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The courage to encourage
(‘tis no accident the overlapping
of these two words)
<•>
tilling the fields of beautifully
and freshly seeded words,
gift wrapped in the essays
of the experimenting,
carefully and carelessly toe dipping
in the tooling of shapes and paintings sourced from a mere handful of
twenty six water colors,

in fresh water streaming waterfalls of:
knew
new eyes
new words
newly hewn
combinations

all
upon the early morn bluey sketch,
against a noisy background of a new day’s
first blushing

when the rested brain is so, so
receptive to newness,
itself a word of a
délicieuse lovely phonic
mouth treat

at 6:35an
on an ordinary Thursday

and now an
extraordinary Thursday,
when my inbox of old eyes
is delighted
and crinkly smiling
at the enduring uncovering
of
daring,
earning while yearning,
poets eager to give us freely
the first fruits of
their  hybrid creations

makes an old man
weep new tears,
to accompany
him till the end
of the day,

each tear a diatom of lace upon
an endless river of,
well,
the everything,

a knitting of letters
flaring up with a robust,
Hey!

I am here,
I am aborning

so glad to make your acquaintance
    


                     nml
6:35am
February 20
of Twenty
Twenty  Five

and one reminds of a “new” ten year old:

https://hellopoetry.com/poem/1425812/oh-poet-be-ever-gentle-to-thy-words/
give me-the bowie knife of repartee,
nothing more satisfying than the
quick stabbing, a good blood letting,
in your genteel face, no hellish
moderated pace, the energetic plunge
of a quick lunge into the woebegone,
long after you count the meter tempo’d
use fingers and toes, but needing to hold
your nose, to include that extra
grace note, that belies denies the harmony
the tules and rules of calling order
to control the roost,  sine-one
is a victim of a
down and virtuous ***** verbal slashing!

count my syllables, never,
let my stanzas run free,
like an African tiger,
with the goat of format
mounted in between his teeth,
bloodied and dripping dead,
the squealing of hyper innocente,
silent after cries of, kind sir,
me thinks thou protest too much!

we can squish and twist our holy words,
into formal tuxedos of cantankerous
arrowed arrogance,
but know this,
roses are read, them
violets, blue, have
turned millions of children to avert their
eyes from anything thereafter that was classified, notarized, canonized, sanctified
as the write rules of poetry

peals of pearls are born with parentage
of a lousy
grain of sand,
the words etched in the
lines upon my hand,
are lifelines of sidewalk cracks,
discarded candy wrappers,
the twisted ends cigarette butts,
used as proof that ash and dust are the
genetic source material of uncommon
great composition, given to those who
love the common touch of leaves of grass,
thstbeneath the heat of the sun that
exposes the nothingness of bitterness

know no one can run from the golden
visibility, of a sun, talent in pursuit of
egoism is a long road to a short history

yeah.
(faster than a speeding bullet)
boring…
~my poet friends and friendly poets~

(written in anger, then sorrow,
tinged with regret, but in the end one
has no choice but to forgive and forget)

<•>

the ghood poet knows no boundaries,
lays down tracks of a New England
pond of nirvana,
or across Siberian froze wastelands,
another
salves the wounds of dying soldiers,
and gives away comfort to the dying
with the freeing oxygen of
comforting words

the world of self,
that thing we know best,
thus encouraged by the textbooks,
well,
to have at it, plays whacamole
with your  owned flirtatious emotions,
none too imperious or low down or
garbage dump *****, that yet
cannot be validated by exploratory
over-the-line words pithy

even the florid, tiresome nickel & dime ing
rhyming scheming crutches,
we so oft employ,
yields up stuff that ain’t half bad,
periodically,
though, the blunt of words well crafted
needs
no such delimiting amusing playthings
or imprisoning
I-am-amoebic-pen-tata-meter

take you inspiration from here and there,
the proverbial deep dark of the mind’s recessed corridors of
corrupted consciousness,
or, the
contrail whiffs of the steaming steaming of the contradictions of a
newborn first day’s contrast of-
the wet dew on toes cooling,
while the simultaneous sun warms all
the cheeks,
heats the blood with
a thanks-god-I’m-alive
overwhelmingly overall tickling,

or
not.

write with the tools you have, but keep
them well sharpened, with
insight and revelation,
exploring the rain’s windowed
navigable rivulets,
the musical tempos
of waves and their multi-mystical variations,
and the readers will come like
pilgrims to your  holy land,
wearied and yet so delightedly hopeful,
with tingling contrasting dictions,
to capture and release,
by shattering any
stale notions of adulation
will bring your
audience of holy voyagers and voyeurs
to imbibe so deeply your creativity for the quenching, and the
amen gasp escaping tween
their lips is just a simple holy,
gentling thank you

discard the bad words as ornery and
distracting, veiled in pomposity and
highfaluting, self-saluting, arrogance of
those deeming themselves critical thinkers,
who thrive in the low mud flats of
self-pretension and the reassurance
of a mirror’s reassurance

write straight from the heart,
fill our eyes with the
complexity of the simple
and
grant us the write to share,
in your humanity

craft the work
and
the work
will repay
so stealthily
by secretly
crafting you





                                   nml
3:43 am 2/16/25

p.s,always fixyour typos
early morn (5:00am) scanning, scrolling,
unrehearsed searching and the question
appears in a “loves that got away” column,

(why do all these descriptors start eith S,
I think I know!)


and off on another self-effacing, investigative determination, a mental biopsy of another hopeless cause,
that results in poems too long

though the body and mind are rested,
with six hours of uninterrupted sleep,
and volumes of dreams,
the quest bags a burr in the bed,
(yes, rhymes with head)
but n o t h i n g pops in with a grin,
and a bell ring, stating presumptuously,
why that’s me
and the fault failure fear
in me
engorges

this  really distresses,
with & in a deep sense of awful,
how can I not recall this momentous
illustrative precious precision
proof of why life is worth living,
and worser still,
don’t I get to choose,
isn't this an interrogatory,
suitable for a pre-provided
Multiple Choice Answer?

a pause to collect myself from a
falling into a hole of nefarious negativity spiraling,
suddenly
recalling so many
kind and gentle touching brushes
of your comments re my poetry,
which provoked warm tears


^and one more tine,
poetry has saved
a life
^

5:37am Saturday 2-15-25
https://www.nytimes.com/interactive/2025/02/14/well/valentines-day-lost-love.html?smid=nytcore-ios-share&referringSource=articleShare
Will met Fayte

walking down a
small town’s
Main Street,
and though
the love was
instantaneous,

the lawyers of each
recommended agin
signing each other's
pre nup, don’t give up,
your freedom Will,
said his pa’s grandpa’s,
what we will, it becomes,
so don’t be tempted to
be believing in Fayte,

or that it’s now or never,
other girls will becoming
down the turnpike,
and though it seems
like its been forever
you been waiting for
that right gal, you’re
being tempted
by the femme fatales,
it’s not too late,
for if you

will it
so it shall be,
you will get
le gal
ally
Feb 13 · 79
remedied
Nat Lipstadt Feb 13
10:14am 1-28-25

the word above is a most singular
in our lingual language

of the ailments many,
varied, variegated and
necessarily interconnected
so they all merge and blend
like a frothy cappuccino ,
a melding of ill
rather than a blending
of distilled ailments

the state of being remedied,
is hard to be measured
for it moves  
tes like a target,
minute to minute,
hour to hour,
drop to drop of time

what is remedied
year to year,
crossing centurial diversionary linear
artifice

those Marked as fully repaired,
handled, resolved with a crossing out
lineage honorific, can never be dismissed
or erased for sure,
for fully surety is intermediary

for the heart can break at any minute,
in any place, external, internal, and a
daily baby aspirin can’t prevent, only
lessen the unanticipated frequency

we are decaying units, and patches
upon patches hold us together until
the adhesives of remedies remind us
of their very own half~lives

why a band-aid is only
a band-aid and remedies are only
remedial
Feb 13 · 100
peak poetry
Nat Lipstadt Feb 13
peak poetry
comes so oft this final quarter of
two thousand twenty four,
and persists into the age of
two thousand twenty five

perhaps the urgency my yet signal
becoming another
fade~a~swaying?

bones sense the jig jog
getting closer to a
closing bow of
denouement,

nothing specific
but my seer,
my godmother fairy,
unsmiling ******,
yet brimming with
inside out insights
delivered
in my face
direct delivery
face slapping

from my
bathroom mirror
Mirror Mirror
On the Wall
Complaint Dept.

advises me with an
opening grimace

that the current is fastest beneath where
the biggest boulders congregate, and
surficial eddies mislead with an artistic
mild on the river top, what hides
beneath is more likely to drown
and swallowing you whole
when you’ve peaked
poetry
Thursday, February 6, 2025
Nat Lipstadt Feb 13
to
elicit the secrets of my senses, never to miss the little miracles, my impoverished ones might not intuit or recognize, though
they, si, very alive, for all have left me
new words

to ***** my existence into high gear emotive,
this, their very motive and together we are
in

in each other’s motion perpetual
whirling whorls
of worldwidewords
212an
2/13/25
Feb 13 · 617
In the Near Future
Nat Lipstadt Feb 13
a common enough expression,
lightly spoken, easily surrendered,
wishes become hopes or prayers,
depending on the gravity of urgency,
right, know that wishes are
gravity-resistance,
rising up to the atmosphere, where any
cruel, fate-focused, looking to be
amused, lousy lounging-around gods,
always cruising
for some real entertainment, might
snap
into action,
upending plans, ruining futures,
or tickling your fancy
with a run of fabulous luck,
by, due to, their fanciful footwork

in the near future:
I hope to live to serve tomorrow,
feel the
ingenuity of love’s aroma,
as fresh as a new morn born
fragrant croissant

in the near future :
I hope I hear
Rhaposdy in Blue
being played live
through an open window
and be joined by my fellow
sensualists in a spontaneous
street festival

in the near future:
I’m going to go on a slightly
oh so lightly
planned road trip,
domestic and international
to visit friends I have netted
in my butterfly catcher,
the human kind,
whose flowers of words I have
suckled the nectar thereof,
and thank them properly
with hugs, fresh fruit
and gifts that will
tickle their fancy
fanciful wordswork

and make it home,
a safe return
to those called family
and find them
happy healthy
and never complain ever again
about that
stupid grin
on my face
that just seems impossible to
erase
200am 2/13/25
Nat Lipstadt Feb 11
musing on memory and all that
re its capabilities, its utilities
and wondrous
abilities, to cover, recover, and
surprise surprise uncover the known
and unknown, what was, what is and
what there is to dis-cover, for memory
is a tricky ole *******, you recall what you never knew at all, forget the address where you lived twenty years ago, and don’t get me
started re telephone numbers
of
old lovers, who get got gone good away
and the combination of a subset of their
digits is likely to be on a discarded lottery
stub, that stubs your shoe too

cannot remember all the women I’ve ever kissed, but I remember the kiss, and that’s
a fair trade off

pretty bad at remembering, birthdays, anniversaries, but that’s because my electronics believe me of this obligation;
Not the obligation to buy a present,
On time, but the kindness keenness of
doing the action, is you an in Nate satisfaction, One gets, when crossing off a line item on your to do list

Sometimes the choices between remembering,
and being dismembering, when is definitely preferable to the other, and though you are not present, I hear your moaning softly
I know I know!

So take a moment to make sure all those critical dates to others, are in your calendar, electronic, and I recommend minimum one week ahead alerts; and one day before as a fail, safe

Do it now or fail to be safe
Nat Lipstadt Feb 9
if you know how to listen…see below


https://www.newyorker.com/magazine/1971/11/27/game-plan
https://www.newyorker.com/magazine/1971/11/27/game-plan

Sent from my iPhone
Nat Lipstadt Feb 8
you awake, and your blood
it’s changed, wrong color,

which color matters not, just,
it isn’t what’s supposed to be,

the wound that wasn’t there yesterday,
won’t/isn't being healed, somethings wrong

you don’t need to admit the admission,
no supposition, the truth, it will out you

wearing the weariness in/on your eyes,
your forehead and anywhere it matters

even strangers double take, cross over the
street to avoid visiting your visage

sometimes it can’t be helped, enormity
seems insufficient to redress overwhelming

gonna give up this wretched writing gig,
recording date & time futile & unimportant

the everything everywhere every day is
well past  the Nevery, but specificity is not

yeah gonna take a breather, a whole season,
put aside the reasons, no more deep cuts

when the portico spaces shout, sorry ,closed,
in spades, but you don’t feel it or care

go off and cater to yourself, knowing in
advance, that work won’t advance you past

the point of return, who, you’re too wounded,
no forward, the past is clout clouded, rough

the word some is a totality, what you got,
is something else, & need another something

taking a break from fools and friends, at now,
ain't any difference, gonna lie down, yeah,

lie down or lie up
because


sometimes it helps
Nat Lipstadt Feb 8
it is without guile or guilt

more a minor shock & swoosh,

that the power to please oneself

comes so easily without interference,

new and the familiar, a mixture of

stand alone, but jumbled, mumbling &

partying in concert, inflation inflicted

words within, falling out onto personal

plains of skin of human vegetation, into

human orifices to be tongue-tasted, be

drunk by ears open for sensuality, be

touched, fondled, pressed and creased

for storing in the bank of memory, by

irrigation of eye droplets falling from

all human’s white sight~gatherers, by

nostrils flaring, reddened by waves

of excitations and pleasured anticipations,

whenever your new combinations of

words intermingle me, a step closer to

a being, drinking in additions whole,

achieving a holier than previous

experience
2– 7–25
Nat Lipstadt Feb 6
2/6/35 4:57pm

“and let the boys
Bring flowers in last month's newspapers.
Let be be finale of seem.
The only emperor is the emperor of ice-cream.”
<•>

Let X
(mark the spot)
Let X
be what it seems
Let X
be the finale,
the answer it seems
to be,
not the necessary one
you wish it to be,
but what be

seemly

the sense of The End,
the final descent,
the last landing
(or perhaps the first takeoff)
let it be,
be a finale,

Let X
be the finale,

Let Be
the answer it seems to be

let be
(1) Wallace Stevens  from “The Emporer of Ice Cream”. https://en.m.wikipedia.org/wiki/The_Emperor_of_Ice-Cream
Nat Lipstadt Feb 5
September 2024

few love to sing our Anthem,
almost demanding an operatic
persona, a skilled voice, capable
of great range, but it is a story,
about one man’s imprisonment,
and that phrase:

”Through the perilous fight”

always reminds,
even in peace,
we are forever,
engaged in battle
to be a light among the
nations, a shining example,
and the perils thereof
when we err,
mistake the,
of course!
of
our truest course,
and go adrift

but!
look around,
many, not few,
placing their hand
over the heart,
words reciting,
that’s how I
know, we
yet, still,
want and pray
to be a great nation,
a light unto the world
Nat Lipstadt Feb 2
7:17am Sunday Feb 2, 2025

a phrase freely borrowed from
Thomas Jefferson, strikes the
face while being delivered by
Sunrise’s
first glinting, both  eye opening
thought and event, a duality
intersection of notions & sensations,

for the early start to a newborn
week, making one think; truly
think. accompanied by a softly
serenading concerto played piano,

young children
laughing wirh shrieking delight,
as they climb aboard their hazy
dozy parents’ wedding bed,
launching themselves with
rocket like force on stomachs
and groins, all groans & moans,
and in the solitude of his mind’s
quiet, he laughs as he ponders,
a concluding a single concept:

This, this, is the business of life
“making yourself what you are…”
a recovered memory stumble
Nat Lipstadt Feb 1
Fri, J 10 l, 2025    12:20 NYC
walking for flowers
                ~~~~
the steely irony is not bittersweet,
nor is it
white horseradish Passover stinging,
yes, the slow perfunctory defunctory,
measurable in cc’s and centimeters,
drip drop drippings frittered away by
the brains self-destruction of
cycling and recycling,
yes, and dying,
that occurs
all **** day long,
daily between the sunrise and sunset

Yet, here, right here, poetry words
somehow
fall freely,
no hesitation,
from brain to page,
no coitus-interrupt-us,
as if I was composing,
am decomposing,
mine own psalm

no need for proofs,
it was lying in wait for
sweet release,
a trigger pulled
to assemble &
stand and deliver the freely
given, albeit stolen goods

but in the ordinary course of human living,
I, fumble, stumble,
anger from my gut rumbles
up in actual screams of frustration
as the individual word sought is sight unseen
in a forest of hedgerows purposed
to interrupt free flowing
verbal animation, invading excitations

cannot remember
ten digits of mine own
cellphone number,
but the address of
my residence from early childhood
trips off the tongue, lightly and fantastically
and uselessly

the name of what’s their names
is a rock star
be a solid stone, large pebble,
s t u c k in my gourd,
or the little strength needed
in your fingertips ,
to grasp the individual coffee beans
you just dropped,
scattered over two rooms,

strength that arrived snd went,
and the cells of your body parts,
ask you
what’s going on, going wrong?

making lists is inoperative,
for the whereabouts
of said list is curiously
gone to the devils on my back,
cut out to
the dead cells that were once a warty grey,
now a withering deadening and
deafening, deadening, defeated
black hole
(******* in data for destruction)

seven generations of accumulations
erode,
chip chirped & chipped away now so oft,
onto those ***** city sidewalks
they fall and to dust,
to down ground, by steps of
passer-overs who care not a
whit,
what's that word that
rhymes to
writ?

it is imprisoned on
Devil’s Island with
what’s-his-name

took out the fixings to
make an antipasto salad,
placed all upon the counter ,
but couldn’t
locate the fig goat cheese, and
no it was not on my nigh-table,  
nor hid in the fridge,

grrr, that fridge that I fully emptied,
twice,
for twas sitting on the counter,
snickering
the very first item removed,
and also
to be
the first forgot

high to low, and revere course,
having not
left the abode!?!,
where is my watch,
so hunt for the smart watch awaiting
my lovely wrist,
not to be found,
for it was well
hidden from searching eyes,
already on my wrist,
hiding upside down,
beneath my shirt cuff,,
announcing publicly it’s
smarter than its owner

admire a painting upon a wall,
but say nada to the world,
for the word mural
has evaporated, an
evaporated not no more
subjective Objective

intentionally
cut, rip off the pockets from every coat,
leaving in each but 
 one,
so I can be comforted
when wallet searching,
that endless patting repetitive
of pockets visible and hidden,
has now but a singular solution
thus,
may yield resultant missing object
sought and more quickly
found,
maybe

a thousand poem bits o’ honey
fully finished, or just a phrase,
needing a body, heart and head,
lie in a dank and dark
dungeoned file,
Former Memories

but the where when
and the critical tickle,
the why,
formation is still needed
for them to be despatched
to their fate,
unless it’s
“just because”
a better reasoning,
other than my
own guilty
diminishing capacity
is no longer in service

p.s let me save poor yocum
complaining this miss/ive
is too long,
for there!
I’ve done it for him
Jan 31 · 124
Friday morning terrors
Nat Lipstadt Jan 31
A-awoke to a fear, succumbing,
The where and when, verities of my existence were gone, in absentia, les disparu,
Could not place the day nor name it,
Or prepare myself for  whatever
Were its unique responsibilities

I hate that you are thinking no biggie, consult your watch ~ your phone, go to another room, turn on the screens, the screen instantly in will advise, such they areprogrammed

I too thought, so I was programmed,
But not well enough, or my circuitry or software, we, are not up-to-date

Yes, this was a terrorizing, flailing in the dark,
Refusing to admit that I had lost myself,
No surety, no satisfaction, and the dark room
Suffocated or sedated any thoughts of reassurance

The resolution was swift, but not satisfactory,
For now, I am aware, that I can lose my sense
Of self, of place, the end of time and have become dependent on the artifice electronic mechanisms to keep me stable, like the
The corner of the night table

I tell you but no one else, keep my secret
Close, in case I should ashamedly trouble
You for the information I’ll been be needing

Unless you too suffer from this malady
Nat Lipstadt Jan 29
Dear Patty,

I have never met a child or a poem

born to live a free verse life,
willingly submit to patrician
powdered **** cheek horror at
the unconformity of escapading,
river rafting verbal tumulting,
never awoken needy to be yoked
by syllabic laws of brutalists,
jailed by autocratic diktats of meter,
or the iron confines of lines formatted,
imprisoned, once set free, they then opine-id
prithee prithee, prithee please sir
on
my license plating,
can I whine,
write free or die


bind me not by the rigid sharpies
of executed orders, or count the numbered
breaths tween my freedom riders,
escaping with grinning faces
shouting seen-u-around, and
don't forget to say
bye bye
to the tortuous
pretense of them
haiku hi hi hooliganisms,
and the amoebic
pentameter of a
speare chuckere
who was foolishly glad to trade
the kingdom of freedom
for a besaddled horse
led around by
the reign of ruthless rules


is this crystal-a-line clear
my dear?
Nat Lipstadt Jan 29
“The Weight of the Untold” (Pradip)
<•>
6:55am:  Jan 2 nine twenty twenty five

(read the comments first)

enveloped by the early mix
of morning’s hangover of dark
blue gray, window glints of a
sun playing peekaboo over the
yet there (!) Manhattan skyline,
the utter  “ness” of the stilled,
unwritten, unstirred, uncolored
dim of medium shadowy light,
the quietude is an actual thing,
a warming coverlet of cozy peace

am I not forcibly compelled to
write of the weight of white spaces,
Pradip pokes my curious anxiety,
as I question my own words, that
he tosses back to me, so so oft
he ****** the cells of my fingertips
to peek, to bleed, then peck letters
from within, to comprehend my
museum artifacts of words,
the weight of their panoply
of mystery

How, how can the white weight of
our seemingly empty spaces tween
words, carry this burden on its,
bony shoulders, can’t we just let them
be, like the breaths exhaled, the
disappearing exhaust of being human,

is it necessary to carry knowing knowledge,
of what needs no body, isn’t the inexplicable
better left unimagined, there be so much tolling troubles, let them be left masked, they’ll appear as embodied black letters, of-when, their discord is accorded their moment of due…no  more need to succumb prematurely
to this onerous lighter than air pressurized crushing atmosphere of reused oxygen

did I awake just to prove my existence, to offer up this combination of vocabulary of wondering, one more explication of the unknowns that are visible to the naked eyes, big, hard, factuals better left alone…and suddenly the morning light has arrived,

dear god,it will be a sun-filled sky,
and that weight, is modestly eased,
never fully erased, but you know,
I know, most of its occupants
even those
who won’t show their faces

And perhaps they should remain
hidden in the white spaces
between the letters and the words,

u.  n.  t.  o.  l.  d.
this dialogue never ceases or seizes;
every sentence parsed

Pradip Chattopadhyay › Sunday Scheming: “And his heart was known to none…”
“More is written in the "white spaces" than the words can tell. Possibly for those spaces, we are hardly known in life, carrying on with the weights of the untold”
Nat Lipstadt Jan 28
for naǧí

you naǧí nudge my cheeks

with verbal finger stroking,
dumps down all around
but you find favor in some
madcap quick dashed scrip
coaxing muscle moving,
****** muscles returning to
an etched groove ready,
all in the shape of a decidedly
U
(a capitol you!)
when U

you naǧí nudge my cheeks
Nat Lipstadt Jan 28
it’s 3:16 am, and NOW that the
the key detail has been deposited,
rather, posited, let us venture inside
a madman’s mind, and retrieve a
semblance of resemblance to the
dispersed purposes of reveal &
revelation

two or three excellent poems flittered
through my fecund mind some hours
ago, but they failed to photosynthesize,
i.e jive alive and be recovered, recorded,
you’ll have to be satisfied that I rarely lied
more than twenty tines a day, snd especially
to you, late at night, when oratying and
com-posting verbal suppose~itories of
theoretical poems about physics
but they are gone gone gone ~ a word
that always sounds better when repeated thrice, and thus We must musk be satisfied
with this preamble to a ramble through
the crevices and lamentations of all
mind decaying, with all deliberate
speed

Thus the flitters havr flown, and the
filters of/if common sense and minimalist
verbosity have flown the coop,
gone back to bed, you are stuck
with me-and other F words

wrote a poem about women, so raw and honest, it refused to be born into the firmament of this earthly planet and
returned to the heavens

F word

wrote a poem about forgiving and
forgetting, but it refused to be forged,
but it had something to do with
which is human and which is divine,
and I may yet return to it someday,
unless I keep forgetting which is obviously
a divine intervention

F word

F inally, from my fund of fortuitous
but pitifully small piety, shall cease and
desist from further foundering on
the shoals of fractured displacement,
release myself from any furtherance
of disturbance of your goodly souls,
and wish you good rest and pleasant
thoughts of
immortality

3:58am
Nat Lipstadt Jan 26
a potion maker,  
seeking the formulae
of the combination
of the
known and the none,
the wizard’s ideation
of the secret spark of
creation, the starter fire
of human destiny & desire

who needs gold,
when,
the power of birth,
the mystery of girth
the fluids of oils,
plus 57 varieties
of human blood,
in a precise tabulation
the sap of human cell
constructs, heated
gentle on a low flame,
do not forget, or regret
if the salt & pepper
of discernment is
overlooked, the sighs,
the quiet of boredom,
the leveling moments
when creation is initiated


and then
my heart can be
known to some,
even careful read
between the lines ~
the lines on my eyes,
the cross hatch upon
a forehead, the crinkles
where time and laughter
intersected and injected
the whites spaces between
these words


enough enigma…

never!
955am
jan 23, ‘25
Nat Lipstadt Jan 25
genetic & embedded in both
the left and right brains and
heart muscles, pores and parts
that participate in the body’s
daily ritual colloquium regarding
the necessary amount of magic
needed, upkeep required,
to please the Lord, 
whose designers were
co~missioned,
tasked-to make a self healing
being, with a reasonable shelf
life but with built-in imperfections
and to struggle and to
honor  that idea that we born blind
and our goal is
learning to see,
envision
our better

version

the
correct redirection of
constant course corrections
using the
secret compass chord
playing on the harp of our
heart strings

<•>

903am
1/23/25
on a day of addition and sub traction
Nat Lipstadt Jan 24
not many of us try
trying to master tossing
***** rhythmically over and over
into the upper atmosphere
successfully

but life,
shoot, that’s another thing,
making juggling a life skill
that comes with the hard
crash of a ball dropped
and all the glue,
can’t return pristine
to what now is an
edgy
design
of a flawed life
cracked up to
be a mis~fortune telling
as
*a map of cracks run rampant
rampaging, ramp aging,

ominously
(1) I am in possession of a reservoir of 1000+ unpublished poems; the reservoir of drafts have matured, aged, to the point, or deteriorated to the point, that it’s time for them to move on, upward, downward, but definitely out…
Nat Lipstadt Jan 23
Do not stand
          By my grave, and weep.
     I am not there,
          I do not sleep—
I am the thousand winds that blow
I am the diamond glints in snow
I am the sunlight on ripened grain,
I am the gentle, autumn rain.
As you awake with morning’s hush,
I am the swift, up-flinging rush
Of quiet birds in circling flight,
I am the day transcending night.
     Do not stand
          By my grave, and cry—
     I am not there,
          I did not die.
— Clare Harner, The Gypsy, December 1934
https://en.m.wikipedia.org/wiki/Do_Not_Stand_at_My_Grave_and_Weep
Nat Lipstadt Jan 22
Disclaimer:
an unintended very long poem
from a very long walk,
hoping it might come
to rest within your
heart
but feel free to go your own,
another direction

<•>

“Another writer told me a few weeks ago of his New England Yankee mother,
who believed there are no problems
that aren’t made at least slightly better
by a long walk, and
none that are made worse.“
<•>

a moderate walker am I,
on the Promenade,
hard by the wide & narrow strait,
a tidal estuary, that divides our urban island
from its suburban Longer cousin,

this my path, most oft traversed,
a time spent usually creating,
reciprocating verses from a
copulating mind

every walking expedition is
an-in-transit composition,
an enchantment by a song
anointed, appointed and a
derivation
of a song about
going home

the last of my family
to be buried, l,
to be interred,
finally grounded,
in a park of cedar trees,
next to my immediates,
for can’t think of any other place
that might, would willingly,
not resist mightily, taking me in

it will thy will that they bury me
there if they can get permission
from the heavenly authorities,
but told the betting odds
are 3 to 1
against,
the Lords of song not so happily
with the quantity and the quality
of my unseeded spilled,
of my un-indeeded actions,
they were not entirely
rainbow colored,
some very berry blackened,
urgently misdelivered
with no justifiable delicacy
warranting memorizing or
further discussion

most likely will continue
to remain a pedestrian,
though unlikely I’ll have to
look both waysides before
crossing over

I’ll carry copies of  my scriptures,
psalms and even my one and only
flawless poem in hand,
wrote here so long ago,
s small proof that my theorems
were not
always entirely wrong,
but my replica action figurines,
were posed and struck,
were sufficient evidences
that my overall demeanor
of demeaned marks,
were negative numbered,
irony, they were unlettered
and ungraded,
mostly average, only worthy
of a place in the sadeyed lowlands

So walk I shall,
hoping they give me decent
walking & wailing shoes,
a warm suit,
a fedora or a watch cap,
cause it is more than chilly
down by the uninhabited riversides

this thinning vision is not
tinged with
any tingling regret,
nor sorrow,
what I did, what I wrote,
every word mine alone,
the way I lived,
walking solitaire is
something grown quite accustomed,
and a pretty fair pre~text of a
judgement coming
down

on the morrow,
will walk with no
measurements needed,
not speed, nor distance,
not counting crows or any other
unenumerated birds of a feather,
those on a wire or a river railing
spying observers watching,
who will go unnumbered,
as will all my
steps of no value

so this poem’s title absolute right,
no needs for solving
for absolutions,
was never ever sorry for
taking a walk,
and there are no more vocabulary
modifiers,
unneeded words left, like,

but nonetheless

only
just don’t know how
this river poem got
so long
Nat Lipstadt Jan 19
my questioning,
directed at myself
and the answer simp,
not necessarily simpatico,
cause the answer is either
today, or never,
could be
both or n-either

yeah,
of that age,
when I awake
first two words are
*******, again?

and
if I hurry,
one piecework,
one mo’ poem,
hurried,
may yet be
vented,
scurried,
aired out
or for
quick disposal
sad dispatch

one mo’
disgorged poem
within and withouted,
either side
of midnight

been gorging
on letters ever since
They fed me
sugared letters
& lemons
for breakfast

and the last twenty
sending them you
in a disembodied
softly softly
voice
no matter how
far your imaginary
ears are from me
Sunday AM 9:52 2/19/25
🥲
Jan 18 · 1.9k
Where are you being?
Nat Lipstadt Jan 18
an existential question so deep,
it can be answered only by
enumerating a million tiny
words:

in the quiet crackling of a spine & unsticking page noise of an opening of a brand new book, a first of firsts, a thrill for free in any bookstore that is yours now, uniquely and forever

in the upward stroking of a smooth
cheek, by your smallest finger, upon
a newborn’s face, your youngest child’s
newborn, and a rare moment of unadulterated love tinged by
immortality

the smile you retrieve when scratching
that old beloved pet’s face, in the exact
spot only you two know and a long time ago
discovered


patrolling the Promenade, espying an
elderly couple so bundled against the
city’s Arctic cold freeze, that movement nearly impossible, nonetheless holding gloved hands in a manner and a moment describable only as inseparable

letting someone jump in front of you,
at the supermarket or the bank, when
they have only one item to purchase, and you, a dozen or so, but the most important item you really really urgent need you have is to prove to yourself that it is possible to buy more time
for a human

crossing with an elegant eldery woman
across the wilds of First Ave., who insists
she needs no help (ha!), but doing it anyway
by complimenting her candy striped cane,
and being rewarded with a “stop that, or
I’ll be forced to take you
home!”

searching endlessly for  red kidney beans in olive oil in a health store that has no less than 19 varieties of everything, and an immigrant teenager employee tskes you across a cityscape of aisles, turns, niches and alcoves  to the exact spot and item, and you
smile and weep because the beam of their smile at your pleasure lights up two souls
simultaneously

next, herbed flavored tofu?

making a bank teller laugh (a near impossibility) when depositing a very large
check, and when asked if there is anything
else you need, informing that you would like to withdraw half immediately but only if they have a sufficient quantity of extra large size single dollar bills!

a group of privileged upper east side college seniors eating out at a wonderful Italian neighborhood restaurant, talking loudly about their recent travels abroad, and how crazy it is that one cannot get a cappuccino in Italy(!) except at breakfast
(oh, the in-justice)

here I stop, because not a lot, of my reasons
to be brought forth are concluded, but only because  you have started
to feel an urgent need to p-
repare/start your own list, immediately if not sooner to ascertain precisely your own anwer to:
Where
are you
being?


5:48am
NYC
Shabbat, January 18, 2025
18 Tevet, 5785
most of these happenings occurred all on one day
last week;; one, 7 years ago…only ine was imagined but is planned

https://hellopoetry.com/poem/4956772/exactly-how-far-is-it-to-you/


https://hellopoetry.com/poem/4956772/exactly-how-far-is-it-to-you/
Nat Lipstadt Jan 17
Jan. 14. 3025
~For vb~

******* watery eyes and haven’t even
gotten even got started, even though you may
have noticed, I’m even reusing the same words over the over/under line again cause I’m thinking, nah, believin’, my words running out is a definite possibility

wait! your
words are fine,
quality ✅,
quantity ✅,
maybe baby, you’ve just run out,
of vision vitamin supplements or your insights, dinted by overexposure to winter
sunlight are inside, festering and pestering to un chill,

and baby, it’s cold gray blustery days and they just want hang out on the inside,
where the lake of caffeine perking, kerning, keeping you, you,

ain’t looking for
a partner, serious loving, even flirtatious
flings don’t mean a thing cause they ain't got that swing, and *** you are unconsciously
borrowing old song lyrics, because the good
stuff is overused, overrated and let’s face it,
fret-tingly overlooked  and worst,
overu s e d

me-being an antique, don’t mean value ain’t necessarily so, just old and all told, and
user up, and the space between lurches,
hits and misses, torrid + horrid, is tiresome,

and maybe,
you’re a waste of space of valuable interpet real estate, that should be chilling in reserve like that last bottle of nouveau Beaujolais from France  circa 1985
or just sinked inked to a stainless steel
grave in a kitchen sink

<^>the possible implications
of such a condition,
beyond complex
volcanic volatility,
as a final
spewing,
until then
I’m stink~eyed,
until
you
ex~stinked
me
Jan 15 · 1.4k
THE RE~POSTERs
Nat Lipstadt Jan 15
~For Lila and the others~

there exists
a subset of us,
those who
for whatever reason
do not write,
but “just” repost
other’s work

Above see the word
Just
emboldened
for this selfless task
is justice inherent

For this act of bringing others
to our over constrained attention is an
action of justice,
or more profoundly
doing away with
injustice  of
our human limitations

We could spend days entire
pursuing the works of others,
but life and the extraordinary demands
of writing anew, when the spirit is upon us,
are oft unable to spot, isolate, and
highlight
capture
the best of the rest,
and bless those
who reorient our eyes
away from our own bounded rivulets,
to the tried and truly,  away from
habitual familial familiar good stuff,
but bring us revelations of gems,
caught within the mass maskings of missives that grows hourly, exponentially to
out attention,
to reorient
our attention,
to their filtered selections

Let us say in unison then
a blessing of gratitude
to The Reposters:
*Blessed are You, Adonai our God, Ruler of the Universe, who has granted us life, sustained us, to give thanks to those who enable others, to reach us this season
Nat Lipstadt Jan 14
Nov. 2024

For the holy one dreams of a letter
Dreams of a letter's death
Oh bless thee continuous stutter
Of the word being made into flesh


Leonard Cohen “ The Window”
<>
I, too,
dream of letters flying up to the skies,
from books and holy scrolls of wise men,
in hate,
burnt by
heathens, alliterate, haters all

and yet,
now more than ever
‘tis the season to remember the hatred,
and the inventiveness of the haters rancor

‘tis
truth,
no surprise shocking,
dreams of letters rising are older than one man’s interval of age, it is a tale handed down over generations, eons many,
that “multiple”is
descriptor inadequate and no surprise the
the holy one dreams of their receipt & their  
reconstitution and resurrection

I, too
to the window go,
no bonfires visible tonight,
in the city of my birth and abode,
light pollution is the sun’s inverse,
our ***** secrets sent higher, up~returned

and yet,
the letters clear visible
glowing embers crackling dressed in
shades of orange red blackened outline
and they mix and match re~forming wild
mismatching batches into songs and
lines of
perp<eternal wisdom that’s been condemned as dated
The Window
Song by Leonard Cohen


Why do you stand by the window
Abandoned to beauty and pride
The thorn of the night in your *****
The spear of the age in your side
Lost in the rages of fragrance
Lost in the rags of remorse
Lost in the waves of a sickness
That loosens the high silver nerves
Oh chosen love, Oh frozen love
Oh tangle of matter and ghost
Oh darling of angels, demons and saints
And the whole broken-hearted host
Gentle this soul
And come forth from the cloud of unknowing
And kiss the cheek of the moon
The New Jerusalem glowing
Why tarry all night in the ruin
And leave no word of discomfort
And leave no observer to mourn
But climb on your tears and be silent
Like a rose on its ladder of thorns
Oh chosen love, Oh frozen love
Then lay your rose on the fire
The fire give up to the sun
The sun give over to splendour
In the arms of the high holy one
For the holy one dreams of a letter
Dreams of a letter's death
Oh bless thee continuous stutter
Of the word being made into flesh
Oh chosen love, Oh frozen love
Gentle this soul
Source: LyricFind
Nat Lipstadt Jan 12
1:12:25 9:20am nyc

Exactly, how far is it to you?
this is more than mere question,
or a rhetorical poem title discard,
consider it an interrogatory of
the first order, a debate raging
with every word successfully
affixed from brain to fingertips,
from my breathing to your heart,
how far is it exactly, pray tell me,
how these cords of words find you,
are your lips bending up in a smile,
need me a weather report, air quality,
wind gusts vitals vital to yo! estimate
how fast & conditions they’ll require survive/arrive in your eyesight well
and be friended


feed me the data, Heart Rate, Blood Pressure,
SpO2, so I’ll know what condition your
condition is in, adjust my words accordingly,
send to this distance back to me awaiting,
the necessary facts & figures to provide the finger stroke directional, do you need whispers or emboldened bold face to arouse the a spirit flagging, a shoulder shaking, a dozen red lipped chords of
kisses and sweet everthings, that do not
dissolve, dissipate or disappear instantly,
but can be stored in a Ziploc bag, refrigerated,
ready for gorging and disgorging, repeatedly,
as needed, synchronized slow or hard, fast
or soft, wet or dry. sweet or salty, savory
or a blended mixture, an adjustable concoction depending
on distance, time of day,
tell me,
the stuff that you accept
with open willingness,
or just begrudgingly

all adjustable
all shaped to
your individuality
elastic flexible
but the schedule
filling up fast
so we can mutual
squeeze into each others
empire of empty

so,
Exactly, how far is it to you,
to where you are being
?
Exactly, how far is it to you nml lipstadt
Nat Lipstadt Jan 10
~Jan. 9, 2025~NYC
<•>
The words of Walt Whitman (1)



~~~~
The origin of all poems!

Oh what a sweeping promise
does Whitman, proffer,
you to entice, to succor.
ease out from within yourself,
that which is therein ready,,
to organize
what be the
fermenting stack of seeded cells of
fomenting
stacked
multiple
simultaneous
observations,
poetry lurking, thine owned senses,
a catalyst cataloging constantly
and you happily despair  to
capture, retain, s u s t a i n,
the pieces of a whole that
knowing only you possess,
that only you can
perfect as the combo
expression of
your
pre~owned assembly
as a solitary protagonist, witness,
and audience!

Understand the origins of the poem,
because it is
original to you,
comprehension of this principle,
means that you will never be
starved for inspiration,
record the ordinary and the peculiar,
the off drink that when mixed,

shaken and stirred
that only you
can pour and better yet ,
s h a r e!
(1) Walt Whitman’s “Song of Myself”
“ Stop this day and night with me and you shall possess the origin of all poems,
You shall possess the good of the earth and sun, (there are millions of suns left,)
You shall no longer take things at second or third hand, nor look through the eyes of the dead, nor feed on the spectres in books,
You shall not look through my eyes either, nor take things from me,
You shall listen to all sides and filter them from your self.”
Nat Lipstadt Jan 8
12:53am,  January 3,2025
New York City
<>
A Traveler notates these words to my attention, but only because I make myself
a convenient target, for truthfully,
it is addressed to one and all,
to the royalty of:


We,

who speake out loud, to all those who ***** these damp woods full of wet words, that spring up overnight, ripe for the plucking, there for the taking, an exacting where & when they did not even exist
the twenty four prior


These purloined overnight creatures are

white and  black

lettered truffles, like the pages on which we inscribe, the letters raw, exquisitely tasty, shaved, measured in grams, but only when shared with others, in the privacy of our open minds, after being spooned from within us with exquisite care upon the pages that decorate our lives, sprinkled
with great care and cunning


but when consumed, our five senses rage with aromatic pleasured pain, for these letters, so tiny, so powerful, grow only when
combinatory, individual bitty granules,
but when leavened, they enhance, provoke!,
they sauce, the


flavors  of the ordinary

of our experiences,
creating the extraordinary
when interacting upon
our five robust senses


for without the spaces of delineation,
our jumbled words are but the
random jingle jangle of the sounds
of night winds, rustling a tune
pleasant but incomprehensible


Here I take your leave,
with the liberty taken
for speaking in all our names
to a Traveler
who so succinctly captures our work,
the glue of our interactive Us,
Our,

Collective of Individuality
finished @ 1:53am
Nat Lipstadt Jan 4
most oft, the
wherever I write,
is duly noted,
it is a due,
due you,
and hopefully,
the why I scribe,
arrives ‘pon your eyes
with Steuben glass,
of diamond tooled curettage,
a clarifying visual of
beauty,

but always
with fair detailed precision
is the
when
denoted,
for it is the timing
of the mining the specificity,
of the exact momentous,
a precious decision
taken by you,
when to turn words
of a few seconds
of a heart’s unburdening,
with
an inescapable reminder,
of the
thereabouts & the whyabouts
the very verity of a serious
causality
that parented the
casualties
we call
our poems

join me then,
in the processional
of denoting the origins,
linkage contained therein
to the work we
c r e a t e

*•for in the recording of the reckoning•
•exactitude of the longitude•
•and l’atitude is the truest revelation•
•of yourself•
the week I was home alone in dec 2024;
well I’m guessing you know the exact time
this one was born😉
Nat Lipstadt Jan 2
Oct 2020
Poets, let us examine this friendship thing, again.


Poets, let us examine this friendship thing, again.

This is a poem of humans, regardless of our natural multi- flavored striations, that tend to over-define us, thus separating, instead of celebrating commonalities.

Like most things we enjoy, our five senses are the gateway to pleasure, even the pleasure of friendships. They act in concert, a symphonic interplay that reenforces and heightens so that in combination they create a whole greater than a single sense could provide singly.

This is on my mind this week, as I wrestle to understand the meaningful possibilities, the limits of friendship.

Poets form bonds without hearing each other’s voices.

Poets connect despite geographic distances that makes grasping each others sinewed arms, caressing the softness of hard cheekbones, without ever having been granted the unique, all encompassing satisfaction of embrace, hugging.

Poets sometimes can hear but not see each other’s words.

Poets sometimes can see/read each other’s words, but never hear them voiced aloud in the authors own, true voice.

Poets sometimes cannot smell or taste each other’s words, though it can take a poem to another, higher sensory level of coloration.

And yet, a bond so strong forms that defies the conventional limitations of the physical. Should we share such a bond, them you know it, no need to ask for confirmation.

Words, can be gifted, without teleportation, even when and if the bridge of a shared spoken language is not extant.

This is nothing short of miraculous.

Just like friendship.

All my wrestling to true comprehend this state, for naught, for the miracle of words is like the color of water. Universal, invisible, but so varied, that it too bridges and is shared by every ! human body regardless of any human shape, color, form of the billions conceivable.

But wrestle I do nonetheless, for the pleasure of this (non?)soluble problem that both creates queries & quenches simultaneously, so I break off this thinnest wafer to share with you, offering this notional:

All humans are poems.

All poems are human.

Solve this poem for human.

(And ignore the wet spots of my watery, clear tears staining this poem).
written Oct 2020. in conversation with SPT
Nat Lipstadt Jan 1
•~ A tidal strait is a strait connecting two oceans or seas through which a tidal current flows. Tidal currents are usually unidirectional but sometimes are bidirectional. The East River is a saltwater tidal estuary or strait in New York City. The waterway, which is not a river despite its name, connects Upper New York Bay on its south end to Long Island Sound on its north end. (Wikipedia)~•

The river by my dwelling is miscalled by all,
in verity, it is a tidal strait, a battling diversity of fresh and saltwater, with currents visible, bidirectional, clashing eddies underway, are
underwater arguments boiling up to the surface,

!a perfect metaphor for a New Year!
<•>

each year seems like a tumult survived,
the currents of joy and its many alternates,
seem to always clash, spot staining
and yet
the estuary of life flows on and on,
the two seas remain connected,
the salt and the fresh intermingling,
waters
surf~officially calm, stoic,
but appearances misleading

every year different
every year also similar,
substance may vary,
the surprises differing,
but we for-see troubled waters
neath the glassine superficial surficial,
and we hold hands,
knotted fingers until
we raise out arms heavenbound,
asking why,
but expecting no answer
for we
knowingly
live our lives in a
tidal strait
Jan 1, 2025
Nat Lipstadt Dec 2024
flipping channels,
odd conjunction of random itinerants,
mix and mismatched, blend and burr, and the
combination of irritants, annoyingly raucous
pester the barely warmed brain,
by informing me to solve for X,
combine and contrast,
throw all into the blender,
add Fage yogurt, and some chill
ice with interracial combo of
black, blue & red berries
and pour it on you head…

and a breakfast poem is served up…

the utter urgency for civility
rings alarm bells, for it is so threadbare a quality these days, and it is worn by so
very few, and I ponder,
how the quality of
civility
could be so lost,
when I diagram said word,
see it
so clear
April 13 2024
Dec 2024 · 1.1k
the fingers of love
Nat Lipstadt Dec 2024
12/18/24

I choose fingers,
among the array
of many wonderful
parts on offer,

the other sensory emissaries protest,
but the multi-fluency of fingers,
fluent in all Romance languages,
nay, in every dialect, tongue,
tippling the balance in their favor

for the fingers are wonderful conversationlists, trumping the
cooing coyness of sweet wordy
verbs, fingers defy nouns, pronouns

and are fingers the finest conjunction
that was ever conjured ot conjuncted?

the ears hear poorly when upom it
a long  slim finger casually traces outlines
slow~sensually and the eyes shut tightly,
reflexively, the tongue froze to the
mouth roof, muted into inaction

even the the sense of smell lies powerless
should we block the nostrils with but
*******, and breathe mouth mightily

we do not diminish the orchestration’s
totality, the blending of sound ‘n sensation,
but the blind and deaf all must bow before the power of fingers speaking to
every part of the bodies totality
Dec 2024 · 170
everlasting words
Nat Lipstadt Dec 2024
“Talk in everlasting words
And dedicate them all to me
And I will give you all my life
I'm here if you should call to me
You think that I don't even mean
A single word I say
It's only words and words are all I have
To take your heart away”


“Words” by the Bee Gees
<•>

words are orbs,
living in the airy space just
about above over my head

still plucking ‘em when the
spirits shake me awake,
speaking
“create, can’t wait,”
for if the instance slips by,
a
disparate disparaging displacement
though not fully lost,
the precise
conviction combination
precious precision decision
if not stepped upon with
a codifying immediacy urgency
can result in an
irreparably irreversible irresponsibly
l o s s,
feeling as if a piece of your
owned amazing
has been chipped off irretrievably,
flown away to a
never again
nether land

not lost on me that
the infinite symbol

is sometimes called the
lazy eights

a minute momentous moment,
all it takes, for the loss of
infinity permanence of going
gone gone gone

read of a man,
in a creative place,
songwriter on a crowded California
Santa Monica highway,
with no place to pull off,
sings over again the tune birthing
with no intermission
repeating for hours the tune
and the lyrics
of a new (now famous) song,
proceeds
directly to the recording studio
to lay that track down

been there, done exactly that,
“while doing 85 mph on the
Long Island Expressway,”
(L.I..E. )
and those
everlasting words
live on today
Dec. 2024
Nat Lipstadt Dec 2024
WHY are you reading and writing poetry today?

why not?
**** straight &
just be the cause
that's right,

even writing
just keep it
short/\ sweet (self mocking Ha)
there are actual family members
who might require
a shocking paddling
to the
heart
when conducting their
year end review

as for us
the shock, the awe,
of so many fine
new poens opening
is a sufficient charger to the
parts that need restarting when
we wake up, no matter
our diversification
our diversions
and divisions,
reading new words ancient
in the Reforming,
are dividends and
that keep on after the electrolytes, caffeine
& other stimulies

stimulants that keep us going
a golden charging,
Plenty good enough

Ps
and I delight in many new ones
discovering my prose, welcoming
them like my newborn children
all my own, and raising them
and the new-for all-new combinations
to see their Forthcoming with/\ by
bringing them to your attention,
and that is my Jewish own creche,
my own scene of all of god’s chosen
poets
nativities

and did not plan to go in & on
but nothing stirs the sparks,
like thinking that every minute
a birth is celebrated
and I am blessed to be among
the witnesses

nml
12/25/24~12/26/24
Nat Lipstadt Dec 2024
preface

yup

this is #99, & when it’s done,
another winking title will pop-up,
be

recorded, reordered, and reported
out to you,
and that old drinking song will~still
be justified with words adapted to
sing out of & about~no~doubt them
emotional rhythms traversing my
blood stream that inhabit my
thoughts and causes, visions and
curses


poem

a gray cloudy xmas day, and home alone
by my-choice, which is a potpourri of
caramel popcorn vinegar and vital vitamins,
a metronome of verbosity and to counter~~
attack these insidious moody blues, select my McIntosh mug with a Winslow Homer painting of East Hampton Beach


yup,

this is no. 99, in my file of
working scribbled potions, ,
which like my porcelain lipped mug,
is brimmm-ing filled too,
with phrases~tastes,
accompanied &harmonized,
with a mug up-to-the-top
of circularity spooned, steamy fine
Blue Mountain coffee,
colored beautifully creamy brown
by a quarter cup of
Fairlife skim milk
and damnable inspired
pseudo-dissatisfaction


apology

for rambling but it’s
a rambling day, and just going
with flow, and the east river
ocean bound current strings chains
of molecules, words, randomly
planned and planted, and lined
up to take  stolen sips of  coffee
breaks, indoors-inside my coffee cup
mind


****

got lost and now forget what
this poem was to be announced~about,

thus #99,
version b., will re-main on
the list, awaiting refurbishment, and
more, sigh,

                          *coffee
12-25-24
Dec 2024 · 1.1k
Blame it on Leonard Cohen
Nat Lipstadt Dec 2024
inspired  by“Blame It on Kristofferson” written by Byron Hill and John Wilken,
released 2010
(lyrics below)
<•>
A young teen listens to the
folk/rock during the Sixties,
five few years later,
now all growed up and living, crazy,
on Bleecker Street, the very same,
where these songs were being sung live,
by the artists, songwriters & friends
on the streets’s bars ‘n cafes

And Judy sings a ballad, mysterious,
‘bout a Marianne and all the tea in China,
words written like it was a poem,
and the infection was silent transferred,
still ‘fected, even now, in days sooner to
be reporting to heaven’s door, this blessed
curse will be unrelenting coming along,
we blame it on
Leonard Cohen

Knew the words, learned the secret chords,
which was easy, a-direct line between us,
knew where he got them holy tunes, and the
words he stole stealthy from our prayerbook,
went to Montreal, visited his home,
it was no accident, just the hand of god,
but don't blame the divine mystery being,
nah~nope, half~century, later, this dope
still blames it on,
yeah that’s right, on
Leonard Cohen

And here we are, the two of us, probably
smiling, gesticulating and gesturing, who
in fact is truly responsible for our crazy gene,
that pursues us, to create,
to mate words with
music of the deep soul, and here me be,
I am,
grateful grasping for each latter day to birth a new creation,
going out smiley & feeling kindly and fulfilled, now more than ever, and
zero doubts that the person at fault, fully blaming it all on my Canadian soul brother,
Leonard Cohen
https://genius.com/Byron-hill-blame-it-on-kristofferson-lyrics

<•>

Lyrics Listen
I WAS ONLY SIXTEEN|WHEN I HEARD THAT MELODY|AND THOSE WORDS ABOUT A YOUNG MAN|WHO WAS ALMOST JUST LIKE ME|ON A SUNDAY MORNING SIDEWALK|HE WAS FEELING ALL ALONE|I HAD NEVER BEEN THAT FAR FROM HOME|BUT NOT FOR LONG|BLAME IT ON KRISTOFFERSON||HE CHANGED MY LIFE FOREVER|WITH EVERY WORD HE WROTE|HE SANG WITH RHYMES THAT RAMBLED|AND THEY HIT ME LIKE A ****|SO I HEADED OFF WITH MY GUITAR|TO NASHVILLE TENNESSEE|MADE A PROMISE TO MYSELF I'D ALWAYS BE|WHAT I'D BECOME|BLAME IT ON KRISTOFFERSON||CHORUS: I'VE BEEN BLESSED TO BRING A SMILE|TO A FEW FOLKS WITH MY SONGS|BRING A TEAR TO SOMEONE'S EYE|AND HEAR THEM SING ALONG|BUT SOMETIMES I START HATING|EVERY WORD I'VE EVER WRITTEN|THINKING I AIN'T EVER LIVIN' UP|TO SUNDAY MORNIN' COMIN' DOWN AT ALL|BLAME IT ON KRISTOFFERSON||SO HERE'S TO JOHNNY CASH|AND 1970|THAT TV SHOW WHERE FIRST HEARD|THOSE WORDS THAT SPOKE TO ME|OF A SUNDAY MORNING SIDEWALK|AND A YOUNG MAN ALL ALONE|I HAD NEVER BEEN THAT FAR FROM HOME|BUT NOT FOR LONG|BLAME IT ON KRISTOFFERSON||REPEAT CHORUS|
Nat Lipstadt Dec 2024
The average person knows between 20,000 and 30,000 words.
~ and for Senor CG~
<>

infinite then the multiplicity of combinations,
and yet we use so few,
and the comforting ones,
we repeat unconsciously
for they apparently applicable
to the boo/hoo/who in Who Me?


messing about in poetry,
an excuse to betray ourselves
to a greater audience with
hints and provenances,
secret’s subtle
could mean
trouble


I have revealed more than
I could believe ~
not the drabfactoids
but the insights


that flesh my self~sketches,
you could ask me anything,
my answer simple and
insane~same!


if you explicitly explain
there is no fun in that,
but the clues writ large,
answering questions you
didn’t know to ask


plenty to hide, some too
well disguised

but the hints are clear enough,
to make sure you’re
asking the correct ones

so,
sorry apology
Senor Carlo
the doorknob to my spotlight clearly
visible
in the portrait of my preposterous
multi~nefarious words

no great reveal
no screaming squeal
for you to decrypt

still requires an
inning of
excavation digging,
for it’s in the over thousands of
psalms and prayers
and a few layabout
poems
who/hoo,
too*
(wink)
12/7/24
Nat Lipstadt Dec 2024
begin this life in a wordy
but wordly habit, daily,
father-gifted, though different,
in form and language selected,
‘tis the one and ‘tis the same

tally, a counting combination
of all that has been done, for both
better & worse, blessing/curse,
the key: revamp review reset
this day upcoming and welcome
all the major tasks, minor miracles,
that one can effect,  select, elect!
by choice, a freedom so great it
tenderly rips joy thoroughly into
and from my cells, and my body
is enlightened, uplifted in this,
now a preposition, a conjugation, a

state of composition,

for the tasks given, the granted,
those that must be taken, those most
difficult, when knowing their choice,
entails pain, untempered, and
requires establishing a two edged
position of composure…

this is a hard and an easy
new proposition I create,
hard for I write on a tiny
phone screen, in letters so
small. it keeps me humbled,
a reminder of having
lived a span well
beyond belief,
for one took\gave body a
careless comfort,
giving little
of the differring
kind of nutrition in order
to live life, well and purposed

hard too, for my body has wept,
a steady stream of silent tears.
unceasing as I scribe,
making vision difficult, the
insight salty but clear and the
words contained within them,
flood for easy laying-down

for this AM workout of counting,
lists up and down, so many items,
of differring nature, even now
noticing for the very fitting first time,
the subtle hint within
differring,
for it possesses a doubling
of the enormity, the division
of what has been already
accumulated and what yet,
needs accomplishing, the tally
needy for resolving looking past,
for seeing with yet more tears
fast-as-you-can-forward

the tally never ends, paused only
for a quick question/happy deletion
of, and a resolute immediate, moving on:

Where do I stand,
what is my position?


keep on keeping on,
tallying has no finale,
no sunning/summing up,
for another day
will yet follow,
for you, and
your own
tallying must
goes on, on
and
not even,
nor even,
odd,
when mine,
mine no long,
and the
and yets,
no longer
commence
646am dec 18 2024
Dec 2024 · 421
Amicopoeta (Friendpoet)
Nat Lipstadt Dec 2024
for E. M. A.

<•>

a conglomeration, a pastiche,
two  Italian words affixed,
without hyphen, space, signaling
unity, a merger of a perfect sensory
morsel,

every language unicorn unique with
overlapping skin cells, entangling roots,
so do not be surprised when you,
who speaks not Italian, yet the brain
reverses the words in your eyesight
and is instantaneously understood

I love this letteral literal littoral
literacy
connective tissue that is a humans binding, and oneof my greatest lessenings, is that never
achieved real fluency in my cousined
romance languages, though oft inserted
in my scribbled poesy, for the emphasis
of satisfaction when saying
certain words in a related language carries
a style, a tune, that elevates its conceptually


so friend, multi lingual,
aware of my affection for
mixing, mining words of
multiplicity, makes, creates
a new word just for me:

which deserves a plain old perfect
WOW!
poetfriend
friendpoet
will never sound
as rich, inherently
musical, poetic
as saying:

Amicopoeta
8:26
Dec. 17, 2024
Dec 2024 · 197
We are in agreeance
Nat Lipstadt Dec 2024
~for Traveler & Jo-

they who read,
he who creates,
and supplies a marvelous word fresh born,
and we celebrate a new word’s

nativity:

+agreeance+

if only I could sing
or even write
with Niagara Falls force
of appreciation
what a miraculous joy,
this original pasta and sauce
of letters
that was never/always
meant to be
conjoined

+that nuanced combo+
of
agreement + happenstance
agreeably
connects my
heart and emotions
in my early morn
period of tallying
all the little steps
morning brings
to verify that
my breathing is good
my heart is open and exposed,
for
all the tears
I’ve already wept in but
a few moments already
in but a
few minutes reading
your new
poems and message
that are so
heart rendering


and I can smile
for the world and I
are in a state of
fulsome
agreeance!
poems are triggering
and can be found in the
reflections hid on your eyes
Nat Lipstadt Dec 2024
~ for the grandson of an extraordinary man~
<>
the supply chain, which unless
you’re a logistics aficionado,
is  
alot of ve-hicles, planes,
trains, ocean going monster ships,
& shaking hands of humans, of a
Heinz variety of colors,
who give nary a moment to what
it is they are moving across a planet

all miraculous in the ordinary
schema, but when you slump
in the recliner, and think about
chains, and the reach extraordinary

you issue a curse of admiration and
lean back and think, with luck,
I’ll never have to move ever again,

and more moment’s preserved,
to serve and be served,
for all us deserving,

to let words and visions get
passed around, and the supply
chain unchains
the human soul for
the best thing us you~mans can truly
produce,
the art of new creation


4:07am
Nat Lipstadt Dec 2024
one more critique, too slowly realized,
no poet him,
unamong those who sea the world,
in metaphors and auroras,
in skeins and skins,
from brown Earth to Red planets,
worthy word weavers of
tapestries, imaginary life forms extant,
green skies, bluing floral gifts,

+that jes that ain’t me

nah,
more a working wordsmith,
telling stories in a workmanlike fashion,
medieval scribing, copying downloads of
what might mine eyes seen, believed,
recorded for all for
your accompanied precision tooled pleasuring

no pretensions left, the doc reports,
I’m a technically a heart failure, and
laugh~reply, that’s no surprise to me,
in matters of the heart,
luck ain’t been
overly kind,
(till recently)
and you can flunk that
test just so many times, before you no
longer get~set sir-prised, just reprised,
and that’s when you get clarity,
you “don’t think twice, its alright,”
plug those words in a nice combo
ain’t exacting poetry, but I don’t mind,
you can only do,
for what you got an affinity,
that’s not sinning if light/life is dimming,
and that’s got to be satirical, ironically, both entirely dissing and satisfying

anyhoo, it’s just about 646am,
coffee is made but not yet served,
the kitchen needs some fussing and tending,
bring in the paper,
dishwasher and dryer overnight whining,
pleading for closure finale
from their *** night time
**** wet escapades
THEN
organize them riffraff,
those upending draft detritus that
constitutes a working man’s load, and

a wordsmith,
lights the forge,
forges words,
foraging
in the unlikeliest
everywhere
to turn a phrase from a
dark brazen haze taken,
into a semi-polished stone blade
sculpted by,
heat and hammer and

always tears

maybe a miracle,
into useful shapes, and hope some
tourists stop by, thinking that if framed,
it might look good in their kitchen,
and give me 5 bucks even tho that
don’t keep one in smokes no more

yup, that’s about it,
says the wordsmithy,
no mystery ‘cept them
that one can let mmm,
egotistical notions fool
ya for far too long…
and that’s
entire your own fault…

l
and yet, always,
always and yet,


gave the best of me,
met my own standard,
and that!
is all any poet can say
when employing
only
two prime cooling colors,
black in white,
with the oddity of a
clashing but dashing
modicum elicited,
but not solicited,
pride and modesty
early morn Dec 9-10
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