I famigerate without taciturn timidity the straits of a straightened jury-rig of nesiote narrowbacks harping the accordion zest and zeal of the plenilune consuetude of a scrivello infamy sprung into the rows of rip-tide acclaim hamstrung by the decline in fastidious upkeep of the timberlask vesicles that avoid the phenakism of prismatic reformation fundamental to transmogrified simpers of dismal saturnine darkness encroaching on the parallax of realms within the dominion of the Almighty for the omniety of the usucaption of the fruitful prune in the priggish afterglow of a noontide eclipse bereaved of whispering retreat in the hallowed wasms of stiltanimity becoming an entreaty to ecumenical barbs of propriety selected without intimacy to folksy bibliopolists but rugged in sterling tribute to the true vine of the appointed ways of sacerdotal triage among a roughshod vanity of a derelict world marveling at otiose rejoinder rather than true spasms of tragedy flickering in the recessive alleles of a careworn culture. The travesty of Beirut is the bromide of current leapfrogs of sentinel lust and malapert destruction forming an ironclad camaraderie with chocolate-box langlauf disasters wed uxoriously to the penury of the brackish version of the catadromous bailiwick of despotic nescience pregnant with sophrosyne redemption at the cusp of a plaid perfunctory quip of quisling intimations of the sketchy provenance of humdingers of comestion lurking in the plodding prowl of a ribald wiseacre of a beckoned billow of trinkochre welded into a conscientious blarney that awaits the popinjays that sculpt brittle redshort fictions into awakened carapaces of a limacine reduction of impoverished fulmination into the neatly sworn footprints of a geotaxis shuddering with magnetism only in spectacle without the overhailing zeal of vintners who specialize in curtailed wine drawn from Caiaphas and soaked with the muddy turgid Siloam as avenues toward the repentance of asunder becoming marginalized as a whimper of taciturn choleric war receding not even into an audible delope as the masterful chryselephantine assault of cryptic auditions in the theater of effete refuge sink into the pelagic oblivion of a remarkable blister festering into inconsequence as the rebarbative emoluments to tattered travesty hearken a battle-cry yet emanated in the reprehensible bulwark of the gerendum of a poised plastered humility aggrieved with such friction turgid on rollicking magpiety that even the larceny of brutish renegades of triumph sink beneath the brevity of accident rather than the fortitude of globalized turpitude weakened by the improper demarche of fuliginous homeless depredation of innocent bystanders flocking to the harvest of war found in insight rather than the perfunctory bromidrosis of the macroscian enmity of hidden maleficence spawning a credenda that is spayed on arrival in the faineant zoolatry of a spelunkers’ madcap dash to flex the filigrees of turmoil in resentment of the amicable truces of a God who never tempts and a lurking lie that never itches for trigger-happy hapless rebukes because the skittish skirmish of futilitarian repose is a scoundrel of the profligacy of errant weakness blinkered by the humdrum din of deafening semaphores of provocative thornbush on the threshing floor of cowardly imposture president of all affairs of spirit and all renegades of caitiff megalography of forgotten oblivion despite the curglaff of vindictive and never vindicated assaults on the integrity of the birthright of Lebanon to wager a presumptive gamble of trifling retribution for the alacrity of suspicions eloping with forbidden mistresses in the humdingers of flackey rather than the troudasque harbinger of a lunacy impugned by a restive triumphant fallow time seasonable for a litany of pretenses demassified for a liturgy of seances with eldritch commiseration in the saw-toothed serration of selachostomous bravado wielded by likely or unlikely culprits of ravenous ruin shepherded by the guilty cardinal sins of the complicity of explosive vanity marauding on the ruins of a fortress debased by pettifoggery of internal excuse rather than the wrath of provocative ire in the irksome cauterized wounds of the inured to deliver spectacular reticence despite such grievous diacope. Evil gilderoys of maleficence carve the sapwood of the periphery to aimless subversions miscarried by the modern atrocity of glamour memorialized as a sound-byte underminnow of a roaring rhombos rip tide as stocks wavy at the curvature of edgy demarche despoil the denuded wasteland of cultural despondency a wagtail to the impudence of famigerated affronts that deserve a sterling recompense wielded by the onerous and operose burdens of a prone decubitus of aboriginal bread seeded from Heavenly realms dissipating into the roars of blinded conflagration too meek to even exist on the ramshackle hillside of a barnstorm of aggression powerless to encapsulate the nexility of unspoken allegiance to destruction rather than the halidom of consecrated marriages balking at the caulked provisions of a slugabed monolith of craven capers on the recesses of abeyance in the interregnum of a time where famous people communicate with me. How can such a charismatic bravado of lurking presidency stoop to the denizens of usufruct in licentious latitudes on the outskirts of consideration even pretend anymore that the vacuum of effluvium (Gal 6:7) can be mocked and milked into the row of centuries blistering through the calenture of apprisal and heaved awakening as the zephyrs of the Occident meet temporal juncture with the coenesthesia of a hibernating trumpery formed by the turnverein of listless lethargy billowing through fumiducts of siphoned lavaderos of hypogeiody that the underground spasms of cacophony could marvel at the historic emergence of a magnate with the most powerful magnetism of God shepherding the true flock John 10:27 because he is willing to be the good shepherd and potentially die for his sheep John 10:11. Remember, whenever you hear a Queer Studies Radical Feminist bloviate on emasculated sardanapalian posture John 8:44 and even though personified as a masculine titan of bulwarks of immense otiose wilted inkburch shielding the world from true meaning, the maskirovka of the Devil is present in the dark trespasses of personal abandon among the wilderness of many marsupial jackals of martles wagtails to an invictive proclamation of invulnerable sappy sopanaceous filibusters against hefty sinew forged the bony fragments of the charnels lost to brief epitaphs never mourned in threnodies worthy of remembrance that the departed died with us and live again through us whether in Heaven as participant or on Earth as an acting battalion of the skullduggery of the mystique of shimmers of God acting on Man’s behalf 1 Col 1:15-16. That the firstborn of all creation obtains supremacy through the finalisms that I seek as the captain of trailblazing untrammeled roads we are reminded of the narrow and wide gates expanded by the explosion of thought that trespasses into the hidebound ratchet of a reasonable bleat becoming a harsh outcry of justice for Lebanon that they feel so powerless in implosion what could aggrieve potentate civilizations to the precipice of global maleficence in destruction. Swarming for alveolate hominid hominism as an outgrowth of alienation by design polarized spectral dangles at jaundice flamestun by the ordeal of oppositive barnacles to the chryselephantine habituation of a masked menace of Procrustean authority to muzzle the free license of armamentariums of a latent man keen to the kenspeckel visibilia that we might have punctuation in the poised primiparas of a hearkened unprecedented in modern history that the traipse of lapse is no longer the tenure of mindless calculation of authoritarian gabble sentries of a mobilized fleet of embodied human ignorance but a foisted sprite of whangams of apothegm that deserve in their gnomic respite from the phenakisms of a philogeant kumbaya assertive in its treony of radical compassion for those who dwell in tentpoles of revelry bound not to the covenant that sent us into light and sparkling in hidden obsolescence that the fulgurant words of Mount Horeb (Sinai) are both immaculate and without trace of sin because Acts 17:30 declares a powerful truth lost to the twinges of time that issued peremptory governance of my theology but through remission I admit the grievances of septiferous blockades of ponderous plodding nescience haunting the spectral aubades of paeans to a high-flown sun darting through galactic space apace of the velivolant sails of divine wind that come in the spree of recompense authored by the vines to which all roots belong rhizogenic and immutable because the demarches of time forget the marches against the cauterized grime of new-world suspicions of aleatory fickle gubernatorial proclamations that issue reverb more than sprinkle flanged atrocity in the sight of the holy ramparts of an active double-edged God who reminds us of our many witnesses but provides not a single latchkey of escapism resident to many hapless homes of the drunken sing-song rhapsody nullifying the psychotaxis of the motatory miserly Draconian charades of Leviathan grasping the tridents of warp-speed revisionism in a benighted world overrun by mandarist fictions that fumigate a pasteurized control of cultural malcontent in situations of dearth infested by the concentration camps of China that remain unheralded in brumal and brutish indoctrination spared from worldwide outrage by the tribunes that are complicit more in malfeasance than they are celebrated for the herald of heinous bletcherous crimes of abecedarian abligurition anointed in waste rather than refined like unquenched slakes of eternal water so that no man can thirst hungry for the daily bread without returning to the providence of God awakened. Recalcitrant by the impudent quislings of repugnasket flarmeys of advenient flummoxed besieged clairvoyance I bask and beaze on the light that never fades because of the brackish whisk of a barnstorm of allegiance that is contumely to a bromide society listless in inferiority of intellect to my former streaks beyond jejune reiteration of the Jehu mentality against the canine fate of Jezebel and her faltered ministry of ewnastique waged as battalion gore of a trifling musket of an aboriginal swim through the oceanic gaze of peerless eternity squirming because of flagging resolution among the spandrels of incommunicable largesse lolloped extravagantly not just for the spoils of hyped pedigree but also a chamade to Heaven to enlist the purblind vestiges of a crambazzled Earth rejuvenated in adolescent esprit rather than callow eclat against the outrecuidance of whimpered miserly conscientiousness that exists in a shorter frame of reference than the provident dashes through a furlough of time and ancestry to cobble together a lapidary bristling excoriation of the tumescent squabbles of mystique brave enough to rarefy the humid pasteurization of a mannequin kenspeckel still-frame jilt of jostled infamy brusque in its curt envies borne of still-born promenades of a whasper between the youthful ligony and the intrepid soul of a collective warrior debased by the adscititious participant to elegant effronteries of the newfangled intellectual vogue that is the grombang of the tralleyripped hamshackle of ostentation meeting mirrored paralysis in sheepish ewnastique creations meddlesome in their ironic frizz of recursion as I lounge on the habits of creation by intelligent lurches of design that appointed the demarcations of all creatures and the mysterious bridge between the missing links that remain elusive to the flombricks of the misery of epigenetic rhizogenic imparlance of desuetude cringing at foresight littered with the disaster of ravished hindsight blushing at the limpid degeneration of the vapid varnish of benighted ligony rather than heroic strides of stoic-epicurean compromise in the apolaustic pursuit of the one eternal God present in rebellion but never the temptress of mendacity and mendaciloquence because the tug I have on speed is ratifying a cauterized casualty in the spumid betrothed wicked snuffs of extinguished furor for a time beyond barnstormed racloir rugged origination and faulty phenogenesis that escorts mythos into actionable litanies of the awakened breed scoffing at the inkburch of “Electrolytes”-wernaggle that besets the queer fascinations of a warped generation. The pytherian swank of artrench embodied in the recocted rendevation of hypetrophy in hubris swaddled by the reductive dranger polluting the realm of compliant complicant complaints of the ashowel of albatross astroud in the hibernaculum of langlauf rather than the ultramontane fiduciary tether to the estrockentch rather than the laureates of plevisable courage found in truest shades of vinsky not the subhastation of a gaslighted galvanization of purebred classy swivels of opportunism nor the ravenous incubus appetite for usufruct in subversion belongs to the behest of an insular nesiote flexing the flux of subversion as the candid posies of saccharine immodesty become relegated figments of the everlasting age of promised propriety rather than rigid stultimathy of hackencrude virtues of virtuosos that marvel at troudasque wonders occluded by the girlcott of Team Biden and his militarized soldiers of desiccation of trumpery and the faucets unbounded by swanky concealed epithets of regaled rentgourge by a hapless objection of the runic destruction of apothecary leniency becoming of the betokened emblazonry of scrimshank in every perfuncturation but embodiment of character shouldered by every chasm of power erected in demolition of the warped egintoch radicalism of the submerged wernaggles of the hopeless minority swimming with autodimplage few have to bear but the truest flock of God heeds my voice and has the sapience to spare themselves of contumely and invective to hearsay of invictive triumph beyond radioglare swirk to renege the musical providence of the chamades to the asterongue I often take for granted by immunifacient degrees of the foretold encroaching upon the crux of a pivotal and pivoted destiny not distant from cordial providence. The sweedle of epigones for the risctender of obligation to subvert the coryphaeus with the rigmarole of gentincture borrowed from the Gates’ formulaic effleck of perverse warbles of collectivized contrition for abetted cultural pederasty limpid in its achieved objective of the crudenzy borrowed from a lacking impediment to arentrum belonging to the knowledgeable happenstance of the glorified dengonin is a denostram that forestalls the agelasts behind porsters of culture rather than legitimate mainlined contamination of wellsprings of fliction of paranoiac enthusiasm might swim in kinkativy blinkered blind piebald girouettism but never dauntless in sematic entrenchment of robust dilettantism as the swaddled corrugation of time into centripetal ****** against centrifugal modernism that alienates propriety while estranging by vacuous vacuums the outspoken progeny of the surviving age beyond the Jay and Silent Bob travesty that manifests as a glower of menacing Bushian invention to tarnish with ****** mythos the drapes of a defenestrated realism of the flinkers of sheepish indignation against many drakstings of intonorous sclerotic mandibles of crackjaw chockablock annihilation of core precepts and institutions indelible from the face of a quixotic entreaty of a ragged intrusion of ageotropic monoideism above the secular-clerical fidelity of honest witness borne of triumph and tribulation festooning the nativist hyperbole into a useless effigy of mountebank imposture silly in precision and purblind to gallantry. Yet I must kisswonk rather than truckle under such ponderous pretense because of a sertivine certainty in the thickets of prudence rather than the tomfoolery of humgruffin impudence scaffolds me to a post-modern ****** that shanks through prisons of guilt and burrows an interrogation of reality supreme over all complaint that the virtuosity of the Gifted (the elect flock that comprehends my volcanic diatribes against mandarism and stomachs them without sardonic pastorauling insults of passerby vicissitude) will spare many nations of awakened perjury against human instinct in the fitness of nations to denigrate the populist squalor of lurid and livid ewnastique wernaggles of the listless buttress against my formal modesty encouraged in all affairs even in aggrieved humility belonging to intimidation rather than spawned jostles through the rumpus of shunamitism that might rankle a later age.  Yentrified morality is a personal flapdoon against the promiscuous pederasty of freewheeling ophelimity and the lurking narquiddity of the traindeque of donnist hedonism to hijack my psychedelic tolerance into an unwarranted and inadvisable sanction into the netherworld of the frinterans of cultural modality that curdact religion into a cosmetic cosmogony rather than a soldiered infamy becoming a beacon on a towering hill growing in solidarity with the pleonasm of existence itself which surpasses crude formulas that already abide by the riches of decorum too much to be admired as trigger-happy fools run the asylum of domesticated irony and the librettos to downfall rather than the wassails of “The Man” becoming more masculine in featured charisma rather than defiled against Leviticus among others who preach belonging to nuclear creed without fission but for true rapprochement to the fusion of the treony with legitimate gripes of unsung complaint among the masculine minority. The traindeque of a baseline complaint aggrieved by the kilmarge carapace of stiltanimity for the hackencrude resentment of the inkburch of illiteracy is a profligate degeneracy lurid in hyped enmity that the envied entreaty becomes the despotic shadow masquerading in shadows blossoming into the full wisdom of the mature sophrosyne heart eager to pour out blessings upon a conservation of recycled epitaphs becoming hearsay in a rebarbative convolution of redacted rigmarole incendiary to whittled henpecks of political engineering but never vapid in their flagging insistence upon an ecumenical toleration of the brooks of modernity and compromise upon which much felicity is aggrandized and permuted against the spoilsport frinterans who encage a dodgy moralism in wilted etiolated jaunty pedigree that espouses the maudlin grievous and ghastly ghouls and sprites that haunt the fictional hobgoblins of the Potemkin Village that finds usury convenient and perjury even more facile for the glib facetious engineers of modalities of hatred unsung by the ribald witwanton “I got a Solution...You’re a ****…South Carolina What’s Up” crowd that never marvels at ingenuity or rarely attempts it in the summit of the climacteric jaundice of hidebound whemmles of ridicule sparring against spartan flagitious wiseacres of genocide of ideation for the revelry of armed missives denatured by raw promotion of the questionable ethics of a flavork of needed slakes of unquenchable desire swarming us with daily temptresses not of wayward women but the disarmed pretense of a lapidary rejoinder to a long expatiation or harangue against hackencrude curdles of rowboat injustice masquerading as sentinel savory destruction of the towering edifice of proclamation. There is great menace in the casuistry of sophist philogeant philocubists dicey with destiny for mincemeat puppetry against sciamachy for the gallionic rise of gammadions in the craven lore of baseline pasquinade rallied to the insuperable causes of tribal shibboleth anointed by secular totemisms of fracture and fricative hisses of lineage that amount to pleonasms of brassage rather than mystagogical mystique of the prestige of human fraternity that shatters paradigms of creed and invites an honest vestige of Noble Savages to roam the Earth yet again unencumbered by lugubrious welters of misnomer and malapropism wagered by artifices of guileless supremacy that is cursory prima facie neglect of even the sororal duties not of sophomoric glib facetious cowardice of backbited backlash of venom militarized for the desuetude of entertained visagists sculpting *****-nilly their version or verdict of decisive apartheid when we should all rally behind the united frontier of the chosen flock in the chosen generation to truckle beneath the pews not of ignorance aggravated by the polluted kilmarge egintoch puritan barbs against publicity choices I now regret (as an emolument to an incredibly euphoric track with a poor miserly message to the enchanted flock inoculated from such diversions) because alighted upon the quenched thirst of salvation I will be judged more harshly as a teacher James 3:1 than the rest of my flock but gifted with the gratuitous salvation carved from the chiselers of ribald infamy capering around with dacoitage and ladronism of the bomans of unsuspecting quixotic caprice I must reckon with the burden of ghoulish shadows on the spectral imprint of my eternal soul relishing in vicarious splendor yet bereaved of quintessential love 1 Cor 13:4 that is necessary for the nuclear conclamation of vibrant hues of resplendent and refulgent providence necessary not from a dynastic perspective but from an aimed providence that alerts dynamism rather than chides with mimes of useless schadenfreude carved from the prestidigitation of the wicked condemned in Galatians 6:7 for the mockers of sanctanimity accorded upon me as gratuity that no man can boast my elite ears and my astute wonderworks of imagination qualified me for prophecy and among the most mesmerizing prophecies registered to fulfillment that the world has ever yet witnessed because the watershed isn’t a bridgewater for the chavish of ignoramus hatred congealed into thrombosis but the narrowed gate enlarges to encompass the swath of man amenable to the flocks that escort me into permanence rather than regale the tridents of a hedonism that elected me clairvoyant at a cost of immaculate splendor registered to the holy clergy of the Sacred Catholic Church and the broader Ecumenical Endeavor that tries to be a seamstress and bridge elemental divides inherent to divided approaches to liturgy which flex their strengths in times of robust fortitude rather than become a subhastation to the vestiges of the pilgrimage to false tabernacles erected by people cozened into charlatan endeavors by the pernicious and persnickety whiplash of Least Common Denominator subversion of widely heralded sentience and sapience enriching the lot of human ambition rather than stoking useless conflagrations of refracturism accorded to the swallock of primposition of the hackneyed hackencrude that swivels with the odious ornery pretense of overtures not to apertures and lychgates of the true abiding Heaven felt on Earth by many Christians whether in sobriety or not without the evil maleficence of a misguided donnism of narquiddity for the grambazzles of aged recklessness aborning on vacant responsibility that is rickety in its magnanimity of absolution because of the ulterior chase for bottom-line top-dollar oligochrome foisted by the cartels that blind true spiritual insight from ever reaching the magnitude of ambition required to shape mountains of revolution among the tertiary squabbles of a conversant Earth open to the troudasque gallop into yield and cloveryield for repcrevel reforms the paludism of the swamp remains skittish about conforming to because objectivism is a renegade of perspicuous light blinkering in hubris and gourmandizing the hinderbaggle of cosmetic pollutions aggravated by the plevisable articles of envy and TLDR politics to “Electrolyte” logic that is a sad recursive wernaggle of the useless buffoonery of humgruffins of tatterdemalion spate rollicking in the magpiety of a timid consentient faltering myth of unanimity among the beleaguered rainbows of many lugubrious tears showering bickering blasphemy upon the mockery of God for the pleasantry of self-aware sheepish resignation that professes only that any form of meritocracy is existentially unfounded only because the beehive elected its progeny the scepter of the ironclad kingdom that wages war against idolatry and serenades heaven with luxury simultaneously. We are all shepherds of providence and there is power enough in collective prayer that we don’t fiddle around with bodewash in mistaken identity but riddle the persnickety blemish of the fastidious critiques of biting sarcasm as a tantamount blasphemy and a criminal repartee of sardonic cloys of inanity foisted above truth. The peevish breedbates who scour my evidentiary pillar of chiseled vertebrae of unbroken bones of solidarity with oikonisus will be sorely disappointed in their truthful audits of my true perception because in every single case it exonerates me from the pulpit of menacing idiots who scrawl random gabble in attempts to sound smart while reeking of iniquity wrought by the gavels of predevoted inferiority of complexion and attitude that gravitates them to an insensate benumbed transmogrified bailiwick of an appalling atrocity of mythomaniacal myths spurned by consensus among those who prize my grandeur above the superstitions of the illiteracy of the rancid rankle of otiose stupidity writhing its own sheepish envy of arbitrary dislike motivated by feminist aggressors waging warfare on turf I already conquered by swaying the intelligentsia to beckon my cause rather than pillory me on a false scaffold of frinteran abuses of the nyejays of bernacle that junediggle in the taradiddle of the nanciful excoriation of my leaden corpse weighed down by the witchcraft of connivance trayning its own delicate myths while avoiding scrutiny for appalling contumely that deserves an audience more suited for fracklings of treony belonging to the trinkochre of the rising alienation and suicides among perverted gay indoctrination that is a scourge on the planet because it willfully denies with its portentous hibbles the regaled wisdom of the culminated age against renegades of apostasy and for the behemoths of true monumental change that sizzles in savory circles among the vanguard only to alarm the Status Quo hijack of my entire endeavors as a covert crusade to use wrecking-ball fashion tactics to cosmetically incisively and insidiously perform a harprick of surgery upon a blameless countenance only for being a thorn to wragatek wragapole slavery which wages war against universal salvation because it gripes with inkburch and circular pleonasms about the most obvious glaring lies and feasts upon the serrated edge of the capers of hatred that frolic in meadows too skittish to enter the barbarian fortress of my forested residence robust in fortitude and glowering with a menacing contempt for runaround psychobabble that obganiates the obelisk of the moribund crusade to make normative ethics effeminate and to enthrone inviolable women’s speech as supreme to any male objections like the Cristiano Ronaldo accuser that came forth 8 months after #MeToo one of the most dishonest campaigns in modern history enthroned by Hollywood elites in gammerstang insurrection against pay-gap ethics done manipulatively with the sapwood of mendaciloquence like Blasey Ford whose physiognomy reeked of maudlin pretense that was so ornery in how obvious of a maleficence the intrepid Abortion Agenda has over the minds of selfish women who prefer ecbolic second-term abortions to the servile gripes of primiparas building new life rather than tearing down the scaffolds of new generations. Hominism deserves its rise because-in increasing numbers-men are derelicted by society and coerced into vapid tallespin enslavement that ridicules itself with the perjury of soul to the soulless vanity of recursive cycles of benumbed narquiddity found in “****** Hero” among other atrocities littering the human fascination with the hinderbaggle of our polluted age verging on totemic blistering hegemony of a few rotten apples corrupting the vagrant ingenuity of the forgotten champion who ushered in a new era of candor in the attempted interregnum of the United States government because I Am Hollywood got the name correct considering how many memorials there are to me in the movie industry. The junediggles of sc-ha-den-freud-e which is as deliberate of a German pun as JUDEn JuDEN which shows the German language is as farsighted as you can get and why many of my neologisms have a German tinge to them. German is an elegant language with botched syntax but a peerless repertoire of vocabulary and even though I love French, the Germans are smart because their language is smart not just because of petty arguments of pedigree which are specious at best. Being dontolesque with  the zenkidu of rengall nauclatic mythos is an artful degree which accords nominal prestige to licentiates while excorifying the obvious metaphors of sunblind logic that scours the scorched Earth of internet diatribes of sophistry and dethrones the Marcie Biancos of the world “Heterosexuality is officially OVER...K Bye” with her 145 IQ and a Stanford Degree in Queer Studies (A professed atheist by her own Twitter admission) with the warped logic to equate a heterosexual relationship for a woman as ******* to patriarchy. For someone that well-studied in literature she sure is a dumb-*** and I will demolish the syntagma of those that root against me for Status Quo preservation in the official interregnum of Saturdays during the Trump Presidency. We need an official referendum on the ideas of termagant illogical anti-egalitarian poison that derives from a deracinated worldview that doesn’t contextualize how powerful language is at shaping thought because if the entire world were Anglophonic every single country on Earth virtually would see immediate dividends in terms of intellectual creativity and limber with concepts and percepts because it is no accident the most successful empire in History the United Kingdom, was favored because of its shibboleths of Shakespearean creativity draped with flairs of the irreverent while gilded by God to be a majestic commonwealth. England and France monopolized a huge majority of history by no accident because although English might be a slightly keener language the French culture of salons of freewheeling intellectual enlightenment gilded the 17th and 18th centuries into absolution despite the Panglossian epithets of Voltaire who was ironically dissuaded from religion because of the All Saints Day 1755 Lisbon Earthquake and Tsunami. We need to be vigilant against encroachments of perceived shibboleths and more keen on an affirmative meritocracy that favors the poor and blesses the meek in their poverty and inspire ambition among them to join the coteries of refinement in thought sometimes harder to achieve with crackjaw lollops in pleonasmic languages that fail to articulate with nexility or forceful wit the true abstractions that govern the pataphysics of the unknown. Language is so decisive over human thought that it is incumbent upon every language to refine its vocabulary to trayne compendious verbiage and trim the hedges of global reform to invite the curiosity of the age to favor all creeds and languages of Abraham and the diverse progeny of a variegated panoply of majestic feats common to all parlance and capacity beyond just the Anglophonic snare because the world needs not a chicanery of blustering churlish buffoonery but an Almighty respect for the consanguinity of all to God’s blessed creation that he inseminated by his deliberate hands to enrich the world with diversity rather than cleave the world with piecemeal skeumorphs of radical propaganda that opposes the modern and post-modern egalitarian streak. One wrong must be corrected, however, the underrepresentation of Hispanics in the media and in film because this grave error is much more pervasive than the ******* LGBT inclusion narrative because these days the lollygags of fashionista odalisques with Obelisks to Baal get more say over the common decorum than the marginalized bronteum of the  rich and vibrant Latino culture which is squelched by the poverty of media and Hollywood representation. Synectics showcases how a henpecked aim at the synaesthesis of culture congregated around our Almighty Father blessed among the nations who adhere to the progeny of Abraham can be more blessed when working together rather than tribal with nepotism and aristocratic in sustained affronts to the elevation of affirmative meritocracy to the forefront of discussion rather than the froward backlash of benumbed narquiddity because the synallagamatic nature of complexity needs to be devolved with industrious ambition to all cultures and the savory flair of the vogue needs not merely a wednongue fascination with an eventual terminus of crudenzy but a sustained intellectual reformation on all fronts to standardize the English language through Hollywood and the Music Industry so that the dragnets of appeal etch a permanent trace into the engraved souls of the true flock John 10:27 are consecrated in divine purpose to reverse the Babylonian Diaspora of confused and conflated purpose that stunts the raltention of humane course and the proper pataphysical syncrisis of an evolved mundane temperament that transcends the circular traps of circumlocution common to the milquetoast industrial titans who winsomely charm with toady gestures the elitism of a moribund philosophy of intellectual thought delegation to elevate the common rhetoric to reach new pinnacles in both tribune and political gamesmanship because higher standards are required even when they surpass some common understanding so that every ambition becomes a conclave for the goal of human unity solidified by the truth of the kerygma and proclaimed to all creation as the culminated synclastic reformation of the idea of indulgence and the propriety of regaled moderation that appeases the common decorum with a shared vested interest in Latin America especially which is besieged by the cultural tenets of obrogated specialization and denigrated by the common myths of warped phenogenesis which should be debunked as a wasm of hypocrisy limited because its callous tentacles lack the charismatic fulgurant equipment of future generations to bear the operose burdens of a quintessential time of harmony united by the hymns for God by God to appease the sentries in Heaven and the celestial realms that exist for our merriment more than our detriment. The sprauncy have the  frikmag to recognize the spuria of apocryphal heresies that encourage kinship above matriotism and shared fortitude for intellectual valor rather than “*** talk TLDR” hashtags abounding on the turf of the insensate wernaggle of clueless charlatans wiggling through life not because they were borne into slavery but because they choose to be Helicopter Parents of “Baby Shark” rather than token mantelpieces of enlivened culture shimmering with radiation of Gods glory as cemented in Colossians 1:15-16 because the firstborn of all creation lives in some form in the ligature of Christ 1 Cor 12:12 because there are so many talents that exist in our variegated world that the mastery of expertise in dominions of conversant fluency will abet the variegated crops of a draped humanity corrugated on its own ironies for the delicate sizzle of beatific felicity multiplying itself in centupled design over centuries to overcome hinderbaggle while realizing the fictions of some drawflark. The strigine world concedes to this upstart rooster maybe considered a parvenu of dearth but luxuriant in riches boundless to all that draw near to the kerygma of Christ and feast on his daily bread found throughout liturgy because we should listen to people like Cardinal Timothy Dolan who is exceptionally astute (perhaps an understatement) to guide us on a regenerative rather than degenerative pathway towards universal attempts at salvation that broach a new decorum bridged by aliens to select chosen emissaries to bridle the fissions of repartee reserved for the forlorn that balk at ambition rather than relish a new era of seditious determination against the determinist fallacy and for the mental health of those coping with autodimplage and sheepish regrets and persnickety articles of remorse because all the world deserves our consolation and desperate attention rather than the trumpery of the circus masquerade of marauding agitprop which congeals into thrombosis of toxicity as the vast majority of Democrats refuse to even hear Trump speak when he is discussing discursive solutions to enigmatic quagmires,for, if more people listened to Trump they would be disabused by the specious claims of his misogyny and white allegiances because his candor is brilliant and despite the prominent advocacy of Biden who has considerable prestige in my memory, we deserve a bipartisan syncretism that unites the world and unifies the country away from the swerve of salacious mythos and towards a rambunctious magpiety of solidarity against the secular humanism of a defunct piety to Marxist feminism which is a crudenzy among the awakened men around the world increasingly alienated by the hackencrude of wednongue illiteracy even trumpeted by the vanguard as panacea when it is a comestible form of poison. We need visionary unity where there was once toxic divisive balkanization of exclaves of limited foresight clashing with new wave awakening to the persecution of illumination itself for not a rigid hierarchy but a flexible structure of inclusion that adjusts to cultural expectancy and modifies the traindeque that strands many in institutionalized poverty especially in Latin America and India and obviously Africa too. The stegophilists of language should herald the aubade of the chavish of redintegration over the squawk of din of squabbles of internecine redacted revisionism beleaguering our lyceums with toxic agitprop even at the highest institutions of learning who balk often at the recycled auditorium of useful thought because their venal tilt is complicit in squelching freedom of thought and our schools should open early so that zig-zag-zoom politics around feldtrounds who are eagerly outnumbered by the patrons who police thought become agentic not with outspoken treacheries but inseminations of intimation to hint at the spectral mystagogical reality we are all members of despite hurdles that beset the hemiteries of odalisques who seek inertia rather than mobilization. The ribald underminnow of transparency is a carcinogen of the rampant siege of Status Quo coarse hypocrisy for tentative flings with cadged cloyed saturnine professions of the landmines of atrocious miscarriage as I soldier on in the causes of the poor and the forlorn to become enriched by the glory that God delivers with munificence so that all might be enriched by the emanations of the true vine and in distaste of error I rebuke the armada of belittled armamentariums of the cantonment of deep-state breedbates boiling over potboiler frikmag that exists as a transcendent obscurantism flowering in decisive times to warp the contextual footprint of a life served in the service of all the oppressed people as a kind of Moses figure raised by the elite and fighting for the criminally oppressed and the ****** of mediagenic hyperbole is dissatisfied by my glowering spectacles because they dismount from the equipoise of the righteous gallop towards ecumenical solidarity at untimely punctuations of juncture superseding the flictions of frikmag dethroning my righteous valor and provident sanctanimity to prowl like predatory wolves the fathers of the casuistry of mendaciloquence to accentuate the stridor of inopportune squalor of the selachostomous regimes of teetotaler totalitarian freebooters who prevent bootstraps from manufacture as they gradgrind the world into ergonomic insufficiency while I provide a Kamacho-like galvanization to the broader world that favors the consanguinity of all animate sentience to the aboriginal vine of the universe that plays with the toyed cadge of oppositive support but lends credence to a more evolved view than the crudity of encapsulated travesties inserted with jaundice against the lyceum of freedom of thought and the celerity of headless horseman galloping in partial interregnum to crown the strobic stridor of the stiver of the steven of contarianism engineered for walloped ringleaders of the renegades of heresiarch sedition in their odalisque oaths to Pagan dieties carved from the sapwood of gullible Illuminati naivety that professes allegiance to the worst whangam ever invented Baphomet and his faked cronies of ewnastique free-for-all diminutive crags in the renown of dawning light becoming cagey struthious structuralism embedded in sclerotic wasms of the wanhope of a nullified message becoming a sacred creed to the attentive while the lilt of the otiose drawl in serpentine convolution a ribald pleonasm of circular circumlocution that provides locomotive linearity rather than leapfrogged slogmarches into the province of the territorial alignment of kinship against the partisan hollertrap and the stigmatophilia of obsessive persnickety popinjay beadledom the last stronghold of the rickety resistence to this Saturday interregnum which presides over the better part of the intelligentsia if not the common pedestrian parlance because hortatory weights cannot be described in any other way than metagnostic flickers of Yellow Submarine vandalism of a pristine living animation of the humane spirit that prizes the plight of the poor and the blarney and blench of unjust opprobrium faced by the institutionalized bailiwick of flictions of gammadion gallionic posture when in fact they register as seismic entities engraved upon my Christian conscience that strictly welcomes the emigrants to truth from whatever consecrated virtue they originate from because all are capable of the same light and the same compassion of a beatified humanity rather than the relish of deep-state castophrenia which belies its own ribald gay mockery on live TV as not a single twinge of ****** attraction overtakes me in matriotic sardanapalian effrontery of a hollow but sadly hallowed vainglory of the hierodules that bury the coffers of patriotism in a sad LGBTQ graveyard of landmines that demonstrate a complete disregard of the nuclear family and should be decried as an outcry against redefined Christianity bolted to unshakable irrefragable beliefs in the constitution of man and women wed together in one monogamous flesh with the occasional cuddle of close tithes to the ******* of friendship as the slavery of sin in Leviticus 20:13 falls to the wayside because this patriotic lewdness is a vapid fatuous derangement that is a new low for the United States attempt to inoculate China from religious accord with the broader world and should be seen as a Chinese maskirovka worthy of the heaviest disdain and I will disavow America if it continues to bandy the tripwires of Chinese boondoggles under the American banner and pretend its pretense isn’t lagging under its own bletcherous abecedarian elementary fallacy of psychobabble oblivion of dark saturnine brusque termagants of tatterdemalion cloaks of the selfsame illusion of a desperation of China to wreck the United States economy and inseminate Florida, Arizona and Texas especially with the Coronavirus to swing the election in Biden’s favor with or without US Complicity to expedite the course of a virus which sees no resurgence in any other civilized country in the world while the heroic Russians, Germans, Israelis, French, British and true American Christians banish the barristers of bad taste as an acerbic poison on the wellsprings of a flagitious flag I would kneel for in the knells of disgrace if the pompous and completely inoculated missives of Buttigieg ******* continue to roam shepherded by deep state elitism to wreck the opportune moment of religious revival for petty reasons of chryselephantine gambit and gimcrack for institutionalized poverty which my ambition is to heal completely by sacerdotal deeds and consecrated prayers in the Lord whose peace surpasses the temporal despair of senectitude and comforts the grievances of the aggrieved because Galatians 6:7 is no more true than the fatuous display of muscular idiots waving American flags for turpitude rather than flogging very perverse Gay men in the streets which might be a more fitting outcome even though I must remove the plank in my own eyes first to see the irony of the detested. The doytin is no longer misguided by the nanciful derision of the vociferous clangor of the venal Gates mafia militia wrecking ball vaccination Bezos crew in Medina which is a mettle I can’t match when you own every citizen in the world in a few square miles of nesiote territory the denizens of conquest besieging religious sanctity with profane outbursts of corruptible linchpins on the public lynch of the strepsis of periblebsis that vitiates commonwealths of supreme sputtering regimented clairvoyant superlative alabaster wealth of the isangelous protectorate of the supreme God that supervises his careworn flock into the storge against the scourge of prosodemic stigma stained in bleeding heart liberal bathed tears of pseudoautochiria of Jim Morrison glaring in the face of the triads that Killed Him in the French Connection ******* of 71’ that outnumbered his hobohemia of loyal jewish bohemians livid in the rhapsody of nurture rather than enfeebled by the unfurled destiny of the Soul Kitchen he foresaw to his own pitiable demise at probably the hands of strangulation because no autopsy was performed. Although repetitive Transparent is a real anthem for oracular mystagogical transcendence a mandatory hymn for the ryseolagnus of the poetic verve of a new wave swooning the cordial progressive of atmospheric oneness with the primordial vine and the vintners that congregate on populated soil to feed a desolate destitution of synoecy or synaesthesis in the syncretic rhapsody of the subfocal ageotropic plenilune yet saturnine lugubrious toil of those that shovel through the albatross of ewnastique recapitulation to the same tired “Its got what plants crave, it’s got electrolytes” wernaggle of the hopelessly dismal inkburch of illiteracy crawling like a Hyacinth House on a vacant graveyard turf guarding the legionaires of rapid-fire zig-zags through a serpentine curvature of the ligaments of fabricated space warped through prismatic lenses of aperspectival time aspiring for ventriloquial enamored rapture upon Earthly parallax with tapestries of refulgent cascading wandering wonder that meditates its own lucubration with careworn tutelage against the wasms of dying oleaginous swelters of redshort opportunistic vultures swooping with Raven’s claws against the odometer of viewership surpassing records in unspeakable wisdom that crowds out the crambazzle toonardical wreffelaxity of the tiresome nuisance of ornery brawn muscled into a formidable triage in vengeance for Jim Morrison’s scripted eviction from Earth either by poisoned ****** or by  Asphyxiation by the French Connection avenging RFK and the cultural revolutions of 67’ in Haight Ashbury and the widespread percolation of treacheries fathomed to the most obvious degree in showmanship that it bristled as an affront so severe that even the patronage of Paris wasn’t immune to infiltration. His threnodies will always be sung with Triumph that the hallowed day of a monumental soul eluding the darkness of purgatory into the welcoming aborning light of the noontide progeny of eternal ataraxia awaited him in the stagecraft tub of blasphemy bellowing ratcheted warnings that not even the palatine grasp of a potentially divine being was inoculated from the deep dark chasm of nefarious skullduggery for boasting so widely and openly of his professed foresight to glamorous to be hidden as the beacon of virtuosity that galvanized a generation to flout the  futtocks of a keelhauled vision of sanitized purblind mortality that the fear of death rarely crossed the mind of the greatest fearless poet of an entire epoch that we may pray that Jim Morrison feasts in Heaven atoned for his sins and is at peace with God now. The substratose congeniality of marginalia on the outskirts of pederasty in cultural miscarriage owned by hierodules boundless in their lurid debaucheries that they might be remanded for being custodians of hostage to a prolific nescience  reaffirming their dying posture in the extinction of sardanapalian coverthrow of repcrevel camorras of ladronism and dacoitage always cauponate in imbibed throes of lewd AstroTurf outrecuidance glowering at sanctity with a bereaved psychobabble divorced from the purebred empiricism of true giants of industry that are almost insuperable in their extortion that their darkness in deeds of Kobe Bryants assassination do not go unpunished at least in Los Angeles. His untimely death as with many others registered on the Richter Scale because Come Clean perverts from Kansas City wanted San Francisco to win to clean the mops of janitorial revenge of the subturbary rickety foundations of a flailing moral compass so wicked in arbitrage that no subreption undetected would flourish among capernoited vigilantes of poached titanism and illuminism scarring the vestiges of enigmatic encroachment upon untouchables daring the frights of the Living Daylights of scurrilous rebukes so scathing in their menacing depiction of negligent bromides of token sacrilege and scarred sacrifice of a scarecrow example of how the prosodemic scourge of befuddled turgid pristine transmogrified heralds scampered away with pseudoautochiria that afflicted Jimi Hendrix suspiciously as well. My support is behind the justice warriors aggrieved by the Beirut explosion because they deserve a vindictive outcome that quells the quislings of atrocity of the popinjay beadledom of the unspeakable tremors of seismotic popples of unrest warranted in Lebanon the homeland of Keanu Reeves a saint among men for his peerless grace and agraceries of the smog of myth evanescence becoming perdurable swings of the humdingers of berated jaundice becoming the prerogative of the revenge of a city leveled to the ground by suspicious skullduggery and I am surprised they lay dormant for this long in their protracted grievance over the ghoulish frights of one of the most unheralded major events in recent memory. We need to highlight the plight of Lebanon so that world leaders are frightened even of intimidated people tranquilized by terror rather than enlivened by the propriety of redacted rejoinders that serve the ulterior mission of a Titanic bravery that never sinks beneath the sumptuary treacle of grombang grambazzle and supercherie of the supercalendar of poignant repined repose derailing an emolument to ecumenical solidarity. Lets highlight Lebanon as an inexcusable trespass worthy of some mighty reckoning if not a riveted war but at the very least a devastated twinge of outrage.

Tantalized by the fractious limerence of a vestigial habiliment of the old order, we conclude that hypertrophy leads to a limbo where random permutations alloyed by the rickety limits of concatenation subsume concepts that are equivocal but populate the imaginations of newfangled art forms that jostle the midwives of rumination to lead to unique pastures that are intuitively calibrated to correspond to definitive unitary events in conceptual space that sprawl unexpectedly towards the desultory but determinative conclusion of a meandering ludic sphere of rambunctious sentiments cobbled together to either rivet the captive audience or annoy the peevish criticaster when they dare to inseminate the canvassed and corrugated tract of intellectual territory created ad hoc to swelter the imagination with audacious ingenuity that is an inevitable byproduct of lexical hypertrophy. In this séance with the immaterial realm of concept rather than the predictable clockwork reductivism of a perceptual welter that is limited by the concretism circumscribed by spatiotemporal stricture we find that an extravagant twinge of even the smallest tocsin in the interstitial carousel of conscientious subroutines compounding recursively to pinprick the cossetted smolder of potentiality rather than extravagate into the vacancy of untenanted nullibiety can spawn a progeny of utilities and vehicles for dexterous abstraction that poach the exotic concepts we fathom by degrees of sapience malingering in lifeless bricolages of erratic abstraction in manners useful to transcend the repose of abeyance and heave awakening into the slumberous caverns of still-life to make them dynamically animated to capture ephemeral events that defy the demarcations of wistful indelicacy of the encumbered bulk of insufficient precision.

Today we embark on a quest to defile the anoegenetic recapitulation of canon that litters the dilapidated avenues of miserly contemplation that has a histeriological certainty and feeds the engines that enable novelty but ultimately remain rancid with the stench of the idiosyncratic shibboleths of synoptic alloyed impoverishment that leads to the vast wasteland of cremated entropy that is a stained foible of misappropriated context interpolated usefully as botched triage for daunting problems that require a nimble legerdemain of facile versatility that we easily adduce to conquer the present with the botched memorial of a defunct salience. Despite the travail of scholars to retreat from the frontier into the hypostatized hegemony of recycled credentialed information, we often are ensnared by the solemn attrition of decay as we traverse the conceptual underpinnings of all bedrock thought only to dangle precariously near the void of lapsed sentience because of transitory incontinence that is contiguous to the doldrums of crudity but nevertheless with mustered mettle we purport that the very self-serious awakening to our hobbling limitations is akin to a prosthetic enhancement of ratiocination capable of feats that stagger beneath the lowest level of subtext to elevate the highest superordinate categorization into heightened scrutiny that burgeons metacognitive limber. Marooned in the equipoise of specifiable enlightenment countermanded by the strictures of working memory we can orchestrate transverse pathways between the elemental quiddity of impetuous meaning and the dignified tropes of transitivity that bequeaths entire universes with feral progeny that modulate their ecosystems with both a taste of approximated symmetry and a cohesive enterprise for productivity that rests on the granular concordance of the highest plane to the indivisible parcels of atomic meaning that solder together to exist as intelligible if strained by the primordial frictions guaranteed by the brunt of motion incipient because of the metaphorical inertia created within insular universes to inform sprawling conurbations of mobilized thoughts designed to reckon with the breakneck pace of the corresponding reality to which they explicitly and precisely refer to.

We must singe surgically the filigrees that amount to the perceptible realities that transmute temperaments into the liturgy of routine conflated with the rigmarole of neural dragnets of reiterative quips in an elegant game of raillery with our supernal contumacy against the rigid authority of aleatory vagaries mandated by a dually arbitrary universe in a probabilistic terpsichorean dance with the depth of our dredge for subliminal acuity or the shallow bellicosity of common modes of glib contemplation characteristic of the basic nobility of improvisation. This basic interface with the world can either be mercurial or tranquil based on the interactionism of the enfeebled trudge of surface senses or blunt intuitions and the smoldering impact of the vestigial cloaks that deal gingerly with the poignant subtext evoked in the cauldron of immediacy rather than pondered with the portentous weight of imperative singularities of uniqueness derived from the plunge into the arcane citadel of microscopic introspection so refined that the ineffable drives we seek to fathom become amenable to the traipse of transcendental time that rarefies itself by defying the brunt of compartmentalized bureaucracies administered by the fulcrum of stereotypical notions of acquired gravitas imputed to mundane pedestrian quidnunc concerns that defile humanity rather than embolden the subaudition of gritty punctilios that show the supernal powers of the axiomatic divinity of sharpened sentience to reign with supremacy over the baser ignoble components of bletcherous nescience that leads to knee-**** platitudes that provoke folksy peevish divisions. We should rather orchestrate our activity by heeding the admonishment about the primogeniture of poignant sabotage buffered by the remonstration of innate tranquility and finding a whipsawed compromise of rationalization with true visceral encounters with the fulgurant quips of brisk emotions that grind industriously into amorphous retinues of the trenchant human imagination to either equip or hobble the leapfrogged interrogation of veracity and more consequently our notions of truth and fact.

When we see the hackneyed results of default ecological dynamics, we find ourselves aloof from purported transcendence because the whimpered bleats and cavils of the importunate masses result in a deafening din of cacophony because we strive throbbing with sprightliness towards the galloped chase of tantalization without the luxury of a terminus for satiation. Obviously a growth mindset is the galvanic ****** that spawns the imaginative swank of the pliable modulations of our perceived reality that, when protean, showcase the limitless verve of our primordial cacoethes for epigenetic evolution rather than the stolid and staid foreclosure of impervious sloth that memorializes the gluttony of speculation about fixed entities rather than imperative jostling urbanity that dignifies the brackish dance with dearth and the exuberant savory taste of momentary excess because it engages the animated pursuit of limerence rather than the exhumed corpse of wistful regret. Nature is a cyclical clockwork system of predatory instinct met with the clemency of the prosperous providence enacted by the travailing ingenuity of successive cumulative generativities that compounded unevenly and unpredictably to predicate a fundamental zeitgeist calculated to engorge the fattened resources of the resourceful and temper the etiolated dreams of the fringed acquiescence of a hulking prejudiced population of dutiful servants that balk at the diminutive prospects of a lopsided distribution of talent and means but slumber in irenic resolve created by the merciful hands of defensive designs that configure consciousness to relish comparative touchstones rather than absolute outcomes that straggle beyond a point of enviable reference to shield the world of the barbarism of botched laments clamoring for an uncertain grave from the gravity of the orbiting satellites of apportioned wealth both sunblind and boorish but simultaneously inextricable from the acclimated fortune of heaped nepotism and herculean opportunism. The intransigence of the weighted destiny of inequity is a squalid enterprise of primeval abrasive and combative tendencies within the bailiwick of the indignant compass inherent to the system that fathoms its deficiencies with crabwise and gingerly pause but airs a sheepish grievance like a bleat of self-exculpation but simultaneously an arraignment of fundamental attribution erroneously indicted without the selfsame reflexiveness characteristic of a transcendent being with other recourses to clamber an avenue to Broadway without malingering in the slums of opprobrious ineffectual remonstration against the arrangement of a blinkered metropolis of uneven gentrification.

We flicker sometimes between the strategic drivel of appeasement and the candor of audacious imprecation of the culprits of indignity or considerate nutritive encomium of the beacons of ameliorated enlightenment because we often masquerade a half-witted glib consciousness lazily sketched by the welters of verve alloyed with the rancid distaste of squalor and slumber on the faculty of conscientious swivels of prudential expeditions with an avarice for bountiful considered thought and wily contortions of demeanor that issue the affirmative traction of adaptive endeavor to cheat a warped system for a reconciled peace and a refined self-mastery. We need to traduce the urchins that sting the system with pangs of opprobrious ballyhoo and the effluvia of foofaraw that contaminate with pettifoggery and small-minded blather the arenas better suited for the gladiatorial combat of cockalorums tinged with a dose of intellectual effrontery beyond the span of dogmatism rather than the hackneyed platitudes that infest the news cycle with folksy backwardation catered to the fascism of a checkered established press that urges insurrection while tranquilizing dissent against the furtive actions of consequence hidden behind the draped verdure of pretense whose byproduct is only a self-referential sophistry that swarms like an intractable itch to devolve the spectator into a pasquinaded spectacle of profound human obtuseness that pervades malignantly the system of debate until the reductionists outwit themselves with the empty prevarication of circular logic that deliberately misfires to miss the target of true importance because of the pandered black hole easily evaded by creatures of high sentience but inevitably ensnaring the special kind of dupe into a cycle of bellicose ferocity of internecine balkanization. The vainglory of the omphalos of entertainment is also another reckoning because it festers a cultural mythos of glorified crapulence parading a philandered promiscuity with half-baked antics that gravitate attention and the lecheries of gaudy tenses of recycled tinsel alloyed by debased aberrations of seedy grapholagnia that magnetize as they percolate because of the insidious catchphrases embedded in pedestrian syncopation that ignite retention and acclimate to mediocrity the sounds of generations discolored by faint pasty rainbows rather than ennobled by majestic landscapes of ignipotent mellifluous sound that stands a supernal amusement still for the resourceful trainspotter.

Despite the contumely aimed in the direction of contrarians for deviating from the lockstep clockwork hustle of stooped pandered manipulation that peddles the wares of an entirely counterfeit reality, I stand obstinately against the melliferous stupefaction of entire genres of myth and subcultures huddled around the sentimental tug of factitious sophistries regaled by thick amorphous apostates that cherish the vacuous sidetracked spotlight with fervor rather than pausing on the enigmatic querulous inquisition about the penumbras that lurk with strained effort beneath or above the categorical nescience of the shadowy unknown that often coruscates with elegance even in obscurity. I fight with labored words to spawn a psychological discipline that invokes the incisive subaudition of the pluckily pricked exorcism of true insight from the husk of buzzwords that constellate auxiliary tangential distractions from the art form of psychological discernment that predicates itself on the concept that the rarefaction of rumination by degrees of microscopic precision enables the introspective hindsight of conscious events that can be parsed without the acrimony of cluttered conflations of the granular prowess of triumphant ratiocination that earns a panoramic perch with the added luxury of perspicacious insight into the atomic structure of the rudiments of our phenomenological field and the abstractions that linger beyond perceptual categorization. When we analyze the gradients of anger, for example, we can either be ****** into a brooded twinge of wistful resentment or we can decipher that through heuristics designed to cloister the provenance of subconscious repose with ignorance there exists a regimented array of tangential accessories embedded deep within the cavernous repository of memory that designates a cumulative trace of compounded symmetries of concordant experience immediately perceptible because of the tangible provocateur of our gripes and the largely subliminal tusk that protrudes because of primal instinct that squirms with peevishness because of the momentary context preceded by the desultory churn of smoldering associations swimming with either complete intangible sputtered mobility through the tract of subconscious hyperspace or rigidly fixated by an arraignment of circumstances with propinquity to the deep unfathomed flicker of bygones receding or protruding because of the warped and largely unpredictable rigmarole of constellated spreading activation.  
When we examine the largesse of the swift recourse of convenience we forget by degrees the travail that once bridged the span of experience from patient abeyance in provident pursuit to now the importunate glare of inflated expectations for immediacy that stings the whole enterprise of societal dynamics because it vitiates us with a complacency for the filigrees of momentary tinsel of a virtualized reality divorced from the concretism that used to undergird interaction and now stands outmoded as a wisp beyond outstretched hands straggling beyond the black mirror of a newfangled narcissistic clannishness that shepherds the ostentation of conceit to a predominant position that swaddles us with fretful diversion that operates on a warped logic of lurid squalor and pasty trends becoming the mainstays of a hypercritical linguistic system of entrapment based on the apostasy of candor for the propitiation of fringed aberration because of the majoritarian uproar about touchy butthurt pedantic criticasters with a penchant for persnickety structuralism. With the infestation of entertainment with the ubiquitous political cavils engineered by the ruling class to have a common arena of waggish irreverence we forget that sometimes the impetuous ****** of propaganda is cloaked by the fashionable implements of a rootless time writhing in a purported identity crisis only to gawk at the ungainly reflection of modernity in the mirror and remain blissfully unaware about the transmogrified cultural psyche that feeds the lunacy of endless spectacle based on the premise that one singular whipping post can unite an entire generation of miscegenated misfits looking for commonality to team up against the aging generations that cling to the sanctity of cherished jingoism against the intentionality of a revamped system that malingers with empty promises using exigency and legerdemain to obscure the mooncalves among their ranks that march on with quixotic dreams that tolerate only the idea of absolute tolerance and moderate only when feasibly permitted by the anchored negotiation of the fulcrum of totemic governmental responsibility between factions that wage volleys of invective at each other to promote a binary choice of vitiated compromises of mendaciloquence that ultimately endanger the republic with either the perils of hidebound conventionalism and nativist fervor or the boondoggles of fiscally irresponsible insanity cloaked with rainbows and participation trophies. Reproach can be distributed to both sides of the aisle because ironically in a world where gender is non-binary the most important reproductive ***** in the free world is a binary-by-default despotism that polarizes extremely ludic fantasies on the left met with the acrimony of the traditionalisms on the right that staunchly resist the fatuous confusions of delegated order only to the sharp rebuke of the revamped political vogue that owes its sustenance to a manufactured diplomacy of saccharine lies and ubiquitous lampoons that are lopsided in the direction of a globalist neoliberal bricolage of moderately popular buzzwords and the trojan horse of insubordinate flippant feminism that seeks to subvert through backhanded manipulation the patriarchy so many resent using lowbrow tactics and poignant case studies rather than legislating the egalitarian system into law using the proper channels. I myself am a political independent who sides with fiscal conservatism but libertarianism in most other affairs because the pettifoggery of law-and-order politics is a diatribe overused by sheltered suburbanites and red meat is often just as fatuous as blue tinsel and sadly in a majoritarian society the ushers of conformity demand corporate divestiture in favor of an ecological system of predictability rather than an opinionated welter of legitimate challenges to a broken system of backwards partisanship and wangled consent. Ultimately, I remain mostly apolitical, but I am a fervent champion of the mobilization of education to a statelier standard that demands rigor and responsibility rather than the chafe of rigmarole that understates the common objectives of humanity and rewards conventional thinking and nominal participation to earn credentialed pedigree when the bulk of talent resides elsewhere.

Comin Thro the Rye
by Robert Burns
modern English translation by Michael R. Burch

Oh, Jenny's all wet, poor body,
Jenny's seldom dry;
She's draggin' all her petticoats
Comin' through the rye.

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the rye,
Should a body kiss a body,
Need anybody cry?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the glen,
Should a body kiss a body,
Need all the world know, then?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

The poem "Comin Thro the Rye" by Robert Burns may be best-known today because of Holden Caulfield's misinterpretation of it in "The Catcher in the Rye." In the book, Caulfield relates his fantasy to his sister, Phoebe: he's the "catcher in the rye," rescuing children from falling from a cliff. Phoebe corrects him, pointing out that poem is not about a "catcher" in the rye, but about a girl who has met someone in the rye for a kiss (or more), got her underclothes wet (not for the first time), and is dragging her way back to a polite (i.e., Puritanical) society that despises girls who are "easy." Robert Burns, an honest man, was exhibiting empathy for girls who were castigated for doing what all the boys and men longed to do themselves. Keywords/Tags: Robert Burns, Jenny, rye, petticoats, translation, modernization, update, interpretation, modern English, song, wet, body, kiss, gossip, puritanism, prudery


Translations of Scottish Poems

Sweet Rose of Virtue
by William Dunbar [1460-1525]
loose translation/interpretation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.



Ballad
by William Soutar
translation/modernization by Michael R. Burch

O, surely you have seen my love
Down where the waters wind:
He walks like one who fears no man
And yet his eyes are kind!

O, surely you have seen my love
At the turning of the tide:
For then he gathers in his nets
Down by the waterside!

Yes, lassie we have seen your love
At the turning of the tide:
For he was with the fisher folk
Down by the waterside.

The fisher folk worked at their trade
No far from Walnut Grove:
They gathered in their dripping nets
And found your one true love!

Keywords/Tags: William Soutar, Scottish, Scot, Scotsman, ballad, water, waterside, tide, nets, nets, fisher, fishers, fisher folk, fishermen, love, sea, ocean, lost, lost love, loss



Lament for the Makaris (“Lament for the Makers, or Poets”)
by William Dunbar (c. 1460-1530)
loose translation/interpretation by Michael R. Burch

i who enjoyed good health and gladness
am overwhelmed now by life’s terrible sickness
and enfeebled with infirmity;
the fear of Death dismays me!

our presence here is mere vainglory;
the false world is but transitory;
the flesh is frail; the Fiend runs free;
how the fear of Death dismays me!

the state of man is changeable:
now sound, now sick, now blithe, now dull,
now manic, now devoid of glee;
and the fear of Death dismays me!

no state on earth stands here securely;
as the wild wind waves the willow tree,
so wavers this world’s vanity;
and the fear of Death dismays me!

Death leads the knights into the field
(unarmored under helm and shield)
sole Victor of each red mêlée;
and the fear of Death dismays me!

that strange, despotic Beast
tears from its mother’s breast
the babe, full of benignity;
and the fear of Death dismays me!

He takes the champion of the hour,
the captain of the highest tower,
the beautiful damsel in full flower;
how the fear of Death dismays me!

He spares no lord for his elegance,
nor clerk for his intelligence;
His dreadful stroke no man can flee;
and the fear of Death dismays me!

artist, magician, scientist,
orator, debater, theologist,
all must conclude, so too, as we:
“the fear of Death dismays me!”

in medicine the most astute
sawbones and surgeons all fall mute;
they cannot save themselves, or flee,
and the fear of Death dismays me!

i see the Makers among the unsaved;
the greatest of Poets all go to the grave;
He does not spare them their faculty,
and the fear of Death dismays me!

i have seen Him pitilessly devour
our noble Chaucer, poetry’s flower,
and Lydgate and Gower (great Trinity!);
how the fear of Death dismays me!

since He has taken my brothers all,
i know He will not let me live past the fall;
His next victim will be —poor unfortunate me!—
and how the fear of Death dismays me!

there is no remedy for Death;
we must all prepare to relinquish breath,
so that after we die, we may no more plead:
“the fear of Death dismays me!”



To a Mouse
by Robert Burns
modern English translation by Michael R. Burch

Sleek, tiny, timorous, cowering beast,
why's such panic in your breast?
Why dash away, so quick, so rash,
in a frenzied flash
when I would be loath to pursue you
with a murderous plowstaff!

I'm truly sorry Man's dominion
has broken Nature's social union,
and justifies that bad opinion
which makes you startle,
when I'm your poor, earth-born companion
and fellow mortal!

I have no doubt you sometimes thieve;
What of it, friend? You too must live!
A random corn-ear in a shock's
a small behest; it-
'll give me a blessing to know such a loss;
I'll never miss it!

Your tiny house lies in a ruin,
its fragile walls wind-rent and strewn!
Now nothing's left to construct you a new one
of mosses green
since bleak December's winds, ensuing,
blow fast and keen!

You saw your fields laid bare and waste
with weary winter closing fast,
and cozy here, beneath the blast,
you thought to dwell,
till crash! the cruel iron ploughshare passed
straight through your cell!

That flimsy heap of leaves and stubble
had cost you many a weary nibble!
Now you're turned out, for all your trouble,
less house and hold,
to endure the winter's icy dribble
and hoarfrosts cold!

But mouse-friend, you are not alone
in proving foresight may be vain:
the best-laid schemes of Mice and Men
go oft awry,
and leave us only grief and pain,
for promised joy!

Still, friend, you're blessed compared with me!
Only present dangers make you flee:
But, ouch!, behind me I can see
grim prospects drear!
While forward-looking seers, we
humans guess and fear!



To a Louse
by Robert Burns
translation/interpretation by Michael R. Burch

Hey! Where're you going, you crawling hair-fly?
Your impudence protects you, barely;
I can only say that you swagger rarely
Over gauze and lace.
Though faith! I fear you dine but sparely
In such a place.

You ugly, creeping, blasted wonder,
Detested, shunned by both saint and sinner,
How dare you set your feet upon her—
So fine a lady!
Go somewhere else to seek your dinner
On some poor body.

Off! around some beggar's temple shamble:
There you may creep, and sprawl, and scramble,
With other kindred, jumping cattle,
In shoals and nations;
Where horn nor bone never dare unsettle
Your thick plantations.

Now hold you there! You're out of sight,
Below the folderols, snug and tight;
No, faith just yet! You'll not be right,
Till you've got on it:
The very topmost, towering height
Of miss's bonnet.

My word! right bold you root, contrary,
As plump and gray as any gooseberry.
Oh, for some rank, mercurial resin,
Or dread red poison;
I'd give you such a hearty dose, flea,
It'd dress your noggin!

I wouldn't be surprised to spy
You on some housewife's flannel tie:
Or maybe on some ragged boy's
Pale undervest;
But Miss's finest bonnet! Fie!
How dare you jest?

Oh Jenny, do not toss your head,
And lash your lovely braids abroad!
You hardly know what cursed speed
The creature's making!
Those winks and finger-ends, I dread,
Are notice-taking!

O would some Power with vision teach us
To see ourselves as others see us!
It would from many a blunder free us,
And foolish notions:
What airs in dress and carriage would leave us,
And even devotion!



A Red, Red Rose
by Robert Burns
modern English translation by Michael R. Burch

Oh, my love is like a red, red rose
that's newly sprung in June
and my love is like the melody
that's sweetly played in tune.

And you're so fair, my lovely lass,
and so deep in love am I,
that I will love you still, my dear,
till all the seas run dry.

Till all the seas run dry, my dear,
and the rocks melt with the sun!
And I will love you still, my dear,
while the sands of life shall run.  

And fare you well, my only love!
And fare you well, awhile!
And I will come again, my love,
though it were ten thousand miles!



Auld Lange Syne
by Robert Burns
modern English translation by Michael R. Burch

Should old acquaintance be forgot,
And never brought to mind?
Should old acquaintance be forgot,
And days for which we pine?

For times we shared, my darling,
Days passed, once yours and mine,
We’ll raise a cup of kindness yet,
To those fond-remembered times!



Banks o' Doon
by Robert Burns
modern English translation by Michael R. Burch

Oh, banks and hills of lovely Doon,
How can you bloom so fresh and fair;
How can you chant, diminutive birds,
When I'm so weary, full of care!
You'll break my heart, small warblers,
Flittering through the flowering thorn:
Reminding me of long-lost joys,
Departed―never to return!

I've often wandered lovely Doon,
To see the rose and woodbine twine;
And as the lark sang of its love,
Just as fondly, I sang of mine.
Then gaily-hearted I plucked a rose,
So fragrant upon its thorny tree;
And my false lover stole my rose,
But, ah! , he left the thorn in me.

"The Banks o' Doon" is a Scots song written by Robert Burns in 1791. It is based on the story of Margaret (Peggy)Kennedy, a girl Burns knew and the area around the River Doon. Keywords/Tags: Robert Burns, air, song, Doon, banks, Scots, Scottish, Scotland, translation, modernization, update, interpretation, modern English, love, hill, hills, birds, rose, lyric

Lament for the Makaris ("Lament for the Makers/Poets")
by William Dunbar [c. 1460-1530]
loose translation/interpretation by Michael R. Burch

i who enjoyed good health and gladness
am overwhelmed now by life’s terrible sickness
and enfeebled with infirmity ...
how the fear of Death dismays me!

our presence here is mere vainglory;
the false world is but transitory;
the flesh is frail; the Fiend runs free ...
how the fear of Death dismays me!

the state of man is changeable:
now sound, now sick, now blithe, now dull,
now manic, now devoid of glee ...
how the fear of Death dismays me!

no state on earth stands here securely;
as the wild wind shakes the willow tree,
so wavers this world’s vanity ...
how the fear of Death dismays me!

Death leads the knights into the field
(unarmored under helm and shield)
sole Victor of each red mêlée ...
how the fear of Death dismays me!

that strange, despotic Beast
tears from its mother’s breast
the babe, full of benignity ...
how the fear of Death dismays me!

He takes the champion of the hour,
the captain of the highest tower,
the beautiful damsel in full flower ...
how the fear of Death dismays me!

He spares no lord for his elegance,
nor clerk for his intelligence;
His dreadful stroke no man can flee ...
how the fear of Death dismays me!

artist, magician, scientist,
orator, debater, theologist,
must all conclude, so too, as we:
“how the fear of Death dismays me!”

in medicine the most astute
sawbones and surgeons all fall mute;
they cannot save themselves, or flee ...
how the fear of Death dismays me!

i see the Makers among the unsaved;
the greatest of Poets all go to the grave;
He does not spare them their faculty ...
how the fear of Death dismays me!

i have seen the Monster pitilessly devour
our noble Chaucer, poetry’s flower,
and Lydgate and Gower (great Trinity!) ...
how the fear of Death dismays me!

since He has taken my brothers all,
i know He will not let me live past the fall;
His next victim will be—poor unfortunate me!—
how the fear of Death dismays me!

there is no remedy for Death;
we all must prepare to relinquish breath
so that after we die, we may be set free
from “the fear of Death dismays me!”

This is my modern English translation of "Lament for the Makaris," an elegy by the great early Scottish poet William Dunbar [c. 1460-1530]. Dunbar was a court poet in the household of King James IV of Scotland. The Makaris were "makers," or poets. The original poem is a form of danse macabre, or "dance of death," in which people of all social classes are summoned by Death. The poem has a refrain: every fourth line is the Latin phrase "timor mortis conturbat me" ("the fear of death dismays me" or "disturbs/confounds me"). The poem was probably composed around 1508 A.D., when Dunbar was advancing in age and perhaps facing the prospect of death himself (it is not clear exactly when he died). In his famous poem Dunbar mentions other poets who passed away, including Geoffrey Chaucer, John Lydgate, and John Gower. Dunbar is generally considered to have been the greatest Scottish poet before Robert Burns, and he is noted for his comedies, satires, and sometimes ribald language. Keywords/Tags: Dunbar, translation, Scottish, dialect, Scotland, lament, makaris,  makers, poets, mrbtr, danse, macabre, refrain, Latin, timor, mortis, conturbat, dirge, lamentation, eulogy, epitaph, death, dismay, sorrow, fear, terror, writing, death, evil, sympathy, sorrow



Sunset
by Michael R. Burch

This poem is dedicated to my grandfather, George Edwin Hurt

Between the prophecies of morning
and twilight’s revelations of wonder,
the sky is ripped asunder.

The moon lurks in the clouds,
waiting, as if to plunder
the dusk of its lilac iridescence,

and in the bright-tentacled sunset
we imagine a presence
full of the fury of lost innocence.

What we find within strange whorls of drifting flame,
brief patterns mauling winds deform and maim,
we recognize at once, but cannot name.

This morning,
I walked with god and man, and animal

I've come to believe,
no other possibility,
He denies me sleep
as His insurance policy

some One wants to be sure,
someone sees His sunrise poem,
He selected this ancien regi-man
to be His admiring audience,
with deer, squirrels, rabbits, a red fox, an osprey
always complaining, why do they get
the cheap seats

so up at five,
no jive,
gotta get there early,
for a good seat,
on the dock by his name

watch the color blue transgender
from feminine elegy elegant pale
to peacock royal male,
the water,
a contributing editor,
phases in with a steely grin,
with ermine whitecap hints
and an orange marmalade sky homage,
I cannot try to describe

and here is where man comes in...

as the tableau reveals a still life
come to be,
a painting enlivened,
come to me free,
bursting with
effervescence and
animal life tribunes,
paying on...

strange...

my Pandora app
back to back,
plays for me
Gershwin's Rhapsody In Blue,
hard upon it comes
Saint-Saëns's
The Carnival of the Animals

and I
enfeebled amateur,
needy for a
word titan Titian,
can think only
this trite thought:

I know not who is the
instrument and who
is the
artist,
but virtuous us,
We, all, now-capital-buddies,
now, all, well-color-capitalized,
god and man and animal,
crooning a chorus of appreciation

let this "accidental" miracle,
this collaboration,
enthuse me,
to live happily
with anticipation
for just one more day...

June 2014

Ethereal: A Commissioned Poem


This one knocked me askew! What do I know of
"an ethereal world created through the poetic imagination."

I am a flea of simplicity, a blunt and direct man, who scribes the small, cherishes the little, grabs the middle.
So many here are so far linguistically superior, when matters light, airy, and heavenly are involved.
Hell, I even call god, my buddy, by his first name when ****** stops by to make confession.
But first take nine minutes, patiently, to listen to this, all the way to the end.
http://youtu.be/xxTF2umRtqY
Then, and only then, read.

— ethereal (adjective)

light, airy, or tenuous; "an ethereal world created through the poetic imagination;" extremely delicate or refined: ethereal beauty; heavenly or celestial; gone to his ethereal home; of or pertaining to the upper regions of space.

My ethereal is:
Autumn leaves, piled,
wet and slimy,
stench rotted.

Human waste smeared,
in the the diaper
of the olden, enfeebled.

Burnt flesh,
the sulfuric acid kiss
from a rejected hand.

Cigarette smoke stains
yellow post-it's stuck
on human skin.

Men who live in cardboard boxes,
knowing this is
the all of their days
existence.

Scowling smiles, a
coin of death,
on the faces of those forced
to sell themselves for money.

Cursing accident traffic,
until you pass the overturned car,
see the car seats, teddy bears,
just litter now, amidst the
safety glass highway tree decorations.

What did you expect,
some of your favorite things?

Raindrops on roses and whiskers on kittens
Bright copper kettles and warm woolen mittens
Brown paper packages ******* with strings
Cream colored ponies and crisp apple streudels
Doorbells and sleigh bells and schnitzel with noodles
Wild geese that fly with the moon on their wings
Girls in white dresses with blue satin sashes
Snowflakes that stay on my nose and eyelashes
Silver white winters that melt into springs

Ethereal is Sandy swollen-springs
drowning mother and child in their SUV.

Froze dead vagrants
under white pristine,
suffocating,
beneath lovely snowflakes
that ****,
no strudel for them.

Mean ones pouring punch
on white prom dresses,
ruining dreams,
such a big scream,
put it in the yearbook,
don't forget the smiley face,
*******.

State troopers ringing doorbells
with so sorry so sorry ma'am,
she is not coming home
any more.

Stop!
Why?
You all grown up, learn the real,
this ethereal is the real too.

Wipe that *** look off your face.

You want gossamer and lace?
Wrong poem.
Beat it.
Go whine about your heartbreak
to somebody else,

Ether is the aromatic odor and sweet, burning taste, derived from the action of sulfuric acid.
Look it up, disbeliever, if it matters, it is so
real.

If you gonna use a word,
then know it.
If you gonna claim
the title of human,
try being it,
earning it.

Ethereal is the orderly,
cleaning the *** of the helpless,
one more time,
softly singing.

Ethereal is a car seat, belt,
that saves a child, a teen.

Ethereal is soup,
not a folded twenty,
hot hot soup for the
lying on the sidewalk.

Ethereal is miles of flags
receiving our dead
from overseas.

Ethereal is writing a poem about
someone else's pain
in your words.
just once,
straying away from the word I.

Ethereal is saying,
hey, to the blind,
careful,
wet leaves ahead.

Ethereal is human justice,
most un-divine.

Ethereal is not a thing,
nor even an adjective.
But a way of seeing the world.

Part II

Went out into the night,
back to The Village,
Bleecker Street.
where I used to live (#308).

Heard voices. Human voices.
A Room Full of Teeth.
They sang a Partita.
"A simple piece.
Born of a love of surface and structure,
of the human voice,
of dancing and tired ligaments,
of music, and of our basic desire
to draw a line from one point to another."

It was ethereal.
As I wrote these words in my mind,
My ethereals did not battle but blend,
the ugly and the beauteous.
They coexisted in peace?
I think not.
They coexisted in humanity.

All that is delicate,
is only because there is rough.
All that is soft,
is only because there is hard,
Listen to the lines drawn from points on earth.
You cannot choose which points to connect.
For all point to
Ethereal.

Ethereal is not a thing,
nor even an adjective.
But a way of hearing the world.

Take this flat, round, stone
I told my son, and daughter too
Throw it hard, spinning it
Across the stilled pond
Count your big splashes
Watch the ripples grow

First stones they threw
Only singular sets of ripples
Then two, then three, then more
Eventually, their stones, with mine
Easily reached the other shore
Splashes, into ripples galore

Ripples formed by casted rocks
Have they lasting print upon
Hearts of those I've loved
Standing now on faraway shores
Gleefully leaping, dancing, tossing
Skipping stones hid in their pockets

Are my stones, living on in ripples
Marked indelible in memories
Cast in mind's marble and stone
A forever legacy or merely
A dimly lit fading thought
In minds and hearts forlorn

Once, when I was young
I knew, I could ripple the world
Now, I only hope a weary rest  
To lay burden upon the shore
Enfeebled arm, for slinging stones
Pond's winter death, comes nigh

A bit of time left, of sweet life
To cast a few more stones
Boulders, to toss into the river
Giving the biggest splash
Heavy to lift, except with help
From other believers in ripples

©  2017 Jim Davis

How Long the Night: Modern English Translations of Medieval Poems Written in Middle English and Old English/Anglo-Saxon English

How Long the Night
anonymous Middle English lyric, circa early 13th century AD
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast—
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong,
now grieve, mourn and fast.

Originally published by Measure

Keywords/Tags: Old English, Middle English, Medieval English, long night, lament, complaint, alas, summer, pleasant, winter, north wind, northern wind, severe weather, storm, bird, birds, birdsong, sin, crime, fast, fasting, repentance, dark night of the soul, sackcloth and ashes, regret, repentance, remonstrance

These are modern English translations of Old English/Anglo-Saxon poems and Middle English poems by Anonymous, Caedmon, Geoffrey Chaucer, Thomas Campion, Deor, William Dunbar, Godric of Finchale, Charles d'Orleans, Layamon and Sir Thomas Wyatt.



Sweet Rose of Virtue
by William Dunbar (1460-1525)
loose translation/interpretation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose and left her downcast,
whose piteous death does my heart such pain
that I long to plant love's root again―
so comforting her bowering leaves have been.

My translation of "Lament for the Makaris" by William Dunbar appears later on this page.



"Now skruketh rose and lylie flour" is an early Middle English poem that gives a hint of things to come, in terms of meter and rhyme …

Now skruketh rose and lylie flour
(anonymous Middle English lyric, circa 11th century AD)
loose translation/interpretation by Michael R. Burch

Now the rose and the lily skyward flower,
That will bear for awhile that sweet savor:
In summer, that sweet tide;
There is no queen so stark in her power
Nor any lady so bright in her bower
That Death shall not summon and guide;
But whoever forgoes lust, in heavenly bliss will abide
With his thoughts on Jesus anon, thralled at his side.

skruketh = break forth, burst open; stour = strong, stern, hardy; tharled = thralled?, made a serf?, bound?



Fowles in the Frith
(anonymous Middle English lyric, circa 13th-14th century AD)
loose translation/interpretation by Michael R. Burch

The fowls in the forest,
the fishes in the flood
and I must go mad:
such sorrow I've had
for beasts of bone and blood!

Sounds like an early animal rights activist! The use of "and" is intriguing … is the poet saying that his walks in the woods drive him mad because he's also a "beast of bone and blood" facing a similar fate? I must note, however, that this is my personal interpretation. The poem has "beste" and the poet may have meant "for the best of bone and blood" meaning some unidentified person, presumably.



Westron Wynde
(anonymous Middle English lyric, found in a partbook circa 1530 AD, but perhaps written earlier)
loose translation/interpretation by Michael R. Burch

Western wind, when will you blow,
bringing the drizzling rain?
Christ, that my love were in my arms,
and I in my bed again!

The original poem has "the smalle rayne down can rayne" which suggests a drizzle or mist.



This World's Joy
(anonymous Middle English lyric, circa early 14th century AD)
loose translation/interpretation by Michael R. Burch

Winter awakens all my care
as leafless trees grow bare.
For now my sighs are fraught
whenever it enters my thought:
regarding this world's joy,
how everything comes to naught.



Pity Mary
(anonymous Middle English lyric, circa early 13th century AD)
loose translation/interpretation by Michael R. Burch

Now the sun passes under the wood:
I rue, Mary, thy face—fair, good.
Now the sun passes under the tree:
I rue, Mary, thy son and thee.

In the poem above, note how "wood" and "tree" invoke the cross while "sun" and "son" seem to invoke each other. Sun-day is also Son-day, to Christians. The anonymous poet who wrote the poem above may have been been punning the words "sun" and "son." The poem is also known as "Now Goeth Sun Under Wood" and "Now Go'th Sun Under Wood."



I am of Ireland
(anonymous Medieval Irish lyric, circa 13th-14th century AD)
loose translation/interpretation by Michael R. Burch

I am of Ireland,
and of the holy realm of Ireland.
Gentlefolk, I pray thee:
for the sake of saintly charity,
come dance with me
in Ireland!



Whan the turuf is thy tour
(anonymous Middle English lyric, circa the 13th century AD)
loose translation/interpretation by Michael R. Burch

1.
When the turf is your tower
and the pit is your bower,
your pale white skin and throat
shall be sullen worms’ to note.
What help to you, then,
was all your worldly hope?

2.
When the turf is your tower
and the grave is your bower,
your pale white throat and skin
worm-eaten from within …
what hope of my help then?

The second translation leans more to the "lover's complaint" and carpe diem genres, with the poet pointing out to his prospective lover that by denying him her favors she make take her virtue to the grave where worms will end her virginity in macabre fashion. This poem may be an ancient precursor of poems like Andrew Marvell's "To His Coy Mistress."



Ech day me comëth tydinges thre
(anonymous Middle English lyric, circa the 13th to 14th century AD)
loose translation/interpretation by Michael R. Burch

Each day I’m plagued by three doles,
These gargantuan weights on my soul:
First, that I must somehow exit this fen.
Second, that I cannot know when.
And yet it’s the third that torments me so,
Because I don't know where the hell I will go!



Ich have y-don al myn youth
(anonymous Middle English lyric, circa the 13th to 14th century AD)
loose translation/interpretation by Michael R. Burch

I have done it all my youth:
Often, often, and often!
I have loved long and yearned zealously …
And oh what grief it has brought me!



GEOFFREY CHAUCER

Three Roundels by Geoffrey Chaucer

I. Merciles Beaute ("Merciless Beauty")
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Your eyes slay me suddenly;
their beauty I cannot sustain,
they wound me so, through my heart keen.

Unless your words heal me hastily,
my heart's wound will remain green;
for your eyes slay me suddenly;
their beauty I cannot sustain.

By all truth, I tell you faithfully
that you are of life and death my queen;
for at my death this truth shall be seen:
your eyes slay me suddenly;
their beauty I cannot sustain,
they wound me so, through my heart keen.



II. Rejection
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Your beauty from your heart has so erased
Pity, that it’s useless to complain;
For Pride now holds your mercy by a chain.

I'm guiltless, yet my sentence has been cast.
I tell you truly, needless now to feign,—
Your beauty from your heart has so erased
Pity, that it’s useless to complain.

Alas, that Nature in your face compassed
Such beauty, that no man may hope attain
To mercy, though he perish from the pain;
Your beauty from your heart has so erased
Pity, that it’s useless to complain;
For Pride now holds your mercy by a chain.



III. Escape
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean;
Since I am free, I count it not a bean.

He may question me and counter this and that;
I care not: I will answer just as I mean.
Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean.

Love strikes me from his roster, short and flat,
And he is struck from my books, just as clean,
Forevermore; there is no other mean.
Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean;
Since I am free, I count it not a bean.



Welcome, Summer
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Now welcome, Summer, with your sun so soft,
since you’ve banished Winter with her icy weather
and driven away her long nights’ frosts.
Saint Valentine, in the heavens aloft,
the songbirds sing your praises together!

Now welcome, Summer, with your sun so soft,
since you’ve banished Winter with her icy weather.

We have good cause to rejoice, not scoff,
since love’s in the air, and also in the heather,
whenever we find such blissful warmth, together.

Now welcome, Summer, with your sun so soft,
since you’ve banished Winter with her icy weather
and driven away her long nights’ frosts.



CHARLES D'ORLEANS

Rondel: Your Smiling Mouth
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/moderniz  ation by Michael R. Burch

Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains,
Your hands so smooth, each finger straight and plain,
Your little feet—please, what more can I say?

It is my fetish when you’re far away
To muse on these and thus to soothe my pain—
Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains.

So would I beg you, if I only may,
To see such sights as I before have seen,
Because my fetish pleases me. Obscene?
I’ll be obsessed until my dying day
By your sweet smiling mouth and eyes, bright gray,
Your ample ******* and slender arms’ twin chains!



Spring
by Charles d’Orleans (c. 1394-1465)
loose translation/interpretation/moderniz  ation by Michael R. Burch

Young lovers,
greeting the spring
fling themselves downhill,
making cobblestones ring
with their wild leaps and arcs,
like ecstatic sparks
struck from coal.

What is their brazen goal?

They grab at whatever passes,
so we can only hazard guesses.
But they rear like prancing steeds
raked by brilliant spurs of need,
Young lovers.



Oft in My Thought
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/moderniz  ation by Michael R. Burch

So often in my busy mind I sought,
    Around the advent of the fledgling year,
For something pretty that I really ought
    To give my lady dear;
    But that sweet thought's been wrested from me, clear,
        Since death, alas, has sealed her under clay
    And robbed the world of all that's precious here―
         God keep her soul, I can no better say.

For me to keep my manner and my thought
    Acceptable, as suits my age's hour?
While proving that I never once forgot
    Her worth? It tests my power!
    I serve her now with masses and with prayer;
        For it would be a shame for me to stray
    Far from my faith, when my time's drawing near—
         God keep her soul, I can no better say.

Now earthly profits fail, since all is lost
    And the cost of everything became so dear;
Therefore, O Lord, who rules the higher host,
    Take my good deeds, as many as there are,
    And crown her, Lord, above in your bright sphere,
        As heaven's truest maid! And may I say:
    Most good, most fair, most likely to bring cheer—
         God keep her soul, I can no better say.

When I praise her, or hear her praises raised,
I recall how recently she brought me pleasure;
    Then my heart floods like an overflowing bay
And makes me wish to dress for my own bier—
    God keep her soul, I can no better say.



Winter has cast his cloak away
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/moderniz  ation by Michael R. Burch

Winter has cast his cloak away
of wind and cold and chilling rain
to dress in embroidered light again:
the light of day—bright, festive, gay!
Each bird and beast, without delay,
in its own tongue, sings this refrain:
"Winter has cast his cloak away!"
Brooks, fountains, rivers, streams at play,
wear, with their summer livery,
bright beads of silver jewelry.
All the Earth has a new and fresh display:
Winter has cast his cloak away!

This rondeau was set to music by Debussy in his Trois chansons de France.



The year lays down his mantle cold
by Charles d’Orleans (1394-1465)
loose translation/interpretation/moderniz  ation by Michael R. Burch

The year lays down his mantle cold
of wind, chill rain and bitter air,
and now goes clad in clothes of gold
of smiling suns and seasons fair,
while birds and beasts of wood and fold
now with each cry and song declare:
"The year lays down his mantle cold!"
All brooks, springs, rivers, seaward rolled,
now pleasant summer livery wear
with silver beads embroidered where
the world puts off its raiment old.
The year lays down his mantle cold.



Fair Lady Without Peer
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Fair Lady, without peer, my plea,
Is that your grace will pardon me,
Since I implore, on bended knee.
No longer can I, privately,
Keep this from you: my deep distress,
When only you can comfort me,
For I consider you my only mistress.

This powerful love demands, I fear,
That I confess things openly,
Since to your service I came here
And my helpless eyes were forced to see
Such beauty gods and angels cheer,
Which brought me joy in such excess
That I became your servant, gladly,
For I consider you my only mistress.

Please grant me this great gift most dear:
to be your vassal, willingly.
May it please you that, now, year by year,
I shall serve you as my only Liege.
I bend the knee here—true, sincere—
Unfit to beg one royal kiss,
Although none other offers cheer,
For I consider you my only mistress.



Chanson: Let Him Refrain from Loving, Who Can
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Let him refrain from loving, who can.
I can no longer hover.
I must become a lover.
What will become of me, I know not.

Although I’ve heard the distant thought
that those who love all suffer,
I must become a lover.
I can no longer refrain.

My heart must risk almost certain pain
and trust in Beauty, however distraught.
For if a man does not love, then what?
Let him refrain from loving, who can.



Her Beauty
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Her beauty, to the world so plain,
Still intimately held my heart in thrall
And so established her sole reign:
She was, of Good, the cascading fountain.
Thus of my Love, lost recently,
I say, while weeping bitterly:
“We cleave to this strange world in vain.”

In ages past when angels fell
The world grew darker with the stain
Of their dear blood, then became hell
While poets wept a tearful strain.
Yet, to his dark and drear domain
Death took his victims, piteously,
So that we bards write bitterly:
“We cleave to this strange world in vain.”

Death comes to claim our angels, all,
as well we know, and spares no pain.
Over our pleasures, Death casts his pall,
Then without joy we “living” remain.
Death treats all Love with such disdain!
What use is this world? For it seems to me,
It has neither Love, nor Pity.
Thus “We cleave to this strange world in vain.”



Chanson: The Summer's Heralds
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

The Summer’s heralds bring a dear
Sweet season of soft-falling showers
And carpet fields once brown and sere
With lush green grasses and fresh flowers.

Now over gleaming lawns appear
The bright sun-dappled lengthening hours.

The Summer’s heralds bring a dear
Sweet season of soft-falling showers.

Faint hearts once chained by sullen fear
No longer shiver, tremble, cower.
North winds no longer storm and glower.
For winter has no business here.



Traitorous Eye
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Traitorous eye, what’s new?
What lewd pranks do you have in view?
Without civil warning, you spy,
And no one ever knows why!

Who understands anything you do?
You’re rash and crass in your boldness too,
And your lewdness is hard to subdue.
Change your crude ways, can’t you?

Traitorous eye, what’s new?
You should be beaten through and through
With a stripling birch strap or two.
Traitorous eye, what’s new?
What lewd pranks do have you in view?



SIR THOMAS WYATT

“Whoso List to Hunt” has an alternate title, “The Lover Despairing to Attain Unto His Lady’s Grace Relinquisheth the Pursuit” and is commonly believed to have been written for Anne Boleyn, who married King Henry VIII only to be beheaded at his command when she failed to produce a male heir. (Ouch, talk about male chauvinism!)

Whoever Longs to Hunt
by Sir Thomas Wyatt
loose translation/interpretation/moderniz  ation by Michael R. Burch

Whoever longs to hunt, I know the deer;
but as for me, alas!, I may no more.
This vain pursuit has left me so bone-sore
I'm one of those who falters, at the rear.
Yet friend, how can I draw my anguished mind
away from the doe?
                                   Thus, as she flees before
me, fainting I follow.
                                     I must leave off, therefore,
since in a net I seek to hold the wind.

Whoever seeks her out,
                                          I relieve of any doubt,
that he, like me, must spend his time in vain.
For graven with diamonds, set in letters plain,
these words appear, her fair neck ringed about:
Touch me not, for Caesar's I am,
And wild to hold, though I seem tame.



Brut, an excerpt
by Layamon, circa 1100 AD
loose translation/interpretation by Michael R. Burch

Now he stands on a hill overlooking the Avon,
seeing steel fishes girded with swords in the stream,
their swimming days done,
their scales a-gleam like gold-plated shields,
their fish-spines floating like shattered spears.



Wulf and Eadwacer
(Old English poem circa 960-990 AD)
loose translation/interpretation by Michael R. Burch

My people pursue him like crippled prey.
They'll rip him apart if he approaches their pack.
We are so different!

Wulf's on one island; I'm on another.
His island's a fortress, fastened by fens.
Here, bloodthirsty curs howl for carnage.
They'll rip him apart if he approaches their pack.
We are so different!

My thoughts pursued Wulf like panting hounds.
Whenever it rained, as I wept,
the bold warrior came; he took me in his arms:
good feelings, to a point, but the end loathsome!
Wulf, O, my Wulf, my ache for you
has made me sick; your infrequent visits
have left me famished, deprived of real meat!
Do you hear, Eadwacer? Watchdog!
A wolf has borne our wretched whelp to the woods.
One can easily sever what never was one:
our song together.



Cædmon's Hymn (Old English circa 658-680 AD)
loose translation/interpretation by Michael R. Burch

Come, let us honour      heaven-kingdom's Guardian,
the might of the Architect      and his mind-plans,
the work of the Glory-Father.      First he, the Everlasting Lord,
established      the foundation of wonders.
Then he, the Primeval Poet,      created heaven as a roof
for the sons of men,      Holy Creator,
Maker of mankind.      Then he, the Eternal Entity,
afterwards made men middle-earth:      Master Almighty!



A Proverb from Winfred's Time
anonymous Old English poem, circa 757-786 AD
loose translation/interpretation by Michael R. Burch

1.
The procrastinator puts off purpose,
never initiates anything marvelous,
never succeeds, dies dead alone.

2.
The late-deed-doer delays glory-striving,
never indulges daring dreams,
never succeeds, dies dead alone.

3.
Often the deed-dodger avoids ventures,
never succeeds, dies dead alone.



Franks Casket Runes
anonymous Old English poems, circa 700 AD
loose translation/interpretation by Michael R. Burch

The fish flooded the shore-cliffs;
the sea-king wept when he swam onto the shingle:
whale's bone.

Romulus and Remus, twin brothers weaned in Rome
by a she-wolf, far from their native land.



"The Leiden Riddle" is an Old English translation of Aldhelm's Latin riddle Lorica ("Corselet").

The Leiden Riddle
anonymous Old English riddle poem, circa 700 AD
loose translation/interpretation by Michael R. Burch

The dank earth birthed me from her icy womb.
I know I was not fashioned from woolen fleeces;
nor was I skillfully spun from skeins;
I have neither warp nor weft;
no thread thrums through me in the thrashing loom;
nor do whirring shuttles rattle me;
nor does the weaver's rod assail me;
nor did silkworms spin me like skillfull fates
into curious golden embroidery.
And yet heroes still call me an excellent coat.
Nor do I fear the dread arrows' flights,
however eagerly they leap from their quivers.

Solution: a coat of mail.



If you see a busker singing for tips, you're seeing someone carrying on an Anglo-Saxon tradition that goes back to the days of Beowulf …

He sits with his harp at his thane's feet,
Earning his hire, his rewards of rings,
Sweeping the strings with his skillful nail;
Hall-thanes smile at the sweet song he sings.
—"Fortunes of Men" loose translation by Michael R. Burch



Deor's Lament
(Anglo Saxon poem, circa 10th century AD)
loose translation/interpretation by Michael R. Burch

Weland knew the agony of exile.
That indomitable smith was wracked by grief.
He endured countless troubles:
sorrows were his only companions
in his frozen island dungeon
after Nithad had fettered him,
many strong-but-supple sinew-bonds
binding the better man.
   That passed away; this also may.

Beadohild mourned her brothers' deaths
but even more, her own sad state
once she discovered herself with child.
She predicted nothing good could come of it.
   That passed away; this also may.

We have heard that the Geat's moans for Matilda,
his lady, were limitless,
that his sorrowful love for her
robbed him of regretless sleep.
   That passed away; this also may.

For thirty winters Theodric ruled
the Mæring stronghold with an iron hand;
many knew this and moaned.
   That passed away; this also may.

We have also heard of Ermanaric's wolfish ways,
of how he held wide sway in the realm of the Goths.
He was a grim king! Many a warrior sat,
full of cares and maladies of the mind,
wishing constantly that his kingdom might be overthrown.
   That passed away; this also may.

If a man sits long enough, sorrowful and anxious,
bereft of joy, his mind constantly darkening,
soon it seems to him that his troubles are endless.
Then he must consider that the wise Lord
often moves through the earth
granting some men honor, glory and fame,
but others only shame and hardship.
This I will say for myself:
that for awhile I was the Heodeninga's scop,
dear to my lord. My name was Deor.
For many winters I held a fine office,
faithfully serving a just lord. But now Heorrenda
a man skilful in songs, has received the estate
the protector of warriors gave me.
   That passed away; this also may.



The Wife's Lament
loose translation/interpretation by Michael R. Burch

I draw these words from deep wells of my grief,
care-worn, unutterably sad.
I can recount woes I've borne since birth,
present and past, never more than now.
I have won, from my exile-paths, only pain.

First, my lord forsook his folk, left,
crossed the seas' tumult, far from our people.
Since then, I've known
wrenching dawn-griefs, dark mournings … oh where,
where can he be?

Then I, too, left—a lonely, lordless refugee,
full of unaccountable desires!
But the man's kinsmen schemed secretly
to estrange us, divide us, keep us apart,
across earth's wide kingdom, and my heart broke.

Then my lord spoke:
"Take up residence here."
I had few friends in this unknown, cheerless
region, none close.
Christ, I felt lost!

Then I thought I had found a well-matched man –
one meant for me,
but unfortunately he
was ill-starred and blind, with a devious mind,
full of murderous intentions, plotting some crime!

Before God we
vowed never to part, not till kingdom come, never!
But now that's all changed, forever –
our friendship done, severed.
I must hear, far and near, contempt for my husband.

So other men bade me, "Go, live in the grove,
beneath the great oaks, in an earth-cave, alone."
In this ancient cave-dwelling I am lost and oppressed –
the valleys are dark, the hills immense,
and this cruel-briared enclosure—an arid abode!

The injustice assails me—my lord's absence!
On earth there are lovers who share the same bed
while I pass through life dead in this dark abscess
where I wilt, summer days unable to rest
or forget the sorrows of my life's hard lot.

A young woman must always be
stern, hard-of-heart, unmoved,
opposing breast-cares and her heartaches' legions.
She must appear cheerful
even in a tumult of grief.

Like a criminal exiled to a far-off land,
moaning beneath insurmountable cliffs,
my weary-minded love, drenched by wild storms
and caught in the clutches of anguish,
is reminded constantly of our former happiness.

Woe be it to them who abide in longing.



The Husband's Message
anonymous Old English poem, circa 960-990 AD
loose translation/interpretation by Michael R. Burch

See, I unseal myself for your eyes only!
I sprang from a seed to a sapling,
waxed great in a wood,
                           was given knowledge,
was ordered across saltstreams in ships
where I stiffened my spine, standing tall,
till, entering the halls of heroes,
                   I honored my manly Lord.

Now I stand here on this ship’s deck,
an emissary ordered to inform you
of the love my Lord feels for you.
I have no fear forecasting his heart steadfast,
his honor bright, his word true.

He who bade me come carved this letter
and entreats you to recall, clad in your finery,
what you promised each other many years before,
mindful of his treasure-laden promises.

He reminds you how, in those distant days,
witty words were pledged by you both
in the mead-halls and homesteads:
how he would be Lord of the lands
you would inhabit together
while forging a lasting love.

Alas, a vendetta drove him far from his feuding tribe,
but now he instructs me to gladly give you notice
that when you hear the returning cuckoo's cry
cascading down warming coastal cliffs,
come over the sea! Let no man hinder your course.

He earnestly urges you: Out! To sea!
Away to the sea, when the circling gulls
hover over the ship that conveys you to him!

Board the ship that you meet there:
sail away seaward to seek your husband,
over the seagulls' range,
                          over the paths of foam.
For over the water, he awaits you.

He cannot conceive, he told me,
how any keener joy could comfort his heart,
nor any greater happiness gladden his soul,
than that a generous God should grant you both
to exchange rings, then give gifts to trusty liege-men,
golden armbands inlaid with gems to faithful followers.

The lands are his, his estates among strangers,
his new abode fair and his followers true,
all hardy heroes, since hence he was driven,
shoved off in his ship from these shore in distress,
steered straightway over the saltstreams, sped over the ocean,
a wave-tossed wanderer winging away.

But now the man has overcome his woes,
outpitted his perils, lives in plenty, lacks no luxury,
has a hoard and horses and friends in the mead-halls.

All the wealth of the earth's great earls
now belongs to my Lord …
                                             He only lacks you.

He would have everything within an earl's having,
if only my Lady will come home to him now,
if only she will do as she swore and honor her vow.



Led By Christ and Mary
by Saint Godric of Finchale (1065-1170)
loose translation/interpretation by Michael R. Burch

By Christ and Saint Mary I was so graciously led
that the earth never felt my bare foot’s tread!

Crist and sainte marie swa on scamel me iledde
þat ic on þis erðe ne silde wid mine bare fote itredie



A Cry to Mary
by Saint Godric of Finchale (1065-1170)
loose translation/interpretation by Michael R. Burch

I.
Saintë Marië Virginë,
Mother of Jesus Christ the Nazarenë,
Welcome, shield and help thin Godric,
Fly him off to God’s kingdom rich!

II.
Saintë Marië, Christ’s bower,
****** among Maidens, Motherhood’s flower,
Blot out my sin, fix where I’m flawed,
Elevate me to Bliss with God!



Prayer to St. Nicholas
by Saint Godric of Finchale (1065-1170)
loose translation/interpretation by Michael R. Burch

Saint Nicholas, beloved of God,
Build us a house that’s bright and fair;
Watch over us from birth to bier,
Then, Saint Nicholas, bring us safely there!

Sainte Nicholaes godes druð
tymbre us faire scone hus
At þi burth at þi bare
Sainte nicholaes bring vs wel þare



The Rhymed Poem aka The Rhyming Poem and The Riming Poem
anonymous Old English/Anglo-Saxon poem circa 990 AD
loose translation/interpretation by Michael R. Burch

He who granted me life created this sun
and graciously provided its radiant engine.
I was gladdened with glees, bathed in bright hues,
deluged with joy’s blossoms, sunshine-infused.

Men admired me, feted me with banquet-courses;
we rejoiced in the good life. Gaily bedecked horses
carried me swiftly across plains on joyful rides,
delighting me with their long limbs' thunderous strides.
That world was quickened by earth’s fruits and their flavors!
I cantered under pleasant skies, attended by troops of advisers.
Guests came and went, amusing me with their chatter
as I listened with delight to their witty palaver.

Well-appointed ships glided by in the distance;
when I sailed myself, I was never without guidance.
I was of the highest rank; I lacked for nothing in the hall;
nor did I lack for brave companions; warriors, all,
we strode through castle halls weighed down with gold
won from our service to thanes. We were proud men, and bold.
Wise men praised me; I was omnipotent in battle;
Fate smiled on and protected me; foes fled before me like cattle.
Thus I lived with joy indwelling; faithful retainers surrounded me;
I possessed vast estates; I commanded all my eyes could see;
the earth lay subdued before me; I sat on a princely throne;
the words I sang were charmed; old friendships did not wane …

Those were years rich in gifts and the sounds of happy harp-strings,
when a lasting peace dammed shut the rivers’ sorrowings.
My servants were keen, their harps resonant;
their songs pealed, the sound loud but pleasant;
the music they made melodious, a continual delight;
the castle hall trembled and towered bright.
Courage increased, wealth waxed with my talent;
I gave wise counsel to great lords and enriched the valiant.

My spirit enlarged; my heart rejoiced;
good faith flourished; glory abounded; abundance increased.
I was lavishly supplied with gold; bright gems were circulated …
Till treasure led to treachery and the bonds of friendship constricted.

I was bold in my bright array, noble in my equipage,
my joy princely, my home a happy hermitage.
I protected and led my people;
for many years my life among them was regal;
I was devoted to them and they to me.

But now my heart is troubled, fearful of the fates I see;
disaster seems unavoidable. Someone dear departs in flight by night
who once before was bold. His soul has lost its light.
A secret disease in full growth blooms within his breast,
spreads in different directions. Hostility blossoms in his chest,
in his mind. Bottomless grief assaults the mind's nature
and when penned in, erupts in rupture,
burns eagerly for calamity, runs bitterly about.

The weary man suffers, begins a journey into doubt;
his pain is ceaseless; pain increases his sorrows, destroys his bliss;
his glory ceases; he loses his happiness;
he loses his craft; he no longer burns with desires.
Thus joys here perish, lordships expire;
men lose faith and descend into vice;
infirm faith degenerates into evil’s curse;
faith feebly abandons its high seat and every hour grows worse.

So now the world changes; Fate leaves men lame;
Death pursues hatred and brings men to shame.
The happy clan perishes; the spear rends the marrow;
the evildoer brawls and poisons the arrow;
sorrow devours the city; old age castrates courage;
misery flourishes; wrath desecrates the peerage;
the abyss of sin widens; the treacherous path snakes;
resentment burrows, digs in, wrinkles, engraves;
artificial beauty grows foul;
the summer heat cools;
earthly wealth fails;
enmity rages, cruel, bold;
the might of the world ages, courage grows cold.
Fate wove itself for me and my sentence was given:
that I should dig a grave and seek that grim cavern
men cannot avoid when death comes, arrow-swift,
to seize their lives in his inevitable grasp.
Now night comes at last,
and the way stand clear
for Death to dispossesses me of my my abode here.

When my corpse lies interred and the worms eat my limbs,
whom will Death delight then, with his dark feast and hymns?
Let men’s bones become one,
and then finally, none,
till there’s nothing left here of the evil ones.
But men of good faith will not be destroyed;
the good man will rise, far beyond the Void,
who chastened himself, more often than not,
to avoid bitter sins and that final black Blot.
The good man has hope of a far better end
and remembers the promise of Heaven,
where he’ll experience the mercies of God for his saints,
freed from all sins, dark and depraved,
defended from vices, gloriously saved,
where, happy at last before their cheerful Lord,
men may rejoice in his love forevermore.



Adam Lay Ybounden
(anonymous Medieval English Lyric, circa early 15th century AD)
loose translation/interpretation by Michael R. Burch

Adam lay bound, bound in a bond;
Four thousand winters, he thought, were not too long.
And all was for an apple, an apple that he took,
As clerics now find written in their book.
But had the apple not been taken, or had it never been,
We'd never have had our Lady, heaven's queen.
So blesséd be the time the apple was taken thus;
Therefore we sing, "God is gracious!"

The poem has also been rendered as "Adam lay i-bounden" and "Adam lay i-bowndyn."



I Sing of a Maiden
(anonymous Medieval English Lyric, circa early 15th century AD)
loose translation/interpretation by Michael R. Burch

I sing of a maiden
That is matchless.
The King of all Kings
For her son she chose.

He came also as still
To his mother's breast
As April dew
Falling on the grass.

He came also as still
To his mother's bower
As April dew
Falling on the flower.

He came also as still
To where his mother lay
As April dew
Falling on the spray.

Mother and maiden?
Never one, but she!
Well may such a lady
God's mother be!



Tegner's Drapa
loose translation/interpretation by Michael R. Burch

I heard a voice, that cried,
“Balder the beautiful lies dead, lies dead …”
a voice like the flight of white cranes
intent on a sun sailing high overhead—
but a sun now irretrievably setting.

Then I saw the sun’s corpse
—dead beyond all begetting—
borne through disconsolate skies
as blasts from the Nifel-heim rang out with dread,
“Balder lies dead, our fair Balder lies dead! …”

Lost—the sweet runes of his tongue,
so sweet every lark hushed its singing!
Lost, lost forever—his beautiful face,
the grace of his smile, all the girls’ hearts wild-winging!
O, who ever thought such strange words might be said,
as “Balder lies dead, gentle Balder lies dead! …”



Lament for the Makaris (Makers, or Poets)
by William Dunbar (1460-1525)
loose translation/interpretation by Michael R. Burch

i who enjoyed good health and gladness
am overwhelmed now by life’s terrible sickness
and enfeebled with infirmity …
how the fear of Death dismays me!

our presence here is mere vainglory;
the false world is but transitory;
the flesh is frail; the Fiend runs free …
how the fear of Death dismays me!

the state of man is changeable:
now sound, now sick, now blithe, now dull,
now manic, now devoid of glee …
how the fear of Death dismays me!

no state on earth stands here securely;
as the wild wind shakes the willow tree,
so wavers this world’s vanity …
how the fear of Death dismays me!

Death leads the knights into the field
(unarmored under helm and shield)
sole Victor of each red mêlée …
how the fear of Death dismays me!

that strange, despotic Beast
tears from its mother’s breast
the babe, full of benignity …
how the fear of Death dismays me!

He takes the champion of the hour,
the captain of the highest tower,
the beautiful damsel in her tower …
how the fear of Death dismays me!

He spares no lord for his elegance,
nor clerk for his intelligence;
His dreadful stroke no man can flee …
how the fear of Death dismays me!

artist, magician, scientist,
orator, debater, theologist,
must all conclude, so too, as we:
“how the fear of Death dismays me!”

in medicine the most astute
sawbones and surgeons all fall mute;
they cannot save themselves, or flee …
how the fear of Death dismays me!

i see the Makers among the unsaved;
the greatest of Poets all go to the grave;
He does not spare them their faculty …
how the fear of Death dismays me!

i have seen Him pitilessly devour
our noble Chaucer, poetry’s flower,
and Lydgate and Gower (great Trinity!) …
how the fear of Death dismays me!

since He has taken my brothers all,
i know He will not let me live past the fall;
His next prey will be — poor unfortunate me! …
how the fear of Death dismays me!

there is no remedy for Death;
we all must prepare to relinquish breath
so that after we die, we may be set free
from “the fear of Death dismays me!”



Fairest Between Lincoln and Lindsey
(anonymous Middle English poem, circa late 13th century)
loose translation/interpretation by Michael R. Burch

When the nightingale sings, the woods turn green;
Leaf and grass again blossom in April, I know,
Yet love pierces my heart with its spear so keen!
Night and day it drinks my blood. The painful rivulets flow.

I’ve loved all this year. Now I can love no more;
I’ve sighed many a sigh, sweetheart, and yet all seems wrong.
For love is no nearer and that leaves me poor.
Sweet lover, think of me — I’ve loved you so long!



Sumer is icumen in
anonymous Middle English poem, circa 1260 AD
loose translation/interpretation by Michael R. Burch

Sing now cuckoo! Sing, cuckoo!
Sing, cuckoo! Sing now cuckoo!

Summer is a-comin'!
Sing loud, cuckoo!
The seed grows,
The meadow blows,
The woods spring up anew.
Sing, cuckoo!

The ewe bleats for her lamb;
The cows contentedly moo;
The bullock roots;
The billy-goat poots …
Sing merrily, cuckoo!

Cuckoo, cuckoo,
You sing so well, cuckoo!
Never stop, until you're through!



The Maiden Lay in the Wilds
circa the 14th century
loose translation/interpretation by Michael R. Burch

The maiden in the moor lay,
in the moor lay;
seven nights full,
seven nights full,
the maiden in the moor lay,
in the moor lay,
seven nights full and a day.

Sweet was her meat.
But what was her meat?
The primrose and the—
The primrose and the—
Sweet was her meat.
But what was her meat?
The primrose and the violet.

Pure was her drink.
But what was her drink?
The cold waters of the—
The cold waters of the—
Pure was her drink.
But what was her drink?
The cold waters of the well-spring.

Bright was her bower.
But what was her bower?
The red rose and the—
The red rose and the—
Bright was her bower.
But what was her bower?
The red rose and the lily flower.



The World an Illusion
circa 14th century
loose translation/interpretation by Michael R. Burch

This is the sum of wisdom bright:
however things may appear,
life vanishes like birds in flight;
now it’s here, now there.
Nor are we mighty in our “might”—
now on the bench, now on the bier.
However vigilant or wise,
in health it’s death we fear.
However proud and without peer,
no man’s immune to tragedy.
And though we think all’s solid here,
this world is but a fantasy.

The sun’s course we may claim to know:
arises east, sets in the west;
we know which way earth’s rivers flow,
into the seas that fill and crest.
The winds rush here and there, also,
it rains and snows without arrest.
Will it all end? God only knows,
with the wisdom of the Blessed,
while we on earth remain hard-pressed,
all bedraggled, or too dry,
until we vanish, just a guest:
this world is but a fantasy.



Trust Only Yourself
circa the 15th century
loose translation/interpretation by Michael R. Burch

Alas! Deceit lies in trust now,
dubious as Fortune, spinning like a ball,
as brittle when tested as a rotten bough.
He who trusts in trust is ripe for a fall!
Such guile in trust cannot be trusted,
or a man will soon find himself busted.
Therefore, “Be wary of trust!” is my advice.
Trust only yourself and learn to be wise.



See, Here, My Heart
circa the 15th century
loose translation/interpretation by Michael R. Burch

O, mankind,
please keep in mind
where Passions start:
there you will find
me wholly kind—
see, here, my heart.



How Death Comes
circa the 13th century
loose translation/interpretation by Michael R. Burch

When my eyes mist
and my ears hiss
and my nose grows cold
as my tongue folds
and my face grows slack
as my lips grow black
and my mouth gapes
as my spit forms lakes
and my hair falls
as my heart stalls
and my hand shake
as my feet quake:
All too late! All too late!
When the bier is at the gate.

Then I shall pass
from bed to floor,
from floor to shroud,
from shroud to bier,
from bier to grave,
the grave closed forever!
Then my house will rest on my nose.
This world’s not worth a farthing, Heaven knows!



Johann Scheffler (1624-1677), also known as Johann Angelus Silesius, was a German Catholic priest and physician, known as a mystic and religious poet. He's a bit later than most of the other poets on this page, but seems to fit in …

Unholy Trinity
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Man has three enemies:
himself, the world, and the devil.
Of these the first is, by far,
the most irresistible evil.

True Wealth
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

There is more to being rich
than merely having;
the wealthiest man can lose
everything not worth saving.

The Rose
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

The rose merely blossoms
and never asks why:
heedless of her beauty,
careless of every eye.

The Rose
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

The rose lack “reasons”
and merely sways with the seasons;
she has no ego
but whoever put on such a show?

Eternal Time
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Eternity is time,
time eternity,
except when we
are determined to "see."

Visions
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Our souls possess two eyes:
one examines time,
the other visions
eternal and sublime.

Godless
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

God is absolute Nothingness
beyond our sense of time and place;
the more we try to grasp Him,
The more He flees from our embrace.

The Source
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Water is pure and clean
when taken at the well-head:
but drink too far from the Source
and you may well end up dead.

Ceaseless Peace
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Unceasingly you seek
life's ceaseless wavelike motion;
I seek perpetual peace, all storms calmed.
Whose is the wiser notion?

Well Written
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Friend, cease!
Abandon all pretense!
You must yourself become
the Writing and the Sense.

Worm Food
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

No worm is buried
so deep within the soil
that God denies it food
as reward for its toil.

Mature Love
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

New love, like a sparkling wine, soon fizzes.
Mature love, calm and serene, abides.

God's Predicament
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

God cannot condemn those with whom he would dwell,
or He would have to join them in hell!

Clods
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

A ruby
is not lovelier
than a dirt clod,
nor an angel
more glorious
than a frog.



The original poem below is based on my teenage misinterpretation of a Latin prayer …

Elegy for a little girl, lost
by Michael R. Burch

… qui laetificat juventutem meam …
She was the joy of my youth,
and now she is gone.
… requiescat in pace …
May she rest in peace.
… amen …
Amen.

I was touched by this Latin prayer, which I discovered in a novel I read as a teenager. I later decided to incorporate it into a poem. From what I now understand, “ad deum qui laetificat juventutem meam” means “to the God who gives joy to my youth,” but I am sticking with my original interpretation: a lament for a little girl at her funeral. The phrase can be traced back to Saint Jerome's translation of Psalm 42 in the Vulgate Latin Bible (circa 385 AD).

Ethereal: A Commissioned Poem


This one knocked me Askew! What do I know of
"an ethereal world created through the poetic imagination."

I am a flea of simplicity, a blunt and direct man, who scribes the small, cherishes the little, grabs the middle.
So many here are so far linguistically superior, when matters light, airy, and heavenly are involved.
Hell, I even call god, my buddy, by his first name when ****** stops by to make confession.
But first take a nine minutes, patiently, to listen to this, all the way to the end.
http://youtu.be/xxTF2umRtqY
Then, and only then, read.

— ethereal (adjective)

light, airy, or tenuous; "an ethereal world created through the poetic imagination;" extremely delicate or refined: ethereal beauty; heavenly or celestial; gone to his ethereal home; of or pertaining to the upper regions of space.

My ethereal is:
Autumn leaves, piled, wet and slimy,
stench rotted.

Human waste smeared,
in the the diaper
of the olden, enfeebled.

Burnt flesh,
the sulfuric acid kiss
from a rejected hand.

Cigarette smoke stains
yellow post-it's stuck on human skin.

Men who live in cardboard boxes,
knowing this is
the all of their days
existence.

Scowling smiles, a
coin of death,
on the faces of those forced
to sell themselves for money.

Cursing accident traffic,
until you pass the overturned car,
see the car seats, teddy bears,
just litter now, amidst the
safety glass highway tree decorations.

What did you expect,
some of your favorite things?

Raindrops on roses and whiskers on kittens
Bright copper kettles and warm woolen mittens
Brown paper packages ******* with strings
Cream colored ponies and crisp apple streudels
Doorbells and sleigh bells and schnitzel with noodles
Wild geese that fly with the moon on their wings
Girls in white dresses with blue satin sashes
Snowflakes that stay on my nose and eyelashes
Silver white winters that melt into springs

Ethereal is Sandy swollen-springs
drowning mother and child in their SUV.

Froze dead vagrants
under white pristine,
suffocating,
beneath lovely snowflakes
that ****,
no strudel for them.

Mean ones pouring punch
on pristine prom dresses,
ruining dreams,
such a big scream,
put it in the yearbook,
don't forget the smiley face,
*******.

State troopers ringing doorbells
with so sorry sorry ma'am,
she is not coming home
any more.

Stop!
Why?
You all grown up, learn the real,
this ethereal is the real too.

Wipe that *** look off your face.

You want gossamer and lace?
Wrong poem.
Beat it.
Go whine about your heartbreak
to somebody else,

Ether is the aromatic odor and sweet, burning taste, derived from the action of sulfuric acid.
Look it up, disbeliever, if it matters, it is so
real.

If you gonna use a word,
then know it.
If you gonna claim
the title of human,
try being it,
earning it.

Ethereal is the orderly,
cleaning the *** of the helpless,
one more time,
softly singing.

Ethereal is a car seat
that saves a child, a teen.

Ethereal is soup,
hot hot soup for the
lying on the sidewalk.

Ethereal is miles of flags
receiving our dead
from overseas.

Ethereal is writing a poem about
someone else's pain
in your words.
just once,
straying away from the word I.

Ethereal is saying
hey to the blind,
careful,
wet leaves ahead.

Ethereal is human justice,
most un-divine.

Ethereal is not a thing,
nor even an adjective.
But a way of seeing the world.

Part II

Went out into the night,
back to The Village,
Bleecker Street.
where I used to live (#308).

Heard voices. Human voices.
A Room Full of Teeth.
They sang a Partita.
"A simple piece.
Born of a love of surface and structure,
of the human voice,
of dancing and tired ligaments,
of music, and of our basic desire
to draw a line from one point to another."

It was ethereal.
As I wrote these words in my mind,
My ethereals did not battle but blend,
the ugly and the beauteous.
They coexisted in peace?
I think not.
They coexisted in humanity
All that is delicate,
is only because there is rough.
All that is soft,
is only because there is hard,
Listen to the lines drawn from points on earth.
You cannot choose which points to connect.
For all point to
Ethereal.

Ethereal is not a thing,
nor even an adjective.
But a way of hearing the world.

why as a species
have we consistently
empowered the enfeebled
allowed them to lead the way
what does that say about us
when what sets us apart
is our ability to deduce
we need to stop and decide
if we are the right animal
for the top of the food chain
as i suspect we taste
better than we think

Banks o' Doon
by Robert Burns
modern English translation by Michael R. Burch

Oh, banks and hills of lovely Doon,
How can you bloom so fresh and fair;
How can you chant, diminutive birds,
When I'm so weary, full of care!
You'll break my heart, small warblers,
Flittering through the flowering thorn:
Reminding me of long-lost joys,
Departed―never to return!

I've often wandered lovely Doon,
To see the rose and woodbine twine;
And as the lark sang of its love,
Just as fondly, I sang of mine.
Then gaily-hearted I plucked a rose,
So fragrant upon its thorny tree;
And my false lover stole my rose,
But, ah!, he left the thorn in me.

“The Banks o’ Doon” is a Scots song written by Robert Burns in 1791. It is based on the story of Margaret (Peggy) Kennedy, a girl Burns knew. Keywords/Tags: Robert Burns, song, Doon, banks, Scots, Scottish, Scotland, translation, modernization, update, interpretation, modern English



Translations of Scottish Poems

Sweet Rose of Virtue
by William Dunbar [1460-1525]
loose translation/interpretation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.



Ballad
by William Soutar
translation/modernization by Michael R. Burch

O, surely you have seen my love
Down where the waters wind:
He walks like one who fears no man
And yet his eyes are kind!

O, surely you have seen my love
At the turning of the tide:
For then he gathers in his nets
Down by the waterside!

Yes, lassie we have seen your love
At the turning of the tide:
For he was with the fisher folk
Down by the waterside.

The fisher folk worked at their trade
No far from Walnut Grove:
They gathered in their dripping nets
And found your one true love!

Keywords/Tags: William Soutar, Scottish, Scot, Scotsman, ballad, water, waterside, tide, nets, nets, fisher, fishers, fisher folk, fishermen, love, sea, ocean, lost, lost love, loss



Lament for the Makaris (“Lament for the Makers, or Poets”)
by William Dunbar (c. 1460-1530)
loose translation/interpretation by Michael R. Burch

i who enjoyed good health and gladness
am overwhelmed now by life’s terrible sickness
and enfeebled with infirmity;
the fear of Death dismays me!

our presence here is mere vainglory;
the false world is but transitory;
the flesh is frail; the Fiend runs free;
how the fear of Death dismays me!

the state of man is changeable:
now sound, now sick, now blithe, now dull,
now manic, now devoid of glee;
and the fear of Death dismays me!

no state on earth stands here securely;
as the wild wind waves the willow tree,
so wavers this world’s vanity;
and the fear of Death dismays me!

Death leads the knights into the field
(unarmored under helm and shield)
sole Victor of each red mêlée;
and the fear of Death dismays me!

that strange, despotic Beast
tears from its mother’s breast
the babe, full of benignity;
and the fear of Death dismays me!

He takes the champion of the hour,
the captain of the highest tower,
the beautiful damsel in full flower;
how the fear of Death dismays me!

He spares no lord for his elegance,
nor clerk for his intelligence;
His dreadful stroke no man can flee;
and the fear of Death dismays me!

artist, magician, scientist,
orator, debater, theologist,
all must conclude, so too, as we:
“the fear of Death dismays me!”

in medicine the most astute
sawbones and surgeons all fall mute;
they cannot save themselves, or flee,
and the fear of Death dismays me!

i see the Makers among the unsaved;
the greatest of Poets all go to the grave;
He does not spare them their faculty,
and the fear of Death dismays me!

i have seen Him pitilessly devour
our noble Chaucer, poetry’s flower,
and Lydgate and Gower (great Trinity!);
how the fear of Death dismays me!

since He has taken my brothers all,
i know He will not let me live past the fall;
His next victim will be —poor unfortunate me!—
and how the fear of Death dismays me!

there is no remedy for Death;
we must all prepare to relinquish breath,
so that after we die, we may no more plead:
“the fear of Death dismays me!”



To a Mouse
by Robert Burns
modern English translation by Michael R. Burch

Sleek, tiny, timorous, cowering beast,
why's such panic in your breast?
Why dash away, so quick, so rash,
in a frenzied flash
when I would be loath to pursue you
with a murderous plowstaff!

I'm truly sorry Man's dominion
has broken Nature's social union,
and justifies that bad opinion
which makes you startle,
when I'm your poor, earth-born companion
and fellow mortal!

I have no doubt you sometimes thieve;
What of it, friend? You too must live!
A random corn-ear in a shock's
a small behest; it-
'll give me a blessing to know such a loss;
I'll never miss it!

Your tiny house lies in a ruin,
its fragile walls wind-rent and strewn!
Now nothing's left to construct you a new one
of mosses green
since bleak December's winds, ensuing,
blow fast and keen!

You saw your fields laid bare and waste
with weary winter closing fast,
and cozy here, beneath the blast,
you thought to dwell,
till crash! the cruel iron ploughshare passed
straight through your cell!

That flimsy heap of leaves and stubble
had cost you many a weary nibble!
Now you're turned out, for all your trouble,
less house and hold,
to endure the winter's icy dribble
and hoarfrosts cold!

But mouse-friend, you are not alone
in proving foresight may be vain:
the best-laid schemes of Mice and Men
go oft awry,
and leave us only grief and pain,
for promised joy!

Still, friend, you're blessed compared with me!
Only present dangers make you flee:
But, ouch!, behind me I can see
grim prospects drear!
While forward-looking seers, we
humans guess and fear!



To a Louse
by Robert Burns
translation/interpretation by Michael R. Burch

Hey! Where're you going, you crawling hair-fly?
Your impudence protects you, barely;
I can only say that you swagger rarely
Over gauze and lace.
Though faith! I fear you dine but sparely
In such a place.

You ugly, creeping, blasted wonder,
Detested, shunned by both saint and sinner,
How dare you set your feet upon her—
So fine a lady!
Go somewhere else to seek your dinner
On some poor body.

Off! around some beggar's temple shamble:
There you may creep, and sprawl, and scramble,
With other kindred, jumping cattle,
In shoals and nations;
Where horn nor bone never dare unsettle
Your thick plantations.

Now hold you there! You're out of sight,
Below the folderols, snug and tight;
No, faith just yet! You'll not be right,
Till you've got on it:
The very topmost, towering height
Of miss's bonnet.

My word! right bold you root, contrary,
As plump and gray as any gooseberry.
Oh, for some rank, mercurial resin,
Or dread red poison;
I'd give you such a hearty dose, flea,
It'd dress your noggin!

I wouldn't be surprised to spy
You on some housewife's flannel tie:
Or maybe on some ragged boy's
Pale undervest;
But Miss's finest bonnet! Fie!
How dare you jest?

Oh Jenny, do not toss your head,
And lash your lovely braids abroad!
You hardly know what cursed speed
The creature's making!
Those winks and finger-ends, I dread,
Are notice-taking!

O would some Power with vision teach us
To see ourselves as others see us!
It would from many a blunder free us,
And foolish notions:
What airs in dress and carriage would leave us,
And even devotion!



A Red, Red Rose
by Robert Burns
modern English translation by Michael R. Burch

Oh, my love is like a red, red rose
that's newly sprung in June
and my love is like the melody
that's sweetly played in tune.

And you're so fair, my lovely lass,
and so deep in love am I,
that I will love you still, my dear,
till all the seas run dry.

Till all the seas run dry, my dear,
and the rocks melt with the sun!
And I will love you still, my dear,
while the sands of life shall run.  

And fare you well, my only love!
And fare you well, awhile!
And I will come again, my love,
though it were ten thousand miles!



Comin Thro the Rye
by Robert Burns
modern English translation by Michael R. Burch

Oh, Jenny's all wet, poor body,
Jenny's seldom dry;
She's draggin' all her petticoats
Comin' through the rye.

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the rye,
Should a body kiss a body,
Need anybody cry?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the glen,
Should a body kiss a body,
Need all the world know, then?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.



Auld Lange Syne
by Robert Burns
modern English translation by Michael R. Burch

Should old acquaintance be forgot,
And never brought to mind?
Should old acquaintance be forgot,
And days for which we pine?

For times we shared, my darling,
Days passed, once yours and mine,
We’ll raise a cup of kindness yet,
To those fond-remembered times!

Was it the proud full sail of his great verse,
Bound for the prize of all-too-precious you,
That did my ripe thoughts in my brain inhearse,
Making their tomb the womb wherein they grew?
Was it his spirit, by spirits taught to write
Above a mortal pitch, that struck me dead?
No, neither he, nor his compeers by night
Giving him aid, my verse astonishèd.
He nor that affable familiar ghost
Which nightly gulls him with intelligence,
As victors of my silence cannot boast;
I was not sick of any fear from thence.
    But when your countenance filled up his line,
    Then lacked I matter, that enfeebled mine.

This miracle.

More than once.
Stay up all night.
Troubles, worry, my closest friends.

More than once.
Stay up all night.
Reading your poems.
Wondering.
Why bother.

New names, millions.
Endless, a beach.
Talent that mocks me.
Enfeebled, why bother.

I am ready to say.
Enough.
I am tantalized.
Where come us all?
So much talent to design,
Word combinations that
Astound.

I think.
Never write a sentence.
Longer than five words.
Simplicity.
Modesty.
Let this be your.
Memory.
Record.

There is no place.
In this mirrored world,
Where selves so easy slashed.
For arrogance.
There is no place in poetry.
For the arrogant.

More on this later.
Now, I am knee-floored.

Crying. Begging.
Turned my eyes
To the mountains.
From whence will come
My help?
My miracle?

September 7th, 2013

3:56am

the enfeebled voice spoke of hopelessness
the inflamed flesh told of a spirit subdued
shrunken and felled by a creeping weakness
her sightless eyes  were a sign of approaching demise
yet she said she would see me in the morning
and next day under the winking sun i was at her mourning
keeping a promise made a long time ago under a cork tree
to sing about the beauty of a true heart that loved well
and how there was a place and a time for sundown trysts
in the world of articulate shadows beyond the endless blue
and there an enigmatic silhouette she waits in expectant vigil

TRANSLATIONS OF SCOTTISH POETS

These are my modern English translations of poems by the Scottish poets William Dunbar, Robert Burns, William Soutar and Hugh MacDiarmid.

Ballad
by William Soutar
translation/modernization by Michael R. Burch

O, surely you have seen my love
Down where the waters wind:
He walks like one who fears no man
And yet his eyes are kind!

O, surely you have seen my love
At the turning of the tide:
For then he gathers in his nets
Down by the waterside!

Yes, lassie we have seen your love
At the turning of the tide:
For he was with the fisher folk
Down by the waterside.

The fisher folk worked at their trade
No far from Walnut Grove:
They gathered in their dripping nets
And found your one true love!



The Watergaw
by Hugh MacDiarmid
loose translation/interpretation by Michael R. Burch

One wet forenight in the sheep-shearing season
I saw the uncanniest thing—
a watergaw with its wavering light
shining beyond the wild downpour of rain
and I thought of the last wild look that you gave
when you knew you were destined for the grave.

There was no light in the skylark's nest
that night—no—nor any in mine;
but now often I've thought of that foolish light
and of these irrational hearts of men
and I think that, perhaps, at last I ken
what your look meant then.



Sweet Rose of Virtue
by William Dunbar
loose translation/interpretation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue men hold most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet nowhere one leaf nor petal of rue.

I fear that March with his last arctic blast
has slain my fair rose and left her downcast,
whose piteous death does my heart such pain
that I long to plant love's root again―
so comforting her bowering leaves have been.

If the tenth line seems confusing, it helps to know that rue symbolizes pity and also has medicinal uses; thus I believe the unrequiting lover is being accused of a lack of compassion and perhaps of withholding her healing attentions. The penultimate line can be taken as a rather naughty double entendre, but I will leave that interpretation up to the reader! 'Sweet Rose of Virtue' has been described as a 'lovely, elegant poem in the amour courtois tradition' or courtly love tradition. According to Tom Scott, author of 'Dunbar: A Critical Exposition of the Poems, ' this poem is 'Dunbar's most perfect lyric, and one of the supreme lyrics in Scots and English.' William Dunbar [c.1460-1530] has been called the Poet Laureate of the court of King James IV of Scotland.



Lament for the Makaris [Makers, or Poets]
by William Dunbar
loose translation/interpretation by Michael R. Burch

i who enjoyed good health and gladness
am overwhelmed now by life's terrible sickness
and enfeebled with infirmity...
how the fear of Death dismays me!

our presence here is mere vainglory;
the false world is but transitory;
the flesh is frail; the Fiend runs free...
how the fear of Death dismays me!

the state of man is changeable:
now sound, now sick, now blithe, now dull,
now manic, now devoid of glee...
how the fear of Death dismays me!

no state on earth stands here securely;
as the wild wind shakes the willow tree,
so wavers this world's vanity...
how the fear of Death dismays me!

Death leads the knights into the field
(unarmored under helm and shield)
sole Victor of each red mêlée...
how the fear of Death dismays me!

that strange, despotic Beast
tears from its mother's breast
the babe, full of benignity...
how the fear of Death dismays me!

He takes the champion of the hour,
the captain of the highest tower,
the beautiful damsel in her tower...
how the fear of Death dismays me!

He spares no lord for his elegance,
nor clerk for his intelligence;
His dreadful stroke no man can flee...
how the fear of Death dismays me!

artist, magician, scientist,
orator, debater, theologist,
must all conclude, so too, as we:
'how the fear of Death dismays me! '

in medicine the most astute
sawbones and surgeons all fall mute;
they cannot save themselves, or flee...
how the fear of Death dismays me!

i see the Makers among the unsaved;
the greatest of Poets all go to the grave;
He does not spare them their faculty...
how the fear of Death dismays me!

i have seen Him pitilessly devour
our noble Chaucer, poetry's flower,
and Lydgate and Gower (great Trinity!) ...
how the fear of Death dismays me!

since He has taken my brothers all,
i know He will not let me live past the fall;
His next prey will be — poor unfortunate me! ...
how the fear of Death dismays me!

there is no remedy for Death;
we all must prepare to relinquish breath
so that after we die, we may be set free
from 'the fear of Death dismays me! '



Comin Thro the Rye
by Robert Burns
translation/interpretation/modernization by Michael R. Burch

Oh, Jenny's all wet, poor body,
Jenny's seldom dry;
She's draggin' all her petticoats
Comin' through the rye.

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the rye,
Should a body kiss a body,
Need anybody cry?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the glen,
Should a body kiss a body,
Need all the world know, then?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.



To a Mouse
by Robert Burns
translation/interpretation/modernization by Michael R. Burch

Sleek, tiny, timorous, cowering beast,
why's such panic in your breast?
Why dash away, so quick, so rash,
in a frenzied flash
when I would be loath to pursue you
with a murderous plowstaff!

I'm truly sorry Man's dominion
has broken Nature's social union,
and justifies that bad opinion
which makes you startle,
when I'm your poor, earth-born companion
and fellow mortal!

I have no doubt you sometimes thieve;
What of it, friend? You too must live!
A random corn-ear in a shock's
a small behest; it-
'll give me a blessing to know such a loss;
I'll never miss it!

Your tiny house lies in a ruin,
its fragile walls wind-rent and strewn!
Now nothing's left to construct you a new one
of mosses green
since bleak December's winds, ensuing,
blow fast and keen!

You saw your fields laid bare and waste
with weary winter closing fast,
and cozy here, beneath the blast,
you thought to dwell,
till crash! the cruel iron ploughshare passed
straight through your cell!

That flimsy heap of leaves and stubble
had cost you many a weary nibble!
Now you're turned out, for all your trouble,
less house and hold,
to endure cold winter's icy dribble
and hoarfrosts cold!

But mouse-friend, you are not alone
in proving foresight may be vain:
the best-laid schemes of Mice and Men
go oft awry,
and leave us only grief and pain,
for promised joy!

Still, friend, you're blessed compared with me!
Only present dangers make you flee:
But, ouch! , behind me I can see
grim prospects drear!
While forward-looking seers, we
humans guess and fear!



To a Louse
by Robert Burns
translation/interpretation/modernization by Michael R. Burch

Hey! Where're you going, you crawling hair-fly?
Your impudence protects you, barely;
I can only say that you swagger rarely
Over gauze and lace.
Though faith! I fear you dine but sparely
In such a place.

You ugly, creeping, blasted wonder,
Detested, shunned by both saint and sinner,
How dare you set your feet upon her—
So fine a lady!
Go somewhere else to seek your dinner
On some poor body.

Off! around some beggar's temple shamble:
There you may creep, and sprawl, and scramble,
With other kindred, jumping cattle,
In shoals and nations;
Where horn nor bone never dare unsettle
Your thick plantations.

Now hold you there! You're out of sight,
Below the folderols, snug and tight;
No, faith just yet! You'll not be right,
Till you've got on it:
The very topmost, towering height
Of miss's bonnet.

My word! right bold you root, contrary,
As plump and gray as any gooseberry.
Oh, for some rank, mercurial resin,
Or dread red poison;
I'd give you such a hearty dose, flea,
It'd dress your noggin!

I wouldn't be surprised to spy
You on some housewife's flannel tie:
Or maybe on some ragged boy's
Pale undervest;
But Miss's finest bonnet! Fie!
How dare you jest?

Oh Jenny, do not toss your head,
And lash your lovely braids abroad!
You hardly know what cursed speed
The creature's making!
Those winks and finger-ends, I dread,
Are notice-taking!

O would some Power with vision teach us
To see ourselves as others see us!
It would from many a blunder free us,
And foolish notions:
What airs in dress and carriage would leave us,
And even devotion!



Auld Lang Syne
by Robert Burns
translation/interpretation/modernization by Michael R. Burch

Should old acquaintance be forgot,
And never brought to mind?
Should old acquaintance be forgot,
And days for which we pine?

For times we shared, my darling,
Days passed, once yours and mine,
We'll raise a cup of kindness yet,
To those fond-remembered times!

Have you ever wondered just exactly what you're singing? 'Auld lang syne' means something like 'times gone by' or 'times long since passed' and in the context of the song means something like 'times long since passed that we shared together and now remember fondly.' In my translation, which is not word-for-word, I try to communicate what I believe Burns was trying to communicate: raising a toast to fond recollections of times shared in the past.



Banks of Doon
by Robert Burns
translation/interpretation/modernization by Michael R. Burch

Oh, banks and hills of lovely Doon,
How can you bloom so fresh and fair;
How can you chant, diminutive birds,
When I'm so weary, full of care!

You'll break my heart, small warblers,
Flittering through the flowering thorn:
Reminding me of long-lost joys,
Departed—never to return!

I've often wandered lovely Doon,
To see the rose and woodbine twine;
And as the lark sang of its love,
Just as fondly, I sang of mine.

Then gaily-hearted I plucked a rose,
So fragrant upon its thorny tree;
And my false lover stole my rose,
But, ah! , he left the thorn in me.

The poem 'Comin Thro the Rye' by Robert Burns may be best-known today because of Holden Caulfield's misinterpretation of it in The Catcher in the Rye. In the book, Caulfield relates his fantasy to his sister, Phoebe: he's the 'catcher in the rye, ' rescuing children from falling from a cliff. Phoebe corrects him, pointing out that poem is not about a 'catcher' in the rye, but about a girl who has met someone in the rye for a kiss (or more) , got her underclothes wet (not for the first time) , and is dragging her way back to a polite (i.e., Puritanical)  society that despises girls who are 'easy.' Robert Burns, an honest man, was exhibiting empathy for girls who were castigated for doing what all the boys and men longed to do themselves.



Comin Thro the Rye
by Robert Burns
modern English translation/interpretation by Michael R. Burch

O, Jenny's a' weet, poor body, // Oh, Jenny's all wet, poor body,
Jenny's seldom dry; // Jenny's seldom dry;
She draigl't a' her petticoattie // She's draggin' all her petticoats
Comin thro' the rye. // Comin' through the rye.
Comin thro the rye, poor body, // Comin' through the rye, poor body,
Comin thro the rye, // Comin' through the rye.
She draigl't a'her petticoatie, // She's draggin' all her petticoats
Comin thro the rye! // Comin' through the rye.

Gin a body meet a body // Should a body meet a body
Comin thro the rye, // Comin' through the rye,
Gin a body kiss a body, // Should a body kiss a body,
Need a body cry? // Need anybody cry?
Comin thro the rye, poor body, // Comin' through the rye, poor body,
Comin thro the rye, // Comin' through the rye.
She draigl't a'her petticoatie, // She's draggin' all her petticoats
Comin thro the rye! // Comin' through the rye.

Gin a body meet a body // Should a body meet a body
Comin thro the glen, // Comin' through the glen,
Gin a body kiss a body, // Should a body kiss a body,
Need the warld ken? // Need all the world know, then?
Comin thro the rye, poor body, // Comin' through the rye, poor body,
Comin thro the rye, // Comin' through the rye.
She draigl't a'her petticoatie, // She's draggin' all her petticoats
Comin thro the rye! // Comin' through the rye.



A Red, Red Rose
by Robert Burns
modern English translation/interpretation by Michael R. Burch

Oh my luve is like a red, red rose // Oh, my love is like a red, red rose
That's newly sprung in June: // that's newly sprung in June
Oh my luve is like the melodie // and my love is like the melody
That's sweetly play'd in tune. // that's sweetly played in tune.

As fair art thou, my bonie lass, // And you're so fair, my lovely lass,
So deep in luve am I; // and so deep in love am I,
And I will luve thee still, my dear, // that I will love you still, my dear,
Till a' the seas gang dry. // till all the seas run dry.

Till a' the seas gang dry, my dear, // Till all the seas run dry, my dear,
And the rocks melt wi' the sun; // and the rocks melt with the sun!
And I will luve thee still, my dear, // And I will love you still, my dear,
While the sands o' life shall run. // while the sands of life shall run.

And fare thee weel, my only luve! // And fare you well, my only love!
And fare thee weel a while! // And fare you well, awhile!
And I will come again, my luve, // And I will come again, my love,
Tho' it were ten thousand mile! // though it were ten thousand miles!


Keywords/Tags: Scot, Scotland, Scottish poem, modern English translation, translations, Robert Burns, William Dunbar, William Soutar, Hugh MacDiarmid

skin burnt,
blistered and charred,
hair scorched to the
naked flesh beneath.
cracked hands bleeding;
make enfeebled attempt to
obscure disfigured face—
hiding from onlookers' gaze the
shame of such pain.

a world set aflame,
the inferno a scheme
by heat and by
fire, amidst
swirling orange spires,
the landscape through force
taken at desire.

an ape once great,
gentle regality
reduction by immolation,
magnificence squandered,
now moulded to ash,
an animal sacrifice—a victim of
act without consequence consideration,
to appease devilish demand,
the culinary Palm to
grace the malefactor's hand.

nature's innocence course set—damnation,
if not new mind found.
a power,
the fortitude and will
to exorcise this demon—
this demon
known as man.

This World's Joy: The Best Medieval Poems in Modern English Translations by Michael R. Burch

These are my modern English translations of Middle English and Old English/Anglo-Saxon poems poems by Anonymous, Caedmon, Geoffrey Chaucer, Thomas Campion, Deor, William Dunbar, Godric of Finchale, Charles d'Orleans, Layamon and Sir Thomas Wyatt.




This World's Joy
anonymous Middle English poem, circa 1300
loose translation/interpretation by Michael R. Burch

Winter awakens all my care
as leafless trees grow bare.
For now my sighs are fraught
whenever it enters my thought:
regarding this world's joy,
how everything comes to naught.

[MS. Harl. 2253. f. 49r]

The original Middle English text:

Wynter wakeneth al my care,
Nou this leves waxeth bare.
Ofte y sike ant mourne sare
When hit cometh in my thoht
Of this worldes joie, hou hit goth al to noht.

“This World’s Joy” or “Wynter wakeneth al my care” is one of the earliest surviving winter poems in English literature and an early rhyming poem as well.  Edward Bliss Reed dated the poem to around 1310, around 30 years before the birth of Geoffrey Chaucer, and said it was thought to have been composed in Leominster, Herefordshire. I elected to translate the first stanza as a poem in its own right. Keywords/Tags: Middle English, translation, anonymous, rhyme, rhyming, medieval, lament, lamentation, care, cares, sighs, winter, trees, leafless, bare, barren, barrenness, emptiness, isolation, alienation, joy, joys



How Long the Night
(anonymous Middle English lyric, circa early 13th century AD)
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song …
but now I feel the northern wind's blast—
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



Sweet Rose of Virtue
by William Dunbar (1460-1525)
loose translation/interpretation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose and left her downcast,
whose piteous death does my heart such pain
that I long to plant love's root again―
so comforting her bowering leaves have been.

My translation of "Lament for the Makaris" by William Dunbar appears later on this page.



I Have Labored Sore
(anonymous medieval lyric circa the fifteenth century)
loose translation/interpretation by Michael R. Burch

I have labored sore          and suffered death,
so now I rest           and catch my breath.
But I shall come      and call right soon
heaven and earth          and hell to doom.
Then all shall know           both devil and man
just who I was               and what I am.



A Lyke-Wake Dirge
(anonymous medieval lyric circa the 16th century AD)
loose translation/interpretation by Michael R. Burch

The Lie-Awake Dirge is “the night watch kept over a corpse.”

This one night, this one night,
every night and all;
fire and sleet and candlelight,
and Christ receive thy soul.

When from this earthly life you pass
every night and all,
to confront your past you must come at last,
and Christ receive thy soul.

If you ever donated socks and shoes,
every night and all,
sit right down and slip yours on,
and Christ receive thy soul.

But if you never helped your brother,
every night and all,
walk barefoot through the flames of hell,
and Christ receive thy soul.

If ever you shared your food and drink,
every night and all,
the fire will never make you shrink,
and Christ receive thy soul.

But if you never helped your brother,
every night and all,
walk starving through the black abyss,
and Christ receive thy soul.

This one night, this one night,
every night and all;
fire and sleet and candlelight,
and Christ receive thy soul.



Excerpt from “Ubi Sunt Qui Ante Nos Fuerunt?”
(anonymous Middle English poem, circa 1275)
loose translation/interpretation by Michael R. Burch

Where are the men who came before us,
who led hounds and hawks to the hunt,
who commanded fields and woods?
Where are the elegant ladies in their boudoirs
who braided gold through their hair
and had such fair complexions?

Once eating and drinking gladdened their hearts;
they enjoyed their games;
men bowed before them;
they bore themselves loftily …
But then, in an eye’s twinkling,
they were gone.

Where now are their songs and their laughter,
the trains of their dresses,
the arrogance of their entrances and exits,
their hawks and their hounds?
All their joy has vanished;
their “well” has come to “oh, well”
and to many dark days …



"Now skruketh rose and lylie flour" is an early Middle English poem that gives a hint of things to come, in terms of meter and rhyme …

Now skruketh rose and lylie flour
(anonymous Middle English lyric, circa 11th century AD)
loose translation/interpretation by Michael R. Burch

Now the rose and the lily skyward flower,
That will bear for awhile that sweet savor:
In summer, that sweet tide;
There is no queen so stark in her power
Nor any lady so bright in her bower
That Death shall not summon and guide;
But whoever forgoes lust, in heavenly bliss will abide
With his thoughts on Jesus anon, thralled at his side.

skruketh = break forth, burst open; stour = strong, stern, hardy; tharled = thralled?, made a serf?, bound?



Fowles in the Frith
(anonymous Middle English lyric, circa 13th-14th century AD)
loose translation/interpretation by Michael R. Burch

The fowls in the forest,
the fishes in the flood
and I must go mad:
such sorrow I've had
for beasts of bone and blood!

Sounds like an early animal rights activist! The use of "and" is intriguing … is the poet saying that his walks in the woods drive him mad because he's also a "beast of bone and blood" facing a similar fate? I must note, however, that this is my personal interpretation. The poem has "beste" and the poet may have meant "for the best of bone and blood" meaning some unidentified person, presumably.



Westron Wynde
(anonymous Middle English lyric, found in a partbook circa 1530 AD, but perhaps written earlier)
loose translation/interpretation by Michael R. Burch

Western wind, when will you blow,
bringing the drizzling rain?
Christ, that my love were in my arms,
and I in my bed again!

The original poem has "the smalle rayne down can rayne" which suggests a drizzle or mist.



Pity Mary
(anonymous Middle English lyric, circa early 13th century AD)
loose translation/interpretation by Michael R. Burch

Now the sun passes under the wood:
I rue, Mary, thy face—fair, good.
Now the sun passes under the tree:
I rue, Mary, thy son and thee.

In the poem above, note how "wood" and "tree" invoke the cross while "sun" and "son" seem to invoke each other. Sun-day is also Son-day, to Christians. The anonymous poet who wrote the poem above may have been been punning the words "sun" and "son." The poem is also known as "Now Goeth Sun Under Wood" and "Now Go'th Sun Under Wood."



I am of Ireland
(anonymous Medieval Irish lyric, circa 13th-14th century AD)
loose translation/interpretation by Michael R. Burch

I am of Ireland,
and of the holy realm of Ireland.
Gentlefolk, I pray thee:
for the sake of saintly charity,
come dance with me
in Ireland!



Whan the turuf is thy tour
(anonymous Middle English lyric, circa the 13th century AD)
loose translation/interpretation by Michael R. Burch

1.
When the turf is your tower
and the pit is your bower,
your pale white skin and throat
shall be sullen worms’ to note.
What help to you, then,
was all your worldly hope?

2.
When the turf is your tower
and the grave is your bower,
your pale white throat and skin
worm-eaten from within …
what hope of my help then?

The second translation leans more to the "lover's complaint" and carpe diem genres, with the poet pointing out to his prospective lover that by denying him her favors she make take her virtue to the grave where worms will end her virginity in macabre fashion. This poem may be an ancient precursor of poems like Andrew Marvell's "To His Coy Mistress."



Ech day me comëth tydinges thre
(anonymous Middle English lyric, circa the 13th to 14th century AD)
loose translation/interpretation by Michael R. Burch

Each day I’m plagued by three doles,
These gargantuan weights on my soul:
First, that I must somehow exit this fen.
Second, that I cannot know when.
And yet it’s the third that torments me so,
Because I don't know where the hell I will go!



Ich have y-don al myn youth
(anonymous Middle English lyric, circa the 13th to 14th century AD)
loose translation/interpretation by Michael R. Burch

I have done it all my youth:
Often, often, and often!
I have loved long and yearned zealously …
And oh what grief it has brought me!



GEOFFREY CHAUCER

Three Roundels by Geoffrey Chaucer

I. Merciles Beaute ("Merciless Beauty")
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Your eyes slay me suddenly;
their beauty I cannot sustain,
they wound me so, through my heart keen.

Unless your words heal me hastily,
my heart's wound will remain green;
for your eyes slay me suddenly;
their beauty I cannot sustain.

By all truth, I tell you faithfully
that you are of life and death my queen;
for at my death this truth shall be seen:
your eyes slay me suddenly;
their beauty I cannot sustain,
they wound me so, through my heart keen.



II. Rejection
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Your beauty from your heart has so erased
Pity, that it’s useless to complain;
For Pride now holds your mercy by a chain.

I'm guiltless, yet my sentence has been cast.
I tell you truly, needless now to feign,—
Your beauty from your heart has so erased
Pity, that it’s useless to complain.

Alas, that Nature in your face compassed
Such beauty, that no man may hope attain
To mercy, though he perish from the pain;
Your beauty from your heart has so erased
Pity, that it’s useless to complain;
For Pride now holds your mercy by a chain.



III. Escape
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean;
Since I am free, I count it not a bean.

He may question me and counter this and that;
I care not: I will answer just as I mean.
Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean.

Love strikes me from his roster, short and flat,
And he is struck from my books, just as clean,
Forevermore; there is no other mean.
Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean;
Since I am free, I count it not a bean.



Welcome, Summer
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Now welcome, Summer, with your sun so soft,
since you’ve banished Winter with her icy weather
and driven away her long nights’ frosts.
Saint Valentine, in the heavens aloft,
the songbirds sing your praises together!

Now welcome, Summer, with your sun so soft,
since you’ve banished Winter with her icy weather.

We have good cause to rejoice, not scoff,
since love’s in the air, and also in the heather,
whenever we find such blissful warmth, together.

Now welcome, Summer, with your sun so soft,
since you’ve banished Winter with her icy weather
and driven away her long nights’ frosts.



CHARLES D'ORLEANS

Rondel: Your Smiling Mouth
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/moderniz  ation by Michael R. Burch

Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains,
Your hands so smooth, each finger straight and plain,
Your little feet—please, what more can I say?

It is my fetish when you’re far away
To muse on these and thus to soothe my pain—
Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains.

So would I beg you, if I only may,
To see such sights as I before have seen,
Because my fetish pleases me. Obscene?
I’ll be obsessed until my dying day
By your sweet smiling mouth and eyes, bright gray,
Your ample ******* and slender arms’ twin chains!



Spring
by Charles d’Orleans (c. 1394-1465)
loose translation/interpretation/moderniz  ation by Michael R. Burch

Young lovers,
greeting the spring
fling themselves downhill,
making cobblestones ring
with their wild leaps and arcs,
like ecstatic sparks
struck from coal.

What is their brazen goal?

They grab at whatever passes,
so we can only hazard guesses.
But they rear like prancing steeds
raked by brilliant spurs of need,
Young lovers.



Oft in My Thought
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/moderniz  ation by Michael R. Burch

So often in my busy mind I sought,
    Around the advent of the fledgling year,
For something pretty that I really ought
    To give my lady dear;
    But that sweet thought's been wrested from me, clear,
        Since death, alas, has sealed her under clay
    And robbed the world of all that's precious here―
         God keep her soul, I can no better say.

For me to keep my manner and my thought
    Acceptable, as suits my age's hour?
While proving that I never once forgot
    Her worth? It tests my power!
    I serve her now with masses and with prayer;
        For it would be a shame for me to stray
    Far from my faith, when my time's drawing near—
         God keep her soul, I can no better say.

Now earthly profits fail, since all is lost
    And the cost of everything became so dear;
Therefore, O Lord, who rules the higher host,
    Take my good deeds, as many as there are,
    And crown her, Lord, above in your bright sphere,
        As heaven's truest maid! And may I say:
    Most good, most fair, most likely to bring cheer—
         God keep her soul, I can no better say.

When I praise her, or hear her praises raised,
I recall how recently she brought me pleasure;
    Then my heart floods like an overflowing bay
And makes me wish to dress for my own bier—
    God keep her soul, I can no better say.



Winter has cast his cloak away
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/moderniz  ation by Michael R. Burch

Winter has cast his cloak away
of wind and cold and chilling rain
to dress in embroidered light again:
the light of day—bright, festive, gay!
Each bird and beast, without delay,
in its own tongue, sings this refrain:
"Winter has cast his cloak away!"
Brooks, fountains, rivers, streams at play,
wear, with their summer livery,
bright beads of silver jewelry.
All the Earth has a new and fresh display:
Winter has cast his cloak away!

This rondeau was set to music by Debussy in his Trois chansons de France.



The year lays down his mantle cold
by Charles d’Orleans (1394-1465)
loose translation/interpretation/moderniz  ation by Michael R. Burch

The year lays down his mantle cold
of wind, chill rain and bitter air,
and now goes clad in clothes of gold
of smiling suns and seasons fair,
while birds and beasts of wood and fold
now with each cry and song declare:
"The year lays down his mantle cold!"
All brooks, springs, rivers, seaward rolled,
now pleasant summer livery wear
with silver beads embroidered where
the world puts off its raiment old.
The year lays down his mantle cold.



Fair Lady Without Peer
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Fair Lady, without peer, my plea,
Is that your grace will pardon me,
Since I implore, on bended knee.
No longer can I, privately,
Keep this from you: my deep distress,
When only you can comfort me,
For I consider you my only mistress.

This powerful love demands, I fear,
That I confess things openly,
Since to your service I came here
And my helpless eyes were forced to see
Such beauty gods and angels cheer,
Which brought me joy in such excess
That I became your servant, gladly,
For I consider you my only mistress.

Please grant me this great gift most dear:
to be your vassal, willingly.
May it please you that, now, year by year,
I shall serve you as my only Liege.
I bend the knee here—true, sincere—
Unfit to beg one royal kiss,
Although none other offers cheer,
For I consider you my only mistress.



Chanson: Let Him Refrain from Loving, Who Can
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Let him refrain from loving, who can.
I can no longer hover.
I must become a lover.
What will become of me, I know not.

Although I’ve heard the distant thought
that those who love all suffer,
I must become a lover.
I can no longer refrain.

My heart must risk almost certain pain
and trust in Beauty, however distraught.
For if a man does not love, then what?
Let him refrain from loving, who can.



Her Beauty
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Her beauty, to the world so plain,
Still intimately held my heart in thrall
And so established her sole reign:
She was, of Good, the cascading fountain.
Thus of my Love, lost recently,
I say, while weeping bitterly:
“We cleave to this strange world in vain.”

In ages past when angels fell
The world grew darker with the stain
Of their dear blood, then became hell
While poets wept a tearful strain.
Yet, to his dark and drear domain
Death took his victims, piteously,
So that we bards write bitterly:
“We cleave to this strange world in vain.”

Death comes to claim our angels, all,
as well we know, and spares no pain.
Over our pleasures, Death casts his pall,
Then without joy we “living” remain.
Death treats all Love with such disdain!
What use is this world? For it seems to me,
It has neither Love, nor Pity.
Thus “We cleave to this strange world in vain.”



Chanson: The Summer's Heralds
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

The Summer’s heralds bring a dear
Sweet season of soft-falling showers
And carpet fields once brown and sere
With lush green grasses and fresh flowers.

Now over gleaming lawns appear
The bright sun-dappled lengthening hours.

The Summer’s heralds bring a dear
Sweet season of soft-falling showers.

Faint hearts once chained by sullen fear
No longer shiver, tremble, cower.
North winds no longer storm and glower.
For winter has no business here.



Traitorous Eye
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Traitorous eye, what’s new?
What lewd pranks do you have in view?
Without civil warning, you spy,
And no one ever knows why!

Who understands anything you do?
You’re rash and crass in your boldness too,
And your lewdness is hard to subdue.
Change your crude ways, can’t you?

Traitorous eye, what’s new?
You should be beaten through and through
With a stripling birch strap or two.
Traitorous eye, what’s new?
What lewd pranks do have you in view?



SIR THOMAS WYATT

“Whoso List to Hunt” has an alternate title, “The Lover Despairing to Attain Unto His Lady’s Grace Relinquisheth the Pursuit” and is commonly believed to have been written for Anne Boleyn, who married King Henry VIII only to be beheaded at his command when she failed to produce a male heir. (Ouch, talk about male chauvinism!)

Whoever Longs to Hunt
by Sir Thomas Wyatt
loose translation/interpretation/moderniz  ation by Michael R. Burch

Whoever longs to hunt, I know the deer;
but as for me, alas!, I may no more.
This vain pursuit has left me so bone-sore
I'm one of those who falters, at the rear.
Yet friend, how can I draw my anguished mind
away from the doe?
                                   Thus, as she flees before
me, fainting I follow.
                                     I must leave off, therefore,
since in a net I seek to hold the wind.

Whoever seeks her out,
                                          I relieve of any doubt,
that he, like me, must spend his time in vain.
For graven with diamonds, set in letters plain,
these words appear, her fair neck ringed about:
Touch me not, for Caesar's I am,
And wild to hold, though I seem tame.



Brut, an excerpt
by Layamon, circa 1100 AD
loose translation/interpretation by Michael R. Burch

Now he stands on a hill overlooking the Avon,
seeing steel fishes girded with swords in the stream,
their swimming days done,
their scales a-gleam like gold-plated shields,
their fish-spines floating like shattered spears.



Wulf and Eadwacer
(Old English poem circa 960-990 AD)
loose translation/interpretation by Michael R. Burch

My people pursue him like crippled prey.
They'll rip him apart if he approaches their pack.
We are so different!

Wulf's on one island; I'm on another.
His island's a fortress, fastened by fens.
Here, bloodthirsty curs howl for carnage.
They'll rip him apart if he approaches their pack.
We are so different!

My thoughts pursued Wulf like panting hounds.
Whenever it rained, as I wept,
the bold warrior came; he took me in his arms:
good feelings, to a point, but the end loathsome!
Wulf, O, my Wulf, my ache for you
has made me sick; your infrequent visits
have left me famished, deprived of real meat!
Do you hear, Eadwacer? Watchdog!
A wolf has borne our wretched whelp to the woods.
One can easily sever what never was one:
our song together.



Cædmon's Hymn (Old English circa 658-680 AD)
loose translation/interpretation by Michael R. Burch

Come, let us honour      heaven-kingdom's Guardian,
the might of the Architect      and his mind-plans,
the work of the Glory-Father.      First he, the Everlasting Lord,
established      the foundation of wonders.
Then he, the Primeval Poet,      created heaven as a roof
for the sons of men,      Holy Creator,
Maker of mankind.      Then he, the Eternal Entity,
afterwards made men middle-earth:      Master Almighty!



A Proverb from Winfred's Time
anonymous Old English poem, circa 757-786 AD
loose translation/interpretation by Michael R. Burch

1.
The procrastinator puts off purpose,
never initiates anything marvelous,
never succeeds, dies dead alone.

2.
The late-deed-doer delays glory-striving,
never indulges daring dreams,
never succeeds, dies dead alone.

3.
Often the deed-dodger avoids ventures,
never succeeds, dies dead alone.



Franks Casket Runes
anonymous Old English poems, circa 700 AD
loose translation/interpretation by Michael R. Burch

The fish flooded the shore-cliffs;
the sea-king wept when he swam onto the shingle:
whale's bone.

Romulus and Remus, twin brothers weaned in Rome
by a she-wolf, far from their native land.



"The Leiden Riddle" is an Old English translation of Aldhelm's Latin riddle Lorica ("Corselet").

The Leiden Riddle
anonymous Old English riddle poem, circa 700 AD
loose translation/interpretation by Michael R. Burch

The dank earth birthed me from her icy womb.
I know I was not fashioned from woolen fleeces;
nor was I skillfully spun from skeins;
I have neither warp nor weft;
no thread thrums through me in the thrashing loom;
nor do whirring shuttles rattle me;
nor does the weaver's rod assail me;
nor did silkworms spin me like skillfull fates
into curious golden embroidery.
And yet heroes still call me an excellent coat.
Nor do I fear the dread arrows' flights,
however eagerly they leap from their quivers.

Solution: a coat of mail.



If you see a busker singing for tips, you're seeing someone carrying on an Anglo-Saxon tradition that goes back to the days of Beowulf …

He sits with his harp at his thane's feet,
Earning his hire, his rewards of rings,
Sweeping the strings with his skillful nail;
Hall-thanes smile at the sweet song he sings.
—"Fortunes of Men" loose translation by Michael R. Burch



Deor's Lament
(Anglo Saxon poem, circa 10th century AD)
loose translation/interpretation by Michael R. Burch

Weland knew the agony of exile.
That indomitable smith was wracked by grief.
He endured countless troubles:
sorrows were his only companions
in his frozen island dungeon
after Nithad had fettered him,
many strong-but-supple sinew-bonds
binding the better man.
   That passed away; this also may.

Beadohild mourned her brothers' deaths
but even more, her own sad state
once she discovered herself with child.
She predicted nothing good could come of it.
   That passed away; this also may.

We have heard that the Geat's moans for Matilda,
his lady, were limitless,
that his sorrowful love for her
robbed him of regretless sleep.
   That passed away; this also may.

For thirty winters Theodric ruled
the Mæring stronghold with an iron hand;
many knew this and moaned.
   That passed away; this also may.

We have also heard of Ermanaric's wolfish ways,
of how he held wide sway in the realm of the Goths.
He was a grim king! Many a warrior sat,
full of cares and maladies of the mind,
wishing constantly that his kingdom might be overthrown.
   That passed away; this also may.

If a man sits long enough, sorrowful and anxious,
bereft of joy, his mind constantly darkening,
soon it seems to him that his troubles are endless.
Then he must consider that the wise Lord
often moves through the earth
granting some men honor, glory and fame,
but others only shame and hardship.
This I will say for myself:
that for awhile I was the Heodeninga's scop,
dear to my lord. My name was Deor.
For many winters I held a fine office,
faithfully serving a just lord. But now Heorrenda
a man skilful in songs, has received the estate
the protector of warriors gave me.
   That passed away; this also may.



The Wife's Lament
loose translation/interpretation by Michael R. Burch

I draw these words from deep wells of my grief,
care-worn, unutterably sad.
I can recount woes I've borne since birth,
present and past, never more than now.
I have won, from my exile-paths, only pain.

First, my lord forsook his folk, left,
crossed the seas' tumult, far from our people.
Since then, I've known
wrenching dawn-griefs, dark mournings … oh where,
where can he be?

Then I, too, left—a lonely, lordless refugee,
full of unaccountable desires!
But the man's kinsmen schemed secretly
to estrange us, divide us, keep us apart,
across earth's wide kingdom, and my heart broke.

Then my lord spoke:
"Take up residence here."
I had few friends in this unknown, cheerless
region, none close.
Christ, I felt lost!

Then I thought I had found a well-matched man –
one meant for me,
but unfortunately he
was ill-starred and blind, with a devious mind,
full of murderous intentions, plotting some crime!

Before God we
vowed never to part, not till kingdom come, never!
But now that's all changed, forever –
our friendship done, severed.
I must hear, far and near, contempt for my husband.

So other men bade me, "Go, live in the grove,
beneath the great oaks, in an earth-cave, alone."
In this ancient cave-dwelling I am lost and oppressed –
the valleys are dark, the hills immense,
and this cruel-briared enclosure—an arid abode!

The injustice assails me—my lord's absence!
On earth there are lovers who share the same bed
while I pass through life dead in this dark abscess
where I wilt, summer days unable to rest
or forget the sorrows of my life's hard lot.

A young woman must always be
stern, hard-of-heart, unmoved,
opposing breast-cares and her heartaches' legions.
She must appear cheerful
even in a tumult of grief.

Like a criminal exiled to a far-off land,
moaning beneath insurmountable cliffs,
my weary-minded love, drenched by wild storms
and caught in the clutches of anguish,
is reminded constantly of our former happiness.

Woe be it to them who abide in longing.



The Husband's Message
anonymous Old English poem, circa 960-990 AD
loose translation/interpretation by Michael R. Burch

See, I unseal myself for your eyes only!
I sprang from a seed to a sapling,
waxed great in a wood,
                           was given knowledge,
was ordered across saltstreams in ships
where I stiffened my spine, standing tall,
till, entering the halls of heroes,
                   I honored my manly Lord.

Now I stand here on this ship’s deck,
an emissary ordered to inform you
of the love my Lord feels for you.
I have no fear forecasting his heart steadfast,
his honor bright, his word true.

He who bade me come carved this letter
and entreats you to recall, clad in your finery,
what you promised each other many years before,
mindful of his treasure-laden promises.

He reminds you how, in those distant days,
witty words were pledged by you both
in the mead-halls and homesteads:
how he would be Lord of the lands
you would inhabit together
while forging a lasting love.

Alas, a vendetta drove him far from his feuding tribe,
but now he instructs me to gladly give you notice
that when you hear the returning cuckoo's cry
cascading down warming coastal cliffs,
come over the sea! Let no man hinder your course.

He earnestly urges you: Out! To sea!
Away to the sea, when the circling gulls
hover over the ship that conveys you to him!

Board the ship that you meet there:
sail away seaward to seek your husband,
over the seagulls' range,
                          over the paths of foam.
For over the water, he awaits you.

He cannot conceive, he told me,
how any keener joy could comfort his heart,
nor any greater happiness gladden his soul,
than that a generous God should grant you both
to exchange rings, then give gifts to trusty liege-men,
golden armbands inlaid with gems to faithful followers.

The lands are his, his estates among strangers,
his new abode fair and his followers true,
all hardy heroes, since hence he was driven,
shoved off in his ship from these shore in distress,
steered straightway over the saltstreams, sped over the ocean,
a wave-tossed wanderer winging away.

But now the man has overcome his woes,
outpitted his perils, lives in plenty, lacks no luxury,
has a hoard and horses and friends in the mead-halls.

All the wealth of the earth's great earls
now belongs to my Lord …
                                             He only lacks you.

He would have everything within an earl's having,
if only my Lady will come home to him now,
if only she will do as she swore and honor her vow.



Led By Christ and Mary
by Saint Godric of Finchale (1065-1170)
loose translation/interpretation by Michael R. Burch

By Christ and Saint Mary I was so graciously led
that the earth never felt my bare foot’s tread!

Crist and sainte marie swa on scamel me iledde
þat ic on þis erðe ne silde wid mine bare fote itredie



A Cry to Mary
by Saint Godric of Finchale (1065-1170)
loose translation/interpretation by Michael R. Burch

I.
Saintë Marië Virginë,
Mother of Jesus Christ the Nazarenë,
Welcome, shield and help thin Godric,
Fly him off to God’s kingdom rich!

II.
Saintë Marië, Christ’s bower,
****** among Maidens, Motherhood’s flower,
Blot out my sin, fix where I’m flawed,
Elevate me to Bliss with God!



Prayer to St. Nicholas
by Saint Godric of Finchale (1065-1170)
loose translation/interpretation by Michael R. Burch

Saint Nicholas, beloved of God,
Build us a house that’s bright and fair;
Watch over us from birth to bier,
Then, Saint Nicholas, bring us safely there!

Sainte Nicholaes godes druð
tymbre us faire scone hus
At þi burth at þi bare
Sainte nicholaes bring vs wel þare



The Rhymed Poem aka The Rhyming Poem and The Riming Poem
anonymous Old English/Anglo-Saxon poem circa 990 AD
loose translation/interpretation by Michael R. Burch

He who granted me life created this sun
and graciously provided its radiant engine.
I was gladdened with glees, bathed in bright hues,
deluged with joy’s blossoms, sunshine-infused.

Men admired me, feted me with banquet-courses;
we rejoiced in the good life. Gaily bedecked horses
carried me swiftly across plains on joyful rides,
delighting me with their long limbs' thunderous strides.
That world was quickened by earth’s fruits and their flavors!
I cantered under pleasant skies, attended by troops of advisers.
Guests came and went, amusing me with their chatter
as I listened with delight to their witty palaver.

Well-appointed ships glided by in the distance;
when I sailed myself, I was never without guidance.
I was of the highest rank; I lacked for nothing in the hall;
nor did I lack for brave companions; warriors, all,
we strode through castle halls weighed down with gold
won from our service to thanes. We were proud men, and bold.
Wise men praised me; I was omnipotent in battle;
Fate smiled on and protected me; foes fled before me like cattle.
Thus I lived with joy indwelling; faithful retainers surrounded me;
I possessed vast estates; I commanded all my eyes could see;
the earth lay subdued before me; I sat on a princely throne;
the words I sang were charmed; old friendships did not wane …

Those were years rich in gifts and the sounds of happy harp-strings,
when a lasting peace dammed shut the rivers’ sorrowings.
My servants were keen, their harps resonant;
their songs pealed, the sound loud but pleasant;
the music they made melodious, a continual delight;
the castle hall trembled and towered bright.
Courage increased, wealth waxed with my talent;
I gave wise counsel to great lords and enriched the valiant.

My spirit enlarged; my heart rejoiced;
good faith flourished; glory abounded; abundance increased.
I was lavishly supplied with gold; bright gems were circulated …
Till treasure led to treachery and the bonds of friendship constricted.

I was bold in my bright array, noble in my equipage,
my joy princely, my home a happy hermitage.
I protected and led my people;
for many years my life among them was regal;
I was devoted to them and they to me.

But now my heart is troubled, fearful of the fates I see;
disaster seems unavoidable. Someone dear departs in flight by night
who once before was bold. His soul has lost its light.
A secret disease in full growth blooms within his breast,
spreads in different directions. Hostility blossoms in his chest,
in his mind. Bottomless grief assaults the mind's nature
and when penned in, erupts in rupture,
burns eagerly for calamity, runs bitterly about.

The weary man suffers, begins a journey into doubt;
his pain is ceaseless; pain increases his sorrows, destroys his bliss;
his glory ceases; he loses his happiness;
he loses his craft; he no longer burns with desires.
Thus joys here perish, lordships expire;
men lose faith and descend into vice;
infirm faith degenerates into evil’s curse;
faith feebly abandons its high seat and every hour grows worse.

So now the world changes; Fate leaves men lame;
Death pursues hatred and brings men to shame.
The happy clan perishes; the spear rends the marrow;
the evildoer brawls and poisons the arrow;
sorrow devours the city; old age castrates courage;
misery flourishes; wrath desecrates the peerage;
the abyss of sin widens; the treacherous path snakes;
resentment burrows, digs in, wrinkles, engraves;
artificial beauty grows foul;
the summer heat cools;
earthly wealth fails;
enmity rages, cruel, bold;
the might of the world ages, courage grows cold.
Fate wove itself for me and my sentence was given:
that I should dig a grave and seek that grim cavern
men cannot avoid when death comes, arrow-swift,
to seize their lives in his inevitable grasp.
Now night comes at last,
and the way stand clear
for Death to dispossesses me of my my abode here.

When my corpse lies interred and the worms eat my limbs,
whom will Death delight then, with his dark feast and hymns?
Let men’s bones become one,
and then finally, none,
till there’s nothing left here of the evil ones.
But men of good faith will not be destroyed;
the good man will rise, far beyond the Void,
who chastened himself, more often than not,
to avoid bitter sins and that final black Blot.
The good man has hope of a far better end
and remembers the promise of Heaven,
where he’ll experience the mercies of God for his saints,
freed from all sins, dark and depraved,
defended from vices, gloriously saved,
where, happy at last before their cheerful Lord,
men may rejoice in his love forevermore.



Adam Lay Ybounden
(anonymous Medieval English Lyric, circa early 15th century AD)
loose translation/interpretation by Michael R. Burch

Adam lay bound, bound in a bond;
Four thousand winters, he thought, were not too long.
And all was for an apple, an apple that he took,
As clerics now find written in their book.
But had the apple not been taken, or had it never been,
We'd never have had our Lady, heaven's queen.
So blesséd be the time the apple was taken thus;
Therefore we sing, "God is gracious!"

The poem has also been rendered as "Adam lay i-bounden" and "Adam lay i-bowndyn."



I Sing of a Maiden
(anonymous Medieval English Lyric, circa early 15th century AD)
loose translation/interpretation by Michael R. Burch

I sing of a maiden
That is matchless.
The King of all Kings
For her son she chose.

He came also as still
To his mother's breast
As April dew
Falling on the grass.

He came also as still
To his mother's bower
As April dew
Falling on the flower.

He came also as still
To where his mother lay
As April dew
Falling on the spray.

Mother and maiden?
Never one, but she!
Well may such a lady
God's mother be!



Tegner's Drapa
loose translation/interpretation by Michael R. Burch

I heard a voice, that cried,
“Balder the beautiful lies dead, lies dead …”
a voice like the flight of white cranes
intent on a sun sailing high overhead—
but a sun now irretrievably setting.

Then I saw the sun’s corpse
—dead beyond all begetting—
borne through disconsolate skies
as blasts from the Nifel-heim rang out with dread,
“Balder lies dead, our fair Balder lies dead! …”

Lost—the sweet runes of his tongue,
so sweet every lark hushed its singing!
Lost, lost forever—his beautiful face,
the grace of his smile, all the girls’ hearts wild-winging!
O, who ever thought such strange words might be said,
as “Balder lies dead, gentle Balder lies dead! …”



Lament for the Makaris (Makers, or Poets)
by William Dunbar (1460-1525)
loose translation/interpretation by Michael R. Burch

i who enjoyed good health and gladness
am overwhelmed now by life’s terrible sickness
and enfeebled with infirmity …
how the fear of Death dismays me!

our presence here is mere vainglory;
the false world is but transitory;
the flesh is frail; the Fiend runs free …
how the fear of Death dismays me!

the state of man is changeable:
now sound, now sick, now blithe, now dull,
now manic, now devoid of glee …
how the fear of Death dismays me!

no state on earth stands here securely;
as the wild wind shakes the willow tree,
so wavers this world’s vanity …
how the fear of Death dismays me!

Death leads the knights into the field
(unarmored under helm and shield)
sole Victor of each red mêlée …
how the fear of Death dismays me!

that strange, despotic Beast
tears from its mother’s breast
the babe, full of benignity …
how the fear of Death dismays me!

He takes the champion of the hour,
the captain of the highest tower,
the beautiful damsel in her tower …
how the fear of Death dismays me!

He spares no lord for his elegance,
nor clerk for his intelligence;
His dreadful stroke no man can flee …
how the fear of Death dismays me!

artist, magician, scientist,
orator, debater, theologist,
must all conclude, so too, as we:
“how the fear of Death dismays me!”

in medicine the most astute
sawbones and surgeons all fall mute;
they cannot save themselves, or flee …
how the fear of Death dismays me!

i see the Makers among the unsaved;
the greatest of Poets all go to the grave;
He does not spare them their faculty …
how the fear of Death dismays me!

i have seen Him pitilessly devour
our noble Chaucer, poetry’s flower,
and Lydgate and Gower (great Trinity!) …
how the fear of Death dismays me!

since He has taken my brothers all,
i know He will not let me live past the fall;
His next prey will be — poor unfortunate me! …
how the fear of Death dismays me!

there is no remedy for Death;
we all must prepare to relinquish breath
so that after we die, we may be set free
from “the fear of Death dismays me!”



Fairest Between Lincoln and Lindsey
(anonymous Middle English poem, circa late 13th century)
loose translation/interpretation by Michael R. Burch

When the nightingale sings, the woods turn green;
Leaf and grass again blossom in April, I know,
Yet love pierces my heart with its spear so keen!
Night and day it drinks my blood. The painful rivulets flow.

I’ve loved all this year. Now I can love no more;
I’ve sighed many a sigh, sweetheart, and yet all seems wrong.
For love is no nearer and that leaves me poor.
Sweet lover, think of me — I’ve loved you so long!



Sumer is icumen in
anonymous Middle English poem, circa 1260 AD
loose translation/interpretation by Michael R. Burch

Sing now cuckoo! Sing, cuckoo!
Sing, cuckoo! Sing now cuckoo!

Summer is a-comin'!
Sing loud, cuckoo!
The seed grows,
The meadow blows,
The woods spring up anew.
Sing, cuckoo!

The ewe bleats for her lamb;
The cows contentedly moo;
The bullock roots;
The billy-goat poots …
Sing merrily, cuckoo!

Cuckoo, cuckoo,
You sing so well, cuckoo!
Never stop, until you're through!



The Maiden Lay in the Wilds
circa the 14th century
loose translation/interpretation by Michael R. Burch

The maiden in the moor lay,
in the moor lay;
seven nights full,
seven nights full,
the maiden in the moor lay,
in the moor lay,
seven nights full and a day.

Sweet was her meat.
But what was her meat?
The primrose and the—
The primrose and the—
Sweet was her meat.
But what was her meat?
The primrose and the violet.

Pure was her drink.
But what was her drink?
The cold waters of the—
The cold waters of the—
Pure was her drink.
But what was her drink?
The cold waters of the well-spring.

Bright was her bower.
But what was her bower?
The red rose and the—
The red rose and the—
Bright was her bower.
But what was her bower?
The red rose and the lily flower.



The World an Illusion
circa 14th century
loose translation/interpretation by Michael R. Burch

This is the sum of wisdom bright:
however things may appear,
life vanishes like birds in flight;
now it’s here, now there.
Nor are we mighty in our “might”—
now on the bench, now on the bier.
However vigilant or wise,
in health it’s death we fear.
However proud and without peer,
no man’s immune to tragedy.
And though we think all’s solid here,
this world is but a fantasy.

The sun’s course we may claim to know:
arises east, sets in the west;
we know which way earth’s rivers flow,
into the seas that fill and crest.
The winds rush here and there, also,
it rains and snows without arrest.
Will it all end? God only knows,
with the wisdom of the Blessed,
while we on earth remain hard-pressed,
all bedraggled, or too dry,
until we vanish, just a guest:
this world is but a fantasy.



Trust Only Yourself
circa the 15th century
loose translation/interpretation by Michael R. Burch

Alas! Deceit lies in trust now,
dubious as Fortune, spinning like a ball,
as brittle when tested as a rotten bough.
He who trusts in trust is ripe for a fall!
Such guile in trust cannot be trusted,
or a man will soon find himself busted.
Therefore, “Be wary of trust!” is my advice.
Trust only yourself and learn to be wise.



See, Here, My Heart
circa the 15th century
loose translation/interpretation by Michael R. Burch

O, mankind,
please keep in mind
where Passions start:
there you will find
me wholly kind—
see, here, my heart.



How Death Comes
circa the 13th century
loose translation/interpretation by Michael R. Burch

When my eyes mist
and my ears hiss
and my nose grows cold
as my tongue folds
and my face grows slack
as my lips grow black
and my mouth gapes
as my spit forms lakes
and my hair falls
as my heart stalls
and my hand shake
as my feet quake:
All too late! All too late!
When the bier is at the gate.

Then I shall pass
from bed to floor,
from floor to shroud,
from shroud to bier,
from bier to grave,
the grave closed forever!
Then my house will rest on my nose.
This world’s not worth a farthing, Heaven knows!



Johann Scheffler (1624-1677), also known as Johann Angelus Silesius, was a German Catholic priest and physician, known as a mystic and religious poet. He's a bit later than most of the other poets on this page, but seems to fit in …

Unholy Trinity
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Man has three enemies:
himself, the world, and the devil.
Of these the first is, by far,
the most irresistible evil.

True Wealth
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

There is more to being rich
than merely having;
the wealthiest man can lose
everything not worth saving.

The Rose
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

The rose merely blossoms
and never asks why:
heedless of her beauty,
careless of every eye.

The Rose
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

The rose lack “reasons”
and merely sways with the seasons;
she has no ego
but whoever put on such a show?

Eternal Time
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Eternity is time,
time eternity,
except when we
are determined to "see."

Visions
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Our souls possess two eyes:
one examines time,
the other visions
eternal and sublime.

Godless
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

God is absolute Nothingness
beyond our sense of time and place;
the more we try to grasp Him,
The more He flees from our embrace.

The Source
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Water is pure and clean
when taken at the well-head:
but drink too far from the Source
and you may well end up dead.

Ceaseless Peace
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Unceasingly you seek
life's ceaseless wavelike motion;
I seek perpetual peace, all storms calmed.
Whose is the wiser notion?

Well Written
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Friend, cease!
Abandon all pretense!
You must yourself become
the Writing and the Sense.

Worm Food
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

No worm is buried
so deep within the soil
that God denies it food
as reward for its toil.

Mature Love
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

New love, like a sparkling wine, soon fizzes.
Mature love, calm and serene, abides.

God's Predicament
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

God cannot condemn those with whom he would dwell,
or He would have to join them in hell!

Clods
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

A ruby
is not lovelier
than a dirt clod,
nor an angel
more glorious
than a frog.



The original poem below is based on my teenage misinterpretation of a Latin prayer …

Elegy for a little girl, lost
by Michael R. Burch

… qui laetificat juventutem meam …
She was the joy of my youth,
and now she is gone.
… requiescat in pace …
May she rest in peace.
… amen …
Amen.

I was touched by this Latin prayer, which I discovered in a novel I read as a teenager. I later decided to incorporate it into a poem. From what I now understand, “ad deum qui laetificat juventutem meam” means “to the God who gives joy to my youth,” but I am sticking with my original interpretation: a lament for a little girl at her funeral. The phrase can be traced back to Saint Jerome's translation of Psalm 42 in the Vulgate Latin Bible (circa 385 AD).

Pay attention to detail, for as they say
"The Devil is in the detail"
Pay heed to that small voice inside,
warning you to an unseen force.
Don't shrug off the feeling of being watched,
don't put a shiver running through you down as a breeze.
Take mind, that sometimes our sixth sense is our
safety sense. Don't shrug off a feeling, be guided by it.
Embrace it, learn from it.
Modern fast living has blinded our senses,
negated our intuition, enfeebled us to spiritual guidance.
Science does not hold all the cards.
Nature revers life and should in turn be revered.
You return to the earth, our first mother.
And mothers can be kind or harsh,
so observe kindness to all creatures, plants and people.
As above so below. Note that magic and religion are akin: both require belief that a miracle will occur.
And, remember when you sup with the Devil;
Use a long spoon.

The flesh of which the body holds its form
Objective mass, so grateful, held in debt
And I the glutton, swelled from thinner norm
Destroying each whose faith was lain unkept

‘Tis known to me that life a body met
But I do hold the life therein with scorn
Although the marriage seemed adroitly set
My mind from home is rent, forever torn

Would I could once remove the skin of thorn
Betrayed and jailed, as I indeed deserve
As flesh enfeebled me to acts forlorn
For my misdeeds no tears should lie reserved

That hide were forged of thought would be my will
Within the vaulted mind is beauty still

The agnostic man that feeds the poor , clothes the enfeebled or shelters the disadvantaged shall walk the fields of Heaven someday whether he believes it or not ..For his good works came not out of fear of Hell but from love and kindness , divine works directed from a precious , caring heart ...

We set fire to that ****** emotion chart
with nothing but a bic lighter and a gut feeling of revenge.
How dare they try to limit our feelings to a piece of paper,
how dare they assume the tsunami we’ve felt in our chests since we were old enough to understand the words ‘I’m sorry’
can be labeled as simply as
‘today I’m feeling ‘sad’

Today I am feeling enfeebled,
belligerent,
subdued.
impassable;
Today I am feeling words you will never find on a cookie cutter hand out
given to you by your therapist.

We watched the flames grow and destroy those childish faces
in hopes of it feeling something,
it feeling our hatred
or our underlying sadness and maybe then
it would understand that one should be labeled ‘ignorant’
for thinking someone could put a name to a feeling or emotion
and call it good enough.

I was not prepared for this
My position so flawed
Fatally overlooked
I was not prepared for this

My broad bravado
Now enfeebled
By harsh realization

My situation is untenable
The force against me
Is greater than  anticipated

I am called Tiberius
I have sold my foe short
I have little doubt
Of that which brings me down

I came here sure of success
I came to make war
To conquer all that is against me

Yet

My head hangs low with defeat
My spirit is weak
My morale in shambles
I am broken

My arms
Once readied for battle
Hang limp at my sides
My hands
Once armed for war
Now empty and weak
I am broken

My eyes
Once alive with passion
No longer leave the ground

The battle is lost on all fronts
I am surrounded by defeat
I watch as the line crumbles
No match
For the force brought against it
I am broken

Dragon-Man and Drent prepared to face off, in a fight one would not survive.
Breastplate-Bearer was grinning from ear to ear, because in these environments he thrived.
Lady of the Night and Message took their positions, and listened for Dragon-Man’s signal.
Then Drent cried out, I want all of them wiped from this forsaken planet, and Message giggled.
What’s so funny, Drent barked, and Message laughed, You will never be good at a Battlefare Intonment.
Brother you were always the one to take the good and turn it into Drent.
Brother! Lady of the Night and Dragon-Man asked in utter shock.
Yeah he is a Dahomeyian and a useless, spoiled chip off the old block.

The Bracti took out their Howitzer-Rockets and Drent said, **** everything that moves!
Lady of the Night fought valiantly, as if she had something to prove.
Message reached out with her Death-Hand and put it into a Bracti’s chest.
By the time she reached the other side, he was a bloodied pulp of a mess.
Dragon-Man tried to get close to Drent, but Bracti were always interfering.
Meanwhile Breastplate-Bearer was fighting strong like a warrior apparent.
Suddenly everyone heard a voice to stop, that was so strong they fell to that command.
Both Dragon-Man and Drent tumbled down together, but they were so weak they could not stand.

Who are you, asked Dragon-Man in a tone enfeebled by this noise that did not destroy.
I am the The Covenantal Project, it replied, The masteress of the Chyrsanium Alloy.
I am the Marshal who presides over the Dragon Power, and called you to the Federation.
Drent, you will be head of the Patriot Knight Way, and fight alongside Dragon-Man.
And why should I obey you, sneered Drent as he got up off of shaken knees.
It is a choice, said The Covenantal Project, but this time choose wisely.
Drent snarled, How can I fight alongside someone I always wanted to decimate?
And Dragon-Man replied angrily, It was not just you, I too fought a long time with hate.
But if this is true, we must put aside our differences and fight as a Federation to be free.
We will either bury our enemies together, or our enemies will bury us separately.
                  
Drent said, See this face, how could I lead a Knight Way of the Federation with these features!
The Covenantal Project said, There is a Nectarskin with healing balm that cure your Injury Fevers.
Message was smiling, Lady of the Night was frowning and Breastplate Bearer was talking to Bractii.
Drent said, Okay, and Dragon-Man whispered, It will be alright, I too would have fought me.
The Dragon-Power were watching the proceedings, and most of them could not have more glee.

Segril of the Dragon-Power was saying, the Federation is fully formed, and now we can Battlefare.
Etil was silent because he did not realize the Covenantial Project would arrive over there.
Dragon-Men asked Drent, So, where is the Logre Markets I heard so much above
Drent said in a hushed tone, They are closed for this Quadrant Rotation because of the Clamant joust.
They take beings from other planets and turn them into Paridiate Gladiators.
We would have to lay low until it is over, because they might take us for later.
Message chirped, O Brother, are you afraid of a little Claimant jousting  because of your youth.
Drent was silent because he knew that his sister’s words were the absolute truth.

The Diablo Robots arrived to Drozen, and one of them asked Please master have mercy.
Drozen snarled, Mercy is for creatures who win, and deserve that right as worthy.
I will not **** you, but you will go to Lavaic Mines to make my weaponry.
Perhaps in the future I will take you and you will be of some use to me.
Etil and the Council of the Faceless Tongues were arguing over the next plan.
Drozen said, I will take care of all of them, Drent, the Federation and Dragon-Man.
The Legate said, I sense a presence that I have not seen a long Realmic span.
Is it Drozen? Asked Dialect, No, it is the someone I actually respects.
The being who spans  against rotations and against spans,  the Covenantial Project.

My eyes begin to tremble
Is this another dream?
Inside my friend, the devil
was lying underneath.

No, it's not a dream
Nightmares never cease
The beast that stood before me
saw nothing more than feast.

A feast consisting of my flesh
and drenched into my blood
My heart enfeebled in my chest
as his face began to rot.

Some years now, it's been
strange that we still long
for that.

You say you drag me into your private moments
those sessions
in the morning, I don't know what to say.

What to do when castles crumble & walls tumble?
Do the princes and kings build again
or creep to hovels?

Hilltops grow shallow and heads enfeebled
a tiny break when that unwelcome pulse
collides with things forbade.

Quiet morning in reading, a silent house
light avocado curtains lift, fresh breeze
disciple in hot hiding, press a rolling orange.

Dates close and birth on the cusp
Who cracked the twenty tails? Poor sods.
Two calls and the heart lurches, all older now.

It isn't the keys or the bottlecaps
adorned with some image of a deity,  that makes me stumble.

Just this month.
Enough.

I've told you all there is to tell
back in place, the lovers helm,
a sickly visage of diner's guilt.

Just this once.
A front.

It isn't carrying things, or the weight I drag about
it's a wonder wheel of intent and purpose doubt.

you've told all there is to hide
back a step, the liar's guise,
an enfeebled glance that misguides

Corpus as told by Jesus of Nazareth , in question
When bread molded , water dry , rendered enfeebled ,
Tis fable for hungered , emaciated , ill of mind as scavenger
surely must eat his own kind , temptation breed thirst , serenity
without regard to salvation ?

Dear one,
The trial of your slow waning, is what haunts me like a wretched spirit. The way my dayly moments, that used to resonate with thy invaluable presence are dwindling like a destitute's wealth, renders me a maniac, ridden with an inexorable anguish. What am I supposed to do. I cannot lift these sacks of grief. Enfeebled by a dolour, tis like I'm fighting a lost battle, with a forlorn capacity. Nary a thought grips me still. Thine picturesque glance, the blithe cadence of thine lips, upon which I nurtured and reared banquets of poetry, now tend the flames of a halcyon past, that singes me with a rapacious melancholy. The throes of longing imprison and harass me till I'm cemented within a dank spite for myself, and ruefully discard any smidgen of reprieve. Beloved, I'm a convinced bearer of countless blunders I agree. Mine miserable apologies will only vacate the gasoline of thy peace. But a miniscule opening is all I seek. With reverent hope, I beseech thee. Indeed, for I will become a bane for myself without thy caress to redeem me.

Hovering over that loving smile,
I could see a gossamer veil.
It becomes overwhelmed
by your radiance,
yet sometimes it just shows.
A thin shroud in the hue of indigo
and a blue lace as its trim.

Hovering over that loving smile
is an overwhelming lie.
I know that you are enfeebled---
because of I.
Because you see the beauty
within my faults
and my weary soul.
I know that I could never repay
the overwhelming debt
I've placed upon you.
You wear the veil of deceit
not because you want to.
You wear that piece of fabric
just to show us that we're strong
and you love us deeply.