Here Kid take this what is it? whats it look like? its a prayer book thing yes so take it and hide it under your jumper why? just hide the **** thing so Benedict hides the  black book with red ends under his jumper and follows Anne into the grounds out of the French windows Anne crutches herself across the grass and makes towards the round white table and chairs and plonks herself down in a chair tossing her crutches aside Benedict sits down in the next chair looking back towards the nursing home do you think we were seen? seen doing what Kid? walking across the grass no doubt liberating Sister Dumb-arses prayer book no Anne says Benedict turns around and stares at her dont keep looking around Kid or the penguins will guess youve been up to no good me been up to no good it was your idea to take the prayer book but youve got it Kid not me but you said take it and you did well done Kid Anne says smiling she rubs her leg stump and pulls the blue skirt down further what do we do now? Benedict asks looking at Anne tempted to turn around and look behind him sit tight Kid sit tight but I cant hide the book under my jumper all day he says pass it under the table to me so he passes the prayerbook to Anne under the white table and she opens it in her lap he looks at her his stomach tightening guess whose it is? Anne asks he shrugs dont know its only Sister Bridgets how do you know? has it got her name in it? no they dont own personal property its just that it has this prayer card in it with an image of St Bridget on one side and a prayer on the other and on the top shes scrawled Sr Bridget in her bird-**** hand writing God shell go ape he says looking round at the nursing home what do we do? shush Kid what do want them to know weve got it? he stares at the building imagines the nun galloping across the lawn towards them her black robes billowing behind her like Batman turn round Kid youll look suspicious he looks round and stares at her sitting in the chair as if butter wouldnt melt in her mouth on a hot day where are you going to put it? he asks out of the sight of their eyes she says where though? she pulls up her blue skirt and tucks the black prayer book in her navy blue underwear and pulls down the skirt and brushes out the any signs you cant keep it there he says why not my knickers she says are they going to search me there? she says now just go get my wheelchair and  we can go visit the sea out the back gate he sighs and wanders back towards the home trudging across the lawn leaving Anne sitting in the chair like some royal queen on her throne she lifts up her skirt and adjusts the book more securely just as well I wore the passion killers Mum bought me she says to herself and lets down the skirt again and sits staring towards the home as she sits a few of the kids come out and make their way to the swings and slide they know her and avoid her like a plague a nun comes out too Anne stares at her its Sister Lucy a young one green as grass more ****** that the Blessed ****** herself Anne says under breath the nun walks towards Anne her hands inside her black habit how are we today Anne? the nun asks smiling my ****** leg aches Anne says o dear the nun says looking at Annes leg visible under the table have you seen Sister Paul about some pain killers? no not yet Anne says anyway its not this leg its the one not there my stump leg o I see Sister Luke says staring at the unseen stump beneath the blue skirt I could pray for your leg if you would like me to the nun says might help Anne says putting on her pious pose its hurts so much I feel like crying she allows tears to dribble out of her eyes(shes an expert of conjuring tears out of her eyes) o my dear child the nun says coming around the table and placing a hand around Annes shoulders Ill ask Sister Paul about some tablets the nun says thank you Anne whimpers feeling the prayer book move slightly as she moves in the chair she tries to adjust it with her hand to a more secure position Benedict comes across the lawn pushing the wheelchair he sees the nun and his eyes enlarge and he senses danger have they suspected Anne already about the missing prayer book? he wheels the chair behind Anne the nun looks at him arent you a good boy she says yes hes my best friend Anne says smiling through the glassy eyes the nun smiles well I best get back Ill see Sister Paul about those pills the nun says and walks off towards the home that was close Benedict say she didnt mention the prayer book Anne says she just came about me and the ****** leg and offering prayers o I see he says gazing at the stump area thinking about the stump of her leg hes seen many times are you going gawk at my stump all day or are you going to help get in the ****** wheelchair? o right yes he says and helps her get from the chair and into the wheelchair holding it steady at the back make sure the prayer book doesnt slip out of my knickers Kid she says as she rises from the chair and plonks into the wheelchair she moves the book to a more comfortable position and pulls her skirt down pass her knee just as they were about to move away Sister Bridget comes across the lawn towards them like a rhino on heat hang on Kid here comes the penguin wait wait the nun says raising a hand Benedict pauses pushing the wheelchair and stares at the approaching nun keep cool Kid Anne says under her breath act innocent as the Pope at a nudist colony Benedict feels himself perspire the nun stands in front of Anne in the wheelchair a prayer book has gone missing the nun says gazing at Anne has it? Anne says in an innocent tone yes it was taken from the Common Room shall we help look for it? Anne asks have you seen it? the nun asks no not that I know of whats it look like? Anne asks as if butter wouldnt melt a prayer book is what it looks like the nun says eyeing Anne with her suspicious eyes black cover with red ends no cant say I have Anne says Benedict looks away at the trees behind of them at the avenue between them and you Benedict have you seen it? the nun asks staring at him her eyes over him like maggots he shudders no sister not seen it at all he hates lying to  a nun he feels as if she looks into his soul and at the minor sins lurking there like naughty children then the nun looks down in Annes lap gazes at the outline of the leg stump not hiding it are we? the nun says hiding what? Anne says my stump? no I tried hiding it but its always there each morning I wake up the nun screws up her eyes and peers at them both no I mean the book where is it? no idea Anne says Benedict looks down at Annes lap where have you hidden it? the nun says havent seen it Anne says one of the children says she saw you take it the nun says me? Anne says you cant take the word of child I believe what the child tells me Benedict looks at the outline of the leg stump the child says you have it about your person she saw you from the upper bedroom window the nun says sternly must be mistaken must have seen me rub my stump they always watch me rubbing it so nosey the nun sighs and gazes at Annes lap and at the stumps outline show me your leg stump? the nun says hands on her hips Anne pulls up her skirt to reveal the stump Benedict looks too wondering if the book outline could be seen under the knickers the nun looks away where have you put it? put what? the book the prayer book the nun says I havent seen it Anne says as innocent as she can muster innocence lies will get you to Hell the nun says and walks off across the grass like a bad tempered bear what now? Benedict says Anne takes the book out of her knickers and hands it to him warm and scented what do I do with it? he asks shove it on that other chair under the table and were off to the beach so he puts the book under the table and pushes Anne off in the chair off out of reach.

The day on a high
reaches the peak
over the pyramid.
Shrouded in twilight
now tucked in light
pushes the envelope.
The whole panache of stars
came out in the pitch dark.
The North Star is on the way
oh do me a favour
I will tell you why.

Veil the angle of dawn
in the black shades of the night.
There are dark caves
even inside the pyramid
scientists, trained eyes
yet to tread on that way.

Put on it only an instance of your kohl
the daylight is already a burnt mole.
Light in the wrap in the night
your muslin veiled silken moonlight
is enough to find the tuberose’s earth.

If the tucked away sun crops up
once again over the morning’s rose petals.
Again it will dive deep into the angle
after an angle in the black hole of the night.
A far cry from the glowing firefly
eyeing blindfolded behind the moon
perfectly beyond every looking star.
Until the master arts in silk black finds the true pencil
not in visualising but catching the views of the sunrise
through the lens of the rose pollens’ kohl-eyes.

You and I would stand in front of my bathroom mirror and
just hold each other, naked, acquainting ourselves
with the strange, biblical union of joints and hair
and skin and crevices and curves that we make
together...

Fingerpainting reverently on your chest,
I'd kiss your freckled shoulder, eyeing your reflection as it melted,
falling for me again-- and you'd
tell me in return
that my eyes are beautiful, and that they are green,
just like yours.
They are brown, I'd say, and
laugh and
leave
you to
confront only yourself
in my mirror.

Every day that I stand again
in front of my mirror alone--
a similar but emptier amalgamation of joints and curves--
I could swear that my eyes
look a little bit paler...
like if I
point my nose up to the high hat on my ceiling,
with the fluorescent light spilling into them
the color could certainly pass
as the same green in your eyes and
I wonder,
and I hope

that being wrong all this time
doesn't mean I was wrong about you, too.

Carrie walked down to Fell street through the park. He leaned upon his faithful cane which was split, splintered, and water logged from being left out on the back porch in the rain where he sat every night before bed. His free arm swung by his side, his hand spread wide open, letting the sun warm his palm. His other arm was constricted with his muscles tight as his hand gripped the polished wooden ball handle. Carrie's skin seemed to envelop the ball there was so much of it. The cane and Carrie were one whenever they walked together.
He passed the Japanese Tea Gardens. He had been there many times. He remembered the strong taste of the green tea he had been served and how energized he felt after his third cup. He remembered the sturdy wooden table and chair he sat on while over looking the crystal clear koi ponds, the seaweed underneath the water reaching up to the sun for nutrients like the hands of the long dead. He remembered how the children had gathered near the water as mothers watched them feed the fish food they were not to be fed, anxiety cramping their smooth skin as they watched to make sure they didn't slip in. The waitresses were all so gentle, so quiet, caring for whatever Carrie had wanted. In that solitary moment, he had felt like a newly appointed king, the 5 acres of garden his domain.
The gates were closed for the day, with many frowning tourists sitting on the steps that lead inside. Carrie figured they had been confused by the times but yearned to tell them if they stood on the street, they could still see the ancient replicas the blood red pagodas, stone lanterns, bamboo stalks, and cherry blossom trees which were just beginning to bloom. There was so much one could see from the street. But, Carrie trudged past them, figuring they would not understand an old man trying to show them beauty from afar.
A long line of benches stood before Carrie after he passed the garden. He sat down next to a young, Chinese couple. They both held a map and were looking at it upside down and sideways. Carried smiled. They were speaking rapidly, laughing sporadically, turning the map around and around in a circle as if they were both at the helm of a sinking ship. He wondered what they were so confused about - had they never read a map before? But then, he realized, they were probably on vacation and in love, maybe even on their honeymoon. He laughed, thinking, They're confused about everything.
A few minutes passed and soon the young couple was gone. Carrie sat with the cane between his legs, both of his hands drooped over the handle. In front of him, like a painting, were London plane and Scotch elm trees lined up in symmetrical rows and the Rideout Fountain. Carrie could see the water was still except for when a light breeze brushed over the water or a child threw a hand full of coins in to make a wish. Their hair reflected the bright rays of the sun. The sky was empty, save a few scattered flying birds going to where Carrie knew not where.
He closed his eyes and listened only to the sounds around him: tires rolling along the smooth concrete road; people chattering behind and in front of him; a door closing; the rustling of leaves from a sharp gust of wind; a car horn; a sneeze; two lovers embracing, their kisses sounding like the steps of kitten paws in the sand. Carrie opened his eyes and cast his gaze aside to the left. There was another old man. His back was bent, his cane was worn, and his legs wobbled with every step, much like Carrie's. The man was alone and dressed in a heavy grey sweater, a pair of beige trousers, and simple brown shoes. Carrie wondered where this man was going and at such slow pace. Why was he alone? Who had he been with before? Where was he coming from?
Carrie then realized he was leaning so far forward from the bench, he almost fell off. He ****** his cane out, catching himself, and pushed himself back. He looked around to see if anyone had noticed his mistake. Twenty or so asian people were crowded like sardines inside of the bus stop terminal. They all looked to be avoiding the sun, uninterested in whatever Carrie looked to be doing. The 44 roared by, stopped in front of the crowd, where they all laughed, giggled, and preceded to jumble in. Carrie looked over his shoulder, sure someone was right there keen to make a comment, but there was no one. He sighed, relieved. Being old and falling down with no way to get yourself back up was one of Carrie's biggest fears. The other, of course, was spiders.
Once Carrie reorientated himself, he looked up to see where the other old man was. He was gone. Carrie stood up, his knees shaking slightly. He jammed his cane down to steady himself and took a step forward. His eyes strained from the sun, which was beating down on him now, hotter than it was before. He took a slow step forward, then another, and then another. Once he got in the rhythm, his mind didn't have to focus on it as much. He could let it wander to wherever it wanted to. Sometimes, he let it wander to death, sometimes to past lovers, and sometimes to his late wife, Patty, but never very long on her.
He stopped to catch his breath and wipe his brown. Next to him stood a dark lime green statue of a lion. It was miniature and sun stained. The teeth were dull and the eyes were blank. It was very beautiful and Henry realized he had never seen a lion in the wild, only at the zoo. He wondered if they were any different out in Africa or wherever they were the most and if they roared the same. The one's he had seen at the zoo were sluggish and lazy; almost depressed. He could see why, being cooped in there all day long with only your wife to talk to.
"That wouldn't be so bad," thought Carrie, "To be trapped in a cage with the one you love. That's marriage, isn't it? Isn't that love?"
A cough startled him out of his meandering, love provoked thought. Sitting on a bench across the street where the apple cider press statue stood, was the old man Carrie had seen before. He was hunched over, fishing something out of his bag. Carrie wavered back and forth, watching the old man. A noise rustled behind him and Carrie slowly turned his head to see what it was. Two children were running around the fountain, splashing water at one another.
"Nothing to speak of," grumbled Carrie, "Wasting water all the same."
Carrie turned back around and saw that the man had pulled out a shiny, red and green apple. The man bit into it slowly, taking his time as he broke the outer skin of the apple so the juices spurt into his mouth. Carrie's stomach rumbled when a hard gust of wind hit his back, forcing him to step forward. He put out his cane and felt the peg slide and grind over the rough concrete. A man behind him reached out to help, but Carrie waved him away, mumbling that he was fine and that he didn't need any help. The man on the bench hadn't paid him any notice. The apple in front of him was all he needed. Carrie walked to the other side of  apple cider statue opposite the man and sat down roughly, for the man looked up from his apple a little wide eyed and a little annoyed. Carrie smiled awkwardly at him, but it came out more like a frown. The man relaxed his face, slowly letting it become blank while a line of apple juice rolled down over his lip. He licked it up, coughed, and went back to studying the intricacies of the half-eaten apple.
The mans face, Carrie saw, was *** marked and dented, like a car that had just been through the worst of accidents. His eyes were barely visible behind what seemed like hundreds and hundreds of creases, wrinkles, chicken's feet. The man's bulbous nose was an obvious sign that he was or had been a serious drinker. It was swollen and red, drooping from the mans face like a glob of honey that just wouldn't fall. The lips were creases of an old pair of jeans that had been left out in the sun. Though Carrie couldn't see his hair because the man wore a large, dapper styled hat on his head, he wouldn't doubt there wasn't much of anything under there. The old man was anything but beautiful, but Carrie, who had been staring at the man out of the corners of his eyes while pretending to look at the apple cider statue, could not look away. He was utterly fascinated with how the man held himself. Why was he so ****** interested that apple? Had he never seen one before? Carrie then thought the man was homeless, so he must be crazy, but when he had walked over before, Carrie hadn't smelled the usual musty musk that homeless people give off. He had smelled like nothing, usually meaning he slept in a bed and showered regularly. Then, in the midst of Carrie staring at the man's unbelievably shiny brown loafer, he said something.
"What you looking at there?" asked the man. He was hiding his ragged face behind the apple. A few pieces fell to the ground below. Carrie could see the bite marks were mere nibbles, like a rabbit had been eating it.
"Hm...I...uh," stammered Carrie. He looked up into the sky, trying to spot a bird to hide where his gaze truly had been, then looked down at the ground. There was a tiny pebble that resembled a hermit crab. He focused on that until the man asked the same question again.
"Were you staring at me, my friend?"
My friend, Carrie thought, He thinks I'm his friend? How on Earth did we get to there? I barely know him. I'll say something. He paused. Well, say something!
"I was staring at your apple there," Carrie mumbled, "It's a very nice looking apple."
"It's very tasty," he nodded, looking back it, admiring the colors of the skin that had yet to be bitten in. "Would you like some?" He stretched the half-eaten apple out to Carrie.
"Oh," Carrie laughed, startled, "I'm fine. Quite full." He patted his stomach.
"Are you sure? It's almost dinner time."
Carrie looked the man up and down, then smiled, "I'm fine. I ate just earlier."
"Oh really, where did you eat?" The man inched forward on the bench and rested his eyes on Carrie, waiting for an answer. Carrie's lip quivered with the thought of having to come up with a quick lie. The man had placed the apple back in his bag and was completely focused on Carrie's lie.
"Well, you see, there's a great place up past Lincoln Way toward the beach. I go there all..."
"Lincoln Way!" exclaimed the man, "You can make it all the way up there!"
Carrie was flattered. He could walk far past Lincoln way and up any of the side streets, if he had the energy, but had never been congratulated for the fact. Carrie shifted back and forth in his seat, blushing for being thought of so highly.
"With this cane," Carrie said, tapping the ground with the end, "I can go almost anywhere."
"Wow. Where'd you get it?"
"My son gave it to me when I first started showing signs of getting old," said Carrie, "It was kind of like a joke at first, but then, I really needed to start using it, and I've been attached to it ever since."
"That's nice," the man nodded, "I bought mine for 50 cents down at Salvation Army. You know the one on 3rd?"
Carrie said that he did.
"Spent 50 cents on this thing four years ago and it has taken quite a beating, but still, it works and looks fine as you can see."
"Doesn't look so bad."
"Well thank you, I appreciate that."
The two of them paused, looked each other up and down, then found something other than themselves to look at. Carrie noticed the soft lines of the man in the statue twisting the cider press and how his muscles were as detailed as a real man's. He had never seen so much physicality in a statue before. It really looked like this man was pressing apples in front of his eyes. Carrie was at a loss at how one captured that feeling of true action in stillness. He looked up to where the statues face was and saw that the eyes were cast down to where the press was tightening. He thought maybe the man was thinking if he stared to where he was working, he would twist harder. The statues hair was soft and smooth in the sun. Carrie followed the statues legs down, past the flat stomach and taught ab muscles, to the feet which were pressed into a large stone so to get more leverage. The veins on the feet were almost pulsating with blood and strength. They seemed to rise and fall with what Carrie imagined would be the mans heartbeat, if he had one. He didn't quiet understand why the man was had to be naked, but figured it was for the sake of art. Carrie was not an artist, but with the free time that was allowed to him by growing old, he was starting to appreciate what he saw, feel it a little more often, then when he had no time at all when he was young and busy. He wasn't sure which he enjoyed better: being old and feeling more or being young and always with something to do.
The man had let his eyes wander from Carrie, to the small statue of a boy. His mouth was pressed up to the spicket where the apple juice was being pressed from above. He imagined the statue of the man above the boy was his father or at least he wished that it was. The boys skin was very smooth and reflected the sun softly up back into the mans face. He looked closer at the face of the boy and saw that it was a silent kind of contentment. The man took out the apple from his bag, took a bite, and offered it again to Carrie.
"Take a bite," he persisted, "Sitting in front of this statue, looking at this little boy drink up that apple juice has to be getting you thirsty."
"I'm really fine," said Carrie, smiling uneasily.
"Come on. You don't gotta' worry about me."
Carrie paused, really thought what he was so scared about, and then admitted that was only uncomfortable because of this stranger's hospitality. He hadn't obliged a kind gesture in a long time.
"Alright," he said, "I'll have a bite."
"There you go!" The man handed the apple over to Carrie.
He took a bite and let the cool juices jump into his mouth. A small dribble ran down his cheek, where he quickly wiped it away with his sleeve. He didn't want to look like a slob, much like the man had looked when he first began eating it. Carrie looked down at the apple, nodded, and handed it back to the man.
"It's," he started, still chewing, "Very good. Thank you...I'm sorry, I don't know your name."
"Symon," he said, taking a bite of the apple, which was almost gone, "Symon with a Y."
"Thank you Symon."
"You're welcome..." he paused, "I never did get yours."
"Oh," he laughed, "I'm sorry. I'm Carrie."
They both reached forward and shook hands. Carrie hadn't sat with another man and talked with them since he'd buried Patty. After that, it had grown hard to shake hands with anybody he knew. Maybe it's easier with him because he's a stranger? Carrie thought, Maybe I should meet more strangers? Probably go and get yourself killed. That's a funny thought. I never thought I'd go by getting murdered. I always figured I'd let time take me, rather than the hands of another. He doesn't look like a killer anyway. He's got to be older than me. He's definitely slower. Look at his hand shaking. Your hand doesn't shake. Does it? Carrie looked down at his right hand which was resting on the handle of his cane. Solid as a rock, Carrie mumbled to himself, As a rock.
"What was that?" Symon blurted, eyeing Carrie, "Where'd you go?"
"Just thinking."
"Bout' what?"
"Whether my hand was shaking or not."
"My hands shakes all the ****** time. It's like one of those kitchen timers or chattering teeth you twist, it goes for a while, and then eventually goes off, but me, never. No, never this hand never stops shaking. Got a ******* mind of its own."
Symon raised his right hand so Carrie could see. Sure enough, it was shaking like a leaf in a tree ready to fall off. The shake wasn't violent, but definitely noticeable next to a hand that was still. It was more a buzz than anything else. Carrie couldn't imagine Symon writing his name down and coming out eligible.
"How do you write your name? Does it get all messed up?" Symon looked at him, then looked away. Carrie froze, realizing he may have just asked a very touchy subject.
"Huh?" Symon asked, looking back. "I got something in my eye real quick. I didn't even hear what you said."
"Oh," Carrie stammered, "What I said was..." Symon cut him off.
"I'm just joshing yah!" Symon shouted, "Course I can write my name! Whenever I put pen or pencil to paper, the shake usually calms down. Don't know why, but it does. I never ask que

I'm facing the horizon, reclining in the cool grass, staring deeply into the pink and purple sky.
It is an exemplary evening and I am enticed by its extravagance. I contemplate existence.
I contemplate all our lives:
The gnat licking sweat of my brow,
You,
Me,
That tree across the street,
Your dead friends, my ancestors, that hot Latina chick that works at Panara (not that I really eat at Panara).
The undercover cop that won't stop eyeing me.

I watch the pink fade into purple fade into nothing at all. The clouds disperse, becoming nothing more than disconnected particles of dirt and water  suspended in midair, and the sun goes down.



I **** the gnat and go home.

1
We're not in darkest Africa
and jungles don't adorn,
this little bit of overgrown
that wraps around our lawn,

2
Plants of pretty colors
sit comfortable in there bed,
and about two dozen footsteps
find us at the potting shed.

3
Our potting shed has seen better days,
some parts have been rebuilt
and it's suffering from subsidence
for it's slightly on a tilt.

4
The walls desperately need painting
because the wood has got some rot
but a boring place to come and sit
it definitely is not.

5
Odds and ends adorn the shelves
and the places spiders tread
where the dust has piled on the weight
and the woodworm may have spread.

6
Smells that we first come across
carry the scent of damp,
foul stinks from half empty sacks,
paint tins that have gone rank.

7
An old oil lamp expel the rust
like dandruff from my head
reigning down golden crumbs
that looks like toasted bread.

8
We think that we have found some proof
of what might linger around
footprints so large and evident
that a Tigers walked upon this ground.

9
So while we have been sleeping
and resting through the night
there's been a Tiger in our shed
but he keeps out of sight.

10
We've sorted through many boxes
we've moved some things aside,
looked into shadows with a torch
but we can't find where he hides.

11
Perhaps he's gone out hunting
for an evening meal,
eyeing up the neighbors dog
with energetic zeal.

12
Perhaps he's out sunbathing,
sitting somewhere in a tree
camouflaged with all those stripes,
that's the reason we can't see.

13
I don't know if he's Sumatran,
Siberian or Bengal
and he doesn't ever show himself
or come to me when I call.

14
I believe he stays outside all day
and only hides in here at night
but I won't come down here when its dark
only in the light.

15
He is a wild animal so
one must take the some care
for he could be stalking us as prey
he could spring from anywhere.

16
But we leave the door unlocked for him
and we've made a comfy bed,
and a sign that just reads "WELCOME"
to the Tiger in our shed

Russian black grass and an ornate pattere  garden,
pheasants basking in uncertainty
culpable designs eyeing towards.
Yellow book inclusion,
asks more than the obelisks shadows casting down the acers,
the mia crocus still a red mist
before laying the asphalt driveway.

we ate government cheese
that came in a dull brown box
we were too young
to understand what welfare
and food stamps meant,
our empty bellies never protested
at the salty orange blocks

in front of the bodega,
we saw a woman introduce a hammer
to a drunk tyrant’s skull
his blood pooling on the streets
was too red for new eyes

we watched hypodermic needles
bloom on stoops
cling to life on curbs
the graffiti on abandoned buildings
was our Louvre, our Salon de Paris
sweltering streets our baseball diamonds
prostitutes, black or brown or both
mothered us between shifts

we grew up in projects,
that sheltered drab lives
and senseless brutalities
gunfire, sharp and immutable
punctured lullabies

we were small boys
watching life unfold
the way one stares at an accident
detached and mildly curious
eyeing cooly the despair
and impossible hopelessness
of growing up poor
in Brooklyn

It’s been a decade and a half that I haven’t returned back to my little home in that far away magical place. Fifteen years- exploring and travelling through the world. It was always my dream, ever since I was a young boy. Living this life is lonely. No one ever belongs to me, nor do I ever belong to anyone. Seeing a million things is marvelous, but it could be twice as marvelous with a companion to express the feelings over instead of my usual, battered black log book that never talked back but was filled with entries from all over the world. One day, I’ll publish it.

I guess the fact that I was always alone was the reason why the little home and my little mother that I use to take for granted became more and more part of me as I stayed away. The land, the gently curving hills and glassy lake grew clearer and clearer in my mind until sometimes, it was all I could see when I shut my eyes at night after a long day of work. Sometimes I would smell the soap on mothers’ skin acutely and played her voice in my head like a radio.
A blur of bright brown eyes.

I’ve been to almost every country in this world: Japan, France, America, Denmark, China and all the different continents… almost a hundred different countries. Each country held such a different (but slightly similar if they were in the same continent) flavor in the air and never failed to teach me one new thing. They all held such distinct character. Beholding the stunning sights and noticing the heart-wrenching small details of a new place was my passion. It captivated me, but the calm, steady love of my heart remained still.
Nothing touched me like the memory of home and my mother. Not the women who flickered through the chapter of my life, appearing in explosions of lust and never meaning more than ***, though some begged me to stay. My loneliness would sway my path of thinking for a short one or two week before I realized it wasn’t what I truly wanted.  
My lovers reminded me of cookie crumbs fallen from my mouth down onto my shirt- there for a brief, brief moment- sometimes picked up to nibble on or brushed away and forgotten.

Oh Love; Love never found me. Perhaps all the travel I did made it harder for Her to find me. I was never at a place for long. Perhaps She, Love, grew tired of trying to catch up with me as I crossed the seas and vast lands. Maybe She got lost one day in an Indian market with the exotic, fat fruits and glittering bangles- fading off into the air with the aroma of powerfully rich local dishes.
Or maybe I travelled away from Her, and She got left behind.

2 a.m.- On a train: the train is brand new and the metal is still yet glossy and innocent from hard rains, thick snow or fiery heat as the Southern part of my homeland is so prone to. The window is surprisingly see-through, unlike all the muddy windows covered in dust, grime, bird droppings and smashed insects (especially squished mosquitoes) I have looked out of in the past fifteen years. I think I’ll read a few chapters of that book about Cambodian culture to distract my impatient mind: sitting on this cold train that will take me home is all I can possibly think about. Hurry, you ******* train, hurry!
There is something about a train that calms me down and makes me feel all starry-eyed. It is the memory of the only girl I ever loved. A little girl I grew up with. Such thick dark brown hair, big round bright chocolate eyes and the loudest, most obnoxiously boyish laugh I have ever heard from a girl. Hmm, I recalled the small rounded chest and bottom.
We lived so far deep in the country side and one day, on an overnight school trip, the school we attended at took all hundred students on a trip to see the city for just a day. Flashes of her eating a creamy white ice cream sprinkled with tiny candies of the rainbow and standing in awe of the huge library made me smile to myself.
How when everyone was tired that night back on the train, even the teachers exhausted after an early morning and keeping a hundred thirteen-year-olds under control for a whole day, fell asleep. My eyelids were just drooping when she appeared- I smelled her first, sweet like honey with a tinge of something sour like orange or lemon peels. My senses have always been sensitive- especially sight and smell. She carefully peeled back the curtains around the bed, crept into my bunk and cuddled with me, curling her tough plump legs.
My mind flew in many wild ways- for as I said, my senses were sensitive and the curiosity and thrill of an inexperienced young boy did not help to make them any paler- and try as I might to quiet the thoughts, they leapt at her every movement.
I suppose it was her way of telling me she had fallen in love with me. Her cold monkey-feet pressed against me and whispering the night away: her tousled head as she kept sitting up to look out the window on the side to look at the stars. I sat up with her and held her against my chest. I remember wondering how my heart wasn’t bursting from the enormous love I felt for this creature in my lap, watching the dark silhouettes of trees rushing by and the black swaying fingers of rice patties illuminated by needle-point stars and a full, silver moon. The beautiful creature turned around, placed her icy finger tips on my hot neck, and gave a little sigh of relief before leaning in and kissing me.

My skin was covered in goose bumps.

Oranges are my favorite fruit.
I left her, my little home and mother at nineteen. The darling was mine till then. I wrote to her, but when she got around to replying I had already moved. And there my love became my once-loved.
The heart ache didn’t last too long. There was too much to see, I was young and full of cravings and impossible to satisfy hunger despite the countless number of women. I lived in the moment, the fiery moment of passion and life, and the memory of her were blown to wisps.
A ray of pink sunlight broke me from my thoughts and as I rushed back from the past to its future, I wondered in a haze whether she had married or not.

Five a.m. – the sun was up. The sky had streaks of dark blue, so dark it was almost black. A ****** red of a newly-cut wound ran through the sky, arm in arm with royal purple and a pink the color of a child’s lips.

Six a.m. - twenty-two or so students milled into the train chattering. The younger ones have neatly combed hair, slicked down with mousse and parted so aggressively the comb lines are visible cutting the hair in hard chunks with a paper-white hairline slicing through the scalp. The smallest one would be around thirteen and the oldest at eighteen. The oldest-looking one is very pretty with slanted gray eyes and chestnut hair- very matured for her age. A puff of powder to conceal any imperfection of her skin, and the first two buttons on her school blouse unbuttoned to hint at a cleavage of well-developed large *******. Her gaze darts over me frequently. She looks like a lover I had in Holland. I give her a small smile and she returns it, batting her lids to reveal matted dark lashes and shimmery pale blue eyelids like the wings of a butterfly. No child, only if I was much, much younger and had just left home as you will so soon.
A stench of too much perfume emits from the girl beside her. So much that I am momentarily diverted and glance up at her from my log book. I will be relieved when they leave. If there’s one thing I find extremely unattractive in a woman is an overload of perfume- it becomes a stench that is a reminder of gaudy prostitutes.

Six-thirty a.m. -  The train jolts to yet another stop and they clatter out but not before I heard the words, “That man on the train near us was rather handsome, wasn’t he?” I cannot help but chuckle.

Seven a.m. – the train has stopped at least five more stations. This is going to be a long trip. Rummaging in my packed bag for a pair of dark sunglasses I push them on, waiting for the fact that I haven’t slept all two weeks in excitement (and travelling at the speed of light half way around the world at the same time) to kick in and hit me unconscious with sleep.

Two p.m. - the dark glasses cannot block the glaring sunlight of the sunshiny afternoon. We have almost finished passing the city. The rows of buildings, large houses, one-story apartments are narrowing and shrinking in size. I know the railroad tracks have remained unchanged in destination and twenty-so years ago I took this exact same ride but everywhere is unrecognizable.  
I check my wristwatch once again even though I know the time: around nine more hours to go before it reaches the very end possible station and I take the long walk back to my little home.

Six p.m. - I talk amiably to passengers on the train. It is beautiful to hear my home dialect again. The words I speak have grown quite clumsy and my accent is rough. No matter, in two weeks time I’ll be fluent and chirping along with the same fluid accent as the old man beside me is.

Eleven-thirty p.m. – I am all alone on the train. The old man just got off at the station before. He shared a portion of his sandwich with me and a swig of beer from his water bottle (naughty old man), seeing as in my anticipation I forgot to buy any food for the day. A very interesting old man who was delighted to know I travelled just as he use to in his earlier days- quote to remember from him: “Too many people go on about this ******* of a ‘fixed’ home: Home isn’t where you live, son, it’s where they understand you. I’m telling you, that’s something so special in this crazy world.”
It is horrible to be sitting here alone counting down the minutes without a distraction but after all, it is near the last of stations and no one ever comes here anyways. There’s nothing here that could attract visitors. If I were a traveler nothing about this place would excite me very much. Yet for this first time in fifteen years, I’m not an outsider and this land promises me much. My hand shakes from fatigue- but mostly from eagerness. Little home, darling little home, I am coming!
It is a chilly, chilly winter night. My breath pants out in short white puffs. I wrap my scarf more securely around my neck, capturing the warmth as I step out from the warm train into the cold air outside. I can barely notice my environment on the way home except the path has remained unchanged. It is as if I am travelling back into time itself. After a while, the coldness turning the tip of my ears and nose pink is forgotten. All I know is each step is taking me closer and closer to home.

I finally see it. The small little house with a small brown door standing quietly alone next to other identical houses comes into my view. The little homes are clustered on the edge of a river bank, surrounding by dark green trees. The crisp rustling of the leaves in the winter breeze brings a melancholy happiness so great it makes my chest throb. I cup a tiny bit of snow from the ground in my mitten and taste it: oh the same sharp iciness on my tongue.

I wonder if she still lives in that one with the indented steps, the stairs worn out by the thundering saunter of her and her five brothers. They still haven’t bought a new flight of stairs?

The river’s surface is smooth and serene, its surface looking like molten silver rippling in the slight breeze. I remembered in the summer when we, the children, danced; splashing in the water and the elders watched lovingly.

Mother’s carefully watching eyes on me as I swam to and fro, my laughter mingling with everyone else’s. She was especially careful after that near-fateful day when I was six and foolishly went swimming in August without telling mother as she made us her special clear chicken broth. I had inhaled gallons of water before she fished me out, both of us soaking and sobbing. How wonderful it was to hold onto something warm and solid: something breathing, full of life, and I clutched onto her and she clutched onto me and my life.
Up the wooden steps… how surprised mother will be. The ghosts of memories come running to me, pounding their way towards me to greet me first as I open the wooden door with the key slung around my neck as always: mother with her hair curled in soft mocha *****, mother making an ice lollipop in the hot summers in her flower-printed summer dresses, mother swishing around the house cleaning in her blue apron, the hot fire with hot chocolate as we told stories, all the different cats we had purring in a soothing melody… Amalie and her laughing figure spread over the sofa chattering away, Amalie’s quick, hidden kisses in the corners when mother was out of the room or pretending not to look, Amalie’s long hands creeping towards mine… Amalie and mother gossiping together and mother declaring Amalie was the daughter she never had and mother eyeing me knowingly, expecting me to settle my ways and marry Amalie…

Oh little home, I am back, I am home.

I shall go lie on my feathery bed and in the morning I’ll wake up and have no idea where I am before the thought comes back to me that this morning- no, I am not somewhere around half the world away- but in my little hometown.
As sure as the sun will rise, Mother will wake up at her usual eight o’clock and I’ll be downstairs in our sunny-tiled kitchen making a bowl of porridge for her and me.
After her tears and hugs, we’ll sit down by the fire with hot chocolate despite it being early morning and the skies aren’t yet jet-black. I see in my mind’s eyes her dark eyes huge as I unravel my colorful carpet of stories and treasure box of tokens from all around the world.
Maybe after that I’ll ask her whatever became of Amalie…
I hear the tread of footsteps on the stair case. They are heavy sounds. Has mother gained much weight in her old age? She was always a lithe little woman when I was here.
A burly shape appears in the shadows.
For one ******* blindingly stupid moment I think it is mother much fattened in a fluffy night gown, her hair curled up in soft ***** yet again. Perhaps I saw what I wanted to believe despite my senses and instinct suddenly prickling up in one jolt through the spine.
And the shape emerges holding a bat and the outlines gains focus to become a bear-like man with dark brows furrowed and a mass of curls. He starts yelling at me and slashing his bat dangerously.
I raise my arms up in defense and the world swirls around me. From far away I hear my voice shaking in fear and fury, “Where is my mother!” I yell her name and I yell my name to let her know I am here. I am insane with fear for the safety of my mother. No, it cannot be that I come home on the day a demon decides to rob the house of a frail gentle angel. If he has killed her, I will- “WHAT HAVE YOU DONE TO HER?!”
“What?” he asks in a tone quiet from extreme bewilderment, his grip on the bat loosens and I am quick to see this and take advantage of it.
With an explosion of violent swears I leap onto him to throttle him to death. “MOTHER?! MOTHER! WHAT HAVE YOU ******* DONE TO MY MOTHER?! I’M GOING TO ******* **** YOU, YOU *******!”
A fast pattering of feet sound down the stairs and my mind registers them to be female before I am wrenched of the man and we are separated. I am about to clutch this woman safe from the hulking beast before I notice the skin on the hands pushing my panting chest away from killing the beast are too young to be mothers’. Her hair is a dark mahogany brown, not mild coffee like mothers’.
I stare at her, silent in shock. All the fight drains out of me.
Those eyes that were once so chocolate-brown and bright have lost their sparkle in her tiredness and appear almost… dull as she turns to me.
She says my name three times before I can reply. “Sit down here.”
It is strange that she has ordered me to sit down on my own sofa in my living room. Her frosty hands guide me. “Amalie… where is mother?” I manage to stutter, all the time keeping an eye on the monster of a man.
“Listen to me” she took a few shuddering breaths, “I’m sorry to tell you this way, I wished I could’ve told you any other way but this… your mother is dead. She died five years ago.”
She watched me with an exhausted expression, “In her will she left this house to you and me because she assumed one day-” she shot a cautious glance at the man who towered in the shadows next to her, nursing

**** Middle-Aged Dad at the Water Park,
this is an ode to you.

**** Middle-Aged Dad at the Water Park
ambles behind
the kids sprawling out of the entrance
like baby spiders spilling
out of the crushed mother’s abdomen.

**** Middle-Aged Dad at the Waterpark
flip-flops his way to the lazy river,
shies his black Harley Davidson tanktop
to reveal his sunburnt
abdomious belly
flopping over his camo swim trunks.

He shakes off his flip-flops
and awkwardly wades in,
his hulking mass shifting with
each foot and tree trunk
of a leg smashing into
the shallow water,
sending shockwaves towards
screaming toddlers
in his wake.

Finding a vacant tube,
he turns his body around
and heaves himself
into the neon green donut
with considerable
and farcical
difficulty.

Mother at the pavilion
opens an eye from the lawn chair
and chuckles to herself,
applying another layer of sunscreen
over ruddy cancer-sensitive skin.

Sporting oblong racecar sunglasses
atop flushed puffy cheeks,
**** Middle-Aged Dad at the Waterpark
basks in the baking mid-summer sun
and the cool ****-ridden waters
he sinks his hands and feet into.

What is on his mind?
I imagine it is as close
to nothing
as he aims to get,

free from responsibility
like a wiry youth
he knew
from long ago.

The piercing screams of laughter
from ambulant children
splashing about him
are fruitless
in penetrating
his enclave.

He coasts about this way
for an eternity,
his red leather hide
burning in the hot sun
enwreathing his glasses.

Meanwhile,
mother reads
under the cool shade
of the pavilion,

the kids tumble down
slides and splash gleefully,
endlessly,

and life lingers on a moment
for a necessary
sojourn.

**** Middle-Aged Dad
awakens from his sun-cooked daze,
approaches the exit
and prepares himself
for his departure.

Waddling left and right,
he flops starboard
splashing magnificently
like a cannonball rolling off the deck
into the ocean.

His sunglasses leave him in the ruckus,
he gropes blindly
with chlorine-infested eyes,
til he grasps the visage
and stands up in the water.

His great body surges
from the waters,
fading tattoos gleam
along with a bald spot
in the sunlight.

He ambles through the waters—
water spilling out of rolls of fat
undulating in the motion—
and sensuously runs a baseball glove of a hand
through thinning hair.

His trunks bunch up around
firm, beefy buttocks
and a tired old *****,
thick tree trunk thighs,
ending its constriction just above
the wrinkled knot
of kneecaps.

Mother snapshots a photo
of the visage,
his fruits spilling about him
in perpetual glee,
his stolid look of authority,
wisdom, drive,
and endearment.

Years later,
the ambulant youths
on the cusp of adulthood

leaf through old photo albums
suddenly eyeing the Father piously
in a newfound awe,

aware of his gargantuan countenance
that shielded their efflorescence.

He was their sun,
he was their shade,
and their sky—

for he knew
when to plant,
and when to water,
and when to wait.

Running a thumb over
the diaphanous visage
exemplifying
an analog adolescence,

they jeer each other
over the Father,
secretly harboring
an amassing reverence
for the great figure,

the **** Middle-Aged Dad at the Water Park.

In many different tongues, each one love's manifestations,
Some even to me unknown until the very moment,expressed,
I keep talking to you, my divine lover,out of my passion,intense
For you brimming within. Distraught a bit, feeling left in the lurch
On pouring rain and thunder storm; but you know how firm I am!
I stood rooted here, lost all sense of time, queer, ever  felt you near.
Then a sharp pain hit weakening my heart ,but couldn't deter me,
I am a cat of nine love lives, a species so stubborn, thrives in trust.
Dead of night it is , I  keep vigil, perking up ears, eyeing  skywards,
How do I know from, where would my only love, to me speak?

Lo, the waxing moon  
eyeing on heaven
ups a notch high.
The higher it goes
pulls the tides more
down on the sea
the crescent moon sways.

It bows down and prays
as it sails towards
the locked away
heaven far, far away.
The sea spilling billow
floats the key
to the tucked away ally way!

Do steam trains go from Kings Cross to Scotland? Lydia asks. Her father sober smiles. Are you eloping with the Benny boy of yours? He says. Big eyes staring; blue  large marble like. Whats eloping? She asks, frowning. Running off to be married secretly, the daddy says. No, Benedict and I are only nine, so how would we be eloping? Practice run? No no, she says. Nibbles her buttered toast her mother gave. You be mindful, busy that place; crowds are there. He sips his tea. She nibbles more toast, staring at him. How are you getting there; too far to walk? Dont know; Benedictll know; he knows these things. Underground trains best, the daddy suggests. But how to get the money for fare? He asks; his eyes narrow on to her. Dont know, she says, looking at the tablecloth, patterned, birds. Has your Benny boy the money? Sober, good humoured, he smiles. Expect so, she says, doubtful. See your mother, ask her, he suggests, smiling, as if. Well, must be off, work calls, he says. Where are you today? She asks. Train driving to Bristol. Is that near Scotland? He smiles, shakes the head. No, Bristols west, Scotlands north; do you not know your geography? The daddy says. She shrugs. Sober he shakes the head. Well, Im off. See your mother about the fares. She nods; he goes taking a last sip of tea. She eats the buttered toast, cold, limp. She sits and gazes out the window. Sunny, warm looking. The birds on the grass; the bomb shelter still there. Wonders if the mother will. Money for fares. Knock at the front door. Her daddy answers. Opens up. Your Bennys here, Princess, he mocks. See you mind her, Benny boy, shes my precious, the daddy says out the door and away. Lydia goes to the door. Benny is standing there looking at her daddy walking through the Square. Her mother comes to the door wiping her hands on an apron, hair in rollers, cigarette hanging from her lip corner. Whats all this? her mother asks. Lydia looks at Benny. He gazes at the mother. Kings Cross, he says. Is he? The mother says. Train station, Benny adds unsmiling. So? We thought wed go there, Lydia says, shyly, looking at her mother. How do you think of getting there? Underground train, Daddy said. Did he? And did he offer the money? No, said to ask you. Did he? The mother pulls a face, stares at Lydia and Benny. Am I to pay his fare, too? She says, staring at Benny. No, Ive me own, he says, offering out a handful of coins. Just as well. If your daddyd not been sober youd got ****** all permission to go to the end of the road, her mother says, sharp, bee-sting words. Wait here, she says, goes off, puffing like a small, thin, locomotive. Benny stands on the red tiled step. Your dad was sober? She nods, smiles. Rubs hands together, thin, small hands. How are you? Fine, excited if we go, she says, eyeing him, taking in his quiff of hair and hazel eyes; the red and grey sleeveless jumper and white skirt, blue jeans. He looks beyond her; sees the dull brown paint on the walls; a smell of onions or cabbage. Looks past her head at the single light bulb with no light shade. Looks at her standing there nervous, shy. Brown sandals, grey socks, the often worn dress of blue flowers on white, a cardigan blue as cornflowers. They wait. Hows your mother? Ok, he replies. Your dad? Hes ok, he says. They hear her mother cursing along the passage. He says ask for this, but he never dips in his pocket I see, except for the beer and spirit, and o then it out by the handfuls. She opens her black purse. How much? Dont know. The mother eyes the boy. How much? Two bob should do. Two bob? Sure, shell give you change after, Benny says. Eye to eye. Thin line of the mothers mouth. Takes the money from her purse. Shoves in Lydias palm. Be careful. Mind the roads. Lydia looks at her mother, big eyes. Shyly nods. You, the mother points at the boy. Take care of her. Of course. Beware of strange men. I will. Stares at Benny. Hes my Ivanhoe, Lydia says. Is that so. Go then, before I change my mind. Thin lips. Large eyes, cigarette smoking. Take a coat. Lydia goes for her coat. Hows your mother? The mother asks, looks tired when I see her. Shes ok, gets tired, Benny says, looking past the mothers head for Lydia. Not surprised with you being her son. Benny smiles; she doesnt. He looks back into the Square. The baker goes by with his horse drawn bread wagon. Hemmy on the pram sheds with other kids. What you doing making the fecking coat? The mother says over her thin shoulder. Just coming, Lydia replies. Shes there coat in hand. The mother scans her. Mind you behave or youll feel my hand. Lydia nods, looks at Benny, back at the mother. Mind the trains; dont be an **** and fall on the track, the mother says, eyeing Benny, then Lydia. Shes safe with me, Benny says. Ill keep her with me at all times. Youd better. I will. Eye to eye stare. And eat something or youll faint. Ill get us something, the boy says. The mother sighs and walks back into the kitchen, a line of cigarette smoke following her. Ok? She nods. They go out the front door and Lydia closes it gently behind her, hoping the mother wont rush it open and change her mind. They run off across the Square and down the *****. Are we eloping? She asks. What? Us are we eloping? No, train watching. Why? The daddy says. Joking. Sober. Benny smiles, takes in her shy eyes. Whats eloping? He asks. Running off to marry, Daddy says. Too young. Practice run. Daddy said. Not today, Benny says, smiling, crossing a road. Looking both ways. Not now, not in our young days.

“Oh, you're a sprinter” they say
“you aren't really a runner”

Long distance people don't understand you see
They don't know what a pulling hamstring feels like
They don't know what running with pure adrenaline feels like
They don't know what not being able to breath while running feels like

You see, we sprinters have it down to a science
Practicing starts before the race is key
Pre race rituals are the law
If we don't warm up enough or warm up too much or forget to stretch one muscle
We could be out for the season

Sign in. Warm up some more

They call my race
I pull off my pants and shake out my legs
Double knot my spikes
Finally, my jacket comes off
I step up to the start and set my blocks

My brain becomes so numb with nervousness, the motions become mechanical
Two foot lengths away from the line, first block
Three foot lengths away from the line, second block
Bring my first block up two clicks
My second up three

“Runners, take your marks.”
Tuck jump
Shake out my legs
I tell myself “Remember: low, and drive”
Because there is too much to think about all at once
I lower myself on my knees
Wipe my hands on my spandex
Double check that my shirt is tucked in, my spikes are tied
Shake out my right leg and place it in the block
Shake out my left leg and place it in the block, toes barely touching the ground
Place my hands as close to the line as possible-about two inches to each side of my shoulders
I look down, check my blocks
Look up, at the finish-I will be there in less than a minute
If all goes as planned
I swing my hair so it's on my left side
Head down, look at my hands
Shoulders parallel with my arms and perpendicular to the ground
Just like practice

“Get set”
My heart is pounding
I can’t hear anything
I slowly raise my hips
It takes less than one second to become perfect
Just like practice

BANG

I shoot out of the blocks
Left arm jerks forward and my right thrashes back
I pull my stride in, getting into perfect form
Just like practice

I tune out all of the screams around me
The voices inside my head telling me to slow down
You're running too fast
You're about to pull a muscle
Give up already

But I keep running because I don't care about the voices in my head or the sprinters beside me
I race against time
An irrevocable substance that will always win

I finish the race, maybe not my best, but I did alright for my first meet in a year.
Finally eyeing my time I let go of the breath I have subconsciously been holding
I ran my best and now my lungs are reminded what it's like to taste air

Long distance runners don’t have to worry about any of this
They just have to make sure their toes aren't touching the line
Theres no science involved
If they warm up too long or not enough, it may cost them a few seconds
Seconds are all we have

Ever wonder why long distance runners are so nice to each other and sprinters aren't?
Because before every race we sprinters are too nervous to talk to one another
Everyone is silently praying that the  person next to them won’t toss their cookies
Then again, maybe its better if they did because I might have a better shot at getting first
After the race, I am too stunned-too out of breath to realize what just happened
Or to talk to the person next to me

Sprinters only have a mere couple of seconds to prove themselves
Long distance runners can take their time
They have at least two laps to prove themselves
Sometimes even sixteen

I don’t realize that I love racing
That I love not being able to breathe
Until I cross that finish line
And then I want to do it all over again

And there it was
The most beautiful Persian pomegranate
With a skin so flawless
It would be a sin to cut it open

The pomegranate was calling out
Begging her to take a bite
But she knew it was not hers to taste

She resisted the temptation for so long
Eyeing the pomegranate every day
As she strolled by the fruit bowl

One day, when she walked by
She noticed the pomegranate had been cut open
It’s juicy plump seeds alluring her to just take one bite
What would be the harm in just one taste?

She put a seed in her mouth
It’s water-laden pulp seed burst
Exposing her tongue to something
She had never tasted before

Every day
She would walk by
And the Persian pomegranate
Would demand her to take more
So she would slip a few more seeds onto her innocent tongue

And as time went on
The seeds tasted better, sweeter
And more seductively succulent

One day
She placed the seeds into her mouth
But to her surprise
Her mouth began to burn
Her gums began to blister
Her lips began to bleed

She was perplexed
Because the pomegranate was
A poison disguised
As a beautiful, sweet fruit

The pomegranates poison
Consumed her body slowly
Ripping her insides to shreds
As the days she spent enjoying its sweet offerings
Flashed before her eyes

The Persian pomegranate
Painfully and poignantly killed her

The tightness and the nilness round that space
when the car stops in the road, the troops inspect
its make and number and, as one bends his face

towards your window, you catch sight of more
on a hill beyond, eyeing with intent
down cradled guns that hold you under cover

and everything is pure interrogation
until a rifle motions and you move
with guarded unconcerned acceleration—

a little emptier, a little spent
as always by that quiver in the self,
subjugated, yes, and obedient.

So you drive on to the frontier of writing
where it happens again. The guns on tripods;
the sergeant with his on-off mike repeating

data about you, waiting for the squawk
of clearance; the marksman training down
out of the sun upon you like a hawk.

And suddenly you're through, arraigned yet freed,
as if you'd passed from behind a waterfall
on the black current of a tarmac road

past armor-plated vehicles, out between
the posted soldiers flowing and receding
like tree shadows into the polished windscreen.

She makes herself present when you need her most,
not to boast, but this tasty delight will treat you well as she continues to host.
She doesn’t give herself away too much,
****, if it was up to me I’d cop more than a touch;
A squeeze, a whole late night session, to indulge in her taste of imperfections,
Eat her up til I obtain a dental infection.
Not my intention, but her silhouette alone breeds thoughts of sin,
what I would give, to have her all to myself, wouldn’t know where to begin.
Undress her slowly as she teases me,
And repeatedly, she teaches me to treat her with care and show some decency.
But I can’t concentrate, she has my mind in a figure-four,
I'm a carnivore, but she exposes her flesh and I want more and more.
Its all been done before, but in this moment I’m in bliss,
I reminisce, as I write this, and continue to lick her residue off my lips.
She brings so much variety, all of them eyeing me,
Which will I give into as I inspect each of them quietly.

Sometimes she comes bittersweet, sometimes she’s a freak,
But most of the time she’s in a bad mood cuz I just wana beat, or rather eat.
Our relationship is never bland, she always keeps it fresh and new,
If it gets monotonous she won’t even hesitate to bring a friend or two.
She keeps my hands full, and that’s no easy achievement,
But she brings so much to the table its hard to not fiend it.
My favorite color on her, has to be green, not to be obscene,
But I’d tear her up as if though she was in a different team, knowwhatimean?
And after that delight there wouldn’t be much of her left,
Not to be greedy but Im not sharing until I know there’s more to come next.
If not, I’m vexed, I mean, I’m not addicted but I wouldn’t mind another round,
That’s not being spoiled I just want to know what other delights could be found.
Don’t be selfish and sadden me,
give me a taste so I can eat you up casually.
Oh miss candy, you’re just too fancy,
let me get a grip and I’ll put you on the walls like Bansky.

Crusty old lion
sits atop the fence,
a transient from the endless circus,
eyeing a prickly pear cactus flower.

Meditating upon its ephemeral beauty,
he asks the eternal question:
Fleeting flower of yellow and pink,
is the will to charm still there?

My son, how could I not
be charmed by your
exquisite roar, followed by
the delicate blooming of your innocence?

Then remember me that I
may remember our predicament!

- collaboration with Brian Oarr

He stole her heart,
but he was unaware of it,
didn't mean to drag it through the mud as he made his way to the girl he'd been eyeing for weeks...

it seeps like sap down the spine
this tar, or fear, or hate of mine
beads opaque and thick and full of sin
i pick and peel
but they get in

i still dream
but blue, it blurs to black
deep seascape of a tormented hand,
i bind, am bound, to the things i pretend i understand
circle of a girl
eyeing squares of man

light is the letting go
hoping you pull, forgetting you won't
each time i forget, i melt and i drip,
a bad trip.

but when i think of teeth
discerning meat from bone
alone,
i float back with loose palms,
a calm.

meggie
was thumbing
through her
fair trade
“style with a
conscience”
holiday catalog

eyeing
baby organics
indulgent Alpaca’s
green gear for guys
dining as nature intended, and
the best reusable shopping bags, period!

“What do you want for
Christmas Dad?”

“just be a good girl, meggie.”
I answered.

“I’m gonna get you a pair of socks
for Christmas Dad.”

“I don’t need an expensive
pair of socks.  megs...

After a couple of washes
one always gets lost
inside the bottomless
tumbler.

Leaving only one to lay
inside a chest of drawers,
in the company of
happy matched pairs,
waiting to warm my
Lamisil wanting toes

One sock
alone and unhappy
its a really sad story.

Radio Arcade: Socks Song

Suffern
11/8/13
jbm

no bison on the menu
at the Buffalo; this diner
never served it  

Big Mike, long gone
named it for the high shelf  
on the prairie behind it  

where Lakota learned
to stampede beasts over the edge, massacring
hordes without bow or sweat

the gully below,
their forgotten bone yard,
left little trace of them

save half a skull
Mike exhumed and hung on the wall
in the time of polio

before the wide whizzing interstates
when truckers still landed on his dusty lot  
their rolling behemoths content in pasture

in a new millennium, the cafe highway is but
an accidental detour; the shack guarded by thistles,
long departed the Detroit steel

the truckers now in the ground, their bones
free from pillage, but the Cyclops on the wall remains,
eyeing the vacant prairie they all once roamed

No your encouragement will not weasel itself
Into my hands which conjure any spell
I wish to carry my bloodied tattered feet
To every crossroad packing my heat

No your soft wishes of cursed glee
Makes me want to grab my gun and flee
Fun for the flower pots and the sun glaring hot
Makes me want to die like Elvis on the ***

No your lily rosed' cheeks which squeal naivety
Doesn't even make me want to donate a penny
The dirt beneath your eyes tells me you lie
I'm sitting back here eyeing that last piece of pie

No the Earth spins not in beauty but in horrific madness
Not even the almighty could have dared to plan this
Saggy eyed hobos drifting souls that noone dares to know
Will be the next thousand dollar opera you'll praise a fine show

No more of this celebratory talk as ***** maids smocks
Cannot be washed of blood as the midnight bell tock's
No more wishes of nature's fortitude she does not need us
My eyes my dear or eyeing south for a continental bus

A woman sits on the train.
Watching, waiting for something to happen.
She rushes pass building after building lost in the sights.
The world flying by her window seat.
One track at a time.
Fixed between one common place to another.
She turns her head.
A man reads the paper.
Headline covered by the fold.
Presidential debate.
His hold is tight, side eyeing the woman beside him.
Her round face.
Randomly clicking on her phone.
Bored.
Social media sites.
Candy crush.
He views in full.
The air is cool.
Cool enough to put you to sleep.
She wonders if anyone notices her.
She yawns,
lips printed on the reflection of buildings.
She quickly looks away.
The train passes.
Overhead she sees a plane.
Never has she flown.
To see the sights above.
Would the experience be the same.
Travel size smile.
Hand bag at rest.
The train rushing faster and faster.
The buildings now out of sight.
The plane races on.
She turns her head.
Now she's asleep

building purist æsthetic
proselytizing solar-powered heliolatry
commemorating historic concert
sensing dark forces

fokken lekker antwoord
pumping sensory overload
featuring high-tech dee-jay
admiring gelato micro-truck
laxing laying lazing

"doing something nasty"
continuing quality content
entering another cathedral
journeying without borders
"exactly one year
since visiting vatican"

appreciating full-time gigasphere
awaiting pyongyang performance
depicting unlikely crowdsurfer
foreseeing exponential improvements
furthering esoteric agenda

sensing profound incompatibility
data-mining people's infidelities
anticipating futuristic caffeine
perfecting invisible propaganda
researching mind-control techniques
polishing ******-social weaponry

sensing social embargo
flourishing frantic fanfare
admiring longitudinal monument
parodying marketing slogans
cycling through österreich
eyeing dystopian disneyland

streaming crosswords extended-play
herding glass kittens
deleting idiosyncratic fragment
loremipsum-ing laconic loudmouth
receiving ultramodern telegram
eigo-ga wakarimasu ka?

guzzling duck-fat fries
encouraging panic selling
(juxtaposing past incarnations)
getting black-and-white privilege
renewing boutique account
relishing cinema poutine

re-entering hibernation mode
opening old windows
continuing zoo motif
absquatulating excessive excesses
nullifying originality claims
proliferating protean persona

disappearing sidewalk alphabet
shrugging opprobrious moments
enjoying vertical alignment
re-entering cyberpunk paradise
approaching island sun
soaring beyond monoliths

trivializing extraneous argy-bargy
decreasing character limits
dumping generic accounts
uglifying commit message
escaping into idiosyncracy

moonshining great lake
exuding idiosyncratic propaganda
living nineties' dreams
making occidental cuisine

envisioning idiocratic president
expropriating your time
ascending homely helix
singing fat lady

All i know is the ghetto
And scandalous tricks
In stilettos ya know
Jealousy follows that the
Black society creeds
N i bleed
Through pressure and pain
Since i took the throne
I embraced the reign
Heir of my past pioneers
Listen clear
J Hendrix dropped a tear
Out the sky catch the purple haze
Buzz contact
So all you haters get off my bozack
My folks dont know how to act
Quick to react
Bad temper with the barrel of a gat
Facin' death
Heartbeatin' faster than humming bird
Yup i seen a man die
So **** what you heard
This is for homies thugs drugs dealer
Murderers to serial killers
Representin' real hits
Penetrate the heart of the beast
WASHINGTON aint never been fair
So if you see us mobbin' yo hood
We dont care


But this is for my homies




I got a tear stained letter
From my one of my homies homies
Who got murdered by a 9 baretta
Cuz he came up short on the cheddar
Instead cuttin' em slack
He wanted his life back
But aint no reasonin' with a gat
Pointed at ya pate
Seen death servin' on his plate
Two shots execution style
The killer smiled he knew it was foul
But thats the way it is
Things will never change
It makes my skin mange
Wish i could rearrange
The game
But fools rather remain the same
Wither it be pistols to glocks to shot guns
There's always a soul on the run
I bet i can dance underwater
And not get wet
So go ahead and send ya death threats
Cold covert mission is eyeing me
Keep my ******* to society quietly
Riotin' the scene
Takin' enemies along with me
If ya know what i mean??


But this is for my homies

Ingrid finds the crowds of people overwhelming the West End of London is busier than she thought it would be theyve just got off the bus at Trafalgar Square quite near from here the National Portrait Gallery he says as they walks through Trafalgar Square past by Nelsons Column its a 170 feet high he says looking up Ingrid looks up too I bet he can see for miles up there she says its been there since 1843 he says walking on howd you know? she asks Mr Finn told us in history the other month Benny says I never heard him say that Ingrid says following behind Benny you were probably asleep Benny says smiling no I wasnt she replies just dont like history I find it bores me they climb the steps into the National Portrait Gallery and spend an hour or so looking around at the various portraits afterwards they come out and Benny says what about a glass of milk and cake in Leicester Square? is it far? she asks no just around the corner he says so they walk around and into Leicester Square my old man brings me here sometimes Benny says usually Sundays and we have a look around then we have a drink some place and have a go on the machines in the pinball alleys  my dad doesnt take me anywhere Ingrid says taking in the bright neon lights and the crowds of people passing them by I came with Mum once when she did evening cleaning at one of the offices up here Ingrid says remembering my mum works up here too cleaning some evenings Benny says they go into a milk bar and sit down at a table a waitress comes over to them and asks them what they wanted to drink or eat Benny tells her and she walks away he looks at Ingrid sitting in the chair he noticed she winced when she sat down whats up? your old man been hitting you again? he asks her why how did you know? she says looking at him blushing slightly saw how you sat and winced he replies he was in a bad mood and said I was too noisy and now that my brother and sister have left home he finds it easier to pick on me and Mum too Ingrid says you should tell someone Benny says Ingrid shakes her head Mum says Ill be taken away and wont see her anymore and I dont want to go in a home away from her so I say nothing and you mustnt either she  says eyeing Benny anxiously whod believe me he says looking at her wishing he could save her from the beatings she gets but he knows no one would believe him the waitress beings their milks and two biscuits and goes off after putting them on the table I saw your mum had a back eye the other week and my mum said she told her she walked into a door some ****** door that must be Benny says she must walk into that door on a regular basis Ingrid begins to sip the milk through a straw the waitress had provided she says nothing but looks at the glass and the sound of other people talking and laughing Benny sips his milk also thinking of the last time hed seen Ingrids old man passed him on the stairs and her old man eyed him coldly but said nothing after he had gone downstairs Benny gave him the ******* gesture Ingrid is glad to be out of the flat and the Square but shes anxious about his return that night after work and what he will ask her and she finds it hard to lie to him and if she says shes been to art gallery and the West End hell whack her for going and for going with Benny and Mumll say nothing then hell thump her for letting me go off and Ill feel guilty for getting Mum into trouble you let a nine year old girl out into the West End with that Benny kid? thump thump Ingrid can see it all now as she sips her milk Benny sips his milk eyeing Ingrid opposite looking anxious her mind on something else her eyes through her glasses enlarged what are you thinking about? he asks she looks at him nothing she replies its impossible for the human brain not to  think about something unless its died of course and I assume your brain hasnt died he says smiling Daddy says Im brain-dead sometimes she says but I wasnt thinking of anything in particular she lies looking at Bennys hair and the quiff and his hazel eyes and that way he has of studying her you dont lie too good he says lying about what? she says trying not to look too guilty Im not lying what were you really thinking about then? he asks she looks away from him and sips more of the milk I bet youre worrying about your old man finding out about us going up West and you know you cant lie to save your life Benny says I wish I could lie but I just blush or my eyes give me away Daddy always looks at my eyes he says they give me away before my mouth does then Im for it and he knows it and Mum gets it also then whether she knows about me or not its a matter of creative truth telling Benny says she looks at him and she frowns whats that? she says well keep in mind something who have said or done and put it in place of something you have done or said which you know you shouldnt have done he says but we have been here she says how can I put anything in its place? we will Benny says where? she asks well go to the church on the way home and you can go in there on your own and pray or something look at the coloured glass windows and flowers and then tell your old man that if he asks where youve been and done they finish their drinks and biscuits and go back to Trafalgar Square and get a bus back to the Elephant and Castle and Benny and Ingrid go to the church at the top of Meadow Row right now you go in on your own and sit and pray and have good look at the things inside like the coloured glass windows and the altar and then if your old man asks you can tell him the truth Benny says Ingrid goes in the church and Benny waits outside and as he does so he spots Ingrids old man go by on the other side of Meadow Row but he doesnt see Benny he just walks down the Row his features grim and Benny thinks of tiny demons following him.

Scuzzy film on a scalding riptide,
Bare sinew woven like scaffolding,
Catcalling as warm-and-fuzzies
Mince by like so many exposed marble legs
Passing construction sites.
Crimped by a polaroid viewfinder,
I sit alone and click-click-click
With folded memories in my pocket.

Let me just set the record straight:
I’m still in love with our contrails,
But you can go **** yourself.
We were helter-skeltering kids
Rivulets of caustic devotion
Sweltering down our skeletons,
Fly away with me again, please
I’m seeing synonyms for you
In every ally-cat hymnal
This gutter throat can sputter out
Seeing scarecrows bound by wicker muscles
Shivering in a windfarm
Powered by all those doors you slammed
Snapping together like worn
Rubber bands warm summer hands --
Dance with me, you were
The most perfectly human
I've ever felt.

Is that Listerine rolling out of your mouth
In waves of empty bottles once meant for me?
Off of your shoulders like a cape,
A swindler, eyeing you
Like you’re trying to sell me cutlery.
Exchange glances that are
Trailmix crumbling between couch cushions,
Rubbing shoulders with waspy relief,
Tendrils of comfort had me gripped by the biceps
Spread eagle like a petrified starfish
Till I lashed out at you with bullwhip arms
Because my own back had been too hard to reach lately,  

Mirrored
Ad Infinitum.
Your tongue looks like a mirror,
Stick it out at me,
We always did look more than alright together
People stared on the subway,
Called us starry-eyed without a trace of irony.
Back in the day when you made me happier
Than something I don’t even have a metaphor for,
Just happy. Happy needs no metaphors.

I still check my reflection every once in a while
Never know if we’ll collide again anyway,
Best to be prepared but instead I
Drift aimfully towards a catacomb of eyelash wishes
And equally corny ******* I never believed in,
Still don’t,

It was getting at us, though,

Rubbing sandy fists down to the core
Instead of holding hands
Crunchy apple shell
Skin friction,
Bite the seed,
1,000 angry pomegranate teeth,
Chapped lips like crustacean shells,
Aligned like eye-freckles
Me looking like an unused punching bag,
You somewhere off in the distance,
A fading marble of plasticine light
On my wavering horizon.

Because yeah, you broke my ******* heart
You were novacane cruel and selfish
And so immature it stunned me
But you also taped it back into my chest
On the day we met so I guess we’re even.

It’s funny, already I can’t quite remember your voice,
the shape of my name in your mouth,
how you laughed,
but every word  you ever said
is still carved onto the back of my hand
like a roadmap towards all the ways
you showed me how to love myself.

Still rubbing them away with your scalding riptide,
All those words you said about forever,
Now just shackles,
So gladly did I submit to yours,
I still hate those ornery devices
Even now when,
They’re curled at my feet
Like broken wings.

It is almost sunset but it is still too hot. She sits next to me and passes over a mason jar of crushed ice and lemonade and I take it gratefully into my hands. Instead of drinking it, I rest it against my forehead and allow the condensation from the glass to drip down the sides of my face with closed eyes. I take more of it with my fingers to drench the back of my neck, but my palms burn more for it. When I sigh because this small jar does not alleviate my apparent and immediate threat of heat stroke, she laughs at me.

She is my best friend. There was a never conscious moment that I made that decision, it just happened. Before she'd joined me on her concrete stoop I'd been turning over the idea of whether or not there was an exact moment that I'd perceived her differently, but could not pinpoint it. I’d been eyeing the patches of dirt and dead grass scattered within her yard, listening to her hum If I Ain't Got You out of tune, mumbling some of the more repetitive words here and there, picking out the sounds of her fetching things as she sets them on the counters of her run down kitchen. I try to guess what she is doing as I am hearing it, but feel unwilling to join her. It is even hotter inside her house since her air-conditioner is broken. We are devastated.

After a moment of silence she narrows her eyes against the sun tells me that she misses him. I nod, but say nothing. Three of us sat here last year and suddenly the heaviness of his absence rests between us. She quickly changes the subject and tells me she wants to start jogging because when school comes back around she’ll be thin, for sure. “I’m going to be so ****, I’m not even joking.” I smile at her determination. She talks about a girl in our year that everyone calls pretty, but I shrug. She asks if I think she is pretty. I can only nod my head. I can’t compliment her properly because I haven’t found the right words to tell her that it’s not about being thin. That is not what makes her perfect. Not to me.

I never liked her lemonade, but I begin to drink it anyway, thankful that some of the ice has melted fast enough to be a bit watered down. I don’t mind. It made it less sugary. The first time she’d given me lemonade, her father had laughed and said, “If you eat the ice, it’s like a dessert,” not knowing that dessert was literally the last thing I ever wanted. I have never been fond of sweets.

She laughs a little and crunches away on her ice and I cringe. She knows I think it’s an awful sound, but I’d grown so accustomed to it after the years of hearing it. For her, it was a typical summer treat. It wasn’t even real lemonade. In her freezer were small cylinders of an odd, condensed yellow mush that they’d dump into a plastic pitcher and then add water to. Remembering this, I no longer feel like drinking it. I hand it to her.

“Don’t want it?” she asks. I shake my head, watching neighbor girls sit under a tree with a small dollhouse as I wait for her to finish both jars. I don’t like the way it leaves the back of my throat feeling dry anyway and I never feel less thirsty after drinking it. She sets the empty jars between us and we talk about where we’ll go this summer, what movies we’ll see —lamenting that there really haven’t been any good ones recently and that maybe it’d be way more fun to see if we could convince her parents to let her join my family at the lake house. She doesn’t want to swim at all but seems excited to lay on the dock and get a bit of color.

She wants to take pictures. She rises from the stoop to return the jars to her kitchen sink and grab her camera and we walk through her neighborhood. I trail behind her consciously as she raises it to her eye, letting my fingers run along her neighbor’s chain-link fences, dreading the moment she finds a way to somehow sneak me into the frames of her photographs. She’s seemed more eager to try and capture me now that I am taller. I have grown so much in just a few months that I’m not sure how to handle my limbs just yet. They are too long and too thin and I am strangely aware of them —but even more aware of where she points her lens.

We find out that there is construction behind her neighborhood and sneak past the half constructed fences, large barricades, and signs (Keep Out, Construction Ahead). It is an odd place for nicer houses, we decide —right next to the ghetto. She laughs at the brick wall and shakes her head. “That’s not going to keep them out.” But it looks intimidating anyway. Maybe that’s the point.

In the middle of the area rests newly planted trees shading a small, wooden gazebo. They overlook a manmade pond, just large enough to swim in. She knows me too well. My first instinct is to jump in so she dares me to. Practicing self-restraint I tell her all I want is the shade and I lean against the railing of the gazebo instead. I watch her snap more photos —of leaves, of ripples, of her feet, the construction. She asks again if I want to join her and shrugs at my reluctance. She dips short legs in the water and casts a teasing glance in my direction. Her pink hair looks silly against her warm face and I smile. She tells me she knows I want to, that I’m a *****. I shake my head. She draws it out mockingly and threatens to take a picture. (I cover my face with my hand.) “Paaaaansssyyyyy.” She laughs and tells me to just get in. “You gunna just take that?” I was a lot less eager to break rules, but no. I wasn’t going to just ‘take that.’

So I jump in, glad to be cool. The momentary weightlessness frees me for just a small space of time. I feel it cling to my skin when I surface, but my clothes make me feel twice as heavy. I want all of my thoughts to feel the way your body does underwater. Light. Careless. Far away.

Suddenly, behind us, someone is shouting at us in an indistinguishable accent. We trade horrified glances, swearing we catch the word cops, and we bolt, leaving a frantic trail of water and wet foot prints to evaporate behind us. We don’t stop running until we get back to her porch, the sun fully set, and we collapse against her concrete stoop out of breath, laughing much harder than we should. “Oh my god,” she repeats over and over again with exasperated giggles and small gasps for air. My heart cannot be tamed, like it's run ahead of me. I’m sure I won’t be able to find it for a while.

“Oh my god...” She tells me she doesn’t want to run anymore and I cast her a confused glance and tell her we’re definitely in the clear, but she shakes her head. “No, I mean all summer. Forget being thin,” she says. Suddenly I feel her in that missing section of my chest. “Who wants to run in this heat?”

They hail me as one living,
But don’t they know
That I have died of late years,
Untombed although?

I am but a shape that stands here,
A pulseless mould,
A pale past picture, screening
Ashes gone cold.

Not at a minute’s warning,
Not in a loud hour,
For me ceased Time’s enchantments
In hall and bower.

There was no tragic transit,
No catch of breath,
When silent seasons inched me
On to this death …

—A Troubadour-youth I rambled
With Life for lyre,
The beats of being raging
In me like fire.

But when I practised eyeing
The goal of men,
It iced me, and I perished
A little then.

When passed my friend, my kinsfolk,
Through the Last Door,
And left me standing bleakly,
I died yet more;

And when my Love’s heart kindled
In hate of me,
Wherefore I knew not, died I
One more degree.

And if when I died fully
I cannot say,
And changed into the corpse-thing
I am to-day,

Yet is it that, though whiling
The time somehow
In walking, talking, smiling,
I live not now.