Submit your work, meet writers and drop the ads. Become a member
Julian Mar 2019
Tantalized by the fractious limerence of a vestigial habiliment of the old order, we conclude that hypertrophy leads to a limbo where random permutations alloyed by the rickety limits of concatenation subsume concepts that are equivocal but populate the imaginations of newfangled art forms that jostle the midwives of rumination to lead to unique pastures that are intuitively calibrated to correspond to definitive unitary events in conceptual space that sprawl unexpectedly towards the desultory but determinative conclusion of a meandering ludic sphere of rambunctious sentiments cobbled together to either rivet the captive audience or annoy the peevish criticaster when they dare to inseminate the canvassed and corrugated tract of intellectual territory created ad hoc to swelter the imagination with audacious ingenuity that is an inevitable byproduct of lexical hypertrophy. In this séance with the immaterial realm of concept rather than the predictable clockwork reductivism of a perceptual welter that is limited by the concretism circumscribed by spatiotemporal stricture we find that an extravagant twinge of even the smallest tocsin in the interstitial carousel of conscientious subroutines compounding recursively to pinprick the cossetted smolder of potentiality rather than extravagate into the vacancy of untenanted nullibiety can spawn a progeny of utilities and vehicles for dexterous abstraction that poach the exotic concepts we fathom by degrees of sapience malingering in lifeless bricolages of erratic abstraction in manners useful to transcend the repose of abeyance and heave awakening into the slumberous caverns of still-life to make them dynamically animated to capture ephemeral events that defy the demarcations of wistful indelicacy of the encumbered bulk of insufficient precision.

Today we embark on a quest to defile the anoegenetic recapitulation of canon that litters the dilapidated avenues of miserly contemplation that has a histeriological certainty and feeds the engines that enable novelty but ultimately remain rancid with the stench of the idiosyncratic shibboleths of synoptic alloyed impoverishment that leads to the vast wasteland of cremated entropy that is a stained foible of misappropriated context interpolated usefully as botched triage for daunting problems that require a nimble legerdemain of facile versatility that we easily adduce to conquer the present with the botched memorial of a defunct salience. Despite the travail of scholars to retreat from the frontier into the hypostatized hegemony of recycled credentialed information, we often are ensnared by the solemn attrition of decay as we traverse the conceptual underpinnings of all bedrock thought only to dangle precariously near the void of lapsed sentience because of transitory incontinence that is contiguous to the doldrums of crudity but nevertheless with mustered mettle we purport that the very self-serious awakening to our hobbling limitations is akin to a prosthetic enhancement of ratiocination capable of feats that stagger beneath the lowest level of subtext to elevate the highest superordinate categorization into heightened scrutiny that burgeons metacognitive limber. Marooned in the equipoise of specifiable enlightenment countermanded by the strictures of working memory we can orchestrate transverse pathways between the elemental quiddity of impetuous meaning and the dignified tropes of transitivity that bequeaths entire universes with feral progeny that modulate their ecosystems with both a taste of approximated symmetry and a cohesive enterprise for productivity that rests on the granular concordance of the highest plane to the indivisible parcels of atomic meaning that solder together to exist as intelligible if strained by the primordial frictions guaranteed by the brunt of motion incipient because of the metaphorical inertia created within insular universes to inform sprawling conurbations of mobilized thoughts designed to reckon with the breakneck pace of the corresponding reality to which they explicitly and precisely refer to.

We must singe surgically the filigrees that amount to the perceptible realities that transmute temperaments into the liturgy of routine conflated with the rigmarole of neural dragnets of reiterative quips in an elegant game of raillery with our supernal contumacy against the rigid authority of aleatory vagaries mandated by a dually arbitrary universe in a probabilistic terpsichorean dance with the depth of our dredge for subliminal acuity or the shallow bellicosity of common modes of glib contemplation characteristic of the basic nobility of improvisation. This basic interface with the world can either be mercurial or tranquil based on the interactionism of the enfeebled trudge of surface senses or blunt intuitions and the smoldering impact of the vestigial cloaks that deal gingerly with the poignant subtext evoked in the cauldron of immediacy rather than pondered with the portentous weight of imperative singularities of uniqueness derived from the plunge into the arcane citadel of microscopic introspection so refined that the ineffable drives we seek to fathom become amenable to the traipse of transcendental time that rarefies itself by defying the brunt of compartmentalized bureaucracies administered by the fulcrum of stereotypical notions of acquired gravitas imputed to mundane pedestrian quidnunc concerns that defile humanity rather than embolden the subaudition of gritty punctilios that show the supernal powers of the axiomatic divinity of sharpened sentience to reign with supremacy over the baser ignoble components of bletcherous nescience that leads to knee-**** platitudes that provoke folksy peevish divisions. We should rather orchestrate our activity by heeding the admonishment about the primogeniture of poignant sabotage buffered by the remonstration of innate tranquility and finding a whipsawed compromise of rationalization with true visceral encounters with the fulgurant quips of brisk emotions that grind industriously into amorphous retinues of the trenchant human imagination to either equip or hobble the leapfrogged interrogation of veracity and more consequently our notions of truth and fact.

When we see the hackneyed results of default ecological dynamics, we find ourselves aloof from purported transcendence because the whimpered bleats and cavils of the importunate masses result in a deafening din of cacophony because we strive throbbing with sprightliness towards the galloped chase of tantalization without the luxury of a terminus for satiation. Obviously a growth mindset is the galvanic ****** that spawns the imaginative swank of the pliable modulations of our perceived reality that, when protean, showcase the limitless verve of our primordial cacoethes for epigenetic evolution rather than the stolid and staid foreclosure of impervious sloth that memorializes the gluttony of speculation about fixed entities rather than imperative jostling urbanity that dignifies the brackish dance with dearth and the exuberant savory taste of momentary excess because it engages the animated pursuit of limerence rather than the exhumed corpse of wistful regret. Nature is a cyclical clockwork system of predatory instinct met with the clemency of the prosperous providence enacted by the travailing ingenuity of successive cumulative generativities that compounded unevenly and unpredictably to predicate a fundamental zeitgeist calculated to engorge the fattened resources of the resourceful and temper the etiolated dreams of the fringed acquiescence of a hulking prejudiced population of dutiful servants that balk at the diminutive prospects of a lopsided distribution of talent and means but slumber in irenic resolve created by the merciful hands of defensive designs that configure consciousness to relish comparative touchstones rather than absolute outcomes that straggle beyond a point of enviable reference to shield the world of the barbarism of botched laments clamoring for an uncertain grave from the gravity of the orbiting satellites of apportioned wealth both sunblind and boorish but simultaneously inextricable from the acclimated fortune of heaped nepotism and herculean opportunism. The intransigence of the weighted destiny of inequity is a squalid enterprise of primeval abrasive and combative tendencies within the bailiwick of the indignant compass inherent to the system that fathoms its deficiencies with crabwise and gingerly pause but airs a sheepish grievance like a bleat of self-exculpation but simultaneously an arraignment of fundamental attribution erroneously indicted without the selfsame reflexiveness characteristic of a transcendent being with other recourses to clamber an avenue to Broadway without malingering in the slums of opprobrious ineffectual remonstration against the arrangement of a blinkered metropolis of uneven gentrification.

We flicker sometimes between the strategic drivel of appeasement and the candor of audacious imprecation of the culprits of indignity or considerate nutritive encomium of the beacons of ameliorated enlightenment because we often masquerade a half-witted glib consciousness lazily sketched by the welters of verve alloyed with the rancid distaste of squalor and slumber on the faculty of conscientious swivels of prudential expeditions with an avarice for bountiful considered thought and wily contortions of demeanor that issue the affirmative traction of adaptive endeavor to cheat a warped system for a reconciled peace and a refined self-mastery. We need to traduce the urchins that sting the system with pangs of opprobrious ballyhoo and the effluvia of foofaraw that contaminate with pettifoggery and small-minded blather the arenas better suited for the gladiatorial combat of cockalorums tinged with a dose of intellectual effrontery beyond the span of dogmatism rather than the hackneyed platitudes that infest the news cycle with folksy backwardation catered to the fascism of a checkered established press that urges insurrection while tranquilizing dissent against the furtive actions of consequence hidden behind the draped verdure of pretense whose byproduct is only a self-referential sophistry that swarms like an intractable itch to devolve the spectator into a pasquinaded spectacle of profound human obtuseness that pervades malignantly the system of debate until the reductionists outwit themselves with the empty prevarication of circular logic that deliberately misfires to miss the target of true importance because of the pandered black hole easily evaded by creatures of high sentience but inevitably ensnaring the special kind of dupe into a cycle of bellicose ferocity of internecine balkanization. The vainglory of the omphalos of entertainment is also another reckoning because it festers a cultural mythos of glorified crapulence parading a philandered promiscuity with half-baked antics that gravitate attention and the lecheries of gaudy tenses of recycled tinsel alloyed by debased aberrations of seedy grapholagnia that magnetize as they percolate because of the insidious catchphrases embedded in pedestrian syncopation that ignite retention and acclimate to mediocrity the sounds of generations discolored by faint pasty rainbows rather than ennobled by majestic landscapes of ignipotent mellifluous sound that stands a supernal amusement still for the resourceful trainspotter.

Despite the contumely aimed in the direction of contrarians for deviating from the lockstep clockwork hustle of stooped pandered manipulation that peddles the wares of an entirely counterfeit reality, I stand obstinately against the melliferous stupefaction of entire genres of myth and subcultures huddled around the sentimental tug of factitious sophistries regaled by thick amorphous apostates that cherish the vacuous sidetracked spotlight with fervor rather than pausing on the enigmatic querulous inquisition about the penumbras that lurk with strained effort beneath or above the categorical nescience of the shadowy unknown that often coruscates with elegance even in obscurity. I fight with labored words to spawn a psychological discipline that invokes the incisive subaudition of the pluckily pricked exorcism of true insight from the husk of buzzwords that constellate auxiliary tangential distractions from the art form of psychological discernment that predicates itself on the concept that the rarefaction of rumination by degrees of microscopic precision enables the introspective hindsight of conscious events that can be parsed without the acrimony of cluttered conflations of the granular prowess of triumphant ratiocination that earns a panoramic perch with the added luxury of perspicacious insight into the atomic structure of the rudiments of our phenomenological field and the abstractions that linger beyond perceptual categorization. When we analyze the gradients of anger, for example, we can either be ****** into a brooded twinge of wistful resentment or we can decipher that through heuristics designed to cloister the provenance of subconscious repose with ignorance there exists a regimented array of tangential accessories embedded deep within the cavernous repository of memory that designates a cumulative trace of compounded symmetries of concordant experience immediately perceptible because of the tangible provocateur of our gripes and the largely subliminal tusk that protrudes because of primal instinct that squirms with peevishness because of the momentary context preceded by the desultory churn of smoldering associations swimming with either complete intangible sputtered mobility through the tract of subconscious hyperspace or rigidly fixated by an arraignment of circumstances with propinquity to the deep unfathomed flicker of bygones receding or protruding because of the warped and largely unpredictable rigmarole of constellated spreading activation.  
When we examine the largesse of the swift recourse of convenience we forget by degrees the travail that once bridged the span of experience from patient abeyance in provident pursuit to now the importunate glare of inflated expectations for immediacy that stings the whole enterprise of societal dynamics because it vitiates us with a complacency for the filigrees of momentary tinsel of a virtualized reality divorced from the concretism that used to undergird interaction and now stands outmoded as a wisp beyond outstretched hands straggling beyond the black mirror of a newfangled narcissistic clannishness that shepherds the ostentation of conceit to a predominant position that swaddles us with fretful diversion that operates on a warped logic of lurid squalor and pasty trends becoming the mainstays of a hypercritical linguistic system of entrapment based on the apostasy of candor for the propitiation of fringed aberration because of the majoritarian uproar about touchy butthurt pedantic criticasters with a penchant for persnickety structuralism. With the infestation of entertainment with the ubiquitous political cavils engineered by the ruling class to have a common arena of waggish irreverence we forget that sometimes the impetuous ****** of propaganda is cloaked by the fashionable implements of a rootless time writhing in a purported identity crisis only to gawk at the ungainly reflection of modernity in the mirror and remain blissfully unaware about the transmogrified cultural psyche that feeds the lunacy of endless spectacle based on the premise that one singular whipping post can unite an entire generation of miscegenated misfits looking for commonality to team up against the aging generations that cling to the sanctity of cherished jingoism against the intentionality of a revamped system that malingers with empty promises using exigency and legerdemain to obscure the mooncalves among their ranks that march on with quixotic dreams that tolerate only the idea of absolute tolerance and moderate only when feasibly permitted by the anchored negotiation of the fulcrum of totemic governmental responsibility between factions that wage volleys of invective at each other to promote a binary choice of vitiated compromises of mendaciloquence that ultimately endanger the republic with either the perils of hidebound conventionalism and nativist fervor or the boondoggles of fiscally irresponsible insanity cloaked with rainbows and participation trophies. Reproach can be distributed to both sides of the aisle because ironically in a world where gender is non-binary the most important reproductive ***** in the free world is a binary-by-default despotism that polarizes extremely ludic fantasies on the left met with the acrimony of the traditionalisms on the right that staunchly resist the fatuous confusions of delegated order only to the sharp rebuke of the revamped political vogue that owes its sustenance to a manufactured diplomacy of saccharine lies and ubiquitous lampoons that are lopsided in the direction of a globalist neoliberal bricolage of moderately popular buzzwords and the trojan horse of insubordinate flippant feminism that seeks to subvert through backhanded manipulation the patriarchy so many resent using lowbrow tactics and poignant case studies rather than legislating the egalitarian system into law using the proper channels. I myself am a political independent who sides with fiscal conservatism but libertarianism in most other affairs because the pettifoggery of law-and-order politics is a diatribe overused by sheltered suburbanites and red meat is often just as fatuous as blue tinsel and sadly in a majoritarian society the ushers of conformity demand corporate divestiture in favor of an ecological system of predictability rather than an opinionated welter of legitimate challenges to a broken system of backwards partisanship and wangled consent. Ultimately, I remain mostly apolitical, but I am a fervent champion of the mobilization of education to a statelier standard that demands rigor and responsibility rather than the chafe of rigmarole that understates the common objectives of humanity and rewards conventional thinking and nominal participation to earn credentialed pedigree when the bulk of talent resides elsewhere.
Terry O'Leary Sep 2013
NOTE TO THE READER – Once Apun a Time

This yarn is a flossy fabric woven of several earlier warped works, lightly laced together, adorned with fur-ther braided tails of human frailty. The looms were loosed, purling frantically this febrile fable...

Some pearls may be found wanting – unwanted or unwonted – piled or hanging loose, dangling free within a fuzzy flight of fancy...

The threads of this untethered tissue may be fastened, or be forgotten, or else be stranded by the readers and left unravelling in the knotted corners of their minds...

'twill be perchance that some may  laugh or loll in loopy stitches, else be torn or ripped apart, while others might just simply say “ ’tis made of hole cloth”, “sew what” or “cant seam to get the needle point”...,

yes, a proper disentanglement may take you for a spin on twisted twines of any strings you feel might need attaching or detaching…

picking knits, some may think that
       such strange things ‘have Never happened in our Land’,
       such quaint things ‘could Never happen in our Land’’,
       such murky things ‘will Never happen in our Land’’…

and this may all be true, if credence be dis-carded…

such is that gooey gossamer which vails the human mind...

and thus was born the teasing title of this fabricated Fantasy...

                                NEVER LAND

An ancient man named Peter Pan, disguised but from the past,
with feathered cap and tunic wrap and sabre’s sailed his last.
Though fully grown, on dust he’s flown and perched upon a mast
atop the Walls around the sprawls, unvisited and vast -
and all the while with bitter smile he’s watching us aghast.

As day begins, a spindle spins, it weaves a wanton web;
like puckered prunes, like midday moons, like yesterday’s celebs,
we scrape and *****, we seldom hope - he watches while we ebb:

The ***** grinder preaches fine on Sunday afternoons -
he quotes from books but overlooks the Secrets Carved in Runes:
“You’ve tried and toyed, but can’t avoid or shun the pale monsoons,
it’s sink or swim as echoed dim in swinging door saloons”.
The laughingstocks are flinging rocks at ball-and-chained baboons.

While ghetto boys are looting toys preparing for their doom
and Mademoiselles are weaving shells on tapestries with looms,
Cathedral cats and rafter rats are peering in the room,
where ragged strangers stoop for change, for coppers in the gloom,
whose thoughts are more upon the doors of crypts in Christmas bloom,
and gold doubloons and silver spoons that tempt beyond the tomb.

Mid *** shots from vacant lots, that strike and ricochet
a painted girl with flaxen curl (named Wendy)’s on her way
to tantalise with half-clad thighs, to trick again today;
and indiscreet upon the street she gives her pride away
to any guy who’s passing by with time and cash to pay.
(In concert halls beyond the Walls, unjaded girls ballet,
with flowered thoughts of Camelot and dreams of cabarets.)

Though rip-off shops and crooked cops are paid not once but thrice,
the painted girl with flaxen curl is paring down her price
and loosely tempts cold hands unkempt to touch the merchandise.
A crazy guy cries “where am I”, a ****** titters twice,
and double quick a lunatic affects a fight with lice.

The alleyways within the maze are paved with rats and mice.
Evangelists with moneyed fists collect the sacrifice
from losers scorned and rubes reborn, and promise paradise,
while in the back they cook some crack, inhale, and roll the dice.

A *** called Boe has stubbed his toe, he’s stumbled in the gutter;
with broken neck, he looks a wreck, the sparrows all aflutter,
the passers-by, they close an eye, and turn their heads and mutter:
“Let’s pray for rains to wash the lanes, to clear away the clutter.”
A river slows neath mountain snows, and leaves begin to shudder.

The jungle teems, a siren screams, the air is filled with ****.
The Reverent Priest and nuns unleash the Holy Shibboleth.
And Righteous Jane who is insane, as well as Sister Beth,
while telling tales to no avail of everlasting death,
at least imbrue Hagg Avenue with whisky on their breath.

The Reverent Priest combats the Beast, they’re kneeling down to prey,
to fight the truth with fang and tooth, to toil for yesterday,
to etch their mark within the dark, to paint their résumé
on shrouds and sheets which then completes the devil’s dossier.

Old Dan, he’s drunk and in a funk, all mired in the mud.
A Monk begins to wash Dan’s sins, and asks “How are you, Bud?”
“I’m feeling pain and crying rain and flailing in the flood
and no god’s there inclined to care I’m always coughing blood.”
The Monk, he turns, Dan’s words he spurns and lets the bible thud.

Well, Banjo Boy, he will annoy with jangled rhymes that fray:
“The clanging bells of carousels lead blind men’s minds astray
to rings of gold they’ll never hold in fingers made of clay.
But crest and crown will crumble down, when withered roots decay.”

A pregnant lass with eyes of glass has never learned to cope.
Once set adrift her fall was swift, she slid a slipp’ry ***** -
she casts the Curse, the Holy Verse, and shoots a shot of dope,
then stalks discreet Asylum Street her daily horoscope -
the stray was struck by random truck which was her only hope.

So Banjo Boy, with little joy, he strums her life entire:
“The wayward waif was never safe; her stars were dark and dire.
Born midst the rues and avenues where lack and want aspire
where no one heeds the childish needs that little ones require;
where faith survives in tempest lives, a swirl within the briar,
Infinity grinds as time unwinds, until the winds expire.
Her last caprice? The final peace that no one could deny her -
whipped by the flood, stray beads of blood cling, splattered on the spire;
though beads of sweat are cool and wet, cold clotted blood is dryer.”

Though broken there, she’s fled the snare with dying thoughts serene.
And now she’s dead, the rumours spread: her age? a sweet 16,
with child, *****, her soul dyed red, her body so unclean.
A place is sought where she can rot, avoiding churchyard scenes,
in limey pits, as well befits, behind forbidding screens;
and all the while a dirge is styled on tattered tambourines
which echo through the human zoo in valleys of the Queens.

Without rejoice, in hissing voice, near soil that’s seldom trod
“In pious role, God bless my soul”, was mouthed with mitred nod,
neath scarlet trim with black, and grim, behind a robed facade -
“She’ll burn in hell and sulphur smell”, spat Priest and man of god.

Well, angels sweet with cloven feet, they sing in girl’s attire,
but Banjo Boy, he’s playing coy while chanting in the choir:
“The clueless search within the church to find what they desire,
but near the nave or gravelled grave, there is no Rectifier.”
And when he’s through, without ado, he stacks some stones nearby her.

The eyes behind the head inclined reflect a universe
of shanty towns and kings in crowns and parties in a hearse,
of heaping mounds of coffee grounds and pennies in a purse,
of heart attacks in shoddy shacks, of motion in reverse,
of reasons why pale kids must die, quite trite and curtly terse,
of puppet people at the steeple, kneeling down averse,
of ****** tones and megaphones with empty words and worse,
of life’s begin’ in utter sin and other things perverse,
of lewd taboos and residues contained within the Curse,
while poets blind, in gallows’ rind, carve epitaphs in verse.

A sodden dreg with wooden leg is dancing for a dime
to sacred psalms and other balms, all ticking with the time.
He’s 22, he’s almost through, he’s melted in his prime,
his bane is firm, the canker worm dissolves his brain to slime.
With slanted scales and twisted jails, his life’s his only crime.

A beggar clump beside a dump has pencil box in hand.
With sightless eyes upon the skies he’s lying there unmanned,
with no relief and bitter grief too dark to understand.
The backyard blight is hid from sight, it’s covered up and bland,
and Robin Hood and Brother Hood lie buried in the sand.

While all night queens carve figurines in gelatine and jade,
behind a door and on the floor a deal is finally made;
the painted girl with flaxen curl has plied again her trade
and now the care within her stare has turned a darker shade.
Her lack of guile and parting smile are cutting like a blade.

Some boys with cheek play hide and seek within a house condemned,
their faces gaunt reflecting want that’s hard to comprehend.
With no excuse an old recluse is waiting to descend.
His eyes despair behind the stare, he’s never had a friend
to talk about his hidden doubt of how the world will end -
to die alone on empty throne and other Fates impend.

And soon the boys chase phantom joys and, presto when they’re gone,
the old recluse, with nimble noose and ****** features drawn,
no longer waits upon the Fates but yawns his final yawn
- like Tinker Bell, he spins a spell, in fairy dust chiffon -
with twisted brow, he’s tranquil now, he’s floating like a swan
and as he fades from life’s charades, the night awaits the dawn.

A boomerang with ebon fang is soaring through the air
to pierce and breach the heart of each and then is called despair.
And as it grows it will oppose and fester everywhere.
And yet the crop that’s at the top will still be unaware.

A lad is stopped by roving cops, who shoot in disregard.
His face is black, he’s on his back, a breeze is breathing hard,
he bleeds and dies, his mama cries, the screaming sky is scarred,
the sheriff and his squad at hand are laughing in the yard.

Now Railroad Bob’s done lost his job, he’s got no place for working,
His wife, she cries with desperate eyes, their baby’s head’s a’ jerking.
The union man don’t give a ****, Big Brother lies a’ lurking,
the boss’ in cabs are picking scabs, they count their money, smirking.

Bob walks the streets and begs for eats or little jobs for trying
“the answer’s no, you ought to know, no use for you applying,
and don’t be sad, it aint that bad, it’s soon your time for dying.”
The air is thick, his baby’s sick, the cries are multiplying.

Bob’s wife’s in town, she’s broken down, she’s ranting with a fury,
their baby coughs, the doctor scoffs, the snow flies all a’ flurry.
Hard work’s the sin that’s done them in, they skirmish, scrimp and scurry,
and midnight dreams abound with screams. Bob knows he needs to hurry.
It’s getting late, Bob’s tempting fate, his choices cruel and blurry;
he chooses gas, they breathe their last, there’s no more cause to worry.

Per protocols near ivied walls arrayed in sage festoons,
the Countess quips, while giving tips, to crimson caped buffoons:
“To rise from mass to upper class, like twirly bird tycoons,
you stretch the treat you always eat, with tiny tablespoons”

A learned leach begins to teach (with songs upon a liar):
“Within the thrall of Satan’s call to yield to dim desire
lie wicked lies that tantalize the flesh and blood Vampire;
abiding souls with self-control in everyday Hellfire
will rest assured, when once interred, in afterlife’s Empire”.
These words reweave the make believe, while slugs in salt expire,
baptised in tears and rampant fears, all mirrored in the mire.

It’s getting hot on private yachts, though far from desert plains -
“Well, come to think, we’ll have a drink”, Sir Captain Hook ordains.
Beyond the blame and pit of shame, outside the Walled domains,
they pet their pups and raise their cups, take sips of pale champagnes
to touch the tips of languid lips with pearls of purple rains.

Well, Gypsy Guy would rather die than hunker down in chains,
be ridden south with bit in mouth, or heed the hold of reins.
The ruling lot are in a spot, the boss man he complains:
“The gypsies’ soul, I can’t control, my patience wears and wanes;
they will not cede to common greed, which conquers far domains
and furtive spies and news that lies have barely baked their brains.
But in the court of last resort the final fix remains:
in boxcar bins with violins we’ll freight them out in trains
and in the bogs, they’ll die like dogs, and everybody gains
(should one ask why, a quick reply: ‘It’s that which God ordains!’)”

Arrayed in shawls with crystal *****, and gazing at the moons,
wiled women tease with melodies and spooky loony tunes
while making toasts to holey ghosts on rainy day lagoons:
“Well, here’s to you and others too, embedded in the dunes,
avoid the stares, avoid the snares, avoid the veiled typhoons
and fend your way as every day, ’gainst heavy heeled dragoons.”

The birds of pray are on their way, in every beak the Word
(of ptomaine tomes by gnarly gnomes) whose meaning is obscured;
they roost aloof on every roof, obscene but always herd,
to tell the tale of Jonah’s whale and other rhymes absurd
with shifty eyes, they’re giving whys for living life deferred.

While jackals lean, hyenas mean, and hungry crocodiles
feast in the lounge and never scrounge, lambs languish in the aisle.
The naive dare to say “Unfair, let’s try to reconcile.
We’ll all relax and weigh the facts, let justice spin the dial.”

With jaundiced monks and minds pre-shrunk, the jury is compiled.
The Rulers meet, First Ladies greet, the Kings appear in style.
Before the Court, their sins are short, they’re swept into a pile;
with diatribes and petty bribes, the jurors are beguiled.

The Herd entreats, the Shepherd bleats the verdict of the trial:
“You have no face. Stay in your place, stay in the Rank and File.
And wait instead, for when you’re dead, for riches after while”;
Aristocrats add caveats while sailing down the Nile:
“If Minds are mugged or simply drugged with philtres in a vial,
then few indeed will fail to feed the Pharaoh’s Crocodile.”
The wordsmiths spin, the bankers grin and politicians smile,
the riff and raff, they never laugh, they mark a martyred mile.

The rituals are finished, all, here comes the Reverent Priest.
He leads the crowds beneath the clouds, and there the flock is fleeced
(“the last are first, the rich are cursed” - the leached remain the least)
with crossing signs and ****** wines and consecrated yeast.
His step is gay without dismay before his evening feast;
he thanks the Lord for room and, bored, he nods to Eden East
but doesn’t sigh or wonder why the sins have not decreased.

The sinking sun’s at last undone, the sky glows faintly red.
A spider black hides in a crack and spins a silken thread
and babes will soon collapse and swoon, on curbs they call a bed;
with vacant eyes they'll fantasize and dream of gingerbread,
and so be freed, though still in need, from anguish of the dead.

Fat midnight bats feast, gnawing gnats, and flit away serene
while on the trails in distant dales the lonesome wolverine
sate appetites on foggy nights and days like crystalline.
A migrant feeds on gnats and weeds with fingers far from clean
and thereby’s blessed with barren breast (the easier to wean) -
her baby ***** an arid flux and fades away unseen.

The circus gongs excite the throngs in nighttime Never Land –
they swarm to see the destiny of Freaks at their command,
while Acrobats step pitapat across the shifting sands
and Lady Fat adores her cat and oozes charm unplanned.
The Dwarfs in suits, so small and cute when marching with the band,
ask crimson Clowns with painted frowns, to lend a mutant hand,
while Tamers’ whips with withered tips, throughout the winter land,
lure minds entranced through hoops enhanced with flames of fires fanned.
White Elephants in big-top tents sell black tusk contraband
to Sycophants in regiments who overflow the stands,
but No One sees anomalies, and No One understands.
At night’s demise, the dither dies, the lonely Crowd disbands,
down dead-end streets the Horde retreats, their threadbare rags in strands,
and Janes and Joes reweave their woes, for thoughts of change are banned.

The Monk of Mock has fled the flock caught knocking up a tween.
(She brought to light the special rite he sought to leave unseen.)
With profaned eyes they agonise, their souls no more serene
and at the shrine the flutes of wine are filled with kerosene
by men unkempt who once had dreamt but now can dream no more
except when bellowed bellies belch an ever growing roar,
which churns the seas and whips a breeze that mercy can’t ignore,
and in the night, though filled with fright, they try to end the War.

The slow and quick are hurling bricks and fight with clubs of rage
to break the chains and cleanse the stains of life within a cage,
but yield to stings of armoured things that crush in every age.

At crack of dawn, a broken pawn, in pools of blood and fire,
attends the wounds, in blood festooned (the waves flow nigh and nigher),
while ghetto towns are burning down (the flames grow high and higher);
and in their wake, a golden snake is rising from the pyre.
Her knees are bare, consumed in prayer, applauded by the Friar,
and soon it’s clear the end is near - while magpie birds conspire,
the lowly worm is made to squirm while dangling from a wire.

The line was crossed, the battle lost, the losers can’t deny,
the residues are far and few, though smoke pervades the sky.
The cool wind’s cruel, a cutting tool, the vanquished ask it “Why?”,
and bittersweet, from  Easy Street, the Pashas’ puffed reply:
“The rules are set, so don’t forget, the rabble will comply;
the grapes of wrath may make you laugh, the day you are to die.”

The down and out, they knock about beneath the barren skies
where homeward bound, without a sound, a ravaged raven flies.
Beyond the Walls, the morning calls the newborn sun to rise,
and Peter Pan, a broken man, inclines his head and cries...
Azad Akkash Apr 2015
To Jody;
My five years old friend and nephew

I put down the telephone,
entering a nap of elation,
till the echo of your sweet utterance
On the back of expatriation's wind
Swims away, dims.
By then, medusas of melancholy with their thick sorrow
fill up my throat
and my heart
would blindfolded fall on the knees and
die down…

With good and bad big wolves
tracing lost children or stuffing shaking goat kids into their paunch.
With ravenous bears, malignant hyenas
and crude giants,
garrulous  gracious squirrels, laborious ants
and active voracious hares.
With them, the two of us
had upholstered the land and sky of the wonderland,
and with their voices and whoops all,
we had irritated the dreamland's walls.

No matter how many times
we were building the villages for stories of straw, furze sticks and bricks,
I would only visit your house of mattresses and pillows.

Only for you,
I did revived the dead wolf
in order to revenge the "predatory" lumberjack.
With no regret I kept sending "wolfy" to the roasted chicken's shop
to defeat the hunger,
So that he won't eat the trapped little girl.
And before your smile,
the wolf in walrus moustache would play with the girl till daddy comes and takes her home.

And you are …
popping out, never closing the wide eyes of yours,
waiting for grandpa to take us to the village.
Up from the houses' roofs,
with Qarmeetlak's1 rabbits,
beyond the barbwires and in secret,
we stick the tongues out to the Turkish barracks.
Along with goat kids,
in tracking smugglers' traces,
we fool the landmines,
sneak to the other side of the border.
With smiley faces and hidden bleats,
We ****** the poppies and the grass that grow out from the edges of spring and the craters.
We hide from smuggler's ghosts who
in the  labyrinths of landmines
because of the unclaimed hands and legs are grabbing the collars.
We taunt the jackals' yowling and the patrolmen.
And in front of the rumbling sky, we do our best to look prettier;
Isn't  it "God taking photos of us"?
And like coward puppies we flee and go back to the safe village,
just before the dusk's winds could carry our smell to the angry spirit of Salan2
who is scouring the Kurmanj's Mountain3,
pursuing his endless vengeances.

Till the break of day,
with your slim clever squirreliness,
out of the branches of the most interlocked sorrowful stories,
you were shaking the attached laughs and guffaws
on the  hair of the deceiver Ashrafieh and the grumpy Sheikh Maksood's4 night.
Eventually, in taking its revenge,
the night would stuff you in a small basket and throw you away into the waves of sleep and dream
accompanied with all that eager to see the giants' kingdom and the mice's storehouses,
squirrels' village, their dances and bridals,
the departure will lead you to the waterfalls' cliffs of a dreamy sparrow's new day.
With the beaming love out from our eyes,
you dry up your tousled feathers and
take into the open.

Nevertheless, how simple-hearted the lies were when I kept telling you:
"Dog is a dog, a wolf is a wolf and the kitty is a kitty, and what are we, my Jody?
We are humans!"

I didn't want you to know
how in the world, could a dozen of
rabid armed dogs
smash down the door
and out from your eleven months old eyes,
with a persistent thronged barking,
they did take your dad away to the deepest liars of the ranch of malevolence,
introducing him to all kinds of animality.

How might I explained to you
why in the world, they reduced 'dad' for you
to that thing which every month
from behind a doubled bars
keep sending you a tearful laugh?
Why did they minimized the ancient capital for you into
both of the Political Security Branch and Siednaya's Jail5?

Your fingers had just started taking to writing and drawing.
You had just started
cantering your own stories
along with unsaddled breezes' foals
when herds of jackals with dark mouths
deported 'your Azad' into a fool refuge.
Again,
they
made
you
an orphan.

Inside the brushwood of the story and the wilderness of the epic,
since neither your fingers have become able to rise the sign of victory correctly,
nor could your throat match the letters of 'Kurdistan' properly,
whatever cave you step in,
no matter how shiny is the globe in the witch's hands,
she would never be able to tell you,
these lacrimatory mist and clouds,
with the emerging of every spring,
from which valleys of the ranch of malevolence  
did they come to overflow the Kurdish neighborhoods.
How did they vilely with no permission go up to the third floor
in order to join you in a poisoned feverish soiree.
And since when
the creatures of darkness
that they had brought
have been grazing their hyenas
among our fresh hopes.


Hence…
when I tell you that
I'll come back with the snowfall,
it is nothing but a lie!
When you ask me to come back in summer
in order to hang on my back
and swim together
along with the little fishes,
such an imagination!
When you are not sleeping in my empty bed anymore
Intending to let my pillow and blanket await for
my return,
only a childish dream!!
Yet, when you
in the sweet and soft Afrini accent of yours
say to me
'Ozod, I mithed you thoo thoo thoo much',
my heart
would blindfolded fall on the knees and
die down…

Azad Ekkaş
Roni_alend@outlook.com
Erbil: 3-1-2011
1-The village that Jody's family decsends from. It is located on the very Syrian Turkish borders.
2-  A traditional hero of the region.
3- Kurds in Afrin district in the remote north western corner of Syria call their region the Kurmanj's Mountain
4- The two largest Kurdish neighborhoods in the Syrian city of Aleppo.
5- The largest political and militaty prison in Syria where Jody's father was imprisoned. It is located in namesake town near to the Damascus.
Christmas Eve was coming
There was plenty to be done
There were protocols to follow
There were programs to be run

Presents needed wrapping
Elves had duties of their own
They've been doing it for centuries
They could call Christmas in by phone

Reindeer games were scheduled
Christmas Carols to be sung
There were toys to be assembled
There were bells that must be wrung

Christmas Cakes...no problem
For we all know there's just one
It gets passed around each Christmas
And that is half the fun

But, back now to the reindeer games
Donner wasn't there
But, neither were three others
It gave Santa Claus a scare

He called the elven vet in
Said "find out what it wrong"
"If I don't have all my reindeer"
"It'll ruin Rudolph's song"

The vet came back directly
Hoof and mouth was what he said
The reindeer must  miss Christmas
They were all confined to bed

Santa couldn't take it
Reindeer home...what would he do?
He thought real hard about an answer
Where would he find something that flew

The vet said, "I've an answer"
"But, no questions...just your trust"
"I'll get your gifts delivered Santa"
"I just need your magic dust"

Santa said "do your best Doctor"
"We can't have Christmas end like this"
"Are you sure you have an answer?"
"We can't give Christmas time a miss"

The vet and elves went searching
They formed a team like none before
They went around to the animals
And then they knocked on Santa's door

Santa looked at what they'd brought him
His reindeer gone, but here they stood
A team had been assembled
It made Santa sink into his hood

Harnessed up before him
The vet had two dogs and a bear
A ******, goat, and donkey
And a bald, blind cat...stood there

He smiled and said "Dear Santa"
"They may not look like that much now"
"But, they'll get you where you need to be"
"And they'll be led by a brown cow"

If you hear some noises
From your roof, like bleats and barks
Some, meowing or some mooing
And other strange sounds in the dark

Remember, it's just Santa
With his new team for the season
Rex, Rolf, Billy, Ben, Bessie, Joe, and Mike
and a bald, blind cat who's freezin'

Merry Christmas to all and to all....don't look up!!
And on the day when
He shall gather them all together:
O assembly of jinn!
you took away a great part of mankind.
And their friends from among the men shall say:
Our Lord! some of us profited by others
and we have reached our appointed term
which Thou didst appoint for us.
He shall say:
The fire is your abode,
to abide in it, except as Allah is pleased;
surely your Lord is Wise, Knowing.

Holy Quran
The Cattle
6:128

Do you build on every height a monument? Vain is it that you do:
And you make strong fortresses that perhaps you may
And when you lay hands (on men) you lay hands (like) tyrants;

Holy Quran
The Poets
26: 128-130


The desert Jinn of Cairo
flit and dance
upon the burning waters
of the Nile.

The midnight streets gasp
with the turgid fragrance
of tear gas and jasmine

The stink of the
ungrateful dead
riles the nostrils
of indifferent gods
laughing
at the litter of corpses
strewn along
torpid boulevards
in this city of lament

Unbounded crowds dash
amongst fleeting shadows
the agitated ghosts
of undead generations
refusing to stay buried
blink to life
in epileptic frenzy

The timeless city
civilizations
fertile floodplain
authored
western cultures
opening chapters
housed mythic libraries
erected mysterious
stone tributes
esteemed
monarchical opulence
now yields
frenetic outbursts
of Arab fury
writing
an epilogue
to a despots rule
the blessed end
to an imperial age

Rampant corruption
asphyxiating bureaucracy
malicious suppression
syphilitic exploitation
rabid oppression
enforced ignorance
human defilement
are the bitter
sediments
of degradation
layered in crushing piles
upon the lowly masses
on this delta of sorrows
breeding revolution
to unravel a tyrants
specious claim
to perpetual rule

The city
streets
flood with
militant
insistence.

Emboldening
a peoples will
to rise up
beating hearts
pounding
a sonic drum
resonating
through
this age
foretelling
a turn
in history's
creaking wheel.

Allah Allah
Allah Akbar!
bleats
from parsed lips
from underground
brotherhoods
the rising words
sharper then
Saladin's Sword

The Holy Quran
flows like boiling blood
in agitated hearts
dissidents pound
bloodied fists
against intractable walls
of monolithic power

Visions of liberation
a democratic paradise
an infinite harem
of compliant virgins
swim in the heads
of dissidents in motion
as baying throats
exhort comrades
shouting brave
seditious slogans
to engage
bullets
batons
water cannons
and unsure outcomes.

I heard a young woman say
"I have faith in my people
and faith in my country."
Never a more foolhardy sentiment been expressed,
nor braver words have I ever heard.

As the laughing Jinn of Cairo
flit and dance
atop the burning waters
of the Nile.

A city
self immolating
atop a pyre
of blood stained stones
dry constricting fables
passed down along
marching epochs
hieroglyphic puzzles
recorded on
crumbling papyrus
wrapped in
holy legends
of mystical pharaohs
receiving an exiled
Father Ibrahim
fresh from
the destruction
of *****
cedes to the
Lord of Fear
spawns a lie
and gives
Sister Sarai
over to the
unholy whims
of profane
magistrates

Abe's skin saved
soul preserved
the generations
multiply
more numerous
then the countable stars
in a known universe
not vast enough
to find room for
Hagar's cursed progeny
-call him Ishmael-
a wild ***
exiled to
Desert of Paran
siring many
lesser Semites
becoming
a strong archer
in the vast legions
in timeless
service to
an uninterrupted line
of deranged Pharaohs

This scorned land
grew the
grievous reeds
swaddling
Baby Mussa
who turned
the river of
his arrival
into a flood
of gushing blood
who split the waters
to consume
the raging armies
of marauding charioteers
bent on the annihilation
of their chosen
Semitic half brothers

The shame
agitates
the simmering
rage of ambivalence
gladly sacrificing
these historic
treasures
on angry
bonfires
tipping
the glories
of Alexandria
into the sea
once again

Up stairways
down dark alleys
the Jinn of Cairo
dance
haunting ruins
hurling stones
burning buildings
looting stores
smashing artifacts
cursing the bitter bread
of tyrants
chasing
the black echos
of deadly gunfire

Nasser's
dead soldiers
gather in corporeal legions
a proud nations
undead generation
mythic heroes
dashed in Six Days
rise from
shallow graves
of Sinai
shame is loosed
to stalk targets
heated enemies
setting aflame
the burning waters of
a very blue
unsettled Nile

The unholy platoons
Sadat's assassins
hurl grenades
like thunderbolts
from jealous Zeus
implores Mars
to join the fray
rousting the specter
of dead kings
and a terrorized
President
living in the black days
of his final nights

Tell Ole Pharaoh
to go back to the hell
from whence he came
as the laughing
Jinn of Cairo
dance on  the
burning waters
of the Nile.


Music Selection:
Randy Weston: Blue Moses
(WIP)
1/31/11
From the interstitial bile of the Profitis Ilias, was emanated the inaugural armour of the codes of Radius’s Eurhythmy. With it traces it typology of the three broken areas of energeia purple that will raise from bases it elementary of the contrafactum of melody of the Raedus. First with the paragraph’s of the Prophet Elias in the portion of the firstly 103 meters but awarding the contrafactum melodic same on the text of the Raedus Codex, that they will be rhythmic epigraphs of hallelujah and beginning of the Kirye. The polyphony will be an elevation of liturgy that will deliver doubly for the pipe that carries the prolific ascension to the face of the surface of the Profitis Ilias. Hypostasis Will be the substance, but of be to of way of the true unified to the all of the reality of the Áullos Kósmos.  To some 1, 7 years incessant light followed coming the Fourth Saeta of Zefian, to order the Áullos Kósmos with the ordination of the Go Auric that will conclude the retina that remains of the firmament and of his path like full earthly extra. The quota of prophecies will reside in the tectonics of the cliff and in fail them of the rocky mass, on the upper blocks from this outcrop from the inferior layers, from the start of the materials allochthonous on the hole of erosion, going in the Sibyls and the Prophet Elias until the 103 meters of the height.  

Codex I -Tectonic Nihil

The honor explains the Regressive Legend of this good piece of Meat Corpulent and Brain also, was born to write his astragals in his terminal syllable, whole and dying with the blood of Etruscans Steeds and Macedonics, each had golden piercing hanged internally in one of his six ******* paranasal, sealing the life of this blood caretaker Franciscan and swordsmiths extemporal so that with his last four molars yielded the light amalgamated Crystalline and overflowing in the gums of the lapse that soaks of blood the fields equestrian. In this codex Sibyl Pérsica would enter by the cylindrical vault, she advanced with a light secluded and stepped a snake, under the steeled hooves of Alikanto. She with his veil and oil lamp announced the arrival of the Messiah, here the awakening semblance invokes by the honor of his come, to Parents and the Mothers. The Souls of Trouvere appear beside Estratónice, Lochnith, and Wonthelimar.

It says Lochnith: The world abdicated the pontifical, have run the curtains so that enter the light, Moses here has to come with the true curtains that house the lunettes, the thrones of the Sibyls and Prophets that come us the miracles salvations that are born of his entelechy, for the one who is forbidden in the thousandth portion of the broadcast that break out like an affair signal, and testamentary of the Apocalypse to the Poielipsis in creation testament were live in the whispers of Emmanuel, in the verses burnished and oracular of Sibyl, daughter of Dárdano and Neso. With meager differences and matrices between Hellespont and Dardania, like Jerusalem and Bethlehem, and this last between the outstandingly in Eon Kareem, but in the corresponding bifurcation approximated to the baptistery. The Hexagonal Primogeniture will mandate the hardships of hexameters in front of the hectometers that will do evidence of the Escatón a third world is like a consistent reality, real that will carry us to the hope of a life satisfied and trained.  

Codex II - Tectonics Supra Lithosphere

Three white eagles’ headed flew by Tel Gomel, carrying blood in his claws twisted of spines turgid. They brought the vaticinator of double death predicted, with his double craze put and his double helmet that transmitter the rings of the putrid Tanat’s by the faces, and by his lips lackluster feeble in Him, Vernarth had sent them a missive with the Eagles in low flight; all they were dressed of the stink of the field of yellow fog and black battle, on the silty hooves of Beelzebub that heaved in the ones of Alikanto, they moan on the lymphoma of the size of a dream of six decades in his ridge crucible, that wheezed purges by his full snout of rests of lymph remaining in the interstitial of his teeth Burnished canine-alanos. His heart reconverted in armour red ad limitem with blue endocardial flourishing. When putting the twilight of the blowout lying of wind Eolionimi and Shamal, went breaking the vertical with the halter of his greedy steed to the spit helicoidal volatile mats in the catacombs of Markazí where residents of his lineage forge dwelt in abominations of the Lives that renacían victorious from the fire of cult to the city that houses his true Life and Soul in Sibylla Pérsica.

Singing of Wonthelimar: Already the veils have collected will carry the candles that wire the souls freed of Trouvere cries of prosperity expect us from the medrons that rebirth of the immanent presence of her same, to meters on the level of the lithosphere showed the Rings Ibics to the meeting of a tertiary matchmaker in the Saeta of Zefian,  and behold where interprets the law, the future gives us the pennant of justice insufficient of Light but there of the cavern that is born in the turns of the third world. It says Of Meturgeman or Rabí that break down the avatars of his advances, by ends off-center if they have to be the verticality of the Sibyllas with the mind of God. Like this we go topping by this axon of spiritual fatigue, centering in the nervous excessively that goes out of the body of consciousness of the cosmos, transmitting impulses of the same by Elías´s links, where the motor structure of the teacher and the testamentary of Leví, and Greek Aramaic Leví in Qumram subsisting to the big speed of how has to pass the Messiah priestly will interpret all the word of the Mashiaj in the Áullos Kósmos in his order motor and behold the Messiah  Priestly, and the patriarchs like Set, Enoch, and Isaac having the work of unraveling the illusions and mysteries of the cosmos of the same way that the angel interpreter the nocturnal visions in the apocalyptic relates of San John the Apostle.

Codex III -Tectonic Quartzite

The disloyal Ghosts came from 70 km of the Iranian city of Shiraz province of Fars, near the place where the river Pulwar ends in the Kur (Kyrus).  His construction and destruction would be provinces that will be subjected until the conquest of the Persian Empire subjected in October by Alexander the Great. Persépolis Remain turned into rooms of the Harem and in *** of magnet bizarro between massacred gods. The transitions of the porches in the sides are joined by angular towers in the Apadana of profane interlock. The two big doors remained opened in eternity groaning salts in interminable assets of predefinition and recharge in his abortive degree.

Here they were the comrades of Vernarth overwhelmed of preparations and attires in the lobs of Mars on his shoulders after oracles tempest of the burning sun in his heads.  Anahita; Goddess of the nature, pours the blessed waters of the nature that washed with morbid rains the bodies of the fallen in the ***** battles with the roosters of the Zoroaster, cutting the palanquin where are seated, and enraptured in polytheism with Ahura Mazda with a short difference like cloister and capota, ad carry to shoe the monarchic attires of Macedonia in front of his defeated realm by the subjugated constitution of golden blood of Alexander the Great and Vernarth tied to the Macedón or Zeus, fully Hellenic that ran vast both strides by muted seams of basaltic streets of paving stones, and obsidians between paradises of vintage and wind. The Sybilla Eritrea shows his veil not only collected but significantly knotted on the belly that alludes to the state of gravity of the ****** in Incarnation (scene of the Annunciation). The meters of ascension to see determinant the first 103 meters of climbing insinuate the appellatives of Erqia, Eriflam Herifle, and Riquea.

Singing of Estratónice: In the marble reside of white Apeiron of indeterminate infinite matter, exempt of quality and that finds in the eternal movement of the Eolionimi, that has to dwell in his belly a savior white from the Áullos Kósmos or paradise of Vernarth, the word will say that it rescues the life of the mortal the facets of the Katapausis would make amends the effluvia Hebrew in the ponderation of the mainstay of the virola that embraces the saeta of Zefian falling from the altitude. The biface solitude will trespass the rocky subsoil of the peak of the Profitis Ilias like this with tender meters that will cross the Fero of absorption of his Santity and Salvation of the Humanity.

Codex IV Tectonic Cenozoico

From Rodas, the geological temporary scale will contribute us the evolutionary frame of the rocky mantle, and superpositions in the happen of time. I register fossils of organisms that underlying in layers or endodermis of the prehistory of the Dodecanese. Vernarth After crossing the Helesponto transgressed his for psiquis parapsychological in the substitute Brook to Sudpichi like a weightless mantle of a Machi praying to the Kósmos Negechen by the rickty Rehue prophesying to him on his hands dismembered of bravery, of big assistance in 300 years of souls Nge-Nge Mapus deu in the raging nose that propelled the wrath; similar substitute with which trigger the knot, Champollion with some sphinx uncovering the allegories of Pandora from the Valleys of the Kings.

Singing of Sibila Líbica: The sparking plugs will inflame the Iridescent eyes of the Mashiaj flashed in the likely settlement mortuary of Alexander the Great in the oasis of Siwa: Oh My warm wind of Libya that flatters my chees, and my shoulders that groove in the light of the callous brain coexistence of Zeus. Singing by you my Didaskein; treating or teaching to the baffled herd that confuses the menages that were born to. B.C., not having a reminiscence of Irradiation in the mastery of the continuous-time of not contravening of ignorance, but yes to find him agreed and effulgent!    

Codex V Tectonic Brisehal  

By the desolate empty Dasht-and-Lut, Brisehal a huge shady of structure is moved him when is covered until all half orient, even disobeying to his parents; beings in uncrowded places of contemplation that were surfacing of his big mountain of the delighted desert overflowed the lemurs strolling alone as wanting to take off the last spark of politics that remained them for surrendering in his own banishment encountered. Brisehal Was an eminent mount with a head of the can similar to Anubis, but million times of the size upwards and with a clorhídricbreath, like a perspective of the congregation to go into the garden-realm of The Skies and in his laps. Before shivering the day with the movement of his shuddered step, Brisehal was two years moving day and night in the surface that did alluring of lux Solaris.  Brisehal In this fifth codex liquefied in the black layer of the tunnels of wind that hide by Dash-and-Lut, until the sensory layer of Dasht-and-Kavir, attracting by the tunnel of the grotto of 308 meters of height of Patmos intra geological, all the sculptures and images of the cusps did near to the 103 meters of initial altitude in this vertical underground in attachment with the parallel that retracted in cubic tones drilling the doloninas or geological depressions in the extensive of Lut for a giant that is born of the wails and lacerations of Vernarth when it was tutored by saetas in the middle of the field of Gaugamela, even moving to Maceo. When they moved noisily the dolines, lower mountains conceived deduced with the greater effect of his swivels nerves were immense thunderclaps that even reflected until the spheroids nimbus reddened by the riot of Dasht-and-Kavir. It turned off left to right pretending exile the Desert of Lut tubed in pro generation by both do of optical rope or fibers in high energy density, and that it could cohabit beside Vernarth disabling in the odyssey of the Horcondising (Paradise of the lineage of Vernarth to Gaugamela).

Singing of Brisehal: The veil that receives the indifference, has knotted in the abdomen hatched of the earth, and of the dolonina that protected me of the folio that barter what there was or of will have to become. The Gesta of all those that suffer from foot and rely on, have three abortive routines in his gravidity of a white relative, that did to shelter me in the love to my gentleman Vernarth. Sibila Eritrea neither in Greeks nor Latins has to sortear the breviaries of the maximum pontifex that speaks while dozing of anilines nights where anybody perishes awake in his epítome?

Sibilino By the Saudi, from the vórtice direct the gulfs that hide from where rebirth like choruses of Esquilo, behind the springs of Agamemnon in where Clytemnestra opens plains that do to run the Shamal by his dry disposition of dew, but humid of the sap of Eritrea faces in springs subtropical that tears dry of the tough body fallen in tears that will not hear by the tenacious hemp?

To the-Haffar, the third party is with saetas in his thigs, arms and pectoral, where the star does open shining for the one who dies by her in the first lightning of the night Thurayya, with violent embraces to receive to the one who from a codex receives the fifth bowl for violent winds of fishermen that resolved of the wind in a fine dust of the cleft hands of Aldebarán, peepholes of bilges of ogres that are born hell to die as pious in arms of Sybilla Eritrea, and in prologues of Brisehal with so many meters of wingspan, nevertheless that of any rye in the greater degree that have to ceremoniously in perks of a revived Sybilla Líbica.      


Codex VI - Strigoi Asthenosphere

In the spring of 331 b. C., Alexander the Great left Egypt returning to the port of Shot, where was his fleet. Of there it headed to Antioquía, crossing the valley of the river Orontes, and arrived at the River Éufrates to the height of Tapsaco, were founded the city of Nicéforo so that it was a strong square and tank of the supplies of the army, Here it was learned that Darius was found in Arbelas as he was crossing the Tigris, and heading north along the eastern bank of the river. The Sybilla Cumana found in the height 97 of the tunnel of wind when auscultating these waves very near of the dolonines, in avidity of the Pythia Délfica with divinatory proselytes that visited the folds of his attire, in places of his divinatory crowd cerebral. His relativity Cumana waste of energy of the Mausoleum, prophesying life for all in the passion of the life together with the abandoned bodies by the souls of the Devotio Roman, and in the poverty of the soul that drains scared by not remaining desolate between half of the parchment of Lilith, and in the offering of the Strigoi by breaches of troubling visions in the darkness of the cavern of Chauvet, when sacrificing competitive emotions of the Votum maléfico of Lilith.  Only one can exist like an inviolable part of the tradition of the chastest Wonthelimar, attempting the Xiphos with human chamois in tectonic offering and frizzing the altitude 103 of the tunnel of wind of the Strigoi.    

Vlad Strigoi Sings: Mardiath, noble and loyal hussar of the sea of Vernarth, Boss of the fleets of the Gulf, came by the cover when giving the turn by the bauprés, sees collected and hit by ropes in parasitosis that shined like a stray in the oars of the gods, and pleading that felt in the whistling of the wind. It approaches and it descends by dark sheds stairs with direction to the piston of water, who heresy in the ship Vladiana is quarreling when I training me in writing when saying who love the one who I am not, alone receipt phlegmons multitudinous Saecula Saeculorum, not hitting any foundation to confess me. They say not knowing that reveal due to the fact that it is not content that compares to the one who does not have Age, Life either Compassion that only has to communicate me like messenger Strigoi! Now I know that anybody will sing my thoughts, there is not ink that dares to spread a comparable quill that resists my word of ammonium Strigoi, usurped of a shipping Ballinger to some Flemish pirates, seconded to the side by a barge of Panescalm, that threw to 64 one thousand bodies massacred of the Bubonic Plague. Mardiath, get out of the Ballinger and leaves his sword to Vlad beside a geographic table to rediscover a destination in some doncella that could attend his disorders, more than ganglion suppuration in prostration. It traces back the course to shot to find with Vernarth and his minions to direct finally to the braves fields of Gaugamela and the Prehensile Ctónicos who revered to the gods or telluric spirits in the tectonic infra world by opposition to celestial deities, appearing in the tubular ascension of the warm wind that topped the consecration of my roman arteries, and all those that were up expecting them. The oblations of light lit the particles of the woodworm that suspended expelling those that magnetized the fosca matter. The unconnected syntax did periodically in the words of Strigoi from the Capite Velato or head watched from the Ballinger Strigoi that attained relocate. In double increase of sap did it minor to resist his life and his closure lying minimum in front of Wonthelimar, and Mardiath that satisfied him of the company in the eyebolt that sustains the road in his sullen life.

It sings Mardiath: The troops of Vernarth would split from Shot were found his fleet that came from Sudpichi from the Empire of the Horcondising. It explains the legend that in the heights of the Gulf when his army goes sailing, break out on his squares a mysterious tempest of hot airs of Ormuz to the height  665 in miles of Um Kasar, had found pertinent shipping of current Romania. when spotting them and take part inside this frigid ship at all there was, only crunches of topmasts and his sail greater that was spurring and presenting fenced curtains that came from of Sighisoara/Transilvania; where the alike Vlad Tepes stated seated behind a chamber of captaincy writing in his buffet. Each true interval took out a handkerchief to dry his ****** nose, like a pinch of gelatinous darky ink and sullied. It sings Isaías: The presence in the versed and corresponding folio, does relative the prophecy of Emmanuel been born of a ****** that associates to similar prophecy Virgiliana of the Cumana justifying his prophetic symbolism and beholds the caution that blackens skies where the light retracted, thousands are chained during the annunciation of a thousandth abyss like the fateful Strigoi only troubled pastures will have to transplant rebellions, that dying slept for the winnow of the ideal of incipient spiritual ******* dressed of execration. It has trigged the conflagration of the heart that resists the death and that is in decline several times in the conditions awaited by the apostates when denying of the water that does not do them Optimus and does elliptical the radius of obedience in the heart Vernarthiano satisfied of granules of Physconia grumose, whose frequency they become encysted in bodies of traitors reigns and of fungus lineages. The reign of the saints will judge plurality in the thrones with devastation in fatuous beatifications in Pérgamo, already admonished by me.    

Codex VII - Báculo of Sheesham  

Vernarth it calms lying down on the bunks of the fire of Sheesham. Beam and Incense with ultra olfactory and sensory powers, delineating the elementary and phenomenal cores housing and adapting híper connectivity with probity Hinduist the akasha executed the essential foundation in all the things of material cosmovision; the first palpable material element and concrete was created by the god Brahmá (air, fire, water, earth are the others). Did it treat one of the classical elements of Hinduism, pañcha-majá-bhuta or? Five big elements; His main characteristic is the sabda (sound). In sanscrit, this word means "space. It is the physical and eternal substance Akasha, of the ether that flows by the Akasha-Nautas and by Vernarth in each regression parasicológica. Vernarth Takes of a báculo called Key of Sheesham purchased it once anxious for delivering it to his beloved Toscana in the Cathedral St. Mary dei Fiori, in one of his Regressives Lives. They expected it astonished by the tyrannized impulsiveness of the noble in Florencia, of which once again came delayed of the tillage of the barley and of the god’s fatuous next to the Porcellino. It expected long hours until it went out his beloved Maddalena of the Eucharistic ceremonial, while the carried in his right hand his crosier, and in the left a rectangular box sizeable for his hand, inside carried essences of the potpourri of lavender and vellorita, a ring with a stone of amethyst coated by a concave skittle of gold, in the outline supra circulate carried medieval ornaments of silver of Etruria of the Party of the past barley. In front of this acquiescence Sybilla Samiense, followed carrying the clairvoyance where the prophet Isaías there was untied the conflagration of the heart that resists the death and that is in decline several times in the form today from Kafersesuh in Ein Karem, opens the stamp of residing in the cradle where María poses beside his son, already being part of the lithosphere of Getsemaní and of Vernarth in the heart of Maddalena.

Phylogeny in Getsemaní: The **** erectus crossed with multiple pieces of evidence of beings pro-evolutionary-adaptative, Neanderthal/HomoSapiens. Children of Israel wrote parables, epistles, verses, histories, and books, his vocal tract and phonetic spoke of tempest and environmental factors between sky and earth, of the big noise out of us, but little silence in us. The elementary is larynx that only pronounces the image that reports concepts evocative minimal of the sound in distinct placings of the melisma in mega sound. Speaking us how the language varies according to the history, and the half civic-climatic instructing us to his threshold and descendants when giving off by the effusions aerial of the language in assiduous levels tracheo-laryngeal. Earning authoritatively the intervals of vocalization, and relation of the junction with the agriculture and all his dimension descending by his internal walls, but going up by parietal overexcites out of her same.

Of the little air that remains to the world, to follow digesting temporarily assumes leaving flow his extra-air that possessed this in particles mechanically inert, and no in sanctified prophecies with miracles inferences and Inherence that Innova factótum, in the súper existence of which even do not perish by the hand of a monarchic mandate. Like this, the world swallows air in halves suffocating and contaminated whole, whereas others redistribute it for the one who needs to seat at the table to collect the Bread and share it with the other half.  Here it echoes the echo of body Christic, that in Aramaic syndicate much more than a language in his blood, grapheme and phonemes of stylistic in vibratory shock further of his deep stretch reverberating with the grace of his billed divine. Joshua swallows spikes and leaves simultaneously having us in his arms like children of olive-nursling, risk a sheep in his arms giving us lactate hydro-milk of the sustain of a verb creator. Fact strict to preserve the Aramaic and no stray with turning the turns of the leaves in the history, the Aramaic has to incorporate for the times that Joshua grazes us after more than two thousand years even. The one who is walking of one side to another to say us that it still is here, only comfort suggest your walk plagiarized with his larynx the sound of his expression the sheep is mammalian but mammalian that the man as his billed formulates bleats always reflected in the base of his skull for the rest of his children like biblical language, under all the rainbows of Querubines bawling beside boys surrounding them in identical intention! **** habilis, **** Sanctus in a process that possesses Orthodox bases and peripheral anatomical capacity, a linguistic Pythagorean shortcut of the dalliance and sternum when confusing it between yes, not altering his structural complexity neither functional. Of the potential of the Lepidoptera and winged insects, will arise the phenotype that will relate and relativize the mechanical aramea or Aramaic method for no stray the divine tongue, as well as it also is sublime the laryngitic torque of the one who possesses blood and body Aramaic, as his mechanized mystic devours the minimum words with the maximum in an all of the ranges of cacophonies and of prototyped field, they see to my field here spoke the spikes and the insects more than the own mechanical potential of your Voice.

The tunnel of wind filled with Lepidópteras that flew rising in shape helicoidal, everything sensitized with the imminent advent of the saeta magnánima of Zefian that came crossing the perihelion from the high Áullos Kósmos, dialécticamente with abundance credibility in the interior of the geological tunnel of the Profitis Ilias, list to the turgent of lactation doctoral theological. Timoratas And long justices rounded in those who were even exhausted, entre ajar the colophon of the days that began with the identification of the báculo Sheesham, appointing regent of tribulations that drains by his length of trip, to the basality static focusing idiosyncrasies and interests of the Prophet Elías that it received them in the height 103 with passages of Corintios that the saints go to help in the administration of the saints millenials. His capacity will not have the limits of his previous earthly life?  


Codex VIII - Ultramundis Alikantus

Alikantus Archetype of his a short astral trip three days that topped in Gaugamela...! Bulle In hides and discomfort after lightening his igneous hooves by slippery Lerapetras of Lasithi in stepped that seemed to be the same inflows of committed that brought Kanti of Creta, that pyrographed the floor Traciano before arriving at the request of his address. It resorts to Medea, before arriving at Tracia after errate by distinct places in search of protection and councils to protect to his master Vernarth, while it subjected to the last libations opiáceas of vivid liliáceas and angiosperms encapsulated in his pectoral right in the anonymous of Alikanto, asking him to Medea a potion to be able to supply him to his master and reduce inflammation his pectoral for like this can use his armour Áspis Koilé in the fight, as they subtracted three days for the duel. Medea Arrived at the city of Athens on a tempestuous day with a gray dantesco Fusco on the palm of the cliff escaping previously near Abdera, in which the orient proceeded to evacuate sooty plectrums to the sunset. Medea While it looked to the sky, took a piece of anthracite of feldspar to create javelins of aluminum that would have to carry Alikanto to his return, beside the potions for deflating his pectoral infected. It painted the sky with grey lines plotted and lodged later in his wry loop,  sighting from the infinite signals that came joining up in a ray of an alloy whose semblance seemed to be a king, it was Egeo, that not only offered him hospitality but it would link with Medea with the hope that his sorceries allowed him to conceive a son in spite of the advanced of his age. The sorceress fulfilled his expectations by having a son to call Medo. When Teseo, the secret son of Egeo, arrived in Athens had to that his father recognized it like heir Medea took it as a threat to the future of his son and tried to poison it. But Teseo discovered it, accusing it to commit horrible crimes and witchcraft, Medea had to escape again. This crusade had the assistance of Alikantus that transported it flying from Abdera, not to be captured and can supplement the potions that had requested him Alikantus, also with javelins that had to carry to Vernarth to escort him off the splendorous insult. The convulsed Sybilla Cimera customized the symbols of the ceremonial willing forging classical gestures of prodigality, and that at all less was a cornucopia given to zephyrs of the Ultramundis, that revolutionized the boss around that shuddered in the pickets of the dermis rocky that dressed the walls of the final tubule of 103 meters. The channel located referred inclinations of Likantus that harassed, and customize the final discretion of Teseo to finish with the folio of Egeo downward breaking the sentence of his son, and evading it of his stepmother. In this colisseo rooted Teseo beside his mother Etra that did not reveal him the name of his father until it fulfilled sixteen years. Arrived at this age, Teseo could raise the stone, shoe in the sandals and the sword of his father, and initiate his trip to Athens to be recognized like a son of the king. From this obviously Vernarth in the film of Gaugamela dressed him in the sandals Persikaia that did of him the one who never was, and if it died would carry them settled until the altar of the comedies in the Tristanía, where all that surrealist exceeds the loquacity narrow of reality, more than at all in racked muses in forced symptomatology of paranoia or of a heroine Sybilla, that mediated with the Arms of Christi in the iconology of the Codex Raedus.

Vernarth Seated in the edge of the Ultramundis, and broke in front of the cosmos and the solitude that hid all the beings that floated in the ditch that he collected in his moaning, in such judge that it rejected all the creations when feeling his wails, where the demons looked him from the darkness that fragile hastened his Magro occipital, attacking him in front of Medea evading the Satanic circumscription to contravene it the agreed with Egeo. The perjures reigned in the doubts of tragedy favored of Komedia parading in victorious procession, and singing triumphs of duality paranoic tragic, enthroned in the martyrs of tribulation, and in the seeds of the one who does not cease Tragediopathic Ubis, and in facts that speak of the hunger of solitude in all man plunged of the Ultramundis, as only dimensional of the one who burns in his doubts and of Anastasia frustrated. Vernarth Saysekáthisan and the Duoverso in consequence of the Universe seated to dry his tears then Vernarth received from the darkness of the Ultramundis a golden light of steeds Hippeis with an aura of Tesalia, where the krima or criminality become in three chambers threaten from Maceo to the confrontable in the half-hour of Arbela. Vernarth compress desisting the essays of procrastination reconstructing bodies’ severed here more than going isolating of his own souls and sins, with Hebrew souls of root Néfesh that took spooky in capsizing of decapitation of the one who lives exponentiating in the solitude of the Ultramundis. Inexorably the infra earthly holiness of the surrealism exceeds any verse, if it is that it was Lazarus here in the tunnel of wind the one who raises in front of Vernarth embracing him,  and playing it cool the greek of Likantus to fulfill him his mission.


Codex IX Ultramundis Phalanx
            
The labaros of the Phalanx saw from Asia some of the faithful groups of Alexander the Great. They appeared like ursids and Amphibians that came by the near step from Gorgan. "The Red Snake" was a defensive construction from here come the palfreys of Alikanto, preview with big camerades of animals for the body adhered to the cavalry of Alexander the Big. This incredible barbican begins on the coast of the Caspio, north of Gonbade Kavous, and continues to the northwest and disappears in the mountains of Pishkamar. They continued on the buttresses beside Bears and Leviathanes, they formed part of the totemic dreams, that taenia Vernarth when it assumed hallucinations doped by regressive turn by hieratic spaces to the slip away in hardships and incorporate in connection with animal pets in rhythms and waltzes of the applause of his atabales. Alikantus came speedy flying almost without detaining and without distracting when he brought the poisons and instruments of the armory of the panoply. He came Already had for the hours that came to fill out details before taking the game besides the Heavy infantry, Light, and Thessalonians. Inside the most elementary of his mission, he was to do the protocol of the potion, broadcast the preaching beside the Lumberjack, and distribute the javelins to the Hetairoi of Vernarth.

When anchoring the cerulean hoofs of the fire unknown of the Gods, attains to discern as to Vernarth took him out of the back of an Elephant attacker was besides accompanied by the cunning guard dog of Alexander called Péritas, that insinuated him start and raise with windstorms in warlike stratagems. Vernarth Came of his last session frugal Opiácea, for institute vegetal nervous lianas that commonly remained with some of them, and remained cut off in his cephalic vein and jugular stalking his ******, that always spreads in laurels of Cocoon, and by averages of intríngulis that had to gobble up by some days. It would follow daily being joined to the infinite that saw him be born, like the most magnificent Commander of Alexander the Great neither imagined nor collated! The wall Gorgan possessed a length of at least 200 kilometers upper to any one of the Roman walls that outlined in archeology like works of bastion. It was exhausting to exceed it and take a course with beasts since they were upset when being near Tel Gomel to the present that they were approaching the mulch of Vernarth; due to the fact that they were his very adored pets besides the Crocodiles Tupak. The Alazanes were prescribed by a watchdog of the wall of Gorgan being of the Persian army that was seduced by the bears to combat beside Vernarth.

Next to the Bumodos, already saw Vernarth play with his pets, Bears, Crocodiles, and the can of Alejandro Magnus. Further submissively approached shoring his frozen neck, Alikanto or Alikantus preceded with donations and drugs for his master brought of the sleight phalanges by Medea. Vernarth was appreciated and almost emancipated of the branch mowing and the strains venal that populated mostly in his pectoral and both full arms of smelly tattoos that had colonized him. Almost when getting dark on burgeoning them and fluffs of Zeus then begin to arrive the phalanges of Vernarth. The Phalanx of Macedonia was the training of infantry created and used by Filipo II, and later by his son Alexander the Great in the conquest of the Persian Empire. The phalange Macedonia arose, in fact, like the answer in front of holistic modifications and tactical Hellenistic of Theban strategists, Epaminondas and Pelópidas of strengths of earth that deployed at the beginning of the 4th century B.C. For opposition to the superiority, although it already was decadent in training hoplític spartan, that had exerted in the terrestrial fights between the polis Greek until that dates.

The Sybilla European carried a Gladius in his hand but exchanged it with the Xiphos in alternation by the death of innocent entrusted by Herodes the Big, and of the escape of the Holy family to Egypt. This confirms the liturgical grouping of the Triduo Pascual; the alluding passion of Christ and perpetrating the typical dolorism of the Devotio to his death, and triumph to his resurrection. The transposed of surrealism transports to San Juan digging in all the layers and hordes of the Faith, his componential of tribulación that moved in the Egyptian and Greek cartography, moving the triangular areas of the Phalanx, that moved en geometrical block reaching the edges of the hypotenuse gradient and of the tunnel of wind that elevated them cornering to the beast that visited them pretending to be feeble and imprecise.

The dolines collapsed in myriads substances in suspension, while the two swords Gladius and Xiphos were satisfied with blood Greco-roman. Here vegetated the verb of Elías in the corporal resurrection with similarity of triangular body Lazarinus that saw dragging by the power of tow of the ionic Phalanx in his stuck. They were Beings Equis that abstracted in a start of the Be X in his contrary algebraic; an incógnita or something that could take any quantity in other words something unknown, so that the algorithmic links and cater corporeality resuscitator in Lazarus of Betania inside his angles of Holy Geometry. The winds of swing presented viviparous in future observances of visions and perplexity of consciousness, governing fiscality that does resurrect in rabbinic worlds from the highest occupying thrones in the bracket, but of thrice ignoring the belief by means of greater incredulities that the direct truth and more brief. Elías is attracted by the Cinnabar that ponders in an apocalyptic mosaic, in the chamber Esdras, at the end of the mundane reign dissolved and that dies in the same Messiah. Satanás Does not tire to attack the credibility of the Phalanx in manifolds of dispensationalism, perhaps being strongly attached to Carmelo and of the unloyal that never revive in his same bodies unconverted.    


Codex X Ultramundis Lepanto  

Of Lepanto appeared exhausted the Armis Christi with burned eyes volatilized in stratospheres that received them Belligerent. Cual if they went alien castes settled in inflexible breath, refloating from his clámide in fuss and idiosyncrasy. They arrived cracking the pristine stretches from Tel Gómel when they arrived it charges it a military strategist asking him clemency to extend.

Falangist: With the crest in my hands and the Dorus on my clámide from the floor said; each disposal that tried in the double edges of my sword that dent. The upper leaf Sansevieria nominated me to a Hebraic past and to a medieval future, it was the Sword of Saint Jorge, notifying that my family in Kalidona was under a state paradoxical, given to my two greater children that were quoted to the service of the militia. The second inferior edge of my Xiphos and the Sansevieria bent me ruin in front of the prosopopoeia to the entrance with discouraged to defray the sclerosis of my soul follows exploding, surpassing and impelling to my wife in spars of easy undress. I know that my descendants remained buried under the effect of mortal meeting in the catharsis of Pompeii, the future of Saint George that patented! All emigrated and will escape afterward to remain desolated, and attain to return the inopportune comrades to the reintegrate in the verbena of St Mary in Athens, the Saint Patron saint comforted me and prepared my resist of such bad numerary so that someday left to fall my seeds in the wisdom of archangels peasants with sacral devotional fruits. I sighed and I groaned rubbing in my animals! my empties eyes day and night were mesmerized to the ethereally magnetized. They did it beside me, with the singularity of not to affect me, they went by little booklet near to moan not to see them demagnetized by some fatalistic effects and consummatory.

Etréstles moved by the tribulations of the Child of the Falange, bent imposing non-existence afterward that his words involved the exhortation to Hera by his benevolence consummatory to be able to reside beside her. Like this, they would remain immune to progressive lives under the influence of sharp primary stew and secondary in arms of the phalanx. Shinings the eyes of Hera when the spirit of the Falangist is entering to her were not vanities but if the advent of the vanity in ínfulas to the Acrópolis is carrying it to her.  

Sibila Tiburtina sustains it gathering him in his arms saying him: You will receive the heat that you will imprison in the house of the great priest, a scene that will be represented in Prócoro in the neutral corresponding folio. Events and expletives will be of the past, no longer allocated him neither he annoyed. The Arms Christi again swirling with the Souls of Trouvere in last irascible chinks of the winds Eolonimi in the holístic of all the winds that appointed to Vernarth. "They did not go back to live your children heard a Macedonio military", The physical resurrection of the unconverted take place after the tree of Mars when they free to the innocent fallen in the belief versicular that divides the ray with his half where any minute will be able to hit it. The passages of the tunnel of wind are the wasteland that dies revived by the *** cutting overflowing fibrils of vitality from the high for overflow it downwards for those who even expect amazing miracles, walking beside the alive with hypocoristic triviality reborn in his same blood that was spilled. Everything famous goes walking with pennants that raise of his own sepulcre, cutting lower capillaries of the impetuous rising of his pale cheeks, where the scepter Greco-tridentate will be a forbearance of the one who frees and purposeful escape of the tree of Mars. Now lie down beside your children and will be between the hazels and Eolonimis doing revived of the Tágmati or order of succession of the Polis like the unit of elite tribulating the final stretches of the straight of the Ultramundis to the fries the 103 meters glorified.

Etréstles during the millennium of the Satagenesis and Deidagenesis beside the Heosphoros and the Uomo of Valplacci they prostrated to Lucifer in front of Etréstles (Koumeterium Messolonghi, Cap. 45 - Palibrio USE), reflowing and emulating wars of the Peloponeso, is being east a garrison of the general of the Athenian fleet in western Greece. The mentor floats were directed by the admiral Formión that defeated all the Lacedemonios in Naupacto. When they approximated to the province of Nafpaktia, of the Nomo of Aitoloakarnania confined followed the indivises and weightless musks disseminated, disintegrating immortal souls with the damage of the break exhaled that is extinguished in his offering. It is as well as it could cause some aversion not to be condemned to the Hadic infra world, to Tee castes of gods and semi-gods with Sansevierias in green leaves, and clover that chained to the freedom of the furious gases of Xenon and Lithium, slipping away by drainages and spaces where any sword neither launches will cross the atmosphere of Gaugamela-Macedónica, only Vernarth here was hádic and will have to pipe by the untouched pavilions of the spotless backsstore with heroic lineage. Any curly tease or flagrant will slice sanctified carnosities purchased in quoted sessions in the manacled of the Bumodos with the drugs and the potions of Medea.

Codex XI - Ultramundis Raeder      

From Patmos saw come hundreds of hanged boys of the stringers of the pelican blue of the Dodecanese. Raeder cames Hanged with both hands on the rings of iron plating of jasper; from the Greek "iaspis", that means "stone marked". Raeder found it in sharp hydrothermal, in volcanic rocks, and in sedimentary rocks in the surroundings. With four palmate fingers that shod in the hoops of amethyst for the owners of the house that celebrated the actions of thank you, and the celebration of the guidelines of Saint John that sent them transported in his peak golden shoe. Generally, they were more than five thousand those that transited by the regions, they swallowed canonized water of the sea Jonico with the big advantage to reproduce saltwater seas in freshwater to drink. They carried them to each house to fill his vessels and also in periods of seed, irrigated his tillage in summery periods where scarce, with his brown golden plumages raffle the fields of olives and of the ***** vineyards of the Goddess Afrodita. With his whites plumages, they spray the tillage of barley with vinegar and recently wheat fields fished of the legs of Petrobus, his pelican of the dreams! From here they were born all the recipes by all the regions when it depressed them the Bread without firewood and tares. Patmos has recorded in the stringers of the pelican planning every day and go looking for houses where arrive to carry them the Gospel. To all the boys like Raeder accompanied him other blessed, to carry the good news to families that seated expected near in denouements of his social limits when they expected them by the afternoons with the action of gratitude. They ate by the afternoons to expect the boys to taste them Tzatziki; Sauce of yogurt with cucumber and candy with drinks of poppies and honey, they received them in chambers near his gynoecium and right there exchanged the gifts that brought of the Grotto of the Evangelist in Patmos. The boys from the same moment in that the future mother knew or suspected that it was pregnant, attended speedy so that the distribution did not have problems considered them a divine gift,  the only children to the firstborn or those that were born of greater parents, was the privilege of these primogenitures. Reckless renowned and quotations that appear in the Apocalypse of John, in whose introduction says that the author was banished to Patmos, where had his meeting with Jesus in the called Grotto of the Apocalypse that originated everything.

The grotto or foundation of sapphire, was just to the addition of the empty that levitated from the walls of the grotto were molecules with mass hyperactive, delivering him tracks to Raeder near to the Jasper, calcedonia, emerald, sardónica, sardio, crisolito, berilo, topacio, and crisoprasa, but he magnetized with the Iaspis of the genealogy of Kalymnos that revealed him the wave vibrational on the Jasper,  the Arms Christi of Saint John in Apocalypse 21, of verse 19, says there: "The foundations of the wall of the city all lovely stone the first foundation jasper; in the paráfrasis predicted that the foundations of the Megarón will be most of these materials, but regularly of Iaspis of Raeder.

Sibila Gets flu carries the relative scourges to the scene of Flagellation in the praetorium here filigrees hematíes ran by exvotos simulating blood from the celestial, representing the corresponding straight folio. The natural laws of the Parables Iaspias do the alchemy with noble minerals immanent and hypocoristic in the cavern that revealed all this grace to Raeder for the propaedeutic of the Mashiaj when centralizing here the spacetime that said that God has similarity to the Iaspis, as its bed of condensed gold in the expiration and metalization of the cosmic essence. The similarity did that all the walls of the vault or tunnel of the Profitis Ilias governed of Jasper and Cornelian, being this last of blue greens eyes of Raeder glittering in his iris, and in the curvature of mass that did apressed in the interior of the tunnel of wind that also expanded, doing rubíes and sharpnesses of her same. The visibility of the Universe still did hyper brilliant on the inlet of Patmos, for this Petrobus his Pelicano blue topped surrounded in the arch superciliary of Apollo, to train similarity of the metals like his neighbor metalloid.

Isaías says 28:16: "Therefore, Iahveh the Gentleman says like this; Love and behold that I have put in Sion by the foundation a stone, stone tested, we look by where it begins, a stone, but first tested then angular, then lovely of stable foundation; the one who believed. From this situation the Iaspis and Sardio in the mountain of Sion the throne of the Gentleman that accompanied to Raeder and to the lamb flashing beside his idols Petrobus. They did angulars to all the stones some powdered finally and all pyramided by the dolines, in the exquisiteness of the son that presented in the cavern of the most refractory way for irradiate light that warned to Raeder to go by his progenitors. The glory of Raeder did of the glow to garrison enhanced in voices of boys by all Patmos, speaking that his parents were similar lovely stones to the Iaspis.    


Codex XII - Ultramundis Duodecim Evangelii

The twine of the Rainbow did to mutate the labaros in each color disseminated, already descends a peripeteia in the chromatic Era and niveous, discoloring in the Antiphony of entrance that says: I will give you shepherds according to my heart that grazes you in consciousness and experience. Oh God, that have aroused in the Church to Saint Joseph, Mariah, and his Rabí, wise priest, to proclaim the universal vocation to the holiness of the Duodecim Evangelii, grant us his intercesión and example, in the exercise of the ordinary debit having us to our Messiah, and serve with fervent passion in the work Redentive by our Gentleman Jesus Christ.

This big event exerts from the chasm of the Apocalypse, where daily inhabitants bound handwritten and ancient treasures  Sakkelion-Sakellarios. They upset conforming a new resolution in his scriptorium in the Byzantine period they administered alms and tributes, Curiously related with Zaqueo appearing in the new verses from Lucas´s Gospel, 19 1-10, when Jesus Christ goes in Jericho. It was a publican, boss of collectors, and very rich. The collectors worked for the Romans and besides asking for more money the Romans demanded doing this rich way easily, by what was doubly hated. Zaqueo was low in height and for this reason, when Jesus went in in the city of Jericho, all the world banked to see it and he remained backward and did not arrive to see it. Then it advanced and it went up to a species of the fig tree, a sycamore (Ficus sycomorus) since it went to happen in front of her. When Jesús arrived at that place, said him: Zaqueo goes down prompt; because it suits that today it remains me in your house. In front of this, the village muttered that it went to the lodge home of a sinner. Zaqueo retorts that it will give to the poor half of what has, and if it defrauded to somebody previously will give him the quadruple. Jesús answers that salvation has arrived at his house because he also is the son of Abraham. From this antiphony arises the Twelfth Evangelii, which arises in a file that celebrates the haughty morals of tributes that have to motivate by tribal crowds of Gaugamela for the presence of God, by what want his will and No!

The tessitura of the wind tunnel transfigured the next height of 103, after the blonde grace of Abraham murmuring his tent to generate height over Israel and Jacob. The dolines of aspersion evaporated the matter that transfigured in celestial plasma with ranks of metric coercive, of what that up to is down and vice versa for the hemispheres of the Sefirot, and for the Shemot or name of the start of the origin transfiguring in would idolise of Creation in the Universe-Duoverso. From all the corners will split to give reading to this big incident no easy to read, and listen neither less feel in his once become vibrations by the immortality of the events memorials of the history like regent conveyor of the meeting of all the frivolous voices that sin of ignorance, and those that know by ensuing ebullient. That they will be quadrupled the parchments to the fighters that finalize alive or died in Gaugamela, each one carrying in his hands one of them bled. All the crosses relations of the ancient society, infuse parallel of sustainability of Faith by means of the generosity, almost transferred of an essential charisma praised of the esoteric core of the Same dogma, confusing on the way that it has to transport it without having consciousness of the destination that will carry it, and comes badly from the limen of the doubt from the beginning. Since a king, impious Manases was imprisoned and exiled, designated king impío, convivió in the depths of the heat of the Averno. For the modern Christians, Manases is an icon of the Divine pardon, of where arises the traditional pray socrative of Manasés from the jaculatory of Abraham, Isaac, and Jacob, since after being one of the kings more bloodthirsty and pagan of the Jewish, forgave him and even was buried in the city of David, pantheon only reserved for the faithful kings with what deduces that God forgave it entirely.

The Sybilla Délfica carries the crown of spines of the Coronation of Jesús become equally in the praetorium, and as in previous cases to the scene that represents in the neutral corresponding. In the triade Eritrea, rather Herófila, if caste and clairvoyant Délfica and apologetic, his vernacular artery did it native of Marpeso, Trojan Tróade, as in fantasies to be a daughter of a Nymph and Shepherd. It chose it did him escort for the Duodecim Evangelii, from Samos this robbing to Patmos in the foundation of the Megarón with the same polygonal of the Chapel Sixtina in the quattrocento, where Vernarth had assistance in Regression parapsychological of the Quattrocento Duodecim Evangelii, announcing that the Vernolatría serious part of his Apologetic life inspiring prophecies with the Parables Iaspis, extolling erudition after the grave that was in the forest of Apollo Esminteo, returning to his origins to a sinkhole in the Córico mountain.          

Codex XIII - Nix in the Tenebrousness

All the demarcations derived to witness Bastos and impolitic utensils of the undivided Gaugamela. Three days before that the Falangists protested to Vernarth for when they were clouded by the Ekadashi. They fasted three days before and delivered to the visas of Zeus, graduating fulgid movements in his lunar seals eleven days before. It is the penultimate stair; already remained hours to walk by the woodworm that shook the heels of the Phalanges, all the accouterments and animals were conferred to the mysticism of essence and to his disputable worshipper. Now in the boundary circle of the heritages of Gaugamela, Darío came from afterward to move the Tigris, organizing his troops and his harem. The Macedonians had an army that added 7.000 riders and 40.000 children. The heavy cavalry of the elite of Alexander was the Hetairoi and was formed by the nobility of Macedonia, that accompanied Alexander in this battle and went the decisive factor in the faction, Vernarth commanded more than 40 one thousand children, saving narrow relation with the Hetairoi with his arms twinned of divine caste, and the Hoplites Greek that took part to cover the rear of the phalanx, that Vernarth defrays from the more furtive boundary of his doctrine in this mobile taint with thousands of Macedonians singing institutional quarrelsome poetry. From the Dodecanese, Kalidona and all the central Greek archipelagos came to surrender the figure of Vernarth, accompanied by Etréstles of Kalavrita, big hero and defender beside Markos Botsaris (Capitulate 6, pag. 36 Koumeterium Messolonghi / Palibrio USA) in this Magna Epos. Also, Raeder incorporated beside Petrobus the Pelican Blue, Brisehal of Dash-and-Lut and Vlad Strigoi appearing of the transversal valleys of Transilvania, suddenly after having arrived of the Reign of the Horcondising, tackling his Frigate in Valparaíso juxtaposing in the nine elements and in megatonnes to be ratified from the start in a new Celestial wasteland. All camp to five kilometers of the Rio Bumodos, in the ***** north where the shady blemishes favored them of a new lunar phase in tendencies, effusion, and backflow that was the apotheosis influence of energy. The worshipper of the clan did not give him any importance especially only given hierarchy by alone gnosis because in these goods could improve his devotion, so they are occupied in his service.  They are to the expectation to have the juncture of renovating even more his mourning for himself by second certificates to his right-handed with astrológics cosmic interpretations of the Ekadashi, being able to be explained by the shoots of the material world.  The concept contravened to the reverences is that the Ekadashi will be the day in that the Gentleman will persevere attaining the unitary joy dean, contesting flashes incessant by the unbalance emotional community of the assistants, like ingredient spirit that is allocated in his spree, and has to treat to give more start to Vernarth in his regression parapsychological. But besides it is necessary to conceive that we are in singing of subsistence of the hypotenuse, by which do not have to think this Zeus requires extremely our third. He is entirely self-sufficient and is tied to his transcendental world of the vilorta, but not to leave us alone with his vague shimmers of collectivity!

Sibila Helespóntica sustains the cross, the last emblem of the Passion represented in the chaining. As it corresponds in his straight and immediate folio representing the Crucifixión of Christ in the Gólgota, the spaces car selected consigning in the ashlar that came close in technical whispered of works that inspired to Sybilla of Helesponto, she approached with the gear and the utensils of the altarpiece of her same, decorating them with passions that represented in the lineup, eleven days before being sprayed the alcohol on them of first degree in his heads to leave them in the intemperate, and to posterity that came to the goddess of the darks Nix spilling petals macerated and turned sour on all they to inhume them in blasphemies of the god Erebus, in the deep light scarcity of all lethargy marginal to redeem them of the chaos, on an earthly crushed sea unfamous that will be the surface of Gaugamela transiting in the catacombs, with earthy rivers and elusive phlegm escaping of the insectaries light of Ultramundis of the god Tartar. Nix Runs alarming in his muddy tiled, appearing as a winged woman dressed with a black toga cover of stars. It will drive an armature thrown by two steeds properly accompanied by his children twins Hypnos and Tánatos, here besides them trepidation running by any place, for attesting the regrets of the Falangists Hoplites, after being suddenly invaded by mythological strengths of the Auqemenides. Through condensed pulses and of others no designated will be represented on diverse types and in supports of xylographic monumentality in the ceramics and even in the patrimonial immaterial with the hindsight of the Áullos Kósmos. From the Basiliscus will aim to Betelgeuse, dispensing in the Arms Christi to advance to the Fontana's and to Parables Iaspis, staging the Sibyllae Prophetae, vaticinating the paved of the Iaspis of lovely stones for fragment in the elevation and in the maremágnum issued by Sybilla of Helesponto,  raising on the height of 133 in the ordeal of the Gólgota, in orient skull of Abimelech and of Jezabel from the kraníon symbolizing the traffic in places of executions from a kraníon admonished.  

The place of the Gólgota also is uncertain of archaeology. All he knows is that it was out of the city, further from the second wall. It had to be a hill, as it could see from some distance and was near to a way, homologous to the initial of Getsemani, Saint John Apostle amplifies that a new grave was near, in an orchard. The tágmati translated as "order" Indicated the ranks in the Roman army; the saints of the Ancient Will and of the tribulation receive his bodies glorified near the return of Christ to the world. Being Greek root Tagma of put in order from the thoracic head and abdominal, in tagmatization and differentiation of regions of the body or tagmas formed by series of metámeros or similar segments between himself differentiated of the rest. The Ultramundis of the god Tartar here is conceptualized, and corresponds with the metamerization heteronomous of inert organic, and opposes to the of metamerization homonomous, in which all the metámeros or bilateral symmetry in all the appendices that are equivalent. They are those centurions that drilled the rib of the Mashiaj in the Gólgota with whispered symmetry from the head, thorax, and abdómen of the Tágmati, sorting out from the launched Pilum awarding them the Christo Salvatore Vaticinante, but in the dictamen or professing the same symptoms of his passion by the tagma abdominal, toráxico and head in his crown of spines Ziziphus.    


Codex XIV-  Ultramundis Primum apud Orionem finale    

Challenged by the sortilege of the Augur Vernarth gathered with his General Commander and invites him not to separate further of extending them that edging by a docile lunar greyish wind. They gather and they put near one of another.

Vernarth Says: That joy turns to my meditation behaving in this contiguous night to our Falangists Consecrated, and to the cavalry sleeping in Machiavellian dreams when falling in his sink, until in his parishioner and in his steeds so that they do not lose his eyes sung in the drain of the pressing. All lodging as if lying in a genial lawn and honesty of the belly of the Chaos, exhorting hallucinations to those who sleep in the cap of the kraníon, with the wise utopias of the Erebus. Dozing likewise  utopias to the high and rubbering in Orión with a pythoness expression and changing his tacit. Leaving hardly a space of turn to change the tri face cariátide tackling the secondary mirages of Aurion, turned into a decimated Muse captivate for desirous delectation treating them as his heirs, seeing them flatter with his scarlet layer and inscribed with Lambda in your magazine in Gaugamela.  Alexander Magnus answers: That the satirized arms re-spin by the ****** of Amón, popping your eyes-hearings and eyes unheard folded in the martyrdom glaucoma of Anubis, re transforming the constellation of Aurion after we heave us annihilating them in this silent furrowed already embattled! While, I have to wash down your sentences more cleaned with one thousand tempests more than the refrained gallantry that receives in my corrected hemisphere, unbalancing the **** Target of the night, situated in the Lambda on her so that it accompany me with his nurse to the temple, truncating the investment sovereign to the moaning in the lead of Febo.  

When observing Vernarth that the spittle of Febo or the personality of Apollo in Alexander the Great fell repaired, quickly the appraised on his jaw drying him, smiling him and at the same time changing his gestures of nervousness. Taking him and attaching him, since it seemed a retained dizzy of his long addresses parliament with his feudatory. Then it would be prosperous to leave him seated in the side of the aspect that escorts him. In this instant separates and extends his arms to the envious koelum or dialect sky, joint to both swords that also will accompany them with the bronze shake chatter, snorting in the retracted navels.

Vernarth Retorts: Dissolute In my infancy had to walk with my dogs as a ray stayed in his frame when it advanced me to them only sniffed my scarlet aureoles; that they were red stars súper giants and near to the Earth fading. Today it is the belt of Aurion beside the Big General, beating in his groove and changing his course precessional. His hallucinations will move, so that it remains alone in his reddish outline, but not in his physicist componential.

In this way, Vernarth moved the tunnel of the zephyr with the tip of his Dorus when they bent, the shining final of his tip warned to reopen in the intestinal of the firmament when going out launches. Mechanical ran Years light by much more than it has to describe, in front of exact science and in front of a Dorus inaccurate, in a universe that only this distant whereas Vernarth is doing using the protocol of governance, pulling on the floor with the drum, ratling by his dorsal in direction to his shaft that volatile attached of the abbreviated adminícule, for one launches used like Sword Xiphos, arriving at the vertex of Betelgeuse to approximate to the legatee space of radiosity, and of Persia joined in a billed merely advocator. It appears Vernarth behind the cloudscape coughing with cloying fever with a dazzling ruby hypnotizing the muffins of the colossal fénix cosmic, and lighting up to Alexander Magnus when waking up. Sibila Frigia, finally sustained the cross with the risen flag of the same representation that does it the own Christ resurrected in a corresponding scene of Resurrection, in extensive complement of the Sybillas with his Gothic imagination and recentish, with the Sybilla Frigia being the priest that will chair an apolíneo oracle of a historical realm in the western central part of the highlands of Anatolia contrasted with Casandra of the Ilíada.

The incipient muffins sequence to redeemed reigns in that the puérp postpartum aurora, intercede nonetheless of the facets and of the screams of the Cáucaso, of the one who this chained in the irons but frozen of his isolation, for the one who the panic of the Diaísthisi or presage, traps him in millennia taken from a heart stuck in the thorax of the Tágmati, to the Apollyon offered in the abyss of the consecratam, and of the abyssal jumping from the fathomless floor the abysmal destruction providential, and his tulle issuing in those who will not shine after exalting concluded in silty bottoms of the fosca. Regards and Tares will govern intolerable pacts s and promises, early tinted in the heartbreaking disclosures of Saint John, glimpsing to diábolos interventors of Apollyon beside the Sheol of the Koumeterium of Messolonghi, redeeming them in Nínive and ordering in Arbela and Gaugamela in the indissoluble planted zones of the Camels Gigas of Apollyon.    


Codex XV - Apud Secundus finale  

Arbela falls in the hands of castes of the mesnades of Etréstles of Kalavrita, collapsing like lightning and exceeding the charred farmhouses of alien Mosul, to his intrinsic compartments. Of to the contrary was the authority of Maceo, found immediate to Syrian troops, mesopotámicas, medas, split, sucianas, tibarianas, hircanias, albanias and sacesanias, scattered like disturbed Leviathanes of himself same and of debased titans in all the execrations not specified of this avalanche, so that they are carried by his dean leader, and donated to his physiognomy like limpid preys of misfortune when predicting for them in the banishment of his bravery. Later once encysted in the cracks of his stinks would look for in the fatuous emanations of the Phosphorus (Crash of the morning of Venus) drizzled by the glories of the morning and of his distractions, changing the decomposed inert matters to the Aqueménides, incontinenti to be bordered with all the fascination of the dawn. The commanded by Maceo; the commander of Dario, brought a heart to be transplanted from a wise person Dervish that had split to install it after conquering the epic Gesta, and his conjecture of it. They believed to ****** his ascribed gentlemen that seconded to his disconsolate of him…, but brought off by half the substrate character that moves the incessant rumbles in the bitterness of the cicuta unfunded in the Xiphos, offering to the twilight to mark the withdrawal between lights.

Etréstles, spotted a stray prescription in the field of battle, expelling it from the divine sky of Arbela. By the conferred adherents him to Vernarth in this round stroking to Alikanto by the gibbosity right of his steed Kanti, this would cause that they would cross on the same line and gave an oppressive split kinetic curve so that the lancers hyper vibrated with the spin of twist of his masses contracted, adding a field in the tips of the sky to the discouragements and the static Persian. Like this they fought together near of the children, infamous legislation plagiarizing the movement and tying the ribs of rows from left to right of the Syntagma, to fluctuate in the strengths of his graceful Falangists of anxiety. When observing this Moving away Magnus, redouble his heavy cavalry and also challenges similar concert in the maneuvers executed by Etréstles, designating it Diabolical Officiousness curiosity, as they visited inseparable in the Runes of the circulatory movement and in the cardiac system or Kardiá, reimplanting in the spin of twist of return of the children and the cavalry, but with the whole mass of his horses bluish lapis lazuli, wheezing of his nasal like a domestic nasal breath!

Auriga Says: Your venerate you milestones come to upset to the new beings, come to occupy your organisms with arrows on his bodies deterred by the quiver magic of Artemis, with new incarnations and manly gallantries?

Etréstles Jumps from Kanti, represses some militias that were surrounded, and reaches to spot Vernarth, to there is of the hubbub of his transmission recharged on the intimidated enemy. Sometimes they affirmed of one of his hangman of him to resist the pain of his ribs of him, while he vigorously tightened his sword and resisted the suffering that paled in his face, but increasing the size of his arms and legs, to unchain the big booming voice of Sheol or Hell, that piped him in the big stupor of the Persians resigned, afterward he clarified an all in the miscellanea was of the ardor and the pain of the souls expelleds, to testify the quantity of his independence consumed. The lightened environment of emptiness in the tunnel of the Profitis Ilias did feel in the peak of the surface, where was and trembled in the acroteria of entry of the Hexagonal Progenitura. Majestic Gravitational waves struggled here invested, oozing from the volcanic base of Patmos in vertexes of the physical fields and of elementary particles of great similarity to the caverns of Getsemaní, in the suggested detain of the phylogenetic mechanics and of the instauration of the phonetics, all embedded and propelled by the particles hitting on them, causing opposition of mass in the empty internal of the pipe covered by chairs of the Iaspis, propelling unions in progressive waves in viscous fields, very dense when being generated by the Arms Christi and the Souls of Trouvere. These elementary particles of God plunged into aroused basilisks in compound particles in the dynamics of energeia, preexisting already quoted, and adopted by Vernarth in his last parapsychological regression where he collided in the field of Higgs Ipso facto. In the areas W and Z, rather in the W of Wonthelimar and Z of Zefian like patterns of Lights without mass in his vectorial that were attracted by the maremágnum of his matter, where the viscosity is maybe, the confused darkness of the material fossil, mutating by atomic energy from the starvation of the Phoebus Shemesh, or false Sun of Apollo-Leviathan in his demolished asthenia. It was captive of a viscous moraine that collides between yes, arousing occupations of the empty field, already typecast in the boson of Higgs, and in the photons of Wonthelimar that taenia of on dowry, to be prone to the binomial W and Z, in the energized tangent of the shallow elementary bodies transformed in particles with mass. The interaction of the particles resembled a quantum field of the Orchard of Getsemaní with asymmetric and rocky graphics, that supremely did immanent in the trinitary energy that absorbed them in his arrest, concatenating the converted tendency of the field of Higgs in a quantum physical structure symmetrical, therefore in a perfect triangulation trinitarian of elementary particles, activating equidistant of his uniformity between if in all the spin of twist and in the three ataxic angles of unsteadiness of Zefian inroads of his fourth Saeta. The statics longed for the tendency that propagated in a fourth Angulo, but this time in the Progenitura Hexagonal in his six sides concealing the two equilateral triangles, subtended in no massive strengths, that is to say; feeble in a load of a photon, but if having to cross the unions of field that were him apt to auscultate the physics of God. We have to understand that all dogma gathers interactions with the field Diaísthisi or to presage, that recovers the mass of all this or that ventures the idleness of some silent particles that conform his weight, and the global mass affine of his material existence, sponsored by the proton in a cubic meter if it is accelerated. The field that underlies here in Patmos will be of upper physics from the Boson of Higgs or of God, for the grant of mass and of weight in the empty tunnel of wind in the Profitis Ilias, re sustaining the necessary ineffective light of the Febo Shemesh apocryphal of Sheol (Hades and Erebo), for constraining the symmetrical balance magmatic basality of intraterrestrial energy, contributing the supernumerary of her, turned into Light for the reborn world of the Apocalypse. The elementality bearer of the particle of Patmos, in his context of quantum physics, will enumerate like the theory of the Apud Secundus Finale, to generate interactions in the spacetime, that reduce physicality and delay when attending his credibility, in front of facts supra abnormal and bearers of his hyperactive dogmatic abulia, understanding that the graphic of his cerebral activity is genius of the quantum physics, provided with energy without mass, that vertiginously adheres to the protons of his physical strength consolidated, turning it into a kinetic inert element atomic, and in one dynamic of physical solidity. For all the solidness of the wasteland of the Apud (In) of Getsemaní, this will not be consecrated like a mystery, rather it will aspire the just act of immense clemency of the body compacted in the emotion of the feel gravitate, and accelerated transfiguring in an atomic elementary impulse that crystallizes the creative Faith, or was to the Vernarthian Duoverse! The Boson is massive, all the matter that is him leading will be poured by the standard of verticality in the creation, predicting theoretically in the tree of physics whose pipe hyper lives between the root and its foliage, and will consult the effect of his origin for greater challenges of his divine experience.

Singing of Sibila Líbica (bis): !The sparking plugs will inflame, the iridescent eyes of the Mashiaj flashed in the likely mortuary settlement of Vernarth in the oasis of Siwa: “Oh My warm blow of Libya that flatters my cheeks, and my shoulders that groove in the light of the callous cerebral coexistence of Zeus. Singing by you my Didaskein; treating or teaching to the baffled herd that confuses the kitchenware that was born to. b.C., not having a reminiscence of Irradiation in the mastery of the continuous turn to the not contravening of latent ignorance, but yes to find him agreed and effulgent”!
Codice Raedus
Julian Apr 2019
The inaugural bang swiveled with the vacant expressions of a muted feral crowd indignant about ethnic identity and swift in the recourse of tyrannical thugs pandering withered abuse

I solemnly abided in a chirpy itinerant glower against the exclusive system for stranding the disintegration of lyrical integrity for the Potemkin cheers of the culmination of too many jeers

Withered words for the abeyance of silence I incurred with wistful pleas for resurgent clarity beyond   sheepish fears

So I loitered in the evanescence of words..

Watching with alacrity as the strident ignorance of grafted wretchedness writhed its last mustered exsibilation at the sound of windbags bloviating beyond prodigal extravagance without a visible tweeted word

I measured my pause…..as I considered the heft of poignant exposures to a dismal serenade of miscegenated politics and garbled breaths of wheezy mendicants seeking participation in the trophy of smothered compliance

But I marveled simultaneously at the extinction of the shriveled crowds as they sized up the minutiae of wastrels glamorously inviting a frozen recapitulation of sorrows borrowed and wasted on minced platitudes that swindle still the votive confidence of regimented sympathy pretending empathy for soured hearts professedly defiant at their bereaved will

My pulse I clocked at 120 as I wondered where on earth the 140s and 150s have frittered their patience on with such brazen alacrity for the garish snarl of a sojourn into the ineffable effrontery of aureate mutiny against the tyrant of deaf spoon-fed indignation without the luxury of shared ignominy of memorable cadence for frippery in sparse blurbs registered in braille rather than brawn

Then I remembered my vociferous persnickety temperament and the curdled hatred of procrustean swan songs to an etiolating standard of ethical entanglement in aloof issues delivered with a decisive swoon too swift in earnestness to outfox with a quipped rebuff or a calculus of classical spoof

Then I wondered with a problematic but inherent prolixity…..
I too could adorn the adoring moon with a lyrical lampoon geared for a clockwork punchline or a winsome rebarbative tune….OR…. enchant with an incisive acerbic rant about how pasquinades outstay their welcome because of the clambered insistence of happenstance years ago in a blinkered mirror but never rehashed too soon

But where would affection heap its laurels if I dared to swindle the spotlight away from frisky poetasters who proved a renegade inspiration for fluttered triumph in a seaside tragedy only the crestfallen waves of pestilent Idiocracy could steal from my outstretched tenacity in verse and verve

Boom went a fulmination of hatred at my labored words! And then I swerved to avoid potholes of tenuous gainsay…. and other miscreants littering the world with misappropriated labels for laments belabored with publicity for displaced enmity distilled from a cauldron of mismatched ignorance….tethered to the vagrancy of gripe plucked at the ripe time for a twenty-dollar prize give or take a dime

But that dime separating 1990 from 2010 meant more than anything to a life littered with hallowed word crimes…. against the sanctimony of syncopation with cheap bleats too arrogant to be sheepish at the lavish indulgence of the marginalized wines…. brewed in a castle flickering on fiat worth rather than the simplicities of minutes of warbled time

So I currently warp minds with the proctor of a gamble too garish to finesse the quicksand of attrition but jaunty enough to bypass the limitations of a linear self-referential memorial about the circular nature of irony espoused by divorced rhymes

Now I stand ascendant….waiting for the retinues of retinas to absorb the wavy rigmarole of the serpentine pathways carved beneath the buzzwords of race and division and towards soldered unity with a human race beyond racism…. and a class divorced from socioeconomic crass division

Just then I arrived at serenity…. as I realized that the BAR exams that encage so many aspirant hearts are counterfeit in the court of the highest judiciary art that believes that insidious artifice is an embezzled venture of frolicsome guttersnipes wallowing in division can never revive a lifeless heart…. even if quick-witted credentialism rattles the slaves to vapid artforms that any humanism would never deem smart

Ditch the agitprop as a human frailty indentured to endure the curated disease without a cure to make the snollygosters in Washington ever so cocksure with their cockalorum disregard of the palatable consensus to make news real again….Finally for the fraternity of an enlightened human race in a benighted world of trendy fatuousness that infests the planet with the debauchery of glorified urchins jerking the levers with severed brevity to promote infectious foofaraw with cultural indemnity

I leave you with this

What is ornate complexity without the luxury of concerted beatific bliss that the parsecs that flummox your minds throb vehemently with cohesiveness in my internal design are not remiss

And remember the benighted standards of kitsch for the kitchens of penury bewitched don’t stand a chance against the overriding itch to vanquish mountains one after another to cross them off the list
Graff1980 Jun 2017
The city sounds of ordered chaos, the constant wave of people crossing back and forth like a human tide. Strangers cut in and out of their tiny groups and barely miss colliding. Honks and bleats hasten the crowds pace as they race to cross the road. Some people stare at their phones, others watch the road but no one looks directly at another human being. Somewhere, near here and in-between there just off to the side a stranger sits mumbling, barely coherent.

“Watch me.”

The age lines run so deep into his skin that they might as well be built in. White stubble paints a drawn slightly sunburnt face. Deep dark blue eyes scan the city life for some unknown relief.
A red line catches his eyes, followed by a childlike voice singing playfully. “Watch me mommy.”

Tiny matchbox cars race around a shallow hole. The little cars cross dips and dirt ramps increasing the young boy’s excitement, as he mimics his favorite show. They crash into a partially exposed root. “Brrckkkeeech bccccch.”A fake explosion sounds. Dusk begins to fall as the cars settle into their makeshift cereal box garage. Smiling and dusty the boy crosses the small road, then the tiny parking lot, and comes home.

Long ***** white hair falls messily across the man’s worn face. All but a few awkwardly placed teeth are gone. Some are yellow while others are darker and rotting. His breath reeks. The emaciated figure feels the cramps of hunger pains. A brown speckled haze clouds his vision, followed by a slight coldness and dizziness creeping over his body.

“Watch me.”

Cardboard swords clash in a titanic battle of good versus evil.  Until the young victor jumps upon his sawhorse stead. A yowl of pain sounds as his tiny sac is smashed. The pain jolts upwards and inwards causing temporary paralysis. Thin legs scrape the wooden brace dragging chips of paint down with him as he falls off his fake saddle. The victor is defeated by pain. A few seconds later the internal pain passes and he is up and at it again, running straight for a large tree. At the last second he swerves barely avoiding a painful collision. In his mind a red cape swooshes behind him as he flies off to save metropolis.

The summer heat draws pit stains on the old man ***** orange tee. The neckline is stretched and has an almost circular pattern of moisture. Barely able to move, his sick stench draws the attention of flies. Bugs buzz by almost as frequently as strangers walking by.

“Watch me.”

Tears fall from the tiny child eyes, as he stumbles in pain. A deep **** runs red with lines of falling blood. His mother picks him up and carries him to the neighbor’s car. She whispers soft word of reassurance. The tears eventually stop.

The man clenches his chest. Pain permeates his being. His breath is lost. He stumbles falling harshly against the cold grey cement sidewalk. Tears fall. He reaches for strangers pleading weakly for their assistance. A foot smashes against his left side, causing more pain to flame up; while forcing him to edge of the sidewalk. The crowd keeps moving.
A stranger snarls “get out of the way you ***.”

“Watch me.” The old man whispers as he recalls his mother’s warmth. Soft kisses planted on his forehead. Sitting in the dark living room safely snuggled next to his mother as a scary storm rages violently against a small house.

“Watch me.” He cries. His voice, obscured by the city, fades and is forgotten.
K Balachandran Sep 2013
Mastering the whole range of bleats with meanings-
made him think his command of 'goat lingo' was  perfect,
But a cheeky Anglo-Nubian goat wasn't impressed by his fluency so remarkable,
"Vocabulary is not all, my dear Sir" she bleated back " your accent is singularly atrocious"
*Anglo-Nubian...a breed of goat found  in Great Britain
Goats can develop their own unique accents from their surroundings a British study has suggested.
Speak Knight of this foul dishonor you bring,
Unto me, your liege and rightful master.
Of this even the lowly peasants sing.
Arthur a cuckhold, the clergy murmur.
Give me words Man! Why hast thou done this thing
To me, your friend , your king and protector-
Who sat you- my right hand- at Table Round,
And heard you declare yourself honor bound?

My Liege, I am overwrought with my shame.
The woman is more than woman to me.
I am enchanted by the very name
of Guinevere- Sire, pray heed my sad plea-
Of two hearts tortured by Love's burning flame
Of kindred souls intertwined, reason free.
I say My Liege, where doth the man exist
The fair Guinevere's ample charms resist?

Best, Sir, to watch thy words, hold thy tongue fast!
You speak of the Queen, my love, and my wife!
You flaunt the Holy Writ of God at last
And play fast and loose with Eternal Life!
To foul Gehenna your soul will be cast,
to experience neverending strife.
Truly my soul is exceeding bleak.
Guard, bring the Queen that we may hear her speak.

How now my heart, that thy lips quiver so?
And tears besot thy alabaster skin?
Speak now of that which Mordred, base and low
Whispered quick, awash in the stink of gin,
Of the randy Stag and his demure Doe,
Copulating as beasts in the fields akin.
Lady, gaze into my eyes, mark me well
Speak truly now , as your tale you tell.

My Liege, Husband mine! my heart is most frail.
My soul a wasteland of desolation.
Tis true!  I met Lancelot in the vale,
And frolicked we after the setting sun,
As lovers are wont to do without fail
Where the rosy bloom of youth hath begun.
Tis true! I swear to the Good God above,
The brave Lancelot hath stolen my love.

Tis true, all too true, what Mordred hath said.
My wife, my hope, and the joy of my heart
She who I loved above all else hath shred
My life to pieces, bit by bit,part by part.
My boon companion Lancelot now dead
to me as well , who thought himself so smart.
Harken to my words, send for the court scribe
Listen well, hear thy punishment described:

Queen Guinevere, fairest of all the land,
Whose smile doth the very stars outshine,
Who once freely gave me in troth her hand,
With smoldering eyes, and words of love fine-
Creature of God with more of fairyland
Than mere mortal in your very design,
Now Adulteress, high treason thou wouldst make?
Tomorrow at dawn shall ye burn at the stake!

Lancelot, your honor lies in the dust,
Once White Knight, formidable in combat arms,
Tainted by sin and depraved ruttish lust.
The victim of a woman's haughty charms,
Who bleats of love as all feeble lost must
When rude passion ordered reason disarms.
Once friend, now foe, see your base heart's desire,
Expire at dawn, her black soul cleansed by fire.
Worth continuing the story?
Any and all criticism welcome.
Martin Narrod Apr 2014
She had stopped crying.
All evening in her black-mesh coup de voodoo.
On the plane she had been crying
For her Summer pal. Yesterday she had been to market
Big brown bags and white bags, little pink bags filled with crimsony scents,
Capricornia, looseleaf newsprint, postcards, and colored pencils,
She had hands full of handles, bags bundled, stitched in strict Saturday fashion.
He could barely break a step, he could fake dance with her feet on his tip toes.
She was only three quarters the perfect size to fit inside his frame.
The grand disappearing act. And she was only ifs and suicides.
A stranded ray of sun-draped hair on a cooly porcelain forehead, the segments were all just wrong,
Something so wrong, trembling heart cries over a mute coo through a flattened tongue.
The sickle tongue, dodgy on Tuesday's, She had a simple mug, oh! But so cute and soothing, the nape
That wrapped around, my arm lapped its hands in a clapping ginormous duck's bill!
Lapping rhythmically. Thwack! Thwack!
Like no crying I had ever heard. Nor Earthen beauty I had never seen.
Her little lamb legs lumbered over, her awkward thinness and long limbs spilt on top of her,
Her tiny shoulders searching for support from her hips. White aurulent doll head on a stick,
She had sad defeated eyes, whimpering, pathetic,
Too small, and she shuttered and she shook,
And she shivered out every teardrop her body ever made. And she fell back on her bottom, and looked
Up as if to see a white steed standing with her guy striking a poised hand down to her,
He split down the middle, stammering, broken pieces of words crumbling out of his mouth
With eager intentions. He was too weak
To give her his feet, or pull her up in, he hadn't the gumption. He was fully occupied standing,
He wept too; then shuffled a little
Towards where she had fallen. He knew she wasn't right
She couldn't get the devil out of her piercing blue pupils, she couldn't
She lied.
Then she just piled on top of her knees and fumbled as if to rise like a demure lamb trying to rise off its Newborn legs, she just curled her legs,
So stiffly built, and narrow footed, built with such inequality to her siblings,
She got in the way of herself, a little lamb that could not manage.
Too whittled for him, he tried, he really tried, but three years had drained his strength, no real help.
When he sat her upright on her bottom, she opened her eyes, and for a moment smiled, grabbed for His hand but then after awhile she was lost, she lost interest, her pupils wandered.
He was orchestrating everything.
A real project, much more urgent and important. By nightfall she could not stand. It was not
That she couldn't smile or laugh or love, she was born
With everything but the will to live -
That cannot be destroyed, just like a love.
Melancholy was more important to her.
Life could not get her attention.
So she died, with her handles still in her hands, green grass stains her legs.
She did not survive another warm summer night.
And then he wept uncontrollably again.
"The wind is oceanic in the elms
And the blossom is all set."

2

The boy has come back
From the seashore, and atop the plateau.
The woes of women are like a genocide
In the morning, when the killing is over,
And the heat begins, and the bodies lie,
And stark life moves for its sobbing bones,
The curved women move with fire.
Father Father Father the girls
Are weeping, and crying and I cannot resist that gentle frailty
They are shucked in their skin suits rising from their soporific slumbers
In decadent leathers and frou frou dresses. They cling to bold faces,
Nothing can escape that cold crying of women weeping for their princes.
Blood-letting rage cannot overthrow the meadow from the pebble brook,
As a laden head bleats its tarnished tongue across a milky breast, it cannot
Escape the sounds of blue-stained teardrops cascading across the plains,
The sounds of woolbirds braying while their skins are sheared against the
Sluicing sound of water rushing through the flume.
All summer they have lamented, gorging on melancholy, tottering their cotton pyramid heads,
Shaking their cries in deliberation, bald skinny victim women screaming out!
Cotton-mouthed clams yaffing, hearts in panic, wholes of bodies clambering in a *** of woe.
They roost useless, pollard and wethered, jealous
Squinting out the last droplets of desperation from their eyes, screaming their mouths in awful
Togetherness, this cacophony of tortured tongue-song
They curdle the last notes of despair out under knotted breaths
With every inch of strength left inside them, they bray this way and that.
Their mothers scream out in wretched despair, ahhh!
On distant cliffs, on scrawny legs
Their stiff pain goes on and on in the September heat.
"Only slowly their hurt dies, cry by cry,"
Whipped bodies toting wergeld on a shore.

The Day She Died

Was the gloomiest day of the new century,
The first of calamitous, unfortunate autumns to come,
The first dying breath from piceous lungs.

That was yesterday. Early morning, soft rime droplets
Frosted to every blade of grass, not like any other
Earlier June day we've ever had. In the deep twilight
The syzygy announced the moon and demoted the sun.

The Earth-crisp frost nuzzled snow droplets.
Black bands of ravens whipping. Martens littering
Fresh kills of red-eyed rabbits on stark white stale
Summer lawns. A fox grayed, its cold bones
Mapped by ravaged feasts. A possum prowling
In a spot of tawny light.

The concrete spread into a maze
Of black veins ripening in the acute niello
Destitution of its widening cracks,

And when the summer left
It left without her. It will have to accept,
In the paley dim light of this vengeful wilderness -
She is gone.
But for now the warmth has not returned but a naked, half-pomegranate
Rotten moon for us two.
And a great vacancy in our memory.
Written for Britni West
Death-throws Mar 2015
I lack inspiration, when sound does not riddle the causeways of my mind
when echos bounce less around my cranium and more from my lips i find..
solace,
solace in the fact that no longer am i directed from indirect communications but more from the sound i make,
i learnt to grasp the steering wheel in both hands and turn sharp in the corners,
i learnt that without sound echoing through my ears my eyes work with pinpoint accuracy..
i never noticed the way the grass grows over old cobbles..
i never noticed the way my heart beats
the way it skips, and bleats,
i learnt not to be a sheep, but a profit,
a guider to the blind,
don't tell them I'm blind as-well
because it doesn't matter if i can see or i cant
it does not matter if what i say is truth or lies
but if the fiction of my antiquity compels you to lift your heart up
brings joy from the desolation of your mind but to the fore front of the battle field that is your life i have achieved something incredible, I've achieved peace
peace through happiness, joy through inspiration so read on!
read on young soldier,
your broken mind and battle ready battle wounds are bound too tightly by your compassion to conform
take of your bandages and read on! read forwards and on wards and strive to learn, why
why young soldier i know you've never been trained
and i know your mind is ill with discontent and i know your shoes are whittled to your socks and i know
i know how hard it is to stand with two broken legs and only the solace of that barren bare cranium to lean on
but in my antiquity young soldier
i have learnt that we are all warriors
fighters along a broken line standing our ground against greater odds then you could ever conceive of battling...
i know young solider that many will fall and die
and many will perish to broken minds and hearts and souls,
but the ones who make it through this perishable existence, the ones who fight beyond any compassion  beyond any reason,
god I've met boys who will tear out each others throats with their teeth I've learnt that men are shells of creatures that have never been fully understood,
my existence has been about 
nothing but fighting
and now i have reached an age where i can lay down the rifle of my words, i can leave my blunted knives to rust in a back closet i realized young soldier
the agony of your existence may seem like the end, but its just the start.
and when your reach a  point in your life where you can rest,
savor it,
do not let someone tell you how to exist without your consent , do not fight a battle you do not want to fight,
stand your ground young soldier
re-reinforcements are on the way
*L.G
for a friend whose struggling... chin up bub x
Michael R Burch Feb 2020
How Long the Night: Modern English Translations of Medieval Poems Written in Middle English and Old English/Anglo-Saxon English

How Long the Night
anonymous Middle English lyric, circa early 13th century AD
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast—
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong,
now grieve, mourn and fast.

Originally published by Measure

Keywords/Tags: Old English, Middle English, Medieval English, long night, lament, complaint, alas, summer, pleasant, winter, north wind, northern wind, severe weather, storm, bird, birds, birdsong, sin, crime, fast, fasting, repentance, dark night of the soul, sackcloth and ashes, regret, repentance, remonstrance

These are modern English translations of Old English/Anglo-Saxon poems and Middle English poems by Anonymous, Caedmon, Geoffrey Chaucer, Thomas Campion, Deor, William Dunbar, Godric of Finchale, Charles d'Orleans, Layamon and Sir Thomas Wyatt.



Sweet Rose of Virtue
by William Dunbar (1460-1525)
loose translation/interpretation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose and left her downcast,
whose piteous death does my heart such pain
that I long to plant love's root again―
so comforting her bowering leaves have been.

My translation of "Lament for the Makaris" by William Dunbar appears later on this page.



"Now skruketh rose and lylie flour" is an early Middle English poem that gives a hint of things to come, in terms of meter and rhyme …

Now skruketh rose and lylie flour
(anonymous Middle English lyric, circa 11th century AD)
loose translation/interpretation by Michael R. Burch

Now the rose and the lily skyward flower,
That will bear for awhile that sweet savor:
In summer, that sweet tide;
There is no queen so stark in her power
Nor any lady so bright in her bower
That Death shall not summon and guide;
But whoever forgoes lust, in heavenly bliss will abide
With his thoughts on Jesus anon, thralled at his side.

skruketh = break forth, burst open; stour = strong, stern, hardy; tharled = thralled?, made a serf?, bound?



Fowles in the Frith
(anonymous Middle English lyric, circa 13th-14th century AD)
loose translation/interpretation by Michael R. Burch

The fowls in the forest,
the fishes in the flood
and I must go mad:
such sorrow I've had
for beasts of bone and blood!

Sounds like an early animal rights activist! The use of "and" is intriguing … is the poet saying that his walks in the woods drive him mad because he's also a "beast of bone and blood" facing a similar fate? I must note, however, that this is my personal interpretation. The poem has "beste" and the poet may have meant "for the best of bone and blood" meaning some unidentified person, presumably.



Westron Wynde
(anonymous Middle English lyric, found in a partbook circa 1530 AD, but perhaps written earlier)
loose translation/interpretation by Michael R. Burch

Western wind, when will you blow,
bringing the drizzling rain?
Christ, that my love were in my arms,
and I in my bed again!

The original poem has "the smalle rayne down can rayne" which suggests a drizzle or mist.



This World's Joy
(anonymous Middle English lyric, circa early 14th century AD)
loose translation/interpretation by Michael R. Burch

Winter awakens all my care
as leafless trees grow bare.
For now my sighs are fraught
whenever it enters my thought:
regarding this world's joy,
how everything comes to naught.



Pity Mary
(anonymous Middle English lyric, circa early 13th century AD)
loose translation/interpretation by Michael R. Burch

Now the sun passes under the wood:
I rue, Mary, thy face—fair, good.
Now the sun passes under the tree:
I rue, Mary, thy son and thee.

In the poem above, note how "wood" and "tree" invoke the cross while "sun" and "son" seem to invoke each other. Sun-day is also Son-day, to Christians. The anonymous poet who wrote the poem above may have been been punning the words "sun" and "son." The poem is also known as "Now Goeth Sun Under Wood" and "Now Go'th Sun Under Wood."



I am of Ireland
(anonymous Medieval Irish lyric, circa 13th-14th century AD)
loose translation/interpretation by Michael R. Burch

I am of Ireland,
and of the holy realm of Ireland.
Gentlefolk, I pray thee:
for the sake of saintly charity,
come dance with me
in Ireland!



Whan the turuf is thy tour
(anonymous Middle English lyric, circa the 13th century AD)
loose translation/interpretation by Michael R. Burch

1.
When the turf is your tower
and the pit is your bower,
your pale white skin and throat
shall be sullen worms’ to note.
What help to you, then,
was all your worldly hope?

2.
When the turf is your tower
and the grave is your bower,
your pale white throat and skin
worm-eaten from within …
what hope of my help then?

The second translation leans more to the "lover's complaint" and carpe diem genres, with the poet pointing out to his prospective lover that by denying him her favors she make take her virtue to the grave where worms will end her virginity in macabre fashion. This poem may be an ancient precursor of poems like Andrew Marvell's "To His Coy Mistress."



Ech day me comëth tydinges thre
(anonymous Middle English lyric, circa the 13th to 14th century AD)
loose translation/interpretation by Michael R. Burch

Each day I’m plagued by three doles,
These gargantuan weights on my soul:
First, that I must somehow exit this fen.
Second, that I cannot know when.
And yet it’s the third that torments me so,
Because I don't know where the hell I will go!



Ich have y-don al myn youth
(anonymous Middle English lyric, circa the 13th to 14th century AD)
loose translation/interpretation by Michael R. Burch

I have done it all my youth:
Often, often, and often!
I have loved long and yearned zealously …
And oh what grief it has brought me!



GEOFFREY CHAUCER

Three Roundels by Geoffrey Chaucer

I. Merciles Beaute ("Merciless Beauty")
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Your eyes slay me suddenly;
their beauty I cannot sustain,
they wound me so, through my heart keen.

Unless your words heal me hastily,
my heart's wound will remain green;
for your eyes slay me suddenly;
their beauty I cannot sustain.

By all truth, I tell you faithfully
that you are of life and death my queen;
for at my death this truth shall be seen:
your eyes slay me suddenly;
their beauty I cannot sustain,
they wound me so, through my heart keen.



II. Rejection
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Your beauty from your heart has so erased
Pity, that it’s useless to complain;
For Pride now holds your mercy by a chain.

I'm guiltless, yet my sentence has been cast.
I tell you truly, needless now to feign,—
Your beauty from your heart has so erased
Pity, that it’s useless to complain.

Alas, that Nature in your face compassed
Such beauty, that no man may hope attain
To mercy, though he perish from the pain;
Your beauty from your heart has so erased
Pity, that it’s useless to complain;
For Pride now holds your mercy by a chain.



III. Escape
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean;
Since I am free, I count it not a bean.

He may question me and counter this and that;
I care not: I will answer just as I mean.
Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean.

Love strikes me from his roster, short and flat,
And he is struck from my books, just as clean,
Forevermore; there is no other mean.
Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean;
Since I am free, I count it not a bean.



Welcome, Summer
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Now welcome, Summer, with your sun so soft,
since you’ve banished Winter with her icy weather
and driven away her long nights’ frosts.
Saint Valentine, in the heavens aloft,
the songbirds sing your praises together!

Now welcome, Summer, with your sun so soft,
since you’ve banished Winter with her icy weather.

We have good cause to rejoice, not scoff,
since love’s in the air, and also in the heather,
whenever we find such blissful warmth, together.

Now welcome, Summer, with your sun so soft,
since you’ve banished Winter with her icy weather
and driven away her long nights’ frosts.



CHARLES D'ORLEANS

Rondel: Your Smiling Mouth
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/moderniz  ation by Michael R. Burch

Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains,
Your hands so smooth, each finger straight and plain,
Your little feet—please, what more can I say?

It is my fetish when you’re far away
To muse on these and thus to soothe my pain—
Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains.

So would I beg you, if I only may,
To see such sights as I before have seen,
Because my fetish pleases me. Obscene?
I’ll be obsessed until my dying day
By your sweet smiling mouth and eyes, bright gray,
Your ample ******* and slender arms’ twin chains!



Spring
by Charles d’Orleans (c. 1394-1465)
loose translation/interpretation/moderniz  ation by Michael R. Burch

Young lovers,
greeting the spring
fling themselves downhill,
making cobblestones ring
with their wild leaps and arcs,
like ecstatic sparks
struck from coal.

What is their brazen goal?

They grab at whatever passes,
so we can only hazard guesses.
But they rear like prancing steeds
raked by brilliant spurs of need,
Young lovers.



Oft in My Thought
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/moderniz  ation by Michael R. Burch

So often in my busy mind I sought,
    Around the advent of the fledgling year,
For something pretty that I really ought
    To give my lady dear;
    But that sweet thought's been wrested from me, clear,
        Since death, alas, has sealed her under clay
    And robbed the world of all that's precious here―
         God keep her soul, I can no better say.

For me to keep my manner and my thought
    Acceptable, as suits my age's hour?
While proving that I never once forgot
    Her worth? It tests my power!
    I serve her now with masses and with prayer;
        For it would be a shame for me to stray
    Far from my faith, when my time's drawing near—
         God keep her soul, I can no better say.

Now earthly profits fail, since all is lost
    And the cost of everything became so dear;
Therefore, O Lord, who rules the higher host,
    Take my good deeds, as many as there are,
    And crown her, Lord, above in your bright sphere,
        As heaven's truest maid! And may I say:
    Most good, most fair, most likely to bring cheer—
         God keep her soul, I can no better say.

When I praise her, or hear her praises raised,
I recall how recently she brought me pleasure;
    Then my heart floods like an overflowing bay
And makes me wish to dress for my own bier—
    God keep her soul, I can no better say.



Winter has cast his cloak away
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/moderniz  ation by Michael R. Burch

Winter has cast his cloak away
of wind and cold and chilling rain
to dress in embroidered light again:
the light of day—bright, festive, gay!
Each bird and beast, without delay,
in its own tongue, sings this refrain:
"Winter has cast his cloak away!"
Brooks, fountains, rivers, streams at play,
wear, with their summer livery,
bright beads of silver jewelry.
All the Earth has a new and fresh display:
Winter has cast his cloak away!

This rondeau was set to music by Debussy in his Trois chansons de France.



The year lays down his mantle cold
by Charles d’Orleans (1394-1465)
loose translation/interpretation/moderniz  ation by Michael R. Burch

The year lays down his mantle cold
of wind, chill rain and bitter air,
and now goes clad in clothes of gold
of smiling suns and seasons fair,
while birds and beasts of wood and fold
now with each cry and song declare:
"The year lays down his mantle cold!"
All brooks, springs, rivers, seaward rolled,
now pleasant summer livery wear
with silver beads embroidered where
the world puts off its raiment old.
The year lays down his mantle cold.



Fair Lady Without Peer
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Fair Lady, without peer, my plea,
Is that your grace will pardon me,
Since I implore, on bended knee.
No longer can I, privately,
Keep this from you: my deep distress,
When only you can comfort me,
For I consider you my only mistress.

This powerful love demands, I fear,
That I confess things openly,
Since to your service I came here
And my helpless eyes were forced to see
Such beauty gods and angels cheer,
Which brought me joy in such excess
That I became your servant, gladly,
For I consider you my only mistress.

Please grant me this great gift most dear:
to be your vassal, willingly.
May it please you that, now, year by year,
I shall serve you as my only Liege.
I bend the knee here—true, sincere—
Unfit to beg one royal kiss,
Although none other offers cheer,
For I consider you my only mistress.



Chanson: Let Him Refrain from Loving, Who Can
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Let him refrain from loving, who can.
I can no longer hover.
I must become a lover.
What will become of me, I know not.

Although I’ve heard the distant thought
that those who love all suffer,
I must become a lover.
I can no longer refrain.

My heart must risk almost certain pain
and trust in Beauty, however distraught.
For if a man does not love, then what?
Let him refrain from loving, who can.



Her Beauty
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Her beauty, to the world so plain,
Still intimately held my heart in thrall
And so established her sole reign:
She was, of Good, the cascading fountain.
Thus of my Love, lost recently,
I say, while weeping bitterly:
“We cleave to this strange world in vain.”

In ages past when angels fell
The world grew darker with the stain
Of their dear blood, then became hell
While poets wept a tearful strain.
Yet, to his dark and drear domain
Death took his victims, piteously,
So that we bards write bitterly:
“We cleave to this strange world in vain.”

Death comes to claim our angels, all,
as well we know, and spares no pain.
Over our pleasures, Death casts his pall,
Then without joy we “living” remain.
Death treats all Love with such disdain!
What use is this world? For it seems to me,
It has neither Love, nor Pity.
Thus “We cleave to this strange world in vain.”



Chanson: The Summer's Heralds
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

The Summer’s heralds bring a dear
Sweet season of soft-falling showers
And carpet fields once brown and sere
With lush green grasses and fresh flowers.

Now over gleaming lawns appear
The bright sun-dappled lengthening hours.

The Summer’s heralds bring a dear
Sweet season of soft-falling showers.

Faint hearts once chained by sullen fear
No longer shiver, tremble, cower.
North winds no longer storm and glower.
For winter has no business here.



Traitorous Eye
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Traitorous eye, what’s new?
What lewd pranks do you have in view?
Without civil warning, you spy,
And no one ever knows why!

Who understands anything you do?
You’re rash and crass in your boldness too,
And your lewdness is hard to subdue.
Change your crude ways, can’t you?

Traitorous eye, what’s new?
You should be beaten through and through
With a stripling birch strap or two.
Traitorous eye, what’s new?
What lewd pranks do have you in view?



SIR THOMAS WYATT

“Whoso List to Hunt” has an alternate title, “The Lover Despairing to Attain Unto His Lady’s Grace Relinquisheth the Pursuit” and is commonly believed to have been written for Anne Boleyn, who married King Henry VIII only to be beheaded at his command when she failed to produce a male heir. (Ouch, talk about male chauvinism!)

Whoever Longs to Hunt
by Sir Thomas Wyatt
loose translation/interpretation/moderniz  ation by Michael R. Burch

Whoever longs to hunt, I know the deer;
but as for me, alas!, I may no more.
This vain pursuit has left me so bone-sore
I'm one of those who falters, at the rear.
Yet friend, how can I draw my anguished mind
away from the doe?
                                   Thus, as she flees before
me, fainting I follow.
                                     I must leave off, therefore,
since in a net I seek to hold the wind.

Whoever seeks her out,
                                          I relieve of any doubt,
that he, like me, must spend his time in vain.
For graven with diamonds, set in letters plain,
these words appear, her fair neck ringed about:
Touch me not, for Caesar's I am,
And wild to hold, though I seem tame.



Brut, an excerpt
by Layamon, circa 1100 AD
loose translation/interpretation by Michael R. Burch

Now he stands on a hill overlooking the Avon,
seeing steel fishes girded with swords in the stream,
their swimming days done,
their scales a-gleam like gold-plated shields,
their fish-spines floating like shattered spears.



Wulf and Eadwacer
(Old English poem circa 960-990 AD)
loose translation/interpretation by Michael R. Burch

My people pursue him like crippled prey.
They'll rip him apart if he approaches their pack.
We are so different!

Wulf's on one island; I'm on another.
His island's a fortress, fastened by fens.
Here, bloodthirsty curs howl for carnage.
They'll rip him apart if he approaches their pack.
We are so different!

My thoughts pursued Wulf like panting hounds.
Whenever it rained, as I wept,
the bold warrior came; he took me in his arms:
good feelings, to a point, but the end loathsome!
Wulf, O, my Wulf, my ache for you
has made me sick; your infrequent visits
have left me famished, deprived of real meat!
Do you hear, Eadwacer? Watchdog!
A wolf has borne our wretched whelp to the woods.
One can easily sever what never was one:
our song together.



Cædmon's Hymn (Old English circa 658-680 AD)
loose translation/interpretation by Michael R. Burch

Come, let us honour      heaven-kingdom's Guardian,
the might of the Architect      and his mind-plans,
the work of the Glory-Father.      First he, the Everlasting Lord,
established      the foundation of wonders.
Then he, the Primeval Poet,      created heaven as a roof
for the sons of men,      Holy Creator,
Maker of mankind.      Then he, the Eternal Entity,
afterwards made men middle-earth:      Master Almighty!



A Proverb from Winfred's Time
anonymous Old English poem, circa 757-786 AD
loose translation/interpretation by Michael R. Burch

1.
The procrastinator puts off purpose,
never initiates anything marvelous,
never succeeds, dies dead alone.

2.
The late-deed-doer delays glory-striving,
never indulges daring dreams,
never succeeds, dies dead alone.

3.
Often the deed-dodger avoids ventures,
never succeeds, dies dead alone.



Franks Casket Runes
anonymous Old English poems, circa 700 AD
loose translation/interpretation by Michael R. Burch

The fish flooded the shore-cliffs;
the sea-king wept when he swam onto the shingle:
whale's bone.

Romulus and Remus, twin brothers weaned in Rome
by a she-wolf, far from their native land.



"The Leiden Riddle" is an Old English translation of Aldhelm's Latin riddle Lorica ("Corselet").

The Leiden Riddle
anonymous Old English riddle poem, circa 700 AD
loose translation/interpretation by Michael R. Burch

The dank earth birthed me from her icy womb.
I know I was not fashioned from woolen fleeces;
nor was I skillfully spun from skeins;
I have neither warp nor weft;
no thread thrums through me in the thrashing loom;
nor do whirring shuttles rattle me;
nor does the weaver's rod assail me;
nor did silkworms spin me like skillfull fates
into curious golden embroidery.
And yet heroes still call me an excellent coat.
Nor do I fear the dread arrows' flights,
however eagerly they leap from their quivers.

Solution: a coat of mail.



If you see a busker singing for tips, you're seeing someone carrying on an Anglo-Saxon tradition that goes back to the days of Beowulf …

He sits with his harp at his thane's feet,
Earning his hire, his rewards of rings,
Sweeping the strings with his skillful nail;
Hall-thanes smile at the sweet song he sings.
—"Fortunes of Men" loose translation by Michael R. Burch



Deor's Lament
(Anglo Saxon poem, circa 10th century AD)
loose translation/interpretation by Michael R. Burch

Weland knew the agony of exile.
That indomitable smith was wracked by grief.
He endured countless troubles:
sorrows were his only companions
in his frozen island dungeon
after Nithad had fettered him,
many strong-but-supple sinew-bonds
binding the better man.
   That passed away; this also may.

Beadohild mourned her brothers' deaths
but even more, her own sad state
once she discovered herself with child.
She predicted nothing good could come of it.
   That passed away; this also may.

We have heard that the Geat's moans for Matilda,
his lady, were limitless,
that his sorrowful love for her
robbed him of regretless sleep.
   That passed away; this also may.

For thirty winters Theodric ruled
the Mæring stronghold with an iron hand;
many knew this and moaned.
   That passed away; this also may.

We have also heard of Ermanaric's wolfish ways,
of how he held wide sway in the realm of the Goths.
He was a grim king! Many a warrior sat,
full of cares and maladies of the mind,
wishing constantly that his kingdom might be overthrown.
   That passed away; this also may.

If a man sits long enough, sorrowful and anxious,
bereft of joy, his mind constantly darkening,
soon it seems to him that his troubles are endless.
Then he must consider that the wise Lord
often moves through the earth
granting some men honor, glory and fame,
but others only shame and hardship.
This I will say for myself:
that for awhile I was the Heodeninga's scop,
dear to my lord. My name was Deor.
For many winters I held a fine office,
faithfully serving a just lord. But now Heorrenda
a man skilful in songs, has received the estate
the protector of warriors gave me.
   That passed away; this also may.



The Wife's Lament
loose translation/interpretation by Michael R. Burch

I draw these words from deep wells of my grief,
care-worn, unutterably sad.
I can recount woes I've borne since birth,
present and past, never more than now.
I have won, from my exile-paths, only pain.

First, my lord forsook his folk, left,
crossed the seas' tumult, far from our people.
Since then, I've known
wrenching dawn-griefs, dark mournings … oh where,
where can he be?

Then I, too, left—a lonely, lordless refugee,
full of unaccountable desires!
But the man's kinsmen schemed secretly
to estrange us, divide us, keep us apart,
across earth's wide kingdom, and my heart broke.

Then my lord spoke:
"Take up residence here."
I had few friends in this unknown, cheerless
region, none close.
Christ, I felt lost!

Then I thought I had found a well-matched man –
one meant for me,
but unfortunately he
was ill-starred and blind, with a devious mind,
full of murderous intentions, plotting some crime!

Before God we
vowed never to part, not till kingdom come, never!
But now that's all changed, forever –
our friendship done, severed.
I must hear, far and near, contempt for my husband.

So other men bade me, "Go, live in the grove,
beneath the great oaks, in an earth-cave, alone."
In this ancient cave-dwelling I am lost and oppressed –
the valleys are dark, the hills immense,
and this cruel-briared enclosure—an arid abode!

The injustice assails me—my lord's absence!
On earth there are lovers who share the same bed
while I pass through life dead in this dark abscess
where I wilt, summer days unable to rest
or forget the sorrows of my life's hard lot.

A young woman must always be
stern, hard-of-heart, unmoved,
opposing breast-cares and her heartaches' legions.
She must appear cheerful
even in a tumult of grief.

Like a criminal exiled to a far-off land,
moaning beneath insurmountable cliffs,
my weary-minded love, drenched by wild storms
and caught in the clutches of anguish,
is reminded constantly of our former happiness.

Woe be it to them who abide in longing.



The Husband's Message
anonymous Old English poem, circa 960-990 AD
loose translation/interpretation by Michael R. Burch

See, I unseal myself for your eyes only!
I sprang from a seed to a sapling,
waxed great in a wood,
                           was given knowledge,
was ordered across saltstreams in ships
where I stiffened my spine, standing tall,
till, entering the halls of heroes,
                   I honored my manly Lord.

Now I stand here on this ship’s deck,
an emissary ordered to inform you
of the love my Lord feels for you.
I have no fear forecasting his heart steadfast,
his honor bright, his word true.

He who bade me come carved this letter
and entreats you to recall, clad in your finery,
what you promised each other many years before,
mindful of his treasure-laden promises.

He reminds you how, in those distant days,
witty words were pledged by you both
in the mead-halls and homesteads:
how he would be Lord of the lands
you would inhabit together
while forging a lasting love.

Alas, a vendetta drove him far from his feuding tribe,
but now he instructs me to gladly give you notice
that when you hear the returning cuckoo's cry
cascading down warming coastal cliffs,
come over the sea! Let no man hinder your course.

He earnestly urges you: Out! To sea!
Away to the sea, when the circling gulls
hover over the ship that conveys you to him!

Board the ship that you meet there:
sail away seaward to seek your husband,
over the seagulls' range,
                          over the paths of foam.
For over the water, he awaits you.

He cannot conceive, he told me,
how any keener joy could comfort his heart,
nor any greater happiness gladden his soul,
than that a generous God should grant you both
to exchange rings, then give gifts to trusty liege-men,
golden armbands inlaid with gems to faithful followers.

The lands are his, his estates among strangers,
his new abode fair and his followers true,
all hardy heroes, since hence he was driven,
shoved off in his ship from these shore in distress,
steered straightway over the saltstreams, sped over the ocean,
a wave-tossed wanderer winging away.

But now the man has overcome his woes,
outpitted his perils, lives in plenty, lacks no luxury,
has a hoard and horses and friends in the mead-halls.

All the wealth of the earth's great earls
now belongs to my Lord …
                                             He only lacks you.

He would have everything within an earl's having,
if only my Lady will come home to him now,
if only she will do as she swore and honor her vow.



Led By Christ and Mary
by Saint Godric of Finchale (1065-1170)
loose translation/interpretation by Michael R. Burch

By Christ and Saint Mary I was so graciously led
that the earth never felt my bare foot’s tread!

Crist and sainte marie swa on scamel me iledde
þat ic on þis erðe ne silde wid mine bare fote itredie



A Cry to Mary
by Saint Godric of Finchale (1065-1170)
loose translation/interpretation by Michael R. Burch

I.
Saintë Marië Virginë,
Mother of Jesus Christ the Nazarenë,
Welcome, shield and help thin Godric,
Fly him off to God’s kingdom rich!

II.
Saintë Marië, Christ’s bower,
****** among Maidens, Motherhood’s flower,
Blot out my sin, fix where I’m flawed,
Elevate me to Bliss with God!



Prayer to St. Nicholas
by Saint Godric of Finchale (1065-1170)
loose translation/interpretation by Michael R. Burch

Saint Nicholas, beloved of God,
Build us a house that’s bright and fair;
Watch over us from birth to bier,
Then, Saint Nicholas, bring us safely there!

Sainte Nicholaes godes druð
tymbre us faire scone hus
At þi burth at þi bare
Sainte nicholaes bring vs wel þare



The Rhymed Poem aka The Rhyming Poem and The Riming Poem
anonymous Old English/Anglo-Saxon poem circa 990 AD
loose translation/interpretation by Michael R. Burch

He who granted me life created this sun
and graciously provided its radiant engine.
I was gladdened with glees, bathed in bright hues,
deluged with joy’s blossoms, sunshine-infused.

Men admired me, feted me with banquet-courses;
we rejoiced in the good life. Gaily bedecked horses
carried me swiftly across plains on joyful rides,
delighting me with their long limbs' thunderous strides.
That world was quickened by earth’s fruits and their flavors!
I cantered under pleasant skies, attended by troops of advisers.
Guests came and went, amusing me with their chatter
as I listened with delight to their witty palaver.

Well-appointed ships glided by in the distance;
when I sailed myself, I was never without guidance.
I was of the highest rank; I lacked for nothing in the hall;
nor did I lack for brave companions; warriors, all,
we strode through castle halls weighed down with gold
won from our service to thanes. We were proud men, and bold.
Wise men praised me; I was omnipotent in battle;
Fate smiled on and protected me; foes fled before me like cattle.
Thus I lived with joy indwelling; faithful retainers surrounded me;
I possessed vast estates; I commanded all my eyes could see;
the earth lay subdued before me; I sat on a princely throne;
the words I sang were charmed; old friendships did not wane …

Those were years rich in gifts and the sounds of happy harp-strings,
when a lasting peace dammed shut the rivers’ sorrowings.
My servants were keen, their harps resonant;
their songs pealed, the sound loud but pleasant;
the music they made melodious, a continual delight;
the castle hall trembled and towered bright.
Courage increased, wealth waxed with my talent;
I gave wise counsel to great lords and enriched the valiant.

My spirit enlarged; my heart rejoiced;
good faith flourished; glory abounded; abundance increased.
I was lavishly supplied with gold; bright gems were circulated …
Till treasure led to treachery and the bonds of friendship constricted.

I was bold in my bright array, noble in my equipage,
my joy princely, my home a happy hermitage.
I protected and led my people;
for many years my life among them was regal;
I was devoted to them and they to me.

But now my heart is troubled, fearful of the fates I see;
disaster seems unavoidable. Someone dear departs in flight by night
who once before was bold. His soul has lost its light.
A secret disease in full growth blooms within his breast,
spreads in different directions. Hostility blossoms in his chest,
in his mind. Bottomless grief assaults the mind's nature
and when penned in, erupts in rupture,
burns eagerly for calamity, runs bitterly about.

The weary man suffers, begins a journey into doubt;
his pain is ceaseless; pain increases his sorrows, destroys his bliss;
his glory ceases; he loses his happiness;
he loses his craft; he no longer burns with desires.
Thus joys here perish, lordships expire;
men lose faith and descend into vice;
infirm faith degenerates into evil’s curse;
faith feebly abandons its high seat and every hour grows worse.

So now the world changes; Fate leaves men lame;
Death pursues hatred and brings men to shame.
The happy clan perishes; the spear rends the marrow;
the evildoer brawls and poisons the arrow;
sorrow devours the city; old age castrates courage;
misery flourishes; wrath desecrates the peerage;
the abyss of sin widens; the treacherous path snakes;
resentment burrows, digs in, wrinkles, engraves;
artificial beauty grows foul;
the summer heat cools;
earthly wealth fails;
enmity rages, cruel, bold;
the might of the world ages, courage grows cold.
Fate wove itself for me and my sentence was given:
that I should dig a grave and seek that grim cavern
men cannot avoid when death comes, arrow-swift,
to seize their lives in his inevitable grasp.
Now night comes at last,
and the way stand clear
for Death to dispossesses me of my my abode here.

When my corpse lies interred and the worms eat my limbs,
whom will Death delight then, with his dark feast and hymns?
Let men’s bones become one,
and then finally, none,
till there’s nothing left here of the evil ones.
But men of good faith will not be destroyed;
the good man will rise, far beyond the Void,
who chastened himself, more often than not,
to avoid bitter sins and that final black Blot.
The good man has hope of a far better end
and remembers the promise of Heaven,
where he’ll experience the mercies of God for his saints,
freed from all sins, dark and depraved,
defended from vices, gloriously saved,
where, happy at last before their cheerful Lord,
men may rejoice in his love forevermore.



Adam Lay Ybounden
(anonymous Medieval English Lyric, circa early 15th century AD)
loose translation/interpretation by Michael R. Burch

Adam lay bound, bound in a bond;
Four thousand winters, he thought, were not too long.
And all was for an apple, an apple that he took,
As clerics now find written in their book.
But had the apple not been taken, or had it never been,
We'd never have had our Lady, heaven's queen.
So blesséd be the time the apple was taken thus;
Therefore we sing, "God is gracious!"

The poem has also been rendered as "Adam lay i-bounden" and "Adam lay i-bowndyn."



I Sing of a Maiden
(anonymous Medieval English Lyric, circa early 15th century AD)
loose translation/interpretation by Michael R. Burch

I sing of a maiden
That is matchless.
The King of all Kings
For her son she chose.

He came also as still
To his mother's breast
As April dew
Falling on the grass.

He came also as still
To his mother's bower
As April dew
Falling on the flower.

He came also as still
To where his mother lay
As April dew
Falling on the spray.

Mother and maiden?
Never one, but she!
Well may such a lady
God's mother be!



Tegner's Drapa
loose translation/interpretation by Michael R. Burch

I heard a voice, that cried,
“Balder the beautiful lies dead, lies dead …”
a voice like the flight of white cranes
intent on a sun sailing high overhead—
but a sun now irretrievably setting.

Then I saw the sun’s corpse
—dead beyond all begetting—
borne through disconsolate skies
as blasts from the Nifel-heim rang out with dread,
“Balder lies dead, our fair Balder lies dead! …”

Lost—the sweet runes of his tongue,
so sweet every lark hushed its singing!
Lost, lost forever—his beautiful face,
the grace of his smile, all the girls’ hearts wild-winging!
O, who ever thought such strange words might be said,
as “Balder lies dead, gentle Balder lies dead! …”



Lament for the Makaris (Makers, or Poets)
by William Dunbar (1460-1525)
loose translation/interpretation by Michael R. Burch

i who enjoyed good health and gladness
am overwhelmed now by life’s terrible sickness
and enfeebled with infirmity …
how the fear of Death dismays me!

our presence here is mere vainglory;
the false world is but transitory;
the flesh is frail; the Fiend runs free …
how the fear of Death dismays me!

the state of man is changeable:
now sound, now sick, now blithe, now dull,
now manic, now devoid of glee …
how the fear of Death dismays me!

no state on earth stands here securely;
as the wild wind shakes the willow tree,
so wavers this world’s vanity …
how the fear of Death dismays me!

Death leads the knights into the field
(unarmored under helm and shield)
sole Victor of each red mêlée …
how the fear of Death dismays me!

that strange, despotic Beast
tears from its mother’s breast
the babe, full of benignity …
how the fear of Death dismays me!

He takes the champion of the hour,
the captain of the highest tower,
the beautiful damsel in her tower …
how the fear of Death dismays me!

He spares no lord for his elegance,
nor clerk for his intelligence;
His dreadful stroke no man can flee …
how the fear of Death dismays me!

artist, magician, scientist,
orator, debater, theologist,
must all conclude, so too, as we:
“how the fear of Death dismays me!”

in medicine the most astute
sawbones and surgeons all fall mute;
they cannot save themselves, or flee …
how the fear of Death dismays me!

i see the Makers among the unsaved;
the greatest of Poets all go to the grave;
He does not spare them their faculty …
how the fear of Death dismays me!

i have seen Him pitilessly devour
our noble Chaucer, poetry’s flower,
and Lydgate and Gower (great Trinity!) …
how the fear of Death dismays me!

since He has taken my brothers all,
i know He will not let me live past the fall;
His next prey will be — poor unfortunate me! …
how the fear of Death dismays me!

there is no remedy for Death;
we all must prepare to relinquish breath
so that after we die, we may be set free
from “the fear of Death dismays me!”



Fairest Between Lincoln and Lindsey
(anonymous Middle English poem, circa late 13th century)
loose translation/interpretation by Michael R. Burch

When the nightingale sings, the woods turn green;
Leaf and grass again blossom in April, I know,
Yet love pierces my heart with its spear so keen!
Night and day it drinks my blood. The painful rivulets flow.

I’ve loved all this year. Now I can love no more;
I’ve sighed many a sigh, sweetheart, and yet all seems wrong.
For love is no nearer and that leaves me poor.
Sweet lover, think of me — I’ve loved you so long!



Sumer is icumen in
anonymous Middle English poem, circa 1260 AD
loose translation/interpretation by Michael R. Burch

Sing now cuckoo! Sing, cuckoo!
Sing, cuckoo! Sing now cuckoo!

Summer is a-comin'!
Sing loud, cuckoo!
The seed grows,
The meadow blows,
The woods spring up anew.
Sing, cuckoo!

The ewe bleats for her lamb;
The cows contentedly moo;
The bullock roots;
The billy-goat poots …
Sing merrily, cuckoo!

Cuckoo, cuckoo,
You sing so well, cuckoo!
Never stop, until you're through!



The Maiden Lay in the Wilds
circa the 14th century
loose translation/interpretation by Michael R. Burch

The maiden in the moor lay,
in the moor lay;
seven nights full,
seven nights full,
the maiden in the moor lay,
in the moor lay,
seven nights full and a day.

Sweet was her meat.
But what was her meat?
The primrose and the—
The primrose and the—
Sweet was her meat.
But what was her meat?
The primrose and the violet.

Pure was her drink.
But what was her drink?
The cold waters of the—
The cold waters of the—
Pure was her drink.
But what was her drink?
The cold waters of the well-spring.

Bright was her bower.
But what was her bower?
The red rose and the—
The red rose and the—
Bright was her bower.
But what was her bower?
The red rose and the lily flower.



The World an Illusion
circa 14th century
loose translation/interpretation by Michael R. Burch

This is the sum of wisdom bright:
however things may appear,
life vanishes like birds in flight;
now it’s here, now there.
Nor are we mighty in our “might”—
now on the bench, now on the bier.
However vigilant or wise,
in health it’s death we fear.
However proud and without peer,
no man’s immune to tragedy.
And though we think all’s solid here,
this world is but a fantasy.

The sun’s course we may claim to know:
arises east, sets in the west;
we know which way earth’s rivers flow,
into the seas that fill and crest.
The winds rush here and there, also,
it rains and snows without arrest.
Will it all end? God only knows,
with the wisdom of the Blessed,
while we on earth remain hard-pressed,
all bedraggled, or too dry,
until we vanish, just a guest:
this world is but a fantasy.



Trust Only Yourself
circa the 15th century
loose translation/interpretation by Michael R. Burch

Alas! Deceit lies in trust now,
dubious as Fortune, spinning like a ball,
as brittle when tested as a rotten bough.
He who trusts in trust is ripe for a fall!
Such guile in trust cannot be trusted,
or a man will soon find himself busted.
Therefore, “Be wary of trust!” is my advice.
Trust only yourself and learn to be wise.



See, Here, My Heart
circa the 15th century
loose translation/interpretation by Michael R. Burch

O, mankind,
please keep in mind
where Passions start:
there you will find
me wholly kind—
see, here, my heart.



How Death Comes
circa the 13th century
loose translation/interpretation by Michael R. Burch

When my eyes mist
and my ears hiss
and my nose grows cold
as my tongue folds
and my face grows slack
as my lips grow black
and my mouth gapes
as my spit forms lakes
and my hair falls
as my heart stalls
and my hand shake
as my feet quake:
All too late! All too late!
When the bier is at the gate.

Then I shall pass
from bed to floor,
from floor to shroud,
from shroud to bier,
from bier to grave,
the grave closed forever!
Then my house will rest on my nose.
This world’s not worth a farthing, Heaven knows!



Johann Scheffler (1624-1677), also known as Johann Angelus Silesius, was a German Catholic priest and physician, known as a mystic and religious poet. He's a bit later than most of the other poets on this page, but seems to fit in …

Unholy Trinity
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Man has three enemies:
himself, the world, and the devil.
Of these the first is, by far,
the most irresistible evil.

True Wealth
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

There is more to being rich
than merely having;
the wealthiest man can lose
everything not worth saving.

The Rose
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

The rose merely blossoms
and never asks why:
heedless of her beauty,
careless of every eye.

The Rose
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

The rose lack “reasons”
and merely sways with the seasons;
she has no ego
but whoever put on such a show?

Eternal Time
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Eternity is time,
time eternity,
except when we
are determined to "see."

Visions
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Our souls possess two eyes:
one examines time,
the other visions
eternal and sublime.

Godless
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

God is absolute Nothingness
beyond our sense of time and place;
the more we try to grasp Him,
The more He flees from our embrace.

The Source
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Water is pure and clean
when taken at the well-head:
but drink too far from the Source
and you may well end up dead.

Ceaseless Peace
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Unceasingly you seek
life's ceaseless wavelike motion;
I seek perpetual peace, all storms calmed.
Whose is the wiser notion?

Well Written
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Friend, cease!
Abandon all pretense!
You must yourself become
the Writing and the Sense.

Worm Food
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

No worm is buried
so deep within the soil
that God denies it food
as reward for its toil.

Mature Love
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

New love, like a sparkling wine, soon fizzes.
Mature love, calm and serene, abides.

God's Predicament
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

God cannot condemn those with whom he would dwell,
or He would have to join them in hell!

Clods
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

A ruby
is not lovelier
than a dirt clod,
nor an angel
more glorious
than a frog.



The original poem below is based on my teenage misinterpretation of a Latin prayer …

Elegy for a little girl, lost
by Michael R. Burch

… qui laetificat juventutem meam …
She was the joy of my youth,
and now she is gone.
… requiescat in pace …
May she rest in peace.
… amen …
Amen.

I was touched by this Latin prayer, which I discovered in a novel I read as a teenager. I later decided to incorporate it into a poem. From what I now understand, “ad deum qui laetificat juventutem meam” means “to the God who gives joy to my youth,” but I am sticking with my original interpretation: a lament for a little girl at her funeral. The phrase can be traced back to Saint Jerome's translation of Psalm 42 in the Vulgate Latin Bible (circa 385 AD).
nivek Aug 2016
the bleats of scores and hundreds of shorn sheep
all trying to find their friends (they do have friends)
in the melee across the fields after being set free from the shearer.
Its one continuous song, will go on into the night, these few very special days in the year. I will miss it when it stops. Like all the songs of nature.
Unique and familiar. I wonder if they hear my poetry.
Julian Jan 2016
Gruesome blister on a denatured mind
Chimes rumble the anchored soul foggy with Elysian wine
Flippant ruse ignites a battered fuse rusty with malevolent impotence
Blustery portents beyond expired extent throngs the chapels and pickets along the electrified fence
That separates the grave from the gravity of a physics enslaved
A physics where disillusioned mathematics and decay are as sure as taxes and the last earthen day
Nescient of giant leaps our stepwise ascension is helical and cheap
It snails along with unctuous repetition of pendulous rhythm and sails biologically with evolved and animated meat
The advent of acid and bass is a keepsake for the epicurean chase
Of a fulgurant galvanization of phases that remain unfazed
Trends punctuate vain diversions and lionized conversions both raise and raze
The velocity of money ensures a melliferous alchemy of a well-oiled plutocracy buffered by praise and pay
Ivory-tower elegance is immune to demotic ignorance
When the shot-callers devise the rules to the game with impenetrable clandestine eloquence
Hebetude and lassitude sink abundant platitude and offer trite prescriptions for useless attitudes
But the vogue of disembogued vanity entraps individualism and trains martial raillery
Trends tantalized by preening epigamic tens makes the roosters become owls that neglect nest egg hens
Fatuous ambush of the Kardashian putsch is as clockwork as Big Ben
Murky lies appear in flimsy disguise suitable for mice “say cheese” demise
Privacy cries and answers only lurk accessibly when spurred by wise “why’s” never asked when garish time flies
Tweets and beats make us obese with threadbare wheat cultivated by nescient bleats
Beatific ambition obscured by the wail of sheepish sheep
Outnumbered by obtuse angels and a cute horde of meretricious dissolution that ever wrangles
The shelter turns to rubble and the cloister turns to bustle: useful convolution thus entangles
Agorophilia defiles a voiceless lechery on speed dial
Disembodied violence sprints a green mile bankrolled by the peaceful throngs slowed through the paid but dilatory turnstile
Thus we loiter in queue as the slew of vibrant militarized celerity taxes our pews
Pews which enthuse jingoism eager to apportion sentient deaths through religious abuse
We can surf beams of light chasing verisimilitudes of diversion bright
Of unwagered immersion gambling a pittance for vicarious thrills and riskless fright
To discover the vestige of war, a useless artifact of sore egos we now deplore
An enormity of unmoored evil percolating apace of the paradoxical rush hour from shore to shore
But more decisively than an implacable brush fire on pristine ground abetted by sleek star-crossed winds that soar
Irenic ignorance placates, because a vagrant vacant mind is more a felicity than a bellicose grimy crease
Because excess corrodes squinty detests, and partial enslavement is both a rest and arrest to earth’s untenanted lease
Decries the devolution of pop culture that transmogrifies people into sheep and then makes them sheepish over their peccadillos. It also bashes war as a callous mechanism of useless death. It concludes by asserting the paradox that the throngs in real life slow our movement but we can move at light speed through technological implements. It concludes that useful idiots are irenic if also disheartening. In the earlier sections it laments that materialistic monism is taking over because science has made us deterministic and thus blind to the numinous beyond that staggers beyond our comprehension. It addresses how we are silently monopolized by artful esoteric chess masters immune to trifling quibbles, and how distracted society has become with respect to digital plasticity and consumerist disfiguration spurred on by fatuous and meretricious values. It further satirizes the effigy of modern culture deliberately disfigured with grandiloquence to deploy resourceful linguistic invention. I hope you enjoy this piece!

Here is a response I posted on another poetry site with respect to this poem. It explains the emblems, themes, philosophical agenda and metaphors of this poem so that more people can appreciate the level of meticulous care I preen with my craft
“I understand the charge of hyperbole, that was unintentional. It is an epiphenomenon of protean grandiloquence ( multi-pronged connotations suffering entropy through translation) crafted to emblazon lurid imagery and to conceal arcane mystery with an emphasis on cadence. When you use big words it is inevitable that some words chosen connote more strongly than you originally hoped for when writing it initially. Also, it was not designed to be solely a scathing harangue bemoaning the decadence and anomie endemic to this zeitgeist. You should read the final four or five lines (after I lambasted how war makes human life unnecessarily disposable for expedient aims). In those lines I marvel at miracle of technology wizardry and insinuate that in modern times we can wager much less to gain the same thrills we would have risked life and limb for before. Instead of a bottlenecked turnstile of industry that admits one person at a time like when entering an amusement park (the sluggish pace of premodern industry) to fund the clunky and internecine annihilation operated through rapid-fire death ( “Disembodied violence sprinting ‘the green mile’ A.K.A. a prisoner’s last walk before execution). The pace of society is a central theme of the poem throughout. The gravity of a physics enslaved implies the dilatory and dismal apprehension of a universe moving at an infinitesimally slow rate. A helical and cheap evolution mediated by animal meat snails along throughout history only to precipitate the exponential acceleration of human progress witnessed more recently after the advent of language. The rate of speed (the velocity of money line) is the lifeblood of all culture and all entertainment but it has become such a blur that it obscures the inveterate values of a leisurely stroll rather than a hedonistic galloping gallivant. Ironically, the plutocracy depends on gradate—(thus slow enough to lull people into the “say cheese” mousetrap (privacy eradication)—cultural devolution (clockwork like Big Ben to me evokes the imagery of a slowly ticking clock, a fixture and emblem of the proctor of the old world domineering over newfangled world prospects). Pop culture centered in the Anglophonic world depends on a rapid velocity of vagary blustery with money inuring people to fast-paced changes that abide by slow-moving subterfuge( the Kardashian putsch). The word ambush in that sentence implies that the encroachment of hegemons depends on a furtive approach solidified by an alacritous leap at the heartstrings of mankind in a moment of brinkmanship. The mousetrap is the slow roll but steady bet “say cheese demise”. The irony is that the only way this plan could work is because “wise why’s are never asked when garish time flies. This bewilderingly rapid pace is also the mechanism whereby sheltered obtuse angels are desensitized by breakneck cultural celerity that disabuses their naivety thus leading to useful convolution (paradigm shift). But there is also a lament that “meretricious wranglers” could lead to unmoored decadence bewildered by a smug agnostic relativism tethered to nothing more than the culmination of momentary fads reverberating in a plangent delay chamber like a finely crafted sound effect in a musical production program. The poem ends optimistically by concluding war is a vestige and concedes that partial enslavement (PC culture) is irenic precisely because it shepherds pedestrian considerations predictably in order to secure a stalemate. The Earth’s Untenanted Lease is thus arrested by counterbalanced nuclear specters. This leads to a rest and also an arrest of territorial claims. There is so much deliberate and emblematic imagery deployed here, drenched with subconscious enrichment that is unintended. A perfunctory interpretation of this piece misses so many astute cultural commentaries. The poem ends on a relatively positive note. The final several lines announce war as a vestige but concede that peace is built upon a latticework of acquiescent sheep indoctrinated to despise the past rather than learn from it (this goes slightly beyond what is directly stated). This poem in essence is about the ironic dynamics of history at the intersection of our modern cultural identity.
313

I should have been too glad, I see—
Too lifted—for the scant degree
Of Life’s penurious Round—
My little Circuit would have shamed
This new Circumference—have blamed—
The homelier time behind.

I should have been too saved—I see—
Too rescued—Fear too dim to me
That I could spell the Prayer
I knew so perfect—yesterday—
That Scalding One—Sabachthani—
Recited fluent—here—

Earth would have been too much—I see—
And Heaven—not enough for me—
I should have had the Joy
Without the Fear—to justify—
The Palm—without the Calvary—
So Savior—Crucify—
Defeat—whets Victory—they say—
The Reefs—in old Gethsemane—
Endear the Coast—beyond!
’Tis Beggars—Banquets—can define—
’Tis Parching—vitalizes Wine—
“Faith” bleats—to understand!
ioan pearce Feb 2010
****** up paddy's weekly binge,
did nothing for poor mary's twinge.
she quelled her urge with robbie rasta,
who smoked the ****,and **** was faster.

 the ***** guru jumped with fright,
yo husband early home tonight.
don't ye worry, stay in bed,
the fockers ****** right off his head.

 mary, mary, the drunkard bleats,
der is tree people beneath dees sheets,
shot op ye dronk i am no cheat,
get outa bed an count the feet,

 sorry me darlin, der's only four,
staggered to the bathroom door,
where ye goin? what ye thinkin?
to wash me feet, they're fockin stinkin.
Kate Deter Feb 2013
The little lamb totters around on unsteady legs,
Pretending
That its limbs are sure and strong.
It diverts from the flock,
Frolicking and prancing around in the mud.
Oh! What’s this? Grass! Green grass!
Better grass!
It charges forward, fast as its scrawny,
Spindly legs can go.
The lamb’s almost there, when
BLAM!

Silly lamb.
There’s a wall there, you know.
No matter how hard you try,
You won’t get pas—
Oh. You did.

The lamb munches happily on this new grass.
It finishes and looks around.
It bleats in alarm when it sees
How far the flock has gone.
It bleats again, charges forward…
BLUNK!

Stupid lamb.
The wall’s gone and sealed itself.

KUNK!
THWUNK!

It won’t reopen.
Stupid, stupid lamb.
Death-throws Mar 2015
steel is what controls me,
steel emotions wrapped in spikes,
steel skin holding you back
steel eye hiding my vision
but  I'm growing tired of steel
I'm angry at its coldness, the grey flesh and cold heart
the agony of never being warm,
my friends are the same,
we draw our time from the fix,
lets melt ourselves down

I'm braking free
me and my barbed wire birds

I'm done sitting on the fence of angst but not being sure
if I can climb over
I'm done being a nothing following the crowd between rows
of steel and barbed wire
I'm done dancing between laser beams
and nightmare filled dreams
I'm taking my heart in my hands and running ,
Ill treat it like water slipping through my fingers and the only way to survive is by running faster.
so much faster.
Ill not let my heart slip through my fingers as my wings begin to spread me and my pack
of barbed wire birds,
our wings are made of corrugated iron folded to points
and the motion of flying stings my soul
but ill fly
you'll watch me glide
we will dive of the edge our hearts in hands
god
you'll see me fly, broken bleats from broken wings
bound together with the lust for more then to feel steel against my skin
because I'm flying northbound for warmer skies
lets glide past the the equator and through the tropics
I want to feel the heat that would melt a man

we are the hearts
we are the gods
the deity's of my minds
ill build shrines to myself just to scream
WE ARE THE HEARTS
my soul beats free as my barbed wire wings
no longer am i wrapped  in steel
Ill take you with me, swap your heart for mine
scream like banshees
a technicolor passion drives me forwards
we will lay down ourselves to show you
as you sit waltzing through your strip wire fences
Ill turn them to wings ill float so high above you..
Ill scream at the 5 am light and bring up the sun
the world is yours
I am no longer a sheep
guided by lack of sleep
we are a pack
guided by our hearts
by our love
powered by our bleeding
battered
damaged
broken
barbed wire wings

                 *L.G
massive rant...appreciate it if you told me what you thought :)
Lendon Partain Mar 2013
Life got too hard,
and he just gave up
he tipped his ***** bottle
swirled into his cup.

No ice please I hate 34 degrees
hurts my teeth they start to chatter
then I start shaking my knees.

This bars my Christmas
my birthday,
my new years, no ones here
its my bar at my house
I sleep in my sleeping bag full of
beer cotton mouth.

The mice even left.

Without that molecule
I couldn’t snore a wink
the sheep in my dreams are drunk
they stumble fences and pant bleats

They guilt me to sleep
not calm soothe or meek
they taunt me of loss of love
and a family that cant speak

The roaches are gone
they stopped playing cards
I watched them wall glide
and asked them to stay in my floor

Then the roache left too.

It seems cant do much
drunk klutz falling over tables
maybe my liver loves me
maybe that’s stable.

I go shopping for droppings
for things that I need
if I loved myself a bit
maybe I'd do speed.
End it quicker.

The cirrhosis is my friend
he gives me gifts
cramps in the morning
and blood in my ****.

I think if my liver were the garbage man.
He'd bring me good news
but I think liver got mad,
downed the last of the *****.

My liver left too.

Now I'm a maggot bag stinking up the place...No one knows.
Who knows.
Michael R Burch Feb 2020
Sumer is icumen in
anonymous Middle English poem, circa 1260 AD
loose translation/interpretation by Michael R. Burch

Summer is a-comin’!
Sing loud, cuckoo!
The seed grows,
The meadow blows,
The woods spring up anew.
Sing, cuckoo!

The ewe bleats for her lamb;
The cows contentedly moo;
The bullock roots,
The billy-goat poots ...
Sing merrily, cuckoo!

Cuckoo, cuckoo,
You sing so well, cuckoo!
Never stop, until you're through!

Sing now cuckoo! Sing, cuckoo!
Sing, cuckoo! Sing now cuckoo!

***

Keywords/Tags: Middle English, medieval, reading, rota, round, partsong, summer, cuckoo, sing, cuckold, seed, meadow, woods, ewe, lamb, cows, bullock, goat, billy-goat, poot, ****, pass gas, never stop

These notes were taken from the poem's Wikipedia page ...

"Sumer Is Icumen In" (also called the Summer Canon and the Cuckoo Song) is a medieval English round or rota of the mid-13th century. The title translates approximately to "Summer Has Come In" or "Summer Has Arrived". The song is composed in the Wessex dialect of Middle English. Although the composer's identity is unknown today, it may have been W. de Wycombe. The manuscript in which it is preserved was copied between 1261 and 1264. This rota is the oldest known musical composition featuring six-part polyphony. It is sometimes called the Reading Rota because the earliest known copy of the composition, a manuscript written in mensural notation, was found at Reading Abbey; it was probably not drafted there, however (Millett 2004). The British Library now retains this manuscript (Millett 2003a). A rota is a type of round, which in turn is a kind of partsong. To perform the round, one singer begins the song, and a second starts singing the beginning again just as the first got to the point marked with the red cross in the first figure below. The length between the start and the cross corresponds to the modern notion of a bar, and the main verse comprises six phrases spread over twelve such bars. In addition, there are two lines marked "Pes", two bars each, that are meant to be sung together repeatedly underneath the main verse. These instructions are included (in Latin) in the manuscript itself:

"Hanc rota cantare possum quatuor socii. A paucio/ribus autem quam a tribus uel saltem duobus non debet/ dici preter eos qui dicunt pedem. Canitur autem sic. Tacen/tibus ceteris unus inchoat *** hiis qui tenent pedem. Et *** uenerit/ ad primam notam post crucem, inchoat alius, et sic de ceteris./ Singuli de uero repausent ad pausacionis scriptas et/non alibi, spacio unius longe note."

(Four companions can sing this round. But it should not be sung by fewer than three, or at the very least, two in addition to those who sing the pes. This is how it is sung. While all the others are silent, one person begins at the same time as those who sing the ground. And when he comes to the first note after the cross [which marks the end of the first two bars], another singer is to begin, and thus for the others. Each shall observe the written rests for the space of one long note [triplet], but not elsewhere.)

The lyric may have been composed by W. de Wycombe, also identified as W de Wyc, Willelmus de Winchecumbe, Willelmo de Winchecumbe or William of Winchcomb. He appears to have been a secular scribe and precentor employed for about four years at the priory of Leominster in Herefordshire during the 1270s. He is also thought to have been a sub-deacon of the cathedral priory as listed in the Worcester Annals or possibly a monk at St Andrew's in Worcester. But it is not know if he composed the song, or merely preserved it by copying it.
Terry O'Leary Dec 2013
THE POET’S PANEGYRIC

“There’s someone I knew with talent unleashed
and a heart that had for so many relentlessly reached
This poet sought inspiration from the living and the dead
But I can tell you this about the poet who has moved me by what this poet had ever said
I read the words from a comfort zone
which this poet created, surrounded by friends or by foes or simply alone”

His essence of soul sweeps down deserted dead streets
where the thunder still crackles, the burial bell bleats
He laughed at himself as a Royal Rhymester Clown
but bore the black pains of those all around,
He echoed regrets but never a grudge
... of this I’ll say little... let his lines be the judge

THE POET’S PEN

Blind shots cry out beneath the night,
a car is cruising by.
A stripling’s blood streams words to write
... Wry rhymes to ask us why

A silly girl with child, *****...
to many, but a ****.
The baby at her breast is dead
... Cruel couplets meant to cut

A drifter, broken, cast aside,
lies lifeless in the cold.
Tap tattoos on a tattered hide
... Some scarlet stanzas scold

Two lovers clutch a turtledove,
enraptured by her coo,
impaled on pangs of Ladylove
... A sultry song for two

A drone of drums in distant wars
beguiling bold dragoons
who sell their souls like wanton ******
... Raw rhythms writ in runes

The stars ablaze, like tiger-eyes
reflecting candlelight,
’lume angels singing Lullabies
... A sonnet stuns the night

The soulless eyes of shackled slaves
drip tears that burn and blur.
Their ash, like dust, set free in graves
... Emblazing ballads stir

A hurricane, foretold, unfurled,
unravels mystic signs
as Demons dance, destroy the World
... Limned lurid lyric lines

Some die a death neath hangmen’s hands
where tainted justice reigns
for ‘thou shalt ****’, Revenge commands
... A quiet quatrain pains

While well-to-dos amass and flaunt
And follow fashion’s trends,
pale children starve and die of want
... And so an epic ends

THE POET’S EPITAPH**

His words lie strewn along the sand
While breakers wash ashore
The ripples weave designs unplanned
... a verse forevermore

His tales, entwined in cryptic airs
where freedom seeds are blown,
warn Guarders of the Realm ‘beware’
... his heresy is sown

His life outlined a chronicle
along a lonesome road
It started out as doggerel
... and ended as an ode
The italicised text was written by Jeffrey C
M May 2023
the quick brown fox
jumped over the lazy dog
and spun a fancy tale
about the history of clichés

it beat a valiant bush
before burning a broken bridge
and kicking its own bucket
under six feet of foliage

now its dead like that horse it beat--
from counting chicks and party tricks
to counting sheep and hourly bleats
the fox is dead but oh was it quick!
ah yes
esoteric word paint of a pangram
Out of the loop de loop into the swirl of hoopla hoop
Transfer into the oasis of illusion, awaiting the water boat
Fall over the bolder dropped from your shoulder
Rolling and gathering moss, scraping off the parasites
Bowling the ball down the aisle into the skittle alley
Knocking down those fellows who denounce you
Don't hear you, read through your eyes to the back of
Your head and beyond, into their own ace of space
Rolling around the ground belly aching their sound
Machine, mean warriors of gloom, for soon they'll fall
Short of time to relish their pleasure boat, punting along
Paddling their pedalo into the grey below, capsizing
Forlorn arms stretching out to capture, only trickery
Bickering, as you fall through the gaps and rake your ratted
Soul with grit between teeth, spit, of solemn men who
Give out black track thoughts for you to devour.....
Finality bleats, gongs the looming song....the hour, fatal shower
barnoahMike Mar 2012
Are things really as they seem to be ? ......He was trying to explain his vision to a friend,  who was listening with a   Bent ear,  that kept some of the Truth from entering into the ear canal and properly vibrating the ear drum.     Thereby,  making for a somewhat distorted message ..    And the "Stirring-Vision" was explained and detailed as follows:     "There was this dog I had,   that instead of Barking ,  it meowed and wanted out in the Middle of the Night.    And,there was this Cat I had,   that instead of meowing,  it Barked and it wanted to jump up on people and wag it's tail.        There was this horse I had, that instead of wanting to come into the Barn at night,  it preferred to lay in the Mud-Wallow.    And,  there was this Hog I had,  that instead of Oinking and wanting slop for food,  would try to jump the fence to get to the Salt-Lick..    There was this Rooster I had,  that instead of crowing in the early morning,  it let out Bleats and desired to chew on cans.   And,  there was this goat I had,  that instead of wanting to climb  everything,  spent most of its day in the Hen house , as if it were an egg inspector.     There was this Parrot I had,   that instead of repeating words that were taught to him,  simply called out .."Please Milk Me".   And ,  there was this cow I had,   that instead of  wanting to have a peaceful day of chewing it's Cud,  spent almost all the waking hours,  Repeating every word it had ever heard.    Then,  I saw this snake , crawling away into the tall grass,  trying to get away before it was discovered.    Yes,  there's something about snakes,  just always trying to change things.   Slithering away,  as blame on changes, goes to another as he claims his credits  !
COPYRIGHT  @ 2012       by barnoahMike         Mike Ham
R Moon Winkelman May 2010
My words have been stolen
as I put my heart upon the shelf
quivering in it's sudden new position
cold and vulnerable
outside of it's bone prison
which gave airs of security, protection
what a mistake, that.
The daggers ****** between
proving the weak points of the
flesh to be real
and not phantoms.
After a long talk
we both decided it would
be safer on the altar.
It seems my argument
made sense
since my heart agreed
wholly and without reservation.
In the night we have long
conversations
my heart and I
calling to me from it's new
residence
asking when it can come home again
weary of the cold
and trembling when a stranger
walks too closely by
I reassure - even when they peer
closely at the jumble around you
you remain invisible
my voodoo is that strong
It agrees with a wet, thumping sigh
wistful and nostalgic
for the incessant whispering
of the Siamese twins
named, unoriginally, the Lungs.
It wonders what treasures
the gurgling idiot stomach
is dissolving today without judgment
(unless, of course, the stomach is throwing a tantrum
and decides to toss everything back out.)
I understand
these are the musings of an *****
misplaced
who misses home and forgets
the pain which drove it away.
If only my brain would forget
that old library
huge and dusty as a mausoleum
never throws anything out
just shelves it and adds it's placement
in the card catalogue
(If only it would upgrade - cross-referencing and rediscovery
would be easier.)
However, the librarian holds grudges
when the heart has been
played with too roughly
and keeps the pain files on her desk
constantly rifled through and
shuffled, reshuffled, shuffled again
"One day I'll have enough to write a book"
she mumbles over the complaints
of my heart as it bleats and moans
about it's new home
She doesn't hear it - it's too far away
from the Central Nervous System
for the message to be transmitted
in the proper form.
When she remembers
that ole librarian of my brain
where the heart has gone
she stops to listen
and in anger over it's pathetic pleas
she cries
"We have not learned
So you cannot return
If I did as you request
We would take back up the quest
And we all know...
He -
He -
He... "
She breaks down in literary sobs
reminding the heart of
the nature of it's exile
and why
it's truly
for
the best.
RMRW 2007
Julian Feb 2017
In the cavernous expanse gilded out of silicon robes of Greece flattened into the diminutive spaces between crags and rock, the swimmers of the natatorium embrace to plunge in transparency where they erred in covert chivalry
Knighted partially by association but yet unofficially born of sentiments rebarbative to the well-heeled, I linger like tar heels lamenting that the supernova eventually bequeaths the death of the ultimate chapel hill a shining city on a valley masquerading as a hill
From past and repast, the nurture of former presidents calumniates if also embraces the possibility of unfettered liberty and prosperous futurity, they simper in silent lugubrious reflection at lives shortened by liberty prolonged, of hearts opened but death devolved
Latitude and the caress of brazen attitudes corners the ***** in a tightened alcove of a restrictive forest of livid and limpid dastardly deeds, the arm of hunched idiots grazing with dumbfound idiocy at their own protective duty to shepherd the forest only for the singular trees as though disease itself is only a tease in a flirtation too exposed to believe
I joust with giants in a town that brooks lions and lyon estates with too many GrayZe superintending too many fain and valiant graves littering the stream besides the Pennsylvania forest in a past sunken in intrigue slipping in and out of an ethereal time invented by a harvest moon too attuned to be a lunatic any time soon
Whither is the outcome of a Shakespearean demise of prattle becoming the pasture of specious but solid skies, gleaming that a science fiction theater isn’t hailing a fuhrer or jingoistic furor any time soon hopefully I do too croon.
Militant tapestries of unhinged madmen craven in their disregard for every bent temptation, we witness the downfall of scrounged indecency and lonely hearted thieves contemned as they condemn perdition upon an unsuspecting victim
The victim is the hope of galvanized promise, a regal flutter of liberty tracing the skies elaborately for the flight plan most likely volitant and most destined to succeed
Corporate heads shake hands with desperate beds that Damocles himself wishes blood himself was yet shed or never shed but cutthroat collapse is avoidable with the recrudescence of provident relapse and rejoinder, asunder the ships may seem but now aimed so directly like a laser pointer
Titanic is a father to founding fathers only in the regress of avoidant times, sheepish of the whispered grime of inutterable blithe sublime time, limpid in partial acknowledgment of a wretched fate as avoidable as possible with the proper introduction and the right heeded date of a love better than choice wine and the wineskins of an indian province live as well just as much in a Skinnerian time.
Read the palimpsest, pittance proferred for every skeptical and undeclared bet that skewers the coffers of a criminal ring of Barnum Brothers in bed with burned asylum, a sanitarium wider and menacing like the most minatory lion
But the jaws of these aliens in time, whether specious or not thrill only those susceptible to the flattery of swank and the travesty to which we thank our deliverance and suspected exoneration
Flanking the outstripped malls that sprawl in the orbit of cities engorged like a skyscraping promise littered by Walled Ease and regaled bleats that belay down the cliffs of rigid insurrection only partially courageous to noble and partial inflections.

The courage of a wistful day slipping into the fathomless depths of dudgeon and pain the dungeons clamoring of insanity willfully reign, we clip the newspapers to the walls and scrawl our loves into the fallen scrawl.

Crimson red beneath the spangled spars, the author of debauchery immemorial that swills and wassails its own heartrending blues. And this movie squandered in limelight but buttressed by blithe regards for morally debased frights. Sting me the police and see the wasps nest infest your hollow diatribe to the extent you are hobbled in the depths, ennobled aboveground but nevertheless widely pitied.
The mathematics of love and loss, cravings for distrusted sacraments on a blue bus swiveling though the recesses of aleatory or controlled time. But then I lament that fully loved and fully lived is a fluff of sacerdotal emulation rather than the true authorship of heaven blanketing the earth.
Polished polity renegades and the rumpus of crumbled heaped ashes in a cremated time, where sand itself is eternal and sentience is somehow the door to nothing but despair, in their blinkered hubris that scales the lizards back in order to be lifted by olfactory graft.
In that light I see a bright whisked wind carrying the secrecy of portentous spared revelations and the spate of intermittent lightheardedness blows away my skepticism, but sides have been chosen and the bluster of the past emulating the culmination of an amenable future scares the birds from their chavish
Chiliads chill like excellency dissembled as the husk of an eternal monument of punctuated emphatic glory lingering above the ground with intransigent resistance to gravity and an slaver of better sincerity in the attempt to become beyond guileless tourists.
Dressed rankled blue swayed news, always operative in militant conformity to an eradicated sentience but simulatenously a wider sing song enlightenment. I struggle for words in this debased state of pitiable futures plastered all over every billboard that ever matters rather than the closure of closed doors trampled by intermittent dreams and seamless cows becoming the heifers of unified peace.
Smaller that the ants the infest the hills but more glorified than the quiet pristine ponds that outskirt the skirts that need less descent and more ascendancy.

Blitzkreig of cosmic wars swelters the torrid desiccation of a languor existing in human platitude but defiled of human gratitude. We swiftly wait for the erosion of sanity to become the author of a novella of craven deeds and bolted brimstone, serenading a rush towards sensation and an abandonment of rivers libation
Beneath which rivers flow, scrounged glowers endemic to a ruddy blush of sun-stricken grace, I clasp every remedy and every catholicon becomes more ecumenical and more rabid with stricken gaze of disordered streets in festivity but inured of nothing but lazy passions rather than sought rations
Dickens and hard hammers scribble the parched concrete with Chinese depths masqueraded as a suburban muse for canned applause and raucous crews relishing everything crude.
In the refinement the poet slings his garment over his shoulders and buys coffee for his ***** queen, and how to outfox such gallantry and how to temper so much enthusiasm. Only by the skullduggery of dead hands anointed with Greenwich bands.
Izshe Jan 2013
The sacrificial lamb
On the altar of your manhood
Bleats not for mercy
Calmly places
Precious head on stone
Cold and yet familiar.

Descent of hefty glistening blade
Splatters blood-stained
Doubts and fears,
Drenching peasants' shirts,  
Generations
Of patriarchal reasoning.

Slightest quiver
In resolve,
(The lady's
Last refute,)
Gives pause,
A slight reflection.
But no,
The Jester
Gains his poise.
With thick dark fingers
Fate explodes,
Lest uncertainty reign the day.

Indeed,
The quintessential
Manly gesture
Castrates
The righteous perpretrator
As if the deed
Was done to Self.
Edmond Rohrer Jan 2014
loitering in German is repulsive
always inebriated, even –
understand?

repetition and throat plug
pronouns (she gags on “du”
bleats “mein”)
exotic?  nah.  adored?

well

they tell me “das Gift” peals a
heavy cognate; it also
answers to “poison”

but Gifts in King’s
is “toxic” not
sorry
are – not – toxic

so flash me that
yellowbird
lather, anchor in strand

these quicksilver
nothings, murmured
honeydew venom


overheard myself last night
calling du but your scent
killed by mein pulse
almost fooled me, nearly

sounded like
the antidote
and other delicious gifts
you’ve given me
nivek Sep 2014
Nothing is the same while I spin this yarn
keep it on the spindle, turning with my feet
pumping wooden peddles hewn from some poor tree
while some poor sheep feels the cold of man
shearing its fleece. and next the plump lamb
ripped from the field is anointed with mint
hearty laughter , full bellied, rounded meal
while the mother bleats and bleats in her shorn
fleece, fleeced of her lamb, fleeced of her hope
Sean Critchfield Sep 2011
I am rain streaked windows that cake with dirt, showing time veins from beneath itself, in rivulets on it's surface.

I am screaming. I am screaming. I have no voice louder than the ones in my head.

I am a stutter step tap dance down long streets that I would like to walk again because I think, but don’t know for sure, that they will lead me home.

I am dancing. I am dancing. I keep time to the rain, like millions of heartbeats on the tin roof, ticking away the days until I hang in the air.

And then we find the little cracks that let light through the dark parts of who we are and we press our mouths to them and drink the light like air. We are drowned sailors who believed what the sirens promised. We believed we could drink enough light in, to make us holy.

She is keyholes to peek through at the woman *******. My sight is the skeleton key that will open new worlds when I see that she can be more beautiful when she is uncovered. And more beautiful for not being afraid to be uncovered, because she doesn’t know I am watching. But I am. And she is more beautiful for not knowing.

And her face is a tear streaked looking glass, with make up showing the time lines from beneath the lies on it’s surface.

She is crying. She is crying. I have no way to calm her anymore.

Then is the promise of midnight love making and forever kisses that burn onto your soul and will never go away. And some will cover themselves like a tattooed man on a carnival pier, right between the fire eater and the fortune teller. There will not be room left for true kisses soon and no way to make room for them.

He is coloring book scribbles that stray from the lines with bad choices and noble intentions, autographed on it’s surface.

He is lonely. He is lonely. I have no way to teach him to trust.

Then the white sheets. Bleached and boiled in copper pots. Starched and straight and folded. She is the pillow case at the bottom of a constantly growing pile of untouched linens. And save for the closets occasional open and close, there is no light.

The pile dwindles, top down, but those at the bottom will never make it on to the bed, it seems. Just locked away in the linen closet. White and pure. And unseen. But the bottom side is darkened and settled in dust. And afraid.

And she is thread barren, white cotton that wishes to be held to the sun and seen through for all of it’s darkest stains.

She is trapped. She is trapped. And I lay my head on sheet less mattresses unable to make her my own.

I thought you should know. I thought you should know.

I am a magnet for surrendered breath and wasted youth. I am open arms that wrap you in and hold you as fanciful clothes to shield my nakedness. I am whispers of comfort that nuzzle your fears that are really just harpsichord bleats to silence my own.

I thought you should know that I am lying. I am lying.
But never about my intentions.
Just about what they become.
Perig3e Dec 2010
Let us go ewe and I
When with bleating out against the sky
Like patent leather renowned in fable,
Let us go, though uncertain quartered feats,
The mutton retreats
Of restless nights in fun house hotels
And raw dust l'enfant motels:
Bleats that bellow like hideous ungulates
In unheated tents
To bleed you to an ouvre question ...
Oh, go ahead and ask, " Feel my ***?"
Let us go us two misfits.
...

*Apologies to T.S. Elliot
All rights reserved by the author
Daniello Mar 2012
I don’t recognize you, but you’ve returned, oh it
must be you. No one else comes here but you.

Do you remember this music?

Kaleidoscopically gemmed it repeats, perhaps too
delicately—a quiet, tinkling knell, fishtailing through the
glimmering rain—mauve—soft-soaping the soil to darker clumps
beneath—soppy—slowly sinking so pretty, yet
terrifying now you’ve stepped into and through each
silted deepness, holding time.

This music begs you still—it has not stopped begging since—
to step further inside the wet loam (You clutch time now.)
To press down on it, in it, and listen tender the key you touched in
life between moments. It’s the reason you’ve returned.

You won’t, it’s not music, this feels like a baby’s head you’re on, you
cringe. About to cry.

Again, I’m sorry, but you have to—you have to feel it
scarily give a little. Feel it sink, infolding inside-out through its
thin pleura overflowing, always overflowing with the visceral
sap of everything on it—(I mean really everything.)—this
glistening ick, this frog-soil—moist, sickly cloying, susceptible
almost to light. And breathing.

It’s about to give out under your feet.

And kaleidoscopically gemmed it repeats, can you hear it?

Yes, you could be stepping on all their naked lungs, but there’s
nothing to fear, it’s an eternal field of their lungs—pink and gasping—
and that’s all there is here.  

Feel with your foot, like me. Is it alive? Or is it life? Listen, it
bleats a note. Why so sweet if, by touching it, we’ve made it drip
first truth from its tongue, look!—the blood of its eyes’ red
rivulets. Of its heart. The slightest breach it was. Barely an
opening

I’m sorry. I don’t mean to force you. If I was only me, I’d
leave it be, so it could spare us the look at the inner red that yokes
flesh to spirit. But you arrived here, and—listen, now it’s been
done, do not close your eyes.

You didn’t want to see this, I know—the sticky gum or muck that
licks over the fibrous bridges. Keeps them glued down and
invisible in the other world. It is all much better when the mucilage
does not ooze out. When the form is skin-tight, because that’s how
it works best. Without you probing its pores.

But now do you see, probing its pores, what you may find?
Look. Now do you see why the music has begged you?

What rests underneath there—what you may find in that dark
indigo clay which the shamans dug and pressed over their
blackened eyes in the night-trances—glows transparent somehow.
In pulses. Like Aurelia, the silver moon jelly.

Now it is just within your reach.

Light would pour to the other side, and their mouths would stiffen
with several infinite unintelligible syllables remaining stuck there
under their tongues. As it poured, they felt their blood replaced
in a surge with veinless essence, which sustained in its flow
through them something of precarious beauty—ascending, swirling
itself in air, then back into again, again returning to the home of homes
within them.  

The silver-moon-jelly-clay is continuously poised on the tip
(of not being clay).
About to break into splendor, into finally birth-giving of real breath.
Of meaning to breath, and to breathing.

This is what feeds, unknowing to them in that world, their field of lungs.
But you will know instantly when you feel it, that by feeling
(in feeling)
you have really always known.

Did you reach for it? Did you feel it in that second? You did not, I see
(you were so close!)
for now we’ve passed the origin symmetry and are sinking up! Going
deeply back up through the sticky goop with red glue in our hair,
through the moist-frog-ick-soil, choking dirt again, squishing loam
with our heads, shooting upward like falling, hearing lungs, and now
out, atop the surface again, in this bare garden that grows only under.

The skies above, still mauve, and the rain lips quietly the same
melody which, kaleidoscopically gemmed, repeats. It was all as quick as
nothing.

And, as I look at you, I see you’ve already forgotten
everything.

And now you’re leaving me! Fading back through the spectral
break in the clouds, whoever you were. Whoever it is you became.

I did honestly believe this was to be that one moment when, together,
we’d finally get to touch it. Press it like real sun to our blackened
eyes. I cannot tell you, it has felt like the one each time.

But I know to wait. I can wait. In this world I keep fluttering hope
in my hand. And you, whoever you’ll be, will return here.
You always do.
Do you ever remember why?
It’s because, when you leave through the clouds to go back to
that world, you are still. Always.
Clutching time.
Julian Mar 2019
Flippant polymaths exude the frippery of travail for lapsed inordinate surgical gains in temporal but temporary acclaim that owes its provenance to the gullarge accentuated by the guttural tempests of silent windfalls that wrestle with sharks and snarky cagamosis with pilfered fame without rulers for rules that own the profligacy of a cineaste game

We cannot surpass our talents with ease when the treecheese of inevitable distance between equipoise and insanity is a tantamount inanity of prolixity for the sake of freedom rather than servitude to the slow meandered steps of trudged verbigeration that needs to be exorcised from the seat of authority for the plodding inconvenience of time earned that shakes the listless yearning people who lie and spurn

Demagogues are trifles because they are anoegenetic and care not for the abligurition that consumes the energy of a dismal life lived on fringes rather than reaped with grimaces for binges that continue to absorb the painful pangs of twinges that hedonists are of interest

We cannot exorcise the demons that give stygian weight to exchequers beyond the gamut of money but rather the currency of velocity of thought that owes its weight to weightlessness of spaces between the spacious and the limited tract of isolative territory that many mendicants looking for sustenance travail in insolence and in perjury of their solemn duties for self-serious honesty they lack a vista to see their crimes as more than just a pettifoggery of disputatious wranglers that wrench and then contemn the objects of their moral scruples to contend with nothing but the vacant expanse of a limitless injury for a momentary slip of cultivation and countenance

Frippery is hard to cobble with lapidary wit because succinct grievances are fallow ground for the permanence of atrocity and the temperance of felicity to conform to the desiccated pathways of limpid but livid excoriations of willful ingenuity met with aleatory rambles that sprawl incalescence with words as a dying occupation that is resurrected from the abeyance of its pragmatic utility to distinguish class from crust.

The triadic fatuousness of snarky sharks recruiting the gullarge of paranoiacs to deputized alacrity lead many strident vocations astray as they pilfer the nullibiety of spectral ignorance and defy the gravitas of the primiparas of a swollen technocracy, an outrage that scarecrows with prevenance have adumbrated against with strident accelerations of sublime velocity

So we swim in perilous straits against the demiurge of inclemency in fated rittles for the turpitude of wraiths and engineer every aborning day a new foofaraw of unalloyed atrocity
Now more than never should be deployed to ensure that the castigation of scoundrels and guttersnipes that exert a rip tide to those stranded on the shores of littoral desiccation might find the pristine beachgoing public an amenable treat proffered by exorcised sheepishness in reiterative bleats that quarkswarm only the antinomy of sentient masteries by shoveled civilizations proctor to horological insistence in design

So we designated an abeyance of heydays to create a rippled nostalgia that creeps in the winter storms that singe even glabrous ignorance with the twinges in absentia of the regal crows that circle the sun as the sustenance of the alighted moon as we reach for the heaved Richter teeming with ablution for venial commination of prolix croons that exert a Palo Alto rhyme

Phenomenological fields distal to the cephalocaudal origination of limber and the ironic counterpoint to that strife in excess rather than dearth of the henchmen behind the exchequer showcase that fluid thoughts surpass the limits of the dentistry of cosmetic cosmology simultaneously a scientific boon but a coarse albatross

We are criminals in a world stranded by ****** apostasy because of the sincerity of minstrels meets plodding human ignorance as exemplars rather than the apotheosis of divine excoriation of wastrels and flattybouches who webdoodle their way into the extinction line in some computer file swiped from eccedentesiasts who often in uncouth barbarity forgetfully abide without the temperance of floss

So what are we to make of magisterial wits of wiseacres who pilot tenable objectives like Indiana Jones flexing his comical whip when the gunfire of cacophony inundates our ears with a lisp of cockalorum imposture rich in chewing tobacco and its ungainly gripes and tenacious grip

Should we seek salvation from the treecheese of arboreous terrain amenable to the newfangled windfall of agricultural whims that dare now with caprice but not quixotic disdain to reconfigure the parsimonious levered engagement of melliferous fungible transaction between sabbaticals and chief financiers dubbing the vociferous limn of the primeval fulgurant incandescent ethereal quips?

We strive for palaces issued with dimes, dozens and scores of retinues that retain the patina of sophistry as the gullarge makes the vangermytes cozy in their defensively mechanized citadel buffered against the unheralded malversations of mammon intersecting with primordial chemistry that give the philanderer a guise of philanthropy despite professed gainsay that perjures because hucksters are winsome with fiduciary risk

So we calumniate with lapsed puns and Potter’s Spells as we dredge the indemnity of bustling heydays that extend beyond the bailiwick stated because of the prolonged trace of nostalgia that frazzles our voluntary expeditions with misanthropy as each libertine instinct becomes subject to stop and frisk

How to balk at such a garrulous repartee as proffered by swanky intransigence that shakes it off in a quaky town that hates the Swift refrain that endangers the fatalism of recuperated foresight borrowed from the armamentarium of corrupted killjoys who swim in a dalliance with the itchy myths that drift from powerlessness to voguish debauchery of insouciant internecine fringes frayed by the tomes that decry Stygian drift

Shiftless and rooted in rintinole absolved by plackiques that enchant the voyeurism of repined squalor of industrious frippery deracinated from the aureate complicity of largesse calibrated to mobilize the skittish mercurial yuppies to a dance with divestiture, taxes and an earthen death, we sprint the evergreen mile toward the scrupulous invention of enthusiastic euphemisms arbitrated by the procrustean silt of the leaky faucet of enigmatic timelessness etched by chiselers to beat “Us and Them” and warn the vanguard of the front rank about the thespian rift

Exhaustive rescue squads prepared for the dearth of monetary heft in times of perilous drought denigrate the authors of famine to the indulgent parents of inordinate sabotage of narrative for riskless arbitrage that is the outrage of sciamachies between platonic indifference and the tantrums of the feckless in the dangerous hearth of the cavernous wilderness of limitless imaginations that stagger so far beyond orbit they become satellites to vagrancy and whittled paragons too distant to dissolve in the ethereal chemistry of incalescent uproar sadly flanged by the Dopplers of ephemeral fate

Squandered by the desuetude of a snarky intervention I issue invective at the proctors of deafferented limbs for barbarous swine meeting expediency in demise, bemoaning the placid distaste of rectified cries that issue candles for each acrimony beyond the permutation of the staid inflexible limit of 88’

Bashfully we careen through argosies of curiosity to fossick the stalactites of timeworn intuition and reckon with their converse ironies that drip faucets of mildew that remain hidden unless poked by plucky flashlights to inspect the paragon of erosive filigrees of a bewildering paradox of polarized design that one meets the ceiling at inception and the cousin strives to clamber empty space to know with faint certainty the bulldozed irony of superordinate coexistence

Now we return to the majesty of a spurned wiseacre that evades the snappy parlance of a wrenched friction between the physical and the metaphysical elements that constitute a commensurate reality so supernal that its ostentation creates lifetimes of reiterative growth that spawns crimson red and bloviated blues to find a fulcrum of balance between the malversation on one hand of criminal sinister machinations and on the other hand the execrable self-righteous ignorance of a hidden vehicles of dexterity that are subsumed by a subtlety of legislative graft that owes its forbearance to the sanctimony of perseveration without the laurels of persistence

Now we wed the concepts between the ambidexterity of a monolithic titan who wanes rather than waxes himself because his glabrous head already exposed requires nothing new because the empire that struck back is denuded by the thorny imbroglio of a sunken Rose

Timmynoggies are perfect for haberdasheries of saccharine and glib excellence as measured by the ****** cacophony of unmerited applause that strains the resourcefulness of the silent mastery of magistrates in mellifluous alcoves surrounded by the soundproofed rigors of an execrable dereliction wilt into the imaginations of the few that watch movies with errantry rather than pleasantries of gaudy nonsense enchanted by a striptease of the wanton zeitgeist that some balk at but everyone knows

Time earns the spangled banners of sloganeering because of the fastidious creations of pole folders that maneuver between quips borrowed from antique movies and swindled affectations of yearning of many of all fears inevitable with the malevolent passage of the technocracy from cheers to vehement inveighed jeers

We should fear the watershed because it necessitates the evaporation of winsome ambition and implores the subservience of a guiltless fascination with abominable regress concomitant to the acceleration of money preceding a whipsawed downfall ensured by the funereal spates of requiems to oneironauts who plunged to their deaths on headlong flickering whims past the craggy landscape of lunar concordance and through the abeyance of qualms to flabbergasted self-importance in the eradication of provident fears

Memorials exist encoded in the temporal twinges of agony that straddle the cardiovascular throbs of impermanence that sweat with each simple beat to blather about the repetitious nature of a livid nature scrambled in exodus of the emigration of senseless blather to the subroutines of regimented sleepless paragons of travail in every pedestrian feat accelerated with each passing foot traversed by vigilant and eager feet

Tempests crowd the cluttered hamartithia of dredged incompetence leading to the foreclosure that precedes the simple derelictions that amount to grievous uncertainties that squawk in the plumage of the frippery decay of an autumnal fall from gracile riches landlocked without room to sprawl rigged against every track that is a surefire gleeful keepsake to meet, greet and serenade the claques adorned with the monikers of the Greeks

Trembling beneath the weight of mellifluous sauntering dingy designs that exude the anguish of our provident but incidental remonstration against the plodding indifference of the artistic clerisy we sputter against intransigent annulments of the emotive human engine calibrated with creaky pistons that rumble with furor of abrasive protest in timely haphazard elemental designs for vanguard ears

Tridents shed the fossicked leaves that are divisible by two but not inevitably glue that solders the identities of people congregated around a situation of gleeful sprees rather than wistful regress into a temerity without regret that gets dangled in the purview of the spiteful wings of armies that drawl when they sing vapid songs for vaped bongs but not the soberly cheers because of the deafening din of conformity oblivious of the honorific crescendos that still peak after so many restless years

Confederates line the avenues of bustling caverns of cumulative human disdain so willfully flouted by the wrenched corrosive frictions of vibrant deformation of the cultural narrative that encapsulates the collective bubbles chewed and jettisoned like bandied candy and then defamed without justice because  hurricanes churn up the reclusive emergence of protective vanity chased down as a sunken cost for a siphoned glory of tribal pride despite the strictures of logic

Creeping with insistence is a subaudition of governing gravel that entombs many steadfast lies that embodied people living delusory lives under a paradigm that has been subverted by the feats of science into a morass of irrelevance and the chances are many of those so deluded still breathe the air now more polluted but balk at the memories of the fallen passengers on the convalescent train that accelerates sunblind but respectfully toward a systematic engrossment of swollen intellects whimpering about the tautologic

We finance our prescient rodomontade with rodeos equipped with zany clowns who spurn the tridents of Poseidon because of the iridescent gloss of sheepish and flippant zealots who churn against the wrestling match of televised irony with accentuated eccedentesiastic disdain amended by a tolerable diversion of ennobled gallantry zip-zagging among the many valid quodlibets and missing the mark entirely on purpose to vacate the possible raillery of those who balk at time’s chosen serpentine tracks because of limited pedagogical tracts

So lets solder a forceful brunt against the senseless regalia of modern omphalos and return to the plenipotentiary fields of resourceful human inquiry into the chagrins outmoded by convenience but amplified in vociferation by the prosthetic extension of a grangull humanity outfoxing itself into a zugzwang inevitable in the future with collateral losses because of senseless invidiousness orchestrated by the immiscible dermatology of divisive facts often about race and ineluctable tax

We conclude with the optimism that refineries become gentrified by the superlunary squadrons who bask in beatific beams of anonymity and that the pollution preceding our evolution is just adventitious rather than central to the amelioration of wavy screens ennobling so many upstarts to teach themselves the majesty of lucid dreams and to capitalize on ludic ideals divorced from the urchins of radical idealisms that ironically poach rarefied air with smug pollution of narrative scares

Without trepidation we can muster the largesse of civility to create a progeny that has a recursive progeny of heirs that defiantly imagine a world bereft of specters of the soporific imagination enforced by the lapidation of insight from termagants who stride with ursine acrimony naked bare and envision a global meliorism that is careful, picaresque, pragmatic and filled with meritocratic care

With those ornaments of an aureate measure in mind


We leap beyond the enumerated infinity in time's proper design
Lawrence Hall Jan 2017
Socially Engaged Poetry

As an effective tool for advocacy
Creating partnerships and sharing skills
A voice to the voiceless, Split this Cliché
Empowerment to the empowermentless
Through bleats of provocation and witness
Copyrighted and stereotyped
In a World That is Forever 1968
Exploring and celebrating the many ways
We can score yet another guilt-grant
Asserting the centrality of the 501C3
Through bearing witness to diversity
As long as it behaves itself and thinks like us
Accessible and yet authentic
A n d l i k e d o s t u f f w i t h s p a c e l i k e u no

cause       spaces

                                 are authentic, and,
   like  


                 stuff
Poetry as a living, breathing art form
If you listen, you can hear its respirations
Gasping in the long, dark night of group-think
Obedient to a mission statement
And the careful construction of resumes
Committee integrate complexity
Formula dampens the authentic voice
Perform this vital work imagining
Personal and social responsibility
Revolutionary transformation
Write and perform this vital work support
Of human social justice experience
Grounded in holistic spirituality
Flouting the patriarchal something-ness
An act that requires community
If you love freedom, you dare not disobey
And let all the people say “Cogent!”

— The End —