to her knees
     (gory detail aye will spare),
nonetheless more than one pearl shaped tear

trickled down chafed
     sad reddened cheeks,
     whose head must veer
away asper thine subsequently
     blotted out never never never land

     eclipsed by transient rubble,
     thence vinyl city (dis) graced sacred space,
no doubt a great ache,
     when Saint Nick sought
     sought in vain for
     324 Templed throne every where!
nichole r Jun 2014
I knew a boy who liked to draw people
(with guns pressed to their temples and blades at their wrists)
he liked to tell stories
(about a girl with a chafed neck swinging from her closet)
sometimes he wrote these stories down and submitted then to the school newspaper
(but no one likes stories about sunset thighs)
they thought he was crazy
(did you hear- let us chat now now now)
but he was not crazy
(just suicidal)
akr May 2015
Moon

Moon-- roughly
the size of a cantaloupe.

Whom eyes have chafed on,
not perceiving any pain.

Moon, but not quite Li Po's:
Many hungry are below you

hung, paused as if thinking
on the paths to your glaciers.
October 7, 2009
Audrey Howitt Nov 2011
he was a burly man
maybe mid-forties
she was nineteen,
a little naïve
a little Lolitaish
she didn’t know him
nor him her
he wore his uniform
the cloak of power and authority
like a sheath on his *****
the only one he had today
her ******* chafed as her bra bit
jeans over tightly wrapped buttocks
she pulls the cord to stop the bus
it is her stop
two blocks from home
she gets up and turns
to face the door
he eyes her from behind
with vision hungry for a taste
just a taste
of what lies beneath
she is thinking about getting home
before she freezes
the door opens
she takes a step down
unaware
he gets up silently
and pushes her out
“that’s where you belong you *****,
in the gutter.”
unexpected tears mingle
with rain in the mud.



copyright/all rights reserved Audrey Howitt 2011
I craved presence and dreamt of intimacy:
of arms wrapped tight around me in the darkness
and lips like wildfire scorching throughout my skin.

Of midnight drives and trips to crowd-less theaters,
chafed balaclavas and pseudo-****** sprees.

Of laughter and a smile not like the sunlight
but the moon's: enigmatic, forlorn, lonely.

Of self-destruction and notorious luxuries,
and hands, laced against my own,
comforting, solid,
a drop of water in the desert.

(A kind of love that could give me what I wanted,
and what I wanted was oblivion.)
K Balachandran Apr 2013
They found sin,
an alluring fruit,
in the forest of the collective night
of their callous hearts.
They avariciously ate it,
though digesting its toxicity wasn't possible.
Its seeds were enthusiastically distributed,
among other creatures of the dark.
Planting seeds of sin,
they thought was good fun,
their technique of brainwashing
was perfect, a lethal gleaming weapon.
The fruits it bore were
what none expected,
explosions shaking public places,
an efflorescence of gun culture,
bane of our times and for all the days to come.
The genie refuses to go back to the bottle,
once again, though few still try.
The lovers of sin bragged ,
about biting the bullet,
if it comes to that,
won't run.
Short sighted,
chafed were their words and deeds,
at last when reality came to visit,
each one bit the dust.
Kitty Parson May 2013
When we were 25
all night was eight minutes
Now that we're 55
he really means all night.
Pass the ****, baby
I'm getting chafed.
the Sandman Sep 2015
I bleed outside the lines
from the insides of my knees.
The thousand-at-once ******
of your mild affection
that paint my sore, chafed skin
take my breath away- Like
you've never done before.
Your hurt hurts me more Than
your loving ever could.
You're the corner of the table
that I keep bruising my thighs on,
but it's a round table conference
&nd; they're telling me that love
is just around the corner.
I have to climb over the corner
of bruising, vicious love!
But my table is round;
how do I get over you?
~when love is "around the corner," and you're trapped in a round room
brooke Feb 2014
I used to like when he hugged me outside my car for
four minutes, how he wouldn't let me leave even if it
was cold outside and i was only wearing flip-flips, always
after our lips were red and chafed and my hair was a god-awful
mess on my head,

I used to like it when he listened to odd future, when he complained
about how ugly he was when I knew he was beautiful, how he was
worried that I would care that his skin was rough, that his skin was rough
that his skin was rough, but I loved his textures, his angles, his curves, never
smooth, never flat skin.

I used to like his baby cheeks and defined jawlines, how nothing ever mixed
with him, but he was milk and paint and oil. Baked potatoes with broccoli and
thyme, rosemary cloves.

I can't point out where all these things ended.

When I started to complain when he held me for too long in front of the door because
I told him he couldn't hold me in front of the car anymore. It was too cold.
When did my lips starting staying pink instead of red, when did
my hair start staying perfect, when was the last time I had held his hand
without being afraid of some boring, ridiculous reason, when was the last
time I laid in bed with him when was the last time I thought that he was the
best thing to ever happen to me, where do these thoughts go?

Overthinked, thanked, thunked? Did I wear beyond use, does my love have
an expiration date?
(c) Brooke Otto 2014

This has been in my drafts for awhile, I like it more now. December 20th.
Glenn McCrary Aug 2011
The natural attribute of my inquiring intuition

Coerced me to tread passionately in the wake

Of this provocatively, entertaining creature

To analyze the abstract desires of her mind



She peeks just up over her lovely shoulder

Capturing the dazzling quality of my image

From the corner of her harlequin green eyes

As she licks her lips insatiably with hunger



Ultimately this woman approached me fearlessly

Exuding the very spark of unmistakable attraction

She then began stroking her fingers through my hair

Caressing my face with her assuaging touch of heaven



Softly rubbing my chest while whispering risque enigmas of pleasure

Oh, how I could feel the air of her pacifying breath blowing in my ear

While her alluring cave of magic chafed against my yearning serpent

Not one word was spoken for she could sense my crave to fornicate
Don Bouchard Jun 2014
The clock was protected from change in your house.
No Daylight Savings Time admitted to your routines.
We who bordered your life had to adjust or miss your timing.
Your farm the antipodes of ours...straight and neat,
Everything where it ought to be,
No duplication or mess....
A feast for my order-hungered eyes.
I had not yet learned of obsessive-compulsiveness;
I only despised my father's clutter,
His refusal to wear time upon his wrist,
His stubborn old World ways.

I shoveled barley half a hot and muggy day
To load your truck,
Emerged tired, covered with dust,
Raging in a million itches
To receive fifty cents
"To take your girlfriend out."
Most ungrateful, I chafed,
Told anyone who listened...
But now, I smile,
Wishing my labor to have been
A gift, now long ago.

I fell in love with John Deere tractors, gleaming green,
Colored television,
Fresh paint, white and red,
Because of you
Standing in striped Osh Kosh bibs,
Penultimate farmer.

Lydia, your wife,
Danced to the metronome
Of your orderly life,
Escaped only in Harlequin novels
Stacked by her chair.

Until the day everything changed,
Pink drool trailing from your mouth,
Gears grinding as you lost
The memory of clutches,
Tractor care,
Crops to plant
Be ******...
A stroke was taking down another man.

A Saturday we moved your wife to town
Near where you convalesced;
Monday, the Baptist preacher found her.

You ordered mahogany, rich and prime,
For us to bid your Lydia farewell,
Then followed, true to form,
Within the month.

Your children ordered oak, solid and strong,
Wheat sheaves bedeck the top,
Inlaid and waiting,
Ready for the coming harvest.
Companion to "Lydia"

— The End —