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"pantry" poems
Thank you ~ for a life not to trade blessings, in spades tight spaces behind laundry doors packed closets and open drawers gator tails, tarnished brass cracks in kitchen sliding glass wet towels, withering plants foundation filled with carpenter ants buckets piled with shoes and tags village clothes and saddlebags peeling paint and broken walls ****** seats in bathroom stalls clogged pantry frigid rooms table scribe and carbon fumes comfort capsules empty tanks broken limbs from children’s pranks **** finger double tongue long goodbyes and sidewalk dung cluster flies chavie’ clique accompanying the hypocrite cracked back and hidden smiles chalk on board with mr miles atomic wedgies closing doors wrotten eggs and open sores jaw jack nasty folk dinner calls for pig in poke penny pinchers double dip yellow mouth and silver tip brown nosers thick red tape paper cuts and pimple nape gallivants so out of norm the joy of life… in basic form
0
Jan 14, 2017
Jan 14, 2017 at 2:03 PM UTC
cultivation of gratitude
Yogurt. "I begin the day buying yogurt in a small favorite grocery store." Not pizza, nor gatorade. Bananas although they are imported from afar and grown in monocultures. Attract fruit flies in August. Peaches locally grown with rainwater. I ate all the farmer's peaches alone stacking them by the railroad tracks. Water -- rainwater, tap water, distilled water, carbonated water, spring water –-- deep gulps, infinite sips. Nuts in moderation, or not, unsalted, raw, replacing chips. His bowl of filberts, almonds, walnuts quiet weekday mornings. Edible plant parts -- roots, leaves, stems, flowers, fruit, buds. In olive oil or butter. Potatoes -- look online how best to prepare. Baked or fried. With a little fish or meat. Tea and honey, play and prayer. Swimming and running, talking quietly. Bread? Bread's possible as the Bible. Each is liable to bloat us. Wine and dandelions. Dandelion wine's Ray Bradbury's story. Cans in a pantry, books on a       shelf to the end of time. Pasta we used to call spaghetti, never noodles. I wonder if I can remember       how to make grandma's sauce. Tomatoes -- cherry, grape. Grab God's eye going by.
0
Aug 11, 2015
Aug 11, 2015 at 11:34 AM UTC
Yogurt and Honey
were so fat, maybe, our gravitational pull, will make someone orbit around us, and fall in love with us, because who could love us, If we don't even love us, So just maybe, Someone will orbit around us, and not the pantry's continents,
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Apr 25, 2015
Apr 25, 2015 at 10:59 PM UTC
Perks to being a Fat Girl
there are some who want a thinner waist and others who just don't like the taste of food they feel they do not deserve some eat cake with their eyes while others are busy planning their demise one wants to see bones, another, headstones one could love themselves if they were just 40 pounds thinner "maybe i'll love myself if i just skip dinner" the other has no appetite, a battle with calories she does not fight a battle, rather, with herself to **** herself or stay in living hell too preoccupied to care what is on the pantry shelf there are some who want a thinner waist and others who just don't like the taste of food they feel they do not deserve
0
Nov 20, 2014
Nov 20, 2014 at 11:12 PM UTC
the two types of anorexics
I'm having tea with Life, And his band of Disappointments. They dine at my expense, And they're a hungry bunch of guests. Tea turned into Supper, Where the Disappointments drank My finest wine, And Life wiped his cruel mouth On my tablecloth. You can't have supper without dessert, So they ate up more of my Food for thought. And if you stay for dessert, You may as well spend the night. So they did And burgled my pantry of hopes For a midnight snack. One night was lovely, So Life cackled, "Why not stay two?" And two turned to a week, And a week turned into My sickeningly merry guests Moving into my dreams, And inviting in Doubt, To live with them too, And of course Pay no rent. So I watch my chaotic household Of a skull, Where Life has made himself at home And brought all of his friends. I stare dully at my ruined Dining room of thought, Which they have dominated. And look wearily for a spare idea In my raided cupboards. I've never been one To evict friends, So I suppose they're here to stay. But learn a lesson from me, And don't ever Have Life over for tea.
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Jul 18, 2016
Jul 18, 2016 at 1:38 AM UTC
Tea With Life
As I sit here, at the dining room table and stare over decaf coffee at the screen on my Mac my eyes are drawn, once and awhile, to the picture sitting on the buffet in the butler's pantry. Before we continue you should know that "butler's pantry" in this case means the "third bedroom" that we saw in the listing on Realtor dot com before we bought the house and that, in the usual real estate-ese, is an optimistic label at best. But I was talking about the picture. The picture sits, slightly askew, in a carved wooden bowl given to us by my wife's boss as a housewarming present. It, the bowl I mean, came with salad tongs or forks, depending on what it is that you call them, made of water buffalo horn. They sit in the bowl too and, although she'd never admit it, I know that the thought of serving salad with water buffalo horn salad forks... lets just say..... doesn't appeal to my wife. Right, the picture.... It sits in on the buffet, in the carved wooden bowl, next to another wood bowl. This one full of carved wood fruits and vegetables, which evidently, includes sugar cane. When my wife's dad moved from his house to an assisted living facility the kids, my wife, her brother and sister, took turns going down to help him move. My wife was the last and dad insisted that someone "had" to take the fruit. But, the picture.... It, and the wooden bowls full of fruit and unused salad forks, are surrounded by both faux and real glassware and placemats which all sit perched on the top of the buffet as precariously as refugees and all of their belongings on the deck and roof of an overloaded fishing boat chugging from their homeland to some place that is hopefully better. The picture... It was painted by my father-in-law and, of all the others we have in the house, is one of my favorites. It sits on the buffet, askew in the carved wooden bowl with the horn salad forks, amid polycarbonate and glass drink ware, and placemats, unframed for some reason. All of his other works came framed but this is one he did not... and did I mention that it is one of my favorites? I like his choices of frames on all of the other pictures we have, but this is just canvas, stretched over a frame, sitting in that carved African wooden bowl with those salad forks made from water buffalo horn on the buffet next to the other wood bowl full of wooden fruits and vegetables, and wooden sugar cane, in the butler's pantry.
0
Jul 15, 2013
Jul 15, 2013 at 9:51 AM UTC
The Picture
As I sit here, at the dining room table and stare over decaf coffee at the screen on my Mac my eyes are drawn, once and awhile, to the picture sitting on the buffet in the butler's pantry. Before we continue you should know that "butler's pantry" in this case means the "third bedroom" that we saw in the listing on Realtor dot com before we bought the house and that, in the usual real estate-ese, is an optimistic label at best. But I was talking about the picture. The picture sits, slightly askew, in a carved wooden bowl given to us by my wife's boss as a housewarming present. It, the bowl I mean, came with salad tongs or forks, depending on what it is that you call them, made of water buffalo horn. They sit in the bowl too and, although she'd never admit it, I know that the thought of serving salad with water buffalo horn salad forks... lets just say..... doesn't appeal to my wife. Right, the picture.... It sits in on the buffet, in the carved wooden bowl, next to another wood bowl. This one full of carved wood fruits and vegetables, which evidently, includes sugar cane. When my wife's dad moved from his house to an assisted living facility the kids, my wife, her brother and sister, took turns going down to help him move. My wife was the last and dad insisted that someone "had" to take the fruit. But, the picture.... It, and the wooden bowls full of fruit and unused salad forks, are surrounded by both faux and real glassware and placemats which all sit perched on the top of the buffet as precariously as refugees and all of their belongings on the deck and roof of an overloaded fishing boat chugging from their homeland to some place that is hopefully better. The picture... It was painted by my father-in-law and, of all the others we have in the house, is one of my favorites. It sits on the buffet, askew in the carved wooden bowl with the horn salad forks, amid polycarbonate and glass drink ware, and placemats, unframed for some reason. All of his other works came framed but this is one he did not... and did I mention that it is one of my favorites? I like his choices of frames on all of the other pictures we have, but this is just canvas, stretched over a frame, sitting in that carved African wooden bowl with those salad forks made from water buffalo horn on the buffet next to the other wood bowl full of wooden fruits and vegetables, and wooden sugar cane, in the butler's pantry.
Continue reading...
55
Nine years and still we cradle our grief carefully close, like groceries in paper bags. Eventually the milk will make its way into the refrigerator; the canned goods will find their home on pantry shelves. Most things find their proper place. Eventually the hummingbirds will ricochet against scorched air, their delicate beaks stabbing like needles into the feeder filled with red nectar on the back porch. Eventually our child will make her way back to us. Perhaps. But I’ve heard that shooting ****** feels like being buried under an avalanche of cotton ***** For now it’s another week, another month, another trip to Safeway. We drive home and wonder why it is always snowing. Behind a curtain of snow, brake lights pulse, turning the color of cotton candy, dissolving into ghosts. And with each turn, the groceries shift in the seat behind us. From the spot where our daughter used to sit, there is a rustling sound— a murmur of words crossed off yet another list, a language we’ve budgeted for but cannot afford to hear.
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Mar 10, 2017
Mar 10, 2017 at 10:04 AM UTC
Expiration Date
i don't really know what it feels like to be in love but i think the clouds look nice about an hour before sunset when it seems like everything is submerged underneath a blanket of cotton or maybe in the morning, when the sky is so blue but the clouds are so sad and so soft like the froth that sits on top of my soda in the summertime when its hot or right before a sunset when the clouds are dripping gold and the sky seems to soak up all of their honey, honey like the bottles tucked away in the pantry, honey like the eyes of the spiral-haired boy living across the street and i sit and watch how beautiful the sky is from the sweet-smelling sheets of my bed or the lonely window in my classroom or the passenger seat of my father's car and think of how beautiful it must be to be in love
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Apr 21, 2018
Apr 21, 2018 at 8:13 AM UTC
the sky and the clouds
Fat; Bubbly lipids gathering and stacking in a fashioned order. Fat; It was not so "fashionista" when she gained and gained. Skinny; She was lost, had no where to run but to the pantry. Skinny; Bones showing, skin glimmering in the sunlight. Fat; Sticking to her bones as paper sticks to glue. Fat; Poking and Prodding at the blubbery material that sits upon her femurs. Unhappy; She will always be.
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May 19, 2013
May 19, 2013 at 2:18 AM UTC
Fat
With a body temperature Below 96 degrees Fahrenheit, Wrapping yourself in bed sheets As translucent as your skin Seems so nice but Every minute you spend Shivering is more calories burned, So you try to ignore it Or maybe you do two hundred more crunches Because being athletic is healthy, Right? You open the pantry only to deny yourself sustenance because you are unworthy of These simple pleasures, and You almost let yourself Eat an apple but When you remember how Good that girl in the thinspo you have Hidden on your phone looks, You stop. You flinch when your mother Calls your skin porcelain, Because that word means You failed to restrain yourself And you have always been taught to Resist temptation, and This is the ultimate test.
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Apr 29, 2014
Apr 29, 2014 at 2:07 PM UTC
Beauty
There is a snack size container of peanut butter sitting in the pantry And I'm sitting across the room but I can feel it's weight as acutely as my own I checked the package three times, hoping the numbers would change when i returned 282 282 282 calories I'm having a panic attack over a snack because the one thing I crave more than anything else in the world is the sticky, nutty taste of JIF brand peanut butter of which I am undeserving My grandmother loved peanut butter So much that they had to hide it from her if they wanted any hope of a satisfactory sandwich My mom hid food too Stole it like kiss after kiss Sneaking cookies from the houses where she babysat Getting crumbs on her swelling chest in the dark embrace of her teenage bedroom A buffet for one And now I'm in my grandmothers house Hoping that there's peanut butter in heaven Because here there's just photographs and the lingering scent of her Chanel number 5 perfume Like mother, like daughter, like granddaughter they say You can trace my family line as easily as the stretch marks that litter our bodies But I am breaking the cycle by falling into my own I have learned that hunger pangs are better than the climbing figures on the scale So I lift a glass of water to my lips And I leave the peanut butter in the pantry so no one will ever have to hide food from me
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Jan 24, 2015
Jan 24, 2015 at 11:29 AM UTC
Peanut Butter
Vulnerable is what I am When I let the real me outside It's not safe, sometimes, to be so carefree Should I risk hurt, or play safe and hide? But people who love me keep asking me To open my heart up to them I don't know why that's so uncomfortable I guess vulnerable is not what I am The few times I've worn my heart on my sleeve My words never came out right So I've practiced being less vulnerable And kept my real thoughts out of sight People keep saying to use more words But I fear I'll be misunderstood Maybe I won't express myself right Or I'll say way more than I should Words, I've found, are containers for thoughts I don't know why I sit here and hoard them When I store them unspoken, my thoughts sit unused Unshared—a container unopened It's a little like having a pantry of food And keeping it all to myself Food's meant to be shared, and if it is not It helps no one—just rots on the shelf And that's how it is with my words kept inside If love doesn't share them some way My thoughts stored inside these containers called words Can spoil and turn bitter someday I used to complain that people didn't understand me And for that I would silently resent them But the silence, I now see, is of my own making— If they don't know me, it's because I haven't let them
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Jun 18, 2014
Jun 18, 2014 at 1:29 PM UTC
Vulnerable
My Grandmother's Hands My Grandmother's hands told many tales Of scrubbing steps and broken nails Hand-washing clothes in enamel sink Red football socks turned white towels pink When not baking cakes at the old gas stove Rag-rugs with old scraps of material she wove Pantry shelves filled with powdered egg Homemade rice pudding sprinkled with nutmeg Sea-coal burning on an open coal fire Bread on a toasting fork burning like a pyre Grandma plumping up pillows from beneath granda’s head Applying ointment to sores caused by being confined to bed Hours spent at auctions bidding with her hand Buying an incomplete bed wasn't what she planned Back home in time for tea, crumpets and homemade strawberry jam, I can still recall the smell of it, bubbling in the pan Switching tv channels with a flick of her wrist That’s how we did it back then, when remotes did not exist Working hard all of her life, meeting everyone's demands Every line and wrinkle told a story On my Grandmother's hands
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Jan 27, 2017
Jan 27, 2017 at 11:09 AM UTC
My Grandmother's Hands
There is a Mouse in this House. Insatiable, He keeps me up at night, thin fine claws on metal stove tops, whispering to the birds what a fool he's made of me, because I couldn't make the fibers of my home work with me. There is a Mouse in this House, Immortal, I've fished him drowned out of drains, fed him bleach on silver trays, listened to him choke in air vents, his chestnut jacket perpetually in the corners of my eye, leaving reminders in my cereal, this rodent he refuses to die. There is a Mouse in this House, Intangible, he is not slipping through my fingers he's dancing on them, quick petite feet tapping on my counters, fleet and fast like smoke, I've seen him seep through a clenched fist and still escape with wedding bands, There is a Mouse in this House. Impish, he waits 'till I'm alone to play his music, the crack and chew, too early with the morning dew, he will not play his song for you, it'd be too easy to be seen. There is a Mouse in this House, primeval, he's been waiting, mapped the walls and painted my flaws, tactician skilled and iron willed, this beast knows war far more than my militia mind was ready for, plotting out insurgencies for restless and anxieties, There is a Mouse in this House, emaciated, what's his is his, what's mine is his, there is no sacred to things with tails. clearing out my pantry, his jaws now tasting for my sanity, finished with the: Rye, White, and Sourdough, he's fixed his tongue on sweat breads, scuttling with unnatural flow, There is a Mouse in this House. Charming, too handsome a creature to ever be singed, he peddles on the burners simply too strut, scampering through flames to test his luck, There is a Mouse in this House, Insomniac, from now until each evening hour, his paws touch turns time sour. Ivory teeth clanging out a new ink-printed deed, he owns the tenant and never even had to rent it, There is a Mouse in this House, arrogant, too self-assured and clever, cunning, devilish a creature he may be, but he has yet to get a load of me, holed away within his den, his first mistake was not letting me win, setting aria's on fly's wings to declare his victory, this furry phantasm is all too aware of what he did to me. There is a Mouse in This House, sleeper, I'm plotting my comeback, sure-footed, slow breathes, and savage hands, I'm ready, silent and steady; this beautiful monstrous mouse had best prepare for battle. There is a Mouse in this House. But it's my House.
0
Oct 27, 2014
Oct 27, 2014 at 3:10 PM UTC
There is a Mouse in This House
There is a Mouse in this House. Insatiable, He keeps me up at night, thin fine claws on metal stove tops, whispering to the birds what a fool he's made of me, because I couldn't make the fibers of my home work with me. There is a Mouse in this House, Immortal, I've fished him drowned out of drains, fed him bleach on silver trays, listened to him choke in air vents, his chestnut jacket perpetually in the corners of my eye, leaving reminders in my cereal, this rodent he refuses to die. There is a Mouse in this House, Intangible, he is not slipping through my fingers he's dancing on them, quick petite feet tapping on my counters, fleet and fast like smoke, I've seen him seep through a clenched fist and still escape with wedding bands, There is a Mouse in this House. Impish, he waits 'till I'm alone to play his music, the crack and chew, too early with the morning dew, he will not play his song for you, it'd be too easy to be seen. There is a Mouse in this House, primeval, he's been waiting, mapped the walls and painted my flaws, tactician skilled and iron willed, this beast knows war far more than my militia mind was ready for, plotting out insurgencies for restless and anxieties, There is a Mouse in this House, emaciated, what's his is his, what's mine is his, there is no sacred to things with tails. clearing out my pantry, his jaws now tasting for my sanity, finished with the: Rye, White, and Sourdough, he's fixed his tongue on sweat breads, scuttling with unnatural flow, There is a Mouse in this House. Charming, too handsome a creature to ever be singed, he peddles on the burners simply too strut, scampering through flames to test his luck, There is a Mouse in this House, Insomniac, from now until each evening hour, his paws touch turns time sour. Ivory teeth clanging out a new ink-printed deed, he owns the tenant and never even had to rent it, There is a Mouse in this House, arrogant, too self-assured and clever, cunning, devilish a creature he may be, but he has yet to get a load of me, holed away within his den, his first mistake was not letting me win, setting aria's on fly's wings to declare his victory, this furry phantasm is all too aware of what he did to me. There is a Mouse in This House, sleeper, I'm plotting my comeback, sure-footed, slow breathes, and savage hands, I'm ready, silent and steady; this beautiful monstrous mouse had best prepare for battle. There is a Mouse in this House. But it's my House.
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77
today i will look for chocolate and flowers and find a pound of belgian dark in my pantry, and wilted tulips on the counter. i will hand write a poem because it's just so much better on paper, and i will serenade my darling with bright eyes on a scholastic field after the last bell rings, for at last i can stop musing on possibilities and begin to dwell on solidity. today i will bring you a rose, for the petals and lines and worn down world-weary ravines contained in you; i will bring you sweet darkness in a plastic wrapping for all the sugar laced in with your hair and irises, and despite your fire and your heritage, i will leave out the heat of sacred mayan ritual peppers because together we'll be warm enough.      finally, i will lean   down close to you and     whisper what i have      not whispered for a   million seconds or more,     because i just haven't      had the opportunity:   Ya llegué, mi querida.
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Jan 16, 2013
Jan 16, 2013 at 2:55 PM UTC
like cacao and chili
In my dream, drilling into the marrow of my entire bone, my real dream, I'm walking up and down Beacon Hill searching for a street sign -- namely MERCY STREET. Not there. I try the Back Bay. Not there. Not there. And yet I know the number. 45 Mercy Street. I know the stained-glass window of the foyer, the three flights of the house with its parquet floors. I know the furniture and mother, grandmother, great-grandmother, the servants. I know the cupboard of Spode the boat of ice, solid silver, where the butter sits in neat squares like strange giant's teeth on the big mahogany table. I know it well. Not there. Where did you go? 45 Mercy Street, with great-grandmother kneeling in her whale-bone corset and praying gently but fiercely to the wash basin, at five A.M. at noon dozing in her wiggy rocker, grandfather taking a nap in the pantry, grandmother pushing the bell for the downstairs maid, and Nana rocking Mother with an oversized flower on her forehead to cover the curl of when she was good and when she was... And where she was begat and in a generation the third she will beget, me, with the stranger's seed blooming into the flower called Horrid. I walk in a yellow dress and a white pocketbook stuffed with cigarettes, enough pills, my wallet, my keys, and being twenty-eight, or is it forty-five? I walk. I walk. I hold matches at street signs for it is dark, as dark as the leathery dead and I have lost my green Ford, my house in the suburbs, two little kids ****** up like pollen by the bee in me and a husband who has wiped off his eyes in order not to see my inside out and I am walking and looking and this is no dream just my oily life where the people are alibis and the street is unfindable for an entire lifetime. Pull the shades down -- I don't care! Bolt the door, mercy, erase the number, rip down the street sign, what can it matter, what can it matter to this cheapskate who wants to own the past that went out on a dead ship and left me only with paper? Not there. I open my pocketbook, as women do, and fish swim back and forth between the dollars and the lipstick. I pick them out, one by one and throw them at the street signs, and shoot my pocketbook into the Charles River. Next I pull the dream off and slam into the cement wall of the clumsy calendar I live in, my life, and its hauled up notebooks.
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3.6k
45 Mercy Street
In my dream, drilling into the marrow of my entire bone, my real dream, I'm walking up and down Beacon Hill searching for a street sign -- namely MERCY STREET. Not there. I try the Back Bay. Not there. Not there. And yet I know the number. 45 Mercy Street. I know the stained-glass window of the foyer, the three flights of the house with its parquet floors. I know the furniture and mother, grandmother, great-grandmother, the servants. I know the cupboard of Spode the boat of ice, solid silver, where the butter sits in neat squares like strange giant's teeth on the big mahogany table. I know it well. Not there. Where did you go? 45 Mercy Street, with great-grandmother kneeling in her whale-bone corset and praying gently but fiercely to the wash basin, at five A.M. at noon dozing in her wiggy rocker, grandfather taking a nap in the pantry, grandmother pushing the bell for the downstairs maid, and Nana rocking Mother with an oversized flower on her forehead to cover the curl of when she was good and when she was... And where she was begat and in a generation the third she will beget, me, with the stranger's seed blooming into the flower called Horrid. I walk in a yellow dress and a white pocketbook stuffed with cigarettes, enough pills, my wallet, my keys, and being twenty-eight, or is it forty-five? I walk. I walk. I hold matches at street signs for it is dark, as dark as the leathery dead and I have lost my green Ford, my house in the suburbs, two little kids ****** up like pollen by the bee in me and a husband who has wiped off his eyes in order not to see my inside out and I am walking and looking and this is no dream just my oily life where the people are alibis and the street is unfindable for an entire lifetime. Pull the shades down -- I don't care! Bolt the door, mercy, erase the number, rip down the street sign, what can it matter, what can it matter to this cheapskate who wants to own the past that went out on a dead ship and left me only with paper? Not there. I open my pocketbook, as women do, and fish swim back and forth between the dollars and the lipstick. I pick them out, one by one and throw them at the street signs, and shoot my pocketbook into the Charles River. Next I pull the dream off and slam into the cement wall of the clumsy calendar I live in, my life, and its hauled up notebooks.
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95
Baucis and Philemon, Elderly souls, never empty of Love, Opened their doors for two strangers, Whom Unbeknownst to them, originated from Above. Zues and Hermes, cloaked in the robes of the Poor, Were turned away from every household, Until they rapped on Baucis and Philemon's Door. "Come in, come in, shed your cloaks, and warm your hands, Baucis, Go! Use our last loaves, grab the roast, the ham!" Never mind their Poverty Never mind their Nearly empty Pantry and Cupboards Baucis and Philemon possessed the rarest trait, One the God's most Coveted. And while the two strangers ate their foods, and consumed their Wine, Baucis noted their cups never lowered beneathe the Brim Line. "God's... Divine!" Cried the two elderly Lovers. "Follow us up the hill, Baucis, Philemon, Do not look back as you climb, Only to each other." The two followed the Gods, still cloaked in the garb of strangers, Never looking back at their village Below. Until, reaching the top, and turning back, their eyes didn't fall back upon their Home. Zues had called forth a flood, sent to destroy the once ungrateful Village, But where Baucis and Philemons cottage once lay, A beautiful temple had risen from the filthy Sullage. Their wish to take care of the temple was swiftly Granted, As was their second wish, one that was almost Demanded. "I must die, as soon as my love does, I can't ever be without her." The rest of their lives were spent glorifying the Gods for their kindness and love, And when the time came for them to take their last Breath, Squeezed hands and warm souls crossed the River Styx, And their broken and withered bodies were Left. The wrinkles on their Skin, Were made brown, and beautiful Again As their flesh turned to bark, and their hair to Leaves, The two elderly lovers, became intertwining Trees.
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Apr 25, 2014
Apr 25, 2014 at 1:36 PM UTC
The Tale of Baucis and Philemon
Baucis and Philemon, Elderly souls, never empty of Love, Opened their doors for two strangers, Whom Unbeknownst to them, originated from Above. Zues and Hermes, cloaked in the robes of the Poor, Were turned away from every household, Until they rapped on Baucis and Philemon's Door. "Come in, come in, shed your cloaks, and warm your hands, Baucis, Go! Use our last loaves, grab the roast, the ham!" Never mind their Poverty Never mind their Nearly empty Pantry and Cupboards Baucis and Philemon possessed the rarest trait, One the God's most Coveted. And while the two strangers ate their foods, and consumed their Wine, Baucis noted their cups never lowered beneathe the Brim Line. "God's... Divine!" Cried the two elderly Lovers. "Follow us up the hill, Baucis, Philemon, Do not look back as you climb, Only to each other." The two followed the Gods, still cloaked in the garb of strangers, Never looking back at their village Below. Until, reaching the top, and turning back, their eyes didn't fall back upon their Home. Zues had called forth a flood, sent to destroy the once ungrateful Village, But where Baucis and Philemons cottage once lay, A beautiful temple had risen from the filthy Sullage. Their wish to take care of the temple was swiftly Granted, As was their second wish, one that was almost Demanded. "I must die, as soon as my love does, I can't ever be without her." The rest of their lives were spent glorifying the Gods for their kindness and love, And when the time came for them to take their last Breath, Squeezed hands and warm souls crossed the River Styx, And their broken and withered bodies were Left. The wrinkles on their Skin, Were made brown, and beautiful Again As their flesh turned to bark, and their hair to Leaves, The two elderly lovers, became intertwining Trees.
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63
You and I could be lichen. You'd be algae and I fungus. E plural unis. I would envelop you, not to smoother, but to romance, house, protect. You would photosynthisize the sun filling our pantry shelves. Oh, what fun we could have if we were a lichen.
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Mar 1, 2012
Mar 1, 2012 at 2:26 PM UTC
If we were lichen
This morning I went to the kitchen Opened the pantry Found my elephant missing Along with my favorite coffee mug And my Better Homes and Gardens subscription At first of course I thought of the worst Elephantnapped Is what came to mind And me right here Playing into my fears That's the end Of that friend of mine But then I thought of the refrigerator Where I know he goes to cool down and relax And that's where he was Between the yogurt and mustard Lounge chair, second shelf in the back With magazine and coffee mug in hand
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Sep 24, 2018
Sep 24, 2018 at 5:03 PM UTC
Today's Elephant Scare
I was there Beneath it all Stubbing my nose Catching my eyes On the most soulful of gifts There was a promenade Then music A chef in a tall white hat Shouting at the top of his lungs As cracked eggs Desperately tried To reimagine themselves As whole again. They did not wish to change. I am a poem And I am nothing I am a man And I am nothing I am a before Yet to embark On an after Could this be it? I think of What could have been If I had done this If I had done that And switch Paralyzed. The horizon Fades at dusk And is reimagined At dawn How I wish I were content To be ok With such a simple Routine Progress Achievements Recognition Advancement Awards Realization The ***** turns to tighten To hold Only to rust Be forgotten Put in the back of the pantry Read from afar The days of the sun Are over Darknesses lengths Are upon us Taste of the hubris of the moon Its position is fixed Such a fact, such a reserved space Where will the moon go But anywhere But here? And of us? Where will our bones go? Our me minds? Our fleeting psyche? The I is none other But the billionth petal Of a flaming sunflower In a field Surrounded by the identical Taste ash Mixed with honey As the buzz of the bees Fade.
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Aug 14, 2018
Aug 14, 2018 at 2:25 AM UTC
Untitled
where is that Dettol cream to soothe these burns tearing up my fragile skin can’t handle these children in conversations, at the dinner table, like Pinot Noir a stain on the embroidery, what has happened to the Panadol on the twelfth shelf of the walk in pantry we’re all going to throw a ***** it’s all plasters, plastercine playdough, dresses with cheap cliché’ commercial slogans - such a numb drum melody, the top shelf of every pantry is a ***** might as well lend a little helping hand, sponsor a child charity
0
Oct 27, 2013
Oct 27, 2013 at 2:59 PM UTC
superficial
A slice of toast, burning on the grill. A ghostly face, the window pane, terror running through the brain. A shadow that was moving, now is still. Darkness hoovering the light, and all that shun on Blackrose Hill. Floorboards, creaking, then they're not............... Hiding in the pantry, with a stomach tied in knots, Churning, like butter in a *** That old house on Blackrose Hill, years since left to rot. That old house on Blackrose Hill, that old empty cot.
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Jul 3, 2014
Jul 3, 2014 at 5:24 PM UTC
Blackrose Hill.
I am the backs of everything, bring me out only in your holiest of holy moments. Consistent like middle eastern conflict. The corner of the pantry holding the infinite consumer The pound of the waterfall slow, slow. This grace is sick like bringing some dark of disease to every place God gave me to escape to. The Midas of somber sad begs them all not to come any closer. Curled up to process, process, its such. Each cry stops the tracks flat everyone please remember to remember that you’re forgetting. and remember too when you’ve read enough to put the gun in your mouth, to stop reading.
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Dec 2, 2011
Dec 2, 2011 at 9:14 PM UTC
neurons neurons neurons firing neurons firing
Mungojerrie and Rumpelteazer were a very notorious couple of cats. As knockabout clown, quick-change comedians, tight-rope walkers and acrobats They had extensive reputation. They made their home in Victoria Grove— That was merely their centre of operation, for they were incurably given to rove. They were very well know in Cornwall Gardens, in Launceston Place and in Kensington Square— They had really a little more reputation than a couple of cats can very well bear. If the area window was found ajar And the basement looked like a field of war, If a tile or two came loose on the roof, Which presently ceased to be waterproof, If the drawers were pulled out from the bedroom chests, And you couldn’t find one of your winter vests, Or after supper one of the girls Suddenly missed her Woolworth pearls: Then the family would say: “It’s that horrible cat! It was Mungojerrie—or Rumpelteazer!”— And most of the time they left it at that. Mungojerrie and Rumpelteazer had a very unusual gift of the gab. They were highly efficient cat-burglars as well, and remarkably smart at smash-and-grab. They made their home in Victoria Grove. They had no regular occupation. They were plausible fellows, and liked to engage a friendly policeman in conversation. When the family assembled for Sunday dinner, With their minds made up that they wouldn’t get thinner On Argentine joint, potatoes and greens, And the cook would appear from behind the scenes And say in a voice that was broken with sorrow: “I’m afraid you must wait and have dinner tomorrow! For the joint has gone from the oven-like that!” Then the family would say: “It’s that horrible cat! It was Mungojerrie—or Rumpelteazer!”— And most of the time they left it at that. Mungojerrie and Rumpelteazer had a wonderful way of working together. And some of the time you would say it was luck, and some of the time you would say it was weather. They would go through the house like a hurricane, and no sober person could take his oath Was it Mungojerrie—or Rumpelteazer? or could you have sworn that it mightn’t be both? And when you heard a dining-room smash Or up from the pantry there came a loud crash Or down from the library came a loud ping From a vase which was commonly said to be Ming— Then the family would say: “Now which was which cat? It was Mungojerrie! AND Rumpelteazer!”— And there’s nothing at all to be done about that!
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2.8k
Mungojerrie And Rumpelteazer
Mungojerrie and Rumpelteazer were a very notorious couple of cats. As knockabout clown, quick-change comedians, tight-rope walkers and acrobats They had extensive reputation. They made their home in Victoria Grove— That was merely their centre of operation, for they were incurably given to rove. They were very well know in Cornwall Gardens, in Launceston Place and in Kensington Square— They had really a little more reputation than a couple of cats can very well bear. If the area window was found ajar And the basement looked like a field of war, If a tile or two came loose on the roof, Which presently ceased to be waterproof, If the drawers were pulled out from the bedroom chests, And you couldn’t find one of your winter vests, Or after supper one of the girls Suddenly missed her Woolworth pearls: Then the family would say: “It’s that horrible cat! It was Mungojerrie—or Rumpelteazer!”— And most of the time they left it at that. Mungojerrie and Rumpelteazer had a very unusual gift of the gab. They were highly efficient cat-burglars as well, and remarkably smart at smash-and-grab. They made their home in Victoria Grove. They had no regular occupation. They were plausible fellows, and liked to engage a friendly policeman in conversation. When the family assembled for Sunday dinner, With their minds made up that they wouldn’t get thinner On Argentine joint, potatoes and greens, And the cook would appear from behind the scenes And say in a voice that was broken with sorrow: “I’m afraid you must wait and have dinner tomorrow! For the joint has gone from the oven-like that!” Then the family would say: “It’s that horrible cat! It was Mungojerrie—or Rumpelteazer!”— And most of the time they left it at that. Mungojerrie and Rumpelteazer had a wonderful way of working together. And some of the time you would say it was luck, and some of the time you would say it was weather. They would go through the house like a hurricane, and no sober person could take his oath Was it Mungojerrie—or Rumpelteazer? or could you have sworn that it mightn’t be both? And when you heard a dining-room smash Or up from the pantry there came a loud crash Or down from the library came a loud ping From a vase which was commonly said to be Ming— Then the family would say: “Now which was which cat? It was Mungojerrie! AND Rumpelteazer!”— And there’s nothing at all to be done about that!
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