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Mymai Yuan Sep 2010
Peeing: to ***; to urinate; to release the body of its liquid toxins; to pass or discharge *****; characteristically yellow- the strength of the color depending on the body’s hydration.
People have strange habits when peeing; urinating; releasing the body of their liquid toxins. Some people procrastinate it to the last minute and rush to the bathroom, barely yanking their pants down in time and shuddering in relief. They are those who habitually whip in and out, even when they don’t really need to. There’s the common usage of an escape from boredom in classes or meetings. Perhaps it even causes a slight blushing in the cheeks of painfully shy woman at hearing rushed tinkling so close by. And of course, they are also the people who love to leave surprises for the next person who uses the bathroom.
All in all, peeing seems to mean not much to people – a small part of life; but a very, very necessary part.  

                                 *                 *                    * .

The rain poured furiously outside the window as Emily sat, straining her brown eyes against the whiteboard flashing images of trigonometry from Mr. Well’s laptop, trying hard to concentrate. She was sitting in her usual seat in class, and also her favorite. It was a solitary table with a chair, away from the clusters of tables and the chattering children, and the only chair by the window. She liked to look out the window, even if it distracted her from Mr. Well’s loud explanations. The booming of “SOHCAHTOA” in her ears became distant as the wind’s movement caught her eye. She gazed out on sheets of rain flapping across the sky like giant teary spirits and pressed her fingertips on the glass. Cold.
Absent-mindedly, she pressed her cheek against the coolness and felt it absorb her body warmth. Her imagination kicked in and the glass became a panel of energy, ******* a little life from all those who touched it, vibrating with a strange purple light until it was so filled with energy the particles of the glass would explode and she would be the first to die from the sharp shatters that would spray across the room, causing droplets of blood to-
Ahem.
Mr. Well coughed meaningfully at her dreamy face. The class exploded into laughter and the bell rang. A skinny girl smiled at her but she was so lost in her own world, she forgot to smile back as she slung her bag on her shoulder and ran out. Maybe that’s why she didn’t have too many friends.
The dark skies were pouring furiously as only Bangkok in Monsoon weather can.
A walk home or a motorbike ride? A motorbike ride would be a little dangerous in this flooding… and with that reasoning she waved up a motorbike. The seat was soaked and so was the driver, whose brown leathered feet struggled to keep red flip-flops on as they sloshed through the flooded Sois.
Fat water bullets pelted her skin and the wind blew them ferociously into her face till her eyes stung. The motorbike swerved in and out of the cars stuck in traffic (slightly floating), the bottoms of their wheels immersed in ***** water.
The pockets of her school shorts were hastily rummaged through and she pulled out a soggy green twenty-baht note bank before running into the shelter of the lobby, dripping over the marble floor and completely drenched. The building-maid widened her eyes, and watched her horrified; knowing it meant extra work mopping and drying up the lobby floor as soon as Emily vanished into the elevator.
The plastic button with the circular metal piece glowed orange. It was strange how she was shivering with cold but her touch was still warm enough to light up the elevator buttons.
The usual itchy, impulsive, restlessness was building up inside her from the wet motorbike ride. Thunder roared and crackled through the lobby’s swinging glass doors and they vibrated slightly. Another flashing image of splintering glass splashed across her mind and in the split-second, she saw the diamond shards pierce the eye of the lobby’s guard and splinter across the floor-
She shook her head. This was what happened when she had too much pent-up energy. She had to do something- something reckless and fast and dangerous… now! A bolt of lightning went through her as a familiar wide open space came into her mind… the rooftop of her thirty-five floored building.
The elevator ride up was slow, much too slow for the fast pacing of her heart and she hit the metal doors with wet fists. Tearing out of the doors when it finally jolted to a stop, she climbed up to the top, running up the stairs two steps at a time and caught her breath. It was flooded up to her ankles and violent gusts of wind made her steady herself.
Emily’s Dad often told her stories of when he was child. “The winds in my home during Monsoon season were so strong we could lean into it with our fully body weight and we wouldn’t fall. It was almost as good as flying.”
Her lids squinted shut and the sensitive skin was immediately exposed to the pebbles of the rain and whipping wind; and in almost dream-like state, she leaned into the howling wind.
There was a comically slow fall and her bony knees hit the concrete flooring with a dull thud. She burst into tears of laughter in her own stupidity at thinking the wind could hold up against her gigantic frame and rubbed her ***** knees sorely. Reaching up to wipe her tears with muddy fingers, she laughed to herself again. There was no point in wiping away tears. They were so trivial in comparison to the current weeping of the skies.
Against the thick opaqueness of the wind, she could see how the view towered over a jungle of buildings as far as the eyes could see, with snaking concrete roads and skinny black canals. Slums scattered around nearby swanky hotels of the rich. The buildings faded into small dark shapes in the distance. Bangkok.
No matter how tall and industrial it tried to become, everyone ran for cover under this blinding rain.
Up here, completely a victim to nature’s power, she felt exposed; naked; real. The animalistic instincts inside her swelled up. Humans weren’t meant to wear these annoying pieces of material or shoved inside skinny architectural designs. With aggressive tearing motions, a pile of soggy clothes half lay, half floated on the flooded floor beside her and she stood there bare… and completely naked. Laughter spilled out from the depths of her naked chest with the two tiny hints of possible womanhood; it was louder than thunder. Screaming, laughing and gasping she stumbled around – climbing over objects and feeling the beautiful dizziness: a sweet, sweet dizzy. She stood up on a random block a meter high; spread her arms wide as her wet body shone with raindrops. The rain threatened to push her over, her soaked hair twitching heavily on her neck.
She ****** in her breath, ready to yell so that the heavens could hear but instead, the voice that came out was controlled with a shaky undertone of joy,
“I need to ***.”
And then she did.

                                                *         *            *.

His eyes are brown. Dark chocolate brown – a simple, solid color. Simple and solid like him.
Because he was so simple, people enjoyed his companionship. Though he was simple, he was not boring. Rather he was sharp-mouthed, quick on his feet, witty and observant speaking bald truths about people that either provoked them to scandalized laughter or humiliated fury.
What some people forgot to recognize was that he didn’t really love anyone. Plenty called him a close friend, but so absorbed were they in their own world; they seldom realized the fact that most of his thoughts were concealed. Kept in a little box of surprises in the back of his mind, and hidden so well nobody knew they existed.
He could spend months with a friend traveling in a different country, and return back home with no feelings of attachment. He could care for a friend while they were here and not really miss them while they were gone.
Most of the time his eyes were neutral and observing and they would sparkle amusedly when he had provoked someone with his words. This was how remained to almost everyone; everyone but one person. The one person that could turn his normally calm face even more still, the dark brows would rise slightly and a quick flash of fire would shoot through his eyes- and for a long while, they would burn slowly like two twin coals; the one person who could cloud his eyes dreamily; the one person who could make them glint wetly.  
He reached over and grabbed her hand. Emily turned smiling eyes at him.
A group of teenagers were strolling down the closed roads, armed with water guns, pasted in thick white powder, thoroughly drenched in the hot, dry weather and skipping over puddles (except for Emily who splashed into them).
Songkran in Bangkok: celebrated in the middle of April where temperatures reach forty-degrees Celsius, Thailand’s New Year and a time to pay respect to the elders in the family, but as most traditions, they became really just an excuse to enjoy oneself and in this case, one-year-olds to eighty-year-olds roamed the ***** streets splashing ice-cold water from hoses and water guns and smeared each other with chalk in buckets.
The street they were being shoved along was crowded with slick, drunk bodies. The heat of the afternoon sun shone down on their backs. The sign that introduced excited people in was sprayed by a passing pick-up truck filled with screaming locals. “WELCOME TO SOI COWBOY” printed the red letters.
Red-faced fat foreigners held in each arm a tiny ******* with their bright lace bras showing through the wet see-through shirt and their black eye shadow playing havoc with their cheeks.  Country-side Thai music blared in its jumpy, quirky manner with the over done sound effects. Those nasal voices of dark skinned women with their skins covered with make-up to an ashy white whined out of the stereos. A man with the head of a buffalo mask sauntered past. It was a mark of how wild things got at Songkran that eyes merely flickered over the shirtless buffalo briefly with a quick laugh. Transsexuals clad in diamond-studded flip-flops, wet white tank tops and mini jeans shorts the size of underwear danced to the blasting music from the open pubs down either side of the road. Their surgically-made ******* were all-too visible in the white shirts, their dark ******* poking out as they grabbed the crotches of good-looking men and boys that passed by, squealing and rubbing their bodies against white men especially. Most of these white foreigners had a look of bewildered pleased ness... for only a few realized that underneath that squeaky voice was a very deep rumble, and underneath those lacy thongs lay a very big surprise indeed.
One of the better-looking boys in the group, his green eyes and pointed chin drawing the fancy of many hookers, was pulled off by four pairs of wet skinny arms touching him and yelling in broken English, “Oh so handsome! You so handsome! I love you! What your name! You tell me your name, handsome boy!”
The handsome boy proceeded to manage some sort of scream for help while laughing until his stomach ached. It was Songkran; it was a merry time, and he knew he was good-looking. Kat, who held a secret crush on him laughed amusedly at his yelping.
Emily stumbled after him with Kat and parted through the crowd of ladies in time to see a tiny little ****** trip on her squeaking flip-flops and fall beside a sprawled figure, face down in the ***** road with a massive bag of ice on top of him.
“Hey! Are you alright?” Emily cried, half-amused and half-concerned, lifting the heavy ice bag off his shoulders.
Kat rushed forward, laughing but compromising her concern with furrowed brows and helped him up. “You okay Tom?”
He whimpered in pain and put a hand on his neck, rubbing it sorely. “That ice bag was ******* heavy.” The girls decided to make no note of his skinny arms.
They walked back to their group of friends who turned around and saw a limping green-eyed boy and roared with laughter. The noise caught the attention of predators searching for a good target and they were hosed down with water pipes.
Suddenly Emily felt a huge body lift her up and swing her around while hands plastered her with wet chalk.
“Emily!”
She felt safe hands grab her and looked up into the pair of dark chocolate eyes. They were a little annoyed as they flickered over the fat drunk man who released her heavily but it was Songkran, and he managed to laugh at her bewildered expression.
Just then they passed a horde of prostitutes and she felt him being ripped from her. “I like this one!” screeched a passing market lady who rushed in to jump on him. “I like this one! Let’s keep this one!” They dunk his head in a bucket of white goo.
She screeched with laughter and even at something that silly, felt protective of him. “Brad!”
He was too busy being attacked. “Brad!” she tried to reach in and he opened his mouth to call out to her. That was a big mistake, he realized, as he received a handful of powder in his mouth. Spitting, coughing, and trying to breathe through nostrils blocked with powder he managed to wipe his stinging eyes clean. The prostitutes released him but not before a huge ******* screamed with glee at his straight nose and thin red lips, and reached forward giving his crotch a good grab. He screeched in genuine disgust and fear, had a moments feeling of guilt in case he had offended the ******* which was immediately wept away as he, no she, no it, yelped joyfully and massaged his **** before trotting off to his, no her, no its next victim.
Where was Emily? With his height, he managed to see a brown head that stuck above the other dark-haired and light-haired heads being jostled out of the street by the moving crowd. He ran to catch up and grabbed Emily’s hand as the group of teenagers tripped out of “Soi Cowboy”.  
They stood for a moment catching their breath. Zoey, a tiny little girl with a chest that threatened to put her out of balance, pushed her brown curls out of her face. A red glow was starting to spread over her cheeks.
Kat laughed scornfully, her wide smile spreading generously over her face. “Sunburn?! You white girl!”  
They had all been out around the streets since early morning and it was late in the afternoon now. Rose’s cheeks were flushed and the tip of Kat’s nose was a little pink herself. The rest of them, with their darker skin, had tanned slightly but unnoticeably. They laughed at Zoey for a short while. It was an interesting group of friends: all of them of mixed heritages from around the world with different backgrounds that became common in the world of International schools. It was alright to tease Emily’s honey skin; it was funny to crack jokes about Stefan’s hairiness; it was hilarious when Zoey tried to tan.
Emily shot a picture of everyone laughing: their clothes wet, their faces scrunched up, eyeliner smudged (Kat and Rose had lined their eyes with water proof kohl that of course wasn’t really waterproof), their cheeks and chin caked a crumbly white.
Kat and Zoey clambered over her shoulders, peering at the little digital screen of the water proof camera. “Ew! Gross!” yelled Kat who was only used to pictures of her lips rosy from lipstick, camera at a flattering angle with a bright flash from her professional equipment that made her black-lined green eyes sparkle like emeralds.
“Delete! I look sick!”
Even Zoey, who admired Kat’s photogenic ness to a great extent, could find no words of solace except to say, “Me too! I look gross! Delete! Now!”
Emily just laughed and said, “No you don’t.” Of course it wasn’t a type of picture they’d profile on Facebook, but all the same it was beautiful with their wild-looking and uninhibited faces and un-posing body shapes, curled up in laughter.
Zoey snatched the camera from her and they fiddled with the buttons till the picture was deleted. It was regretful, annoying, but not unexpected.
Emily rubbed her sore knees and noticed how Tom was still rubbing his neck sorrowfully with Stefan laughing at him, shaking his head wearily. Brad was holding onto her arm a little tiredly, Kat and Zoey had their arms wrapped around each other’s shoulder for leaning support and Rose and Emily’s younger brother, Jason, were standing together, staring absen
Jimmy King Jun 2014
If we were the kind of friends who unironically
raised our glasses in toasts,
I would give one to the generation too comforted by the ease
of a honeybee in the plaintively nonexistent mind
of a tulip

To the generation, or at least its subset
that wrongly feels representative, who stumble drunkenly
or maybe just tiredly out of tents
to **** in the view of their friends, who are still at the fire
because the tent was too cold

To those who did raise their glasses in a toast
on New Year’s Eve at what felt, with the ball drop
not screening in luddite protest, enough like midnight.
Beginning with “dear friends” and a couple laughs;
concluding with “now let’s get ****** up” and
a couple more

To those who proceeded
as directed, clinking their shot-glasses
and swigging them back. If only because
they were not tulips.
"Oh yes, I went over to Edmonstoun the other day and saw Johnny, mooning around as usual! He will never make his way."
Letter of George Keats, 18--


Night falls; the great jars glow against the dark,
Dark green, dusk red, and, like a coiling snake,
Writhing eternally in smoky gyres,
Great ropes of gorgeous vapor twist and turn
Within them. So the Eastern fisherman
Saw the swart genie rise when the lead seal,
Scribbled with charms, was lifted from the jar;
And -- well, how went the tale? Like this, like this? . . .

No herbage broke the barren flats of land,
No winds dared loiter within smiling trees,
Nor were there any brooks on either hand,
Only the dry, bright sand,
Naked and golden, lay before the seas.

One boat toiled noiselessly along the deep,
The thirsty ripples dying silently
Upon its track. Far out the brown nets sweep,
And night begins to creep
Across the intolerable mirror of the sea.

Twice the nets rise, a-trail with sea-plants brown,
Distorted shells, and rocks green-mossed with slime,
Nought else. The fisher, sick at heart, kneels down;
"Prayer may appease God's frown,"
He thinks, then, kneeling, casts for the third time.

And lo! an earthen jar, bound round with brass,
Lies tangled in the cordage of his net.
About the bright waves gleam like shattered glass,
And where the sea's rim was
The sun dips, flat and red, about to set.

The prow grates on the beach. The fisherman
Stoops, tearing at the cords that bind the seal.
Shall pearls roll out, lustrous and white and wan?
Lapis? carnelian?
Unheard-of stones that make the sick mind reel

With wonder of their beauty? Rubies, then?
Green emeralds, glittering like the eyes of beasts?
Poisonous opals, good to madden men?
Gold bezants, ten and ten?
Hard, regal diamonds, like kingly feasts?

He tugged; the seal gave way. A little smoke
Curled like a feather in the darkening sky.
A blinding gush of fire burst, flamed, and broke.
A voice like a wind spoke.
Armored with light, and turbaned terribly,

A genie tramped the round earth underfoot;
His head sought out the stars, his cupped right hand
Made half the sky one darkness. He was mute.
The sun, a ripened fruit,
Drooped lower. Scarlet eddied o'er the sand.

The genie spoke: "O miserable one!
Thy prize awaits thee; come, and hug it close!
A noble crown thy draggled nets have won
For this that thou hast done.
Blessed are fools! A gift remains for those!"

His hand sought out his sword, and lightnings flared
Across the sky in one great bloom of fire.
Poised like a toppling mountain, it hung bared;
Suns that were jewels glared
Along its hilt. The air burnt like a pyre.

Once more the genie spoke: "Something I owe
To thee, thou fool, thou fool. Come, canst thou sing?
Yea? Sing then; if thy song be brave, then go
Free and released -- or no!
Find first some task, some overmastering thing
I cannot do, and find it speedily,
For if thou dost not thou shalt surely die!"

The sword whirled back. The fisherman uprose,
And if at first his voice was weak with fear
And his limbs trembled, it was but a doze,
And at the high song's close
He stood up straight. His voice rang loud and clear.


The Song.

Last night the quays were lighted;
Cressets of smoking pine
Glared o'er the roaring mariners
That drink the yellow wine.

Their song rolled to the rafters,
It struck the high stars pale,
Such worth was in their discourse,
Such wonder in their tale.

Blue borage filled the clinking cups,
The murky night grew wan,
Till one rose, crowned with laurel-leaves,
That was an outland man.

"Come, let us drink to war!" said he,
"The torch of the sacked town!
The swan's-bath and the wolf-ships,
And Harald of renown!

"Yea, while the milk was on his lips,
Before the day was born,
He took the Almayne Kaiser's head
To be his drinking-horn!

"Yea, while the down was on his chin,
Or yet his beard was grown,
He broke the gates of Micklegarth,
And stole the lion-throne!

"Drink to Harald, king of the world,
Lord of the tongue and the troth!
To the bellowing horns of Ostfriesland,
And the trumpets of the Goth!"

Their shouts rolled to the rafters,
The drink-horns crashed and rang,
And all their talk was a clangor of war,
As swords together sang!

But dimly, through the deep night,
Where stars like flowers shone,
A passionate shape came gliding --
I saw one thing alone.

I only saw my young love
Shining against the dark,
The whiteness of her raiment,
The head that bent to hark.

I only saw my young love,
Like flowers in the sun --
Her hands like waxen petals,
Where yawning poppies run.

I only felt there, chrysmal,
Against my cheek her breath,
Though all the winds were baying,
And the sky bright with Death.

Red sparks whirled up the chimney,
A hungry flaught of flame,
And a lean man from Greece arose;
Thrasyllos was his name.

"I praise all noble wines!" he cried,
"Green robes of tissue fine,
Peacocks and apes and ivory,
And Homer's sea-loud line,

"Statues and rings and carven gems,
And the wise crawling sea;
But most of all the crowns of kings,
The rule they wield thereby!

"Power, fired power, blank and bright!
A fit hilt for the hand!
The one good sword for a freeman,
While yet the cold stars stand!"

Their shouts rolled to the rafters,
The air was thick with wine.
I only knew her deep eyes,
And felt her hand in mine.

Softly as quiet water,
One finger touched my cheek;
Her face like gracious moonlight --
I might not move nor speak.

I only saw that beauty,
I only felt that form
There, in the silken darkness --
God wot my heart was warm!

Their shouts rolled to the rafters,
Another chief began;
His slit lips showed him for a ***;
He was an evil man.

"Sing to the joys of women!" he yelled,
"The hot delicious tents,
The soft couch, and the white limbs;
The air a steam of scents!"

His eyes gleamed, and he wet his lips,
The rafters shook with cheers,
As he sang of woman, who is man's slave
For all unhonored years.

"Whether the wanton laughs amain,
With one white shoulder bare,
Or in a sacked room you unbind
Some crouching maiden's hair;

"This is the only good for man,
Like spices of the South --
To see the glimmering body laid
As pasture to his mouth!

"To leave no lees within the cup,
To see and take and rend;
To lap a girl's limbs up like wine,
And laugh, knowing the end!"

Only, like low, still breathing,
I heard one voice, one word;
And hot speech poured upon my lips,
As my hands held a sword.

"Fools, thrice fools of lust!" I cried,
"Your eyes are blind to see
Eternal beauty, moving far,
More glorious than horns of war!
But though my eyes were one blind scar,
That sight is shown to me!

"You nuzzle at the ivory side,
You clasp the golden head;
Fools, fools, who chatter and sing,
You have taken the sign of a terrible thing,
You have drunk down God with your beeswing,
And broken the saints for bread!

"For God moves darkly,
In silence and in storm;
But in the body of woman
He shows one burning form.

"For God moves blindly,
In darkness and in dread;
But in the body of woman
He raises up the dead.

"Gracile and straight as birches,
Swift as the questing birds,
They fill true-lovers' drink-horns up,
Who speak not, having no words.

"Love is not delicate toying,
A slim and shimmering mesh;
It is two souls wrenched into one,
Two bodies made one flesh.

"Lust is a sprightly servant,
Gallant where wines are poured;
Love is a bitter master,
Love is an iron lord.

"Satin ease of the body,
Fattened sloth of the hands,
These and their like he will not send,
Only immortal fires to rend --
And the world's end is your journey's end,
And your stream chokes in the sands.

"Pleached calms shall not await you,
Peace you shall never find;
Nought but the living moorland
Scourged naked by the wind.

"Nought but the living moorland,
And your love's hand in yours;
The strength more sure than surety,
The mercy that endures.

"Then, though they give you to be burned,
And slay you like a stoat,
You have found the world's heart in the turn of a cheek,
Heaven in the lift of a throat.

"Although they break you on the wheel,
That stood so straight in the sun,
Behind you the trumpets split the sky,
Where the lost and furious fight goes by --
And God, our God, will have victory
When the red day is done!"

Their mirth rolled to the rafters,
They bellowed lechery;
Light as a drifting feather
My love slipped from my knee.

Within, the lights were yellow
In drowsy rooms and warm;
Without, the stabbing lightning
Shattered across the storm.

Within, the great logs crackled,
The drink-horns emptied soon;
Without, the black cloaks of the clouds
Strangled the waning moon.

My love crossed o'er the threshold --
God! but the night was murk!
I set myself against the cold,
And left them to their work.

Their shouts rolled to the rafters;
A bitterer way was mine,
And I left them in the tavern,
Drinking the yellow wine!

The last faint echoes rang along the plains,
Died, and were gone. The genie spoke: "Thy song
Serves well enough -- but yet thy task remains;
Many and rending pains
Shall torture him who dares delay too long!"

His brown face hardened to a leaden mask.
A bitter brine crusted the fisher's cheek --
"Almighty God, one thing alone I ask,
Show me a task, a task!"
The hard cup of the sky shone, gemmed and bleak.

"O love, whom I have sought by devious ways;
O hidden beauty, naked as a star;
You whose bright hair has burned across my days,
Making them lamps of praise;
O dawn-wind, breathing of Arabia!

"You have I served. Now fire has parched the vine,
And Death is on the singers and the song.
No longer are there lips to cling to mine,
And the heart wearies of wine,
And I am sick, for my desire is long.

"O love, soft-moving, delicate and tender!
In her gold house the pipe calls querulously,
They cloud with thin green silks her body slender,
They talk to her and tend her;
Come, piteous, gentle love, and set me free!"

He ceased -- and, slowly rising o'er the deep,
A faint song chimed, grew clearer, till at last
A golden horn of light began to creep
Where the dumb ripples sweep,
Making the sea one splendor where it passed.

A golden boat! The bright oars rested soon,
And the prow met the sand. The purple veils
Misting the cabin fell. Fair as the moon
When the morning comes too soon,
And all the air is silver in the dales,

A gold-robed princess stepped upon the beach.
The fisher knelt and kissed her garment's hem,
And then her lips, and strove at last for speech.
The waters lapped the reach.
"Here thy strength breaks, thy might is nought to stem!"

He cried at last. Speech shook him like a flame:
"Yea, though thou plucked the stars from out the sky,
Each lovely one would be a withered shame --
Each thou couldst find or name --
To this fire-hearted beauty!" Wearily

The genie heard. A slow smile came like dawn
Over his face. "Thy task is done!" he said.
A whirlwind roared, smoke shattered, he was gone;
And, like a sudden horn,
The moon shone clear, no longer smoked and red.

They passed into the boat. The gold oars beat
Loudly, then fainter, fainter, till at last
Only the quiet waters barely moved
Along the whispering sand -- till all the vast
Expanse of sea began to shake with heat,
And morning brought soft airs, by sailors loved.

And after? . . . Well . . .
The shop-bell clangs! Who comes?
Quinine -- I pour the little bitter grains
Out upon blue, glazed squares of paper. So.
And all the dusk I shall sit here alone,
With many powers in my hands -- ah, see
How the blurred labels run on the old jars!
***** -- and a cruel and sleepy scent,
The harsh taste of white poppies; India --
The writhing woods a-crawl with monstrous life,
Save where the deodars are set like spears,
And a calm pool is mirrored ebony;
***** -- brown and warm and slender-breasted
She rises, shaking off the cool black water,
And twisting up her hair, that ripples down,
A torrent of black water, to her feet;
How the drops sparkle in the moonlight! Once
I made a rhyme about it, singing softly:

Over Damascus every star
Keeps his unchanging course and cold,
The dark weighs like an iron bar,
The intense and pallid night is old,
Dim the moon's scimitar.

Still the lamps blaze within those halls,
Where poppies heap the marble vats
For girls to tread; the thick air palls;
And shadows hang like evil bats
About the scented walls.

The girls are many, and they sing;
Their white feet fall like flakes of snow,
Making a ceaseless murmuring --
Whispers of love, dead long ago,
And dear, forgotten Spring.

One alone sings not. Tiredly
She sees the white blooms crushed, and smells
The heavy scent. They chatter: "See!
White Zira thinks of nothing else
But the morn's jollity --

"Then Haroun takes her!" But she dreams,
Unhearing, of a certain field
Of poppies, cut by many streams,
Like lines across a round Turk shield,
Where now the hot sun gleams.

The field whereon they walked that day,
And splendor filled her body up,
And his; and then the trampled clay,
And slow smoke climbing the sky's cup
From where the village lay.

And after -- much ache of the wrists,
Where the cords irked her -- till she came,
The price of many amethysts,
Hither. And now the ultimate shame
Blew trumpet in the lists.

And so she trod the poppies there,
Remembering other poppies, too,
And did not seem to see or care.
Without, the first gray drops of dew
Sweetened the trembling air.

She trod the poppies. Hours passed
Until she slept at length -- and Time
Dragged his slow sickle. When at last
She woke, the moon shone, bright as rime,
And night's tide rolled on fast.

She moaned once, knowing everything;
Then, bitterer than death, she found
The soft handmaidens, in a ring,
Come to anoint her, all around,
That she might please the king.

***** -- and the odor dies away,
Leaving the air yet heavy -- cassia -- myrrh --
Bitter and splendid. See, the poisons come,
Trooping in squat green vials, blazoned red
With grinning skulls: strychnine, a pallid dust
Of tiny grains, like bones ground fine; and next
The muddy green of arsenic, all livid,
Likest the face of one long dead -- they creep
Along the dusty shelf like deadly beetles,
Whose fangs are carved with runnels, that the blood
May run down easily to the blind mouth
That snaps and gapes; and high above them there,
My master's pride, a cobwebbed, yellow ***
Of honey from Mount Hybla. Do the bees
Still moan among the low sweet purple clover,
Endlessly many? Still in deep-hushed woods,
When the incredible silver of the moon
Comes like a living wind through sleep-bowed branches,
Still steal dark shapes from the enchanted glens,
Which yet are purple with high dreams, and still
Fronting that quiet and eternal shield
Which is much more than Peace, does there still stand
One sharp black shadow -- and the short, smooth horns
Are clear against that disk?
O great Diana!
I, I have praised thee, yet I do not know
What moves my mind so strangely, save that once
I lay all night upon a thymy hill,
And watched the slow clouds pass like heaped-up foam
Across blue marble, till at last no speck
Blotted the clear expanse, and the full moon
Rose in much light, and all night long I saw
Her ordered progress, till, in midmost heaven,
There came a terrible silence, and the mice
Crept to their holes, the crickets did not chirp,
All the small night-sounds stopped -- and clear pure light
Rippled like silk over the universe,
Most cold and bleak; and yet my heart beat fast,
Waiting until the stillness broke. I know not
For what I waited -- something very great --
I dared not look up to the sky for fear
A brittle crackling should clash suddenly
Against the quiet, and a black line creep
Across the sky, and widen like a mouth,
Until the broken heavens streamed apart,
Like torn lost banners, and the immortal fires,
Roaring like lions, asked their meat from God.
I lay there, a black blot upon a shield
Of quivering, watery whiteness. The hush held
Until I staggered up and cried aloud,
And then it seemed that something far too great
For knowledge, and illimitable as God,
Rent th
Kunzite Hewitt Aug 2010
First, I would like to introduce Grayasety. She was a young girl, had soft strands of medium-short caramel hair, and she had green-blue eyes that looked like miniature earths. She was indeed a pretty girl and she was of average height, and had a healthy body. She also had a slight southern drawl; her mother was from Texas. She loved going on boat voyages as her father was the captain of a ship named Gray Asety, named after Grayesty, so she was often training to go on voyages.
                  One morning, just like any other ordinary morning, Grayasety left her house for the next-door stable with her baby sitter, Kinberly, which was part of her father’s crew.  Today was the big day, the day when Grayasety was going to go on a voyage with her father as an official crewmember. Today was Grayasety’s 13th birthday; today was the day when she was old enough to work on her father’s ship! Therefore, she gaily whistled and skipped along the road. It had always been her dream to work on her father’s ship, and today, finally, her dream was coming true. When she got to the stable she blew her small, pink whistle that, to human ears would make no sound, and like every morning her best friend, (which had the ability to morph into animals) trotted tiredly out of the stable in the form of a beautiful brown mare. The huge animal yawned and said, “Morning Kin!” And then addressing Grayasety she said, “ Well, well, little missy what do you want me to be today?” Today Grayasety wanted Mila to be a green parrot, Grayasety was obsessed in the color green, and Mila had reluctantly obeyed, the trio set off for the fresh smelling bay.
Kinberly, and Mila worked on the Gray Asety. Mann Forumest, or Captain Daddy as Grayasety called him had met Grayasety’s mom working as a crewmember on the Majesty, a steamboat. Grayasety’s mother, Magnolia Scott Forumest was the assistant cook. They married, but kept their jobs until one day when Grayasety was about five, the Sea Bandits, a notorious group of pretty woman stealers, kidnapped Her mother.
                        While on sea, Grayasety shared a rather large suite in the ship with her father. In the Bedroom were two desks, one big and one small, and in the corner was a bunk bed, the top bunk badly painted in green and the bottom bunk still bearing its natural mahogany color. Grayasety was sitting in her little green desk, scribbling madly in her deep green diary. Grayasety *** a liking of scribbling and those who have know her long enough could read her scribbles like one would writing. She could read and write although she was nowhere near a strait A student.
                   After a while Grayasety decided to bother her father and, forgetting to switch into her lime green boots, shinnyed up the main stairs to the deck in her faded fluffy mint green slippers. Mila, perched comfortably on Grayasety’s shoulder, started telling her that she was wearing her slippers when Grayasety shoved a faded green pacifier in Mila’s mouth; Grayasety often did this to keep Mila quiet.
Mila, not enjoying the dusty, stale taste of the pacifier unhappily decided to keep her mouth shut until Grayasty got in a better mood. In truth Grayasety was in a marvelous mood and rather liked shoving pacifiers in Mila’s mouth. As the girl got closer to the deck, she started to hear chanting from the kind crew. She especially heard Kinberly’s familiar raspy voice chanting,” Laaa dee daaa, the Gray A rolls along,” and as she emerged to the *****, wet deck she noticed that her father was talking to someone else already. “Botherin’ will have to wait some,” she whispered to Mila. Then she took the pacifier out of Mila’s mouth and scolded,” why didn’t you tell me that I was still wearin’ my slippers eh? Wanted to make me look like an idiot?” Mila simply rolled her eyes.
                    Right then, Captain Daddy, apparently finishing his conversation, came over to the pair and said affectionately, “How are my darlings doin’ today?” Mila especially enjoyed this for Captain Daddy always gave a loving stoke on her back and a whole chocolate chip cookie if he had one. Although Grayasety always stole some of the cookie Mila was happy enough with half. Grayasety, on the other hand was happy with a whole cookie so she begged Captain Daddy to give her another one. Captain Daddy gave her another cookie but chided her not to steal any more from Mila.
                    After the lecture on not stealing other people’s food, Grayasety clambered up the crow’s nest and almost knocked over Franz, a tall, but gaunt boy a couple years older then Grayasty getting in. ”Anythin’ unusual yet?” asked Grayasety hopefully. “Nope,” answered the calm boy quietly. ”Hi Franz. Do you have any cookies?” asked Mila mockingly, Franz just laughed and said,” If I had any I would of eaten it by now! Gray, can you get me somethin’ from the kitchen?”.
                   Grayasety got Franz a basket of food and got her self the same amount; Grayasety was basically always hungry, and had a little picnic on the roomy crow’s nest. After they finished their meal Grayasety decided to let Franz rest and did lookout. Franz had a small room to himself, which was about the size of a normal bathroom with all the stuff taken out. In the corner was an old, squeaky army cot and next to it was a rotund desk with a stack of blank paper, a jar of Indian ink, and a fountain pen laid precariously on it.
                    Franz was quite a writer and he spent his free time eating, sleeping, or writing and unlike Grayasety he actually wrote not scribbled. He was working on a story about gargoyles that came to life at night. It was an interesting story, really. He would of loved to stop working on the Gray Asety and go get his books published but he stayed for his family was a poor one and needed his help to make a living and also, Captain Forumest provided free paper. And, his daughter was the first friend he ever had; Franz was convinced that she was the best one.
                   Grayasety enjoyed being on ships. She liked feeling the cold air rush through her hair and she enjoyed the great view of the vast sea that surrounded her. She even liked the feeling of being so small compared to the humpbacks that swam by. She thought that the ship food was good, and she felt that the sea was truly where she belonged. Grayasety was very cranky when she was not at sea, (though she did like their big, ocean green house), so her father tried to include her on as many voyages as he could.
                     Captain Daddy, or Mann as I will call him spent most of day in a booth on the deck. He often worried about his daughter’s mental health (even though it was completely unnecessary). He talked to Grayasety’s doctor about this and Dr.Metalos, Grayasety’s doctor, gave them a list of mental deceases she could have, but none of them seemed like some thing she would have. Mann was sure that his daughter did not have one sickness; Much Too Much Time At The Sea Syndrome. If any one knew where Grayasety belonged it was Mann and he knew perfectly well that his daughter would go insane if she wasn’t at sea for too long. For one thing she preferred to sleep on her uncomfortable bunk at sea rather then on her fluffy green bed as soft as a feather at home.
                        Right then the ship did a tummy- flopping lurch and knocked off the map and compass from Mann’s desk, which interrupted his thoughts for a while. Below deck Franz’s desk toppled over, and Franz accidentally made a long and ugly scribble across his writing and on the crow’s nest Grayasety was having trouble standing up and she almost vomited right onto Kinberly’s hair. This was rare for Grayasety for she lived on the sea and was used to lurches; she had once survived a shipwreck, which explains her golden earring on her right earlobe.
                   That night as Grayasety lay in bed Mann quietly crept out of his bunk and scurried up the stairs to the deck. He wanted some time to himself. Ahead was Cape Horn; a very dangerous place where so many ships had sunk it could fill the biggest port in the world, but more personally, this was near the Sea Bandits main head quarters, 8 years ago the beautiful Magnolia Scott Forumest was captured here. Even though it was impossible in the foggy mist, Mann tried to make out the cave that marked the entrance to the headquarters. Only few people knew this entrance, and publicity stated that it was a “mere mystery” why most captives were capture near Cape Horn. Mann felt a chill run down his spine and then he thought he felt someone’s hand grab his shoulder. He looked down and saw what he dreaded most; a hand tinged with brown firmly held his shoulder.
                      Grayasety woke up feeling wonderful but apparently Mila didn’t. She kept screeching something about Captain Daddy being kidnapped and soon she found that what Mila had just screeched in her ear was true. She stormed into Franz’s cabin and told him what she discovered and they soon agreed to do what no one else wanted them to do; steer the boat right into the Sea Bandits’ headquarters and take back what, and who was theirs no matter how hard it could be.
                      Grayasety had Franz steer the boat and she herself navigated, Kin was lookout and the rest of the crew helped out. Franz dropped the passengers off at Puerto, and Mila morphed back into a human; what she really is, and helped out. Separated from the frenzy, Grayastey was quietly thinking to herself. She wondered why the Sea Bandits captured her father. They were well known for capturing pretty woman but not average looking men. Just then she heard a knock on the door. “Grayasety?” said the raspy voice of Kin. “There ya are. I just thought ya might wanna know why ya daddy was captured.” “Can you please tell me,” asked Grayasety, trying not to sound too eager. “Well rememba when ya daddy would be gone when ya woke up at mid night an’ I told ya that he had gone to the store to get some groceries? Well if you had thought some you woulda noticed that the store was closed.” Grayasety interrupted Kin in mid-sentence and said irritably, “Of course I rememba. Just get to the point Kin!” Kin flinched at Grayasety’s frustration and mumbled,” Well ya daddy was a spy. One of the best ones at that. He did all he could to stop organized crime, an’ he specialized in the Sea Bandit’s. They captured him ‘cause one less police the better for them.” Grayasety sat with her mouth hanging wide open. She never imagined that her father was a spy. But now every thing made sense. “ Sorry I didn’t tell ya before. Ya fatha simply wouldn’t allow it.” Kin apologized. Grayasety managed a squeak and then Kin left her.
                      After she repeated this to Franz and then Mila, Grayasety went down to her bedroom, she hated having to be near Her father’s belongings but she hated having people see her crying much more and cry she did, leaving her father’s mattress a soggy mess. Then she decided to clean that mess up for if they rescued her father she was sure he did not want to sleep in a soggy bed. Noticing it, she picked up her dad’s picture of her dad and mom’s wedding and became suddenly aware of how much she looked like her dad. The hair, the eyes, the quirky grin, every thing. Her mother had soft blonde hair and violet eyes that almost made you smell the pungent smell of lavenders and had a beautiful smile with bright red lips. All in all she was the most beautiful woman Grayasety had ever seen. She almost made Grayasety feel jealous.
                     “Hey! Gray. So are we gonna bring any weapons? Kin was a whole chest full of ‘em!” Said the distinctively low voice of Franz. “Well, I dunno. I suppose we should bring a couple guns. Always nice to be well prepared.” Replied Grayasety.

                     Franz was on lookout when the carrier pigeon came. The note it had on its leg was from Mann. It said:

Dear Grayasety and friends,

Do not come to save me. I’m with my wife in their dungeon but they want you guys to come too. You see, I’m like a bait. You’re the fishies. They want to erase all traces of the Forumest family. That means they have to dispose of those who would remember them. I will manage okay. Kin, Please take Grayasety and Franz home and forget about me for you and the children’s sake. Grayasety, I love you. Dispose all of my belongings and try to tell yourself that Kin is your mother. Believe me. It’s all for the better. Franz, I meant to tell you but your parents caught tuberculosis and died the other day. Your sister committed suicide soon after. Please take care of Grayasety.

             Mann

                    The trio stood silent for a long moment and then without warning Franz burst into tears, and scrambled to his cabin. Kin and Grayasety looked at each other sadly and went to their cabins themselves. Grayasety tried to sleep that night but images of Mann and her mother strapped up in chains kept her staring into the darkness with wide eyes. She reached over and got her personal music player, trying to distract herself but after a few seconds she turned it off again, for she could not bear listening to the lyrics; “It’s past midnight and something evil’s lurking 'round the dark” of Michael Jackson’s “Thriller”.
            The next morning, Mila and Kin steered the boat near the cave that marked the entrance to the Sea Bandits secret headquarters. Mila then morphed into a seagull and flew into the old, damp cave. From a safe distance Grayasety and her crew awaited Mila to return with some news. After swooping into the creepy cave Mila found the opening to the headquarters and perched on a ledge near it. There, she morphed into a rat, and scurried up into the opening.

                 After crawling along several hallways, Mila came across a steel door bolted very firmly marked “CELLS”. Luckily Mila was small enough to crawl under it. Scurrying along the bureau of prisons, Mila finally saw a cell with Mann and a stunningly beautiful woman captured in it. Mila slipped between the bars and trying not to gain the woman’s attention for fear that she would scream, climbed the steep hill of Mann’s arm to try to reach his ear. “Mann?? Don’t make any sound OK?? I’m Mila. I’m the rat on your shoulder. Kin, Grayasety, and Franz say they miss you a lot.” Whispered Mila. Then she saw a humongou
A short story instead of a poem, but I hope you enjoy!
Any corrections, edits, suggestions etc. and greatly aprecciated!
Jimmy King Dec 2014
.              Part One               .

January
I wake up in a hungover haze that seems
Irrevocably unending. All the places I threw up,
That stiffness in my neck, the emptiness in my love;
There is too much to feel
So I feel numbness
And I feel remnants
Of ***** in my throat, only manifested fully
When my friends and I make fortune cookies,
Singing along to songs that we’re hearing for the first time
Amidst the chaos of exploding poinsettia plants and nascent tattoos,
All of which litter your mom’s otherwise bare counter.
I don’t make much mention, in my fortune cookies,
Of that girl who still leaves me hungover;
I fill them instead with cruel jokes
That send me cackling
Until my dehydrated headaches pass into

February
When I’m moonlit tipsy stumbling
Through a campus-wide coniferous forest in Washington State
With two strangers that I soberly think
Might be my future.
We arrive at the clear polluted waters
Of the Puget Sound, our boots all
Sinking into deep-mud as we walk past broken bits of shells
To low tide.
Even as the full moon sinks and I realize
That those two strangers can never be my future
(That Athens, Ohio is my future)
I still walk forward
Into the Puget Sound
Knowing that the water will stay with me
In my lungs, on my skin,
In my mind, and although I don’t tell a single person, I fear,
So rightly,
That the water from the Puget Sound,
Set to perpetually accumulate in my lungs,
Will one day come to drown me.
Even as I cry to my mom in our kitchen,
Relieved from that seemingly endless indecision
I’m not surprised. I’m not surprised
By the choice I’ve made, I’m not surprised
By the fears I still have, all that surprises me
About any of this
Is the immediacy with which
My conclusion’s future culmination begins, as I begin
And continue
While always feeling like I’m concluding,
An infinite

March
In spirals, spirals, spirals, leaving trails
In subconscious sands, someone paints
Blue spirals on my body, and when
I drive back to Lake Erie later,
To retrieve abandoned items and moments,
The road looks much different.
Less swirly, less threatening at first, and when we get there
We eat pineapple/onion pizza on my ****** cottage’s front porch,
Just barely shielded from the snow, and just barely
Shielded from one another. And even those
Slim shields between us begin to fall
When we stand on our melting Lake Erie.
Because the whole world
Calls to us.
The sky screams, the wind explodes,
The thin layer of water above ice rushes
Blissfully, almost hallucinogenically, towards you and towards I
And I am howling
Into the face of it all,
Fearing nothing—not even
The absence of that girl’s palm in mine
Or the water from the Puget Sound
Or the cold of the air
That is tearing at my scalp; that is tearing
At my whole being and

April
Is best described by a rampage
Home from a campsite
That I only ever saw
Drunkenly, in the dark, and under the pressure
Of Allan Ginsberg’s poetry and an ultimately failed ****.
On that rampage we steal tombstones,
We steal memories for ourselves,
And we steal crass glances
With crass jokes that sound sort of
Like the crass fortune cookies which somehow
Never went bad.
Someone notes during that drive
That the air is getting warmer
With regularity now,
And while I somehow can’t bring myself to cry when my cousin is shot to death,
I have to struggle to hold back tears
In our high school’s only classroom when you tell me
That you’re quitting that play we signed up for together.
I guess it’s cuz I’m concerned—
Cuz I’m deeply
Deeply
Deeply concerned—
That it’s a lack of dedication
To me, to what we do together, to everything
That will prevent my rampage from concluding quietly
Amidst the smells of Indian food and the soft light
In your future dorm room
Where I will hug you
And where I

May
Finally
Let all the tears
Flow freely.
I guess it’s the unnecessary intensity
Of this collective celebratory anticipation
That preemptively reveals to me
That the moment of walking across a stage
To receive my high-school diploma
Won’t be quite as transformative as I’d hoped it might be,
And when I make out with that girl who still has me hungover
In the bed at my dad’s house where I lost my virginity
Almost exactly one year prior, I realize that in fact,
I’m still marching the same march, and
Both magic moments of idealized transformation in that bed
Were just as illusory.
Somehow though
Your no longer nascent tattoos have not yet faded
And I can’t help but worry,
(As sweat pours from my forehead and drenches these bedsheets;
As my finger nestles itself tiredly between the folds of her ******)
That I have, and in

June
When all my anticipation is realized,
People clap in the audience despite the fact
That it’s the same stream of sweat
That’s trickling down along my spine
To reach my ***.
I stare into the spotlight
For just a moment, amidst those stale applause
And in my squint, I think briefly
That none of it ******* mattered. I mean,
Despite this perspiration, I’m
Dehydrated. Hungover. I guess
Drinking more alcohol
Isn’t the best way to get over it, but I can think of nothing else,
So even when I acknowledge
That all my attempts have not even been half-assed,
But, like, one-quarter-assed
The only resolve I find is in distraction, in
******* my other ex-girlfriend instead
And not until that distant

July
When I’m ascending through Never Sink,
Does my head finally
Feel clear, yes,
In that glowing blue pit
Of bioluminescence,
I feel the whole world slow to a stop,
Embrace my body with its taproots
And whisper
Playfully and
In a child’s voice,
“You are the whole world” and I know that I
Am the whole world.
I breathe heavily, the only sound for miles around,
And for a moment I feel that the Puget Sound,
Along with everything else that is so ******,
Has fallen away.
For it is not my body
That is climbing on-rope through the stars and galaxies of this great sinkhole
But my mind,
But my soul,
Because Never Sink
Is not a landscape
But a mind-scape,
A soul-scape,
And it is one which is never dark
Thanks to the blue lights of soulful- (not bio-) luminescence—
A glow that is strong enough to see
Finally
A singularity
In the form of an unlocked lock,
Appearing with grace upon my driveway
After I return home
From ******* my other ex-girlfriend
For the last time.
It is only when I stop the car,
Open the door,
And hold that unlocked lock in my hand that I realize the extent to which
I am being
Un-defined.
The ethereal being in Never Sink’s soul-scape,
Alone in the blue grace of the night,
With nothing in my breath.
The thought is terrifying.
So in

August
On the night of my eighteenth birthday,
The girl I’m hung over and I
Send magical, sparkling lanterns into the sky
With a wish so brilliantly bright and simultaneous
That even I am able dismiss the slurring drunk words spoken next to us—
“Here’s hopin’ that you two get married some day”
As superfluous.

.                Part Two               .

The winds above Lake Erie carry me,
Along with that lantern, into the foreignness
Which Never Sink foreshadowed.
But with the lantern as my very being
And the Puget Sound in my every breath,
Athens, Ohio does not become my soul-scape;
Even its gorgeous autumnal rolling hills
Are just land-scape, and I don’t know
Whether things would have been different
Had I not walked into that stranger’s party
For that terrible beer
On one of my first nights there, but regardless in

September
I walk up endless hills and stairs daily
To get around this hellhole where the only genuine people I’ve yet found
Were prepared to leave from day one, like I
Wasn’t. I wasn’t preparing for that at all, but the Puget Sound,
Lingers like phlegm in my lungs and distorts my regular refrain
Of “I can be happy here, I can be happy here,” keeping it
From ever loosing its hypothetical but eventually forcing it
To loose its conclusion:
I can be…
I can be…
I can be anything that I want to be and I am still here,
Sitting on the top terrace of this weird-assed biker bar with some girl
I just met, with some guy
Who seems cool, but in both cases
I drink one too many Blue Moon’s because I know
That neither of these people
Will ever loose their hypotheticals and will only ever
Loose their conclusions.
Gazing upwards towards the stars in the fading summer,
I try to ignore the physicality of all that’s around me,
But the alcohol churns in my stomach like violent waves, like in

October
How I rock like tides between the shores
Of two continents, of two
Acid trips.
One, on the floor of my dorm room, staring at my ceiling
In an attempt to make patterns
Out of patternless white paint, all the while holding hands
With that guy who seems cool, who has been dancing
In and out of hypothetical.
And the other acid trip with you,
Who somehow in the face of everything
Became one of my only certainties.
You, with whom I stood on Lake Erie
Howling into the wind in an unrealized epiphany.
An epiphany
That is now realized
Because the beers on that top terrace didn’t matter.
The white speckles on my dorm room ceiling during that first acid trip
Didn’t matter.
Hell, that girl I am in love with
Didn’t (doesn’t, can’t, won’t) matter.
What matters to me,
As I’m dressed in drag on Halloween,
Lying in your dorm room that smells of Indian food
With 120 dollars of drug money in my pocket,
Is what’s ultimately present. Right there.
Right here. But then, lying there, the time
Clicks over into

November
And at two in the morning it becomes
One in the morning.
I don’t know which of those hours wasn’t real
But when I hug you and cry in the soft light
It is a moment too brief.
It is a moment from which I am pulled straight
Into a hotel bed halfway to New York City,
Where I lie with that girl who I guess I’m in love with
And I’m kissing her, and I realize
That blue spirals still linger on my body, but when she groans,
So softly
That “we shouldn’t be doing this”
I pause before saying “I know,”
And in that pause, my pixelated, televised, and falsified image of reality
Briefly turns to fuzzy grey static, its finite infinity like the trance
Of meat on a rotisserie; I’m waiting
For this turkey to cook
In my friend’s mom’s home—funny
Because I’m still a vegetarian
Who sometimes likes to think of himself, in quest for definition,
As a vegan, but man
I’m beyond definition, I’m beyond anything,
I’m beyond even my darkest imaginings of myself, so when I get wasted
At a 2am that doesn’t click back on Thanksgiving morning,
I have a slice of that ******* turkey,
Cuz the vegan chili my friend and I made at school was good and all,
But I had to bike through freezing rain to get the peppers
And even though I’m starting to feel
Like I’ve found a few people who I can take in with permanence
Nothing feels more like permanence
Than this home-cooked meal
Of turkey and cranberries and sweet potatoes at a granite counter
Where, on January 1st when the ball dropped,
We all took shots, leaving me drunk, stumbling
And eventually
Hungover.
And of course in

December
I’m still
Hung over it all.
Part one, part two,
The futility of that division is so obvious now.
It’s the same poem, same sentence,
And when two not-so-new-anymore friends and I sit on a rooftop in Athens
With a bunch of still so-new I-guess-friends
Right before exam week,
Right before this emotionally excruciating semester comes to a close,
Right before I prepare to head home,
I realize that even though this place
Hasn’t quite become home yet,
My ‘home’ isn’t really at home now either.
I am without a bed in which I feel comfortable,
Without a body next to which my whole life makes sense,
And I am driving to go swing dancing—
An activity I can’t believe I’m still trying to like—
When I finally tell her that I’m in love with her:
Words that don’t matter despite
How much they do. Ultimately,
To me, to her, it’s just
A quick red-light phrase
And this poem is, without too many layers of resonance,
Not even addressed to her,
But to that girl with whom I stood on Lake Erie,
Howling into the wind,
Imagining part two but preparing
For part three, so
With that lantern still floating skyward, “here’s hopin’ that”
                                         (No. No. No. Start over.)
Here’s hoping that
At midnight
On this New Year’s Eve,
When the ball drops and when we all take shots,
Perhaps around that same granite counter-top,
These clocks
Won’t click back again.
These spirals
Will fade.
raw with love Apr 2014
don’t call me pretty
don’t call me sweet
i won’t be flattered –
it’s not what i need;
don’t call me beautiful
don’t call me hot
i won’t be flattered –
i know i’m not;
but then so what
it isn’t like I give a
****.
beautiful won’t draw the stars
upon the night sky,
pretty won’t write you a poem
twenty lines long,
slam and bitter-sweet,
beautiful won’t inspire
another soul to love me,
pretty won’t immortalise
my swift and shining mind,
beautiful won’t taste like
coffee and cigarettes
when i kiss you on the
mouth,
pretty won’t make you
laugh with a coarse voice
at 3 a.m.
under the stars,
beautiful won’t make you
stay awake till dawn
reciting frost, then plath
and then bukowski,
pretty won’t make you
crave for my
mysteriously gentle touch,
beautiful won’t make
my absence sting and
leave a burning scar,
pretty won’t feed you
with homemade crusty
cake glazed with chocolate
and raspberries,
beautiful won’t make your
body ache when you
wake up and don’t find me
in bed,
pretty won’t make your
head hurt with all the
existential questions
i ask before i’ve even started
to drink,
beautiful won’t cuddle you
under the sound of
heavy metal screams,
pretty won’t soothe you
when you need to cry,
beautiful won’t dance with you
with no music,
pretty won’t hold your hand
like i will though it’s
december and i have no
mittens,
beautiful won’t win
wars for you,
pretty won’t stay up all
night long to marathon
lord of the rings with you
and then maybe star wars
and then read some marvel,
and then make up
asoiaf theories,
beautiful will steal a glance,
but I will steal your mind.
hot might earn you a body,
with other words
you will enter my heart.
pretty might be enough
for a one-night stand,
but i can make you
be hopelessly,
tiredly,
desperately
in love.
dedicated to Lauren Wycoff for inspiring me.  go and read her stuff now, she's fantastic
Jazzelle Monae Aug 2016
I saw you look over at me
My arm across your chest
Fingers tracing tiredly
I felt the breath you took
It hitched
I saw you pause when you looked
Right before kissing
My forehead
Your chest tightened
My senses were heightened
I and you know it to be true
That kiss means
I love you
2016 © Jazzelle Monae
Lappel du vide Mar 2014
you know? i'll stop being so empty sometimes. i'll fill myself with words, so they will be dripping down the carefully creased seams of my lips and dents in my cheeks. i am tired of margins and paragraphs to box in what i have to say. i'm ready to let things out like a destroyed dam barricading a swift, roaring feline river; distorted reflections of the day racing past.  i am a goddess with dripping hair and naked skin, you can't stop me from feeling. i feel with my soul i feel i feel I FEEL and i am alive. i am the start of morning, i am red tinged and purple, i am the end of the afternoon, dark skinned and starry. i am everything that this universe is made up of, and i intend to be that way till the very earth splits my bones and drills my skull, and my skin droops tiredly to the ground. i am whole, and i am divine. i am eternal, like the dust scattered across the milkyway, and *you can't stifle me.
Wandering Soul Aug 2017
So there's this girl; pretty, gorgeous and nice.
Her eyes crinkle when she smiles genuinely
and I hope she knows her beauty eventually.
Because she has a pure soul that can entice.

There's this girl, whose favorite color is blue.
Who stays up past midnight to finish a book
and then falls asleep in her own comfy nook.
Tiredly waking to a pale dawn covered in dew.

There's this girl, that takes up all of my time.
Who lights up my phone all hours of the day
and expects a paragrapth on the 28th of May.
So there's this girl, this girl that I call mine.
heather leather Dec 2015
i light matches on non flammable things and start fires i
cannot extinguish, i start all consuming love and then tear it apart
viciously and tiredly and try to put back the pieces of my heart
in this sacred chest at the bottom of wherever my skeleton ends
because that is where it belongs, alone and protected
you were a cigarette i denied myself the pleasure of smoking you
were an old record player that i would dance to by myself
at 2 am just because and you were strawberry hill wine in the
middle of the park that tasted agonizingly sweet on my tongue
and scorched my throat into believing this was happiness
i still whisper your name whenever i drive by your house in prayer
that i will never see you again, you are still a ghost in the corner
of my mind and i have a feeling you will always be

(h.l.)
ghost by halsey
August Feb 2013
Nothing is a sadder sight to me
To see a business with empty windows
The blue building I pass by every day
With the once solid stairs only marked by a paint print
The man in the yellow jacket and the American flag shirt
Even though America is why he is walking on worn down shoes
320 on moffet, dilapidated apartments & hollow doorways
Nothing is a sadder sight to me
The blinking open sign that flickers, only welcoming ghosts
The boy who gets off the bus stop alone, walking by it without a glance
With his back pack strung tiredly over his shoulder
The universal feeling of not fitting in still fresh in his memory
The field of grass, deserted
A cemetery of parts & wheels & headlights & people's once dream machines
Nothing is a sadder sight to me
The lady who lives on 2nd near the sewer drainer
With hoards of stuffed animals waving from inside the windows
As she sits under the awning surrounded by them, smoking a cigarette with trembling fingers
The girl driving with her hands tightly gripping the steering wheel
Grinding her teeth as she watches the people she sees while on the road
Blinks slowly, as she knows home is where she is alone
But she'd rather see this road side sadness then the blank television screen
Nothing is a sadder sight to me
And she screams
As she crashes into a tree
The man in the yellow jacket turns his head
The boy's back pack falls to the ground
The women leaps up, her plush lifeless friends tumbling around her
The building are silent, remorseful
Nothing is a sadder sight to see
Angela Moreno Jul 2015
Walking through the town today
I thought I crossed you on the street
With your sand storm hair and empty eyes
And anxious vagabond feet.
Your pretty teeth were crooked
Like bricks forced under pressure
Your shoulders, they sagged tiredly
Your head hung with displeasure.
My heart leapt at the sight of you
And music filled my lungs
With a longing to sing with the loudest voice
All the songs 'til now left unsung.
But when your eyes met with mine,
You were just a man I did not know.
Just a man, like the man I once loved
One thousand cold Augusts ago.
bucky Mar 2015
a person on the metro, six stops from their destination
leafing through a brochure titled How
To Get Rich Quick -
sighing in disgust,
"I was never allowed to go on the metro
when I was young," boasts the woman
sitting beside them, an accessory of
The Scene. a prop
(voice is loud and nasally, and the person - five stops - considers moving)
quick smile, polite:
which means, go away. or, at the very least, don't talk quite
so loud
okay? okay?
a softcover Merriam-Webster's Collegiate Dictionary is under the seat, discarded,
Sharpie skidding through it (four stops) at every jolt
of the train.
this is normal, all trains are jerky sometimes, and the loud woman
expresses her concerns.
an old man, older than both people,
older than anything really - coughs.
wet coughs.
the person frowns, but quietly, so
the woman and man won't notice.
(they are well-practiced in the art of subtlety)
three stops. the woman leaves
but the smell lingers
and the dictionary, having slid back
one or two rows for effect
a flock of tourists board. kids in the seats
parents hanging tiredly to safety holds
(be still be quiet keep your hands to yourself, mandy
a little boy of six clinging to the person's jacket with
sticky warm fingers)
two stops, and the boy asks why they look so sad.
what they're reading.
they have perfected the art of silence
but little boys don't understand silence.
the mother hovers in the background
sneaking ***** looks at the person,
wax smudged smile going crooked at the edges
one stop,
the boy asks where they got their hair
(my head;
he is unimpressed)
he is kicking the lonely dictionary
providing it with company,
or maybe unaware.
they leave, and the mother hisses something at them as they pass -
clutches the boy's arm.
the dictionary has been stuck on the word spectral for three days,
and the train hums to life.
Michelle Garcia Nov 2014
i look at the bags beneath my eyes and i see a crime scene,
a restless heart made of shattered  glass bottles
and shouted words sharp enough to cut through skin
and i wonder why anyone would choose
to love someone like me

you’re the kind of boy with electric lips,
the kind of boy who bleeds poetry
and you’re a crime scene just like me,
one that screams danger,
you set everything around you on fire
yet i wouldn’t mind being turned to ash by you

i’m a ticking bomb of interrupted love
and i worry that you’ll leave me,
that you’ll run away with my fleeting heart
still tiredly beating in your hands
and i’ll be forced to destroy everything around me
just because you couldn’t love a girl who couldn’t love herself

i fear the day i’ll wake up on the ground
realizing that i am just another painted face
in your pile of broken girls with expiration dates
yokomolotov Aug 2013
Summer. bike ride. I’m a child. I live just outside of Churchill Downs in Kentucky. young in skinned knees, pumping a 10 speed in a humid southern town, dodging cracks in the side walk. it’s an old superstition and I still hold it. grass growing in tiny bunches, in cracks. sun peeling the skin. candy rotting the teeth. the city is so *****. the houses dilapidated like fallen, shambling drunks. paint crumbling. and my brother ate paint chips. someone called him *******. rusted cars, playing house. sedan clubhouse, an oven in July. garbage day, rummaging for toys. I once found Quik strawberry milk in the trash I consumed it, and later felt like ****. hot trash treats. cumulus cloud companions, balloons without strings, the heat over eighty degrees, friends none to speak. after school fight. kids claiming coitus in the elementary. country music blaring from a fake wood radio. I found the radio on the curb and was proud of my conquest. all the lyrics incoherent but somehow they resonated. riding bikes all day. no parents. busy, their marriages failing, lives changing. riding through the slums. the houses of broken homes watching me tiredly. boarded eyes. down steep hills. up plywood ramps. kids jeering from porches, throwing rocks, glass, anything. scribbled graffiti. the rain makes everything more loathsome, wet clinging grime.  the dirt sticks to everything. fingertip messages scrawled on cars. s.o.s. twenty foot Marlboro man towering above the block, faded, peeling, half his face gone. like a totem making sentry of the oiled trash, the houses and apartments nodding to demolition. meanwhile, the thoroughbreds are fenced off and protected like coveted family jewels. I stood at the fence and thought, that’s all Kentucky is to the world. just some **** horses. Now and Laters and candy lips stick, my front porch.  the house leans. a drunk on the curb mouth a gape and snoring. is that your dad? no he’s in the tavern across the street. he lives there and its always loud. angry sounding buses threaten to squash the spastic child cyclers as they clutch their Sega genesis desires. cleaning gritty fingernails, I learned that my math teacher was dead. her car she wrapped around an old elm or maple on Southern Parkway the night before. my dad signed me out of school and took me to see the spot where she died. on the asphalt a ripe red stain. did I make this up or was that real? death. learning about death. with cockroaches. the bug-man sprayed and killed your parakeet, Christina. it was stuck to the newspaper that lined the bottom of its cage. I recorded it chirping on a cassette tape. I remember running terrified from rusted sedans. dented and hosting drug addled predators in cut-off jeans, wet legs stuck to torn imitation leather seats. ***** glued them and fueled them. I fled with my flea bitten mongrel friend. fly eaten, **** making. my dog made a minefield of our backyard. in this backyard where every Derby I parked tourist cars, the ladies in fine heals, disgusted and wobbling around the turds, the mud. I stood squat, shabby and I pocketed their money. Kentuckians, that’s all we are; horses, chicken and the cluck, Thompson.
Mia
I wish the first moment I met you,
Would resound forever.

Never needing food or sleep,
Just content in your presence.

The feeling of love and awe,
Beauty captured in a moment.

My desire is to go back,
To that very first day…
And if I may,
I think I’d kiss you,
If just to say,
I’m yours.

To see and smell you’re autumn hair,
Matching you’re hazel glazed eyes perfectly.

Felicity,
How delightfully,
You kiss me.

Bliss,
Thy name is,
Such sweet remiss.

First,
I will love you,
Then I will quench your thirst.

Then,
In half remembered ecstasy’s,
I will taste you when.

After,
Your chest will rise tiredly,
Stuggling for laughter.

Finally,
I will hug and cuddle you,
Showing that my love is not trivial.

When,
I wake from the dream,
I’ll still remember that you are a godsend.

I used to believe there was something wrong with me.
And then I met you.
I used to be sick with loneliness,
But you cured it with you’re faithfulness.
Whenever I looked into the dark, I saw empty shadows,
Now it is you that fills the gallows.
Before I met you I was dead but a live.
Now I’m in love and living my life.
Whereas before depression and anger were present,
Now it is only happiness and joy, in every second.
I write these to let out my emotions,
So that you may cry tears of elation.
I want to scream out you’re name and etch it on my heart,
Because it most certainly beats with you’re mark.
I am not the smartest or fastest or tallest or strongest.
But I put in the effort and I’ll work for your content.
I promise not to you hurt you, if you’ll promise the same,
Because in the end we are opposites but one in name.

Loving You,
Is so painful,
Too cliché,
And risqué…

Too dangerous,
Too incredulous,
Too out of bounds,
Too without grounds.

A soul mate,
A friend,
A lover,
A mother.

It’s coming to a close,
And all these words, and ideas and moans,
They are my own.
But they are more yours than mine,
Because I am nothing, if not on you’re vine.
Feed me and pet met and water me too,
Show me lots of love, and like an angel sent from above,
I will radiate my light on you.

It’s not much, for sure,
But it’s what I’ve got.
It’s added to you’re presence,
Your heavenly beauty.

I’ll leave you with one last thought,
Something that shall not be forgot.
You’re only young and you’re only alive once,
So make it the best, make it loved,
That’s what I’ve done, what I did,
When I found the one.

Mia.
Mymai Yuan Sep 2010
Yesterday I stumbled upon a cluttered room
Its walls were crammed so tightly
And it reeked of an odd perfume
When many smells are mixed together

I recognized a little doll
A Dalmatian dog, my love when I was two
And remembered how every time I had a fall
I pressed his cotton head against my tears

But I had lost him so many years ago
When riding on the carousel
And was home before I realized with great woe
I had left him on the horses head

Next to him was a thick book
Filled with children artistry and letters
And when I took another look
I saw the E’s were scribbled in my hand

It confessed how I had been mad
When baby brother got the last cookie
And it sloped how I had been so sad
When I lost the race in the playground

But I had lost this book so many years ago
When that day, we moved houses
And I got a new diary, tied with a pink bow
I never remembered it again till today

My nose picked up a flowery smell
From my first fragrant bottle that sister gave me
And when I was six, I brought it for show-and-tell
I even sprayed a little into the air and impressed my fellow classmates

I was very proud as I ran out to play
For I was the only one who had a little smell on her wrists
And it smelled of daffodils and sunshine rays
I ran back to my cubby-hole to check on my treasure

But it was gone forever out of my sight
When that break, a jealous little girl
Snitched it out into her bag with fingers so light
So that it became her treasure, not mine.


Something glittered above my head
I looked up and saw it was the lovely necklace
That I use to keep by my bed
A blue leather string with a big bright star

The one that when I was eight
Bounced against my chest, winking the sunlight
And I bubbled with joy when I felt the weight
Of the silver star on my hammering heart

But I was a child and I loved to climb trees
Clambering the branches and hiding in the leaves
Until from my neck my jewel was set free
Caught on some tree in some park long ago

I stepped forward and kicked a golden object of the floor
Picking it up my mind rushed back to my mother
The only lipstick mother ever wore
The first lipstick I owned in my life

Christian Dior 024 Corail Hip Hop
A creamy dark red smudged on my lips
My first kiss that night on the rooftop
Like mother’s prints left on her milk mugs

It became my signature feature
Stuffed it in the back of my left jean pocket
Eating ice cream, till I noticed after
My left and right jean pocket were both now empty

A movement caught my eye and I spun
Faced the tall mirror that the wind knocked over
Years ago into pieces, looking like a bad omen
Of seven years of bad luck

I never met those seven unlucky years
But what I saw in the mirror was far scarier
Me, seven years ago, eyes bright as tears
“Hello?” she whispered, a question not a greeting

Her fat cheeks are sun burnt and brown
Big chocolate eyes blinking sweet and innocent
A curious face, so perfectly round
Pink lips that laughed and smiled


Her short thick legs energetically twitch
The softest rotund belly protruded
An allergic rash on her neck that itches
A straight fringe plastered across her forehead

This was the friendless girl who practiced with a basketball
By herself in the burning heat at home
Kicked a soccer ball against the wall
Drenched in sweat and panting tiredly

Suddenly we both laugh the same booming sound
I say, “I miss you, I love you”
Her ball-shaped head bobbed up and down
“You won’t forget me, I love you too”

The room fades into a corner in the back of my head

Ah, the room of forgotten memories.
beth winters Jan 2011
'
my loose hair hides in the pockets of my clothes
calves and elbows jumbling tiredly along the gravel path
that leads to the road
that leads to the only quiet place
left in a city

the strands close their eyes individually so i can dress
the blinds are plastic
and it's too bright to nail a blanket over them
so i make pancakes
and sleep

blond hugs the black of my coat and declares illness
washington doesn't have a secretary of commonwealth
which means the question is blank
i apologise for the punctuation titles lately. it's better than a weak one.
Michelle Garcia Apr 2016
I am having trouble writing.
It is as if there is a wall of bulletproof glass separating me from the words that are dying to escape the metal cage they are kept in. I am the only one with a key sitting comfortably in the pockets of my jeans, but no matter how hard I pound my fists against the wall, I do not get any closer to quieting the agonizing screams emerging from the trap. They get louder, aching for liberation, tethering their syllables around the bars as they sit, confined within a reality I am desperate to free them from.

They are starving to live. I can see the outlines of their bones through the transparent letters that blanket their elastic limbs, each day growing more tired, forgetting the taste of hope every minute that passes. I can feel them collecting dust, shrinking down to fragile skeletons that have begun to lose meaning. What if one day I will no longer be able to see them? What if one day I have nothing left to save?

I am starving to live. I cannot feel love without a knife stuck wedged in the back of my throat reminding me that I have nothing to describe it with. I can give all of myself to the one who thankfully accepts it but my teeth chatter at the thought of having to apologize for stealing joy from the cookie jar. I am sorry for having no words to say sorry. They told me to tell you that they are sorry for their absence, but I do not know how to say this without them.

For now, I am waiting. The same way I do for Fridays, for your call, for my heartbeat to obey the speed limit, for time to run dry.

I will continue to wait
patiently, tiredly, averting my eyes to the hopes that maybe tomorrow, they will be small enough to squeeze through the bars and set me free.
Miranda Renea Sep 2013
"History changes"
Said the old man,
Deep crows' feet lining his
Sunken in blue eyes, as he
Led us through a library.
And I think those old books agreed,
As they tiredly watched me
From their glass prison.
Robin Carretti Jun 2023
Drenches half music blues
Paints my eyes his drips of two's
Like a software of compliance
Superior-what's inside
Interior-Inferior-Exterior
  Calmness-Family-Bless

Providence--resilience  
Anxiety you can tell
  at a glance
In a state of anxiety  
Nature calls cleansing
rinse
A world of society

Sacredly*
               Tiredly
                           World
          Inconsistent
What is at state?
No greener pasture
Present the future

Craziness high anxiety fire
More jobs to hire
Paints- birthstone- sapphire
Picture memories
  to capture  
Anxiety like sanity
Paints wellness next to
       Godliness

Eyes weaken but your heart
      Glistens
We are living in a world with different ailment a lot of people have anxiety and other things I hope this helps
Vaampyrae Jul 2020
“Aren’t we just like curtains?” I say
“How?” you ask

Well, curtains
We never really appreciate them
Until they’re gone
Not until we feel the bustling heat
Penetrate our skins during summer
Or when we can no longer hide ourselves
From the light and the world around us
When we’re already too tired to deal
With anyone, really
Because we took off
Those **** curtains

We speak of lines that spell diamonds
Majestic cars and palaces
But we fail to realize how this ordinary object
Can make a whole difference whenever
We wake up in morning
Sitting in bed, tiredly remembering what
We were going to do today
A small choice, packed with a lot of meaning
Whether we want to stay inside
Or go out and meet the world


Serving as a doorway
To the possibilities each day brings
These curtains show us the days worth living (and hiding from, if that's what you want)

And if you don’t find that ordinariness beautiful
If you don't find those moments where we stand up and try to survive the long day ahead of us
Often just waiting to see those familiar curtains again amazing
Nor can you see how curtain-like we all actually are
Then try having no curtains for a day
And see what I mean
3 AM thoughts I have while looking at my curtains.
Jillian Elcie Dec 2014
He cranes tiredly over folds of parchment
As sunlight falls across his ashen features
And the restless night becomes lost
Within a sea of fading maps and broken compasses.

Worn pencils collect on hardwood like dust,
And discarded errors in calculation fall into the corners.
He stumbles weakly between varying levels of consciousness,
And exhaustion claims an inch more of his body
With each exasperated flutter of his eyelids.

He spins the globe to his right with a lazy hand
And catches Africa with his finger
Wishing that he could’ve been anywhere but here
Because it is immeasurably heartbreaking
To have the entire world at your fingertips
And to have never seen any of it.

j.s.
Morgan Apr 2013
I can see the pain breaking through his porcelain shell and billowing out of his lips. Now he's lying with his back against the cold tile floor & his arms wrapped around his stomach just to soothe the empty void growing beneath his skin. I breathe his name in my sleep. I dream about him behind the steering wheel, the reflection of his shoulders unfolding in the rear view. We exhale a layer of smoke into the lifeless air that hangs over my bed. I can feel my lungs giving in & leaning tiredly against my rib cage. He does the same & it makes my entire body ache. Have you ever thought about how much you missed someone while lying in their arms? The vacancy in his voice shatters the flood gates behind my eyes. I'm crushed by the blankness of his stare. I remember watching his face morph into a playground when he was laughing out loud, but no pill can resurrect that expression now. All that's left are twisted veins, and worn out organs floating in a sea of champagne. I rest here, waiting for the day they sink & he gets dragged away. I spent 18 years as a calendar hung between a set of revolving doors, apathetically watching people come and go with every season that changed beneath my feet but he unhooked me from that place and whispered life into my ear every night. Now I'm looking at his shaking hands, a light shade of blue & every inch of me is weakened by the knowledge that it's his turn to walk back through.
Michelle Garcia Apr 2016
So often we hear stories about love. It is a word that slips easily off the tongue as if it is made of only the finest silk. It has become a mumbled concept that we poke fun at, the joke someone tiredly decided to crack at a birthday party because everyone has already memorized the punchline. Love, the deepest of all popular clichés, sits prominently upon pedestals within the stanzas of sappy high school poetry and in the elderly eyes of companions that have spent decades of their lives blooming in adoration. Love, the only child of fear and fearlessness, is the friend you invite to the party out of pity because your mother told you to. Yes, we are all drastically different people; from ethnicity to personality, and language to beliefs. Diversity is potent, harboring oceans of colorful ideas that define the nature of beauty itself. It keeps the human race buzzing with truth, extremely vital to the development of who we are all becoming. And just like ourselves, there exists many different kinds of love. Loving ourselves. Our families. Our friends. Our passions. Another person whose existence gives life itself infinite value. Each other. As people, we cannot be defined by labels. We cannot be packaged and wrapped into pretty little categories of where we fit solely based on the events of our pasts. We cannot only exist interpreted by where we have been and what we have seen. We are not just where we truly feel the most at home or what we choose to fill the empty space where the puzzle piece we have spent years searching for belongs. In fact, we are not just anything. You cannot define your worth by the way you sign your name, because when all is said and done, the only thing that is visible is the curvy loops in the way you penned the first letter with only ink and paper. No skin. No bone. No fight. No dream. The roads you have traveled to get to today’s destination do not matter as much as you think they should. A recovering alcoholic. The girl who survived an arduous battle with cancer. The teenage guy whose future feels impossible to decipher. A middle aged man who quit his job in order to seek true happiness. These are just fragments, broken glass pieces of who we are. Only a cropped, blurry photograph. Never the full picture. Love allows us to zoom out. Love permits us a chance to view the bigger picture, to expand our hearts in order to make sense of not only ourselves, but the chaos that has surrounded us for as long as we have been conscious enough to remember it. What does a sixteen year old girl of an uneventful town have to say about love that is so important or even worth the time of day to listen to? The answer, like ourselves, cannot be answered so simply. It sounds silly, unheard of, for a young woman of such a tender age to believe that she has the wisdom to understand the many facets of the foundations of love. However, there is so much electricity she has stored from the hands of time, the gifts of observation, and priceless experience to bleed out into words so that the people who told her she was too young to possibly understand a fraction of its meaning will realize that she did. She does. Or at least, she is beginning to. This one is for you. Perhaps you have been taught to treat love like a swear word, the estranged family member that disappeared from your household Christmas card collection. Perhaps you are trembling to experience it for yourself, rather than hearing what it must be like to hold the hand of a silhouette that does not desire only to let go. Perhaps you have spent years believing that love is only a feeling. Only positive. Only fluttery. Only romantic. It is not always such. It is a force that, much like a Category 5 hurricane, cannot be reckoned with. But “cannot” hardly ever resonates with “should not,” and so I beg you, that when the winds disturb the shutters, sometimes it is beneficial to keep the window open. Let love envelope you. Let it love you. Whether you like it or not, you are the home that will not crumble in the gentlest of breezes or the most treacherous of gusts. You are strong enough for love because that is what you are made of. Not just blood or tears or cheek-to-cheek grins. You are made of love. This package of love is the only category we should cease to be afraid of. Love, of all forms, is who we are.
Petal falls alone
Stem tiredly
withers, stifled
Cry of pain
echoes
jennifer ann Jan 2015
"yeah... i know who took my money too. that ***** pyper, it doesnt take a rocket scientist to figure it out she jumped up to defend herself as soon as i said something." Madison replied tiredly, taking a ciggarette out and lighting it as she sat on the her black canopy bed. a picture of marilyn monroe and kurt cobain hanging on her bedroom wall. "so, what are your plans for revenge?" Cassie raised an eyebrow. "i'm debating on whether i should put raid in her perfume bottle, or nair in her shampoo." Madison replied casualy as she stared out of her bedroom window. "isnt raid poisonus?" cassie questioned.
"yep." Madison shook her head and grinned.
"she is a cockroach, seems pretty fitting to me..." she continued.
"hmmm... what about, pepper spray in her face wash?" Cassie replied with her hand upon her chin.
"i think i like the way you think cassandra motts." Madison smiled sadisticly, an evil twinkle in her eye.
wolfbiter Apr 2014
If every day I wake up is filled with new inspiration,
Shouldn't that be enough?
It seems this lack of motivation has left me feeling tired and numb
I think I'm worthless and dumb
Used to run with my imagination
Now I'm leashed and chained to a stump
This constant pacing in a circle has created a rut
That's been dug by my own hand
While I'm trying to understand
How the Sandman could forget about
Adding a stop at my house
On his midnight route.
But that ***** would probably just cram the entire **** bag
Of Sleeping Powder down my throat,
Sit comfortably at the foot of my bed
And laugh as I choke
On all the sleep he's been selfishly keeping for weeks
And I can't decide if he's doing me a favor every night
Or if his revenge is keeping me up
Until the first sign of light
While I lie awake exhausted and hating my life.
See, the Sandman is full of animosity and anger and spite.
He skips over my house while I plead
Just a pinch of sand in my eyes,
One night of half decent sleep,
I can feel myself going insane
And the Sandman's to blame.
That grudge holding monster will only have it one of two ways:
Either I fall asleep for good or he'll keep me awake.
So I choose the latter, I won't allow myself to fall apart
And I know that we're so much more than just the sum of our parts
But my mother keeps telling me I've got a heart so huge
It'll swallow me entirely
And if I can't put the pieces together from the start
I'll never see the big picture in its entirety.
I'm a black or white thinker,
Wandering through the gray areas tiredly
I don't understand the in between
And I'm still starving for sleep
Eyelids heavy, I've been dying to dream.
I need a plan.
I'll climb to my roof, I'm making a stand
With revenge in my gut and a rifle in my hands,
Wide eyed
The only thing on my mind
Is the relief I'll finally feel when I shoot that Sandman out of the sky.
Zach Gomes Feb 2010
When, torpid, the sun begins to grey
In the outlines of clouds on the move
But in no hurry, autumn reaches for its full potential.
What leaves there could have been
Were shot away, we’d have paid them no mind, anyway.
There is a roughness tangled in your hair,
It’s best, I think, to let it be
And, instead, to view the wide expanse of beach,
Which marches into the frigid sea,
Debating with itself and at last achieving a landscape
Pure enough to match the temperature: 40 degrees F.

I can feel your hand stiffen and I
Too sense the tension in the afternoon,
A resistance to our huddled, timid presence; we’re nearly frozen in the process.
Drawing closer, hoods, tightening our jackets
Won’t do much to prevent the
Days from shortening and the hours’ agonizing stretching-
Out.  It’s not time enough
To take in the red and white display
Which umbrella shades act out tiredly before us.
Then the waves, mischievous as ever,
Creep up the sand to ****** at our shoes
Before they swagger back to the sea.  Love
Is lounging in the break, sopping wet
And fully-clothed—boots and all.
In the brief moments when our thoughts and talk collide, hours fit for memory
Flit us by.  Hairy swathes of weedy dunegrass
Wilt with hindsight.

Please, slow.  A rushed gaze and a blink are futility
At the shore; looking, here,
Is tenderer than you’d imagine.
Finalized versions of the day are worth one short glance,
But no more than that; you see
Too many things are
Strewn about these days; it is unclear who is
At fault for these mysteries, only that today,
At the boardwalk there are many brooding melancholies.
Silently, a hard wind licks the sand.
Carlyy Apr 2019
I refuse to be a person you walk all over
I play roles where I’m speaking my mind
Telling you, “you don’t deserve me.
I don’t deserve you.”
I couldn’t tell you with a clear mind.
I choose to say in forth coming fog,
Thick like your head, heart and skin.
I want to make you feel hurt, my pain.
Will words do that?
Do I want this?
I was everything before you,
Without you again, I’ll be something.
Something I can no longer be afraid to be.
Terry Collett Mar 2015
Enid parts the curtains and peeps out at the sky and the coal wharf over the road where coal men are loading up the coal trucks and lorries she can hear her father's loud voice from another room she blinks at the sound the sky looks blue and a sun is coming over the railway bridge so maybe ok to go out and see if Benny is around and what he's doing today but her father's bark of a voice makes her shudder her mother's screech rides on the air over her father's bark in a kind of operatic duet she closes the curtains and sits on her bed waiting for the row to subside and hopes it will not overrun into her room and bring her into the firing line as it did sometimes she caresses her body in a way no one else does or will her ears on the alert for sounds coming nearer  she gets up and goes to the bedroom door and listens the voices are still in duet but softer now but more bitter then a thump thump sound a scream and cry and Enid moves back from the door and her eyes wide open she stares at the door as if at any moment it will explode inwards and her father come in on her in a spiteful rage she moves to the wall by the window and stands there waiting sensing her stomach rumbling with hunger needing feeding but she daren’t yet go out to the kitchen and the bruises on her arm and body have only just begun to fade from last time she creeps along to her bed and climbs in between the sheets and fakes to sleep maybe then he'll not disturb a roar of words explodes from the passage and a screaming voice counterpoints then silence and door slams and then whimpering then silence then a radio comes on  music replaces whimpering and roaring voices she sits up on the side of the bed and listens intently her stomach rumbles her breathing she notices is heavy her pulse is racing along she can sense it as she holds her wrist between fingers she gets up and walks slowly to her bedroom door and opens it cautiously and peers out along the passageway the radio is playing music her mother is singing along to it in a slightly croaky voice Enid walks down the passage and into the kitchen where a light bulb shows a messiness of plates and cups and saucers and a frying pan on the grimy stove she looks in the larder and takes out a box of cereal and taking a bowl from the shelf she fills the bowl up with cereal and pours in some milk she looks for a spoon and for the sugar tin you've got up then? her mother says standing at the kitchen door a cigarette between lips a bruise on her cheek Enid stares and nods about time at least you were out of his way God he was in a foul mood this morning her mother says moving into the kitchen the smoke from the cigarette following her into the kitchen and making Enid's eyes watery get your breakfast and best be out in case he's home lunch time and still in a mood her mother says Enid puts a spoonful of sugar over the cereal and goes into the sitting room her hand shaking she trying to keep the bowl steady and sits at the dining table listening to the music on the radio behind her she looks out the window through the net curtains at the railway bridge and out onto Rockingham Street and the beginning of Bath Terrace her mother enters the room a cup of tea on a saucer in her hand the smoke about her head and sits opposite Enid deep in thought rubbing the bruise on her cheek Enid wants to ask what was wrong with her father and why was he in such a mood but she doesn't she just eats in silence looking now and then at her mother's face and the bruise spreading there and the music seems too happy for the occasion and she wishes it wasn't on but she listens all the same don't annoy him when he gets home her mother says try and keep out of his way Enid looks at the cereal bowl the pattern of flowers around the outer rim what's up with Dad? she asks her spoon half way to her mouth short of money says I waste it says I don't know how to save her mother says looking out the window her eyes watery red the cigarette shaking between fingers Enid wants to go to hug her mother but doesn't in case her mother has bruises where Enid can't see says I spoil you too much her mother went on looking at her her eyes hollow and deep Enid says nothing but spoons the cereal into her mouth and stares at the tablecloth with its blue pattern her mother's words now drone on and Enid tries to shut them out and think of later and seeing Benny and talking to him he knows what she has to put up with he knows and he'll take her some place and she can forget for a while what has happened at home maybe they'll go to the park and ride the swings and slide or go on a bomb site and Benny collect stones for his catapult can I go out with Benny? she asks her mother breaking into her mother's monologue of woe yes I expect so her mother says tiredly but don't let your father see you with him you know your father doesn't like him or you being with him Enid nods and finishes her cereal and takes her bowl to the kitchen and washes the bowl and spoon under the cold water tap until clean and puts them on the draining board to dry catching sight of her father's shadow out of the corner of her eye.
A GIRL AND ANOTHER DAY IN LONDON IN 1950S.
An old friend sleeps
somewhere you've not been.
He may be seeing
awful things
or lovely ones.  Of course,
you've no discernment,
for you dwell outside
his sphere now and outside
his dreams; for that matter,
you cannot sleep at all.

When his body gives
the sudden ****
you tiredly await--
when he falls
from the hammock
and breaks his arm,
will you reprimand him
for his fault?

Yet, could not you have told him
when he asked
for your advice
those years ago
that you doubted him
in the first place? that
his ambition frightened
you? that high-up hammocks
are beds for the foolish
more often than not?

Through the pain
of malbent joint and forced
awakening next to you
where you've watched
from the ground,
will he learn only then?
What if he reprimands
you, then, upon consciousness--
what then?  Or what if it's his spine
he damages, and Something Goes
Very Wrong, and he cannot speak,
but it is in the misery of his eyes
that you can hear him declaring,
"You could have spared me this!"
--what then?

Or what will you say
if he never comes down
at all?  And when?  How, even,
will you know that he has woken?
--that he's happy? --that he wishes
you had come with him,
hopes that you might yet?

An old friend sleeps--
or seems to sleep--
somewhere you've not been,
and as you ask yourself,
"What became of him?"
he looks to you
from his high perch
and also aches to know--
as someone below you
asks of you;
and someone beneath him
and someone beneath him
and someone beneath him...
© K.E. Parks, 2012
Mark Vandergon Dec 2012
There's wind blowing in my ears
You stay your steely gaze on me
I see the truth in your eyes
Oh, and I'm bleeding

You speak, and all I am is listening
A candied resonance endowed
Your words, they're living in the light,
But they're not casting a shadow

It's not pity, pain, not jealousy
There's not a wrinkle on your face
But I'm not close enough to see
Why you sit in empty space

Run down, run down
I'm run down, run down
I'm trapt just above the surface
Looking miles underground

Asunder, tiredly I sit and think
Why all we do is run and drink
Away
Plans and dreams and hopes aloft
While conscience suffers
As bombs go off

Run down, run down
I'm run down, run down
I'm trapt just above the surface
Looking miles underground
Mark Vandergon 2012
Haley K Collins Feb 2013
I cherish your voice
Like the last drop of coffee
On a restless morning.

I wish it was us raining
Falling and melting together
As the sky's tears do.

I long to be the song
Circling tiredly through your head
When you lay down at night to sleep.

I'd give up three meals
If every time I ate
I dined on the warmth of your lips.

I wish to be steaming water
Rolling over your skin
Making you sigh with satisfaction.

I want to be the towel
That kills the cold air
Right when you leave the shower.

We will be the clock
That ticks to forever
For time is no challenging measure.
GyozaNeeko Mar 2015
It was just the two of us against all of the sky’s tears that night. Behind askew glasses and matted hair I watched you seep into the chilly wet darkness and pouring noise, how the iridescent urban glows blurred and blinked through your body, like fairy lights on black satin. You gripped my hollowness by the wrist and I came to respect the force of block falls on touch as you threw my world back on its two feet, not before a brief eternity of giddiness and disbelief. The supposedly accursed head of mine took in the images of shock through raindrop-filled lenses as my body changed direction against my will and gravity. My world was a kaleidoscope of lights and blaring horns, and with your hand around mine it was nothing but a distasteful harmony of passion and discord and it made me smile. You were yelling at me and I looked at you and I laughed. You asked me what I wanted and I begged and chortled and pleaded and giggled for the thousandth time, for you to hurry up and tell me that you don’t need me because I had somewhere else I need to go and even after all of that your grip only got tighter, sinking me into the eye of your storm. But that was just you, wasn’t it? Always ready to swallow me straight into your depths in times of uncertainty. I clutched the sides of your dripping face and I peered into your swimmy eyes to admire the reflection of my own and realized I could not find myself because all I saw was the apex of skyscrapers straight pass through your transparency as pure as the waters of the Maldives Islands on a sunny summer day quite unlike this one, but quite like the summers we spent in school for years walking down hate-filled corridors, fingers entwined and then suddenly I was afraid to touch you. I kicked and I screamed and tore ripples through your skin, begging you once more to pour me out of your hands so they are free to start scrubbing the belittling words off our locker doors, or the spay-painted ****** dripping red on the top of your locker like a store brand, hitting you on the head again and again the fact that not all rain yield desirable crops and yet you still pelted raindrop kisses on every inch of my puffy red cheeks till it was enough to smoothen my dry storm down to a drizzle. It was then I realized I was so, so cold. I looked tiredly down below and I was the Emperor of the gazillion city veins below, the King of the critter cars heading nowhere. I was God, and with that power I summoned it and looked back to earnestly, sahara-driedly request you to forget me once and for all because we are in the end sinners in the eyes of common sense, because you were too stubborn to flow out of the box to realize that I am the mercury leak to your springs, slowly diffusing into you when you spread yourself into every crevice of my body when we cuddle at night, a limitless barrel of radioactivity poured down your throat and all over your shirt in the shadows. You came into my life uninvited, flooded my earths with your torrents and left my world in a waste pool of yellow, but also a warm bed enough to nurse a young forest. I hate the way you swept me off since day one just as much as I love drinking in every last drop of your presence. Your arms wafted around my waist like petrichor and lured me back to safety. The rain on the 74th rooftop was ready to stop, but I was.  At least I wasn't sure.

Closing my eyes, I opted to drown.
My first attempt at a short story sigh.

— The End —