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Michael W Noland Sep 2012
[A] is for
An
Archer with
An
Arrow through his
Adams
Apple, very
Applicable, to the
Ample
Amounts of
Amiable
Attitude,
Adorning his heart, in
After
Action
Attributes, that impart, the
Admiration, of
*******, in this
Acting out of
Arrogance bit. he is,
Astute, in his
Allure, and
Aloof, in the
Air, of
Aspiration, in which, he was
Alienated in the
Agony, of
Asking
Assassins, the
Aforementioned. lights, camera,
Action. recipe of the
Ancient
Admirals of
Avian
Aliens, that
Attacked, with the
Arms and fists, of
Arachnids, now
Aching to be
Activated in sudden
Allegiance to the
Answers, of the truth.
Accumulating wealth for
Anarchy's of
Abating
Angels in
Atrophied,
Alchemical
Academies of the ever
After life .. . of silence.
****** strengthens in these
Accolades of violence, in
Alliance to
Appliances
Appearing in the
Arson of
Apathy, happily, to
Anguish in the
Amputation of my
Abdomen, if it meant i'm a real
American, even, when, only
Ash, remains.
Acclimating in its remains
Attained, the
Articles of my pain, in
Affluent shame, next time ..
Aim... oak
[A]?

[B] is for the
Bah of
Black sheep, and
Big
Bit¢hes, fat cats,
Bombarded in the
Blasted,
Bastion of
Blackened
Benevolent
Blokes,
Berating the
Blasphemous,
Be-seech, of
Brains, to feel
Bad, about the
Blotching of
Binary codes, erroding, the
Blanked out
Books, of
Belittled
Bureaucrats,
Bowling
Back the
Bank rolls of
Betterment, from the
Back of the
Blackened
Bus, as i'm
Busting guts, in the
Bubbling
Butts, of *****
Benched, but
Beautiful, in the
Battle, in the
Bane, of existence.
Baffled, in the strain of
Belligerence, in
Beating the
Beaming
Butchery into
Billy's
Broken
Brains, in
Bouts, of
Battering
Bobby's for
Bags of
*******
Before, affording to
Build
Bombs, is just
Beyond
Breaking
Beer
Bottles on the
*******
Benefactors of
Boulder
Bashing with the
Beaks, of
Birds, with no
Bees. just a
Being, trying to
[B]


[C] is for the
*****
Courting the
Choreography, in
Computerized
Curtains,
Circumventing the
Cultured,
Contrivance of
Chromatic
Cellars,
Calibrating, to the
Contours of
Calamities,
Celebrating the
Cyclical,
Cylinders of
Cyphered
Calenders,
Correcting the
Calculations, of
Crooks
Coughing, in
Courageous
Coffins of
Canadians,
Collecting
Cobble stones, from
Catacombs, in the lands of the
Conquered,
Capturing the
Claps of thieves, sneaky
Cats, of greed. its
Comedy. oh
Comely, to my
Cling of
Cleanliness, and for your self
[C]

[D] is for the
Dip *****, as they
Delve
Deeper in the
Deliverance, of
Deviant
Deities,
Dying to
Demand
Dinner
Delivered in the throws of
Death,
Deceiving
Defiance of
Darkened
Dreams,
Demeaning that which
Deems the
Dormant of the
Dominant, to be
Demons of
Deviled
Devilry,
Dooming us for
Destruction.
Deploy the,
Damsels in
Duress.
Defiled and
Distressed,
Detestable and
Dead. in the thump of
Drums,
Dumbing down the
Debts of,
Dire regrets.
Dissect the
Daisies of,
Disillusion, in the current
Days,
Diluting night into
Dawn,
Disconnecting the
Dots of the
Dichotomy, and arming me, in the
Diabolatry, of,
Demonology, as i watch me
Dwindle away, the
[D]

[E] is for
Everything in nothing,
Eating the
Euphoric
Enigmas of
Enlightened
Elitists,
Exceeding in the
Extravagant
Essence of
Esoteric
Euphemisms,
Escaping the
Elegance of the
Elements in the
Eccentricity of
Eclectic
Ecstasy,
Exhaling, the
Exostential blessings, of inner
Entities, and renouncing the
Enemies of my
Ease,
Easily to appease
Extraterestrial
Empires,
Extracting the lost
Embers of
Enlightenment, in
Excited delight, but to later
Entice, the fight, and
Escape, like a thief into the night of
Everywhere,
Entering the
Exits of
Elevators leading no where, to
Elevate, this useless place,
Encased in malware in the
Errant
Errors of
Every man,
Enslaved, of flesh and
Entrails,
Enveloping the core of
Everything, that matters,
Enduring, the chatter, of
Evermore,
Ever present in
Everybody
Ever made to take
[E]

Funk the
Ferocity of
Foolish
Fandangos, with
Fanged
Fanatics,
Fooled in the
Fiasco of
Fumbled
Fantasies,
Falling through the
Farms of
Freely
Found
Fans,
Flying in the
Fame of
Fortune.
Fornicating on the
Fallen
Fears of
Fat
Fish getting their
Fillet of
Fills.
Feel me in the
Frills

Granted with
Generosity.
Giblets of
Gratitude and
Greed,
Greeting the
Goop and
Gobbled
Gore,
Gleaned from the
Glamour of
Ghouls in
Gillie suits,
Getting what they
Got
Going, in the
Gratuitous
Gallows of a
Game
Gaffed by
Giants.

Hello to the
Horizon of
Hellish
Hilarity, in
Hope of
Happy, to
Heave from
Heifers, to
Help the
Hemp
Harshened
Hobos in
Heightened
Horror, to
Honor the
Habitats of
Hapless
Habituals,
Herbalising the work
Horse, named
Have Not, in the
Haughtily
Hardened
Houses of
Happenstance.

Ignore the
Ignorant
Idiots, too
Illiterate to
Indicate the
Indicative
Instances of
Idiom in the
Irrelevant
Inaccuracy of
I,
In the
Intellect of
Idle
Individuals,
Irritated with the
Irate
Illusion of
Idols
Illustrated upon the
Iris,
In the
Illumination of
I.

******* the
Jobless
Jokers, and
Jimmy the
Jerkins from their
Jammie's, in
Justified,
Jousting off the
Jumps, in
Jokes, and
Jukes of
Just
Jailers,
Jesting for
Jammed
Jury's to
****
Judgment from the
Jitter
Juiced
Jeans of
Jesus.

**** the
Keep of
Khaki-ed
Kool aid men,
Kept in the
Kilometers of
Kits,
Kin-less
Kinetics,
Knifing the
Knights of
Kneeling
Kinsmanship,
Keeling over the
Keys of
Kaine, with the
Karmic
Karate
Kick of a
Kangaroo.

Love the
Levity, in the
Luxurious
Laments of
Loveliness,
Lovingly
Levitating in
Level,
Lucidly.
Living in
Laps, of
Lapses,
Looping, but
Lacking the
Loom of the
Latches
Locked with
Leeches of the
Lonely
Lit
Leering of
Lightly
Limbs, that
Lash at the
Lessers in
Loot of
Lost letters,
Lest we
Learned in the
Lessons of
Liars.

Marooned in
Maniacal
Masterpieces,
Masqueraded as
Malignant
Memorization's of
Motionless
Mantras, but
Merrily
Masking
Mikha'el the
Mundane, who is
Musically
Mused of
Monsters,
Mangling the
Monitor, but
Maybe just a
Moniker of
Marauders.

Never to
Navigate the
Nautical
Nether of
Never
Nears.
Not to
Nit pic the
Naivety of
Nicety.
Notions
Neither take
Note
Nor
Name the
Noise of
Nats in the
Nights of
Neanderthals
Napping in the
Nets of
Ninjas

Ominous in the
Obvious
Omnipotence of
Oblivious
Obligatory
Opulence,
Of
Other
Oddly
Orchards
Of
Offices,
Ordaining
Orifices in
Offers of
Ordinary
Ordinances in
Option-less
Optics,
Optionally an
On-call Oracle, in
Optimal,
Overture.

Perusing the
Pestilent
Pedestals of
Personal,
Parameters,
Pursuing the
Petty
Plumes of
Piety with the
Patience of a
Pharaoh,
******* on the
People with the
Penal
Pianos of
Port-less
Portals, in the
Paperless
Points in the
Palpal
Pats of
Pettiness.
Poor, but
Prideful.

Quick to
Qualify the
Quitter for a
Quick
Quill in
Queer
Quivering of
Quickened
Questioning,
Queried in the
Quakiest of
Quandaries.
Quarantined to a
Quadrant, of
Quagmires.
Questing the
Quizzing of
Quotable
Quartets.

Relax in the
Relapse of
Realizations, and
React with
Racks of
Rolling
Rock to
Rate the
Rep of the
Rain-less.
Roar in
Rapturous
Rendering of the
Random
Readiness in the
Ravenous,
Rallying, of the
Retinal
Refracting of
Reality.
Realigning, the
Righteous
Rearing of the
Realm, and
Retrying.

Steer the
Serenity in
Sustainability, and
Slither through the
Seams of
Slumbered
Scenes.
Secrete the
Solo
Sobriety of
Sapped
Sassys,
Salivating upon a
Slew of
Stupidity,
Steadily
Supplied in
Stream,
Suitably
Slain in the
Steam of
Sanity.
Sadly, i
Still
Seem,
Salvagable.

Topple
The
Titans in
Tightened
Terror.
Torn
Territories
Turn
Turbulent in
The
Teething of
Totality.
The
Telemetry of
Time,
Tortured of
Torrent
Theories,
Told in
Turrets of
Transpiring
Terribleness, from
Tumultuous
Tikes unto
Teens,
Trading
Toys for
Tea.
Thrice
Thrusted upon by the
Tyranny of
Tanks.

Unanimous is the
Ugliness in the
Undertones of
Undreamed
Ulteriors
Undergoing the
Unclean in the
***** of
Utterly
Upset
Users,
Uplifting the
Unfitting
Ushers in
Underwear-less,
Ulcers,
Undergoing the
Ultra of
Uberness.

Venial in
Vindictive
Viciousness of
Vindicated
Venom,
Venomously
Vilifying the
Vials of
Villainy in the
Veins of
Vampires,
Validity of
Valuable
Violence, is
Valiant in the
Vaporous
Vacationing of
Vagrant
Vices.

Why
Whelp in the
Weather
When you can
Wave to the
Whirling
Wisps,
Whipping Where the
Whimsical Were
Way back in the
Wellness of
Whip its,
Wrangling my
World,
With
Waterless
Worms, as
War shouts are
Wasted in the
Wackiest
Walks of
Waking
Wonder.

Xenophobic
Xenogogue, of
Xenomorphic
Xeons, turn
Xyphoid, in the
Xenomenia of my
X, my
Xenolalia of
X, to
***. im lost in the
Xenobiotic zen of
Xerces, on a
Xebec to the
X on the map.
Xenogenesis, in the
Xesturgy of my
Xyston
Xd

Yelling
Yearned from
Yelping.
Yard
Yachts
Yielding, to the
Yodel of
Yeah
Yeahs, to the
Yapping of
******
Yuppie
Yoga
Yanks, over
Yonder.
Yucking it up with the
Yawn of a
Yocal.

Zapped from a
Zone i
Zoomed with
Zeal in the
Zig and
Zag of my
Zapping
Zimming
Zest, upon a
Zombie-less
Zeplin.
Zealot,
Zionist, or
Zoologists,
Zeros or ones, just
Zip your
Zip locked. and
Zzzzz
Zzzz
Zzz
Zz
Z
Zero
this is a work in progress
Joseph S C Pope Jun 2013
There is nothing new under the sun, but it was night and the indifferent blinks of gaseous lives above looked down while my friends and I were at a new fast food joint that moved next to a now lonely Wendy's, with a faded sign tarnished by something the new fast food joint had yet to experience—mundanity by time. But I had my notebook with me while we ate outside, but it was in the car. My mind is always in that book, and I remembered something I had written for a novel in progress: 'Nothing is new under the sun. How is it possible to watch stars die? There is nothing new to their dust. We are the flies of the universes.'
It was just when I had finished my BBQ pork sandwich when Ariana suggested visiting a graveyard. I had the idea to visit a Satanist graveyard that our friend, Lanessa warned us against for the better safety of our sane souls—good luck with that. I wanted a revival of fear. How the beast would rip at the roof off our metal can of a car—the greater our barbarism, the greater our admiration and imagination—the less admiration and imagination, the greater our barbarism. But Ariana disagrees with words I never say, Nick laughs with my simple words to that previous thought. How funny it would be to burn eternal.
But then he suggested we should go to the Trussel in Conway. I had no idea or quote to think about to contribute to this idea. I wander, as I like to, into the possibility that his idea is a good one. Like some wanting hipster, I dress in an old t-shirt with of mantra long forgotten in the meaning of its cadence.
That is the march of men and women into the sea—honest, but forgetful and forgotten.
I was wearing a shirt sleeve on my head I bought from a mall-chain hippie store, and exercise shorts, finished off with skele-toes shoes. I was ready for everything and nothing at the same time. And that fits, I suppose. But all that does matter—and doesn't, but it is hard as hell to read the mind of a reader—it's like having a lover, but s/he doesn't know what s/he wants from you—selfish *******.
But there I was,  on the road, laughing in the back seat, sitting next to a girl who was tired, but also out of place. I could see she wanted to close arms of another, the voice of another, the truth that sits next to her while watching tv every time she comes over to hang with him, but never accepts that truth. She is a liar, but only to herself. How can she live with that? The world may never know.
The simple rides into things you've never done before give some of the greatest insight you could imagine, but only on the simple things that come full circle later. That is a mantra you can't print on a t-shirt, but if it ever is, I'm copyrighting it. And if it's not possible, I'll make it possible!
When we got to the Trussel, the scenic path lit by ornamented lamps seemed tame once I stepped onto the old railroad tracks. They were rusted and bruised by the once crushing value of trains rolling across it's once sturdy structure. Now they were old, charred by the night, and more than just some abandoned railroad bridge—the Trussel was a camouflage symbol birthed by the moment I looked into a Garfish's eye as it nibbled on my cork while I was on a fishing trip with my granddad when I was eleven. I remember that moment so well as the pale, olive green eye looked at me with a sort of seething iron imprint—I needed that fear, it branded instead of whispering that knowledge into my ears.
That moment epitomizes my fear of heights over water—what lies beneath to rip, restrain, devour, impale, and or distract me.
But epitomize is a horrible word. It reeks of undeveloped understanding. Yet  I want a nimble connection with something as great as being remembered—a breathe of air and the ideas  thought by my younger self, but I will never see or remember what I thought about when I was that young—only the summary of my acts and words. And by that nothing has changed—am I too afraid to say what I need to say? Too afraid to hear what everyone else hears? Or is it the truth—depravity of depravities that has no idea of its potential, so I am tired of the words that describe my shortcomings and unextended gasping hope. I am tired of living in the land of Gatsby Syndrome waiting for Takotsubo Cardiomyopathy!
But when we got to where the Trussel actually began I felt the fear hit like the day it was born—all hope was drained, and I was okay with abandoning all aspirations of having fun and being myself in the face of public criticism. I was flushed out by the weasel in my belly—the ******* beneath those still waters. I compare it to someone being able to handle Waterboarding, but can't handle being insulted—it's that kind of pathetic.
I stood just on the last understandably steady railroad ties that I knew were safe and watched my friends sit off the edge of the bridge, taking in the cold wonder of the night, and I was told at least I was smarter than my dead cousin who managed to get on top of his high school in the middle of the night, but had to be cohearsed down for fifteen minutes by a future marine, and future mourner who still grieves with a smile on his face.
The future mourner, he laughs at the times he insulted, or made fun of, or chilled with his now dead friend. It's never the bad times he cries about, there are none—just the good times, because they don't make them like they used to.
I watched them in that moment, and I don't know if I can deal with knowing my life is real. I began to blame my morality on this fear even though I already justified the fear just seconds before. But as I write this, I look over my notes and see something I wrote a few days ago: 'Life is ******* with  us right now. You laugh and I laugh, but we're still getting ******. The demon's in our face.'
As morbid as that comes off, it resonates some truth—what is killing us is going to **** us no matter what we do—and I don't want to be epitomized by the acts and words I didn't say.
I was never in the moment as a kid—I was raised by by old people and kept back by my younger siblings. The experienced tried to teach me wisdom, and the inexperienced kept my imagination locked in time. I don't want to go home as much now because I see that the inexperienced are becoming wiser everyday and the experienced are dying before my eyes. My idea of things is enduring leprosy.
But back to the simple moments.
Ariana saw a playground as she stood up and investigated the Trussel. It was next to the river, behind the church, fenced off by the fellowship of the church to keep the young ones in and the troublesome out. Of course, we didn't realize there was a gate and it was locked until Nick stated the probable obvious within ten feet of the nostalgic playground. And that's when Ariana pointed out the bugs swarming the parking lot outdoor lamp that blazed the fleshiness of our presences into dense shadows and more than likely caught the eye of a suspicious driver in a truck passing by. But I was still on the bridge—back in the past, never the moment. Me and my friends are still children inside these ***** forms. I muttered to myself: “Life ain't about baby steps.”
Nick looked over and asked what I said. I turned around, dramatic, like I always like to and repeated louder this time, “Life ain't about baby steps.”
He asked if I needed to do this alone, and I said he could come along. I walked rhythmically across the railroad ties, and heard Ariana comment that getting to the railroad up the small, steep hill was like being in the Marines. I laughed sarcastically. Nick and I had been to Parris Island before, and I know they test your possible fears, but they beat the living **** out of them.
I casually walk into the room where my fear lives and tell it to get the **** out.
When I reached the precipice of the last railroad tie I stood on before, I felt the old remind me that death awaited me, but there was no epic soundtrack or incredible action scene where I stab a manifestation of my fear in heart—a bit fun it might have been, but not the truth. I bear-crawled over the crossings of the ties and the structure of the bridge itself. I felt Relowatiphsy—an open-minded apathy self-made philosophical term—take over me. It is much simpler than it sounds.
There was no cold wonder as I imagined. There was just a bleak mirror of water below, a stiff curtain of trees that shadowed it, and the curiosity of what lies in the dark continuing distance past the Trussel.
Nick sat with me and we talked about women and fear, or at least I did, and I hoped he felt what I did—there was a force there that is nabbed by everyone, but cherished by few—courage. And I thank him for it, but I know I did it. Now I want to go and jump in that still water below—Ariana later says she's happy I got over my fear, but I'll probably have a harder time during the day when I can see what I'm facing, but I see it differently. During the day, the demons are stone and far away—like looking down the barrels of a double-barreled shotgun uncocked and unloaded, but at night is when the chamber is full and ready to go, and you have no idea who is holding the gun with their finger on the trigger and your destination in mind.
Then we threw rocks into the water in contest to see who could throw past the moonlight into the shadowy distance . I aimed for the water marker, and got the closest with limited footing, using just my arm strength. But it wasn't long before we had to leave, making fun of people who do cooler things than us, on the way to the car. I had to ride in the back seat again because I forgot to call shotgun. But on the way home, the idea popped in our heads what we should get my hooka and go to Broadway, and get the materials so we could smoke on the beach.
Nick's girlfriend and her friend joined us.
I missed a few puns against my co-worker as I was sent to get free water from the candy store where I work. I ended up doing a chore because I was taller than most of the people there. Appropriate enough, it was filling the water bottles up in the refrigerator.
All the while I loathed the fact that I would have to be clocked in tomorrow by two in the afternoon. I grabbed the water and got out of there as fast as possible without appearing to be in a hurry.
Impression of caring matters more than the actuality where I work—and yes, that makes me a miserable ****.
Perhaps it's not too late to admit I am recovering pyromaniac from my childhood and the flavoring we use for the taffy is extremely flammable. It would be a shame to drench the store in what people love to smell everyday when they walk in, and light the gas stove. Then, maybe I could walk away real cool-like as this pimple in this tourist acne town pops like the Hindenburg. The impression of splendor is like a phoenix—it grows old, dies, resurrects into the same, but apparently different form, spreads it's wings, and eats and ***** on everything simple, or presumably so.
I forget the name of the beach, but it was the best time I've had in a while. I was whimsy, and high on the vastness of the stretch of beach around us. They could bury us here. But me in particular. I rolled from the middle of the beach to the water, stood in the waves and shouted my phrase I coined when I realize something as wonderful as conquering a fear or realizing a dream;
--******' off!
And I stared at the horizon. My friends came up behind me and I looked back to see it was Nick and his girlfriend hugging. I gave a soft smile, put my hands in my pocket, and turned back to stare at the clouded horizon. What beasts must lie out there—more ferocious than the simple fresh water beings that wait beneath the earlier placid waters. I was a fool to think that was the worst. Nick said as I pondered all that, that I looked like Gatsby, and I tried to give him a smile that you may only see once in a lifetime, but I'm sure it failed.
I wanted to tell him that, “You cannot make me happy. It is usually the people who have no intention of making me happy that makes me smile the quickest.” But I don't. Let me be Gatsby, or Fitzgerald, if to no one else, but myself.

Hell is the deterioration of all that matters, and as the five of us sat around the hooka, and inhaled the thick blueberry flavored smoke that hinted at the taste of the Blueberry flavoring I use to make Blueberry taffy, there was a satirical realization that the coal used to activate the tobacco and flavor in the bowl is sparking like a firework, and reminds us all of where we're going.
It's a love affair between that hopelessness and hope of some destination we've only read about, but never seen.
By this point Nick and I are covered in sand, because he joined me in fun of rolling down the beach. We want so bad to be Daoists—nonchalant to the oblivion as we sit in. Just on the rifts of the tide, he and I scooped handfuls of wet sand, and I lost my fear of making sense and let Relowatiphsy take over again.
“Look at the sand in your hands. It can be molded to the shapes your hands make. We scoop it out of the surf and it falls through our fingers. There are things we're afraid of out there, and we sit just out reach of them, but within the grasp of their impressions. The sand falls through our fingers, and it plops into the tide, sending back up drops of water to hit our hands—the molders of our lives.” I said all that in hope against the hopelessness of being forgotten.
Then he said, “What if this is life? Not just the metaphor, but the act of holding sand in our hands.
I relish in his idea of wiping away my fear of an unimportant life. And by this point, it's safe to assume I live to relish ideas.

The last bit of sand from the last handful of sand was washed from my hand and I looked back at the clouded horizon, pitch black with frightful clouds and said:
“Nick, if I don't become a writer. If I live a life where I just convince myself everything's fine, and that dream will come true after I finish all the practical prep I 'must' do. I will **** myself.
I looked at him, Relowatiphsy in my heart, and he said:
“As a friend, I'd be sad, but I'd understand. But that means you have to literally fight for your life now—regardlessly.”
And he left me with those words. Just the same as my granddad left me a serious heed before he wanted to talk about something more cheerful, when I asked about his glory days fishing the Great *** Dee River. He said: “I wish I'd been here before the white man polluted the river. It would've been something to fish this water then”, then he paused to catch his breath, “Guess there are some things that stay, and others than go.” Then joy returned, as it always does.

But the idea of what was happening to me didn't hit me until we were a few miles away from the beach, covered in sand, but the potential of the night after conquering my fear of heights over water had been shed in the ocean.
Around midnight, when the headache from the cheap hooka smoke wore off and the mystic veil of the clouds over the horizon has been closed in by the condensation on the windows of some Waffle House in Myrtle Beach. There was a wave of seriousness that broke over my imagination. Works calls for me tomorrow by two.
There's not much vacationing when you live in a vacation town.
And midnight—the witching hour—spooks away the posers too afraid to commit to rage against the fear.
But there are others—college students that walk in and complain about the temperature of the eating establishment, and the lack of ashtrays—how they must be thinking of dining and dashing—running from a box, but forever locked in it.

They make annoying music as I write this. That is how they deal.
This one was the unedited version (if I make that sound naughty or euphemistic).
Joseph S C Pope Jun 2013
There is nothing new under the sun, but it was night and the indifferent blinks of gaseous lives above looked down while my friends and I were at a new fast food joint that moved next to a now lonely Wendy's, with a faded sign tarnished by something the new fast food joint had yet to experience—mundanity by time. But I had my notebook with me while we ate outside, but it was in the car. My mind is always in that book, and I remembered something I had written for a novel in progress: 'Nothing is new under the sun. How is it possible to watch stars die? There is nothing new to their dust. We are the flies of the universes.'
It was just when I had finished my BBQ pork sandwich when Ariana suggested visiting a graveyard. I had the idea to visit a Satanist graveyard that our friend, Lanessa warned us against for the better safety of our sane souls—good luck with that. I wanted a revival of fear. How the beast would rip at the roof off our metal can of a car—the greater our barbarism, the greater our admiration and imagination—the less admiration and imagination, the greater our barbarism. But Ariana disagrees with words I never say, Nick laughs with my simple words to that previous thought. How funny it would be to burn eternal.
But then he suggested we should go to the Trussel in Conway. I had no idea or quote to think about to contribute to this idea. I wander, as I like to, into the possibility that his idea is a good one. Like some wanting hipster, I dress in an old t-shirt with of mantra long forgotten in the meaning of its cadence.
That is the march of men and women into the sea—honest, but forgetful and forgotten.
I was wearing a shirt sleeve on my head I bought from a mall-chain hippie store, and exercise shorts, finished off with skele-toes shoes. I was ready for everything and nothing at the same time. And that fits, I suppose. But all that does matter—and doesn't, but it is hard as hell to read the mind of a reader—it's like having a lover, but s/he doesn't know what s/he wants from you—selfish *******.
But there I was,  on the road, laughing in the back seat, sitting next to a girl who was tired, but also out of place. I could see she wanted to close arms of another, the voice of another, the truth that sits next to her while watching tv every time she comes over to hang with him, but never accepts that truth. She is a liar, but only to herself. How can she live with that? The world may never know.
The simple rides into things you've never done before give some of the greatest insight you could imagine, but only on the simple things that come full circle later. That is a mantra you can't print on a t-shirt, but if it ever is, I'm copyrighting it. And if it's not possible, I'll make it possible!
When we got to the Trussel, the scenic path lit by ornamented lamps seemed tame once I stepped onto the old railroad tracks. They were rusted and bruised by the once crushing value of trains rolling across it's once sturdy structure. Now they were old, charred by the night, and more than just some abandoned railroad bridge—the Trussel was a camouflage symbol birthed by the moment I looked into a Garfish's eye as it nibbled on my cork while I was on a fishing trip with my granddad when I was eleven. I remember that moment so well as the pale, olive green eye looked at me with a sort of seething iron imprint—I needed that fear, it branded instead of whispering that knowledge into my ears.
That moment epitomizes my fear of heights over water—what lies beneath to rip, restrain, devour, impale, and or distract me.
But epitomize is a horrible word. It reeks of undeveloped understanding. Yet  I want a nimble connection with something as great as being remembered—a breathe of air and the ideas  thought by my younger self, but I will never see or remember what I thought about when I was that young—only the summary of my acts and words. And by that nothing has changed—am I too afraid to say what I need to say? Too afraid to hear what everyone else hears? Or is it the truth—depravity of depravities that has no idea of its potential, so I am tired of the words that describe my shortcomings and unextended gasping hope. I am tired of living in the land of Gatsby Syndrome waiting for Takotsubo Cardiomyopathy!
But when we got to where the Trussel actually began I felt the fear hit like the day it was born—all hope was drained, and I was okay with abandoning all aspirations of having fun and being myself in the face of public criticism. I was flushed out by the weasel in my belly—the ******* beneath those still waters. I compare it to someone being able to handle Waterboarding, but can't handle being insulted—it's that kind of pathetic.
I stood just on the last understandably steady railroad ties that I knew were safe and watched my friends sit off the edge of the bridge, taking in the cold wonder of the night, and I was told at least I was smarter than my dead cousin who managed to get on top of his high school in the middle of the night, but had to be cohearsed down for fifteen minutes by a future marine, and future mourner who still grieves with a smile on his face.
The future mourner, he laughs at the times he insulted, or made fun of, or chilled with his now dead friend. It's never the bad times he cries about, there are none—just the good times, because they don't make them like they used to.
I watched them in that moment, and I don't know if I can deal with knowing my life is real. I began to blame my morality on this fear even though I already justified the fear just seconds before. But as I write this, I look over my notes and see something I wrote a few days ago: 'Life is ******* with  us right now. You laugh and I laugh, but we're still getting ******. The demon's in our face.'
As morbid as that comes off, it resonates some truth—what is killing us is going to **** us no matter what we do—and I don't want to be epitomized by the acts and words I didn't say.
I was never in the moment as a kid—I was raised by by old people and kept back by my younger siblings. The experienced tried to teach me wisdom, and the inexperienced kept my imagination locked in time. I don't want to go home as much now because I see that the inexperienced are becoming wiser everyday and the experienced are dying before my eyes. My idea of things is enduring leprosy.
But back to the simple moments.
Ariana saw a playground as she stood up and investigated the Trussel. It was next to the river, behind the church, fenced off by the fellowship of the church to keep the young ones in and the troublesome out. Of course, we didn't realize there was a gate and it was locked until Nick stated the probable obvious within ten feet of the nostalgic playground. And that's when Ariana pointed out the bugs swarming the parking lot outdoor lamp that blazed the fleshiness of our presences into dense shadows and more than likely caught the eye of a suspicious driver in a truck passing by. But I was still on the bridge—back in the past, never the moment. Me and my friends are still children inside these ***** forms. I muttered to myself: “Life ain't about baby steps.”
Nick looked over and asked what I said. I turned around, dramatic, like I always like to and repeated louder this time, “Life ain't about baby steps.”
He asked if I needed to do this alone, and I said he could come along. I walked rhythmically across the railroad ties, and heard Ariana comment that getting to the railroad up the small, steep hill was like being in the Marines. I laughed sarcastically. Nick and I had been to Parris Island before, and I know they test your possible fears, but they beat the living **** out of them.
I casually walk into the room where my fear lives and tell it to get the **** out.
When I reached the precipice of the last railroad tie I stood on before, I felt the old remind me that death awaited me, but there was no epic soundtrack or incredible action scene where I stab a manifestation of my fear in heart—a bit fun it might have been, but not the truth. I bear-crawled over the crossings of the ties and the structure of the bridge itself. I felt Relowatiphsy—an open-minded apathy self-made philosophical term—take over me. It is much simpler than it sounds.
There was no cold wonder as I imagined. There was just a bleak mirror of water below, a stiff curtain of trees that shadowed it, and the curiosity of what lies in the dark continuing distance past the Trussel.
Nick sat with me and we talked about women and fear, or at least I did, and I hoped he felt what I did—there was a force there that is nabbed by everyone, but cherished by few—courage. And I thank him for it, but I know I did it. Now I want to go and jump in that still water below—Ariana later says she's happy I got over my fear, but I'll probably have a harder time during the day when I can see what I'm facing, but I see it differently. During the day, the demons are stone and far away—like looking down the barrels of a double-barreled shotgun uncocked and unloaded, but at night is when the chamber is full and ready to go, and you have no idea who is holding the gun with their finger on the trigger and your destination in mind.
Then we threw rocks into the water in contest to see who could throw past the moonlight into the shadowy distance . I aimed for the water marker, and got the closest with limited footing, using just my arm strength. But it wasn't long before we had to leave, making fun of people who do cooler things than us, on the way to the car. I had to ride in the back seat again because I forgot to call shotgun. But on the way home, the idea popped in our heads what we should get my hooka and go to Broadway, and get the materials so we could smoke on the beach.
Nick's girlfriend and her friend joined us.
I missed a few puns against my co-worker as I was sent to get free water from the candy store where I work. I ended up doing a chore because I was taller than most of the people there. Appropriate enough, it was filling the water bottles up in the refrigerator.
All the while I loathed the fact that I would have to be clocked in tomorrow by two in the afternoon. I grabbed the water and got out of there as fast as possible without appearing to be in a hurry.
Impression of caring matters more than the actuality where I work—and yes, that makes me a miserable ****.
Perhaps it's not too late to admit I am recovering pyromaniac from my childhood and the flavoring we use for the taffy is extremely flammable. It would be a shame to drench the store in what people love to smell everyday when they walk in, and light the gas stove. Then, maybe I could walk away real cool-like as this pimple in this tourist acne town pops like the Hindenburg. The impression of splendor is like a phoenix—it grows old, dies, resurrects into the same, but apparently different form, spreads it's wings, and eats and ***** on everything simple, or presumably so.
I forget the name of the beach, but it was the best time I've had in a while. I was whimsy, and high on the vastness of the stretch of beach around us. They could bury us here. But me in particular. I rolled from the middle of the beach to the water, stood in the waves and shouted my phrase I coined when I realize something as wonderful as conquering a fear or realizing a dream;
--******' off!
And I stared at the horizon. My friends came up behind me and I looked back to see it was Nick and his girlfriend hugging. I gave a soft smile, put my hands in my pocket, and turned back to stare at the clouded horizon. What beasts must lie out there—more ferocious than the simple fresh water beings that wait beneath the earlier placid waters. I was a fool to think that was the worst. Nick said as I pondered all that, that I looked like Gatsby, and I tried to give him a smile that you may only see once in a lifetime, but I'm sure it failed.
I wanted to tell him that, “You cannot make me happy. It is usually the people who have no intention of making me happy that makes me smile the quickest.” But I don't. Let me be Gatsby, or Fitzgerald, if to no one else, but myself.

Hell is the deterioration of all that matters, and as the five of us sat around the hooka, and inhaled the thick blueberry flavored smoke that hinted at the taste of the Blueberry flavoring I use to make Blueberry taffy, there was a satirical realization that the coal used to activate the tobacco and flavor in the bowl is sparking like a firework, and reminds us all of where we're going.
It's a love affair between that hopelessness and hope of some destination we've only read about, but never seen.
By this point Nick and I are covered in sand, because he joined me in fun of rolling down the beach. We want so bad to be Daoists—nonchalant to the oblivion as we sit in. Just on the rifts of the tide, he and I scooped handfuls of wet sand, and I lost my fear of making sense and let Relowatiphsy take over again.
“Look at the sand in your hands. It can be molded to the shapes your hands make. We scoop it out of the surf and it falls through our fingers. There are things we're afraid of out there, and we sit just out reach of them, but within the grasp of their impressions. The sand falls through our fingers, and it plops into the tide, sending back up drops of water to hit our hands—the molders of our lives.” I said all that in hope against the hopelessness of being forgotten.
Then he said, “What if this is life? Not just the metaphor, but the act of holding sand in our hands.
I relish in his idea of wiping away my fear of an unimportant life. And by this point, it's safe to assume I live to relish ideas.

The last bit of sand from the last handful of sand was washed from my hand and I looked back at the clouded horizon, pitch black with frightful clouds and said:
“Nick, if I don't become a writer. If I live a life where I just convince myself everything's fine, and that dream will come true after I finish all the practical prep I 'must' do. I will **** myself.
I looked at him, Relowatiphsy in my heart, and he said:
“As a friend, I'd be sad, but I'd understand. But that means you have to literally fight for your life now—regardlessly.”
And he left me with those words. Just the same as my granddad left me a serious heed before he wanted to talk about something more cheerful, when I asked about his glory days fishing the Great *** Dee River. He said: “I wish I'd been here before the white man polluted the river. It would've been something to fish this water then”, then he paused to catch his breath, “Guess there are some things that stay, and others than go.” Then joy returned, as it always does.

But the idea of what was happening to me didn't hit me until we were a few miles away from the beach, covered in sand, but the potential of the night after conquering my fear of heights over water had been shed in the ocean.
Around midnight, when the headache from the cheap hooka smoke wore off and the mystic veil of the clouds over the horizon has been closed in by the condensation on the windows of some Waffle House in Myrtle Beach. There was a wave of seriousness that broke over my imagination. Works calls for me tomorrow by two.
There's not much vacationing when you live in a vacation town.
And midnight—the witching hour—spooks away the posers too afraid to commit to rage against the fear.
But there are others—college students that walk in and complain about the temperature of the eating establishment, and the lack of ashtrays—how they must be thinking of dining and dashing—running from a box, but forever locked in it.

They make annoying music as I write this. That is how they deal with the inevitable death of the night. They bruise the air I breathe with love and faith and trust with no meaning—without even meaning it. But what do they know what I didn’t feel when I sat on that bridge or cowered on the fringes of the ocean? Their hands aren’t ***** like mine—their confidence does not seem fractured by these words that will never reach them, or their kids, or grandkids.
As day begins to move, I know I work at two and will be home by midnight again. The witching hour—where some stay and others go.
Nathan Squiers Jul 2014
Look, I was gonna go easy on you not to hurt your feelings, but I’m only going to get this one chance!
Something’s wrong… I can feel it.
Just a feeling I got, like something’s about to happen… but I don’t know what.
If that means what I think it means, we’re in trouble—big trouble—and if he’s as bananas as you say I’m not taking any chances!

(You are just what the doc ordered)

I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
Now here I am again for another rap talk, rap talk…
They said I write like a monster, so call me scribe-star,
But for me to write like a beast means I’m a demon at least;
I got a devil kept in my pocket,
On my shoulder’s when I rock it.
Talkin’ of killin’ and of thrillin’; won’t stop it!
Write a demon doorway, now knock on it!
Ever since the dark days when I’d just lost it,
Way back when the world would pace and chant “Nutcase!”
I’m a ******, but I’m charming;
Yes, a crude, rude dude, but I’m still disarming.
Using syllables to **** ‘em all with this
empowering empire of powerful vampires.
The writer-type clackin’ back with typewriters, like way back, right?
Clackity-clack!
Rockin’ stack after stack, clackin’ out more attacks,
Ideas tacked out while hacks hack out their crap (but ******* spew **** all the time),
so I perform written parkour tricks so you’re not bored; strike a chord.
Show you Stryker’s tortured life of suicide ‘n strife turnin’
to strength and a fiery passion burnin’ while readers’ guts are churnin’—
teary eyes all burnin’.
Their fears are returnin’ from a story I turned out when I got turned on
to my own life.
Now I drop F-bombs;
exploding real-life scenes—
these ain’t your G-rated dreams, so take your outdated themes—
It’s the **** I’ve seen; don’t make me obscene.
I’m mean, I mean, it’s my means to screen a scene between a matte sheen.

‘Cause I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
Now here I am again for another rap talk, rap talk…
They ask me to thaw out these oily blocks called ink-wads, ink-wads.
There’s a body in everybody , but not all bodies have a brain that makes them feel sane.
Like a train—just the same—
Might be runnin’ but we still cast blame,
The loading docks of our thoughts; they’re locked-up in a box,
And they’re stackin’ up like blocks
That turn the stacks to empty tracks (****!)
Trainees blame their brainees when it’s not easy training brains, see?
But the boarding isn’t boring—training brains; not trading pains—
Remember: the station’s self-exploration!
Me? I’m a hodgepodge! From train station to abandoned lodge;
Bully dodgin’, fully locked-in when I freaked out, fattened-up and then I geeked out,
Told “keep it down” but then peaked when I peeked deep down.
Creepin’ up, now, and keepin’ up (WOW!)
I swear it up and tear it up scribbled swords,
And now I wear awards for slingin’ words;
Offered praise; a chance to forget about the craze that once darkened all my days,
But I write that way—say “that’s okay ‘cuz it helps me write this way—each and every day!
And hacks think I act this way just to seem this way, ‘til come the day when the cray-cray takes the doubt away.
Demon obsessed? I’m possessed! Can’t own what you don’t possess!
“Hey, devil-lookin’ boy!”
So ***** for my honey I’m rockin’ horns, look here boy!
A Literary Dark Mass-acre,
Like the devil laid waste to a church on the page, looker boy!
They got a gold star, and a high five,
Felt so alive to see their own scribes make it to Momma’s fridge, ****** boy!
Hey, schnook-ah boy, looky here, looker boy,
I’m held up by The Legion, book-it boy!
Had to push for every word—every page—had to swallow all the rage,
Now you want out of your cage, schnook-ah boy?
I’m legendary—literary—and you’re literally just a *****, little boy!
So sell out while I’m bought out, ******-boy!

‘Cause I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
The way I’m burnin’ through these pages, call me Dark Lord, Dark Lord!
But they’d rather burn my books, so start a fire war, fire war!
Can’t get it through your head? Words are more than Edward! He’s dead! WORD!
Let me drag you off to meet Dracula; take you back to the dawn of the dark lord, yea?
Fast forward to the foreword where the F-word’s “fangs” (you’re welcome);
This is my Hell, come! Be free!
Part Morningstar; part Morpheus! I throw up a kiss and jot down the kills like they’re red-apple pills.
Go ask Alice back at my palace what you should read to feed your head.
Sentence structure so smooth they call me FE-line, and my cat’s got better plot lines,
That the hacks will all call “sublime” (it’s “sub-fine”)
But me?
My **** scenes are brutal,
And my romance? Not frugal. I don’t saturate—I arrogate—
But I don’t condemn my characters to *******!
I wanna make readers care—if readers dare—
To connect and feel and follow where they can find some hope and power there.
While also giving them a place somewhere that isn’t here—though filled with fear—
A place where they don’t feel jeered or feel weird.
Horror ain’t just movie monsters, or gore-****** scopin’ sponsors!
You speak French? C’est de la merde, monsieur!
You look unsure! But I have the cure in the written word!
And though you once were achin’ for a rockstar author cravin’ bacon,
The role has since been taken by your man, Squiers.
And like a pair of pliers, I can reach into readers’ brains and cross all sorts of wires!
I’m settin’ cranial fires behind the eyes of all my buyers!
And while I’m growing Ghost Riders—ridin’ shotgun on the bullet-train ‘tween the pages—
There’s a horde of haters harboring growing rages
With a narrow gaze of who scribes pages.
They say I can’t write ‘cuz of my tattoos or my gauges
So allow me to assuage this: y’all can’t cage this!
If you don’t like it, let me show you where the grave is!
You’re well-aged, but I’m ageless!
Like the undead through the ages!
And like Shakespeare took to stages you can find me where the page is:
I’m hip to a script, I’m at home with a poem and feeling groovy writin’ movies; and I’ll be EZ on your TV.
You write normal? **** being normal!
What a novel theory! So very dreary!
Why the **** are they so leery, they say “Writing fear? We don’t want to hurt no feelings.”
Feelings? Setting up ceilings! Just more limits! It’s life! Live it!
Set the roof on fire!
Plot is getting hotter than a 24/7 squatter on a ***** channel!
So what if some **** gets a hair up ‘er ****? Don’t make it ****!
They wanna say “Hey you, we’re here to stifle!”
‘Cuz I mentioned rifles? Do they really want to trifle?
So I say:
“Better bring a sweater ‘cuz this thriller’s gonna chill ya—sure hope it doesn’t **** ya—and ya gonna get’a fill o’ all the ***** that I don’t give, ‘cuz I don’t live to let ******* quip or give me lip about my lit.
I’m entertaining and elating and also demonstrating how devastating a stream of escalating scenes can be so penetrating—although frustrating—to a mind that’s celebrating what it means to be vacationing between the pages; wading through the stages of a war that forever wages; meditating through the escalations now that they know what TRUE rage is!
“Oh, he’s too ******!”
That’s right! Ain’t right. That’s life: not nice; it’s strife.
It’s not just me; it’s we.
I just found a better way to show it:
Monsters that aren’t monsters;
Abuse put to good use; bred virtues!
“I don’t know how to plot plots like that;
I don’t know what words to use.”
Did it really never occur to them that to read a book—just to take a look—and THEN take up the pen?
You read King if you want to be king, strictly speaking.
A writing mind that isn’t a reading mind is a weakling; a weak link.
I’m a scholar—not a bawler—so I’m a flyer where there’s fallers;
Raised on Goosebumps and Creepy Crawlers so I’d Stine while others whined.
Got a dark side, but that’s The Dark Side on my side; counter haters with my Vader:
“I would be your father… but your dog beat me over the fence.”
No offense. Pretense: incorporate comedy and film; common sense.
Suicide pushed aside, though I still burn inside. **** myself on
the page each day so my readers can feel what it’s like to be alive.
It’s okay to hide.
Only your own devil knows what’s inside.
I own mine; he’s my co-pilot when I write. My demonic side; my demonic scribe.
Flipping my words to the birds—‘cuz, you see, that’s how I wing it—and flipping the bird while I throw down and sing it:
“Tiger, Tiger, burning bright,
My words are my roar and tonight I write!”
The fights are in your sights like you were seated inside a movie theater;
You’d see Xander and Estella—wouldn’t you want to meet her—
Have a front row to the creatures in a feature presentation…
But ‘til then
Eat some Rice An’ read a piece by a man who
Had an “Interview with a Vampire”—
I’m a fiction author, why would I lie to ya?
Prince of lies? I ain’t Satan!
Close friends, but I’m Nathan.
Judged for appraisal—I’m priceless—I’m  nice: no; charming: yes.
Got a razor-sharp and Shining wit like a crown left
on a King… but not.
Why be a left king, when I’m a write god.
So I did a lyrical re-write of Eminem's "Just Lose It" that wound up being pretty popular, so when I heard "Rap God" for the first time I knew I had to do the same. While I hope it's entertaining on its own, I think those who have heard the song will enjoy that I remained true to the source material in terms of flow, rhythm, and syllable count (Marshall Mathers is really quite an astounding wordsmith in his lyrical writings).

Hope you enjoy ^_^
Bill murray Apr 2016
The upright has been uprooted
From the once shore of the....                  Free!
The vile and barbarous
Now run the oil's......                                  Squeeze!
Pocketing, they make their run's
Breathing polluted air from man-made.     Greed!
I can spit into the indignant sun
While my head burns from its.....             ***!
The law abiding has been rousted
Though we say no more! Get out the doors, of the white house you are....        Hosting!
We don't need no hosts
You Mason jokes
We need no smoke
Blown from your holes,
It's so **** tiring
Getting........                                                 old!
Regain your soul's
If you have one of course,
Yes the people are irked
Yes the people are worked!
Many a dime from hard working
Being taxed up their............                            ***'s!
We're not taking anymore
You vacationing                        schmucks#
How's this for globalism
You globalist                            f#####!
III Jul 2018
I remember the smell,
Like old wood and
     Lake water
Somehow found itself
     Mixed into some sea
           Of sheets,

And I remember
Waking up,
     Entangled and drowning
In an ocean of
Unfamiliar bedspreads
As you climbed into
      The morning soaked
Bed with me.

Your skin soft
     And vanilla
          And brushing lightly
Against the hairs on my arm
     That you made stand up tall,
Kissing me awake
     As I pushed your auburn
         Strands of fire
         Hair whispering in a
         Tickle against my ear.

The way your hand
     Rested with possession on my chest
           And tapped some forgotten tune
As we waited
For afternoon to
     Beckon us downstairs,

The steady hum of
The shore catching
The waves of the
      Lake shimmering green
      In the summer heat
           At the wooden base
                Of our cabin outside.

And I remember
     Our collective shut of eyes,
Resting our foreheads together
     As our hands journeyed
          To reach one another's
          Beneath the home in the sheets
We wished to never leave.


That was two years
     And a love and a half ago,

So now I long
     For nothing more
Than these summer mornings
To wake up not so lonesome
                                                  anymore.
Jessica Rae Dec 2013
"Silver lining through the blissful ignorance, I am.
Try to get past me, you will not stand a chance.
I am your worst/best nightmare, that keeps coming back.
I am anything and everything, that you lack.
I am what makes you get up in the morning, for better or for worse.
I am that lost soul, always in search of her purse.
I am you, I am me; And most importantly.
I am everything you wish you could be."
Jessica Rae Ericsson
DaSH the Hopeful Apr 2017
I peeped through the keyhole a little to the left
      And noticed that Futility had left a note    
           before it went vacationing.

Triumphantly throwing the door open and
             stepping into the brisk afternoon air
             with a puffed out chest
          I bent down to see the tiny words scrawled upon a mere 2 inch scrap of paper

"I give up. Bye"
Emily Tyler Sep 2013
It was supposed to be fun.

New school, new supplies,
Thin, neon highlighters glowing inside
Vera Bradley backpacks.

Skinny folders assigned to
Pointless subjects,
Which would be fattened
With pointless homework
By the end of the day.

It was supposed to be fun,
And for a little while, I forgot.

I forgot until History.

The new teacher hadn't lived here
Longer than a week,
Which was why he was
Excited
About teaching.

He had on a brand new tie
From Banana Republic
Which was obviously tied
By his wide eyed fiance.

His classroom was bare, as he explained,
"Don't worry,
I ordered posters yesterday."

The teacher wasn't the problem.

The problem was,
Between Richardson
And Roberts,
He still existed.

At least in the school system he did.

"Ashley Paulette?"
"-Here."
"Abby Richardson?"
"-Here."
"Bennett Rill?"

And my life shattered all over again.

The silence felt
Deafening.

Remembering how he wouldn't be there.
Not ever.

"Bennett Rill?"

The teacher was confused, looking around the room
For someone
Who was buried six feet under.
Someone who the teacher might've thought
Was sick, or vacationing.

It was supposed to be fun.
But then I remembered
One of my really good friends, Bennett, died on the last day of school last year. There are more poems about him on my page.
Doug Potter Sep 2016
I realize  that when you asked me to  feed your two calicos
while vacationing, I wasn’t given title to  pluck four large
tomatoes  from  your perfectly trained  vines.

The tomatoes were Christmas red, unbruised
and husky. It seemed criminal and unfair
to my palate not to devour them
by dusk the day I stole them;

in my shallow defense
both of your cats
repeatedly hissed
at me when fed.
Jasmine Flower Oct 2014
How can I ever tell you that
in the 21st century,
as innocent as you are,
you will be sexualized.

It started with
one peak under that skim cloth
that made you an icon
Halloween costumes
turned your baby face into
the mask of a "babe"

There are no more dogs
struggling to tear your short shorts
now only mutts scattering clubs
hands dangling onto your belt loops
as if they were in the middle of a hurricane

You, Coppertone Baby, didn't know any better
you were minding your own **** business
vacationing on the beach
when somebody had the audacity to snap a picture
of your ***.
Sweet little girl,
you are us.

You are society's expectations of innocent women
so easily willing to publicize our bodies
printed on billboards
sold in magazines
You put your hair up for vanity
but we tie our hair back to avoid
violent hands
You, Coppertone Baby
will never be known as Cheri,
just like today,
we are branded into the clothes made to hide our bodies
but couldn't do it enough
we are the voiceless

We are the shadows hiding behind anatomy
we are nip-slips
we are on the front cover
of ******* magazines
You grew up not expecting it
merely existing
only knowing the words,
"mommy and daddy."

Welcome, Coppertone Baby,
to the present, not so much a gift
where your first words are now,
"thank you"
the camera is constantly pointed
constantly asking you to sit pretty
you will learn to avoid beaches
and only buy the clothes
that suffocate your skin


I know you were meant to sell sunscreen
but how can I ever buy your product
if I can't even hardly
go outside.
GaryFairy Dec 2013
What is the meaning of existence?
existing only by another's assistance
assisting you to go the distance
distancing you from life's persistence

what is the meaning of creation?
creating a life long vacation
vacationing in the land of starvation
starving to let go of temptation

what is the meaning of conception?
conceiving our own deception
deceptive practice of perception
percieving the meaning of our inception
Sharon Talbot Mar 2021
Children of Louisiana,
Swept away and drowned,
In the river’s flood
And the ocean surge.
Never have recovered
Fully from the rain falling down,
And of a city that was purged.
Ignored by the government
And its fellow man,
Follow in a long line of sufferers
Since the melting, ice age glaciers
And even a tsunami in the North Sea
That wiped out Doggerland.
Dark Ages got darker as people ran
And Britain’s white cliffs were sheared.
Times got better and then got worse,
But the people carried on.
Now, the floods are a weekly thing,
A blip on a newscast,
As lost as the victims in a mess
Of other disasters,
Of wildfires, droughts and don’t
Even mention the quaking earth
Or volcanoes! We can’t take credit
For causing those!
Rich men in their castles,
Feasting and clapping each other
On their fatty backs,
Rolling in the spoils and spills
Of oil, on the flaming water of
The American plains.
Sheikhs in old Mesopotamia
Whine about oil pipelines,
Promised to them by President Cheney,
While the people starve.
Bloated oligarchs spread destruction
All over the world, from
The Congo to Chernobyl,
Melting icecaps and raising the sea,
Sinking islands where they don’t live,
Vacationing in the Maldives,
On special rates before those go under.
They won’t fix Miami, but let it sink,
But not before they plunder
The empty towers built on foolish dreams.
Of course, they’ll be the last to go,
Crammed into mansions up in the Alps,
Fighting with the European nobles
Over who gets a crumbling palace
Now sitting on the last ice floe.
A few American cousins round each other up
To catch the Dixie Flyer down to New Orleans,
Trying to hide from the polar vortex,
A dazzling case of ignorance and greed,
Only to find the tracks buried in the sea…
Down in the mud of the deep, brown sea.
aryanalynae Jun 2018
I did it
And you did
And when it was ringing
I couldn’t feel my phone in my fingertips.

When you said hey
And then heyyyy
I felt all the nervousness
Beginning to drain

And then before I knew it
We were catching up quick
I’d say those feelings rushed back
But they never left, they were here to stick

And I’m fighting off the words
I don’t want to say them out loud
I know them already
And I’m afraid they’ll bring rain to the cloud

I was living on in that moment
And then you showed up at the door
And I couldn’t choke back the words
I didn’t want to anymore.

Let you in,
And let you in I did
And you took just one step
And I felt my head spin

And I sang in my heart
Your arms wrapped around mine
And I’m still on that cloud
Yeah I’m vacationing on cloud nine
John Dewberry Sep 2019
Life is beautiful
Life is hard
Life’s meant to be a struggle
At times
Sometimes we
Need a break
  nothings  wrong
With escapism
Indulge yourself
And others too
But Don’t close your eyes
to the possibility
Of something new


It’s never
An excuse
It’s a means to relax
We don’t need any drugs


(To Zone out)

At peace with reality
Born free
Not committed to anyone
But ourselves
You’ll find me contented
Laying in bed
Vacationing in my
Imagination
You’ll find in deep thought
Vacationing in my
Imagination

The worlds not ****
People aren’t ****
We’re collectively cynical
To our detriment
EssEss Dec 2022
A tropical paradise island is Hawaii that conjures a feeling of sheer joy,
It’s very mention evokes thoughts of vacationing one can really enjoy,
Location-wise one can state that it is “ far from the madding crowd”,
It is like heaven on earth, meant for visitors to be wowed

Waikiki in Honolulu is the hub for most hotels with proximity to the beach,
It’s just a 16-minute cab ride from the airport and thus quick to reach,
That the closest State to Hawaii is California - a 2500-mile sector,
Just shows how travel time from elsewhere, involves jet lag to factor

Located in the Pacific Ocean, Hawaii is quintessential if one may say so,
It is the only U.S. state outside North America that is an archipelago,
As the only state geographically located in the tropics,
It is a tourist haven, with always an abundance of optics

The word "Aloha" is commonplace in signages and on everyone's lips,
As a form of greeting it implies hello and welcome - a very useful tip,
The locals are very effusive when they greet visitors with Aloha,
One cannot but express delight by silently exclaiming, Aha!

"Mahalo" is another word that visitors get used to hearing frequently,
It means "thank you" - a gracious acceptance of the locals' hospitality,
The infectious warm welcome to visitors has an air of spontaneity,
Syncing with the embracing pervasive Hawaiian culture in it's entirety

The inevitable fresh flower "lei" welcome awaits visitors checking into hotels,
Lei is a symbol of hospitality, love, respect and aloha in which Hawaii excels,
A lei made from sea shells is an alternative option that one can have by choice,
Irrespective of the form of lei offered, wearing it is surely a matter to rejoice

Honolulu is the capital of Hawaii on the island of Oahu's south shore,
It is the largest city and gateway to the U.S. island chain and much more,
As one of the main eight islands in Hawaii, Oahu is the most populous,
It is also the business hub of the Aloha State and hence very famous

Also known as "The Gathering Place", Oahu aptly lives up to it's name,
As home to the majority of Hawaii's diverse population, it has a lot to gain,
There's the fusion of East and West cultures resulting in a delicate balance,
Rooted in the value and cultures of Native Hawaiian people, with no imbalance

The popular bustling and vibrant Waikiki neighborhood within Honolulu city is unique,
It is the epicenter for eclectic restaurants, nightlife and designer fashion boutiques,
Waikiki is also reputed for its white sandy beach that is a whole 2-mile stretch,
Where visitors throng throughout the day, as if there's little else the mind can fetch

Waikiki in Hawaiin means "spouting waters" and is replete with a gamut of water activities,
Surfing, snorkeling, swimming, canoe paddling and boogie boarding are typical beach proclivities,
With matching stunning views of the landscape, visitors can be seen lazing in total relaxation,
It is little wonder that the beach is always crowded and a famed getaway vacation destination

Friday night fireworks by Hilton Hawaiian Village along Waikiki Beach is a must-watch attraction,
The colorful display evoking delightful oohs and aahs from onlookers though, is of short duration,
The razzle-dazzle of the show skillfully transmits joy & happiness through the art of pyrotechniqes,
A feeling of bliss envelops one and all, on witnessing the sound-and-light show marvel mystique

Dole Whip is a popular non-dairy pineapple ice cream and, in Hawaii, is a cult-status confection,
A key ingredient is unsweetened coconut milk that adds creaminess and flavor to the selection,
Fresh lime bumps up the flavor and adds extra zing to the taste of the final Dole Soft Serve swirl,
Savoring the heavenly refreshing unique taste allows the hedonist's squeal of delight to unfurl

A visit to Oahu or any other Hawaii island is never complete without attending a traditional luau,
Luau represents a gathering meal of food, music and dance and is integral with Polynesian milieu,
It is a party like no other with continuous foot-tapping live music accompanied by Hawaiin dancing acts,
While the compere regales guests with anecdotes of Polynesian traditions laced with interesting facts

Hawaii is also famous for it's sensuous mimetic hula dance - traditionally, a form of communication,
Ancient hula, or "kahiko" with undulating gestures to instruments and chant was an original creation,
Transformed under Western influence to "auana", it now involves sinuous movement of limbs and hips,
The accompanying peppy music involves storytelling or place description well in tune with the scripts

The fitting finale to Hawaii luauas is generally the famed Samoan fire knife ceremonial dance,
A knife, partially exposed & wrapped in oil-soaked cloth is set alight for the performer's stance,
Incredible acrobatic stunts involve twirling, tossing and catching the knife to the fast beat of music,
The appreciative response of the audience builds up the momentum, reaching a crescendo almost seismic

Sauntering in the beach, one can watch people meandering about with gay abandon,
The inescapable feeling of blissful relaxation is typical of a destination-Hawaii vacation,
The days fly by, making you wish at the end that the stay could have been a tad longer,
While treasuring joyful memories in the interim, your thoughts go to similar places yonder
Lucy Tonic Nov 2011
Drink up the radiation
Subhuman viral nation
That or starve in skeleton cars
Chewin' on lettuce and candy bars
It's a caper world but there's no dancing
Skippin' like a child? Prepare for the violins
An interlude of electric tubes
Pushin' you closer to the cube

Tinted windows beg for bullets
And she makes *** feel like school
I've climbed the mountains, crawled in the caves
Still can't tell the veins from the beige
Still don't know if I'm better off in Nod's nowhere
Or Pan's wonderland of the living dead

Don't talk much except to my shaky fingers
Nibble nimble, spin a spindle, see the symbols, give a little
I've got a man who lives under my tongue
He fixes all my cavities
And when the paycheck comes
He sits atop the pink carpet-
His anti-gravity
I had a dream-weaver
But now he's vacationing
Somewhere in Himalayan Mountain territory
He's been there for two moons
And I doubt he'll ever leave
He sends me postcards and fancy little things
I put em' in a cigar box, hoping one day I'll see wings

****** was eaten by maggots
Before he took the helm
Insanity breeds anti-gravity
Life breeds cruel leaders
Forget divide and conquer
It's swarm and swallow
Tools of the revolution
Intravenously protrude you

Same In Nazarene
Spit In the Name of me
Go limping with a tishbite in the Cherith
Stating the obvious facts of Sin
Livin' only for lunar limbs
And Bailey's beads
Screaming,
"My God!
It's full of stars!"
Sharina Saad Jul 2013
They speak of peace and stability
while  vacationing in a dreamland      
reality hurts
sweet words are lies
when actions speak the loudest
   the truth will prevail
    honesty is gold
thegirlwhowrites Sep 2015
The heart breaks every so often
at the sound of closing doors.
The unstaying
(or even the uncoming)
drives its point
that maybe
it isn’t an option to settle.
One wonders
why yet again
love,
in essence,
is not enough
to bar life’s egress?
It’s a classic tale of hurting,
really,
where there are no heroes
or heroines,
only adversaries,
these hearts despairing,
accustomed to vacationing affections
that leave after the season’s end.


091615
*for c.d.
Because I have said goodbye so many times before to friends, to family members, to people I love
Stephen Turner Aug 2019
Riot because it's expected riot because they want to arrest you riot because you are angry and full of righteous anger riot because f* the police and f the government f the a** in the white house riot because you don't know what else to do riot because they left you no choice riot because they'll shoot you with a gun riot because you can't defend yourself right because they fear you will riot for the dead babies riot for the crying mothers riot for incarcerated dad's riot for ****** parents riot for grandparents raising babies riot for the Foster system riot for abusive families riot for church goers riot for God for the saints and martyrs riot for the devil  riot for income inequality riot for mcmansions tenement housing section 8 and for interest only predatory loans riot for Wall Street stock fuckery riot for corporate radio where you feel what they want you to feel for the tail wags the dog riot for censorship for shitz and **** and f* and ***** and art and
truth and unpopular opinion riot for truth and the lies told to hide it riot because it feels good right because it hurts riot because that's what society requires of you riot by the seat of your pants Riot because no smoking no drinking no chaining up dogs riot because dogs chain you up by their wallets riot because cancer ate your insides and religion ate your soul riot because your brain belongs to science and 38 other corporations and legal entities riot because they stole your land and burnt down your family riot because they stole your voice tainted your poems your songs and water and water down your truth riot because the carpet bombed your town city neighborhood reservation farm ranch plantation in bomb shelters riot for pacification dancing shows and discotheques riot why not? F
them riot because you ain't caught anything all day except maybe ***** riot for free titjobs and overpriced b* riot for unemployment riot for well-connected fraternity brothers
and elite ******* riot for fake morality and pregnant stepdaughters riot for empty nesters and growing too old riot for peacekeeping military envoys and well-armed diplomatic missions riot for philosophical differences over which college football team wears the right color uniforms for racist mascots for trails of tears of many a harassed and violated person riot for tears and fears in general and sanity of society riot for ***** streets and clean suburbs riot for privileges you never had....

and riot for those that did riot for broken glass and free TVs because they've been held in captivity for too long riot for the oppressed under-represented the ghosts riot for the conspicuous riot for the helpless riot for The helpful riot for those without love in their life because how can you live without love? Riot for the hate and the bigots they need some love upside their heads riot for peace because the cops and soldiers and guards and troopers won't stop on your account jackboot goose-stepping to the tune of some other a
* riot for children locked away in cages treated like stray dogs and not given dignity riot for SWAT raids on working people riot for students shuffle around like cards riot for slavery riot for greed riot for substandard manufacturing and quickly thrown up housing riot for Hovels and vacationing rats and financial advisers with your money riot for the last gasps of fresh air and pure clean water riot for fresh food and grease pits riot for those people stroking out with arrhythmias and cats and bypasses and dying by insurance Representatives riot for the toe tags and the death certificates riots for the school's not teaching truth riot for profiteering from necessary services riot the Dead the suicides The Killers shooters riot for Injustice for public ****** riot for probation cost and fees and the cycle of poverty...

riot for love for life for death in multiple baptisms that just don't take because it's all guilt and superstition riot for the sweat on the browse the stains on the t-shirts riot for the calluses on the hand and the holes worn into the jeans riot for the roofers in summer and the ditch-diggers and winter riot for the clergy with the best of intentions riot for judges and cops bought off by other people's money riot with a pitchfork and a torch and a cause riot with a fire in your belly and a Love in your heart riot for wars of aggression and preemption and murdering children with bombs we manufactured and we sold and profited from and took that blood money and put up walls between us and those in society different from us because we bought into the fear strategies riot for fear riot for the ashes and the pine boxes and the crocodile tears and the false sentiments the thoughts and prayers riot for Dharma and karma and car alarms and superficial meanderings and musings riot for Riot's sake riot for dead babies riot because we all did it and you feel guilt right because they don't riot because of love love riot peace riot righteous riot
Just riot
shireliiy Nov 2015
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Megan Mae Jan 2011
You came out of the blue...


John sat up in the double bed, he was panting. What a dream he’d had. He looked to his left, his girlfriend Casey still slept soundly and undisturbed by his awakening. With care he climbed from the sheets and walked from the room. Once the door to his and Casey’s room was closed securely, John started down the hallway to the common room. John, his two friends Henry and Chris, along with Casey and Henry’s steady girlfriend Nana; had all rented out a multi-apartment on the beach for their summer vacation. The spacious three beds, two baths, with kitchen and common room condo was a life saver for the vacationing students. It was on the cheap side and had an amazing view of the Atlantic Ocean from their own personal balcony. At first he thought his dreams were from the lore one of the natives had told them to scare them off, to stay at another hotel more inward off the shore, lore of the Water Woman. But they were modern college students nothing would happen to them.


It was the balcony that John retreated to when he woke, grabbing beer before he opened the slider; he took care not to make too much noise, then closed the door behind him and walked into the night. He closed his eyes as he felt the simple breezes brush against his skin. It was strangely refreshing to the apartment’s heat and he took a seat on one of the balcony chairs. The sound of the waves seemed to echo through this soft wind, calling him closer to the edge of the balcony. John reclined back in the chair, placed his beer on the side table and closed his eyes once again, trying to imagine exactly what woke him.

He remembered blurs, blues, and a beautiful girl with blonde hair.

This is what confused him, Casey, his girlfriend of three years, had dark chocolate hair cut in a cute super short style that was no more than an inch off her head, with her bangs dangling over her eyes. But this girl in his dream, she had vibrant blonde hair, long down to her waist, wavy, free. John’s eyes shot open. He had no idea what was going through his mind. He looked at the beer to his side and sighed. “I’ve had one to many,” He’d also had this same dream for weeks now, and he couldn’t put his finger on it, it was like the visions were haunting him.

It was then he heard the high pitch tone. What should have been annoying and painful ended up intriguing him, he sat up, somehow sobered. The tone turned to a multi toned melody. John turned toward the ocean, where the music seemed to be coming from; that’s when he saw her.

The mystery girl was walking with her feet just touching the water. She wore a simple white dress that fell freely around her body. The moon was full and bright that night and John stood, leaning over the edge of the balcony and looked down at the girl. She stopped and gazed up at the sky. John looked closer, realizing he was holding his breath, only to watch as she turned and looked up at him. He was on the fourth floor of the building, and she seemed to be looking right at him. His heart pounded. John had no idea what was running through him, but from what he could see in her eyes, she looked like she was crying. In seconds he rushed through the sliding door, pulled on a pair of denim jeans and a belt and his flip flops, grabbed his keys and ran out the door.

John skipped the elevator, it would take too long, and by the time he reached the first floor the girl would be gone, and he darted down the steps. When he reached the lobby nothing in his way stopped him from making it out to the beach in the back. Once his feet hit the sand he stopped, looked out over the beach to find her. He was panting, his lungs hurt from the running, but he didn’t care, he had to find her. He started out closer to the water, she was nowhere to be seen. “Where the hell?” he choked as he felt the water lick at his feet. It was cool, chilly in the light wind. How could she be gone? This beach ran for miles, clear and open with the moonlight…he’d see her if she continued either way, even if she ran. He turned looking out to the ocean, she wasn’t there either.

He was about to give up, turned to return to his room, when just as he turned to head back to the building, she stood right behind him. John had never seen a more beautiful woman in his life. She looked to be around her early twenties, her blonde hair cascading down her body, a form which now closer and defined by the moonlight was even more intoxicating then before. Her white dress wasn’t thick at all, practically a shift or slip in material. He could see more than he bargained for. But her eyes, those almond green jems, they took his breath away more so then her appearance. Her lips were moving, he didn’t hear words, he heard notes, music, a melody similar to the one from the balcony. She moved closer to him, her eyes so sad as she reached for his face. Her fingers on his cheek made his spine tingle.

“Miss,” he forced, his voice waivering. “What are you doing out here? It’s not safe for a woman like you,”

“Why did you come?” she asked sadly. John didn’t understand.

“What do you mean?”

“Why did you come? You shouldn’t have come.” John melted at her voice, it was almost as beautiful as her singing.

“You looked like you were lonely.” He said finally.

“I am,” her eyes seemed to seep sadness. He couldn’t understand why. What he would give to see her smile.

“Miss are you alright? Do you need me to walk you back to your place?” he asked absently. The thoughts of his girlfriend Casey back in the room four floors up seemed to vanish. He watched as her lips slowly smiled, her eyes sadder still.

“Do you want to go for a swim?” she asked. He watched as her fingers laced around the thin straps of her shift, she seemed to be taking the gown off. He flinched, she paused, her smile still overpowering her horribly sad eyes. She let her white teeth shine as she slowly stepped back into the water. “Come swim with me,” her voice was like a song alone, no instrumental, no notes needed. She let her shift fall to the water, it floated there before she stepped out of it stepping back into the waves. John was trapped in her gaze, unable to look away, absently following.

He was chest deep by the time she was neck deep in the water. “Follow me,” she cooed. He only saw her eyes, barely paying attention the waves grew angrier.

By the time he noticed the horrible weather, the rain, the lightning, the raging waves, it was to late. The woman had embraced him, pressed her lips against his, pulling him deeper in the raging waters. And though he wanted to get out of the cold water, he swam deeper. He followed the beautiful woman of his dreams.


The next morning Casey woke to find John missing. Chris, Nana and Henry all went searching for him, no note, his key’s missing, his flip flops gone. Casey had a horrible feeling that he was gone for good. She didn’t fully trust this gut feeling until the police found one of his flip flops farther down the beach washed up on the shore.

The students left the place, unable to find their friends. What they didn’t know was that he was looking up at them, in each wave that encased Casey’s feet, he looked up sadly drowning in his tears invisible to the eyes of his friends, pained that he’d never see this girl ever again, and he was swept away once again by the tide.
All because he didn’t hear of the lore of the Water Woman.
Prose or Short Story, you pick, but please tell me what you think.- From Water Woman
Coral Estelle Nov 2010
In your shining golden auburn
Soft and dangling free,
I see reflected in each strand
The comfort  lavished  in me.
Freedom finally,
From worries put to rest
Mirrored among the millions
Of glistening golden threads.

Staring in,
I reminisce
Soaking up the songs
Of our vacationing hearts.
Intangible in beauty bright,
And rich in graceful charm.

But that surrogate we cherished,
Has vanished since our songs drowned out.
He is asleep inside that memory sweet,
Warmed up by a blanket of  dust.
That surrogate we both enjoyed,
Nourished our starving souls
Because we could not be alone.

In your shining golden auburn,
Through silence you still care.
Together, we wont sigh his absence,
But preserve our souls from dying vacant.
Oona Sep 2016
In the past five years, you haven’t
stepped foot into a hospital. Unlike your best friend,
whose father had cancer, and unlike your grandmother,
who slipped and fell and broke her hip and
you were vacationing in Ecuador when all of this was happening,
unable to escape from the tropical rainforests to visit
the sick and dying.

Your friends tell you that you’re lucky,
that they’ve been to hospitals twelve times since their birth,
but at this point, anything would be more exciting than
coming home and falling asleep. Even your favorite TV show
can’t keep you awake anymore, and instead of being in surgery
or giving birth,
you curve your spine into a C shape while trying to finish homework
that will never truly be done.

But if you really cared about any of this, maybe you
would drive to the hospital, take a stroll down the maternity ward,
though suddenly you’d remember
that you don’t know how to drive
and maybe you’ll never get out of this place,
maybe this is all there will ever be.
Alyssa Jan 2015
Leo
Before I start,
I want to warn you that I'm not very good at dealing with this kind of thing.
It's been a while since I've thought about you this much.
I tried talking about you the other day,
it didn't really work out so well, I mean
I haven't talked to you in seven years
and even then I never really knew how to explain you.
With your middle name being Patrick,
I celebrated you like you were a Saint
and the entirety of my days were March 17th.
You were all wind chimes and four leaf clovers,
brand new horseshoes and rabbits feet.
I never told anyone what you meant to me
because I never had to.

I knew that things at home were getting bad for you
and you told me you didn't want to talk about it.
But you should have told me when you stopped sleeping,
because I could see the bags under your eyes
like they were carrying your burdens
instead of your shoulders
instead of me.

I started wondering why your boyfriend stopped hanging out with us
but I knew it was because your parents
were giving you black and blue islands as welcoming gifts
and to be frank, I never liked vacationing
so I didn't want to dive into their oceans.
But you cried so often that I could have.

You said
"If I'm gay, why can't I feel like the rainbows
instead of having to explain them?"
I tried to tell you that not everyone knows what to do with a *** of gold when they find it.
So when your parents kept having to take you to the hospital,
that was the only way they knew how to spend the fortune they found.
They spent those gold bricks
buying you therapists who validated your feelings
but pacified your parents by telling them you were "getting better."

But one morning before school,
the phone rang like church tolls.
And my stomach dropped through the floor
and went six feet past the dirt
like it was digging your grave for you
before we even had a service.

On the other end of the line
a woman's voice was broke in half
trembling out the words
"we found him this morning"
like they were her hands reaching for the rope all over again.

Leo, you know how you said you wouldn't break me?
Well my twelve year old heart,
it had broke.
It spilled on the floor like the metal pieces
in the game of jacks
and the ball kept bouncing
but my hands were too clumsy to know how to pick all of myself back up at once.
All of the nerves in my body were malfunctioning
and I swear to God I think I apologized for breathing
because I felt like I was stealing it from you.
The air was all fire and ice,
dancing in my lungs like Armageddon;
the final battle between my breath and yours
and it seems like you lost
but I never won.

It's been seven years since your death
and I still don't feel properly equipped to deal with it yet.
I still haven't finished the letter you addressed to me
and if i'm being honest I can't even get halfway through without crying
or wishing it was me.
But you started it off with
"I am so sorry for breaking you"
and I never made it to the funeral
because I never told my parents you were dead
I just thought it'd be easier to deal with this alone.
But it's been seven years
and I am alone
and I still don't know how to deal with it yet
because you were my *** of gold
and not everyone knows what to do with one when they find it.
preservationman Jun 2017
It was an all black car
Where ever the action went it was driving into adventure being far
It could be a mountain trail
It might be across the globe with anything but fail
But the Knight-Rider car with the nickname “KITT”
However, the car being energized and totally computerized was it
I had the opportunity while vacationing in Downtown Los Angeles to visit Universal Studios Hollywood
This is the place where all the Oscars stood
But let me fill you in a little secret
There were several other Knight-Rider cars
I will call them “Stand in Autos”
When the original Knight-Rider car crashes beyond repair
You can always depend on many many spare
Yet the Knight-Rider car was always on the move
There were thrills in action to prove
But for the moment don’t move
For example, a racing car in competition that thinks it is more Tech
But wait, the Knight-Rider car having flips and tricks being the Knight-Rider car having effect
Eye on technology in having its own elect
I almost forgot, I met the man behind Kitt’s wheels, David Hasselhoff
We actually spoke in person one on one
David Hasselhoff has height standing among
Knight-Rider car has driven into the night
But there is a spotlight giving it light
Yet the Knight-Riding car says goodnight.
the rain cascades, watering the soul
the sun a warrior coercing the cold
the leaves rustle, the wind blows
the sand a blanket for vacationing toes
the trees tango, the birds sing loud
the sky a canvas painted with clouds
the night falls, crisp days begin
the earth a poet to be heard; let it in
Hooflip Aug 2014
You're my best friend
Come snort a line with me
We'll have a ball
Create some memories
That we can lean on
When we're feeling small
Conquer all the gatherings
With charismatic mastery
Get plastered, acrobatic
Magic lines & rap battling
Laughing when crash the scene
And till we leave
Back to the doorway;
Pick the mat up, cop the key
Unlock it, step onto the floorspace
Step into the room and recount
All the actions
That lead us back
To the pad that we're crashed at
Mi casa,
Its your home too
You are my brother
I would die
So you could stay in view
And you would for me too
Because we're family
Like, chemically
Not by blood or marriage
But by self inflicted chemistry
And revelry
For all thats good and golden
In these moments pure
And more of them tomorrow
Come with coffee
+Cranial tours
It always was assumed
and said oh,
Time and time again
That we would
Have each other's backs
Until we're backed' a wall
By death
You stopped your chemistry
and most communication with me
Yet started speaking of me
and my like for light vacationing
Perceive me with an illness
Spread by talking with the facts wrong
Its been months,
Brother you have not seen me AT ALL
Yet say i've changed and rearranged
My Soaring for a sad crawl
You'd take a bet
That says I take a dose a day
I'd hate to see you bet your life
for you'd be throwing it away.
But I suppose it makes sense,
It's like i'm ******* dead to you
And obviously
That is where the friendship
Ends with you
Why would you treat me kind?
Im just another faceless skeleton
That tries to make connections
For the hell of it
Its getting easier to choose
The ones to stick with or stay away from
But homie me and you have been kickin it
Since like, day one.
I never thought i'd see the day come,
You preaching hypocrisy
About one of your brothers
And the subject is a BUNCHA *******
If you cared you'd take the time
To think and then approach me
Opposed to judging me
Over something you've never seen.
I heard, that you heard, that he had heard it from.
You said, that he heard, that she had heard it from.
Its ******* dumb,
Information with no form or ******* source
ANGER
ANGER
ANGER
ANGER
ANGER
Whew..
Better feels for it's upon digital paper
Perhaps it will be seen,
Perplex, inspire beautiful strangers.
Perhaps it will be laughed at,
Perhaps it helped you grow
Perhaps perplexing inspiration
Supposed to ebb and flow
From all the everything experienced
There's always more to come
More to create, more to be done
More sadness, bliss, separation.

I lost a friend today,
Or perhaps just shifted to a phase
That's sure to shift again
Come time to pass

I gained a friend today,
Or perhaps just shifted to a phase
That I hope will never change
But time will pass

I listen close
I try to learn
But hear no proper reasoning

I wanna be a better friend,
You want to get rid of me.

I lost a friend today,
Or perhaps just shifted to a phase
That's sure to shift again
Come time to pass

I gained a friend today,
Or perhaps just shifted to a phase
That I hope will never change
But time will pass
Rambling on rhythmically.
May it change for the brighter and stay shining.
Sean Holshouser Apr 2017
She sits,
Her pencil quietly pacing along the page,
Left to right; left to right,
Pacing through her work with the consistent monotony of a swinging pendulum,
Left to right; left to right.

Her mind wanders,
Flying with the color and speed of a kite curving through the air,
Left to right; left to right,
Vividly weaving through carnivals, old romance movies and young ladies dancing,
Left to right; left to right.

She sits alone,
Her mind quietly vacationing off to a calmer place, her body sways,
Left to right; left to right,
Feeling lonely there, thinking of the oak trees outside of her window, swinging,
Left to right; left to right.

Her eyes are the color of the trees,
They twinkle and flash with the rush of the circus, and the old movies,
And the beautiful music playing its melancholic, nostalgic tune,

She is the young lady dancing, dancing through her life with love in her heart,
And even when she feels lonely, or sad, or afraid,
She needs nothing more than to remember the world's unending, growing love for her.

As she continues her work, she hums to herself,
Her mind painting pictures of indescribable beauty, matched only by that of her own,
And if she listens closely enough, she hears the whole world humming back to her, gently, across her heart,

Left to right; left to right.
writing poems of love from the lost and found

you go to the closet in the school office,
for having been realtime been schooled in the mischances
of ill-iteration of life enhancing love stories, teach says:

the only peace now to be find from another lost soul
in the cardboard box of one right glove and one left sock,
ugly scarfs, mismatched two left ventricles, hats with lice,
sneakers good for nothing, but maybe some comfort for the lost,
for in the midst of the other miscellanies tales of lost one’s,
a match, good enough, can be found


makes no sense but perfect in its nonsensicality,
a word perfected script of his life, the chest pains too real,
to the gathering of the found, then lost souls, he retires,
perusal of assorted messes, textiles of the human variety,
a good enough accident will be stumbled on, hope restored

it is December and school is closing for winter vacation,
going home with one hand and one heart unsheathed
is not tenable, parent-able and just impracticable given
the coldness of isolation, a mismatched mitten selectee chosen

the yellow hell-o bus ride home is full of tortious interference,
the mismatching hand covering is an announcement of
‘please ridicule the loser’ that will be great, great fun,
I considering doing the undone, that hiding in the
lost and found for two weeks is mighty tempting and
a realistic possibility

slings and arrows of verbal definition slung and spat,
the general hysteria to his Travel & Entertainment account expensed,
but the gentlest shotgun tap of a hand upon his back, reveals a
folded scrap of a notebook page cornered in a cashmere gloved,
in her hand container, taken and secreted for in private-perusal

an address, an email unspoken written invitation to please contact
if you’re home, not going vacationing anywhere (ha!), me neither,
let’s get together, get married, have three kids, and get the hell
out of this frozen hearted land of misery

so I would like to tell you that is indeedy what happened,
so that is what I’ll tell you in fact, that,
that is exactly
what occurred with two more trips to the L & F
for different colleges, different coasts, different continents,
more lost and founds of accidental lost luggage meetings,
long distance loving worn down, too hard, lost, time eroded

till came the realization that love from
the lost and found
might be a meant to be message,
cause those words always end in...
found
Esz-Pe-Bea Jul 2014
There is a spot on the banks of the Ohio River
where rising and falling water levels
have birthed a tree,
100 years ancient,
Whose roots burst forth
To create a cage of wood
And whatever debris it happens to net up.


There is a safe there too,
Half buried by dirt and sand,
And the rotting remains of a dock sunk long ago
laying just below the water's surface,
It's broken post still sticking out a few inches...


A forgotten ferry ramp crumbles to pebbles
just 10 yards upstream.
The concrete foundation of it's pay station
Juts out as a peninsula
when the river drops below 25 feet deep.


The City hides around the bend,
with towers that sometimes peek over the horizon,
and an ever present night-time glow
that never lets this place go absolutely dark.
There are just a handful of stars here,
Ten or 20.
Only the best and brightest,
Receding with time
To the perpetually growing presence
of fluorescent outdoor lighting.


This is a place of ages.
Of 5 year old forbidden mystery
and 8 year old epic adventures
among the apocalyptic rubble of whole city blocks,
Torn down to make way for the levee,
I've know for all my life.


This is a place of 10 year old games with childhood pals
And 15 year old parties-in-secret.
A case of double-deuces and a bottle of schnapps,
and all the other regular tools of teenage rebellion.
It's a place of countless caught catfish
during early morning hours,
When the boat traffic dies down save for giant river barges,
working their way through the locks and dams
that keep the water deep enough for commercial navigation.


My grandfather knew the white-sand beaches here
That once stretched for two solid miles,
And hosted vacationing mid-westerners
and the rebirth of Sun Worship.
His adopted father knew it even better,
working the steamers that made this place civilized.
My own father swam in these waters,
even claims he once swam all the way across and back
and I never call him on it,
though I know this place too well to believe it.


I know this place very well, to say the least.
I've been here more than often,
going way back to when the riverside road ended in a circular turnabout,
where a mostly dead old oak
held a 30 foot long steel cable,
that would swing you out over a hillside
made of broken brick and steel re-bar.
Back before the pumping station's overflow pipes were capped,
and you could echo your voice
through the outlets down by the river,
up to ears on the path along the floodwall.


I still go there,
though not as often as I once did.
It still holds wonder for me,
Magic and mystery...
It's never the same on two different days,
yet it never changes,
and when I think of home,
I think of this spot.
The Title is coordinates for the subject of the poem.
anastasiad Dec 2015
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now that I am home from work
I can imbibe in a few little perks

like sitting down to rest my feet
so too to view an incoming tweet

a day of hard toil isn't my cup of tea
I'd prefer to be vacationing by the sea

but alas and alack I'm wed to my job
and it is something that I cannot easily fob

the afternoon hours bring me much pleasure
as I can do those small things that I so treasure

labor is put aside for a short while
which invariably makes me smile

one is always happy clocking off at work
as one can enjoy one's little perks

— The End —