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"grained" poems
Old man, you surface seldom. Then you come in with the tide's coming When seas wash cold, foam- Capped: white hair, white beard, far-flung, A dragnet, rising, falling, as waves Crest and trough. Miles long Extend the radial sheaves Of your spread hair, in which wrinkling skeins Knotted, caught, survives The old myth of orgins Unimaginable. You float near As kneeled ice-mountains Of the north, to be steered clear Of, not fathomed. All obscurity Starts with a danger: Your dangers are many. I Cannot look much but your form suffers Some strange injury And seems to die: so vapors Ravel to clearness on the dawn sea. The muddy rumors Of your burial move me To half-believe: your reappearance Proves rumors shallow, For the archaic trenched lines Of your grained face shed time in runnels: Ages beat like rains On the unbeaten channels Of the ocean. Such sage humor and Durance are whirlpools To make away with the ground- Work of the earth and the sky's ridgepole. Waist down, you may wind One labyrinthine tangle To root deep among knuckles, shinbones, Skulls. Inscrutable, Below shoulders not once Seen by any man who kept his head, You defy questions; You defy godhood. I walk dry on your kingdom's border Exiled to no good. Your shelled bed I remember. Father, this thick air is murderous. I would breathe water.
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15.1k
Full Fathom Five
The flag, a white crescent and single star on a field of crimson — kırmızı, not just 'red' — tells of Islam. The men drinking beer and rakı at pavement tables, even in Ramadan, and the short-skirted, bare-armed girls, parading with bare-faced confidence, tell of other influences; but at the appointed hour we hear the call to prayer from the marble minaret, a slim finger pointing to the sky beside shining domes reflecting the vault of heaven. At five a.m. we hear it faintly through hotel double-glazing, or at sunset, as a peaceful accompaniment to the spectacle, and we remember where we are. But especially at the midday hour, when the voice of the muezzin echoes over noisy street or market, and from another minaret and another the duet becomes a trio, a quartet of different melodies, out of tune with each other but never discordant (in these tones the word has no meaning), the faithful are reminded, however busy they may be, that their God requires something of them. Then, entering the cool calm of the mosque, entering the quiet forest of pillars, feeling through the soles of our bare feet marble polished by the tread of generations of worshippers, fine-grained wood, the rich softness of crimson carpet, we luxuriate in the textures as they combine with the formal floral patterns of the tiles, the ornate calligraphy of the inscriptions, the rich colours of the glass, and we realise that the builders of these mosques knew what they were doing, so many years ago, how peace can enter the soul through the senses.
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Aug 6, 2016
Aug 6, 2016 at 11:43 AM UTC
Inside the Mosque **
The flag, a white crescent and single star on a field of crimson — kırmızı, not just 'red' — tells of Islam. The men drinking beer and rakı at pavement tables, even in Ramadan, and the short-skirted, bare-armed girls, parading with bare-faced confidence, tell of other influences; but at the appointed hour we hear the call to prayer from the marble minaret, a slim finger pointing to the sky beside shining domes reflecting the vault of heaven. At five a.m. we hear it faintly through hotel double-glazing, or at sunset, as a peaceful accompaniment to the spectacle, and we remember where we are. But especially at the midday hour, when the voice of the muezzin echoes over noisy street or market, and from another minaret and another the duet becomes a trio, a quartet of different melodies, out of tune with each other but never discordant (in these tones the word has no meaning), the faithful are reminded, however busy they may be, that their God requires something of them. Then, entering the cool calm of the mosque, entering the quiet forest of pillars, feeling through the soles of our bare feet marble polished by the tread of generations of worshippers, fine-grained wood, the rich softness of crimson carpet, we luxuriate in the textures as they combine with the formal floral patterns of the tiles, the ornate calligraphy of the inscriptions, the rich colours of the glass, and we realise that the builders of these mosques knew what they were doing, so many years ago, how peace can enter the soul through the senses.
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39
For Leonard Baskin To his house the bodiless Come to barter endlessly Vision, wisdom, for bodies Palpable as his, and weighty. Hands moving move priestlier Than priest's hands, invoke no vain Images of light and air But sure stations in bronze, wood, stone. Obdurate, in dense-grained wood, A bald angel blocks and shapes The flimsy light; arms folded Watches his cumbrous world eclipse Inane worlds of wind and cloud. Bronze dead dominate the floor, Resistive, ruddy-bodied, Dwarfing us. Our bodies flicker Toward extinction in those eyes Which, without him, were beggared Of place, time, and their bodies. Emulous spirits make discord, Try entry, enter nightmares Until his chisel bequeaths Them life livelier than ours, A solider repose than death's.
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3.9k
Sculptor
~~ Sometimes Loudly Sometimes Silently Yellow leaves have fallen, Becoming dry Pale Passing through as the grained Sound on the Street Slowly dark flees across the evenings What an Illusion! What Shadows! Has Shuffled The Past Present Future Your form that creates metaphors And what a wonderful feel Through out its gravity Night dancing, When aroma of Night-Queen Moving in the air, Plays with the moonlit As if Reminds The First love Poem Has burned within the form Standing to fascinate Away, a dense bunch Of vine Forest Bored Air moving Listening the murmur Of dried leaves In the passing wind of banner As if Someone Calling with My old name Empty Restless Heart Today is the tune that somewhere else Like a flow Of a distant river melody, Surging waves of the attack In the Strange night of Spring Continuous grey leaves falling Falling on the Floor Whispering the words on the street goes through What an Illusion! What Shadows! ~~ @ Musfiq us shaleheen
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Feb 24, 2015
Feb 24, 2015 at 1:47 PM UTC
whispering the words on the street goes through
All summer we moved in a villa brimful of echos, Cool as the pearled interior of a conch. Bells, hooves, of the high-stipping black goats woke us. Around our bed the baronial furniture Foundered through levels of light seagreen and strange. Not one leaf wrinkled in the clearing air. We dreamed how we were perfect, and we were. Against bare, whitewashed walls, the furniture Anchored itself, griffin-legged and darkly grained. Two of us in a place meant for ten more- Our footsteps multiplied in the shadowy chambers, Our voices fathomed a profounder sound: The walnut banquet table, the twelve chairs Mirrored the intricate gestures of two others. Heavy as a statuary, shapes not ours Performed a dumbshow in the polished wood, That cabinet without windows or doors: He lifts an arm to bring her close, but she Shies from his touch: his is an iron mood. Seeing her freeze, he turns his face away. They poise and grieve as in some old tragedy. Moon-blanched and implacable, he and she Would not be eased, released. Our each example Of temderness dove through their purgatory Like a planet, a stone, swallowed in a great darkness, Leaving no sparky track, setting up no ripple. Nightly we left them in their desert place. Lights out, they dogged us, sleepless and envious: We dreamed their arguments, their stricken voices. We might embrace, but those two never did, Come, so unlike us, to a stiff impasse, Burdened in such a way we seemed the lighter- Ourselves the haunters, and they, flesh and blood; As if, above love's ruinage, we were The heaven those two dreamed of, in despair.
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3.2k
The Other Two
All summer we moved in a villa brimful of echos, Cool as the pearled interior of a conch. Bells, hooves, of the high-stipping black goats woke us. Around our bed the baronial furniture Foundered through levels of light seagreen and strange. Not one leaf wrinkled in the clearing air. We dreamed how we were perfect, and we were. Against bare, whitewashed walls, the furniture Anchored itself, griffin-legged and darkly grained. Two of us in a place meant for ten more- Our footsteps multiplied in the shadowy chambers, Our voices fathomed a profounder sound: The walnut banquet table, the twelve chairs Mirrored the intricate gestures of two others. Heavy as a statuary, shapes not ours Performed a dumbshow in the polished wood, That cabinet without windows or doors: He lifts an arm to bring her close, but she Shies from his touch: his is an iron mood. Seeing her freeze, he turns his face away. They poise and grieve as in some old tragedy. Moon-blanched and implacable, he and she Would not be eased, released. Our each example Of temderness dove through their purgatory Like a planet, a stone, swallowed in a great darkness, Leaving no sparky track, setting up no ripple. Nightly we left them in their desert place. Lights out, they dogged us, sleepless and envious: We dreamed their arguments, their stricken voices. We might embrace, but those two never did, Come, so unlike us, to a stiff impasse, Burdened in such a way we seemed the lighter- Ourselves the haunters, and they, flesh and blood; As if, above love's ruinage, we were The heaven those two dreamed of, in despair.
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35
it was sandcastle cities with you: careful residing in the threat of it all crumbling away with steadfast eyes, I watched as you made a fine-grained mess watching and waiting for the inevitable blow of your city-collapsing wave of truth it was sandcastle cities – dedicated to you. I dedicated myself to you, and it was easy to do.
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Aug 29, 2014
Aug 29, 2014 at 11:09 PM UTC
sandcastle cities
I recently had the great privilege of editing Mike Essig's latest poetry collection, THE BIOLOGY OF STRANGENESS, and I'm honoured to have been entrusted with such fantastic material. Putting together a book like this is every poetry geek's dream. It's a beautifully textured assortment of poems, earthy yet lyrical, narrated by a voice that's uniquely grained with experience. There are pieces that will make you smile, think, wince; there are pieces that hit you in the gut out of nowhere; there are pieces that welcome you into them like old, worn-in shoes; there are pieces you will remember late some night when you're by yourself, and remembering them will make you feel less alone. This collection of poetry makes you look at the banal and the everyday afresh; it finds magic and mystery in the mundane, and even Hawaiian shirts are poem-worthy when Mike Essig's writing about them. The Kindle version is already available through Amazon. A paperback edition is due out next month, and I can't wait to have a copy of this book on my shelf as well as on my e-reader. Mike's previous poetry books, Never Forgotten and Huck Finn Is Dead are also available through Amazon and are excellent.   From his author profile on B Star Kitty Press: "Mike Essig is a veteran of Vietnam and a retired English teacher. He’s also been recruited by the muse as a poet, like he hadn’t already been through enough." Sample poems, links to sales pages and more info can be found at the B Star Kitty Press website.  www(dot)bstarkittypress(dot)com. Please do support this very talented indie author.
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Mar 22, 2016
Mar 22, 2016 at 10:46 AM UTC
Poets Supporting Poets
I recently had the great privilege of editing Mike Essig's latest poetry collection, THE BIOLOGY OF STRANGENESS, and I'm honoured to have been entrusted with such fantastic material. Putting together a book like this is every poetry geek's dream. It's a beautifully textured assortment of poems, earthy yet lyrical, narrated by a voice that's uniquely grained with experience. There are pieces that will make you smile, think, wince; there are pieces that hit you in the gut out of nowhere; there are pieces that welcome you into them like old, worn-in shoes; there are pieces you will remember late some night when you're by yourself, and remembering them will make you feel less alone. This collection of poetry makes you look at the banal and the everyday afresh; it finds magic and mystery in the mundane, and even Hawaiian shirts are poem-worthy when Mike Essig's writing about them. The Kindle version is already available through Amazon. A paperback edition is due out next month, and I can't wait to have a copy of this book on my shelf as well as on my e-reader. Mike's previous poetry books, Never Forgotten and Huck Finn Is Dead are also available through Amazon and are excellent.   From his author profile on B Star Kitty Press: "Mike Essig is a veteran of Vietnam and a retired English teacher. He’s also been recruited by the muse as a poet, like he hadn’t already been through enough." Sample poems, links to sales pages and more info can be found at the B Star Kitty Press website.  www(dot)bstarkittypress(dot)com. Please do support this very talented indie author.
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10
When words fail and the song dies in your soul The soft cushion weighs heavy, threadbare, when Dust invites the attic attack to the last memory stroll A fretful protest march accompanying the wood grained heart You noticed the space in short supply, with tight breath, the Expert bargaining skills have begun, bypassing The weak hearts, those that are still journeying Their healing held up in tight palms of moistoned skin And the slide into another day begins, dreadfully With arched pain barriers drumming their morning Beat. Occupational hazard was on the rampage Cracking skull caps from their skinned residence I shone a light into the acute grey tone of those Hearts, those whose shapes lost conviction as the light Shot arrowed tongues from the deaf interiors of wise men Out on the town of feeble failings, they held nothing as their companion
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Mar 2, 2013
Mar 2, 2013 at 7:15 AM UTC
The Lost
for Barry and Tina Life experience is something I haven’t witnessed, the fitness of waking up and going back to bed 50 years on the trot. But I look to my father’s hands and see all twelve-thousand morning mists he has seen. A gristmill heart, grained hands and workshop walking feet are all hidden from view. He writes in capitals, written with precision, and crosses the T’s as he goes along, So not to prolong the sentence writing chore, making more time, conjuring up the minutes to potter around and mend unbroken objects. - Life experience is something I haven’t witnessed, the fitness of waking up and going back to bed 50 years on the trot. But I look at my mother’s hands and see remedies read about in those magazines, all to look younger in the staff canteen. A watermill heart, smooth iron fingers and contoured, sculpted chiselled corridor feet are all hidden from view. She scrawls her sentences; they become the tide hiding letters and numbers in the swell of punctuation and dotted I’s, The T’s cross themselves and she moves on, another phone call to attend too or a new BBC this-time-more-accurate historical drama to view. - Life experience is something I haven’t witnessed, the fitness of waking up and going back to bed 50 years on the trot. But if you keep on going, stay out of strong sunlight so not to rot, those years will pass as a striking blur leading to coastal Big Sur roads, where the next 50 miles bring just as many smiles as the last 50.
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Nov 2, 2013
Nov 2, 2013 at 12:41 PM UTC
The Next 50
for Barry and Tina Life experience is something I haven’t witnessed, the fitness of waking up and going back to bed 50 years on the trot. But I look to my father’s hands and see all twelve-thousand morning mists he has seen. A gristmill heart, grained hands and workshop walking feet are all hidden from view. He writes in capitals, written with precision, and crosses the T’s as he goes along, So not to prolong the sentence writing chore, making more time, conjuring up the minutes to potter around and mend unbroken objects. - Life experience is something I haven’t witnessed, the fitness of waking up and going back to bed 50 years on the trot. But I look at my mother’s hands and see remedies read about in those magazines, all to look younger in the staff canteen. A watermill heart, smooth iron fingers and contoured, sculpted chiselled corridor feet are all hidden from view. She scrawls her sentences; they become the tide hiding letters and numbers in the swell of punctuation and dotted I’s, The T’s cross themselves and she moves on, another phone call to attend too or a new BBC this-time-more-accurate historical drama to view. - Life experience is something I haven’t witnessed, the fitness of waking up and going back to bed 50 years on the trot. But if you keep on going, stay out of strong sunlight so not to rot, those years will pass as a striking blur leading to coastal Big Sur roads, where the next 50 miles bring just as many smiles as the last 50.
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41
I wonder how many eyes met across this coffee-stained, wooden-grained table with half dimples of shyness plus, 1 teaspoon of sugar kind of sweetness.
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May 24, 2014
May 24, 2014 at 8:39 AM UTC
Half & Half
Banked up against a terraced mountainside photogenic pristine rows of blasting green rows of manicured waterways with two buffaloes treading ballet-like between squelching mud and green shoots the paddy fields stayed buoyant all season through. Come harvesting time and thrashing the sunburied ripe tendrils of husk and seed along threshing traffic wheels the husk sought divorce from the long tongued long grained wives -and parted ways. Soon the pudding spent its silky smooth sexiness on a plate of punchy aromatic costumes that invaded the senses and palate in sensual smoothness. Oh my! Ricebowl pudding of the worlds staple. Author Notes Gluttony beckons just now! © Marshall Gass. All rights reserved.
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Apr 2, 2014
Apr 2, 2014 at 6:45 PM UTC
Rice Pudding
The flowers fall like sweeties in the packet of my mind. The answer flows completely from the hand that stops the time. The questions that were seeking could potentially leave us blind to the poetry that's creeping to the rhythm of the times. The finders fees of finding gold are deeply grained in laws. The crawling finger grasping for the love of ***** ****** The sailor tongues are swaggering with anticipating throws, of innocent and eloquent shows of pretty hoes.
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Jan 21, 2010
Jan 21, 2010 at 1:34 PM UTC
Treacle in Filter Coffee
It seemed that out of battle I escaped Down some profound dull tunnel, long since scooped Through granites which titanic wars had groined. Yet also there encumbered sleepers groaned, Too fast in thought or death to be bestirred. Then ,as I probed them, one sprang up, and stared With piteous recognition in fixed eyes, Lifting distressful hands, as if to bless. And by his smile, I knew that sullen hall, - By his dead smile I knew we stood in Hell. With a thousand pains that vision's face was grained; Yet no blood reached there from the upper ground, And no guns thumped, or down the flues made moan. 'Strange friend,' I said, 'here is no cause to mourn.' 'None,' said that other, 'save the undone years, The hopelessness. Whatever hope is yours, Was my life also; I went hunting wild After the wildest beauty in the world, Which lies not calm in eyes, or braided hair, But mocks the steady running of the hour, And if it grieves, grieves richlier than here. For by my glee might many men have laughed, And of my weeping something had been left, Which must die now. I mean the truth untold, The pity of war, the pity war distilled. Now men will go content with what we spoiled, Or, discontent, boil ****** and be spilled. They will be swift with swiftness of the tigress. None will break ranks, though nations trek from progress. Courage was mine, and I had mystery, Wisdom was mine, and I had mastery: To miss the march of this retreating world Into vain citadels that are not walled. Then, when much blood had clogged their chariot-wheels, I would go up and wash them from sweet wells, Even with truths that lie too deep for taint. I would have poured my spirit without stint But not through wounds; not on the cess of war. Foreheads of men have bled where no wounds were. I am the enemy you killed, my friend. I knew you in this dark: for so you frowned Yesterday through me as you jabbed and killed. I parried; but my hands were loath and cold. Let us sleep now...'
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2.7k
Strange Meeting
It seemed that out of battle I escaped Down some profound dull tunnel, long since scooped Through granites which titanic wars had groined. Yet also there encumbered sleepers groaned, Too fast in thought or death to be bestirred. Then ,as I probed them, one sprang up, and stared With piteous recognition in fixed eyes, Lifting distressful hands, as if to bless. And by his smile, I knew that sullen hall, - By his dead smile I knew we stood in Hell. With a thousand pains that vision's face was grained; Yet no blood reached there from the upper ground, And no guns thumped, or down the flues made moan. 'Strange friend,' I said, 'here is no cause to mourn.' 'None,' said that other, 'save the undone years, The hopelessness. Whatever hope is yours, Was my life also; I went hunting wild After the wildest beauty in the world, Which lies not calm in eyes, or braided hair, But mocks the steady running of the hour, And if it grieves, grieves richlier than here. For by my glee might many men have laughed, And of my weeping something had been left, Which must die now. I mean the truth untold, The pity of war, the pity war distilled. Now men will go content with what we spoiled, Or, discontent, boil ****** and be spilled. They will be swift with swiftness of the tigress. None will break ranks, though nations trek from progress. Courage was mine, and I had mystery, Wisdom was mine, and I had mastery: To miss the march of this retreating world Into vain citadels that are not walled. Then, when much blood had clogged their chariot-wheels, I would go up and wash them from sweet wells, Even with truths that lie too deep for taint. I would have poured my spirit without stint But not through wounds; not on the cess of war. Foreheads of men have bled where no wounds were. I am the enemy you killed, my friend. I knew you in this dark: for so you frowned Yesterday through me as you jabbed and killed. I parried; but my hands were loath and cold. Let us sleep now...'
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44
Wasted margin space in a datebook, frames weekend's entry slots left free to relax. I hatch them down with marginalized thoughts best served on a table reinforced with wood grained plastic, naturally. The morning bird chirps, filling a brimming cup of foreboding work. It takes much to do a right job. Eek! Hunting, fishing, browsing for scraps of sustenance and sharing them with you, my nomadic tribe. Time to go! Living on the fringe outside predators and above ruminating herbivores isn't easy.
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Mar 8, 2013
Mar 8, 2013 at 9:50 PM UTC
Margin space
In dried-out marsh where footsteps lie, Tracing steps and feet before, Broken fence and ragged wire, Brook and grass and harmony. A field across the orange blaze, Faithful cracks, surrendered branch, Dimly grained and bowed in green, Earth and hooves, informal dance. A gallop halts in open air, Squared, and chest apparent, Perfect as my counted steps, Alone he stands in distant stare. A moment still I hold my breath, Fixed and strong, he’s caught my track, Hazel backed and scars to bare, Solemn in a fragile glow. Content in wayward solitude, He does not trust my path, Dark brown eyes and pointed pride, Yearning for the evergreen. In greying tips he stands his ground, Loyal to the days gone by, Speckled spots of brown and black, A primal thud of cloven foot. Stooped and still I hold his gaze, Eagle-eyed he grants me time, He listens fair with velvet edge, And sees my flaws through dusty light. A broken twig- he’s on his way- Prancing through the deadened leaves, Muscled buck and arrow flow, Fluent as the river ebb. My lens will capture sight and time, But feeling, sounds and moments shared, Something I would rather keep, In mind and memory before I sleep.
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Feb 14, 2012
Feb 14, 2012 at 1:22 AM UTC
The Stag
Nightfall Beckoning, unhindered Lucency Bending, unbroken Where the darkness starts Here is the unseen Grained out, eyelids closed In conversations with traffic signs The spine is quiet in the center You can't be told it, you must behold it
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Jun 12, 2023
Jun 12, 2023 at 3:34 PM UTC
Ghost Light
Jackals cackle beating paws sound like drums against an earth cracked from famine. They pant dry clouds of dust are heaved the grained dirt grind between ravenous teeth. Infants crying dying. Mothers hearts are breaking hurting, aching. Their lips-like earth-are cracked thier yearning wanting water cool for the taking. Mothers foster bitterness A father's pride is broken laying, falling between those dry cracks falling falling down to magma burning. Vapors rise, the heat is burning earth and evermore the jackals are cackling.
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Jan 12, 2011
Jan 12, 2011 at 10:50 AM UTC
Jackals cackle
Mom would say, “Your dad has friends, Black friends on the police force, of course We don’t set down to eat with them. It wasn’t safe to say to her, “Ahem. Did you hear what you just said?” She’d swing one upside my head And it would be like a garden gate But with the weight of her stout arm And the harm she could do with that Sat me back down on my bony **** I wrote “black friends” but that is because That was not the word she used, applause, Applause. Clean it up for the publishment, Don’t cause a resentment for the wrong reason. It is never the season because I am white And it’s never right for me to say the N word, Haven’t you heard? They can, and I can’t Even in a rant that describes the horror Of living in a half right, all white world. My fingers permanently curled into fists So hard to resist saying to my parents “You daren’t speak like that to the preacher Or half of my teachers because they’d see Just how deeply grained racism can be." And both sides would take it out on me, Just a kid, so I agree to hide what you did. I agree to pretend you aren’t part of the problem; Another prejudiced person, training me Explaining to me how life really is right now. You saying to me “Don’t put your lips there On that fountain. Some N person might have, too! And that made sense to you. Perfect sense. You were that dense, that unquestioning, too. Ready to do what your white society dictates And making me into a swinging garden gate If I don’t toe the line, and hold my confusion While I pray for no contusion from the slap. I hold hands in my lap and act submissive. And I act like I accept all this as right Because I am white. But, even though I won’t Say a word at ten years of age, I don’t.
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Jul 9, 2018
Jul 9, 2018 at 10:32 AM UTC
SENSITIVITY TRAINING 1954
Mom would say, “Your dad has friends, Black friends on the police force, of course We don’t set down to eat with them. It wasn’t safe to say to her, “Ahem. Did you hear what you just said?” She’d swing one upside my head And it would be like a garden gate But with the weight of her stout arm And the harm she could do with that Sat me back down on my bony **** I wrote “black friends” but that is because That was not the word she used, applause, Applause. Clean it up for the publishment, Don’t cause a resentment for the wrong reason. It is never the season because I am white And it’s never right for me to say the N word, Haven’t you heard? They can, and I can’t Even in a rant that describes the horror Of living in a half right, all white world. My fingers permanently curled into fists So hard to resist saying to my parents “You daren’t speak like that to the preacher Or half of my teachers because they’d see Just how deeply grained racism can be." And both sides would take it out on me, Just a kid, so I agree to hide what you did. I agree to pretend you aren’t part of the problem; Another prejudiced person, training me Explaining to me how life really is right now. You saying to me “Don’t put your lips there On that fountain. Some N person might have, too! And that made sense to you. Perfect sense. You were that dense, that unquestioning, too. Ready to do what your white society dictates And making me into a swinging garden gate If I don’t toe the line, and hold my confusion While I pray for no contusion from the slap. I hold hands in my lap and act submissive. And I act like I accept all this as right Because I am white. But, even though I won’t Say a word at ten years of age, I don’t.
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41
A fool sits alone.   Not dumb but naïve drinking ideals that were both sweet and biting on the uvula of his thoughts- thoughts that once resonated from truth no longer ring true. This terminus of sentiments that started veritable journeys in the muck of questionable sources housed his hopes while he dared to dream of a day these hopes may be fulfilled. But over hills and plains filled with grating winds of inquiring eyes looking for lies so intently while false truth slips through their gates, these hopes gained grit. Grit built in truth, and to hazier eyes, grit grained with wisdom.   So our fool finds himself at a beginning wrought from this inverted journey, He’s discovered his truths to be soggy with the living mire of human deception. No longer does he sit with starry eyes hoping for truth, he has found it by traveling backwards through experience until he stands upright amongst the crawling with lies filling his head. It is in this moment when all he sees is deceit, that he knows he has found the truth. No longer does he believe in it, he understands how ill-fitting that word has come to be.   In the grand cacophony of the human experience, the sterling ring of truth deafens. It takes a qualified lie to reach our hearts.
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Feb 7, 2013
Feb 7, 2013 at 5:38 PM UTC
Truth and Grit
All estuaries flow eastbound, and the subterranean rail tracks keep forcing against the estuaries’ grain and dust foundations perpendicularly to them. How can a sane proposition -- a quantification of syntax execution (those squirming cuticles through bonds of regression)— an excessive reflection, reflexive inspection, Prove its sanity through continued suggestion? Deductive insurrections stirred in memory, A rumble, causing sediments to crumble, Wineglasses balanced atop countertops tumble. Spilling contents upon the grained wooden, elitists' floors. "Anesthetic, onsetting tuberculosis in breath patterns, Gavels ringing on rigged tolling tongs in caverns, Dark tolerances to Copernican astronomy in shadows, And the handle grinds as boxcar wheels' flints and steels catch and spark in addled locks," I mumbled from a half-nap. It was surgery, the smooth procedures on the moving trains, The gains and plectrums scraped against the brains' spider veins, To reorganize the sane, to bridge the broken definitions changed, To prevent arguments' bone structure from fractures and sprains. "Use gavels against the scalpels, sculpt with their judgment," a corona dream's habitant corrugated. He pounded the gavel's end against the knife to chisel at the pituitary gland pulsing in his subject, And her arms flailed like a horse's legs in heat-induced convulsion. I thought it was done. The Canson Merue train screamed in the night under earth to Yellowknife to meet Canadian soil as the Heavy Breather pounded his gavel.
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Oct 9, 2014
Oct 9, 2014 at 5:06 PM UTC
The Continued Suggestion (Subterrain)
All estuaries flow eastbound, and the subterranean rail tracks keep forcing against the estuaries’ grain and dust foundations perpendicularly to them. How can a sane proposition -- a quantification of syntax execution (those squirming cuticles through bonds of regression)— an excessive reflection, reflexive inspection, Prove its sanity through continued suggestion? Deductive insurrections stirred in memory, A rumble, causing sediments to crumble, Wineglasses balanced atop countertops tumble. Spilling contents upon the grained wooden, elitists' floors. "Anesthetic, onsetting tuberculosis in breath patterns, Gavels ringing on rigged tolling tongs in caverns, Dark tolerances to Copernican astronomy in shadows, And the handle grinds as boxcar wheels' flints and steels catch and spark in addled locks," I mumbled from a half-nap. It was surgery, the smooth procedures on the moving trains, The gains and plectrums scraped against the brains' spider veins, To reorganize the sane, to bridge the broken definitions changed, To prevent arguments' bone structure from fractures and sprains. "Use gavels against the scalpels, sculpt with their judgment," a corona dream's habitant corrugated. He pounded the gavel's end against the knife to chisel at the pituitary gland pulsing in his subject, And her arms flailed like a horse's legs in heat-induced convulsion. I thought it was done. The Canson Merue train screamed in the night under earth to Yellowknife to meet Canadian soil as the Heavy Breather pounded his gavel.
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20
Glass eyes of marble with a steady hand of insufficient motion silenced throats from grained assassins. Decaying affection rests like corpses buried in the sand of their tomb. Hollowed shells with placed authenticity contorted into spider's legs. A single rose blooms from an open whisper of "I killed you"
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Oct 13, 2012
Oct 13, 2012 at 4:29 PM UTC
Announced: Classified
None of this is preconceived. Lesson One came in the knowing That no animal, angel, or adult Has any knowing at all. Life never attains ideals. There’s a sand-grained image of you: “How did you manage sunburn in Great Yarmouth?” The pain now forgotten as anecdote.
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May 16, 2014
May 16, 2014 at 9:15 AM UTC
Anesthesia
fine grained grit embedded in pale grey cement wind over my skin, the grass is moving a bit voices are just out of reach- whispering things i just wish i could hear suddenly the wind dies and slivers of words meet my ears but only slivers slivers of whispers imbed themselves in my skin thin pieces of word that i wish werent there "i hate everything, don't talk to me" It ******* kills me to hear
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Mar 8, 2012
Mar 8, 2012 at 7:11 PM UTC
Eavesdropping
He manages to free his thoughts as he gazes the television for news from a distance, while continuing to sample his supper of rice, and sauteed vegetables on a aluminum serving plate. The restaurant he owns dimly lit this mid-afternoon with ghostly lanterns, and artistic impressions of times past on the wall, while customers walk and gingerly pass ordering from an eclectic menu of indo-latin-euro-oriental cuisine. A neapolitan of condiments dancing among garlic chili sauce, and mayonnaise. Mahogany grained panel walls, and formica woven seats, uniformly scattered among porcelain white plates; traditional. Engraved Jade pieces hung with colors of luck on each entrance. I approach the counter. A sepia toned picture of his family hanging by his register no first dollar bill or recognitions. Just family held, through time, as he hands me a check.
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Jan 23, 2010
Jan 23, 2010 at 10:29 AM UTC
eyes of contentment
I saunter parallel to these pews, dragging my fraying fingers along the tops. Reaching for a wooden comfort, but instead I’m pricked. I shake the splinter and splutter the blood off. Wearing my head high, I finish my descent up the holy steps. My mother stands, stuck looking past me and out the stained window, letting it strike her into a silhouette. The priest exclaims New Beginnings! My mother matches his declaration two seconds too late. My dad nods his head, the final vote of the jury locked in. With guilt and god on my side, I take the holy plunge. My head falls in, harshly. I’m aching for a numinous experience, only to suffocate from the darkness that comes with this reality I will breathe into. My head may be under the aquatic illusion of renewal but my feet stay planted on the fractured ground. I am forced to look past the daze of illusion. Because in the light I can clearly see the greys left in our destruction. I look back and my finger has bled all over the back of this dress. New Beginnings! I exclaim, with a red stain grained into my backside, but an empty canvas in the front. With my hair slicked back I hear a mumble. You look just like your mother, And maybe I do hold her eyes but I can see what she can not. The graying dreams that my parents are dis alluded to. Their skeletons in the attic or the boxes of dresses in the basement, even though today I wear one. I will look at the destruction created behind us and not walk with them. Because in this holy light her eyes bask and only look chocolate at its best. And in this dim shadow mine shine like amber honey.
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Mar 15, 2021
Mar 15, 2021 at 11:13 PM UTC
New Beginnings!
I saunter parallel to these pews, dragging my fraying fingers along the tops. Reaching for a wooden comfort, but instead I’m pricked. I shake the splinter and splutter the blood off. Wearing my head high, I finish my descent up the holy steps. My mother stands, stuck looking past me and out the stained window, letting it strike her into a silhouette. The priest exclaims New Beginnings! My mother matches his declaration two seconds too late. My dad nods his head, the final vote of the jury locked in. With guilt and god on my side, I take the holy plunge. My head falls in, harshly. I’m aching for a numinous experience, only to suffocate from the darkness that comes with this reality I will breathe into. My head may be under the aquatic illusion of renewal but my feet stay planted on the fractured ground. I am forced to look past the daze of illusion. Because in the light I can clearly see the greys left in our destruction. I look back and my finger has bled all over the back of this dress. New Beginnings! I exclaim, with a red stain grained into my backside, but an empty canvas in the front. With my hair slicked back I hear a mumble. You look just like your mother, And maybe I do hold her eyes but I can see what she can not. The graying dreams that my parents are dis alluded to. Their skeletons in the attic or the boxes of dresses in the basement, even though today I wear one. I will look at the destruction created behind us and not walk with them. Because in this holy light her eyes bask and only look chocolate at its best. And in this dim shadow mine shine like amber honey.
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