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Camille Alipio Apr 2015
Sad & gutted
I miss him...terribly do
But then something's stopping me
Me, myself, and I
Oh...sad & gutted.
Ari Feb 2010
there are so many places to hide,

in my home at 17th and South screaming death threats at my roommates laughing diabolically playing  videogames and Jeopardy cooking quinoa stretching canvas the dog going mad frothing lunging  spastic to get the monkeys or the wookies or whatever random commandments we issue forth  drunken while Schlock rampages the backdrop,

at my uncle's row house on 22nd and Wallace with my shoes off freezing skipping class to watch March  Madness unwrapping waxpaper hoagies grimacing with each sip of Cherrywine or creamsicle  soda reading chapters at my leisure,

in the stacks among fiberglass and eternal florescent lima-tiled and echo-prone red-eyed and white-faced  caked with asbestos and headphones exhuming ossified pages from layers of cosmic dust  presiding benevolent,

in University City disguised in nothing but a name infiltrating Penn club soccer getting caught after  scoring yet still invited to the pure ***** joy of hell and heaven house parties of ice luge jungle  juice kegstand coke politic networking,

at Drexel's nightlit astroturf with the Jamaicans rolling blunts on the sidelines playing soccer floating in  slo-mo through billows of purple till the early morning or basketball at Penn against goggle- eyed professors in kneepads and copious sweat,

in the shadow tunnels behind Franklin Field always late night loner overlooking rust belt rails abandoned  to an absent tempo till tomorrow never looking behind me in the fear that someone is there,

at Phillies Stadium on glorious summer Tuesdays for dollar dog night laden with algebra geometry and  physics purposely forgetting to apply ballistics to the majestic arc of a home run or in the frozen  subway steam selling F.U. T.O. t-shirts to Eagles fans gnashing when the Cowboys come to town,

at 17th and Sansom in the morning bounding from Little Pete's scrambled eggs toast and black coffee  studying in the Spring thinking All is Full of Love in my ears leaving fog pollen footprints on the  smoking cement blooming,

at the Shambhala Center with dharma lotus dripping from heels soaking rosewater insides thrumming to the  groan of meditation,

at the Art Museum Greco-fleshed and ponderous counting tourists running the Rocky steps staring into shoji screen tatame teahouses,

at the Lebanese place plunked boldly in Reading Terminal Market buying hummus bumping past the Polish  and Irish on my way to the Amish with their wheelwagons packed with pretzels and honey and  chocolate and tea,

at the motheaten thrift store on North Broad buried under sad accumulations of ramshackle clothing  clowning ridiculous in the dim squinting at coathangers through magnifying glasses and mudflat  leather hoping to salvage something insane,

in the brown catacombed warrens of gutted Subterranea trying unsuccessfully to ignore bearded medicine

men adorned with shaman shell necklaces hawking incense bootlegs and broken Zippos halting conversation to listen pensive to the displacement of air after each train hurtles by,

at 30th Street Station cathedral sitting dwarfed by columns Herculean in their ascent and golden light  thunderclap whirligig wings on high circling the luminous waiting sprawled nascent on stringwood pews,

at the Masonic Temple next to City Hall, pretending to be a tourist all the while hoping scouring for clues in the cryptic grand architect apocrypha to expose global conspiracies,

at the Trocadero Electric Factory TLA Khyber Unitarian Church dungeon breaking my neck to basso  perfecto glitch kick drums with a giant's foot stampeding breakbeat holographic mind-boggled  hole-in-the-skull intonations,

at the Medusa Lounge Tritone Bob and Barbara's Silk City et cetera with a pitcher a pounder of Pabst and a  shot of Jim Beam glowing in the dark at the foosball table disco ball bopstepping to hip hop and  jazz and accordions and piano and vinyl,

in gray Fishtown at Gino's recording rap holding pizza debates on the ethics of sampling anything by  David Axelrod rattling tambourines and smiles at the Russian shopgirl downstairs still chained to  soul record crackles of antiquity spiraling from windows above,

at Sam Doom's on 12th and Spring Garden crafting friendship in greenhouse egg crate foam closets  breaking to scrutinize cinema and celebrate Thanksgiving blessed by holy chef Kronick,

in the company of Emily all over or in Kohn's Antiques salvaging for consanguinity and quirky heirlooms  discussing mortality and cancer and celestial funk chord blues as a cosmological constant and  communism and Cuba over mango brown rice plantains baking oatmeal chocolate chip cookies,

in a Coca Cola truck riding shotgun hot as hell hungover below the raging Kensington El at 6 AM nodding soft to the teamsters' curses the snagglesouled destitute crawling forth poisoned from sheet-metal shanty cardboard box projects this is not desolate,

at the impound lot yet again accusing tow trucks of false pretext paying up sheepish swearing I'll have my  revenge,

in the afterhour streets practicing trashcan kung fu and cinder block shotput shouting sauvage operatic at  tattooed bike messenger tribesmen pitstopped at the food trucks,

in the embrace of those I don't love the names sometimes rush at me drowned and I pray to myself for  asylum,

in the ciphers I host always at least 8 emcee lyric clerics summoning elemental until every pore ruptures  and their eyes erupt furious forever the profound voice of dreadlocked Will still haunting stray  bullet shuffles six years later,

in the caldera of Center City with everyone craning our skulls skyward past the stepped skyscrapers  beaming ear-to-ear welcoming acid sun rain melting maddeningly to reconstitute as concrete  rubber steel glass glowing nymphs,

in Philadelphia where every angle is accounted for and every megawatt careers into every throbbing wall where  Art is a mirror universe for every event ever volleyed through the neurons of History,

in Philadelphia of so many places to hide I am altogether as a funnel cloud frenetic roiling imbuing every corner sanctum sanctorum with jackhammer electromagnetism quivering current realizing stupefied I have failed so utterly wonderful human for in seeking to hide I have found

in Philadelphia
My best Ginsberg impression.
Maggie Emmett Jul 2015
PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi
This poem is part of a longer poem called Seasons of Terror. This poem was performed at the University of Adelaide, Bonython Hall as a community event. The poem was read by local poets, broadcasters, personalities and politicians from the South Australia Parliament and a Federal MP & Senator. The State Premier was represented by the Hon. Michael Atkinson, who spoke about the role of the Emergency services in our society. The Chiefs of Police, Fire and Ambulence; all religious and community organisations' senior reprasentatives; the First Secretary of the British High Commission and the general public were present. It was recorded by Radio Adelaide and broadcast live as well as coverage from Channel 7 TV News. The Queen,Tony Blair, Australian Governor General and many other public dignitaries sent messages of support for the work being read. A string quartet and a solo flautist also played at this event.
The barn is burning
The race-track is over
Farmers run out w/
buckets of water
The horse flesh is burning
They’re kicking the stalls
(panic in a horse’s eye
That can spread & fill
an entire sky.)

The clouds flow by
& tell a story

about the lightning bolt & the mast
on the steeple

Some people have a hard time
describing sailors to the
undernourished.

The decks are starving
Time to throw the cargo over

Now down & the high-sailing
fluttering of smiles on the air
w/its cool night time disturbance

Tropic corridor
Tropic Treasure

What got us this far to this
mild equator

Now we need something
& someone new
when all else fails
we can whip the horse’s eyes
& make them cry
& sleep
~~~

France is 1st, Nogales round-up
Cross over the border-
land of eternal adolescence
quality of despair unmatched
anywhere on the perimeter
Message from the outskirts
calling us home
This is the private space of a
new order. We need saviors
To help us survive the journey.
Now who will come
Now hear this
We have started the crossing
Who knows? it may end badly

The actors are assembled;
immediately they become
enchanted
I, for one, am in ecstasy
enthralled.
Can I convince you to smile?

No wise men now.
Each on his own
grab your daughter & run
~~~

“Oh God, she cried
I never knew what
it meant to be real
I thought all this was a joke,
I never let the horror, or
the sweetness & the dignity
penetrate my brain”

“Let me up to see
the window. Dark Riders
pass in the sunset
coming home from
raiding parties.
The taverns will be
full of laughter, wine,
& later dancing, later
dangerous knife throws.

Antonio will be there
& that *****, Blue Lady
playing cards w/silver
decks & smiling at the night,
& full glasses held aloft
& spilled to the moon.
I’m sad, so full of sadness”
~~~

She’s selling news in the market
Time in the hall
The girls of the factory
Rolling cigars
They haven’t invented musak yet
So I read to them
From The BOOK OF DAYS
a horror story from the Gothic age
a gruesome romance
From the LA
Plague.

I have a vision of America
Seen from the air
28,000 ft. & going fast

A one-armed man in a Texas
parking labyrinth
A burnt tree like a giant primeval bird
in an empty lot in Fresno
Miles & miles of hotel corridors
& elevators, filled w/ citizens

Motel Money ****** Madness
Change the mood from glad to sadness

play the ghost song baby
~~~

a young woman, bound silently, on
a hostpital table, obviously pregnant,
is gutted & rifled of her empire

objects of oblivion
~~~

Drugs *** drunkenness battle
return to the water-world
Sea-belly
Mother of man
Monstrous sleep-waking gentle swarming
atomic world
Anomic in social life

how can we hate or love or judge
in the sea-swarm world of atoms
All one, one All
How can we play or not play
How can we put one foot before us
or revolutionize or write
~~~

Does the house burn? So be it.
The World, a film which men devise.
Smoke drifts thru these chambers
Murders occur in a bedroom.
Mummers chant, birds hush & coo.
Will this do?
Take Two.
~~~

each day is a drive thru history
Mike Bergeron Sep 2012
There was a house fire on my street last night …well… not exactly my street, but on a little, sketchy, dead-end strip of asphalt, sidewalks, weeds, and garbage that juts into my block two houses down. It was on that street. Rosewood Court, population: 12, adjusted population: 11, characterized by anonymity and boarded windows, peppered with the swift movements of fat street rats. I’ve never been that close to a real, high-energy, make-sure-to-spray-down-your-roof-with-a-hose-so-it-doesn’t-catch­ fire before. It was the least of my expectations for the evening, though I didn’t expect a crate of Peruvian bananas to fall off a cargo plane either, punching through the ceiling, littering the parking lot with damaged fruit and shingles, tearing paintings and shelves and studs from the third floor walls, and crashing into our kitchen, shattering dishes and cabinets and appliances. Since that never happened, and since neither the former nor the latter situation even crossed my mind, I’ll stick with “least of my expectations,” and bundle up with it inside that inadequate phrase whatever else may have happened that I wouldn’t have expected.



I had been reading in my living room, absently petting the long calico fur of my roommate’s cat Dory. She’s in heat, and does her best to make sure everyone knows it, parading around, *** in the air, an opera of low trilling and loud meows and deep purring. As a consequence of a steady tide of feline hormones, she’s been excessively good humored, showering me with affection, instead of her usual indifference, punctuated by occasional, self-serving shin rubs when she’s hungry. I saw the lights before I heard the trucks or the shouts of firemen or the panicked wail of sirens, spitting their warning into the night in A or A minor, but probably neither, I’m no musician. Besides, Congratulations was playing loud, flowing through the speakers in the corners of the room, connected to the record player via the receiver with the broken volume control, travelling as excited electrons down stretches of wire that are, realistically, too short, and always pull out. The song was filling the space between the speakers and the space between my ears with musings on Brian Eno, so the auditory signal that should have informed me of the trouble that was afoot was blocked out. I saw the lights, the alternating reds and whites that filled my living room, drawing shifting patterns on my walls, ceiling, floor, furniture, and shelves of books, dragging me towards the door leading outside, through the cluttered bike room, past the sleeping, black lump of oblivious fur that is usually my boisterous male kitten, and out into the bedlam I  had previously been ignorant to. I could see the smoke, it was white then gray then white, all the while lending an acrid taste to the air, but I couldn’t see where it was issuing from. The wind was blowing the smoke toward my apartment, away from Empire Mills. I tried to count the firetrucks, but there were so many. I counted six on Wilmarth Ave, one of which was the awkward-looking, heavy-duty special hazards truck. In my part of the city, the post-industrial third-wave ***** river valley, you never know if the grease fire that started with homefries in a frying pan in an old woman’s kitchen will escalate into a full-blown mill fire, the century-old wood floors so saturated with oil and kerosene and ****** and manufacturing chemicals and ghosts and god knows what other flammable **** that it lights up like a fifth of July leftover sparkler, burning and melting the hand of the community that fed it for so many decades, leaving scars that are displayed on the local news for a week and are forgotten in a few years’ time.



The night was windy, and the day had been dry, so precautions were abundant, and I counted two more trucks on Fones Ave. One had the biggest ladder I’ve ever seen. It was parked on the corner of Fones and Wilmarth, directly across from the entrance into the forgotten dead-end where the forgotten house was burning, and the ladder was lifting into the air. By now my two roommates had come outside too, to stand on our rickety, wooden staircase, and Jeff said he could see flames in the windows of one of the three abandoned houses on Rosewood, through the third floor holes where windows once were, where boards of plywood were deemed unnecessary.



“Ay! Daddy!”



My neighbor John called up to us. He serves as the eyes and ears and certainly the mouth of our block, always in everyone’s business, without being too intrusive, always aware of what’s going down and who’s involved. He proceeded to tell us the lowdown on the blaze as far as he knew it, that there were two more firetrucks and an ambulance down Rosewood, that the front and back doors to the house were blocked by something from inside, that those somethings were very heavy, that someone was screaming inside, that the fire was growing.



Val had gone inside to get his jacket, because despite the floodlights from the trucks imitating sunlight, the wind and the low temperature and the thought of a person burning alive made the night chilly. Val thought we should go around the block, to see if we could get a better view, to satisfy our congenital need to witness disaster, to see the passenger car flip over the Jersey barrier, to watch the videos of Jihadist beheadings, to stand in line to look at painted corpses in velvet, underlit parlors, and sit in silence while their family members cry. We walked down the stairs, into full floodlight, and there were first responders and police and fully equipped firefighters moving in all directions. We watched two firemen attempting to open an old, rusty fire hydrant, and it could’ve been inexperience, the stress of the situation, the condition of the hydrant, or just poor luck, but rather than opening as it was supposed to the hydrant burst open, sending the cap flying into the side of a firetruck, the water crashing into the younger of the two men’s face and torso, knocking him back on his ***. While he coughed out surprised air and water and a flood of expletives, his partner got the situation under control and got the hose attached. We turned and walked away from the fire, and as we approached the turn we’d take to cut through the rundown parking lot that would bring us to the other side of the block, two firemen hurried past, one leading the other, carrying between them a stretcher full of machines for monitoring and a shitload of wires and tubing. It was the stiff board-like kind, with handles on each end, the kind of stretcher you might expect to see circus clowns carry out, when it’s time to save their fallen, pie-faced cohort. I wondered why they were using this archaic form of patient transportation, and not one of the padded, electrical ones on wheels. We pushed past the crowd that had begun forming, walked past the Laundromat, the 7Eleven, the carwash, and took a left onto the street on the other side of the parking lot, parallel to Wilmarth. There were several older men standing on the sidewalk, facing the fire, hands either in pockets or bringing a cigarette to and from a frowning mouth. They were standing in the ideal place to witness the action, with an unobstructed view of the top two floors of the burning house, its upper windows glowing orange with internal light and vomiting putrid smoke.  We could taste the burning wires, the rugs, the insulation, the asbestos, the black mold, the trash, and the smell was so strong I had to cover my mouth with my shirt, though it provided little relief. We said hello, they grunted the same, and we all stood, watching, thinking about what we were seeing, not wanting to see what we were thinking.

Two firefighters were on the roof by this point, they were yelling to each other and to the others on the ground, but we couldn’t hear what they were saying because of the sirens from all the emergency vehicles that were arriving.  It seemed to me they sent every firetruck in the city, as well as more than a dozen police cars and a slew of ambulances, all of them arriving from every direction. I guess they expected the fire to get really out of hand, but we could already see the orange glow withdrawing into the dark of the house, steam and smoke rippling out of the stretched, wooden mouths of the rotted window frames. In a gruff, habitual smoker’s voice, we heard

                                      “Chopper called the fire depahtment

We was over at the vet’s home

                He says he saw flames in the windas

                                                                                                                                                We all thought he was shittin’ us

We couldn’t see nothin’.”

A man between fifty-five to sixty-five years old was speaking, no hair on his shiny, tanned head, old tattoos etched in bluish gray on his hands, arms, and neck, menthol smoke rising from between timeworn fingers. He brought the cigarette to his lips, drew a hearty chest full of smoke, and as he let it out he repeated

                                                “Yea, chopper called em’

Says he saw flames.”

The men on the roof were just silhouettes, backlit by the dazzling brightness of the lights on the other side.  The figure to the left of the roof pulled something large up into view, and we knew instantly by the cord pull and the sound that it was a chainsaw. He began cutting directly into the roof. I wasn’t sure what he was doing, wondered if he was scared of falling into the fire, assumed he probably was, but had at least done this before, tried to figure out if he was doing it to gain entry or release pressure or whatever. The man to the right was hacking away at the roof with an axe. It was surreal to watch, to see two men transformed from public servants into fingers of destruction, the pinkie and ring finger fighting the powerful thumb of the controlled chemical reaction eating the air below them, to watch the dark figures shrouded in ethereal light and smoke and sawdust and what must’ve been unbearable heat from below, to be viewing everything with my own home, my belongings, still visible, to know it could easily have gone up in flames as well.

I should’ve brought my jacket. I remember complaining about it, about how the wind was passing through my skin like a window screen, chilling my blood, in sharp contrast to the heat that was morphing and rippling the air above the house as it disappeared as smoke and gas up into the atmosphere from the inside out.

Ten minutes later, or maybe five, or maybe one, the men on the roof were still working diligently cutting and chopping, but we could no longer see any signs of flames, and there were figures moving around in the house, visible in the windows of the upper floors, despite the smoke. Figuring the action must be reaching its end, we decided to walk back to our apartment. We saw Ken’s brown pickup truck parked next to the Laundromat, unable to reach our parking lot due to all the emergency vehicles and people clogging our street. We came around the corner and saw the other two members of the Infamous Summers standing next to our building with the rest of the crowd that had gathered. Dosin told us the fire was out, and that they had pulled someone from inside the gutted house, but no ambulance had left yet, and his normally smiling face was flat and somber, and the beaten guitar case slung over his shoulder, and his messed up hair, and the red in his cheeks from the cold air, and the way he was moving rocks around with the toe of his shoe made him look like a lost child, chasing a dream far from home but finding a nightmare in its place, instead of the professional who never loses his cool or his direction.

The crowd all began talking at once, so I turned around, towards the dead end and the group of firefighters and EMTs that were emerging. Their faces were stoic, not a single expression on all but one of those faces, a young EMT, probably a Basic, or a Cardiac, or neither, but no older than twenty, who was silently weeping, the tears cutting tracks through the soot on his cheeks, his eyes empty of emotion, his lips drawn tight and still. Four of them were each holding a corner of the maroon stretcher that took two to carry when I first saw it, full of equipment. They did not rush, they did not appear to be tending to a person barely holding onto life, they were just carrying the weight. As they got close gasps and cries of horror or disgust or both issued from the crowd, some turned away, some expressions didn’t change, some eyes closed and others stayed fixed on what they came to see. One woman vomited, right there on the sidewalk, splashing the shoes of those near her with the partially digested remains of her EBT dinner. I felt my own stomach start to turn, but I didn’t look away. I couldn’t.

                                                                                It was like I was seven again,

                                in the alleyway running along the side of the junior high school I lived near and would eventually attend,

looking in silent horror at what three eighth graders from my neighborhood were doing.

It was about eight in the evening of a rainy,

late summer day,

and I was walking home with my older brother,

cutting through the alley like we always did.

The three older boys were standing over a small dog,

a terrier of some sort.

They had duct taped its mouth shut and its legs together,

but we could still hear its terrified whines through its clenched teeth.

One of the boys had cut off the dog’s tail.

He had it in one hand,

and was still holding the pocket knife in the other.

None of them were smiling,

or talking,

nor did they take notice of Andrew and I.

There was a garden bag standing up next to them that looked pretty full,

and there was a small pile of leaves on the ground next to it.

In slow motion I watched,

horrified,

as one of the boys,

Brian Jones-Hartlett,

picked up the shaking animal,

put it in the bag,

covered it with the leaves from the ground,

and with wide,

shining eyes,

set the bag

on fire

with a long-necked

candle

lighter.

It was too much for me then. I couldn’t control my nausea. I threw up and sat down while my head swam.

I couldn’t understand. I forgot my brother and the fact that he was older, that he should stop this,

Stop them,

There’s a dog in there,

You’re older, I’m sick,

Why can’t I stop them?

It was like
Lappel du vide Mar 2014
you know? i'll stop being so empty sometimes. i'll fill myself with words, so they will be dripping down the carefully creased seams of my lips and dents in my cheeks. i am tired of margins and paragraphs to box in what i have to say. i'm ready to let things out like a destroyed dam barricading a swift, roaring feline river; distorted reflections of the day racing past.  i am a goddess with dripping hair and naked skin, you can't stop me from feeling. i feel with my soul i feel i feel I FEEL and i am alive. i am the start of morning, i am red tinged and purple, i am the end of the afternoon, dark skinned and starry. i am everything that this universe is made up of, and i intend to be that way till the very earth splits my bones and drills my skull, and my skin droops tiredly to the ground. i am whole, and i am divine. i am eternal, like the dust scattered across the milkyway, and *you can't stifle me.
Edward Coles Jul 2014
“You know the worst thing I ever saw?” He asked.

I sighed to myself, took another gulp of beer and fixed him with a look of half-interest. He was drunk. A complete ****-up and a bore when he's drunk. I don't know why I drink with him. That said, he probably thinks the same.

“What's that?”
“Bedsheets over the benches in the church yard.”
“Ye-what?”
“Bedsheets over the benches in the church yard. For the homeless.”
“The homeless. Right.”
“I'll get us another drink.” he says, “then I'll start where I left off.”
“Oh, good.”

He comes back with two bottles. We drink and we start talking about football. We're just about getting by before he raises his palm to his face.
“Aw, ****. I forgot, yeah. The worst thing I ever saw. I never told you.”
“You did. Bedsheets over the benches in the church yard. For the homeless.”
“Yeah yeah, but that doesn't really say much, does it? You're probably wondering to yourself why that would **** me off so much?”

Not really. He's the type of no-action, all-caring, bleeding heart that sits on his fattening **** every day, 'liking' rhetorical captions over pictures, and signing petitions to axe some ***** politician or other.
“I guess. Shoot.”

He shoots.
“I wanna burn down the churches. Seriously. Stupid ******* religious folk. I bet they go home and post pictures up of themselves, all busy in the soup kitchen, ladling minestrone into some poor *******'s styrofoam bowl.
“They'll never touch them. Always at arm's length. You don't wanna breathe in the pathogens of the anti-people...”
He slurred a little, went to carry on, but took another gulp of beer instead.
“What does that have to do with bedsheets over the benches in the church yard?” I took a gulp myself, this time watching him with a little more interest. Probably just because he looks like he could spew at any moment.
“You're not letting me finish...”
He finishes his beer, gets up, almost bumping into his piano-***-keyboard. He's off to the fridge again. I have a look around while he's out of the room. I can hear him ******* in the kitchen sink.

I've seen the place a million times before but it always has a whole bunch of new **** tacked up on the wall or else bundled in the corner. He's no hoarder, just gets bored and throws out all the stuff he bought the year before.
There's a framed picture of himself on the wall, cradling his Fender as if he's a master of the arts. It's signed, too.
I've seen him play. Probably will tonight. Wouldn't be surprised if he's written a protest song called: bedsheets over the benches in the church yard. The old **** can't even hit an F major with regularity.
He'd decided to put up his vinyl sleeves on the wall like a 17 year old would with an array of **** pop-punk band posters.
Blink and you might think he's the new John Peel or Phil Spector. Stare, and you'll realise he's twice as crazy, yet half as talented and half as interesting to listen to.
His room is like a CV to show to interesting, young indie women. Shame he's hitting forty now,and hasn't been to a club in about 3 months.
Last time we went he just sulked in the corner and got too drunk. He cried in the smoking area about his job before going round and asking attractive girls whether they think he's too old to be out. Most didn't even bother to give an answer. Probably best.

He comes back in with more beer.
“A-anyway...” He says, groaning a little like an old man as he settles back into the chair. “As I was saying...” he sloshes beer on the carpet, rubs it in with the heel of his shoe. He spits on the mark and then rubs again.
“What I was saying was that the church would be a whole lot more useful to the homeless if it was burned down. A condemned building is a whole lot more useful than being looked down on by holier-than-thou, middle-class, white Christians.
“They go home after an hour, bolt the church doors, and then watch TV in their brand new conservatories that they spend several thousands on. Just give the losers a place to shoot up and sleep in safety. That makes sense, right?”
“I guess so.”
I couldn't think of a change of conversation. So I just drank some more and pulled out a cigarette. It's nice to smoke inside for a change.

“It's a ****** ******* awful thing. If people were actually religious, they'd throw open their ******* doors for everyone. It's what Jesus would do, right?”
“Right.”
“He'd have all the **** in his bedsit, piled in like sardines, spreading TB like wildfire.”
“And that's a good thing?”
“Well, it can't be any worse, right? Sleep's important. I learned that the hard way.”

He didn't learn it the hard way. Not really. He's a self-motivated, self-harming insomniac. He spent his teenage years listening to bad music and staying up too late ******* over his French teacher. I should know, I mostly did the same.
He hit the **** pretty hard during college. Never really looked back until recently. ****** him up worse than you'd reckon. He couldn't sleep without the stuff. Man, if you'd have seen the poor guy whenever he couldn't get hold of some for the night. Eesh.

“...you know what I mean though? I'm sick of charity. Those fun-runs you get. A load of women in pink pretending that they care about breast cancer, before posting a million and one pictures up of them in ankle warmers and a kooky hat...”
“**** of the Earth.”
“Yup. Right up there with the women who have 'mummy' as their middle name on Facebook.”
“Yeah.”
“Honestly though, it's the laziest form of charity. Throwing a couple old, mouldy bedsheets out on some bird-**** bench made of wood and ancient farts...”
“It is pretty lazy.” I drank some more.

It was getting late. We swallowed three temazepams each, moved onto the cheap shiraz once we ran out of beer. We leant back in our chairs, barely talking and letting Tame Impala supply the conversation for us.

“You know what?” I ask, pretty much out of nowhere. His eyes have narrowed. He's not sleepy, just ****** on ***** and tranquillizers. He takes a moment.
“Huh?”
“From what you were saying earlier... you know, about the bedsheets over the benches in the church yard. For the homeless.”
“Yeah?”
“Well, why don't you?”
“Why don't I what?”
“Burn it down.”
“The church?”
“Well, you go on about being lazy and ****. Here's your chance. Help the homeless. Break the locks, pour the petrol, take out a few bottles of wine if you find any...”
“Now?”
“I guess so. Homeless folk are dying of pneumonia out there. Not a second can be wasted.”
“I dunno. I didn't mean I had to do it. I was just saying...”
“I guess they were just saying too.” I felt like I was being a ****, so I changed the subject to women I haven't laid.

I stumbled home leaning on my bicycle all the way. Daylight was just about visible off in the distance. I passed two homeless guys on the way back, gave one of them a fiver, the other one my big mac and the last of my cigarettes (well, leaving a couple for myself).
They said thanks, god bless you, etc, etc. I carried on walking.

I woke up the next afternoon with a mouthful of sand and in desperate need of a hangover ****. I hadn't shaved in about two weeks and there were dark circles under my eyes. I thought about going out to the diner for a full breakfast, but strange people were beyond me.
I ordered a pizza full of meat and grease and garlic sauce instead. I text him to see if he wanted to come over and nurse the hangover with a little ****. Watch a film. Get drunk again. He still smokes it on special occasions, and this ******* of a hangover was pretty **** special.
No reply, and I end up rolling up a joint for myself, smoking it by the window and watching the magpies peck around the grass. It's nice out.

The pizza guy comes. He's holding the pizza up like a map, calls out in a bored sort of voice: “Hello sir. I've got a large Palermo Pizza here, with a side of chicken strips and a can of Dandelion and Burdock?”
I say yes and he hands it over.

I tip him with the coins still left in my wallet from the night before, and he sheepishly says he picked up my post for me as well.
I look down at the pizza I'm holding, and there's a few envelopes that look suspiciously like bills, rival takeaway leaflets, and the local paper. I say thanks, give him the best sort of smile I could, and then close the door.
I turn on the TV. I forgot the England match was on. I turn over to something more interesting. There's nothing, so I switch back over. Before I open up the pizza, I take the paper. A small-town existence, nothing ever happens, but I could do with a new job.

The front page is on fire. A church has been burned down in the early morning. A forty-something man has been arrested and then taken to hospital for severe burns to the face. A load of children's art has been lost, along with countless Bibles, prayer cushions, and vaults of cash.
“****.”
I read through the article. The whole place was gutted. Nothing could be salvaged. Nothing could be redeemed. In the corner of the picture, through the red, green, and blue dots, I could just make out some bedsheets over the benches in the church yard. For the homeless.
I apologise profusely for posting up a short story instead of a poem. I wrote this in one go tonight and haven't proofread it. I had no plan, I just wrote until there was -something- there. I just wanted to try something different.

C
Emmy Mar 2014
You sent tremors of earth-quaking nerves through me
My tongue burned
My hands shook
Breathing was slow, fiery heaves of hopelessness

I carry a chest that is gutted hollow
Filled with leaden sadness
I choke on with each swallow

Silence muttered tears of shame
It cackled disappointment in my ears
You knifed words into my chest
Cracking my ribs
Tearing my skin
Tattooing my heart with your name
Although you swore you weren't mine

I'm sick of thinking about you
Thinking things over again and through
I broke me before you could
I tore my veins out
Ripped my seams
Shattered my skin
Reminded myself of all the things that couldn't have been

I carry a chest that is gutted hollow
Filled with leaden sadness
I choke on with each swallow

I released storms of pain
Letting it wreak havoc inside my brain
Self destruction
Build up
Break down construction

I'm tired of having you on my mind
Tired of your name on the tip of my tongue
Choking with every word expressed
Twist tied wrists
Bleeding ears remiss

I carry a chest that is gutted hollow
Filled with leaden sadness
I choke on with each swallow

Raw hurt blooms softly in my chest
With each morose, ragged breath
Everywhere I turn
You blur my vision purpled grays

You consume my head
As a drugged smoke
Seeping into my nerves
I scream hoping to shake you free
I sob hoping to rid myself of your toxic love
Desperate with each heaving shove

I carry a chest that is gutted hollow
Filled with leaden sadness
I choke on with each swallow

Silent rebellion of loud tears
I crumple to the floor of my heart
My hands shake
Breathing is slow heaves of fiery hopelessness
I swallow you in tiny circles
My hands shake
Breathing is slow wisps of death
Ben Dec 2011
Pariah

Nihilism at its finest

Bleed black the finest shattered diamonds

Of all the lost hopes and dreams

Outcast Society burning in the ruins of fallen Rome

Cynical skeptics, sarcasm dripping venom

Acid burns through flesh blood and bones

No one gives a ****, scream for a savior

Outcast Society burning in the ruins of fallen Rome

Shards of glass smile razorblades

Plague of loneliness grips your throat

Heart beats darkness through your veins

**** society, anarchy reigns 

Outcast Society burning in the ruins of fallen Rome

Shadow world of gray and stones and broken homes

Bleeding hearts and gutted homes

A black void in collapsing homes

Outcast Society burning in the ruins of fallen Rome

Cesspool of sick and stinking ****

Hungry ravish burning Rome

Parasitic beasts feeding on lost souls

**** you in and never let you go

False promises of help, burning, burning, burning, blackens the sky

Outcast Society burning in the ruins of fallen Rome

Nevermore the sun shines down on the wretched land

Outcast Society burning in the ruins of fallen Rome

This

Is

The 

Future
Maia Vasconez Oct 2017
Why was leaving me as easy and ugly as taking off velcro shoes. It made that tearing noise too. I don't feel so good. I lost my appetite. She said leave me alone and my heart sped up and then it flat lined. I keep telling my dog I'm clairvoyant. That I always knew I'd end up this disappointed. Gutted. Just like a fish. Just as messy, not so tragic.
My first poem since july, yikes.
Rebecca Gismondi May 2014
a letter to myself:
(a reminder, rather),
I know it feels as though you are now in the trenches
the mud clinging between your toes,
the walls too inevitably high to scale,
the rain beating and pouring down on your body,
and you see everyone above the surface hovering,
watching you as you try and clasp the sides of this hollow grave, frantically trying to escape
and you want to just lie in the mud and have the rain drown you until you are nothing
but you must remember this:
you will be fine.
And I know it feels as though you have been butchered, gutted and cleaned
ready to be thrown on the grill by he who so carefully flayed you open over time and space
only to have all your guts and bones trailing behind you, and thrown into a stock *** to boil away
and I know you miss his furrowed brow
and his incessant organization
and his frigid room
and you want him to call and say
"go to where we met and I will hold you and not say anything more than I'm sorry and I want you and you're all I see"
but remember this:
you will be fine.
And right now, I know you want to cover yourself in paint
all colours, but especially red; Tabasco to be certain
and slather it on until all the marks and scuffs disappear
until you disappear
and you want to refuse to let it dry; apply layer upon layer of every shade of blue from sky to navy;
from lime to forest green,
from sunshine to mustard yellow
and all variations of pink,
and your brush becomes heavy because this paint is caking your skin,
a cast of plaster holding your true self in
until you are as frigid as a statue; you are clad in stone
immovable and impenetrable;
your shield
but please remember this:
you will be fine.
One day someone will see your statue in a square or a park,
the sunlight beaming off your sheen,
and will see past that paint:
the layers of Tabasco
and emerald
and ocean
and canary
and pink
and see you
because you are a light
you are the last piece of pie that you know you shouldn't have, but take anyway
you are a phosphene that never disappears, even when their eyes are open
and he or she will approach your statue,
in a stance of utter uncertainty and self-doubt
shoulders hunched, spine pulled in and face blank and wanting
and will see you
and will take a chisel to your stone
and break off the layers
reduce them to dust, surrounding your pedestal
brush, blow and wipe it clean
and they will suffer from the heat and labour
but they will see you
and they will chip until finally you emerge
that light
and all will be gathered in that square or park
and as you look around you realize that they are the people you love the most
and the person who has broken your mould, your shell
is the one you love most of all: you.
Because you look in the mirror and you love you
you want you
you need you
and I know it's dark
and I know there are drills and hammers and saws
and I know when you sleep you are erased
but remember this:
you will be fine.
you are alive.
you are here.
you are better.
you will rise.
POSSIBLE Sep 2018
Ash to mouth

divide north and south
east and west,

shout  with class of Scout
let it out with griffin clout

we here we out , hear me out
— rhymes in time without

silent shrines to mime
cleared the crowd

covered eyes and mouth
over body desert shroud

if vengeance is your business
then from swords to plow

en lakesh

an eye for an eye binds
the all to be blind
but you can’t unsee the signs

no thoughts unclouded by loss
out the window I toss
mosaic fragments that cost
health and awesome sauce

Nazareth gutted commandments
by anarchy spelled
disaster after culture
massive ego it swell

up the road ahead a pit depress the juncture
so we spit the dirt divide just to touch the other
from pup to wolf so many bites, a pitted puncture
so much disfunct the fight till all be winded lungs sir

you can run
but  from
gamma ray
you no hide
passed a black hole
wand inside
a body died
but it’s alright
(it’s heaven sight
till Zombie night )

animate dead necromantic black ring
the rhythm of life and death a chronic swing

the pendulum blade cross over cosmic skin
consciousness draw out from within

traced the win which wound round tat to skeleton
a dusty tome bound and crafted man

medicine subtracted by the head that spin
in the sky and its happening, blessen-ings
the miracle is mystery u cant guess it

talking 3 eye see
talking vip
climb high as canopy
walking so
my shadow lands under me.

ten toes touch to the dusty roads
when toads appear throats close

mighta had the Midas touch
still the golden one
was too much to flush

you might live in Laos
you my livid crowd
you might live it now
neva hit my limit how
cause you live in now

when you wake up proud
timid mind plowed
divid-dine fill the cloud
insta crowd wowed
this I vowed
life isn’t life until it’s loved
that is the answer
but so few live it.
Life calls to us to take it and ride as if its our mount,
but there are no more equestrians.

Break the stallion
Anthony Perry Jan 2016
Coagulated blood dried out from the sun, footprints pressed into the mud from a night on the run, chased and ravaged, pressed against a tree with emotions gutted.

Mutilated and dying, I'm laying under falling stars, saturated skies and underlying scars, every conversation with you feels like being run over by a highway full of cars.

Blood screaming from a cautourised wound travels farther than your ability to listen to reason, wide eyed, your pasteurized white eyes seem cold but searing like the flesh of a steaming heathen.

Necrosis sets in on the heaping pile of me drudged upon the roots of my personification, watch the black blood slipping through the dirt like molasses as it climbs over your teeth and grips the lips before it passes, blood loss is creating a hallucination.

Watch as I become hollow from your cannibalistic lifestyle. Your desperation, human flesh you defiled, mindless separation, our family's bodies stuffed in a corner and piled, you became a Wendigo, a wicked transmorgification.
st64 Sep 2013
collector of iron and all things metal
carried without slightest lament
by
beautiful brown-and-white nag with overflowing mane
clip-clops up and down
every road there is
and even beyond



1.
little doubt exists
of fine ingenuity
of said collector
who wastes no moment nor chance
to scour every luck’s platform
with sharp intuition and assiduous eyes
          an old stove with absent racks
          a precious copper geyser gutted with no fittings
          pine-planks discarded due to skew-cuts
          aluminium pipes abandoned with twisted ends
          old screws with rusty whorls from an recently bucket-kicked geezer’s garage
          parts of a car . . . an ****** gearbox and ancient exhausts
heaps of junk and piles of crap clang on cart
a veritable dump in some eyes but those of
the cool collector who takes all the sweepings in gracious stride
cast-off penalties and chaffs of society’s unwanted

2.
once a week on Saturdays
these wares are parked near the parking lot
for all to approach
to see
a fine spread of legend and lore
     bric-à-brac and books to browse
so many things of interest
     magazines and manuals with miscellany-topics under the sun
     hipflasks of silver and clear-cut carafes
     unused greeting-cards with dressed-up paper-dolls
     rare literature well-thumbed with care
and things you’d sure chuck out
mechanical entrails and shiny things
yet
quite a spectacle to behold
costing a joke but for you
a fraction of today's ha'penny

3.
nobody knows why the quiet collector takes the time of day
to re-inforce that fixture-presence
a kindly soul with half-smile always flirting round the lips
and greets with old-century warmth o'er book-edge, markedly a poem-spine
walking closer to peep curiosity around
relaxed eyes let one be
          no compulsive sales-talk
          no eager-****** hopping
just sitting back in deep hiker’s green fold-up chair
easy posture and half-drooped eyes with soft drink close at hand

4.
the collector really watches all who pass
     who go by on their daily trails with rituals oft unchanged
     who fuss ever-plaintive over facetious deets like school-tasks
as they return their books long overdue while whistling smasher-hit tunes (never to be heard)
     who rush to catch an ever-noisy taxi with their own raucous guards
     who help heaving housewives cursing under breath climb on board
as their groceries groan and nearly drop from overladen plastic bags
     who ignore for now with studious intent the hobos on the pavement there
     who beg lost coins for empty-belly from the tattered purses in bosoms
while others cry out impatient at peripheral nuisances
     who act as indiscreet ‘car-guards’ ostensibly guarding cars, even with folk in it

yes, he watches
and observes with keen eyes yet never obvious
even those who saunter by
with pondering glance and walking stick
even as years have graciously touched their brow
he sees them *tut-tut
the ******* on the wall
like stray-dogs in a pound

5.
once in an often while
this collector who loves a rediscovered hypothesis
to explore the myriad facets of humanity
does an odd turn now and then
when walking to the toilet at the local library
which has parked itself adjacent to this lot
drops a twenty-buck note near the side
and soon joyful sees the utter surprise
when tired high-school kids with sullen backpacks
do a double-take
espy their luck . . . whoo-hoo, look!
their gloomy cloaks of learning plain melts
they take off sure-footed and lighter of heart
and repair to the fish-and-chips shop
they share their vinegary ***** in a finger-licking circle
and amity strong-cemented in a cool memory
that they’d recall with fondness many years later
at their 20th school-reunion
and as grand-dads visiting a dying pal

pangs of hunger satisfied
and
not only by them


next time
that note will be dropped in the park nearby
where effete winos sleep their lives away
     who ken much and give not a care
     a kind long not recognised
educated derelicts debate on war-merits and erstwhile musicians play melodic arpeggios
sitting in the gentle arbour-shade of mutual acceptance
with chess-mad players
working out strategy in rapt blade-moves
which belie and scorn the forgotten titles to their name
along with Ph.D to boot

6.
when night-time hails - all grows still again
and settles, though just for a nibble of time
it’s pack-up time
the listening collector hears the owl-hoot’s call
and knows the time has come to rest a bit
     for when the morrow dawns
     all neatly packaged in a brand-new gift called day
it’s back on the road again
to observe once more
with trusted nag in tow
clip-clop . . . clip-CLOP

7.
and the collector is the one
the housewives invite with alacrity to Xmas-lunch
the taxi-drivers offer gifts of goodwill
the school-kids give their chips and last treats
the vagrants seek out to share a ciggie and sympa-chat
the grown men visit for esoteric slim-tomes and philosophical advice
the shopkeepers welcome reassuring presence of

yes, this quiet collector
is the inadvertent guest
to shores of the lonely
the too-busy and life-ridden folk
who seek a sweet smile
just once in a while
in a world
where compassion is not justified by its deep-touches of poverty





no fruitless labour
in one who sees little detriment
but senses the full value of
every item’s moment in vanilla-time
while trying always
to catch
the finest one can be



supreme harvest, indeed
yes :)
love . . . love . . . love . . .





S T, 1 September
Happy Spring Day!
And . . . er . . . catch some sun-rays . . . while ye can :)



Sub – entry : 'empty chairs'

Songwriter: Don McLean


I feel the trembling tingle of a sleepless night
Creep through my fingers and the moon is bright
Beams of blue come flickering through my window pane
Like gypsy moths that dance around a candle flame

And I wonder if you know
That I never understood
That although you said you'd go
Until you did I never thought you would

Moonlight used to bathe the contours of your face
While chestnut hair fell all around the pillow case
And the fragrance of your flowers rest beneath my head
A sympathy bouquet left with the love that's dead

And I wonder if you know
That I never understood
That although you said you'd go
Until you did I never thought you would

Never thought the words you said were true
Never thought you said just what you meant
Never knew how much I needed you
Never thought you'd leave, until you went

Morning comes and morning goes with no regret
And evening brings the memories I can't forget
Empty rooms that echo as I climb the stairs
And empty clothes that drape and fall on empty chairs

And I wonder if you know
That I never understood
That although you said you'd go
Until you did I never thought you would



http://www.youtube.com/watch?v=AwzHlyVRc9o
eli Mar 2015
Your soul was always isolated from
the world around you—from the very beginning. Time
alone was something you valued (as should we all)
but your isolation took on many forms—many
hungry shadows looming over you at all times.

A collision of iron and steel left you
immobile, and by the standards expected of
women, useless: your womb would never swell,
and you would never experience the pain of
bringing a child into this cruel world.

The fractures
and the wounds healed, but you
never recovered.

In the face of impossibility, you still
tried in desperation; leaving you in cold
unfamiliar hospital rooms, where all you
can see is an alien landscape; where all you
can think about is the reasons you are  here,
and the reasons your baby will never be.

It is a pain in your heart that leaves you gutted
like the iron handrail that embedded itself
through your ******. The bed is soaked
with your tears and your blood; it is the pain
of knowing that you will never hold a baby
who sees you as God; you will never experience
the love of a child, glowing with innocence.
written for my poetry class. had to pick an artist, pick one of their paintings, and write about it.
Have the trees all fallen?
/
In my absence,
Did the lights turn out in Santa Fe?
I’m walking in a shadow,
Cast by who knows what because
The skyline’s bare
/
Now the leaves are gone,
And in their wake the branches
Lie gutted on the pavement
Stripped to shiny bones
That smile and smile,
The call to arms blares out
So sickly sweet
/
A mind rang out across the room
That blazed so hot we’ll never know
And in one blazing human breath
They breathed their last
/
to think they were children
they were just children
/
I feel a great and quiet darkness
Has snuffed out those sparks
That could have ignited the world
And so I wonder
How many million seconds, meant to be,
Now never will?
/
Do good men die so other men
Might learn, or worse still, win?
Will those sparks
Snuffed out in Santa Fe
Ignite this world of apathy
To shame?
/
I ask again,
Have the trees all fallen
Down in Santa Fe?
A large red elephant jumped on the trampoline.

Somewhere in the distance a blue eyed babe cried.

Rednecks clad in Paul Bunyan shirts inhaled the fumes of their barbecues.

Moving gracefully, a trapeze dancer tip-toed across the river.

My wife slumbered on our couch,

And wind blew a kite out of my hands.

                                                

I fed a goat nectar from my hands.

A crowd encircled the trampoline.

My family purchased a new couch,

And later that day we helplessly cried.

Our wailing could not be heard across the river,

Where rednecks continued to inhale the fumes of their barbecues.



Neighbors massed to celebrate barbecues.

I looked down at my blood stained hands,

Then joined the beautiful trapeze dancer across the river.

My red elephant broke the trampoline

And we were surrounded by infinite crying.

Nobody sat on the new couch.



Many problems arrived with the new couch;

There weren’t any more barbecues,

And my teeth crunched on granola as we cried.

Silky fabric embraced my hands.

Ingrid, my wife, dies on the trampoline.

She was buried across the river.



Some guy drank all the water from the river,

And started living on our couch.

Who would have thought I met lily on the trampoline,

And who would have thought I took up barbecues.

Now I felt warmth on the back of my hand

And I no longer cried.



Only the winter wind cried,

Howling over Ingrid’s grave across the river.

I slapped an elephant carcass with my hand,

Proceeding to cook it with salt and pepper on the couch.

I bored my wife with barbecues

So she went to jump on they trampoline.



Lily died on the trampoline; I always cried.

No longer did I host barbecues, the wind continued to howl across the river.

I gutted the couch, and killed myself with the back of my hand.
Alice Butler Jan 2013
I. The lifespan of a pumpkin is incredibly short. Considering the rapid pace in which a pumpkin goes from flower to fruition, it is quite literally a blink of an eye. And there is no nobility in a pumpkin death. No, it is a long and grueling process. From the beginning, the pumpkin patch is like Wall Street, 1763. Being poked and prodded, weighed, gawked at and compared to my brothers and sisters. I was chosen earlier than the rest for my robust size, even ridges, and vivid colour. I remember being severed from the vine- I know that humans don’t remember being cut from the umbilical cord, but it’s the only human experience I can compare it to. I imagine that if I had lungs I would scream or eyes I would cry, but I suppose the lack of these organs is what makes it so easy for humans to humiliate us as they do. We have no voice of our own- and who would stand up for us? Possibly vegans, but I digress.
Once inside the human home, I’m set on a “tiled countertop,” as they call it. I’m not sure what that is exactly, but it’s polished and hard and artificial. The coldness of it makes my skin stiffen. And then, as if overcome by brain fever, the smaller humans rush about their living space grabbing up “newspapers” and “paper towels” (no doubt made from abused trees) and just as I had feared, knives. More polished coldness. I know what is to come- I’ve heard the cautionary tales. When my siblings and I hung on the vine as buds, we’d swap horror stories. Of course, we didn’t think that they were real then. Though we had seen older pumpkins snatched up, we were too young to understand. And now that I know it’s all true, my fear isn’t for myself but for my kin. I know that it isn’t normal for humans to hope for their loved ones to rot, but it is for pumpkins. I hope that they will grow old, old, old until the day comes that they quietly fall off the vine and become food for the animals and the soil and their seeds impregnate the earth. And though I may be faced with this violent fate, I am not going to be afraid. I shall not sweat, nor make my skin tough to their blades. No, I will be soft as butter and dry as the sky. As the humans pick up their tools of operation and discuss what kinds of sweet treats they’ll be making with my “guts,” I yield to the steel and dare them to do their worst…

II. They’re finished now, and I’ve been gutted to within an inch of my life. My insides are piled in a white bowl beside me, my seeds rest on a tin sheet, dried of juice and covered in salt. Their skin is transparent and flaky like fish scales and the flesh underneath is toasted brown. They baked my babies! They baked my babies and now they’re popping them into their pudgy, glistening mouths like the giant who used bones to bake his bread. It occurs to me that I can see more of the room than I originally could. It makes sense… now that half my skin is gone that I should have a clearer view of the world. The oldest human walks over to the small ones.
“What did you make guys?” she asks.
“A face!” they exclaim. Was my original face not good enough?
At this point I catch a glimpse of the “face” that is being discussed. Behind the humans is a painted forest locked in by a sheet of glass. On the spotless surface I see my reflection- my smooth, rounded skin has become a hideously comical mask. Two triangles and a semicircle make up this face, the mouth being a jaunty one-toothed smile, a sweet ironical touch. A hanging man with a grin. A tiny white candle has been lowered into my hollowed out stomach and lit. The flame burns my core and scorches my skin in some places to a charcoal black.
My consciousness is sliding around now… from the kitchen to the pumpkin patch and back again… The fire in my belly has dulled to a pleasant burn… maybe because I’m so cold and now I’ve gotten colder… they’ve taken me outside… placed me on an artificial hay bale… more children appear with plastic replicas of me dangling from their polyester-draped arms… they grin and their smiles match the “pumpkins’” smiles on their arms, match mine… this is all too hilarious…
“Trick or treat!”
Very short. It was supposed to be a monologue for my theatre class, but I was too nervous to perform it in front of others.
Hal Loyd Denton Jan 2012
Magnificence blasted

I came to this with a title and then formed an Idea then got out the heavy hitter books all founding fathers thought it would be
A good touch to reconnect with our country and it history at this time of the year well it didn’t proceed that way I did find the very
Word that serves as the title in G. Campbell Morgan’s book an exposition of the Bible don’t get excited I will just use that to set the
tone and it will give you a head start on what I want to deal with the place where life is at odds with our peace and well being He starts
the first chapter of Job now he is one that can at least give us a great example it’s all about winning getting the results we need instead
of the pain of failure (In magnificence of argument and beauty of style this book is one of the grandest in the divine library the story
of Job is presented in dramatic form) I want this to serve two purposes give understanding to the point we all can use these stories
to make us victors and in a very small way have a readable escape from drudgery or outright problems to that end I will start at this
Point I already wrote about the Dutch businessman who got fed up chucked it all started a journey to circle the globe by human
Power alone so to that end he made a boat that by pedaling and that alone would be what would propel him through great waters and
Grand adventures but for this one were going to stay on land I did meet a eastern traveler years ago from New York he was on this side
Of Shelbyville his ultimate goal was the west coast I think he had been at it a little over a month and he was on horseback we talked
but way to briefly to be able to use it here so go to one I know a little more about Jack Kerouac he was in that idea and wrote the
Book on the road first problem the guy had very bad language steeped in the sixties drug culture an iconic figure of the beat
Generation but he was human as we are and when you get down to the soul you catch the part I want to use this is going to play
Like an old family recipe that is hardly readable and the family is the human family but Jack was a writer a full blown saga that had to
Be read had to be listened to a solitary seeker a poor outward drifter who was deeply lonely man a sad melancholy drifter one writer has
Said “and if you read the book closely you see that sense of loss and sorrow swelling on each page” another penned why Kerouac
Matters he matters because he is one of us he ran the course with large gains and ultimately ended with his magnificence blasted.
Taking the cue from Jack I will take you on the road to another life of magnificence Steven Beckerman he was a neurosurgeon I met
And worked for well his wife Sandy she was such a tragic figure she was so fragile high strung would be a good description if you didn’t
Know better you would think she saw the future the first blow to this couple was there pricey home was gutted by fire everything was
Replaceable but the two Doberman guard dogs and another dog that was their family they were childless but before this fire Steven
Was not a snob but he was only a few degrees higher than Sandy on the fragile scale he had these beautiful hands he seemed to
Always be guarding them he would walk in the back of the house down by the fence always faraway I’m sure he was thinking of
The patient and the operation that waited on him at the hospital he had a vulnerability he entered other peoples troubled places and
Gave them back their lives but his own he couldn’t seem to walk divided it was all their concerns and needs.Their dream was to leave
The Bay area where neither was happy and go to the southwest New Mexico where people were laid back the pace was slower
Then the fire happened they weathered that resumed life then Steven was near home a car accident this wonderful gifted surgeon
Was left a paraplegic he went to the bedroom placed the gun between his legs then with those fingers who helped so many others
Pulled the trigger on the shotgun his magnificence was ended he couldn’t overcome the reality and fact of his situation he could have
Became a teacher so many things could have been we need to take from this a lesson of guarding our mind and heart we don’t know
What the future holds if only Steven would have measured his worth kept and made a powerful ally as Job had, his magnificence
Would still be shinning today to finish up the last piece talked about Yvette being shot with Zack in the desert her injuries included
Right side nerve damage a metal plate in her head that prevents her from getting private health care we heard what her dad said about
The Grisly listen to the wise words of her mother her mother said you have to mourn the person you were before up to the time of the
shooting that person is gone you need to turn and start a new life she did that as much as possible started out to do sports casting found
It totally unsatisfactory changed to law and now is a lawyer and victims advocate she said she never tells her story to her clients but
She has a compassion for them she found her way through giving and serving others to keep her magnificence stellar.
Trevor Gates Jan 2013
Hello again, and welcome to tonight’s program


A wonderful show it is, for you that is…


A beautiful imbalance of provocative wonders


Simmered together in an elixir of intoxication


The modern day alchemist roams the night for the eyes of sensuality



The midnight occupiers of the everlasting void



A world you understand but can’t comprehend



A life you comprehend but don’t understand



The unsaid pleasures of private fantasy



The untold fantasy of malevolent pleasures





Please come in



Don’t be shy



We’re all here



Waiting for you



Yes this way



Keep walking till you see the door



Yes



This is the door



The door for you



16



Room 16



It’s unlocked



It’s ok



Please



Walk in



This is your door



This is your mind


This is your door to your mind


Room 16





Where were you when you were 16?



Do you remember that one night that changed everything?

That one girl?

That one boy?

Finding yourself….did it happen?



Did you feel misunderstood?

Or

Did you misunderstand others?



I remember only too well.



The stories I faced

The ridicule I endured



“You need to be punished” said the stepfather-person, “But since you think you are old enough to make your own decisions, here’s one for you.  Now it’s either you or your cat.  I can either gut you or gut your cat…decide now, Which of you doesn’t get gutted?”



I look up at my little cat, squeezed underneath his massive arm


I didn’t put it past him that he would hurt me in an unimaginable way


I point to myself, saying that I didn’t want to be gutted.


“Wow.”  The stepfather-person says, “You must not love your own pets.  Some person you’ll turn out to be.”


He tosses the cat to the ground and leaves to his room.


The next day the cat is gone.



What cruel manifestations we are of all our sins


What dark creatures we are, yet we are terrified of the monsters underneath our bed


The monsters in the other room
The monster that sits at your dinner table
The monster that beats your mother
The monster that kicks you into a bookshelf
The monster that strangles you
The monsters


The monsters we all have the potential to become



But do we?



I’d like to think that some of us can become angels instead

Not monster or demons

But some do

In fact

Many of us do

Many of us become the monsters we covet.

What are you?


This has been tonight’s program.  We’d like to thank the academy and all who made this possible:  Quarters, Jimi Hendrix, Ronald Dahl, Marilynn Monroe, Bret Easten Ellis, watches, Eastern Promises, A history of Violence, Daniel Day Lewis, Rebecca Hall, Cocteau Twins, tomatoes, graphic novels, There will be blood,  red gel pens, gold frames and all the little people.

Thank you and please visit us again.
Not really a poem, but a writing exercise I developed.  I treat it as monologue directed to an unknown audience/reader.
Luke Gagnon Apr 2013
Sitting in labyrinths of cobblestone intestines
I’m learning to eat the entrails of sacrifice
only domestic, never hunted.
pick up spoon. put down
put down. put-down.
pick up. um . spoon.
um… putdown.
there are motions for eating and I do them.

soothsayer, look down
pay attention to positions, shapes
knife. butter. um…
bread. no. breadth.
better. no. butter-better.  focus.
knife. better. bread.
knife, knife of haruspex. knife breadth.
okay… deep breath.

I have divided the livers
and the watchers of victims.
I have written on
the anomalies in my bronze living,
what I should look for,
what they should allow for.
my protruding viscera,
my ancient autopsy of starving.

Starving made me easier to tie.
easier to lift. made me feel
gutted out like finished
ice-cream containers
but, starving made me
full of household gods.
made me divine. made sheeps fly.
made days disappear and made cold cold cold seem like
simmering. made staying out of sight a piece of cake.
cake. starving made me rich when I found little
boys betting quarters for eating bowels of
goats. made me small enough to fit through
playground gates so I could swing
swing in earthquakes, and portents.

now, I listen to Memor, a man
who knows nothing of starving
talk about how starving I am.
tomorrow I have to advise
tomorrow I have to weigh
tomorrow I have to swallow
tomorrow I have to
tomorrow I have
tomorrow I am half

and starving made me whole.
Poetic T Jun 2016
We were frolicking through the streets, amusing ourselves
with what was noting less than bliss.

"Points mean prizes my friends,

"Knock the door go on,
"You do it man,

As they walk up to the door one is smiling the other of a
nervous disposition, "relax man,  they discuss the doorbell
or the policeman knock?
The knock is better louder of course attention grabbing
but then other neighbours will hear its echo and curiosity
will awaken them to phones and regrettably police.

The door bell is rang, but not a murmur so repeatedly
they tap it until luminosity awakens and words of
profanity dripped out like a leaky tap. "Dam,
Looking at each other, as hallway lights emerged and
footsteps danced down the stairs a melody of F's P's
and a kaleidoscope of others painted the air.

If I had a swear jar on this house I 'd be a rich man,
as he unlocks the many bolts. "Not a trusting man I see,
The door takes an age to open as we wait eagerly and
then he grinds it open slower than a snail in a race
with a bullet we start to get frustrated.

"Foot meet door, door meet foot,

As the door releases back and the chain is deprived of
its clasping the gentlemen is thrown back not with a
racket but more like slow motion. Then he hits the floor
Like china thrown from a fourth storey balcony.
Then there is silence, "Check his pulse man,
As one of them linger over him listening to what
ever sign of life is left and then like he was reanimated
from the dead he lunges forward and grabs a clump of
hair. One laughs while the other one screams in a girly
kind of shrike. Composing himself quickly, one swift
five knuckle plant and again the gentlemen is out cold.

"You scream like a girl man,
"Did you see that, it was like one of those zombie flicks,
"Ye right, your just a wetter ma man,

As they stood over the man, now joined by his hysterical wife.
Luckily they always carried a roll of duck tape, you never know
when this will come in handy. As the other wrapped it tightly
around her thin lined lips, and the storm became a drizzle of
crying murmurers. Looking at each other knowing that this only
works in the dark they thought of ways to awaken the sleeping
beauty?

"I'll punch him, "Really that got us here in the first place,
Pondering on thoughts one skipped into the adjacent room,
"Dude what are you six,  A silence of embarrassment lingered
as into the kitchen he rummaged through the cupboards like a
homeless dog in the litter bin. Looking in the fridge he found
what was needed.
"What ya going to do rub it under his nose that kipper stinks,
"Some thing like that,

He unwraps it gagging at the odour that perforates the air,
"How can you eat this it smells like a prostitutes well used bits,
The woman smirks in a half terrorized quarter amused mumble.
As he nears his prey fish wrapped in a hand towel, whiffing it
below his nostrils. This isn't working the thought, "F#ck it,
Raising his arm up in the air he slaps the unconscious gent clear
in the chops. He stutters awake in confusion wandering what
was happening then in realization he speaks in ferocity.

"What the hell you doing my house, violating our residency,

"Now that's we like the feisty ones,

An edged smile greets the bound hostages, then the rules are
read out, "Are we listening, the untapped swear tin is about
to release a tirade of profanity on both so they bind his mouth
with what is needed (Shut Um Up Duck Tape) [tm] then silence
is blessed on there ears and they begin quickly to explain the
happenings they find themselves in.

"Why you slumbered we went through your thinks,
"Madam that was quiet a section we found in the bedroom,
"Sir are we on the limp list, there are tablets for that,

"Rules stick to them and maybe you'll survive,
"Not and a lot of bad things can happen,

1. Try to alert anyone they and you die.
2. If you try to escape we have family members addresses
we will hunt them and end them with no hesitation.
3. Have fun as your life depends on it, be imaginative.
4. We have rid the house of any and all knives and blades
5. creativity is the master of invention, you understand.

As the old guy rumbles on trying to speak, he un-tapes
his mouth and listens to his frustrated rabbling's.


"How we know you'll not just **** us,
"This isn't our first or 26th no 27th in fact rodeo.
"There were six of us unfortunately there have been
winners and losers on both sides,

"We are but three lonely shepherds now,
"Three I only see two?
"Our friend is outside guarding the entertainment value
of this diverting fun tonight,


And then without words he said two his playthings,
"You have to the count of 100 to hide to do what must be done
make your peace fight or die its your choice,


They untapped there mouths as to not be muffled of sound
easier to hear on the ear if there crying in fear, and with that
the gentleman gives a capture a five knuckle tap.

"Good shot, and good on you, now run dead man walking,

They both scarpered hand in hand, love will **** you the
other man thought as he watched them run like rabbits.
1,2,3,4,5,6,7,8,9,10.................100,
You wouldn't believe it but a hundred seconds takes
quite a long time in the aspect of what were doing.

They at first play games as stomping upon the laminated floor,
so many had ran when they had done this, Idiots. but these
two never flinched, hats off to there courage. Then tactic No2,
we know where you are, were going to come to play with your
insides with our loving blades they like to penetrate you deeply.

As wandering feet did walk on the cold floor they heard the
scurrying of ill footsteps, "we have a rat scampering beneath
our very feet,
Both with smiles lingered on the basement footsteps
and slowly descended as what was waiting clambered around in
aimless wondering. Both thought it was the lonely cowering wife.
Not as once thought as the swear box in the darkness gave birth
to profanities and in the midst of our arrival he was weeping like
a new born child. Our knifes were his voice as blood silenced it.

We wiped the memories of his last lingering moments from
the existence of his blade, this fool thought he had strength but
in the end it bled out faster than others before him.
But wait a moment what about the one that blubbered her
fear in a cascade of tears where was she hiding?
"I can smell your fear it sweetens the air,
Both separated to find and cull the last of this herd.

"Please don't hurt me,
"I'm all alone,

He snuck through the hall way hearing here speech in the
darkened bedroom. His knife drawn, to plunge into its
awaiting pray. heading towards the cupboard he thinks
the prey is getting easier these days. "Found you, as
he opens it wide to find a tape recording on repeated play
and a note saying heel *****.... A confused look on his face
till blood seeped silently down his face. In rage he swipes
missing her by millimetres, then she says one final word.
"These are $500 shoes, and gouges it deeply into his throat.

Screaming in gargled silence, his last sight was her giving him
the finger and her foot gently crushing his throat. She got her
manicured fingers and gently grabbed her neck, cracking the
stress out with each crunch.
"There were three little pigs now there are two...
"Oink, Oink, she giggled in nervous thought.

He stood on the stairs shouting in a lulled voice his partners
name, but with no echo of voices he knew that the game was a
foot and another of his clan had paid the ultimate price.
So the husband with all his voice was a lamb to the slaughter
but the wife, the quiet ones are always the ones to look out for.

He was more cautious now that only the two of them breathed,
they were both the prey but who would be the winner of this contest?
he looked upon the box emptied earlier in haste, the gun?
looking inside a note was penned in scribbled in quickened haste.
"If your reading this well done you found only one of my guns,
"BANG,

He jumped back in embarrassment, he looked around in case the
other was lingering in silence behind him. But no one was there
to his pride and ego he sighed out loud. now was the time to seek
the prize, the hunt was needed as in the next room he found the
still warm but deceased comrade with the heel still in his neck.
"That is so not your colour my man,
He thought there isn't many places to hide in this house, yes it
was larger than the pervious ones but that was half the fun or
was It half there down fall?

She crept within the walls this house was of the cotton days,
hiding those needing escape, through the mirror she saw him
wanting nothing more than to end his life.. but she had no
weapon, or was that a false thought as there were the old swords
Sitting ideal in the loft. They were still sharp as she had found out
not but a few months ago. Paper cut my ****... it needed six stitches
but that had now healed as she subconsciously ****** her finger.

He was getting agitated at the aspect that he maybe next,
but brushing aside that thought he went into the mode of hunter,
seeing if odours of perfume lingered in the air but noting greeted
senses except the smell of blood festering on the air.

"Come out and play I haven't got all night to linger in this place,

She could hear fear in his voice he tried to hide it beneath his manly
fasard that was crumbling like a weather worn cliff on the presapace
of collapse. She was a very varied woman that they didn't know,
fear had collapsed her in the first moments but now that had faded
like a sunset, she was a ventriloquist by trade in her youth quite the
entertainer. But she was retired and welcomed the rest, but no time
was there to catch a breath let alone to breathe.

He was starting to think, he should count his loses and leave.
then he heard voices but not from one spot but other places in
the house. Unbeknown to him there was an intercom system
and she was throwing her voices though out the house.
"Who is that , what do you want, How could there be more
than one? There was only two he thought, were  they wrong when
they entered this house? A lone wolf that needed the blood before
his blood was spilt.

She was happy that she took out one with her skills, now it was
the other two players turns she was going to quarter back slap the
hell out of this final invader of her sanity. But how could she play
him? Her husband was dead, she knew that for a fact they were bragging it through out there gloating verses. This was her moment
to show who the wolf was and that they were the sheep herded to
the optimistic place of the final ****, her or them.

She saw him silent and still, she had never seen him this weak, but
this was his chance to save her skin, she found fishing wire, and a
pardon the pun, a broom you know where that went to keep him
stable and up right. The intercom crackled she played his voice
over and over again she used to drive him crazy with he
impersonations of him, it always brought a laugh but the were silent now.

"Come on think I'm dead you cant **** anger you child of
pathetic consequence,
  

He feverishly thought of moments past was he dead?
they had gutted him like a fish, how could this be.
Phoning the cover outside he said this was his play and
if It ended he was exiting stage left. One final voice spoke
that he knew the rules if he was to exit then he was to end
his existence, there were rules for a reason.

She was had it planned the recorder the fish wire and that broom,
saying her apologies to her dearly departed but it wasn't anything
strange those toys upstairs weren't only hers you know.
Calling over the intercom, "Lets party you, swear box was
blessed with over a hundred coins the tirade of vocal words she
expelled on the air waves. He recognized that expel of vocabulary
as that person he ended not so few hours ago and confusion ignited
on his features to what the hell was going on in this place.

Stepping in palpitating haste he descended in slow motion, not
with the vigour of what was replayed earlier in the night.
"I killed you once old man I'll do it again,
But fear was expelled this time not courage of the **** like before,
He took played his fingers on the wall to find the switch.
No longer did it enlighten the surroundings, he was in darkness,
and then before him he stood, but he cant stand he had gutted him
and no one comes back from that.

"Who says I'm dead, your just a poor excuse for a mummies boy
go on cry ya little...,


Then in haste he lunged at the oldd man, not thinking straight.
fear and anger eclipsed ratinal thought as he sang his blade into
his skull. Cold eyes stared back, then he realized It was a trap,
He felt it but it was not as he thought he would have felt his
skin screamed out in tears of crimson. A sword was visual
through the front and back of his own self. He swore at her
knowing his time was moments away. she spoke from the dark,

"Its not this that's going to **** you, remember what you found
in the bedroom,


"Oh come on lady just plunge the blade in again I cant move,

But she didn't listen  as she bludgeoned his face with it, different features greeted with each impact till his features were just blooded and
he no longer moved anymore. Her face was a collage of blood from
those she had ended, holding her husband in her arms stroking his
remaining hair. Kissing him on the head she gently put him down.
Opening the porch door she spoke out, "I have ended this playtime
I am the queen of this house, the others are still, static you going to
end me now?

"Rules are rules I'm sorry but I must leave you now,
"Congratulations for winning your life,
"Sorry you lost whoever pasted in the game,
"Know if they had walked out they would have been dead,
"Rules are rules,

There was silence, then on the doorstep she rested her bloodied hands
on her knees and tears of fear, of courage poured out.
She was the winner of this even though she felt totally lost.
Sirens were heard in the distance and she just sat there still....
2684 words wholly poo... this is my longest most difficult write to date.. thanks to all who take the time to read it there maybe a few grammar mistakes but I`m so tired it took three days to write...
Kiernan Norman Jul 2014
I try to live Here. Here is humid-sticky-underground-dance-hall hot. I’m caught tight in a mess of limbs- bodies stretch and sway from this to Eden. I have never been more lonely. Together we inhale metallic Old Spice. Together we exhale stale tap water hymns. I am breathing all alone.

My tired tongue kicks awake to cheap nail poison as I tap each fingernail against bottom teeth and lightly push three times.
(Four times or eight times. Ten times in one quick, heart-drop minute but who’s counting?
Me. Of course I’m counting. There’s not a beat, rhyme or giggle that hasn’t busy-bee buzzed around my foggy brain. Each thought its own color, each touching down on a different set of crumb-glazed quilts or a different tower of gutted magazines. Each bee is long and thin, pointy in a terrifying way. Each bloated and dripping with a grand idea- which they leave like droppings and are so specifically intense they will never make any sense a breath apart from this moment and this context which crumpled and blew away while I dully, dutifully checked my pulse. I'm alive but my thoughts took off. I can see their exhaust but they fled fast, like they knew I could only begin to gnaw on them. They were born to quickly, maniacally live and die- in and out and there then off and gone.)

Here. Here the walls are chipping off one hundred years, one hundred lives of lead-based paint and are dripping onto the frayed denim of my ****** cut-offs. Impossibly long hair, absurd to call it mine, hangs heavy and wet. The strands shed drops of atmosphere on my (and their and your and-) bare feet. I’m my own sumi brush- my calligraphy is not words, but a footprint-marked path to treasure. Braided bits cling heavy and soaked to the curve of my neck and then billow like sheets hung out in the wind. My sharp, slick scapula must be the laundry line. It’s one of the good bones. Good bones only exist while jutting. The scapula is the beautiful ******* of my skeleton and we finally have made nice.

Here the music is so loud. The bass ignites my dental cavities. They sting and pierce as a reminder of how terribly I’m taking care. Lights blink, the room quakes and I need water.  I’m throbbing and flickering and faces attached to bones slither between each other and grind up into my own perfect focus. They’re smirking.

One at a time they appear with a warm, grainy hand on the small of my cold-sweat back. Each face of bones lean in close, dry and cracked lips that graze my own fever-hot ears. Goose bumps sling up and down limbs and the lips, all smudgy red lipstick and cigarette breath, whisper something to me that is absolutely crucial. It’s something beautiful or something hilarious or something crude but I can’t hear it. I’ll never hear it. They throw their bones back and cackle-laughing so hard it must be painful. All I can hear is my eardrums cracking and breaking, laying the bass for a high pitched dial tone.

One by one they do this and then, with a huge play-dough smile and eyes as deep as I feel, they slowly back away from my flimsy, electric body. I know they’re relieved they didn’t get stung. This goes on for forty straight hours. I feel like the Queen bored and still as they file through to kiss my ring. I feel like I’m at my own wake. I am beginning to erupt. I am lightly vibrating with the burden of militant creativity. I think I'm melting from the inside out. The bones still laugh and the bees, diving like war missiles, are screaming that it’s time to flesh out that novel, string precise words together in a huge, monumental way down golden strings that will change the world for the better and forever hang on God's graceful neck. It's time to record that beloved lullaby and sculpt that masterpiece or put on black clothes, sneak out and vandalize monuments. It is all absolutely crucial and so very urgent. Everything is wailing and I’m nodding slowly because if I do not do it, ALL OF IT, now- right this instant and quickly- I will die having said nothing. I will have wasted my opportunity to matter.

Here. Here the bone-bodies continue to mock me. The room stays dim and damp and I don’t think I’ll ever get clean. After twenty minutes or seventy years the crowd thins out, lights switch on illuminating exit signs and the room slowly, sadly, empties. I am sticky and aching and have never felt dumber. The bone-bodies left their blurry sweat, their empty bottles and their void inspirations like blank fortunes trailing across the bar top. There’s a real, fur, calf-length coat and a fake Birkin bag in the corner. My feet are filthy.

Here. But I’m not really Here. Here is bougy and exclusive. There’s no list but you probably can’t get in because actually Here is utter *******. Here is the moldy bricks and pre-war ceilings inside my head.
Leaving Here is too easy. You blink and you’re gone. Then I try to remember what party I even went to but I’m sitting Indian style and cramped on rough carpet and my back is in knots and everything I’m thinking is slow, melting taffy lose and inconsistent.

The sun starts to rise up pink through broken bedroom blinds and I know that I went way down deep and danced and gripped tight to flurrying ideas and made a big mess and now I’m stuck ripping papier-mâché, three inches thick, off coat-check walls and trying to read the graffiti-ed bathroom stalls but the Sharpie is dripping and I might be illiterate.

The Somethings I came to flirt with are hiding and won’t answer ‘POLO’ no matter how loudly I scream ‘Marco! ******* Marco!’ I’m reeling and under-breath begging ‘and please come find me and let’s make stuff and we can’t waste this and I can’t be a waste.’ But below all the pacing and knuckle-cracking I know that there are no Somethings listening to my panicky prayers. They sneaked out while I was braiding my hair for the sixth time, humming something old and Johnny Cash-y that I remembered and liked and had to Google and perform eight times for a mirror. I sneeze and I want to cry. I don’t think I know how to read. Edges start to blur and the alphabets a mess.

In defeat I’ll wash my face and slide under one light blanket and quickly sweat through it. I’ll lower my heavy, thick-thought and dizzy head onto a stack of three pillows. My vision will fall away from me and stars will explode in a chatty whisper that has be immobile and straining and sore. I will treat them like a sky full of fireworks blazing just for me. I'll ooh and ahh and my heart will palpitate under the weight of them. (Really I do know they're just amphetamine snowflakes falling slowly and burying my wasted night.  I swear next time I won’t waste it.) But at that moment I'll watch the show and feel safe and small and inconsequential, at last.
CH Gorrie Aug 2012
"The beggars have changed places, but the lash goes on."*

I
You probably already know, William,
that it’s pretty much all the same
as when you paced the battlements
and howled to the indifferent stars
"It seems I must bid the Muse go pack!"
, caught in Passion’s cataract –
that torrent of emotive poetic grief.

II
Though politics have changed,
there's still old men in the Senate
who stare but don’t seem to see.
They’re caught in youthful daydreams ---
the girls’ bras’ are too hard to unclasp,
even when employing that agéd charm.
(“But O that I were young again
and held her in my arms!”)
You weren't an exception;
politicians are also subject to the Human Condition.
Perhaps more than a poet,
probably more than a poet.
So I guess you got the double dose, William.
In a split second the State slips,
staggers, and reinvents foreign policies,
only to double-back on itself again and reverse.
I know you remember those you rhymed out in verse:
MacDonagh, MacBride, Connolly and Pearse;
their rifles still ring in the recesses
of the Public’s  miasmic mind –
the haze just dissipated over the Irish Sea.
And it's the spring of 2012.
Gore-Booth and Markiewicz are but marrowless bones,
Collins as well.
His still mix in the grave –
They’ve been for ninety years.
Yeah, it's pretty much the same,
Synge’s ******* is still unpopular.
In fact, plays are largely unpopular,
and playwrights work in restaurants
where sweat lingers on their brows
to eventually drip into an already-unfit meal.
It's hard to imagine a play once
brought Dublin to riot;
you couldn't start a riot now if you had
thirty drunken anarchists
with two Molotovs a piece
watch Godwin’s grave get gutted.
Though information is more accessible,
it's an age of information-apathy.
You'd **** a shotgun to your temple
if you saw the state of education today.
I'm afraid, William, it's all the same:
the gyres still run on ---
I fear they're running out of breath.

III
But it’d be imbalanced to leave you here;
at least you split on a Saturday.
Late-January trembles each year,
as the earth did the day you were consumed
in Helen(“who all living hearts has betrayed”)
’s immutable embrace;
your heart alone she could not betray.
And blind Homer who sang her betrayals
has ceased; mouths ran dry the day you died.
You left before your trade imprisoned you;
before the pen enchanted
your remaining years to a page.
You left before you couldn’t:
before the blitzkrieg;
before the world lost ten million more Robert Gregory’s
and you died from exhaustion mid-rhyme on the seventh-stanza of the five-million eight-hundred and fifty-fourth
elegy.
Regardless, it's really all the same.
Even those beggars are still playing twister with their whip.
I release you, my beautiful and terrible
fear. I release you. You were my beloved
and hated twin, but now, I don't know you
as myself. I release you with all the
pain I would know at the death of
my children.

You are not my blood anymore.

I give you back to the soldiers
who burned down my home, beheaded my children,
***** and sodomized my brothers and sisters.
I give you back to those who stole the
food from our plates when we were starving.

I release you, fear, because you hold
these scenes in front of me and I was born
with eyes that can never close.

I release you
I release you
I release you
I release you

I am not afraid to be angry.
I am not afraid to rejoice.
I am not afraid to be black.
I am not afraid to be white.
I am not afraid to be hungry.
I am not afraid to be full.
I am not afraid to be hated.
I am not afraid to be loved.

to be loved, to be loved, fear.

Oh, you have choked me, but I gave you the leash.
You have gutted me but I gave you the knife.
You have devoured me, but I laid myself across the fire.

I take myself back, fear.
You are not my shadow any longer.
I won't hold you in my hands.
You can't live in my eyes, my ears, my voice
my belly, or in my heart my heart
my heart my heart

But come here, fear
I am alive and you are so afraid of dying.
Joy Harjo, leading contemporary Native American poetess
Rowan Deysel Jan 2018
Near a town of history untold
Where everyone knows each name
Wooden behemoths - obliviously old
Each unique but each the same
It was meant to be a perfect day
Of tranquility through the trees
Instead, the sky is brood with grey
And the leafs flow as they please
Alone, in nature's splendor spilled
In a rainy wilderness, seldom seen
The birds and insects grow suddenly still
In a spread silence of the green
Like eyes embedded in your back
You sense the stare of something sour
The mood hurries to horrid black
As you quiver into a cower
In bending branches blended
Creeping in creases - camouflaged
Nature's imbalance to be amended
In the forest's full mirage
Witness a terror appearing
Frantically floating from afar
Emerged in echoes and vaguely veering
Black, bleak and bizarre
A malevolent, monstrous maw
Snarls of hunger, habit, and hate
A malodor of meat, reeking raw
A violently increasing heart rate
From frozen still to fearfully shaking
You are manically mesmerised
Your pupils promptly dilating
As you and the beast lock eyes
Your meaningless attempt to run
From a stride to a collapse
The beams above crown the sun
As the twigs around you snap
A soar of pain as you hit the ground
Chest cavity cracked open
As you faint, you hear the sound
Of a language never spoken.
Gutted and gargling gore
Eaten by nature's nightmare
Convulsing on a forest floor
Indifference chokes the air
It's just another perfect day
Of tranquility in the trees
The rain has stopped, the leafs still sway
With the cooling, comfortable breeze
Edward Coles Aug 2013
These streets are postcards.
Moments of my youth,
My loves.

Each park bench enveloped within,
Licked and pressed to
My forehead.

Return me to those times.
I want my streets back. My memories
Present and my friends
Still readied for me.
Pour moi.

Pour me another drink
Whilst I forget the ones I had.
Red wine has long since replaced
My blood,

My skin; gone stale.
The streets press in on
My chest.

I can’t breath for the dizzy memoirs,
Yowling at the moon in
My brain.

The simple sway of a tyre swing,
You and I,
The chains.

The simple fog of your ice machine,
You and I,
The cider.

The simplicity of you and me,
You and me,
The years.

These streets are ghost ships now.
Bounty once abound, now gutted.
Do not tease me with your platitudes
Oh town,

And just let me be on my way.
Mateuš Conrad Aug 2018
let's have a game of reverse-phraseology....

man up...

   hmm... let's see what i can conjure
up, within this, gender-neutrality...

how about...

  that old english saying...

buckle down,
    buckle up / knuckle down?
  (i never know which
is the correct phrase -
clench your hand into a fist,
or lose weight -
   or, tighten them
for a bumpy ride).

   take the knuckles
to the grit / sandpaper
...

   how's that?

any bwetter?
            no?
   oh ooh um, ah...
          
            i thought these people
were into gender neutral pronouns...
which, oddly, enough,
have to also be singular and plural
neutral:
  
last time i checked: they...
referred to a plural description
of gender neutrality, to begin with...

but hell! ha ha ha ha ha!
we can play this game, all day,
and all night, long...

       but NOW, for a wild idea...
how can you enforce the adrenaline
junk from being stabbed,
not anticipating a stabbing?

i guess... i guess you have to heat
up the knife...
   so there's a warm butter sensation
ascribed to the flesh...
               flesh...
  i like that word...
     i can almost imagine
a slaughterhouse,
   with raw pork in full attire of
a corpse, dangling off the hooks...

and that believable scent,
outside of a Parisian perfume factory
attached: what if i fried this,
exponent of a gutted pork torso?

- and why isn't bush-meat
prohibited in the Qu'ran?
    pork? the most economically constructed
animal in the history of:
anti-vegeterianism anti-veganism...

      rats are, apparently, omnivores...
my neighbor owns four albino rats,
saved from a testing laboratory...
seen one ******, scuttle the garden
looking for a labyrinth
to be experimented on...

oh i love the tease of policing language...
man up contra
            buckle down...
you just sizzle...
   imitating a rattlesnake with
your tongue on trilling the R
with that kind of ****...
   you really end up wanting to poke,
and poke...
    at this sort of genesis phraseology...
with either a reversion,
or an inversion...

i'd prefer you to allow me to exercise
my right for compelled speech,
in which "manning up" is degraded
from the casual phraseology attainment,
and that the old school
english buckling down
is used...

      man? up? there's nothing copernican
about that expression...
please... can you excuse
my politically correct counterpart
to be allowed a phraseology blunder?

we too, are for gender neutrality
in... bashing a man down...
   we call "them" the brash knuckles
brushing off of preconceived
sexuality indicators...

    no blue boy, no pink girl...
no tractor boy, no Barbie girl...
               but there is no...
  "manning up"...
         WE UZ A PEOPLEZ' PEOPLE...
A PEOPLEZ' **** TANK...
running low... on thought -
or whatever the once glorified
moral ought used to be...
   mahatma mah'gandhi -
liked the name for one reason...
see how the H appears and disappears
in the nouns?
   it's there's at mahatma...
but... turned surd in gand(h)i...
   i don't even know why it's not a surd
in (h)indi -
   so blue blue, i'm blue...
      
extensive culinary and musical
traditions kept them afloat,
from biting the razor,
   when drowning...
   and not, exactly, opening
      the oompa-loompa casinos.
Dans le fond des forêts votre image me suit.
                                     RACINE

There is a panther stalks me down:
One day I'll have my death of him;
His greed has set the woods aflame,
He prowls more lordly than the sun.
Most soft, most suavely glides that step,
Advancing always at my back;
From gaunt hemlock, rooks croak havoc:
The hunt is on, and sprung the trap.
Flayed by thorns I trek the rocks,
Haggard through the hot white noon.
Along red network of his veins
What fires run, what craving wakes?

Insatiate, he ransacks the land
Condemned by our ancestral fault,
Crying:  blood, let blood be spilt;
Meat must glut his mouth's raw wound.
Keen the rending teeth and sweet
The singeing fury of his fur;
His kisses parch, each paw's a briar,
Doom consummates that appetite.
In the wake of this fierce cat,
Kindled like torches for his joy,
Charred and ravened women lie,
Become his starving body's bait.

Now hills hatch menace, spawning shade;
Midnight cloaks the sultry grove;
The black marauder, hauled by love
On fluent haunches, keeps my speed.
Behind snarled thickets of my eyes
Lurks the lithe one; in dreams' ambush
Bright those claws that mar the flesh
And hungry, hungry, those taut thighs.
His ardor snares me, lights the trees,
And I run flaring in my skin;
What lull, what cool can lap me in
When burns and brands that yellow gaze?

I hurl my heart to halt his pace,
To quench his thirst I squander blook;
He eats, and still his need seeks food,
Compels a total sacrifice.
His voice waylays me, spells a trance,
The gutted forest falls to ash;
Appalled by secret want, I rush
From such assault of radiance.
Entering the tower of my fears,
I shut my doors on that dark guilt,
I bolt the door, each door I bolt.
Blood quickens, gonging in my ears:

The panther's tread is on the stairs,
Coming up and up the stairs.
(A Virginia Legend.)

The Planting of the Hemp.

Captain Hawk scourged clean the seas
(Black is the gap below the plank)
From the Great North Bank to the Caribbees
(Down by the marsh the hemp grows rank).

His fear was on the seaport towns,
The weight of his hand held hard the downs.
And the merchants cursed him, bitter and black,
For a red flame in the sea-fog's wrack
Was all of their ships that might come back.

For all he had one word alone,
One clod of dirt in their faces thrown,
"The hemp that shall hang me is not grown!"

His name bestrode the seas like Death.
The waters trembled at his breath.

This is the tale of how he fell,
Of the long sweep and the heavy swell,
And the rope that dragged him down to hell.

The fight was done, and the gutted ship,
Stripped like a shark the sea-gulls strip,

Lurched blindly, eaten out with flame,
Back to the land from where she came,
A skimming horror, an eyeless shame.

And Hawk stood upon his quarter-deck,
And saw the sky and saw the wreck.

Below, a **** for sailors' jeers,
White as the sky when a white squall nears,
Huddled the crowd of the prisoners.

Over the bridge of the tottering plank,
Where the sea shook and the gulf yawned blank,
They shrieked and struggled and dropped and sank,

Pinioned arms and hands bound fast.
One girl alone was left at last.

Sir Henry Gaunt was a mighty lord.
He sat in state at the Council board;
The governors were as nought to him.
From one rim to the other rim

Of his great plantations, flung out wide
Like a purple cloak, was a full month's ride.

Life and death in his white hands lay,
And his only daughter stood at bay,
Trapped like a hare in the toils that day.

He sat at wine in his gold and his lace,
And far away, in a ****** place,
Hawk came near, and she covered her face.

He rode in the fields, and the hunt was brave,
And far away his daughter gave
A shriek that the seas cried out to hear,
And he could not see and he could not save.

Her white soul withered in the mire
As paper shrivels up in fire,
And Hawk laughed, and he kissed her mouth,
And her body he took for his desire.


The Growing of the Hemp.

Sir Henry stood in the manor room,
And his eyes were hard gems in the gloom.

And he said, "Go dig me furrows five
Where the green marsh creeps like a thing alive --
There at its edge, where the rushes thrive."

And where the furrows rent the ground,
He sowed the seed of hemp around.

And the blacks shrink back and are sore afraid
At the furrows five that rib the glade,
And the voodoo work of the master's *****.

For a cold wind blows from the marshland near,
And white things move, and the night grows drear,
And they chatter and crouch and are sick with fear.

But down by the marsh, where the gray slaves glean,
The hemp sprouts up, and the earth is seen
Veiled with a tenuous mist of green.

And Hawk still scourges the Caribbees,
And many men kneel at his knees.

Sir Henry sits in his house alone,
And his eyes are hard and dull like stone.

And the waves beat, and the winds roar,
And all things are as they were before.

And the days pass, and the weeks pass,
And nothing changes but the grass.

But down where the fireflies are like eyes,
And the damps shudder, and the mists rise,
The hemp-stalks stand up toward the skies.

And down from the **** of the pirate ship
A body falls, and the great sharks grip.

Innocent, lovely, go in grace!
At last there is peace upon your face.

And Hawk laughs loud as the corpse is thrown,
"The hemp that shall hang me is not grown!"

Sir Henry's face is iron to mark,
And he gazes ever in the dark.

And the days pass, and the weeks pass,
And the world is as it always was.

But down by the marsh the sickles beam,
Glitter on glitter, gleam on gleam,
And the hemp falls down by the stagnant stream.

And Hawk beats up from the Caribbees,
Swooping to pounce in the Northern seas.

Sir Henry sits sunk deep in his chair,
And white as his hand is grown his hair.

And the days pass, and the weeks pass,
And the sands roll from the hour-glass.

But down by the marsh in the blazing sun
The hemp is smoothed and twisted and spun,
The rope made, and the work done.


The Using of the Hemp.

Captain Hawk scourged clean the seas
(Black is the gap below the plank)
From the Great North Bank to the Caribbees
(Down by the marsh the hemp grows rank).

He sailed in the broad Atlantic track,
And the ships that saw him came not back.

And once again, where the wide tides ran,
He stooped to harry a merchantman.

He bade her stop. Ten guns spake true
From her hidden ports, and a hidden crew,
Lacking his great ship through and through.

Dazed and dumb with the sudden death,
He scarce had time to draw a breath

Before the grappling-irons bit deep,
And the boarders slew his crew like sheep.

Hawk stood up straight, his breast to the steel;
His cutlass made a ****** wheel.

His cutlass made a wheel of flame.
They shrank before him as he came.

And the bodies fell in a choking crowd,
And still he thundered out aloud,

"The hemp that shall hang me is not grown!"
They fled at last. He was left alone.

Before his foe Sir Henry stood.
"The hemp is grown, and my word made good!"

And the cutlass clanged with a hissing whir
On the lashing blade of the rapier.

Hawk roared and charged like a maddened buck.
As the cobra strikes, Sir Henry struck,

Pouring his life in a single ******,
And the cutlass shivered to sparks and dust.

Sir Henry stood on the blood-stained deck,
And set his foot on his foe's neck.

Then from the hatch, where the rent decks *****,
Where the dead roll and the wounded *****,
He dragged the serpent of the rope.

The sky was blue, and the sea was still,
The waves lapped softly, hill on hill,
And between one wave and another wave
The doomed man's cries were little and shrill.

The sea was blue, and the sky was calm;
The air dripped with a golden balm.
Like a wind-blown fruit between sea and sun,
A black thing writhed at a yard-arm.

Slowly then, and awesomely,
The ship sank, and the gallows-tree,
And there was nought between sea and sun --
Nought but the sun and the sky and the sea.

But down by the marsh where the fever breeds,
Only the water chuckles and pleads;
For the hemp clings fast to a dead man's throat,
And blind Fate gathers back her seeds.
Rolling Up*

Swisher split; gutted out, stuffed back in with some indo trees. Tucked right in, pull it over lick the edge close it up & roast that ****!
Àŧùl Feb 2016
Transliteration:
Kabul kab luti ye to na maaloom chal saka,
Magar kamobesh halchal to kabhi se thi.

Translation:
When Kabul was gutted it couldn't be known,
But the drift was more or less the same since long.
I'm happy now.

Self-derived definition:
Whimmings, like whim, can also relate to sudden change of mind.

My HP Poem #1028
©Atul Kaushal
Joshua Haines Apr 2017
It's dark and the light leaks out
like the change in my pockets;
like the blood from her nose;
like knowledge from my head.

And I can feel myself being
  swallowed by this systematic
long dark. I cannot remove myself,
  a gut-worm in the lower-mantle
belly. Watching video-cassettes of
  my birthday. I don't know what
happened to my birthday video.
  I don't know what happened to
my parents or what I did to happen
  to them.

The light leaks, again, and I
choke on my celebri-thoughts;
mentally-******* to the
waves I'd give on a book tour
or studio lot. Talking about some
movie that made some money,
somewhere in Santa Fe or L.A.

The news is channeling my president:
a swollen man that is the physical representation
that a lot of American people are parasitic;
lovers in racism, xenophobia, transphobia, Islamophobia,
homophobia; scared of everything except the 'straight-talking'
magnate they put in office. Not playing president; playing God.

I'd hate to get political, though. I'd hate to ramble on
and on about something I don't know enough about to
**** myself over. I can feel myself picking up steam.
I can feel myself getting redundant but embracing the
bruised ego and poor technique. Loving the entrails
spilling out of the splits of my fingertips;
more beautiful than the brains I bashed on the sidewalks
of old Morgantown. Morgantown, a town so kind you
are gently destroyed by its over-crowded masses,
dying to be different or drunk -- I suppose that's not very
different than most places.

But let's get back to these trees that I haven't even talked about.
Let's get back to the kitchen table with the hollowed hard-drive,
with wires and cords flopping to the sides, like a
gutted spaghetti eater with poor stomach acid.
How terrible. I'll never forgive myself for that last line.

I feel so rudderless. So cynical with a touch of cliche.
I keep pushing back that age for success, thinking
that I have the luxury of choosing. My vocabulary is
limited. My intelligence is assumed; probably a void,
where delusions manifest and asian **** rewinds and plays,
  rewinds and plays.
Tommy Jackson Oct 2015
T shirt
Jeans, holes in the bottom.
Rockin stardom,
Fame
Guitar, no shame
***, drugs, rock and roll.
All comes with a price!
Word of advice
Stay away from the groupies
Who want to be the star's of the scene.
The yells and screams last
But for a moment
Your life last's eternal.
Graff1980 Apr 2015
The blushing barn barks
With bleeded hues
Gutted girders
The once held the strict structure
Now hold hollow hidey holes
For all the remaining vermin
While the festering flesh
Of the butchered beasts
Burn the sinuses of strangers
Who walk through the burnt broken building
Kate Lion Sep 2014
The world is a giant trashcan
And I'm a dumpster diver trying to discover anything beautiful and white
And it wouldn't surprise me if I've already found it,
Covered in gum and hair and crumbs in the backseat of a gutted minivan
But I'm so busy judging the books with no cover
That I lost track of my little paper hearts that I used to give with a chocolate taped to the back
And sometimes I stare into this rotted wilderness and ask myself if I've stopped existing
Because the rearview mirrors are so grimy that I can't see my own reflection
And when I can't see if there's lettuce stuck in my teeth, I refrain from smiling just in case
So people stamp me into the category of grumpy, grownup girl
But for all I know,
We are all lost pearls from the necklace of the gods
(but I can't go back looking like this)
Maggie Emmett Nov 2015
On the mud flats of Padma Delta
where the mighty Ganges slides
into the Bay of Bengal
ships come to die.

Rusting oil tankers,
container ships from Panama
passenger liners,
and cargo ships from Zanzibar
North Sea fishing boats
research vessels and mother ships
anything that floats
each one has made its final trip.

Steel Leviathans
low tide beached
oil-slick stuck.

Metal monoliths
****** deep
into black sand.

The people of Sitakunda
come marching, ants
across the slippery surface
of diesel sand
to pick the carcasses apart.

Barefoot, with only blow torches
hammers and brute strength
wrenching rivets, nuts and bolts
breaching beams and deck
splitting welded seams
until the hulls are gutted
ribbed struts broken down
and torn from the edges of shape

Bit by bit
they scour and empty
right down to the core.

Bit by bit
they carry *****
to the waiting shore.

Where melting pots are kept boiling
giant stock pots stewing goodness
in a broth
but metallic flavours and oily spiced stench
hang in the misty bleakness of the bay

Skeleton hulks shift and ride
lurching, lifting with the tide
rolling, dangerous still
collapsing, with groaning creak
to maim, to crush and ****
the daring, the slow and the weak.

© M.L.Emmett
First published in New Poets 14' Snatching Time'
Chrissy R Jul 2014
Do you remember when I laid in bed with you and cried
because telling you about me hurt to do?
            But I wanted to tell you - because you deserved to know, because maybe I thought you would share yourself too, because maybe I thought packing you into my old wounds
            would finally heal them right.
And all that truth made me shake and the dark bedroom made me wild-eyed but
               your heart beating through my palm pushed me forward a step,
        a step of a step, and pretty soon I was falling for you.

        And I remember when you stood over me, revealing your truth about me.
And all that truth made me cry and the morning light hurt my eyes
        and you split my ribs and my lungs poured out at my knees
which were bruising from begging.
        But I couldn’t find you in your darkened eyes or your bellowing voice
as it gutted me and braided my veins in a knot…
          Some things I try to forget.

I dream of you and I imagine your face, your touch, the way you walk and
          hold my hand and we smile and you laugh and
I have you.
But sometimes the black comes down from the nightsky
          and seeps into my sleep
to darken your eyes and harden your grasp,
           just like that you flay me open to spill my tears and
I’m losing you.


          When I wake you are there, reaching toward me in the dark.

The bruises on my knees will fade.
Adrian Alberts May 2016
Poetry is just scratches on paper
forming dramatic words
by an overemotional character

Poetry is certainly
not a pen that digs trenches
for the blue blood to follow
draining a soul to a sterile existence

Who Needs Poetry Anyway?

Poetry is all
roses are red
violets are blue
blah, blah, blah
I'm so in love with you

Nobody cares about books
Notice how the poetry section
in the bookstores continue
to diminish with every look?

Poetry is certainly not as profound
as the inert words
lay gutted by the rapper
which boasts his materialistic empire
that his target audience consumes
yet cannot honestly digest

And you'll find the album
in an abundant display
set in the center of the bookstore

Who Needs Poetry Anyway?

Poetry is just something studied
from history books to obtain credit
A time before the internet
and a true social status
Before days rapt in vanity

Poetry is certainly not a self sacrifice
to explore the wilderness of the heart
and the shutters to the mind
An outlet to tread another day

Who Needs Poetry Anyway?

— The End —