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English Jam Apr 2018
Sitting in some car in a forgotten parking lot
Grey marks the skies
Lush green plants peeping in
The wildlife of concrete and paint makes the perfect background
For
Little ***** of liquid heaven falling on my windscreen
And some music to complete the scene
Each guitar line synchronises with each raindrop
Each blast of power thunder hits hard like heavy metal
But the soft clouds, the gentle ebb and flow lull me to sleep
Whispering, persuading me to dream
But I really don't want to miss this shard of time
I never want to lose little moments like these

A silver raindrop is born by landing on my car
Crash landing, rather
The bubbling pocket of mystery travels down
Swerving and slamming into other fellow pockets in crime
It's life cycle completes when it reaches the bottom
It races to it's death, unable to stop gravity's plan for it
Each drop morphs into another, making a wave
The rain weaves an intricate web of waves
All strutting their sparkly magic before me
I sense a metaphor for humanity creeping in
Millions of crescendos growing about
Too concerned with their internal politics to worry about others
But I stay focused on the beauty all around

I wonder if heaven has rainy days
If so, this must be one of them
Maggie Emmett Jul 2015
PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi
This poem is part of a longer poem called Seasons of Terror. This poem was performed at the University of Adelaide, Bonython Hall as a community event. The poem was read by local poets, broadcasters, personalities and politicians from the South Australia Parliament and a Federal MP & Senator. The State Premier was represented by the Hon. Michael Atkinson, who spoke about the role of the Emergency services in our society. The Chiefs of Police, Fire and Ambulence; all religious and community organisations' senior reprasentatives; the First Secretary of the British High Commission and the general public were present. It was recorded by Radio Adelaide and broadcast live as well as coverage from Channel 7 TV News. The Queen,Tony Blair, Australian Governor General and many other public dignitaries sent messages of support for the work being read. A string quartet and a solo flautist also played at this event.
austin Jul 2018
One more day is fading away
as we ride this bus to the city
The storm is coming nearer now
And your bliss will turn to tears

We've almost reached our destination
Countless parachutes in the sky
These mosquitoes are swarming
before your eyes,
Just a moment's time til someone dies

The skies are getting darker now
Not a shard of light in this room
You'd better make good choices now
Or meet your impending doom

I hear your steps from the other room
And I'm already locked and loaded
You'd better get on running now
Or I'll destroy what's left of you

I walk upstairs to higher ground
and hear your cowardly whines,
I look in the eyes of my colleague
And said don't move, this **** is mine

I've made my way to my snipers' nest
and my eyes are set to ****
I've got my sights on your head right now
To pull the trigger, you know I will
This may or may not be a Fortnite inspired poem that I wrote for fun, lol
Alyssa Underwood Mar 2016
I

He did not wear his scarlet coat,
  For blood and wine are red,
And blood and wine were on his hands
  When they found him with the dead,
The poor dead woman whom he loved,
  And murdered in her bed.

He walked amongst the Trial Men
  In a suit of shabby grey;
A cricket cap was on his head,
  And his step seemed light and gay;
But I never saw a man who looked
  So wistfully at the day.

I never saw a man who looked
  With such a wistful eye
Upon that little tent of blue
  Which prisoners call the sky,
And at every drifting cloud that went
  With sails of silver by.

I walked, with other souls in pain,
  Within another ring,
And was wondering if the man had done
  A great or little thing,
When a voice behind me whispered low,
  “That fellows got to swing.”

Dear Christ! the very prison walls
  Suddenly seemed to reel,
And the sky above my head became
  Like a casque of scorching steel;
And, though I was a soul in pain,
  My pain I could not feel.

I only knew what hunted thought
  Quickened his step, and why
He looked upon the garish day
  With such a wistful eye;
The man had killed the thing he loved
  And so he had to die.

Yet each man kills the thing he loves
  By each let this be heard,
Some do it with a bitter look,
  Some with a flattering word,
The coward does it with a kiss,
  The brave man with a sword!

Some **** their love when they are young,
  And some when they are old;
Some strangle with the hands of Lust,
  Some with the hands of Gold:
The kindest use a knife, because
  The dead so soon grow cold.

Some love too little, some too long,
  Some sell, and others buy;
Some do the deed with many tears,
  And some without a sigh:
For each man kills the thing he loves,
  Yet each man does not die.

He does not die a death of shame
  On a day of dark disgrace,
Nor have a noose about his neck,
  Nor a cloth upon his face,
Nor drop feet foremost through the floor
  Into an empty place

He does not sit with silent men
  Who watch him night and day;
Who watch him when he tries to weep,
  And when he tries to pray;
Who watch him lest himself should rob
  The prison of its prey.

He does not wake at dawn to see
  Dread figures throng his room,
The shivering Chaplain robed in white,
  The Sheriff stern with gloom,
And the Governor all in shiny black,
  With the yellow face of Doom.

He does not rise in piteous haste
  To put on convict-clothes,
While some coarse-mouthed Doctor gloats, and notes
  Each new and nerve-twitched pose,
******* a watch whose little ticks
  Are like horrible hammer-blows.

He does not know that sickening thirst
  That sands one’s throat, before
The hangman with his gardener’s gloves
  Slips through the padded door,
And binds one with three leathern thongs,
  That the throat may thirst no more.

He does not bend his head to hear
  The Burial Office read,
Nor, while the terror of his soul
  Tells him he is not dead,
Cross his own coffin, as he moves
  Into the hideous shed.

He does not stare upon the air
  Through a little roof of glass;
He does not pray with lips of clay
  For his agony to pass;
Nor feel upon his shuddering cheek
  The kiss of Caiaphas.


II

Six weeks our guardsman walked the yard,
  In a suit of shabby grey:
His cricket cap was on his head,
  And his step seemed light and gay,
But I never saw a man who looked
  So wistfully at the day.

I never saw a man who looked
  With such a wistful eye
Upon that little tent of blue
  Which prisoners call the sky,
And at every wandering cloud that trailed
  Its raveled fleeces by.

He did not wring his hands, as do
  Those witless men who dare
To try to rear the changeling Hope
  In the cave of black Despair:
He only looked upon the sun,
  And drank the morning air.

He did not wring his hands nor weep,
  Nor did he peek or pine,
But he drank the air as though it held
  Some healthful anodyne;
With open mouth he drank the sun
  As though it had been wine!

And I and all the souls in pain,
  Who tramped the other ring,
Forgot if we ourselves had done
  A great or little thing,
And watched with gaze of dull amaze
  The man who had to swing.

And strange it was to see him pass
  With a step so light and gay,
And strange it was to see him look
  So wistfully at the day,
And strange it was to think that he
  Had such a debt to pay.

For oak and elm have pleasant leaves
  That in the spring-time shoot:
But grim to see is the gallows-tree,
  With its adder-bitten root,
And, green or dry, a man must die
  Before it bears its fruit!

The loftiest place is that seat of grace
  For which all worldlings try:
But who would stand in hempen band
  Upon a scaffold high,
And through a murderer’s collar take
  His last look at the sky?

It is sweet to dance to violins
  When Love and Life are fair:
To dance to flutes, to dance to lutes
  Is delicate and rare:
But it is not sweet with nimble feet
  To dance upon the air!

So with curious eyes and sick surmise
  We watched him day by day,
And wondered if each one of us
  Would end the self-same way,
For none can tell to what red Hell
  His sightless soul may stray.

At last the dead man walked no more
  Amongst the Trial Men,
And I knew that he was standing up
  In the black dock’s dreadful pen,
And that never would I see his face
  In God’s sweet world again.

Like two doomed ships that pass in storm
  We had crossed each other’s way:
But we made no sign, we said no word,
  We had no word to say;
For we did not meet in the holy night,
  But in the shameful day.

A prison wall was round us both,
  Two outcast men were we:
The world had ****** us from its heart,
  And God from out His care:
And the iron gin that waits for Sin
  Had caught us in its snare.


III

In Debtors’ Yard the stones are hard,
  And the dripping wall is high,
So it was there he took the air
  Beneath the leaden sky,
And by each side a Warder walked,
  For fear the man might die.

Or else he sat with those who watched
  His anguish night and day;
Who watched him when he rose to weep,
  And when he crouched to pray;
Who watched him lest himself should rob
  Their scaffold of its prey.

The Governor was strong upon
  The Regulations Act:
The Doctor said that Death was but
  A scientific fact:
And twice a day the Chaplain called
  And left a little tract.

And twice a day he smoked his pipe,
  And drank his quart of beer:
His soul was resolute, and held
  No hiding-place for fear;
He often said that he was glad
  The hangman’s hands were near.

But why he said so strange a thing
  No Warder dared to ask:
For he to whom a watcher’s doom
  Is given as his task,
Must set a lock upon his lips,
  And make his face a mask.

Or else he might be moved, and try
  To comfort or console:
And what should Human Pity do
  Pent up in Murderers’ Hole?
What word of grace in such a place
  Could help a brother’s soul?

With slouch and swing around the ring
  We trod the Fool’s Parade!
We did not care: we knew we were
  The Devil’s Own Brigade:
And shaven head and feet of lead
  Make a merry masquerade.

We tore the tarry rope to shreds
  With blunt and bleeding nails;
We rubbed the doors, and scrubbed the floors,
  And cleaned the shining rails:
And, rank by rank, we soaped the plank,
  And clattered with the pails.

We sewed the sacks, we broke the stones,
  We turned the dusty drill:
We banged the tins, and bawled the hymns,
  And sweated on the mill:
But in the heart of every man
  Terror was lying still.

So still it lay that every day
  Crawled like a ****-clogged wave:
And we forgot the bitter lot
  That waits for fool and knave,
Till once, as we tramped in from work,
  We passed an open grave.

With yawning mouth the yellow hole
  Gaped for a living thing;
The very mud cried out for blood
  To the thirsty asphalte ring:
And we knew that ere one dawn grew fair
  Some prisoner had to swing.

Right in we went, with soul intent
  On Death and Dread and Doom:
The hangman, with his little bag,
  Went shuffling through the gloom
And each man trembled as he crept
  Into his numbered tomb.

That night the empty corridors
  Were full of forms of Fear,
And up and down the iron town
  Stole feet we could not hear,
And through the bars that hide the stars
  White faces seemed to peer.

He lay as one who lies and dreams
  In a pleasant meadow-land,
The watcher watched him as he slept,
  And could not understand
How one could sleep so sweet a sleep
  With a hangman close at hand?

But there is no sleep when men must weep
  Who never yet have wept:
So we—the fool, the fraud, the knave—
  That endless vigil kept,
And through each brain on hands of pain
  Another’s terror crept.

Alas! it is a fearful thing
  To feel another’s guilt!
For, right within, the sword of Sin
  Pierced to its poisoned hilt,
And as molten lead were the tears we shed
  For the blood we had not spilt.

The Warders with their shoes of felt
  Crept by each padlocked door,
And peeped and saw, with eyes of awe,
  Grey figures on the floor,
And wondered why men knelt to pray
  Who never prayed before.

All through the night we knelt and prayed,
  Mad mourners of a corpse!
The troubled plumes of midnight were
  The plumes upon a hearse:
And bitter wine upon a sponge
  Was the savior of Remorse.

The **** crew, the red **** crew,
  But never came the day:
And crooked shape of Terror crouched,
  In the corners where we lay:
And each evil sprite that walks by night
  Before us seemed to play.

They glided past, they glided fast,
  Like travelers through a mist:
They mocked the moon in a rigadoon
  Of delicate turn and twist,
And with formal pace and loathsome grace
  The phantoms kept their tryst.

With mop and mow, we saw them go,
  Slim shadows hand in hand:
About, about, in ghostly rout
  They trod a saraband:
And the ****** grotesques made arabesques,
  Like the wind upon the sand!

With the pirouettes of marionettes,
  They tripped on pointed tread:
But with flutes of Fear they filled the ear,
  As their grisly masque they led,
And loud they sang, and long they sang,
  For they sang to wake the dead.

“Oho!” they cried, “The world is wide,
  But fettered limbs go lame!
And once, or twice, to throw the dice
  Is a gentlemanly game,
But he does not win who plays with Sin
  In the secret House of Shame.”

No things of air these antics were
  That frolicked with such glee:
To men whose lives were held in gyves,
  And whose feet might not go free,
Ah! wounds of Christ! they were living things,
  Most terrible to see.

Around, around, they waltzed and wound;
  Some wheeled in smirking pairs:
With the mincing step of demirep
  Some sidled up the stairs:
And with subtle sneer, and fawning leer,
  Each helped us at our prayers.

The morning wind began to moan,
  But still the night went on:
Through its giant loom the web of gloom
  Crept till each thread was spun:
And, as we prayed, we grew afraid
  Of the Justice of the Sun.

The moaning wind went wandering round
  The weeping prison-wall:
Till like a wheel of turning-steel
  We felt the minutes crawl:
O moaning wind! what had we done
  To have such a seneschal?

At last I saw the shadowed bars
  Like a lattice wrought in lead,
Move right across the whitewashed wall
  That faced my three-plank bed,
And I knew that somewhere in the world
  God’s dreadful dawn was red.

At six o’clock we cleaned our cells,
  At seven all was still,
But the sough and swing of a mighty wing
  The prison seemed to fill,
For the Lord of Death with icy breath
  Had entered in to ****.

He did not pass in purple pomp,
  Nor ride a moon-white steed.
Three yards of cord and a sliding board
  Are all the gallows’ need:
So with rope of shame the Herald came
  To do the secret deed.

We were as men who through a fen
  Of filthy darkness *****:
We did not dare to breathe a prayer,
  Or give our anguish scope:
Something was dead in each of us,
  And what was dead was Hope.

For Man’s grim Justice goes its way,
  And will not swerve aside:
It slays the weak, it slays the strong,
  It has a deadly stride:
With iron heel it slays the strong,
  The monstrous parricide!

We waited for the stroke of eight:
  Each tongue was thick with thirst:
For the stroke of eight is the stroke of Fate
  That makes a man accursed,
And Fate will use a running noose
  For the best man and the worst.

We had no other thing to do,
  Save to wait for the sign to come:
So, like things of stone in a valley lone,
  Quiet we sat and dumb:
But each man’s heart beat thick and quick
  Like a madman on a drum!

With sudden shock the prison-clock
  Smote on the shivering air,
And from all the gaol rose up a wail
  Of impotent despair,
Like the sound that frightened marshes hear
  From a ***** in his lair.

And as one sees most fearful things
  In the crystal of a dream,
We saw the greasy hempen rope
  Hooked to the blackened beam,
And heard the prayer the hangman’s snare
  Strangled into a scream.

And all the woe that moved him so
  That he gave that bitter cry,
And the wild regrets, and the ****** sweats,
  None knew so well as I:
For he who lives more lives than one
  More deaths than one must die.


IV

There is no chapel on the day
  On which they hang a man:
The Chaplain’s heart is far too sick,
  Or his face is far too wan,
Or there is that written in his eyes
  Which none should look upon.

So they kept us close till nigh on noon,
  And then they rang the bell,
And the Warders with their jingling keys
  Opened each listening cell,
And down the iron stair we tramped,
  Each from his separate Hell.

Out into God’s sweet air we went,
  But not in wonted way,
For this man’s face was white with fear,
  And that man’s face was grey,
And I never saw sad men who looked
  So wistfully at the day.

I never saw sad men who looked
  With such a wistful eye
Upon that little tent of blue
  We prisoners called the sky,
And at every careless cloud that passed
  In happy freedom by.

But there were those amongst us all
  Who walked with downcast head,
And knew that, had each got his due,
  They should have died instead:
He had but killed a thing that lived
  Whilst they had killed the dead.

For he who sins a second time
  Wakes a dead soul to pain,
And draws it from its spotted shroud,
  And makes it bleed again,
And makes it bleed great gouts of blood
  And makes it bleed in vain!

Like ape or clown, in monstrous garb
  With crooked arrows starred,
Silently we went round and round
  The slippery asphalte yard;
Silently we went round and round,
  And no man spoke a word.

Silently we went round and round,
  And through each hollow mind
The memory of dreadful things
  Rushed like a dreadful wind,
And Horror stalked before each man,
  And terror crept behind.

The Warders strutted up and down,
  And kept their herd of brutes,
Their uniforms were ***** and span,
  And they wore their Sunday suits,
But we knew the work they had been at
  By the quicklime on their boots.

For where a grave had opened wide,
  There was no grave at all:
Only a stretch of mud and sand
  By the hideous prison-wall,
And a little heap of burning lime,
  That the man should have his pall.

For he has a pall, this wretched man,
  Such as few men can claim:
Deep down below a prison-yard,
  Naked for greater shame,
He lies, with fetters on each foot,
  Wrapt in a sheet of flame!

And all the while the burning lime
  Eats flesh and bone away,
It eats the brittle bone by night,
  And the soft flesh by the day,
It eats the flesh and bones by turns,
  But it eats the heart alway.

For three long years they will not sow
  Or root or seedling there:
For three long years the unblessed spot
  Will sterile be and bare,
And look upon the wondering sky
  With unreproachful stare.

They think a murderer’s heart would taint
  Each simple seed they sow.
It is not true! God’s kindly earth
  Is kindlier than men know,
And the red rose would but blow more red,
  The white rose whiter blow.

Out of his mouth a red, red rose!
  Out of his heart a white!
For who can say by what strange way,
  Christ brings his will to light,
Since the barren staff the pilgrim bore
  Bloomed in the great Pope’s sight?

But neither milk-white rose nor red
  May bloom in prison air;
The shard, the pebble, and the flint,
  Are what they give us there:
For flowers have been known to heal
  A common man’s despair.

So never will wine-red rose or white,
  Petal by petal, fall
On that stretch of mud and sand that lies
  By the hideous prison-wall,
To tell the men who ***** the yard
  That God’s Son died for all.

Yet though the hideous prison-wall
  Still hems him round and round,
And a spirit man not walk by night
  That is with fetters bound,
And a spirit may not weep that lies
  In such unholy ground,

He is at peace—this wretched man—
  At peace, or will be soon:
There is no thing to make him mad,
  Nor does Terror walk at noon,
For the lampless Earth in which he lies
  Has neither Sun nor Moon.

They hanged him as a beast is hanged:
  They did not even toll
A reguiem that might have brought
  Rest to his startled soul,
But hurriedly they took him out,
  And hid him in a hole.

They stripped him of his canvas clothes,
  And gave him to the flies;
They mocked the swollen purple throat
  And the stark and staring eyes:
And with laughter loud they heaped the shroud
  In which their convict lies.

The Chaplain would not kneel to pray
  By his dishonored grave:
Nor mark it with that blessed Cross
  That Christ for sinners gave,
Because the man was one of those
  Whom Christ came down to save.

Yet all is well; he has but passed
  To Life’s appointed bourne:
And alien tears will fill for him
  Pity’s long-broken urn,
For his mourner will be outcast men,
  And outcasts always mourn.


V

I know not whether Laws be right,
  Or whether Laws be wrong;
All that we know who lie in gaol
  Is that the wall is strong;
And that each day is like a year,
  A year whose days are long.

But this I know, that every Law
  That men have made for Man,
Since first Man took his brother’s life,
  And the sad world began,
But straws the wheat and saves the chaff
  With a most evil fan.

This too I know—and wise it were
  If each could know the same—
That every prison that men build
  Is built with bricks of shame,
And bound with bars lest Christ should see
  How men their brothers maim.

With bars they blur the gracious moon,
  And blind the goodly sun:
And they do well to hide their Hell,
  For in it things are done
That Son of God nor son of Man
  Ever should look upon!

The vilest deeds like poison weeds
  Bloom well in prison-air:
It is only what is good in Man
  That wastes and withers there:
Pale Anguish keeps the heavy gate,
  And the Warder is Despair

For they starve the little frightened child
  Till it weeps both night and day:
And they scourge the weak, and flog the fool,
  And gibe the old and grey,
And some grow mad, and all grow bad,
And none a word may say.

Each narrow cell in which we dwell
  Is foul and dark latrine,
And the fetid breath of living Death
  Chokes up each grated screen,
And all, but Lust, is turned to dust
  In Humanity’s machine.

The brackish water that we drink
  Creeps with a loathsome slime,
And the bitter bread they weigh in scales
  Is full of chalk and lime,
And Sleep will not lie down, but walks
  Wild-eyed and cries to Time.

But though lean Hunger and green Thirst
  Like asp with adder fight,
We have little care of prison fare,
  For what chills and kills outright
Is that every stone one lifts by day
  Becomes one’s heart by night.

With midnight always in one’s heart,
  And twilight in one’s cell,
We turn the crank, or tear the rope,
  Each in his separate Hell,
And the silence is more awful far
  Than the sound of a brazen bell.

And never a human voice comes near
  To speak a gentle word:
And the eye that watches through the door
  Is pitiless and hard:
And by all forgot, we rot and rot,
  With soul and body marred.

And thus we rust Life’s iron chain
  Degraded and alone:
And some men curse, and some men weep,
  And some men make no moan:
But God’s eternal Laws are kind
  And break the heart of stone.

And every human heart that breaks,
  In prison-cell or yard,
Is as that broken box that gave
  Its treasure to the Lord,
And filled the unclean *****’s house
  With the scent of costliest nard.

Ah! happy day they whose hearts can break
  And peace of pardon win!
How else may man make straight his plan
  And cleanse his soul from Sin?
How else but through a broken heart
  May Lord Christ enter in?

And he of the swollen purple throat.
  And the stark and staring eyes,
Waits for the holy hands that took
  The Thief to Paradise;
And a broken and a contrite heart
  The Lord will not despise.

The man in red who reads the Law
  Gave him three weeks of life,
Three little weeks in which to heal
  His soul of his soul’s strife,
And cleanse from every blot of blood
  The hand that held the knife.

And with tears of blood he cleansed the hand,
  The hand that held the steel:
For only blood can wipe out blood,
  And only tears can heal:
And the crimson stain that was of Cain
  Became Christ’s snow-white seal.


VI

In Reading gaol by Reading town
  There is a pit of shame,
And in it lies a wretched man
  Eaten by teeth of flame,
In burning winding-sheet he lies,
  And his grave has got no name.

And there, till Christ call forth the dead,
  In silence let him lie:
No need to waste the foolish tear,
  Or heave the windy sigh:
The man had killed the thing he loved,
  And so he had to die.

And all men **** the thing they love,
  By all let this be heard,
Some do it with a bitter look,
  Some with a flattering word,
The coward does it with a kiss,
  The brave man with a sword!
Em MacKenzie Jul 2018
Happy belated birthday Mom,
I'm sorry it's two days late,
but I've been a bad daughter
and an even worse person.
You always told me not to go to your grave or put flowers on your headstone;
"I won't be under that ground," you'd say,
"and don't waste your money on flowers, I'll have no use for them where I'm going."
I still visit sometimes, and I do still bring flowers, but not nearly enough.
I know if I had been the one buried, you'd wear the grass down with your feet and then have the courtesy to plant some seeds.

Almost eight years later I still think about you everyday
and not a minute goes by where I don't miss you terribly.
What a cruel thing it is, to live a life where you're always missing someone.
To have so many things to say and receive no reply.

You would've been fifty seven this year.
I wonder how you would look as you got older, and sometimes, rarely, I forget what you looked and sounded like when you were here.
That's probably the worst part of it.

The first time I visited your grave was about a month or so after you had been buried,
the graveyard drowning in so much snow I actually visited the wrong headstone.
I'm sure Mr.Brown enjoyed the talk, though.
It was only after digging my bare hands through ten inches of snow and ice that I realized I was four spots down.
I then recognized your grave from the moonlight reflecting off the glass vases of yellow roses we had placed there during your funeral,
wedged in place with the snow hugging them tightly;
the roses frozen in time,
it was both beautiful and aggravating.
Good things funerals cost so much,
they should be able to have someone clean up the plot after the service.
I threw the roses out and gently tried to remove the vases:
the one with "wife" shattered in my hands and my frostbitten fingers picked each shard out from the snow.
I still carry a scar from that vase.
The one with "mother" on it remained in tact, I was just as gentle with it but it did not shatter.
You told me near the end that nothing in this world, nothing was powerful enough to ever have you taken away from me.
That vase sits on my dining room table to this day, nursing a reluctantly dying plant just as you'd want.
I don't think I'll ever have the green thumb like you did.

But I have everything else from you,
you always told me Kate was raised by your sister and that she was too much when you were so young,
"But you, Emily, you're MY daughter."
You said I was a godsend of a baby, never crying, content just to sleep,
and that I carried an old soul.
You laughed at how I always excelled at being alone as a child,
and you were so intrigued by my sense of imagination and creativity.
You always said you were the same when you were a kid.

So tell me, now that I'm older and I feel so alone all the time,
am I still you?
Were you this isolated and alien at my age now?
Did you carry the empathy to cry at little things you saw on the street or in a commercial,
so much so that you believe this world to be lost?
That you saw life as one big slap in the face?

I still try my best everyday to make you proud,
It breaks my heart constantly to think I didn't when you were here.
But life is cruel like that, and I was young and stupid and arrogant.
I know if you see my daily life,
you know I'm not 100% better,
and I know I probably never will be.
But I work hard, and I always say my "please" and "thank you"'s,
and I live by your example of always trying to help anyone in need.
It might not make up for the demons that I struggle with,
but atleast I still fight them, right?
I lost some years there where I should've died, and sometimes I wish I had,
but I didn't. I'm still here. I'm still trying.
And to be honest, it's not for me, or for my family, for love or sunsets, or dogs or any of the things that bring me up to a solid "content."

It's for you, because you taught me that's what you do in life.
You fight. You fight until your last breath.

I've thought this a million times in my head, but I'll say it now,
you were always right about everything.
As teenage girls, we challenge our mothers at every turn and decision,
convinced we are mature and capable of making decisions,
and then we say hurtful things when we don't get our way.
So you deserve to hear it, you were always right.

I wish I could tell you face to face.
I would tell you how much I miss you, more than either of us could've ever predicted.
I would tell you how blessed I feel to have had such an amazing mother.
I would apologize for judging you for the drinking,
I would tell you it took me forever to realize, but eventually I accepted my mother was human just like everyone else,
and just like everyone else, myself included, you made mistakes.
Above all else, I would tell you that I love you more than you'll ever know.

I'll be turning twenty-nine next month,
which means I have one year left of smoking.
I didn't forget my promise to you, I'll quit on my thirtieth birthday.
I'll continue looking out for my sister to the best of my abilities,
even though she can be impulsive and brash on occasion.
I'll continue to show empathy and kindness to as many people as possible, just like you would've wanted.
And finally, one day I hope to keep the promise I made to you so many years ago:
I promise to try and be happy.
Extremely personal write, but needed to get it out. If you're lucky enough to still have a mother, tell her you love her today and thank her for existing.
ryn Jan 2015
Wondering,
if the universe flinched,
when God took you away.*
- dakota


Will I grace your thoughts when the moment comes?
Will your universe come to a complete standstill?
Will you choke back your tears...
Or by the buckets would they fill?

This pain in my heart
What is it?
I know now it's love
I know now I was bit...

I clutch my chest and begin to think...
Of the splintered shard I had failed to extract
I feel subdued and ultimately shattered
By the crushing bitter ripples of a broken pact

I'm hurting much
But strangely so...
I'm beginning to savour it
More than you know...
Line taken off dakota's 10w - "These words are not mine to keep" for Frank's "Let's Do A Line!" challenge.

Her quote caught my eye and heart the moment I read it and thought, "Wow... That's a great quote!"

It made me think and reflect on my place in the universe. Wondered if whatever I felt would send out ripples into the universe around me.

Thank you dakota for this inspiring this write...
Blade Maiden Jul 2018
Sometimes I ask myself
when did my thoughts and hopes of blue and green
turn into violet worries, violent dispositions
When did this soul with its empty bookshelf
burn all its unwritten scripts of things yet to be seen
and my steady solace turn into a contradiction

I know what I want in life
when I see my favorite pieces of art
scattered accross the canvas of my solitary nights
my cold fingers once touched it and I can count it on all five
I want to believe that I'd be content with really only a shard
to know my dreams aren't just made of imaginary sights

My open heart drives me
in uncertain directions with clear aspiration, sometimes just insane
but always looking, always wanting, always one heart ahead
If my eyes could only look beyond uncertainty and I'd finally see
a way that goes far and will let me travel along a green country lane
If I could feel as if I'd know why it seems so difficult not to be dead.

In everything that had to be broken and shed
these distant promises on remote and empty shores
For only the contingency of all that could be good and whole
Truly not knowing where this road might have led
and still keep my hands open and reaching and breathe in deeply through all of my pores
let me just find one wholesome and abiding content in this burning library inside my soul
A very deep-rooted and emotional piece that just started to flow out of my head into my hands and finally on this page. I'm at a better place today, surely. But there's still so much that feels empty and uncertain and not.. quite right. And things sometimes seem so hopeless and sad in such strangely and terrifyingly normal ways. It's difficult to hold on to things that you want to live for. Here's to all the blind but necessary hope!
canto 1
I call her daddy my own. He felt nothing for her when the time had come for him to do something he fell and she felt nothing at all, nothing whatsoever. It is a cruel world, mateys, and the best thing you can do is curse God and die. Hard to ditch the pity act. Ditching is denying and there is much truth to the lie.

canto 2
Their eyes bubble in the open air, they fill to bursting and scrub until they scratch. **** drips. It's a sound that I will never forget. A sight that should be reserved for the dream world...a stench unrivaled.

canto 3
The Chinese bomber is persistent. One has to wonder why he bothers at all, seeing that his attempts have been futile up until the present moment. It's shoe week, so I guess he has his reasons. But this has gone on for far too long. If there were a way for me to stop him I guess it wouldn't hurt to try.

canto 4
Random parking lots and good God what have they done? I thought it was all over, these thoughts were through, these voices are mad. Usually it's not as upsetting. Your car door gets stuck, you know, it happens all the time. It happens every day, still you never get used to it, do you? You're always stuck inside that ugly mirror.

canto 5 (the "missing canto")

canto 6
I want to tell the world how good you are. Amazing and incredible. **** and *******. Talented and unrestrained. Honey nut Cheerios. You give it but I have a sneaky feeling you would rather be lost in a dream. A banal night vision. Comparably

canto 7
I want to make it better. I want to see you smile. What can I do? You are my own heart ripped from my chest and given wings to fly. Your smile is a lost treasure I would do anything to get it back to give it back to you, I didn't mean to take it away from you. You push me up against a stone wall and you don't even realize you're doing it. That my soul cries and prays for something real, for some kind of explanation or even an excuse would be fine right now. Instead I float. Not the way I like to float. I drift and crash, a dizzying spiral out of control, confused and dumbfounded by the realization that none of it means a ******* thing. What I thought was love turned out to be a jester's game, a joker's trick. You don't need me anymore.

canto 8
I hide myself behind a blanket of stone where you cannot spit fireballs at me without cracking an egg. Cold breeze tickles my news. It's not too chilly in this room. But the fireballs warm things up. "Blanket of stone"...what a stupid expression. Why do you have to be so hateful to me? How many times can a man say I'm Sorry without losing an eyeball?

canto 9
I have no right to feel the way I do. I don't think I can control it, though. This is one of the ****** up idiosyncrasies of my confused existence. Vanish without a trace and look for clues in the alphabet soup.

canto 10
Weariness is like a slug, a giant slug, a parasite infesting my body, hanging on and hanging out. A fire down below that waits for my imagination. My sleep patterns are getting ****** up but I'm not sure if I was sleeping or just dreaming I was awake. Under the impression that it doesn't matter? Well, you are a stone fool for thinking that way. You've never experienced the life-changer. Else you would know. But all I want to know is this: Why am I afraid of sleep?

canto 11
Things get slow. Patience is required, but I don't have any. Why does it have to be that way, o cruel dictator? You get a kick out of this ****, don't you?

canto 12
Spill your guts, maties, it's the only way you'll ever come out of this situation with even a shard of dignity intact. I know it's early and you haven't had time to adjust your eyes and your wrists for this delicate task. Go! Do it now before you lose confidence.

canto 13
We took a holiday and it was so nice. She stood there on that stage without a stitch of clothing on her voluptuous body. Baby, don't you let your hairdresser down

canto 14
Who doesn't love breakfast? Me, actually.

canto 15
I can't help it if I'm changing every day. Ask the question later, maybe my answer will be suitable. I don't think I can help you because I'm not like anyone you've ever known or will ever know or can ever know or would ever want to know and why do you keep wanting to know where I've been? I've been right here. Right where I've always been. Haven't moved a muscle.

canto 16
This is the 16th and I should be proud but the apathy seeps from my very pours. That little ******* was about to take a **** in the corner. When I picked him up to take him to the paper he dropped a couple of turds on the floor beneath me. I guess he couldn't wait.

canto 17
Sometimes things change so much that it's hard to tell if they're for the best or the worst. It is at these times that I enjoy a good evening on the water, enjoying my yacht and eating peanuts from another man's sack. Salted peanuts with pickled eggs and deviled ham with a side order of angel food crack.

canto 18
My wrist hurts and I've lost the will to **** socks.

canto 19
The lawn chair has been placed under extreme scrutiny. It's rocking motion is being scientifically tested and arranged for packaging. The physics of this miracle are in the process of logistical infiltration. You'd be surprised at how useful a rocking lawn chair can be in a world tangled in war. It's a good place to relax. For paranoids, that is.

canto 20
Bird feathers of a different post, it has never made a lick of sense and the promises made were broken. Who was that man in the bird suit? Why was he making all those funny noises? I'll have to investigate. Lawd have mercy I do believe I've **** my pants.

canto 21
Don't come crying to me if you feel misunderstood. I can read right through you and I know that all you're doing is fishing for a compliment. You will not receive one from me, Salty Dog, not because you don't deserve one. You probably do. But not from me. Perhaps you should take up your case with Hoda Kotbe. Who knows but that you might look really, really good on television. Just remember to feed the dog before you leave. He gets hungry. But he doesn't miss you. I don't mean to break your heart, but the rational man within me is very convincing when he tells me you are a real pickle.

canto 22
Those comments are found particularly offensive in light of the situation in the Gulf. You need to regulate your interest in beans. One day you'll fly to the Middle East looking for peace and all you will find are demons like the ones who raised so much hell in "The Exorcist". You don't want that, do you? Settle for Ranch Style and leave the diplomacy to the masters.

canto 23 (the "lost" canto)
I wouldn't wish this on a barrel full of monkeys. They say that time heals all wounds and I suppose it does. No "if"s, "and"s or "but"s. Don't believe me? Listen to 'em snarl. They're hungry for blood and sandwiches. I owe you nothing, so perhaps I'll send you a good time from New York. You gotta love a trapeze artist.

canto 24
I'm trying my best to change the world but the fact remains that the human race does not deserve the kind of tender loving care that I'm well known for. This holiday event will not include high temperatures or the kind of crap the weather people try to sell you.

canto 25
******* Valhalla. This is how it always seems to wind up, isn't it, Pinnochio? Just when you think things are getting better, BAM, ****** up again.

canto 26
You know you've reached a severe point of boredom when you switch to the Daystar Network and find yourself singing along to the bogus faith healers. Pecans on that one, please.

canto 27
Plug away, Sailor. Keep plugging away. When you get there you can say you plugged away with as much vim and vigor as a much larger man. Slough it off, O Great one. Keep sloughing it off. When you get there you can say you sloughed it off with as much skill and empathy as one might expect from a lizard. Or a monster frog.

canto 28 (the "twenty-eighth canto")
Come, look at my incredible collection of dice. Right next to my collection of mice. Next to that bowl of rice. Sugar and spice, everything nice. My head's full of lice. Don't think twice, just break the ice. Pup your puppy dog in the freezer.

canto 29
My toes are cold and so is my nose. I should be concerned with this situation but, strangely, I could care less. There are so many other, more important things to worry about. Like how many frosted flakes are in that box over there. And is there any milk left? And is it the real deal or that phony 2%? 1%? Skim milk is even worse. If it gets down to that point I'll save the money and use tap water. Don't think for a moment that I won't.

canto 30
Colored pencils expect risque answers to tame pencils. Unfortunately the quality of superior eggs is relative to the ice cream that has dripped down your shirt. You're starting to smell bad and I would highly recommend soaking in vinegar for an hour or six.

canto 31
There are times when I wish the planet would implode and **** every living thing into a void. I don't wanna die, but if I'm gonna I want everyone else to come with me. I'm tired of hearing about God's word. But even more so John Hagee's special gift for your love offering of any amount, the super duper Bible verse audio player, with selected passages read by the man himself. You can leave him behind.

canto 32 (the "same as the 31st" canto)
There are times when I wish the planet would implode and **** every living thing into a void. I don't wanna die, but if I'm gonna I want everyone else to come with me. I'm tired of hearing about God's word. But even more so John Hagee's special gift for your love offering of any amount, the super duper Bible verse audio player, with selected passages read by the man himself. You can leave him behind.

canto 33
Yazaa, yazaa, yazaa I told you I was gonna steal that car. You didn't think I had the guts, did you? But look who's laughing now! That guy with the big flower in his pocket must really feel like **** right now, realizing that his awesome vehicle is no longer in his possession. Maybe get an ice cream cone, maybe feel better.

canto 34
Come out of your hidey-hole, scurvy dog. Rat scabies be breathing down your neck and it's cold and old and you'll do as you're told. Pinch back that stray lock of hair, O Queen of Sheba. You shall spend the rest of your days parked on a green chariot overlooking Lake Erie

canto 35
You could have given me a reason for the season. Instead you had nothing to offer but a huge chunk of pepperoni that had mold growing all over it. Admittedly it was delicious but surely you could have come up with something a bit more expressive of the tender emotions I inspired within your fluttering heart.

canto 36
The prospect of a news reporter calling you a crack head based on information gleamed from your Internet social network profiles is quite terrifying, but when you tie the noose you might as well make sure it was time well spent. It's a shame you shaved your head because the painful truth is that now you bear a striking resemblance to Telly Savalas.

canto 37
Energy. That's what is required. And not just the kind of energy you can get from sugar, caffeine and butter. If it were that easy you could be **** sure that the Catholic Church would be the first in line to canonize it. They have a burning desire to fall off the wagon. "Which wagon?" you may ask. The one with the ice cream, of course. Don't be a fool.

canto 38 (a "short" canto)
If boredom is a sea in which one can easily sink into and drown in, I must be swimming the Atlantic.

canto 39
When the dog barks like that it's a sure bet that he's been neutered in the last few days. It's a sad and sorrowful sound that is only recognized by **** knockers in the deep woods.

canto 40
I could stare at the bars of this prison for the rest of my life. Okay, that's *******.

canto 41
Who was it that once said time is the only reliable concept in the universe? Oh, wait. That was me

canto 42
They tell you to wait. That's what it's all about. Wait, wait, wait, wait until I can almost feel my hair turning gray. The estimated time is currently number 7 the estimated hold time is 4 minutes, thank you for your patience. Well, you're welcome, comrade.

canto 42
I've only to surrender you to the world, lie down and wait for it to crush me.

canto 43
If I can only keep it together...if I can only hold it together this one time, I know the gravy train will come my way. Would it do any good to pray? This isn't the first time that enlightenment and illumination have reared their blessed heads. Would that I could live within them this time.

canto 44
Have I told you lately how much I hate to wait? Thinketh not that the Chair has lost it's financial imbalance, the very thread of chocolate that brought you here. It is still a very important and, some would say, a hot topic regardless of the amount of grime, sweat, blood and V8 juice is spilled on it's ivory shaped pear seat.

canto 45
The shadows turn into cloaks, dark itchy woolen capes that enfold the nothingness beneath them, the nothingness of being. You could have worked a little longer and a little harder on that one, amigo.

canto 46
It's been awhile but my wrist still hurts and I've written the word "moon" on the back of my hand with a Sharpie.

canto 47
I'm movin' this **** to WordPress. No I'm not. **** WordPress. Press WordFuck. Word FuckPress. On and on and on and on and not the least bit clever or entertaining. But I do like steaks.

canto 48
I swear to God I wish I had never taken that first hit of ****. Look what it's done to me. After so many years, I guess I was only fooling myself. Or maybe I was so dumbed down that it didn't seem to matter. But now things have changed. And I can do nothing about it. Dump a can of Campbell's Chunky Soup into a bowl, throw it into the microwave, let 'er go for three minutes, let 'er cool down in the oven for a couple more, stir in a quarter cup of Tabasco sauce, let 'er cool down for a little while longer, mix in a ****-load of Cheez-It reduced fat crackers and then go to ******* town. Go to ******* town, I say, **** the stoner days.
Grace Jordan Aug 2013
Bipolar.

The toxic word flickers across the blue screen, taunting my tears into reckoning. Everything makes sense now. Now I know each time my feelings crash there is no reason, no problem, no answer. Just disorder. My disorder. It’s swirling in my veins, intoxicating me like a drug, and sometimes I like it.

Each manic moment is incomprehensible perfection, with I as the center of its universe. The world is mine to own, the Gods mine to control. Every movement is unstoppable, the energy seeping out of my very pores. Words come easily; all I am is a flowing expression of the beauty within. Nothing is above me, all are below. I am flawless. Why can’t everyone be so perfect?

Yet each depressed crash sends me spiraling into a darkness I have never known. My nails become bitten, my hair a tangled mess. Every turn I find myself nothing but alone, no one around to notice or care or even see. They are better, everything’s better, as long as it’s without me.

I am a cyclical monster, luring in my prey before dragging it into the pits of my own personal hell. Every shattered shard refracts inviting light, yet they cut deep and only capture people in a lethal web. I am breakable, unfixable. Every shade of me I thought I understood is now a vague gray. Is this smile mine? Are these tears real? Am I feeling pain or is it just the chemicals and synapses dancing haphazardly in my brain, concocting this uncontrollable body that I do not know?

I cannot hinder my blood from screaming for help, but my heart cannot tell what my lips refuse to speak. Lips lie when I try to hide, the habitual sin I can never break. People must be punished for their sins. Locked within my prison, kept without my food, begging to be unchained yet pleading to cement my sentence. A prisoner cannot **** when they are dead.

He asks to help, but he is ignorant to the truth. My arms pull him close while my heart shoves him far away, dooming my flicker of a fantastical romance before it begins. It shoves them all away. The choice is shove or break. No one deserves this, the swirling vortex of uncertainty, depression, mania, unknown. How could I break them too? The only paths before me are to lose them or hurt them. Losing them would **** me; hurting them would **** me. My heart will be murdered either way. How inevitable it is for me to be dead.

This disorder is not terminal, yet its killing me quietly, so slowly, and forcing me to feel alone in even the most crowded room. To become an alien in my own world. They want to save me, but they don’t understand, she doesn’t understand, I am too afraid to understand. It won’t be spoken. Only on paper can my iron heart ease, only alone can I say what I know is real.

Bipolar.
Cindra Carr Nov 2011
The fatigue flows through me
As if it has invaded the marrow of my bones
Leaking out into the flesh
Rendering me paralyzed in an unfocused state
I sleep to live and wish only to end the dulled mind set
It’s crushing to find that shard of thought
Urging me to get up
Do not sleep, it whispers
There is too much to do, the insidious trails of ideas speak
The words taken down seek to undo the restlessness
The blurred vision of the time slipping past in red numbers
Sleep, my body cries
Wait a minute more, my mind calls back
Sleep deprived with burning eyes
A single tear breaks the tie
I cannot go on
Sleep calls me back
Pulling me down to the place I cannot ignore anymore
Sleep, my body whispers
Sleep, my mind sighs

cc111911
CA Guilfoyle Feb 2015
Sharp shard with blood, it cuts
your armored heart of crystalline
no one knows you, nor gets in
barbwire wrapped and shut
black, the deep - you've fallen
your desultory descent ever sullen
gasp of strife that smokes
and chokes apart your life
makes a slave of you, alone
calls for your blood
and bones
He was a Grecian lad, who coming home
With pulpy figs and wine from Sicily
Stood at his galley’s prow, and let the foam
Blow through his crisp brown curls unconsciously,
And holding wave and wind in boy’s despite
Peered from his dripping seat across the wet and stormy night.

Till with the dawn he saw a burnished spear
Like a thin thread of gold against the sky,
And hoisted sail, and strained the creaking gear,
And bade the pilot head her lustily
Against the nor’west gale, and all day long
Held on his way, and marked the rowers’ time with measured song.

And when the faint Corinthian hills were red
Dropped anchor in a little sandy bay,
And with fresh boughs of olive crowned his head,
And brushed from cheek and throat the hoary spray,
And washed his limbs with oil, and from the hold
Brought out his linen tunic and his sandals brazen-soled,

And a rich robe stained with the fishers’ juice
Which of some swarthy trader he had bought
Upon the sunny quay at Syracuse,
And was with Tyrian broideries inwrought,
And by the questioning merchants made his way
Up through the soft and silver woods, and when the labouring day

Had spun its tangled web of crimson cloud,
Clomb the high hill, and with swift silent feet
Crept to the fane unnoticed by the crowd
Of busy priests, and from some dark retreat
Watched the young swains his frolic playmates bring
The firstling of their little flock, and the shy shepherd fling

The crackling salt upon the flame, or hang
His studded crook against the temple wall
To Her who keeps away the ravenous fang
Of the base wolf from homestead and from stall;
And then the clear-voiced maidens ‘gan to sing,
And to the altar each man brought some goodly offering,

A beechen cup brimming with milky foam,
A fair cloth wrought with cunning imagery
Of hounds in chase, a waxen honey-comb
Dripping with oozy gold which scarce the bee
Had ceased from building, a black skin of oil
Meet for the wrestlers, a great boar the fierce and white-tusked
spoil

Stolen from Artemis that jealous maid
To please Athena, and the dappled hide
Of a tall stag who in some mountain glade
Had met the shaft; and then the herald cried,
And from the pillared precinct one by one
Went the glad Greeks well pleased that they their simple vows had
done.

And the old priest put out the waning fires
Save that one lamp whose restless ruby glowed
For ever in the cell, and the shrill lyres
Came fainter on the wind, as down the road
In joyous dance these country folk did pass,
And with stout hands the warder closed the gates of polished brass.

Long time he lay and hardly dared to breathe,
And heard the cadenced drip of spilt-out wine,
And the rose-petals falling from the wreath
As the night breezes wandered through the shrine,
And seemed to be in some entranced swoon
Till through the open roof above the full and brimming moon

Flooded with sheeny waves the marble floor,
When from his nook up leapt the venturous lad,
And flinging wide the cedar-carven door
Beheld an awful image saffron-clad
And armed for battle! the gaunt Griffin glared
From the huge helm, and the long lance of wreck and ruin flared

Like a red rod of flame, stony and steeled
The Gorgon’s head its leaden eyeballs rolled,
And writhed its snaky horrors through the shield,
And gaped aghast with bloodless lips and cold
In passion impotent, while with blind gaze
The blinking owl between the feet hooted in shrill amaze.

The lonely fisher as he trimmed his lamp
Far out at sea off Sunium, or cast
The net for tunnies, heard a brazen *****
Of horses smite the waves, and a wild blast
Divide the folded curtains of the night,
And knelt upon the little ****, and prayed in holy fright.

And guilty lovers in their venery
Forgat a little while their stolen sweets,
Deeming they heard dread Dian’s bitter cry;
And the grim watchmen on their lofty seats
Ran to their shields in haste precipitate,
Or strained black-bearded throats across the dusky parapet.

For round the temple rolled the clang of arms,
And the twelve Gods leapt up in marble fear,
And the air quaked with dissonant alarums
Till huge Poseidon shook his mighty spear,
And on the frieze the prancing horses neighed,
And the low tread of hurrying feet rang from the cavalcade.

Ready for death with parted lips he stood,
And well content at such a price to see
That calm wide brow, that terrible maidenhood,
The marvel of that pitiless chastity,
Ah! well content indeed, for never wight
Since Troy’s young shepherd prince had seen so wonderful a sight.

Ready for death he stood, but lo! the air
Grew silent, and the horses ceased to neigh,
And off his brow he tossed the clustering hair,
And from his limbs he throw the cloak away;
For whom would not such love make desperate?
And nigher came, and touched her throat, and with hands violate

Undid the cuirass, and the crocus gown,
And bared the ******* of polished ivory,
Till from the waist the peplos falling down
Left visible the secret mystery
Which to no lover will Athena show,
The grand cool flanks, the crescent thighs, the bossy hills of
snow.

Those who have never known a lover’s sin
Let them not read my ditty, it will be
To their dull ears so musicless and thin
That they will have no joy of it, but ye
To whose wan cheeks now creeps the lingering smile,
Ye who have learned who Eros is,—O listen yet awhile.

A little space he let his greedy eyes
Rest on the burnished image, till mere sight
Half swooned for surfeit of such luxuries,
And then his lips in hungering delight
Fed on her lips, and round the towered neck
He flung his arms, nor cared at all his passion’s will to check.

Never I ween did lover hold such tryst,
For all night long he murmured honeyed word,
And saw her sweet unravished limbs, and kissed
Her pale and argent body undisturbed,
And paddled with the polished throat, and pressed
His hot and beating heart upon her chill and icy breast.

It was as if Numidian javelins
Pierced through and through his wild and whirling brain,
And his nerves thrilled like throbbing violins
In exquisite pulsation, and the pain
Was such sweet anguish that he never drew
His lips from hers till overhead the lark of warning flew.

They who have never seen the daylight peer
Into a darkened room, and drawn the curtain,
And with dull eyes and wearied from some dear
And worshipped body risen, they for certain
Will never know of what I try to sing,
How long the last kiss was, how fond and late his lingering.

The moon was girdled with a crystal rim,
The sign which shipmen say is ominous
Of wrath in heaven, the wan stars were dim,
And the low lightening east was tremulous
With the faint fluttering wings of flying dawn,
Ere from the silent sombre shrine his lover had withdrawn.

Down the steep rock with hurried feet and fast
Clomb the brave lad, and reached the cave of Pan,
And heard the goat-foot snoring as he passed,
And leapt upon a grassy knoll and ran
Like a young fawn unto an olive wood
Which in a shady valley by the well-built city stood;

And sought a little stream, which well he knew,
For oftentimes with boyish careless shout
The green and crested grebe he would pursue,
Or snare in woven net the silver trout,
And down amid the startled reeds he lay
Panting in breathless sweet affright, and waited for the day.

On the green bank he lay, and let one hand
Dip in the cool dark eddies listlessly,
And soon the breath of morning came and fanned
His hot flushed cheeks, or lifted wantonly
The tangled curls from off his forehead, while
He on the running water gazed with strange and secret smile.

And soon the shepherd in rough woollen cloak
With his long crook undid the wattled cotes,
And from the stack a thin blue wreath of smoke
Curled through the air across the ripening oats,
And on the hill the yellow house-dog bayed
As through the crisp and rustling fern the heavy cattle strayed.

And when the light-foot mower went afield
Across the meadows laced with threaded dew,
And the sheep bleated on the misty weald,
And from its nest the waking corncrake flew,
Some woodmen saw him lying by the stream
And marvelled much that any lad so beautiful could seem,

Nor deemed him born of mortals, and one said,
‘It is young Hylas, that false runaway
Who with a Naiad now would make his bed
Forgetting Herakles,’ but others, ‘Nay,
It is Narcissus, his own paramour,
Those are the fond and crimson lips no woman can allure.’

And when they nearer came a third one cried,
‘It is young Dionysos who has hid
His spear and fawnskin by the river side
Weary of hunting with the Bassarid,
And wise indeed were we away to fly:
They live not long who on the gods immortal come to spy.’

So turned they back, and feared to look behind,
And told the timid swain how they had seen
Amid the reeds some woodland god reclined,
And no man dared to cross the open green,
And on that day no olive-tree was slain,
Nor rushes cut, but all deserted was the fair domain,

Save when the neat-herd’s lad, his empty pail
Well slung upon his back, with leap and bound
Raced on the other side, and stopped to hail,
Hoping that he some comrade new had found,
And gat no answer, and then half afraid
Passed on his simple way, or down the still and silent glade

A little girl ran laughing from the farm,
Not thinking of love’s secret mysteries,
And when she saw the white and gleaming arm
And all his manlihood, with longing eyes
Whose passion mocked her sweet virginity
Watched him awhile, and then stole back sadly and wearily.

Far off he heard the city’s hum and noise,
And now and then the shriller laughter where
The passionate purity of brown-limbed boys
Wrestled or raced in the clear healthful air,
And now and then a little tinkling bell
As the shorn wether led the sheep down to the mossy well.

Through the grey willows danced the fretful gnat,
The grasshopper chirped idly from the tree,
In sleek and oily coat the water-rat
Breasting the little ripples manfully
Made for the wild-duck’s nest, from bough to bough
Hopped the shy finch, and the huge tortoise crept across the
slough.

On the faint wind floated the silky seeds
As the bright scythe swept through the waving grass,
The ouzel-**** splashed circles in the reeds
And flecked with silver whorls the forest’s glass,
Which scarce had caught again its imagery
Ere from its bed the dusky tench leapt at the dragon-fly.

But little care had he for any thing
Though up and down the beech the squirrel played,
And from the copse the linnet ‘gan to sing
To its brown mate its sweetest serenade;
Ah! little care indeed, for he had seen
The ******* of Pallas and the naked wonder of the Queen.

But when the herdsman called his straggling goats
With whistling pipe across the rocky road,
And the shard-beetle with its trumpet-notes
Boomed through the darkening woods, and seemed to bode
Of coming storm, and the belated crane
Passed homeward like a shadow, and the dull big drops of rain

Fell on the pattering fig-leaves, up he rose,
And from the gloomy forest went his way
Past sombre homestead and wet orchard-close,
And came at last unto a little quay,
And called his mates aboard, and took his seat
On the high ****, and pushed from land, and loosed the dripping
sheet,

And steered across the bay, and when nine suns
Passed down the long and laddered way of gold,
And nine pale moons had breathed their orisons
To the chaste stars their confessors, or told
Their dearest secret to the downy moth
That will not fly at noonday, through the foam and surging froth

Came a great owl with yellow sulphurous eyes
And lit upon the ship, whose timbers creaked
As though the lading of three argosies
Were in the hold, and flapped its wings and shrieked,
And darkness straightway stole across the deep,
Sheathed was Orion’s sword, dread Mars himself fled down the steep,

And the moon hid behind a tawny mask
Of drifting cloud, and from the ocean’s marge
Rose the red plume, the huge and horned casque,
The seven-cubit spear, the brazen targe!
And clad in bright and burnished panoply
Athena strode across the stretch of sick and shivering sea!

To the dull sailors’ sight her loosened looks
Seemed like the jagged storm-rack, and her feet
Only the spume that floats on hidden rocks,
And, marking how the rising waters beat
Against the rolling ship, the pilot cried
To the young helmsman at the stern to luff to windward side

But he, the overbold adulterer,
A dear profaner of great mysteries,
An ardent amorous idolater,
When he beheld those grand relentless eyes
Laughed loud for joy, and crying out ‘I come’
Leapt from the lofty **** into the chill and churning foam.

Then fell from the high heaven one bright star,
One dancer left the circling galaxy,
And back to Athens on her clattering car
In all the pride of venged divinity
Pale Pallas swept with shrill and steely clank,
And a few gurgling bubbles rose where her boy lover sank.

And the mast shuddered as the gaunt owl flew
With mocking hoots after the wrathful Queen,
And the old pilot bade the trembling crew
Hoist the big sail, and told how he had seen
Close to the stern a dim and giant form,
And like a dipping swallow the stout ship dashed through the storm.

And no man dared to speak of Charmides
Deeming that he some evil thing had wrought,
And when they reached the strait Symplegades
They beached their galley on the shore, and sought
The toll-gate of the city hastily,
And in the market showed their brown and pictured pottery.
sheeba balan kpp Mar 2015
So much bile
so much poison
I wonder how
you are alive
with these proportions
One can only be a thorn
or a shard
a shard your are
that I can validate
a piercing one at that
antony glaser May 2012
Progress is wasted here
the high street draped in uniform glass fronts
why shouldn't we play our bugle
to rebuke this shard ?
yet in a corner there's still a market street
refusing the final nail,
there's a shoe, bakery, cycle and jewellery shop,
in our hearts we will
wear  pride to headline the clarion call
and shed anger at being accused of,
carrying congress with the past
at our coffee stall.
Sam Nov 2018
If I could, I would.
I'd demolish you with the things I can do.
You remake me,
I'll remake you.
If I could, I would.
I'd obliterate all that came before;
Your past, your pain, they'd be no more.
Every brick, every beam, every shard of broken glass....
I'd renovate your body, if you would only ask...
If I could, I would.
I'd enjoy the destruction of all that came before;
Every molecule of pain would be no more.
I'd break down your walls,
assault your salty skin,
make you feel whole,
make you fragile again.
I want to smother your psyche,
make you beg for mercy.
Nothing would be same, nothing would remain.
Beneath our heat, all that was solid melts into thick air.
My mouth swallows your pain,
consumes your frame.
And there we are: destroyed.
Neither who we were, nor who we're yet becoming.
Through our destruction,  
we're remade anew.
You remake me,
I'll remake you.
For everyone who needs to lose control to find themselves. Seek sensuous annihiation in your most intimate connections.
CloudedVision Mar 2020
The desert is full of many grains
Many people seeking fame
Many people pursuing riches
Seeking to make a name

They dance around
They work hard
They tale their dust
And form a shard

A shard of sand
Made fine by time
A peice of art
A shining dime

Its value untold
Its worth is precious
The hard work to make it
The countless, countless, hours

All to make
This shard from dust
This shard of sand
This shard of luck

But it isn't so
The shard is made
From water mixing
Which happens never
In the desert

Yet every few hours
Day by Day
A storm
Ravages the deserts

No shard of sand has ever survived.
For four times a day they die
And once a year they live
Yet people seek them, why?

They seek a hope that never comes
A joy that fades so fast
For they take their dust, the tears of sand
And it turns only to rust

Nothing lasts, nor stays around
Even grains of sand
Are tossed and thrown about
An unfamiliar place, to always land
In memoriam
C. T. W.
Sometime trooper of the Royal Horse Guards
obiit H.M. prison, Reading, Berkshire
July 7, 1896

I

He did not wear his scarlet coat,
For blood and wine are red,
And blood and wine were on his hands
When they found him with the dead,
The poor dead woman whom he loved,
And murdered in her bed.

He walked amongst the Trial Men
In a suit of shabby grey;
A cricket cap was on his head,
And his step seemed light and gay;
But I never saw a man who looked
So wistfully at the day.

I never saw a man who looked
With such a wistful eye
Upon that little tent of blue
Which prisoners call the sky,
And at every drifting cloud that went
With sails of silver by.

I walked, with other souls in pain,
Within another ring,
And was wondering if the man had done
A great or little thing,
When a voice behind me whispered low,
‘That fellow’s got to swing.’

Dear Christ! the very prison walls
Suddenly seemed to reel,
And the sky above my head became
Like a casque of scorching steel;
And, though I was a soul in pain,
My pain I could not feel.

I only knew what hunted thought
Quickened his step, and why
He looked upon the garish day
With such a wistful eye;
The man had killed the thing he loved,
And so he had to die.

Yet each man kills the thing he loves,
By each let this be heard,
Some do it with a bitter look,
Some with a flattering word,
The coward does it with a kiss,
The brave man with a sword!

Some **** their love when they are young,
And some when they are old;
Some strangle with the hands of Lust,
Some with the hands of Gold:
The kindest use a knife, because
The dead so soon grow cold.

Some love too little, some too long,
Some sell, and others buy;
Some do the deed with many tears,
And some without a sigh:
For each man kills the thing he loves,
Yet each man does not die.

He does not die a death of shame
On a day of dark disgrace,
Nor have a noose about his neck,
Nor a cloth upon his face,
Nor drop feet foremost through the floor
Into an empty space.

He does not sit with silent men
Who watch him night and day;
Who watch him when he tries to weep,
And when he tries to pray;
Who watch him lest himself should rob
The prison of its prey.

He does not wake at dawn to see
Dread figures throng his room,
The shivering Chaplain robed in white,
The Sheriff stern with gloom,
And the Governor all in shiny black,
With the yellow face of Doom.

He does not rise in piteous haste
To put on convict-clothes,
While some coarse-mouthed Doctor gloats,
and notes
Each new and nerve-twitched pose,
******* a watch whose little ticks
Are like horrible hammer-blows.

He does not know that sickening thirst
That sands one’s throat, before
The hangman with his gardener’s gloves
Slips through the padded door,
And binds one with three leathern thongs,
That the throat may thirst no more.

He does not bend his head to hear
The Burial Office read,
Nor, while the terror of his soul
Tells him he is not dead,
Cross his own coffin, as he moves
Into the hideous shed.

He does not stare upon the air
Through a little roof of glass:
He does not pray with lips of clay
For his agony to pass;
Nor feel upon his shuddering cheek
The kiss of Caiaphas.

II

Six weeks our guardsman walked the yard,
In the suit of shabby grey:
His cricket cap was on his head,
And his step seemed light and gay,
But I never saw a man who looked
So wistfully at the day.

I never saw a man who looked
With such a wistful eye
Upon that little tent of blue
Which prisoners call the sky,
And at every wandering cloud that trailed
Its ravelled fleeces by.

He did not wring his hands, as do
Those witless men who dare
To try to rear the changeling Hope
In the cave of black Despair:
He only looked upon the sun,
And drank the morning air.

He did not wring his hands nor weep,
Nor did he peek or pine,
But he drank the air as though it held
Some healthful anodyne;
With open mouth he drank the sun
As though it had been wine!

And I and all the souls in pain,
Who tramped the other ring,
Forgot if we ourselves had done
A great or little thing,
And watched with gaze of dull amaze
The man who had to swing.

And strange it was to see him pass
With a step so light and gay,
And strange it was to see him look
So wistfully at the day,
And strange it was to think that he
Had such a debt to pay.

For oak and elm have pleasant leaves
That in the springtime shoot:
But grim to see is the gallows-tree,
With its adder-bitten root,
And, green or dry, a man must die
Before it bears its fruit!

The loftiest place is that seat of grace
For which all worldlings try:
But who would stand in hempen band
Upon a scaffold high,
And through a murderer’s collar take
His last look at the sky?

It is sweet to dance to violins
When Love and Life are fair:
To dance to flutes, to dance to lutes
Is delicate and rare:
But it is not sweet with nimble feet
To dance upon the air!

So with curious eyes and sick surmise
We watched him day by day,
And wondered if each one of us
Would end the self-same way,
For none can tell to what red Hell
His sightless soul may stray.

At last the dead man walked no more
Amongst the Trial Men,
And I knew that he was standing up
In the black dock’s dreadful pen,
And that never would I see his face
In God’s sweet world again.

Like two doomed ships that pass in storm
We had crossed each other’s way:
But we made no sign, we said no word,
We had no word to say;
For we did not meet in the holy night,
But in the shameful day.

A prison wall was round us both,
Two outcast men we were:
The world had ****** us from its heart,
And God from out His care:
And the iron gin that waits for Sin
Had caught us in its snare.

III

In Debtors’ Yard the stones are hard,
And the dripping wall is high,
So it was there he took the air
Beneath the leaden sky,
And by each side a Warder walked,
For fear the man might die.

Or else he sat with those who watched
His anguish night and day;
Who watched him when he rose to weep,
And when he crouched to pray;
Who watched him lest himself should rob
Their scaffold of its prey.

The Governor was strong upon
The Regulations Act:
The Doctor said that Death was but
A scientific fact:
And twice a day the Chaplain called,
And left a little tract.

And twice a day he smoked his pipe,
And drank his quart of beer:
His soul was resolute, and held
No hiding-place for fear;
He often said that he was glad
The hangman’s hands were near.

But why he said so strange a thing
No Warder dared to ask:
For he to whom a watcher’s doom
Is given as his task,
Must set a lock upon his lips,
And make his face a mask.

Or else he might be moved, and try
To comfort or console:
And what should Human Pity do
Pent up in Murderers’ Hole?
What word of grace in such a place
Could help a brother’s soul?

With slouch and swing around the ring
We trod the Fools’ Parade!
We did not care:  we knew we were
The Devil’s Own Brigade:
And shaven head and feet of lead
Make a merry masquerade.

We tore the tarry rope to shreds
With blunt and bleeding nails;
We rubbed the doors, and scrubbed the floors,
And cleaned the shining rails:
And, rank by rank, we soaped the plank,
And clattered with the pails.

We sewed the sacks, we broke the stones,
We turned the dusty drill:
We banged the tins, and bawled the hymns,
And sweated on the mill:
But in the heart of every man
Terror was lying still.

So still it lay that every day
Crawled like a ****-clogged wave:
And we forgot the bitter lot
That waits for fool and knave,
Till once, as we tramped in from work,
We passed an open grave.

With yawning mouth the yellow hole
Gaped for a living thing;
The very mud cried out for blood
To the thirsty asphalte ring:
And we knew that ere one dawn grew fair
Some prisoner had to swing.

Right in we went, with soul intent
On Death and Dread and Doom:
The hangman, with his little bag,
Went shuffling through the gloom:
And each man trembled as he crept
Into his numbered tomb.

That night the empty corridors
Were full of forms of Fear,
And up and down the iron town
Stole feet we could not hear,
And through the bars that hide the stars
White faces seemed to peer.

He lay as one who lies and dreams
In a pleasant meadow-land,
The watchers watched him as he slept,
And could not understand
How one could sleep so sweet a sleep
With a hangman close at hand.

But there is no sleep when men must weep
Who never yet have wept:
So we—the fool, the fraud, the knave—
That endless vigil kept,
And through each brain on hands of pain
Another’s terror crept.

Alas! it is a fearful thing
To feel another’s guilt!
For, right within, the sword of Sin
Pierced to its poisoned hilt,
And as molten lead were the tears we shed
For the blood we had not spilt.

The Warders with their shoes of felt
Crept by each padlocked door,
And peeped and saw, with eyes of awe,
Grey figures on the floor,
And wondered why men knelt to pray
Who never prayed before.

All through the night we knelt and prayed,
Mad mourners of a corse!
The troubled plumes of midnight were
The plumes upon a hearse:
And bitter wine upon a sponge
Was the savour of Remorse.

The grey **** crew, the red **** crew,
But never came the day:
And crooked shapes of Terror crouched,
In the corners where we lay:
And each evil sprite that walks by night
Before us seemed to play.

They glided past, they glided fast,
Like travellers through a mist:
They mocked the moon in a rigadoon
Of delicate turn and twist,
And with formal pace and loathsome grace
The phantoms kept their tryst.

With mop and mow, we saw them go,
Slim shadows hand in hand:
About, about, in ghostly rout
They trod a saraband:
And the ****** grotesques made arabesques,
Like the wind upon the sand!

With the pirouettes of marionettes,
They tripped on pointed tread:
But with flutes of Fear they filled the ear,
As their grisly masque they led,
And loud they sang, and long they sang,
For they sang to wake the dead.

‘Oho!’ they cried, ‘The world is wide,
But fettered limbs go lame!
And once, or twice, to throw the dice
Is a gentlemanly game,
But he does not win who plays with Sin
In the secret House of Shame.’

No things of air these antics were,
That frolicked with such glee:
To men whose lives were held in gyves,
And whose feet might not go free,
Ah! wounds of Christ! they were living things,
Most terrible to see.

Around, around, they waltzed and wound;
Some wheeled in smirking pairs;
With the mincing step of a demirep
Some sidled up the stairs:
And with subtle sneer, and fawning leer,
Each helped us at our prayers.

The morning wind began to moan,
But still the night went on:
Through its giant loom the web of gloom
Crept till each thread was spun:
And, as we prayed, we grew afraid
Of the Justice of the Sun.

The moaning wind went wandering round
The weeping prison-wall:
Till like a wheel of turning steel
We felt the minutes crawl:
O moaning wind! what had we done
To have such a seneschal?

At last I saw the shadowed bars,
Like a lattice wrought in lead,
Move right across the whitewashed wall
That faced my three-plank bed,
And I knew that somewhere in the world
God’s dreadful dawn was red.

At six o’clock we cleaned our cells,
At seven all was still,
But the sough and swing of a mighty wing
The prison seemed to fill,
For the Lord of Death with icy breath
Had entered in to ****.

He did not pass in purple pomp,
Nor ride a moon-white steed.
Three yards of cord and a sliding board
Are all the gallows’ need:
So with rope of shame the Herald came
To do the secret deed.

We were as men who through a fen
Of filthy darkness *****:
We did not dare to breathe a prayer,
Or to give our anguish scope:
Something was dead in each of us,
And what was dead was Hope.

For Man’s grim Justice goes its way,
And will not swerve aside:
It slays the weak, it slays the strong,
It has a deadly stride:
With iron heel it slays the strong,
The monstrous parricide!

We waited for the stroke of eight:
Each tongue was thick with thirst:
For the stroke of eight is the stroke of Fate
That makes a man accursed,
And Fate will use a running noose
For the best man and the worst.

We had no other thing to do,
Save to wait for the sign to come:
So, like things of stone in a valley lone,
Quiet we sat and dumb:
But each man’s heart beat thick and quick,
Like a madman on a drum!

With sudden shock the prison-clock
Smote on the shivering air,
And from all the gaol rose up a wail
Of impotent despair,
Like the sound that frightened marshes hear
From some ***** in his lair.

And as one sees most fearful things
In the crystal of a dream,
We saw the greasy hempen rope
Hooked to the blackened beam,
And heard the prayer the hangman’s snare
Strangled into a scream.

And all the woe that moved him so
That he gave that bitter cry,
And the wild regrets, and the ****** sweats,
None knew so well as I:
For he who lives more lives than one
More deaths than one must die.

IV

There is no chapel on the day
On which they hang a man:
The Chaplain’s heart is far too sick,
Or his face is far too wan,
Or there is that written in his eyes
Which none should look upon.

So they kept us close till nigh on noon,
And then they rang the bell,
And the Warders with their jingling keys
Opened each listening cell,
And down the iron stair we tramped,
Each from his separate Hell.

Out into God’s sweet air we went,
But not in wonted way,
For this man’s face was white with fear,
And that man’s face was grey,
And I never saw sad men who looked
So wistfully at the day.

I never saw sad men who looked
With such a wistful eye
Upon that little tent of blue
We prisoners called the sky,
And at every careless cloud that passed
In happy freedom by.

But there were those amongst us all
Who walked with downcast head,
And knew that, had each got his due,
They should have died instead:
He had but killed a thing that lived,
Whilst they had killed the dead.

For he who sins a second time
Wakes a dead soul to pain,
And draws it from its spotted shroud,
And makes it bleed again,
And makes it bleed great gouts of blood,
And makes it bleed in vain!

Like ape or clown, in monstrous garb
With crooked arrows starred,
Silently we went round and round
The slippery asphalte yard;
Silently we went round and round,
And no man spoke a word.

Silently we went round and round,
And through each hollow mind
The Memory of dreadful things
Rushed like a dreadful wind,
And Horror stalked before each man,
And Terror crept behind.

The Warders strutted up and down,
And kept their herd of brutes,
Their uniforms were ***** and span,
And they wore their Sunday suits,
But we knew the work they had been at,
By the quicklime on their boots.

For where a grave had opened wide,
There was no grave at all:
Only a stretch of mud and sand
By the hideous prison-wall,
And a little heap of burning lime,
That the man should have his pall.

For he has a pall, this wretched man,
Such as few men can claim:
Deep down below a prison-yard,
Naked for greater shame,
He lies, with fetters on each foot,
Wrapt in a sheet of flame!

And all the while the burning lime
Eats flesh and bone away,
It eats the brittle bone by night,
And the soft flesh by day,
It eats the flesh and bone by turns,
But it eats the heart alway.

For three long years they will not sow
Or root or seedling there:
For three long years the unblessed spot
Will sterile be and bare,
And look upon the wondering sky
With unreproachful stare.

They think a murderer’s heart would taint
Each simple seed they sow.
It is not true!  God’s kindly earth
Is kindlier than men know,
And the red rose would but blow more red,
The white rose whiter blow.

Out of his mouth a red, red rose!
Out of his heart a white!
For who can say by what strange way,
Christ brings His will to light,
Since the barren staff the pilgrim bore
Bloomed in the great Pope’s sight?

But neither milk-white rose nor red
May bloom in prison-air;
The shard, the pebble, and the flint,
Are what they give us there:
For flowers have been known to heal
A common man’s despair.

So never will wine-red rose or white,
Petal by petal, fall
On that stretch of mud and sand that lies
By the hideous prison-wall,
To tell the men who ***** the yard
That God’s Son died for all.

Yet though the hideous prison-wall
Still hems him round and round,
And a spirit may not walk by night
That is with fetters bound,
And a spirit may but weep that lies
In such unholy ground,

He is at peace—this wretched man—
At peace, or will be soon:
There is no thing to m
Ek Aug 2018
I heard a man today claim
that life is like bubbles caught in the rain
any day now ours will fade
and leave behind whatever remains

It rained in Toronto today
rained on pavement and on road
rained on garbage and on stone
rained on children and of old

Umbrella's of yellow and green
shelter the schools from hurricanes obscene
a little tear from sharpened sleeve
will open up a wound to heal

Stacked on boxes of holes inside holes
an echo chamber with no place to go
cast away boat alone on the shore
will open up all new kinds of pores

And when it rains, it rains hard
all the umbrella's been scared by a shard
the boxes are all now to discard
if only there were a bubble like heart
The rain has plenty of mercy
it washes mud away from the cold

The rain has plenty of mercy
it reveals the garbage painted in gold
Eric Martin Dec 2016
Where you go I go
But still I will never see
What keeps you up at night
As you softly scream hauntedly

For you I will always care
Even if the sky shattered and fell
I would be there not letting a shard touch your hair
And vowing to make the heavens wish for hell

Where you go I go
But sill you forbid me to ask
From knowing what you know
What happened in your past

For you I am devastatingly aware
Of your sanity and your pain
Life is so cruel and unfair
I wish I could end your suffering alone in your brain

Where you go I go
Where ever it may be
If any one is going to hurt you
I would do it the most softly

We can finally take comfort in the end
And that I am no longer prolonging your pain
To the heavens I pray our souls will send
And that we will be blessed with the chance to start again
Is this poem not very good, its actually one of my more favourite poems but even though its up for interoperation one of mine is that the narrators love is using him to **** them self and really they wont get another chance to be together but it could also be the other way around and they will meet again in heaven or another life. If this poem is bad can some one please let me know.
Max Alvarez Mar 2014
I want to tell her
But i can't.

I watch the spring rain fall.
A gentle tapping,
Sort of rapping
On the window's pane.

I focus on the sound until it fades.

I close my eyes and remember the day,
The scene is painted in a greyscale haze.
There stands you
Across the room
Enveloped in blue.
Your favorite colour.
It's late on that late winter's night,
And we're with our group.
If I said I knew who was there
I would be lying
Because it was you I was eyeing.
I'll skip the cliches, like
Butterflies
Or, better yet,
"Love at first sight"
Be as they may,
They all came true that night.


A casual glance became
A gaze became
A smile.
Once,
Twice,
Thrice,
Then Five,
We held it for a while.


I take a drink and pause the haze.


Minutes become hours that drag on for miles
We found ourselves in that grassy field
Dotted with trees,
And rabbits,
And owls.


A hot summer day-
The south suffers waves.
Hand in hand we make our way
Through the trail.
We fall behind our friends,
There's something I have to tell.
I stumble and fumble
Through letters to string,
I can't think of what to say.
And you say it's okay.
I smile and hold you close,
A mixed sense of pleasure morose.
Your lips touch mine,
And my heart explodes.
I can't believe we let each other go
We became 'twixt,
Ivy to our bones.


Again
Time lapses
There I am standing
There you are
Hanging
On him.
My rage demanding
His end.
But you come between
Deny instead.
Say I'm not right in the head,
Well, baby,
Love killed me dead.


I turn to walk away
And in turn you turn to
Return to he
Who shook your leaves.


So we've parted ways
And all was well
Until recently.
When I examined
A mural
And saw I missed a shard.
A blue tile
The final part
To my stain-glassed heart.
Feedback?
lua Oct 2022
the ice breaks from above me
as sunlight streams in
i feel its warmth
kissing the hairs against my arms
i would swim
to the top
to bang my fists against the frozen sheet
to pry each shard away
to pull myself out
but my blood hardens beneath the flesh
and i sink
watching the sky from the cold currents.
Ryan Bowdish Feb 2011
As I breathe for a second,
The look in your eyes
Reflects torture, fear and hatred
For the pain in my cries,
As if everything you thought
May have been wrong
At the blink of an eye
Or the shard of a song.

You amaze me, you know
For you try to calm me down
And whether or not I do,
You want to feel my sound.
I don't understand why
I let the world get its hooks in me.
Just promise me you wont change
The way that you look at me.
Serena Jungers Mar 2010
If I could have
A piece of wisdom--
Even the tiniest shard;
And if I could know
What is to come,
Oh, what I would give!
To be able to take
That shard, that piece,
And tuck it safely away
In the darkest corner
Of my mind, and
Only pull it out
When I am full of
Hurt, or doubt--
To know that I
Will be alright
No matter how
Life turns or twists
In unexpected ways.
Arsène Aug 2018
At night I sleep alone
Mending heartache like stitches sewn

To no avail
As dreams of you prevail
My heart just couldn’t curtail
The ember  of your embrace
An ember that’s now displaced
Or one in which I’d misplaced

Will it ever be the same
As November came
And I was left in pain
Craving you again

Will I ever be the same
As December sang
And January rang
With A heart scarred
and left shard

Will we ever be the same
As February drained
And March rained  
For its we i wish to be

There is no we
she responded to me
A pierced heart has no cure
Her Perfume Bleeds Who She Is.
It Dances Upon The Hearts Of Men She's Shattered, Leaving Them As A Substance Beyond Shard. Her Perfume Is Intoxicating. It Reads Woman. It Sings In Harmony With The Smell Of Wet Nail polish And Spilt Champagne. She Has Blue Eyes, Brown Skin, Coarse Hair. She Has No Face, For The Face Of Beauty Is Upon All Women.
From The Rose On Her Neck, To The Musk Upon Her Skin.
Her Perfume Bleeds, Who She Is. X
Willow Jul 2018
the word came out of your mouth
as sharp as a blade
and
easy for you to say
but hard for me to swallow

as easy for you to say
as it was for the three letters to  
gut me from the inside
out

yes

i have come to hold animosity toward
the one syllable word.

my chest bursts open like
a black hole
******* every last bit of my happiness
away
gone into the never ending vastness
of darkness

i felt my lungs
collapse

but almost as if the word itself
had frozen my breath
as it left your lips

and with it went
my windpipe and lungs

you looked at me with those
crystal blue eyes
and my insides imploded, sending
each shard of ice
to poke and **** at my heart
just like

you.

W
Sarah Spang Nov 2014
Harbinger of light, I curled away
From chaste, un-daunting rays.
And cursed the sphere high in the sky
For showcasing my pain

You brought me terms and phrases
That withered on deaf ears
I longed to wrench them from my head
When ballads provoked tears

Your touch? It singed like acid
I yearned to shed this skin
Discard this haggard carapace;
Exhume the girl within.

Your gaze took me to pieces
And plucked a shattered shard
To hold before my wretched face;
Remind me what we are.



I’m stained with shadows where you’re light
And loud where you are soft.
I’m rough, disheveled and clumsy
My company’s high in cost.

I twist and draw away from you
I flee and weep and hide
Everything that makes you up,
Is who I am inside.
Poetic T Aug 2015
She was beauty personified, but in truth
She was a wish upon a star,
Like folk lore of times before,
Buttons blue,
Straw veined,
Cloth used from plague victims before, she was
Diseased,
Afflicted,
Unclean
Of mind and body that would bind a soul
Vilified by what was sewn in before,
She played her part well, A real girl,
But the toll on a father now frail and bone,
Two sisters not of blood
And a mother not her own,
A father pasted on midnights charm,
Was it cinders or the sisters?
No one knows.

"Sisters two. What time does mothers clock chime,

And for those words in the basement mother kept,
but old houses have space in walls,
And cinders spied on all,
The letter came of a dance at princes hall.

"We three shall dance the heart of the prince,
"My daughters two,
"One will be queen and we shall rule,

Cinderella anger spent, now just vengeance,
She called upon the one who brought her life,

"Fairy godmother,
"Entombed am I to the palace,
"I must dance,

"My child birthed from my wanton words,
"I will gift you freedom,

As a wand did flourish and skin was nicked,
Blood will birth your desire as arcane words were spoke,

"Let the rats be you steads as black as night,
"Eyes redder than blood moons night,
"The pumpkins out of season but will have to do,
What of a dress my mother of magic?

As barley cloth did hide modesties touch, I have
Suffered this indignity for far to long I need to be
As I was when flesh did grant upon my touch.

"A dress from the blues of your eyes,

As whispers and smoke descended
Out of tatters did beauty radiate,
A goddess seen in all men's eyes.

"Beware the time little one,
"At midnights moon,
"The Twelve chimes shall undo this magic's words,

Upon steeds and a carriage crimson orange
She travelled though ranchers wood,
And the kingdoms castle did reach upon the clouds

"Introducing,
Are you on the list,

Cinders  looked for witnesses at what was to perspire?
And blood specks did taint the floor,
As wiped was the shard, a heel diamond  
That cut like a  guillotine upon soft flesh.
In awe were those who saw her beauty,
A Princes attention taken from sisters two,

"My lady, pardon your name.

"Cinders kind sir,
"Would you like to partake in a dance,

The moments were gaining pace,
As midnight was about to grace, lips so near to touch.
Chimes counted down as Cinders ran,
A slipper did slip it fell.

"I will find you my beauty,

As steeds did squeak,
Pumpkin did fester and burst covering
Cinders now once again tattered clothes.

In the basement found tears did pour,

"Mother cinders is here filth and all,

Then the knock of authority did strike upon the door,
Unlocked,
Forgotten,
Released
Was cinders from her hell hole,
The prince did enter this home
Crystal slipper in his gentle hold.

My ladies please would you honour one with a foot,
As one did try then another,
Mother did try but size twelve was her foot.
Is there another to greet this glass as a whisper came
Though another door,
A shoe was passed through shy was she,
A farce to make the princes curiosity peek,
Mother and daughters rushed in and words did speak,
Then silence for moments,
Is in the room shard did cut upon flesh and
Mother,
Sisters,
Blood
Not of her own did spill, And into the basement limp
Bodies blooded fell.
As glass touched foot,upon the spell,
A dress did knit on her body well.

"Dear sir the shoe does fit a foot so well,

"Does your mother not to wish you farewell,

"No there just killing time in the basement,
"We said our goodbyes all is well,

Cinders now queen, but still tainted at the core,
Her festering unnoticed hidden from all and everyone,
If even a notion of thought she saw,
Then glass slipper was her weapon of choice.
Years did pass many vanished without a trace.
Then the news of Cinderella's upcoming birth,

"breath your majesty,

As new life to birth, with screams in the soundproof walls
A baby girl, of tainted cloth and rotting straw,
She had her mothers old eyes two blue buttons and cute nose,

"Fairy godmother,
"Make my child all new born as I am now,

As words of arcane gestures spoke,
Lightning graced upon ground,
Glancing others,
Flesh did cinder and smoke.
A new princess was now born,
But the prince now ending under lighting smoke,
Child and mother did rule in kind,
For now they festered in evils cloak, and the kingdom
Had an age of despair that had  never been seen or spoke.
Rational Madman Dec 2018
Who the hell you think are to be demanding me a poem?
Mozart of this art like all these written no-gimmick lyrics are my profession,
Woah, that flow's a shard piercin' you and while you're bleedin', I tell you a fine confession:
This is freedom of expression, this is me out of depression, physics is nowhere near a suggestion for reason behind the never-yet-reached depths of my perception.

Boy you be readin' these ill lines by a writer so sublime, you couldn't fathom or imagine what it's like to be behind the steerin' wheel of the high-paced drive up in my mind,
All these spitting free-verse like that's skilled, yeah sure but they're nowhere close to flowin' poems so potent it could blind,
You can play this like over to cope, you'll need to pause and rewind not one, two, three but at least four times.

This is be that sick spittin' raw ****, you aint heard on the radio,
This be that thick ****, masculinity half gentleman half wild-lion ROAR and make those ladies hoes,
This be the new age slim shady yo, basic rappers way too slow, Mumble rapping on a track and reading **** like BABY PRO,
Na **** that mainstream ****, dawg this be that underground vicious ****,
Boy I've been slitting throat downtown before rap ever was for the ***** *****,
I'm that middle-school rap era, where gangsters could mean black but also Vinnie Paz, shout-out to the most-feared real-deal Gladiator straight from that Sicily pit,
I love Paz for his delivery, flow and anti-gimmicky lyrical potency like no other G that'***** that'***** the scene,
I love Tech for the flow man, Em for the show and love Minaj for puns and Hopsin for being the pioneer or bringing REAL RAP back, he's a cunning industry player but **** HE GOT FLOW. Chris Webby for the raw masculinity-vibe progressive ****, spreading those vibes getting the world to hear his messages,
I love Bugzy and Devs and a little Wiley doesn't hurt,
Grime Scene's a beautiful off-shoot of rap that unlike mumble crap is an old beautiful tree that grew straight from the dirt,
Imma leave it here, let me on this site so your ***** can squirt,
If you're a guy you'll wish you were me but turnin' me down's buryin' what you know be that legit **** that like a Phoenix'll rebirth.
<3

Beat to the rap:
https://www.youtube.com/watch?v=1F0kRAsIBs4

— The End —