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"pygmalion" poems
O Great Goddess I Your true worshiper Crawl before your altar To beseech you Grant this poor Suffering soul Even a moments relief From the crushing weight Of this great love Its sweet agony The crippling despair All melded into one great mass of feeling O merciful Olympian Great passionate Goddess Provide succor To this lost and wand'ring devotee A glimmer of hope To tether my soul And keep the Furies at bay In the same way You granted Pygmalion's request And brought to life His marvelous statue Galatea Answer my desperate supplication Goddess of Beauty I offer my self to you I shall strive to restore Your true worship In this cursed world That has forsaken the true gods I shall bring whatever sacrifices you require If only you grant me this boon Quench a dying man's thirst Bring me up from Pluto's realm And lay me in the Elysian fields Great Goddess Hear my plea As a follower still of your descendant Gaius Julius A follower during his lifetime And a follower ever to this day I always serve your great name O Great Goddess Hear my plea Great and wonderful Goddess Venus.
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Dec 28, 2010
Dec 28, 2010 at 5:39 AM UTC
A Prayer to Venus
David, like David and Goliath, like the statue was made in 1501 by Michaelangelo. A fatherless son, born perfect to the world. Full Grown. But in Italy, they'll tell you that Michaelangelo never wanted to be a sculpter; That he was an artist but that his gift was his curse. Yet he still managed to create this marvelous marble masterpiece. Gave the world beauty to call it beautiful and behold it for hundreds of years, because heaven knows he never would. But sometimes I feel like you see yourself more like Galatea. But a rose by any other name might smell more sweet than thee, My fair, dark lady, Only to be loved by those of your statue. I mean, stature. My fair, dark lady, who chased me from the light in spite of just wanting to help the charity case. My fair, dark lady, I made you to be a hero, But a villain you became. How can one love the name of a rose proud enough To ***** the finger of tender green thumbs? Still, its handed a clean slate for the sake of soft petals. Justified by sweet smells and vibrant colours. Excused. Just, if only I could forget the thorns, I'd have spoken "Love" differently. I wanted to love you like no other sister would, but couldn't. I wanted a savior to stay even when things are okay, wouldn't you? When the giants weren't around. Well, who's hero are you now? Tell me how a statue saves lives, rather than turning to stone when the sun rises And I will eagerly believe. Or don't. Strike your pose. Bask in the spotlight. It's what you wanted. It's what you got. Hear them say "Galatea." Not marble but ivory, "Eliza." "Aphrodite." And believe them. "Perfection created." But I'll call you David; Never abandoned, forever alone. Because humans don't need solution or heroes to depend on. We need friends. Well, congratulations, beautiful. Everyone loves you. Except, the people who should.
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Jun 14, 2012
Jun 14, 2012 at 9:11 AM UTC
Never Call Me Pygmalion
David, like David and Goliath, like the statue was made in 1501 by Michaelangelo. A fatherless son, born perfect to the world. Full Grown. But in Italy, they'll tell you that Michaelangelo never wanted to be a sculpter; That he was an artist but that his gift was his curse. Yet he still managed to create this marvelous marble masterpiece. Gave the world beauty to call it beautiful and behold it for hundreds of years, because heaven knows he never would. But sometimes I feel like you see yourself more like Galatea. But a rose by any other name might smell more sweet than thee, My fair, dark lady, Only to be loved by those of your statue. I mean, stature. My fair, dark lady, who chased me from the light in spite of just wanting to help the charity case. My fair, dark lady, I made you to be a hero, But a villain you became. How can one love the name of a rose proud enough To ***** the finger of tender green thumbs? Still, its handed a clean slate for the sake of soft petals. Justified by sweet smells and vibrant colours. Excused. Just, if only I could forget the thorns, I'd have spoken "Love" differently. I wanted to love you like no other sister would, but couldn't. I wanted a savior to stay even when things are okay, wouldn't you? When the giants weren't around. Well, who's hero are you now? Tell me how a statue saves lives, rather than turning to stone when the sun rises And I will eagerly believe. Or don't. Strike your pose. Bask in the spotlight. It's what you wanted. It's what you got. Hear them say "Galatea." Not marble but ivory, "Eliza." "Aphrodite." And believe them. "Perfection created." But I'll call you David; Never abandoned, forever alone. Because humans don't need solution or heroes to depend on. We need friends. Well, congratulations, beautiful. Everyone loves you. Except, the people who should.
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55
Standing resplendent in a baroque topiary, Under a florid arbour as an arched canopy, Her pulchritude in moonlight, is the plenary Picture of, the muse, the Goddess Calliope. My heart’s reminiscence of our first encounter, Like a fragrance in my mind wafts around, Whose Pareidolia in every-thing sketches her Face, to which it is entirely spellbound. Were the Fates to keep us apart, As the sculptor Pygmalion I would be. But Aphrodite won’t breathe life into my art, For not my Galatea, I love my Calliope.
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Jan 27, 2013
Jan 27, 2013 at 11:06 AM UTC
In diligo per Calliope
did you, even now, hope to shut your eyes to so huge a crime, my treacherous one, to think you could stilly withdraw from my kingdom? did our love not once hold you? our ardent vows? or even I, Dido, preparing to succumb barbaric death? how could you, callous you!, take wing to prepare your fleet in winter —i’m sure to run aground— when Boreas thrashes against the heavens? but, if you weren’t pursuing unfamiliar soil or incited to father a distant nation, if ancient Ilium sturdily grimed through the war, would you keep piercing the wave-washed oceans in your armada? why do you elude me; is it because i have acceded irreality? am i worthless, now?—i implore you! by these tears, and your troth, by our wedding vows, and this oath before ***** we began: if i deserve anything good from you, or if you think, i was good enough for you; pity this household decaying before us! it was once yours, too. and if my prayers are still yours, gut them from my mind! for now the Libyans and Numidians hate me! dear Tyre is virulent! as my honour and once-righteous stature has vanished, just as i was about to touch my constellated infamy. for what destiny, my foreign one, do you set me aside; ever-knowing my imminent death? seeing that only your name endures from this union, why do i bother to keep living? am i waiting for my brother, Pygmalion, to destroy my Carthage’s walls, or a Gætulian Iarbus to make me his concubine? if only you gave me a son, a little Æneas to play in my courts, a boy to remind me of you; only then, perhaps, would i not be so utterly violated, and consumed.
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Nov 7, 2014
Nov 7, 2014 at 1:06 PM UTC
quis fallere possit amantem?
did you, even now, hope to shut your eyes to so huge a crime, my treacherous one, to think you could stilly withdraw from my kingdom? did our love not once hold you? our ardent vows? or even I, Dido, preparing to succumb barbaric death? how could you, callous you!, take wing to prepare your fleet in winter —i’m sure to run aground— when Boreas thrashes against the heavens? but, if you weren’t pursuing unfamiliar soil or incited to father a distant nation, if ancient Ilium sturdily grimed through the war, would you keep piercing the wave-washed oceans in your armada? why do you elude me; is it because i have acceded irreality? am i worthless, now?—i implore you! by these tears, and your troth, by our wedding vows, and this oath before ***** we began: if i deserve anything good from you, or if you think, i was good enough for you; pity this household decaying before us! it was once yours, too. and if my prayers are still yours, gut them from my mind! for now the Libyans and Numidians hate me! dear Tyre is virulent! as my honour and once-righteous stature has vanished, just as i was about to touch my constellated infamy. for what destiny, my foreign one, do you set me aside; ever-knowing my imminent death? seeing that only your name endures from this union, why do i bother to keep living? am i waiting for my brother, Pygmalion, to destroy my Carthage’s walls, or a Gætulian Iarbus to make me his concubine? if only you gave me a son, a little Æneas to play in my courts, a boy to remind me of you; only then, perhaps, would i not be so utterly violated, and consumed.
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48
Enter Pygmalion Sculptor of my flesh Firm hands of a man Desirous of himself Ego outstripping Lust driving Hard stone chipped The night sounding Like an uneven clock Tic tic tic with nary a toc And the outer shell of my existence Slowly fades Chunks and White marble dust Removed to find my bust My curves My lips My stony eyes Fake garbs With hard wrinkles My shoulders sanded to perfection Carefully crafted collarbone Body finally fully formed The master Artisan Find his own enslavement Obsession with his own creation Thus all other loves pale in comparison Perhaps that is the curse or fate Of all true Artists
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May 7, 2015
May 7, 2015 at 11:43 AM UTC
Pygmalion
He slid his arm around The coolness Of disdain, Felt the distance Of an Arctic plain, Rested his hand Upon an alabaster Thigh, Saw eternal haughtiness In stony eyes. Human heart Has he; She Heart of stone. To tempt a man To be so close, But always so alone.
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Nov 29, 2011
Nov 29, 2011 at 7:45 AM UTC
Galatea and Pygmalion
*The cordons of existence are constricting For the keepers of the dream have let us down, Who will buy tomorrow if performances are hollow Causing all the global spectators to frown? American has been the silk pyjamas Since ’45 they’ve lead the world’s display In health and wealth and brandishing the muscle But in recent times it seems they’ve seen their day. For since Clinton’s time the National debt has spiralled They’ve departed brushfire wars in disarray, Default now looms obscene with disharmony supreme With Congressional leaders ranting in the fray. The fiasco of a Government held to ransom By a faction of extremist’s from the right, Whilst the greenback in decline won’t change water into wine The dire threat of fiscal chaos causes fright. So global confidence is fading in the dollar And the watchers shake their heads in blank despair, For the willingness to follow is now a bitter pill to swallow When the USA’s rock steadiness aint’ there. So, what’s around the corner for tomorrow? What aspirants are waiting in the wings? With a fading USA perhaps it’s China’s turn to play Though that’s going to mean adjustments made to things. Of course we’re venturing into territory’s unchartered And the crystal ball consulted, isn’t clear But one thing I can assure, if this is what we must endure, Is that our tomorrows will be something, now, to fear.* Marshalg Auckland N.Z. 19 October 2013
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Oct 18, 2013
Oct 18, 2013 at 8:01 PM UTC
Pygmalion
#I have drank the philters of the oceans inside the notches of your sculpted bust chiseled to perfection by my minds notion immortal beauty to never crumble to dust Skin of ivory with curves carved by a god my little ivory girl how my fire burns breathless, stiff, and lifeless left me aw'd a singular lonely lover forever yearns Just one kiss to those stone cold lips just one before I visit in my dreams my lips upon yours, hands on hips how you look while the moon beams lighting your lovely void face The lips how they grow so warm! Your arms how they tightly embrace! By the gods, a living art form to forever love in this dark place#
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Aug 22, 2018
Aug 22, 2018 at 11:38 AM UTC
Pygmalion
Such a classic mortal blunder to lay my spine as it erodes, graceless, inelegant on Galatea’s cold, ivory arms; such delicate carvings can never be human, look human, feel human under my lonesome bones. I long to see you flinch and break into fine, liquid, rain of dust blinding me, covering the walls of this room in a blameless shade of white: a new asylum ward for my kind of insanity, you say. It envelopes like light around my awe and my forlorn limbs, tangled with Galatea’s unmoving ones. I look for comfort within brittle carcasses scraped of everything they could ever give. The quiet persists eerily. But here, Pygmalion’s gifts remain untainted: the apex of auger shells, the beak of a songbird the blunted ceriths, the rusty chisels all impaling my spinal bones. Yet the sculptor’s kisses, long erased, the careful carvings, long defaced, long reduced into a Grecian ruin. I bury my body on your arms yet they find no rest against the ghostly pleas of mammalian tusks. How many for your fingers? How many for your hair? Tell me, Galatea, were you carved to bear the weight of all the sea salt I swallowed as I drowned? Soften under my meandering thoughts; I long to see you flinch and break — like all the dead elephants — any reminder that you yield pliantly to the voice of the love goddess, that you were once turned human. Break now, your solid arms, under my own collapse over the sea foam caught on fire. I am no longer bending and weeping to pick myself up. Here it all goes down and ends: my bones, and yours, burning, snapping. Nothing — nothing less glorious will last after us. — Fray Narte
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Dec 5, 2022
Dec 5, 2022 at 10:05 PM UTC
Galatea
Such a classic mortal blunder to lay my spine as it erodes, graceless, inelegant on Galatea’s cold, ivory arms; such delicate carvings can never be human, look human, feel human under my lonesome bones. I long to see you flinch and break into fine, liquid, rain of dust blinding me, covering the walls of this room in a blameless shade of white: a new asylum ward for my kind of insanity, you say. It envelopes like light around my awe and my forlorn limbs, tangled with Galatea’s unmoving ones. I look for comfort within brittle carcasses scraped of everything they could ever give. The quiet persists eerily. But here, Pygmalion’s gifts remain untainted: the apex of auger shells, the beak of a songbird the blunted ceriths, the rusty chisels all impaling my spinal bones. Yet the sculptor’s kisses, long erased, the careful carvings, long defaced, long reduced into a Grecian ruin. I bury my body on your arms yet they find no rest against the ghostly pleas of mammalian tusks. How many for your fingers? How many for your hair? Tell me, Galatea, were you carved to bear the weight of all the sea salt I swallowed as I drowned? Soften under my meandering thoughts; I long to see you flinch and break — like all the dead elephants — any reminder that you yield pliantly to the voice of the love goddess, that you were once turned human. Break now, your solid arms, under my own collapse over the sea foam caught on fire. I am no longer bending and weeping to pick myself up. Here it all goes down and ends: my bones, and yours, burning, snapping. Nothing — nothing less glorious will last after us. — Fray Narte
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45
I'm looking for a hailstorm to run blindfolded through For the sake of refief A psychosomatic firing squad to save me from this six by three square feet of dirt that you have left me I now drag behind myself I have taken this earth and sculpted it in your likeness I am Pygmalion praying to the moon for love but instead I get rain and as the picture of Her and perfect summers falls apart like mud through my finger I clasp and grasp and gasp and when the rain stops I am left on my knees in the mud praying with open hands my skin is baptized so clean my scars shine Now as the pieces of a heart are returned to us twisted and unwanted and rearranged like a Rubix cube by the hands of past lovers who we knew too fast and promised so much but didn't care enough to figure out our combinations or to hold the secrets contained or the dreams cradled in this human-sized box I guess no one thought to tell them that if you plan to be a past lover return what you have found just as you have found it and walk backwards that the image of you walking away from me may not haunt me in the mornings and I can make believe you are returning to me at night but even the stars rearrange themselves destiny can be rewritten let what remains of my days be it's pages in an infinite number of realities I am still happy with you in an infinite number of realities I am tragic without you but in this reality I may be happy without you I'm kicking open my wardrobe and cleaning it out of all the shadows I'm putting on a new jacket, a new hat but I'm keeping my old shoes for I will not forsake the path all the roads that once only led to you now lead from you thank you for the detour I'm looking for new hands to run through forests with new arms in which to build a home in a girl to jump on bed sheets with and a shoe box in an attic to bury you in For this heart will grow and one day I will see through an unbroken stained-glass window you were just another piece of me
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Jan 16, 2016
Jan 16, 2016 at 4:50 PM UTC
Detour
I'm looking for a hailstorm to run blindfolded through For the sake of refief A psychosomatic firing squad to save me from this six by three square feet of dirt that you have left me I now drag behind myself I have taken this earth and sculpted it in your likeness I am Pygmalion praying to the moon for love but instead I get rain and as the picture of Her and perfect summers falls apart like mud through my finger I clasp and grasp and gasp and when the rain stops I am left on my knees in the mud praying with open hands my skin is baptized so clean my scars shine Now as the pieces of a heart are returned to us twisted and unwanted and rearranged like a Rubix cube by the hands of past lovers who we knew too fast and promised so much but didn't care enough to figure out our combinations or to hold the secrets contained or the dreams cradled in this human-sized box I guess no one thought to tell them that if you plan to be a past lover return what you have found just as you have found it and walk backwards that the image of you walking away from me may not haunt me in the mornings and I can make believe you are returning to me at night but even the stars rearrange themselves destiny can be rewritten let what remains of my days be it's pages in an infinite number of realities I am still happy with you in an infinite number of realities I am tragic without you but in this reality I may be happy without you I'm kicking open my wardrobe and cleaning it out of all the shadows I'm putting on a new jacket, a new hat but I'm keeping my old shoes for I will not forsake the path all the roads that once only led to you now lead from you thank you for the detour I'm looking for new hands to run through forests with new arms in which to build a home in a girl to jump on bed sheets with and a shoe box in an attic to bury you in For this heart will grow and one day I will see through an unbroken stained-glass window you were just another piece of me
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49
Laid waste the beauty of ancient sites Where wisdom laments its ancient demise. The human spirit had once taken flight Out of dark mists and out of disguise. Paradise found just beyond their reach. Friendship feigned as in unwitting Troy. Pygmalion's ideal crumbled within the breech. Pure knowledge strangled by treacherous ploy. Yet wisdom still beckons beneath this frost. Rumblings felt faintly in purer souls. Vowed in blood to regain paradise lost. Worlds sacrificed for one small foothold. Beauty from ashes of ancient sites. In spirit in heart once again taking flight.
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Feb 8, 2017
Feb 8, 2017 at 11:38 AM UTC
Wasteland Triumphant
Pygmalion beseeched Aphrodite: "Goddess, please answer my plea: Give life to my dear Galatea, that she may live always with me. “ The goddess, in a generous mood, animated your figure Divine. Your ******* generous in proportion, Your bubble **** one of a kind. Your skin is a fine alabaster; Like marble, but warm to the touch. Could your sculptor have done any better? No, I’m sure there is only one such. With golden, shoulder length tresses and lips, apple red, candy sweet. It’s not much of a mystery, really, That Pygmalion was swept off his feet.
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Dec 18, 2011
Dec 18, 2011 at 8:07 PM UTC
Galatea
June 16, 2017 My love is not that simple and shall not be something that is easy to belittle It is the bright lights that prance gracefully around when going on long walks throughout the city It is what gives people life and will not leave them with a heart that was shot by a pistol It is not used to pity It is the bright blue moon that shines brightly on those that wish to stand out on a dark and rainy night To bring out the glistening eyes, silky smooth skin, soft hair, and sweet essence that emits from the neck that I am addicted to Tick tock, time was beginning to feel tight Patience was not a virtue of mine, but I was waiting for the sincere love to come out of the blue from you My love is not that simple and shall not be something that is easy to belittle It is the kisses that the sun gives when you go outside to sit It is just like a beautiful song being played by a fiddle The type of love that roars to many hearts that are in need and those who crave for it The love that comes out of me, is what makes up your desired fantasy Even the living dead would be able to soar because of my love The love that restored your sanity Just like good times when we would be surrounded by doves My love is not that simple and shall not be something that is easy to belittle During those cold nights when the moon yearns for the clean and clear aqua sea I’m not sure why I want to taste your sweet love, even if it is just a little I barely know you and you barely know me My love is the fine red wine that your lips touch whenever you have a horrible day Leaving my deep red marks onto your mouth, which can make you speechless Just like when Pygmalion made Galatea, I want you to create a new me and let me show great affection towards you, so please come my way I promise that if you return my feelings, my love will never make you dreamless My love is not that simple and shall not be something that is easy to belittle This portion is dedicated to the one that made mirrors scream as they shattered when my love was being abused You think I am a simple woman, but I have bones that do not easily become fragile and brittle I despise you, because my heart was bruised However, the damages have been made and I have healed because I have learned that my love is not a simplicity that is ignored I have been made stronger than before My heart is now wiser and can protect me like the pen and the sword And for my new future lover, I will meet you at the shore My love is not simple and shall not be something that is easy to belittle
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Jul 15, 2017
Jul 15, 2017 at 2:21 PM UTC
My Exquisite Love
June 16, 2017 My love is not that simple and shall not be something that is easy to belittle It is the bright lights that prance gracefully around when going on long walks throughout the city It is what gives people life and will not leave them with a heart that was shot by a pistol It is not used to pity It is the bright blue moon that shines brightly on those that wish to stand out on a dark and rainy night To bring out the glistening eyes, silky smooth skin, soft hair, and sweet essence that emits from the neck that I am addicted to Tick tock, time was beginning to feel tight Patience was not a virtue of mine, but I was waiting for the sincere love to come out of the blue from you My love is not that simple and shall not be something that is easy to belittle It is the kisses that the sun gives when you go outside to sit It is just like a beautiful song being played by a fiddle The type of love that roars to many hearts that are in need and those who crave for it The love that comes out of me, is what makes up your desired fantasy Even the living dead would be able to soar because of my love The love that restored your sanity Just like good times when we would be surrounded by doves My love is not that simple and shall not be something that is easy to belittle During those cold nights when the moon yearns for the clean and clear aqua sea I’m not sure why I want to taste your sweet love, even if it is just a little I barely know you and you barely know me My love is the fine red wine that your lips touch whenever you have a horrible day Leaving my deep red marks onto your mouth, which can make you speechless Just like when Pygmalion made Galatea, I want you to create a new me and let me show great affection towards you, so please come my way I promise that if you return my feelings, my love will never make you dreamless My love is not that simple and shall not be something that is easy to belittle This portion is dedicated to the one that made mirrors scream as they shattered when my love was being abused You think I am a simple woman, but I have bones that do not easily become fragile and brittle I despise you, because my heart was bruised However, the damages have been made and I have healed because I have learned that my love is not a simplicity that is ignored I have been made stronger than before My heart is now wiser and can protect me like the pen and the sword And for my new future lover, I will meet you at the shore My love is not simple and shall not be something that is easy to belittle
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35
Having fallen enchanted with terabytes And crackle static audio that kissed my cochlea at arms length a thousand miles away i realized with fear my folly And the cursed blessing of feeling your butterflies.gif As pixelated and intangible as your portrait freezing before me a betrayal to our union a betrayal of our humanity full of blood and heat and scent when warmth is plastic beneath palms when the fan cannot keep up with fervor when solace is typed in syllables, sacred, that do not err or lose their way in translation And now i am Pygmalion prostrate before his masterpiece Clutching his beloved rock And waiting for lightning.
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Jan 23, 2012
Jan 23, 2012 at 7:14 PM UTC
Gigabytes and Galatea
English Translations of Russian Poems by Vera Pavlova Shattered I shattered your heart; now I limp through the shards barefoot. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Seasons Winter―a beast. Spring―a bud. Summer―a bug. Autumn―a bird. Otherwise I'm a woman. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Pygmalion Immortalize me! With your bare, warm palm please sculpt and mold my malleable snow. Polish me until I glow. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Scales Scales: on the one hand joy; on the other sorrow. Sorrow is weightier; therefore joy elevates. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Muse A muse inspires when she arrives, a wife when she departs, a mistress when she’s absent. Would you like me to manage all that simultaneously? ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Stone Wall You, my dear, are my shielding stone: to sing behind, or bash my head on. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Fluttering Remember me as I am this instant: abrupt and absent, my words fluttering like moths trapped in a curtain. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Flight I have been dropped and fell from such immense heights for so long that perhaps I still have enough time to learn how to fly. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch God saw it was good. Adam saw it was impressive. Eve saw it was improvable. —Vera Pavlova, loose translation/interpretation by Michael R. Burch Three versions of Vera Pavlova's "tightrope" poem: I test the tightrope, balancing a child in each arm. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch I walk a tightrope, balanced by a child in each arm. —Vera Pavlova, loose translation/interpretation by Michael R. Burch I test the tightrope, balanced by a child in each arm. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Vera Pavlova is a Russian poet. Born in Moscow, she is a graduate of the Schnittke College of Music and the Gnessin Academy of Music, where she specialized in music history. She is the author of twenty collections of poetry, four opera librettos, and the lyrics to two cantatas. Her poetry has appeared in The New Yorker and other major literary publications. Keywords/Tags: Pavlova, Russian, translations, epigrams, woman, female, shards, seasons, scales, tightrope, child, arm, sorrow, joy, shattered, heart, broken, glass, limp, limping, barefoot, snow, sculpt, mold, polish
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Mar 20, 2020
Mar 20, 2020 at 1:25 AM UTC
Vera Pavlova "Shattered" translation
English Translations of Russian Poems by Vera Pavlova Shattered I shattered your heart; now I limp through the shards barefoot. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Seasons Winter―a beast. Spring―a bud. Summer―a bug. Autumn―a bird. Otherwise I'm a woman. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Pygmalion Immortalize me! With your bare, warm palm please sculpt and mold my malleable snow. Polish me until I glow. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Scales Scales: on the one hand joy; on the other sorrow. Sorrow is weightier; therefore joy elevates. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Muse A muse inspires when she arrives, a wife when she departs, a mistress when she’s absent. Would you like me to manage all that simultaneously? ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Stone Wall You, my dear, are my shielding stone: to sing behind, or bash my head on. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Fluttering Remember me as I am this instant: abrupt and absent, my words fluttering like moths trapped in a curtain. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Flight I have been dropped and fell from such immense heights for so long that perhaps I still have enough time to learn how to fly. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch God saw it was good. Adam saw it was impressive. Eve saw it was improvable. —Vera Pavlova, loose translation/interpretation by Michael R. Burch Three versions of Vera Pavlova's "tightrope" poem: I test the tightrope, balancing a child in each arm. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch I walk a tightrope, balanced by a child in each arm. —Vera Pavlova, loose translation/interpretation by Michael R. Burch I test the tightrope, balanced by a child in each arm. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Vera Pavlova is a Russian poet. Born in Moscow, she is a graduate of the Schnittke College of Music and the Gnessin Academy of Music, where she specialized in music history. She is the author of twenty collections of poetry, four opera librettos, and the lyrics to two cantatas. Her poetry has appeared in The New Yorker and other major literary publications. Keywords/Tags: Pavlova, Russian, translations, epigrams, woman, female, shards, seasons, scales, tightrope, child, arm, sorrow, joy, shattered, heart, broken, glass, limp, limping, barefoot, snow, sculpt, mold, polish
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73
Stop right now and NUT IT OUT Which way you wish to go, Do you want the wealth and stressful strain Or blithely flick and throw? Do you preen yourself with smiling pride Owning shining  chattels new, Whilst shallow OTHERS OGLE With those envious eyes on you? Or do you seek the clean four winds Untrammelled by concern, With sleeping bag, a crescent moon Whilst crackling bonfires burn? Have you thought to chuck it all The car, the house, the boat And cause your superficial  friends To snigger, leer and gloat? To simply live in HUMBLE CIRCUMSTANCE To wake without a plan, To greet the day with unconcern And breathe a new, fresh man. Is the courage there to TAKE THE CHANGE, Can you make the first big move, Or does convention stay your hand To stray from comfort’s groove? Have you thought about what others think, Reactions from the crowd, The clamorous cacophony Of objection rendered loud? “Absolutely NOT, my dear” Pygmalion my **** To throw it all away, Silly, Simply would... betray your Class! “It’s all so rudimentary This thing of living rough” “Reminds me of the great apes, And other basic stuff!” There’s loads of reasons why YOU CAN’T, The mortgage at the bank, Insurance is essential And while we’re being frank... There’s the tennis club subscription And the afternoons I’d miss Sipping lattes with the ladies ..though, the gossip’s SO remiss. Perhaps we’ll put it off for now Another day perchance, When devilment and joi le vivre EFFUSE another prance. When the dream of having freedom With the cold wind in my hair, Will drive me to release The inner WILDNESS hidden there. Marshalg Victoria ParkTunnel 4 March 2011
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Mar 4, 2011
Mar 4, 2011 at 6:14 PM UTC
An Improbable Intention
Stop right now and NUT IT OUT Which way you wish to go, Do you want the wealth and stressful strain Or blithely flick and throw? Do you preen yourself with smiling pride Owning shining  chattels new, Whilst shallow OTHERS OGLE With those envious eyes on you? Or do you seek the clean four winds Untrammelled by concern, With sleeping bag, a crescent moon Whilst crackling bonfires burn? Have you thought to chuck it all The car, the house, the boat And cause your superficial  friends To snigger, leer and gloat? To simply live in HUMBLE CIRCUMSTANCE To wake without a plan, To greet the day with unconcern And breathe a new, fresh man. Is the courage there to TAKE THE CHANGE, Can you make the first big move, Or does convention stay your hand To stray from comfort’s groove? Have you thought about what others think, Reactions from the crowd, The clamorous cacophony Of objection rendered loud? “Absolutely NOT, my dear” Pygmalion my **** To throw it all away, Silly, Simply would... betray your Class! “It’s all so rudimentary This thing of living rough” “Reminds me of the great apes, And other basic stuff!” There’s loads of reasons why YOU CAN’T, The mortgage at the bank, Insurance is essential And while we’re being frank... There’s the tennis club subscription And the afternoons I’d miss Sipping lattes with the ladies ..though, the gossip’s SO remiss. Perhaps we’ll put it off for now Another day perchance, When devilment and joi le vivre EFFUSE another prance. When the dream of having freedom With the cold wind in my hair, Will drive me to release The inner WILDNESS hidden there. Marshalg Victoria ParkTunnel 4 March 2011
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55
Wielding one balance before me: Divine intent, no tool for an evil genius Levied ‘gainst one jar wrought of glass, Within fine grains of coal. My sins may weigh to graphite Fitting, for no blanket of Heaven Suits my restlessness. Cast me on parchment Where I spell out the pain Of never capturing truth—no human may. Enigma, Aestheticus, vibrant, complete Finished, or full. No, I utter to Venus A Pygmalion word to know All as art and beauty so well As to paint it carnally. Give me that which is love made manifest On lithe little toes, walks her Which, parsed out selectively Is revealed in awesome moment, eternal Subjectivity. Either she steps from a canvas Strides from a dream, I awaited it, organic To come into being, to escape my grasp And make useless poetry.
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Aug 25, 2014
Aug 25, 2014 at 9:52 PM UTC
Pygmalion's word
Vera Pavlova: English Translations of Russian Poems by Vera Pavlova Shattered I shattered your heart; now I limp through the shards barefoot. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Seasons Winter―a beast. Spring―a bud. Summer―a bug. Autumn―a bird. The rest of the time I'm a woman. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Pygmalion Immortalize me! With your bare, warm palm please sculpt and mold my malleable snow. Polish me until I glow. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Scales Scales: on the one hand joy; on the other sorrow. Sorrow is the weightier; therefore joy elevates. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Muse A muse inspires when she arrives, a wife when she departs, a mistress when she’s absent. Would you like me to manage all that simultaneously? ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Stone Wall You, my dear, are my shielding stone: to sing behind, or bash my head on. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Fluttering Remember me as I am this instant: abrupt and absent, my words fluttering like moths trapped in a curtain. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Flight I have been dropped and fell from such immense heights for so long that perhaps I still have enough time to learn how to fly. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Three versions of Vera Pavlova's "tightrope" poem: I test the tightrope, balancing a child in each arm. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch I walk a tightrope, balanced by a child in each arm. —Vera Pavlova, loose translation/interpretation by Michael R. Burch I test the tightrope, balanced by a child in each arm. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch God saw it was good. Adam saw it was impressive. Eve saw it was improvable. —Vera Pavlova, loose translation/interpretation by Michael R. Burch Vera Pavlova is a Russian poet. Born in Moscow, she is a graduate of the Schnittke College of Music and the Gnessin Academy of Music, where she specialized in music history. She is the author of twenty collections of poetry, four opera librettos, and the lyrics to two cantatas. Her poetry has appeared in The New Yorker and other major literary publications. Keywords/Tags: Pavlova, Russian, translations, epigrams, woman, female, shards, seasons, scales, tightrope, child, arm, sorrow, joy, shattered, heart, broken, glass, limp, limping, barefoot, snow, sculpt, mold, polish
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Mar 20, 2020
Mar 20, 2020 at 2:37 AM UTC
Vera Pavlova translations of Russian Poems
Vera Pavlova: English Translations of Russian Poems by Vera Pavlova Shattered I shattered your heart; now I limp through the shards barefoot. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Seasons Winter―a beast. Spring―a bud. Summer―a bug. Autumn―a bird. The rest of the time I'm a woman. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Pygmalion Immortalize me! With your bare, warm palm please sculpt and mold my malleable snow. Polish me until I glow. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Scales Scales: on the one hand joy; on the other sorrow. Sorrow is the weightier; therefore joy elevates. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Muse A muse inspires when she arrives, a wife when she departs, a mistress when she’s absent. Would you like me to manage all that simultaneously? ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Stone Wall You, my dear, are my shielding stone: to sing behind, or bash my head on. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Fluttering Remember me as I am this instant: abrupt and absent, my words fluttering like moths trapped in a curtain. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Flight I have been dropped and fell from such immense heights for so long that perhaps I still have enough time to learn how to fly. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Three versions of Vera Pavlova's "tightrope" poem: I test the tightrope, balancing a child in each arm. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch I walk a tightrope, balanced by a child in each arm. —Vera Pavlova, loose translation/interpretation by Michael R. Burch I test the tightrope, balanced by a child in each arm. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch God saw it was good. Adam saw it was impressive. Eve saw it was improvable. —Vera Pavlova, loose translation/interpretation by Michael R. Burch Vera Pavlova is a Russian poet. Born in Moscow, she is a graduate of the Schnittke College of Music and the Gnessin Academy of Music, where she specialized in music history. She is the author of twenty collections of poetry, four opera librettos, and the lyrics to two cantatas. Her poetry has appeared in The New Yorker and other major literary publications. Keywords/Tags: Pavlova, Russian, translations, epigrams, woman, female, shards, seasons, scales, tightrope, child, arm, sorrow, joy, shattered, heart, broken, glass, limp, limping, barefoot, snow, sculpt, mold, polish
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73
Make me your Pygmalion Statue, while this love is running warm in my veins. While the blood is warm, make me so I will never change. I love you so, I want to please. Make me your statue for fear of loosing you is a strange thing.
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May 23, 2014
May 23, 2014 at 5:52 PM UTC
Aphrodite.
He sculpted reality Shifted melted metal To shape a better world The hand of man She sculpted flesh Growing cells Pygmalion of the womb Suckling and nurturing A newborn He made madness Mimicking solar explosions Destruction Death She gave birth To generations Yet veneration Was given to the masculine Man made god a male The progeny turned upon The progenitor Male propagated pain Female yielded the fruit of life In all forms of adaptation Though I reject gender division In societies expectations I would prefer a female god Giving birth To the damning male model Condemning all those who live on This beautifully evolved Earth
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Feb 19, 2015
Feb 19, 2015 at 8:52 AM UTC
Untitled
There’s no way out of here alive With molten fever consuming my fraying mind Bound fragile to flesh cast cog Bound to sprocket and brittle bone This hollow machine I call my own Harbors both frontline and buried home Thickly sick in uncertain, clogs A riddled complex bleached with textureless rooms Where, scrawled white, scribbled deep, the walls sputter Void of voice and prop yet choked with clutter None window, none door, save intangible lover Offering both belief of choice and doom Her name wanders worlds to haunt my lips But only death and delusion come to meet my kiss There, splashed and splayed through blistering ash Dripping sparks from horizon’s blazed ceiling I’m thrown ‘gainst the frame, my heart reeling So the earth holds me to the floor, both of us bleeding I, within, myself, side foiled folds and crass Lo, her silent beauty weeps and screams Siren! Angel! Demon! ; So I’m Pygmalion’s craze And her, his pride to leave me razed Then I, her bird, braves her play and blade That carves my fall through trap-rapt dream For her and I, on wings; hopes tried, To wake and break us out alive.
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Mar 9, 2011
Mar 9, 2011 at 10:06 AM UTC
In (26) Sightlines; Condemned and Confined
I name you Pygmalion because between my skin and delusion you have carved an ivory woman. You have carved her with your eyes. But for all your looking, you can’t see, little blind man, that I have no need of Aphrodite’s blessing. In the strength of my spine and the flash of my teeth and the skill of my hands, hands you did not hew, I hum with power, ferociously alive. The only thing of mine you will ever be king of, King Pygmalion, is the likeness you sculpt in your dreams.
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Dec 4, 2019
Dec 4, 2019 at 9:42 PM UTC
To the Man Behind the Counter I Pass while Working
When a poem comes alive I might be like Pygmalion Not sharing her with anyone Gently adoring her all my life Yet, relieved from her laces Doesn't a poem's magic lie In that through the reader's eye She may reveal her many faces? So I charily hand her over To the public domain As however much I love her It would be a thoughtless sin Not letting you discover What I never did put in
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Dec 29, 2017
Dec 29, 2017 at 10:32 PM UTC
Galatea