A true story by  Thula Bopela**

I have no idea whether the white man I am writing about is still alive or not. He gave me an understanding of what actually happened to us Africans, and how sinister it was, when we were colonized. His name was Ronald Stanley Peters, Homicide Chief, Matabeleland, in what was at the time Rhodesia. He was the man in charge of the case they had against us, ******. I was one of a group of ANC/ZAPU guerillas that had infiltrated into the Wankie Game Reserve in 1967, and had been in action against elements of the Rhodesian African rifles (RAR), and the Rhodesian Light Infantry (RLI). We were now in the custody of the British South Africa Police (BSAP), the Rhodesian Police. I was the last to be captured in the group that was going to appear at the Salisbury (Harare) High Court on a charge of ******, 4 counts.
‘I have completed my investigation of this case, Mr. Bopela, and I will be sending the case to the Attorney-General’s Office, Mr. Bosman, who will the take up the prosecution of your case on a date to be decided,’ Ron Peters told me. ‘I will hang all of you, but I must tell you that you are good fighters but you cannot win.’
‘Tell me, Inspector,’ I shot back, ‘are you not contradicting yourself when you say we are good fighters but will not win? Good fighters always win.’
‘Mr. Bopela, even the best fighters on the ground, cannot win if information is sent to their enemy by high-ranking officials of their organizations, even before the fighters begin their operations. Even though we had information that you were on your way, we were not prepared for the fight that you put up,’ the Englishman said quietly. ‘We give due where it is to be given after having met you in battle. That is why I am saying you are good fighters, but will not win.’
Thirteen years later, in 1980, I went to Police Headquarters in Harare and asked where I could find Detective-Inspector Ronald Stanley Peters, retired maybe. President Robert Mugabe had become Prime Minster and had released all of us….common criminal and freedom-fighter. I was told by the white officer behind the counter that Inspector Peters had retired and now lived in Bulawayo. I asked to speak to him on the telephone. The officer dialed his number and explained why he was calling. I was given the phone, and spoke to the Superintendent, the rank he had retired on. We agreed to meet in two days time at his house at Matshe-amhlophe, a very up-market suburb in Bulawayo. I travelled to Bulawayo by train, and took a taxi from town to his home.
I had last seen him at the Salisbury High Court after we had been sentenced to death by Justice L Lewis in 1967. His hair had greyed but he was still the tall policeman I had last seen in 1967. He smiled quietly at me and introduced me to his family, two grown up chaps and a daughter. Lastly came his wife, Doreen, a regal-looking Englishwoman. ‘He is one of the chaps I bagged during my time in the Service. We sent him to the gallows but he is back and wants to see me, Doreen.’ He smiled again and ushered me into his study.
He offered me a drink, a scotch whisky I had not asked for, but enjoyed very much I must say. We spent some time on the small talk about the weather and the current news.
‘So,’ Ron began, ‘they did not hang you are after all, old chap! Congratulations, and may you live many more!’ We toasted and I sat across him in a comfortable sofa. ‘A man does not die before his time, Ron’ I replied rather gloomily, ‘never mind the power the judge has or what the executioner intends to do to one.’
‘I am happy you got a reprieve Thula,’, Ron said, ‘but what was it based on? I am just curious about what might have prompted His Excellency Clifford Du Pont, to grant you a pardon. You were a bunch of unrepentant terrorists.’
‘I do not know Superintendent,’ I replied truthfully. ‘Like I have said, a man does not die before his time.’ He poured me another drink and I became less tense.
‘So, Mr. Bopela, what brings such a lucky fellow all the way from happy Harare to a dull place like our Bulawayo down here?’
‘Superintendent, you said to me after you had finished your investigations that you were going to hang all of us. You were wrong; we did not all hang. You said also that though we were good fighters we would not win. You were wrong again Superintendent; we have won! We are in power now. I told you that good fighters do win.’
The Superintendent put his drink on the side table and stood up. He walked slowly to the window that overlooked his well-manicured garden and stood there facing me.
‘So you think you have won Thula? What have you won, tell me. I need to know.’
‘We have won everything Superintendent, in case you have not noticed. Every thing! We will have a black president, prime minister, black cabinet, black members of Parliament, judges, Chiefs of Police and the Army. Every thing Superintendent. I came all the way to come and ask you to apologize to me for telling me that good fighters do not win. You were wrong Superintendent, were you not?’
He went back to his seat and picked up his glass, and emptied it. He poured himself another shot and put it on the side table and was quiet for a while.
‘So, you think you have won everything Mr. Bopela, huh? I am sorry to spoil your happiness sir, but you have not won anything. You have political power, yes, but that is all. We control the economy of this country, on whose stability depends everybody’s livelihood, including the lives of those who boast that they have political power, you and your victorious friends. Maybe I should tell you something about us white people Mr. Bopela. I think you deserve it too, seeing how you kept this nonsense warm in your head for thirteen hard years in prison. ‘When I get out I am going to find Ron Peters and tell him to apologize for saying we wouldn’t win,’ you promised yourself. Now listen to me carefully my friend, I am going to help you understand us white people a bit better, and the kind of problem you and your friends have to deal with.’
‘When we planted our flag in the place where we built the city of Salisbury, in 1877, we planned for this time. We planned for the time when the African would rise up against us, and perhaps defeat us by sheer numbers and insurrection. When that time came, we decided, the African should not be in a position to rule his newly-found country without taking his cue from us. We should continue to rule, even after political power has been snatched from us, Mr. Bopela.’
‘How did you plan to do that my dear Superintendent,’ I mocked.
‘Very simple, Mr. Bopela, very simple,’ Peters told me.
‘We started by changing the country we took from you to a country that you will find, many centuries later, when you gain political power. It would be totally unlike the country your ancestors lived in; it would be a new country. Let us start with agriculture. We introduced methods of farming that were not known I Africa, where people dug a hole in the ground, covered it up with soil and went to sleep under a tree in the shade. We made agriculture a science. To farm our way, an African needed to understand soil types, the fertilizers that type of soil required, and which crops to plant on what type of soil. We kept this knowledge from the African, how to farm scientifically and on a scale big enough to contribute strongly to the national economy. We did this so that when the African demands and gets his land back, he should not be able to farm it like we do. He would then be obliged to beg us to teach him how. Is that not power, Mr. Bopela?’
‘We industrialized the country, factories, mines, together with agricultural output, became the mainstay of the new economy, but controlled and understood only by us. We kept the knowledge of all this from you people, the skills required to run such a country successfully. It is not because Africans are stupid because they do not know what to do with an industrialized country. We just excluded the African from this knowledge and kept him in the dark. This exercise can be compared to that of a man whose house was taken away from him by a stronger person. The stronger person would then change all the locks so that when the real owner returned, he would not know how to enter his own house.’
We then introduced a financial system – money (currency), banks, the stock market and linked it with other stock markets in the world. We are aware that your country may have valuable minerals, which you may be able to extract….but where would you sell them? We would push their value to next-to-nothing in our stock markets. You may have diamonds or oil in your country Mr. Bopela, but we are in possession of the formulas how they may be refined and made into a product ready for sale on the stock markets, which we control. You cannot eat diamonds and drink oil even if you have these valuable commodities. You have to bring them to our stock markets.’
‘We control technology and communications. You fellows cannot even fly an aeroplane, let alone make one. This is the knowledge we kept from you, deliberately. Now that you have won, as you claim Mr. Bopela, how do you plan to run all these things you were prevented from learning? You will be His Excellency this, and the Honorable this and wear gold chains on your necks as mayors, but you will have no power. Parliament after all is just a talking house; it does not run the economy; we do. We do not need to be in parliament to rule your Zimbabwe. We have the power of knowledge and vital skills, needed to run the economy and create jobs. Without us, your Zimbabwe will collapse. You see now what I mean when I say you have won nothing? I know what I am talking about. We could even sabotage your economy and you would not know what had happened.’
We were both silent for some time, I trying not to show how devastating this information was to me; Ron Peters maybe gloating. It was so true, yet so painful. In South Africa they had not only kept this information from us, they had also destroyed our education, so that when we won, we would still not have the skills we needed because we had been forbidden to become scientists and engineers. I did not feel any anger towards the man sitting opposite me, sipping a whisky. He was right.
‘Even the Africans who had the skills we tried to prevent you from having would be too few to have an impact on our plan. The few who would perhaps have acquired the vital skills would earn very high salaries, and become a black elite grouping, a class apart from fellow suffering Africans,’ Ron Peters persisted. ‘If you understand this Thula, you will probably succeed in making your fellow blacks understand the difference between ‘being in office’ and ‘being in power’. Your leaders will be in office, but not in power. This means that your parliamentary majority will not enable you to run the country….without us, that is.’
I asked Ron to call a taxi for me; I needed to leave. The taxi arrived, not quickly enough for me, who was aching to depart with my sorrow. Ron then delivered the coup de grace:
‘What we are waiting to watch happening, after your attainment of political power, is to see you fighting over it. Africans fight over power, which is why you have seen so many coups d’etat and civil wars in post-independent Africa. We whites consolidate power, which means we share it, to stay strong. We may have different political ideologies and parties, but we do not **** each other over political differences, not since ****** was defeated in 1945. Joshua Nkomo and Robert Mugabe will not stay friends for long. In your free South Africa, you will do the same. There will be so many African political parties opposing the ANC, parties that are too afraid to come into existence during apartheid, that we whites will not need to join in the fray. Inside whichever ruling party will come power, be it ZANU or the ANC, there will be power struggles even inside the parties themselves. You see Mr. Bopela, after the struggle against the white man, a new struggle will arise among yourselves, the struggle for power. Those who hold power in Africa come within grabbing distance of wealth. That is what the new struggle will be about….the struggle for power. Go well Mr. Bopela; I trust our meeting was a fruitful one, as they say in politics.’
I shook hands with the Superintendent and boarded my taxi. I spent that night in Bulawayo at the YMCA, 9th Avenue. I slept deeply; I was mentally exhausted and spiritually devastated. I only had one consolation, a hope, however remote. I hoped that when the ANC came into power in South Africa, we would not do the things Ron Peters had said we would do. We would learn from the experiences of other African countries, maybe Ghana and Nigeria, and avoid coups d’etat and civil wars.
In 2007 at Polokwane, we had full-blown power struggle between those who supported Thabo Mbeki and Zuma’s supporters. Mbeki lost the fight and his admirers broke away to form Cope. The politics of individuals had started in the ANC. The ANC will be going to Maungaung in December to choose new leaders. Again, it is not about which government policy will be best for South Africa; foreign policy, economic, educational, or social policy. It is about Jacob Zuma, Kgalema Motlhante; it is about Fikile Mbalula or Gwede Mantashe. Secret meetings are reported to be happening, to plot the downfall of this politician and the rise of the other one.
Why is it not about which leaders will best implement the Freedom Charter, the pivotal document? Is the contest over who will implement the Charter better? If it was about that, the struggle then would be over who can sort out the poverty, landlessness, unemployment, crime and education for the impoverished black masses. How then do we choose who the best leader would be if we do not even know who will implement which policies, and which policies are better than others? We go to Mangaung to wage a power struggle, period. President Zuma himself has admitted that ‘in the broad church the ANC is,’ there are those who now seek only power, wealth and success as individuals, not the nation. In Zimbabwe the fight between President Robert Mugabe and Morgan Tsvangirai has paralysed the country. The people of Zimbabwe, a highly-educated nation, are starving and work as garden and kitchen help in South Africa.
What the white man told me in Bulawayo in 1980 is happening right in front of my eyes. We have political power and are fighting over it, instead of consolidating it. We have an economy that is owned and controlled by them, and we are fighting over the crumbs falling from the white man’s ‘dining table’. The power struggle that raged among ANC leaders in the Western Cape cost the ANC that province, and the opposition is winning other municipalities where the ANC is squabbling instead of delivering. Is it too much to understand that the more we fight among ourselves the weaker we become, and the stronger the opposition becomes?
Thula Bopela writes in his personal capacity, and the story he has told is true; he experienced alone and thus is ultimately responsible for it.

Showy pink wildflowers
invade
Easter kitsch crammed yards,
not one ditch is spared
from their gossamer petals

« Des Hommes prophétiques en face de leurs époques face à la souffrance causée par les périodes de réaction et de reflux »

(Relation d’une conférence donnée le 13 janvier 1940 à Toulouse par Silvio Trentin sur le principal Poète romantique Italien Giacomo Leopardi)

Prélude à une commémoration

C'est à la bibliothèque interuniversitaire de l’Université de Toulouse-Capitole alors que je me plongeais avec ferveur dans la lecture des ouvrages sur les « fuorusciti » (appellation donnée aux exilés politiques Italiens) que je découvris un opuscule de 118 pages, issue d'une conférence prononcée à Toulouse, le 13 janvier 1940 devant le « Cercle des intellectuels Républicains espagnols » par Silvio Trentin. Cette conférence fut prononcée avec la gorge nouée, devant un public d'intellectuels espagnols et catalans, la plupart exilés depuis 1939, et quelques-uns de leurs amis toulousains non mobilisés.
L'intense gravité du moment ne les empêchait pas de partager une ferveur commune ce haut moment de culture la culture Européenne intitulée par Silvio Trentin : « D’un poète qui nous permettra de retrouver l'Italie Giacomo Leopardi »
L'émotion fut grande pour moi car cet ouvrage me parut comme le frêle esquif rescapé d'un temps de défaites, de souffrances, rendu perceptible par le crépitement des balles de mitrailleuses, des explosions d’obus s'abattant sur des soldats républicains écrasés par la supériorité des armes et condamnés à la défaite par le mol et lâche abandon des diplomaties. Silvio Trentin avait gravé dans sa mémoire des images récentes qui n'avaient rien à envier aux tableaux grimaçants de nouveaux Goya. Il avait tant vu d'images d'avions larguant leurs bombes sur les populations terrifiées et embraser les charniers de Guernica. Il venait de voir passer les longues files de civils, toujours harassés, souvent blessés, emportant leurs rares biens ainsi que les soldats vaincus mais fiers de «la Retirada ». Il venait de visiter ces soldats dont parmi eux bon nombre de ses amis de combat, parqués sommairement dans des camps d'infortune.
Ces Catalans et Espagnols, qui s'étaient battus jusqu'au bout des privations et des souffrances endurées, étaient comme écrasés par le sentiment d'avoir été laissés presque seuls à lutter contre les fascismes, unis et comme pétrifiés par un destin d'injustice et d'amertume.
Mais ces premiers déchainements impunis d'injustices et de violences avaient comme ouverts la porte aux «trois furies» de la mythologie grecque et une semaine exactement après la conclusion du pacte de non-agression germano-soviétique, signé le 23 août 1939, par Molotov et Ribbentrop, les troupes allemandes se jetaient, dès le 1er septembre, sur la Pologne qu'elles écrasaient sous le nombre des stukas et des chars, en raison ce que le Général de Gaulle nomma ultérieurement « une force mécanique supérieure».
Une armée héroïque, mais bien moins puissante, était défaite. Et il ne nous en reste en guise de témoignage dérisoire que les images du cinéaste Andrei Wajda, nous montrant de jeunes cavaliers munis de lances se rendant au combat, à cheval, à la fin de cet été 1939, images d'une fallacieuse et vénéneuse beauté. Staline rendu avide par ce festin de peuples attaqua la Finlande, un mois après, le 30 septembre 1940, après s'être partagé, avec l'Allemagne hitlérienne, une partie de la Pologne. Depuis lors la « drôle de guerre » semblait en suspension, attendant pétrifiée dans rien faire les actes suivants de la tragédie européenne.

- Qu'est ce qui pouvait amener Silvio Trentin en ces jours de tragédie, à sacrifier à l'exercice d'une conférence donnée sur un poète italien né en 1798, plus d'un siècle avant ce nouvel embrasement de l'Europe qui mourut, si jeune, à trente-neuf ans ?
- Comment se fait-il que le juriste antifasciste exilé et le libraire militant devenu toulousain d'adoption, plus habitué à porter son éloquence reconnue dans les meetings organisés à Toulouse en soutien au Front à s'exprimer devant un cercle prestigieux de lettrés, comme pour magnifier la poésie même parmi ses sœurs et frères d'armes et de malheurs partagés ?
I °) L’opposition de tempéraments de Silvio Trentin et Giacomo Leopardi
L'intérêt porté par Silvio Trentin aux textes de Percy Shelley et au geste héroïco-romantique du poète Lauro de Bosis qui dépeignit dans son dernier texte le choix de sa mort héroïque pourrait nous laisser penser que le choix, en 1940, de Giacomo Leopardi comme sujet de médiation, s'inscrivait aussi dans une filiation romantique. Certes il y a bien entre ces deux personnalités si différentes que sont Giacomo Leopardi et Silvio Trentin une même imprégnation romantique. Le critique littéraire hors pair que fut Sainte-Beuve ne s'y est pourtant pas trompé. Dans l'un des premiers portraits faits en France de Leopardi, en 1844, dans la ***** des deux Mondes, Sainte-Beuve considère comme Leopardi comme un « Ancien » : (...) Brutus comme le dernier des anciens, mais c'est bien lui qui l'est. Il est triste comme un Ancien venu trop **** (...) Leopardi était né pour être positivement un Ancien, un homme de la Grèce héroïque ou de la Rome libre. »
Giacomo Leopardi vit au moment du plein essor du romantisme qui apparaît comme une réaction contre le formalisme de la pâle copie de l'Antique, de la sécheresse de la seule raison et de l'occultation de la sensibilité frémissante de la nature et des êtres. Mais s'il partage pleinement les obsessions des écrivains et poètes contemporains romantiques pour les héros solitaires, les lieux déserts, les femmes inaccessibles et la mort, Leopardi, rejette l'idée du salut par la religion et tout ce qui lui apparaît comme lié à l'esprit de réaction en se plaignant amèrement du caractère étroitement provincial et borné de ce qu'il nomme « l’aborrito e inabitabile Recanati ». En fait, la synthèse de Giacomo Leopardi est bien différente des conceptions d'un moyen âge idéalisé des romantiques. Elle s'efforce de dépasser le simple rationalisme à l'optimisme naïf, mais ne renie jamais l'aspiration aux « Lumières » qui correspond pour lui à sa passion tumultueuse pour les sciences. Il s'efforce, toutefois, comme par deux ponts dressés au travers de l'abime qui séparent les cultures et les passions de siècles si différents, de relier les idéaux des Antiques que sont le courage civique et la vertu avec les feux de la connaissance que viennent d'attiser les encyclopédistes. A cet effort de confluence des vertus des langues antiques et des sciences nouvelles se mêle une recherche constante de la lucidité qui le tient toujours comme oscillant sur les chemins escarpés de désillusions et aussi du rejet des espoirs fallacieux dans de nouvelles espérances d'un salut terrestre.
De même Silvio Trentin, de par sa haute formation juridique et son engagement constant dans les tragédies et péripéties quotidienne du militantisme, est **** du secours de la religion et de toute forme d'idéalisation du passé. Silvio Trentin reste pleinement un homme de progrès et d'idéal socialiste fortement teinté d'esprit libertaire pris à revers par la barbarie d'un siècle qui s'ouvre par la première guerre mondiale et la lutte inexpiable engagée entre la réaction des fascismes contre l'esprit des Lumières.
Mais, au-delà d'un parcours de vie très éloigné et d'un pessimisme historique premier et presque fondateur chez Leopardi qui l'oppose à l'obstination civique et démocratique de Silvio Trentin qui va jusqu'à prôner une utopie sociétale fondée sur l'autonomie, deux sentiments forts et des aspirations communes les font se rejoindre.

II °) Le même partage des désillusions et de la douleur :
Ce qui relie les existences si différentes de Giacomo Leopardi et de Silvio Trentin c'est une même expérience existentielle de la désillusion et de la douleur. Elle plonge ses racines chez Giacomo Leopardi dans une vie tronquée et comme recroquevillée par la maladie et un sentiment d'enfermement. Chez Silvio Trentin, c'est l'expérience historique même de la première moitié du vingtième siècle dont il est un des acteurs engagés qui provoque, non pas la désillusion, mais le constat lucide d'un terrible reflux historique qui culmine jusqu'à la chute de Mussolini et d'Hilter. A partir de retour dans sa patrie, le 4 septembre 1943, Silvio Trentin débute une période de cinq jours de vie intense et fiévreuse emplie de liberté et de bonheur, avant de devoir replonger dans la clandestinité, en raison de la prise de contrôle du Nord et du centre de l'Italie par l'armée allemande et ses alliés fascistes. Bien entendu il n'y a rien de comparable en horreur entre le sentiment d'un reflux des illusions causé par l'échec historique de la Révolution française et de son héritier infidèle l'Empire et le climat de réaction qui suit le congrès de Vienne et la violence implacable qui se déchaine en Europe en réaction à la tragédie de la première mondiale et à la Révolution bolchevique.


III °) Le partage de la souffrance par deux Esprits dissemblables :
Silvio Trentin retrace bien le climat commun des deux périodes : « Son œuvre se situe bien (...) dans cette Europe de la deuxième décade du XIXe siècle qui voit s'éteindre les dernières flammèches de la Grand Révolution et s'écrouler, dans un fracas de ruines, la folle aventure tentée par Bonaparte et se dresser impitoyablement sur son corps, à l'aide des baïonnettes et des potences, les solides piliers que la Sainte Alliance vient d'établir à Vienne. »
C'est donc durant deux périodes de reflux qu'ont vécu Giacomo Leopardi et Silvio Trentin avec pour effet d'entrainer la diffusion d'un grand pessimisme historique surtout parmi celles et ceux dont le tempérament et le métier est de penser et de décrire leur époque. Silvio Trentin a vu démocratie être progressivement étouffée, de 1922 à 1924, puis à partir de 1926, être brutalement écrasée en Italie. En 1933, il assisté à l'accession au gouvernement d'****** et à l'installation rapide d'un pouvoir impitoyable ouvrant des camps de concentration pour ses opposants et mettant en œuvre un antisémitisme d'Etat qui va basculer dans l'horreur. Il a personnellement observé, puis secouru, les républicains espagnols et catalans si peu aidés qu'ils ont fini par ployer sous les armes des dictatures fascistes, lesquelles ne ménagèrent jamais leurs appuis, argent, et armes et à leur allié Franco et à la « vieille Espagne ». Il a dû assurer personnellement la pénible tâche d'honorer ses amis tués, comme l'avocat républicain, Mario Angeloni, le socialiste Fernando de Rosa, son camarade de « Giustizia e Libertà », Libero Battistelli. Il a assisté à l'assassinat en France même de l'économiste Carlo Rosselli qui était son ami et qu'il estimait entre tous.

IV °) Sur le caractère de refuge ultime de la Poésie :
Silvio Trentin laisse percer la sensibilité et l'esprit d'un être sensible face aux inévitables limites des arts et techniques mises au service de l'émancipation humaine. A chaque époque pèsent sur les êtres humains les plus généreux les limites inévitables de toute création bridée par les préjugés, les égoïsmes et les peurs. Alors la poésie vient offrir à celles et ceux qui en souffrent le plus, une consolation et leur offre un univers largement ouvert à la magie créatrice des mots ou il n'est d'autres bornes que celles de la liberté et la créativité. C'est ce qui nous permet de comprendre qu'au temps où l'Espagne brulait et ou l'Europe se préparait à vivre l'une des époques les plus sombres de l'humanité, la fragile cohorte des poètes, tels Rafael Alberti, Juan Ramon Jiménez, Federico Garcia Lorca et Antonio Machado s'engagea comme les ruisseaux vont à la mer, aux côtés des peuples et des classes opprimées. Parmi les plus nobles et les plus valeureux des politiques, ceux qui ne se satisfont pas des effets de tribune ou des honneurs précaires, la poésie leur devient parfois indispensable ainsi que formule Silvio Trentin :
« [...] si la poésie est utile aux peuples libres, [...] elle est, en quelque sorte, indispensable — ainsi que l'oxygène aux êtres que menace l'asphyxie — aux peuples pour qui la liberté est encore un bien à conquérir] « [...] La poésie s'adresse aussi "à ceux parmi les hommes [...] qui ont fait l'expérience cruelle de la déception et de la douleur».
Le 16 03 2017 écrit par Paul Arrighi

Littérature et Politique

(Prose poétique en  souvenir de la lecture de Carlo Levi docteur, peintre, militant antifasciste  et écrivain)

Je ne pourrais assez remercier mon père, André (Candria en Corse),  qui pour me permettre un jour de comprendre la langue Corse qu'il n'avait pas eu le temps de m'apprendre car il enseignait déjà l'anglais,  me fit choisir l'Italien, en seconde langue au Lycée Raymond Naves.
Cette classe d'Italien cristallise les meilleurs souvenirs que j'ai eus de ce Lycée qui n'était pas d'élite,  au sens  social de ce terme menteur mais bien plus important, jouait alors,  ce  rôle de creuset social dont nous semblons avoir quelque peu  perdu le secret. J’eus la grande chance d’y connaître  mon meilleur ami, Roland P.., qui aujourd’hui, hélas, n’est hélas plus  mais dont l’Esprit demeure et qui  fut  l'ami si compatissant et fraternel  de mon adolescence tourmentée,  quelque peu Rimbaldienne.  Mes Professeures d'Italien étaient toutes des passionnées et si nous ne nous mîmes pas suffisamment, par paresse, à la grammaire; elles réussirent, tout de même,  à nous  ouvrir grand la porte de cette langue somptueuse,  l’Italien,  si variée et l’amour  de la civilisation Italienne qui a tant irrigué l'art et le bonheur de vivre. Parmi les romans que ces professeures de ce Lycée Laïque  et quelque peu «contestataire» (encore un terme qui s’est évaporé sous la gangue de l’aigreur et de la passion funeste d’une nouvelle intolérance pseudo-jacobine et pseudo « nationaliste »  )  nous firent connaître, il y a  dans ma mémoire et au plus haut de mon panthéon personnel, «Le Christ s’est arrêté à Eboli» écrit par le docteur de Médecine,   devenu rapidement, peintre et militant antifasciste de «Giustizia e Libertà», l’ écrivain Carlo Levi. Son  chef d'œuvre incontesté : «Christo si é fermato a Eboli» («Le Christ s’est pas arrêté à Eboli.») a fait le tour du Monde.

Envoyé  en relégation par  le «Tribunal pour la sûreté de l’Etat» créé par les fascisme (dans ce que l’on nommait le  «confino», dans le petit village d’Aliano en Basilicate,  pour le punir de ses mauvaises pensées et  de ses quelques minuscules actions politiques menée sous la chape de plomb totalitaire en ce  lieu, si perdu que même le Christ, lui-même,  semble-t-il, avait oublié, tout au moins métaphoriquement de s’y arrêter, Carlo Levi, au travers d’un roman presque naturaliste fait un véritable reportage ethnologique sur la condition des paysans et journaliers pauvres que l’on nommait alors : «I cafoni», (les culs terreux, les humbles, les oubliés d'hier et  toujours).

Contrairement à trop d'écrivains contemporains qui fuient les questions qui fâchent et surtout la question sociale  ( il est vrai que j’entends dire même par nombre de mes chers amis d’aujourd’hui  qu’il n’y aurait plus d’ouvriers, ce qui est inexact ;  il est  hélas bien exact qu’il n’y a plus guère d’écrivains provenant des milieux ouvriers, paysans et plus largement populaires. ) A l'inverse de notre littérature européenne contemporaine, laquelle s'est très largement abimée dans le nombrilisme ou,  pire,  la rancœur racornie et nihiliste, Carlo Levi,  lui, a réussi à atteindre la profondeur la condition humaine  et la véracité des plus grands peintres de l'Esprit ,  tels les écrivains Russes comme Gogol , Gorki , Tolstoï et Soljenitsyne, dans «le pavillon des cancéreux» ainsi que les écrivains Méditerranéens à la « générosité solaire » comme le crétois Nikos Kazantzakis  (dans la liberté ou la mort), Albert Camus, dans «la Peste» et  Mouloud Feraoun  (dans son  «Journal»).  Bref dans son roman, Carlo Levi va au plus profond de la tragédie intime et collective des êtres et ne masque pas les ébranlements sociaux,  et les Révolutions à venir qui font tant peur à notre époque de «nouveaux rentiers» de la finance et de la pensée  sans jamais verser dans le prêchi-prêcha. Ce sont de tels écrivains, sortis du terreau de leurs Peuples,  le connaissant  et l’aimant profondément,  qui nous manquent tant aujourd’hui. Ces écrivains furent d’irremplaçables témoins de leur époque comme Victor Hugo, avec «Les Misérables» avec ses personnages  littérairement immortels comme  le forçat en rédemption,  Jean Valjean, la touchante Cosette et bien sûr le jeune et éclatant  Gavroche. Ils restent au-delà de toute mode et atteignent l'Universel en s’appropriant la vérité profonde de ce qu’en Occitan,  l’on nomme nos  «Pais» ou la diversité de nos terroirs. Encore un immense merci à mon père et à mes professeures; il faut lire ou relire : «Le Christ s'est arrêté à Eboli». Car si nous regardions un  peu au-delà de notre Europe  tétanisée de peur et barricadée,  il  y a encore bien d'autres Eboli et encore tant de «Cafoni » méprisés, brutalisés et tyrannisés dans le Monde d'aujourd'hui !
Paul Arrighi

similar to the rhythm of hokey pokey*

a coup d'etat here
and a coup d'etat there
fund some white terror
and spread red scare

Truman had his doctrine
Eisenhower did too
this way we won't waste nukes

Cold did spread and so did aid
here aid there aid
socialism won't do
you can be a dictator
just never read Marx
instigations are your cue

Juntas apply for sponsorship
but don't you dare serve your country
guerrillas and provocateurs will work for you too

you can be our terrorist
as long as we profit
"we" of course only includes
corporate elites and lobbies
one year we fund you, the other we hung you

We build military bases
no, we'll never go home
learn to love our NATO mob

Everyone is evil only we are good
we got a cowboy president... here, look!
We wage war on terror
and pretty much on all of you
while we sell our racist movies too

it was a cuckoo who flew the coup
took wing from his nest
off to push out eggs, like ***-pa
just another everyday coup d'etat

leopard leaping from his perch
pushing onward toward his prey
a small friend to no feline
trapped in a quick sand
left only to bay

you are these animals

This is heart station calling all limbs, don't panic yet but a fights about to begin, and if you want to survive you better pick the right side or you'll be ejected from the rest of our skin.

This is brain station, what's going on, sensors telling me something gotta be wrong
Wait, there's someone in here
We are not alone said the mind to itself

Crashing through the wall came the heart soldiers sneak assault, capturing the brain and taking control of the body again

i live inside a bubble, fly with me into this bubble
life used to be a hustle, but it ain't anymore
gotta make summin' or gotta take summin'
come fly with me, my cubies are shining whitely

i reside on a planet which is full of whole ones
re'in up for all the phantoms, their fandoms
art nouveau balcony, bluely shimmering rooms,
you enter the hallway like dreams, embers in ya eyes

brother, i am all-night like owls, heavily religious
by the end of the day, i will be ******* the devil
we call that fly night, for everyone staying on it
luridly white marbles, everybody trippin', trippin'

our bubble is like frippin: frippin freely
and i'm skating through the garden, jeezy
today's my birthday: 500 peace of cake
my heart's racing, amg, i'll be waiting in the snow

fly with me, into this bubble, bubble
i wanna be higher than ever, higher
with me, there is no struggle, struggle
i'll take you with me, bubble, bubble, bubble

i'm praying, while i'm driving, and when 'm praying
i am thinking and i talk myself into a coma
raising in a 911, our bubble, bubble
stay with me inside that bubble, bubble

i am trustworthiy, since i been dealing with souls
but sometimes i freak out and jump out of my window
cause i read my palm lines and learned, when i'll die
so i grew myself a plumage, like birds, for our bubble

don't come lookin' for me, i'll be waiting in the snow
or under miami's sunset, nuns will be sinning
dem lyrics are for dogz, dem lyrics are for sinners
i want to come right now, just like a coup d'etat

cubies filled with magic, come into my bubble
the crowd is filling the castle and stars
are raining down, you close your eyes
you close your eyes, escaping into the night

fly with me, into this bubble, bubble
i wanna be higher than ever, higher
with me, there is no struggle, struggle
i'll take you with me, bubble, bubble, bubble

O! I went to the loo to do a number
    two
Only one cubicle was vacant, the rest
    they were all taken
"Looks like a full house today" I
     thought to myself
Man! I was bustin' to go
As I sat there on my throne in my
    cockpit all alone
There came this funny rumbling
    sound from down below
And then, this fearsome volley.... a  
    fantastic farting
And then, a great release
As finally I dropped my bombs with
    studious aplomb
O! what a relief !

"Man! ", I said to myself, " I must
      lay off that Aloe Vera juice
That stuff it goes right through you "
But then, something strange, from the
    cubicle right next to me
Came this other big thunderous ****
    explosion
A big fat blubbery balloony one
It sounded like a tuba gone wrong
And then! And then, another one! this
    one further down the line
This time a big bubble and squeaky
    one
And then! yet another! a funny little
    flute-ey one
Like it just squirreled out in the nick
    of  time
And then finally, another!!! a big Big
    Bellow like from some wonky
        trumpet
A real rasper, he must have thought he
    was doin' the solo
Man! It was so funny, one right after
    the other, you had to laugh
It was.... well, it was Gas !!!
Lucky no one struck a match
Or else it might have been... yea!
    Jumpin' Jack Flash !!!

It was like listening to a whole scale of
    *** notes
Such a strange symphony, these
    wondrous excursions in Sound
For a moment there, it reminded me a
     bit of Beethoven,
It was no celestial choir that's for sure
It was something altogether more dire,
Like something you'd hear in a
    farmyard byre
The animals all gathered at the trough
It was like all the bottoms were
    conversing with one another,
        having a chat
Plotting a rebellion even, an uprising,
    a coup d'etat
Against that other much more
    celebrated Opening
That much vaunted Hole in the Face,
    the Mouth!
That puffed up preening Prima Donna
    with his preposterous outpourings
His Monstrous, pompous inflated Self-
   importance
Sitting up there stuffing himself and
    forever spouting nonsense
"Sure, we do all the work down here",
  the Bottoms were saying, " and we
    talk a lot more sense as well"
They posed the question "Can a Bottom speak more Truth than a
    Mouth ?"
These defiant derrieres, these proud
    posteriors
With their proud exultations
Sticking a firm ******* up at that so-called world of respectability up
     there
That world of petrified good manners
Suffocating! Oppressing! with its
    stifling mores and traditions
Yea!....for sure, the rebel Masses, they
    were just a bunch of Bad *****.

O! the air it was blue just like Pepe Le
    Pew
I could have sworn I seen a big blue
    gaseous cloud ascending
Heading up toward the ceiling
Like a great Cloud of Unknowing
    except with a bit more foreboding
Reminded me of William Wordsworth
    & his lonely cloud a-wandering
But then I thought, did Wordsworth,
    Shelley or Keats ever write
An Ode to His **** ?
Was it too dark a side to show, too
    dark a place to go
The Dark Side of the Back Side
The Dark Side... of the Moon.

Pepe! Pepe Le Pew, that old Don Juan,
    Casanova of the old cartoons
It was then, my Love, it was then I
    thought of you
I smiled and said to myself"I know
    what I'll do
I'll blow out another sweet blue
    raspberry one just for you....
Oh yea!....that one was lovely, that one
    was true
I think that one had your name
    written on it
O!  I do".

And now as Pepe might say " Adieu! adieu!.....Sweet, sweet Adieu! ".

                       Ende

today's my birthday, 500 piece of cake
my heart racing, rapid heartbeat, amg baby
don't look for me, i'm waiting in the snow,
or under miami's sunrise, nuns are now sinning

lyrics for dogs, i want to come right now,
more powerful than a coup d'etat
tizzop is like the klitschkos, jebote
talking yugo like boki, but remain german like turbos

all is melting, it is frankfurt am main
my heart racing, riding the amg, baby
you can book me now, gig on the hilltop
you ain't gotta look for the snow, bo

rubix cubies full of magic, sensational gadgets
the crowd is filling the castle and stars
are raining down, you close your eyes
you close your eyes. escaping into the night

possibility
inside a conjurer's box
infinitely felt

hush from outside it
carefully like broken arms
so carefully now

she, an audience
callous, loving, drinking gal
gasps at every cue

the night's coup d'etat
what they all (that one) pay for
the lid is seized free

it's empty: applause.
but only because they don't
know where she has gone.

"I Love You"s melted

Under my tongue 'til you were

Yet bitter nostalgia,

Yet the feeling of emptiness

Yet the absence of memories

Yet the memories of absence.


Let the shadow of those two petals rest

And rim a mirage over my lips.

Let that serve as a reminder of the venom behind every kiss.

Let me accept the reality that you mean me no good.

That I should’ve stopped when I still could.


Take heed that I want more.

Take to heart I’m too vulnerable to make these kinds of decisions.

Take pity that I’m too submissive to threaten your position.

Take this kiss as a final blow.

As a signature of defeat.

This coup d’etat

The last draw in heat.

Handshake claw grip, crustaceans with an overstatement,

Never distressed with a sober sense spent on aimless wastage,

Never become too complacent,

Never butter devil's sodden words on scriptures burned through the ages,

Certain pages curtain stages grace to shattered shambles curdled shameless.

Shiny geodes the traditions on the backhand,

Sages matching matter sets a salamandrine babble balance act,

Skin tight ever-bond clasped reattachment,

Radical bags sag at the mystery of a mattress ,

Routine carry forth enabling of double standards,

Tailored youth to a callous canvassed pander *******,

Cat scratch moral compass to the badlands,

The pinnacle of rabid actions in the aftermath,

After that,

A rabbit or a lab rat,

Maze running side effects from the last batch,

No lessons learned just oblivious to brass tax,

Malleable malice in the marrow of the crab man,

Can't stand a phalanx divided by the last laugh,

******* sinner Peter chapters in the chapel of a hashtag,

Shadows in the chiaroscuro flit mongers little gas lamps,

Calypso rhythm stages a symphony of backstabs,

Coup d'etat passive damage scatters gravel slat in sandbags,

No matter shiny medal coiled vertebrae permeate the flashbacks,

Never with a sordid memory retraced to get a plaque stamped.

LOVE AND LOVERS

by

TOD HOWARD HAWKS


Chapter 25



"Of course, all people are different one from another, each in her/his own way," said Bian to Jon, "but in a superficial way, only. But where it matters--that is to say, in their hearts--they are one. All need love. All are love."

"All is love. Cosmos is love. When I am in your presence, Bian, I am enveloped by love. When I chat and laugh with you, when I hold and kiss you, when I make love with you, all becomes love," said Jon.

"Read me another of your love poems, Jon," asked Bian.

Without a word, Jon walked toward his satchel, opened it, found the poem he wanted to share with his wife, and began reading.


BETWEEN MY HEART AND HANDS

Between my heart and hands, I
hold you. I told you so yesterday,
a day that lasted longer than a long
summer. I come to you with no noise,
no pretense. I am poised to press you
against me and let my hair mingle with
yours. I am aroused to put my lips on
your neck, my hands on your curves.
I am satisfied for a moment, but then you
overwhelm me, and again I am insatiable.
This clarion call is to consume you. Do
I dare lay you down in the grass, to love
you, alas, 'til day becomes night, and
night tomorrow?


In bed, their world became timeless. Moments became murmurs, minutes cries of passion.


Over breakfast, Bian and Jon enjoyed talking about Pablo Neruda and Che Guevarra whose hometowns they would be visiting in Chile and Argentina, respectively.

Pablo Neruda was born 12 July 1904 in Parral, Maule Region, Chile. He was a poet, diplomat, and politician. In 1971, he won the Nobel Prize in Literature. Among the most famous of his collections is TWENTY LOVE POEMS AND A SONG OF DESPAIR. Neruda was a  close adviser to President Allende. Concurrent with dictator Pinochet's coup d'etat in 1973, Neruda left the hospital where he was being treated for cancer, fearing he might be killed by one of Pinochet's agents. Neruda died on 23 September 1973 in Santiago at the age of 69. The cause of his death is still being debated.

Che Guevarra was born on 14 June 1928 in Rosario, Argentina. He was a physician, a writer, and a Marxist guerrilla leader. He traveled as a medical student throughout South America and was enraged by the hunger, poverty, and disease he saw everywhere. Later, he met Fidel Castro in Mexico City and joined the "26th of July Movement." In Cuba, he became second-in-command to Castro. Guevarra was murdered by CIA-affiliated Bolivian forces on 9 October 1967. He was 39-years-old.

for those readers
of the word of the day.

for those obsessively trying to climb over the trench
that confines the most low self esteem,
to be dragged lower by the next coup de etat
a ruse set by demons
******….
to be aroused by demons….

The leaking turned screaming at the back of the eyelids that
open,
and over sharpen the light.
if one could always see that tattoo that you stained into the oblique
in that prolonged moment of prowess
you told them to place
‘pain is but a creation of the mind.’

in trying to find air between
sobs you will  find that, this may be the best time to
fail.

for you
who wants to improve so bad,
aspire to fail.
whip the Clydesdale on the blinders that have your morphic cycle
**** out of luck, and foolstruck
by a rut.

close your mouth,
and open your ears…
listen for that whistling
can’t you hear it
coming from the breeze that was started
when that door was shut in your face and the window became an opportune
ESCAPE.


Oh, how just breathing has become an escape
for me
though every second a hilarious shot at my wee existence,
and my peers take peeks at their phones
and google
for brains

and I,
stand at the peak
with one foot already convicted to a leap
wondering what will save one more sole

i wonder
if they would take deep breathes between cries
pull their neck back for a rest
and continually search for the remnant of that release
and find it again.

Femme Terre
Larmes de pluie
Aux creux des soleils
Goutte de sang
Rosées nocturnes
Baignées par la lune

Femme Ether
Etat d'Etre
Rayonnement
Intérieur
Vers le Sacré

Femme Argile
Fil
tendu vers l'Infini
Lien intime
connexion subtile
Funambule en équilibre
Au dessus de l'Univers

caro royer

Let's wear a mask!
So that we can hide our sadness or joy.
Let's wear a mask;
So that we can conceal our indifference
For the turtles that eat them in the seas.
Let's wear a mask;
So that we can ignore
Yet another coup d'etat in Myanmar.
Let's wear a mask;
So that we can buy and sell Pfizer stocks.
Let's wear a mask
As we were in Epidaur or Venice.
Let's wear a mask
So we won't breathe exhaust fumes.
Let's also wear a mask
To stop the virus.

So let’s wear a mask,
Not a great change do I ask,
Let's accept this simple task.

By: Cedric McClester

The sound of war drums
Aren’t that far,
Could we be headed
For a coup d’etat?
Some say yeah,
Others say nah!
But they blew the man up
Riding in his car

Did he deserve that?
I don’t know
Was there an urgent reason
Why he had to go?
Careful of the bitter
Seeds that you sow
It doesn’t take much
For the Middle East to blow

He may have been somebody
For us to despise,
But was taking him out
Really wise?
He was revered,
In his people’s eyes
See they felt a sense of
Familial ties

Clearly there’s a madman
In the White House
Who has teased dyed hair
And a steely eyed spouse
Who doesn’t seem bothered
That her husband’s a louse
Which should give us all reason
Enough to grouse






Cedric McClester, Copyright © 2020.  All rights reserved.

I plant an evil in my Shangri-la
he carried out a coup d'etat

He told me to leave
And I escape with glee
At that time, I'm so naive
To think he will save me

When I flee, I think I'm free
But in reality, I'm simply loose

The moment I realize,
What my evil has done
Everything had been overdue
My allies have gone
And my Shangri-la just left a name

arbore libertas, with fruits of life
grows in a loam of blood and strife
watered with fear, blooms of terror
feeding a home constituted of error
all times too cold, all times too hot
perpetual victim of the coup d'etat
beneath comfy shade, the thinkers think
of some ancient tome of a world at a brink
nourished by sap flavored saltpeter
sure of the future tasting so sweeter
blind to the souls lost underfoot
things they're content to turn into soot
watch the world burn in a blaze of inaction
fueled by logs from a cutting contraption
it's under this tree we're all learnt to sit
and savor this odor, demagogical ****
one thing we'll hear of which to be sure
this smell's required, life grows in manure
it sounds like a lie, then again, what's true?
the only concern in a world full of you
there's only a home fed by a tree
fit with a swing, a rope just for me