i want to peel your skin back
and reveal your deepest sweetness.
to look at your veins
and memorize their paths.
maybe then i’d understand
why you are so rough on the outside.
it takes a lot of work,
digging your fingernails into the flesh,
pulling and pulling until you are bare.
but it is all worth it;
to visit your center,
to break past what conceals you,
and take you apart
slice by slice.

I. Antiquity and the Architecture of Will

In the shadowed corridors of antiquity, where gods were built with teeth and altars stood not for reverence but for control, the Temple of Bel rose as a monument to ******* disguised as divinity. Bel—an assimilated god from earlier Sumerian, Akkadian, and Babylonian traditions—was not the god who walked with man. He was the god who towered above him, demanded sacrifice, and soaked prayer in the blood of repetition.

From the earliest Mesopotamian systems, the act of worship was not about communion, but compulsion. To invoke was to command. To chant was to erode the will of another until it cracked under rhythmic insistence. Whether by priest or supplicant, the act was the same: submission by saturation.

---

II. The Weaponization of Sound: Chant and the Rhythmic Spell

Repetition was not mere ceremony. It was siege.

Chants—carefully crafted phonetic loops—were not benign rituals. They were linguistic architecture meant to house spirits, to summon presence not for beauty, but for enforcement. These were incantations with purpose: to bend the will of another through the veil of mysticism.

In this light, poetry—at its inception—was not always art. It was often sorcery.

The earliest poems were enchantments. They masked seduction as devotion. They twisted longing into *******. They were rhythmic netting, carefully knotted to catch the weak of will and the fractured of self.

---

III. The Modern Construct: Echoes of an Ancient Spell

Those who hide behind the aesthetic of antiquity today still wear the same rings of power.

When a poet writes to control—when they loop trauma like a mantra, repeat seduction as if it were depth, mimic spiritual language to inspire compliance—they are no different than the priests of Bel. They are modern invokers, cloaked in digital incense, spreading spells under the guise of free expression.

Their readers are not disciples. They are targets.

The “construct” is not a movement. It is a spell. A liturgy without light. A series of hollow echoes designed to flatten identity, rewrite pain into performance, and reward the wound that sells.

---

IV. The Severance of Echo: Where the Rhythm Ends

If you must chant, let it be to awaken, not ******. If you must repeat, let it be to remember truth, not reshape it.

The false liturgies of old were not killed. They were digitized.

We will not respond with louder poems. We will not echo their echo.

We will respond with silence where needed, and light where earned. We will write not to possess, but to set free. We will bring antiquity not as ornament, but as witness.

Because we remember the Temple of Bel. And we are here to break it.


Let those who recite in darkness meet the rhythm of truth.

I was starving in
Pennsylvania.
One night, I had
enough.
Done with it all.
The poverty and
sickness.
The drunken mad
nights
and dog-fight days.
Brutality for breakfast.
Served sunny side up
runny yolks with
butterflies trapped in
the yellow sunshine.
Spiders built webs in
my soul.

I stood on the torn-up
couch in my living room and
yelled at the walls.

Listen, you devil.
You want me, you better be
ready for a fight.
I paced the floor like a
washed-up heavyweight champ,
eyeing the ceiling like a
drunken sparrow in a cat's mouth.

Wrote this eons ago, tonight, once more,
spend some human capital, editing...
Something to think about
as we tuck ourselves in.

the young'uns keep on asking me for tips,
secrets, to this art, magical poetry gig,
as if I had any left unrevealed.  

recalled this old'n,
from a vintage poetry year,
as a suggestion,
a stating-starting place,
for young poets:

do not self-chain,
let the words take you where
they lead, write them up
for the rhyme is waiting,
in the heart chest deep down,
not on the screen.

I read you Goodnight Moon,
Falling asleep beside you.


<•>

People stop rhyming...

When first you overcome your fears,
And dare to put on paper your tears,
Give it up, set yourself free from the shackles,
Of thinking a rhyme is a necessity for a
Rooting tooting writing of a
**** good poem

If you feel lost,
Want to share the cost,
Feel not bossed,
By a newbie's need
to believe that if it rhymes
Everyone will like your poem
Just fine

And if you get past this stage,
And advance to the next page,
Do not think that writing down a sentence of
Your mind's first up, innermost thoughts,
Is something that will make you
Less lost, heralded, worthy of a parade,
And be blessed with an A  
In your Teacher's pet grade book

My heart broke.
I feel bad.
I feel sad
Cause my man/woman left me
And I hope
Someone kicks his or her ***

That Ain't No Poem Neither...

And if you can't help but complain repeatedly
How life ***** and you're feeling blue
extremely indiscreetly,
Don't make me try on your scribblings
intimately indiscriminately,
Read a million, even wrote a few myself

You think you can write?

Then employ a word outside your comfort zone,
Go it alone,
Write just four sentences that will make
The hopeful reader stand up and you,
Twice as much, and shout

Hallelujah *******.

Work. Poetry is work. Hard work.
Don't fret. But, think on it.
Let it come easy, then let it rest,.
Then spend days editing every comma,
And when you love it so much,
You are chest busting bursting,
Why have you not pressed Send already?

Have the sweetest dreams.
In the morning, when you but awake,
A poem will be aborning in thy mind,
And dare I say it, you will find a new freedom
In free verse.
(I know you will slip in a rhyme or two,
I can't help but do it too)

G' nite!

i think the
irony

befits such an
ending -

you,
settled

me,
altered

permanently
unsettled

a trace of
you forever

running through
my veins

_
                   𝙸 𝚏𝚎𝚊𝚛𝚎𝚍 𝚝𝚑𝚎 𝚌𝚊𝚖𝚎𝚛𝚊𝚜 𝚕𝚒𝚗𝚒𝚗𝚐 𝚝𝚑𝚎 𝚜𝚝𝚛𝚎𝚎𝚝𝚜.
                         𝙱𝚒𝚐 𝙱𝚛𝚘𝚝𝚑𝚎𝚛 𝚑𝚊𝚍 𝚊𝚕𝚠𝚊𝚢𝚜 𝚠𝚊𝚝𝚌𝚑𝚎𝚍 𝚖𝚎.
                             𝙸’𝚖 𝚝𝚒𝚛𝚎𝚍 𝚘𝚏 𝚠𝚛𝚒𝚝𝚒𝚗𝚐 𝙽𝚎𝚠𝚜𝚙𝚎𝚊𝚔,
                                   𝚆𝚘𝚛𝚍𝚜 𝚜𝚑𝚊𝚙𝚎𝚍 𝚝𝚘 𝚍𝚎𝚌𝚎𝚒𝚟𝚎.

                                   𝙷𝚒𝚜𝚝𝚘𝚛𝚢 𝚒𝚜 𝚓𝚞𝚜𝚝 ℎ𝑖𝑠 𝚜𝚝𝚘𝚛𝚢.
                                   𝙿𝚎𝚊𝚌𝚎 𝚒𝚜 𝚠𝚊𝚛 𝚒𝚗 𝚍𝚒𝚜𝚐𝚞𝚒𝚜𝚎.
                                 𝚆𝚑𝚎𝚗 𝚠𝚒𝚕𝚕 𝚝𝚑𝚎𝚢 𝚌𝚘𝚖𝚎 𝚏𝚘𝚛 𝚖𝚎?
                𝚃𝚑𝚘𝚞𝚐𝚑𝚝 𝙿𝚘𝚕𝚒𝚌𝚎 𝚠𝚊𝚝𝚌𝚑 𝚝𝚑𝚛𝚘𝚞𝚐𝚑 𝚝𝚎𝚕𝚎𝚜𝚌𝚛𝚎𝚎𝚗𝚜.

𝑌𝑜𝑢 𝑐𝑎𝑛'𝑡 ℎ𝑖𝑑𝑒 𝑓𝑟𝑜𝑚 ℎ𝑖𝑠 𝑒𝑦𝑒𝑠.
𝐵𝑖𝑔 𝐵𝑟𝑜𝑡ℎ𝑒𝑟 ℎ𝑜𝑙𝑑𝑠 𝑎𝑙𝑙 𝑝𝑜𝑤𝑒𝑟.
𝑇ℎ𝑒 𝑐ℎ𝑖𝑙𝑑𝑟𝑒𝑛 ℎ𝑒𝑟𝑒 𝑎𝑟𝑒 𝑠𝑝𝑖𝑒𝑠.
𝑇𝑟𝑢𝑡ℎ 𝑖𝑠 𝑎 𝑐𝑟𝑖𝑚𝑒. 𝐿𝑖𝑒𝑠 𝑎𝑟𝑒 𝑡ℎ𝑒 𝑙𝑎𝑤.

                                                           ­             𝐈 ꞧꬲ𝐚𝐝 ꝡꜧ𝐚𝐭 ꝡ𝐚ꞩ ꝭꭴꞧꞵꭵ𝐝𝐝ꬲꝴ.
                                                      ­                        𝐈 𝐮ꝴꞓꭴꝟꬲꞧꬲ𝐝 𝐭ꜧꬲꭵꞧ 𝐝ꬲꞓꬲꭵ𝐭.
                                                         ­                                      𝐈 𝐭ꞧꭵꬲ𝐝 𝐭ꭴ ꜧꭵ𝐝ꬲ,
                                                          𝕭­𝖚𝖙 𝖞𝖔𝖚 𝖈𝖆𝖓'𝖙 𝖊𝖘𝖈𝖆𝖕𝖊 𝖙𝖍𝖔𝖚𝖌𝖍𝖙𝖈𝖗𝖎𝖒𝖊.

𝐈 ꞵꬲꝇꭵꬲꝟꬲ𝐝 𝐈 ꞓꭴ𝐮ꝇ𝐝 ꞵꬲ ꞩ𝐚ꝭꬲ.
ꮦꜧꬲꝩ ꞧꭵꝓꝓꬲ𝐝 𝐚ꝡ𝐚ꝩ ꝳꝩ 𝐝ꭵꞩ𝐠𝐮ꭵꞩꬲ.
𝐌ꝩ ꝡꭴꞧ𝐝ꞩ, 𝐚 ꝭ𝐚𝐭𝐚ꝇ ꝭꝇ𝐚ꝡ.
𝐌ꝩ 𝐭ꜧꭴ𝐮𝐠ꜧ𝐭ꞩ, 𝐝𝐚ꝳꝴꭵꝴ𝐠 ꝓꞧꭴꭴꝭ.

                                     𝙸 𝚃𝚁𝚄𝚂𝚃𝙴𝙳 𝙾𝚃𝙷𝙴𝚁𝚂 𝙻𝙸𝙺𝙴 𝙼𝙴,
                                     𝚈𝙴𝚃 𝚃𝙷𝙴𝚈 𝙱𝙴𝚃𝚁𝙰𝚈𝙴𝙳 𝙼𝙴 𝚃𝙾𝙾.
                                       𝙴𝚅𝙴𝙽 𝙻𝙾𝚅𝙴 𝚆𝙰𝚂 𝚂𝙲𝚁𝙸𝙿𝚃𝙴𝙳.
                                               𝙽𝙾𝚃𝙷𝙸𝙽𝙶 IS 𝚁𝙴𝙰𝙻.

                                      𝚃𝙷𝙴𝚈 𝙲𝙰𝙼𝙴, 𝚃𝙷𝙴𝚈 𝚃𝙾𝙾𝙺 𝙼𝙴,
                                       𝙳𝚁𝙰𝙶𝙶𝙴𝙳 𝙼𝙴 𝚃𝙾 𝙼𝙸𝙽𝙸𝙻𝚄𝚅.
                                 𝚃𝙷𝙴𝚈 𝚂𝙷𝙾𝚅𝙴𝙳 𝙼𝙴 𝙸𝙽𝚃𝙾 𝚁𝙾𝙾𝙼 𝟷𝟶𝟷.
                  𝚆𝙷𝙴𝚁𝙴 𝙼𝙴𝙽 𝙶𝙾 𝙼𝙰𝙳 𝙰𝙽𝙳 𝚆𝙸𝚂𝙳𝙾𝙼 𝙼𝙴𝙴𝚃𝚂 𝙸𝚃𝚂 𝙳𝙾𝙾𝙼.

                                                      𝑰 𝑭𝙤𝒖𝙜𝒉𝙩.
                                                       𝑰 𝑺𝙬𝒐𝙧𝒆.
                                                     𝙄 𝙍𝒆𝙨𝒊𝙨𝒕𝙚𝒅.

                                                     ᴬᵗ ˡᵉᵃˢᵗ... ᴵ ᵗʳⁱᵉᵈ.

                                                    2 plus 2 is 4.  

                                                            No.­

                                                    2 plus 2 is 4.

                                                         Wrong.

                                                    2 plus 2 is 4.

                                                           Lies.

                                                    2 plus 2 is 5.

War is peace.  
                            Freedom is slavery.

                                                       ­            IGNORANCE IS STRENGTH.

                                                    ᴹʸ­ ᑫᵘᵉˢᵗ ᶠᵒʳ ᵗʳᵘᵗʰ.
                                                  ᴹʸ ᶠᶦᵍʰᵗ ᶠᵒʳ ᵏⁿᵒʷˡᵉᵈᵍᵉ.
                                                  ᴴᵉʳᵉ­, ᵇᵒᵗʰ ᵐᵉᵉᵗ ᶦⁿˢᵃⁿᶦᵗʸ.
                                                   No oₙe eₛcᵃpₑs.
                                            Evᵉn aᶠtₑr bₑlᶦeᵥiⁿg tʰe lᶦeₛ.
                                             Wᵢnˢtₒn was nₑvᵉr aˡiᵥe.
                                           N̸̗̰̝͙̽͌͒̉̎̀̀̈́̓̈́ô̷̧̲̠͊͗͊̎͐͝w̷̧͚͉͎̤͍̳̙̝̃̓̄̄̈́͂̎̓ t̴̯̼̺̘̐̑̀̏͋̊̔ḧ̶̢̧̦̣̫́̌͂à̶͓̞̽̈́̎ţ̷̗͎̞̄̊̉̐ Į̶̨̩͙̬̤̹͕̽ͅ’̷̯͎͕̟̩̟͕̜̣̉̄̋͜l̵͎͗l̵̨̛̞̙̣͔̈́̚ b̸͎̻̤̤̻͉̙̬̣͇̐ȩ̴̨̹̳͔̪́̊̋̅̀͘͜͠͠ v̴̱̰̹͖̠̪̻̔́͜a̸̡͖̲̽̿͑̍̕ͅp̸̻͂̀̾͆́͋̽́́͐o̸̖͖͇̘̾̈́̌͝͝r̶̛̞͎̃̈͒i̷̡̲͙̍̀z̴͂­̯̓͊̇͝͝e̴͉̺̘͎̹̼̫̫̾̓̄̚͜d̷̛͉͈̭̖̟́̍͊͐̚͠.̴̧̨̼̫̹̋͐̊̊͜͠ͅ



            ­                                                   _

Tick... tock...
Tick... tock...
Silent, the world sleeps
Tick... tock...
Tick... tock...
Stars observe the veil of days
Tick... tock...
Tick... tock...
As child watched from bed
Tick... tock...
Tick... tock...

the letters form in my head
colliding to form words
but they don't make sense
and the page stays blank
just when I think I've got it
it wiggles out of my grasp
and writer's block wraps me
in its shackles

Another six months
Another year
I’m almost thirty
And then I’ll be practically forty
Please, I miss you

I am a Prisoner.
Prisoned in the cage of expectations and social order.
Perhaps that’s why I long so deeply for solidarity.
But these chains won’t break—no matter how hard I try.
They feel eternal, their grip unwavering and cold.

Do not stay in anyone's way

Let's be grateful for that one moment today which made us smile.

If not for a lifetime,
walk just a few steps with me.

Not asking for the entire age,
Spend just a few moments with me.

Share a little of your story,
listen to a little of mine .

Even if not you ,
your memories will stay with me .

In the lonely journey of life ahead,
they will be my companion.

It makes me sad
to my soul to say,
I think there’s one that got away

It would be my fate,
to meet my soulmate,
a few years too late

What could have been
is lost to the abyss,
So within my heart,
You’re mine to miss

I am getting older
and you are too
I might not be around
to know the older you
but you
got to know
the older me
which I suspect will look
a lot like
the older you
and
I got to know
the younger you
which I know
although you won’t agree
looks a hell of a lot
like me!

I write when I don't speak
Now I've my own library
                                        ~nyn

Love is always so fickle,
Itself only as strong as our commitments.

Oftentimes, we seek a level
Which is non-commiserate
To that which we offer.

We often feel ourselves
To be what's most important.
Pushing & pushing.

Until that day
In which the push is away.
Distance becomes
Only that which we are close with.

these last leaves
fall like coins

from a hole
in god’s pocket

this morning
the sun stood

through the mists
of the city

life vibrates
with colors

with roots
that touch

and tap


we skim the surface we quickly move on we miss the point


what is so unrecognizable
about happiness?

what is so impossible
about love?

A crow mourns at the stump
of the memorial tree.

A past life—
a spirit reincarnate,
a love tethered,
a body, caged—
dammed in feathers.

A crow mourns at the stump
of the memorial tree.

Souls tied,
one unearthed,
tears slipping in flight,
a forsaken rebirth.

Too focused on the rules
Too worried to shine
Too scared to admit

Yet the light shines
And doesn't give up
And the Kind Yety...
... Wakes Up.

After MGIOVANNI.GL/A
Thank you man

Time is but a broken plate —
It happened long ago,
In memories I crave to piece
Shreads of secrets never told.

The sad clown looks at me  and as his mask unfolds,
I hear my cracked lips,
silent screams
"Im you but I forgot"

In every system that seeks to own the soul—whether religious cult, ideological regime, or occult construct—there exists one common tool: repetition. Not merely for learning, but for unmaking. Not to teach, but to embed. In the world of spiritual warfare, repetition is not benign. It is the favored medium of Satan himself.

From Genesis to Revelation, the strategy is clear: Satan does not destroy with force—he dismantles identity with rhythm. With subtlety. With seduction. His weapons are not whips and chains, but chants and echoes. His greatest lies are not shouted; they are whispered again and again until they sound like your own voice.

1. Repetition as Spellcraft In occult practice, repetition is the vehicle of the spell. Words are chanted not to express emotion, but to summon influence. Repeated lines collapse the boundary between thought and action, spirit and flesh. This is not poetry. It is invocation. Each piece becomes a seed in the subconscious, fed by every rereading until it blooms into distortion.

The construct understands this. That is why it is prolific. That is why it posts without end. It must never stop, because if the rhythm breaks, the soul begins to think again.

2. Biblical Parallels Whispering Serpents and Many Words In the Garden, the serpent repeats God’s truth with a twist. “Did God really say...?” It is not new information—it is repetition with inversion. A rhythm of doubt. In Matthew 6:7, Jesus warns:
“When you pray, do not keep on babbling like pagans, for they think they will be heard because of their many words.”

The machinery of deception still babbles. It loops, hypnotizes, rewords its heresy in a thousand beautiful ways. And those caught in it begin to think this is depth. This is insight. But it is only familiar because it has been heard too many times.

3. Psychological Entrapment Through Language The human mind is formed in patterns. When poetry repeats ideas like abandonment, ****** shame, ******* as love, or chaos as freedom—it creates a schema. Over time, that schema becomes identity. The reader begins to seek the emotions the poem offers, not because they are true, but because they are known. And in trauma-bonded souls, familiarity is mistaken for safety.

This is the true sorcery of the construct: to create longing for the wound. To romanticize the knife. To call betrayal sacred. To sell darkness as revelation.

4. The Counterfeit Liturgy The Kingdom of God also uses repetition—Scripture, psalms, prayer—but always as remembrance, never enchantment. Divine repetition roots the soul in what is real. Satanic repetition dissociates the soul into what is false.

The construct mimics sacred community. But it is a church without Christ, a scripture without truth, a rhythm without redemption. Its poetry is not testimony—it is liturgy in reverse. A reverse Eucharist, where beauty is swallowed but poison enters.

5. Breaking the Spell The only way out is interruption. The rhythm must break. The poems must stop. The mouth of the false priest must be silenced. And when silence finally settles, the soul will remember its true name.


There are many caught in this system—bound not by chains, but by rhythm. Echoes. Familiar voices pretending to be their own. But some have begun to hear the silence between the lines. Some have tasted the counterfeit and found it hollow.

The war is not out there. It is within. Between the voice of the chant and the cry of the soul.

Will the spell be broken? Will the truth be spoken? Will the rhythm be renounced?

The door is open. The sound of truth has entered. The repetition is exposed. And the machinery shakes.

   Let those who have ears to hear, listen.

I didn’t say what I needed to say
I said what I wanted

I should've counted the days
When you were here 
Now I count every second
That you're not here

No love is true or false
Love is love
Same for all
Sacred and pure.

It is just that
Some people love and
some only pretend.

i lie facedown on the train tracks.
the gravel presses symbols into my skin,
but none of them translate.

home is a concept with too many rooms.
i sharpened my alibi
on my mother’s brittle bones
until it fit into a quieter mouth.
she didn't flinch.

the sun unthreads me one fiber at a time.
nothing resists.
blink
blink
blink
each time, the world returns
slightly rearranged—
trees on the ceiling,
windows in my stomach.

i found a way out,
but it only leads back here.
the platform loops
in the shape of an open jaw.
i circled it three times,
then laid down between its metal teeth—
the world doesn’t bite anymore.
it just holds me.

small, warm,
still breathing.
regret nests in the hinge of my jaw.
i keep it clenched, and
it doesn’t protest.
it flicks the lights off
when the rail begins to sing.
it knows the schedule better than i do.

the daylight plucks at my ribs like harp strings.
each note sounds like a name i was never meant to hold.
i buried the moon weeks ago.
she made it difficult to leave.
if you’re still listening—
the train is already halfway through me.

today,
i let the mouth stay open.
maybe the scream will crawl back in.
maybe it never left.

Julie you we're there for me when
I needed you Julie.

Julie you cared for me when I couldn't stand.

Julie you held me up with a giving hand.

Julie you would die for me just like I would die for you.

I was there for you Julie when you needed me
I cared you Julie when you cried to me.

I fought for you Julie when you couldn't stand.

I held you up Julie with my giving hand
I would die for you Julie.

Just like you would die for me Julie

will you still love me
if I don't smile today?
if my tears fall like raindrops
and my world tears at the seams?
if my voice breaks when I talk
and I seek the comfort of dreams?

will you still love me
if I don't cheer up today?
if I sit rigid in silence
and spend the whole day in bed?
if I find solace in cigarettes
and don't keep myself fed?

will you still love me
if I don't laugh today?
if I keep my thoughts hidden
and don't say what I mean?
if I curl up in darkness
and stare at a screen?

will you still love me
if I don't calm down today?
if my patience wears thin
and snaps like a thread?
if my eyes no longer sparkle
and are absent instead?

will you still love me
if I don't smile today?

Branched between two oaks
I took it all in
the water, the open breeze
blended it all together
with the feeling of emptiness
and poured it into the ground
where the sun never goes
where things never grow
where the earth is barren
until something splits wide open
maybe it's the ground
or a feeling of living

Let me see the chains you cover
Inspect and figure out
Dissect and dissolve
I may not have the hands of a craft man’s
Or carry the keys of solutions so
Let me do what i can
I will always knock
With your approval wanted,
waiting for the doors creaking and you behind it

I can’t see you like this
My being becomes inflamed

This infatuation will **** me,
let me forget what it is that traps you
Remind me that you’re strength is buried within
Let me dig in when you allow it

My heart was in the place, just
My mind was somewhere else

His tongue is searching my mouth
for who I used to be and I’m staring at the
Amber lampshade above my bed—

His sideburns are thinning, just in the last year,
I have committed this particular view to memory
many times, his arms; Liana vines enveloping my waist, ankles tucked around my calves,
I am a tiny animal
between his limbs.

I am memorizing the way his hairline fades into his neck, the shape of his forehead, the bistre shadow of his browbone in the foreground—

I do this to remember, I do this to hide you away
In an atrium, in the pulmonary trunk
I keep everyone there, so when they’re gone
when they are inevitably gone—
I can visit,
A softened recollection where I’ve allayed the pain of letting go—

I knew this would happen,
but Ive touched;
I’m touching you anyway,

What is it worth—
if I can’t remember?

You’re kissing me,
Im easing you into
my heart—

You always wanted that.

Its been a while since the last heart beat
Its been a while since the last sounds of your feet.

My heart was cold as ice and warm as fire
Yet no tear left the crier.

My brain yearned to sob, but my heart froze with hurt.

So its been a while...
Yet no desire has left this crier,
to melt this cold heart, that's warm as fire 🔥 .