You must begin early
while it is cool and your head clear
discernment, a sharpened tine
probing the rocky darkness
for all things latent and destructive.

Be aware that the velvet sage
of the leaves belies their power
to take over every space, remember
roots burrow deep, anchoring in
fissures we don’t even know exist.

You must delve as close
to the origin as possible
or the **** you think eradicated
will bide its time, germinating
in the still secret ground

waiting for light
to penetrate the moist earth
waking the sprout
who voraciously pushes up and out
a curled blemish

in your otherwise carefully tended garden.

weeding ‘n planting,
(ten rows of garlic, waiting to bite caressing hands)

<•>

unsurprisingly to me
garlic native to northeastern Iran,
so says the arbiter-know-it-all, Senor Wikipedia

did you know that,
amongst us,
a young woman whose back
is bent,
bent over,
weeding and weeping, while picking,
retrieving the fruit of the plain earths plane

spending days
retrieving spring-planted bulbs in the sun,
a mysterious poet residing among us
conjuring up poems and, ****, even
plants questions
with granted permission

asks a strangers gasping queries
so simple she renders his
body from soul, makes him
disclose his crazy ill-at-ease
showing
his own
general roots,
slumbering deep in reddish brown soul’s earth

one whose only great escape
through the written poem
when his back is straight,
straight against the wall
backed up,
and ripe for the picking

in reparation

the favor will be returned
three inquiries will be fedex’d
if I ever learn her address

for now, in the  throes of soil resting within,
my need knowings just nurturing
until the calendar declares time!
harvesting is now

when we ready shake hands
when you say

“here is the garlic tended,
and here are our hands,
bitten and caressed”

till such time I get
the answers from
the farmer herself,
I can patient wait

further research needs
original sources,
till such time,
make up tales
that will hold in abeyance
my half contented garlic dreams
for was it not written centuries ago:

Even After All this time The Sun never says to the Earth, "You owe me." Look What happens With a love like that, It lights the whole sky.
Ḥāfeẓ-e Shīrāzī

Are you a friend?
A wolf
Or
A ****** sucker?
Your aim my money,
Your happiness,
When you get me well off
You kiss me tight
When everything is right
You say honey
When in my wallet is money
You say hi
When you think I'm high
Just get to know
That my heart is No
More a joke!
My mind You choke
You always leave it bleeding
I now go weeding,
All the suckers
All the parasites
All the untrue friends
The cheats
And
The liars
Are up rooted
I am now new
I am genuine
Faithful to myself
I
Am
In need
Of a true
Self coexisting
And a mutual benefiting friendship!
Defined by true love,
Sacrifice
Devotion
Love unconditional
And
Development!

Come queen of months in company
Wi all thy merry minstrelsy
The restless cuckoo absent long
And twittering swallows chimney song
And hedge row crickets notes that run
From every bank that fronts the sun
And swathy bees about the grass
That stops wi every bloom they pass
And every minute every hour
Keep teazing weeds that wear a flower
And toil and childhoods humming joys
For there is music in the noise
The village childern mad for sport
In school times leisure ever short
That crick and catch the bouncing ball
And run along the church yard wall
Capt wi rude figured slabs whose claims
In times bad memory hath no names
Oft racing round the nookey church
Or calling ecchos in the porch
And jilting oer the weather ****
Viewing wi jealous eyes the clock
Oft leaping grave stones leaning hights
Uncheckt wi mellancholy sights
The green grass swelld in many a heap
Where kin and friends and parents sleep
Unthinking in their jovial cry
That time shall come when they shall lye
As lowly and as still as they
While other boys above them play
Heedless as they do now to know
The unconcious dust that lies below
The shepherd goes wi happy stride
Wi moms long shadow by his side
Down the dryd lanes neath blooming may
That once was over shoes in clay
While martins twitter neath his eves
Which he at early morning leaves
The driving boy beside his team
Will oer the may month beauty dream
And **** his hat and turn his eye
On flower and tree and deepning skye
And oft bursts loud in fits of song
And whistles as he reels along
Cracking his whip in starts of joy
A happy ***** driving boy
The youth who leaves his corner stool
Betimes for neighbouring village school
While as a mark to urge him right
The church spires all the way in sight
Wi cheerings from his parents given
Starts neath the joyous smiles of heaven
And sawns wi many an idle stand
Wi bookbag swinging in his hand
And gazes as he passes bye
On every thing that meets his eye
Young lambs seem tempting him to play
Dancing and bleating in his way
Wi trembling tails and pointed ears
They follow him and loose their fears
He smiles upon their sunny faces
And feign woud join their happy races
The birds that sing on bush and tree
Seem chirping for his company
And all in fancys idle whim
Seem keeping holiday but him
He lolls upon each resting stile
To see the fields so sweetly smile
To see the wheat grow green and long
And list the weeders toiling song
Or short note of the changing thrush
Above him in the white thorn bush
That oer the leaning stile bends low
Loaded wi mockery of snow
Mozzld wi many a lushing thread
Of crab tree blossoms delicate red
He often bends wi many a wish
Oer the brig rail to view the fish
Go sturting by in sunny gleams
And chucks in the eye dazzld streams
Crumbs from his pocket oft to watch
The swarming struttle come to catch
Them where they to the bottom sile
Sighing in fancys joy the while
Hes cautiond not to stand so nigh
By rosey milkmaid tripping bye
Where he admires wi fond delight
And longs to be there mute till night
He often ventures thro the day
At truant now and then to play
Rambling about the field and plain
Seeking larks nests in the grain
And picking flowers and boughs of may
To hurd awhile and throw away
Lurking neath bushes from the sight
Of tell tale eyes till schools noon night
Listing each hour for church clocks hum
To know the hour to wander home
That parents may not think him long
Nor dream of his rude doing wrong
Dreading thro the night wi dreaming pain
To meet his masters wand again
Each hedge is loaded thick wi green
And where the hedger late hath been
Tender shoots begin to grow
From the mossy stumps below
While sheep and cow that teaze the grain
will nip them to the root again
They lay their bill and mittens bye
And on to other labours hie
While wood men still on spring intrudes
And thins the shadow solitudes
Wi sharpend axes felling down
The oak trees budding into brown
Where as they crash upon the ground
A crowd of labourers gather round
And mix among the shadows dark
To rip the crackling staining bark
From off the tree and lay when done
The rolls in lares to meet the sun
Depriving yearly where they come
The green wood pecker of its home
That early in the spring began
Far from the sight of troubling man
And bord their round holes in each tree
In fancys sweet security
Till startld wi the woodmans noise
It wakes from all its dreaming joys
The blue bells too that thickly bloom
Where man was never feared to come
And smell smocks that from view retires
**** rustling leaves and bowing briars
And stooping lilys of the valley
That comes wi shades and dews to dally
White beady drops on slender threads
Wi broad hood leaves above their heads
Like white robd maids in summer hours
Neath umberellas shunning showers
These neath the barkmens crushing treads
Oft perish in their blooming beds
Thus stript of boughs and bark in white
Their trunks shine in the mellow light
Beneath the green surviving trees
That wave above them in the breeze
And waking whispers slowly bends
As if they mournd their fallen friends
Each morning now the weeders meet
To cut the thistle from the wheat
And ruin in the sunny hours
Full many wild weeds of their flowers
Corn poppys that in crimson dwell
Calld ‘head achs’ from their sickly smell
And carlock yellow as the sun
That oer the may fields thickly run
And ‘iron ****’ content to share
The meanest spot that spring can spare
Een roads where danger hourly comes
Is not wi out its purple blooms
And leaves wi points like thistles round
Thickset that have no strength to wound
That shrink to childhoods eager hold
Like hair—and with its eye of gold
And scarlet starry points of flowers
Pimpernel dreading nights and showers
Oft calld ‘the shepherds weather glass’
That sleep till suns have dyd the grass
Then wakes and spreads its creeping bloom
Till clouds or threatning shadows come
Then close it shuts to sleep again
Which weeders see and talk of rain
And boys that mark them shut so soon
will call them ‘John go bed at noon
And fumitory too a name
That superstition holds to fame
Whose red and purple mottled flowers
Are cropt by maids in weeding hours
To boil in water milk and way1
For washes on an holiday
To make their beauty fair and sleak
And scour the tan from summers cheek
And simple small forget me not
Eyd wi a pinshead yellow spot
I’th’ middle of its tender blue
That gains from poets notice due
These flowers the toil by crowds destroys
And robs them of their lowly joys
That met the may wi hopes as sweet
As those her suns in gardens meet
And oft the dame will feel inclind
As childhoods memory comes to mind
To turn her hook away and spare
The blooms it lovd to gather there
My wild field catalogue of flowers
Grows in my ryhmes as thick as showers
Tedious and long as they may be
To some, they never weary me
The wood and mead and field of grain
I coud hunt oer and oer again
And talk to every blossom wild
Fond as a parent to a child
And cull them in my childish joy
By swarms and swarms and never cloy
When their lank shades oer morning pearls
Shrink from their lengths to little girls
And like the clock hand pointing one
Is turnd and tells the morning gone
They leave their toils for dinners hour
Beneath some hedges bramble bower
And season sweet their savory meals
Wi joke and tale and merry peals
Of ancient tunes from happy tongues
While linnets join their fitful songs
Perchd oer their heads in frolic play
Among the tufts of motling may
The young girls whisper things of love
And from the old dames hearing move
Oft making ‘love knotts’ in the shade
Of blue green oat or wheaten blade
And trying simple charms and spells
That rural superstition tells
They pull the little blossom threads
From out the knapweeds button heads
And put the husk wi many a smile
In their white bosoms for awhile
Who if they guess aright the swain
That loves sweet fancys trys to gain
Tis said that ere its lain an hour
Twill blossom wi a second flower
And from her white ******* hankerchief
Bloom as they ne’er had lost a leaf
When signs appear that token wet
As they are neath the bushes met
The girls are glad wi hopes of play
And harping of the holiday
A hugh blue bird will often swim
Along the wheat when skys grow dim
Wi clouds—slow as the gales of spring
In motion wi dark shadowd wing
Beneath the coming storm it sails
And lonly chirps the wheat hid quails
That came to live wi spring again
And start when summer browns the grain
They start the young girls joys afloat
Wi ‘wet my foot’ its yearly note
So fancy doth the sound explain
And proves it oft a sign of rain
About the moor ‘**** sheep and cow
The boy or old man wanders now
Hunting all day wi hopful pace
Each thick sown rushy thistly place
For plover eggs while oer them flye
The fearful birds wi teazing cry
Trying to lead their steps astray
And coying him another way
And be the weather chill or warm
Wi brown hats truckd beneath his arm
Holding each prize their search has won
They plod bare headed to the sun
Now dames oft bustle from their wheels
Wi childern scampering at their heels
To watch the bees that hang and swive
In clumps about each thronging hive
And flit and thicken in the light
While the old dame enjoys the sight
And raps the while their warming pans
A spell that superstition plans
To coax them in the garden bounds
As if they lovd the tinkling sounds
And oft one hears the dinning noise
Which dames believe each swarm decoys
Around each village day by day
Mingling in the warmth of may
Sweet scented herbs her skill contrives
To rub the bramble platted hives
Fennels thread leaves and crimpld balm
To scent the new house of the swarm
The thresher dull as winter days
And lost to all that spring displays
Still mid his barn dust forcd to stand
Swings his frail round wi weary hand
While oer his head shades thickly creep
And hides the blinking owl asleep
And bats in cobweb corners bred
Sharing till night their murky bed
The sunshine trickles on the floor
Thro every crevice of the door
And makes his barn where shadows dwell
As irksome as a prisoners cell
And as he seeks his daily meal
As schoolboys from their tasks will steal
ile often stands in fond delay
To see the daisy in his way
And wild weeds flowering on the wall
That will his childish sports recall
Of all the joys that came wi spring
The twirling top the marble ring
The gingling halfpence hussld up
At pitch and toss the eager stoop
To pick up heads, the smuggeld plays
Neath hovels upon sabbath days
When parson he is safe from view
And clerk sings amen in his pew
The sitting down when school was oer
Upon the threshold by his door
Picking from mallows sport to please
Each crumpld seed he calld a cheese
And hunting from the stackyard sod
The stinking hen banes belted pod
By youths vain fancys sweetly fed
Christning them his loaves of bread
He sees while rocking down the street
Wi weary hands and crimpling feet
Young childern at the self same games
And hears the self same simple names
Still floating on each happy tongue
Touchd wi the simple scene so strong
Tears almost start and many a sigh
Regrets the happiness gone bye
And in sweet natures holiday
His heart is sad while all is gay
How lovly now are lanes and balks
For toils and lovers sunday walks
The daisey and the buttercup
For which the laughing childern stoop
A hundred times throughout the day
In their rude ramping summer play
So thickly now the pasture crowds
In gold and silver sheeted clouds
As if the drops in april showers
Had woo’d the sun and swoond to flowers
The brook resumes its summer dresses
Purling neath grass and water cresses
And mint and flag leaf swording high
Their blooms to the unheeding eye
And taper bowbent hanging rushes
And horse tail childerns bottle brushes
And summer tracks about its brink
Is fresh again where cattle drink
And on its sunny bank the swain
Stretches his idle length again
Soon as the sun forgets the day
The moon looks down on the lovly may
And the little star his friend and guide
Travelling together side by side
And the seven stars and charleses wain
Hangs smiling oer green woods agen
The heaven rekindles all alive
Wi light the may bees round the hive
Swarm not so thick in mornings eye
As stars do in the evening skye
All all are nestling in their joys
The flowers and birds and pasture boys
The firetail, long a stranger, comes
To his last summer haunts and homes
To hollow tree and crevisd wall
And in the grass the rails odd call
That featherd spirit stops the swain
To listen to his note again
And school boy still in vain retraces
The secrets of his hiding places
In the black thorns crowded copse
Thro its varied turns and stops
The nightingale its ditty weaves
Hid in a multitude of leaves
The boy stops short to hear the strain
And ’sweet jug jug’ he mocks again
The yellow hammer builds its nest
By banks where sun beams earliest rest
That drys the dews from off the grass
Shading it from all that pass
Save the rude boy wi ferret gaze
That hunts thro evry secret maze
He finds its pencild eggs agen
All streakd wi lines as if a pen
By natures freakish hand was took
To scrawl them over like a book
And from these many mozzling marks
The school boy names them ‘writing larks’
*** barrels twit on bush and tree
Scarse bigger then a bumble bee
And in a white thorns leafy rest
It builds its curious pudding-nest
Wi hole beside as if a mouse
Had built the little barrel house
Toiling full many a lining feather
And bits of grey tree moss together
Amid the noisey rooky park
Beneath the firdales branches dark
The little golden crested wren
Hangs up his glowing nest agen
And sticks it to the furry leaves
As martins theirs beneath the eaves
The old hens leave the roost betimes
And oer the garden pailing climbs
To scrat the gardens fresh turnd soil
And if unwatchd his crops to spoil
Oft cackling from the prison yard
To peck about the houseclose sward
Catching at butterflys and things
Ere they have time to try their wings
The cattle feels the breath of may
And kick and toss their heads in play
The *** beneath his bags of sand
Oft jerks the string from leaders hand
And on the road will eager stoop
To pick the sprouting thistle up
Oft answering on his weary way
Some distant neighbours sobbing bray
Dining the ears of driving boy
As if he felt a fit of joy
Wi in its pinfold circle left
Of all its company bereft
Starvd stock no longer noising round
Lone in the nooks of foddering ground
Each skeleton of lingering stack
By winters tempests beaten black
Nodds upon props or bolt upright
Stands swarthy in the summer light
And oer the green grass seems to lower
Like stump of old time wasted tower
All that in winter lookd for hay
Spread from their batterd haunts away
To pick the grass or lye at lare
Beneath the mild hedge shadows there
Sweet month that gives a welcome call
To toil and nature and to all
Yet one day mid thy many joys
Is dead to all its sport and noise
Old may day where’s thy glorys gone
All fled and left thee every one
Thou comst to thy old haunts and homes
Unnoticd as a stranger comes
No flowers are pluckt to hail the now
Nor cotter seeks a single bough
The maids no more on thy sweet morn
Awake their thresholds to adorn
Wi dewey flowers—May locks new come
And princifeathers cluttering bloom
And blue bells from the woodland moss
And cowslip cucking ***** to toss
Above the garlands swinging hight
Hang in the soft eves sober light
These maid and child did yearly pull
By many a folded apron full
But all is past the merry song
Of maidens hurrying along
To crown at eve the earliest cow
Is gone and dead and silent now
The laugh raisd at the mocking thorn
Tyd to the cows tail last that morn
The kerchief at arms length displayd
Held up by pairs of swain and maid
While others bolted underneath
Bawling loud wi panting breath
‘Duck under water’ as they ran
Alls ended as they ne’er began
While the new thing that took thy place
Wears faded smiles upon its face
And where enclosure has its birth
It spreads a mildew oer her mirth
The herd no longer one by one
Goes plodding on her morning way
And garlands lost and sports nigh gone
Leaves her like thee a common day
Yet summer smiles upon thee still
Wi natures sweet unalterd will
And at thy births unworshipd hours
Fills her green lap wi swarms of flowers
To crown thee still as thou hast been
Of spring and summer months the queen

Did any flower bloom, in your garden today, check out now
Love alone is the flower with fragrance, don't water the rest.
An year reigned is dead, the overcast sky clearly proclaims
A dark shroud covers the sky, hiding the good cheer we need.

Alone, I climb up the winding road to the hilltop, to view
The sunset, it reminds the past year of painful events
The skyline looks blood smeared, from a corner fire erupts
Making hate the recurring motif, what's happening to the world?

Technologies to share information is no good, if we aren't sane.
If we use that to sow evil seeds of hatred, poison spreads.
Life turns a mess, all the wealth has no meaning without peace.
Are we not ashamed to be vengeful like barbarians, **** each other?
Didn't Gandhi prove, nonviolence is the weapon against brute force?

When Zuo Fen woke day was well advanced into the Horse hour. In her darkened room a frame of the brightest light pulsed around the shuttered window. A breeze of scents from her herb garden brought sage, motherwort and lovage to cleanse the confined air, what remained of his visit, those rare aromatic oils from a body freed from its robes. Turning her head into the pillow that odour of him embraced her once more as in the deepest and most prolonged kiss , when with no space to breathe passion displaces reason in the mind.
 
The goat cart had brought him silently to her court in the Tiger hour, as was his custom in these summer days when, tired of his women’s attention, he seeks her company. In the vestibule her maid leaves a bowl of fresh water scented with lemon juice, a towel, her late uncle’s comb, a salve for his hands. Without removing his shoes, an Emperor’s privilege, he enters her study pausing momentarily while Xi-Lu removes himself from the exalted presence, his long tail *****, his walk provocative, dismissive. Zuo Fen is at her desk, brush in hand she finishes a copy of  ‘A Rhapsody for my Lord’. She has submitted herself to enter yet again that persona of the young concubine taken from her family to serve that community from which there seems no escape.
 
I was born in a humble, isolated, thatched house,
And was never well-versed in writing.
I never saw the marvellous pictures of books,
Nor had I heard of the classics of ancient sages.
I am dim-witted, humble and ignorant,
But was mistakenly placed in the Purple Palace . . .
 
He loves to hear her read such words, to imagine this fragile girl, and see her life at court described in the poet’s elegant characters. Zuo Fen’s scrolls lie on his second desk. Touching them, as he does frequently, is to touch her, is to feel mystery of her long body with its disregard of the courtly customs of his many, many women; the soft hair on her legs, the deep forest guarding her hidden ***, her peasant feet, her long fingers with their scent of ink and herbs.
 
He kneels beside her, gradually opening his ringed hand wide on her gowned thigh, then closing, then opening. A habit: an affectation. His head is bent in an obeisance he has no need to make, only, as he desires her he does this, so she knows this is so. She is prepared, as always, to act the part, or be this self she has opened to him, in all innocence at first, then in quiet delight that this is so and no more.
 
‘A rhapsody for me perhaps?’
‘What does Liu Xie say? The rhapsody is a fork in the road . . .
‘ . . . a different line’, he interrupts and quotes,’ it describes people and objects. It pictures appearance with a brilliance akin to sculpture or painting.’
‘What is clogged and confined it invariably opens. It depicts the commonplace with unbounded charm.’
‘But the goal of the form is beauty well-ordered . . . . as you are, dearest poet.’
‘You spoilt the richness of Lui Xie’s ending . . .’
‘I would rather speak of your beauty than Xie’s talk of gardening.’
‘Weeding is not gardening my Lord.’
 
And with that he summons her to read her rhapsody whilst his hands part her gown . . .
 
Over the years since he took her maidenhead, brusquely, with the impatience of his station, and she, on their second encounter deflowered him in turn with her poem about the pleasure due to woman, they had become as one branch on the same tree. She sought to be, and was, his equal in the prowess of scholastic memory. She had honed such facility with the word: years of training from her father in the palace archives and later in the mind games invented by and played with her brother. Then, as she entered womanhood and feared oblivion in an arranged marriage, she invented the persona of the pale girl, a fiction, who, with great gentleness and poetry, guided the male reader into the secrets of a woman’s ****** pleasure and fulfilment. In disguise, and with her brother’s help, she had sought those outside concubinage - for whom the congress of the male and female is rarely negotiable. She listened and transcribed, then gradually drew the Emperor into a web of new experience to which he readily succumbed, and the like of which he could have hardly imagined. He wished to promote her to the first lady of his Purple Chamber. She declined, insisting he provide her with a court distant from his palace rooms, yet close to the Zu-lin gardens, a place of quiet, meditation and the study of astronomy.
 
But today, this hot summer’s day, she had reckoned to be her birthday. She expected due recognition for one whose days moved closer to that age when a birthday is traditionally and lavishly celebrated. Her maid Mei-Lim would have already prepared the egg dishes associated with this special day. Her brother Zuo-Si may have penned a celebratory ode, and later would visit her with his lute to caress his subtle words of invention.
 
Your green eyes reflect a world apart
Where into silence words are formed dew-like,
Glistening as the sun rises on this precious day.
As a stony spring washes over precious jade,
delicate fishes swim in its depths
dancing to your reflection on the cool surface.
No need of strings, or bamboo instruments
When mountains and waters give forth their pure notes . . .
 
Her lord had left on her desk his own Confucian-led offering, in brushstrokes of his time-stretched hand, but his own hand nevertheless, and then in salutation the flower-like character leh (joy)
 
‘Wheresoever you go, go with all your heart’.
 
Meanwhile Xi-Lu stirred on the coverlet reminding Zuo Fen that the day was advancing and he had received no attention or conversation. It was whispered abroad that this lady spoke with her cat whom each afternoon would accompany his mistress on a walk through the adjacent gardens. It was true, Zuo Fen had taught Xi-Lu to converse in the dialect of her late mother’s province, but that is another story.
 
Lying on her back, eyes firmly shut, Zuo Fen surveyed the past year, a year of her brother’s pilgrimage to the Tai Mountains, his subsequent disappearance at the onset of winter, her Lord’s anger then indulgence as he allowed her to seek Zuo Si’s whereabouts. She thought of her sojourn in Ryzoki, the village of stone, where she discovered the blind servant girl who had revealed not only her brother’s whereabouts but her undying love for this strange, ungainly, uncomfortably ugly man who, with the experience gained from his sister’s persistent research had finally learned to love and be loved in equal measure for his gentle and tender actions. And together, their triumph: in ‘summoning the recluse’, and not one alone but a community of five living harmoniously in caves of the limestone heights. Now returned they had worked in ever secret ways to serve their Emperor in his conflict against the war-lord Tang.
 
She now resolved to take a brief holiday from this espionage, her stroking of the Emperor’s mind and body, and those caring sisterly duties she so readily performed. She would remove herself and her maid to a forest cabin: to lie in the dry mottled grass of summer and listen to the rustle of leaves, the chatter of birds, the sounds of insects and the creak-crack of the forest in the summer heat. She would plan a new chapter in her work as a poet and writer: she would be the pale girl no longer but a woman of strength and confidence made beautiful by good fortune, wise management and a generosity of spirit. She needed to prepare herself for her Lord’s demise, when their joyful hours living the lives of Prince and Lady of Xiang, he with his stallion gathering galingales, she with her dreams of an underwater house, would no longer be. She would study the ways of the old. She would seek to learn how peace and serenity might overcome those afflictions of age and circumstance, and when it is said that love’s chemistry distils pure joy through the intense refinement of memory.

. so yeah, perhaps the aboriginals, the argument for the noble savage is there... point being, they have a narrative, more eloquent than the moneticised outside the frantic fanaticism of Harry Potter, a plagiarism of Merlin... etc. etc., with all the scientific superiority, a narrative in collectivism based upon plagiarism? does it really matter? the people who spurn on the superiority of western culture... let's just say, they love to gamble, but don't understand nature's gambling pattern of weeding out the weak... and... given their opinions? i wouldn't want to share a meal with them... contradictory *******... tell them about the Manchester attacks, and they'll cite Yemen! i find it rather uncomfortable sharing a public toilet with them... to begin with... but eating with them? what a strange anticipation of the most profound profanity!
            
                                 so yeah...
  nice critique...
"philosopher" *** sophist -
namely a rhetorician...

i love the giggles,
don't you love the giggles?

philosophy is something to engage
with, rather than explain...
more a tartar steak than
a medium-done slash of slaughterhouse
debris...

ahem... where's your western narrative?
where is the sociological focus?
the focus point?
the campfire?

  where, is, the, glue?

    can't see it...
western civilization is superior,
i grant you that,
but, where is the self-inflammatory
implosion?
  the self-reflecting critique?

look at your literature!
my good fellow!
  the pop-***** of vampire-clad-
neo-gothica?
you have to be kidding me...
too many facts, imbedded with
seeking counter-doubts (i.e. facts):
compensated with an antithesis
of a narrative principle...

a right, without a wrong...
a fact, without a narrative,
is pointless educational rubric -
no more finding an point
of answer, than regurgitating a bunch
of facts...
      i would be so certain as to joke
about the aboriginal culture...
when the western narration continuum
is plagued,
   by inconsistent narratives...
narratives that would never
want me to allow myself
a focus for congregating...

   no, sorry...
           you sit that **** alone in youir
little group-therapy sessions...
i'm about to do a Pontius Pilate
revision...
   i'm washing my hands away
from the gloat...
i can't stomach it...

      i don't want to stomach it...
i don't even adhere to an I.Q. discussion
as astounding racial differences...
i have already the point breaker:
and why so few black athletes compete
in the swimming events,
while so many are prescribed the
100m / 200m distance?

            what comes naturally...
800m / 1500m races?
white...
          the quasi-marathon running?
evidently Kenyan or Ethiopian...

i hate this, the vest iz v besht...
                       i regurgitate on this
factoid...
               with diarrhoea...

for all the science involved...
what is it, exactly, that constitutes,
the gluing fabric of community?

    i hate to say this,
but seldom facts are a differential aspect
    of exploratory conundrums...
Moby **** type of narratives?
the integral aspects...
      science has overtaken the expression
of life, sanitized it,
   securing an antithesis of
misery and mortality...
                    with: "facts"...
      
i might share the pH scale with someone...
but if i don't share the commonality of
a narrative?
  **** me, third party sources...
why should i share?
we share the same factoid,
why should we even bother consummating
this fact, over lunch?!

no bother!
there is no reason!
      live your life, let me live mine...
but don't you ******* even bother
dictating what i can, or can't do,
on the allowance of having invested
in a private property,
you, *******, english, ****!

  savvy?!

  the vest iz z best-chore...
   sure sure...
      love your literature, wonder
of the ******* world!
          YA ******* and your journalism?
makes Mecca pilgrims blush!
  wonderful!
                
...and for not particular reason...
vampires, werewolves,
zombies, the whole generic
exhausted stereotype -
   applause! applause!
applause!

              what?! health service?
i was lucky to have met up with my socialistic
accessible doctor,
   how many? 2 years to spare from
the last visit...
   zee vest iz z best!

            because why would i have considered
studying chemistry to an edinburgh university
level...
    and not began a post-scriptum of schooling,
beginning work in a supermarket?!

nice narrative, love the advertisement...
keep up the belittling tactic...
   glorifying your ***** wiped clean...
nay bother...
  as the Picts used t say...
                there is an actual masochistic
attache of internalized hate,
that even i can accommodate...

                     i hate gloating,
i hate boasting...
   and i hate the sort of people who
self-identify themselves as philosophers...
rather than sophists...
the sort of people:
who, simply, can't, keep, their, mouths,
shut!

don't criticise cultures,
when your own culture...
   is gearing up to problematic investments
of its own,
most notably, the teenage mental
health crisis...
          please...
                       this is not a time scant
for diminishing the already
queuing problems,
   by resorting to I.Q and race arguments...
the ******* can claim to be
philosophers, and entertain
the centre stage...
   i have a bench...
  in a park, talking to an old east london
geezer about rayleigh bikes...
and the scalpel attitude to
finding a prefix, negation,
                in the word disease...

western civilization has been gripped
with an Sunni Islam virus of
a superiority complex...
             they sure as **** know how
to point the good stuff...
   but slightly less...
                dream-detached when it comes
to the current,
    problems...
                  but hey!
the barbaric peoples are our closest
allies of worthy comparison...
   compare a ******* donkey
to a galloping horse!
  that'll fix it!

- but i thought that western culture was
all for the inbreds,
the down syndromes?
  the last birth mothers?!
   so?
        some cultures are somehow
more clingy to a peoticization of
the past...
    which... says much more...
for what currently grips the western
inconvenience in the pursuit of
a narrative, whether historical,
or fictional.

Me,

Right now, you're in high school. Everything about it *****. You're not sure who your real friends are. You're so self-conscious. You've decided that no one could ever love you. You're afraid of being judged. You can't stand your parents. Well, let me tell you, it gets better.

Remember all those "friends" you thought you had? Well, they aren't your friends now. But that's okay, because you decided who was really important in your life. Now, you have your best friends. People who actually care for you and want to be in your life forever.

I bet Whats-His-Bucket reminds you how fat you are everyday, right? Well, that's okay. You'll come to realize, that you're not fat. You're thick. Now, you shouldn't use that as an excuse to not eat right or exercise. But it's in your genetic makeup, you'll never have a thigh gap. You'll always have a big *****. You're stomach will never be flat. You won't fit into designer jeans, but that's okay. It's okay because you are BEAUTIFUL. You have your mothers face, and she was gorgeous. You have a wonderful sense of humour, and it's attractive. You're smart, passionate, witty, spunky, weird. You are beautiful.

Love? You'll never find it in that town. All those boys you wanted to date in high school, married. Your first boyfriend, ******. But that's okay. It took some time, and some heart break, but you found the love of your life. He is someone who makes you feel special. He makes you feel worth it. When you have felt dead inside for so many years, he has brought you to life. He loves you, and you love him. Don't worry, he's not going anywhere. You're getting married to him.

You're so afraid of what people think of you. Maybe they'll think you're weird. Maybe they'll think you're too religious. Maybe they'll think you're a freak. Maybe they'll think you're too tall. Maybe they'll think you're dumb. But that's okay. You'll leave your hometown, you'll go to college, and you'll realize that no one cares. And if they do care, they aren't worth caring for. It's part of weeding out the fake people, and truly accepting your self. ***** them! You're you, and they won't change that.

Parents. Now, this one is tricky. You can't stand your father or your stepmother. You wish they would disappear. You just want them to leave you alone, and stay out of your life. Like, I said this one is tricky, but that's okay. You see, you moved out and your relationship with your dad got better. You respect your father, and you love him. But with your stepmother... you've learned to respect her as a person. You have yet to respect her as a mother figure. But, you've learned to compromise. Things have gotten better.

Sweetheart, it gets better. Life seems so tough right now. It seems so hard. At times, it's just too much to bear alone. But kid, know that you are never alone. You have angels watching over you. You have real friends who will pick you up when you fall. You have a God who will never let you go at something alone. I wish someone would've told me all this sooner, but I'm glad I had the experience. I'm glad that I could learn and grow. Now, since you're not in high school anymore; when you get down on yourself, read this letter. This letter will assure you that everything will get better. Life can get tough but that's okay.

Love,
Me

{Jo(e)}

true love is not a declaration
     it is a demonstration

I pluck the weeds out of my head every season,
All the bad, the negative thoughts, the unhealthy habits,
so the flowers have room to grow.
Until the next season,
when the weeds regrow and I must pluck them again.
I grab the base, pulling up the roots,
Without roots, they won’t grow back.
They do.

She was ugly.
A snake of a girl- beady
blue eyes and
blood-red toenails.

The small snigger creeping
up through her perfectly
kept teeth as she spat
at the garbage
of the street: the creatures
she couldn’t see
through her beady
blue eyes.

Her mama would dress her
up in yellow ribbons and green bows.
“Why honey,
you make a sweet little
dandelion,”.

She liked to be
a dandelion, but secretly
she dreamed of being
a marigold:
                                                                ­                       Lips parted to the sun,
                                                                ­                                       seeds planted
                                                         ­                        in the rich soil of her own
                                                                ­                                             blackness.
She wanted to be a marigold.
But she was just
a dandelion,
stepping on petals and
weeding out whatever
she longed to be.

fighting
impenetrability:

whys,
whatfors.

working hard
in a garden's recovery.

weeding.

endlessly.

no use.

The scent of the pollen allured her, hanging in the still air of the morning. She would stop in her travel and visit each flower that she found. The precious nectar oozed from deep within the petals and she would thirstily drink at each one.   She would gently land in the scented shade of each blossom and coax the precious nourishment from it. She never gorged, but rather drank from each flower what it was willing to give. Some were full and over ripe and bursting with the honeyed juice. Others had a smaller treasure, but she would drink lovingly of their gift leaving them an offering of pollen as a thanks.     Her small, delicate tongue would gently lick and probe the recesses of the flower hunting the sweetness inside. The pollen on her coat would touch with the very deepest innards of the bloom and enter its very core. Her gift, as she suckled each part, was imparted into the scented womb of the softly petaled blossom.     Each flower awaited her coming and spread wide it’s scented opening for her to enter. Their swollen pistils would be gorged with the potential for life and their gently glistening stamens would tempt her to feed on their sticky juices. The soft buzzing of her wings caressed the delicate parts of the fragrant blooms with a gentle breeze as she drank her sustenance.                She sheltered in the colored shade of petals, hung round her like colored sheets, as she took what each one had to offer.      When she was done she would move on to the next, slowly and deliberately milking the juice of life from each one. Every flower needed her and each one did what it could to tempt her in. Some threw heavy fragrance into the air so she could catch their scent while others bared their large and swollen glands so she could see their abundance.        She traveled from bloom to bloom, sometimes enticed by the shaded shelter, and other times the sight of glistening pollen. But she fed on each one, large and small, and in each one she left her gift. The pollen that she carried would be imparted on each ***** stamen as she fed. The glistening end of the shaft was soft and sticky and waiting for the pollen that would carry on its life.      While she fed each day, there was a gardener who tended to her plants. He took gentle care of them, weeding and pruning and tending to their needs. The flowers that she fed on were his future sustenance and he tended her as well. He would follow her sometimes through his garden and watch as she gently buzzed from plant to plant.        She was used to his watchful eyes as he watched her drink from each bloom. He knew that his crop depended on her and he would peer into the bedding of petals as she caressed the sweetness from each one with her tongue. Her long tongue would probe deep into the recesses of the fragrant flower and find every drop of nectar.         The gardener watched as she carried on the cycle of life for him and would wait for days to see the swollen fruits of her labor burgeoning from his plants. When she left each flower satisfied with their delicious treat, she would fly off to the next, not knowing that a seed would be swelling in the gorged pistil that she just left.        And so it went as the bee buzzed her life away every day. The gardener would be there among his carefully tended crops, watching and waiting as she moved among the flowers. His gaze would follow her as she traveled through the foliage and landed amongst the blooms. Every day he would watch as she coaxed the sweet nectar from each one and left her gift in return.

A hymn to paired planethood: Venus hits Pluto
as death, in cold orbit, collides with biology
smashing to fragments: demonic astrology
(more a black hole than a love-star, it’s true though).
Cynical cure for Eve’s womanly grievance
Concupiscent consequence: lust’s bitter fruit –
ah the thought… changing Sin into mere inconvenience.

Margaret sang her seductive refrain
about weeding the garden and progress and light.
Her sisters should view her with scornful disdain
but instead have adopted her murderous rite.
With sang-froid she promoted her racist eugenics
(as if she had never herself been a fetus),
condemning her heirs to postmodern polemics
while nurturing ardent desires to defeat us.

Suppressing the lives that she flushed down the drain
she would liberate Death – and resistance was vain.
As a midwife to modern life (though on the “anti” side)
Old Matron Margie racked up quite a legacy
singing the praises of sanctioned infanticide
calling the shots for the coming sick century.
Planning, quite calmly, to “cleanse” certain races
her zeal was empowered by murderous graces.
She labored to bring us such pearls of subduction:
“dilation and curettage”, “women’s autonomy”
“viable fetus”, “procedure”, a “suction”
Hippocrates retches to hear the taxonomy;
words that turn Life into mere reproduction.

She enters the realms of the ****** and the motherless
roundly condemned by her feminine otherness.
Man’s first protection: the God-given womb
which no infant should have to regard as their tomb.

Dismembered dark cherubs, assembling, greet her
as demons (in scrubs) holding baby-parts meet her.
Long may she burn with the medical cynics
this mother of Moloch, this founder of clinics.
Convenience is king when abortion’s the Queen
and the profits swell big with each nubile teen…
yet the fruit of such carnage remains to be seen.

I send her this song as a funeral wreath
and a card inked in blood. You may read what is there:
“To the Matrix Supreme of our culture of death
from the souls of the infants you slew on the earth.
May your torment increase with the children you bear.”

1.
Noong unang panahon, dumalaw ang isang diyosa
Sa bagong kapapanganak na ina
Na ang bagong silang na sanggol ay biniyayaan
Ng mga bertud na may kapangyarihan
(Once upon a time, a goddess visited
A mother who has just yielded
A newborn infant who was blessed
With amulets wherein powers are wielded)

2.
Ang ina ay nagsumamo sa diyosa
Na biyayaan ng mahabang buhay ang anak niya
(The mother to the goddess implored
For a long life to the child she labored)

3.
Hindi sumagot ang diyosa
Pero ikinwintas niya ang agimat sa bata
(The goddess did not answer
But a necklace to the child she did wear)

4.
Sa kwintas nakasabit ay tatlong bato
May taglay na kapangyarihan ang mga ito
(The stones are the necklace’s pendants
A power in them enchants)

5.
Ang isa ay nagbibigay-lakas, sa pangalawa ay bilis naman
At sa pangatlo’y proteksiyon sa kapahamakan
(The one grants strength, speed is by the second charm
By the third protection from harm)

6.
Ang nasabing sanggol si Biuag ang ngalan
Siya ay tubong Enrile, Cagayan
(The said baby is Biuag by name
Enrile, Cagayan is from where he came)

7.
Kaya niyang bunutin ang isang puno
Na kaydali para lang siyang nagdadamo
(He can uproot a tree
Just like weeding so easily)

8.
Kaya rin niyang lumangoy nang matulin
Maging mga buwaya’y ‘di siya kayang habulin
(He can swim so fast
Even crocodiles through him can’t get pass)

9.
Nahulog narin siya sa lugar na mataas
Subalit walang natamong anumang gasgas
(He even fell from a high place
But didn’t obtain any bruises)

10.
Dahil sa mga kapangyarihang ipinamalas niya
Mga tao’y dinayo siya at sinamba
(Because of powers by his showmanship
To him people came and worship)

11.
Sa kabila ng lahat, malungkot si Biuag
Dahil ‘di niya makuha ang napupusuang dilag
(Despite of all, Biuag is desolate
Because the dear maiden he can’t get)

12.
Ang nasabing babae sa Tuao ay katutubo
Hindi tanyag ang nilalang na ito
(That lady in Tuao is indigenous
This creature is not famous)

13.
Noon din ay may binatang katulad ni Biuag
Malakas, makapangyarihan, hindi duwag
(At the same time like Biuag was a man popular
Strong, powerful, not coward)

14.
Malana ang tawag sa kanya
Taga-Malaueg, Rizal ang magiting na binata
(Malana is he being called
From Malaueg, Rizal is this bachelor bold)

15.
Noong labing-walong taong gulang siya
Nilangoy niya ang ilog na maraming buwaya
(Eighteen years old when he was
Swam he the river with lots of crocodiles)

16.
Ito ay upang kumuha ng pagkain
Mula sa malayong lupain
(This is in order to get fodder
From a land that’s farther)

17.
Para sa mga nasalantang tao
Ng nagdaang bagyo
(For the people devastated
By a typhoon that thrusted)

18.
Nang makauwi si Malana
May nakita siyang isang pana
(When Malana returned home
Saw he a bow and arrow)

19.
At nang kanya itong ipukol sa hangin
Sa kanya ang bala’y bumalik din
(And when on air it was thrown
To him the arrow returned)

20.
‘Di naglaon kanyang nabatid
Na ang sandata’y may kapangyarihang hatid
(Soon it came to his awareness
That the weapon a power possesses)

21.
Siya rin ang iniirog ng dilag
Na kinahuhumalingan ni Biuag
(It is him also liked by the maiden
To who Biuag has fallen)

22.
At nang matuklasan ni Biuag na si Malana ang napupusuan
Hinamon niya ang karibal sa isang labanan
(And when Biuag learned that Malana is the beloved
To a fight his rival he challenged)

23.
Nagimbal ang buong bayan
Sa katakut-takot na labanan
(The whole nation felt horrible
Upon the terrifying battle)

24.
Higanteng buwaya ginamit ni Biuag
Babaeng gusto pinagsabihan siyang duwag
(Giant crocodile Biuag utilized
Coward is he said the lady he liked)

25.
Dahil doon, si Biuag ay napahiya
Sa huli, kanyang nilunod ang sarili niya.
(Because of that, Biuag was embarrassed
Drowned he himself at the very last).

-08/17-18/2013
(Dumarao)
*for Epic Day 2013

Fled foam underneath us, and round us, a wandering and milky smoke,
High as the Saddle-girth, covering away from our glances the tide;
And those that fled, and that followed, from the foam-pale distance broke;
The immortal desire of Immortals we saw in their faces, and sighed.

I mused on the chase with the Fenians, and Bran, Sceolan, Lomair,
And never a song sang Niamh, and over my finger-tips
Came now the sliding of tears and sweeping of mist-cold hair,
And now the warmth of sighs, and after the quiver of lips.

Were we days long or hours long in riding, when, rolled in a grisly peace,
An isle lay level before us, with dripping hazel and oak?
And we stood on a sea's edge we saw not; for whiter than new-washed fleece
Fled foam underneath us, and round us, a wandering and milky smoke.

And we rode on the plains of the sea's edge; the sea's edge barren and grey,
Grey sand on the green of the grasses and over the dripping trees,
Dripping and doubling landward, as though they would hasten away,
Like an army of old men longing for rest from the moan of the seas.

But the trees grew taller and closer, immense in their wrinkling bark;
Dropping; a murmurous dropping; old silence and that one sound;
For no live creatures lived there, no weasels moved in the dark:
Long sighs arose in our spirits, beneath us bubbled the ground.

And the ears of the horse went sinking away in the hollow night,
For, as drift from a sailor slow drowning the gleams of the world and the sun,
Ceased on our hands and our faces, on hazel and oak leaf, the light,
And the stars were blotted above us, and the whole of the world was one.

Till the horse gave a whinny; for, cumbrous with stems of the hazel and oak,
A valley flowed down from his hoofs, and there in the long grass lay,
Under the starlight and shadow, a monstrous slumbering folk,
Their naked and gleaming bodies poured out and heaped in the way.

And by them were arrow and war-axe, arrow and shield and blade;
And dew-blanched horns, in whose hollow a child of three years old
Could sleep on a couch of rushes, and all inwrought and inlaid,
And more comely than man can make them with bronze and silver and gold.

And each of the huge white creatures was huger than fourscore men;
The tops of their ears were feathered, their hands were the claws of birds,
And, shaking the plumes of the grasses and the leaves of the mural glen,
The breathing came from those bodies, long warless, grown whiter than curds.

The wood was so Spacious above them, that He who has stars for His flocks
Could ****** the leaves with His fingers, nor go from His dew-cumbered skies;
So long were they sleeping, the owls had builded their nests in their locks,
Filling the fibrous dimness with long generations of eyes.

And over the limbs and the valley the slow owls wandered and came,
Now in a place of star-fire, and now in a shadow-place wide;
And the chief of the huge white creatures, his knees in the soft star-flame,
Lay loose in a place of shadow:  we drew the reins by his side.

Golden the nails of his bird-clawS, flung loosely along the dim ground;
In one was a branch soft-shining with bells more many than sighs
In midst of an old man's *****; owls ruffling and pacing around
Sidled their bodies against him, filling the shade with their eyes.

And my gaze was thronged with the sleepers; no, not since the world began,
In realms where the handsome were many, nor in glamours by demons flung,
Have faces alive with such beauty been known to the salt eye of man,
Yet weary with passions that faded when the sevenfold seas were young.

And I gazed on the bell-branch, sleep's forebear, far sung by the Sennachies.
I saw how those slumbererS, grown weary, there camping in grasses deep,
Of wars with the wide world and pacing the shores of the wandering seas,
Laid hands on the bell-branch and swayed it, and fed of unhuman sleep.

Snatching the horn of Niamh, I blew a long lingering note.
Came sound from those monstrous sleepers, a sound like the stirring of flies.
He, shaking the fold of his lips, and heaving the pillar of his throat,
Watched me with mournful wonder out of the wells of his eyes.

I cried, 'Come out of the shadow, king of the nails of gold!
And tell of your goodly household and the goodly works of your hands,
That we may muse in the starlight and talk of the battles of old;
Your questioner, Oisin, is worthy, he comes from the ****** lands.'

Half open his eyes were, and held me, dull with the smoke of their dreams;
His lips moved slowly in answer, no answer out of them came;
Then he swayed in his fingers the bell-branch, slow dropping a sound in faint streams
Softer than snow-flakes in April and piercing the marrow like flame.

Wrapt in the wave of that music, with weariness more than of earth,
The moil of my centuries filled me; and gone like a sea-covered stone
Were the memories of the whole of my sorrow and the memories of the whole of my mirth,
And a softness came from the starlight and filled me full to the bone.

In the roots of the grasses, the sorrels, I laid my body as low;
And the pearl-pale Niamh lay by me, her brow on the midst of my breast;
And the horse was gone in the distance, and years after years 'gan flow;
Square leaves of the ivy moved over us, binding us down to our rest.

And, man of the many white croziers, a century there I forgot
How the fetlocks drip blocd in the battle, when the fallen on fallen lie rolled;
How the falconer follows the falcon in the weeds of the heron's plot,
And the name of the demon whose hammer made Conchubar's sword-blade of old.

And, man of the many white croziers, a century there I forgot
That the spear-shaft is made out of ashwood, the shield out of osier and hide;
How the hammers spring on the anvil, on the spearhead's burning spot;
How the slow, blue-eyed oxen of Finn low sadly at evening tide.

But in dreams, mild man of the croziers, driving the dust with their throngs,
Moved round me, of ****** or landsmen, all who are winter tales;
Came by me the kings of the Red Branch, with roaring of laughter and songs,
Or moved as they moved once, love-making or piercing the tempest with sails.

Came Blanid, Mac Nessa, tall Fergus who feastward of old time slunk,
Cook Barach, the traitor; and warward, the spittle on his beard never dry,
Dark Balor, as old as a forest, car-borne, his mighty head sunk
Helpless, men lifting the lids of his weary and death making eye.

And by me, in soft red raiment, the Fenians moved in loud streams,
And Grania, walking and smiling, sewed with her needle of bone.
So lived I and lived not, so wrought I and wrought not, with creatures of dreams,
In a long iron sleep, as a fish in the water goes dumb as a stone.

At times our slumber was lightened.  When the sun was on silver or gold;
When brushed with the wings of the owls, in the dimness they love going by;
When a glow-worm was green on a grass-leaf, lured from his lair in the mould;
Half wakening, we lifted our eyelids, and gazed on the grass with a sigh.

So watched I when, man of the croziers, at the heel of a century fell,
Weak, in the midst of the meadow, from his miles in the midst of the air,
A starling like them that forgathered 'neath a moon waking white as a shell
When the Fenians made foray at morning with Bran, Sceolan, Lomair.

I awoke:  the strange horse without summons out of the distance ran,
Thrusting his nose to my shoulder; he knew in his ***** deep
That once more moved in my ***** the ancient sadness of man,
And that I would leave the Immortals, their dimness, their dews dropping sleep.

O, had you seen beautiful Niamh grow white as the waters are white,
Lord of the croziers, you even had lifted your hands and wept:
But, the bird in my fingers, I mounted, remembering alone that delight
Of twilight and slumber were gone, and that hoofs impatiently stept.

I died, 'O Niamh! O white one! if only a twelve-houred day,
I must gaze on the beard of Finn, and move where the old men and young
In the Fenians' dwellings of wattle lean on the chessboards and play,
Ah, sweet to me now were even bald Conan's slanderous tongue!

'Like me were some galley forsaken far off in Meridian isle,
Remembering its long-oared companions, sails turning to threadbare rags;
No more to crawl on the seas with long oars mile after mile,
But to be amid shooting of flies and flowering of rushes and flags.'

Their motionless eyeballs of spirits grown mild with mysterious thought,
Watched her those seamless faces from the valley's glimmering girth;
As she murmured, 'O wandering Oisin, the strength of the bell-branch is naught,
For there moves alive in your fingers the fluttering sadness of earth.

'Then go through the lands in the saddle and see what the mortals do,
And softly come to your Niamh over the tops of the tide;
But weep for your Niamh, O Oisin, weep; for if only your shoe
Brush lightly as haymouse earth's pebbles, you will come no more to my side.

'O flaming lion of the world, O when will you turn to your rest?'
I saw from a distant saddle; from the earth she made her moan:
'I would die like a small withered leaf in the autumn, for breast unto breast
We shall mingle no more, nor our gazes empty their sweetness lone

'In the isles of the farthest seas where only the spirits come.
Were the winds less soft than the breath of a pigeon who sleeps on her nest,
Nor lost in the star-fires and odours the sound of the sea's vague drum?
O flaming lion of the world, O when will you turn to your rest?'

The wailing grew distant; I rode by the woods of the wrinkling bark,
Where ever is murmurous dropping, old silence and that one sound;
For no live creatures live there, no weasels move in the dark:
In a reverie forgetful of all things, over the bubbling' ground.

And I rode by the plains of the sea's edge, where all is barren and grey,
Grey sand on the green of the grasses and over the dripping trees,
Dripping and doubling landward, as though they would hasten away',
Like an army of old men longing for rest from the moan of the seas.

And the winds made the sands on the sea's edge turning and turning go,
As my mind made the names of the Fenians.  Far from the hazel and oak,
I rode away on the surges, where, high aS the saddle-bow,
Fled foam underneath me, and round me, a wandering and milky smoke.

Long fled the foam-flakes around me, the winds fled out of the vast,
Snatching the bird in secret; nor knew I, embosomed apart,
When they froze the cloth on my body like armour riveted fast,
For Remembrance, lifting her leanness, keened in the gates of my heart.

Till, fattening the winds of the morning, an odour of new-mown hay
Came, and my forehead fell low, and my tears like berries fell down;
Later a sound came, half lost in the sound of a shore far away,
From the great grass-barnacle calling, and later the shore-weeds brown.

If I were as I once was, the strong hoofs crushing the sand and the shells,
Coming out of the sea as the dawn comes, a chaunt of love on my lips,
Not coughing, my head on my knees, and praying, and wroth with the bells,
I would leave no saint's head on his body from Rachlin to Bera of ships.

Making way from the kindling surges, I rode on a bridle-path
Much wondering to see upon all hands, of wattles and woodwork made,
Your bell-mounted churches, and guardless the sacred cairn and the mth,
And a small and a feeble populace stooping with mattock and *****,

Or weeding or ploughing with faces a-shining with much-toil wet;
While in this place and that place, with bodies unglorious, their chieftains stood,
Awaiting in patience the straw-death, croziered one, caught in your net:
Went the laughter of scorn from my mouth like the roaring of wind in a wood.

And before I went by them so huge and so speedy with eyes so bright,
Came after the hard gaze of youth, or an old man lifted his head:
And I rode and I rode, and I cried out, 'The Fenians hunt wolves in the night,
So sleep thee by daytime.' A voice cried, 'The Fenians a long time are dead.'

A whitebeard stood hushed on the pathway, the flesh of his face as dried grass,
And in folds round his eyes and his mouth, he sad as a child without milk-
And the dreams of the islands were gone, and I knew how men sorrow and pass,
And their hound, and their horse, and their love, and their eyes that glimmer like silk.

And wrapping my face in my hair, I murmured, 'In old age they ceased';
And my tears were larger than berries, and I murmured, 'Where white clouds lie spread
On Crevroe or broad Knockfefin, with many of old they feast
On the floors of the gods.' He cried, 'No, the gods a long time are dead.'

And lonely and longing for Niamh, I shivered and turned me about,
The heart in me longing to leap like a grasshopper into her heart;
I turned and rode to the westward, and followed the sea's old shout
Till I saw where Maeve lies sleeping till starlight and midnight part.

And there at the foot of the mountain, two carried a sack full of sand,
They bore it with staggering and sweating, but fell with their burden at length.
Leaning down from the gem-studded saddle, I flung it five yards with my hand,
With a sob for men waxing so weakly, a sob for the Fenians' old strength.

The rest you have heard of, O croziered man; how, when divided the girth,
I fell on the path, and the horse went away like a summer fly;
And my years three hundred fell on me, and I rose, and walked on the earth,
A creeping old man, full of sleep, with the spittle on his beard never dry'.

How the men of the sand-sack showed me a church with its belfry in air;
Sorry place, where for swing of the war-axe in my dim eyes the crozier gleams;
What place have Caoilte and Conan, and Bran, Sceolan, Lomair?
Speak, you too are old with your memories, an old man surrounded with dreams.

S.  Patrick. Where the flesh of the footsole clingeth on the burning stones is their place;
Where the demons whip them with wires on the burning stones of wide Hell,
Watching the blessed ones move far off, and the smile on God's face,
Between them a gateway of brass, and the howl of the angels who fell.

Oisin. Put the staff in my hands; for I go to the Fenians, O cleric, to chaunt
The war-songs that roused them of old; they will rise, making clouds with their Breath,
Innumerable, singing, exultant; the clay underneath them shall pant,
And demons be broken in pieces, and trampled beneath them in death.

And demons afraid in their darkness; deep horror of eyes and of wings,
Afraid, their ears on the earth laid, shall listen and rise up and weep;
Hearing the shaking of shields and the quiver of stretched bowstrings,
Hearing Hell loud with a murmur, as shouting and mocking we sweep.

We will tear out the flaming stones, and batter the gateway of brass
And enter, and none sayeth 'No' when there enters the strongly armed guest;
Make clean as a broom cleans, and march on as oxen move over young grass;
Then feast, making converse of wars, and of old wounds, and turn to our rest.

S.  Patrick. On the flaming stones, without refuge, the limbs of the Fenians are tost;
None war on the masters of Hell, who could break up the world in their rage;
But kneel and wear out the flags and pray for your soul that is lost
Through the demon love of its youth and its godless and passionate age.

Oisin. Ah me! to be Shaken with coughing and broken with old age and pain,
Without laughter, a show unto children, alone with remembrance and fear;
All emptied of purple hours as a beggar's cloak in the rain,
As a hay-**** out on the flood, or a wolf ****** under a weir.

It were sad to gaze on the blessed and no man I loved of old there;
I throw down the chain of small stones! when life in my body has ceased,
I will go to Caoilte, and Conan, and Bran, Sceolan, Lomair,
And dwell in the house of the Fenians, be they in flames or at feast.

i feel as if i
Do this to myself
i feel as if i
dont deserve to be helped- silly feelings
arent they?
i try to distract myself
i try to forget the past
but some how- no matter
how bad i try- all that
comes to my mind is
"how soon can i die?"
however, i want to be happy
i want to invite you to my weeding and to
my baby's christening
i want to get better
but i want to slit
my wrists till i bleed
out- im a contradiction
a complete paradox...

Tuesday and Wednesday is a blur;
I have not slept in between
I do not have the luxury of
Having a rendezvous with my bed

Tuesday and Wednesday is a blur;
And you are its perfect metaphor:
Viciously fast and vague
But I know a vice when I see one

Tuesday and Wednesday is a blur;
I'm weeding vices out one by one
Like coffee and/or cigarettes,
You taste so good

A garden's promise
needs much attention daily
to fight evil weeds

Rat-a-tat Bumpstock, Gadsden on his truck, so easily
led by his nose
Has a dip and a beer with an old friend dear
Let's listen and see what we hear

"It's your turn to shoot"
"Ahhh got **** on my boot"
"Did you get you a deer this season?"

Shot a doe just last week, said the sporting man
Eating corn right in front of my stand

Did you see on the channel this morning
That story about the wedding cake?
Don’t get me started, said Rat-a-Tat
Okay, go ahead, what was Sean’s take?

He said in a town there’s this baker-man
Who believes in Jesus, just like you and me
Then “ding” went the bell of his shop door
You won’t believe what then he did see
Tat it was two men holding hands, dear God, and they said that they wanted to wed
The baker, now personally offended, tossed them out on their ******* heads

Wow such courageous action, said Tat, and from a man who bakes at that!
To the baker and all imbeciles of the world, went a tip of Tat's oily red hat


Meanwhile, back in the city


Huff and Puff elliptical man, tunes-in, to his friend on the screen
“What’s this about a deep-state?”, he asked
Pray tell me just what does it mean

I’ll tell you HP, said Huff no. 2
There's a group within our gov
They draw a regular check and do have a plan
To take away our man

"****-right ****-right", said Huffy
I've thought that too; I have the same take
And did you see on the channel this morning
That story about the weeding cake?

He lived down the street from us,
And came to be known as,
The man whose wife left him.
We speculated and surmised.
None but two knew the reason why
He became
The man whose wife left him.

He stopped cutting the grass
And weeding the beds.
He won’t play his uke
On the porch like he did.
From all accounts,
He was a good Dad,
None ever heard him
Explete a foul word.
He worked till retired,
Never was fired.
I'm told he lived a gentle life;
Never started a fight,
Or ran from strife.
That's what I heard
About the man whose wife left him.
Left to his own devices,
The man whose wife left him,
Left.

Washing, ironing, cooking, cleaning
The work is never done!
Lunching, shopping, relaxing, reading
I’ve heard is much more fun.

Sweeping, mopping, dusting, shining
Who thinks up all these gigs?
But what I really want to know right now
Is who left open the barn door to let in the pigs?

Mowing, weeding, trimming, seeding
Are mans work, but I’m all on my own
I gave birth to a virtual army
But housework is their No Go Zone!

Yelling, screaming, crying, keening
Achieves naught but my puffy face
I’ve given up such futile exercises
That puts no one in their place.

I hear “Can you help me please”
They hear “Blah Blah Blah”
Maybe I need to learn sign language
One gesture can go so far!

To this end I have ultimately decided
And I really do think this is for the best
To sit right down with drink in hand and
Let the little piggies wallow in their own mess!

24/07/2010

I am smashed down
By the worlds standards
With such physical expectations
My hopeless heart sinks
So small, so small
so small, I am
As I am haunted by
the images of tender Beauty
Powerless and worthless, I feel
As I walk daily, shrinking inside
I hold my dignity tight
As this shrinking violet
Hides in her great forest
Cheeks all flushed and red
I scurry behind some foliage
Surrounded by my own dead wood

The lashing striking pain
The whips of many masters
Draw blood from my many old wounds
As I become aware of my infected self
Far to much it is for me
As I play pass the parcel
With all my friends
As youth shines its splendor,
its brightness, claiming all the sky's
I am burned by its great heat
My skin scorched
For such beauty can feel
like the furnaces of hell

For what God would curse us
With such inadequacy and shame
In this half life
For I live in a darkened room
Of many locked doors
Where I have cut my own
Arms and legs off so
That I may live in this world
As I live on silent scraps
While the world enjoys its harvest
and feasts on Gods bounty

But better it is to be the limp inadequate
That can only fail to catch
Helplessly left only to observe
As a great physical Prowess
Can be a great curse
For much seeing is lost
In the unquenchable appetite
of hungry feasting Lion's  
As there is in the glory of conquest
The soul can be long forgotten

The seeds of my shame
And inflections of inadequacy
Where burdens, never of God's will
But sewn by the devil himself
To hide the majesty of God's creation
So I relax to observe
The weeding of my gracious God
As I am relieved of each passing pain
I fall into blissful acceptance

How sweet and pleasant grows the way
Through summer time again
While Landrails call from day to day
Amid the grass and grain

We hear it in the weeding time
When knee deep waves the corn
We hear it in the summers prime
Through meadows night and morn

And now I hear it in the grass
That grows as sweet again
And let a minutes notice pass
And now tis in the grain

Tis like a fancy everywhere
A sort of living doubt
We know tis something but it neer
Will blab the secret out

If heard in close or meadow plots
It flies if we pursue
But follows if we notice not
The close and meadow through

Boys know the note of many a bird
In their birdnesting bounds
But when the landrails noise is heard
They wonder at the sounds

They look in every tuft of grass
Thats in their rambles met
They peep in every bush they pass
And none the wiser get

And still they hear the craiking sound
And still they wonder why
It surely cant be under ground
Nor is it in the sky

And yet tis heard in every vale
An undiscovered song
And makes a pleasant wonder tale
For all the summer long

The shepherd whistles through his hands
And starts with many a whoop
His busy dog across the lands
In hopes to fright it up

Tis still a minutes length or more
Till dogs are off and gone
Then sings and louder than before
But keeps the secret on

Yet accident will often meet
The nest within its way
And weeders when they **** the wheat
Discover where they lay

And mowers on the meadow lea
Chance on their noisy guest
And wonder what the bird can be
That lays without a nest

In simple holes that birds will rake
When dusting on the ground
They drop their eggs of curious make
Deep blotched and nearly round

A mystery still to men and boys
Who know not where they lay
And guess it but a summer noise
Among the meadow hay

I told you not to pardon me
cause I couldn't let you count on me
but you put every bet on me against all odds...
I told you to hide your soul
instead you gave me heart mind and all
I told you I was a thorny road
you walked it bare footed
wincing at every *****
believing that right ahead things would change...
I told you I was a broken Eagle
but you believed you could fix my wings
I was a volcano waiting to erupt
you wasn't afraid of the larva, thought you could adapt
I told you I was splinters
and you started picking up the pieces
I told you I was hell
and you said you wanted to dance with my demons
When I revealed that I knew not how to dance
you said life's a lesson and you would be my teacher
"What if the song of our affection ends?"
I questioned with the belief that love's just a word
but you assured me that we would keep dancing
even after the song's gone silent...
because that's what real love's do
or at least we would dance until you found all the shards.
I told you I was a labyrinthine jungle
and you right away took adventures in my wild
even when I told you I was a wrecked ship lost at sea
you said that'd you'd find me free from the ecstasy
of this perilous world...
I told you I was a desert ...
but you were okay with sand and sweat
even thirst didn't scare you away
I told you I was a thunder-storm waiting to rain
malady and you said you've known such kind of pain,
you've withered storms that left you Ocean wet
so it wouldn't hurt playing in the rain again...
I said I was a wilting rose
and right away you started watering my hopes
with tender sprinkles of care
and weeding out despair
with endless promises to always be there...
I told you I was frozen inside and incapable of loving
and you said you'd place me in your warm embrace
and bare the icy chill for eternity
if that's what it took to melt the snow...
I told you I was all wounds and painful scars
you responded with "I know..."
and you said even Angels are not perfect...
I told you I had nothing but me to give
and you told me I was everything you always wanted
I tried not to believe
but I was enchanted...
I said I loved you not because you said it too
or because I ran out of excuses
but because it was true...
and because I was tired of pushing away
those gifting me a second chance...

I need to vent
An aperture has broken open inside of me
Spewing the poison of unspoken words
They oxidate and spoil against the back of my throat
Making swallowing a horrid task
I am not sure where to start
Unhappy? no Malcontent? no
Neglected there's the word
What remains is turning hollow
Weeds grown scraggly, untamed between my teeth
It needs voicing, this creeping malice
It needs out

Mr. Rory Richards
Lived his life,
Taking garbage
Out at night.
He shovelled drives
He swept walks,
He listened intently
While others talked.
Others talked.

When Rory wasn't
Weeding the garden,
He was outside
Hanging laundry.
Moms were jealous,
Dads were shamed,
But whispering neighbours
Never complained.
Rory's good
At the husband game.
He presented well.
The neighbours continued
To tsk and tsk.

On his way home
From work,
He picked up the kids
From daycare,
He'd find time
To volunteer there.
He'd have treats
At home for them,
And their friends.

He volunteered with
Cubs and Scouts,
Always finding
Extra time
For jamborees
And overnights.

One day the cops
Came on the scene,
Rory wasn't
What he seemed:
His computer
Showed a different man,
A lurking, luring
Child **** fan.
And the neighbours'
Tsks cresendoed.

At his trial
He sat abandoned,
But neighbours there
Gave witness to
A man they thought
They surely knew.
A family man
In his pew.
All his life
He lived beside them,
A man they let
Their kids rely on.

The ******* roots of this thing are unbelievable.
They grow right into the crux of my inner most cognition.
Where the gears and bolts and pipes
and all the unseen mechanics of my little mind reside.
They grow inside and through and around.
They clog gears,
burst pipes,
loosen bolts.
I have weeds in my mind,
the kind that suffocate their host.
A fiery invasive species,
the ones that respect only fire and pesticides.

I like the smell of cut grass and dew in the morning.
Sunshine and rainbows and when the sky's dawning.

Coffee and baked bread, and crunchy leaves in the autumn.
Singing and dancing, and anything that cures boredom.

Roast chestnuts in winter, and painting and reading.
Skipping stones on the water, warthogs and weeding.

Going on adventures to places unseen by my eye.
Also, cheese and onion crisps and chocolate, at the same time.

The smell of the rain and a good thunder storm.
Blue sky and the starlings when they gather in a swarm.

Anything purple, walking my dog in the evening.
Randomness and laughter, all of these are appealing.

I like music, my long hair and wearing a hat.
My high tops, my guitar, cheese and also my cats.

I like the drum of the rain on a caravan roof.
The thud on the ground from a horses hoof.

The warmth of the sun upon my face.
The crackle from a log burning in the fireplace.

I love my family and friends, and my happy places.
Meeting new people and putting smiles on their faces.

I like birds, all animals and frost on the window.
I love the look of the countryside when it's covered in snow.

A cobweb with raindrops, taking photos and nature.
My book collection, seafood and the blue of a glacier.

I like making cakes, playing risk, and flowers and trees.
Writing poems, walking, reading, and I love bees.

I like the crash of the sea, and the trickle of a stream.
The sunset in Africa, crypic crosswords and a good dream.

I like a lot of things, as you can see.
There is a lot more you don't know about me.

Maybe another poem will pop into my head.
Always at the time when I should be in bed.

When it does I'll write it down somewhere to show.
Then more things about me you shall know.

Like a warm breath of air
He hovers in my memory
No superman, a meek soul
Not one to squander his time
But one who worked day in and out
To feed those
Whom he loved and sired
What was he?
A teacher, a farmer or an artist

I cannot say precisely...
All I can say;
He was each of these
Rolled into one

On holidays I saw him
Shut in the loft
a brush in hand
His fingers moving over the canvas
The steaming tea by his side
Untouched and getting cold as ice
Unmindful of everything around
He sat by the easel in the attic
Focussed only on the strokes that fell

When a distinct image shoots out
As the moon from behind clouds
A wave of satisfaction would gleam
Across his face,
His frantic nerves at once hushed
Bearing the look of one
Who, in an instant, conquered kingdoms

He would view it from different angles
Never seeking anyone’s opinion
But gloating if he saw
Our admiring eyes fell on it

Being artistically inclined
He lived more in the world of art

But gradually things changed
To his fright, he found his hands shaky
And the lines on the canvas
Going tremulous and disjointed
Couldn’t hold a brush!

On diagnosed of Parkinson’s disease
His world abruptly lost its sheen
He saw the disease weeding
Its way into his life
Suddenly grown old
He lost interest in everything
We saw him sitting in his armchair
So immobile, for hours on end
His eyes stretched to a far horizon

We displayed before him
Paintings once born of his imagination
To see if his world would brighten
And it worked!

Recently, in one of my dreams
I saw him sitting at the foot of Michael Angelo
To learn the art, he couldn’t perfect
In his life time!