Old man, you surface seldom.
Then you come in with the tide's coming
When seas wash cold, foam-

Capped: white hair, white beard, far-flung,
A dragnet, rising, falling, as waves
Crest and trough. Miles long

Extend the radial sheaves
Of your spread hair, in which wrinkling skeins
Knotted, caught, survives

The old myth of orgins
Unimaginable. You float near
As kneeled ice-mountains

Of the north, to be steered clear
Of, not fathomed. All obscurity
Starts with a danger:

Your dangers are many. I
Cannot look much but your form suffers
Some strange injury

And seems to die: so vapors
Ravel to clearness on the dawn sea.
The muddy rumors

Of your burial move me
To half-believe: your reappearance
Proves rumors shallow,

For the archaic trenched lines
Of your grained face shed time in runnels:
Ages beat like rains

On the unbeaten channels
Of the ocean. Such sage humor and
Durance are whirlpools

To make away with the ground-
Work of the earth and the sky's ridgepole.
Waist down, you may wind

One labyrinthine tangle
To root deep among knuckles, shinbones,
Skulls. Inscrutable,

Below shoulders not once
Seen by any man who kept his head,
You defy questions;

You defy godhood.
I walk dry on your kingdom's border
Exiled to no good.

Your shelled bed I remember.
Father, this thick air is murderous.
I would breathe water.

Lord:

no bequest requested.
no grant, no teach,
no need or greed asked
just a hey listen up,
if your attention is elsewhere

this is an
all-on-my-own
prayer that
my eyes only utter,
my tongue,
self-silenced,
can only watch
and must approve

in fact,
this is more
of a post
than a prayer,
updating you
on the state
of what we Earth temporaries
call the heart, mind, soul
and even our,
your-designed
crafted carrier,
my body

Mine enemies call me
cursed, embittered,
they are right - but fools,
they are
so much more than wrong,
for in this they err grievous,
for they cannot see their own
bile provisioning their end

ask for no interference
from the sidelines
neither from the
sapphire mother sky
that raised me up gloriously
this morning

nor the emerald earth
that this day
both gives and gets
common bounty
gives me sustenance,
as much spiritual
as grained cereal delights

lest you think this
just one more
me-centric rants,
let us recall this prayer,
is his very own,
prayer of gratitude

woman's head
rests on my chest,
her blonde highlights,
highlight our bed
and our
life

take and tuck her tresses
from eyes and forehead,
gentle them into place,
behind her ear,
and my hand journeys on
to the skin,
flesh of her backbone,
where my fingers
spread wide,
five messengers unique,
advising all of the 120 provinces of her
heart, mind, soul and body,
she is my beloved,
and I pray,
I am hers

learning still to
live with my means,
such as they are,
sometime mean,
sometimes extraordinaire

even this skill,
to express

is a gratitude
that though
comes and goes
like summer breezes
that as now we pray,
cools my AM coffee
while studying the
patterned mystery
of the bay's
Ave Maria waves
from that
dock-by-his-name

where my heart, mind, soul
drink wet inspiration
from the still-oak-tree'd-strong-surfaced waters,
the blue glue of
our common delighted,
uncommon existence

this skill,
at this moment mine,
to share and
not to keep,
for have I not,
been blessed,
by comrades-in-arms
that kneel beside me,
asking, imploring
to be stronger yet,
for their sakes,
for them!
I pray for
best they-can-muster
sustenance of peace
of heart, mind, soul
and body

here now,
my shills,
my failing skills
cannot help express
in new ways,
a gratitude
that has a shapeless shape,
no measurement app enabled
for their comfort,
our comfort,
best grasped as
an unbounded divinity,
how so I wish I could pray for them better

focus this prayer
on the good ones,
who so greatly honor us
with a greater-than-a-creator,
gift glorious of
friendship

this walnut crack'd shell,
this container ship of
heart, mind, soul,
here there,
a few leaks sprung,
no nicotine patches
to cover

this dented car,
this dented body,
new dent every day
from only-you-know-where
still gets me there,

but
other than taking care better,
it plods along and houses
the rearrangement of this prayer's words,
and that is what is called
plenty good enough,
self-sufficient

prayers that are too long
go to the back of line,
so here we be,
but here we do not wait!

for prayers of gratitude
are instantaneous fulfilled,
and thus granted even before
they are completed

The flag, a white crescent and single star
on a field of crimson — kırmızı, not just 'red' —
tells of Islam. The men drinking beer and rakı
at pavement tables, even in Ramadan,
and the short-skirted, bare-armed girls,
parading with bare-faced confidence,
tell of other influences;
but at the appointed hour we hear the call to prayer
from the marble minaret, a slim finger
pointing to the sky beside shining domes
reflecting the vault of heaven.
At five a.m. we hear it faintly through hotel double-glazing,
or at sunset, as a peaceful accompaniment to the spectacle,
and we remember where we are.
But especially at the midday hour,
when the voice of the muezzin echoes
over noisy street or market,
and from another minaret and another
the duet becomes a trio, a quartet
of different melodies, out of tune
with each other but never discordant
(in these tones the word has no meaning),
the faithful are reminded, however busy they may be,
that their God requires something of them.
Then, entering the cool calm of the mosque,
entering the quiet forest of pillars,
feeling through the soles of our bare feet
marble polished by the tread
of generations of worshippers,
fine-grained wood,
the rich softness of crimson carpet,
we luxuriate in the textures as they combine
with the formal floral patterns of the tiles,
the ornate calligraphy of the inscriptions,
the rich colours of the glass,
and we realise that the builders of these mosques
knew what they were doing, so many years ago,
how peace can enter the soul
through the senses.

Goblin Market
by Christina Rossetti

Morning and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpecked cherries,
Melons and raspberries,
Bloom-down-cheeked peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries; -
All ripe together
In summer weather, -
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy."

Evening by evening
Among the brookside rushes,
Laura bowed her head to hear,
Lizzie veiled her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger-tips.
"Lie close," Laura said,
Pricking up her golden head:
"We must not look at goblin men,
We must not buy their fruits:
Who knows upon what soil they fed
Their hungry thirsty roots?"
"Come buy," call the goblins
Hobbling down the glen.
"Oh," cried Lizzie, "Laura, Laura,
You should not peep at goblin men."
Lizzie covered up her eyes,
Covered close lest they should look;
Laura reared her glossy head,
And whispered like the restless brook:
"Look, Lizzie, look, Lizzie,
Down the glen ***** little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds' weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes."
"No," said Lizzie: "No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.'
She ****** a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One had a cat's face,
One whisked a tail,
One tramped at a rat's pace,
One crawled like a snail,
One like a wombat prowled obtuse and furry,
One like a ratel tumbled hurry scurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.

Laura stretched her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
Like a vessel at the launch
When its last restraint is gone.

Backwards up the mossy glen
Turned and trooped the goblin men,
With their shrill repeated cry,
'Come buy, come buy.'
When they reached where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One reared his plate;
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heaved the golden weight
Of dish and fruit to offer her:
"Come buy, come buy," was still their cry.
Laura stared but did not stir,
Longed but had no money.
The whisk-tailed merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-paced spoke a word
Of welcome, and the snail-paced even was heard;
One parrot-voiced and jolly
Cried "Pretty Goblin" still for "Pretty Polly";
One whistled like a bird.

But sweet-tooth Laura spoke in haste:
"Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather."
"You have much gold upon your head,"
They answered all together:
"Buy from us with a golden curl."
She clipped a precious golden lock,
She dropped a tear more rare than pearl,
Then ****** their fruit globes fair or red.
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flowed that juice;
She never tasted such before,
How should it cloy with length of use?
She ****** and ****** and ****** the more
Fruits which that unknown orchard bore;
She ****** until her lips were sore;
Then flung the emptied rinds away
But gathered up one kernel stone,
And knew not was it night or day
As she turned home alone.

Lizzie met her at the gate
Full of wise upbraidings:
'Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Plucked from bowers
Where summer ripens at all hours?
But ever in the moonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew gray;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so."
"Nay, hush," said Laura:
"Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still:
Tomorrow night I will
Buy more;' and kissed her:
"Have done with sorrow;
I'll bring you plums tomorrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap."

Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtained bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipped with gold for awful kings.
Moon and stars gazed in at them,
Wind sang to them lullaby,
Lumbering owls forebore to fly,
Not a bat flapped to and fro
Round their rest:
Cheek to cheek and breast to breast
Locked together in one rest.

Early in the morning
When the first **** crowed his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetched in honey, milked the cows,
Aired and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churned butter, whipped up cream,
Fed their poultry, sat and sewed;
Talked as modest maidens should:
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.

At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep.
Lizzie plucked purple and rich golden flags,
Then turning homeward said: "The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags.
No wilful squirrel wags,
The beasts and birds are fast asleep.'
But Laura loitered still among the rushes,
And said the bank was steep.

And said the hour was early still,
The dew not fall'n, the wind not chill;
Listening ever, but not catching
The customary cry,
"Come buy, come buy,"
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling -
Let alone the herds
That used to ***** along the glen,
In groups or single,
Of brisk fruit-merchant men.

Till Lizzie urged, "O Laura, come;
I hear the fruit-call, but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glow-worm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?"

Laura turned cold as stone
To find her sister heard that cry alone,
That goblin cry,
"Come buy our fruits, come buy."
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life drooped from the root:
She said not one word in her heart's sore ache:
But peering thro' the dimness, nought discerning,
Trudged home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnashed her teeth for baulked desire, and wept
As if her heart would break.

Day after day, night after night,
Laura kept watch in vain
In sullen silence of exceeding pain.
She never caught again the goblin cry,
"Come buy, come buy"; -
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon waxed bright
Her hair grew thin and gray;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away.

One day remembering her kernel-stone
She set it by a wall that faced the south;
Dewed it with tears, hoped for a root,
Watched for a waxing shoot,
But there came none.
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dreamed of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crowned trees,
And burns the thirstier in the sandful breeze.

She no more swept the house,
Tended the fowls or cows,
Fetched honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook
And would not eat.

Tender Lizzie could not bear
To watch her sister's cankerous care,
Yet not to share.
She night and morning
Caught the goblins' cry:
"Come buy our orchard fruits,
Come buy, come buy:" -
Beside the brook, along the glen,
She heard the ***** of goblin men,
The voice and stir
Poor Laura could not hear;
Longed to buy fruit to comfort her,
But feared to pay too dear.
She thought of Jeanie in her grave,
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter time,
With the first glazing rime,
With the first snow-fall of crisp winter time.

Till Laura dwindling
Seemed knocking at Death's door.
Then Lizzie weighed no more
Better and worse;
But put a silver penny in her purse,
Kissed Laura, crossed the heath with clumps of furze
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.

Laughed every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter-skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes, -
Hugged her and kissed her:
Squeezed and caressed her:
Stretched up their dishes,
Panniers, and plates:
"Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and **** them,
Pomegranates, figs." -

"Good folk," said Lizzie,
Mindful of Jeanie:
"Give me much and many:" -
Held out her apron,
Tossed them her penny.
"Nay, take a seat with us,
Honour and eat with us,"
They answered grinning:
"Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry;
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us." -
"Thank you," said Lizzie: "But one waits
At home alone for me:
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I tossed you for a fee." -
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One called her proud,
Cross-grained, uncivil;
Their tones waxed loud,
Their looks were evil.
Lashing their tails
They trod and hustled her,
Elbowed and jostled her,
Clawed with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soiled her stocking,
Twitched her hair out by the roots,
Stamped upon her tender feet,
Held her hands and squeezed their fruits
Against her mouth to make her eat.

White and golden Lizzie stood,
Like a lily in a flood, -
Like a rock of blue-veined stone
Lashed by tides obstreperously, -
Like a beacon left alone
In a hoary roaring sea,
Sending up a golden fire, -
Like a fruit-crowned orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee, -
Like a royal ****** town
Topped with gilded dome and spire
Close beleaguered by a fleet
Mad to tug her standard down.

One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuffed and caught her,
Coaxed and fought her,
Bullied and besought her,
Scratched her, pinched her black as ink,
Kicked and knocked her,
Mauled and mocked her,
Lizzie uttered not a word;
Would not open lip from lip
Lest they should cram a mouthful in:
But laughed in heart to feel the drip
Of juice that syruped all her face,
And lodged in dimples of her chin,
And streaked her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kicked their fruit
Along whichever road they took,
Not leaving root or stone or shoot;
Some writhed into the ground,
Some dived into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanished in the distance.

In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro' the furze,
Threaded copse and ******,
And heard her penny jingle
Bouncing in her purse, -
Its bounce was music to her ear.
She ran and ran
As if she feared some goblin man
Dogged her with gibe or curse
Or something worse:
But not one goblin skurried after,
Nor was she pricked by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

She cried, "Laura," up the garden.
"Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, **** my juices
Squeezed from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men."

Laura started from her chair,
Flung her arms up in the air,
Clutched her hair:
"Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruined in my ruin,
Thirsty, cankered, goblin-ridden?" -
She clung about her sister,
Kissed and kissed and kissed her:
Tears once again
Refreshed her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kissed and kissed her with a hungry mouth.

Her lips began to scorch,
That juice was wormwood to her tongue,
She loathed the feast:
Writhing as one possessed she leaped and sung,
Rent all her robe, and wrung
Her hands in lamentable haste,
And beat her breast.
Her locks streamed like the torch
Borne by a racer at full speed,
Or like the mane of horses in their flight,
Or like an eagle when she stems the light
Straight toward the sun,
Or like a caged thing freed,
Or like a flying flag when armies run.

Swift fire spread through her veins,
knocked at her heart
Met the fire smouldering there
And overbore its lesser flame;
She gorged on bitterness without a name:
Ah! fool, to choose such part
Of soul-consuming care!
Sense failed in the mortal strife:
Like the watch-tower of a town
Which an earthquake shatters down,
Like a lightning-stricken mast,
Like a wind-uprooted tree
Spun about,
Like a foam-topped waterspout
Cast down headlong in the sea,
She fell at last;
Pleasure past and anguish past,
Is it death or is it life?

Life out of death.
That night long Lizzie watched by her,
Counted her pulse's flagging stir,
Felt for her breath,
Held water to her lips, and cooled her face

~~
Sometimes Loudly
Sometimes Silently
Yellow leaves have fallen,
Becoming dry
Pale
Passing through as the grained Sound on the Street

Slowly dark flees across the evenings
What an Illusion!
What Shadows!
Has Shuffled
The Past
Present
Future

Your form that creates metaphors
And what a wonderful feel
Through out its gravity
Night dancing,
When aroma of Night-Queen
Moving in the air,
Plays with the moonlit
As if Reminds
The First love Poem

Has burned within the form
Standing to fascinate
Away, a dense bunch
Of vine Forest
Bored Air moving
Listening the murmur
Of dried leaves
In the passing wind of banner
As if Someone Calling with
My old name

Empty
Restless Heart
Today is the tune that somewhere else
Like a flow
Of a distant river melody,
Surging waves of the attack
In the Strange night of Spring

Continuous grey leaves falling
Falling on the Floor
Whispering the words on the street goes through
What an Illusion!
What Shadows!
~~
@ Musfiq us shaleheen

For Leonard Baskin

To his house the bodiless
Come to barter endlessly
Vision, wisdom, for bodies
Palpable as his, and weighty.

Hands moving move priestlier
Than priest's hands, invoke no vain
Images of light and air
But sure stations in bronze, wood, stone.

Obdurate, in dense-grained wood,
A bald angel blocks and shapes
The flimsy light; arms folded
Watches his cumbrous world eclipse

Inane worlds of wind and cloud.
Bronze dead dominate the floor,
Resistive, ruddy-bodied,
Dwarfing us. Our bodies flicker

Toward extinction in those eyes
Which, without him, were beggared
Of place, time, and their bodies.
Emulous spirits make discord,

Try entry, enter nightmares
Until his chisel bequeaths
Them life livelier than ours,
A solider repose than death's.

it was sandcastle cities with you:
careful residing in the threat
of it all crumbling away

with steadfast eyes,
I watched as you made
a fine-grained mess

watching and waiting
for the inevitable blow of
your city-collapsing wave of truth

it was sandcastle cities –
dedicated to you.

I dedicated myself to you,
and it was easy to do.

All summer we moved in a villa brimful of echos,
Cool as the pearled interior of a conch.
Bells, hooves, of the high-stipping black goats woke us.
Around our bed the baronial furniture
Foundered through levels of light seagreen and strange.
Not one leaf wrinkled in the clearing air.
We dreamed how we were perfect, and we were.

Against bare, whitewashed walls, the furniture
Anchored itself, griffin-legged and darkly grained.
Two of us in a place meant for ten more-
Our footsteps multiplied in the shadowy chambers,
Our voices fathomed a profounder sound:
The walnut banquet table, the twelve chairs
Mirrored the intricate gestures of two others.

Heavy as a statuary, shapes not ours
Performed a dumbshow in the polished wood,
That cabinet without windows or doors:
He lifts an arm to bring her close, but she
Shies from his touch: his is an iron mood.
Seeing her freeze, he turns his face away.
They poise and grieve as in some old tragedy.

Moon-blanched and implacable, he and she
Would not be eased, released. Our each example
Of temderness dove through their purgatory
Like a planet, a stone, swallowed in a great darkness,
Leaving no sparky track, setting up no ripple.
Nightly we left them in their desert place.
Lights out, they dogged us, sleepless and envious:

We dreamed their arguments, their stricken voices.
We might embrace, but those two never did,
Come, so unlike us, to a stiff impasse,
Burdened in such a way we seemed the lighter-
Ourselves the haunters, and they, flesh and blood;
As if, above love's ruinage, we were
The heaven those two dreamed of, in despair.

When words fail and the song dies in your soul
The soft cushion weighs heavy, threadbare, when
Dust invites the attic attack to the last memory stroll
A fretful protest march accompanying the wood grained heart

You noticed the space in short supply, with tight breath, the
Expert bargaining skills have begun, bypassing
The weak hearts, those that are still journeying
Their healing held up in tight palms of moistoned skin

And the slide into another day begins, dreadfully
With arched pain barriers drumming their morning
Beat. Occupational hazard was on the rampage
Cracking skull caps from their skinned residence

I shone a light into the acute grey tone of those
Hearts, those whose shapes lost conviction as the light
Shot arrowed tongues from the deaf interiors of wise men
Out on the town of feeble failings, they held nothing as their companion

I recently had the great privilege of editing Mike Essig's latest poetry collection, THE BIOLOGY OF STRANGENESS, and I'm honoured to have been entrusted with such fantastic material. Putting together a book like this is every poetry geek's dream.

It's a beautifully textured assortment of poems, earthy yet lyrical, narrated by a voice that's uniquely grained with experience. There are pieces that will make you smile, think, wince; there are pieces that hit you in the gut out of nowhere; there are pieces that welcome you into them like old, worn-in shoes; there are pieces you will remember late some night when you're by yourself, and remembering them will make you feel less alone.

This collection of poetry makes you look at the banal and the everyday afresh; it finds magic and mystery in the mundane, and even Hawaiian shirts are poem-worthy when Mike Essig's writing about them.

The Kindle version is already available through Amazon.

A paperback edition is due out next month, and I can't wait to have a copy of this book on my shelf as well as on my e-reader.

Mike's previous poetry books, Never Forgotten and Huck Finn Is Dead are also available through Amazon and are excellent.  

From his author profile on B Star Kitty Press:

"Mike Essig is a veteran of Vietnam and a retired English teacher. He’s also been recruited by the muse as a poet, like he hadn’t already been through enough."

Sample poems, links to sales pages and more info can be found at the B Star Kitty Press website.  www(dot)bstarkittypress(dot)com.

Please do support this very talented indie author.

for Barry and Tina*

Life experience is something I haven’t witnessed,
the fitness of waking up and going back to bed
50 years on the trot.

But I look to my father’s hands and see
all twelve-thousand morning mists
he has seen.

A gristmill heart, grained hands
and workshop walking feet are
all hidden from view.

He writes in capitals, written
with precision, and crosses the T’s
as he goes along,

So not to prolong the sentence writing chore,
making more time, conjuring up the minutes
to potter around and mend unbroken objects.
-
Life experience is something I haven’t witnessed,
the fitness of waking up and going back to bed
50 years on the trot.

But I look at my mother’s hands
and see remedies read about in those magazines,
all to look younger in the staff canteen.

A watermill heart, smooth iron fingers
and contoured, sculpted chiselled
corridor feet are all hidden from view.

She scrawls her sentences; they become the tide
hiding letters and numbers in the swell
of punctuation and dotted I’s,

The T’s cross themselves and she moves on,
another phone call to attend too or
a new BBC this-time-more-accurate historical drama  to view.
-
Life experience is something I haven’t witnessed,
the fitness of waking up and going back to bed
50 years on the trot.

But if you keep on going, stay out of strong sunlight
so not to rot, those years will pass
as a striking blur leading to coastal Big Sur
roads, where the next 50 miles
bring just as many smiles as the last 50.

Water, Mother
Huang He
Vibrant Yellow Beast of fine-grained loess
fierce and breaking all bounds
like a restless dragon
Dragon with fire in its belly
and that screams out of its den
Oh Life-Giver, Death-Bringer
River, Yellow River, Huang He
with animal jaws that ****, with lingering ******
and disease even after your rage -
what brought you to wildness?
such madness and ferocity - you wave away
villages, animals, women, mothers, children
and men and soldiers and trees and life;
you re-make the landscape with few brushstrokes:
black ink, swift flows, a scroll that is left sparse
Oh you who gives life at other times
with your arms of warm embrace –
Water, Mother
Huang He
Yellow of fine-grained loess -
why do you take it all away
with clawed hands of wanton, unbridled dragons?

Banked up against a terraced mountainside
photogenic pristine rows
of blasting green
rows of manicured waterways
with two buffaloes treading ballet-like
between squelching mud and green shoots
the paddy fields stayed buoyant
all season through.

Come harvesting time
and thrashing the sunburied ripe
tendrils of husk and seed
along threshing traffic wheels
the husk sought divorce from
the long tongued long grained
wives -and parted ways.

Soon the pudding spent its silky smooth sexiness
on a plate of punchy aromatic costumes
that invaded the senses and palate
in sensual smoothness. Oh my!

Ricebowl pudding
of the worlds staple.

Author Notes
Gluttony beckons just now!
© Marshall Gass. All rights reserved.

The flowers fall like sweeties
in the packet of my mind.
The answer flows completely
from the hand that stops the time.

The questions that were seeking
could potentially leave us blind
to the poetry that's creeping
to the rhythm of the times.
  
The finders fees of finding gold
are deeply grained in laws.
The crawling finger grasping
for the love of ***** ******.

The sailor tongues are swaggering
with anticipating  throws,
of innocent and eloquent
shows of pretty hoes.

Wasted margin space in a datebook, frames weekend's entry slots left free to relax. I hatch them down with marginalized thoughts best served on a table reinforced with wood grained plastic, naturally. The morning bird chirps, filling a brimming cup of foreboding work. It takes much to do a right job. Eek! Hunting, fishing, browsing for scraps of sustenance and sharing them with you, my nomadic tribe.  Time to go! Living on the fringe outside predators and above ruminating herbivores isn't easy.

It seemed that out of battle I escaped
Down some profound dull tunnel, long since scooped
Through granites which titanic wars had groined.


Yet also there encumbered sleepers groaned,
Too fast in thought or death to be bestirred.
Then ,as I probed them, one sprang up, and stared
With piteous recognition in fixed eyes,
Lifting distressful hands, as if to bless.
And by his smile, I knew that sullen hall, -
By his dead smile I knew we stood in Hell.


With a thousand pains that vision's face was grained;
Yet no blood reached there from the upper ground,
And no guns thumped, or down the flues made moan.
'Strange friend,' I said, 'here is no cause to mourn.'
'None,' said that other, 'save the undone years,
The hopelessness. Whatever hope is yours,
Was my life also; I went hunting wild
After the wildest beauty in the world,
Which lies not calm in eyes, or braided hair,
But mocks the steady running of the hour,
And if it grieves, grieves richlier than here.
For by my glee might many men have laughed,
And of my weeping something had been left,
Which must die now. I mean the truth untold,
The pity of war, the pity war distilled.
Now men will go content with what we spoiled,
Or, discontent, boil ******, and be spilled.
They will be swift with swiftness of the tigress.
None will break ranks, though nations trek from progress.
Courage was mine, and I had mystery,
Wisdom was mine, and I had mastery:
To miss the march of this retreating world
Into vain citadels that are not walled.
Then, when much blood had clogged their chariot-wheels,
I would go up and wash them from sweet wells,
Even with truths that lie too deep for taint.
I would have poured my spirit without stint
But not through wounds; not on the cess of war.
Foreheads of men have bled where no wounds were.


I am the enemy you killed, my friend.
I knew you in this dark: for so you frowned
Yesterday through me as you jabbed and killed.
I parried; but my hands were loath and cold.
Let us sleep now...'

In dried-out marsh where footsteps lie,
Tracing steps and feet before,
Broken fence and ragged wire,
Brook and grass and harmony.

A field across the orange blaze,
Faithful cracks, surrendered branch,
Dimly grained and bowed in green,
Earth and hooves, informal dance.

A gallop halts in open air,
Squared, and chest apparent,
Perfect as my counted steps,
Alone he stands in distant stare.

A moment still I hold my breath,
Fixed and strong, he’s caught my track,
Hazel backed and scars to bare,
Solemn in a fragile glow.

Content in wayward solitude,
He does not trust my path,
Dark brown eyes and pointed pride,
Yearning for the evergreen.

In greying tips he stands his ground,
Loyal to the days gone by,
Speckled spots of brown and black,
A primal thud of cloven foot.

Stooped and still I hold his gaze,
Eagle-eyed he grants me time,
He listens fair with velvet edge,
And sees my flaws through dusty light.

A broken twig- he’s on his way-
Prancing through the deadened leaves,
Muscled buck and arrow flow,
Fluent as the river ebb.

My lens will capture sight and time,
But feeling, sounds and moments shared,
Something I would rather keep,
In mind and memory before I sleep.

There were black shoes, black shadows
white cuffs, white clouds
black shirt, black boards
white belt, white butterflies

You tell me, your world is black and white,
but,
I ask you,
"Is that all I saw?"
What more, my dear pessimist, you jeer,

So, I say,
Well, of course,
there were blue skies, blue scorpions
white doves, white daffodils
red roses, red blooded hooligans

You tell me, typical American -
so patriotic,
you bleed the colors you fly,
and die draped in your pride,

but I see you
in your myopia,
your dull diatribe of patriotism

I understand you

you are blind to the mind of your soul
you only see
what I tell you
you only see
what you consume
you do not see
what is between
the slats
of your window

when they shut
you do not peek

when they open,
you imagine night has turned to day
when they close
you prepare your bed for the night
despite the noonday sun
you are a prisoner of shallow waters
drowning
while ankle deep
hollering
believing no one hears you
shrieking - how the world has changed!
unaware that the shores move
in ballroom dancer rhythms
sweeping back
and forth
along the bay
because the seas are alive
but you are standing still

not even the earth
beneath your feet
is still,
despite holding your entire reality
safely,
motherly,
in the insurmountable expanse
of its grasp

Yet, should the earth shake
and rock you
should the hurricane blow
and displace you
should the mountains tumble
and smother you
should the sky open its celestial gob
and expel you
should the mother open her subterranean maw,
and swallow you deep
deep
would you, deeply, care
that the possibility of it all
was an open invitation
a sealed letter
that was never
at your behest
to open
and display its contents

I, too,
have bequeathed upon you
a sealed invitation
to the worlds I paint
with these jigsaw vignettes we call words
and all
you had to do
was open the seams

not with a file

a file to cut the purse
the bounty
of the promised speech
no
I ask you
that you but pry open my soul
with curiosity
and peer within the tattered layers of my story
my lives
unlived & overwritten
letter by letter
slip in that noodle protracted by your pineal eye
and taste the essence of the realities
you have failed to purchase
that meander about the words you,
selectively,
chose to ignore
like the milk around alphabet cereal
or the broth around alphabet soup
or the fine-grained blank spaces
the parchment
the canvas of woe
around the words that comprise
a stack of divorce papers
or an exam
or the dread of a long-awaited raise...

Imagine,
for a moment
ignoring the obvious
the letters,
the sentences and paragraphs,
the divorce papers
the exam
the pay-bump,
and just look
at the parchment - the fine-grained,
thin sheet of sophistication

touch it
taste it, maybe,

run your hand along it
the surface of it
or the edge of it
***** your finger on the corner
slice your finger on the edge
the paper has a malice that invites
your masochism
curiosity is power
but also
despair
peer deeper

turn your head about
lower it, sideways
all
the
way
down, and
press your ear,
left or right
against the parchment
the paper
the papyrus
the product
hear its screams
the CHURN-CHUG-GGGHGGHHGRRRRR!!!
that chainsaw
like a thousand hatchets
splayed out
dancing on the circumference of
a taught merry-go-round of death
cutting into the mother
the father
the child
the tree
cutting it open
that it may be cut again
again
again
tormented
pulled apart
pulverized
tenderized
pulped
poured
pushed
pressed
preened
­glossed - maybe
matte - possibly
the choice is yours
harvest the living
for the living death of your divorce
your exam
your raise
massacre those families
not just the trees
the bears, the deer, and the little fox, too!

I'm green with envy,
thinking about all that potent pulp
coming your way
the smell of it
place yourself in its abundance
the smell of industry
its factories
academies of excellence
an office
a school
a registrar, magistrate, Corporate HQ,
the Pentagon, the Taj Mahal,
Big Ben,
the daily mail of any place where
the morning paper
is LAW
and
should this be the first time
you heard the screams
just imagine being a tree
coming to pay respects to your family
smell that death
as you creep in
watch
look about you
at the carcasses
strewn about
in neat, pedantic stacks labeled, A4, A3, letter,
fax or snail mail?

My world is plenty black & white
& white & red & blue,
but it's also got screams,
and the stench,
the carcasses of the forest's children
fit for your pleasure
to tear up,
chew up,
gum up with saliva
and shoot through a straw
into the neck of a fellow butcher
and laugh
laugh and snarl and howl and cackle

Laugh
because,
you never dared to kneel down
pay reverence to the
screams
in the parchment
you let the blinds close
you dared not peek through
you let yourself rot there
in the closet
of your mind
in the dark
and when I say, I'm sad,
you say,
"That *****."
You don't ask,
what's around the sadness,
what came before and what could after,
what's in the folds of sadness,
guilt, regret, and loneliness kneaded in

no,
you look at the sadness,
the dull blue,
and you say,
"Yeah,
that's blue alright,"
then you close your coffin
and go to sleep

One night, after she had one too many whiskey sours,
We sat on her beige couch, her legs sprawled over mine,
Swimming in a world of spins, beady eyes boasting sobriety,
Though her liver lasted five rounds with Boom Boom Mancini.
She pawed at my moustache, lathered thin with pomade,
And as her dainty lady fingers, delicious and thin, stretched outward,
Her nails, painted jack-o-lanterns, elongated into semi-sharp claws,
Her naked digits grew hairy, grey and tabby, somewhat shabby.
The arms stretched around my belly became legs of wobbly nature,
The breast that I had adored before, lost the curves,
Continuing down her back, alas to the ***, causing a prehensile shift,
To an archaic tail, one not nearly as inviting as the prior,
Trailing down her legs that used to be bare, neutered by Nair,
The follicles grew rigid, stagnant towers of black and white,
A coat of alley hardened fur now covered her whole self,
Matted with mud or something more foul, it carried down to her toes,
Now paws, unbeknownst to DNA, Scientists, God or whatever,
She was genetically manifesting her 6 year old, little girl aspirations.

But the face, O! The face, how it nestled deep in my nook,
The crook of my shoulder, burglarizing the warmth from my body for herself,
Swaddling in her makeshift womb, her face peeked up at me,
And like the least likely suspect in a line-up, I could not believe my eyes,
At a sight I did not recognize, one that could not, should not be feasible,
Her nose, once upturned with my drunken blather, was now wet, cold, and
Pink like her ******* scattered on the floor. Her whiskers
Mimicked those of my own, yet longer, stranger, like arithmetic to a baby.
Those supple lips disappeared completely, leaving behind a sand paper,
Rough grained tongue to lap at the bottom of my beard.
Her ears grew larger as if to hear a really big secret, or just
Big enough to hear the subtle purr of my heart.
The eyes, once splashed red with alcohol, now yellowed windows,
And the cries she emitted, from her little lungs bouncing around the box,
Emanated with more intensity than the most passionate bedroom theatrics,
Mewing and cooing her transition from female to feline.

I could do nothing but stare into my beer, for I knew what she was going through,
A twenty something woman, maternal clock ticking, finds refuge in
Little kittens, equating the cat to child, until it finally consumed her.
Her body changed, mind still the same, mouth smelling like Johnny Walker
And Chicken of the Sea.

Jackals cackle
beating paws sound like drums
against an earth cracked from famine.
They pant dry
clouds of dust are heaved
the grained dirt grind between ravenous teeth.

Infants crying
dying.
Mothers hearts are breaking
hurting, aching.
Their lips-like earth-are cracked
thier yearning
wanting water cool for the taking.

Mothers foster bitterness
A father's pride is broken
laying, falling
between those dry cracks
falling
falling
down to magma burning.
Vapors rise, the heat is burning
earth and evermore the jackals

are cackling.

Mom would say, “Your dad has friends,
Black friends on the police force, of course
We don’t set down to eat with them.
It wasn’t safe to say to her, “Ahem.
Did you hear what you just said?”
She’d swing one upside my head
And it would be like a garden gate
But with the weight of her stout arm
And the harm she could do with that
Sat me back down on my bony ****.

I wrote “black friends” but that is because
That was not the word she used, applause,
Applause. Clean it up for the publishment,
Don’t cause a resentment for the wrong reason.
It is never the season because I am white
And it’s never right for me to say the N word,
Haven’t you heard? They can, and I can’t
Even in a rant that describes the horror
Of living in a half right, all white world.

My fingers permanently curled into fists
So hard to resist saying to my parents
“You daren’t speak like that to the preacher
Or half of my teachers because they’d see
Just how deeply grained racism can be."
And both sides would take it out on me,
Just a kid, so I agree to hide what you did.
I agree to pretend you aren’t part of the problem;
Another prejudiced person, training me
Explaining to me how life really is right now.

You saying to me “Don’t put your lips there
On that fountain. Some N person might have, too!
And that made sense to you. Perfect sense.
You were that dense, that unquestioning, too.
Ready to do what your white society dictates
And making me into a swinging garden gate
If I don’t toe the line, and hold my confusion
While I pray for no contusion from the slap.
I hold hands in my lap and act submissive.
And I act like I accept all this as right
Because I am white. But, even though I won’t
Say a word at ten years of age, I don’t.

A fool sits alone.  
Not dumb but naïve
drinking ideals that were both sweet
and biting on the uvula of his thoughts-
thoughts that once resonated
from truth no longer ring true.

This terminus of sentiments that started veritable journeys
in the muck of questionable sources
housed his hopes
while he dared to dream of a day these hopes may be fulfilled.

But over hills and plains filled with grating winds
of inquiring eyes looking for lies so intently
while false truth slips through their gates,
these hopes gained grit.

Grit built in truth,
and to hazier eyes,
grit grained with wisdom.  

So our fool finds himself at a
beginning wrought from this inverted journey,
He’s discovered his truths to be soggy
with the living mire of human deception.

No longer does he sit
with starry eyes
hoping for truth,
he has found it by traveling backwards
through experience until he stands upright
amongst the crawling with lies filling his head.

It is in this moment when all he sees is deceit,
that he knows he has found the truth.
No longer does he believe in it,
he understands how ill-fitting that word has come to be.  

In the grand cacophony of the human experience,
the sterling ring of truth deafens.

It takes a qualified lie to reach our hearts.

Glass eyes of marble

with a steady hand of insufficient motion

silenced throats from grained assassins.

Decaying affection rests like corpses

buried in the sand of their tomb.

Hollowed shells with placed authenticity

contorted into spider's legs.

A single rose blooms from an open

whisper of "I killed you"

All estuaries flow eastbound, and the subterranean rail tracks keep forcing against the estuaries’ grain and dust foundations perpendicularly to them.*



How can a sane proposition -- a quantification of syntax execution (those squirming cuticles through bonds of regression)— an excessive reflection, reflexive inspection,

Prove its sanity through continued suggestion?



Deductive insurrections stirred in memory,

A rumble, causing sediments to crumble,

Wineglasses balanced atop countertops tumble.

Spilling contents upon the grained wooden, elitists' floors.



"Anesthetic, onsetting tuberculosis in breath patterns,

Gavels ringing on rigged tolling tongs in caverns,

Dark tolerances to Copernican astronomy in shadows,

And the handle grinds as boxcar wheels' flints and steels catch and spark in addled locks," I mumbled from a half-nap.



It was surgery, the smooth procedures on the moving trains,

The gains and plectrums scraped against the brains' spider veins,

To reorganize the sane, to bridge the broken definitions changed,

To prevent arguments' bone structure from fractures and sprains.



"Use gavels against the scalpels, sculpt with their judgment," a corona dream's habitant corrugated.

He pounded the gavel's end against the knife to chisel at the pituitary gland pulsing in his subject,

And her arms flailed like a horse's legs in heat-induced convulsion.
I thought it was done.



The Canson Merue train screamed in the night under earth to Yellowknife to meet Canadian soil as the Heavy Breather pounded his gavel.

Now can you see the monument? It is of wood
built somewhat like a box. No. Built
like several boxes in descending sizes
one above the other.
Each is turned half-way round so that
its corners point toward the sides
of the one below and the angles alternate.
Then on the topmost cube is set
a sort of fleur-de-lys of weathered wood,
long petals of board, pierced with odd holes,
four-sided, stiff, ecclesiastical.
From it four thin, warped poles spring out,
(slanted like fishing-poles or flag-poles)
and from them jig-saw work hangs down,
four lines of vaguely whittled ornament
over the edges of the boxes
to the ground.
The monument is one-third set against
a sea; two-thirds against a sky.
The view is geared
(that is, the view's perspective)
so low there is no "far away,"
and we are far away within the view.
A sea of narrow, horizontal boards
lies out behind our lonely monument,
its long grains alternating right and left
like floor-boards--spotted, swarming-still,
and motionless.  A sky runs parallel,
and it is palings, coarser than the sea's:
splintery sunlight and long-fibred clouds.
"Why does the strange sea make no sound?
Is it because we're far away?
Where are we? Are we in Asia Minor,
or in Mongolia?"
                            An ancient promontory,
an ancient principality whose artist-prince
might have wanted to build a monument
to mark a tomb or boundary, or make
a melancholy or romantic scene of it...
"But that queer sea looks made of wood,
half-shining, like a driftwood, sea.
And the sky looks wooden, grained with cloud.
It's like a stage-set; it is all so flat!
Those clouds are full of glistening splinters!
What is that?"
                        It is the monument.
"It's piled-up boxes,
outlined with shoddy fret-work, half-fallen off,
cracked and unpainted.  It looks old."
--The strong sunlight, the wind from the sea,
all the conditions of its existence,
may have flaked off the paint, if ever it was painted,
and made it homelier than it was.
"Why did you bring me here to see it?
A temple of crates in cramped and crated scenery,
what can it prove?
I am tired of breathing this eroded air,
this dryness in which the monument is cracking."

It is an artifact
of wood.  Wood holds together better
than sea or cloud or and could by itself,
much better than real sea or sand or cloud.
It chose that way to grow and not to move.
The monument's an object, yet those decorations,
carelessly nailed, looking like nothing at all,
give it away as having life, and wishing;
wanting to be a monument, to cherish something.
The crudest scroll-work says "commemorate,"
while once each day the light goes around it
like a prowling animal,
or the rain falls on it, or the wind blows into it.
It may be solid, may be hollow.
The bones of the artist-prince may be inside
or far away on even drier soil.
But roughly but adequately it can shelter
what is within (which after all
cannot have been intended to be seen).
It is the beginning of a painting,
a piece of sculpture, or poem, or monument,
and all of wood.  Watch it closely.

None of this is preconceived.
Lesson One came in the knowing
That no animal, angel, or adult
Has any knowing at all.

Life never attains ideals.
There’s a sand-grained image of you:
“How did you manage sunburn in Great Yarmouth?”
The pain now forgotten as anecdote.

for you, of you: you’ve been between my ears

close enough to being on my mind,
almost the same thing,
though that’s unfairly inequitable, we both agree,
for when in an ear one opines, too oft it escapes
out the other side, only a tree ring mark left,
someone was here, present

as for the Confucius confusion in

ok, who’s writing this poem to whom,

cause it’s never clear between us
who is
asking the questions,
since the answers come
demanded and undemanding,
fomenting newer questions and follow through,
before, as well as,
‘please sir, may I have some more?’

the mutualizing game tasking begin-began-begun,
for this, our lovely crazy teasing of our-thing, ago began,
don’t recall who or how intimated-initiated
this oil drilling exploration,
who is the annointer and who is the annointed,
who seeds the plants, picks the fruit, and who
gets paid with cloves of poems, by the bushel

you say I’ve been on your mind,
which we now have both pointed out
is somewhat extraordinary since,
the sight lines are drawn through
long distance cloudscapes that travel
through underground cables,
making everything said,
fallow and rich-ending, deeply frustrating,
impossible to see the outcome

clouds usually imaginary, (not like now),
making visibility normative poor,
unlike the real ones I’m flying at the moment through,
ensconced in front row seat 1F, heading northwest passage,
passing by so ridiculously close to where
you are minding the soil,
as I am
mining your soul’s soil, tilling it between the ears,
of you, by me, for us, and the excited sadness
makes me happy and yes, inequitably, again,
hopping-mad

because your breadcrumbs and dark Swiss chocolate bars are
scattered and defaced, bitten and chewed, lovingly licked melting,
we who cover our tracks too well;
but what I do have, makes me ravenous,
having read all your poems,
in random order and then one more time,
sequentially

I see your history, near escapes and resurrections,
in fine grained moody minutiae punctuated by huge gaps in between,
that we must cream fill with clouds of wondrous loving curiosity,
a torture so exquisite, only the gods could have invented it like
Sunday Night Football,
and crazy sayings,
like I love you too...

been on my mind and I imagine you
hot and sweaty,
bent over, aching tired, from
picking weeds (gotcha),
when sudden one of us stands up straight, back aching,
screaming out loud
this is crazy, and follows up with
a *** Darius type proclamation,
who’s writing this poem to whom
issued to the upwards-skywards,
but addressed to ourselves,
the poets

as we search clouds by the thousands,
is that you in that cloud, in that poem,
I look down thinking that, that must be,
the plot of green and dusted light brown ground
where she has gone into hidey-hole hiding,
disappearing for months at a time,
before arising for the sticking of me
in the sticking place,
wounding me fresh with brand new poems
scandalous and imaginous,
and our imaginations are both
too skilled

so here I close, overwritten, overridden, too long,
overshot my imaginary bounds, so one
pulls down the shade over the oval window
through which too many great stories have commenced,
and ended

the thick cumulus shouting
as we look up
as we look down,
saying “enough, you crazy people,
your poems tell too much,”

perhaps, find me in that
next bite of herbs buttered,
and then ask (of course)

who’s writing this poem to whom?

then breathe out, exhaling me a
breath-poem up above, to where I’m hiding
just as I, am sending one to you,
earth falling from thirty thousand feet,
coming to rest on your mind,
in between your ears,
friend

<>

8-6-19
somewhere in the sky, clueless, heading north by northwest

fine grained grit embedded in pale grey cement
wind over my skin, the grass is moving a bit
voices are just out of reach- whispering things
i just wish i could hear
suddenly the wind dies and slivers of words meet my ears
but only slivers
slivers of whispers
imbed themselves in my skin
thin pieces of word that i wish werent there
"i hate everything, don't talk to me"
It ******* kills me to hear

He manages to free his thoughts
as he gazes the television
for news from a distance,
while continuing to sample
his supper of rice,
and sauteed vegetables
on a aluminum serving plate.

The restaurant he owns
dimly lit this mid-afternoon
with ghostly lanterns,
and artistic impressions
of times past on the wall,
while customers
walk and gingerly pass
ordering from an eclectic
menu of indo-latin-euro-oriental cuisine.

A neapolitan of condiments
dancing among garlic chili sauce,
and mayonnaise.

Mahogany grained panel walls,
and formica woven
seats, uniformly
scattered among
porcelain white
plates; traditional.

Engraved Jade pieces
hung with colors of luck
on each entrance.

I approach the counter.
A sepia toned
picture of his family
hanging by his register
no first dollar bill
or recognitions.
Just family held,
through time,
as he hands me a check.

Golden boy, tell me you love me
under the distant, golden sun
In a golden grained field
where we can explore this love
Amidst the grained plain
where wildflowers roam
where wildflowers it has gained.

this love is now & new & once again
stabbing @ me like durga-like diety
with sweet golden daggers
an essential togetherness
teasing out of these odd surroundings
I was listening to Jack Kerouac on the way
home in his mad
bop rhapsody apocalypse
streaming out my speakers
while familiar streets crawl past
once again
I'm thinking
as the day old glum spread over me
& out to envelop all I see
how little different to be watching
seeing street signs all opening
into cul-de-sacs and open storefronts
paraded in the endless traffic flow
now bent slow over
feeding my cat crab cakes
that my mother made
myow myow, he goes
& I acknowledge
myow myow, he goes
& I answer
what?
what in god's name is
the matter with you?
myow myow
his solemn reply
licking @ a piece of
exposed claw meat
nestled among old bits
of dry brown kibble
how about this soul?
how about this life?
this sickness?
how about this always seeking I?
how about he music of my mind
in untraceable car rides alone?
wherefore to I wander
ceaselessly in search of what
wonders where I might be
born on the road of least descent
cat paws, grabs @ bottle caps on
grained wood table
my media
fizzles & searchlights
in my window
there is something I'm not facing
something inescapable, my love
like you
born of locusts in the dust, my love
like you
my weary dune-mother
how solemn are the tunes that run
thy face, o' mother and thy will
how broken are the lines upon thine
shining brow in bedroom windows
open to the world like peace
stolen in the sad glance I gaze @ everything
stolen is the cup I fill @ leaking kitchen
sink pipe strands of scent or bark
of neighbor dogs amusing grass flow
weather flowers under well I'm never
knowing what--I never will
no matter, all is well
another's all is nothing now
where knock goes streaming
crashing loud
like anvils in the rain
it's only me
how now, my dear contender?
like a shadow fallen into sound
how now the planets unwatered?
how now the roots are killed?
we all inhabit the same fears
how rabbit hides his smear
to give me a surprise
for me, none so dear
than the mystery
& April dies today

Mine pet;

When coming to America, I shalt showeth thee
All fifty states, of the United States
Mine queen....

Alabama; Down south, the place of the little river canyon national reserve, at the top of lookout mountain, where bird's canst be heard.
Alaska; A place far out west, a wild domain, a place untamed, where thou canst let out thy wildness.
Arizona; a place of ourn beloved poet ( soul survivor) a native American land, where cacti run the land's, and dirt is bright red.
Arkansas; To hot spring's national park, where beauty canst be seen in the dark, and soaked in through the warm bubbled water.
California; A place redwood tree's and Sequoia's, a land for the strange, and weird thing's, where all cometh together.
Colorado; where mine oldest brother liveth, where the crystalline water as a drink it giveth, and the *****'s peak highly amour'.
Connecticut; A place of Eastern sandshores, where we canst walketh in ourn galore, holding hand's, I'll sayeth me more!!!
Delaware; Delmara peninsula where we canst seeith awe-shocking elegance, where we canst travel in all remembrance.
Florida; thither mine middle brother's terra firma, a place of alligator's, swamp's, ocean waves, surfer's and hot sun drop's.
Georgia; The place where slave's fought hard, Atlanta city, a big place of life, fast and slow.where rich men go to liveth large.
Hawaii; Tropical island like thy own, not connected to the mainland though, swaying tree's like thy own, heavenly splendor.
Idaho; Where we canst get the best potatoes, I'll make them mashed, with gravy, chicken and tomatoes, I'll feed thee good.
Illinois; Where the huge city of Chicago sit's, large skyscraper's, and city bliss. Where the water sparkles the view.
Indiana; Marengo Cave National Landmark, where we canst sneak inside the cave's, then to Indianapolis, to wander through the shade.
Iowa; To Pikes Peak state park, where the Mississippi and Wisconsin river's meet to start, a beautiful picture indeed.
Kansas; Off to Rock City, an odd place where two-hundred boulders rest, then to Kansas Cosmosphere and Space Center to explore a place of knowledge, learning of the new, and happiness.
Kentucky; To Mammoth Cave National Park, in strangeness we shalt walk the dark, with lantern's to carry ourn shadow's.
Louisiana; Also the well known area of New orlean's, where jazz music doesn't stop and the people art it's scene. Where people overcometh!!!!
Maine; To get some of the best seafood around, the eastern wind shalt bloweth us around, as love thou shouldst bring a coat dear.
Maryland; Where Edgar Allen poe was born, where the Raven sung and mourned, though the sunshine shines it's people.
Massachusetts; The land of Many Irishmen and fishermen, settling thee down in Boston, where the accent of the easterly go loudly.
Michigan; The state just above me, they haveth natural lake's and the chill is breezed, the soul's art kind, and people dream, their alive.
Minnesota; where the snow piles to thy ride, the whitened picture is Christmas to thy eye's, as thou wilt need to dress warm.
Mississippi; Deep down south, where the language changes, word's art more southern and slang it clingeth, onto thy lip's.
Missouri; First to the St. Louis arch, it bend's to the sky and is six hundred and twenty five feet from thy heart, as high we shalt view.
Montana; Western freedom, wherein nature is painted, horses roam, thing's aren't tainted, guileless and natural.
Nebraska; Betwixt the corn stalks and field's, farmer's work hard and people art real, as hard work like thy country is known.
Nevada; To Las Vegas the desert Oasis, light's art big, as room's art spacious, different is here with a million face's, gambler's taketh their chances.
New Hampshire; Near Lake Winnipesaukee, a sensible area where being's doeth their best, eastward again, bringeth hot dress.
New Jersey; To Atlantic City on the boardwalk, a place of tales and beach defined walk, sunshined day's where lingo talk's, and the traveling shalt be sweet.
New Mexico; Dusty native land, the dirt is grained, the pinnacles of silence is maintained, by God's still voice.
New York; Aka- The big apple, where immigrant's once cameth through, immigrant's as me thou and you. Meaning were all the same.
North Carolina; Blue Ridge *****'s peak the entry, ancient places here art serene, tranquil relaxing is here mine queen!!!
North Dakota; farther again out west, talk to the Indian's to get the best, they'll giveth thee information to inform the rest.
Ohio; Mine state, the heart of the country, I mean by it's shape, were surrounded by all, we sit on a lake, we hath cornfield's, barn's, southern Hill's, northern star's, kind folk's and fancy cars, mixed with great stores for shopping, as I'll buyeth thee as much as thy heart canst be enlarged.
Oklahoma; Indigenous territory, creatures art relaxed, no need for no hurry.
Oregon; Where tree's groweth big, rainfall is the normal, and wild children art the kid's, beautiful scenery is blossoming mist.
Pennsylvania; On the eastern edge of the Appalachian Top's, green none make believe, the quietness is beauty, a part of God!!!

Famous or known, wise
or grown, gone or just zero?
Grained or unraveled?

Expression is intangible
Exhales illusion
Sights and
Sounds for the crowd
Who stir with happiness or
Howl
Howl
Howl
With resentful madness

How quick we are to love
Yet how fast we sway
When the party starts
And life
Enters the room

My eyes have blistered and
I've gone blind to the stars!

Awake from nightmares *****
Push me to the lake and
Have me freeze with the fishes

Friends and foes and hanging mistletoe
How I miss you every morning,
Every evening,
Lo' my heart knows not where to go!

In the breaking of light
Thoughts not my own come to me
From some place, a sinking ship
A lost island
The caverns of a woman's brunette braids
Deserts caked golden with specks of finely grained sand
Abandoned no deserted by an army pledging honor!
Allegiance!
Good dental work!

But in the dark
Where the hands are quiet
Sighs of severance make men weep
But woman cheer
Children tear their birthday cards
To shreds for they trust joy
Lasts not for ever but for
Eternity

Ring loud for in sight is the end
Planets rising into one another
Breaking apart the mold so
To be rebuilt again better stronger faster
More equipped to handle the times we make
We want
We believe will bring ever lasting life but
It will fail and our partners
If they have not turned to our enemies
Will shower us with mocking laughter
Sinister grins
Lava hot tongues coated with volcanic ash
Assembling their iron clad armies with
Their shimmering medallions and
Battle cries!

Forgiveness or nothing at all!

Ritualistic graveyard robbing
The highest bidder is always the winner here!

Through that break neck speed eyes
Turn to watery bowls of mush where
Friends dance on the rosy petaled dead
Wishing they were still alive so to
Feel the warm steady embrace of a love or
A friend or a
Parent or a villain masked as the one you believe loves you
Just to feel love again

One last time.

No road should not be traveled
Due to fear or loneliness

The world
The beginning
The middle and
The end
Is filled with unbearable loneliness

Some see it as a curse
Others
A gift

For in silent solitary basks a light that
Is clear and pure white and translucent as
The wings of an angel or the morning
Of your dying day where all
Earth is at your door asking you to join it

Needing peace they will find you and
Disturb you

Shake you out of bed
Tear at your fingers
Spit in your coffee
Over stare their horrible welcome

Some inside their minds red and yellow
Metallic crocodile machines with
Dusty pamphlets of "How to be a Red"
Imprinted on the back of their coach bags
Dangling with medal tags verifying their worthiness
And their ego's idea of fame and
Value

Value is an eggshell covering
The yolk of the soul

A vain and flashy coat of armor
Harboring the weakest of mortal and morals

Even in night I am afraid
As I am
In day

Even in morning I feel the weight
The pounding rhythm of the hour
The effects of the horns the sirens the laughter
I know is there but
Cannot seem to hear

Where is the lost canyon where the
Harps are played and the wine pours
From the cracks of the ceiling?

Where is genius in a frothing sea
Of morons and miscreants hell bent on
Running naked and blind through the streets
Cast only in illusion and drifting house sound?

Where are the answers to questions that
Do not wish to have answers?

Where does mystery live?

How do I find it?

Inside the scripture of mind
Scape fast pressed to not think too
Straight home filled with heathens returning
Right to where they began

Yet with nothing to give to the world
The perspectives will change their course
In wind the mind moves with the twins
No thought is second guessed at
The reasons of the rhythm stand true
There is something inside of me that moves
It vibrates it lingers at the bottom of the sea
With the coral shelves and practice takes a lifetime
There in thought lies the worry of the world
In tact with who I don't know I've met but
Inside of that heat is a soul which I am trying
To get to know the breakfast bell is ringing
Where upon the old English rules are true
Door slamming and bums panning for a crispy bit of food
Pushing the door open and burning the envelope
Spinning madly on the surface of the sun
Boiling with nuclear like love smoldering for
Loss and confusion and separation all with dignity and
Difficulty grows the heart fonder as the wine beakers
Are split with find creases with the waiter's wearing
Gas masks no need for distress call the guests into
The living room lets all watch MASH

Transcendence and evolution and new beginnings

The old is replaced with the new

And so on.

I saunter parallel to these pews,
dragging my fraying fingers along the tops.
Reaching for a wooden comfort, but
instead I’m pricked.
I shake the splinter and splutter the blood off.
Wearing my head high, I finish my descent
up the holy steps.
My mother stands,
stuck
looking past me and out the stained window,
letting it strike her into a silhouette.
The priest exclaims
New Beginnings!
My mother
matches his declaration two seconds too late.
My dad nods his head,
the final vote of the jury locked in.

With guilt and god on my side,
I take the holy plunge.
My head falls in,
harshly.
I’m aching for a numinous experience,
only to suffocate from the darkness
that comes with this reality
I will breathe into.
My head may be under the aquatic illusion of renewal
but my feet stay planted on the
fractured  ground.

I am forced to look past the daze of illusion.
Because in the light
I can clearly see the greys left in our destruction.
I look back and my finger has bled
all over the back of this dress.
New Beginnings!
I exclaim,
with a red stain grained into my backside,
but an empty canvas in the front.

With my hair slicked back I hear a
mumble.
You look just like your mother,
And maybe I do
hold her eyes
but I can see
what she can not.
The graying dreams that my parents are dis alluded to.
Their skeletons in the attic or the
boxes of dresses in the basement,
even though today I wear one.
I will look at the destruction created behind us
and not walk with them.

Because in this holy light
her eyes bask and only look
chocolate at its best.
And in this dim shadow
mine shine like amber honey.

Constantly tripping, stumbling
The circus search for imperfect heels
I’ve offered so little effort to protect
My love for the empirically ideal
Concerted my focus on what never to expect

I’ve been wearing a chip upon my shoulder
With an Achillean charm
Been chopping at my shin to guard my pride
When I should have thought myself an Oddarm
And thereby learned to fly

And of all the endless grained aspects
Strewn on the gray beaches of time
I could not have wasted my ignorance
On one more voraciously sublime
To squander the virtues of such chance

And the glancing blows of life
Shape in me such strange affect.