There were handprints on the glass
Trying to get as close as possible
When the person has been gone for so long
And only one person has come to visit
When almost all hope is lost
Someone will come
To leave their handprints on the glass

You have been here for so long
Never tempting me to come
And look at the handprints on the glass
Try to get close
To a person who hurts me the most
But here they are
The handprints on the glass
Tell me to reach out
To the cold smooth surface
That stings to the touch

I never wanted to leave handprints on the glass
I know you never wanted to either

I let different boys touch me
Because I wanted to know
Even for a second
What it felt like to be loved
Even if the love was cheap
And it tasted like ***
Like the punchline to a joke
I never got because it was me

I let different boys have different parts of me
Parts they didn't deserve
But I offered up willingly because I couldn't give anything else
after you broke me
I was looking for different fingers
to place different pieces and hoping  the outcome
would be a masterpiece
Maybe one of them would find a way
to cover up the handprints you left all over me

I let different boys touch me because I had to prove to myself
you wouldn't be the only one
that these scars marking my body wouldn't define
my worth to be loved
I am not entirely sure  
you aren't the only one who could ever touch me without slightly  flinching

I let different boys touch me because that is all I have been taught
To be a joke
To be silent
To be ready to give until you have nothing left
- they keep leaving me and I am to scared to offer up anything more than my body to get them to stay

When she held me, I felt like an earthquake,
shrapnel cutting quick to the bone.
I’m disaster, an unknown
kind of danger is the most dangerous

When he held me, I felt like a riptide,
all control ran out the door.
With the *** and cappuccinos
I felt out of place in my new home

When she held me, I felt disgusting,
every move my own betrayal.
Yes, she hurt like a gunshot
but I did this to myself

When he held me, I felt strange,
like I should give my whole self.
He never asked, I’m thankful.
I don’t want to ruin everything else

When she held me, I felt like a secret,
like I was something small and wild.
In a room of screaming children,
we were something invincible

He never held me, but that’s alright.
Someone tell him I understand.
Take it slow, like we’re new friends.
I’m alive for once

No one touch me, I don’t want it.
Stop breathing down my neck.
My throat fills with *****,
But the hands never rest

No one touch me, leave me alone.
Stop pressing on my back.
There are thumbprints on my wrist bones
and handprints on my thighs

Don’t touch me when you aren’t here.
So many years have passed.
Is it trauma? I don’t care.
The filthy feeling always lasts

Don’t touch me when you aren’t here.
Nobody ever has to know.
When you’re sitting by your lonesome
Nobody cares, you’re on your own

Nobody cares, you’re on your own

Why are your hands like the ocean?
Pull in, push out.
Come here, go away.

You learned to cry quietly because it's prettier that way. You hate that your cheeks get red- like transparent ghosts found a way to put handprints on porcelain skin. You wipe your tears before they touch your cheeks. Don't give any clues that you're breaking.

Remember the first time your mother told you to not look directly into the sun? You asked why and she just laughed. "You'll burn your eyes, silly girl." You remember this conversation each time she calls you her sunshine.

You were nineteen the day you were told, "you're so soft." It was the twenty-ninth time someone had told you this, but this time those words were coupled with soft eyes instead of a hard-pressed stare. Maybe you could have loved him. But falling in love meant jumping, and there were sharp rocks at the bottom.

You jumped once before. You jumped and swallowed seawater as you watched him standing on the bank scrubbing your poetry off of his hands. You remember water setting fire to the air inside your lungs as you realized that no matter how hard you screamed for him to just love you again, he'd only whisper, "you're just too broken."

You remember two months later- the first time hearing the pop of an orange pill bottle lid thinking that maybe you should write the time- like you're calling the last time you'd really be you. It was a "first kiss, first dance, missed call, last chance, yes, no, maybe-so" kind of night. The kind of night that puts your soul on a sinking boat in the middle of the ocean. There's no coming back from that kind of lonely.

"Be good." She told you. You remember this when you go to type "food" in a text and your phone corrects it to "good". Your ribs drop off into an empty abyss. There is no fulfillment to the kind of starvation your hands feel when you reach out to hands that will never love you back.

Those bones hold you enough for you to sit upright in a hospital waiting room. Spine straight and lungs held in a panic. This happens every time they put cold hands on the parts of you that no longer work. New mothers tell you that children are a blessing- that they'll change your life for the better. Hollow eyes meet the baby blues of another and your hands grow heavy with longing as you realize that your junk really is just junk and you'll never hold tiny hands.

You wonder why you miss someone from years ago. You wonder why it is that you cannot remember what their voice sounds like but you can remember what it smelled like outside the day you two met. The last time you picked up a phone, your hands knew to dial their number. But you haven't called in ages now. You quietly realize that you only miss certain people when your body becomes medicine cabinet.

You now know that you have hands like the ocean because people may love you, but no one wants to stay on the beach after the sun sets.

You remember turning the mirror around and telling you mother the sun didn't shine that day.

First glance, I’m a good Christian girl. But dark purple flecks decorate my neck.
In leather and lace I forget to pray and let you do what you want with me
because pain is complex and melded with pleasure.

Do you know what they say about girls that enjoy ***?
They never dare to say it to my face but I can feel them staring from the pew
at the dark purple flecks that decorate my neck.

Your hands, more powerful than God, make the earth of my body quake
while I draw fault lines down your back with my nails under the broken
crucifix above your bed. The pain is complex and melded with pleasure.

Deep, growling voice shakes the dusty rosary on your nightstand when we ****.
Your handprints are left on my flesh and the hand around my throat
leaves the dark purple flecks decorating my neck.

Coffee in the narthex and I’m labeled a harlot. Sinner. Sacrilegious. Branded as freaks…
Brush it off. I know what you like and how you like me. God will have mercy.
Sensations blend because pain is complex and melded with pleasure

and I can’t have one without the other. To reach our peak
you leave me red, marked and breathless, gasping, “Oh my God.”
Questioning my beliefs with dark purple flecks to decorate my neck,
I know pain will always be complex and melded with pleasure.

My fingers are stiff on the cement wall;
The dry paint holds onto my hand.
It’s a glove aged four grainy years
Which is left as a timeline on the wall.

They said that it goes fast.
We were young.
For us, time moved slowly.
After all, the clock rotates 24 times a day
And our eyes naively were turned from the time.
But those 24 hours go by fast
When you’re not counting the minutes.

Not everything was documented,
The only photographs are accessible only in our memories.
We were too caught up to capture them.
It will be our biggest regret.

We hoped to change the world,
The seniors were saints to us,
We wondered if we would be too
When it was our turn.

But how does it feel to be a god?
After four years, the feeling never came.
Has the heaven created for us to see
been held up by us?
Or are we just pedestrians walking though?

But now, it’s time to go.
The dust on the floor lasted longer than us.
The one mark that will be ours
may not lead to heaven,
but it will last.

Our handprints
are proof that we’ve touched something.

it should be noted that girls don't always come from venus, that some boys might be a little deader than they were before they claimed you took their breath away.
some girls have barbed wire around their hearts, and others have white flags. some boys have touched more cigarettes than thighs, more blades in the bathroom sink than the ones in her shoulders. the city might whisper the name of one boy and tremble at the thought of another; a girl might  have a hit list with only one name on it — her own. some boys will **** just to say they lost their virginity and some boys will spend the rest of their lives making love as though they could gain it back; some girls have lost their tears and sweat in the upholstery of the same car that might belong to one of these boys — and some of those same boys are sweaty handprints on the backseat windows while others are fingerprints on your throat, but no matter how you look at it, he will always leave his mark, won't he?
it should be noted that some girls will miss you like hiroshima playgrounds miss the laughter of young children, but others will miss you like an 11:30 flight at 11:31, and i bet you never knew that some boys will never tell you that they miss their father just as much as some girls calling everyone else 'daddy' except for the one they truly need; you'd never believe me if i said that some girls look at the night sky where they used to see their reelection in the stars, but now only see another broken mirror.
it should be noted, that not all boys are from mars.

On my right;
A pair of girls with trendy leather messenger bags
Permanently glued to their shoulders
That holds no namesakes
On my left;
One ex-best friend,
One once-friend-but-now-an-enemy,
And a third who hates by association

Navy drips from the spot directly above my head
And slides, and spreads,
And covers the teal along the edges of evening

My jaw is ground shut with the tension,
The weight of the hatred
Clamping my teeth to each other
Pulling the muscles with their ties
That are beyond invisible

I’m alone, as always –
**No emo intended.

longing
1. noun; a yearning desire
- i never used to be uncomfortable in my own bed. i knew your name before my rib cage started to sing it in my sleep. every night that has passed crosses itself off of a pocket-calendar that is stuck in the drawers of my chest. you move your favorite things into the empty spaces, you hang your worst fears up like clothes that are waiting to dry, you scratch how you love into the bedpost and put your handprints all over the walls. i can't take a deep breath without
hearing your voice in the refrain of my lungs.

yearnining
2. noun; a feeling of strong want or need
- the first time i heard your voice, it sounded exactly like what
your voice should sound like. soft, barely above a whisper, low
and confident and eager. when you spoke, i wanted
to cancel the outside noise of my breathing to listen to you. i wanted
to close my eyes and imagine that voice next to my ear, barely
above a whisper, low and confident and eager and right there
with both of our breathing suspended by its echo.

desire
3. noun; a strong feeling of wanting to have something or wishing for something to happen.
- every day it is something different. your eyes and how they
almost close when you smile. how your whole family has brown
eyes but you have bright blue ones that turn to gray as the
seasons wear on. your hands and how they look like you
should play an instrument, im saying put those hands to
good use and find something to strum. and we laugh because
you know what i mean. your laugh. it sounds like an answer
to a question i've been asking the silence.
give me someone to love like that. give me someone to love like that. give me-
like a call back from the
darkness. like, here he is in all of his glory and you
still can't have him.

We ****.

I brushed her hair just
the other day
and left stinging
handprints on her
eager flesh like she
loves.

Loved her in an
undertow of
blankets and throes,
fullness and
folds

until the drums
pounded in my
ears and
the adrenaline
burned.

On altars,
in tombs,
the sabbats,
esbats and
moons.

We slap
each other
     for fun;
     she listens
when I tell
her to
.

I'm sure you and
your mate do just
fine,
but

we **** better
than all of you
combined.

we went to Little Blue
that summer in a ***'d car.
riding in extravagance
we couldn't afford.
camping in the Oklahoma ozarks,
we brought liquor. the two of us
drank a half-litre honey whiskey
and twenty-eight of thirty Pabsts.
your chick only nab'd two.
we were sunk from that point on.
i *****'d behind the car, and
there were left retched handprints.
left were a phantom's handprints,
having been drown'd by their hedonism.
the bikers partied along
with us apart from us.
they ask'd to use our hatchet,
that's the way we met.
men share tools, and that was
the only instance of civility
for two days. we ran feral.
rip'd shirt to ribbons,
wrap'd them 'round a stick,
soak'd citronella,
commenced adventure.
returning,
   two hours time gone;
returning,
   scratch'd and bleeding;
returning,
   we lit their paths with
   torch burning a primal fire;
sleep,
pass'd out by fire in lounge chair.
been in this spot before,
knew to bring a quilt
and mine was the only one.
startled awake,
fire nothing more than nightlight embers.
raccoon, sitting upright,
stared from his high perch of a picnic table.
apple in paws, nibbling,
he mock'd and monitor'd.
i swiped at it with a stick,
missed. said **** it.
slept in the car that night.

Rains turned a blind eye, & the world dried to dust,
choked.
Then all the worms died, baking in cracked, rotten
soil.
When this is over, it'll be like we never really were in
the first place.
Just dirt, soon enough at least, when we find our place
among the worms.
No page will remember our names, who would care to
know them?
Another wave of life, pushed over the edge, into
the organic meat grinder, six feet under.
Do we keep breathing, this same breath, or do we
stop all together.
Do we walk on, or pause & listen to the
oceans crashing music.
Do we blink, or let our eyes dry, sitting behind
***** glass windows, watching it all cave in.
Endless streets, scattered faces, a million different
stories, untold.
I'd like to know the names of cavemen, to utter
them once again.
Just to say I didn't forget, just to pretend I
tried.
I saw your hand prints, outlines from smoke on
rocky walls.
I wish I knew your stories, your common words
& wisdom.
It's that way for every name through history,
recorded or otherwise.
If we took every misery suffered by man, and wrote a book,
would you read it?
Would you burn it?

you walk inside my house and you sit on my kitchen floor and you ask me 'where have you been all these years?' i tell you i have been ripping out my hair, taking out fingerprints of past lovers and i tell you that you cannot stay here. that the floor he is sitting on is fragile and it will break when he tries to stand up. i tell him that handprints aren't beautiful. and neither are the sound of footprints. i tell him that hands were made to touch things, and feel things, but they were never taught to heal things. he begins to touch me and the floor cracks a little bit and he tells me 'why don't you sit here for a while?' i tell him that my skin is as delicate as a flower and the moment he lays another finger on me my petals will fall and i will wither faster than he can say 'come back. i am so sorry'. 'no. you cannot stay here' my hair begins to fall and a couple of strands land on his head and he doesn't notice. i say 'steven you cannot stay here' he insists 'no steven you cannot stay here'
well what do you want me to do
i want you to leave
but
no steven get out
I THOUGHT YOU TOLD ME YOU WERE FRAGILE. the minute i step out of here this house will fall and it will fall with rage like an avalanche that knows no mercy another traffic challenge with a child stuck inside. no i am not leaving. this floor will not prevent from breaking WHY DON'T YOU SIT HERE AWHILE.
he begins to touch me again 'DON'T TOUCH ME I SAID THE MINUTE YOU LAY HANDS ON ME DON'T YOU UNDERSTAND YOU WILL LEAVE HANDPRINTS THAT DON'T WASH OFF MEMORIES THAT DON'T FADE BROKEN BOTTLES OF LIQUOR THAT NEVER CLEAN THEMSELVES DIDNT I TELL YOU HANDPRINTS WEREN'T BEAUTIFUL.
well let me love y
NO. get out. get out steven. i don't love you anymore. get out of my house
you will br
i don't care. get out.

She accidentally looked back into eternity and it is telling her things. Constantly questioning whether it could have been on purpose. She wishes it had told her about the day that she went missing for too long. She is still missing. Missing so many things that happen and those as close as possible. She is missing them too.

She existed to be this close to missing everyone forever. Everyone missing her forever. Missing her orange kisses and purple thoughts. He left messages in blue in her thoughts. To see if it could make a shady spot in the bright yellow sun.  This is where they would sit and possibly lay down. There were so many shimmering waves in the grass that loose clothing rippled. Her dress was waving to clouds being emptied by the sunshine.

If they were to lay in bent grass blades could it be the last time. The last time the blades bent back and the feeling of beauty penetrating hearts couldn’t let go. The last thing they could ever want. No turning back. Time is bending the blanket.

Time decided to take some space to itself. To get back to nature and living with things we cannot stop. Life kept being left in the street with holes made in it by fear and hatred that is white. Life kept being told by whiteness that is was not real.

In this space that time took to itself the institution of white needed to become colorful like rainbows and hadn’t documented in its constitution that it needs to become different shapes and sounds that may be hard for it to resonate with while investing in such militant social systems of oppression overflowed from slavery in order to become a space other than time allows for a short duration yet brutally eternal and ending now as today unfolds and life proves it is real as time rips it apart openly and its institution of white judges itself into the panic of being so insensitive that vengeance has no other shapes, colors or sounds to choose other than violet revolt.

Violet made handprints in clay as a small child while reserving words for family that were taken from her. She smiled into the abyss of pleading that is too late for forgiveness. A silence of the white institution that could no longer be a burden in space for time to want anything to do with it ever again. Violet was intimate with the space that time took to itself. She nourished it with colors, intelligence, senses, shapes, love, merciless unforgiving power and purple thoughts were always encouraged.

Violet’s orange kisses burned into the early morning making the institution of whiteness a kind of blue. All that was left of it was confused and squinting at the colors of its new shape. It was demanding to know how long the spell had been on them and what to do now. Violent explained in senses and climate changing shapes of darkness and bright red lava and flashing pink clouds that there is no now.

part 2

I hope you like my shape of communication. I hope you can appreciate the brutality of the beauty in decomposing the unnecessary manifestation of apocalypse. The writer wants you to know its him. The narrator wants you to know its her. The sentence is time taking space to itself. Grammar is more of a blue than purple. The shape is the sense of confusion which is also the ****** of realizing eternity. The details are up to your imagination not mine or the author or writer or {[(black/white)[(black women/white women) + during slavery and after] + (Americans) (to make the *** trade of slavery possible) (political intellectually engineered institution)] [(mixed race) (native)(black African) (the rest of the world not isolating themselves in the social construction of whiteness)]} = having to create my own language because I don’t exist like I need to in the institution of whiteness (I have to feel it more than it feels me) that has a completely different meaning and purpose of imagined structure or patterns or symbols that outnumbers mathematics that are statistical boundaries invested in with the language that power is behind it somewhere that can only be found by using it.

Its uncomfortable for me to write the things I feel without feeling the need to prove their value to you. To build a relationship and undo it before we get to comfortable with each other. I know that you will never forget this during all your desperate imagination of reading and life. A thread that is undeniable through shapes colors and sounds but grammarless rhythm with more sensual texture than colonial organization and its friend decolonization making love instead of war most of the time.

So this again is why time has taken space to itself. The shapes of objectification in our solar system layering our consciousness with objectifying existence in space unimaginably vast and then gone all of the sudden. Actually assumptions are our specialty so we are intimate with them and emotive beyond anything real.

Vibrations sound like waves and look like shapes. She surfed on the shape of waves. She lives on the shape of waves balancing them with focus and intent. Of course she is going to use the most obscene language of the oppressor to react and demand the same brutal trauma is being redirected by her with exponential adaptivity as aggressively as colonialism on the institution of whiteness that changes little details of its shape to suit its foundation as the need for free labor based on her skin color and also the genes of her skin color to by association allow enslavement of light skin hims.  

Section 3

The flowers sat at the drum set to communicate spring. Some felt uncomfortable and decided to advocate for the drums.

“The drums are symbolic not just the symbols. Why should the symbols get the credit as being symbolic?”

As a gesture of listening, acceptance, and understanding. Guns turned to hyacinth flowers with jasmine bullets. The fragrance took violence over with a brutal ferociousness no one knew flowers had.

That same sunny day I became 6 shades darker in the growing power of the sun. That morning the same perspectives of my identity changed twice. In the morning the institution of whiteness (IOW) declared a false sense of solidarity with how I looked to them. That evening they ignored me like that never happened. They were squinting with confusion and nodding at each other.

The IOW was making a habit out of black identity. Settling with the concept that being black is having holes from their police and being silenced on streets or in the passenger seats of cars with their families. The IOW was making it a custom to advertise being black as dying.

A Rwandan orchid blossomed right at that moment. The IOW abruptly spit out their coffee and stood up together in disbelief. The sheer unexpected beauty became an unbearable pressure on their hearts.

The heart? Since this Orchid blossomed the shape of the IOS did not allow anyone but themselves to have a heart. This realization that the others had hearts was a serious need for a group huddle.

“These others with hearts we must assimilate with them as soon as possible!”

It might have been the deep fragrance of hyacinth and Jasmine, she thought aloud, or maybe the purple thoughts, but then again Violet played a huge part in paving the way for the blossoming Orchid. Cushioned by bent grass blades and a timeless blanket they intertwined in the shade of the bright yellow sun.

She was so, what's the word I'm looking for?
  not *****, some would say submissive.
There is no way she was that, more *******.
But she never let it show, she'd have a way of
controlling the situation to make you think you
        were in charge...

How could I explain it? more like your in a desert,
         thirsty and see a fountain in the distance.
Running towards it your strength disperses,
  and you believe what you see even though your
            swallowing the passing of time.

Even as you choke, you still believe you've
quenched your, I mean her thirst.
          If she was poker, she'd have the winning
hand every time...

So back to the moment at hand, she was so dam
         rough, I had scratches that looked like I'd
had a sleepover at Elm Street.
I'm not saying I didn't enjoy it...
I liked it when she made me trickle.


That itch while at work, as my back
was healing, it turned me on knowing
that she still lingered even though we
weren't near.
       She had this suffocation issue,
but it was kinker than just naked...
        

It was in a summer dress,
                    and only in the summer.
Like she was seasonal?
I'd lift her dress up. she was pantiless.
           But before that, my hands were even
within her thighs, she was damper than
the grand canyon dry around the edges,
       but between she flowed...

There was no finesse it was all or nothing,
     no gentle hands, deep and hard were her ways.
She knew what she liked. But like a drug,
Its strength diminishes over time,
and the thrill was now near non-existent.  
And a frustrated woman isn't one to be trifled with.

So we got others involved, ones that had
the same suffocating view on life.
Constricted on the normality of ***.
The first one, ***. It was embarrassing.
  We'd guest they were more inquisitive
         than had done it before.

We'd had them sign a waiver on the obligation
of what it entailed. A few drinks later,
Ok, more than a few and it was a melting ***
         of flesh, we were all over each other.
      She strangled my other half one-handed
constricting her flow of air, the other fingers
in her mouth being ****** erotically.

I'd never thought of how ****** this would be,
it didn't matter that it was a woman,
the fact she was arching so much.
All because of another stifling her breath.
                    I had my fun though I was deep
in the other,  **** deep as she didn't want to
be penetrated in her flower, she likes her petals clean??
   My other half could see me over the other'ss shoulder.

Enjoying the fact of both woman were in my bed,
              I was getting close, and then it changed.
She saw that I was about to pleasured by another.
Her hands clasped around our new acquaintance.
For such a petite figure she had a grasp like a clamp.

I felt her clench around my external offering,
           and the smile off my other, it was suffocatingly  
pleasurable. All three of us slumped at the same time.
The bedsheet was drizzly with the fulfillment
  of all three of us. I'd never experienced such a
moment, it was unexplainably fulfilling.

We rested for a moment, and then as I pulled myself
from this sweaty gathering, I needed to ***.
I know wow how romantic, But you open a valve,
waters going to pour eventually.
   Walking back to the bed all smiles.
     She looked at me with fear, but with a hint of
excitement.
                    
"She's dead,

                            "What dead tired?

  "No you ****-wit, as in you just pleasured
yourself up a corpse you necrophilic *****...

I laughed, as I jumped into bed thinking she
was hoaxing me. But she wasn't moving.
  Holy crap that was an ****** to die for??
  She looked at me sheepishly, no not really I got
kind of confused, she was strangling me and i
was so turned on.

But then I saw you about to lift off, and I didn't
like the fact that it was in another and not me.
So I tightened my grip, I heard her throat crunch
under the pressure, and she came,
either in exhilaration or that she'd just died...
Is it wrong that it was a multiple's!!

I've had doubles with you but that,
                                               I'm still twitching.
Oh' not to the fact that there was a dead blonde
in our bed. But the fact she had a multiple with a dead
woman on top. I brushed that thought away as we
had more concerning things,

I said to her,

"Do we phone the police,
             she signed the waiver?

"Do we phone the police!

  She said in a sarcastic manner raising her brow,
  
I could never do that dam thing, she was like
a **** trekky when she did that Mmm..
        I'd live long and **** the **** out her in
that cosplay outfit, pity I broke the ears last time.

Crap, I'm getting distracted.

I  could see where she was ******* from,
       why the hell does the dead woman have
***** *******,  whoops my toothpick just
became a great redwood again.

Are you getting stiff off seeing a dead woman's
******* you freak? They are kind of just there,
As she lent across and licked them.
         Oh, there cold, she looked at me
in her I'm ***** look.  We shouldn't waste an
opportunity really, as she opened her legs
and maneuvered her so she could scissor her.

What you waiting for, put your piece in her gob,
her mouth cold against it, but moist enough
that I face ****** her till we both got close
            kissing each other and ******* at the same
time, wow that was intense,
                                        we both sheepishly smiled.

We both got in the shower, the bed damp still from
                  when all three were breathing but her
head slumped to the side and you could see it dripping
out her mouth as if she was sleeping and  drooling
                       on the pillow.. that's gross.

After we were all cleaned up, we had to decide
what to do, the police wasn't an option.
   We'd watched enough dexters to know that
cutting her up was going to be way too messy..
And last time I got a paper cut I fainted.

Grabbing some cling film out the cupboard I started
To wrap her up, beforehand we went to the store
and brought 15 liters of bleach. I used a kitchen
a utensil  with a short straw-like funnel and proceed
to bleach the inside of her ****.. and gave here a detol
mouth wash, we put the rest in the bath and put
her in there, she hadn't started decomposing and
rigor mortis wasn't overly making her stiff like a plank
so she easily sank to the bottom.

After lunch we let the water out, god she looked clean.
But her eyes had become white, like ghost white
staring at me, like she'd known what we did to her.
I tried closing her eyelids but they wouldn't shut,
so I used a permanent marker to color them in..
   What was I thinking, now she looks ****** possessed.
Drying off was like a ritual we were gentle and making
sure her hair was brushed nicely.


Then with the 6 boxes of cling film, we wrapped
her up nice and tightly.
Crossing her arms over her chest seemed like
a nice thing to do. You never realize when
someone says dead weight, just how heavy that is.
We did that nursery rhyme as we threw her in the boot,

A leg and a wing to see the king and yeet...
    I gave her a 7.5 for landing. As we drove off
we took the map out, using sat-nav was a no, no
as we could have our steps traced back.
   There was an old coal mine just twenty minutes
away, what was cool was that there was an opening
that was so deep but not many knew about it.

I know how convenient is that. We parked up and
we knew we'd have to be quick so I slung her over
my shoulder, walking along I got really damp?

"Babe, what the hell is going on?
                     "Is she peeing on me?

I started to gag, but then the bleach smell hit!
       Phew! she was leaking bleach all over my jeans.
Thank **** for that, I knew these were going
to be burnt later anyway and had a spare pair in
the boot just in case. What I come prepared.

As we got to the opening a couple was standing there
throwing a rolled-up rug down the hole?
we both just looked at each other, what's up?
                              Nothing
What's up with you?
                     Nothing!
We just smiled and dropped our cling film roll
down the same hole. they pulled a knife we pulled
a baseball bat out.

Look, we know what we've both done,
   and if we walk away now you, we,
well neither of us will get hurt or have to throw the
others down that hole. How about the saying.
You didn't see it, so it didn't happen,?

They walked off, we walked off calmly.
That went a lot better than I thought as I laughed.
But just as we got to the car we heard a twig snap
right behind us, out of instinct I swung hard
catching him square in the temple.
as he fell he landing on his accomplice.
She was screaming Oh'my god help me..

My other half leaned over her, foot on her wrist
pulling the knife out her hand.. What were you
going to do with this then.

            "*******, she yelled.

No how about I mouth *******,
and with that, she raised the knife up
and shoved it into the hilt of her mouth.
God, i love this woman.
   As she lay there gurgling..
I mean the noise was nasty..
  So she just trod on her throat and silence.

We looked at each other, and started kissing,
    and before you knew it we had steamy windows
handprints visible to what had perspired in here.
As we got redressed and the tension now reduced
we dragged these two both to the hole.
I mean  my girl just grabbed his feet and like
luggage threw him in. She's so awesome.

You do realize we got from accidental murders
to nearly serial killers now.
And you know what it was such a turn on.
     I must admit we were both turned on by death.
We found their car and drove both down the country
lanes making sure that cameras were nowhere near.
We burnt it out, but not before doing donuts in a field
to make it look like joyriders had stolen it..

After that, we had plenty more lovers, false addresses
to entice, and snare our next lover into false security.
We got tech-savvy as well, in the car we had a scrambler
that blocked their mobiles. most didn't even notice
they lost signal, some did and were over-cautious
                   If they didn't come then unlucky them.

But we remembered that everything was to happen
in the bedroom. Gosh that coal mine is now a mosh pit
of broken voices, that crunch just as we orgasmed.
  That never got old, as everyone was different some
***, others ****** them selfs, that was new and gross.
But luckily we had mattress protectors on and plenty
more in the cupboard. To date, we must have made
love and silenced at least 12 over the last few years.

Only in the summer though,
  and the dresses, god she looks so hot...

Got to go through as our new friend
just turned up in guess what in a summer dress
of all things.
           We just looked at each other and smiled.

It should be noted that girls don't always come from Venus, that some boys might be a little deader than they were before they claimed you took their breath away. Some girls have barbed wire around their hearts, and others have white flags. Some boys have touched more cigarettes than thighs, more blades in the bathroom sink than the ones in her shoulders. The city might whisper the name of one boy and tremble at the thought of another; a girl have a hit list with only one name on it — her own. Some boys will **** just to say they lost their virginity and some boys will spend the rest of their lives making love as though they could gain it back; some girls have lost their tears and sweat in the upholstery of the same car that might belong to one of these boys — and some of those same boys are sweaty handprints on the backseat windows while others are fingerprints on your throat (no matter how you look at it, he will always leave his mark, won't he?)
  It should be noted that some girls will miss you like Hiroshima playgrounds miss the laughter of young children, but others will miss you like an 11:30 flight at 11:31, and I bet you never knew that some boys will never tell you that they miss their father just as much as some girls calling everyone else Daddy except for the one they truly need; you'd never believe me if I said that some girls look at the night sky where they used to see their reelection in the stars, but now only see another broken mirror.
  It should be noted, that not all boys are from Mars.

My special talent is being tough.
Not being unreachable,
Not being invincible,
Not being unaffected, but taking blows.
It's a dubious gift, to be sure.
But I think I can no longer deny the fact that my biggest strength in this life is my ability to take a hit and come back.
Yes, there are people who don't even feel the blows that life deals out.
And on the other hand, there are those people who fall to their knees and collapse whenever something hurts.
But right in the middle,
Between apathy and fragility,
That is where I live,
And I think it's the hardest place to be.
To brush off attacks is one thing.
To let them reach you and go on through the pain is quite another.
My special talent is SURVIVING.
My therapist says I need to learn how to thrive.
Maybe she's right. But with my life, I've not been allowed the chance.
What I have had some kickass experience with is enduring.
Surviving.
Going on.
Finding something to live for when everything I've lived for in the past has been knocked down like a line of dominoes.
And yeah, my acceptance of pain makes me vulnerable, but I spring back.
I absorb the force of what life throws at me and throw it right back.
I spend the time I need to crying, hurting, fearing.
But I always rise.
Always.
If you decide to edit the cast of my life, I learn to love new people.
If you take my chances from me, I make new ones.
If my dreams are shattered, I create new dreams.
I am not impenetrable.
I am not an island.
People touch my heart,
Leave handprints in wet paint, leave scars, cigarette burns, leave graffiti, but I
Go on.
They do not destroy me.
They can take, but they can never demolish.
My backbone bends in the wind, but it's made of steel, and you'll never break it.
I am tough, it is my special talent.
I fight wars every day that you will never know about.
I rise ****** each morning from battles against dreams of your arms.
And I will tell you this, my darling, my tyrant:
You can conquer, but you'll never win.

The fair buildings that have seen the yester-years
bask in twilight.
Generations of footsteps and handprints
have worn and wrinkled them.
The wisen walls have overheard conversations
both whispered in confidence and declared in boldness,
and the floors have long absorbed
the tears, blood and sweat of characters
in their own private dramas
played out within these walls.

You and I will never see what the buildings have watched,
hear what they’ve listened to
all those years –
the stories each brick and mortar holds in secret.

And twilights and days will pass
till the impending moment comes, when,
along with concrete pounded into dusts,
gone will be these flickers of images,
the memories of these fleeting lives,
buried,
like tapes and film rolls burned
by the progress of time.

In a world full of ugly people,
A city made of hideous faces,
A phone call means everything.
It means a voice, free from
Its crooked nose, its wrinkled skin,
And its gapped, stained, crooked teeth.
It means a connection.
With another, with yourself,
And with the ability to disconnect
At the push of a button.
I take out my scratched, chipped cellphone
With its cracked face,
And call Helen.
Her voice swims through the mud
Inside my skull when she answers,
Stirring and churning
Until I'm weak and dizzy.
"How 'bout you just come
On over now, Big Fella?"
And I do.
I turn off the squawking television,
Don a pair of food-stained pants,
Drag a comb through my
Overgrown hair,
And descend the stairs to my
Waiting Oldsmobile.
The turn of the key in the ignition
Only produces a hollow click,
One click two click three click six,
Then a partial start,
But the beast fails to come alive.
I get out to replace
The fried starter fuse,
Then do this dance four more times
Before the old ***** clears her throat
And starts to idle.
It's a short ride,
Pawtucket is small,
And my only companion
On these post-midnight streets
Is the white noise
Issuing from the broken radio.
I pass the house I grew out of,
The crumbling schools
That taught me the value
Of impartial numbness,
The cemetery my father used to visit
To perpetrate the lie
He lives;
The role of a child
And the permanence
Of parents.
I pass abandoned factories
And abandoned hope
And abandoned pets
And abandoned storefronts.
In a world of full of past relics,
In a city full of ghosts,
A crumbling façade means everything.
It means bricks freed from their mortar,
Separated from their history,
Left to be picked up and thrown through plate glass windows.
Buildings are never empty,
Just quiet.
I pass the CVS at Newport and Armistice,
With its twenty four hour pharmacy,  
Dispensing the one a.m. hydrocodone,
The one thirty a.m. dextroamphetamine,
The two a.m. oxycodone,
The two thirty a.m. alprazolam,
The three a.m. dextromethorphan,
The three thirty a.m. methylphenidate,
The four a.m. eszopiclone,
The four thirty a.m. benzodiazeprine,
The five a.m. phenylpropanolamine.
I drive past the clinic in the old senior center
With its six a.m. methadone ready to go
In pre measured cups.
Buildings can be quiet, but not empty.
Helen lives on the third floor of a three story house
Built sometime in the forties,
Forgotten sometime in the eighties.
The two bottom floors are vacant,
The windows are boarded,
The driveway is choked with weeds,
And two lounging cats don’t flinch
When I walk by them
On my way to the door in the rear of the building.
The door is always unlocked,
So I let myself in
And begin the rickety climb to the top.
The higher I go,
The louder Amy Winehouse’s voice gets.
“What kind of fuckery is this?”
Seems an adequate question.
There are ****** handprints on the railings,
The walls,
Drops polka dot the stairs.
I don’t bother knocking,
I never do.
She’s seated in a La-Z-Boy in the kitchen
Facing the door,
In a cloud of cigarette smoke.
In place of exchanged pleasantries
I say I need to use the bathroom
And she nods,
Eyes locked on mine.
I take a look at my sallow image
In the mirror,
With specks of toothpaste and hairspray
Pocking my face like acne.
The toilet bowl is still streaked
With the last man’s ****.
I ****, wash my hands,
And take another look at myself.
Helen is no longer in the chair,
But I know where to find her.
She’s sprawled on the bed,
With a new cigarette in her mouth,
The toys spread out on one side,
The tools on the other.
I tell her I’ll forgive her for stabbing me the other night
If I can get a freebee now.
She shakes her head once,
Exhales a cloud,
“Not gonna happen, Champ,”
And I take what I can get.

Memories slink like silken specters
Across my barren walls
With sticky fingers that pick pocket
My peace of mind,
Steal my sleep,
Leaving sweaty handprints across my skin
And the faint taste of a scream that died on my tongue.
I tell myself that I am safe now.  
Not a soul has breathed in this room since I examined every cranny.
Even I am existing on borrowed air,
As sleep slips so dearly missed from my grasp.
I guard my secrets in darkness while 4 am lingers heavy in this space,
Wishing unconsciousness to take me to a land
Where my heart doesn’t race in terror at every noise,
The shame of what I allowed to be done to me doesn’t echo in my mind,
And the scars are not so tender to the touch.
If only I should be so lucky.
The ghosts are restless in the way they haunt my body tonight.

They say, your palms tell stories
With flesh as pages and indentions as the vocabulary
Yet I wonder where I lie in the palm of your hand
Am I that scar you got when you were six
Trying to cut your handprint out of colorful pages
Or that callous you have from caring for your garden
And always holding onto things, and people, far too tight
Now that I think of it your hand is a reflection of who you are
I love how it tells a story with every line
How it speaks of your beauty with every imperfection
But most importantly, I love how it fits perfectly into mine.

Handprints I left on the window of the homemade bread factory
When I was thirteen years of age.
That was my time of adolescent memory,mixed with moral decay.
My father had left me, mother was sold out to ***, pills, and her grave.
I was a fiber bug to the world of technology,
Just trying to escape.
The homemade bread factory was Nana's. My daddy's mother.
Me and Nana cooked real Mexicali dishes, made butterfly catches, and dream catchers to go with my teen wishes.
Nana's house was the bread factory.
The factory no longer up and runs.
How I miss Nana, her cooking, her being momma and daddy both.
I miss Nana's love the most,
How our Nana's can be daddy and mother at the same time.
Gods gift to any grandbaby.
Rest
Peacefully sweet Nana
R.I.p
Maria boudega conshito.

I'm sorry your hands had to leave bruises on my skin
and that my love breaks your ribs.

I'm sorry for the bruises I made in your heart
and for the lies I told with the same lips you tasted.

I'm sorry for the bruises I bore in my heart
and for the storm I brought to your mind.

I'm sorry for the bruises I left in your life,
and made you see my chaos with your eyes.

I'm sorry for the bruises made from holding onto you too tight,
and for the hate that filled your lungs.

I'm sorry for the bruises I can't erase
I'm sorry for the bruises old scars replaced.

I'm sorry for the bruises my fingertips left
I'm sorry for the bruises my lips marked on yours

I'm sorry for the bruises on your wrists with my handprints
I'm sorry for the bruises that took your breath away.

I'm sorry for the bruises.

we were all born crying.
wailing, raw pink lungs
gasping,
choking, on new filtered air.

but maybe, we cry not because
of a cold chill
and fluorescent state of confusion,
but simply because we've been born once again.

maybe we cry because our past lives
will never repeat themselves-

no more grandkids, the splintered back porch with the hissing screen door,

no more ten day vacations at the spare house in Spain,

no more dates at a drive in, the 1981 firebird where the windows would always steam,

no handprints along glass,
footprints on the subway.

no more
"welcome home" kisses from your dog,
"goodnight" kisses from your wife.

when we are born,
maybe we cry because
in that simple movement toward new light
our hand lingers along the wall behind us,
and flips off the switch.

every painful lesson,
heartbreak,
first times,
failiure.
all of it recycled;
repetition that never comes to end.

maybe, we cry because
we have forgotten the words
of the song we know we've heard.
the one you once danced to
at your wedding;
the one they cried to, at your funeral.

maybe we cry because
we have forgotten the color of the ink
scratched on our past suicide notes.

maybe, because
we think the gunshot did not take us
to heaven.

but there are angels
and they don't wear halos and stroke harps-
they roam the earth.
instead of showing you the light,
they teach how to form the flame inside yourself.

we were all born crying.
and it is not from loss or fear itself;
not because our soul is homesick
for the house it can't recall-
we cry for the warmth of our mothers worn hands.
the new rhythm slow in her chest,
amber hair falling
from the foreign ***** of her shoulder;

we are just one soul on this journey
body to body, heart to heart.
maybe we cry because
in that moment, we ourselves realize
that each life is, a miracle.

Shivering fingers, cradling a cold clay bowl
with dull roses surrounding the rim.
A Klondike bar cut like a grid on a paper towel.
My grandma used to let me eat one in the living room
"careful of the carpet"
on her yellow couches covered with sticky plastic.
She would play the Elvis Presley Christmas album,
To Ginny written in black sharpie on the sleeve
with a Love always, Mom underneath,
over and over again
while she hung bulbs of wood on the bottom branches
so her Welsh Corgi wouldn't break them with his paws.

Slate slabs with handprints
in purple paint every year for the holiday.
She'd set death aside in a coffin ashtray
to kiss my cheek.
Presley played in the background.

She'd rock
on the front porch in white wicker
coughing into the lid of a Pepsi can
until she'd catch me pressing my nose against the door glass,
tell me to turn around and sit on the couch.
It was too cold for me.
She'd only be a minute.

When we played, I'd hide between the two baskets
in the closet that held her hair products.
I could count all the bottles three times each
before she'd say she was too tired,
put on her coat, grab a white box, and hit play.
I always hated that album.

Handprints stain my heart.
They're yours.

I am plagued; comatose,
a ritualistic rebirth
I claw my way out by morning.

Steady, inescapable,
and raw, colorless thoughts
I wake, a hollow shell
a crescent.

Crumbs of my Eden remain
they linger as you linger
burlesque, a temptress
stepping softly.

I'll not let the words crawl across my lips
I'd rather let them form brief, violent hailstorms
than risk it all again.

Wrists heavenward,
breathless, I submit.

The slide has a 60 pound weight limit.
The slide has a 60 pound weight limit and
It smells like freshly mown grass and a
Soaked one piece Ariel swimsuit—the pink ruffles that
Cling
To a toddler’s stomach rolls as she squeaks and squelches down the plastic
Into the dark blue Made in China kiddie pool
That has creatures from all levels of the ocean together
And she doesn’t care.
The slide has a 60 pound weight limit and
Has visible handprints on the sides from
The toddler holding on for dear life before
She gathers the courage to balance on top on her own.
The slide has a 60 pound weight limit and
Sits in that yard for almost a decade at the end
Of the sickly green swing set that lifts up out of the ground
Whenever the toddler pumps too hard,
And is a end destination for the intense races across the apparatus
That occur every Sunday noon amongst the Sunday School kids without fail.
The slide has a 60 pound weight limit and
Under it is one of the best places for hide-and-seek in the winter,
When it is almost buried under the glistening snow
And the toddler can’t feel her legs anymore but she doesn’t care because
She can’t be found.
At that age she has no limits, no mental restraints that
Cut her dreams off before they bear fruit.
The slide has a 60 pound weight limit,
And of the world beyond it she is only a
Prisoner of fierce fascination.

Sometimes, through no fault of your own, you will end up ******.
You'll get blood on your dress, blood on your shoes
blood in your hair, blood on the walls,
speckled on your lips and clinging to your eyelashes
copper in your mouth, rust under your fingernails
four perfect spatters below you
palms stained, bringing out your handprints
as if to identify that it is indeed you, covered in blood.

So you'll decide to restore yourself
and you'll resolve to wash it all away.
And as you scrub away your shame,
you'll look in the mirror
to see a woman with pursed lips
jewels heavy around her neck
brow dark and furrowed, concentrating
because she, too, is covered in blood.

You will wash your hands with her
and try not to look so pale
because the water is orange and your fingertips are white.
You will turn away from the woman with raw hands
and your palms will smell like lemons
and your eyes will be bright.
Your lips will be crimson.
You'll adjust your necklace as you leave.

I watched it sway in the wind, but never did it break. I kneel now on bended knee, knowing only what you give is what they take.

I couldn't put it down in pen, faces always see. I couldn't disguise what's inside, That's destroying so much of me.

Shadows linger in closets I keep bare, regrets marked on skin. Hearts must be made of glass, as passion is said to be sin.

Handprints that match my hand, I have a tendency to choke. Yet I often forget how to breath, when everything goes up in smoke.

Ruin is a friend of mine, she is always standing at my back. I'm sitting on the corner of insanity, while she's counting all I lack.