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 May 2014 Lea Anne Mousso
madison
you said 'i love you'
i said it, too.

the only difference
is that i didn't lie to you.
I think I love too easily.

I find it so simple to pick out the best traits in somebody.
I like to know what makes people tick and what makes their pupils dilate. I can fall in love with the way they talk about
their favorite shades of color
and the way they pick out groceries.


I am interested in the way people take their coffee
and if they prefer tea better.
and why
herbal
caffeinated

I find myself loving people for their laughter
and the crinkles beneath their eyes when they smile.
And I think it’s so cute whenever they suppress their grins
when they think of something funny or memorable.
I love the way people talk about life
and what’s on their mind;
it’s nice to know that there is more
more to discuss than the sounds on mattresses
and the type of plant they inhale.
You are beautiful.
I love the way people spill their hearts out when they’re happy
or when they’re sad.

Sometimes, when they don’t let me love them,
it makes me want to love them even more.

And even when they don’t love me back, I still continue to love.
 May 2014 Lea Anne Mousso
nivek
see
 May 2014 Lea Anne Mousso
nivek
see
its good to see nothing and see everything all at once
Hey there little girl won't you come inside?
We're the permanent civilians of heartbreak, hate, revenge, and everything a person doesn't want to be.
We'll pretend to give you support but never trust us since we can ruin your life faster than you can taste the poison you've poured in your glass so you can feel something again.
But it's okay because after we ******* up, we'll permanently keep you with us.
Hey there little girl come inside and don't be afraid.
 May 2014 Lea Anne Mousso
Zoe Sue
Unrequited love is a funny thing
Torment
I'm glad you've let me feel it
Ghost like whispers in my ear
Tell me I'm only good for a ****
Tell me to **** you up or be gone
All more material
And you'll find yourself in my books some day
And you'll remember your favorite bootycall
The tulips are too excitable, it is winter here.
Look how white everything is, how quiet, how snowed-in
I am learning peacefulness, lying by myself quietly
As the light lies on these white walls, this bed, these hands.
I am nobody; I have nothing to do with explosions.
I have given my name and my day-clothes up to the nurses
And my history to the anaesthetist and my body to surgeons.

They have propped my head between the pillow and the sheet-cuff
Like an eye between two white lids that will not shut.
Stupid pupil, it has to take everything in.
The nurses pass and pass, they are no trouble,
They pass the way gulls pass inland in their white caps,
Doing things with their hands, one just the same as another,
So it is impossible to tell how many there are.

My body is a pebble to them, they tend it as water
Tends to the pebbles it must run over, smoothing them gently.
They bring me numbness in their bright needles, they bring me sleep.
Now I have lost myself I am sick of baggage ----
My patent leather overnight case like a black pillbox,
My husband and child smiling out of the family photo;
Their smiles catch onto my skin, little smiling hooks.

I have let things slip, a thirty-year-old cargo boat
Stubbornly hanging on to my name and address.
They have swabbed me clear of my loving associations.
Scared and bare on the green plastic-pillowed trolley
I watched my teaset, my bureaus of linen, my books
Sink out of sight, and the water went over my head.
I am a nun now, I have never been so pure.

I didn't want any flowers, I only wanted
To lie with my hands turned up and be utterly empty.
How free it is, you have no idea how free ----
The peacefulness is so big it dazes you,
And it asks nothing, a name tag, a few trinkets.
It is what the dead close on, finally; I imagine them
Shutting their mouths on it, like a Communion tablet.

The tulips are too red in the first place, they hurt me.
Even through the gift paper I could hear them breathe
Lightly, through their white swaddlings, like an awful baby.
Their redness talks to my wound, it corresponds.
They are subtle: they seem to float, though they weigh me down,
Upsetting me with their sudden tongues and their colour,
A dozen red lead sinkers round my neck.

Nobody watched me before, now I am watched.
The tulips turn to me, and the window behind me
Where once a day the light slowly widens and slowly thins,
And I see myself, flat, ridiculous, a cut-paper shadow
Between the eye of the sun and the eyes of the tulips,
And I hve no face, I have wanted to efface myself.
The vivid tulips eat my oxygen.

Before they came the air was calm enough,
Coming and going, breath by breath, without any fuss.
Then the tulips filled it up like a loud noise.
Now the air snags and eddies round them the way a river
Snags and eddies round a sunken rust-red engine.
They concentrate my attention, that was happy
Playing and resting without committing itself.

The walls, also, seem to be warming themselves.
The tulips should be behind bars like dangerous animals;
They are opening like the mouth of some great African cat,
And I am aware of my heart: it opens and closes
Its bowl of red blooms out of sheer love of me.
The water I taste is warm and salt, like the sea,
And comes from a country far away as health.
the flesh covers the bone
and they put a mind
in there and
sometimes a soul,
and the women break
vases against the walls
and the men drink too
much
and nobody finds the
one
but keep
looking
crawling in and out
of beds.
flesh covers
the bone and the
flesh searches
for more than
flesh.

there's no chance
at all:
we are all trapped
by a singular
fate.

nobody ever finds
the one.

the city dumps fill
the junkyards fill
the madhouses fill
the hospitals fill
the graveyards fill

nothing else
fills.
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