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"handprint" poems
Separate beds and shades Of reds. Intimacy is A ****** handprint.
0
May 11, 2017
May 11, 2017 at 2:52 PM UTC
Sunburn
Her name is Halima And she leans from her window In her hijab that covers her hair Halima don't spit on the people below Her mama laughs - My Halima! But that's her little daughter And she knows when Halima spits - It's - the purest rose water Halima's hijab is of the greenest green That covers her chestnut hair With the handprint of a man Large and brown embroidered there And her long white dress embroidered With buds and leaves and thorny stems And secret roots and blooms of roses In her house above the Thames Halima don't spit! Her mama chides But the people sailing by Think the air is filled with roses So they smile and they sigh As Halima in her hijab With the handprint of a man Turns the ***** river to rose water As only Halima can ...
0
Mar 12, 2014
Mar 12, 2014 at 11:26 AM UTC
Halima Song
i laid on the bed completely defeated with tears in my eyes and a handprint that left my skin heated. i said no, and i meant it. but you begged, you just couldn't accept it. after you ****** me and used me at your disposal you turned away from me and the phone screen lit up your face so i turned my back on you and cried into stained sheets. i never looked at my body the same after you branded my body with your all-too-common name.
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Sep 1, 2021
Sep 1, 2021 at 8:45 PM UTC
I said no.
The sea fades into a well blended orange sun. the deepest blue stretching its fingers grabbing the horizon line. ripples in the waves of color they crash into stars. the explosion peaks behind the darkest of clouds. the sea is drowning the colors of love and turning them muddy. the ocean is wrapped in brilliance laughing at the unattentive ones. the sun dissapears. its warmth gone Texas is now the spring of bluebonnets and sweet air. the handprint of faith stretches across the sky i believe to be my open sea.
0
Sep 9, 2012
Sep 9, 2012 at 1:45 PM UTC
san antonio sunset
A warm hand pressed up against cool glass Making a hot handprint appear. The maker of the print lifted their hand To study the unique swirls and whirls they left. There is no pattern to the lines that created the handprint. No precise angle of arches, Nor perfect precision of patterns. The transparent window displayed the differences, Unique to only one person. Sculpted at birth and remodeled over the years. Recoding every hardship experienced by the hands. Each line, arch and swirl different from one another, All part of a life. Each hand telling a different story, Each story created by a different hand.
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Nov 30, 2012
Nov 30, 2012 at 4:46 PM UTC
Fingerprints
[i'm sorry. i'm not very good at love letters. i've confessed my love to more angels than real people, but please hear me out on this.] to the girl i ran into yesterday, with love from the girl who ran into you yesterday i'm pretty sure i'm in love with you. you left a handprint on my heart (a literal one; your fingers curved over my collarbone like you were afraid you would break me) i have cigarette butts for nerve endings and i'm pretty sure that you must be a lit match because i haven't felt this alive in seventeen years please tell me you feel the same way. i just want to feel your heart beat against mine, and i know we've only just met, i know you will probably never come to this bookstore again, but if you say no i will pretend that this is a letter to the galaxy (my favorite constellation is the one stretching across your shoulders; a thousand and one stars disguised as freckles play connect the dots with ligaments and fissures) i will pretend that you are not the sun in my solar system and okay, maybe i'm being overdramatic but have you ever looked into someone's eyes and wanted to memorize every fleck of gold you see i wrote down the things i want to know about you, a wishlist ten miles long with nothing but your name on it i wonder how you'd react if i held your hand in public the sea swelling up to meet us there are wires from my heart to yours and i know there is approximately an 86.3% chance you will never see this love letter but i wished on a star for something real and then i ran into you (i'm sorry again. i hope you enjoy to **** a mockingbird. it's one of my favorites.) i hope your hair is still a preposterous shade of blue because it makes your eyes look like constellations do you want to form a galaxy with me? to the girl i ran into yesterday, who wore bright pink flip flops and had a tattoo of a star on her left anklebone, i think i'm in love with you please reply at your earliest convenience.
0
Jul 12, 2014
Jul 12, 2014 at 9:05 PM UTC
bookstore love letter
[i'm sorry. i'm not very good at love letters. i've confessed my love to more angels than real people, but please hear me out on this.] to the girl i ran into yesterday, with love from the girl who ran into you yesterday i'm pretty sure i'm in love with you. you left a handprint on my heart (a literal one; your fingers curved over my collarbone like you were afraid you would break me) i have cigarette butts for nerve endings and i'm pretty sure that you must be a lit match because i haven't felt this alive in seventeen years please tell me you feel the same way. i just want to feel your heart beat against mine, and i know we've only just met, i know you will probably never come to this bookstore again, but if you say no i will pretend that this is a letter to the galaxy (my favorite constellation is the one stretching across your shoulders; a thousand and one stars disguised as freckles play connect the dots with ligaments and fissures) i will pretend that you are not the sun in my solar system and okay, maybe i'm being overdramatic but have you ever looked into someone's eyes and wanted to memorize every fleck of gold you see i wrote down the things i want to know about you, a wishlist ten miles long with nothing but your name on it i wonder how you'd react if i held your hand in public the sea swelling up to meet us there are wires from my heart to yours and i know there is approximately an 86.3% chance you will never see this love letter but i wished on a star for something real and then i ran into you (i'm sorry again. i hope you enjoy to **** a mockingbird. it's one of my favorites.) i hope your hair is still a preposterous shade of blue because it makes your eyes look like constellations do you want to form a galaxy with me? to the girl i ran into yesterday, who wore bright pink flip flops and had a tattoo of a star on her left anklebone, i think i'm in love with you please reply at your earliest convenience.
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29
There was nothing plastic About the way your smile showed Or about the way your arms felt But a voice in the back of my head told me so And last weekend I melted a carpet I thought was wool You could have fooled me Except now there is a hard, shiny, iron-shaped mark Plastered into the carpet's soft mat To be honest, I was a little disgusted When I pulled the iron away and found Strings of green and red clinging to it like bubblegum And to be honest, I felt a little disgusted with myself Not to mention you When I left a handprint in your soft back And strings of skin still sticking to my palm Prove you, my little plastic boy, are just a doll By all the tests that matter A human illusion too easily destroyed By an excess of warmth
0
Apr 11, 2010
Apr 11, 2010 at 3:17 PM UTC
dollface
Some only seest her flesh And her bones; I seest God's handprint That brushstroked Her soul. Some only heed her outer Reflection; I seest a masterpiece In paradisal direction. Some only observe her comings And going's; Not perceiving Her tears, beyond year's; Hath been like white water's flowing. Some only descry Her Filipina eyne; Whilst under her roof She's lonesome, aloof; Pain is her daily bread, As is her heart's Screaming proof. Some only espy, the girl They seek to know; not Knowing nothing of who She really is, an Angel from God's throne. Though this Queen doesn't seest What I seest, she is blinded by Worldly lies; demon's art her Enemies, because she's God's coruscating light. If only she could take a step Out of her body and her mind; She'd be free, to perceive The treasure she is As the creator made Her after his Kind. If only she could Seest, the elegance Inside her soul; She would Knowest She was Created to be God's light, lamp; God's perfect mold. ©Brandon Nagley ©Lonesome poets poetry ©Earl Jane Sardua nagley ( agapi mou) dedicated
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Jul 28, 2016
Jul 28, 2016 at 8:31 PM UTC
Dhè coimhlionta mould ( God's perfect mold) Scottish Gaelic dialect
A LATE 1962-ISH PUDDLE It was a late 1962-ish puddle. A Curragh puddle to be exact but you ...wouldn't know that. A moon had fallen asleep in it with scattered silver stars nailing it to the ground. I was 6-ish by then & had encountered more puddles than you could ever splash about in. But, this was the first puddle I ever remember. An Ur-puddle. To the rest of the world it was as if it had never been & existed only for me. A robin stood at my side. Us both...staring at the puddle. Suddenly the robin made up its mind & stepped defiantly into this miniature ocean. The robin stood on the moon which shattered & reformed itself about its tiny feet. It was the first robin I'd seen walking on the moon. The puddle lived inside my head for many many years until these words came along and took it away. It was like the hand of a man long long before history was invented pressed against the flickering cave wall leaving a sooty hand print in celebration of himself. "This mark means me!" My late 1962-ish Curragh puddle and that robin walking on a watery moon is my handprint on the cave wall of my mind in the long long ago. I laugh at the me-ness of me!
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May 25, 2016
May 25, 2016 at 12:36 PM UTC
A LATE 1962-ISH PUDDLE
how do i even begin to describe this color, because it is so ******* versatile. firstly it is the color of royalty and magic-- stuff of fairy tales that leap from the page and into your mind's eye. richly-hued gowns reach the polished floor; crowns and scepters shine with amethyst, with jasper, with tanzanite. this color shines in the stardust of a wizard's cloak, shimmering in the candlelight as he pours over texts and trinkets with a glowy-eyed owl brooding on his shoulder. it billows from the smoke of a witch's potion-- eye of newt and wing of bat and toe of frog combine into a roiling haze that will make the princess fall in love and then kiss death. "double, double, toil and trouble... your dreams and despair await." this color is also one of spring. it dots on the hills in delicate petals of heather and lavender, and the slightly darker pansies and geraniums. it scatters on the wind and leaves its perfume for butterflies and bumblebees and girls in love. before the sun rises and paints the sky in its warmth, the world stands still in a state that is neither dark nor light. the stars have gone but morning has not quite arrived to take its place; birds are not yet chirping and bugs and not yet buzzing-- in fact the only sound is your own mumbling as you press your face into the pillow as though trying to push away the responsibilities that loom in the daytime. it is here that this color is perhaps at its softest. now, there is one more place this color shows itself, though I'd rather it not be the case. it is the shade of hurt and fear, the shade of loneliness. this color blooms on her back and shoulders and over her eye-- in bruises dark enough for her to seek cover-up and a restraining order. this color outlines the handprint of his attacker, when he was wrenched into an alley and stripped of his sense of security. this color looms over the dispossessed no matter how brightly the sun is shining. instead of hugs and kisses, these lost souls are met with remarks like "loser" and ***** and ****** solitude is sanctuary as invisible hands attempt to choke the life out of the outcasts. do you see what i meant when i said that this color is versatile? it is a color of kingship and witchcraft, of nature and pain. it is not the color of singular definition.
0
Apr 18, 2013
Apr 18, 2013 at 10:49 AM UTC
p u r p l e
how do i even begin to describe this color, because it is so ******* versatile. firstly it is the color of royalty and magic-- stuff of fairy tales that leap from the page and into your mind's eye. richly-hued gowns reach the polished floor; crowns and scepters shine with amethyst, with jasper, with tanzanite. this color shines in the stardust of a wizard's cloak, shimmering in the candlelight as he pours over texts and trinkets with a glowy-eyed owl brooding on his shoulder. it billows from the smoke of a witch's potion-- eye of newt and wing of bat and toe of frog combine into a roiling haze that will make the princess fall in love and then kiss death. "double, double, toil and trouble... your dreams and despair await." this color is also one of spring. it dots on the hills in delicate petals of heather and lavender, and the slightly darker pansies and geraniums. it scatters on the wind and leaves its perfume for butterflies and bumblebees and girls in love. before the sun rises and paints the sky in its warmth, the world stands still in a state that is neither dark nor light. the stars have gone but morning has not quite arrived to take its place; birds are not yet chirping and bugs and not yet buzzing-- in fact the only sound is your own mumbling as you press your face into the pillow as though trying to push away the responsibilities that loom in the daytime. it is here that this color is perhaps at its softest. now, there is one more place this color shows itself, though I'd rather it not be the case. it is the shade of hurt and fear, the shade of loneliness. this color blooms on her back and shoulders and over her eye-- in bruises dark enough for her to seek cover-up and a restraining order. this color outlines the handprint of his attacker, when he was wrenched into an alley and stripped of his sense of security. this color looms over the dispossessed no matter how brightly the sun is shining. instead of hugs and kisses, these lost souls are met with remarks like "loser" and ***** and ****** solitude is sanctuary as invisible hands attempt to choke the life out of the outcasts. do you see what i meant when i said that this color is versatile? it is a color of kingship and witchcraft, of nature and pain. it is not the color of singular definition.
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66
You’ve left a handprint on my heart, from where you reached in and nurtured the burns and scars and helped life to grow again. you held your hand out to me and lifted me up to dance with you, a slow waltz that I had to learn as you lead me ‘round the room. When you left me to catch my breath, the fear of leaving you almost paralysed me - and the realisation that I must nearly broke me. You showed me what it was to live, and to live in such reckless abandonment that I knew I would never belong in the place I once called my home. you redefined home for me, showing me the truth of “home is wherever I’m with you.” Your sunsets were painted more beautifully than anything I’ve ever seen, and the way you always lead me to the artist behind such great sky-paintings left me in awe. Who else can teach me to fall in love with two beings at one time. I still reach for your hand subconsciously, lean in to rest on your shoulder before I realise that you’re no longer with me. You’ve left me homesick, wondering where home may be, the place where these itchy feet can finally rest. You’ve filled my mind with reminders of cities, people, prayers and dreams, and I’ve found that as long as these thoughts rattle in my mind, sleep and rest are impossible. You’ve shaken me to my very core, and all that remains is that still beating heart, with your palpable handprint glowing in the darkness
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Oct 1, 2014
Oct 1, 2014 at 8:07 AM UTC
a love letter to europe.
He reaches down to the dwindling Soul Wrapping an arm around it Forcing it to piece back together Into something more human Something more righteous Than just a soul with no flesh It hadn't meant to cause hurt or harm But sending a man’s Soul back to his Body has its repercussions The tighter he holds the more the flesh burns A burst of light in somewhere that Has more than darkness And the surroundings change A man whom had been just a soul Tearing and torturing other souls until he broke Was once again human A human with an angelic handprint On his left shoulder
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Aug 4, 2015
Aug 4, 2015 at 5:35 PM UTC
Angelic Handprint
1. I heard the sound of your crying from a bird. Animals have souls, too. Like the moat round Mont St. Michel The size of the soul Shrouded by Accidents of life. 2. Cobwebs and wax round the candles. The woods are alive Pariahs have eyes thrown at them. Why **** the floor so? Don't sit with your back to the doorway Monkey's monocled eyes stare back, glass orbs, while Empty chair a-rockin' - a-rockin' - a-rockin' - a Puppets dance No solace in the shades Don't follow the shadows Which lurk and lead... Marionettes and tin soldiers On pedestals long forgot A dead child's toy chest A lion in a tallish glass cage. Little drummer boy, rusted Plays agitated drum To match heart beat of......fear Of drying sweat ....on upper lip. Dusty frames on the wall Interfere with flow Handprint on window frame Dog barks warning. Spectre's trudge in mud Closer...closer...from grave waters Scream in windowpane: a figure holds A face of anguish, trapped eternal. Letters on the wall Writ in heavy blood Silhouette of an axe Windy.....Branch tap on window frame. Brass door handle turning Staircase winding up to forever Gargoyles leer Leaves on the dry floor....wet footsteps..... 3. Who knows who dwelt in this place? Who's hanging from the ceiling? Whose body....felt that pain? 4. Then, into head flits one 'I love you' Of gentle memory On the lap of the mind Of a lover Of a friend. Grey skies, musky odour. 5. Then... Wielding weapon to defend Against.... The.... Self. 6. Stop SCREAMINGGGGGGGG! Star Toucher, 28 March 2013
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Mar 28, 2013
Mar 28, 2013 at 12:59 PM UTC
Puppet from the Ceiling
1. I heard the sound of your crying from a bird. Animals have souls, too. Like the moat round Mont St. Michel The size of the soul Shrouded by Accidents of life. 2. Cobwebs and wax round the candles. The woods are alive Pariahs have eyes thrown at them. Why **** the floor so? Don't sit with your back to the doorway Monkey's monocled eyes stare back, glass orbs, while Empty chair a-rockin' - a-rockin' - a-rockin' - a Puppets dance No solace in the shades Don't follow the shadows Which lurk and lead... Marionettes and tin soldiers On pedestals long forgot A dead child's toy chest A lion in a tallish glass cage. Little drummer boy, rusted Plays agitated drum To match heart beat of......fear Of drying sweat ....on upper lip. Dusty frames on the wall Interfere with flow Handprint on window frame Dog barks warning. Spectre's trudge in mud Closer...closer...from grave waters Scream in windowpane: a figure holds A face of anguish, trapped eternal. Letters on the wall Writ in heavy blood Silhouette of an axe Windy.....Branch tap on window frame. Brass door handle turning Staircase winding up to forever Gargoyles leer Leaves on the dry floor....wet footsteps..... 3. Who knows who dwelt in this place? Who's hanging from the ceiling? Whose body....felt that pain? 4. Then, into head flits one 'I love you' Of gentle memory On the lap of the mind Of a lover Of a friend. Grey skies, musky odour. 5. Then... Wielding weapon to defend Against.... The.... Self. 6. Stop SCREAMINGGGGGGGG! Star Toucher, 28 March 2013
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65
I always loved your hands. Not in any kind of lustful way, just the look of them. I still love your hands, henna-ed and smooth And so soft- startlingly soft- If my fingers accidentally brush yours. I used to marvel when you'd lace your fingers through mine-so casual- as we walked, At how they felt like moonlight looked. I love to watch you work, the careful way you do everything Like it's all art, like it's all important. Hell, you make a sandwich like you're carving a sculpture And I find myself watching you, fascinated like always, And I want to laugh, and I want to tell you you're beautiful. And my smile turns wry And I say nothing Because who thinks of things like that? I have a favorite photograph from long ago Of your hands as you were drawing. They've not changed. That's why I always ask "Is that ring new?" Because I catch myself noticing them The way you might catch yourself absently holding a smooth stone you left in your pocket and forgot was there. I used to secretly wish that someday you'd draw on me in henna And I'd have the daring to ask you To leave a handprint on my shoulder Like a promise. I've told you you look like a sculpture, too perfect not to be planned And I remember long hours in the museums as a child Walking through a maze of white porcelain and marble women Wondering how rock could look softer than my own skin. I wanted to reach out and touch See if they would be cold and hard like they should be Or warm and velvety. And their hands... So graceful and light- The sculptors of old strove for perfection Believing that they had not found it in humanity Always imagining something smoother, something lovelier, something more delicate and more exquisite. (You weren't around yet.) Your hands always reminded me of something from that soaring hall With all its silky looking statues and its ceiling of cross-paned windows. So when I sit here, watching Art Make ham sandwiches It feels so incongruous. Something here just doesn't belong. And I can't tell if it is me or you But honestly How many people can say They have watched Artemis sit down at the counter beside them As if she has no idea she's divine?
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Jan 17, 2014
Jan 17, 2014 at 5:17 PM UTC
There's Moonlight in the Kitchen but it's Day
I always loved your hands. Not in any kind of lustful way, just the look of them. I still love your hands, henna-ed and smooth And so soft- startlingly soft- If my fingers accidentally brush yours. I used to marvel when you'd lace your fingers through mine-so casual- as we walked, At how they felt like moonlight looked. I love to watch you work, the careful way you do everything Like it's all art, like it's all important. Hell, you make a sandwich like you're carving a sculpture And I find myself watching you, fascinated like always, And I want to laugh, and I want to tell you you're beautiful. And my smile turns wry And I say nothing Because who thinks of things like that? I have a favorite photograph from long ago Of your hands as you were drawing. They've not changed. That's why I always ask "Is that ring new?" Because I catch myself noticing them The way you might catch yourself absently holding a smooth stone you left in your pocket and forgot was there. I used to secretly wish that someday you'd draw on me in henna And I'd have the daring to ask you To leave a handprint on my shoulder Like a promise. I've told you you look like a sculpture, too perfect not to be planned And I remember long hours in the museums as a child Walking through a maze of white porcelain and marble women Wondering how rock could look softer than my own skin. I wanted to reach out and touch See if they would be cold and hard like they should be Or warm and velvety. And their hands... So graceful and light- The sculptors of old strove for perfection Believing that they had not found it in humanity Always imagining something smoother, something lovelier, something more delicate and more exquisite. (You weren't around yet.) Your hands always reminded me of something from that soaring hall With all its silky looking statues and its ceiling of cross-paned windows. So when I sit here, watching Art Make ham sandwiches It feels so incongruous. Something here just doesn't belong. And I can't tell if it is me or you But honestly How many people can say They have watched Artemis sit down at the counter beside them As if she has no idea she's divine?
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49
Petal-soft lip Dancing tips Handprint on my undulating hip Twist my hair Ember in your stare Circle me like a piece so rare Arms praise the sky Worshipping my thigh trailing up my stardust side Silken-scarf wrapped 'round my waist Gliding up my ******* posthaste Hands are proud, anything but chaste Confident, urgent, pressing on Convincing me what's right, what's wrong Your long black hair, Samson's song Mind is spinning, tripping, slipping All I feel is your heart and breathing Nothing's holding me back from giving Rhythm, fast, space, beat Touch, glide, hot, heat Two heavenly bodies collide and meet
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Mar 9, 2013
Mar 9, 2013 at 12:36 AM UTC
Collide
i have survived storms. i have survived a father's voice like thunder; handprint lightning flowers petal over my skin like i am a garden to sinners- adam and eve call my grassroots their home and hum lullabies- i have survived anger. pros and cons of clock-ticking therapy sessions where money is thrown at my gaze, fixed on the wall, dollar-a-second drumming fingers screaming so loud that heaven shuts the blinds and hangs a "closed" sign on the door. pros and cons of stumbling home, under a murky peerless crowd of smoke, slurring words trail around and behind me like moths to a porchlight. morning headaches, angry adults damaging drywall and breaking family portraits exhausting search for answers exhausting search in a silence that lengthens the disconnect from child to mother where your mind goes red and the honest truth that stays stuck to the roof of your mouth falls out where you become an overflowing mailbox and your hands shake the absence of parents who never taught you to hold your tongue i have survived hurt. i have survived the specific type of loss that you feel in the pit of your stomach the one that lies next to you when you stare at the ceiling and your face hurts from crying tears scrub your eyelids raw and you promise, "if i ever make it through this, i will never be here again." i have survived giving up, taking it all back, throwing it all away, parallel structures of contemplation and decision i have survived lonely. angry storms of abandonment, melodies of the lonely and the hurt i reprise to the ones that add injury to insult, you are not the worst thing that has ever happened to me. i echo choruses to the people that force me to grow up at sixteen i have destruction embedded into my neurotransmitters i have shooting post-traumatic pain in my memories i have survived a hell that your hands are not stained enough to touch. i assure you, my love, i will survive you as well
0
Oct 5, 2016
Oct 5, 2016 at 8:18 PM UTC
durability
i have survived storms. i have survived a father's voice like thunder; handprint lightning flowers petal over my skin like i am a garden to sinners- adam and eve call my grassroots their home and hum lullabies- i have survived anger. pros and cons of clock-ticking therapy sessions where money is thrown at my gaze, fixed on the wall, dollar-a-second drumming fingers screaming so loud that heaven shuts the blinds and hangs a "closed" sign on the door. pros and cons of stumbling home, under a murky peerless crowd of smoke, slurring words trail around and behind me like moths to a porchlight. morning headaches, angry adults damaging drywall and breaking family portraits exhausting search for answers exhausting search in a silence that lengthens the disconnect from child to mother where your mind goes red and the honest truth that stays stuck to the roof of your mouth falls out where you become an overflowing mailbox and your hands shake the absence of parents who never taught you to hold your tongue i have survived hurt. i have survived the specific type of loss that you feel in the pit of your stomach the one that lies next to you when you stare at the ceiling and your face hurts from crying tears scrub your eyelids raw and you promise, "if i ever make it through this, i will never be here again." i have survived giving up, taking it all back, throwing it all away, parallel structures of contemplation and decision i have survived lonely. angry storms of abandonment, melodies of the lonely and the hurt i reprise to the ones that add injury to insult, you are not the worst thing that has ever happened to me. i echo choruses to the people that force me to grow up at sixteen i have destruction embedded into my neurotransmitters i have shooting post-traumatic pain in my memories i have survived a hell that your hands are not stained enough to touch. i assure you, my love, i will survive you as well
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50
Writing on The Walls A bloodstained handprint Are you alive to see this Do your eyes pierce now? Where the soul sees a mirror? Oh God why cant they see Why can't they see The writing on the walls Wed like to stay blind But the rest wont last Time to break a flatline And wakeup from your bed Pray now You fall on your knees in grief Do you see what you've been doing? Do you see what you have left? Another bloodstained hand print The writings on the walls Wed like to stay blind But the rest wont last Time to break a flatline And wakeup from your bed Press your face to the floor Don't leave your posture Don't move a muscle Your eyes see it now don't they? You can't hide The Writings on the wall The Writings on the wall The Writings on the wall The Writings...
0
Jan 17, 2017
Jan 17, 2017 at 5:27 AM UTC
Writings..
Girl, you can’t keep treating love Like kindergarten. It’s not time to play with plastic hearts, Or treat rolling in the mud with the same Respect that you show the ice cream man. I don’t care if love is already Messy like Hiroshima and Pompeii, The walls don’t need your handprint, Covered in the blood from Some poor boy’s heart, All over the walls. You crawl along the floors Swallowing the shiny silver pieces, Of stranger-sex and even stranger dreams, And call them romance. But *** is slapping glue On that random soul you find. But when you leave in the morning, He rips a piece of your laughter, And you rip a piece of his wife. Your heart has been slowly carved and Hallowed out like a Jack-O-Lantern That makes a very disappointing thud When some **** smashes it against the concrete. Now Girl, I’m not saying that You need to color inside the lines. I’m just saying that you have to stop Shoving crayons up your nose To try to draw hearts On the gray matter of your brain.
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Nov 22, 2011
Nov 22, 2011 at 6:16 AM UTC
Kindergarten Love
There are some people out there that have wanted to **** themselves for some time now. And there are some who have bled blood from their bodies to drown out the tears. There are some people out there who were once the brave ones. The cool kids. The strong warriors. These people, they were once dreamers. Who are now haunted by nightmares. These people, they were once believers. Who are now wearing the handprint of life bitchslapping them in the face. These people, they were once fearless. And now fear is the only thing they want less of. But these people, they haven’t given up yet. These people fight every day to better themselves. They fight to be strong once again. These people haven’t ended it all, even though they feel like the world is pushing them to. They haven’t given up. They haven’ killed themselves. But that’s not something you can brag about at fancy parties.
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Apr 25, 2016
Apr 25, 2016 at 1:24 PM UTC
Fancy Parties
I recall, caramel mocha frappe Taste was good and that's about all I recall, delusional chemistry Breaking up seven times and making up six. I recall, English 101 Meant to be in high school but stuck in eighth grade with me. I recall, A Wing An Amazon I recall, freshman orientation Handprint staircases I recall, Spanish class Skipping lunch to digest some knowledge in the biblioteca I recall, Chick Fil A in a mall Back of a car with a handful I recall, sneaking out with the boys Upset over Pink Floyd for the wrong reasons I recall, a trip down memory lane Writing a poem
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Jul 23, 2020
Jul 23, 2020 at 5:52 AM UTC
4A.M. Reminiscing
Wo es war... ________________ Eyeing one sticky handprint; left behind-- another's form, whisked away before I got there, just in time with an issue "Field" Nobember of 2012, even though they don't print them in that month. I had empty paper, a notebook. A story at a ***** table. I would write on top of all this, thoughts of avoiding the mess left, there, unwanted by others. I have been wrong in as many ways as I have been right I have been wrong. It's true, what Freud said:                                            Wo ES war! [Where IT was!] Wo war es? [Where was it?]                                             Wo ich jetzt bin! [Where I now am!] ES IST ICH [IT IS ME] ICH BIN ES [I AM IT]                                       I am here. IT     is Omaha,                       and in so many ways,                               it wasn't. ______________________
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Jan 18, 2013
Jan 18, 2013 at 5:09 PM UTC
Field, November 2012
You'll always be one of the reasons I love being alive. The look on your face when you walked into the Disney Store. The way you take nothing too seriously, but always take the things that truly matter just seriously enough. The inch of skin at your hips that refuses to stay concealed beneath any of your shirts, (The one that drives you crazy, That always drove me crazy, too.) The fact that all the time is time for some good food at your house. And the unspoken promise that whenever I am feeling truly desolate, you will appear like a distant golden searchlight on a stormy sea To guide me back from the darkness. I used to love you in only one way. It's expanded, and I imagine it will, always. If ever someday we stop saying hello to one another, I will find memories of your smile in every foreign city, And on every morning that I decide my day will be a good one. Hey, you know, maybe you're the truest love of my life. Maybe the point is that I don't need to touch you to know I always have your handprint on my heart, Keeping me warm, No matter how foolish or wise I ever become. If that time I spent with you was the best I'll ever know.... You know, It was pretty **** wonderful.
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Feb 8, 2014
Feb 8, 2014 at 6:25 PM UTC
Lighthouse
i. Duchess of the still splendor, Southeastern wind of the faraway; Prestige of foreign king's and Queen's, O' fair lass on display. ii. I'm here mine love, Verily, I'm not going away; The moon must taste ourn shadow's, As we pirouette the starry plains. iii. Tablet's wilt recordeth us By ourn handprint's with Ourn name's; the flambeau Is warm mi amour', please pirouette with me again. ©Brandon Nagley ©Lonesome poet's poetry ©Earl Jane Nagley ( Filipino rose) dedicated
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Jan 24, 2016
Jan 24, 2016 at 7:02 PM UTC
Pirouetting the moon, shadow's in tune
We've murdered "Goodbye" With our ball point pens and summer vacations. Now all that's left of it is a shell, A crater created by etiquette and empty promises. We've stuffed it full of double intentions, Filled it with unspoken "I love you"s, and "I'm sorry"s. Our fear of leaving has left its muddy handprint On the innocence of closure. We've dragged it by it's syllables, Drawing out each letter until the sound becomes muffled and obscure, The very epitome of all it stands for. Goodbye should be whispered in the final moments of one's presence, Not proclaimed in shopping malls and late night diners. The more we try to save it, The further it sinks into causality. The deeper that we engrave it, The more goodbye parts with reality.
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Jan 23, 2012
Jan 23, 2012 at 5:21 PM UTC
We've murdered Goodbye
I am a sum total. Every instant of my existence Has built me from the ground up. I am no such thing as original. I am afraid I am ordinary. -They say you are what you eat. This much is true. Food for the soul. Friends. Music. Loves and hates. Passion and empathy. -I am such a glutton. Make no mistake This sin’s far from deadly. I want to dive into my subconscious And ask him a few questions. Pick his brain so I can understand my own. Understand every little piece of me. Every shard of glass in my life’s mosaic. Gleaming and smiling and sitting pretty. I strain to break the quality control. Slam my fist through the mirror. Setting my own standards. Seeing around the subjective. Striving through the superficial. Discover how to make me Better than what is expected -An autodidactic psychological modest narcissist of mind and body. Achieving perfection through imperfection And realizing perfection is imperfect itself. Letting my imagination create my purpose. Finding my dreams and aspirations through my being. Blinded by their somber cries. Take them by the hand and turn them Into lucid sunlight across my face. Watching reality as I sculpt My life with my own two hands. The power to caress the clay into beauty Or smash it into the dust of the Earth. But alas, I am not of my own. My ideas are not my own. Merely borrowed thoughts juxtaposed Into a pastiche of individuality. My extensions to you Are what I can call my own. Creativity. Belief. Love. Impact. A handprint on your shadow. Endeavor to reach out. Palm your shoulder. Wrap a finger around your mind. And put a piece of me in you. Memory and emotion shall succeed me And live through you. -We truly are immortal.
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Mar 17, 2010
Mar 17, 2010 at 6:17 AM UTC
Me (A Self Portrait)
I am a sum total. Every instant of my existence Has built me from the ground up. I am no such thing as original. I am afraid I am ordinary. -They say you are what you eat. This much is true. Food for the soul. Friends. Music. Loves and hates. Passion and empathy. -I am such a glutton. Make no mistake This sin’s far from deadly. I want to dive into my subconscious And ask him a few questions. Pick his brain so I can understand my own. Understand every little piece of me. Every shard of glass in my life’s mosaic. Gleaming and smiling and sitting pretty. I strain to break the quality control. Slam my fist through the mirror. Setting my own standards. Seeing around the subjective. Striving through the superficial. Discover how to make me Better than what is expected -An autodidactic psychological modest narcissist of mind and body. Achieving perfection through imperfection And realizing perfection is imperfect itself. Letting my imagination create my purpose. Finding my dreams and aspirations through my being. Blinded by their somber cries. Take them by the hand and turn them Into lucid sunlight across my face. Watching reality as I sculpt My life with my own two hands. The power to caress the clay into beauty Or smash it into the dust of the Earth. But alas, I am not of my own. My ideas are not my own. Merely borrowed thoughts juxtaposed Into a pastiche of individuality. My extensions to you Are what I can call my own. Creativity. Belief. Love. Impact. A handprint on your shadow. Endeavor to reach out. Palm your shoulder. Wrap a finger around your mind. And put a piece of me in you. Memory and emotion shall succeed me And live through you. -We truly are immortal.
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