nips are nips and bits are bits

I have bruises like amethyst
But the truth is I’m the catalyst
When I see colours of bismuth
I know you mean business
Bruises like amethyst
But you say you’re a pacifist
An analyst an activist

But you held my mind so it contorts, distorts
And aborts so it can’t resonate or fabricate
Or rationalise a world inside
That doesn't exist and insists
That I can’t be kissed and won’t be missed

I've got a black heart like tourmaline
But I'm the alkaline to your acid time
Trust me I am fine, I'm a pale blue
Crystalline Structural perfection
Don’t need your affection or your ways
Of objections did my bra strap give you an
*******?  

You could say I'm a feminist
But I'm more of a scientist
Busting body myths like biologist
You say ‘but **** are ****** organs’
Listen you morons, all ******* are a erogenous zone
Regardless of gender , boys nips literally have no purpose
Except when they get nervous for getting a little lip service

Trust me I'm fine, I'm a pale white crystalline
Structural perfection I don’t need your objection
Not a gem stone for your collar bone I don’t give a **** about
Your muscle tone, I'm a cyclone all alone I could spend a
1,000 years on my own.

By David John Mowers

Oceanus, Acheron, Styx and Gyges, Phlegethon,

Phaeacians lament, mourn the loss, Scheria, dissolved in froths.

Virgil’s tale, found correct, a land too good, a nation wrecked,

Nausikaa, burn the ships; their minds released, cool airy nips,

Below the wave, watery grave, submerged to bottom, fathoms by stave,

Fathoms some more, until the whorl, descending to, another world.

Through Omphalos, to Land of Sleep, awaits a beast, where time has ceased,

Darkness here, underworld, cold and frigid, below the whirl,

In solemn grave, souls released, judged and counted, by the beast,

Deeper than, the deep itself, past drowning fairies and dying elves,

Who did mourn them? Those golden men, magic mariners, Mino's kin?

What wrong was seen? What vice not true? What awful sin? What did they do?

One thousand years, first black age, Two thousand more, to find the stage,

Cast off Aries and cast Orion, to find beginning, of Golden Lion.

Man of Heavens, Beast agrees, Bull of Sky, Ox of seas,

Land of Punt, Land of Éire, Ogyges blue, hearts on fire,

All the seashores, all the mines, Tribe of Dan, from ancient times,

Port of Sais, Port of Thera, Port of Lagash, bygone era,

Sailor’s horse, Minotaur, a lyre is crying, strummed guitar, nation dying, abattoir.

Ochre foams to sanguine depth, there they rested, where Kronos slept,

He’ll never answer, he doesn’t care, we’ll never know, if this was fair.

Our hearts in sadness, hands on the gates! I curse you Poseidon!

. . .and your Sea of Fates!

ummm!! I'm gonna take his
blindfold off for him to savor
me with his gaze, eyes roam
touchin' me in silent awe; finger
tastin', the unthinkable, straddlin',
squeezin', teasin' and grazin' nips
leavin' wet trails of pleasure upon
briny masculinity; listenin' to his
heart race, ignites lustful tremors

stroked insanity, slippery slit teases;
thoughts throb, as thickness swells,
swollen senses breathe deeply of
soaked scents; flickin' bud betwixt
achin' petals...****! Oooo!...yes!!
soft, ebony fingers assault and swirl
elicitin' moans and sighs, takin' nips
betwixt teeth again as fingers enter
swollen honeycomb; overflowin' in
sweetness

sweat rolls off our body, bitin' nips
eruptin' sparks of long awaited aches,
dominance partakes its desire, slitherin'
along bouquet thighs, blossomed scents
flow; emanating moans givin' reason to
beg; biting silk sheets, tonguin' his treat
actin' like a freak, lovin' me cheek to
cheek; playin' me like a symphony
strummin' thighs, releasing melodious
sighs, sensual cries in sultry lullabies
in trebled tempo's in and out of wet
tightness, as I blindfold him; complyin'
with his ****** whims...takin' me again and again

Most of us know the tale of Cinderella,
But do you know the original German story?
It’s different from the version that I grew up with.
It’s called “Aschenputtel,” and it’s gory.
 
Cinderella’s stepmom and two stepsisters
Are nasty, ornery, bossy, ******, and mean.
They’re very good at belittling Cinderella;
And the sisters vie for the role of future queen.
 
Cinderella wants to attend a ball,
But her stepmom gives her some difficult tasks, and so
When some birds help the girl complete them,
The woman STILL refuses to let her go.
 
Here no fairy godmother comes to help.
Cinderella goes to the grave of her mother
Where she'd planted a branch that grew to a tree,
Which miraculously gives her a gown like no other.
 
When Cinderella goes to the King’s fancy ball,
She makes a tremendous impression on the prince.
Of course, no one’s able to recognize her,
And the competition makes the stepsisters wince.
 
For two nights in a row the same thing happens.
Cinderella must be in excellent shape,
For each night the prince attempts to pursue her,
Yet each night she makes a clean escape.
 
On the THIRD night he has a bright idea:
“Aha!” he says. “Someone, bring me some tar.
If I spread goop all over the steps of the palace,
That gorgeous sneak won’t manage to get very far.”
 
(Here you have to suspend even more belief.)
As Cinderella hurries to flee from her beaux,
She leaves behind one slipper in the tar.
(WHY more slippers aren’t stuck there, I do not know.)
 
On finding the slipper, the prince yells, “Piece of cake!
Now I’ll find the owner of this dainty shoe.”
When he arrives at the home of the nasty stepsisters,
The poor guy bites off more than he can chew.
 
The first sister chops off her obtrusive big toe
So that her foot can fit inside the slipper.
You see, the slipper’s not made of the kind of material
That stretches, and, of course, it has no zipper.
 
The prince starts to leave with his bride-to-be
But notices that her slipper is filled with blood.
“I don’t think that this is my future wife,”
He says and nips that nightmare in the bud.
 
In order to make her foot fit in the slipper,
The second stepsister cuts off part of her heel.
Imagine how much blood gushes forth from that.
Shaking his head, the prince says, “This is unreal.”
 
Finally, Cinderella takes her turn.
And what do you know? The slipper’s a perfect fit!
The prince—eager to exit that crazy scene—
Takes Cinderella and leaves lickety split.
 
(I hope the prince kept his wits about him.
You’d think he would, for he’s a thoughtful fella.
Certainly, he washed out all the blood
Before giving the slipper to Cinderella!)
 
Early on I told you about some birds
That helped Cinderella when she was down and out
By completing her tasks and delivering her gown and slippers.
They knew what the stepsisters were all about.
 
Well, the stepsisters come on the day of the wedding,
To mooch off Cinderella—as you can surmise.
As they amble along with the wedding couple,
The birds fly down and peck out both of their eyes.
 
Such is the fate of the mean and bossy stepsisters,
Who were deceitful and cruel, as you recall.
Call it karma, their just deserts, or comeuppance,
But let it be a lesson for us all.

- by Bob B

Autumn has nothing on me now;
Summer has changed me as a whole.
But winter is coming soon, I fear,
And I'm afraid by spring I'll have no soul.

Spring: a season's anticipation,
Awaiting the exciting summertime...
Crashing down comes ice and snow,
And brings me to the winter-rhyme.

Winter, bearing ugly days––
To bring out nips upon the skin,
And tears to turn to killing hail,
And morals to turn to bitter sin.

Autumn, so full of nothingness:
Empty, and dead, and decaying-brown.
Leaves that swarm the dried-out air
Like clumps of ashes falling down.

Summer, the warm, and lovely season––
"Hurry up," I say, "and run, run, run."
I'm missing sun in every corner;
I'm missing freedom; I'm missing fun.

My smooth vermin, you inspire me to write.
How I hate the way you infest,
Invading my mind day and through the night,
Always dreaming about the wicked rest.

Let me compare you to a contender?
You are more ugly and more disgusting.
Hot frost nips the robins of December,
And wintertime has the shocking busting.

How do I hate you? Let me count the ways.
I hate your intriguing infestations.
Thinking of your many legs fills my days.
My hate for you is the implications.

Now I must away with a loathsome heart,
Remember my fast words whilst we're apart.

I wish I were stranded on a tropical island
A tropical island with you
You could make art from coconuts and starfish
Yeah, coconuts and starfish might be a good place to start

And I could build a crude instrument
Out of a conch shell and driftwood
And tightly roll a papaya leaf to use for a string
Or two
Then I could play and you could sing
We wouldn't want for anything
Serenading each other by the light of the moon...

Every evening we could snuggle underneath the stars
You could be Venus, I could be Mars
We could lay our differences aside (except the good ones)
I'm safe in you, you're safe in me,
No need to hide

I wish I were stranded on a tropical island
A tropical island with you
And we'd bake clams in the hot, hot sand
Under the afternoon Sun
And brew a crazy chowder using sea salt and kelp (help!)
Then we'd make love on the beach as the water nips at our toes
Under the setting sun when the day is done

By a waterfall I'm calling you...

I often find myself deep in the world of unknowns
of wind,
of fire,
of water

She exhales
sending static electricity waltzing through the air
as if the particles find some deeper attraction in her presence
Her fragrance
zests the cracks of empty space
Within a single whispered word,
my breath escapes me
in hopes that it may embrace
just the sound of her voice

Her heat fills up my spine
like a thermometer
and illuminates the heart
Fiery eyes burn hieroglyphics onto my lungs
Her touch gives me the fireflies
and in a frenzy they collide
igniting on impact
Their spilled embers
cast sillouetes on my eyelids
of our candle-lit dinners

Silk hair
pools against the bed sheets
Her lips would be the moon
to my tidal kiss
Frost nips at her imperfections
But she never freezes
for she changes feverishly
like bubbling water
If only transparent

Her forms cannot define her
But,
She is mystic like the air
Spontaneous like a spinning flame
A kinesthetic ocean
and I’m good at drowning

Tonight I’ll go into the copse of firs
Where I last saw her, and love blossomed
I remember lust, a face plastered on hers
And the love that was then awesome.

But those woods are black and empty
So barren now and without life.
Rocks cut my shoes, once just lumpy.
There’s not a bird that chirps a fife.

The sun sets and frost nips my nose
I still remember the vibrant red rose.
The ice beneath, it chills my toes.
And the little brook, it’s now froze.

Without you, I just can’t exist
I still remember that last kiss.
Without you, I count the hours
And I watch the death of flowers.

Without you, My heart cries out
For sadness to be dispelled--
Without you, Life means nothing
And I ache with lack of loving.

Without you, There’s no catharsis
Why was I then so heartless?
Without you, There’s only blackness
No salvation from this sadness.

Another shift, another day, Another buck to spend or save
A million riders, maybe more, delivered to their office door
Or maybe warehouse maybe store.
Or church or shul or city school, right on time as a rule.

Clickety, clackety, clickety, clee,
I am New York, the City’s me
Come let me ride you on my knee
From Coney Isle to Pelham Bay
From Bronx to Queens eight times a day.

Ride my trains, New Yorkers do
And you’ll learn a thing or two
About the City up above, the one some hate, the one some love.
On the street they work like elves
Down below they’re just themselves.

Through summer’s heat they still submerge,
Tempers held (though always on the verge),
They push, they shove – just like above –
The crowds will jostle, then finally merge.

Downtown to work and then back to sleep
They travel just like farm-herded sheep.
In through this gate and out the other,
Give up a seat to a child and mother,
Just don’t sit too close to that unruly creep!

With these crowds huddled near
Just ride my trains with open ear,
There’s lots of tales for you to hear.


Dis stop is 86th Street, change for da numbah 4 and 5 trains.  Dis is a Brooklyn Bridge bound Numbah 6 Train.   77th Street is next.  Watch out da closin dowahs.


     I’m Doctor Z, Doctor Z are me
     I’ll fix your face or the visit’s free.
     Plastic surgery, nips and tucks
     You’ll be looking like a million bucks.

     Looka those pitchas, ain’t they hot?
     You’ll look good, too, like as not!
     Just call my numbah, free of toll
     Why should you look like an ugly troll?

     You’ll be lookin good like a rapster
     Folks start stealing your tunes on Napster
     Guys’ll love ya, dig your face
     Why keep lookin like sucha disgrace?

     Call me up, you’re glad you did
     Ugly skin you’ll soon be rid.
     Amex, Visa, Mastercard,
     Payment plans that ain’t so hard.

     So don’t forget, pick up that phone
     Soon’s you get yourself back home.
     I’ll have you looking good, one, two three
     Or else my name ain’t Doctor Z.


Dis stop is 77th Street, 68th Street Huntah College is next. Yer ona Brooklyn Bridge bound Numbah 6 Train.  Watch out da closin dowahs.


     It was a limo, now it’s the train;
     Tomorrow’s sunshine, but now it’s rain.
     The market’s mine, for taking and giving
     It’s the way I earn my living.

     Today’s losses, last week’s gain.
     A day of pleasure, months of pain.
     We sold the puts and bought the calls;
     We loaded up on each and all.

     I’ve seen it all, from Fear to Greed,
     Good motivators, they are, both.
     The fundamentals I try to heed
     Run your gains and avoid big loss.

     Rates are down, I bought the banks
     For easy credit, they should give thanks.
     Goldman, Citi, even Chase
     Why are they still in their malaise?

     “The techs are drek,” I heard him say
     But bought more of them, anyway.
     I rode the bull, I’ll tame the bear
     I’ll scream and curse and pull my hair.

     So why continue though I’m such a ****?
     I’ll cut my loss if I find honest work.



Dis is 68th Street Huntah College, 59th Street is next. Yer ona Brooklyn Bridge bound Numbah 6 Train.  Watch out da closin dowahs.


     He rides the train from near to far,
     In and out of every car.
     “Batchries, batchries, tres por un dolar!”
     Some folks buy them, most do not,
     Are they stolen, are they hot?
     “Batchries, batchries, tres por un dolar!”

     Who would by them, even a buck?
     What’re the odds they’re dead as a duck?
     “Batchries, batchries, tres por un dolar!”
     Why not the Lotto, try your luck,
     Or are you gonna be this guy’s schmuck?
     “Batchries, batchries, tres por un dolar!”


Dis is 59th Street, change for de 4 and 5 Express and for de N and de R, use yer Metrocard at sixty toid street for da F train.  51st Street is next. Dis is a Brooklyn Bridge bound Numbah 6 Train.  Watch out da closin dowahs.


     “Dat guy kips ****** wit me, Wass he
     tink, I got time for dat ****?  Man, I
     got my wuk to do, I ain gona put
     up with him
     no more.”

          “I don’t know what to tell this dude. Like,
          I really dig him but
          ***?  No way.  And
          He’s getting all too smoochie face.”

     “Right on, bro, slap dat fool up
     side his head, he leave you lone.”

          “Whoa, send him my way.  When’s the last
          time I got laid?  I’m way ready.”

          “Oh, Suzie,..”


Dis is fifty foist Street, 42nd Street Grand Central is next. Yer ona Brooklyn Bridge bound Numbah 6 Train.  Watch out da closin doors.



     Abogados es su amigos, do you believe the sign?
     Are they really a friend of mine?
     Find your lawyer on the train
     He’ll sue if the docs ***** up your brain.

     Pick a lawyer from this ad
     (I’m sure that you’ll be really glad)
     You’ll get a lawyer for your suit,
     Mean and nasty, not so cute.

     Call to live in this great nation
     1-800-IMMIGRATION.
     Or if your bills got you in a rut
     1-800-BANK-RUPT.

     We’re just three guys from Flatbush, Queens
     Who’ll sue that ******* out of his jeans.
     Mama’s proud when she rides this train
     To see my sign making so much rain.

     No SEC no corporations
     We can’t find the United Nations.
     Just give us torts and auto wrecks
     And clients with braces on their necks.

     Hurting when you do your chores?
     There’s money in that back of yours.
     Let us be your friend in courts
     Call 1-800-SUE 4 TORTS.


Dis is 42nd Street, Grand Central, change for the 4, 5 and 7 trains. Dis is a Brooklyn Bridge bound Numbah 6 Train.  Toity toid is next.  Watch out da closin doors.


They say there’s sev’ral million a day
From out in the ‘burbs, they pass this way.
Most come to work, some for to play
They all want to talk, with little to say.

Bumping and shoving, knocking folks down
A million people running around.
The hustle, the bustle the noise that’s so loud
Get me far from this madding crowd.

“We can be shopping instead of just stopping
And onto the next outbound train we go hopping.
Hey, it’s a feel that that guy’s a-copping!”

They want gourmet food, from steaks down to greens
Or neckties and suits, or casual jeans,
It’s not simply newspapers and magazines
For old people, young people, even for teens.


Yer ona Brooklyn Bridge bound Numbah 6 Train.  Dis is Thoidy toid Street, twenty eight is next.  Watch out da closin doors.


     “So what’s the backup plan if
     He doesn’t get into Trevor Day?
     I know your
     heart’s set on it, but we’ve only
     got so many strings we
     can pull, and we can’t donate a
     ******* building.”

           “Hooda believed me if I tolja the Mets
          would sail tru and the Yanks get dere
          by da skinna dere nuts?
          I doan believe it myself.  Allya
          Gotta do is keep O’Neil playin hoit
          And keep Jeter off his game an
          We’ll killum.

               “My sistah tell me she be yo *****.  I tellya I cut you up if you
                ****** wid her, I be yo ***** and donchu fuggedit.”

     “I wish you wouldn’t talk like that.
     And we can just **** good and
     Well find some more strings to pull!”

          “Big fuggin chance.  Wadder ya’ smokin?”

               “Yo sitah she ain my *****, you be my *****.  I doan be ******
                wid yo sistah.  You tell her she doan be goin round tellin folks
                dat ****.”


Yer ona Brooklyn Bridge bound Numbah 6 Train.  Dis is Twenty eight Street, twenty toid is next.  Watch out da closin dowahs.


     Do you speak Russian, French or Greek,
     We’ll assimilate you in a week.
     If Chinese is your native tongue
     You’ll speak good English from day one.

     Morning, noon, evening classes
     Part or full time, lads and lasses.
     You’ll be sounding like the masses
     With word and phrase that won’t abash us.

     Language is our stock in trade
     For us it’s how our living’s made.
     We’ll put you in a class tonight
     Soon your English’ll be out of sight.

     If you’re from Japan or Spain
     Basque or Polish, even Dane,
     Our courses put you in the main
     Stream without any need for pain.

     We’ll teach you all the latest idioms
     You’ll be speaking with perfidium.
     We’ll give you lots of proper grammar
     Traded for that sickle and hammer.

     Are you Italian, Deutsch or Swiss?
     With our classes you can’t miss
     The homogeneous amalgamation
     Of this sanitized Starbucks nation.


Dis is Twenty toid Street, 14th Street Union Square is next. Yer ona Brooklyn Bridge bound Numbah 6 Train.  Watch out da closin doors.


     “Ladies and Gentlemen, I hate to bother you
     But things are bleak of late.
     I had a job and housing, too
     Before my little quirk of fate.”

     “There came a day, not long ago,
     When to my job I came.
     They handed me a pink slip, though,
     And ev’n misspelled my name.”

     “We’ve got three kids, my wife and me.
     We’re bringing them up right.
     They’re still in school from eight to three
     With homework every night.”

     “I won’t let them see me begging here,
     They think I go to work.
     Still to that job I held so dear
     Until fate’s awful quirk.”

     “So help us now, a little, please
     A quarter, dime (or dollar still better),
     It’ll go so far to help to ease
     The chill of this cold winter weather.”

     “I’ll walk the car now, hat in hand
     I do so hope you understand
     I’m really a proud, hard working man
     Whose life just slipped out of its plan.”

     “I thank you, you’ve all been oh so grand.”


Yer ona Brooklyn Bridge bound Numbah 6 Train.  Dis is 14th Street, Union Square, change for da 4 and 5 Express, the N and the R.   Astor Place is next.  Watch out da closin doors.


     The hours are long, the pay’s no good
     I’m far from home and neighborhood.
     All day I work at Astor Place
     With sunshine never on my face.
     Candy bar a dollar, a soda more
     A magazine’s a decent score.
     Selling papers was the game
     But at two bits the Post’s to blame
     For adding hours to my long day.
     All the more work to save
     Tuition for that son of mine: that tall,
     Strong, handsome, American son


Dis is a Brooklyn Bridge bound Numbah 6 Train.  Yer at Astah Place, Bleekah Street is next.  Watch out da closin doors.


     Summer subway’s always hot, AC’s busted, like as not
     Tracks are bumpy, springs are shot ‘tween the cars they’re smoking
     ***.

     To catch the car you gotta run they squeeze you in with everyone
     Just hope no body’s got a gun 'cause getting there is half the fun.

     Packed in this car we’re awful tight seems this way both day and
     night.
     And then some guys will start a fight.  Subway ride’s a real delight.

     Danger! Keep out! Rodenticide! I read while waiting for a ride.
     This is a warning I have to chide:  
     I’m very likely to walk downtown, but I’d never do it Underground.

     Took the Downtown by mistake.  Please, conductor, hit the brake!
     Got an uptown date to make, God only knows how long I’ll take.


Yer ona Brooklyn Bridge bound Numbah 6 Train.  Dis is Bleekah Street, Spring Street is next.  Watch out da closin doors.


     The trains come through the station here,
     The racket’s music to my ear.
  &nbs

Marines call to say hello,
impress. I'm over 35 but my boys
19. They could go: Hide!

One moment spent tying a shoe,
another dying, gunshot wound or poisoned food.
Events in their mere chronology
                                                      ­ make no sense.
And the details of yr dad's life don't either.
                                                         ­               Late night
quiet cigarette smoker. But next day,
the butts cleaned into the can. Who does that?
Lady in a skirt or overalls rolled up - cigarette smoke.
Now it's yr dad.
                            Yr dad who
                                                 watches for war.

Even if Uncle Sam disbands, dissolves
we the people will still be here and stay involved
with North America. The purple mountains majesty
                           and shining seas
little people, big people, brown, red, and white. Addicted
                           to action movies.
Perhaps there is no choice. One must sit, sitting still
                           as a buddha, sitting bull.
I can imagine myself and all others - drivers, voters, runners -
                           little fetal muscles
at first. Metastasizing. What's it called when the cell
                           at the tip of the *****
or organism, divides, and the ***** grows? It's called
                           ******* a bicycle.

I find I make no sense. Her ****, a practicality to her, is
                           delicious to me
a miraculous sea lettuce or snapdragon. You've heard it before.
                           A moral dilemma
wrapped in robes and silks and odors. Yet, come close,
                           and business beckons
work gets done, life goes on, hair grows in, we go on
                           vacation
the Marine Corps calls, desperate for new fetuses to teach
                           purposeful workmanlike killing
I'll do my own killing, thanks, when violence comes to the
      neighborhood
                           if I've got your back
your back's gotten and if I'm on point, the point's taken.

One world under God invisible with liberty and justice for all who
                           Art in heaven
what the hell's his name.
                                          Nemesis.
        ­                                                  Hysterical.
The small war of an especially inept empire. The world's too big
to swallow as the Krauts and Nips found out. Empire
is self-correcting. Them dark-skinned mustachioed *******
who can't fix their own electricity seem to be kicking our *****
pert good. As did the ***** before them. All to the good. A
good lesson to know and then we all become friends following
the brawl. We apparently cannot skip the fight. It must
be fought, and **** the girls.

tender nips
luscious lips
tremulous dips
thrusting hips
sweaty grips
sensual slips
heartbeat skips
total eclipse

***** moisten, ******* wet.  
Petite round ****, ******* swollen stiff.  
**** hard and fully *****; his girth is thick.  
Long length, curved at the tip; tight fit.  
Silk boxers on the floor, ******* next.  
Naked bodies, both so magnificent.  
Slippery, silky smooth tongue slid,  
up and down her slit.  
Lips pressing her hood.  
Under it, her exposed ****,  
glistens with spit,  
Hot breath and warm licks  
encircling her tip.  
She's rolling her hips,  
to the beat of the tongue licking it.  
Fingers gripping her long *******; pink.  
Twisting her nips, then pinched  
squeezing them numb,  
between his fingers and thumb.  
her moans, turned high pitched  
Tongue flicking, *******, as he rubs,
She tugs on his pulsating ****.  
Waves of pleasure whip through his core,
ending at his tip.    
Just as quick,  
******* rip, through her thick hips;  
As he ****.  
Her tension shifts,  
from her stomach,  
to the core of her hips.  
Her creamy silk liquid drips,
fluids flowing, fingers sliding,  
between her ***** lips.  
He licks his lips clean,
cleaning off her salty drips.  
Body frozen stiff,  
She's shuddering;  
spasms of *******,  
riveting her hips.  
He lays at her side,  
her wild side subsides,  
she's relishing the fix.

I Need a Titanium hip
My old one is losing its grip
That bone spur brings pain
Whenever it rains
I limp just like Chester and slip

Reserve my Titanium hip!
Sign me up don’t give me no lip
I’m sick of the pain
Driving me insane
Til treated with 4 or 5 nips

I’ve got my Titanium hip!
No longer afraid that I’ll slip
My Doctor-so serious!
But I’m quite delirious!
And green tea is all that I sip...

A Monday morning in Richmond
     is like waking up with your head
   shaking with commotion.

You pray while you take a dump.
       You end up going across the street to Starbucks,
    with three-sixty left on your credit card.

For some reason unbeknownst to you,
you feel that you're a Renaissance artist,
brought to earth to perform studies on human beings.

Little by little you realize that you're the son of God.
There's a moldy tennis ball in
your pocket labeled: God.

Rap, or is it, Rock music that pumps through your ears?
And you're not afraid anymore.
You start to notice the handwritten facade built around your surroundings.

The State Farm billboards
perched above the scaffolding.
Your nose drizzles with crimson.

Memories of the Christopher Walken Impersonator stains the keyboard.
There is no real difference between the garbage man
and your best friend, the one who supplies you with mescaline.

And the comedown feels like a Indian Monsoon.
Electrocute your senses
until you've turned numb to your baby sister Victoria.

The Toyota Avalon cruising up
the street corner with the yellow high beams
is not the white witch from The Wizard of Oz.

Trip falls.
Inhale smoke.
Speculate more.

Dirigibles in the clear, blue sky plummet down.
You listen to your parents while you're high on *****,
wondering why mom dukes looks like Johnny Depp.

Fingers tremble as you try to type out
a handwritten letter from prison.
You meant to text message your mom, "Happy Mother's Day."

And instead
you typed out to her,
"Happy Birthday Mother!"

Lows and highs permeate through your heart.
Caving in, the walls crush into each other.
That girl was married and you gave her a head start on life.

You stole your best friend's birthday money to buy M. You tell yourself everything
is going to be okay as you swivel in your leather recliner,
A ****** dollar bill jammed up your left nostril.

Long, blue rails dotting the wrinkled notebook paper,
used up from the last owner. You
can't stop coughing.

You throw up on your clothes.
And you start to think that
maybe you are ******* up and you can't stop without an intervention.

Then
you start to think,
maybe this is all in my head.

The cold wind nips at your exposed ankles.
Red sores develop on the back of your elbows.
Local pariah is far away from his hometown.

Your favorite Uncle has stage 4 lung cancer,
and you're chain smoking menthols
to ease the edge that splits your brain in half each morning.

What is struggle without the lost—
without the success on the other side of sanity?
You pop prescriptions to ward off the insects gnawing away at your eyeballs.

Gouge your intestines with a straight edged blade bought
from the dollar store.
Ode to Keroauc.

The unholy manuscript written with pen and needle.
Cool story bro.
But you have nothing, but mistakes to offer to this unjust world.

And earth continues to spin on an uneven axis.
When it comes to a point where fiction and nonfiction
        are void of speculation.

           When it comes to the point where reality and dreams coincide
and you begin to stumble
over your shoelaces that are tied.

When it comes to a point where
               your enemies and friends seem the same that is the point
when you attempt to sleep.

But sleep will always allude you, you Danny Art
          So read your poetry aloud to the unsung.
To the sleepless.

The Walkers dressed in rags approach you,
smoking on black and milds, dark rings
circling their eyelids.  

And the time of night which you so longingly search for
in the face of listening to The Dark Knight soundtrack, gives you a pulse, a sudden click that boosts you into peril.

That bloodstain drenching
the corner of your eye sweats profusely. And that's when you start to wonder:
is everything that I'm doing baked in fallacy and witchcraft?

The comedown.
The comedown.
The comedown.

You are the burden of my fellow constituents, lost in reverie,
gone in madness, forlorn from deeds,
that are too great to imagine.

Your tears mean nothing
in comparison
to the world at large.

And that's okay.
And that's okay.
And that's okay.


You begin to discover,
that you do not write poetry,
but you write greeting cards in a journal.

Or a pen and pad,
ink
and blood.

words are wasted darling,
can't add an alphabet more...  

but make o's of your lips,  
measure the girth of your hips,  
tease the buds of thy nips,  
sip honey, lick nectar,  

fork a tongue into you,  
pierce your insides,  
twist your wild hair
around me,  
bolt love,  
blindfold you,  

warm your ******* to
the incandescence
of the moon,  

nibble your ear ends,  
step away a moment,  
gaze at your island body  
your shy fluidity,  

watch you bathe
in candlelight,  
catch every
running drop
off you,  
every globule,  

wrap you up,  
unknot you,  
tie your hands together,  
feed you a smear
of chocolate,  
seat you
on a chair,  
eat off you,  

days and nights shall embrace us,  
seasons weave a cocoon,  
ice slide down our bodies  
and I shall make love to you,

and now as I utter  
these little strands
in whispers,  
I am here entwined to you,  

I promised to read out these lines  
if I ever make love to you,  

now that the words
are in communion,  
let us dearest,
bid them adieu

Twenty-five pigeons are doing **** rips in my living room.
In the middle of my living room
twenty-five pigeons
are doing **** rips
of **** that they bought
off my next door neighbor
who just happened to have some lying around.
There are twenty-five pigeons
doing **** rips in my living room,
and they will not stop watching
Battlestar Galactica.
The twenty-five pigeons
doing **** rips in my living room
ate all of my Cheese Nips,
and they drank the last
of the RC Cola I bought.
I try to get
the twenty-five pigeons
doing **** rips in my living room
to leave,
because I hate it when they do this,
but they just coo at me
and that shuts me up.
One of the twenty-five pigeons
doing **** rips
in my living room
accidentally knocks over
the ****
and spills bongwater
all over my ******* carpet.
The **** cracks.
They start flapping their wings really hard
and ******* everywhere,
because they're pigeons
and they're mad.
But then,
one of the twenty-five pigeons
produces some hash wax
from under his wings,
and now there's twenty-five pigeons
doing knife hits
of hash wax
over my stove,
and quite frankly
I'm ******.
I run in
and start waving my arms
around,
and scream,
"Get the **** out of here,
who let you in anyway?"
And the head pigeon drops the knife on accident,
and they all fly out of my living room
and into the sky,
all really blazed,
leaving me here,
mad,
with a bunch of stains on my carpet.

Give me a fresh *** of your nips.
Ehh?? Give me a ******* turnip!
I went to Peterborough, came from Marrakech,
Which one should I rip to flesh?
In summer I love to chew icicles,
Whatever! It’s to die for!
I rode a bike and had a stew,
Never mind this poem, go and have a poo.

"Tout aux tavernes et aux filles."

Suppose you screeve? or go cheap-jack?
    Or fake the broads? or fig a nag?
Or thimble-rig? or knap a yack?
    Or pitch a snide? or smash a rag?
    Suppose you duff? or nose and lag?
Or get the straight, and land your ***?
    How do you melt the multy swag?
***** and the blowens cop the lot.

Fiddle, or fence, or mace, or mack;
    Or moskeneer, or flash the drag;
Dead-lurk a crib, or do a crack;
    Pad with a slang, or chuck a ***;
    Bonnet, or tout, or mump and gag;
Rattle the tats, or mark the spot;
    You can not bank a single stag;
***** and the blowens cop the lot.

Suppose you try a different tack,
    And on the square you flash your flag?
At penny-a-lining make your whack,
    Or with the mummers mug and gag?
    For nix, for nix the dibbs you bag!
At any graft, no matter what,
    Your merry goblins soon stravag:
***** and the blowens cop the lot.

THE MORAL
    It's up the spout and Charley Wag
With wipes and tickers and what not.
    Until the squeezer nips your scrag,
***** and the blowens cop the lot.

we kip through all the ****** on the news
i left the device on a radio channal
  awoke to it burning up static and turned it off

silence as falcon overviews us
ultraviolet sight
  looking for neon spots and trails of *****
            markings that may betray the entrance of our dwelling

i put the kettle on

our voices are clayed
            by our
   confessing inner multitude
but they're recorded all the same

i pour a cup of tea

our pattern of submission
        is signal tweaked
maintainance by murmers
****** thorough
        through our glacial surrender

i take a sip

silence as
aided by the clear weather
   a drone nips out its choice targets

we were not selected
neither us or any neighbour
but far away ;
a story heard on the device

“that’s a Simpson’s sky,” you say,
pointing to the fluff strewn across the highway sky,
I smile and nod, concentrating on the music

we’re driving to Cornwall in the curb lane,
pointedly avoiding what’s uppermost,
halfway there from Toronto

“driving makes me think,” I think to myself
and turn up the volume on Buddha Bar III
and talking fades into the rearview mirror

black Firebird, racing stripes, eager to pass me
I hold steady – he should know how to use the passing lane!
he bobs and weaves and nips at my fender

it washes in waves over you so palpably
I feel it crash on my shoulder -
your father passed away yesterday

rolling the window down slightly, you light a cigarette
I roll down mine and light up, too
our ritual – one feeding off the other

we’re driving to Cornwall, to family,
to mother, alone now among children
“what will you say to her?” I ask you silently

we’re driving to Cornwall
towards loss, towards hope
with a black Firebird close behind

I move the wheel slightly
to avoid a can of Pepsi rolling in the lane
the rear-view mirror catches the firebird

deliberately swerve to hit it and exlode
its contents in a little puff of vapour -
highway music



bonaventure saptel

The bitter cold
nips at my neck
but I linger outside
if only to get a whiff of
the smoky smell
of firewood burning
that makes me nostaglic
for winter days.

spirited ferret
rare, ear hair tipped white
frightened pip carefully snaring
darting pairs flipping
clipped wings, carted
shipped riggings sing
lark songs
darkness brings
wronged Nips
angered and singing
ears ring banging hangers
tearing string Narcs protest
ingesting *** freeing boxes
rocks bling
****** tracks shear hearts
parked rack blesses
black guests

The cold mountain air nips at my cheeks
While I sit on the cold grass of this *****
I can feel the chills poke my skin like needles
And crawl down my spine like spiders
But the chills aren't worse than the cold feeling in my chest
Because you aren't here by my side

Mirror! Mirror!  On the wall
Though art the cause of many a fall
What with them endless hours adjusting and re-adjusting
Visages to desired perfection mindless of the misgiving.
Wearing masks in a variety of color
In a bid to entice a bachelor
With whose heart she’ll most disconcertingly hold ransom
Anticipating a blossom
Of a methodically engineered relationship
Minding her speech lest a Freudian slip
Nips at the bud
Her good “fortune” exposing her as a fraud.
Perfect imperfections, perfectly mirrored
By an imperfect mirror…**absurd.

I, a princess, king-descended, decked with jewels, gilded, drest,
Would rather be a peasant with her baby at her breast,
For all I shine so like the sun, and am purple like the west.

Two and two my guards behind, two and two before,
Two and two on either hand, they guard me evermore;
Me, poor dove, that must not coo,--eagle, that must not soar.

All my fountains cast up perfumes, all my gardens grow
Scented woods and foreign spices, with all flowers in blow
That are costly, out of season as the seasons go.

All my walls are lost in mirrors, whereupon I trace
Self to right hand, self to left hand, self in every place,
Self-same solitary figure, self-same seeking face.

Then I have an ivory chair high to sit upon,
Almost like my father's chair, which is an ivory throne;
There I sit uplift and upright, there I sit alone.

Alone by day, alone by night, alone days without end;
My father and my mother give me treasures, search and spend--
O my father! O my mother! have you ne'er a friend?

As I am a lofty princess, so my father is
A lofty king, accomplished in all kingly subtilties,
Holding in his strong right hand world-kingdoms' balances.

He has quarrelled with his neighbors, he has scourged his foes;
Vassal counts and princes follow where his pennon goes,
Long-descended valiant lords whom the vulture knows,

On whose track the vulture swoops, when they ride in state
To break the strength of armies and topple down the great:
Each of these my courteous servant, none of these my mate.

My father counting up his strength sets down with equal pen
So many head of cattle, head of horses, head of men;
These for slaughter, these for labor, with the how and when.

Some to work on roads, canals; some to man his ships;
Some to smart in mines beneath sharp overseers' whips;
Some to trap fur-beasts in lands where utmost winter nips.

Once it came into my heart and whelmed me like a flood,
That these too are men and women, human flesh and blood;
Men with hearts and men with souls, though trodden down like mud.

Our feasting was not glad that night, our music was not gay;
On my mother's graceful head I marked a thread of gray,
My father frowning at the fare seemed every dish to weigh.

I sat beside them sole princess in my exalted place,
My ladies and my gentlemen stood by me on the dais:
A mirror showed me I look old and haggard in the face;

It showed me that my ladies all are fair to gaze upon,
Plump, plenteous-haired, to every one love's secret lore is known,
They laugh by day, they sleep by night; ah me, what is a throne?

The singing men and women sang that night as usual,
The dancers danced in pairs and sets, but music had a fall,
A melancholy windy fall as at a funeral.

Amid the toss of torches to my chamber back we swept;
My ladies loosed my golden chain; meantime I could have wept
To think of some in galling chains whether they waked or slept.

I took my bath of scented milk, delicately waited on,
They burned sweet things for my delight, cedar and cinnamon,
They lit my shaded silver lamp and left me there alone.

A day went by, a week went by. One day I heard it said:
"Men are clamoring, women, children, clamoring to be fed;
Men like famished dogs are howling in the streets for bread."

So two whispered by my door, not thinking I could hear,
******, naked truth, ungarnished for a royal ear;
Fit for cooping in the background, not to stalk so near.

But I strained my utmost sense to catch this truth, and mark:
"There are families out grazing like cattle in the park."
"A pair of peasants must be saved even if we build an ark."

A merry jest, a merry laugh, each strolled upon his way;
One was my page, a lad I reared and bore with day by day;
One was my youngest maid, as sweet and white as cream in May.

Other footsteps followed softly with a weightier *****;
Voices said: "Picked soldiers have been summoned from the camp
To quell these base-born ruffians who make free to howl and stamp."

"Howl and stamp?" one answered: "They made free to hurl a stone
At the minister's state coach, well aimed and stoutly thrown."
"There's work, then, for the soldiers, for this rank crop must be mown."

"One I saw, a poor old fool with ashes on his head,
Whimpering because a girl had snatched his crust of bread:
Then he dropped; when some one raised him, it turned out he was dead."

"After us the deluge," was retorted with a laugh:
"If bread's the staff of life, they must walk without a staff."
"While I've a loaf they're welcome to my blessing and the chaff."

These passed. The king: stand up. Said my father with a smile:
"Daughter mine, your mother comes to sit with you awhile,
She's sad to-day, and who but you her sadness can beguile?"

He too left me. Shall I touch my harp now while I wait
(I hear them doubling guard below before our palace gate),
Or shall I work the last gold stitch into my veil of state;

Or shall my woman stand and read some unimpassioned scene,
There's music of a lulling sort in words that pause between;
Or shall she merely fan me while I wait here for the queen?

Again I caught my father's voice in sharp word of command:
"Charge!" a clash of steel: "Charge again, the rebels stand.
Smite and spare not, hand to hand; smite and spare not, hand to hand."

There swelled a tumult at the gate, high voices waxing higher;
A flash of red reflected light lit the cathedral spire;
I heard a cry for *******, then I heard a yell for fire.

"Sit and roast there with your meat, sit and bake there with your bread,
You who sat to see us starve," one shrieking woman said:
"Sit on your throne and roast with your crown upon your head."

Nay, this thing will I do, while my mother tarrieth,
I will take my fine spun gold, but not to sew therewith,
I will take my gold and gems, and rainbow fan and wreath;

With a ransom in my lap, a king's ransom in my hand,
I will go down to this people, will stand face to face, will stand
Where they curse king, queen, and princess of this cursed land.

They shall take all to buy them bread, take all I have to give;
I, if I perish, perish; they to-day shall eat and live;
I, if I perish, perish; that's the goal I half conceive:

Once to speak before the world, rend bare my heart and show
The lesson I have learned, which is death, is life, to know.
I, if I perish, perish; in the name of God I go.