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Kathy Dehaven Apr 2016
Dylan Klebold (17)... Senior.... September 11, 1981- April 20, 1999
Eric Harris (18)... Senior.... April 9, 1981- April 20, 1999
Cassie Bernall (17)... Senior.... November 6, 1981- April 20, 1999
Lauren Townsend (18)... Senior.... January 17, 1981- April 20, 1999
Rachel Scott (17)... Senior.... August 5, 1981- April 20, 1999
Corey DePooter (17)... Senior.... March 3, 1982- April 20, 1999
Daniel Mauser (15)... Sophy.... June 25, 1983- April 20 1999
Daniel Rhohrbough (15)... Sophy.... March 2, 1984-  April 20, 1999
Dave Sanders (47)... Old ****.... October 22, 1951- April 20, 1999
Kelly Fleming (16)... Junior.... January 6, 1983- April 20, 1999
Steve Curnow (14)... Freshmeat.... August 28, 1984- April 20, 1999
Matt Kechter (16)...Sophy.... February 19, 1983- April 20, 1999
Isaiah Shoels (18)... Senior.... August 4, 1980- April 20, 1999
John Tomlin (16)... Junior.... September 1, 1982- April 20, 1999
Kyle Velasquez (16)... Junior....May 5, 1982- April 20, 1999
Dylan Lane Jul 2015
it was the kind of year that lasted longer than the ones around it, at least for some people and i guess that i cant really say what kind of year it was because how am i supposed to remember that far into my childhood? i was little. littler than i can remember being and it's been sixteen years since then and i keep trying to calculate the weight i have gained since 1999. and what i've lost, who i've found, since 1999 we were a tangle of potential. since 1999 i lost weight, i gained weight, i gained heavy strain on my shoulders and i didnt carry water buckets at camp because i thought i'd thrown out my shoulder, since 1999 i have been existing but i dont think that all of the time i've been exposed to the elements counts as being as alive as i am when i'm the only sober one at the park, when the boy next to me is whacked out on codeine cough syrup and asks me to punch him as hard as i can i will try to remember 1999, when i couldnt remember existing.
David Walker Dec 2012
Origins
written and directed
by
David Walker

Inspired
by
the films of
Quentin Tarantino
David Lynch
&
Rob Zombie

There is method
To his madness

                                                        ­                                                                 ­                  January 2013              
                                              ­                                                                 ­                       first draft









1. EXT. Run down project apartment complex - 3:00 am

A dark, tall figure with long black hair and a trenchcoat opens the already cracked red door.

MAN:
I'm looking for love in all the wrong places.

                                                        ­                                                                 ­                                       CUT TO:
INT. Apartment 3

A typical roach infested apartment with a kitchen built into the living room. 3 GIRLS are on the kitchen floor. GIRL # 1 one has black hair with big lips and a curvy frame and she is wearing a pair of Tripp pants and a black bra barely covering her ample *****. She has a flesh colored rubber hose tied to her left arm. GIRL # 2 has dyed rainbow colored hair, a nice smile, and a skinny frame. She is wearing a pair of tore blue jeans with smiley faces and cute in jokes written on them, also not wearing a shirt with a lacy blue bra on. She has a spoon with water and black tar ****** inside it which she is heating up with a silver Zippo with the word "Skittles" engraved into it. GIRL # 3 Has long naturally red hair, glasses and an extremely voluptuous figure. She is wearing tight black pants and a black shirt with thin sleeves. She is inspecting a covered syringe with an unsure look in her eyes.

GIRL # 2:
So, do you wanna do it or not Jane?

Snatches the syringe out of JANE's hand.

JANE:
I'm not sure. How long have you been doing this ****?

Girl #2 takes the orange cap off the syringe revealing a small needle.

GIRL #2:
Since after I graduated. About 3 years. Liz you ready?

LIZ:
As ready as I am for dat sweet tang!

Girl #2 giggles. She sticks the needle into Liz's arm, blood mixes with the brown fluid inside, and she pushes the plunger down. Liz leans back into Girl #2's arms and Girl #2 gives her a kiss.

LIZ:
I love you, Julia.

JULIA:
Well, I love you too.

JANE:
You guys are so gay!

(OS):
Save that **** for the ******* customers!

                                                     ­                                                                 ­                                       CUT TO:
Other side of room. A greasy looking MAN with short faded black hair and a scar going from the corner of his mouth to the right ear is sitting in a beat up recliner cleaning his Uberti 1873 Cattleman revolver while smoking a fat blunt and watching some kind of high budget **** with Sasha Grey in it.

JULIA:
Sorry, Mike. It didn't stop you from leaving me and Liz unsatisfied and bored, did it?

LIZ and JULIA laugh. JANE has a nervous look in her eyes.

MIKE:
Very ******* funny you wore out trick! Am I gonna have to smack the sass out yo mouth?

MIKE gets up, puts out his blunt and walks over to the GIRLS gun in hand.

MIKE:
Or am I gonna have to give your little friend a scar like mine.

LIZ:
Mike don't!

MIKE SLAPS JULIA with the side of his UNLOADED revolver and grabs JANE by her hair.

MIKE:
Who the **** are you, anyways *****?

JANE:
(stuttering)
I was walking down the street earlier today and I ran into Julia and Liz. They went to school with my sister I think. Let me go!

MIKE:
So you're a young'n. Well you have some nice big *******!

MIKE RIPS off her shirt exposing her *******. He begins to squeeze the right one. JANE SLAPS MIKE HARD!

MIKE:
*****!

MIKE lets go of her hair. Jane runs to the other room grabbing her shirt. LIZ stumbles towards him and PUNCHES him in the nose.

MIKE:
That's it! You little *** dumpsters are dead!

MIKE picks up the REVOLVER, runs to the chair where the bullets are and tries to reload. JULIA wakes from her daze. We see him load 3 rounds. All of a sudden the DOOR gets broken down and the dark clad FIGURE from the scene before pulls out a BERETTA M9 with a silencer attachment. MIKE FIRES 2 shots at him haphazardly missing both. The MAN LAUGHS and FIRES one shot that MIKE's crotch catches.

                                                       ­                                                                 ­                                       CUT TO:
2. INT. Next door in Apartment 2.

A MAN and WOMAN in their early 40's are smoking a joint and seem disturbed by the gunfire.

MAN:
(coughing)
What the hell was that?

WOMAN:
Sounded like gunshots. Do you think we should call the cops?

MAN:
**** no! There is a pound of chronic in the bedroom closet! Just pray whoever it is doesn't come over here!

WOMAN:
Okay. Are you gonna pass that?

                                                          ­                                                                 ­                                     CUT TO:
3. INT. Apartment 3.

The smoke has cleared. MIKE is begging for death and BLEEDING out everywhere, JULIA is in a daze, dumbfounded by what she just witnessed, LIZ is cowering in fear, crying, and JANE just came out of the bedroom with her TORN SHIRT on and a terrified "Oh my God" expression. The unknown assailant has a devilish grin upon his face.

MIKE:
Godfuck! **** me you sunuvabitch! Godda--

The MAN obliges. He fires a single shot into his RIGHT EYE.

MAN:
Well, looks like I got here in the nick of time!

JULIA:
(blankly)
W-Who the **** are you?

MAN:
That is of little importance right now. Who are you foxy ladies?

JULIA:
M-My name's Julia. That girl over there (points to Liz) is Liz, and the ginger is Jane.

MAN:
What pretty names! Well, I have a question. Will you three lovely young ladies gather round that despicable looking chair and listen to what I have to say, or are you going to run? Keep in mind I have rope in my trenchcoat and the fact I mean you no harm. I am just a lonely man with a story to tell, and the way I see it, what with that bruise on your sweet face, you kinda owe me.

JULIA:
I think we can stay. I just wanna know your name.

MAN:
Ahh, but I am a man of many names. My christian name is Derek. You don't need the last for now.

DEREK walks to the chair and sits down. He waves the GIRLS over.

DEREK:
C'mon I just want to tell my tale. Look, I will put the gun under the chair as a sign of good faith that neither you girls or I will start shooting the place up again. Are we square ladies?

JULIA:
What do ya say guys?

They gather in the kitchen.

LIZ:
This guy has a ***** loose.

JULIA:
Yes, but he saved us from our ****. We should humor him.

JANE:
I think he is hot!

LIZ and JULIA just stare at JANE.

JANE:
Sorry, but he is.

JULIA:
So it's agreed. We will listen to his story, silently pray he doesn't **** us and leave afterwards.

The GIRLS walk to the chair. DEREK has lit the blunt.

DEREK:
Ahh, so you have decided to join me. Good. Do you guys wanna hit this?

LIZ and JULIA shake their heads no.

JANE:
I will.

DEREK:
Great. Now, where do I begin. I suppose everybody's roots stem from childhood, so lets go back, oh say, 20 years ago.

                                                           ­       FADE TO BLACK        
Against black, TITLE CARD

October 15th 1995.

                                                          ­                       CUT TO      
4. EXT. Suburbia circa 1995.

There are three boys between the ages of 6 and 9 playing in front of a grey HOUSE with a white MINIVAN in the driveway. Little DEREK is a scrawny 6 year old boy with short brown hair and a Teenage Mutant Ninja Turtles action figure in his hands. The 2 other BOYS ages 7 and 9 are picking on him and trying to take away DONATELLO.

DEREK:
Leave me alone or I will whoop your ****.

BOY #1:
Whatever! You are scrawny and lame. Give us your Ninja Turtle now or we will beat you up!

BOY #2 picks up a STICK and starts hitting DEREK with it.

BOY #2:
What are you going to do? Get your daddy? Oh, wait...that's right, you don't have one!

The 2 BULLIES start laughing. A look of hatred fills young DEREK's eyes. He catches the STICK and slaps BOY #2 in the face with it. He then tackles him and starts beating him mercilessly. BOY #1 runs towards the PORCH and knocks on the DOOR. DEREK'S MOM answers. She is in her mid 30's with brown hair and casual clothing on, smoking a cigarette and drinking a cup of "coffee."

BOY #2:
Derek's beating up Josh again!

DEREK'S MOM:
Well, good for him! Bet that little pecker snot deserved it too. Now, Brad...why don't you take you and your friend on home before I tell your dad you play with Barbies.

LATE 20'S DEREK:
(OS)
My mother was a sweet ol' broad!

BRAD:
(sighs)
Okay, Ms. Walters, but you do know you are going to have to pull him offa Josh right?

DEREK'S MOM:
(sighs like Brad)
I suppose.

DEREK'S MOM and BRAD walk to the front yard and GASP when they notice that DEREK has knocked out 2 of JOSH'S baby teeth, both in the front and broke his nose, which is bleeding profusely.

DEREK'S MOM:
Derek Charles Walters! Get the **** up offa him!

DEREK:
(crying)
He hit me with a stick!

DEREK'S MOM:
Well, now I'm about to!

She picks up the STICK and beats his *** with it several times.

DEREK:
******* *****!

DEREK'S MOM, infuriated throws the stick down and SLAPS him across the face. DEREK runs away.
He runs to a wooded area in the back yard as far as his legs can take him.

LATE 20'S DEREK:
(OS)
Do not weep, for on that day, I met God and Satan incarnate and it turns out they existed singularly in my head.
                                                           ­                                                                 ­                          CUT TO:

5. JANE:
Like a conscience?

DEREK:
Much more. These guys are in the room right now and only I can see him. Satan led me to you guys tonight! Who knows what kind of CRAZY hijinks are in store!

JULIA:
That's it I'm outta here! C'mon gu--

DEREK fires of his M9 1 time.

DEREK:
Now, listen to me you dykey, ****** *****. I have 3 more rounds in this ******* and one
of them is reserved for you if you don't sit your tight *** back down.

JULIA sits back down scared to death. DEREK regains his composure and is "all smiles" again.

DEREK:
Phew! I don't want to hurt anybody. I just want someone pretty to listen to my ******* story. ****, if you want, I will ask you guys about yourself later on, but for now I'm going to introduce you to my best friends.

JANE:
Who are they again?

DEREK:
Ah, you were trying to pay attention. I will remember that. They go by many names. One can be called "God", "Heroic Harry", "The White Knight", whatever you envision as good, this **** is it. He is the reason you guys are still alive.

LIZ:
And the other?

DEREK:
Ahh, him. He can go by "Satan", "The ******", "The Angel of Death." He's the reason ol' crusty here no longer bothers you.

LIZ:
So you're basically ape ****, right?

DEREK:
Pretty much! Now where was I? Ah...yes

                                                       ­                                                                 ­                                    CUT TO:

6. INT. Small wooded area behind the house --- Early evening.

DEREK has made himself a nice little HANGOUT in the woods! there is a trunk with tons of comics in it, an arsenal of sharpened sticks and rocks, Batman action figures, and a Game Boy Color. He is drawing a picture at the moment.

LATE 20'S DEREK:
(OS)
There I was in my element. ****** at my mother, then all of a sudden, a deep, angelic voice rang out.

VOICE #1:
(OS...of course)
You don't have to hate her, you know. She loves you.

LATE 20'S DEREK:
(OS)
And then another, this voice sounding more playful and mischievous then the other.

VOICE #2:
(OS)
But, for how long? Do you think she meant to have you?

DEREK:
Where are you guys?

LATE 20'S DEREK:
(OS)
And then they appeared.

A 13 YEAR OLD BOY with BROWN hair and a FLANNEL overshirt over a Nirvana T-SHIRT with baggy torn blue JEANS with stains on them appears.

BOY #1:
Don't hate your mom.

VOICE #2:
(OS)
But, watch her close.

DEREK turns his head. We see another BOY roughly the same age with slightly long BLACK hair and a TRENCHCOAT over a Nine Inch Nails T-SHIRT with tight black CHICK PANTS with a CHAIN leading from his pocket to his BELT. He has a lip piercing and he is smoking a cigarette.

DEREK:
Who are you guys?

BOY #1:
Just think of us as older brothers your mom can't see.

DEREK:
Wow! I should introduce you guys to my friends!

BOY #2:
No!

DEREK:
Why not?

BOY #2:
You are the only person that can see us. Don't go telling anyone and don't talk to us in front of anyone. People will think you are nuts!

BOY #1:
Think of us as two ghosts that give you advice. Don't listen to him though, he'll get you in trouble.

BOY #2:
Shut up! Or I will kick your *** again.

BOY #1:
Not in front of him. He doesn't need to see that ****. Not now

DEREK:
What are your names?

BOY #1:
That's up to you.

DEREK:
I'll call you Joe, and him Jerry.

JOE:
Works for me, for now. Call us whatever you feel like calling us whenever you like. If you wanna call me ******* and him poophead, go right ahead.

DEREK:
Okay, but for now you guys are Joe and Jerry.

JOE:
We are going to leave now. We will show up when we think the time is right. Sometimes you will see us others you won't, but we are always with you.

JERRY:
Even when you ****.

                                                          ­                                                                 ­                     CUT TO:
7. INT. Apartment 3.

LATE 20'S DEREK:
And then I went back home and they disappeared. I reconciled with my mom and for the next few weeks I didn't see them. Brad started hanging out with me again and school was good. The years go by and still no sight of them. 4 years pass by. It's 1999 and my tastes changed. Instead of Ninja Turtles and Batman it was KISS and Freddy Krueger. By this point me and Josh had made up and Brad was in middle school. And so we go to where me and the voices meet again.

8. INT. Taft Elementary
A class of roughly 25 children in your average 5th grade home room with a stout middle aged gentleman teaching. JOSH and DEREK are in the back row sitting side by side.

TEACHER:
...And that's how the metric system works.

JOSH:
(to Derek)
Dude, did you check out RAW last night? The Undertaker crucified Stone Cold!

DEREK:
**** I missed it. I was doing homework.

JOSH:
(loud)
****!!

TEACHER:
What did you say Mr. Jarvis?

JOSH:
Sorry Mr. Cannib. I forgot to do my homework.

MR. CANNIB:
Josh, Derek, outside!

LATE 20'S DEREK:
(OS)
The old man had taken kids out of the classroom before and they always came back with tears in their eyes. As we walked outside I heard a familiar voice.

JERRY:
(OS)
If he touches either of you, kick him in the nuts!

MR. CANNIB:
I told you boys too many times! None of this **** in my classroom! Josh get over here you little *****!

OL' TEACH GRABS JOSH by the NECK.

DEREK:
Hey ******* keep your hands to yourself!

CANNIB begins to throttle JOSH. DEREK pushes him off of JOSH and KICKS the TEACHER in the nuts with FURY about 3 times and jumps on top of him while JOSH watches holding his neck.

JERRY:
(OS) While we see Derek's mouth moving

Look here, *******. You think you can be called a teacher for drinking on a farm, ******* cattle and beating children so you can have Summer vacation every year? *******, you spiteful sad man.

DEREK SPITS in the *******'S face and begins to PUNCH him when JOSH pulls him off.

JOSH:
Dude, the door outta here is right there. Lets go to our lockers, get our **** and get outta here.

DEREK:
(Breathing heavily)
Did I just do that? What the ****? Let's get out of here...now!

                                                    ­                                                                 ­                                           CUT TO:
9. EXT. Taft Elementary
A bunch of playground equipment next to an alley with a fenced in field. JOSH and DEREK are walking down the alley. It is sunny outside but about to rain.

DEREK:
That wasn't me that did that.

JOSH:
If it wasn't you who was it?

DEREK:
It w...

JOSH:
(Interrupting)
It reall
Martin Narrod Apr 2014
12 Monkeys
17 Girls
127 Hours
2 Days in New York 2012
2 Days in Paris 2010
2001 A Space Odyssey
360
A Beautiful Mind
A Bridge Too Far
A Few Good Men
A Single Man
A Perfect Getaway
A Serbian Film
A Very Long Engagement
A.I.
Absolute Power
Adaptation
Airborne
Air Force One
Airplane 1
Airplane 2
Albert Nobbs
Alex Cross
Alpha Dog
American Beauty
American Gangster
Amorres Perros
Amour
Anchorman
Andy Warhol's Bad 1977
Andy Warhol's ******* 1964
Andy Warhol's Eat 1964
Animal Kingdom
Annie Hall
Anti-Christ
Apocalypse Now Redux
Apollo 13
Arachnophobia
Apt Pupil
Armageddon
Babel
Backdraft
Bad Company
Bad Education
Badlands 1973
Barton Fink
Basquiat
Before Night Falls
Being Flynn
Beneath Hill 60
Beyond the Black Rainbow
Billy Madison
Biutiful - Spanish
Blade 1
Blade 2
Blade 3
Blade Runner Final Cut
Blades of Glory
Blood Work
Blue Valentine
Breach
Broken Arrow
Born on the Fourth of July
Boyz in the Hood
Bullet
Bulworth
Brothers
Caddyshack 1 & 2
Career Opportunities
Carlos The Jackal The Movie
Carne by Gaspar Noe - French
Cashback
CB4
Charlie Wilson's War
Chelsea Girls 1966
Cherry
Chinatown
Ciao Manhattan ft. Edie Sedgewick 1972
Cinema Paradiso
City of God
Clear and Present Danger
Closely Watched Trains - Czech
Contact
Corpse Bride
Courage Under Fire
Crazy Stupid Love
Dark Shadows
Dave 1993
Daybreakers
Days of Heaven
Dazed and Confused
Dead Presidents
Defiance
Desperately Seeking Susan
Despicable Me
Detachment
Die Hard Quadrilogy
**** Tracy
***** Harry
Django Unchained
Dogtooth - Greek
Dogville
Doubt
Dracula, Bram Stoker's
Dragonheart
Dream House
Drive
Drop Zone
Dumbo
Dune Extended Edition
Ears Open, Eyeballs Click
Easier With Practice
Easy Rider 1969
Edward Scissorhands
Empire of the Sun
Encino Man
Enter the Void by Gaspar Noe
Eraser 1999
Eyes Wide Shut 1999
Face Off 1997
Fallen
Fantastic Mr. Fox
Fast Times at Ridgemont High
Fight Club
Fill the Void
Fish Tank
Fitzcarraldo
Five Minutes in Heaven
Flickan 2009 - Swedish
Flubber 1997
Folks!
Forbidden Planet 1956
Fracture
Friday 1995
Friday After Next 2002
Frost Nixon
******* Amal - Swedish
Full Metal Jacket
Funny Farm 1988
Funny Games
Fur- An Imaginary Portrait of Diane Arbus
G.I. Jane
G.I. Joe Retaliation
Gangs of New York
Gangster Squad
Garden State
Get Rich or Die Tryin'
Ghostbusters 1
Girlfriend
Girl, Interrupted
Glengarry Glen Ross
Gomorra - Italian
Great Expectations 1998
Greenberg
Grindhouse Death Proof
Grindhouse Planet Terror
Groundhog Day 1993
Grumpy Old Men
Grumpier Old Men
Gummo
Gus Van Sant's Last Days
Half Nelson
Hannibal
Havoc
Haywire
Heartbreak Ridge
Heat
Hell on the Pacific 1986
Hesher
Hitchcock
Holy Rollers
Hook
Honey I Shrunk the Kids
Hyde Park on Hudson
I Am Curious Blue
I Am Curious Yellow
I Heart Huckabees
I Stand Alone by Gaspar Noe - French
If Looks Could **** 1991
I'm Not There
In Bruges
In The Line of Fire
Inglorious Basterds
Inland Empire
Innerspace 1987
Innocence
Interview With the Vampire
Jacob's Ladder
James Bond - Diamonds Are Forever 1971
James Bond - From Russia With Love 1963
James Bond - Goldfinger 1964
James Bond - Never Say Never Again 1983
James Bond - On Her Majesty's Secret Service 1969
James Bond - Thunderball 1965
James Bon - You Only Live Twice 1967
Jane Eyre
Jeremiah Johnson 1972
JFK
Joe Versus the Volcano
Johnny English 2
Julien Donkey-Boy
Juno
Just Cause
Kapringen aka A Hijacking - Icelandic
Ken Park
Killing Season
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Kingpin
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Krippendorf's Tribe
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La Vie En Rose
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Leon: The Professional
Leonard Pt. 6
Les Miserables
Lie With Me
Life of Pi
Lincoln
Lions For Lambs
Little Children
Lord of the Rings Trilogy BR Extended
Lord of War
Lost Highway
Love and Other Drugs
Love in the Time of Cholera
Love Liza
Lovers of the Arctic Circle
Mad Max 1979
Mad Max 2 1981
Mad Max 3 1985
Major Payne
Malcolm X
Man on Fire
Manhunter
Maverick 1994
Meet Joe Black
Melancholia
Menace II Society DIrector's Cut 1993
Mesrine 1 Killer Instinct - French
Mesrine 2 Public Enemy - French
Milk
Minority Report
Mission Impossible Ghost Protocol
Mister Lonely
Money Train
Moonrise Kingdom
Moulin Rouge
Mr. and Mrs. Smith
****** By Numbers
Munich
My Sassy Girl 2008
Naqoyqatsi Life As War
National Lampoon's Christmas Vacation
National Treasure Book of Secrets
Never Cry Wolf
Never Let Me Go
New Jack City
New York I Love You
Night on Earth 1991 - Italian
Nixon
Not Fade Away
Notes on a Scandal
O Brother, Where Art Thou
October Sky
Olympus Has Fallen
Ondskan - Swedish
One False Move
Out of Africa
Outbreak
Palmetto
Paris Texas Criterion 1984
Passenger 57
Paths of Glory 1957
Perfect Sense
Peter Pan
Philadelphia 1993
Pinocchio
Pirate Radio
Platoon 1986
Pleasantville
*******
Project X 1987
Proof
Quiz Show
Rabbits
Revolver
Robocop Trilogy
Robot and Frank
Rolling Stone's Gimme Shelter
Romance and Cigarettes
Romeo and Juliet 1996
Sahara
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Schindler's List
Searching For Bobby Fischer
Secretary, The
Seven Years in Tibet
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Shame 2011
Shine
Shooter
Shopgirl
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Sin City
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Skyfall
Slackers
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Sleeping Beauty 1959
Sleeping Beauty 2011
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Somewhere
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Sphere
Spread
Spy Game
Stand Up Guys
Stay
Summer Hours - French
Sweeney Todd - The Demon Barber of Fleet Street
Synecdoche, NY
Syriana
Talk To Her - Habla Con Ella
Taken 1 & 2
Takers
****
Taxidermia
Tetro
Thank You For Smoking
That Thing You Do!
The Adjustment Bureau
The Age of Innocence by Martin Scorcese 1993
The Bad Lieutenant - Port of Call New Orleans 2009
The Basketball Diaries
The Beach 2000
The Believer
The Beverly Hillbillies
The Black Dahlia
The Blue Lagoon 1980
The Book of Eli
The Boxer
The Constant Gardner
The Conversation
The Curious Case of Benjamin Button
The Darjeeling Limited
The Dark Knight
The Dark Knight Rises
The Day of the Jackal
The Diving Bell and the Butterfly
The Fifth Element
The Flock
The Flowers of War
The Fountain
The Getaway
The Girl With the Dragon Tattoo 2011
The Golden Compass
The Good Shepherd
The Good The Bad and The Ugly
The Goonies
The Green Mile
The Grey
The Help
The Hudsucker Proxy
The Hurricane
The Hurt Locker
The Ice Storm
The Ides of March
The Illusionist
The Imaginarium of Doctor Parnassus
The Impossible
The Informers
The Invasion
The Iron Lady
The Island of Dr. Moreau
The Jackal
The ****
The Killer Inside Me
The Kingdom
The Legend of Bagger Vance
The Lost Boys
The Lost Boys The Tribe
The Lost Boys Thirst
The Machinist
The Mask
The Man Who Fell to Earth 1976
The Master
The Mechanic
The Money Pit
The Naked Gun 1
The Naked Gun 2
The Naked Gun 3
The New World
The Pelican Brief
The Place Beyond the Pines
The Prestige
The Queen
The Raven
The Reader
The Red Balloon
The Right Stuff
The Road
The Rock
The Rocketeer
The Rules of Attraction
The *** Diary
The Saint
The Shawshank Redemption
The Silence of the Lambs
The Skin I Live In - Mexican
The Soloist
The Talented Mr. Ripley
The Thin Red Line
The Town
Transformers Trilogy
The Tree of Life
Tron Legacy 2010
The United States of Leland
The Usual Suspects
The Way Back
There Will Be Blood
There's Something About Mary
Three Days of the Condor
Three Kings
Tinker Tailor Soldier Spy
To the Wonder
To Rome With Love

Tombstone
Total Recall 1990
Trainspotting
Trash Humpers
True Lies
Two Lovers
Two Weeks in September(Brigette Bardot) 1967
Tyrannosaur
Unbreakable
Uncle Buck
Unforgiven
Unleashed
Unstoppable
V for Vendetta
Varsity Blues
Vertigo
Vicky Christina Barcelona
Videodrome
Virtuosity
Wag the Dog
Wake Up Ron Burgundy The Lost Movie
Walkabout
Wall Street 1987
Wall Street 2010
Wanderlust
Water World
Wayne's World 1 & 2
We Are The Night
War Witch
We Need to Talk About Kevin
Weekend by Jean-Luc Godard - French
Weekend 2011
West of Memphis
What Doesn't **** You
What's Eating Gilbert Grape
When Harry Met Sally
Where the Wild Things Are
White House Down
White Material Criterion 2009
White Oleander
Who is Harry Nilsson?
Wolf 1992
Womb
You Will Meet a Tall Dark Stranger
Zardoz 1974


Documentaries & Music Videos


BBC - Life in Cold Blood
BBC - Planet Earth
BBC - Rolling Stones Crossfire Hurricane
BBC - Great Bear Steakout
BBC - Ice Age Giants
BBC - Insect Worlds
BBC - Life on Earth 1979
BBC - Lost Cities of the Ancients
BBC - Operation Snow Tiger
BBC - Penguins: Spy in the Huddle
BBC - Polar Bear: Spy on the Ice
BBC - Richard Hammond's Miracles of Nature
BBC - The Life of Birds
BBC - Wonders of Life
David Blaine Collection
**** Proenke Collection - Alone and Solitude, The Frozen North
Encounters at the End of the World 2007
Nanook of the North
National Geographic Wild Kingdom of the Oceans Giants of the Deep: Whales
Shine A Light - The Rolling Stones
Vladimir Horowitz - Der Ietzte Romantiker
Vladimir Horowitz - Live in Vienna 1987
Vladimir Horowitz - The 1968 TV Concert
Whale Adventure with Nigel Marvin
Jeff Gaines Apr 2018
Hello everyone,

  I'm so very sorry … I feel horrible doing this, but I have no choice. You see, I have published my first book on Amazon/Kindle! This piece (and many others) had to be taken down because they do not allow published material to be available online for free. (Go figure) I wanted to leave the shell of the posts because I felt compelled to leave all your helpful and loving comments. (Silly sentimental, I know), but I also didn't want to just have the pieces disappear without an explanation. I feel bad enough as it is!

  I owe ALL of you so, SO much for all of your reads, love, and support. It was YOU that gave me the gumption to FINALLY get off my **** and publish! Thank you all for the warm comments, camaraderie, and encouragement! I will still be here, reading, uploading and just being the Rascal that I am. How could I EVER leave you guys?

  The book is called “The Way I See It – FictionPhilosophySoul Food” and it will be FREE for the first few days on Kindle Select, so watch for it, if you are interested. I hope that you go and grab it. If you do, I would also hope that you find it worthy, you would leave me a good review. That will help me get in the public eye! Soon afterward (2-3 days or so), it will be available in paperback.

Find the book(s) here: www.amazon.com/author/jeff.gaines

Or find the book(s), and all about me, here: www.JeffGaines.world

  Soon after, I also hope to have my first novel (a supernatural thriller), called “Wanderer” available as well!

  Wish me luck!
Big, Biggest Love,
        Jeff Gaines
In all honesty, I wasn't snooping. It just worked easier in the composition to not explain that. But I will here. I was sitting at the computer desk in our apartment. On my left was a 3 foot wide, 3-shelf, book case. It was filled with ring-binder notebooks of hers. Probably more than 200! She'd told me they were her "Notes from school" and I never gave them another thought. I had never touched one in over 4 years.

But that day, I had found something online that I wanted to write down. The printer tray was empty, so I looked around for a scrap of paper and figured I might find a blank sheet in one of these notebooks. I randomly grabbed one that had a larger ring in its spine, because it was easier to grab. I put it on my lap and opened it to a random page ... RIGHT to that poem.

Once again, the universe showing me things I am in desperate need of seeing. It was one of the sadder moments in my life, I must say. I opened MS Word and wrote the date at the top. Then I cut loose with whatever came out. The format of every line beginning with "I" just happened ... I left it, as is, and that was that.
Jeff Gaines Mar 2018
OK Reader, I'm going to tell you a tale … with great trepidation. You see, this tale, well, it's kind of like telling someone that you've seen a UFO. They want to believe you, but … it's never really been proven scientifically. Not to mention the fact that most folks who believe in such things are often the tin-hat wearing types, written off as … lets be nice and call them “odd”. And, of course, the more you swear to it, the crazier you appear. It's an epic tale, spanning 30 years of my crazy life.

  But, It's a story I want to tell, because it happened to me. I can barely understand it myself, let alone explain it. So … I'm just going to launch into it and you take it any way you wish.

*  *  
Where Can You Be?

Where can you be?
Where can you be, my love?
Oh, can't you see?
You're not with me!

I'll search with gazes and I'll search with cars,
I'll search the cities and I'll search the stars, well …
I'm gonna find you, oh, wherever you are,
I'm gonna find you baby …  near or far, but …

Where can you be?
Where can you be, my love?
Oh, can't you see?
You're not with me!

I thought I'd found ya, but she wasn't you,
that girl she left alone and blue, well …
I know that's something that you'd never do,
your love has always been strong and true, but …

Where can you be?
Where can you be, my love?
Oh, can't you see?
You're not with me!

If you must settle for some other man
and deviate from our immortal plan, well …
I hope you realize I will understand
and I'll try and do the best that I can, but …

Where will I be?
Where will I be, my love?
Hoping the next life sees …
our destiny!


Where can you be?
Where can you be, my love?
Oh, can't you see?
You're not with me!

~Wednesday, April 1st, 1987
10:30 P.M.



  I was singing in a band back in those days and, as it happened, this was the last song I'd ever write for it. Just after this, as it does, it all came crashing down and the band was finished. But in those last days, they pondered this song, with great puzzlement. You see, it was unlike anything I'd brought them before. It wasn't rock … It wasn't a ballad … it wasn't even structured like a “normal” 80's rock song.
  
  No bridge, no solo, no loud grinding guitars, etc. It even had bits where I hummed, yes hummed, the melody, like a lullaby. As they read the lyrics and I described how it went, they all looked at me like I had three heads and asked where this had come from. It was nothing like anything I'd written before. I could only tell them when and where I'd written it, but had no explanation of what inspired it. It had just came to me, so I wrote it down. They didn't know what to make of it, or even what to do with it.

  One of them said it sounded like a late 70's or early 80's adult contemporary song or even in the vein of The Eagles. Another asked if it was about reincarnation … And I honestly, until that moment, hadn't thought of it that way, I didn't think like that at 24 … but then, one of them said it was “Haunting” …

  “Haunting”?

  “Wow”, I thought, I'd never had anything I'd written described as that before. When I asked him what he meant by that, he told me that it was haunting to think that this poor guy is desperately seeking a girl, that may or may not even know that he exists … in a world with billions of people in it. To top that off, he fears that she may off and marry someone else if he doesn't find her in time.

  This, along with the suggestion of it being about reincarnation made me rethink and rewrite the song. Well, a few lines in the last verse and chorus anyways. It actually made the song flow better and seem more complete. In a way, it actually made the song make more sense … to me and them. Sadly, we never did anything with it. There wouldn't be time. Ha … Time … how ironic. Over 10 years later, came this …


For Someone I've Never Met

Please save a place for me,
deep inside your heart.
Always know that I think of you,
as we both practice our arts.

Our worlds are full of temptations,
so very hard to resist …
and the good Lord knows
we're both far from,
sixteen and never been kissed.

Wealthy men with jaws divine …
Temptresses with looks so fine …
Paths that lead our hearts away …
Paths that surely lead astray …

They'll lead us there every time.
They'll leave us there … so  unkind.
Our hearts must shine,
night and day.
Through any darkness … they'll light our way.

If you never touch my face …
If I never look into your eyes …
We'll always have the comfort of sharing
the same
big, blue sky.

If I never smell your hair …
If you never kiss my lips …
Always know the search for your smile
has launched a thousand ships.

So, I hope you save a place for me
in your heart so sweet and kind.
Please, save a place for me …
Heaven knows you've one in mine.

~Thursday, September 9th, 1999
9 A.M.



“For Someone I've Never Met ” poured out of me in the midst of another breakup from the second, and last, girl that I wanted to marry. That emotion, never found me again. I looked at it on my computer screen and smiled, seeing “Where Can You Be”, in my mind, on my tattered old note pad that I called my “Song Book”. The memory of me writing it while sitting in my Z-28, looking out over the Gulf of Mexico as a beautiful heat lighting storm sent bolts across the sky, came flooding back; as did the debate of reincarnation I'd had with my pals in the rehearsal room all those years before. Here I was, again, writing about “someone” that I sensed, for lack of a better term, was out there … somewhere.

  Well Reader, do you believe in reincarnation? I was never really certain, but, as you can see, I had twice written pieces to someone I wasn't completely sure existed. I had always “sensed” someone out there beginning with the period after I wrote “Where Can You Be?” and thereafter. So, there they were, each written after losing someone I was deeply in love with. Each came out of nowhere, as they usually do. By the time I was in my 40's, I began to think I was either imagining it all (a side effect of being a hopeless romantic) or that I had just somehow missed this person and our “moment”.

  And then …



Epiphany

There was a place.
There was a time …
There, I stood … still unknowing
and everything seemed fine.

But there in that place …
at that moment in time …
the moment I saw the eyes,
I'd never believed I'd find.

Well, what could I say?
What could I do?
In a world filled with billions …
and there … was a you.

I'd always known you were out there …
even written of something amiss.
I never, ever stopped looking for you …
because my heart always said you exist.

My breezy Fall became harshest Winter.
My crazy life left my health running out.
I'd resigned myself that our moment had passed …
but this moment … it removed all doubt.

Well, what could I say?
Tell me, what could I do?
There we stood, staring … alone … in a city of millions …
yes, there … there was a you.

Oh, that mistress fate, she is just so cruel.
Frustration, a curse to be mine.
   I'd searched for you my entire life …
but now … my clock … knows a limit of time.

You see, I would never venture a love with you,
while knowing I'd have to leave you … hurt and alone.
I could only admire from afar … stoic and aloof …
while turning my heart into stone.

Nothing I could ever say and nothing I could ever do …
But now, at long last … at least I finally knew.

There, you stood … green seas, gazing up … into skies of blue.
My long-awaited revelation … become sorrow-laced realization.
There really is … a you.

~August 12th, 2009
  

  Typical of my life-long Charlie Brown syndrome … After being told in 2005 that I had “the lungs of an eighty-year-old man” and that I had “Six to Ten years” to live, I made a conscious decision in that Doctor's parking lot that I could never have another girlfriend and that I must face this alone. I don't see woman as objects. They are glorious creatures that are here to be our partners and friends and to make our lives amazing. I could never, ever knowingly let a woman fall in love with me, all the while knowing I was going to die and leave her. It's not in me to do such a thing, lonely or not.

  Yes, I'm still alive, I'm stubborn like that. But, some days are better than others and my new doctors say that they don't give people “time limits” anymore … because of people like me. I can't afford the lung transplant. So, as Bono so aptly put in one of his songs: “The rich stay healthy, while the sick stay poor”. It is what it is … and like the energizer bunny, I'm still going. Good for me.

  In the moment that I met her, the morning that followed, and the amazing speed of our nexus over the next several months combined with a string of synchronicities (Coincidences? Did I mention that she too, was a poet and writer?) that not only came after I met her on the sidewalk in front of the publisher we shared, but in those pieces I had written before and in several after; I was pretty much convinced I had actually found her. I have NEVER experienced anything like this, or her, in my entire life.

  So, after all this time, here she was … and there wasn't a **** thing that I could do about it. Besides, she was much younger than I and it probably would never have worked anyways. ****, the universe is rotten sometimes, huh? Maybe, if I'm lucky, things will balance out better in the next life. I can only hope. But I'm reminded, worryingly so, of the **** The Alarm song: “Collide”:

“All of these thoughts pounding in my head …
with the words I've wrote, in the letters I've never sent.
The distance in our lives may change …
Times that you can never erase …
But will our worlds collide?
Will our worlds collide, the next time?”



  Only time will tell.



  “Colors”, and a few others, were written about/for her. But, I could never show them to her. I would never endanger my friendship with her. I just wanted to keep her in my life. That, and that alone, was the only motive I'd ever had with her. I looked forward to seeing her marry, hearing her stories of her three kid's adventures; Hubby, all greasy, working on the car in the driveway, rabbits in her garden at night, eating her precious organic veggies or even about her new curtains. Just to know that she was alive, happy and doing well. I found a solace in her voice I could never describe and I was completely content to just have her in my life and watch hers unfold. Only I could end up in this odd position.

  I feared that she might get weird-ed out because I'd never displayed any romantic inklings toward her, so, to suddenly read these might make her feel a bit, lets say: uncomfortable. Actually, I didn't write them with any romantic intentions, per se; I just did what I always do … write what comes out. Still, there's no denying that they come across romantic. Again, so, so Charlie Brown. (long sigh)
  
  It is what it is. I also have to ponder the fact that maybe all those Charlie Brown moments in my life were preparing me for this one big, painful one. That does makes sense … ******' Universe.


Colors

Well when you're Green, I'll be your Brown.
Like the earth that loves the flowers,
I'll will be your solid ground.

And I'll be your Azure, when you are Verdigris.
We'll be thee most beautiful ocean
that eyes have ever seen.

And when you're Black, I'll be your White.
Mixing all of the colors … I'll make everything alright.

Now when you're Blue, I'll be you're Red.
If something should make you wanna cry,
I will feel your pain instead.

And I'll be your Orange, whenever you are Pink.
We'll be thee most amazing sunset,
that the sky could ever ink.

And when you're Black, I'll be your White.
I'll mix all of your colors … and make everything alright.

Should you be Violet, I will be your Beige.
Like a sleepy moonlit desert,
pasteled in dunes and sage.

And when you're Grey, I will be your Rainbow.
We'll be thee most soothing rainstorm
the world has ever known.

And when you're Black, I'll be your White.
I'll mix all of your colors … yes, I'll make everything alright.

With love on my palette, painting a glorious sunrise …
I'll color all your mornings with a smile and brighten up your skies.
If you should find yourself in sorrow from someones hate or lies …
I'll take the stars down from the heavens … and paint them in your eyes.

So whenever you are Black, I will always be your White.
I'll mix all your colors with a promise … everything will be alright.

Yes, I'll mix all of your colors with a promise … Everything's gonna be alright.

~  Winter 2012



  I wrote this after she had rang me up one afternoon lamenting about her life at the moment, troubled that her latest novel hadn't done as well as she'd hoped and now she had to be waitressing to make ends meet. I tried my best to cheer her up and assured her that she was strong enough to handle anything and that she must keep chasing her dreams. I wrote it as a poem, but I can't help but notice it looks like a song, though I've never heard music for it. Those repeated verses look just like choruses to me.

  Earlier in the day, I had been looking at a booklet of paint swatches. I guess, up there on my roof looking at the Manhattan skyline, her sadness and me looking at all those colors melted together somehow and, as happens, out came this piece. Even this, became another synchronicity as she would name her next novel “Show Me All Your Colors”. I remember seeing it in the bookstore and looking straight up … shaking my head at the sky. Was this the universe telling me to show and tell her all this?

  Well, if it was, I stuck with my gut and kept it to myself. My God, if you only knew how many of these synchronicities there were between her and I. It simply boggles my mind. I wanted to call them “coincidences”, but there were just so **** many of them … Each so unique, they just couldn't be called that. I don't want to tell them all here, because like I said, the more you swear to it, the crazier you sound. And I'm sure your questioning my sanity by now, aren't you? (Smirk)


  OK, OK … this one is definitely romantic. I wrote it one night, drunk to the bejeezus. I'd done what we called “The Crosstown Crawl” with my pal Tristan and a gaggle of assorted waitresses we knew. This involved starting at Brass Monkey on the west side highway in the Gansevoort District and ending at my favorite hookah bar, Karma, on the Lower East Side … Drinking in, and often being “asked to leave” (Read: Kicked out of) every bar that took our interest as we walked (Read: staggered) west to east, staying below 14th St.

  On my way home from the city on the J train, I thought about all the phone conversations we'd had while I was on this train crossing the Williamsburg Bridge. Being drunk, I guess, I caught a bout of sadness that I'd never get to tell her any of this or even how I felt about it all. Before I hit my elevator, this piece was swimming in my head. It's about as mushy a piece as I've ever written … if not thee most! Not the norm for me, but this is, after all, a lot to keep pent up inside you. I wouldn't wish this predicament on anyone.


For My Little Red-Haired Girl …


You …

My Love.
My Queen.
This Shining Light in my eyes.

My Laughs.
My Dreams.
My Soft, Contented Sighs.

My *****.
My Lavender.
My Dew Covered Rose.

My Smile.
My Cinnamon.
The Joy in my heart … ever inspiring my prose.

My Best Friend.
My Co-Star.
My Fearless Partner in Crime.

My Breath.
My Cohort.
My Side-kick throughout time.

My Snow-capped Mountain.
The Wind caressing my face.
My Vast Green Field.

The Ivy Covered Wall
that harbors my soul … ever refusing to yield.

In a different time ...

You … would have been my Life.

You … would have been my World.

You … would have been my Everything

and I will always love you for my own special reasons.

It is just a shame … and I'm so, so sorry … that you … must never, ever know.

Maybe next time.


~Charlie Brown




   When I came-to in the morning and read what I had wrote, I had to laugh a bit. It is borderline corny, very beautiful, very telling and very sad … all at once. I shook my head, laughing and told myself :

  “*******, Sam … yer losin' it. Get your **** together, will ya?”

  I guess in my stupor, I was imagining what it would have been like to write something for her. I don't know … There it was and I was stuck with it. I almost deleted it, but, my finger wouldn't press the key. As I told you before … I'd NEVER show this to her. She'd probably never speak to me again.

   As a sadder epilogue, that eventually happened. I still don't know why, but we haven't spoken in years. Maybe she sensed this emotion in me and ran away. Or maybe, just maybe … she thought I'd pushed her away somehow … but for whatever reason, we drifted apart. I guess I'll never know.  As you can see by reading this, that was never my intention. But, like I keep reiterating … It is what it is.

  One day, I called her number to catch up and shoot the breeze. I hadn't spoken to her in a few months as she'd been busy promoting her new novel and I didn't want to pester her. But … it was disconnected … I checked my emails … nothing. I'd never been so confused, she just closed me out. I didn't want to bother her. I was sure she had her reasons and if she wanted to reach out to me again, she would. She had my email and my phone number. But, for now … she was gone … and that was that.

  So, what do you think, Reader? Do I get the Tin hat … or a Badge of courage? Am I bat-**** crazy … or just eccentric? I'll leave it up to you to decide, because as I said, this all happened to me and there isn't a thing I can do about any of it. I just had to get it off of my chest. Thanks for letting me vent.

  Wherever she is … she will always mean the world to me. I can see her green eyes if I close my mine and look for them. Sometimes, on occasion, her face haunts my sleep. Still, I like to picture her, kids playing in a sprinkler behind her, digging in her garden, wearing gloves too big for her hands and a smudge of fresh dirt on her cheek … it makes me smile.


-Sam Webster
Brooklyn, New York
2013
OK, you can stop scratching your head. I'm sorry if you feel like I tricked you or was playing a prank … That was not my intention. This piece is experimental writing, of sorts. If you are wondering, it's titled “Somewhere … Out There”. But I didn't want to put a title at the head of the page, as that might have clued you in too early.

I also confess that “Sam” the narrator is, on no uncertain terms, based loosely on myself. But hey, what better way to string you along? Besides, as Stephen King said, you “Write what you know”. As far as I 'm aware, using poetry within a short story like this, or in this manner, has never been done before. Welcome to the future!

It really belongs in my “From Thee Edge” Collection with the rest of my Twilight-Zone-esque short stories. (You can now read some of these fiction short stories here, posted in my "NoPo@HePo" posts, along with some non-fiction essays. I hope you enjoy them.) But, because I pieced together several of my poems to not only tell the story, but as a vehicle to carry it along as part of it; I wanted to put it here on Hello Poetry just to see if I could convince you long enough to get you through the story … while having you believe it was me speaking to you and that it was all very real to me. Thus, making it feel real to you as you read it.

Was I having you along right up until it was signed by someone else? Or, at least until the narrator addressed himself as “Sam”?

If so, then I accomplished my mission. I'd love to hear your comments on it. If you've been reading any of my other posts, I'm sure you've figured out that I like to run wildly outside of the box sometimes. This was just, as I said, an experiment in a different way to tell a story … fiction or otherwise. As always, I hope that I took you on a journey and, more importantly, that you enjoyed it.

~Jeff Gaines
L.A.
(Lower Alabama)
2015
NELSON MANDELA, NUMBER 46664 IS DEAD; EULOGICALLY ELEGIZING DIRGE FOR SON OF AFRICA, HOPE OF HUMANITY AND PERMANENT FLAME OF DEMOCRACY


Alexander K Opicho
(Eldoret, Kenya; aopicho@yahoo.com)

Nelson Mandela, South Africa's anti-apartheid beacon, has died
One of the best-known political prisoners of his generation,
South Africa's first black president, He was 95.
His struggle against apartheid and racial segregation
Lead to the vision of South Africa as a rainbow nation
In which all folks were to be treated equally regardless of color
Speaking in 1990 on his release from Pollsmoor Prison
After 27 years behind bars, Mandela posited;
I have fought against white ******* and
I have fought against black *******
I have cherished the idea of a democratic
And a free society in which all persons live together
In harmony and with equal opportunity
It is an ideal which I hope to live for and to achieve
But if need be, it is an ideal for which I am prepared to die,

Fortunately, he was never called upon
To make such a sacrifice
And the anti-apartheid campaign did produce results
A ban on mixed marriages between whites and folks of color,
This was designed to enforce total racial segregation
Was lifted in 1985
Mandela was born on July 18, 1918
His father Gadla named him "Rolihlahla,"
Meaning “troublemaker” in the Xhosa language
Perhaps  parental premonitions of his ability to foment change.
Madiba, as he is affectionately known
By many South Africans,
Was born to Gadla Henry Mphakanyiswa,
a chief, and his third wife Nosekeni *****
He grew up with two sisters
In the small rural village of Qunu
In South Africa's Eastern Cape Province.
Unlike other boys his age,
Madiba had the privilege of attending university
Where he studied law
He became a ringleader of student protest
And then moved to Johannesburg to escape an arranged marriage
It was there he became involved in politics.
In 1944 he joined the African National Congress (ANC),
Four years before the National Party,
Which institutionalized racial segregation, came to power
.
Racial segregation triggered mass protests
And civil disobedience campaigns,
In which Mandela played a central role
After the ANC was banned in 1961
Mandela founded its military wing Umkhonto we Sizwe
The Spear of the Nation
As its commander-in-chief,
He led underground guerrilla attacks
Against state institutions.
He secretly went abroad in 1962
To drum up financial support
And organize military training for ANC cadres
On his return, he was arrested
And sentenced to prison
Mandela served 17 years
On the notorious Roben Island, off Cape Town,
Mandela was elected as South Africa's first black president
On May 10, 1994
Cell number five, where he was incarcerated,
Is now a tourist attraction
From 1988 onwards, Mandela was slowly prepared
For his release from prison
Just three years earlier he had rejected a pardon
This was conditional
On the ANC renouncing violence
On 11 February 1990,
After nearly three decades in prison,
Mandela, the South African freedom beacon was released
He continued his struggle
For the abolition of racial segregation
In April 1994,
South Africa held its first free election.
On May 10,
Nelson Mandela became South Africa's first elected black president,
Mandela jointly won
The Nobel Peace Prize
With Frederik de Clerk in 1993
On taking office
Mandela focused on reconciliation
Between ethnic groups
And together with Archbishop Desmond Tutu,
He set up the South African Truth and Reconciliation Commission (TRC)
To help the country
Come to terms
With the crimes committed under apartheid
After his retirement
From active politics in 1999,
Madiba dedicated himself
To social causes,
Helping children and ***-AIDS patients,
His second son
Makgatho died of ***-AIDS
In 2005 at the age of 54,
South Africans have fought
a noble struggle against the apartheid
But today they face a far greater threat
Mandela he posited in a reference to the ***-AIDS pandemic,
His successor
Thabo Mbeki
The ANC slogan of 1994; A better life for all
Was fulfilled only
For a small portion of the black elite
Growing corruption,
Crime and lack of job prospects
Continue to threaten the Rainbow Nation,
On the international stage
Mandela acted as a mediator
In the Burundi civil war
And also joined criticism
Of the Iraq policy
Of the United States and Great Britain
He won the Nobel Prize in 1993
And played a decisive role
Into bringing the first FIFA World Cup to Africa,
His beloved great-granddaughter
Zenani Mandela died tragically
On the eve of the competition
And he withdrew from the public life
With the death of Nelson Mandela
The world loses a great freedom-struggleer
And heroic statesman
His native South Africa loses
At the very least a commanding presence
Even if the grandfather of nine grandchildren
Was scarcely seen in public in recent year

Media and politicians are vying
To outdo one another with their tributes
To Nelson Mandela, who himself disliked
The personality cult
That's one of the things
That made him unique,
Nelson Mandela was no saint,
Even though that is how the media
Are now portraying him
Every headline makes him appear more superhuman
And much of the admiration is close to idolatry
Some of the folks who met him
Say they felt a special Mandela karma
In his presence.
Madiba magic was invoked
Whenever South Africa needed a miracle,

Mandela himself was embarrassed
By the personality cult
Only reluctantly did he agree to have streets
Schools and institutes named after him
To allow bronze statues and Mandela museums
To be built
A trend that will continue to grow.

He repeatedly pointed
To the collective achievements
Of the resistance movement
To figures who preceded him
In the struggle against injustice
And to fellow campaigners
Such as Mahatma Gandhi, Albert Luthuli
Or his friend and companion in arms
Oliver Tambo who today stands in Mandela's shadow,
Tambo helped create the Mandela legend
Which conquered the world
A tale in which every upright man
And woman could see him
Or herself reflected,
When Prisoner Number 46664 was released
After 27 years behind bars
He had become a brand
A worldwide idol
The target of projected hopes
And wishes that no human being
Could fulfill alone,
Who would dare scratch?
The shining surface of such a man
List his youthful misdemeanors
His illegitimate children
Who would mention his weakness for women?
For models
Pop starlets
And female journalists
With whom he flirted
In a politically incorrect way
When already a respected elder statesman?
Who would speak out critically?
Against the attacks
He planned when he headed the ANC
Armed wing Umkhonto we Sizwe
And who would criticize the way
He would often explode in anger
Or dismiss any opinions other than his own?
His record as head of government
Is also not above reproach
Those years were marked by pragmatism
And political reticence
Overdue decisions were not taken
Day to day matters were left to others
When choosing his political friends
His judgment was not always perfect
A Mandela grandchild is named
After Colonel Muammar Gaddaffi
Seen from today's perspective
Not everything fits
The generally accepted
Picture of visionary and genius,
But Mandela can be excused
These lapses
Because despite everything
He achieved more than ordinary human beings
His long period of imprisonment
Played a significant role here
It did not break him, it formed him
Robben Island
Had been a university of life for Mandela once posited
He learned discipline there
In dialogue with his guards
He learnt humility, patience and tolerance
His youthful anger dissolved
He mellowed and acquired
The wisdom of age
When he was at last released
Mandela was no longer
Burning with rage,
He was now a humanized revolutionary
Mandela wanted reconciliation
At almost any price
His own transformation
Was his greatest strength
The ability to break free
From ideological utopia
And to be able to see the greater whole
The realization
That those who think differently
Are not necessarily enemies
The ability to listen,
To spread the message of reconciliation
To the point of betraying what he believed in,
Only in this way could he
Serve as a role model
To both black and white humanity
, communists and entrepreneurs,
Catholics and Muslims.
He became a visional missionary,
An ecclesiast of brotherly love
And compassion
Wherever he was, each humanity was equal
He had respect for musicians and presidents
Monarchs and cleaning ladies
He remembered names
And would ask about relatives
He gave each humanity his full attention
With a smile, a joke, a well aimed remark,
He won over every audience
His aura enveloped each humanity,
Even his political enemies,
That did not qualify him
For the status of demi-god
But he was idolized and rightly so
He must be named in the same breath
As Mahatma Gandhi, the Dalai Lama
Or Martin Luther King
Mandela wrote a chapter of world history
Even Barack Obama posited
He would not have become
President of the United States
Without Mandela as a role model,

And so it is not so important
That Mandela is now portrayed
Larger than life
The fact that not everything
He did in politics succeeded is a minor matter
His achievement is to have lived
A life credibly characterized
By humanism, tolerance and non-violence,
When Mandela was released
From prison in 1990,
The old world order of the Cold War era
Was collapsing
Mandela stood at the crossroads and set off in the right direction
How easily he could have played with fire, sought revenge,
Or simply failed; He could have withdrawn from public life or,
Like other companions in arms, earned millions,
Two marriages failed because of the political circumstances
His sons died tragically long before him
It was only when he was 80 and met his third wife,
Graca Machel,
That he again found warmth,
Partnership and private happiness,
Setbacks did not leave him bitter
Because he regarded his own life
As being less important
Than the cause he believed in
He served the community humbly,
With a sense of responsibility
Of duty and willingness to make sacrifices
Qualities that are today only rarely encountered,

How small and pathetic his successors now seem
Their battles for power will probably now be fought
Even more unscrupulously than in the past
How embarrassing are his own relatives
Who argued over his legacy at his hospital bed
Mandela was no saint
But a man with strengths and weaknesses,
Shaped by his environment
It will be hard to find a greater person
Just a little bit more Mandela every day
Would achieve a great deal
Not only in Africa
But in the bestridden geographies
Epochs and diversities of man,

In my post dirge I will ever echo words of Mandella
He shone on the crepuscular darkness of the Swedish
Academy, where cometh the Nobel glory;
Development and peace are indivisible
Without peace and international security
Nations cannot focus
On the upliftment
Of the most underprivileged of their citizens.
Today the Irish people witnessed an eclipse in their senses. The morning came over all queer.  Nobody noticed, except the king of bookworms in the book of Kells, and the mice in the Campanile.   I witnessed the eclipse from a windowless room on the 4th floor of the Arts block.  Edmund Spenser's poem, The Faerie Queene,  shall henceforth be named, Long ****, by jury of 5 English Lit. Students and a Lecturer.  Also, Sinn Fein plans to build Jerusalem in Ireland's green and pleasant land.  

Lines written last night over a cup of sugary tea in a public house in North Dublin.
Gaye Apr 2016
In the end, I never really climbed-
Them, they gave me panic attacks,
Razors loped my flesh and I ran in
Circles over a reverse nightmare,
Spiral staircase, awful storeys,
They all scooted to 1999.

I want to climb down my 1999, burn
And not be smolder in an ashtray.
I hope to fall asleep, away from
The city, away from my guava trees.
I have my history of walking,
Suddenly lost without postage stamps.

Will you take me to Ferris wheel?
Push me down the spiral staircase,
And sleep next to my 1999? Will you?
Will you take me to Ferris wheel?
Push me down the spiral staircase,
And sleep next to my 1999? Will you?

“Some other day”
jack of spades Apr 2017
You’re a Monday child, born on the first day of the week--
the weakest link--
You’re like the moon.
You’ve got nothing to give--
the sharp darkness of your crescent is someone else’s shadow,
and your light is nothing but the reflection of something bigger
and brighter than you.
You’re a disappointment child,
potential building like the Tower of Babel,
everyone telling you that if you had just tried hard enough,
then you could have touched God.
But you’re just a Monday child,
an extrovert who runs up the electricity bill by leaving on
all the lights when you’re home alone,
how even with your earbuds in you leave the TV on.
Pretending to be near people who are alive makes you feel a little less like you
already died a long time ago.
Darkness doesn’t take days off and
neither do your thoughts, so
wrap yourself in stars.
You want to find light in the constellations but
it’s hard to trace lines between dots behind fog.
Mondays are longer on Mars.
You were born with stress in your veins, heaping projects with no real due date,
in a constant state of waiting for Friday,
but weekends are for the weary,
and the taut line of your spine implies that you
don’t deserve a break.
The thing about Mondays is that they’re crushing,
filled with longing,
the way that you only feel homesick when you look up at the moon and her fraud light.
You wrap yourself in nebulae and galaxies to try to
keep the homesickness at bay while you sleep.
Nothing will ever be good enough.
You will never be good enough.
You are a Monday child, a bitter aftertaste of someone else’s loss,
like you’ve smiled too brightly at a stranger leaving a funeral home.
You dug your own grave a long time ago.
Your eyes are clouded with looking too far forward, stretching yourself backwards,
hanging onto the aftertaste of the weekend while living for the next.
You hang like laundry,
brittle in cold wind,
the step between that no one likes to linger on.
You were born on a Monday.
But your eighteenth birthday fell on a Wednesday,
your sixteenth on a Sunday,
and you are more than a desperate reach for empty space.
The Tower of Babel did not touch God.
You are not here for someone else to tell you to touch God.
You are not here for someone else.
You may be a disappointment child,
with your Monday fog eyes and shaking hands,
but sometimes you have to choose your own joy over someone else’s expectations--
because I was born on a Monday,
and poetry comes easier than physics but nothing
calms me down quite like solving differential equations.
I was born on a Monday,
and I’m used to looking at other people’s faces and seeing disappointment
because I don’t think I'm quite what any of us wanted me to be.
I cling to the past the way that Monday clings to Sunday,
but daydream about the future like it’s Saturday.
The problem is Tuesday through Friday, because
nothing quite makes me want to die like the concept of
planning out the rest of my life.
I think I’ll be alright, though,
because on Monday nights I look at the stars and think that
I might be figuring out how to feel alive,
like maybe home is in the constellations that I still don’t quite know.
Maybe home is in the Mondays,
or maybe it’s in the weary camaraderie of humanity’s ability to cling to weekdays.
Most days, I have to remind myself that this is just the beginning,
simultaneously relieving and daunting,
because I’m scared of the future and I’m scared of being disappointing.
I’m a Monday child, born under a full moon that feels like home
whether I’m looking at it from Jamaica or Germany or Kansas City.
Chaos comes with the start of the week,
and losing myself has always felt comforting:
that’s the only time when I have no one else to be.
NZ Aug 2010
May 1999, on my way to school on day I saw you I wanted to be with you. On the way home, I saw you again. I saw you most days.

    By June, I realised you went to our school. I felt like I knew you, but I'd never talked to you.

     In September, you were in my class. I flet a rush of hope that I finally talk to you.

      In October, I did finally talk to you. Because of a science project. Your name was Mike and you were a wiz in class.

      By January 2000, we were good friends and did a lot of projects toghther.

       At the end of June, I had changed schools. I realised that I can't live without you.
SpongeBob SquarePants is an American animated television series created by marine biologist and animator Stephen Hillenburg for Nickelodeon. The series chronicles the adventures and endeavors of the title character and his various friends in the fictional underwater city of Bikini Bottom. The series' popularity has made it a media franchise, as well as Nickelodeon network's highest rated show, and the most distributed property of MTV Networks. The media franchise has generated $8 billion in merchandising revenue for Nickelodeon.

Many of the ideas for the series originated in an unpublished, educational comic book titled The Intertidal Zone, which Hillenburg created in the mid-1980s. He began developing SpongeBob SquarePants into a television series in 1996 upon the cancellation of Rocko's Modern Life, and turned to Tom Kenny, who had worked with him on that series, to voice the titular character. SpongeBob was originally to be named SpongeBoy, and the series was to be called SpongeBoy Ahoy!, but these were changed, as the name was already trademarked.

The series was previewed on Nickelodeon in the United States on May 1, 1999, following the television airing of the 1999 Kids' Choice Awards, and officially premiered on July 17, 1999. It has received worldwide critical acclaim since its premiere and gained enormous popularity by its second season. The SpongeBob SquarePants Movie, a feature-length film adaptation, was released in theaters on November 19, 2004, and a sequel is currently in production, with a projected release date of February 13, 2015. On July 21, 2012, the series was renewed and aired its ninth season, beginning with the episode "Extreme Spots".[2][3]

Despite its widespread popularity, the series has been involved in several public controversies, including one centered around speculation over SpongeBob SquarePants' intended ****** orientation. The series has been nominated for a variety of different awards, including 17 Annie Awards (with six wins), 17 Golden Reel Awards (with eight wins), 15 Emmy Awards (with one win), 13 Kids' Choice Awards (with 12 wins), and four BAFTA Children's Awards (with two wins). In 2011, a newly described species of mushroom, Spongiforma squarepantsii, was named after the cartoon's title character.
Ayad Gharbawi Jan 2010
Hi;

This is not a poem.

But given the infernal catastrophe that has befallen, I just think it is time for you Americans to listen to us people living 'out there'.

Here are my thoghts, that I submit to you with respect;


HAITIAN EARTHQUAKE: A HISTORIC MOMENT FOR AMERICA TO CHANGE ITS MISSION

Ayad Gharbawi

January 19, 2010 – Damascus, Syria


The recent Haitian earthquake is unusual in that it has destroyed the entire meagre ‘infrastructure’ of a so-called nation.
In fact, this 2010 earthquake succeeded in showing the world that the so-called ‘country’ of Haiti is nothing more than another piece of estate/land/property for a select, few oligarchs.
Anyway, the US response to this ecological/environmental holocaust that has befallen upon Haiti has been unprecedented.
America, under President Barack Hussein Obama, has behaved impeccably in Haiti.
The brilliance in Obama’s aid for Haiti is successful precisely because he has avoided previous attempts by the US to help on the basis of ‘humanitarian’ grounds, when those grounds happened to also include conflicts raging within them.
Obama avoided the mistake of getting America involved in a humanitarian crises that existed within a civil war – like what happened in Lebanon (1982-83), Somalia (1991-3), Bosnia (1995), Kosovo (1999).
I write this article because I, as an outsider, wish ardently, to speak to you Americans.
Today, you Americans have the choice: either to follow the militaristic, expansionist policies of the US President, Theodore Roosevelt, or you may follow the path of the first morally-guided President of the US - Woodrow Wilson.
I urge you Americans to leave all countries where there are civil wars – such as in Iraq, Afghanistan, Yemen and so on.
Let these countries do whatever their people wish to do against each other.
Instead, allow your great arsenal of democracy to help and intervene on humanitarian missions – in countries wherein there are no civil wars – such as you have been doing so magnificently in Haiti.
Use your power, your wealth, your US Army, Air Force, and Navy to help humans who need the helping hand of succour.
I tell you, that you Americans, once you adopt this peaceful, moral foreign; policy, you shall see that your enemies will fade.
Taleban have told you repeatedly, and have repeatedly contacted to you, telling you that they are engaged in an Afghani civil war. So why do you intrude?
Al Qaeda have told you repeatedly if you leave the Middle East, then they have no quarrel with you.
Why can you Americans not accept or understand that so long as you do not invade, occupy or create military bases in foreign lands, no one, and no organization and no party and no country will see you as an enemy?
This is a moment for you Americans do finally break off from the Theodore Roosevelt Principle (TRP) which is to attack, ****, slaughter and occupy any country you think is ‘worth it’.
And, at the same time, it is also a moment in history, when you can fully embrace the Woodrow Wilson Principle (WWP) of a foreign policy that is based on morality.
What you have done and what you are doing in Haiti is a pure act of WWP.
I believe the entire Third World applauds you and loves you for what your men and women are doing for the innocent victims of Haiti.
But, then, when other men and women, scream and shriek, saying: “Look at what these Americans are doing! They ****, butcher and ****** Afghans in order to support corrupt, drug dealing gangsters such as Hamid Karzai who, themselves, cannot control and, in any case, are not interested in ‘controlling’ their own country! So what else can you think of America’s real intentions?”
And what a good emotion-fuelled question, indeed.
What are you Americans doing fighting, losing American and Afghani blood in order to basically prop up and support criminal regimes such as the Karzai regime, whose only raison d’etre is to make profits through their various ‘business’ activities?
The more you Americans fight what are perceived as unjust, colonialist wars, the more you will create terrorists. It is a never ending cycle!
I argue and I passionately believe, that you Americans can do this. If only you US statesmen and stateswomen finally decide to adopt the beautiful, clean mantle of morality in your foreign policy.
Obviously, I do not have enough space to express my ideas and reasons. So, let me be clear: I am not advocating a slavish enactment of Wilsonian principles.
For, as an example, when Iraq invaded Kuwait in 1990, the US had to make a military move, because no country can allow a sick dictator to control so much of the world’s oil. There are clear instances when aggression abroad can seriously threaten US interests. But, in truth, the vast majority of the wars you Americans entered, were unnecessary: you did not need to go beyond the Yalu in 1950 in Korea; you did not need to enter the North-South Vietnamese Civil War.
Take Kosovo: yes massacres were committed on all sides. But you did not need to bomb Serbia. First and foremost, that should and must have been a problem for European powers to solve. Secondly, Kosovo was never vital for US interests. And the fact is, Kosovo could never be a so-called ‘state’. Today, it is nothing more than a geographical area run by warlords, drug dealers and other gangsters who each carve out their own territory. Was that piece of gangster-run land worthy of killing Serbians? No!
Take North Korea: let Russian, South Korea and Japan deal with that abnormal so-called state. Why do you spend money on your troops and camps there? It is not in your interests and yes, North Korea does not threaten you Americans!
The same goes for Iraq in 2003 – you did not need to invade that country for the simple reason that Baghdad posed no threat to its neighbours, and certainly no threat to Europe or to the US.  Again, you should have let the Iraqis themselves solve whatever problems they have on their fragmented plate.
You must see and feel that US lives are not expendable for pointless and futile foreign adventures.
America should help those who have suffered environmental catastrophes and who are in a war-free zone.
America should help stable, developing nations where accountability starts from Washington and right back in – Washington.
And yes, of course, America should only use its military might if it is directly threatened by any person, nation or organization.
And to reduce this hatred that has spawned against you: I tell you, a voice from a wilderness, one mute krill from amongst billions yearning for exactly what I yearn for, I tell you: remove your military bases from Europe, Japan, South America, the Gulf, and anywhere else. These military bases are seen by people as ‘evidence’ of occupation. You do not need to keep these costly outposts. Remove them. Reduce your military presence that, in any way, has no effect, except to increase fanaticism and anger amongst your people. This is especially so in the Gulf, where your presence angers the people – leave those countries and yes, you will then reduce your costs, which is obviously beneficial to you Americans.
Instead of military compounds and bases, why not enthusiastically create consortiums of companies to build American schools, universities, hospitals, housing projects and get involved in building infrastructure projects in nations that have good accountability, so no money is wasted and so can never go, instead, straight to the pockets of the leaders.
Build the world; use your superpower might to create hope in broken nations, and that effort will, in turn, build love and you shall see, your enemies shall decrease and your military costs will decrease and your building projects will bring you greater revenues.
The choice is yours: follow a Wilsonian foreign policy or a Theodore Roosevelt foreign policy.
I hope the Haitian earthquake catastrophe has shed some light on which path US foreign policy should take.

Ayad Gharbawi
M Clement Dec 2012
Drink me away
Drink me away
Drink me near

Where's you fridge
I need a beer
To help forget
And to add more calories
I didn't eat today
I hope my momma's proud of me

Give me love
Give me life
Give me *** for memory

***** and redbull
Is my frenemy

Bring me to waters,
Early in the morn.
Bring me to waters,
Two doors from the dorm.
Snehith Kumbla Jun 2016
lightning vein,
drenching walk,
tea stall steam,
joy loud song,
pothole brim,
splashing talk,
bunch of friends,
evening tease,
folded jeans,
fording brand
new streams...
“Even the streets leading up to its outer barriers were roamed by gorilla-faced guards in black uniforms, armed with jointed truncheons.”
                                                    ­ George Orwell, 1984* (published in 1949)

Which brings us, of course, to the subject of torture since 1949.
Come with me to the Casbah, Babaloo.
We begin in the 1950s with the French in North Africa,
****** baguettes in Algeria,
Couilles frits, anyone?
Electrodes wired to Mustapha’s *****.
And "Bigeard's Shrimps,” as the bodies were called,
Dumped over the Mediterranean from aircraft,
All things considered a je ne sais quoi,
Though Camus and Sartre gave it a whack.

Then the 1960s: the CIA dabbling in mind-control and LSD.
Later, a Phoenix Program,
Very secretive, sympathies with the Cong required,
Various elders selected,
The village disinfected,
**, **, ** and a bowl of Pho.

Apartheid anyone?
Thirty years of South African terror & torture.
Torment in the townships,
Shaka Zulu gold and diamonds,
De Beers in Swaziland swing.

1971: riots at Attica,
Prisoners abused and tortured,
Rockefeller’s overcrowded slammer,
An upstate New York katzenjammer,
Nelson’s finger on the trigger,
39 dead and counting,
But who’s counting?

The CIA, back in the news in 1973,
Torture chambers under Chilean soccer stadiums,
And the Khmer Rouge:
Those Wacky Cambodians with skull racks.  
And let us not forget the British,
With centuries of colonial experience behind them,
Occupy six counties in Northern Ireland.
Finally codify the imperial process,
The Five Techniques:
Sounds like a Motown group,
Satin smooth colored boys,
But more method than music:
(1) Wall-standing,
(2) Hooding,
(3) Subjection to noise,
(4) Sleep deprivation,
(5) No food and drink.

And there’s a bunch of horrible ****,
We still don’t know about the Argentine ***** War,
And other Mai Lai-like,
****-fest massacres in Vietnam.

How about torture since 1984?
Abu Ghraib and Guantanamo,
Come quickly,
(www.prematureejaculatorsanonymous.com)
To mind,
As do US-sponsored rendition facilities,
Spread throughout the NATO alliance.
And closer to home, it’s never a dull moment in the 5 Boroughs:
Brooklyn, Queens, Staten Island, The Bronx and Manhattan.
Take your pick from Giuliani’s Greatest Hits,
Rudy Kazootie’s campaign of law and order,
Not necessarily in that order.
More awful than lawful,
A bathroom plunger rammed up,
The Haitian voodoo ****** of Abner Louima,
While he be handcuffed at a Brooklyn station house.
Or, the NYPD partying like it was 1999.
When in fact, it was1999,
And a curious death it was for Amadou Diallo,
Would-be American citizen from The Republic of Guinea,
(No connection to Italy or Italians),
Abner & Amadou: a pair of cautionary tales,
Either/or reflecting standard procedure for the Po-Po,
Time and time again from coast to coast.
Either/or: poor Abner, no Haitian Papa Doc.
Poor Amadou, on his way home from night school,
When police squeeze off 41 rounds,
Most of them in his direction,
Hitting him 19 times.
Just the facts, ma’am:
Diallo had reached into his jacket.
A trigger-happy police officer yells “Gun.”
A jungle warfare quartet springs into action:
Shenzi, Banzai, Ed & Zazu,
Four equally trigger-happy colleagues,
Empty their weapons.
No gun was found on Diallo,
Only the wallet he tried to pull out,
Containing his Green Card,
4 U.S. dollar bills;
And a laminated,
Credit card-sized copy of the U.S. Bill of Rights.
(I just didn’t know when to quit, did I?
The wallet was there with Green Card and the bucks,
But I made up the part about the Bill of Rights,
Trying to add poetry to tragedy, as usual.)

I don’t have to say much about Rodney King (RIP).
You watched it on TV a hundred times,
And a picture’s worth a thousand words.
Or ten thousand or a million, I suppose.
“Can’t we all just get along?” asked Rodney Glen King.

Last but not least there’s Kelly Thomas (RIP),
Another incidence of police insanity,
It was July of 2011 in Fullerton, California.
Thomas, a 37-year-old homeless man,
Schizophrenic, but unarmed,
Beaten to death at a bus depot,
During an altercation with six Fullerton police officers.
Read more: http://www.dailymail.co.uk/news/article-2019225/Kelly-Thomas-Poli­­ce-beat-taser-gentle-mentally-ill-homeless-man­-death.html#ixzz1e­3­4QnHtr

Mervyn Lazarus | Attorney | (www.mervlazarus.com) Police Brutality, Excessive Force and Jail Injury cases | California . . . Albuquerque

Jackie Chiles perfect attorney -YouTube, (www.youtube.com/watch?v=jpcEietIoxk) Nov 17, 2010 - 13 min - Uploaded by Kroeger22 All the scenes with Jackie Chiles from Seinfeld."Chiles is a parody of famed attorney Johnnie Cochran; both ... www.seinfeld.com

Perhaps the greatest torture of all,
Is that which artists subject us to.
Let us examine the case of Roberto Bolaño:
Roberto Bolaño, the great Chilean writer,
Tells a fabulous World War II story,
About a Spaniard--an Andalusian--
Fighting for the Germans against the Russians.
Captured by the Russians,
He is tortured for information.
The Spaniard speaks no Russian,
He knows only four words of German.
The Russian interrogators strap him into a chair,
Attach electrodes to his *****,
Attach pincers to his tongue.
The pain makes his eyes water.
He said--or rather shouts--the word coño.
It is Spanish for ****.
The pincers in his mouth,
Distort the expletive,
Which in his howling voice comes out as KUNST.
The Russian who knows German looks at him in puzzlement.
The Andalusian was yelling KUNST,
Yelling KUNST and crying in pain.
KUNST in German means art,
And that was what the bilingual Russian heard, KUNST.
“This ******* must be an artist or something.”
The torturers remove the pincers,
Along with a little piece of tongue,
And wait, momentarily hypnotized by the revelation:
The word ART had soothed the savage beasts.
So soothed, the savage beasts take a breather,
Waiting for some kind of signal.
Meanwhile, the Andalusian bleeds from the mouth,
Swallows his blood liberally mixed with saliva, and chokes.
The word coño,
Transformed into the word *KUNST,

Had saved his life.
It was dusk when he came out of the building.
Light stabbed at his eyes like midday sun.

So, it’s a fact that I love,
Truly love the simple blunt Anglo-Saxon expletive ****,
****: I pray that while I am being tortured some day,
I have the dignity to scream the word out loud.
And if I am screaming **** at the very end,
When my nervous system finally fails,
When I **** my pants,
When my pulmonic heart and lungs collapse,
Is that so bad?
Is that so wrong?

Do you realize that 1984 came--
Came and went, without any significant cultural hoopla?
The networks ignored it.
As did the cable pundits.
No significant comparative analysis between,
Orwell’s book 1984 and the year 1984,
Was broadcast electronically or publicized in print.
Steve Jobs got it, but as usual no one else did.
Mr. Jobs (RIP) did his best,
To mainstream its profound cultural relevance,
But ultimately failed,
Despite the $1.5 million he paid one of the networks,
To air a one minute nation-wide commercial,
During the 3rd Quarter,
Of Super Bowl XVIII,
January 22, 1984.
Despite Ridley Scott’s astonishing spell-binder,
His 60-second spot for The Macintosh 128K--
Still considered a watershed event,
And an advertising industry masterpiece,
…YouTube it and watch it.  (www.youtube.com/watch?v=Z8ji0B98IMo).
See the hammer throwing athlete chick,
See her fling the sledge,
That huge sledgehammer,
Smash into Big Brother’s flat screen face.
Despite Jobs’ global presence,
Despite Steverino’s unfettered microphone access,
Whenever he felt an oraculation coming on,
Despite everything,
He was unable to move the powers that be,
To either hype the book or the prophecy come true.

So, what’s my point? I have two.
First, in April 1984 the estate of George Orwell,
And the television rights holder to the novel 1984,
Considered the edgy Jobs/Scott commercial to be,
A flagrant copyright infringement,
Sending a cease-and-desist letter to Apple Inc.
And the advertising agency that produced the spot: Chiat/Day Inc.
The commercial was never televised as a commercial after that.  
Score: Lawyers 1, Artists 0.

My second point is that in November 2011,
The U.S. government argued before the U. S. Supreme Court,
That it wants to continue utilizing GPS tracking of individuals,
Without first seeking a warrant.
In response, Justice Stephen Breyer (one of the sane ones),
Questioned what this means for a democratic society.
Referencing Nineteen Eighty-Four, Justice Breyer asked:
"If you win this case, then there is nothing,
To prevent the police or the government from monitoring 24/7,
The public movement of every citizen of the United States.
So if you win, you suddenly produce what sounds like 1984 . . .”*

My third point,
(Yeah, I know I said two, but *******.)
My third point is that I’m just so ******* angry,
All the time, late and soon like Wordsworth,
(Was anyone more aptly named?)
I am angry about so many different things,
And every day that goes by I relate more and more,
To the thousands of Americans that occupied,
Zuccotti Park and Oakland,
And countless other venues,
Out into the streets.
Across the country.
Around the world.  
I am humbled by their courage and perseverance.
Yet, I am afraid for them.
I am made paranoid by the scope and power,
Of the government,
Of the ruling class that controls it,
And the technology they allow us to embrace,
Technology’s sinister potential,
Now that more and more knowledge and information,
Has been digitized,
Existing only in cyberspace.                                                      ­                                                 
What frightens most is the realization,
That anyone with a word processor,
And access to the database could rewrite,
Any historical or legal document,
To fit the needs of a current agenda.
The scary part is—
Repeating myself for emphasis—
That anyone with a word processor
And access to the database could rewrite,
Any historical or legal document,
To fit the needs of a current agenda.

Does anyone out there give a ****?
Does anyone out there share my nightmare?
Do it to Julia.
Do it to Julia.
Allen Davis Nov 2013
The ruler comes down from on high
Dragging himself along the earth
Insulation going up like confetti
Take cover, take shelter

Ice the size of softballs
Comes streaking from the sky
There’s nowhere left to run
Huddled under the bridge

And then a sound like rushing water
Feels like a freight train overhead
We weep and cry and gnash our teeth
As the trumpet blares

Drove down Telephone Road
Where it crosses the highway
Sandcastles washed out to sea
Old bills put through the shredder
Michael R Burch May 2020
Existence
by Fadwa Tuqan the "Poet of Palestine"
loose translation/interpretation by Michael R. Burch

In my solitary life, I was a lost question;
in the encompassing darkness,
my answer lay concealed.

You were a bright new star
revealed by fate,
radiating light from the fathomless darkness.

The other stars rotated around you
—once, twice —
until I perceived
your unique radiance.

Then the bleak blackness broke
And in the twin tremors
of our entwined hands
I had found my missing answer.

Oh you! Oh you intimate, yet distant!
Don't you remember the coalescence
Of your spirit in flames?
Of my universe with yours?
Of the two poets?
Despite our great distance,
Existence unites us.

Keywords/Tags: Fadwa Tuqan, Palestine, Palestinian, Arabic, translation, existence, love, darkness, star, stars, orbit, radiance



Enough for Me
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Enough for me to lie in the earth,
to be buried in her,
to sink meltingly into her fecund soil, to vanish ...
only to spring forth like a flower
brightening the play of my countrymen's children.

Enough for me to remain
in my native soil's embrace,
to be as close as a handful of dirt,
a sprig of grass,
a wildflower.

Published by Palestine Today, Free Journal and Lokesh Tripathi



Nothing Remains
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Tonight, we’re together,
but tomorrow you'll be hidden from me
thanks to life’s cruelty.

The seas will separate us ...
Oh!—Oh!—If I could only see you!
But I'll never know
where your steps led you,
which routes you took,
or to what unknown destinations
your feet were compelled.

You will depart and the thief of hearts,
the denier of beauty,
will rob us of all that's dear to us,
will steal this happiness,
leaving our hands empty.

Tomorrow at dawn you'll vanish like a phantom,
dissipating into a delicate mist
dissolving quickly in the summer sun.

Your scent—your scent!—contains the essence of life,
filling my heart
as the earth gulps up the lifegiving rain.

I will miss you like the fragrance of trees
when you leave tomorrow,
and nothing remains.

Just as everything beautiful and all that's dear to us
is lost—lost!—and nothing remains.

Published by This Week in Palestine and Hypercritic (read in Arabic by Souad Maddahi with my translation as a reference)



Labor Pains
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Tonight the wind wafts pollen through ruined fields and homes.
The earth shivers with love, with the agony of giving birth,
while the Invader spreads stories of submission and surrender.

O, Arab Aurora!

Tell the Usurper: childbirth’s a force beyond his ken
because a mother’s wracked body reveals a rent that inaugurates life,
a crack through which light dawns in an instant
as the blood’s rose blooms in the wound.



Hamza
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Hamza was one of my hometown’s ordinary men
who did manual labor for bread.

When I saw him recently,
the land still wore its mourning dress in the solemn windless silence
and I felt defeated.

But Hamza-the-unextraordinary said:
“Sister, our land’s throbbing heart never ceases to pound,
and it perseveres, enduring the unendurable, keeping the secrets of mounds and wombs.
This land sprouting cactus spikes and palms also births freedom-fighters.
Thus our land, my sister, is our mother!”

Days passed and Hamza was nowhere to be seen,
but I felt the land’s belly heaving in pain.
At sixty-five Hamza’s a heavy burden on her back.

“Burn down his house!”
some commandant screamed,
“and slap his son in a prison cell!”

As our town’s military ruler later explained
this was necessary for law and order,
that is, an act of love, for peace!

Armed soldiers surrounded Hamza’s house;
the coiled serpent completed its circle.

The bang at his door came with an ultimatum:
“Evacuate, **** it!'
So generous with their time, they said:
“You can have an hour, yes!”

Hamza threw open a window.
Face-to-face with the blazing sun, he yelled defiantly:
“Here in this house I and my children will live and die, for Palestine!”
Hamza's voice echoed over the hemorrhaging silence.

An hour later, with impeccable timing, Hanza’s house came crashing down
as its rooms were blown sky-high and its bricks and mortar burst,
till everything settled, burying a lifetime’s memories of labor, tears, and happier times.

Yesterday I saw Hamza
walking down one of our town’s streets ...
Hamza-the-unextraordinary man who remained as he always was:
unshakable in his determination.

My translation follows one by Azfar Hussain and borrows a word here, a phrase there.



Biography of Fadwa Tuqan (aka Touqan or Toukan)

Fadwa Tuqan (1917-2003), called the "Grande Dame of Palestinian letters," is also known as "The Poet of Palestine." She is generally considered to be one of the very best contemporary Arab poets. Palestine’s national poet, Mahmoud Darwish, named her “the mother of Palestinian poetry.”

Fadwa Tuqan was born into an affluent, literary family in Nablus in 1917. Her brother Ibrahim Tuqan was the most famous Palestinian poet of his day. She studied English literature at Oxford University and won several international literary prizes.

Tuqan began writing in traditional forms, but later became a pioneer of Arabic free verse. Her work often deals with feminine explorations of love and social protest.

After the Nakba ("Catastrophe") of 1948 she began to write about Israel's occupation of Palestinian territories. Then, after the Six Day War of 1967, she also began writing patriotic poems.

Her autobiography "Difficult Journey―Mountainous Journey" was translated into English in 1990. Tuqan received the International Poetry Award, the Jerusalem Award for Culture and Arts and the United Arab Emirates Award, the latter two both in 1990. She also received the Honorary Palestine prize for poetry in 1996. She was the subject of a documentary film directed by novelist Liana Bader in 1999.

Tuqan died on December 12, 2003 during the height of the Al-Aqsa Intifada, while her hometown of Nablus was under siege. Her poem "Wahsha: Moustalhama min Qanoon al Jathibiya" ("Longing: Inspired by the Law of Gravity") was one of the last poems she penned, while largely bedridden.

Tuqan is widely considered to be a symbol of the Palestinian cause and is "one of the most distinguished figures of modern Arabic literature."

In his obituary for "The Guardian," Lawrence Joffe wrote: "The Palestinian poet Fadwa Tuqan, who has died aged 86, forcefully expressed a nation's sense of loss and defiance. Moshe Dayan, the Israeli general, likened reading one of Tuqan's poems to facing 20 enemy commandos." In her poem "Martyrs Of The Intifada," Tuqan wrote of young stone-throwers:

They died standing, blazing on the road
Shining like stars, their lips pressed to the lips of life
They stood up in the face of death
Then disappeared like the sun.

Yet the true power of her words derived not from warlike imagery, but from their affirmation of Palestinian identity and the dream of return.

"Her poetry reflected the pain, loss, and anger of the Nakba, the experience of fleeing war and living as a refugee, and the courageous aspirations of the Palestinians to nationhood and return to their homeland. She also wrote about resistance to Israel’s injustices and life under Israeli military occupation, especially after Nablus fell to Israeli forces in 1967, heralding Israel’s long-term occupation of the West Bank, which remains to this day." - Zeina Azzam
Kayla Hollatz Feb 2014
The tangerine stained race track
spread across our **** carpet, a turn
by the wooden bed frame, a loop
near the five piece drum set.
My brother’s fingertips gripped a Hot Wheel
by its rear end, its rubber wheels
greeting the track, propelling it forward,
launching it into another plastic vehicle,
and Crash.

I nursed the toy cars through emergencies,
playing doctor to replace cracked windshields
and torn plastic bumpers, victims
of one too many collisions. It alarmed me
how easily the 1976 Mustang could lose its wheel,
sending it spinning like a dreidel while my brother grinned
with splintered teeth, feeling nothing.
The car survived the impact, but people
don’t always walk away from accidents. They can’t be raised
on jack stands and tinkered with. The operation table,
home to drivers with fluttering heartbeats,
can hum to the deafening beat of a flat-line monitor.
A persona poem I wrote for class that it is still a work in progress. Any notes + opinions would be greatly appreciated.
mike Feb 2013
hi again. my names mike. im scared. ive been recently diagnosed with acute paranoid schizophrenia, i think. however, the doctor(who is not a real doctor)was inaccurate. setting me up to be his personal test dummy. well, its not gonna happen again. im looking for a team to enact a certain duty. a job for those who seem qualified.

the qualifications?: experience in violence and time travel.

the job?: to never divulge secrets of the job, which involves kidnapping said doctor and retrieving a small metal instrument from within his skull.(i have the needed information for the retrieval of this device.)

the time?: any time before the future. once we've orchestrated then enacted our team meeting, we must use our time travel facilities within the same minute of our arrival, as i have already set our return time for the mission to one minute after the last team member(gregg) arrives on location of said meeting point. we will(once gregg finally arrives, 28 minutes late!) pile into the 8-man machine and activate, sending us to our destination: february 2nd, 1989. this is the date that(we'll call him doctor octopus) doctor octopus received his supposed doctorate from stanford university. we will then obstruct the way between his home and his graduating ceremony by means of designing a car crash scenario. he will be knocked out cold, allowing us easy passage into his car, excavating his limp frame, and bringing it to a secure location(walmart)where we will then inject his brain with a bio-mechanical agent, leaving him there to wake up, confused, and minus a degree. we will then travel to april 2nd, 1999, to re-engage with doctor octopus, to kidnap him in order to extract the mechanism from within his skull, which at this time will be fully grown and functional, having been implanted by us through the injection of the bio-mechanical agent 10 years and 2 months prior. once obtaining said device, we will use it to communicate with the inter-dimentional beings doctor octopus has done the bidding of. we will pose as doctor octopus to gather intelligence as to how to travel through time, allowing the mission success, bringing us back to the original point of departure, arriving exactly one minute after original departure. leaving us with existing alibis(for i know everyone was with their families on groundhog day, 1989. and my birthday, 1999.) and no traceable evidence or witnesses, including yourselves, for i HAVE taken the liberty of going back to all of your days of birth and murdering your mothers with said team still unborn in the wombs, yet have gone back to said dates again to stop myself. allowing for success and no traceable links.

the place?: nowhere. the mission has already been completed. good job team.

the compensation?: 7.79 per hour.
Gregory K Nelson May 2013
on nights like these we forgot the work of love
and loosed the chains that tied our hands to our hearts
we jumped and groaned in the rough outline of satire
that left us rolling among the sweet aftermath of our decadence

on nights like these I found my brothers
because no one is closer than troops before battle
and afterwards we were each other's father and son
because we fought like our hand was forced and maybe it was

on nights like these it was all for the boys
for the past we invented and the future we never believed
the world had died and we toasted it with cheap wine
we laughed like animals at jokes beyond men

-GKN 1999
Michael R Burch Dec 2021
The Story
by Kamal Nasser
translation by Michael R. Burch

I will tell you a story ...
a story that lived in the dreams of my people,
a story that comes from the world of tents.
It is a story inspired by hunger and embellished by dark nights of terror.
It is the story of my country, a handful of refugees.
Every twenty of them have a pound of flour between them
and a few promises of relief ... gifts and parcels.
It is the story of the suffering ones
who stood waiting in line ten years,
in hunger,
in tears and agony,
in hardship and yearning.
It is a story of a people who were misled,
who were thrown into the mazes of the years.
And yet they stood defiant,
disrobed yet united
as they trudged from the light to their tents:
the revolution of return
into the world of darkness.

Kamal Nasser was a much-admired Palestinian poet and Palestinian Christian, who due to his renowned integrity was known as "The Conscience." He was a member of Jordan's parliament in 1956. He was murdered in 1973 by an Israeli death squad whose most notorious member was future Israeli Prime Minister Ehud Barak. Barak (born Ehud Brog) later ruled as Israel’s tenth Prime Minister from 1999 to 2001. His adopted Hebrew name Barak means "lightning." As a younger man, Brog/Barak was a member of a secret assassination unit that liquidated Palestinians in Lebanon and the occupied territories. In the 1973 covert mission Operation Spring of Youth in Beirut, which was part of the larger Operation Wrath of God, he disguised himself as a woman in order to assassinate Palestinians. The raid resulted in the deaths of two women, one of them an elderly Italian. Two Lebanese policemen were also killed, along with the poet Kamal Nasser.

Nasser was the PLO's most prominent Christian and he enjoyed "great appeal" in Lebanon, Syria, and Iraq "both as a distinguished poet and likeable personality." He was the “conscience of the Palestinian revolution,” according to Nazih Abul-Nidal, who worked with him on the magazine Filastin al-Thawra. Nasser “had the most democratic outlook of all Palestinian leaders at the time,” he recalls. He respected opposing views, admired the commitment of young people, and was a major recruitment asset for the Palestinian revolution. “That is why he was put high on the hit-list.” The previous year, the Israelis had murdered another renowned Palestinian writer and activist in Beirut, Ghassan Kanafani, by *****-trapping his car. Nasser’s successor, Majed Abu Sharar, was also assassinated by Israelis, in Rome in 1981 while attending a conference in solidarity with the Palestinian people.

Keywords/Tags: Kamal Nasser, Palestinian, Palestine, PLO, Conscience, Ramallah, Christian, religion, poet, Arab, Arabic, Arab Spring, betrayal, conflict, courage, devotion
Michael R Burch Mar 2020
Fadwa Tuqan has been called the Grand Dame of Palestinian letters and The Poet of Palestine. These are my translations of Fadwa Tuqan poems originally written in Arabic.



Enough for Me
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Enough for me to lie in the earth,
to be buried in her,
to sink meltingly into her fecund soil, to vanish ...
only to spring forth like a flower
brightening the play of my countrymen's children.

Enough for me to remain
in my native soil's embrace,
to be as close as a handful of dirt,
a sprig of grass,
a wildflower.

Published by Palestine Today, Free Journal and Lokesh Tripathi



Existence
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

In my solitary life, I was a lost question;
in the encompassing darkness,
my answer lay concealed.

You were a bright new star
revealed by fate,
radiating light from the fathomless darkness.

The other stars rotated around you
—once, twice—
until I perceived
your unique radiance.

Then the bleak blackness broke
and in the twin tremors
of our entwined hands
I had found my missing answer.

Oh you! Oh you intimate and distant!
Don't you remember the coalescence
Of our spirits in the flames?
Of my universe with yours?
Of the two poets?
Despite our great distance,
Existence unites us.

Published by This Week in Palestine, Arabic Literature (ArabLit.org) and Art-in-Society (Germany)



Nothing Remains
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Tonight, we’re together,
but tomorrow you'll be hidden from me
thanks to life’s cruelty.

The seas will separate us ...
Oh!—Oh!—If I could only see you!
But I'll never know
where your steps led you,
which routes you took,
or to what unknown destinations
your feet were compelled.

You will depart and the thief of hearts,
the denier of beauty,
will rob us of all that's dear to us,
will steal this happiness,
leaving our hands empty.

Tomorrow at dawn you'll vanish like a phantom,
dissipating into a delicate mist
dissolving quickly in the summer sun.

Your scent—your scent!—contains the essence of life,
filling my heart
as the earth gulps up the lifegiving rain.

I will miss you like the fragrance of trees
when you leave tomorrow,
and nothing remains.

Just as everything beautiful and all that's dear to us
is lost—lost!—and nothing remains.

Published by This Week in Palestine and Hypercritic (read in Arabic by Souad Maddahi with my translation as a reference)



Labor Pains
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Tonight the wind wafts pollen through ruined fields and homes.
The earth shivers with love, with the agony of giving birth,
while the Invader spreads stories of submission and surrender.

O, Arab Aurora!

Tell the Usurper: childbirth’s a force beyond his ken
because a mother’s wracked body reveals a rent that inaugurates life,
a crack through which light dawns in an instant
as the blood’s rose blooms in the wound.



Hamza
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Hamza was one of my hometown’s ordinary men
who did manual labor for bread.

When I saw him recently,
the land still wore its mourning dress in the solemn windless silence
and I felt defeated.

But Hamza-the-unextraordinary said:
“Sister, our land’s throbbing heart never ceases to pound,
and it perseveres, enduring the unendurable, keeping the secrets of mounds and wombs.
This land sprouting cactus spikes and palms also births freedom-fighters.
Thus our land, my sister, is our mother!”

Days passed and Hamza was nowhere to be seen,
but I felt the land’s belly heaving in pain.
At sixty-five Hamza’s a heavy burden on her back.

“Burn down his house!”
some commandant screamed,
“and slap his son in a prison cell!”

As our town’s military ruler later explained
this was necessary for law and order,
that is, an act of love, for peace!

Armed soldiers surrounded Hamza’s house;
the coiled serpent completed its circle.

The bang at his door came with an ultimatum:
“Evacuate, **** it!'
So generous with their time, they said:
“You can have an hour, yes!”

Hamza threw open a window.
Face-to-face with the blazing sun, he yelled defiantly:
“Here in this house I and my children will live and die, for Palestine!”
Hamza's voice echoed over the hemorrhaging silence.

An hour later, with impeccable timing, Hanza’s house came crashing down
as its rooms were blown sky-high and its bricks and mortar burst,
till everything settled, burying a lifetime’s memories of labor, tears, and happier times.

Yesterday I saw Hamza
walking down one of our town’s streets ...
Hamza-the-unextraordinary man who remained as he always was:
unshakable in his determination.

My translation follows one by Azfar Hussain and borrows a word here, a phrase there.



Biography of Fadwa Tuqan (aka Touqan or Toukan)

Fadwa Tuqan (1917-2003), called the "Grande Dame of Palestinian letters," is also known as "The Poet of Palestine." She is generally considered to be one of the very best contemporary Arab poets. Palestine’s national poet, Mahmoud Darwish, named her “the mother of Palestinian poetry.”

Fadwa Tuqan was born into an affluent, literary family in Nablus in 1917. Her brother Ibrahim Tuqan was the most famous Palestinian poet of his day. She studied English literature at Oxford University and won several international literary prizes.

Tuqan began writing in traditional forms, but later became a pioneer of Arabic free verse. Her work often deals with feminine explorations of love and social protest.

After the Nakba ("Catastrophe") of 1948 she began to write about Israel's occupation of Palestinian territories. Then, after the Six Day War of 1967, she also began writing patriotic poems.

Her autobiography "Difficult Journey―Mountainous Journey" was translated into English in 1990. Tuqan received the International Poetry Award, the Jerusalem Award for Culture and Arts and the United Arab Emirates Award, the latter two both in 1990. She also received the Honorary Palestine prize for poetry in 1996. She was the subject of a documentary film directed by novelist Liana Bader in 1999.

Tuqan died on December 12, 2003 during the height of the Al-Aqsa Intifada, while her hometown of Nablus was under siege. Her poem "Wahsha: Moustalhama min Qanoon al Jathibiya" ("Longing: Inspired by the Law of Gravity") was one of the last poems she penned, while largely bedridden.

Tuqan is widely considered to be a symbol of the Palestinian cause and is "one of the most distinguished figures of modern Arabic literature."

In his obituary for "The Guardian," Lawrence Joffe wrote: "The Palestinian poet Fadwa Tuqan, who has died aged 86, forcefully expressed a nation's sense of loss and defiance. Moshe Dayan, the Israeli general, likened reading one of Tuqan's poems to facing 20 enemy commandos." In her poem "Martyrs Of The Intifada," Tuqan wrote of young stone-throwers:

They died standing, blazing on the road
Shining like stars, their lips pressed to the lips of life
They stood up in the face of death
Then disappeared like the sun.

Yet the true power of her words derived not from warlike imagery, but from their affirmation of Palestinian identity and the dream of return.

"Her poetry reflected the pain, loss, and anger of the Nakba, the experience of fleeing war and living as a refugee, and the courageous aspirations of the Palestinians to nationhood and return to their homeland. She also wrote about resistance to Israel’s injustices and life under Israeli military occupation, especially after Nablus fell to Israeli forces in 1967, heralding Israel’s long-term occupation of the West Bank, which remains to this day." - Zeina Azzam
ju Oct 2011
Handbag~ 1994
exam timetable
£5 from my Mum
shiny key for the front door
fresh-mint chewing gum

Handbag~ 1998
keys for work
keys for home
£20 and a bit of change
photo of my best mate
and a bloke that's twice my age
lipstick~ lacy knickers
condoms~ ID card
ticket for a bus to town
UV sparkly stars

Handbag~ 1999
keys for work
keys for home
spare key for his flat
condoms~ contraceptive pills
No.7 powder-ivory/matt
VISA/Delta debit card
paper
gel ink pens
number of a bloke
who says our love
will never end

Handbag~ 2000
keys for work
keys for home
key for the gas meter
Teletubbies picture book
list of baby-sitters
new mobile phone
herbal teething gel
lipstick~ Anadin
vanilla impulse body spray
children's Nurofen
photo of my baby boy
really tiny socks
under-eye concealer
secret stash of chocs

Handbag~ 2002
keys for work
keys for home
pull-back-and-go car
baby wipes
mobile phone
estate agents' cards
picture of my little boy
list of things to do
Boots own brand pregnancy test
both windows coloured blue

Handbag~ 2005
keys for home
card from work
tissue full of tears
photo of my boy in school
that shows his gappy teeth
photo of my baby girl
and one of both of them
a ring that used to be my Mum's
Pro-Plus~ Diazepam

Handbag~ 2009
keys for work
keys for home
one SLIM~FAST bar
one Cadbury's wrapper
Haribo~ Calpol~ tissues
assorted Disney plasters
treasured stones~ special shells
sand and bits of twig
money to buy ice creams
photos of my kids
Crystal Erickson Dec 2014
Sailing through sheer jagged thoughts
and cool running dreams
The merciless curse of emotion
overflowing the exhilarating streams

Witnessing the chaotic times
of the dark and ancient old
when the mystifying warriors heart
was branded honorable and bold

ever drifting ever more
in this sea without a shore
through this land of legends and lore
ever drifting evermore

Floating ever aimlessly
through translucent waters
seeing the weak of mind from this plane
exiling their sons and daughters

While beasts of burden trudge from within
the midsts of juxtaposing viking ships
ships of war and plague and death
that obliviously vanish within a breath

ever drifting evermore
in this sea without a shore
through this land of legends and lore
ever drifting evermore

Sailing after those laden beasts
that which so arrogantly stray
you see those morbid souls of life
so ominisqueskly carried away

To the ***** delight and warmth
of the strong and merciful earth
Away from this unknown land
Of legends miraculous birth

ever drifting evermore
in this sea without a shore
Through this land of legends and lore
ever drifting evermore


© Crystal Erickson 1999
I have been told this should be a song, however it was written as a poem!
Cori MacNaughton Jun 2015
If I only had a daughter
I would pass along to her
All the things I've learned in life
The things that are and those that were

I would try to smooth her way
When everything was getting rough
Still, to have me for her mother
Might be handicap enough

1999
Having included a poem I wrote for my stepson, it's only fair that I include one I wrote for my stepdaughter as well.  ;-)
I have read this in public but this is the first time it appears in print.
Eloi Jul 2016
Flashback to 1999,
It's the summer,
Not a cloud in the sky.
Present day,
Things have changed,
Summer's over
And it rains here every day.

Don't cry,
We all make mistakes from time to time.
Unfortunately, for me,
Being me was mine.

But how so?
I'm only 19 years old.
I used to be so happy,
until the day the sun stopped rising.
D Conors Oct 2010
(O Fortuna! had re-gained popular attention when it was chosen as the theme song for the film, The Omen, the story of a child who was the Anti-Christ.
The entire performance of Orff's Carmina Burana is gripping and spine-chilling. I had the pleasure of watching it from a box seat the the Broward Centre for the Performing Arts back in 1999, played by the Florida Philharmonic (defunct) led by maestro James Judd--it terrified me so much I couldn't sleep for days!-D)

1. O Fortuna (Chorus) (O Fortune)

O Fortuna O Fortune,
velut luna like the moon
statu variabilis, you are changeable,
semper crescis ever waxing
aut decrescis; and waning;
vita detestabilis hateful life
nunc obdurat first oppresses
et tunc curat and then soothes
ludo mentis aciem, as fancy takes it;
egestatem, poverty
potestatem and power
dissolvit ut glaciem. it melts them like ice.
Sors immanis Fate - monstrous
et inanis, and empty,
rota tu volubilis, you whirling wheel,
status malus, you are malevolent,
vana salus well-being is vain
semper dissolubilis, and always fades to nothing,
obumbrata shadowed
et velata and veiled
michi quoque niteris; you plague me too;
nunc per ludum now through the game
dorsum nudum I bring my bare back
fero tui sceleris. to your villainy.
Sors salutis Fate is against me
et virtutis in health
michi nunc contraria, and virtue,
est affectus driven on
et defectus and weighted down,
semper in angaria. always enslaved.
Hac in hora So at this hour
sine mora without delay
corde pulsum tangite; pluck the vibrating strings;
quod per sortem since Fate
sternit fortem, strikes down the strong man,
mecum omnes plangite! everyone weep with me!
____

About:
"Carmina Burana is a scenic cantata composed by Carl Orff in 1935 and 1936. It is based on 24 of the poems found in the medieval collection Carmina Burana. Its full Latin title is Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis"

"Orff first encountered the text in John Addington Symonds's 1884 publication Wine, Women and Song, which included English translations of 46 poems from the collection. Michel Hofmann, a young law student and Latin and Greek enthusiast, assisted Orff in the selection and organization of 24 of these poems into a libretto, mostly in Latin verse, with a small amount of Middle High German and Old Provençal. The selection covers a wide range of topics, as familiar in the 13th century as they are in the 21st century: the fickleness of fortune and wealth, the ephemeral nature of life, the joy of the return of Spring, and the pleasures and perils of drinking, gluttony, gambling and lust."
http://en.wikipedia.org/wiki/Carmina
Burana_
by Carl Orff
(July 10, 1895(1895-07-10) – March 29, 1982)
Seán Mac Falls Mar 2015
Things I Can Say About MFA Writing Programs Now That I No Longer Teach in One


"You’re going to need to spend a lot of time alone." - James Yamasaki


I recently left a teaching position in a master of fine arts creative-writing program. I had a handful of students whose work changed my life. The vast majority of my students were hardworking, thoughtful people devoted to improving their craft despite having nothing interesting to express and no interesting way to express it. My hope for them was that they would become better readers. And then there were students whose work was so awful that it literally put me to sleep. Here are some things I learned from these experiences.

Writers are born with talent.

Either you have a propensity for creative expression or you don't. Some people have more talent than others. That's not to say that someone with minimal talent can't work her *** off and maximize it and write something great, or that a writer born with great talent can't squander it. It's simply that writers are not all born equal. The MFA student who is the Real Deal is exceedingly rare, and nothing excites a faculty adviser more than discovering one. I can count my Real Deal students on one hand, with fingers to spare.

If you didn't decide to take writing seriously by the time you were a teenager, you're probably not going to make it.

There are notable exceptions to this rule, Haruki Murakami being one. But for most people, deciding to begin pursuing creative writing in one's 30s or 40s is probably too late. Being a writer means developing a lifelong intimacy with language. You have to be crazy about books as a kid to establish the neural architecture required to write one.

If you complain about not having time to write, please do us both a favor and drop out.

I went to a low-residency MFA program and, years later, taught at a low-residency MFA program. "Low-residency" basically means I met with my students two weeks out of the year and spent the rest of the semester critiquing their work by mail. My experience tells me this: Students who ask a lot of questions about time management, blow deadlines, and whine about how complicated their lives are should just give up and do something else. Their complaints are an insult to the writers who managed to produce great work under far more difficult conditions than the 21st-century MFA student. On a related note: Students who ask if they're "real writers," simply by asking that question, prove that they are not.

If you aren't a serious reader, don't expect anyone to read what you write.

Without exception, my best students were the ones who read the hardest books I could assign and asked for more. One student, having finished his assigned books early, asked me to assign him three big novels for the period between semesters. Infinite Jest, 2666, and Gravity's Rainbow, I told him, almost as a joke. He read all three and submitted an extra-credit essay, too. That guy was the Real Deal.

Conversely, I've had students ask if I could assign shorter books, or—without a trace of embarrassment—say they weren't into "the classics" as if "the classics" was some single, aesthetically consistent genre. Students who claimed to enjoy "all sorts" of books were invariably the ones with the most limited taste. One student, upon reading The Great Gatsby (for the first time! Yes, a graduate student!), told me she preferred to read books "that don't make me work so hard to understand the words." I almost quit my job on the spot.

No one cares about your problems if you're a ****** writer.

I worked with a number of students writing memoirs. One of my Real Deal students wrote a memoir that actually made me cry. He was a rare exception. For the most part, MFA students who choose to write memoirs are narcissists using the genre as therapy. They want someone to feel sorry for them, and they believe that the supposed candor of their reflective essay excuses its technical faults. Just because you were abused as a child does not make your inability to stick with the same verb tense for more than two sentences any more bearable. In fact, having to slog through 500 pages of your error-riddled student memoir makes me wish you had suffered more.

You don't need my help to get published.

When I was working on my MFA between 1997 and 1999, I understood that if I wanted any of the work I was doing to ever be published, I'd better listen to my faculty advisers. MFA programs of that era were useful from a professional development standpoint—I still think about a lecture the poet Jason Shinder gave at Bennington College that was full of tremendously helpful career advice I use to this day. But in today's Kindle/e-book/self-publishing environment, with New York publishing sliding into cultural irrelevance, I find questions about working with agents and editors increasingly old-fashioned. Anyone who claims to have useful information about the publishing industry is lying to you, because nobody knows what the hell is happening. My advice is for writers to reject the old models and take over the production of their own and each other's work as much as possible.

It's not important that people think you're smart.

After eight years of teaching at the graduate level, I grew increasingly intolerant of writing designed to make the writer look smart, clever, or edgy. I know this work when I see it; I've written a fair amount of it myself. But writing that's motivated by the desire to give the reader a pleasurable experience really is best. I told a few students over the years that their only job was to keep me entertained, and the ones who got it started to enjoy themselves, and the work got better. Those who didn't get it were stuck on the notion that their writing was a tool designed to procure my validation. The funny thing is, if you can put your ego on the back burner and focus on giving someone a wonderful reading experience, that's the cleverest writing.

It's important to woodshed.

Occasionally my students asked me about how I got published after I got my MFA, and the answer usually disappointed them. After I received my degree in 1999, I spent seven years writing work that no one has ever read—two novels and a book's worth of stories totaling about 1,500 final draft pages. These unread pages are my most important work because they're where I applied what I'd learned from my workshops and the books I read, one sentence at a time. Those seven years spent in obscurity, with no attempt to share my work with anyone, were my training, and they are what allowed me to eventually write books that got published.

We've been trained to turn to our phones to inform our followers of our somewhat witty observations. I think the instant validation of our apps is an enemy to producing the kind of writing that takes years to complete. That's why I advise anyone serious about writing books to spend at least a few years keeping it secret. If you're able to continue writing while embracing the assumption that no one will ever read your work, it will reward you in ways you never imagined. recommended

Ryan Boudinot is executive director of Seattle City of Literature.
jalalium Jan 2013
Hello,  I was born at the exact death of the 20th century
I was also born witness of the birth of the 21th, a new glory
And all events i am rhyming here are for me history
Since they were all buried when I had no memory
At, least supposed to but my case was desultory
back to 1973

A baby was born
between death and life he was torn
And to an unforeseen path he was sworn
Out of the hush of the womb, his ears perceived every sound as a horn

1977 and my first joy
The old place looked coy
he, now Simon, was playing with a toy
as every night, a ritual he seemed to enjoy
Again, that toy and only that toy he did employ
Me, I could not get my eyes of a doll, everything else you could destroy
The doll that did not exist to the boy

And deep inside of me i wish i could brush her hair
But I could not even feel air
my eyes tore up and my hopes i decided to spare
suddenly a flare
And I saw three circles, I swear
This seemed rare
Even under shock, I could see Simon sitting there
I did not know why of him only i was aware
And about my existence, he did not care
This did not seem fair
He suddenly and brutally shook his hair
Like if he was hearing a blare
And his pain i hoped to share
but it was pain he could bare


He recovered in a blink of an eye
at first he turned his head and seemed shy
Then he took the doll but why?
he brushed her hair and care he did apply
I would do it the same way if i was a guy
Oh My!
Thrill of joy really made me cry
It is the first time that reality to my wishes did comply
I don't have wings but I believe i can fly
The butterflies in my tummy made me reach the sky
Then, he stopped, held his neck wry
And without knowing where to look said hi


1989 and I was still confused
at times I was amused
at times my soul was abused
The time when he did what i refused
All the time that was misused
But wounds have bruised
and everything was excused

Like when Simon sought privacy
And even from me he wanted to hide
but that showed inefficacy
And in discovering his body he took pride


He was as hot as the sun
And he seemed to have a lot of fun
His sight was fixed in the fashion of a look at a loved one
I needed to know my body to get what was done

My body was totally different, built in an other way
More like those girls that took him away
I felt jealous how he chose with whom to play
I was mad, with him i did not want to stay
I wanted my own body with no delay

And in this mixture of feelings I saw it again
This 2000 is driving me insane
And I bet he will feel it too in his brain
to calm the pain, this time he had to crane

He stood up and went to his sister's room
He was looking for something specific, I presume
He was looking for a costume
Girly underwear, a dress and perfume
I suddenly felt lighter than a plume
The senses that I do not have felt a boom
I felt like home I assume
I came into being, I was out of the gloom
It was short, my existence waved away, my dreams were spume
Finally he slept, all his energy and mine he did consume

And that one night was dramatic
That one dream was tragic
Simon seemed ecstatic
He also seemed older but I did not panic
He was not alone and it got problematic
He was with a young girl, she was static
I was the girl and it got enigmatic
I saw the flash again, this time it was emphatic
And for the first time I slept, it was systematic
And for four years, I dreamed, it was monochromatic

After I woke up all my confusion found explanation
And I learned a whole lot from this dream's narration
And to understand it all, it took me gobs of concentration
Finally, from all my pain and sorrow I found salvation
That 2000 I kept seeing will be the end of my gestation
Simon was not a mystery anymore, with him I had a relation
He was my father, and his dream found explication
During those two years, I listened to a long oration
And I learned tons about my father's future reputation
Still, some issues needed cogitation
What was I doing in this generation?
What caused this weird agitation?
Did Simon feel the same sensation?
Oh! shall I call him daddy now, his true appellation?
I was in sedation
Thinking about the identity of my mother gave me palpitation

1993 and my father was in college
He was so hopeful yet so depressed
He spent days and nights seeking knowledge
but he did not he was going to be the best

I felt his pain, his fear
his future didn't seem clear
I wanted to tell him about his great year
That he will be a pioneer
His success will be sincere
And his talent will be admired throughout the sphere

But I talked facts and he heard inspiration
And what he will accomplish became now his fixation
He could feel the joy of the standing ovation
The one where I stood to proclaim his vocation
He fell in the temptation
And enjoyed the fruits of his ongoing plantation
He sensed my presence and crashed in frustration

1997 And the years left were few
And I did not know how i'll get through
My father was traveling to Peru
When he drowned in her eyes, they were blue
This seemed like a deja vu
This was my mother, this was my only clue
And all along, her he tried to woo
I was excited to meet someone new
someone that could be my mother, my debut
Of them being together I enjoyed the view
But my guesses were untrue
And from this relationship he withdrew
And the two of them said Adieu

1998 and all this is approaching its end
My father was lonely with no friend
and to him love and amiability I did send
And his knowledge of me did ascend
but he was seeing me as his girlfriend
I admit, this situation did offend
I wish he could comprehend

Maybe he was confused  
I wanted to show him how gorgeous I will be
But only the beauty he did see
And his body he abused
To materialize what he pictured as beauty

He named me Stephany
Without understanding my entity
One time, he went out not sure of his identity
He first went somewhere I did not catch regretfully
And then He bought a necklace that said Stephany**

I knew it was for me
I felt life and joy
but I felt freezing
like if I were in cold storage
I did not know why?

1999 and it's the end of March
If my dreams were true
Simon should ******* soon
But he did not
Nothing out of the usual
Except one random thing
A few days ago, I felt warmth
I felt life, I felt agitation
But everything I could perceive was normal

2010, Now I am ten
Winter again
Cold and freezing as I was then
I know my father, I never met him, I will stay zen
May I find him and take away the cold Amen
Till then
I will immortalize it all with my pen.
Sarah Moseley Apr 2013
A graveyard makes a small nest
in the stairwell. Three mannequins
dressed in gore, laying side by side.

The science lab’s window is now
embellished with a miniature marker board
that reads “1 bleeding to death”

Library: war zone. Bodies scrunched
like fists under desks,
wearing book bags like bullet-proof vests.

In the lunch room
are men in black trench coats, plucking
machinery from duffel bags and flattening the
pulse rate of innocent souls.
Day May 2014
I was eight and in math class
and I wrote your name over and over again in my little green notepad hoping that you’d notice or that you’d feel the pressure of my pen tracing your name over and over again.
at the end of class the teacher asked me to walk up grab some chalk and long divide
but I hadn’t a clue and no where to hide so I tried, with minimal effort, to sketch some numbers on the board, curling my 2 and crossing my 7 so that you’d notice me.
I looked at you and your chubby face looked back at mine
and I loved you for a long time, then.
SophiaAtlas Nov 2019
1999 was the year,
My wonderful show was out.
You can watch me torture children,
Hear them cry and shout.
Come and help me be apart of this,
We'll all have fun.
Now excuse me while I get this job done...
Brother Jimmy Sep 2016
We laugh
And dance
We take
A chance
The best choice
I ever made

This bright
Gold band
Upon
My hand
A symbol of
Love that stayed

That I
Could be
Made whole
And free
With you
Forever after

It makes
Me cry
So blessed
Am I
We have
Such love and laughter

You're still
My love
With eyes that shine
I, your servant,
Willingly indentured

Since Nineteen-
Hundred
Ninety-nine
We have had
Such adventures!
v V v Aug 2015
(In some semblance of order)

(1967 to 1975)

kittens
carpet burns
fear
WGN presents “One-Eyed Jacks” starring Marlon Brando
my grandmother’s basement
slaps from my mother
fear
kicks from my father
fear
Nerf basketball
10CC “I'm Not in Love”
fear

(1976 to 1980)

sunny, cool, fall days
the woods on Sundays
tall green grass
raised red seams on a baseball
fear
Tickle Pink wine
the smell of hashish
the buzz of high tension wires
Stroh's beer, pull tab tall boys
the woods at night
the breeze through the car window
her breath in my ear
fear

(1981 to 1988)

“Footloose” starring Kevin Bacon
Michelob Light in bottles
extra spicy guacamole
fear
“Members Only” black jacket
para mutual wagering
*******
4 seam fastball
fear
the garlic taste of Dimethyl Sulfoxide (DMSO)
a 91 mph fastball
Feldene dissolved in Dimethyl Sulfoxide and applied to my skin via a tongue depressor
my 93.5 mph fastball
the roar of the crowd
fear
October
the swirling light and sound of a west Texas freight train at night in fog
Jesus Christ
fear

(1989 to 1999)

the anticipation of child #1
the birth of child #2
6 hours of uninterrupted sleep after child #3
an 8mm obstructed kidney stone
fear
morphine
fear
Vicodin
fear
sunny, cool, fall days
“The Road Less Traveled” by M Scott Peck
hydrocodone
fear
the woods in fall
thunder
******
fear
the woods in winter
the rumble of Niagara Falls
******
fear
Oxycontin
shame
******
fear
“Ruthless Trust” by Brennan Manning
the woods in spring
The Stanley Cup
fear

(2000 to 2004)

detox
nostalgia of my youth
photos of my children as children
hydrocodone
detox
fear
Jose Cuervo silver tequila
sunny, cool, spring days
Major League Baseball opening day
Jose Cuervo Gold tequila
fear
Chinaco Reposado tequila
the stench of pavement
Gran Patron tequila
the heat of pavement
Herradura Anejo tequila
detox
hydrocodone
fear
Marca Negra Mezcal
detox
AA meetings
Oxycontin
fear
Alice in Chains “Down in a Hole”
detox
nostalgia for opiates
fear

(2005 to 2007)

AA meetings
Camel 99's
her infidelity
fear
photos of my children as children
Camel 99's
the sweet, sweet voice of Martin Sexton
AA meetings
shame
regret
fear
Suboxone
regret
shame
fear

(2008 to 2010)

the tenderness of your touch
a king size memory foam mattress
the tenderness of your touch
Amerique Verte Absinthe
fear
discussions with the dead
the tenderness of your touch
Ray Lamontagne “Winter Birds”
the tenderness of your touch
ablution by Amerique Verte Absinthe
fear
visions of the dead
fear
visits from the dead

(2011 to 2014)

their forgiveness
AA meetings
Camel 99's
my inability to sleep
fear
www.hellopoetry.com
the tenderness of your touch
the tenderness of your touch
the tenderness of your touch
the tenderness of your touch
fear
Centenario Reposado tequila
regret
Tramadol in large amounts
regret
thoughts of you leaving me
thoughts of me being left alone
thoughts of you being left alone
regret

nothing
nothing
nothing

the words I have just written

darkness

fear
I am excited to announce that this poem was recently published in print in "Storm Cycle 2014" The Best of Kind of a Hurricane Press, copyright 2015 A.J. Huffman and April Salzano, editors. The anthology is available online at both Amazon and Barnes and Noble.
What caused you to write a book and have it published?
Thankfully, I’ve enjoyed a career in IT (Information technology) for over 25+ years. However, I’ve been downsized out of a job four times – the last time in 2005, I was unemployed for nine months. During that time, I looked at over 19,000+ companies to find one job. With more jobs in my field being outsourced to lower wage earners overseas, I decided I needed an exit strategy from the corporate world to launch a more stable career and income.


2. How long have you been writing?
I started officially writing poetry in January 2001; it was a natural progression from working on my website. I started my website (Bunganut Lake Online) back in 1999; as I added content over the years, I started writing short stories about fishing, followed by haikus about fishing and Nature; then I started writing senryus about traffic (see honku.org) and later about God.


3. How long did it take to finish your book?
I spent about 13 months to write the manuscript of my current book; once I initiated the book making process with my publisher (BookSurge), I had the final product in hand in 3.5 months.


4. What is the name of your book and what is it about?
The name of my book is “Reaching Towards His Unbounded Glory”; the ISBN numbers are: 1-4196-5051-3 & 978-1419650512. It is a book of poetry, geared to inspire people to develop or strengthen a relationship with God.


5. Do you want to write more books and have them published?
Definitely; I have four completed and unpublished manuscripts; in addition, I have five other manuscripts started. All of these writings are poetry.


6. Who or What was your inspiration when writing your book?
Jehovah is my inspiration; He’s always been my Source, Redeemer and strength; most of my life, I’ve blessed to attended Church and receive Salvation in my youth.


7. What is your favorite author and book?
After the Bible (KJV), my favorite book is: How to Rule the World: a Handbook for the Aspiring Dictator by Andre De Guillaume. (It’s a humorous look at people and their desire for power.) Most of my reading is technical stuff from sources such as PC Magazine, so I don’t have a favorite author (in the traditional sense). There are number of poetry writers that I do enjoy [who are too numerous to mention, such as PDK (AllPoetry) and Gershon Hepner (Poem Hunter)].


8. What is the best thing about writing?
The best aspect of writing is the freedom of expression and the power to choose words, conveying ideas and concepts that bolster one’s imagination.


9. What are some of your other hobbies?
I love spending time at the lake in Maine where I own a summer property – activities include swimming, fishing, campfires and working on my website; I also enjoy board games, such as backgammon, scrabble and others, as well as computer games (ranging from pinball to Wolfenstein).


10. What caused you to use BookSurge?
I looked at a number of publishers and was disappointed at their offerings and reputations. For me, BookSurge was chosen because they are owned by Amazon.com; in addition, they provided all services required for the bookmaking process. Although I spent a fair amount of money, to me it’s worth it. For now I’m tapped into a global economy with a quality product. No one wants to spend their hard-earned money on an inferior product – so I did what was best for me.


11. What would you tell others that wanted to become an author as well? What steps would they need to take to get started?
Now that I’m published, I find myself more than willing to share my experiences. The first step is to have a notebook or clipboard to store and write down thoughts and ideas. Second, one must identify what one has passion about; one’s writing must come across as sincere and knowledgeable; third is to produce the manuscript; once the manuscript is complete, then start the bookmaking process that is most affordable. Once the book is published, the real work (and reality) of selling comes into focus.


12. How does your family feel about you being an author?
Some family members are very proud and supportive, while others are still mute on the subject.


13. Do you have a website to promote your book?
My marketing plan employs the use of multiple websites; I’ve posted my writing on a number of poetry websites, such as AllPoetry, Poetry With Meaning, Poem Hunter and others; in addition, I have created a “lens” on Squidoo.com. At some, point, I’ll advertise on my own website. In the future, I would like to develop a personal website geared towards marketing my books.


14. Can people buy an autographed copy of your book if they wish to? If so how would they go about doing that?
Yes, people can purchased autographed copies; the best approach is via my “lens” on Squidoo.com; the link is: http://www.squidoo.com/book-isbn-1419650513/


15. Do you think in the near future that you may write and publish more books?
Yes, I am planning to publish more books of poetry.


16. Is it hard work being an author?
That depends on the goals one sets for himself; for example, if one’s desire is to earn a comfortable living from one’s writing, then yes it’s difficult. With the presence of the Internet and related technologies, it’s very easy to be published, but no guarantee to make money.


17. What are your dreams and Goals in life?
The ultimate goal is to become the Christian man as seen by God Himself; after that, I would like to assist others to publish their own books, continue work on my website and develop my own business software for the marina operator.


18. Could you tell us a little about your book and what caused you to want to write it?
My book is a personal expression of faith; The Word tells that we are “more than conquerors”; in a sense, I achieved that ideal since my humble book is “now available worldwide”.


19. Is your book non-fiction or fiction?
I would classify my poetry as non-fiction. To me, a relationship with Christ and having faith is real.


20. Could you tell use where we could get a copy of your book? What bookstores are carrying it and what online stores are carrying it?
None of the brick & mortar bookstores are carrying my title as yet. My book can be purchased via Amazon.com, Borders.com or from me directly via the Squidoo.com “lens” at: http://www.squidoo.com/book-isbn-1419650513/


21. What kind of promotional tools do you use to advertise your book?
I am using several promotional tools; my work has been submitted to two book contests; it is part of the Beijing International Book Fair (in China); I use the Internet and have set-up consignment arrangements with several businesses. I also have printed marketing materials, such as business cards, postcards and bookmarks.

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