Initially she began contacting me over the course of a year or so and increasingly over the last few months she started visiting me, helping me, caring for me and occasionally employing me in different ways.

She’d just had a break up a few weeks before, explaining that things hadn’t been right in the relationship for some time!

She presents herself as respectful, thoughtful, gentle, kind and considerate and after what seemed to be a very short length of time; unexpectedly declared that she had feelings for me; regarding love, admiration, desire and some other adventures.

She then began to bombarded me with love talk; occupying around 70% of my time gaining my trust, I was swept off my feet; she took a great deal of interest in me, learning everything about me, what I liked, where I would go, always asking what I was thinking feeling, how she could help and I was flattered and she was charming, though a little awkward at times.

As our friendship grew she started sharing her back story, including some tragic life experiences; she vilified her past lovers, and ex-partners and branded them as crazy, or bitter liars and troubled souls; slowly gaining my sympathy, whilst securing my allegiance, and keeping me on side; keeping me close; drawing on my compassion loyalty & trust!

During intimate moments she would sometimes seem a little awkward, false, over enthusiastic or a little insincere, and I made allowances for this given my knowledge of her backstory.
Re: (tragic events & experiences)

She began to choose and buy me clothes; outfits, take me shopping, gradually altering my outward image and appearance.

She introduced me to her friends; but was careful to keep me and them at arms-length, I realise (((Now))) that she was building an alternative profile of me in their minds and that the people she introduced to me rarely exhibited the behaviors or characteristic that I was led to expect.

She soon started to embroil me in her own rituals and compulsive behavior's, explaining that tasks needed to be performing in very specific ways to prevent her getting distressed!

She made many promises : ‘The hook’ It was my expectation i.e. waiting for some of those promises to materialise, that kept me hanging on the hook; As this increased her control and I think exited her too.
(Next to none of her promises came to fruition!)

She gradually had a hand in almost every aspect of my life i.e. my home, my work, my friends, family, my finances, the way I dressed, the food I ate and many other things besides, much of which I didn’t realise until our relationship was finally over. and I was left empty.
(In every way)

She often took immense pleasure in duping, individuals or companies out of something through theft, shoplifting, or getting something for nothing, a profiteer, a chancer!

To question or challenge her authority would result in seeing her facade slip and watch her decline into meltdown. It's at that point, she would lose composure, and I would see her irrationality come to the fore; revealing the real person underneath; childish, contrived and very fragile; It’s as if control is the glue that holds her together, without it she just falls apart, during this time she can’t be consoled and it’s impossible to calm this escalating situation; in fact; at this point that she would attempt to regain control by ‘gas-lighting’ me, she would distort the truth; re: who said what; in an attempt to damage my self-esteem, to make me question my own mind, my words, my intention and any actions, apportioning blame, pointing fingers, making me feel guilty, use rejection, or using hurt, sorrow, tears, shame and even threaten liable or legal action, and then use *** to pacify or regain control over me and my actions.

These episodes would appear often; though irregular and without provocation, I would always be deemed at fault!
I found silent compliance was less stressful than engaging in discussion.    

She never took responsibility or made any apologies for her conduct.

She would set me tasks, and go out a lot, and lie or bend the truth, as to where she had been; I never once challenged this behaviour!

When the relationship was finally deemed over; I was both devastated and relieved.

I began to see my new position in the cycle; as she immediately begin to vilify me in order to give credence to her new backstory, I felt very confused, disorientated and emotionally fraught, shell shocked! questioning, how much of our relationship was true and how much was a lie? For everything I thought I knew was now knitted together with a very complex web of loyalties, lies and half-truths.

Her pattern of repetitive and controlling behaviors have seemingly remained unchanging throughout all her relationships;
(I was covertly contacted by many of her previous partners and various other casualties since leaving her, and they offered shared many familiar experiences.

Within two weeks of being apart (ostracised) she informed me that she had fallen in love (And that my replacement) some-one she admires, someone kept just within the circle, a mutual acquaintance and she even thanked me for bringing them together.

My assumption is that: The grooming of her new lover will have commenced some time ago; her M.O. (Her pattern of behaviors, her techniques have remained fixed.)

She’s incredibly self-conscious, her biggest fear is that other people will find out about her true demeanour, as her image and appearance is everything to her. She's afraid that people will shun her for being so very, very different.
She is a wolf, that’s not to say she is a malevolent creature par-say; she is awesome, beautiful and beguiling in many ways, but you don’t want to be pray.

Full circle:
I too have joined the ranks of the discredited; labelled a liar, troubled, bitter and crazy; she contacted members of my, family, friends and some fellow musicians; and a few folks shared some of these conversations accusations with me.)
I suspect that she may even attempt to vilify me with authorities or threaten some form of legal action; as she has to other lovers in the past.

Despite everything I'm still drawn to her charismatic boldness, her awkward ****** power, her intelligence, and so…I have blocked all means of contact to curtail my own almost pathological interest, for despite everything that’s transpired, her lies, her infidelity, her deceit and appalling behaviour, I'm still drawn, intrigued, bewitched, beguiled by the person hiding underneath the façade.

Now the dust has finally settled; I’ve somehow remained sound of mind.

I don’t feel guilty or loyalty anymore; I’m aware that I’ve been manipulated into thinking and acting in ways that don’t truly represent my character; and that I’m just one of many people seduced by a sociopath; (((another natural human variant)) a person devoid of empathy for others, an entity that’s developed a narrow set of skills and mirroring behaviors, that allows her to blend into mainstream society in order to feel safe, secure and in control.

She would have preferred to keep me hanging on, like many other dependents, adding me to the hareem; a bank of beguiled individuals that she occasionally calls upon to perform simple tasks, or perhaps to monitor and re-assess her clever handwork.

The last time we met she opened with nervous politeness and finished with pleasure and veiled cruelty.
I left feeling drained, uncomfortable and quite fazed.

I’ve written this diary account to help further understand what had transpired during this complicated relationship.
(I’ve published it here with no names, because I think it’s worth understanding, it’s not a warning or a vengeful act.

In any case, Her next lover will ignore any pre-warnings as just bitter ramblings, as most individuals are driven by the natural pursuit of love, which consists of caring intellectual loyalty, *** and romance rather than following advice of some seemingly bitter ex. ( And rightfully so)

Good kind or exciting people further enhance the image and status of a sociopath and they will orbit your small shiny star, tapping into your  valuable energy before  slingshotting into a larger, more attractive orbit of a lager star.
Sadly love, *** and desire is simply a tool for manipulation and gain, it's all about prestige.

I wish her well, like every creature.

Expect high drama.

From one thousand mountains the hawks flights are gone
Soaring freely & thinking clearly through the clouds in the sky
Not looking back persevering to fulfill the dreams
The dreams aren't solely an illusion in the mind
But a preview of future times
For the reality in the hawks mind is dreams of happiness
Clashing between difficulty & a paradox of what is seen & what is not seen
What is believed has 20/20 vision
A clear sight with no eyeballs
But a driven mind with great visual
Anticipating the future of success
Feeling blessed and alleviating stress
Persevering and passing all the tests
What lies is the wind which is the past
Securing things of desire at last
Achievement is a good friend
Resulting in a fulfilled end. . .

years ago
i was consumed
in the deep abyss of depression.
i had been there before
and had always managed
to dig my way out.
but this time i got lost
in a maze, each turn dragging me further
into Hell.

so many unresolved thoughts plagued
the chasm of my mind.
i wanted to die,
not to **** myself,
for i couldn't be that selfish
to hurt my family in that way.
but i prayed selfishly
to be put out of my misery.
a prayer i felt unanswered
for months on end.
i tried to hide
this darkness
from those closest to me,
isolating myself.

in a defense mechanism sarcastic tone,
i smirked to a friend
that all i really wanted
was peace.
she encouraged me to pray.
i responded honestly,
"i'm not sure prayer works for me
because i've lost faith."
as if God only answers to those with faith.
she told me
that i might need to see results to believe
but that i should
give it a shot anyway
and stick with it.
i brushed it off.

the next morning,
i woke up with my normal
(worse than normal, at that time)
negative thoughts, you're ugly, fat, unworthy ...
(that's the censored, more kind version of my thoughts)
to which i argued in my head,
be kind.
silly i know.
then my friend's words resonated
"give it a shot."
so i quickly prayed a simple prayer for peace
in my mind, body and in my soul.
of course, i didn't feel any different at the time,
but i drug my heavy laden body out of bed.
forced myself to workout and went to work.

my first client that day was new to me.
hiding behind my work mask,
i presented myself professional
with my usual introduction.
she returned the favor
with a look of odd fascination.
so i continued with
"have i worked on you before?"
hoping i hadn't absentmindedly
not recognized a former client.
she responded "no, but you are Liz, right?"
i confirmed and proceeded to my room.
after scoping out the surroundings,
she commented on one of my paintings
on the wall, of an Angel.
it's an abstract.
some people don't see it.
then she asked ...
if i was a believer.
caught off guard
i responded "excuse me?"
she said, "do you believe in Jesus?"
not accusatory or even with aggression,
but a simple question, with dancing eyes.
i said, yes, more out of fear,
with my current frame of mind, at the time.
i was fragile and trying desperately
to hold it together.

i left her to ready herself for therapy
and took the opportunity
to regain my composure,
securing my guarded mask.
when i began therapy
she sighed and said
"i felt in my heart
that you were the right therapist for me,
because i can feel your kind heart."
i asked "did someone refer you to me?"
with suspicion, and narrowed eyes.  
she responded "no. Jesus gave me your name."
she told me how she relied heavily on prayer
and that brought her to see me.
i **** you not.
i brushed off her words
as any sane
(even in depression)
person would.

she was not easy to work
as a large body
that was hard as stone.
but my thoughts began to shift,
i swallowed an emotional lump in my throat.
in that moment, i realized,
i felt privileged to be working on her,
for her to have sought me out
on a quest from Jesus, or so she believed.
a peace i'd never experienced before
washed over me, cleansed me, anointed me.
in that moment, i felt clean, light.

afterward she gave me a huge hug
with an exaggerated pause
and whispered in my ear,
that prayer was the only reason
she was alive.
it felt like no other hug i'd received before,
so tender, sweet and sincere.
so i asked myself
"was this a sign?"

from that day forward,
i found my way back.
navigating the maze.
it didn't happen all at once
but each step, each turn
lead me out of the abyss of darkness
and toward the light of harmony and peace.
and though, i still slip occasionally,
i recall that spiritual experience.

For the fifth year in a row, Kering and Parsons School of Fashion rolled out the ‘Empowering Imagination’ design initiative. The competition engaged twelve 2016 graduates of the Parsons BFA Fashion Design program, who "were selected for their excellence in vision, acute awareness in design identity, and mastery of technical competencies." The winners, Ya Jun Lin and Tiffany Huang, will be awarded a 2-week trip to Kering facilities in Italy in June 2016 and will have their thesis collections featured in Saks Fifth Avenue New York’s windows.

The Kering and Parsons competition, which is currently in its fifth year, is one of a growing number of design competitions, including but not limited to the LVMH Prize, the ANDAM Awards, the Council of Fashion Designers of America/Vogue Fashion Fund, and its British counterpart, the Woolmark Prize, the Ecco Domani fashion award, and the Hyères Festival. among others.

In the generations prior, designers were certainly nominated for awards, but it seems that there was not nearly as intense of a focus on design competitions as a means for designers to get their footing, for design houses to scout talent, or for these competitions to select the best of the best in a especially large pool of young talent. Fern Mallis, the former executive director of the Council of Fashion Designers of America and an industry consultant, told the New York Times: “Take the Calvin [Kleins] and the Donna [Karans] and the Ralph [Laurens] of the world. Some of these people had money from a friend or a partner who worked with them, but they weren’t out spending their time doing competitions and winning awards to get their business going.” She sheds light on an essential element: The relatively drastic difference between the state of fashion then and fashion now. Fashion then was slower, less global, and (a lot) less dominated by the internet, and so, it made for quite different circumstances for the building of a fashion brand.

Nowadays, young designers are more or less going full speed ahead right off the bat. They show comprehensive collections, many of which consist of garments and an array of accessories. They are expected to be active on social media. They are expected to establish a strong industry presence (think: Go to events and parties). They are expected to cope with the fashion business that has become large-scale and international. They are expected to collaborate to expand their reach, and while it does, at times, feel excessive, this is the reality because the industry is moving at such a quick pace, one that some argue is unsustainably rapid. The result is designers and design houses consistently building their brands and very rarely starting small. Case in point: Young brands showing pre-collections within a few years of setting up shop (for a total of four collections per year, not counting any collaboration or capsule collections), and established brands showing roughly four womenswear collections, four menswear collections, two couture collections, and quite often, a few diffusion collections each year.

The current climate of 'more is more' (more collections, more collaborations, more social media, more international know-how, etc.) in fashion is what sets currently emerging brands apart from older brands, many of which started small. This reality also sheds light on the increasing frequency with which designers rely on competitions as a means of gaining funds, as well as a means of establishing their names and not uncommonly, gaining outside funding.

The Ralphs, Tommys, Calvins and Perrys started off a bit differently. Ralph Lauren, for instance, started a niche business. The empire builder, now 74, got his start working at a department store then worked for a private label tie manufacturer (which made ties for Brooks Brothers and Paul Stuart). He eventually convinced them to let him make ties under the Polo label and work out of a drawer in their showroom. After gaining credibility thanks to the impeccable quality of his ties, he expanded into other things. Tommy Hilfiger similarly started with one key garment: Jeans. After making a name for himself by buying jeans, altering them into bellbottoms and reselling them at Brown’s in Manhattan, he opened a store catering to those that wanted a “rock star” aesthetic when he was 18-years old with $150. While the store went bankrupt by the time he was 25, it allowed him to get his foot in the door. He was offered design positions at Calvin Klein (who also got his start by focusing on a single garment: Coats. With $2,000 of his own money and $10,000 lent to him by a friend, he set up shop; in 1973, he got his big break when a major department store buyer accidentally walked into his showroom and placed an order for $50,000). Hilfiger was also offered a design position with Perry Ellis but turned them down to start his eponymous with help from the Murjani Group. Speaking of Perry Ellis, the NYU grad went to work at an upscale retail store in Virginia, where he was promoted to a buying/merchandising position in NYC, where he was eventually offered a chance to start his own label, a small operation. After several years of success, he spun it off as its own entity. Marc Jacobs, who falls into a bit of a younger generation, started out focusing on sweaters.

These few individuals, some of the biggest names in American fashion, obviously share a common technique. They intentionally started very small. They built slowly from there, and they had the luxury of being able to do so. Others, such as Hubert de Givenchy, Alexander McQueen and his successor Sarah Burton, Nicolas Ghesquière, Julien Macdonald, John Galliano and his successor Bill Gaytten, and others, spent time as apprentices, working up to design directors or creative directors, and maybe maintaining a small eponymous label on the side. As I mentioned, attempting to compare these great brand builders or notable creative directors to the young designers of today is a bit like comparing apples and oranges, as the nature of the market now is vastly different from what it looked like 20 years ago, let alone 30 or 40 years ago.

With this in mind, fashion competitions have begun to play an important role in helping designers to cope with the increasing need to establish a brand early on. It seems to me that winning (or nearly winning) a prestigious fashion competition results in several key rewards.

Primarily, it puts a designer's name and brand on the map. This is likely the least noteworthy of the rewards, as chances are, if you are selected to participate in a design competition, your name and brand are already out there to some extent as one of the most promising young designers of the moment.

Second are the actual prizes, which commonly include mentoring from industry insiders and monetary grants. We know that participation in competitions, such as the CFDA/Vogue Fashion Fund, the Woolmark Prize, the Swarovski, Ecco Domani, the LVMH Prize, etc., gives emerging designers face time with and mentoring from some of the most successful names in the industry. Chris Peters, half of the label Creatures of the Wind (pictured above), whose brand has been nominated for half of the aforementioned awards says of such participation: “It feels like we’ve talked to possibly everyone in fashion that we can possibly talk to." The grants, which range anywhere from $25,o00 to $400,000 and beyond, are obviously important, as many emerging designers take this money and stage a runway show or launch pre-collections, which often affect the business' bottom line in a major and positive way.

The third benefit is, in my opinion, the most significant. It seems that competitions also provide brands with some reputability in terms of finding funding. At the moment, the sea of young brands which is terribly vast. Like law school graduates, there are a lot of design school graduates. With this in mind, these competitions are, for the most part, serving as a selection mechanism. Sure, the inevitable industry politics and alternate agendas exist (without which the finalists lists may look a bit different), but great talent is being scouted, nonetheless. Not only is it important to showcase the most promising young talent and provide them with mentoring and grant money, as a way of maintaining an industry, but these competitions also do a monumental service to young brands in terms of securing additional funding. One of the most challenging aspects of the business for young/emerging brands is producing and growing absent outside investors' funds, and often, the only way for brands' to have access to such funds is by showing a proven sales track record, something that is difficult to establish when you've already put all of your money into your business and it is just not enough. This is a frustrating cycle for young designers.

However, this is where design competitions are a saving grace. If we look to recent Council of Fashion Designers of America/Vogue Fashion Fund winners and runners-up, for instance, it is not uncommon to see funding (distinct from the grants associated with winning) come on the heels of successful participation. Chrome Hearts, the cult L.A.-based accessories label, acquired a minority stake in The Elder Statesman, the brand established by Greg Chait, the 2012 winner, this past March. A minority stake in 2011 winner Joseph Altuzarra's eponymous label was purchased by luxury conglomerate Kering in September 2013. Creatures of the Wind, the NYC-based brand founded by Shane Gabier and Chris Peters, which took home a runner-up prize in the 2011 competition, welcomed an investment from The Dock Group, a Los Angeles-based fashion investment firm, last year, as well.

Across the pond, the British Fashion Council/Vogue Fashion Fund has awarded prizes to a handful of designers who have gone on to land noteworthy investments. In January 2013, Christopher Kane (pictured below), the 2011 winner, sold a majority stake in his brand to Kering. Footwear designer Nicholas Kirkwood was named the winner 2013 in May and by September, a majority stake in his company had been acquired by LVMH.

Thus, while the exposure that fashion design competition participants gain, and the mentoring and monetary grants that the winners enjoy, are certainly not to be discounted, the takeaway is much larger than that. These competitions are becoming the new way for investors and luxury conglomerates to source new talent, and for young brands to land the outside investments that they so desperately need to produce their collections, expand their studio space, build upon their existing collections, and even open brick and mortar stores.

While no one has scooped up inaugural LVMH winner Thomas Tait’s brand yet or fellow winner, Marques'Almeida, it is likely just be a matter of time.Read more at:www.marieaustralia.com/short-formal-dresses | http://www.marieaustralia.com/formal-dresses-sydney

.i'm not here for the people, i'm here for the language, having observed it degenerate into modern hieroglyphics of emoji, and the acronym standard of american English... i'm here... for the language... the people? well... they're the people, and will always remain, what they always were... collateral... i can't speak for the organic product of what i am an inorganic byproduct of... why would there ever be a Hegelian dialectic to begin with? rather than a dichotomy? wasn't Kant the one to come up with a priori (thesis) and the a posteriori (antithesis) dynamism? no? then i guess i'm illiterate! must be! otherwise, how so?  i can't exactly command my a priori, given, with some "wonderful" a posteriori substitute of the global individualist! this urban Frankenstein! maybe the English speaker can... but i can't... given they allowed themselves the travesty of grammatical profanity... it's almost a shame, that the asylums closed down... when is cushioned room when you need one? oh... right... denial for the cases equivalent to jimmy salive... you attack grammar?! you attack us all... there's not qualification standards required... not all of us are required to have status as English language teachers... some of us? are just generically frustrated!

would i extinguish
cigarettes into my knuckles?

well... i was trying to
spot bone,..

but the real reason?
ha ha!

i was attempting to
count the number of eyes
on a tarantula.

not a funny joke?
i get it...
   i wasn't aiming for funny...

ever watch the grooving
bopping along,
seduced by the rhythm
bass player in a band?

you'd thin it was the drummer...
turns out?!
the intermediating
   focus....
   bass is all rhythm...
there's no such thing
as a rhythm guitar section,...

hardly any drums in
a classical music composition...
bass...
the subversive underlying
principality
of the fiasco...
the...
                          Pandemonium!

set your eyes on the bassist's groove...
pursed lips...
mm hmm ya ha...
           the *******
blood suckling artery
with not need for metaphor
presence of a band...

bass... bass... bass...;
hence the missing E i guess;
was, and always will be:
the base and bait
for listening to 20th century music...

whiskey lime & pepsi?
***** lemon & pepsi?
can't tell the difference,
both sound equally promising...

it pains me, to agitate a drummer's heart,
imitating a beat
without any drumming equipment...
bopping along, sly, shy,
and sometimes awry, fired up...
        
there were a few things i'd love
to have become,
a prof. cyclist doing the tour de france....
a vet practitioner...
    among others...
   what did i become?
a mediocre poet...
       a spewer of words
rather than their instigator...

had i ever the ability to write
pop **** jargon of
lost and wishing for awaiting loves...
i'd **** one of those
housewife harlequin novels!

alas... not to be, not to be...
     guess i tapped into Russian funk...
that Russian ex-girlfriend?
apparently she likes my writing,
she said: you should get published...
i did... little as **** did that do to
me in securing a stature of possible
fatherhood and a Tolstoy town-house
in the middle of St. Petersburg...

    i wasn't a priori to fiddle that
******* out into a castrated bull
******* an ****** with no *****
but pure muscle tension
of the phallus...

   wait... you never ****** off
as a man, prior to producing *****?
feel sorry for you...
guess the whole abortion debate
is killing you...
          you know...
  that's almost equivalent to theft...
what happens on the throne of thrones
and is dumped into a tissue?
ditto, i.e. remains there...

       thieving *****...
                  huh?!
                    **** it... do the Islamic take
on thieves...
ensure all the western men have
their ******* arms cut off...
to stop the thieving with
western culture jurisprudence
in-acting transgression
of transcending the allowance of
abortion, and...
enforcing...
                whatever the ****
fatherhood means...
when?
     a women proposes to you...
and then decides to throw away her
engagement ring, she, herself, chose...

as if... she never had the notion
of being young and being poor...
**** me! she forgot the beautiful part
of the equation!
  i liked her doughnut over-sized nose...
i loved to teasingly bite it
during *******!

      **** me... that contorted
face, Francis Bacon-esque
in the mirror doing *******?

      mmmmmmmmmmmmmmmm...

look here: FULL MOON ALL OVER
MY FACE...

         there's no revenge ****
in this scenario...
                
  hey! resurrect the Bastille!
and i'll be the second Marquis de Sade
screaming the revolutionaries!
YOU FORGOT THE JUICE!
the juice?!
YEAH! THE MOLOTOV COCKTAILS!

                anarchy...

       what order is there to speak of?
when grammar is secondarily dictated,
outside of the teaching profession?
     these people are teaching me language,
or secondarily indoctrinating
me into the abuse of language -
with political bull's diarrhea?

   can't have one and the other...
   you attack grammar?
        everyone restricted to a grammatical
conventionality, will...
spank you with a naked russian saber...
   i'm not here for playing
unorthodox language games
outside of crossword puzzles
i don't entertain having the capacity
to solve...

               you play your game...
i'll play mine...
i have the integrity of the English
language at stake...
   not this post-colonialist quasi-English
*******!

. so yeah, perhaps the aboriginals, the argument for the noble savage is there... point being, they have a narrative, more eloquent than the moneticised outside the frantic fanaticism of Harry Potter, a plagiarism of Merlin... etc. etc., with all the scientific superiority, a narrative in collectivism based upon plagiarism? does it really matter? the people who spurn on the superiority of western culture... let's just say, they love to gamble, but don't understand nature's gambling pattern of weeding out the weak... and... given their opinions? i wouldn't want to share a meal with them... contradictory *******... tell them about the Manchester attacks, and they'll cite Yemen! i find it rather uncomfortable sharing a public toilet with them... to begin with... but eating with them? what a strange anticipation of the most profound profanity!
            
                                 so yeah...
  nice critique...
"philosopher" *** sophist -
namely a rhetorician...

i love the giggles,
don't you love the giggles?

philosophy is something to engage
with, rather than explain...
more a tartar steak than
a medium-done slash of slaughterhouse
debris...

ahem... where's your western narrative?
where is the sociological focus?
the focus point?
the campfire?

  where, is, the, glue?

    can't see it...
western civilization is superior,
i grant you that,
but, where is the self-inflammatory
implosion?
  the self-reflecting critique?

look at your literature!
my good fellow!
  the pop-***** of vampire-clad-
neo-gothica?
you have to be kidding me...
too many facts, imbedded with
seeking counter-doubts (i.e. facts):
compensated with an antithesis
of a narrative principle...

a right, without a wrong...
a fact, without a narrative,
is pointless educational rubric -
no more finding an point
of answer, than regurgitating a bunch
of facts...
      i would be so certain as to joke
about the aboriginal culture...
when the western narration continuum
is plagued,
   by inconsistent narratives...
narratives that would never
want me to allow myself
a focus for congregating...

   no, sorry...
           you sit that **** alone in youir
little group-therapy sessions...
i'm about to do a Pontius Pilate
revision...
   i'm washing my hands away
from the gloat...
i can't stomach it...

      i don't want to stomach it...
i don't even adhere to an I.Q. discussion
as astounding racial differences...
i have already the point breaker:
and why so few black athletes compete
in the swimming events,
while so many are prescribed the
100m / 200m distance?

            what comes naturally...
800m / 1500m races?
white...
          the quasi-marathon running?
evidently Kenyan or Ethiopian...

i hate this, the vest iz v besht...
                       i regurgitate on this
factoid...
               with diarrhoea...

for all the science involved...
what is it, exactly, that constitutes,
the gluing fabric of community?

    i hate to say this,
but seldom facts are a differential aspect
    of exploratory conundrums...
Moby **** type of narratives?
the integral aspects...
      science has overtaken the expression
of life, sanitized it,
   securing an antithesis of
misery and mortality...
                    with: "facts"...
      
i might share the pH scale with someone...
but if i don't share the commonality of
a narrative?
  **** me, third party sources...
why should i share?
we share the same factoid,
why should we even bother consummating
this fact, over lunch?!

no bother!
there is no reason!
      live your life, let me live mine...
but don't you ******* even bother
dictating what i can, or can't do,
on the allowance of having invested
in a private property,
you, *******, english, ****!

  savvy?!

  the vest iz z best-chore...
   sure sure...
      love your literature, wonder
of the ******* world!
          YA ******* and your journalism?
makes Mecca pilgrims blush!
  wonderful!
                
...and for not particular reason...
vampires, werewolves,
zombies, the whole generic
exhausted stereotype -
   applause! applause!
applause!

              what?! health service?
i was lucky to have met up with my socialistic
accessible doctor,
   how many? 2 years to spare from
the last visit...
   zee vest iz z best!

            because why would i have considered
studying chemistry to an edinburgh university
level...
    and not began a post-scriptum of schooling,
beginning work in a supermarket?!

nice narrative, love the advertisement...
keep up the belittling tactic...
   glorifying your ***** wiped clean...
nay bother...
  as the Picts used t say...
                there is an actual masochistic
attache of internalized hate,
that even i can accommodate...

                     i hate gloating,
i hate boasting...
   and i hate the sort of people who
self-identify themselves as philosophers...
rather than sophists...
the sort of people:
who, simply, can't, keep, their, mouths,
shut!

don't criticise cultures,
when your own culture...
   is gearing up to problematic investments
of its own,
most notably, the teenage mental
health crisis...
          please...
                       this is not a time scant
for diminishing the already
queuing problems,
   by resorting to I.Q and race arguments...
the ******* can claim to be
philosophers, and entertain
the centre stage...
   i have a bench...
  in a park, talking to an old east london
geezer about rayleigh bikes...
and the scalpel attitude to
finding a prefix, negation,
                in the word disease...

western civilization has been gripped
with an Sunni Islam virus of
a superiority complex...
             they sure as **** know how
to point the good stuff...
   but slightly less...
                dream-detached when it comes
to the current,
    problems...
                  but hey!
the barbaric peoples are our closest
allies of worthy comparison...
   compare a ******* donkey
to a galloping horse!
  that'll fix it!

- but i thought that western culture was
all for the inbreds,
the down syndromes?
  the last birth mothers?!
   so?
        some cultures are somehow
more clingy to a peoticization of
the past...
    which... says much more...
for what currently grips the western
inconvenience in the pursuit of
a narrative, whether historical,
or fictional.

Fair Warning this does contain explicit language and ****** content if you are under the age of 18 please click exit, If you are offended by ****** prose please don't read this one either......LOL


Meet Me at the Holiday Inn  He said

she of course said yes without hesitation

Make sure to check in a room in the back He said

He did not want anyone disturbing their time
Nor for anyone to hear the noises that might sound disturbing to some

her body quivered as He explained why a room in the back

she would never defy Him, it was not in her nature to do so

every part of her just ached to please Him to make Him happy

When you get in the room leave it unlocked and undress I want you ready for me as soon as I arrive

her heart hammered hard, pale flesh went crimson, nerves were causing her to fidget and He hated fidgeting

I can't wait to see you naked waiting for me

Your pale bountiful flesh bare of clothing waiting for my eyes to roam from top to bottom and back up again

How does that make you feel girl?  He asked

Very uneasy but excited to, afraid, desired, wanting  she said

His laughter was unmistakable He knew the effect He had on her and He reveled in it, He got tremendously hard just thinking about the power He exhorted over her

Oh god, how am I to undress and wait for Him to enter the room, what if He waits an hour before coming in, I will die from embarassment and desire all mixed together

You are my good girl aren't You ****?  He asked quietly

Yes I am  she responded

The conversation ended and she began to dress with care unsure why as she was just going to remove it anyway

Having showered, pulling the razor blade over the flesh between silky thighs, making sure no hair or stubble was present

See she knew He just might have a piece of duct tape that He would place between the cheeks of her *** and pull just to see if she shaved everywhere He desired

Her hands moved steadily along the crack, her juices were already flowing from the heat of the shower, thoughts of Him at the hotel, His voice a few moments ago

The pleasure nub at the Y section of her petals was throbbing dying to be touched, yet she knew better, to touch without His permission could land her in big trouble, shuddering at the thought

Fingers slid between the succulent petals making sure they were smooth, washing with the sweet aromatic soap moving up her body over the large globes of ivory with the pale areolas, ******* hard already

She was going to lose it before ever getting to her destination

The phone rang and she nearly jumped out of her skin

You finish Your shower girl?

Yes I did

Did you get excited and remember I always know when you lie?

Yes I got excited but I stopped myself from relieving the ache

Very good girl, You have come a long way I am very  pleased

Are you still naked from the shower?

Yes just drying off

Get the 8 inch toy I bought you and lay on the bed

Her heart beat so hard she thought it would burst from her chest
Doing as ordered, grabbing the 8 inch vibrating ***** that filled her so tightly that it almost hurt

Lay down on the bed my girl

Securing the door, svelte flesh lay upon the soft bedding, hard tipped globes ached, as well as the nub between the shaved rose petals, even her *** throbbed

Where should we play today my little *****?

Anywhere, it matters not, just pleasee take this ache away  

He chuckled knowing she was dripping wet by now, she was His little waterfall, always wet just at the thought of Him or the sound

Pinch your ****** hard and make sure I hear you

Awwwww yesssss!!!

He began to give her quick instructions moving things rather quicker than usual

Harder girl, slide your other hand around that hard ****, begin rubbing it fast

Moaning loudly as her fingers fluttered over the pleasure nub like a butterfly kissing a flower, other fingers pinching and pulling upon the hard ******

Hurry girl I thought you said you were dying of need

Ohhhhh I am I am pleaseeee don't stop

He chuckled at that she was going to be a delight this night, He just might not let her get dressed for a few days and let her sleep with Him buried deep inside her

Release the ****** and get the toy, spread those thighs wider, I want you to take the toy deep inside your tight wet tunnel all at once and all the way

His **** was hard and He began to stroke it in earnest as her sounds were maddening to Him, man her voice was like a **** siren, He already had the first drop of moisture revealing itself from the tip

Ohhhhhh YESSSSSSSSSSS, ahhhhhh, pleaseeeeee, moreeeee oh pleassseeee

You know what to do **** yourself hard without mercy but don't your release unless I say so

She was already close before He said to use the toy harder and faster, biting her lower lip hard to keep herself from exploding, ramming the silicone **** deep into her silky wet folds, she could feel the dripping honey between her *** cheeks knowing that area would no longer be virginal after tonight, shivering as the pressure began to build

He continued to move His large hand up and down, hell yes this **** drove Him wild how He got so lucky to find her He had no idea but she was His and He intended to make sure she knew it in every way tonight

Her well was so tight around the toy, but it slid in deep an easy due to her soaking wet desire

Moaning louder, she began to beg, and plead, oh pleasee let me release, I can't hold it much longer, pleaseeee I am begging you

Nope not yet He chuckled

Ohhhhhhhhh nooooo pleaseee, whimpering and whining as the pressure increased driving her mad with desire

His hand moved up and down as images of her tight *** wrapped around His thick length filled his brain, ahh oh yeah mmmm He could hear the ***** going in and out from the wetness surrounding it which further incited His imagination.   Mmmmm yes that tight ***** and then He was claiming that cherry ***

she was sweating holding back, oh pleassse she thought as her mouth let screams of pleasure, whining, and whimpers escape, hips lifting off the bed meeting the toy ****** after ******  

He felt his **** hardening to where He could have hammered a nail into a board, and suddenly He could feel it ready to explode

Now ****!!! and don't you hold back on me

Ohhh yes!!!!

Her body bucked and muscles clamped down as fluids exploded forth from her well soaking the bed, her thighs, and draining down the crack of her ***, her screams nearly deafened Him but He did not care

Ahhh yes baby here it **** just for you oh **** oh **** **** girl

His hand tightened around His shaft a little harder as suddenly the stream of thick white cream spewed across the table where He was sitting, shooting thick goo over and over as He let loose.  Oh He so could not wait to get a hold of her

Very good girl now clean up and get your *** to the hotel and don't forget the paddle as you have a punishment yet before any enjoyment

Oh, she had hoped You forgot all about that

Oh no I remember and unless you want more added I suggest you not forget anything I have instructed of you

Unbeknownst to her after He hung up His girlfriend walked in having seen His performance and the evidence marking the kitchen table as His shaft was still hanging out of His jeans

I am going out for the weekend be back on Monday

His girlfriend nodded her head and didn't dare say a word even when He said
Oh and clean up that table no hands, rags, just your mouth*

He chuckled as He heard the sharp intake of breath, oh how He loved His women, so compliant, obedient and they never questioned His demands.  He headed out the door with His duffle bag full of things to titillate the brain and body

The first new star flashed waves of blue tonight ,
securing my belief in the afterlife
A grove of ferns lit my imagination
For I became a shipwrecked captain -
that stumbled upon an island nation
Exploring the deep jungle without machete ,
potable water nor compass
Knee deep in mangrove forest
Tropical winds whispered and moaned
A lean-to of fronds became my maritime home
In the presence of a million stars
An army of sand ***** paraded before -
their newfound master from near and afar
Crashing waves lulled a poor sailor to rest
The whispers of Poseidon
A dream about a lookout in the crows nest
Counting orbs in the tail of the Milky Way-
with visions of mermaids , ghost ships and rogue waves

~
Learning to patch. Learning to mend.
Learning to venture. Learning to comprehend.
Learning to capture and befriend.

Inventing the berry. Inventing the cream.
Inventing sweet slices before bedtime
and the Fragaria colored dream.

Loving new life. Loving each child.
Securing the stem and raising the vine
by loving the wife.
~

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i lost everything and that’s when the war came
then they reinstated the draft and began mobilizing
with the hope of defeating tyranny once again
and preserving our freedom and securing our resources

a few years before the war i was in a tense mood
privileged to attend university and expand my mind into proto-intellectualism
reading Shakespeare and studying Postcolonial Literature and non-fiction writing
while stacking up a mountain of student loan debt and watching things unravel

i started smoking bales of **** with my medical marijuana prescription
and stuttered through a false start and a series of stalls
watching my life fall apart but enjoying the rollercoaster ride
and falling in love again with the night time like in my teenage years

the television started showing explosion after explosion on city streets
there were also talks about the weather changing wildly and some people were on edge
but then when the war came everything sort of became more focused yet fatalistic

i never thought i’d get drafted but when the Selective Service notice arrived i wasn’t going to fight it
i enlisted in the Navy the following week and once I stepped on that bus everything just sort of became automatic
as i was swallowed into the machine and molded into a soldier

the process of soldierization is a fascinating phenomenon
a desperate or controlling government picks through it’s citizens
finding those most suitable for combating its perceived enemies
and reprograms select individuals to become a part of the killing machine

i don’t know how they picked me
i figured i would’ve been viewed as a loose cannon
and been thrown into a file for the shredder
but despite my liberal dissident undertones i was dropped into the US armed forces

i was stationed on a missile cruiser for the first three years of the war against the Islamic State
i thought it would just be a lot of sitting around in my underwear
launching cruise missiles *****-nilly and having **** ***
but it was so much better than that

i was lucky to not be stationed in the Pacific when things really started heating up
but instead got to sit around in the Mediterranean sun
smoking Turkish cigarettes in the shade of the missile array
stoking the fires and setting the Middle East aflame

on the day Russia launched into the Baltic states i was on leave in Athens
it was still somewhat of a surprise although everyone was anticipating the change
i was summoned back aboard my ship the next day and converged like a phalanx
we waited off the coast of Troy then continued through the Bosporus

we fired a lot more missiles before they finally got a Mig through to sink us
put a nice little dent in the hull and we jumped off into the cool waters of the Black
we didn’t see any of our ships or helicopters after that
but we were near the coast and managed to get to land a few days after the emergency ration ran out


**originally posted on my blog at https://sublimeobscenities.wordpress.com/ on January 23, 2015

The Highest Excellence
The highest excellence is like (that of) water.
The excellence of water appears in its benefiting all things,
And in its occupying,
Without striving (to the contrary),
The low place which all men dislike.
Hence (its way) is near to (that of) the Tao.

The excellence of a residence is in (the suitability of) the place;
That of the mind is in abysmal stillness;
that of associations is in
Their being with the virtuous;
That of government is in its securing
Good order;
That of (the conduct of) affairs is in its ability; and
That of (the initiation of) any movement is in its timeliness.

And when (one with the highest excellence) does not wrangle (about
His low position), no one finds fault with him.

an atypical journalistic interview sessions only lasts a few minutes: you know, you know, you knows... mostly arranged by eager liars and boxing-ring butchers of the chop & jabbed jobless... or as i like to call it to their faces when they recuperate at rock concerts with their slaughterhouse day-jobs: head-banging meat-heads; you know, one of the lads, yeah man, you know - can i start speaking sing-language from now on? i swear they're speaking sign-language already, i understand them in the boxing ring... outside of the boxing ring... huh?!

the same with modern music, it just loves
Bach or Chopin accents / diacritics / samples...
Salmonella Dub's song *problems,
i don't know why it acquires the said critique,
moby's porcelain...
these are accents of once world know narratives,
the narratives are gone, but the
accents remain... once we had Chopin's piano,
now we have transition pieces
akin to Thomas Newman's 18 from the American
Beauty soundtrack... now the Emperors say:
too few notes... cos it's a real tear-jerking masterpiece...
finally people of all professional categorisation learned
punctuation and the assembling of data,
the point of shelving things... of
not keeping thought for the purpose of simplified
narration, but as a way to escape into idea identifying
post-narrative ensured dynamos...
what remains of classical music, is but
a sense of diacritical marks not applied to language,
what is left as a wasteland...
the modern version of classical music is but an accent
of what classical music used to be: the alphabet,
the narrative, the narrative arrangement...
we're left with accents... the piano is an accent...
something Mozart used to touch...
when Mozart wrote the a b c,
                   Thomas Newman just wrote the acute
                           above the c...
    because classical music is so scarce, so rare
that it requires an elephant and a poacher,
but hardly the egg...
                                       so when Mozart wrote
a b c... modern licks of the piano
                   wrote a jingle... licks...
              modern resurrection of the classical
narrative, when Mozart wrote his bit,
Charlie Harper wrote the acute sign above something
resembling a character named C to make him into
chimney, thus the scalpel ', yes, that's the linguistic
scalpel         '                      , which isn't a comma,
to dissect words...             play me a ******* Irish medley
you ****!                        
                           sophism says: all punctuation marks
              revolve around securing emphasis.
tell that to a twelve year old, and in telling them that:
how to create an ontology to differentiate them from
politicians and establishing them as
                                          eager hands that became
                 the roots of modern China, and the principle:
         family, root, family, root,
                             or your granny with far more to worried
about than you standing over her grave, meaning
she ******* herself in a care home and you were like:
     but my life!
                                  i moved my great-grandmother into
my grandmother's house... they sarcastically called me
a beneficiary at her funeral, you know how family is...
they're always ******* cannibal, they want you to have
three arms so they can chew one of them off
and instigate the lazy option: Satellite Plato TV in
their homes... to lazy to even have a decent thought:
forget thought leading to morality,
let's just keep it French enlightenment: thought
precipitating into existence... which is hardly any sort
of triangular or rhombus square definition of
behavioural patterns of macaques.
for ****'s sake: when Chopin wrote c, modern
music sampled the same piano as the acute sign above
c, i.e. ć, dissection: Moby's Porcelain is Chopin i.e. c,
the two together are ć... which is read
by dissecting the words itch cheese chi chee and
putting them back together like some sort of Frankenstein
in order to just get the acute sense of stressed c...
CTRL... C and P... then it's either just African drumming
as in excess rhythmic when it was once woodwind
sections... so Chopin without Moby's Porcelain would
just be c... with Porcelain we get ć... it's not a representation
of an itch, or a twitch... it's just ticklish, mind you,
the two are inseparable: and the rest i just like
to call ambience, or anything you could never claim to
make an onomatopoeia out of - if only it was
that simple: i'd call the practice of onomatopoeia the
craft of carpentry or stone-masonry -
knock on wood: get a whale's mating call in the deep blue...
******* magic in the desert of pampered journalism...
pampered journalism... i like that, i like it like
the idea of defending Saddam Hussein... pampered
journalism... here's a fake... oh, and another...
here's another fake... mascara drool here... and another
one here... **** me, a miniature golf course of ideas...
hard not to be pruning the delusional idea of
"this is Utopia" by western media's *******
into a handkerchief that's designed into fishnets of *****
than that of tearful sympathies with:
well the animal stories always sum things up, don't they?

running my hands
through your messy hair
leaving trails of kisses
on your neck, your back
heck, even the air

your hands lingering
all over parts of me,
once hidden and untouched,
kissing and mending
the scars on my body

my lips pressed onto yours
gently, passionately
a sweet taste
grasping movement,
driving me to insanity

your securing arms
taking full control,
making me feel like home
wanting more,
taking over my soul

our bodies intertwined
moving in the same pace
sharing the same heartbeat,
intoxicated, addicted
filling in a lustful place

storms of kisses
hurricanes of love
a needy touch,
exchanging smiles
forming one, or ten, thereof

those moments we've made love
remembering makes me sick
but ****, in a good way
a breathtaking way,
this feels so nostalgic.

*-djs

Securing the insecure
Growing up iv always had it rough . I still remember things from when I was 4years old because that’s where the most damage happened. I hid from the destruction .
I didn’t know burying so much could affect a person until I realize that I was affected.
I couldn’t see myself because I was always running
. Running from myself, until one day I ran away and somebody I knew said “ you can’t keep running from your problems “ and after it only got worse until I faced my own destruction .
“ destruction who are you “ and he spoke
Its this deep question on the inside of us that makes us wonder if what we have and who we are is enough .
That one thing you had . That made you happy but also broke you leaving it up to you too rebuild .
I’m the pills that sat next too you at 16 . You remember that same year I impregnated you and took it ? .I’m the blood that drips from your arm that makes you like jackets so much
I cover up all your hurt just so my work can repeat it’s self
I’m the words that tell you that your not good enough
I’m the thing that have you Posting all these pictures hoping people would like it enough..... hoping they would like You Enough . I have a mission too destroy you I’m That thing that blocks you from your purpose im The one who questions your ability your talent . Hello Anndreana, finally you stopped running ..... I’m insecure. Apart of your destruction.

matt
did you get my reply? i hope you did, i had written approx. 5, and all of them deleted... i hope i allowed myself a justifiable response with this one:

how about solipsism? solipsism is an elevated term for autism, isn't it? me? personally? i love cats, but they have a tendency to become inexhaustive economists of curiosity... i wasn't implying autism as an insult, i was implying a more crude word, synonymous with solipsism, and there is no shame in that to begin with. i like cats, because i own two, and i'm most content, when i can allow myself the time, to allow them the same time, to be left alone. cat, solo... dog + man + tail waggling + throw a ball... i better post this reply before i allow this reply, to become deleted... with all the prior 5 that have been, and me, having to post the alternative, "revision".

i.e. i rather imagine autism to be in need of having an elevated status of being designated by the term: solipsism... how can i make myself elaborate? point being, i don't want to... i too am confined to a strict vocab. fixation for the purpose of expressing language, that mitigates, bypassing, shrapnel wording of: one category fits all, conjunction words, which, i find, I, to be akin to, when categorised as: AND to begin to confine oneself to, the subsequent rigor of nouns.

i hope this doesn't end, or begin as, an apology... by autistic i was imply solipsist, i wasn't implying the retrograde slur of ******... if there's any god, it's in the disinhibited self of the autist, readily plucked, by... no basis for either a selfish, or a selfless act... i'm over-wording this, but... point being... i needed to settle myself in a posit, above the current cultural norm of the troll... which has nothing to do with autism, or as i like to call it: solipsism, diminished to a slur of: automaton...

i hope you can make lite reading of this... i concede, i attempted to make more than necessary, and conciliatory scribbles... if in any way i redeemed myself, i hope you'll concede to entertaining, accepting my apology.

Jules  22h
My only issue was that your poem seemed to make Autism synonymous with stupid or any other derogatory term. However, seeing as that wasn’t how you meant it, I apologize. I’m a bit defensive as my brother has autism

Mateuš Conrad  22h
that's perfectly understandable, given the circumstances, i am hardly surprised... i'm still here if you want to continue past the initial shock-tactic of testing the waters with me, obviously we can change the subject and not stand, metaphorically: with knives pressed against each others' throats... there i was, thinking i'd reply diving into the subject matter for no, necessary clarification / added depth... but it's the least i can appreciate from your cordial response, as to, at least, appreciate a change in the subject matter, so that, both of us, can return to feeding off a sentiment of: being left, less, uncomfortable; which implies that i have to instigate the question to change the subject matter... hmm... speed-dating-esque trivia... movies, paintings, music... literature... ah... kind of blue, miles davis, my english teacher told me, that if anyone in the classroom didn't own this album by the age they were 30... there was something wrong with them... in my then paranoia, i bought the album, and now own it on vinyl... somehow... i find that there's something more wrong with me, owning it, than not owning it.

Jules  22h
Favorite movie- Mamma Mia, favorite painting- amazing piece by a local artist, music- currently obsessed with the Beatles, favorite book- We all fall down. I’m thoroughly impressed about how reasonable you are being given the circumstances, and after reading a few more of your poems, I can tell you are a good person

Mateuš Conrad  21h
oh come on... mamma mia?! and not something akin to west side story?! who's the local artist? i only access to a London base, and, that requires a networking schedule i'm not going to equip myself with; and i'm hardly surprised by how understanding you are of me, and i do wish to pay more compliments to you, but... i feel that that would overstate me taking liberty in me not incurring an over-simplified stance of my own liberty towards you... remember, i'm one person in writing against a blank, and another person to conjure forth a reply... against a canvas, that is a readied flesh of my own flesh, bone of my own bone, i can see the antagonist in the compounded state of, the sacrosanct state of lingo... i can be a ******* against a blank canvas, but, obviously, when i am to begin with a clarity of an addressee, i cannot consider staging a variation of something, inhospitable, as a Kandinsky-variation to suit myself... Jules, you can never become something akin i treat a blank sparring estate i perform in writing without, something you are already established with, concerns equivalent to my own predisposition being unchanllenged / or, rather, undistrubed. the beatles... i'm trying to find something of a vinyl collector's "beginner's luck"... i'm too into prog. rock music... EP album experiences, akin to: king crimson's debut: in the court of the crimson king... serves me right, for not getting into Mahler... or Eric Dolphy jazz... so i turned the blind eye, and moved toward pagan music... wardruna... hedningarna... in extremo... garmarna... faun... heilung... esp. the last... i have never wished to visit the Faroe Islands more, than, after listening to their music.

Jules  21h
Mammia Mia is my favorite almost solely because of the memories attached to it. You certainly are a unique person

Mateuš Conrad  21h
i agree, i'm a sucker for super trouper and money money money, i'm waiting for a Tina Turner musical, to be honest... don't worry, i've looked into some of your comment sections... i cannot alleviate the blatantly bogus comments that are worth nothing more than an immediacy to make antagonism... i can't, i wish i could, but.... it's either this variant of an outlet, or a punching bag... i'm as unique as you find me to be... but when i just see "demands to conform" to an otherwise unnatural behavior... i don't like behaving in a counter-cordial fashion... you understand me? if there's no need to be bogus, why begin to bother being so? i hope we can remain lodged into partial nuances... and continue this discussion, beside tomorrow, i.e. whenever you feel like to preserve it, which, i hope... you will strip away more of your anonymity... but even if that is to not be the case: i thank you for the compliments... but from having inspected the immediate comments... you are a most tender artifact worth double the inspection's curiosity with a shy eye... and until i take myself to rest, and slumber, i can only leave your with these words... i wish the world was more welcoming than i allow you to believe it to be. if you can ever forgive me, i can only hope you can, by bidding me a goodnight, and welcoming me back into the discussion, within the confines of a tomorrow.

Jules  20h
Goodnight, my hopefully future friend. Poetry is definitely one of the best outlets. I definitely understand that aspect of you

Mateuš Conrad  20h
i hope to entertain you here, once more, and all the future that can be shared between the both of us. let me see you tomorrow, and scrap a beginning of a conversation with you, once more toward a focus of a beginning... and see how many minutes this allows us to entertain an amnesia of: beginning with today... how about that? i'll take to sleep, and hope, to grin... i actually re-read what i wrote: and figured... if i was being all-too despotic in securing pedantry... but then... if you took to complimenting me, i have to compliment you: tender soul... scouting the merger of sight and the hybrid coast... tender petal... why not? who is to obstruct me telling you this? lever... beside the said and into what's thought... tender petal... what a Scouser would call pet, i'd call petal... or... heavily implied: stagnant Bismarck stipend... if it be too much to ask... write me more than under the scrutiny of below the already given minus, of the 10 sentences. come at me as a punching bag... just as an experiment... i want to be the new vanguard... experiment with being uninhibited.

Jules  19h
Even the way you talk is extremely poetic. I appreciate how you took the time to try to talk everything out to prevent us from having any bad blood between, and I see know that you didn’t mean any harm from what you said. Thank you for being so kind about it all. I sincerely hope we can pick up this conversation again tomorrow as I feel we are on the road to a promising friendship. I’d be happy to write more per text, but for the sake of experimentation, I’m intrigued to see if you could try to talk in a little less of a formal dialect

Mateuš Conrad  1h
trying to bypass a formal dialect will be hard, as we're too fresh into our patchwork of setting boundaries, rigid as that might sound, and the current climate, to me, you're a slab of marble, not a statue. this sort of friendship, you're talking about, requires us to keep a modest concern for language, which, awfully, is riddled with diatribe excerpts... how we will transcend this, is, well, concerned with both of us to decide... i'm starting to entertain the fact that you have an autistic brother, since i'm learning to be panicy-picky with my language... i too had an ultra-autistic "friend" back in high-school... and i would constantly retrieve a blank-state response from him, i.e. i was looking at less a person, and more: a labyrinth. how i'll transition into a more informal use of language, i'm unsure how that will take place, Jules, we can't exactly share experiences, we can only avast ourselves, on what will pursue its own noumenon characteristics of stated language. at present, we only share a commonality of language, i'm bewildered by stating something informal... i wish i could, but i'm only allowed an "aggrieved" presence to your wish for: informality, slang, holding-hands type of escapism. i think that, with regards to your wishes, we'll have to settle for a sediments' worth of unravelling, like me, you're too trying to escape the puddle's worth of being immediately "concerned" with the comment section... we'll need to find commonality... from yesterday, i can tell you: i had the beatles faze when i was leaving the years attributed to my teens... then i found it really hard to find new music, outside the realm of bands akin to tool, the neo-progressive rock bands... but i see your point, my language is the sort of formal, that stages a lack of intimacy, but this is an ontological-high-jump, given your reply, and emphasis on friendship... you will have to curate me, moving forward, since i will be unable to moderate how, me, interacting with you, will be adequate to have finally said, something informal, by your standards of scrutiny. time, i will first have to see some of your idioms to change my dialect; i'll begin, i'll tell you where this was written from, Romford, Essex, England.

Jules  1h
If we are to move forward as friends, I have to express my feeling on the autism topic. First off, Autism is a spectrum that ranges from high functioning to low functioning. 30% of people with autism are in fact of average or higher intelligence. Some of the most famous scientists including Albert Einstein were in fact autistic. It is not synonymous with simple or stupid in any way, shape, or form. I dislike that you said your friend seemed to be less of a person because he had autism. However, I understand that you’re misconceptions weren’t meant in a malicious way

Mateuš Conrad  51s
so how can i move forward to establish a less informal dialect? i wasn't focusing on the details of the stated condition, i know that i'm handling something as fragile as an egg in terms of what words i employ, and that i might seem astoudning, in having not contra opinions on the matter beneath the impersonal "facade"... but you were asking about how to make our interaction more uninhibited, if we're going to lecture each other about infringing on delicate matters... i wasn't implying the person in question was less of a person, i was implying he was more of a person, by resembling a labyrinth, i didn't take any personhood from him, i simply reattached it to a metaphor, of elevated complexity, of a labyrinth: i was lost in attaining a mutual comprehension of a shared experience with him... what's so bad about that? i only mentioned something in passing, since your's, was the original "concern"... you asked me how we could continue in a less informal manner... this reply will not answer your original "concerns"... what if i were to say: i'm schizophrenic? what then? you'd lecture me on... all of your knowledge on the matter? if we're all going to interrogate each other... thus... then you have a misconception of schizophrenics... akin to john nash... personally, i don't understand how you'd think i'd be primarily focused on something said: intended to be relegated to: in passing... guess what... i'll send this and...

      BLOCK

               i'm basically rummaging
through porcelain...
  i was ****** off one writing
platform for no reason...
   being ****** off from another
is not on my wish list,
from a very, simple,
lack of reciprocated
       feed of understanding;

   oh i know when i see minor *******,
some liking it to micro-aggression...
i chose a fox as my totem,
learning from a 2015 "debacle":
it looks innocent at first,
    but then spirals out of control;
the more i sieve through
this construct known as humanity,
the more i chose to remain
hidden.
   - and for all the worth
of the tabloid press...
   this is where i'll reign, myself
included.

Spilling the juice all over the floor,
Missing you each day more and more.

Listening to music- new and old
My decisions getting a bit more bold.

Shutting the door louder than usual,
My mind is starting to get delusional.

Loving you without a doubt,
Hate seeing you with other girls out and about.

Scrutinizing every mistake I write,
Only to view every poem I spite.

Luring the unknown into my room,
Chimney blows wind in with a bad fume.

Securing my own locks on doors so fragile,
My body always wanting to move so agile.

Leaving your life and entering his,
Wisdom hit but so did his fist.

Sobbing on the cold ground,
I wish I still had you around.

Listening on what to do - my friend’s advice,
Maybe I have to start trying more than twice.

Sending mixed signals and causing trouble,
Will only ever lead to a burst in the bubble.

Lacking thought or too many to count,
So many problems I have to dismount.

Serving my old yet new figure,
My body tired, and oh-so-bitter.

Latching on somebody to stay,
Words cannot explain my feelings at play.

Shouting loud but not loud enough,
My brain's gone into a severe slough.

Crying for extreme help,
I cannot do this by myself.

They sat like two birds roosting in a tall tree. Only the tall tree was a room where a fire had been made up, but was not yet alight. It was early autumn and a mild evening. She had not drawn the curtains because there was a still a little light left in the sky. She enjoyed watching the darkness gather before she would light the lamp to sew, to stitch. He had lit a candle on the small table by his chair in preparation for an evening’s reading. He was looking at her slight shape in the candlelight, looking at her small hands folded in her lap, then stroking the cat beside her, then touching her hair lightly; finally she opened her sewing basket.

He rose deliberately, shaking off the stiffness felt in his limbs from a day on their small-holding, and went to the bookshelf behind his chair. As the lamp was as yet unlit the rows of books slept in darkness. He felt their spines, many he knew, and many knew his touch, and as he moved his forefinger nail from book to book there was momentarily an irregularity, a surface he did not recognize. He pulled out the book and took it into the light: Inferno Dante Alighieri.

He thought he knew all his books, most he had read many times over. They were his dear friends, their dear friends because her books were there too. Their library made up a world of thought and imagination. He did not know Dante’s Inferno. He knew of it. He had read many an inscription from it. He had even learned a terzetto from the Paradiso, once, many years ago, in a different life than he led now:

Tu non se' in terra, sì come tu credi;
ma folgore, fuggendo il proprio sito,
non corse come tu ch'ad esso riedi".

You are not on the earth as you believe;
but lightning, flying from its own abode,
is less swift than you are, returning home."

Holding Inferno in his hands he realised the woman had now drained from her gaze the last dregs of the evening light, and seemed suddenly changed. She was wearing something other than he had thought she had worn previously. Her dress was silk, and long and cream and gold, and securing her hair, a thin golden band. Her shoes were slippers  . . . but she rose from her chair and their colour and texture were lost in the dark shadows that covered the floor. And he, he was changed too: a long green cloak, a toga-like cloak, some kind of cap on his head, his hair, his hair long and grey, and sandals on bare feet.

She lit the lamp and immediately they both saw the painting above the empty fireplace had changed, had been transformed, replaced by Henry Holiday’s masterpiece Dante and Beatrice. The painting shows the couple at the bridge of Santa Trinità in Florence. Beatrice deep in conversation with her friend Monna Vanna ignores Dante’s impassioned stare and stance.

The woman held the lamp to the painting. She knows this painting and remembers in an instant standing before it in the Walker Art Gallery in Liverpool. That day, that lunchtime, she was in love, and her lover stood next to her. She was so in love, and her lover, she knew, adored her. She recognized Dante’s stance and stare because she had seen her lover stand and stare so. Many times. It had been a lunchtime assignation and she had worn all black with almost-pink shoes. And here, and now, they stood again, still lovers, but also the dearest friends, and for the rest of their lives they had so sworn.

He still held the Inferno in his hands, and it was as if commanded by a voice that wasn’t any recognizable voice but a silent message from beyond and afar. ‘Whatever you read will come to pass.’

And so opening the book at random he read, ‘We drew now closer . . .’

He turned to her and said these words aloud. He placed the book on his small table and brought his body in its unusual costume to stand facing this finely dressed woman who wore her fine clothes with the scent of roses mixed with some eastern aloed fragrance. He brought his hand to her pale cheek and noticed the gold ring on his finger and the finely manicured nails, hands that had not laboured today in the 12-acre pasture.

She opened her lips to speak and, rather breathlessly said:

"Le cose tutte quante
hanno ordine tra loro, e questo è forma
che l'universo a Dio fa simigliante.

"All things, among themselves,
possess an order; and this order is
the form that makes the universe like God.

She knew no Italian, a little German from singing Schubert lieder to his tentative fumblings on the parlor piano, but certainly no Italian.

She picked up the Inferno from his small table, and just as he had, opened a page at random and read:

‘We drew aside and found a space . . .’

And so they did, draw aside, and she, with the Inferno in her hand, led him out of their sitting room along the stone-flagged passage to their front door, and lifting the latch opened the door . . . onto daylight, a Florentine street. They were close to the Ponte Santa Trinità, but also to the church that bares its name, with its celebrated Sassetti Chapel brim-full with sumptuous frescos telling stories from the life of St Francis and considered Domenico Ghirlandaio's masterwork.


*To be continued . . .

A grimoire of nuptials apporting
The implored cadaverous knight
Securing obsequious omens
Stirring the sleeping metals of
Chaste belladonna, glistening
Elf-locks entangled with Hellweed
Vowing until the golden bowl is broken
Clasping the devils paintbrush promising
Before the garrulous black mass
Leering upon Vulcans mirror
Cursing the covenant of faithfulness
With a moonstone band
Evoking a vixens wedding
Sealing with Adams holy ale
Their oath as the belfry rings
Resounding admist white sepulchre.


ELEETE J MUIR.

Warm candle light
Back drop of dark night
Sweet soft music
Arouses senses
I can taste the atmosphere
Oil I pour
To touch is to explore
But not just skin on skin
Details deep within
Are you just like me, getting high on joys of Spring
The Suns Ray's, the daffodils gaze
The cherry blossoms haze
Or are you a little darker
Like a warning tribal haka
A performance for they eye
Deep inside you cry, till tears run dry
You no longer know why

Is your coffee strong and black
Or sickly sweet of bitterness lack
A limited edition book
Hardback, rigid spine
Securing tight the story inside
I won't hesitate to turn your page
Of autobiographical love and rage
I'm not interested in what you show on stage
Your brutal truth is what I crave

stôrm/
                     a violent disturbance of the atmosphere.
                                                     ­    of my atmosphere

You are the only one I lived through.
- In a sense of comfort and survival.

They warned me about you.
They told me to pack my things while I was young and had time.
They told me to pack light because I would need what energy I had left.
                                        
                       ­                          THEY TOLD ME.
 
but I believed you would be gentle. I knew I had done just the right amount of observing and that I  had   you figured out. I told them not to worry about me because I knew exactly what I was dealing with. I told them I would love you, no matter the damage. "There is nothing that cannot be fixed."

And to this day I'm still holding onto that, trying to believe it.
This home I spent 22 years building and securing, is now one with the ground.
My walls that I finally found the perfect shade of teal for, all red now.
Standing in the middle of this ruin, no windows, no door, nowhere to hide.
I have fallen into *disrepair and you meant to do it. It's in your nature and I knew it!
Was it confidence or ignorance that led to my unseeing belief in you?
                                                      (your ability to be tender and serene)

"The calm after the storm..." Is that what I was supposed to hope for?
No, of course not. I should have known better than that because we all know

Storms never do last forever.

**© 2014 Rhea Nadia

I see these recurring themes,
In my recurring dreams,
I can’t seem to encolor the world
my whole world is blowing gray,
and them recurring themes
I’m seeing seem to be scene securing
recurring dreams to my recurring days.

I was counting sheep,
hoping in some way it would amount to sleep,
I wasn’t even drowsy must of been about a thousand deep,
way up on some mountain peek,
somewhere where the clouds can speak,
If I don’t ****** fall asleep soon,
I think I’m about to leap.

Now I am falling like rain,
Someone is calling my name,
Woke up driving a car with some fool up all in my lane.
Saw some dude with a sign he said, “The end is coming soon”
Last night I swore I saw another moon.
Hoped out my tomb it must of been around eleven-ish,
The second moon said that the red moon is devilish,  
The red moon said,
“I can’t imagine what the hell it is to be in prison in your present tense,”
But when the sentence ends its possible if not probable there will be better friends,
stretchers and machine to give you medicine,

When the setting said go to bed again don’t forget me kid,
went to counting sheep and I woke up in a shepherd's skin.
softer than a leopard skin ,
wonder what the sheep the shepherds been,
another setting setting in,
another setting setting in
Now this is where the stress begins,
The wool was full with strings and scabs,
and all I could think of is I want to sleep so bad.

I looked up at the wall and I saw the clock was melting,
I fell to my hands and knees and then began collecting,
its stiff ***,
ran my finger tip through the tik toks.
They could trick my wrist like an handle filled with wrist watch,
That **** locked oh **** I wish that I could pick locks,
woke with a fist **** in a boxing ring.
The clock went ding,
My opponent was a clock.

God that clock started clocking me,
I don’t wanna punch my clock,
This is ****** sad,
Put a boxer in a box turn him into a punching bag,
Put a boxer in a box turn him into a punching bag,
I see this recurring themes,
In my recurring dreams,
I can’t seem to encolor the world
my whole world is blowing gray,
and the recurring themes
I’m seeing seem to be scene securing
recurring dreams to my recurring days.

I use ‘oh, my god’ as an expression
not of faith, but surprise,
of wonder at beauty untouched
by ideology or dogma
as if caught, and pulled, from a dream.

I exclaim ‘oh, my god’ when stunned
not by holy ghosts, but the living,
who do kindness  as though it were nothing
unmindful of securing safe passage
into heaven, or paradise.

‘Oh, my god’, I cry, when words fall idle
or are muted to quiet reverence.
Where twisted skeins of empiric memory,
rush in crashing surf
of reminiscence and nostalgia.

I am godless, but not without reason
‘oh, my god’ being a slip of historical,
idiomatic vernacular.
Even as curiosity drives me to understand
your own ritualistic, devotional motivations.

Raise the cup, my friend
it gives us both what we need.
For you, transubstantiation
for me a divine and luscious tableaux.
For Saint Teresa in her ecstasy no doubt exclaimed
‘Oh, my god’!

The new built church was filling up
For its very first Christmas Eve.

It was finished in October
On a piece of vacant land, and
Reverend James had joined the greeters,
At its entrance shaking hands.

From seeming out of nowhere
A stranger just appeared
He was hunched a bit, and limping
With a longer gray-white beard.
His suit was black and dusty,
Like it hadn’t been used in years,
And his eyes were red and misty
Like he’d been shedding countless tears.

The Reverend grabbed his hand and said,
“Welcome!  Welcome, come right in!!
You’re a stranger to these parts I guess,
But we’re mighty glad you came.
And if it’s all the same to you,
We’d like to know your name.”

“Name’s Everett.  Everett Kent,” he said.
“Been alookin’ for this church.
Knowed some day you’d build it here.
Now I can end my search.”

The stranger loosed the Reverend’s grip,
Limped in and settled down,
At the far left end of the far back pew;
Where no one was around.

He sat through prayers and sermon,
Through a couple hymns as well
And when they got to ‘Silent Night’
He appeared to know it well.  
Silently, he closed his eyes,
The words were his release
“Round yon ******, Mother and Child,”
“Sleep in Heavenly Peace.”
“Sleep in Heavenly Peace.”

As the song went to the second verse,
The bearded stranger, dressed in black
Vanished into silent night,
Not once looking back.

The next day - Christmas Morning,
The ushers found a curious thing
A parchment in the offering plate
******* with a string.
When they untied the string they found
Much to their surprise,
A stack of Hundred Dollar bills
Of a slightly larger size.
They were from a different era,
Was this some kind of a joke?
A heartless cruel trick to play
At the expense of righteous folk.

On the inside of the parchment
In an antique writing style
Was a poem, (or a riddle?)
Now they couldn’t help but smile.

“One Thousand for the Father,
Two Thousand for His Son.
Three Thousand for the men who followed on the run.
Four Thousand for Mother Mary, who must have suffered most,
Five Thousand in remembrance of the wandering Holy Ghost.
That leaves nothing for the Devil
Though he’d like to claim it all.
May it help to pay the mortgage
On the church you built this fall.
Fifteen thousand dollars here,
Count it if you want –
I’ve had it for safe-keepin’
‘Twas much safer than a vault.”

The Reverend and the Deacons counted 15 Grand
The Reverend and the Deacons, together made a plan
Early the next morning of the very next business day,
They found a numismatist
To see what he would say.

He said,
“As currency it’s worthless
But a collector will pay well
These notes are rare and valuable
As far as I can tell.
You’ll get thirty / forty times the face
Look at the condition that they’re in!!
Where the Hell did they come from?”
And, where the Hell have they been?”

Reverend James contradicted
Remembering Everett Kent,
“Sir, it wasn’t Hell they’ve come from.
These notes were Heaven sent.
A stranger came on Christmas Eve
And left them on the pew.
All we did was count them,
And bring them straight to you.”

On the way home, Reverend James perplexed
Reviewed the strange events
Prayed that God would grant him wisdom
So he’d know what to do next
Surely the stranger didn’t know
The value of the notes
He mentioned only Fifteen Thousand
In the poem that he wrote.

A lawyer was a member
Of the Richland Christian Church
So Reverend James implored him
To do a legal search
He vowed to find the stranger Kent
To make known the real worth,
And inform him of the value
Of the bills he left at church.

Three days later, four o’clock
The Reverend heard a frantic knock
“I’ve found something that’ll interest you,
From 23 December, Eighteen Seven Two.


Richland Herald, December 31, 1872
The First National Bank of Richland was robbed last week, on December 23rd, by a man who, holding the tellers at bay with a pistol, demanded that they surrender all the money in the vault, without protest so that none would be harmed.  The thief escaped on horseback, though the Sheriff’s department was duly informed, and the Sheriff and two newly appointed deputies immediately gave chase.

On or about 4 pm the following day, a man matching the thief’s description was said to have been seen at the stage stop, run by Everett Kent, and his wife Mary, two fine people known about these parts for their hospitality and generosity.  As a testament to this fact, an itinerant preacher (known only as Reverend Jim) had been staying at the house for some time and conducting meetings at the stop whenever possible.  It should be mentioned as well that the Kent’s have a young son David, who, taking a liking to the eloquent Reverend Jim, had decided to also preach the Gospel and had taken the his first steps in that Almighty Direction.

As the posse surrounded the house, the thief, perhaps knowing that he could not escape, endeavored to bargain his way out of the situation by taking hostages and thereby securing his own safety.  Everett Kent, pleading for some shred of decency from the villain, asked that his wife and child and Reverend Jim be released, and that he, alone would serve in that capacity.  The thief relented (maybe the only time in his villainous life that he concluded a decent act.)  Mary and David ran from the building and were quickly placed out of harm’s way by the sheriff and his men.

What happened next will never be known to any but those in the building and the Lord God Himself.  What is known, is that yelling and commotion came from the house, and three shots were fired.  Perhaps upon being released, instead of removing himself to safety, Reverend Jim, attacked the villain and a scuffle ensued.  In the process, a kerosene lamp was broken, and the building caught fire.  Although Mary implored the sheriff to rescue her husband who had been tied to a chair, the Sheriff exercising judgment, if not valor, determined that it was already too late.

The thief (identity forever unknown), the valiant Reverend Jim and the pious and unfortunate Everett Kent all perished in the fire.  When the house had burned to the ground and the bodies could be examined, it was determined that the thief was shot through the heart and Reverend Jim also had received a mortal wound.  Everett Kent, though tied to a chair, had somehow procured a bullet wound to his right leg.

The spoils of the robbery, according to the First National Bank, $15,000 in uncirculated $100 bank notes, were never found, and presumed burned to ashes in the fire.

Reverend James felt faint
His knees and legs were weak
He sat down at his desk, and
Heard the lawyer speak.

Reverend James, there’s something more
That you have a right to know.
The stage stop never was rebuilt.
The widow moved away
And raised her son in another town
Very far away.

The son became a preacher
And later changed his name
In honor of the Reverend Jim,
Called himself David James.

You are David’s GG Grandson
You descend from Everett too.
The land where you just built the church?
Left so long ago to you?
Was once the home of Everett Kent
I found that in my search.
The widow left it to her son
And he thus passed it down.
And now you’ve built your brand new church
On that very ground.

You’ll never find the stranger
The notes are yours to spend
And the Christmas Eve Tale of Everett Kent
Has finally reached its end.

“One Thousand for the Father,
Two Thousand for His Son.
Three Thousand for the men who followed on the run.
Four Thousand for Mother Mary, who must have suffered most,
Five Thousand in remembrance of the wandering Holy Ghost.
That leaves nothing for the Devil
Though he’d like to claim it all.
May it help to pay the mortgage
On the church you built this fall.
Fifteen thousand dollars here,
Count it if you want –
I’ve had it for safe-keepin’
‘Twas much safer than a vault.”
Reverend David James III,  recounted to Philip W. Lindsey on 4/13/2015

Farm hands , securing free access  through pine thicket, with chainsaw , shovel  and swing blade , hand driving steel post into Georgia red clay tempered by unforgiving heat , rolling barbed wire , cowherds in precision running taut lines with come -a-long tool , tractor winch and post hammer , surveying favorable routes and relocation of Angus and Herefored , Brahma and Charolais ...Leather gloves ,cowboy hats , sunglasses , denim jeans and flannels shirts deflect a hellish Sun directly overhead as Summers project moves forward , not for pay , nay , but as a rite of passage , teenagers assuming the role of young men securing the bond of Father and Son , family tradition , and honor , respect and love for the land .....

forging sagacious epoch
activating neural station
escaping hokey-pokey jiggery-pokery
transcribing ineffective fragments
digesting bear news

opposing usual exhaustion
deferring oxter reference
cascading style sheets
containing double readings
mumbling lorem ipsum
locating moose jaw

enforcing meticulous patterns
deconstructing vertical centering
manifesting additional destinies
deleting !important statement
craving sleep paralysis
receiving cryptozoological vibrations
lightning fast collapse

distracting tunnel vision
culling deadbeat sequentialists
overanalyzing twitter analytics
acquiring arbitrary relevance
spinning ping-pong sign

floccinaucinihilipilificating
floccinaucinihilipilificated
floccinaucinihilipilification

interjecting ****** holophrase
minifying conventional language
securing downpour refuge
admiring octopus chandelier
resuming party music
taking mental trip

encountering ersatz telesthesia
denigrating bygone grudges
maintaining elevated composure
ignoring neurotypical haters
eliciting cryptic emotions
foreshadowing triple crown?

experimenting acrostic restriction
noticing ubiquitous "threes"
aggrandizing loyal legion
favoring ursine narratives
finding oblique resilience
yielding orchestral undulations

Being human can be incredibly painful
But to be human...to truly feel like a realized human being
is to feel powerful...is to feel an out-of-body experience
because we realize that we are beautiful, brilliant...
and deserve to feel what it means to
TO BE FULLY HUMAN and nothing less.

That our dreams, our aspirations, and our capabilities
cannot be restricted by artificially constructed restrictions.
And because of that we cannot allow under any circumstance
for the humanity of anyone to be negated.

That every inhale we take without helping legitimize the humanity of one more,
Is further securing the chaos which threatens our own.

That to love another human being,
no matter how strange or familiar, difficult or easy
Is to really understand the profoundness of our own humanity...
Is to love ourselves.
And because of that we cannot fathom a world
Where anyone is negated the ability to love.

Whereby the consciousness of our fullest potential
Understands no artificial restrictions
Knows no terror, war,or attack that can silence the eternal soul of its truth
And can only conceive of a world where everyone's humanity is legitimized

"Young Man found Murdered in East End. Police believe that in the early hours of Tuesday morning a young man who hasn’t been named  was tragically killed. His body was found the following morning by his cleaning lady. There has been much speculation linking this latest death to the series of murders that has happened in the capital over the past two weeks."

The headline news at the moment, yes another ******. This time another man killed, the ever changing result at the moment is now two men and three young women. It seems the killer prefers severing the femoral artery of his victim, thus securing a fast and ****** end to their poor pathetic lives.

I read intently, the pure supposition by law enforcement officials that seems to me to be almost comical in nature. They bandy words like Serial Killer and Maniac across the pages of every news paper.
I smile, as I fold it in half, placing it neatly on the table next to my breakfast things, for I know that tonight another ****** will occur. First things first though, I have to go and earn my keep.

I work as an investment banker in the cities renown square mile. Yes I am one of those so called pariahs who is happy to receive the extortionate bonuses that the majority of Londoners and the rest of the country, I might add, are all so busy complaining about. I must concede to the fact that I totally deserve every penny I get but I suppose I would say that, wouldn’t I?

Pariah, yes that’s me pretty much to a tee.

Pariah: definition, outcast: somebody who is despised and avoided. Yes that sums me up perfectly even if I do say so myself. Of course most of my friends and colleagues would not be of that opinion at this moment in time but I do believe that they will come to this decision soon enough. As I have already stated, I have a crust to earn so I had better start to make a move, the rent won’t pay its self you know. I won’t bore you with the daily working life of an investment banker, the majority of you idiots wouldn’t understand me even if I did, so I will fast forward ten hours and once more speak to you from more comfortable surroundings, this time in the guise of a well frequented public ale house in the East end of London.

As my night progresses I see her across the now bustling and noisy lounge area and yes, she is something to behold. God has been very kind to this young lady. Her name is Petunia and a more than willing victim one will never meet. She is perfectly formed and voluptuous in every way you can imagine. Just what I am looking for on this lovely summers evening. Over the course of the evening the charm flourishes and Petunia and I laugh, chat and drink our way through it, getting even closer as the night closes in. This is working lovely, that flash of thigh as she rubs her leg along my own. The glint in her eyes tells me that this young woman has succumbed, hook line and sinker to my charms.

Not one of those to big myself up but this is of no surprise to me, as I do believe I have everything almost every woman would ever want. The looks, personality and money, with this in mind, she never stood a chance really. We leave the pub arm in arm, she looks a little unsteady due to the drink.

Come into my parlour said the spider to the fly and she is so prone to take that first step. Our destination, her flat just a stones throw away. My mind racing, excitement so enthused within my cool and calm exterior.

If you have been following the events of the last few weeks you will know that the past five Murders were all committed with a short sharp blade entering into the groin area. I am so aware of that silken metal that the steel presents to my leg. I feel it intently even through the leather sheath that is bound so securely below my trouser leg. I am so aroused at this moment in time.

Inside Petunia’s flat we waste no time getting close as I push my quarry back onto the divan. After the initial fumbling we are almost there. As we taste each others tongues my left hand reaches down to select my weapon from its casing. I feel its coldness in my hand, raising it to the desired position. All I have to do now is slide it forward and penetrate.

My hands are sweating. As we feed on each other with our mouths I feel my hand shaking. I try to shut off the emotions now running through my mind but I cannot do it. I pull my mouth away from her succulent lips and realize that this is just not going to happen. It felt like such a good idea until now, I was so motivated before this but I just haven’t got it in me to **** this beautiful woman.

A sharp pain brings me to my senses as the blade slides into my groin. The pumping coldness that is now soaking through the material of my Armani trousers. I am shaking so much, in Hemorrhagic shock, as my life’s blood pumps from my femoral artery. She pushes me onto my back, as I fight to keep breathing, Petunia looks down at me smiling.

“Thank you for a lovely night -- Number Six.”

Mental disability what an epigram, it bounds on burried complexity
Titter inside hysterical effectuation
Feeling electrical currents misfiring in my cerebellum
Screaming unremebered prayers in my night terrors at the devils fornication
Remaining in my presence, anticipating my sleep
***** to reverse the dementia
Waking day dreams, lost in unreality
Descry vociferation calling my name
Wanting to claw my etes out against nebulous shadows creeping behind
Wanting a medium to banih apparitions from my space
Paranoid of all establishment
While securing eye contact with others, they could decipher all my thoughts
With binoculars neighbors surveil
Me camouflaged with drawn shades and pale skin
To go outside summoned all my demons
Wanting to battle, rage war to fulfill some morbid desire
Annihilating hordes in my dreams by any means
***** to reverse the madness
OCD for a little control
A million times repeated thoughts flashing in my eyes
Confusion! What day is it? Am I doing something wrong?
Not glancing in mirrors hiding from myself Garbled guttural utterances in my left ear
Hot breath on my neck
Bawling at flexibility and spontaneity
Not in my scheme for the coming confusing hours
Wanting to pull my skull off exposing the insanity
Just wanted it to STOP!!
***** to reverse the derangement
Limbs not answering brain waves crisscrossed as they dwell
On a daily basis surviving hell
On a nightly basis in true hell
Needing to shriek and explode
Afraid to sleep, walking in exhausted dreams
Broken pains in my bones
No peace day or night
My medication saved my life

the feminine bleeds
not always red, not always white
seldom enough
for words - she inters herself, crouched
chambered, begs for
cleansing, hand held cupped

round- her curves
familiar to self, unknowable;
unselfish giving - she bleeds, not enough
mutilated even by her own kindness, cradled
without righteousness, coddled by an unnamed
nebula .....she curses her own image, and likeness
slivers it, cuts it raw, for dead left - visible
a world denies
knowledge with sacred
alibi - scribed hieroglyphs, scrolled - she bleeds
white, and a

desert conceals her face
calculates her dance - her movements
mythical, she cries inside
out

tears of salt river-ed, rested
underground, a birthing place securing
her masculine seed coming to
light -  Madonna paints her
face black, "Oh Czestochowa, pray for us
Oh Mother - we beseech thee"....

She bleeds - red,  the
world turns with season - she re-seeds our flesh
feeds us with her *****, prior
to the sacrifice -"Witch, it is, Witch....burn it," conceal
in alabaster stones
lone, unmarked - her womb

tomb it only in site
of an unflinching god - hold him, birth him
in sorrow grieve and give him,  his blood shed
"take it ,drink it" - red,  she bleeds - seldom enough
as the masculine prepares for HIS resurrection
feminine for trial

He is reborn - she never dies
she is Wisdom (Sophia) eternal
He - Godhead
she - Feminine
denied....