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Nico Reznick Nov 2020
To life, to love, to loss, to absent friends,
to every emptiness we cannot fill:
November’s started.  Let’s hope this one ends.

Everybody knows, yet each pretends
that one can shape the world around one’s will.
To life, to love, to loss, to absent friends,

A wall imprisons all that it defends.
I’ll watch you from my tower on the hill.
November’s started.  Let’s hope this one ends.

We all know what the prophecy portends:
a crow, a wedding ring, a poison pill.
To life, to love, to loss, to absent friends.

The breathing labours, and the heart descends;
a final rattle before all is still.
November’s started.  Let’s hope this one ends.

You must accept, though no one comprehends,
the knowledge all great tragedies instil.
To life, to love, to loss, to absent friends:
November’s started.  Let’s hope this one ends.
Nico Reznick Sep 2020
After their separation, she used to joke
that they’d get back together when
- and only when - one of them
was on their deathbed.  Well, it
wasn’t quite a prophecy, but it did land
painfully close.

Almost fifteen years since they’d last met,
he caught a plane, got picked up from the airport by
a stepson, long estranged, who
brought him to the hospice.
Seeing her there, in a terminal tangle of tubes
pumping drugs into her veins and
oxygen into her riddled lungs, he said:
“But she looks exactly the same,” and
if that isn’t code for, “Yes, I’m
still in love with her,” then
I don’t know
what is.

The next day, he bought her flowers,
fretting over floral symbolism
and how his bouquet could be interpreted.
Their daughter advised,
“Just pick something pretty,” so he chose
pink roses, stargazer lilies.  Of course
she loved them.  They were
from him.  
“Do you remember,” she asked him, as leaves
fell from tall trees outside the window,
“when we were the beautiful people?”

The flowers outlived her,
if you
really want to
talk about
My parents
Nico Reznick Jul 2020
My brother came up to collect our mother’s ashes.
At the same time, he dropped off her old vacuum cleaner.
I don’t know why exactly.
I hadn’t asked for it and didn’t need it;
I guess it would have been a waste to just get rid of it.
The thing is, 
it hadn’t been emptied, 
and for some reason that 
broke me 
all over again.

That grimy little time capsule.
That cyclone technology urn.
Dust of a home you can never go back to;
Fur of a cat now settled with a new owner;
Dead cells of a dead woman.

Nico Reznick Jul 2020
Lately, it feels like there are
a lot of ghosts that travel with me,
everywhere I go.  
Some of them walk on two legs, and
some on four;
some walk leant on sticks or frames,
and some don’t walk at all, but
roll slowly and inexplicably along in wheelchairs
with no one pushing.
Sometimes they follow behind me;
sometimes they’re all around,
thronged so thick and close that the
pale, sad smoke of them
starts to sort of obscure the living;
sometimes, it seems, it’s me
trailing along after them.
And I don’t know what it is
that we want from each other,
and I don’t know if this arrangement
is healthy or proper for
any of us.
But I love them, 
so we keep on haunting one another. 
I love them
too much
to ask them to leave me be.
Nico Reznick Dec 2019
It’s been three weeks, and
I’ve ******* more about
the agony of losing you
than you ever did
about the agony
of actually

On a scale of one to ten,
how much does it hurt?

Guess you had the higher pain threshold, after all.
Then again, you had better drugs, too.
Nico Reznick Dec 2019
The roses you planted don't know
that you're dead.  
Dumb vegetation can't comprehend
the perversity of its
outliving you, how its
simple act of being
when you are not
is an affront to everything
decent and sane and just.  
A senseless vitality of
petals flash their idiot colours
through a shroud of needling frost.
It's not their fault.
The flowers cannot understand
that the one who gave them life
has died.
Whereas I pretend I do.
Recently lost my mother.  Wasn't ready to.  Still processing ****.
Nico Reznick Dec 2019
And so it turns out that
what you thought was the moon
is in fact just the lamp in an
old lady's window,
and the universe shrinks down
to that one dim square,
where some stranger
is brewing tea, or
thumbing a photograph album, or
tidying imaginary mess, or
getting ready to
go to bed, alone.
It's November, and it feels
later than it is.
You don't know the lady
in the window with
the lamp you mistook for
the moon.  Your orbits
never bring you closer than
this: each one in their
respective window, their
respective light burning low,
and the street between
seeming very dark.
Yet some part of you dreads the moment
when she turns out
that lamp, and no part of you
can explain why.
It's November.
And it's November forever.
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