i was watching ovation yesterday evening and i was looking forward to checking out the

new show shift out, thinking it will be a show packed with all the fun on the internet, because

dudes, there is a lot of fun you can have on the internet, there is stuff on for all likes and dislikes

like the shaytards and bratayley and old episodes of prisoner and tim minchin songs as well

as the young ones, and hello poetry which i am johnny georgy brown for the budding poets

and there are a heap of writing websites that i used to all never belonged to, there is art colony

where i am under brian allan and i have opened my mind with the world, i have a lot of youtube

stuff from aaa youtube tv and aaron clayton, and i am upset that the ovation show shift is so ******

conservative, i get it that people are thinking this guy isn’t young, no i am in my 40s but i am still

good on the internet, i want to save the world, i have been put on this earth to save the world,

and it would be great if shift wasn’t so ****** conservative, because you can interview youtube junkies

as well as bring people from youiube to appear on your show to sing, you see everyone on the internet

including me have special talents, everyone on social media including me have special talents, better than

some of these losers you get on australia’s got talent, but some of them a pretty good too, but i am just saying

that i expected shift on ovation to be a new saturday night variety show showing us entertainment on the web

because it was supposed to go on from 7.15 to 10.30, but it was boring because it only lasted from 7.15 to 7.22

if that, mind you if shift was an internet based variety show, it would be really cool, because there is a lot of cool

stuff as i said over the internet, you can even play concerts from your favourite bands on youtube, and one week

could play a concert from youtube or bringing in some youtube entertainers to entertain us, i realise that there is

a lot of copyright being done, but that is because everyone wants to have fans, like me, i watch my stuff on Facebook

and other stuff and realise i have fans, and there is nothing wrong with having fans, and if shift was what i thought

we could bring you tubers close to their fans all over the world, boy would that be ever so radically awesome

what i am saying, the internet is a big place, and shift should explain what entertainment you can find over the web

rather than little things, everyone on the web, is a computer dude to, but they ain’t getting what they want

i want to ban shift because they only show computer geeks and not computer dudes like myself

I have learned to love myself
Without You
I deserve a
Standing ovation

How can I be the closest to your home, and still unknown,
How can I be the closest to the Sun, closest to the scorch,
and still have the most icy landlords in my poles,
and why can I and twilight be seen by you alone?

How come from my surface, light does not work--light does not hurt, I do not blink as I think, even as the sunset pours lava forth, and that sunset is that lie of time, as you disappear in darkness, I almost disappear in light, then the stars scream across the sky, in a geminid shower rewind, in my unblinking muse, in the solar hues, the great inferno retreats, and the slower speed of Earth I view, And I see the astrologer, with his useless scope, trying to track my path, futile as the priests trying to invent gold.
They cannot understand my core, with machines that are perfect because I am perfectly mercurial on the surface,
with the intense cold of my poles, and the intense burning solar gold of my repose,  I view blinding light, then infinite starry night, and cold dark logic they are encased in--my deep dark basins--and the rolling triumph of my surface's relief is from breathless sandy ovation beneath.


        But now is my silver region where I compose, between extremes, no ovation no gold, only metallic mercury upon the barren from faint starlight strobes.  Here is where my dark volumes are known, but  like shifting shadows--from light are closed.  Then a clock strikes the hour, when my surface is reinvested with power,  the oncoming of a sunset getting louder and louder,  and in my face a cold severe place, and on my stare intense solar glare.

   My theater is caused by applause, my temple is lit with pale light of long dead stars, and I crash and die young forever like my short lived geminid sparks,  In your twilight is my house, and with my intense and icy blood, I protect the memory and mystery of love.

And just like coffee.
Let your aroma tingle and stimulate the smiles of those around.
The best source of touch
Without cream or sugar.
Stir the organic presentation that brings the next minute that much closer.
Whether the preference is a mug or a styrofoam cup.
Remember,
At the end of the day.
Coffee fits into any size container
And brings to life any size smile.
With one quick sip
The senses awake to a new day.
Swirled in unspoken travel sized rule.
It follows,
The beautiful ovation that rushes once poured.
Beautifully represented by your smile.
The tone of your skin.
Your hair naturally at ease.
Stirred by a finger.
Specialism by the majority nodding away,
Yet awaken by your essence.
Soon extracted and brought to life.
Swirling beyond content.
And just like coffee,
I look forward to a cup of you

Split Personality

You wanna know what goes on in my head,
if you only knew, you would drop dead.
Anger, depression and suicidal thoughts,
maybe its all those little brain clots.
Conceited, vain and very egotistical,
confused, shocking and very mystical.
I'm eccentric, bizarre, and always unconventional,
my vision is always three dimensional.
I take the path that's less traveled,
things I do leave people baffled.
Even I don't know what I'm doing,
but trust me, I always got something brewing.
I practice in the art of deception,
I'm admired by my depth of perception.
I don't know wrong from right,
I see everything in black and white.
I'm a man you don't wanna meet,
I lie, steal and always cheat.
I'm flirty, ***** and very perverted,
if we're alone, I will leave you deserted.
I'm ****, hot and always aroused,
every girl I have slowly browsed.
I love assault, ****** and ****,
but I only write it for an escape.
Inside my head is torture and pain,
I'm certified and clinically insane.
Sometimes I take my medication,
when I don't, I'm on a permanent vacation.
I'd do anything to become famous,
even **** Donald Trump in his ****.
I've crossed over to the dark side,
to hell, I've already applied.
There is no help for me now,
before I go please give me a bow.
I'll accept a standing ovation,
sick and tired of all the aggravation.
I used to be so nice and kind,
into heaven, I got denied.
Don't pay attention to the things you read,
I entertain you til my fingers bleed.
Ask anybody, I really a great guy,
just like REO Speedwagon, its time for me to fly.

VI. I, Ophelia
___________________

­{The Drowning}

It was her--
Flower Child.
Weeping Woman.
Crazed Ophelia--
who taught me that the
drowning is in the letting go
and not in the doing.

Ophelia did not flee to the riverside
with the intention of
drowning herself, no--
it was merely a promise of bouquets--
daisies, violet, rosemary,  rue--
of wild, velveteen petals nestled softly
against tear-stained cheekbones;
pine needles--
ticklish--
beneath raw feet
(do you recall how The Little Mermaid
danced upon knives
in the name of true love?);
and the train of her nightgown
a focal point for dewy leaves
and frayed bird feathers.

For it was flying she thought of
as she climbed the scarred willow
and cradled herself atop its highest bough,
severed blossoms in hand,
legs dangling precariously over
blustering currents.

But
when the bough
b r o k e ,
the cradle did   f
                              a
                               ­   l
                                      l,
and down came
mad girl
cradle and all.

But you must understand--
the dismemberment of the
willow's flailing limbs
was not her doing;
when the rapids dragged her down
to the belly of the murky river bed,
she merely gave no struggle
as death lapped at her ribs--
she merely submitted,
allowed the snivelling maw of the river
to swallow her whole.

Now,
I think it suiting
that I ponder the demise of the
Flower Child
(wilted in her ruin);
Weeping Woman
(tears reunited
with the eye of
the water lily);
Crazed Ophelia
(forgotten)
and all she has taught me
of drowning
as I let myself
fall asleep in the bathtub
at three o clock in the morning,
all the while a little drunk
and so very sad.
(You'd might have even thought
I wanted to drown myself. )
__________________
{Th­e Resurrection}

Doused in the pallid wash
of blue stage light,
and the clamour
of imaginary tides
growling in my ears,
I metamorphosize into
Hamlet's Ophelia
and all the other Ophelias
who came before me--
mad.
broken.
lost.
women.

Women who were never
capable of quieting
the sea trembling
in their veins;
the barbaric deluge festering
within their souls;
the siren songs
musing to the cavernous twists
of their hearts,
piercing through artery
with stalagmite precision.

These women succumbed,  
not to the water,
but to the burden of their own
desire.
love.
heartbreak.

None of them survived.

Except for me,
of course.

And, I must admit,
it took my
writing this poem
to finally understand
why that is--
why--
how--
I have managed
to stay alive,
despite dreaming of that
same siren song
that lured my foremothers
to their destructions.

See,
alone,
Ophelia could not weather  
the tempest seething over her.

But I different--
I am not alone.

Because I carry with me the spirits
of all the Ophelias
who came before me,
the fragments of their beings
melding together to create
a brilliant gossamer of hope.

And that is why,
together,
we can breathe underwater.
____________________
{­Blackout}

Ophelia Bows,
her performance immortalized
through the remembrance
of a standing ovation.

christmas power



i am talking about greame thorne’s only TV performance, you see it was show

called christmas power at elizabeth bay and it was hosted by john bradley, you see john brought

10 young performers in to sing christmas carols to celebrate the reason for this day

and it was set out to be an annual TV event every christmas event, but it never made

it to the 2nd year, so here we go

john’  welcome to christmas power, a show to celebrate the magic of christmas and

i will bring in 10 performers to each sing their favourite christmas carols

first up here is kenny butler aged 11 singing silver bells

he sang it well and said at the end, how about that

john’  thanks kenny and let’s see how mrs santa claus is going, here is therse berlin with mrs santa claus

and therese sang that song with absolute grace and beauty and then john introduced, greame thorne (me)

and tim mcgrath, and they will sing silent night, and they blew away the crowd so beautifully and then

after that, the next singer was bert somers with i am sending a letter to santa claus, and every note was

played so great, and then john bradley sang jingle bells and rudolph the red nosed reindeer as santa came

out to say hello to everyone on tv australia’s first christmas show, and as santa left the stage, john brought

greg harrison out to sing hi ** silver lining and he sang that so great, he was asked by church groups to

do future shows and then john bradley brought daryl simmons comes on stage to sing away in a manger

and drove the crowd completely wild and got a standing ovation and then john bradley brought out harry stone

aged 12 and he sang we wish you a merry christmas and greame thorne(me) came out to sing good tidings we

bring to you and your king, and harry got audience participation as well as a standing ovation

john brought out the 8 th singer madelline rupert, aged 5, with white christmas, and yeah mate yeah

this was the greatest version ever, and maddeline was amazed with all the crowd really cheering her performance

and now john bradley brought out the 9th singer 10 year old jacob stone, brother of harry, and he sang

jolly old st nicholas, and everyone joined in singing and gave him a standing ovation, and then john

introduced molly ringwould to sing the christmas list, and this was a very moving performance and blew the

crowd away and at the end she got a standing ovation, and now, it was time to announce the christmas power award winner

and they rolled the drums, and therese berlin won the award, and they gave her a plaque and $500, and

this was the end of the first and last version of christmas power and there is no real proof of this show as the

tape was stolen and thrown out to sea, pretty much what happened to greame thorne (me), so there isn’t proof

but i remember this was an excellent previous life memory i have, and

Ah Consuela! Invoking vast vistas for visions of green Spanish eyes,
I discern them again where she left me back then,
                 as we kissed when she parted, my friend.
Through those ruins I tread towards the footlights, now dead,
                 where I’ll muse as her shadows ascend.

                  .
                          .
Ah Consuela! I’m watching, she teases the mirror with green Spanish eyes;
her serape entangles her brooches and bangles
                 like lace on the sorcerer’s looms,
and her cape of the night, she drapes tight to excite,
                 and her fan is embellished with plumes.

Ah Consuela! I’m watching as spectators savour her green Spanish eyes;
taming wild concertinas, the dark ballerina
                 performs on the music hall stage,
but she shies from the sound of ovation unbound
                 like a timorous bird in a cage.

Ah Consuela! I’m watching, she quickens the pit with her green Spanish eyes;
as the cymbals shake, clashing, the floodlights wake, flashing,
                 igniting the wild fireflies,
and the piccolo piper’s inviting the vipers
                 to coil neath the cold caldron skies.

Ah Consuela! I’m watching the shimmering shadows in green Spanish eyes
as I rise from my chair and proceed to the stair
                 with a hesitant sip of my wine.
Though she doesn’t deny me, she wanders right by me
                 with neither a look nor a sign.

Ah Consuela! I’m watching, she looks to the stage with her green Spanish eyes,
(for her senses scoff, scorning the biblical warning
                 of kisses of Judas that sting,
with her pierced ears defeating the echoes repeating)
                 and smiles at the magpie that sings.

Ah Consuela! I’m watching faint embers a’ stir in her green Spanish eyes,
for a soft spoken stranger enveloping danger
                 has captured the rhyme in the room
as he slips into sight through a crack in the night
                 midst the breath of her heavy perfume.

Ah Consuela! I’m watching, she gauges his guise through her green Spanish eyes
– from his gypsy-like mane, to his diamond stud cane,
                 to the raven engraved on his vest –
for a faraway form, a tempestuous storm,
                 lurks and heaves neath the cleav’e of her *******.

Ah Consuela! I’m watching the caravels cruising her green Spanish eyes;
with the castanets clacking like ancient masts cracking
                 he whips ’round his cloak with a ****
and without sacrificing, at mien so enticing,
                 she floats with her face facing his.

Ah Consuela! I’m watching the vertigo veiling her green Spanish eyes,
while the drumbeat pounds, droning, the rhythm sounds, moaning,
                 of jungles Jamaican entwined
in the valleys concealing the vineyards revealing
                 the vaults in the caves of her mind.

Ah Consuela! I’m watching life’s carnivals call to her green Spanish eyes,
and with paused palpitations the tom-tom temptations
                 come taunting her tremulous feet
with her toe tips a’ tingle while jute boxes jingle
                 for jesters that jive on the street.

Ah Consuela! I’m watching, she rides ocean tides in her green Spanish eyes,
and her silhouette’s travelling on ripples unravelling
                 and shaking the shipwracking shores,
as she strides from the light to the black cauldron night
                 through the candlelit cabaret doors.

Ah Consuela! I’m watching, she dances till dawn flashing green Spanish eyes,
with her movements adorning a trickle of morning
                 as sipped by the mouth of the moon,
while her tresses twirl, shaming the filaments flaming
                 that flow from the sun’s oval spoon.

Ah Consuela! I’m watching, she masks for a moment her green Spanish eyes.
Then the magpie that sings ceases preening her wings
                 and descends as a lean bird of prey –
as she flutters her ’lashes and laughs in broad splashes,
                 his narrowing eyes start to stray.

Ah Consuela! I’m watching fey carousels spin in her green Spanish eyes,
and the porcelain ponies and leprechaun cronies
                 race, reaching for gold and such things,
even being reminded that only the blinded
                 are fooled by the brass in the rings.

Ah Consuela! I’m watching, she shepherds the shadows with green Spanish eyes,
but as evening sinks, ebbing, the skyline climbs, webbing,
                 and weaves through the temples of stone,
while the nightingales sing of a kiss on the wing
                 in the depths of the dunes all alone.

Ah Consuela! I’m watching the music and magic in green Spanish eyes,
as she dances enchanted, while firmly implanted
                 in tugs of his turbulent arms,
till he cuts through the strings, tames the magpie that sings,
                 and seduces once more with his charms.

Ah Consuela! I’m watching, the citadel steams in her green Spanish eyes,
but behind the dark curtain the savants seem certain
                 that nothing and no one exists,
and though vapours look vacant, the vagabond vagrants
                 remain within mythical mists.

Ah Consuela! I’m watching as lightning at midnight in green Spanish eyes
kindles cracks within crystals like flashes from pistols
                 residing inside of the gloom
as it hovers above us betraying a dove as
                 she flees from the fountain of doom.

Ah Consuela! I’m watching, distilling despair in her green Spanish eyes,
and the bitterness stings like the snap of the strings
                 when a mystical  mandolin sighs
as the vampire shades **** the life from charades
                 neath the resinous residue skies.

Ah Consuela! I’m watching, she looks to the ledge with her green Spanish eyes,
for the terrace hangs high and she’s thinking to fly
                 and abandon fate’s merry-go-round.
At the edge I perceive her and rush to retrieve her –
                 she stumbles, falls far to the ground.

Ah Consuela! I’m watching the sparkles a’ spilling from green Spanish eyes.
As I peer from the railing, with evening exhaling,
                 I cry out a lover’s lament –
there she lies midst the crowd with her spirit unbowed,
                 but her body’s all broken and bent.

Ah Consuela! I’m watching, she beckons me hither with green Spanish eyes,
and I’m slightly amazed being snared in her gaze
                 and a’ swirl in a hurricane way,
but the seconds are slipping, my courage is dripping,
                 the moment is bleeding away.

Ah Consuela! I touch her - she weeps tender tears from her green Spanish eyes;
as the breezes cease blowing, her essence leaves, flowing,
                 in streams neath the ambient light,
and the droplets drip swarming, so silent, yet warming,
                 like rain in a midsummer night.

Ah Consuela! I hold her, am hushed by the hints in her green Spanish eyes,
while her whispers are breathing the breaths of the seething
                 electrical skeletal winds,
and the words paint the poems that rivers a’ slowin’
                 reveal where the waterfall ends.

Ah Consuela! I’m fading in fires a’ flicker in green Spanish eyes,
as she plays back the past, she abandons and casts
                 away matters that no longer mend.
           .
                  .
And she reached out instead, as she lifted her head,
                 and we kissed as she parted, my friend.
           .
                  .
                          .
Ah Consuela! I’m tangled, entombed, trapped in tales of your green Spanish eyes,
in forsaken cantinas beyond the arenas
                 where night-time illusions once flowed,
for the ash neath my shoulder still throbs as it smoulders
                 some place near the end of the road.

i.*
She's beautiful. She's an angel. She's everything we asked for.* I cried for the hopes and dreams of a future that was never mine. I didn't know any better, so I kept crying.

xiv.
You can't run around like before anymore. Don't get your knees *****. Elbows off the table. Grow up. I brushed my hands of the dirt and picked myself up, because ladies weren't supposed to pick earthworms out of the grass. I picked up eyeliner instead.

xvi.
I'm trusting you. Don't get into trouble. Don't do anything dumb. There's something satisfying about hearing the roar of an engine at the start of a July evening. With the wind in your hair, freedom at your finger tips, I could have done anything. But I shut off the car and went inside.

xviii.
You're grown up now. You're an adult. You can't afford to make stupid mistakes anymore.  I was composed of keg stands, one night stands, roommates, 2am Taco Bell runs, first dates, caffeine, prayers, tears, insecurities, heart to heart talks, "just try it, it's fun, I swear", friends that turn into bridesmaids, broken promises and broken hearts. I can still hear the train's whistle.

xxi.
I told you not to do anything dumb. I told you not to make stupid mistakes. I don't know what to tell you anymore. Here's a standing ovation to being immortal; hats off to the teary drunken nights and the existential crises. These are the days that we'll look back and wish we never wasted and I'll wonder why I let you wipe your muddy shoes on me.

A poetic drama (One Scene)

( Egypt’s parliamentary farce)

(The spokesperson on the presidium strikes the table with a wooden hammer and asks for order. Participants become quiet.
Raise your hands and reflect your views on today’s point of argument— The Grand Ethiopian Renaissance Dam (GERD ) on Blue Nile. Various people representatives raise hands,
The spokesman says let us start with Mr. Hydrologist over there.)

Egypt’s globally
Topmost voluminous
Underground
Reserve of water
We could use later.
So via our media outlets
It is better
We dupe
The global community with
Much-touted chatter
“To Egyptians
Demand of water
To cater
Blue Nile is
A life and
Death matter!
As thicker than blood
Is water! ”

Of course,
From the Mediterranean
Or Red Sea
We could extract, desalinate
And use water,
But why should
We talk about that?
We better
Ask on Blue Nile
A farfetched exclusive right.

Though hydropower dam
Has no significant harm
We shall flout it
In a way it runs
Out of charm.
As  the Nobel peace winner
Premier  Abiy Ahmed put it
"Almost all Egyptians
Enjoy the supply of electricity,
While over half of Ethiopians
Are thirsty of such necessity.

Tragically, to date
Using a lamp
Covers most of Ethiopia's map.

For the rational,
It is a source of worry
Innumerable Ethiopian mothers
Still on their backs carry
Backbreaking firewood
So that go to school
Their children could.
What we say
Is if you  are remiss to help
don't stand on our way
While we're flapping wings
From fettering poverty
To break away!"


Also via a conduit
Diverting Blue Nile
Across the Sahara desert
A financial return
Egypt could get
That delights its heart.
The water from
Upstream countries
We do not buy
But paradoxically sell it
We shouldn’t why?

Like Israel
Using drip irrigation
Must not
Draw our attention.
We shall be extravagant
For Blue Nile’s water
Is abundant.
Unchecked lavishly
It must flow!
Pertaining to that
We have to remain adamant.

Also, the
Silt accumulation
In Aswan dam
Could be disastrous
The outcome,
Yet we have
To cry foul
This challenge-averting
GERD must not soon
Generate region-
much-needed power!

Though it is 50 % of the
Annual trans boundary
Water outflow
Other water-generating countries
Are willing to let go
Unwilling anything below,
Kind Ethiopia ventures
Holding only 13% of
The yearly flow to follow,
However, ingratitude
Must feature our attitude.
This may
Provoke a  dismay
But attention
We shall not pay.

(A tumultuous applause shook the parliament. Once more the spokesman asks for order. Then he invites a former diplomat saying “ it is your turn.”)

Once, by famine hit
When Ethiopia   asked
“Help me not why?”,
While others extended help,
Mocking, we did turn
A blind eye.

As our former bent
Whenever Ethiopia
Seeks  grant
From international
Development Institutions
On grounds of
Fighting poverty and drought,
Greasing palms  
We shall bring
Ethiopia’s plans to harness
Blue Nile to naught!
Use we shall
Many a phony diplomat
With a tongue of honey
And a heart of gall.

Tact we do not lack
So cautiously,
Our sanctimonious mask
Our targets
May not hack,
All out
We shall engage in
Self-selling talk!

From all things that fall
In the technical matrices
We shall make a sham politics.

(He sits enjoying a standing ovation. The spokesman invites a representative with a military background.)

We shall blow our
Trumpet in the air
“In lieu of
The reasonable 3 years,
Cooperatively,
From 4 to 6 years
To fill the dam
If Ethiopians dare,
War on it
We shall declare!
Barefacedly claiming
Fifteen to 20 years
Is what is fair!

In such infeasible way
Before it sees the day’s light
GERD will suffer blight.”

(He hiccups and continues)

“With a bellicose bent
To remind ourselves
Deliberately we shall fail
So many times Ethiopia
Chased out every
Egypt’s invading army
Between its legs
Shoveled its tail.
(Ex. Isma'il Pasha/ 1874 –1876
Gundet &Gura March 7–9, 1876)
But why should we care
Arsenal support
Hypocrites, who want to exploit
In the Middle East
Egypt’s political purport,
Will bring to our port.
The current catchphrase
"I can't breathe"
Demonstrates hypocrites'
Justice has no teeth!

We shall
Continue to brag
About GERD’s full actualization
Foot to drag.
I’m afraid
If we strike GERD,
On Aswan dam
Ethiopia will certainly inflict
A similar harm.
Its infantry
Acid-tested hero
Within finger-counted days
Will march into Cairo.

Its top official or
One from its mob
Cold blow up in Egypt a bomb.

We have to understand
As its former PM
Meles put it
“It is not
Its football squad
Ethiopia will deploy
On the terrain rough
When the going
Gets tough!”

We shouldn't worry
We have no history
Of battle front victory.
Poking our nose here and there
(Sudan, Somalia, Yemen,
Libiya, Palestine, Israel)
We shall make political trouble
As we are averse to self
-politics burgeoning dabble.

(He sat after enjoying a heartwarming laughter from the audience. The spokesman himself could not help unzipping his lips and invites a hoary headed historian.)

Subjects of colonization
It is our
Historic right
For the hanging-over
Mentality of predators
To fight
“Gobbling down
All resources
Is our right!”
We shall espouse
Unjust and inequitable deal
“Ethiopia fairly
GERD must not fill!”
We must gamble
Regarding the water division
There has to be a deal
That serves our colonial
Legacy a sign and seal.

There is nothing we hate
Than the following sentiment
Pan Africanists activate.
"We have to get
Behind our back
Days dark!"

(He sits accompanied by an affirmative nods. The spokesman invited Miss Environmentalist "it is your turn." "Thank you for the opportunity,"  she said and  standing she scanned the congregants
before speaking)

In parrying evaporation
GRERD being built in a gorge
Than Aswan Dam
In the desert
Draws better attention.
Though logical,
This we do not wish to hear
So we shall turn a deaf ear
Saying
“Your nuisance
We no longer bear!”

Of course
To avoid siltation
In GERD
Also to ensure
The continuous flow of water
Towards Green development
Ethiopia is making an unprecedented &
Unflagging movement.

Yes , Yes
Green development
Draws rain
Though that is
To our gain
From expressing
Appreciation to
Ethiopia’s timely move
We shall refrain.

From the voice of
Sagacious leaders of
Africa
It is better
To heed a hypocrite
From America;
That could not be a shame
In the political game.

(She takes a seat enjoying a high five. The spokesman invites a parliamentarian who is a member of the Arab league.)

As Sudan poses
A rational gait
Its voice has weight.
Our sugar-coated talk
It may not buy
Hence, the fuel-intoxicated
Gluttonous Arab League
Its voice
Needs to raise high.
White supremacists
Must try hard
To sweet talk Sudan
To our side.
Otherwise
Creating political heat
In to two its people
We have to split
To unseat
Its incumbent president
Popular support that ride.
This  insidious tide
From Sudanese mob
We have to hide!

We have a toy League
That doesn’t ask itself
“ Why
War-fleeing Arabs ,
Shunned by Arabs,
Seek a safe haven
Under Ethiopia’s sky?
Why  of all
In Prophet Mohammed's eyes
Ethiopia stands tall?”
That no one could deny
But we must
Neither wonder  nor ponder
“Why
For own advantage
Arabs-eating-Arabs
That commit  
Political suicide
Could not
Stand by
The reasonable
Ones’ side?”

Creating this and  
That pretext
We shall derail
The all-out task
To bring GERD’s to end,
At long last
To make it
As good as dead.

Why should we care?
If Ethiopia or the region is
Thirsty of hydropower
In so far as
Our conceited
Pride remains
In glory tower.


Moreover if soured
Pushed to the end or angry
Reflect  we must not
Ethiopians could tame
Its this or that tributary.

(When a wealthy merchant raised his hand the spokesman gave him a green light to speak.)

Pampering with money
Fifth columnists cruel
Let us keep on using
In Ethiopia
As runs the adage
Divide and rule,
Along ethnic
And religious lines
To  drive a wedge
So that Ethiopians will not
Come to the same page,
While turmoil in their country
Opts to rage.

We could ignore the fact
Ethiopians soon display
Unity and solidarity
When threatened gets
Nation’s  sovereignty.
In Ethio-Somali war
Ethiopians Karamara’s Victory
Talks loud such history.

I'm afraid
Our  divisive action could
Bring together Ethiopians,
Be it on left or right end,
Their sovereignty to defend.


Robbed of
Their alluvial soil
By a prodigal river
Ethiopia’s  farmers
Undergo a hard toil
If we are asked for that
Compensation to pay
“No!”
We  have  to say.

Note that
Using industrialization
Like Japan
Develop we can
Than irrigating  
A- scorching-sun
-smoldered land
Full of sand.

As the  jealously insane
What should worry Egypt
Must not  be what  it could lose
But  Ethiopia gain.
What I fear
In the diplomatic arena
With GERD Ethiopia
Will come forth
Shifting gear.
When Ethiopians' development
Proceeds apace
Ethiopia could Egypt displace.
So on its development
We  have to pose a roadblock
Or a spoke.
.

(This much  farce is enough for today .Parliament is dismissed says the spokesman.)////////

Practice is a really great master
Who will impart great education
By canceling impending disaster
It will bring a happy elevation
By making growth come faster
It will result in a standing ovation
Everything is by practice gained
Nothing is by lethargy obtained
A king is born if he has strained
By taking action one by one
Our path gets definitely cleared
If we regard work as a great fun
Brand new horizons are discovered
If we hard-work under the Sun
By God Himself we will be cheered.

M V VENKATARAMAN

you know, on that N86 bus listening to dikanda's
https://goo.gl/OAUjMe (ketrin ketrin),
while going to the brothel, where i kissed *****'s
eyelid skin i turned my heart into a lung...
and it burst akin to muscled stress of the softer tissue,
by heart was the black horse of the race...
she would only be worth £110 an hour...
but in my heart... a lifetime... so classical fm is
asking for three songs to be enlisted in the hall of fame
here are my three:
1. something to think about (christopher young) -
   hellraiser ii,
2. no time for caution (hans zimmer) -
    interstellar,
3. spectres in the fog (hans zimmer) -
     the last samurai, competing with
(4. any other name (thomas newman) -
     american beauty,
and....
5. carpe diem (maurice jarre) -
     the dead poets' society);
i always found classical music invoked
by fast image exchange most adhering
to a modern public... after all...
the notes written down are transliterated
from moving geometries
asking for a human face...
that one abstraction leaving another created...
so enriched we can be living and leaving here,
but leave and live here cradled and crawling
and nothing more than an attempt for
a crafted shawl of woollen care...
assuredly we were the blank canvas,
when the sheep and lion were clothed...
the lizard inwardly having its blood cooled...
and we the mediators...
to evolve from an origin of such biological diversity?
why will darwinism claim to be a humanism
and let no humanism in?!
if darwinism branched from science for a populism
of understanding prepositions as propositions
(given that propositions are allowed expression
with far many more complex words than prepositions,
given the former are deemed a nature or origin
and the latter a nature of coordination)
why allow it a humanistic simplicity
and complicate humanism to a non-expression's
extent of a complexity? darwinism cannot grasp
humanism's complexity per se, for each its own per se
allowance... darwinism cannot relate to humanism,
since humanism deals with the one diluted into the many,
while darwinism deals with the many concentrated into
the one:
and noting the varied dimensional usage of pronouns,
the singular (engaging), the singular (disengaging),
the plural (effective), the plural (ineffective),
to use but a few among others... how would a self,
as either realistically concerned or as expressed
in an atlas pose when one individual speaks of a species
to ever survive... to speak of humanity per se,
is to not speak of being human per se (a self),
but as if under a constant threat from either internal
or external stimuli, it's to speak as if human
but hardly being human... darwinism only said
in simpler terms 1 = ~∞ 0 1 (one equals
approximately infinity denying one... expressed
further: one equals approximately infinity denying
oneness, hence ethnicity, hence disparity,
the infinite approximate is due to the no. of equally
represented identities of reflection as one's akin
in historical content for a vanity representation
of ego) / although there's a parallel disparity:
1 = ∞ 0 ~1 (1 equals a reasonable infinity
of the semblance collective, as approximated within
one's own constitution, denied by the constitution
of the semblance collectivised denying 1 its
oneness by a division, into pop. psychology
of subconscious, unconscious, ulterior and posterior
assembling of identification in order to relate
a concrete un-divisible one, to a oneness
of ~∞ 0 ∞†, whether governed by animate or inanimate
things, worthy of either representing
∞ = 0 ~1, or ~∞ = 0 1 (infinity equating itself to
a denial of an approximation of one,
or approximate infinity equating itself to a denial
of one) - by most standards a collective power
increases, while an individual coercion with
such increase in power is diluted to mediocre representation
of what was once hoped for to be an individual...
as worded: i'm about to inherit a pickaxe, an igloo,
a herd of sheep, a land arable for regular hunts
to provide sustenance, but as i said, the oddity
of increasing vocabulary as body-building index muscle,
will hardly teach you the physics of quanta in
the realm of modulating grammar,
on the basic basis of grammatical as
a method of de-categorisation one word from it being
named, to it being acted upon as a termed way of
walking (differently), or otherwise.

†a bit much for me, an alfred jarry moment
at the end of dr. faustroll's opinions and exploits...
papa **** got the dangling essence of things:
je suis jarry among the je suis cherub charlies,
if poet does not appreciate other artistic mediums
he can't mediate them,
poetry is supposed to mediate all artistic expression
with platonic criticism... it's supposed to mediate,
with poets appreciating each and every craft...
whether sculpture we scrap metal stolen from a park,
or whether an oil canvas be worth as much as toilet
paper when the painter is alive, and millions more
when he's dead.. we need gravity a demanding
drama to extend drama into grammar...
poets have to become the middle-men of haggling,
they need to appreciate art in an elitist way
in order that art can't become genealogically defining,
like dramatics of the theatre lost between idols
of 1950s screening compared to idols of 19'90s screening...
we need poets as the glue stuck to every output...
we need to appreciate all art other than their own
to discover their own... we can't have the mindless
jealousy bribe us to reconcile composition,
so that poet against poet is still writing poetry...
he isn't... he's writing a polemic... and that's hardly
a dialogue... it's a mortifying analogue of monologue...
and we don't want poetry to be such a belittling
circumstance of the original intent of practice,
why would a poet's rarity be reduced to
a market blasphemy of ultra-eloquent speech
in order that it might be used to scold?
why the jealousy? why?! it reeks of revenge
that only requires a Darwinism to include it,
as sustainable and necessary,
too many monkeys to create a single man...
too many difference in man from continental span
of africa, to asia... to even bother a standing ovation
origination in genetic scrip of a chimpanzee...
script wants man to be genetically above
a genetic script of a banana numbering more genes
that itself... the biodiversity of monkey
is akin to man... why would the two chiral statues
suddenly become gemini of explanation?
it all fits... but it stinks...
well, whatever that was... it's the pride of a language
that keeps darwinism alive...
but theology is closer to humanism than darwinism...
it's a compound logic, darwinism ends with with an ism,
an empiricism... and the only logic accounted for
is a logic of repeat... just look at the forms of these words...
formulated by L and Γ (origin of the kabbalistic interpretation
of allah)... keep the prefix akin to a suffix composed to
an enclosure... theology provides the better logistics
of expressing being human than an empiricism
known to be darwinism... after all a -logy tends to
repeat a systematic use of words...
empiricism a systematic use of facts...
easier to become bored of facts than words.

Working front register at Starbucks
you ask a little boy in green
if he likes Minecraft
What the coolest thing
he ever built was
then watch
As his family
and the whole line behind them
gasp, fall silent
stare at you
with standing ovation eyes
as he lights right up
to tell you all about it

Finally this Mint Assembly is Complete
As the Last Great Angel will sure confirm
Eight Gold Aureoles from Best Moments replete
A Standing Ovation his Spirit burns
See now, Prince of the Plym! And Testify
How they shared Lives to fertilise your Growth
There was no Contract; Only Hearts abide
Reminding you the Cradle of your Birth
Now you, Sweet Divine, to your Future's spout
Kindly live yourself well for Dream's extract
Know my Prayers stand as Friends throughout
Yet a Friend-on-Purpose I dress intact.
Eight Best Friends. Eight Blessed Souls I give Breath:
Kate. Dil. Jess. Beck. Lauren. Kat. Alice. Beth.

Trough out recorded history
Women have made history and helped men make history
By being by their side and now I want to salute all women
Around the world, young or old and just say thank you
For your contributions small or great to the world in which we live
And enjoy. And to every man with even a little intelligence
Should know that behind every star their is a light
Behind and beside every man their is a good woman
And men this is what you should do: cook or take that lady in life dinner. Buy some flowers with no other purpose than that you love her
Pull out her dinner chair. Massage her tired feet and toes. Rub her back
And shoulders tenderly. Treat her to a day at the spa. And salute her
When she enters the room. Most of all, give your lady a standing
Ovation.Keep away from her doom and gloom. Keep that happy smile
On that lovely face.At every given moment try to please. And The
Return on your love and caring will be returned and knock you on
Your manly knees.
Give your lady a standing ovation

When I knock on Death's door,
I'll bring a bottle of wine
and I'll be sunburnt and flushed

I'll arrive in a Hot Rod,
engine revving,
dressed in a cloud of exhaust

I'll arrive when the sun is setting
and the air's still thick and hot
and seeping
with summer

and I'll be laughing like
it's the Curtain Call and
I've received a
standing ovation

When I knock on Death's door
I'll rap five times
I'll take a deep breath
I'll rub my love-drunk eyes
and
when the door opens,
I'll be the perfect guest
and thank Death for the
invitation.

Sometimes in life
Times get tough, but that doesn't mean Don't Stop Trying.
All you got is on the line--This is the time; You got
Nothing or Everything to lose.
Don't give up, keep on pushing.
In 5 years when you look back, will you be that person in the mirror, like
Nothing you image, or the same person staring back at you?
Go for it, it's all or nothing. There's a Standing

Ovation for you. You will come a
Very long ways,
And you will feel GREAT.
To Bob and Jillian, you guys are amazing.
Incredible is just one of the many words to say about you.
Only time can tell how things turn out.
N**one-the-less, Good Luck to all and Keep it up!

I am a helpless hopeless witness
sitting idle on a courtroom bench
as if in church
kneeling backwards beneath slanted
   stain                         glass
                     light
with my hands clasped tight
and pressed neat against my forehead
but there is
no
one
to pray to when
there is no faith;
I am invisible in the eyes of a clairvoyant god.
My heart beats rough
almost
p
  o
    u
      n
        d
          i
          ­  n
              g
straight out of my chest
to the beat of the grand judge's gavel.
"Guilty,
guilty,
guilty,"
they chant, and
"Selfish,
                selfish,
                          ­    selfish," too.
"We find the defendant cowardly."
They never even put me on the stand.
They will not sentence me to execution--
          for that would be too kindly.
I am destined to a life
of praying for death without parole
and                                     folding
a plethora of pervasive glances
tightly between the
         lines
         on
         my
         palms.
They shoot their looks from
                       all
    different
                                          angle­s,
                      and
even with this accumulation of grayscale smoke above my head,
I
can't
escape
it.
After every much belittled blink
they taunt me with another slice of glass
that scrapes off my skin cells
         one
                 by
                       one
and leaves my body hair in a standing ovation
pulsing with anticipation--
           but they never draw blood. A cruel
and unusual punishment.
At confession I can never find the breath to reveal
the heart I've taped to my chest to keep from f
                                                               ­                a
                                                               ­                l
                                                               ­                l
                                                               ­                i
                                                               ­                n
                                                               ­                g
or the soul in my hands that's been
              crushed
between sweaty fingers.
How can they punish me when I am already a walking jail cell
with skinny white lines for bars on my wrists?
I am to repent until I am no longer human, but here's the thing--
             I never was.
I am much

much

more.

A metaphor… love is a metaphor to everything of beauty. I found my metaphor in her arms. Her not a he and this is the things that we as human beings don’t comprehend. Love owns no gender, love owns no rules. We’ve been taught through life that there are certain kinds of people who shouldn’t be accepted when in reality we all are the same. Who I have sleeping in my bed in my arms at night owns the right to be who they are not who the world expects them to be. I found my metaphor my love. She opened a door to my heart that I thought only I had the key to when in all truth… I owned the spare she has the original. I was placed in a world where so many told me I had no place in being because my he was a she. My love owns no gender only a one person deal her name slips off of my tongue onto my pillow at night as I dream of the day I can kiss her in public and the stares will melt into a standing ovation… a day that I soon hope will come. Her heart owns mine, nothing in this world could take that from us. Only father time. We don’t know when or how we will die but I do know that I will find my peace by her side. When she dies it will be the most beautiful thing because nobody has ever died with their heart still beating… but this girl when she dies she will be alive within my chest, within this thing she calls hers. I am a girl and she is a girl but together we are the world. Society puts a warrant on the heads of the innocent who only try to find themselves in a way that they’re too simple to understand. Love is too complex these days… said nobody ever. Love is love no matter the gender no matter the *** recognition. You are who you are you love who your heart tells you to love. Changing to fit someone else’s perception of love or to be who they expect you to be is something I’ll never be able to do. I as a human being own the right to fight for something I love and believe in and that is her. I believe in her I love her I am a part of her as she is a part of me. Not even surgery could remove her from myself. We are merely two bodies with one soul and two separate minds. The problem with that is she constantly runs through mine. The world tells us that we are wrong… but something this wrong has never been so right. I’ll fight till the day I die to show the world our love through our eyes. Our love… something that no guy could supply. I have fallen for her, and fallen is a term used so loosely. This girl shoved me off the edge of a cliff only to jump as soon as she did, grabbing me by the arm rolling her sweet body underneath mine as we fell to our fate… she is my fate. It’s way too late for society to tell me that who I am who I love is something so wrong. They dispute our feelings for one another as if it’s debatable. My life is not a political meeting you cannot tell me who I can and cannot be with. Society sees it as just another “phase” I’m only here to show them that yes throughout our life’s we go through stages and phases that soon we grow out of only to find our final phase who defines us as who we are… I have found my final phase and society here is the big ******* to you because she’s the one who my final phase shall be spent with. Her touch is like no other, the way her hands slide over my body purely out of love. How she sees me in ways that I couldn’t possibly dream of seeing myself. Not only does she touch my body and make love to my body she undresses my thoughts as she watches them walk throughout my heart. She kisses the scars I’ve left on myself inside and out. The way I let society tell me who I was supposed to be, how listening to them almost destroyed me… took me to the point of no return no turning back now I have to take this wonderful weapon with a bullet in the chamber engraved with Katlyn the one who never came to know who she was in this cruel world… instead she was the gun and her heart was the bullet piercing through my mind and my soul creating the only thing that I’ve ever known. I found my metaphor in her eyes, the ones that shine so bright as they stare back into mine. I swear I can see the future through her beautiful deep brown eyes. I lose myself in them and pretend that I don’t know where I am going just to be able to stay a little longer. I long for the day when we’ll be united as one by the state and how we can declare our love to this world on paper… although it’s just a paper stating something we’ve known all along. I was born to find this girl in my life at a time where life was no longer my dreams where I had fallen to my knees begging for someone to take the knife away from me before I ended something so precious to someone I hadn’t had the chance to meet. In the same day I had taken that gun and placed it to my brains she sent me a message saying… I fell for you the first time I saw you. You tell me what you’d do… a girl you’ve had your eyes upon for so long and in your mind knowing you’d never be able to love the way that she so deserves messages you telling you that you are her future in this world… Society can let me bend over so they can press their lips to my sweet *** and kiss it firmly because this girl… this girl was born for me as I was for her. Kimberly is her name… and soon she’ll be my everlasting metaphor

There is never nothing new
Just rearrange things

I don’t write poems
I just remove the extra words that are in the way

Hold on to the words like whispers and shadows and wings
Recklessly insert adjectives
Tie it all to your delusions of profundity

Dig down deep for pain
no matter how senseless
Pick at your emotional scabs
Bleed

No one likes poetry
Constantly remind people of that
Tell them that you make it sound good to you and **** them
(Even though their ovation means everything)

Slip, dip and weave
With ambiguous wet dreams
Full lips and thick tongue
Mouthing…
Come
to an understanding
***** is much better than clean
Make it filthy
Soil it

Make it nostalgic
People need to be reassured that you were really ******* up as a kid
and that this poetry **** doesn’t just happen to people overnight

Make it esoteric
That way, when no one knows what the hell you are talking about,
you will have a good word to explain why

Say things that are so ill mannered that they are weighty
I will give you an example
“I’m not looking for a girl that is beautiful
I'm looking for one just barely ugly enough to **** me”

Incite large groups of people to *****

Get so personal that it gives people headaches

Expose yourself until everyone is embarrassed for you

Spew it all over the bar
In a drunken stupor
flaunt it lasciviously with your genitals
Pour yourself into reckless collisions
Drink from your soul until it rots your liver

Write until you want to **** yourself
then write about that

Make it as bitter as a Wal-mart associate
Make it so sweet she will swallow it all
before looking up at you with eyes like tiny puddles
To say, “that was beautiful”
(even though it was disgusting)

It should be raw
It should make you itch
It should be like rubbing up against it spreads it
It should be like VD

Make really long
Like it’s your *****
No,
Make it really, really long
Like its my *****

Make it rhyme
I mean don’t
Don’t

Don’t ever write another ******* poem
because I assure you
if I did not write it
than it must ****

and that is how poetry works

Michael L Sutter

Will the Earth rumble and crack?
Will the tides roll and crash?
Will time stop? Will fire freeze?
Will my heart skip a beat…or three?
Will my face go numb from smiling?
Will wars stop? Will walls come down?
Will the ovation last forever and ever?
Will all this, and more, occur
when I finally meet you?

I am a borrower
collecting things that shine
all stashed in cracks and hidey-holes
where the rafters meet the roof
in the basement floorboards
lift one and you'll see
the treasures I've collected
two gorgeous glassy eyes
seven gilded antique buttons
a bouquet of sweetly fragrant lilies
a gleaming jar of pixie dust
three noble barristers
an Irishman netting butterfly dreams
a sorceress of the endless prairie
windmills like soldiers all in a line
the saddest porcelain doll
a small brown bear
trains screaming by on underground rails
a sprinkling of desert blooms
six jack-in-the-boxes so I'm always surprised
the hairless stuffed dog that bit me as a child
a Rickenbacker bass softly riffing the blues
a farmer's Ovation to accompany my woes
seashells that sing the ocean breeze
a merman from the Northern seas
tucked away in every space
packed within each sweet hollow
these simple pleasures I have borrowed

I am so worried about this nation
nation of fear and damnation
damnation with no salvation
salvation from annihilation
annihilation is our own creation
creation for our own sensation
sensation for our own elation
elation in our own ovation
ovation of our own temptation
temptation leads to our fixation
fixation of our own formation
formation led to accusation
accusation of our own predation
predation on our conservation
conservation wasted by alteration
alteration of our ideation
ideation that had no complication

Tsk tsk tossed
go out
Your suggestions.

Whisk whisk washed
flow south
Your directions.

Hiss hiss sorry
no time for
sage reflections.

Songs you sang will not be sung
Nor any tales of strength believed.

The brain embodied in such young
Must think it he first to perceive.

Ask every man
Who first made sparks?
From rocks to barks?
Blinding night and fooling fear?

Wholly gone ghost
Our first bright creature
He harnessed fire
Then disappeared.


Realizations when thought anew
Seem to skip from us awry.

So no Salutes
nor an ovation
For those who fostered
Us will be spied.

Gods truth your lips bespoke to youth
Yet still it's not their time to hear.
For these ears are full of magic
And your end rolls
Crushing near.

We really couldn't afford it
but I got the tickets anyways.
We hadn't been out of the apartment
for months
didn't have money to go do anything
ever.
Louis C.K. was our favorite comedian
so I figured it'd be worth it
even if we had to live off
grilled cheese for the next week
it'd be worth it.
To be able to forget everything
the bills, the jobs, the ******* stress,
to escape that
even for just a couple of hours
and laugh our ***** off
would do us a world of good.
So I kept it a secret
wanting to surprise my lady
and give her a thrill.
Told her we were going to
downtown Phoenix
to get a drink and do the Charleston
at a 1920's themed bar.
On the freeway
just after sundown, we were headed to the theater
guided by the GPS on her phone.
We both were having full blown
panic attacks
the cars & trucks whizzing past us
at over 80 mph, bumper to bumper traffic
and we missed our exit.
The GPS re-directed us
and we pulled off at the next exit.
"See we need to get out more.I haven't been around this many people & cars in so long...ugh. It feels like we're gonna get in a wreck."
But I knew we weren't. I felt nothing inside. No butterflies.
"Alright, the GPS says to make a left turn, up here, at Adams..."
I said, navigating her through the old & dark
downtown Phoenix streets.
"A left here?" She asked.
"Yeah, that's what the GPS says."
"Okay."
Just when she went to turn
I saw the one-way street sign
that and the truck coming right at us.
"****! No, no, don't! This is a one-way street!" I yelled.
She ****** the wheel back to the right and we continued straight ahead.
"*******! Why didn't you tell me to turn down a one-way street?!"
"Hey it wasn't me. That's just what the GPS said!"
The machine kept talking, "Up at....Jefferson...make a....left...turn."
But it was another one-way street
that machine didn't know what the **** it was talking about.
I shut it off and threw it to the floor.
"Why'd you do that?"
"That ******* is gonna get us killed. We're only a block away now, I can get us the rest of the way there....alright, just pull up here and park it.
We parked on a deserted, dark, lonely street
in front of an old school house from the 1920's.
The two of us got out and walked the block to the theater.
As we approached the front, with the big sign that spelled out,
'Louis C.K.' in big, digital, yellow letters.
My lady started asking questions.
"Wait, so what are we doing? Just getting a drink and going home? I don't think I can drink, if I gotta drive home on that hectic freeway. Ugh. Is it too much to ask, to just have fun? Just for one night..."
"No darlin', it's not. That's why I got the tickets."
I said, standing under the marquee, a big ****-eating grin plastered on my face.
For a moment
it didn't quite register with her.
"Wha-what? Seriously?! Are you ******* with me? You better not be joking."
She said, unsure if I was joking, like I usually was.
"No honey. It's no joke. I mean, they're just balcony/nose bleed seats--"
With people walking & rushing all around us
she pulled me in close
smiling up at me
with that million-dollar smile.
She kissed me, like in the movies, pulling me in tight, grabbing my ***,
our tongues **** their little dance in our mouths.
"Baby, you really know how to make a gal feel special. First, roses this morning and now you surprise me with tickets to Louis? I love you, so ******* much, Danny."
Inside we sat with the other poor folks
packs of middle-aged couples
groups of teenage boys
and geeks in Star Wars t-shirts.
It was a great sight.
Strangers striking up conversations
with one another
all laughing and smiling
talking about their favorite Louis C.K. bits.
Finally
the comedian took the stage
after a roaring, packed house, standing ovation
everyone quieted down respectfully.
And for the next two hours
we didn't have any
bills
rent
electricity payments
jobs
*******.
Just laughs to be had.
And it was so great
like gospel
everything we thought in our heads
everything the two of us talked about at home
everything that made us crazy with anger
he was up there
talking about it all
reaffirming what we already knew to be true.
Dumb parents that didn't discipline their kids properly
how when you try to delete your Facebook, it sends numerous pop-ups
trying to get you to log back in
and stay connected.
That night the comedian
was able to help us forget our troubles
and laugh at the *******
society continues to eat up.
Comedians, poets, musicians,
these artists should really be called
therapists
because those two hours of sitting & laughing
did so much for us.
By the time we walked back to the car
on that deserted, dark, lonely street
we felt better.
A weight had been lifted
we could breath a little easier.
Standing by the car, I put my hands on the waist of her dress
and pulled her close to me.
"So were you surprised? Did I show you a good time honey?"
"Danny that was the sweetest thing anyone has ever done for me. Thank you for making it a surprise. You really got me."
And we kissed.
In front of that old school house
with it's huge white pillars
and a yellow light overhead.
A cold wind blew.
"I'm glad you had a good time darlin'. Now let's get in the car and get outta here...before we end up like Bruce Wayne's parents."
We really couldn't afford it
but it was okay.
The rent could wait another week.

I’ve summed up the equation for my isolation
It's People who look up, look down, left and right
Desperate for information
We never looked inside for much needed inspiration
Instead,
We lead a life of impulsive behavior mixed with preoccupation for our own reputation
I've lost toleration for the weak minded population
Individual thoughts slowly decay and eventually cut off circulation
Sending thoughts on permanent vacation, worthy of respiration, ideas now suffer suffocation
If this is my "generation"
I’d rather live in hibernation
You can take this as retaliation
I just don’t understand why we seek gratification for having no imagination?
I swear,
It’s like the world around me is nothing more Than telecommunication
Different voices yet the same conversation
Broad interpretation leaves room for destructive *******
Shedding uniqueness for trendy consolidation
Who the **** do you think you are? a star?
You're no constellation
You expel no illumination
Your personality is a narrow cultivation of
Seedy corporation,
Media publication,
And lack of moral stabilization
Let me give you clarification
Meditation is my detonation
Put words in your mouth before you die of starvation
We all have a fixation on giving into temptation
Putting ourselves in situations were
Passion is stimulation,
Trust is manipulation and
Love is *******
Pour out your heartache in perspiration
After ******* we expect a standing ovation
*** is nothing more than sensation
**....are we lost beyond the point of navigation?

I can totally visualize my situation
A relationship with my Cinderella is not yet
To come in this very intense moment
I need to stay closer to You, first
And everything from the start to the end will follow

I need to fix my life by the help of Your grace
Dancing alone in this floor will not be go well
The waves of the sound will be as harsh as the sea
So hold me tight, prevent me from the shipwreck
I know You know what's the best for me

Waiting may not be simple as speaking ABC
But truly, lingering in the property of God
Is worth waiting for and pretty good
Its like eating a well cook delicacy
Its open of the mouth feels enjoyment

I am a person who the watches beauty
Who longs to be with someone who loves me
Until I will breathe my last breathe
If you are willing, cleanse my inside and out
Let the love which coming from You overflow

I once went to a poetry reading
At a café shop in old San Juan.
A tuesday night i believe,
The tourists, like cattle,
Down their cruise ship ramps,
And into the cobblestone streets;
White, bloated stomachs, burnt skin,
In their sandals and Hawaiian shirts,
Or sandals and short skirts, short pants,
Invaded the capital city streets.
The sun was setting.
They were still out and hungry for more
As tourists are for sights, and they'd stop
In the plazas where the pigeons play,
And they'd yell to their misbehaving kids,
And to "look at that!" at their uninterested teens
Who text and text and chew gum non-stop.
So there it was, the café, a quaint little place,
With coffee and pastries fresh and a shop
On the side specializing in art and poetry objects,
And a in the back a space with a set tiny stage
Where poets come and bard and have a drink
And discuss their affairs in the most
Pretentious way that is only possible to
Be achieved by poets, that air of superiority.
A man in a beret and a black shirt and jeans
Was the first to go and he read about
The flowers and the rivers and the beauty
Of this, our land, in a way that wasn't true,
In a poetic way, and then after applause
Another went on, wine red hoodie, jeans,
Young and unkempt and he read about
The Americans and their imperial ways
And about patriotism and independence
And dreams that us young kids feel,
The need to rebel against our oppressors
Because our spirits have not been beaten yet
By the disappointments reached through a
Lifetime of political wrath and corruption
And propaganda and all sorts of things,
The young poet received a great ovation,
Writers here have strong spirits and
Even the elder ones still believe in the cause.
Some Americans, a few europeans
(a Spanish couple and a ****** face German),
Had gone in the shop, probably for a drink
But stayed for the poetry, and they stood,
With uneasy faces that, even if they didn't
Understand the words, they felt
The vibrations of their meaning,
And it was wonderful, and i was glad,
Know the truth and that the cause isn't dead,
It simply crawls in backs of shops,
It hangs with the young people,
And one day it'll explode,
One day the people will awaken
And get rid of these demons.
This time a poetess came up,
And she read in English a rhyme;
While she gave her show some teenagers
And their parents, Americans,
Texans by their accents, began talking,
Interrupting the reading, and the blonde
Woman reading the poem stopped and struggled,
Until at last she said "be quiet, gringos."
In a voice that was strangely soothing,
And the americans scoffed and silent they were,
And she finished her reading and got off the stage
And sat her purple t-shirt, skirt, dressed self
Near the people she'd just told to settle down,
Grinning. I don't remember what her poem was about,
I only remember her action, it was one
That served as reminder to everyone there
That this is our land and not theirs, that we make the rules
And the outsiders should be the ones respecting them,
Not the other way around, that the fight should continue.
I left the cool café and walked into the humid streets,
The moon above San Juan and the bay,
And El Morro
And La Perla
And Capitolio
And the bums and the dogs and cats
and the tourists and all of us;
The proud city, centuries old, that holds a prison
Were our poets and our fighters  and thinkers
were once held,
And i thought: The dream is still alive.