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Shofi Ahmed Apr 2017
Just a dew drop, let alone the sea,
and a handful of earth, not the Planet Ge.
Not a shade of blue, save the rose for bee
Purely a clear drop didn’t spill in the core,
because the whole sphere feels the pinch.

Singing chorus rains down, bouncing back
to earth the only open-through planet.
No black hole is as deep as the sun jumps,
dives in the dew on every flower they wet.
Every bird in the trees sings and tweets,
yet one is stone quiet, shouldn’t even hiss.
Shh! shh, the sleeping beauty is sleeping!

Cut above the rest, the unique earth
brimming with the infinite finishing line
by design pans out to the transcended pi.
Pure spring, the waterfront by the Moon,
untouched, unspoiled is her swimming pool.

How she goes by, wetting her ****** toe
Only to bubble high up the transcended circle
If only the sun could rise high in that pole,
for the rest of species could sneak a peek.
She’s there with the capstone of the pyramid!

Shots beyond the fixed circle, netting the eyeballs.
The stars, the Moon on the move for pure freedom.
The thrilled earth did come out, smelling of roses
Off the golden cut pi-decimal-abyss digital spring.
With a handful of earth and a drop of water dew
This is a pure mirroring thanks to the original, you!

At the end of the string apt you lovely took her by hand
and she took it in emptying her heart and soul.
Earth is now too thin on stock, she is no more
Just a shadow, a 360-degree hollow flute!
Oh light at the end of the tunnel shine and show
Play in like in the Night of Ascension once more!
This is a poem from my book Zero and One available on Amazon.
am i ee Sep 2015
i'm gonna get me
a new set of eyeballs
too much readin'
n writin n stuff

can't proofread
worth a dam
gotta go live my life
not set here n write

now i got me's
a little nut
and she writes
not so slow

i ain't much
fer words
likin the
sound of silence
myself

but this little
new nut
she's kinda a
cute little darlin

so with my eyes
whirling in despair
i slog forth
until they can
be repaired.

i gotta get me
a new set
of eyeballs,

one new set of eyeballs
i'm gonna get
me.
hey if anyone can bring in the cowboy accent to make myself with a spelling that reads the way i am hearing it in my head that would be fantastic.

sound like maa self, i am open to suggestion.  i hear it but haven't read much of it, so i know i'm off with the spellings that convey the accent.  thaneee
Shofi Ahmed Mar 2019
Spring upon the rose and live on the flow
delve into the fragrance goes full tilt
on the petals never gone with the wind.

Let it be like it's without a form
without a visual show,
let's not forget the truth
even in a pitch dark invisible mo
the moon puts up a show.
And believe it or not that all round sweet spot
artistic paragon paradise could be the next stop.

The butterfly paradise slips out to fly
wafts into the enduring scent of a paint so bold.
Lo, on its picturesque wings it has all the eyeballs
where does it reach out to no one knows.
It's on the other side of the pool
only the Queen Fathima knows that sweet spot!

Any pause is deadly heavy-handed on that route
death is no more is totally unknown,
and time is rife for beauteous eye on for good!
If only one can hold to their eyeballs
all that walk on that secret alleyways of God!

Oh, they flower in the fire
and dip into the sea in a drop of water
pan out to the other world within the world.
This time Moses resists is for the open eyes
peep over the burnt Mount Sinai.
Gaze on wearing the burnt kohl - the shady
pollens down the Ultimate Burning Beauty!

When it's live in the true terra incognita
could be over the paradise's rainbow
the one truth seekers most sought after show
before long the rest may fade into kohl. 
Godsent beautified feminine paragon Fathima
leads lifting the black screen off the bat casts a gaze
from each of her never-blurred myriad fractal pixels.
All in all even the never known pi digits in totto
soak up in the one true description of realty show!

Be en-route, it's only the chosen eyes' wonder show
the handsome swans in paradise are on their toes.
Shofi Ahmed Jul 2018
The epitome on the show
is more than a dream turned true
a timeless beauty stitched on the stone.
The first sight hooks the eyeballs
no star is a far cry from here
it looks so close.
A narrative feels so familiar is never old
seen tons of times yet is a new Taj Mahal.

Since the medieval eyes were dazzled
by this monument of love
the crave to eye on it once in a lifetime
is in every lover’s heart!

People of new ages flock here
with the admiring birds
on this air of everlasting romance never
gone with the wind are mesmerised with love!
Terry O'Leary Sep 2015
1
Though still within our infancy,
we strive to thrive, but woefully
we flash and flaunt our 'primacy',
display our trophies pridefully.

Our terra firma ecstasy
destroys survival's harmony,
lays waste to life on land and sea.
Mankind, thy name is vanity!

By doubting Nature's regnancy,
defying laws with levity,
we strain our spheroid's symmetry
(perhaps a fatal fallacy?)

for, swallowed in the 'world of we',
we feed on vain insanity
with thoughts beyond eternity -
so strange when looked at mortally.

No use to seek a remedy
ensconced in ancient prophecy
for if not handled skillfully,
as clay we'll pay the penalty.

                              2
The Moguls rule with cruel decree,
control the crowds like puppetry,
pursuing greed addictively
with no accountability.

The wind, it reeks of Royalty
(awash in waves of perfidy)
while blowing ’cross the peasantry
(eclipsed in clouds of treachery).

The Queen, well steeped in snobbery,
sits, preening proud Her pedigree,
on throne of sculpted ebony
while sipping Sect immodestly;

to sate Her Regal Majesty,
a caviar clad canapé
is served with golden cutlery
by maidens bent submissively.

The King is bailed from bankruptcy
by Knaves who hoodwink artfully
the down-and-outer evictee
who wallows in their lenity.

Forsooth, the Money Monarchy
exalts the dollar dynasty
engaged in highway robbery
by Peacocks plumed in finery.

Yes, Jesters and the Fools agree
to truckle to duplicity
and laugh about it witlessly.
Long live the peon's penury!

                          3
To champion an oddity
(like two times twelve is fifty three)  
one reaches to theology
through paths of circularity.

In bygone trials of travesty
the doubters, draped in blasphemy,
endured the pain and agony
inflicted by the papacy.

Inspired by the Trinity
fanatics bent cosmology
in geocentric fantasy
while Bruno burned for heresy;

and aged women, randomly
accused of wicked witchery
by justice framed in infamy,
were racked and shown no clemency

That epoch of credulity
(when savants fostered sorcery
and practiced ancient alchemy)
arose in dark age quackery

as clerics dripping piety
(while raging, raving rabidly)
pervaded thralled society
with callous inhumanity;

'repent', they bellowed, 'verily,
forsake the world's iniquity,
live lives of want and chastity,
and give your gelt to God through me'.

                    4
The Masters make a mockery
of freedom and democracy
by holding down the uppity,
released from shackled slavery,

now fettered in a factory
else strewn across the Bowery,
still chained in bonds of bigotry,
immersed in seas of poverty.

And colliers, tapping balefully
in sunken-mine solemnity,
yet thrum a mournful monody
some call the digger's elegy.

To children, pale and raggedy
(behind a day of drudgery),
the boss man, oh so gallantly,
bestows a penny, niggardly;

though some are fed (belatedly),
their eyes recede in apathy
while bellies bulge, inflatedly,
with mothers watching, wretchedly.

When met with health adversity
or broken bone infirmity,
the pauper dangles helplessly
with no insurance policy;

and those engulfed in lunacy
are ailing blobs left floating free
in ******-dream obscurity -
a mired madhouse odyssey.

Ignoring mankind's unity,
the rich and poor dichotomy
breeds dismal doomed finality,
eventual nihility.

                        5
Renewing days of chivalry,
wild warriors fighting valiantly
bring freedom neath the gallows tree
while blending blood and burgundy

to toast the slaughtered enemy,
and so convince the colony
to cede with smile on bended knee
and yield her diamonds, silk and tea.

At first they call the cavalry
and then again the infantry,
so proudly primped in panoply,
with arms from finest armory

(embraced in hands so tenderly
bestow benign atrocity) -
and soon atomic weaponry
will extirpate posterity.

                          6
Misusing high technology
(to feed the face of gluttony)
depletes our Rock of energy,
now slowly dying thermally.

Our gadgets breathing CFC
fuel ozone holes' immensity
while cloud bursts, raining acidly,
wilt woods in their entirety,

and rivers, tainted chemically,
polluted biologically,
refill our cups methodically
and drown our souls organically.

Adjusting genes mechanically
may well blot out the bumble bee
annulling fruits' fecundity,
but brings big bucks reliably.

We wager perpetuity
to revel momentarily
in shadow-like obscurity
ignoring the futility,

but if we bet unknowingly
on fickle fate's contingency
and thereby act haphazardly
we're doomed to lose the lottery.

                 7
The modern day bureaucracy
abuses trust egregiously ,
embeds itself in obloquy
and offers no apology.

It paints the past in reverie
to camouflage the tendency
to strip away our privacy
which paves the path to tyranny.

With earlobes lurking furtively
that listen surreptitiously,
and eyeballs peering piercingly
we've lost cerebral sovereignty,

and those who dare to disagree
must hide away in secrecy
else crowd a black facility
(with water board anxiety).

                  8
Yes, sans responsibility,
our marble in this galaxy
will crumble in catastrophe
ere ever reaching puberty…
Martin Narrod Apr 2014
12 Monkeys
17 Girls
127 Hours
2 Days in New York 2012
2 Days in Paris 2010
2001 A Space Odyssey
360
A Beautiful Mind
A Bridge Too Far
A Few Good Men
A Single Man
A Perfect Getaway
A Serbian Film
A Very Long Engagement
A.I.
Absolute Power
Adaptation
Airborne
Air Force One
Airplane 1
Airplane 2
Albert Nobbs
Alex Cross
Alpha Dog
American Beauty
American Gangster
Amorres Perros
Amour
Anchorman
Andy Warhol's Bad 1977
Andy Warhol's ******* 1964
Andy Warhol's Eat 1964
Animal Kingdom
Annie Hall
Anti-Christ
Apocalypse Now Redux
Apollo 13
Arachnophobia
Apt Pupil
Armageddon
Babel
Backdraft
Bad Company
Bad Education
Badlands 1973
Barton Fink
Basquiat
Before Night Falls
Being Flynn
Beneath Hill 60
Beyond the Black Rainbow
Billy Madison
Biutiful - Spanish
Blade 1
Blade 2
Blade 3
Blade Runner Final Cut
Blades of Glory
Blood Work
Blue Valentine
Breach
Broken Arrow
Born on the Fourth of July
Boyz in the Hood
Bullet
Bulworth
Brothers
Caddyshack 1 & 2
Career Opportunities
Carlos The Jackal The Movie
Carne by Gaspar Noe - French
Cashback
CB4
Charlie Wilson's War
Chelsea Girls 1966
Cherry
Chinatown
Ciao Manhattan ft. Edie Sedgewick 1972
Cinema Paradiso
City of God
Clear and Present Danger
Closely Watched Trains - Czech
Contact
Corpse Bride
Courage Under Fire
Crazy Stupid Love
Dark Shadows
Dave 1993
Daybreakers
Days of Heaven
Dazed and Confused
Dead Presidents
Defiance
Desperately Seeking Susan
Despicable Me
Detachment
Die Hard Quadrilogy
**** Tracy
***** Harry
Django Unchained
Dogtooth - Greek
Dogville
Doubt
Dracula, Bram Stoker's
Dragonheart
Dream House
Drive
Drop Zone
Dumbo
Dune Extended Edition
Ears Open, Eyeballs Click
Easier With Practice
Easy Rider 1969
Edward Scissorhands
Empire of the Sun
Encino Man
Enter the Void by Gaspar Noe
Eraser 1999
Eyes Wide Shut 1999
Face Off 1997
Fallen
Fantastic Mr. Fox
Fast Times at Ridgemont High
Fight Club
Fill the Void
Fish Tank
Fitzcarraldo
Five Minutes in Heaven
Flickan 2009 - Swedish
Flubber 1997
Folks!
Forbidden Planet 1956
Fracture
Friday 1995
Friday After Next 2002
Frost Nixon
******* Amal - Swedish
Full Metal Jacket
Funny Farm 1988
Funny Games
Fur- An Imaginary Portrait of Diane Arbus
G.I. Jane
G.I. Joe Retaliation
Gangs of New York
Gangster Squad
Garden State
Get Rich or Die Tryin'
Ghostbusters 1
Girlfriend
Girl, Interrupted
Glengarry Glen Ross
Gomorra - Italian
Great Expectations 1998
Greenberg
Grindhouse Death Proof
Grindhouse Planet Terror
Groundhog Day 1993
Grumpy Old Men
Grumpier Old Men
Gummo
Gus Van Sant's Last Days
Half Nelson
Hannibal
Havoc
Haywire
Heartbreak Ridge
Heat
Hell on the Pacific 1986
Hesher
Hitchcock
Holy Rollers
Hook
Honey I Shrunk the Kids
Hyde Park on Hudson
I Am Curious Blue
I Am Curious Yellow
I Heart Huckabees
I Stand Alone by Gaspar Noe - French
If Looks Could **** 1991
I'm Not There
In Bruges
In The Line of Fire
Inglorious Basterds
Inland Empire
Innerspace 1987
Innocence
Interview With the Vampire
Jacob's Ladder
James Bond - Diamonds Are Forever 1971
James Bond - From Russia With Love 1963
James Bond - Goldfinger 1964
James Bond - Never Say Never Again 1983
James Bond - On Her Majesty's Secret Service 1969
James Bond - Thunderball 1965
James Bon - You Only Live Twice 1967
Jane Eyre
Jeremiah Johnson 1972
JFK
Joe Versus the Volcano
Johnny English 2
Julien Donkey-Boy
Juno
Just Cause
Kapringen aka A Hijacking - Icelandic
Ken Park
Killing Season
Killing Them Softly
Kindergarten Cop
Kingpin
Koyaanisqatsi
Krippendorf's Tribe
Kiss the Girls
La Vie En Rose
Last Night
Last of the Dogmen
Leon: The Professional
Leonard Pt. 6
Les Miserables
Lie With Me
Life of Pi
Lincoln
Lions For Lambs
Little Children
Lord of the Rings Trilogy BR Extended
Lord of War
Lost Highway
Love and Other Drugs
Love in the Time of Cholera
Love Liza
Lovers of the Arctic Circle
Mad Max 1979
Mad Max 2 1981
Mad Max 3 1985
Major Payne
Malcolm X
Man on Fire
Manhunter
Maverick 1994
Meet Joe Black
Melancholia
Menace II Society DIrector's Cut 1993
Mesrine 1 Killer Instinct - French
Mesrine 2 Public Enemy - French
Milk
Minority Report
Mission Impossible Ghost Protocol
Mister Lonely
Money Train
Moonrise Kingdom
Moulin Rouge
Mr. and Mrs. Smith
****** By Numbers
Munich
My Sassy Girl 2008
Naqoyqatsi Life As War
National Lampoon's Christmas Vacation
National Treasure Book of Secrets
Never Cry Wolf
Never Let Me Go
New Jack City
New York I Love You
Night on Earth 1991 - Italian
Nixon
Not Fade Away
Notes on a Scandal
O Brother, Where Art Thou
October Sky
Olympus Has Fallen
Ondskan - Swedish
One False Move
Out of Africa
Outbreak
Palmetto
Paris Texas Criterion 1984
Passenger 57
Paths of Glory 1957
Perfect Sense
Peter Pan
Philadelphia 1993
Pinocchio
Pirate Radio
Platoon 1986
Pleasantville
*******
Project X 1987
Proof
Quiz Show
Rabbits
Revolver
Robocop Trilogy
Robot and Frank
Rolling Stone's Gimme Shelter
Romance and Cigarettes
Romeo and Juliet 1996
Sahara
Saving Private Ryan
Schindler's List
Searching For Bobby Fischer
Secretary, The
Seven Years in Tibet
Sgt. Bilko
Shame 2011
Shine
Shooter
Shopgirl
Sid and Nancy
Sin City
Sky Captain and The World of Tomorrow
Skyfall
Slackers
Sleepers
Sleeping Beauty 1959
Sleeping Beauty 2011
Sleepy Hollow
Snow White and the Seven Dwarfs
Somewhere
South Central
Sphere
Spread
Spy Game
Stand Up Guys
Stay
Summer Hours - French
Sweeney Todd - The Demon Barber of Fleet Street
Synecdoche, NY
Syriana
Talk To Her - Habla Con Ella
Taken 1 & 2
Takers
****
Taxidermia
Tetro
Thank You For Smoking
That Thing You Do!
The Adjustment Bureau
The Age of Innocence by Martin Scorcese 1993
The Bad Lieutenant - Port of Call New Orleans 2009
The Basketball Diaries
The Beach 2000
The Believer
The Beverly Hillbillies
The Black Dahlia
The Blue Lagoon 1980
The Book of Eli
The Boxer
The Constant Gardner
The Conversation
The Curious Case of Benjamin Button
The Darjeeling Limited
The Dark Knight
The Dark Knight Rises
The Day of the Jackal
The Diving Bell and the Butterfly
The Fifth Element
The Flock
The Flowers of War
The Fountain
The Getaway
The Girl With the Dragon Tattoo 2011
The Golden Compass
The Good Shepherd
The Good The Bad and The Ugly
The Goonies
The Green Mile
The Grey
The Help
The Hudsucker Proxy
The Hurricane
The Hurt Locker
The Ice Storm
The Ides of March
The Illusionist
The Imaginarium of Doctor Parnassus
The Impossible
The Informers
The Invasion
The Iron Lady
The Island of Dr. Moreau
The Jackal
The ****
The Killer Inside Me
The Kingdom
The Legend of Bagger Vance
The Lost Boys
The Lost Boys The Tribe
The Lost Boys Thirst
The Machinist
The Mask
The Man Who Fell to Earth 1976
The Master
The Mechanic
The Money Pit
The Naked Gun 1
The Naked Gun 2
The Naked Gun 3
The New World
The Pelican Brief
The Place Beyond the Pines
The Prestige
The Queen
The Raven
The Reader
The Red Balloon
The Right Stuff
The Road
The Rock
The Rocketeer
The Rules of Attraction
The *** Diary
The Saint
The Shawshank Redemption
The Silence of the Lambs
The Skin I Live In - Mexican
The Soloist
The Talented Mr. Ripley
The Thin Red Line
The Town
Transformers Trilogy
The Tree of Life
Tron Legacy 2010
The United States of Leland
The Usual Suspects
The Way Back
There Will Be Blood
There's Something About Mary
Three Days of the Condor
Three Kings
Tinker Tailor Soldier Spy
To the Wonder
To Rome With Love

Tombstone
Total Recall 1990
Trainspotting
Trash Humpers
True Lies
Two Lovers
Two Weeks in September(Brigette Bardot) 1967
Tyrannosaur
Unbreakable
Uncle Buck
Unforgiven
Unleashed
Unstoppable
V for Vendetta
Varsity Blues
Vertigo
Vicky Christina Barcelona
Videodrome
Virtuosity
Wag the Dog
Wake Up Ron Burgundy The Lost Movie
Walkabout
Wall Street 1987
Wall Street 2010
Wanderlust
Water World
Wayne's World 1 & 2
We Are The Night
War Witch
We Need to Talk About Kevin
Weekend by Jean-Luc Godard - French
Weekend 2011
West of Memphis
What Doesn't **** You
What's Eating Gilbert Grape
When Harry Met Sally
Where the Wild Things Are
White House Down
White Material Criterion 2009
White Oleander
Who is Harry Nilsson?
Wolf 1992
Womb
You Will Meet a Tall Dark Stranger
Zardoz 1974


Documentaries & Music Videos


BBC - Life in Cold Blood
BBC - Planet Earth
BBC - Rolling Stones Crossfire Hurricane
BBC - Great Bear Steakout
BBC - Ice Age Giants
BBC - Insect Worlds
BBC - Life on Earth 1979
BBC - Lost Cities of the Ancients
BBC - Operation Snow Tiger
BBC - Penguins: Spy in the Huddle
BBC - Polar Bear: Spy on the Ice
BBC - Richard Hammond's Miracles of Nature
BBC - The Life of Birds
BBC - Wonders of Life
David Blaine Collection
**** Proenke Collection - Alone and Solitude, The Frozen North
Encounters at the End of the World 2007
Nanook of the North
National Geographic Wild Kingdom of the Oceans Giants of the Deep: Whales
Shine A Light - The Rolling Stones
Vladimir Horowitz - Der Ietzte Romantiker
Vladimir Horowitz - Live in Vienna 1987
Vladimir Horowitz - The 1968 TV Concert
Whale Adventure with Nigel Marvin
Persevere Dreams Dec 2014
From one thousand mountains the hawks flights are gone
Soaring freely & thinking clearly through the clouds in the sky
Not looking back persevering to fulfill the dreams
The dreams aren't solely an illusion in the mind
But a preview of future times
For the reality in the hawks mind is dreams of happiness
Clashing between difficulty & a paradox of what is seen & what is not seen
What is believed has 20/20 vision
A clear sight with no eyeballs
But a driven mind with great visual
Anticipating the future of success
Feeling blessed and alleviating stress
Persevering and passing all the tests
What lies is the wind which is the past
Securing things of desire at last
Achievement is a good friend
Resulting in a fulfilled end. . .
Even as the sun with purple-coloured face
Had ta’en his last leave of the weeping morn,
Rose-cheeked Adonis hied him to the chase;
Hunting he loved, but love he laughed to scorn.
Sick-thoughted Venus makes amain unto him,
And like a bold-faced suitor ‘gins to woo him.

“Thrice fairer than myself,” thus she began
“The fields chief flower, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
Nature that made thee with herself at strife
Saith that the world hath ending with thy life.

“Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know.
Here come and sit where never serpent hisses,
And being set, I’ll smother thee with kisses.

“And yet not cloy thy lips with loathed satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety:
Ten kisses short as one, one long as twenty.
A summer’s day will seem an hour but short,
Being wasted in such time-beguiling sport.”

With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And, trembling in her passion, calls it balm,
Earth’s sovereign salve to do a goddess good.
Being so enraged, desire doth lend her force
Courageously to pluck him from his horse.

Over one arm the ***** courser’s rein,
Under her other was the tender boy,
Who blushed and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire,
He red for shame, but frosty in desire.

The studded bridle on a ragged bough
Nimbly she fastens—O, how quick is love!
The steed is stalled up, and even now
To tie the rider she begins to prove.
Backward she pushed him, as she would be ******,
And governed him in strength, though not in lust.

So soon was she along as he was down,
Each leaning on their elbows and their hips;
Now doth she stroke his cheek, now doth he frown
And ‘gins to chide, but soon she stops his lips,
And, kissing, speaks with lustful language broken:
“If thou wilt chide, thy lips shall never open”.

He burns with bashful shame; she with her tears
Doth quench the maiden burning of his cheeks;
Then with her windy sighs and golden hairs
To fan and blow them dry again she seeks.
He saith she is immodest, blames her miss;
What follows more she murders with a kiss.

Even as an empty eagle, sharp by fast,
Tires with her beak on feathers, flesh, and bone,
Shaking her wings, devouring all in haste,
Till either gorge be stuffed or prey be gone;
Even so she kissed his brow, his cheek, his chin,
And where she ends she doth anew begin.

Forced to content, but never to obey,
Panting he lies, and breatheth in her face;
She feedeth on the steam as on a prey,
And calls it heavenly moisture, air of grace,
Wishing her cheeks were gardens full of flowers,
So they were dewed with such distilling showers.

Look how a bird lies tangled in a net,
So fastened in her arms Adonis lies;
Pure shame and awed resistance made him fret,
Which bred more beauty in his angry eyes.
Rain added to a river that is rank
Perforce will force it overflow the bank.

Still she entreats, and prettily entreats,
For to a pretty ear she tunes her tale;
Still is he sullen, still he lours and frets,
‘Twixt crimson shame and anger ashy-pale.
Being red, she loves him best; and being white,
Her best is bettered with a more delight.

Look how he can, she cannot choose but love;
And by her fair immortal hand she swears
From his soft ***** never to remove
Till he take truce with her contending tears,
Which long have rained, making her cheeks all wet;
And one sweet kiss shall pay this countless debt.

Upon this promise did he raise his chin,
Like a dive-dapper peering through a wave
Who, being looked on, ducks as quickly in;
So offers he to give what she did crave;
But when her lips were ready for his pay,
He winks, and turns his lips another way.

Never did passenger in summer’s heat
More thirst for drink than she for this good turn.
Her help she sees, but help she cannot get;
She bathes in water, yet her fire must burn.
“O pity,” ‘gan she cry “flint-hearted boy,
’Tis but a kiss I beg; why art thou coy?

“I have been wooed as I entreat thee now
Even by the stern and direful god of war,
Whose sinewy neck in battle ne’er did bow,
Who conquers where he comes in every jar;
Yet hath he been my captive and my slave,
And begged for that which thou unasked shalt have.

“Over my altars hath he hung his lance,
His battered shield, his uncontrolled crest,
And for my sake hath learned to sport and dance,
To toy, to wanton, dally, smile, and jest,
Scorning his churlish drum and ensign red,
Making my arms his field, his tent my bed.

“Thus he that overruled I overswayed,
Leading him prisoner in a red-rose chain;
Strong-tempered steel his stronger strength obeyed,
Yet was he servile to my coy disdain.
O be not proud, nor brag not of thy might,
For mast’ring her that foiled the god of fight.

“Touch but my lips with those fair lips of thine,
—Though mine be not so fair, yet are they red—
The kiss shall be thine own as well as mine.
What seest thou in the ground? Hold up thy head;
Look in mine eyeballs, there thy beauty lies;
Then why not lips on lips, since eyes in eyes?

“Art thou ashamed to kiss? Then wink again,
And I will wink; so shall the day seem night.
Love keeps his revels where there are but twain;
Be bold to play, our sport is not in sight:
These blue-veined violets whereon we lean
Never can blab, nor know not what we mean.

“The tender spring upon thy tempting lip
Shows thee unripe; yet mayst thou well be tasted.
Make use of time, let not advantage slip:
Beauty within itself should not be wasted.
Fair flowers that are not gathered in their prime
Rot and consume themselves in little time.

“Were I hard-favoured, foul, or wrinkled-old,
Ill-nurtured, crooked, churlish, harsh in voice,
O’erworn, despised, rheumatic, and cold,
Thick-sighted, barren, lean, and lacking juice,
Then mightst thou pause, for then I were not for thee;
But having no defects, why dost abhor me?

“Thou canst not see one wrinkle in my brow,
Mine eyes are grey and bright and quick in turning,
My beauty as the spring doth yearly grow,
My flesh is soft and plump, my marrow burning;
My smooth moist hand, were it with thy hand felt,
Would in thy palm dissolve or seem to melt.

“Bid me discourse, I will enchant thine ear,
Or like a fairy trip upon the green,
Or like a nymph, with long dishevelled hair,
Dance on the sands, and yet no footing seen.
Love is a spirit all compact of fire,
Not gross to sink, but light, and will aspire.

“Witness this primrose bank whereon I lie:
These forceless flowers like sturdy trees support me;
Two strengthless doves will draw me through the sky
From morn till night, even where I list to sport me.
Is love so light, sweet boy, and may it be
That thou should think it heavy unto thee?

“Is thine own heart to thine own face affected?
Can thy right hand seize love upon thy left?
Then woo thyself, be of thyself rejected,
Steal thine own freedom, and complain on theft.
Narcissus so himself himself forsook,
And died to kiss his shadow in the brook.

“Torches are made to light, jewels to wear,
Dainties to taste, fresh beauty for the use,
Herbs for their smell, and sappy plants to bear;
Things growing to themselves are growth’s abuse.
Seeds spring from seeds, and beauty breedeth beauty;
Thou wast begot: to get it is thy duty.

“Upon the earth’s increase why shouldst thou feed,
Unless the earth with thy increase be fed?
By law of nature thou art bound to breed,
That thine may live when thou thyself art dead;
And so in spite of death thou dost survive,
In that thy likeness still is left alive.”

By this, the lovesick queen began to sweat,
For where they lay the shadow had forsook them,
And Titan, tired in the midday heat,
With burning eye did hotly overlook them,
Wishing Adonis had his team to guide,
So he were like him, and by Venus’ side.

And now Adonis, with a lazy sprite,
And with a heavy, dark, disliking eye,
His louring brows o’erwhelming his fair sight,
Like misty vapours when they blot the sky,
Souring his cheeks, cries “Fie, no more of love!
The sun doth burn my face; I must remove.”

“Ay me,” quoth Venus “young, and so unkind!
What bare excuses mak’st thou to be gone!
I’ll sigh celestial breath, whose gentle wind
Shall cool the heat of this descending sun.
I’ll make a shadow for thee of my hairs;
If they burn too, I’ll quench them with my tears.

“The sun that shines from heaven shines but warm,
And lo, I lie between that sun and thee;
The heat I have from thence doth little harm:
Thine eye darts forth the fire that burneth me;
And were I not immortal, life were done
Between this heavenly and earthly sun.

“Art thou obdurate, flinty, hard as steel?
Nay, more than flint, for stone at rain relenteth.
Art thou a woman’s son, and canst not feel
What ’tis to love, how want of love tormenteth?
O, had thy mother borne so hard a mind
She had not brought forth thee, but died unkind.

“What am I that thou shouldst contemn me this?
Or what great danger dwells upon my suit?
What were thy lips the worse for one poor kiss?
Speak, fair; but speak fair words, or else be mute.
Give me one kiss, I’ll give it thee again,
And one for int’rest, if thou wilt have twain.

“Fie, lifeless picture, cold and senseless stone,
Well-painted idol, image dull and dead,
Statue contenting but the eye alone,
Thing like a man, but of no woman bred!
Thou art no man, though of a man’s complexion,
For men will kiss even by their own direction.”

This said, impatience chokes her pleading tongue,
And swelling passion doth provoke a pause;
Red cheeks and fiery eyes blaze forth her wrong:
Being judge in love, she cannot right her cause;
And now she weeps, and now she fain would speak,
And now her sobs do her intendments break.

Sometime she shakes her head, and then his hand;
Now gazeth she on him, now on the ground;
Sometime her arms infold him like a band;
She would, he will not in her arms be bound;
And when from thence he struggles to be gone,
She locks her lily fingers one in one.

“Fondling,” she saith “since I have hemmed thee here
Within the circuit of this ivory pale,
I’ll be a park, and thou shalt be my deer:
Feed where thou wilt, on mountain or in dale;
Graze on my lips, and if those hills be dry,
Stray lower, where the pleasant fountains lie.

“Within this limit is relief enough,
Sweet bottom-grass and high delightful plain,
Round rising hillocks, brakes obscure and rough,
To shelter thee from tempest and from rain:
Then be my deer, since I am such a park;
No dog shall rouse thee, though a thousand bark.”

At this Adonis smiles as in disdain,
That in each cheek appears a pretty dimple.
Love made those hollows, if himself were slain,
He might be buried in a tomb so simple,
Foreknowing well, if there he came to lie,
Why, there Love lived, and there he could not die.

These lovely caves, these round enchanting pits,
Opened their mouths to swallow Venus’ liking.
Being mad before, how doth she now for wits?
Struck dead at first, what needs a second striking?
Poor queen of love, in thine own law forlorn,
To love a cheek that smiles at thee in scorn!

Now which way shall she turn? What shall she say?
Her words are done, her woes the more increasing.
The time is spent, her object will away,
And from her twining arms doth urge releasing.
“Pity!” she cries “Some favour, some remorse!”
Away he springs, and hasteth to his horse.

But lo, from forth a copse that neighbours by
A breeding jennet, *****, young, and proud,
Adonis’ trampling courser doth espy,
And forth she rushes, snorts, and neighs aloud.
The strong-necked steed, being tied unto a tree,
Breaketh his rein, and to her straight goes he.

Imperiously he leaps, he neighs, he bounds,
And now his woven girths he breaks asunder;
The bearing earth with his hard hoof he wounds,
Whose hollow womb resounds like heaven’s thunder;
The iron bit he crusheth ‘tween his teeth,
Controlling what he was controlled with.

His ears up-pricked; his braided hanging mane
Upon his compassed crest now stand on end;
His nostrils drink the air, and forth again,
As from a furnace, vapours doth he send;
His eye, which scornfully glisters like fire,
Shows his hot courage and his high desire.

Sometime he trots, as if he told the steps,
With gentle majesty and modest pride;
Anon he rears upright, curvets and leaps,
As who should say ‘Lo, thus my strength is tried,
And this I do to captivate the eye
Of the fair ******* that is standing by.’

What recketh he his rider’s angry stir,
His flattering ‘Holla’ or his ‘Stand, I say’?
What cares he now for curb or pricking spur,
For rich caparisons or trappings gay?
He sees his love, and nothing else he sees,
For nothing else with his proud sight agrees.

Look when a painter would surpass the life
In limning out a well-proportioned steed,
His art with nature’s workmanship at strife,
As if the dead the living should exceed;
So did this horse excel a common one
In shape, in courage, colour, pace, and bone.

Round-hoofed, short-jointed, fetlocks **** and long,
Broad breast, full eye, small head, and nostril wide,
High crest, short ears, straight legs and passing strong,
Thin mane, thick tail, broad buttock, tender hide;
Look what a horse should have he did not lack,
Save a proud rider on so proud a back.

Sometime he scuds far off, and there he stares;
Anon he starts at stirring of a feather;
To bid the wind a base he now prepares,
And whe’er he run or fly they know not whether;
For through his mane and tail the high wind sings,
Fanning the hairs, who wave like feathered wings.

He looks upon his love, and neighs unto her;
She answers him as if she knew his mind:
Being proud, as females are, to see him woo her,
She puts on outward strangeness, seems unkind,
Spurns at his love, and scorns the heat he feels,
Beating his kind embracements with her heels.

Then, like a melancholy malcontent,
He vails his tail that, like a falling plume,
Cool shadow to his melting buttock lent;
He stamps, and bites the poor flies in his fume.
His love, perceiving how he was enraged,
Grew kinder, and his fury was assuaged.

His testy master goeth about to take him,
When, lo, the unbacked *******, full of fear,
Jealous of catching, swiftly doth forsake him,
With her the horse, and left Adonis there.
As they were mad, unto the wood they hie them,
Outstripping crows that strive to overfly them.

All swoll’n with chafing, down Adonis sits,
Banning his boist’rous and unruly beast;
And now the happy season once more fits
That lovesick Love by pleading may be blest;
For lovers say the heart hath treble wrong
When it is barred the aidance of the tongue.

An oven that is stopped, or river stayed,
Burneth more hotly, swelleth with more rage;
So of concealed sorrow may be said.
Free vent of words love’s fire doth assuage;
But when the heart’s attorney once is mute,
The client breaks, as desperate in his suit.

He sees her coming, and begins to glow,
Even as a dying coal revives with wind,
And with his bonnet hides his angry brow,
Looks on the dull earth with disturbed mind,
Taking no notice that she is so nigh,
For all askance he holds her in his eye.

O what a sight it was wistly to view
How she came stealing to the wayward boy!
To note the fighting conflict of her hue,
How white and red each other did destroy!
But now her cheek was pale, and by-and-by
It flashed forth fire, as lightning from the sky.

Now was she just before him as he sat,
And like a lowly lover down she kneels;
With one fair hand she heaveth up his hat,
Her other tender hand his fair cheek feels.
His tend’rer cheek receives her soft hand’s print
As apt as new-fall’n snow takes any dint.

O what a war of looks was then between them,
Her eyes petitioners to his eyes suing!
His eyes saw her eyes as they had not seen them;
Her eyes wooed still, his eyes disdained the wooing;
And all this dumb-play had his acts made plain
With tears which chorus-like her eyes did rain.

Full gently now she takes him by the hand,
A lily prisoned in a gaol of snow,
Or ivory in an alabaster band;
So white a friend engirts so white a foe.
This beauteous combat, wilful and unwilling,
Showed like two silver doves that sit a-billing.

Once more the engine of her thoughts began:
“O fairest mover on this mortal round,
Would t
Mike Hauser Sep 2014
I hear Albert Einstein's eyeballs
Are packed away in a lock box
Somewhere in New York City
Under golden key and lock

I can't help but wonder
About what it is he sees
Stuffed in that darkened rectangular box
For all of eternity

Do they pull them out and dust them off
Every now and then
Let them look around without a sound
A wink without a grin

Are they kept inside a pickle jar
Or do they roll around freely
These are a few of the questions
That keep confounding me

Do they MC square as they sit there and stare
Do they soak them in Visine
They must dry out rather quickly
With no way to possibly blink

Why would they save Albert's eyeballs
What could they possibly find
Unless they just love the color
Of the brown tint in his eyes
I heard today that they have Albert Einstein's eyeballs in a lock box somewhere in NYC. no idea if its true but it makes for one crazy poem!
RH 78 Dec 2014
They roll.
The close.
They're near my nose.
They wink.
They weep.
They dream when I sleep.
Windows to the soul.
Pupils black as coal.
I see all sorts.
They are the gateway to my thoughts.
I cherish my eyeballs!
Ayad Gharbawi Dec 2009
THE STORY OF SARA

OR A REFLECTION ON OURSELVES

Ayad Gharbawi

Chapter 4: THE HALLOWED PURIFICATION PROGRAMME




  One night, Omar began to thunder on:
  "No more of the disgusting concepts and ideas created by the Pigs! We should eliminate from our minds every single Pig that is influencing you, and I must say to you all, that I'm not seeing any progress."
  The audience suddenly went all quiet.
  Our leader was not satisfied with our emotional progress.
  We were not purifying our minds in a manner and speed that was satisfactory to the Great Noble Leader Omar.
  "I am looking at you all. I see you; yes, I, Omar, see each one of you. Your eyeballs seem to me to be unsure of what's behind them – I mean, your brains."
  Omar's voice began to talk in a tone that was almost a whisper, whilst the vast audience strained their ears to catch his every precious word.
  "And inside your brains lies our minds. Well, I'm talking about your minds, my friends. I'm not seeing progress. Yes, you do this riot; you **** this Pig; you burn this Pig school – and all of these acts are crucial to our holy cause. But, what about you yourselves? What about your own minds? Maybe you, too, are tainted with some of the Pig mentality yourselves? Now, how about that? Yes? What do you think?"
  The audience gasped.
  Omar began to raise his voice again.
  He was taunting this audience.
  Mocking them.
  Sarcastic.
  "Why, you really are telling me, that you think and feel and believe, that you have the right to **** Pigs?"
  At this question, Omar stopped.
  The audience gasped louder.
  I knew what they were thinking.
  Is our Great Noble Leader questioning our faith in him and in the cause itself?!
  He screamed, almost blowing away the microphones!
  "Why, who gives you the right to be soldiers in this unforgiving, merciless and ferocious war we are waging every day against vastly superior forces? I'll tell you 'who' gives you that right."
  The audience waited in tense anticipation at our leader's answer.
  It was so silent in this vast stadium, you could hear a pin fall.
  "What gives every man, woman and child the right to be a soldier in this brutal struggle is when that soldier has the purest heart and mind. It's as simple as that. And to be 'pure', my friends tonight, is the one who has not a shred, and does not have one ounce of Pig matter. That's right, you heard. Pig matter. Any dog that has even a fleeting Pig thought, is a Pig him or herself!"
  The audience now began to whisper among themselves.
  They seemed to be receiving the light from the words being delivered by Omar.
  Many were saying among themselves, that, 'Yes, we do have Pig thought and ideas and emotions and feelings in our hearts.'


  Omar continued, in a soft voice, after allowing his audience to digest his last words:
  "Yes, that does come as a surprise to you, doesn't it?"
  "Yes!" roared back the audience who now fully submitted to his question and answer.
  "So, I ask you – who are you?" he screamed!
  And the crowds immediately screamed:
  "Pigs! Pigs! Pigs! We are ***** Pigs!"
  Again and again, the crowd seemed to be going a little bit hysterical.
  Some began tearing off their clothes, as if they were trying to 'cleanse' themselves from their Pig thoughts!
  "That's right!" screamed back Omar, furiously and wildly staring with those maniacal eyeballs, like some trapped, ferocious animal, at his audience:
  "Why you yourselves are Pigs! That's right! Come on now! So, what are going to do about you? If you give yourselves the 'right' to **** Pigs, then why don't I have the same 'right' to order my best elite troops to **** you too?"
  "Save us! Save us!" screamed back the audience.
  "Save yourselves!" Omar screamed right back.
  "We are filthy! We are Pigs!" the audience began to insult themselves in all sorts of words and phrases.
  At this point, Omar was shrieking!
  "That's right! You are filthy Pigs yourselves, aren't you now?”
  The audience continued to scream and you couldn’t understand what they were saying anymore.
  Omar went just as suddenly silent.
  He just looked at his followers, and allowed them the need to express themselves.
  After some twenty minutes o this chaotic screaming, Omar became impatient and quickly motioned his followers to be quiet.
  Silence.
  He continued, with a soft tone:
  “So, I hereby announce the following."
  Once again the entire audience become tense.
  What was Omar going to order now?
  "I hereby allow you all, and I mean all our soldiers and not just those sitting with me here in this stadium; I order all of our soldiers to purify themselves of every Pig matter. You will have three months. And then, after that term ends, we will establish courts, to decide wether you have succeeded in cleaning yourselves from these cancerous and murderous feelings and emotions you have. Our courts and our hallowed judges will next decide, case by case, wether you are clean or not!"


  Later, when it appeared that our mostly pathetic, ***** and sick 'soldiers' were simply unable to cleanse their minds from the Pig establishment in three months – since they had no instructions or guidance - Omar, in his eternal grace, patience and humanity, decided to help them, by allowing classes to be held where one teacher would help each and everyone to 'cleanse' themselves.
  Personally, I thought that our Great Noble Leader was decidedly wrong in being so gracious to these so-called soldiers, because, in my opinion, this lot were not worthy of being in our party, and they ought to have been immediately expelled.
  "But, Sara," Omar would gently explain to me in his humble office, surrounded by his most trusted officers, "if we were to purge every undesirable element in the party, I would be left with practically nobody!"
  I took in his gracious words. and then thought about it.
  Why, he was correct, yet again, in his thinking!
  Indeed, if we did purify our party from the filthy ones, we would be left with little more than a handful of true, faithful and clean combatants and that, obviously, meant our self-destruction!
  "You're right, Sir; as usual, I think too hastily. That's why you are the only leader for us; my God, if I, God forbid, were leader, why I would have destroyed the party and our eternally holy cause years ago!"
  "Indeed, indeed, my dear," Omar softly said, but he seemed to have already forgotten my words, and, he was already somewhere else, thinking deeply about another problem.
  And so I, of course, went silent, so as not to disturb him.


  "You know what?" suddenly he asked me, his eyes sparkling with passion.
  "Yes, Sir?"
  "These 'classes' I was talking about. You've studied psychiatry, and I believe that we must use psychiatric methods to purify my subjects."
  Suddenly a strange feeling overcame me; I found the word describing the party members as 'my subjects' a little bit odd.
  Also, didn't Omar call psychiatry a Pig subject for all those years? Indeed, he said everything they taught us at university was evil, and that even the institutions of universities were dens of evil. And, yet, now, he was asking me to help him using what I was learning from my university days?
  "Yes, I can see the path I am talking about Sara. We need to get psychiatrists, like yourself, to tear out, yes, tear out, the filthiness in our party members."
  Suddenly, he got quite excited by his visions.
  "That's right, my dearest one, Sara. Yes, and I appoint you to supervise this programme of purification. That's right, and I shall call it by its simplest name, the 'Programme of Purification'!"
  Suddenly, I got excited as well, forgetting my previous disturbance.
  "That would be such a heroic move on your part, Sir." I gleefully told Omar.
  I feel that not only was he the saviour for our nation, but that he was also a personal saviour for myself.
  "Yes, I see my vision where it is leading us to. My dear Sara; you will set up these classes and you will bring the psychiatrists and you will purify the ***** elements in our classes."
  I got nervous again, for I just realized the magnitude of the job Saviour Omar was demanding I do for him!
  "And therefore, I Omar call for an immediate ceasefire against all Pigs!"
  Everyone in the office stood there in a state of shock!
  A ceasefire against the damnable Pigs?!
  Holy Omar could, of course, read our faces and smiled.
  "But Holy Sir," one officer softly asked, "how can we have a ceasefire against the most evil forces in the history of our country?"
  "And, Sir," asked another officer, "if we stop our eternally pure and humanistic battle against the disease-ridden pigs, wouldn't the latter take that as a sign of weakness on our part?"
  Next, saviour Omar raised his hand.
  Everyone went silent.
  He looked at us.
  There were no words from his mouth.
  We waited humbly.
  Geniuses take their time to formulate the right structure of words, not because they don't know what to say, but they do so that we fools can understand what they have to say.
  It is out of concern for us.
  Omar finally spoke:
  My clean, pure soldiers. We must declare a ceasefire, for I have no other choice. As a humanist, how can I allow impure elements from our party to fight and **** Pigs, when they themselves are still 'impure'? Where is the morality in that?"
  Suddenly, I couldn't help but feel such fanatical love for this man; I can only describe his man and his words, as pieces of Heaven coming down to us inferior beings, and if we are decent, then we must grab every shred and piece that he utters, so we can, in turn, save our impure souls.
  "Beautiful thoughts indeed, my Gracious Leader!" I said.
  Then I turned to the listeners:
   "What's wrong with the rest of you? If, one of our 'own' party members was impure, then by what right does he and she have to fight and **** Pigs? We must cease all out activities, until we have a purified party! It's simple and obvious!"
  Thereupon followed silence.


I was speaking the obvious.
  Finally, a voice spoke:
  "So, how exactly are these psychologists going to 'purify' the 'minds' of our party members?"
Good question – one that I had not thought about.
  Indeed, how, and by what means, were we going to purify the undesirables?
  And then, just at the right moment, Omar spoke his words:
  "Yes, that is a great question. There's no use giving orders that no one knows how they are to be carried out. You see, it will not only be the job of psychiatrists who will purify the filthy ones. No, we will force the filthy ones, to ***** out every filthy thought, feeling, and idea; and we shall make sure that all these impure thoughts and feelings and convictions will be screamed out of their minds."
  At that last phrase, once again, I found myself pausing and thinking, what an odd thing to say!
  I got lost in my thinking.
  After all, Omar always, and I mean always choose his words carefully, for he would always make it a point to be so careful with the choice of his words, so that his credibility would never be in doubt and so people do understand that that he means exactly whatever he says.
  I must confess, I was completely confused.
  On the one hand, I had such deep reverence, complete love and a total need for Omar, and then, there was a part of me, that simply didn’t understand what he was talking about!
  I remembered, once more, how everything was so nice and easy and simple with Tony.
  But, I assume, that Tony was a general doctor, whereas Omar was a surgeon, and so, with Omar, we had to face a far more complex situation.
  "What do you mean by that, Sir?" asked one of the officers, waking me up from my thoughts.
  "I mean, it shall be the duty of every party member to purify every other party member. We must all be psychiatrists! This will be done, of course, under the supervision of the leader psychiatrist in each class. He or she will guide you, as to how to get every party member to rip out every Pig attribute in our party members. It's as simple as that."
  At that, Omar gestured to indicate that the meeting was over, and so we left.
  I kept thinking that his idea was, I'm sure, utterly brilliant, but how in practice were going to do this?


  He left his office far too soon.
  We had too many questions to ask, and yet, by leaving us, Omar was, in effect, giving us a 'programme' to do, but without clear, precise orders.
  So, how were we going to carry out his orders?
  What did he mean that 'we must all become psychiatrists'!
  That was absolutely absurd!
  Untrained people cannot simply 'become' psychiatrists, even if they are 'led' by psychiatrists – or to use Omar's words, to be 'guided' by psychiatrists.
  So, Omar's idea seemed to me, to be really a recipe for a catastrophe for our party.
  The more I thought of it, the more I found my mind asking myself the question: why was Omar insisting on this 'purification programme' in the first place?
  Couldn't the party and its members simply continue the struggle, without having to enforce this ridiculous programme?
  And didn't Omar realize that his insistence on us carrying out his orders to do the purification programme, was going to cause absolute chaos, disruption and ultimately mass desertions and expulsions from our party?
  In other words, Omar's sudden 'need' to 'purify' our own members seemed to me to be a self destructive act that would seriously damage the party.


The ceasefire announcement was barely noticed by the Pigs – which came as a shock to many of us.
  The government didn't seem to actually care at our ceasefire announcement.
  Indeed, the Pigs declared that what they termed as the 'social troubles' was, in effect, 'over' and so, therefore, the country could breathe a sigh of relief, and people could now be 'happy'.
  I didn't believe what the government was saying.
  I was of course nauseated by the hypocrisy of the Pig leaders, because, their pronouncements were lies, as usual, and they would of course, continue their merciless war against us, while we had to cease our fire.
  Yes, Leader Omar was probably correct, but I was **** frustrated, because it seemed to me, for the first time since I joined the party, that the Pigs may now well win the struggle.
  It was obvious to me!
  For how on planet earth could we 'win' a war, when we were not allowed to fight, while the same eternal enemy would continue his war against us?!
  Also, to be very honest, I'm not sure that we could 'purify' Pigs in the first place.
  It seemed to me to be a contradiction!
  I would simply have to swallow whatever Leader Omar ordered us to do.
  God knows, he's proven to be correct every time before, and maybe, he will confound us once more with his superior wisdom.
  Have faith, Sara, have faith!
  Never question the Great Leader, for he is superior to all of us; after all, that’s why he’s the ‘Great Leader’ in the first place!
  Keep the faith!
  How can we understand what a su
Brandon Webb Nov 2012
1
she taps he hand, twice.
across the room,
he stares, thinking
into empty air.
others, scattered
tap pencils or fingers
on desktops, booktops
and phone keyboards

the balding man
with black hair:
combed backward
and to differing angles
so that his head is split
vertically-
stands, above the room
his back turned

his words,
meant for the crowd
reverberate only
along classes fringe
but still take precedence
over nothing
even to them-
academics, outcasts


2
back of the room
reveals everything
to the observer
trying to see

blue-eyed brunette
glares vengefully
at no one,
just to glare

he looks up once
to watch
as another
pulls up
drooping jeans.
she laughs
at conversation
unmeant for,
and inaudible
to her


3
today, she smiles
and lets her lip fall
begging, like a puppy
But when they
lose eye contact,
she glares, again

he leaves footprints
on parallel desk
from lounging
then fires himself
to his feet
using stored energy,
and sugar from gum

words bounce along
the walls in the back,
and isolated eyes peer
towards the screen
but hide the fact
that they care


4
two week vacation
has left their minds
full of everything
except math,
so they listen
to him, while he speaks

but travel backward
in time, with
those closest them
while he creeps,
silent, around the room

she concentrates hard,
on her work
glaring at the page.
he sits a desk forward
feet on floor
neighboring desk full
today, but only physically

blue hat rests
on sketchbook,
its border
barely covering
closed eyes

blond head
implants itself
jokingly, into
smooth shining
white wall
with enough force
to collapse
accidental target

a hand raises
attracting gazes,
awestruck,
at her interest
in forgotten
material
of future tests


5
only a few eyes wander
from blue lined notebooks
though the left flank
still chatters, embodying
either a secretive chipmunk
or the breeze which starts the storm

storm clouds appear slowly
in sketchbook, blue hat bobbing
rhythmically in response to active pen

perched above the flock
reminiscent, split headed
papa bird scans the masks
of his shockingly silent chicks

random lecture breaks the silence.
Her eyes aren’t the only ones
Fixed into a steel laden glare
But the chipmunk wind ceases


6
his questioning glance lands
on uninhabited space,
exhibiting a yawn
which traverses through,
and twists, the faces of
those otherwise engaged

lecture ends with a question,
the scent of nuts blows through
mentally empty classroom
turning desks to predetermined
positions and swiftly inhabiting
three-quarters of the physical class

his steel glare has replaced hers
the latter’s eyes now soft as an infants

within five minutes, his voice
undergoes  a brutal, complete cycle
pleading, congratulating, yelling
and as always, lecturing


7
pre-test:

preparations for misery-
mundane chipmunk chattering,
jokes and laughs from random
oddities appearing everywhere

blue hat rests in intervals.
Blue coat rearranges
essay for another class

The girl in the sunny plaid
Rolls an orange along her hand

He points at nothing and asks
Nobody something without answer

The left flank, as always
Is turned away, conversing

A sigh rings outward loudly
Everyone glares, nervously,
Everywhere, reward of concentration


After my test:

First paper in, he scans lightly
Sets it down with a scowl
and yawns, twice, breaking the
silent shroud of heavy fog
which is hanging overhead

wandering free eyes witness
down-turned heads concentrating
as much on tests  as on moving
their hands wildly, excitedly
trying to communicate non-vocally

others have yet to detach themselves
from their seats and stride upward,
hopefully more triumphantly
than their sole predecessor

one shuffles now, slowly toward him
his hand shaking as he releases
that  paper, he turns away as it flutters
onto the desk- he replants himself in his

twelve others walk forward
smiling, shrinking, sometimes speaking
and always he glares, triumphant
knowing his success at our failure


later:

his near-sleeping form            
finds distraction, in waking
dreams, jumping back suddenly
breaking from his plank-like state
without speaking. excitement
for approaching weekend is
communicated in the left flank

two girls break the silence
running in from outside            
he glares at them, but laughs

everyone breaks into groups
after the conversation about
mysteriously nutty discarded sock

he runs to the forefront
forehead folded, finger on mouth
no-one notices, but still he glares

8
he smiles and glares at the floor
his legs swinging back and forth            
tan slacks rustling softly

exaggerated scores bubble in ears            
as they search for their destroyer

in front of forgotten faces falls
the page of a forgotten tome

several yawn, hoping, understandably
that their stretched lips
will pull themselves far enough
to barricade ears from his droning

he kills himself, twice, bumbling
into half-thought chastisements
of the  flittingly flirtatious students
intermingling hoping behind him
causing waves of whispers, laughter
and slightly strengthened chatter

he re-aligns his thoughts quickly
and rambles on again, always

9
he speaks to her softly
from across a sea of desks
she looks up, panicking calmly
distracted from distraction

in silence, blank eyes turn
surprised at the non-withering
state of her barely living corpse

he asks a question, looking up
a single answer is given
unemotional and short, buy ending
heavy hanging awkward silence

how talented the teacher
who gives his lecture while
still addressing unrelated
student self lectures

the still silence given
in his questioning lull
hangs so loudly the whispers
traversing the classroom appear
silent as finger wiggle
and pencils trace zeros

his extrication, caused by
distractingly thunderous voice
is met with a comment
causing a wave of laughter
starting at his mouth
and extending to inhabit everything

10
half the time gives
twice the attention
as they concentrate
on keeping him on
the undying topic
of the work we
have already done

they admit defeat
as dusty tome opens
spreading a nutty cloud
causing heads to turn
and words to leap.

from opens lips,
mischievous gremlins
sprout, dancing on
tables and chuckling
away from the sigh
of his down-turned, split
shining, globular mind

he scratches pink ear
with bone pale finger
reading unrelated words

in the center of the room
both mentally and physically
he sits, momentarily quiet
as dark eyes glare past
rumpled pink nose,
concentrating

blue hat rests on open palms
above dust covered open page
he slips into sleeping state
but picks himself up
and stares though thin borderline
toward shiny rambling forehead

a shutter cord flies forward
the hand at the end pulling hard
but with no affect to the shutters
neither lowering the physical
or raising the mental

the color of non-color pencils
interrupts the class momentarily
as she strides forward to compare
and then criticizes his care

he just sits, smiles and stares

11
eleven desks lie empty
of one form more than usual
amplifying the arm movements
of the ever ticking seconds

his obscured mouth flings seeds
which sprout into words
before even meeting the worn
blood-colored carpet below

in the main room, sixteen
sit silent, sketching, sleeping
or siphoning the last minute

12
those left awake, and alive
have come to understand
the numbers on the screen
this being their specialty
in a nutty shell, of course
splitting, as we are, large
crowds of numbers, and us
being teenagers, isn’t that
how we think, in numbers
and ratings of everything
and, sitting in the central
crowd are the talented
crowd-splitters
flattery-spitters

13
the silence of half absence
is pierced, as always by vocal
anomaly, centered around
rows of shining wood
bookrests, but only one
set of hollow, dark-rimmed
vacant eyeballs watches
well-welcomed interruption

he lets us work, standing.
Someone somewhere opens
A large container of nuts
Entire class starts stuffing
Handfuls into puffy cheeks
Absorbing sensations into
Eternally ravenous minds

The apocalyptic mix of noises
Is split again by central
Nutcracker, and those in corners
Glare, smiling, rubbing shadowed
Acne scarred faces
with raw-bitten nails

14
balding papa bird speaks loudly
transforming his voice, becoming
vocally legendary cartoon duck

the wave of resulting laughter
ends in un-given nut-break
spreading, without speech
the understanding that his
comedic digression will not
meet a quick extinction

we greet the weekend
by rising early
our excuse: competition
to devour the worm

15
three heads are downturned
peering into textbooks
as the tsunami breaks

the days end starts
and beady eyes peer
in the direction of his
moving head, colored
gothic gargoyle in the
dim cloudlight streaming
through dust coated
slit windows

the room transforms
becoming triumphantly,
grumpily, repeatedly
conversational

artificial silence
spreads like a wave
from right back corner
to left front corner
leaving behind
the half of the room
hidden behind the wall
of troublemakers
who will eventually
cause the wall to topple
with the sheer force
of assorted nuts

16
blue hat is scrunched
under the of a fist
pounding on his head,
result of the decibels
consumed, and produced
by the embodiment
of the thoughts around him
which fall from stuffed
cheeks. Bounce off tables
and spread a sickening aroma
as their shells split
exposing, revealing
nothing

17
red face glances upward
as harsh words split
the widening sea of snickers
his words stop, first time today
as whispers spread wildly
of his speed in delivering answers
seconds later, room is silent
as statement ends and lecturer
turns back to him, offering
as always, another wave
of deep felt, anger hardened
quietly whispered, criticisms

thunderous-rush-voice leads
out of habit and necessity
the minutes following
his behavioral digression
each word stabbing split-headed
pointy-nosed papa bird, their
form a walnut-wood spear
crafted from drifted thoughts
of those sitting nearest him

18
on his back lies a pile of nuts
professor’s earthquake
shoulder shaking causes
eyes to open, back to rise
and with a tremendous roar
both physical and meta-physical,
it topples to worn carpet
and the laugh-track plays on

19
silence- pierced into being
by shrill, violent, mountainous
rise, and fall, of thunderous decibels-
hangs, heavier, louder than
the quick gone loudness replaced
or, in all actuality, displaced
mere seconds before being scrawled
into eternal memory
of those whose noses
sniff, daily, nutty clusters
of letters, which exclude
always, the ever-present x
the destructive π
and that y, which of course
flies as high as forgetful
nut-bearers




©Brandon Webb
2012
This is a series of observations, and. collectively, is the longest thing i've ever written, at 8847 words
Terry O'Leary May 2013
AWAKENING

Sleep and slumber, dreams of wonder... weaving,
morning’s vacuum broke the spell
Pitted pillow, note of parting... leaving,
“from your friend, a fond farewell”
Sunrise throbbing, twilight aching... grieving,
daydreams, flashbacks, nightmares knell
Pale phantasms, visions sneaking... thieving,
plot to fill the empty shell

12 DELIRIA

1st Delirium: COLLAPSES

Fractured sky bolts, billows bursting... rumbling,
heavens tighten, turn the vise
Horsemen saddle shafts of lightning... tumbling,
jagged highways must suffice
Ruptured skyways, hailstones crackling... crumbling,
naked pearls of paradise
Toxic tongues of laughter stinging... stumbling,
ocean buckets choked with ice
Droplets drumming, thunder muzzled... mumbling,
washed out whispers pay the price
Smothered blazes, cinders smoking... humbling,
ashes shaped in sacrifice

2nd Delirium: DESCENTS

Asphalt alleys, ashen faces... frowning,
blowing bubbles, chewing gum
Drinking ale from tavern tankards... downing,
moonlit beads of painted ***
Stony stars and sea misshapen... drowning,
humble rivers’ rhythms hum
Apparitions aspirating... clowning,
diamonds dying , minstrels strum
Incandescent candles conquered... crowning,
vacant vapours, cold and numb

3rd Delirium: FATES

Tempest turmoil, tapered turrets... holding,
dungeons, dragons, chains and racks
Wheels of fortune, Tarot temptress... molding,
Hangmen, Towers, One Eyed Jacks
Sand dune castles, cryptic candles... folding,
warping walls of liquid wax
Idols colder, combed and coddled... scolding,
hide in fissures, peek through cracks

4th Delirium: LOST SOULS

Sunken cities, pilgrims peering... gawking,
squinting eyeballs, blazing sun
Janus facing, shepherds chasing... stalking,
friends embrace before they shun
Tearooms steaming, tumult teeming... talking,
lovers listen, poets pun
Broken stones unanchored, quaking... rocking,
slipping, falling, one by one
Beaten pathways, footsteps marking... mocking,
wedged in webs which spiders spun
Circus shelters, big tops tumbling... locking,
people pacing, soon they’re none
Numbered exits, zeros numbing... knocking,
midnight daylight’s days undone
Moon blood shackles, shivers shaming... shocking,
starlight striders streaking, stun
Hushed but harried hermits waiting... walking,
restless rainbows on the run
Pixies, elves, and echoes bouncing... balking,
fading fast when dawn’s begun
Bantum butterflies are flitting... flocking
sometimes conquered, overrun
Hocus pokus, seers focus... squawking,
voodoo wavered, witchcraft won

5th Delirium: INTROSPECTION

Sundown furnace, fires fading... coughing,
dusky dew drops drain the air
Empty chalice, sipped in silence... quaffing,
thirsting shadows unaware
Looking glass and lattice scorning... scoffing,
local loser gapes and stares
Faces covered, dancing naked... doffing,
peering inside, hope despairs

6th Delirium: THE VOID

Tales of taboos, mystic mythos... missing,
windows shuttered, bolted door
Kindled candles, tongues and anvils... hissing,
heavy hammers, echoes roar
Dark deceivers, raven charmers... kissing,
draging demons from the shore
Hopeless hollows filled with doubters... dissing
standing empty - nevermore

7th Delirium: SEARCHING

Martyred monks haunt runic ruins ... waiting,
banging broken bells below
Vaulted hallways, voided voices... grating,
churning Chinese chimes aglow
Granite graveyards, spectres spooking... skating,
blackened bushes, roses grow
****** dwarfs seek mutant migrants... mating,
packing parcels, ice and snow

8th Delirium: NIGHTTIME

Throbbing drumheads, fingers blazing... steaming,
coins of copper, beggars plea
Rusty residues of resin... streaming,
opal amber filigree
Orphan shades in shallow shadows... teeming,
steeping twigs in twilight tea
Cloister doorsteps, Prophets gaming... scheming,
tracing tracks of destiny
Blacksmiths blanching, horseshoes glowing... gleaming,
partially sheathed in black debris
Phantoms feigning, nightmares scathing... screaming,
dusty dreamers drifting free

9th Delerium: EMPTYNESS

Water wheels in wastelands... turning,
drowning relics in the slum
Rumpled rags of fashioned burlap... burning,
lit by bandits blind and dumb
Pastured prisons, ponies bridled ... yearning,
forest fairies under thumb
Sounds inside of cauldrons coughing... churning,
blaring bugles, tattooed drum

10th Delirium: ALIENATION

Rain unravelling, wistfully weeping... falling,
treacle trickling, fickle sky
Mushrooms sprinkled, visions sprouting... sprawling,
seagulls drowning, dolphins die
Rabble gasping, spirits broken... crawling,
lonely lonesome swallows cry
Babbling brooks and breakers ebbing... bawling
puppies paddle, puppets sigh
People passing ripple past me... calling,
rainbow colours, collars high
Chaos seething, lepers looting... stalling,
stealing stallions on the sly
Pencils pausing, scholars scrambling... scrawling,
scratching scribbles, asking why

11th Delirium: JETSAM

Silver sails sway pallid pirates... prowling,
Jolly Rogers, wind and sound
Parrots perching, tattered feathers... fouling,
tethered talons, tied and bound
Shipwrecked foghorns, trumpets stranded... howling,
spiral springs of time unwound
Magic moonlight, shimmers shaking... scowling,
burnt out matchsticks washed aground
Prairie wolfs, coyotes calling... yowling,
witching hours, midnight hounds
Tightrope walkers, grizzlies grunting... growling,
seeking islands, lost and found

12th Delirium: RELIEF

Slumber shattered, vapours captive... haunting,
chained in mirrors, breaking free
Scarlet skylines, daylight dawning... daunting,
rivers rushing to the sea
Silence softens, sandmen whisper... wanting,
piercing rafters, turning keys
Shadows shudder, notions fluster... flaunting,
moonbeam bullets meant for me
Mind in migraine, meadows trembling... taunting,
sparrows speak in harmony

REAWAKENING

Pitter patter, teardrops paling... pearling,
salting scarves in secret drawers
Mist amongst us, smoke rings rising... curling,
climbing from the ocean floors
See-saw circles, senses swerving... swirling,
swept away with silver oars
Courtyard jesters, sceptres twisting... twirling,
push the past to foreign shores
Passing pangs of passions heaving... hurling,
burning bridges, closing doors
Roses wither, icons waning... whirling,
time decays and time restores
Lady, your room is lousy with flowers.
When you kick me out, that's what I'll remember,
Me, sitting here bored as a loepard
In your jungle of wine-bottle lamps,
Velvet pillows the color of blood pudding
And the white china flying fish from Italy.
I forget you, hearing the cut flowers
Sipping their liquids from assorted pots,
Pitchers and Coronation goblets
Like Monday drunkards. The milky berries
Bow down, a local constellation,
Toward their admirers in the tabletop:
Mobs of eyeballs looking up.
Are those petals of leaves you've paried with them ---
Those green-striped ovals of silver tissue?
The red geraniums I know.
Friends, friends. They stink of armpits
And the invovled maladies of autumn,
Musky as a lovebed the morning after.
My nostrils prickle with nostalgia.
Henna hags:cloth of your cloth.
They tow old water thick as fog.

The roses in the Toby jug
Gave up the ghost last night. High time.
Their yellow corsets were ready to split.
You snored, and I heard the petals unlatch,
Tapping and ticking like nervous fingers.
You should have junked them before they died.
Daybreak discovered the bureau lid
Littered with Chinese hands. Now I'm stared at
By chrysanthemums the size
Of Holofernes' head, dipped in the same
Magenta as this fubsy sofa.
In the mirror their doubles back them up.
Listen: your tenant mice
Are rattling the ******* packets. Fine flour
Muffles their bird feet: they whistle for joy.
And you doze on, nose to the wall.
This mizzle fits me like a sad jacket.
How did we make it up to your attic?
You handed me gin in a glass bud vase.
We slept like stones. Lady, what am I doing
With a lung full of dust and a tongue of wood,
Knee-deep in the cold swamped by flowers?
in complete melodies
the frequencies i hear
can not be contained by anything
love is drifting through the hills
and you are home to its trills
she dreams of light, the fire bright
and full of crystal skulls and eyeballs
dozens of monuments are built
just to mark the moments
when we could have said i'm sorry
merge with the mountains
find the source of fountains
shine the diamond compass
if that's what you are really here for

broken dams are our business
feed the swans their luminescent lunch-boxes
duck for cover, its a wonder that we are all together here
that's clearly redundant
the tendency to dream
is the most important human faculty
its a tragedy that the lack of nuclear power
showers the atomic world in rainbows
as forlorn teenagers in the ice-age of America
govern our equipment from their parent's basements
and carouse with comfort upon chairs, cushions and couches

a million times the victory
a million miles of rope to weave
a million are the paths to god
and a million more are the souls
who've learned to cope with tragedy

i come cherishing and bearing gifts
figures of speech are my playthings
i am furniture remodeled daily
and intuitively placed around your home
the finer things in life are free
so see me there upon your television set
i am electromagnetic static
within the black and white of advertisements
i am figures of forgotten speech
so record the unwatched programs
in your mind’s virtual memory
the hard drive of work and play
creates hundreds of new retirees each day
hundreds of haunted expatriates
knuckle-headed people
that couldn't tread lightly
even if they wanted to
so will you please untie me
and remove these binds and chains
it's time to free the lover from the psyche
for that is all she wrote

i am a silent p
i am a violet apogee
i am a cosmic minority
i am a message in your tea leaves

but if you stand too long in my shoes
you’ll likely drown in solitude
Jessica Altieri Dec 2014
"Would it be entirely inappropriate of me to suggest a hangout session in which we go out for tea and some mostly-nonserious flirtation?", he asks, all of which is proceeded by more than two hours of silly, random banter involving eyeballs and pineapples in vacuums.

It seems being asked on a date has become so taboo, to the point that when it does happen, the natural reaction would be to say yes.

TBC...
zebra Mar 2017
oh honey ****
pen and ink **** star warrior
pretty little manga girl
twinkle wisp
with kung fu throwing stars
and triple steel samurai sword
that tear through others
made of pink taffy
and cherry juice fizz blood
moving like lightening
a flying gladiator
with dripping sweet rice
and tapioca milk shake *******

oh
you would taste so good to drink
out of a swirling sherbet punch bowl
with big ******* star goldfish
and hungry pink ***** lips octopus
drooling
sit on your face suckers

oh, fighter of one-legged midgets
the best part after a fresh ****
victory ****
to go down on them
their loli pop *****
butter ***** beautiful
springing through the top of your skull
cause you can't get enough

oh wow
happy hello kitty
***** plump plops
viscous
before the coup de grâce
as she twirls their chewing gum gizzards
with her little swizzle tongue
goo ga licious
before placing
what's left of their hose like glistening entrails
around her throat like a pearl necklace
only to get strangled with it
by double **** UFO boy
solar ******* hero of the universe
so hard
she spurts pineapple juice and *** donuts
out of pucker pie ****
**** banged cross eyed
like little girl manga never felt so good
addicted to cruel
whipped with a hella wet noodle
yes no yes no yes no
yes pleazzz
her big blue marble glass eyes
binocular kaleidoscopes
spring out on the floor
and roll around
turning into all seeing
anti-gravity magnetized
silver pin stripped spaceships
peopled by
evil omni ****** **** *****
screaming through eternity
in search of cosmic
tushi sushi
ogling wiggling ballerina butts

bubble gum for the eyeballs
Shofi Ahmed Jun 2017
Picture yours, put it out
to your kaleidoscope.
Like the day at the full-blown noon
or the night on the cheek of the moon
a flame burning on the underlying dark
a dawn switches on the first light
a sun comes out of the night.
Visualise your latent one
put it on before your mirror!

Princely give the eyeballs a designer treat.
Paint your masterpiece at the day’s peep.
Hook the browsers at their first click.
Coop Lee Nov 2014
no weapons, no drugs.
he had the eyeballs of an aztlan prince.
touches water.
touches hot-grill to meat /repeat/
/replete with cerveza.
                to roil in love of sun said lights, all things lovely.
                to return by city driven lights, lake to shore to shoulder.

[to sleep.]

[to dream.]

dad is on the grill, cookin’ up something scorched.
swill is on the lake, skiin’ up something else.
sweat &
stretching lungs, the sun busting gut.
unseen, bikini pink
& green sauce.
pass the tortillas.

winterous: awake.
ice-fish and stoke the pipes of flash and holy hash.
ice-fish our favorite frozen mass.
we all grow beards,
untrusting of men who wobble blades to their faces on the daily.

spring sprung and spigot. we
return to blushing shores of wet rocks
& girlfriends.
girl bands exploding amps from atop houseboats
in styles of the highly drunk and tameless.
plucked in memory
of the ******* to come before them.
Shofi Ahmed May 2017
A new Prometheus breaks through
with the light not taken from the sun
but from an unknown forgotten one.
Not up from the sky nor from down
the bottom of the ocean, rose from the null!
  
The witty one then shows up
like a candle, flame on the mirror!
Everything around it starts fading
except the flame in front of the mirror.
More and more eyeballs look
on it only to be sure
anything like it was never seen before!
  
By now the world woken up at the first light
perhaps except the one who could tell the truth
what was that looking in the mirror?
Everyone's guess was as good as other's
MY FROG MASTERS

How thoughtful were the rainfalls
To water our gardens and flowers
The flowers spread wide garments
To celebrate their terminal beauty

The joyful frogs occupied my pond
To orchestrate their vocal prowess
They taught me to take blind leaps
Like lightning bouncing in the skies

Squatted, stretched, beeped down
I was a millstone on the pond floor
My slippery pond mates wondered
How soft I was in the maritime arts

Mortally rescued in a muddy mood
The clouds sent in rescuing showers
To confirm my firm loss to the frogs
Like a grain of salt cast into the seas


673. MONEY BAGS IN THEIR BODY BAGS

The money bags shopping for their body bags
Waggled through the makeshift supermarkets

Their ancestral homes they plotted modernity
Like the general gathering fine forces together

To the villages they made to return with pride
Like pregnant elephants caught up in the mud

Their desolate villages are deep and sickening
Glowing flamingly in the crucibles of local gins

The dusty and gravy pathways are like furnace
Burning the leather off from their frozen souls

Traditional birth attendants cut off their cords
And zipped the money bags in their body bags

674. A GLORIOUS DAY

The new day spoke powerfully
Like a war making superpower
And his voice roared forcefully
Like the skies forced to shower

The sunrays came dynamically
Like love responding to silence
Beauty crawled in submissively
Like the mixed arts and science

One eagle soared energetically
Like lions feuding in the colony
Far clouds relocated peacefully
Like souls betrayed to harmony

The breeze sighed thoughtfully
Like horses galloping on the lea
Inspiration unfolded thankfully
Crowns monuments with a pea

675.  THE FOG BANK

The sun had gone to pay our bill in the fog bank
The world foggily crawled into the strong rooms
Darkness demonstrated her strong mindfulness
Provided for the strong gale with lurking shrieks

The black paint billers snowballed to our dreams
With the bill of exchange for wild sunny excesses
Ghostly bats emerged with the bill of indictment
In demonstration of our acrophobic dispositions

We packaged the sunrays for our folk memories
To reassure the day of our eternal followerships
We cherish our follow-throughs in our dark beat
To usher the sunlight out of the hollow fog bank

676. THE PROTRACTED INTERNECINE FEUD

These things had happened before we were born
Like sulphur deep into our fresh hearts they burn
Now we stumble on the bumpy terrains in horror
Like one frightened by ghosts in a standing mirror

The internecine feud has razed our men of valour
With their carcasses dumped in their cold parlour
Our community cattle graze in the barren pasture
Like the unrepentant sinners awaiting the rapture

For our plight the once glorious sky is grown pale
Like the ***** fetching territorial waters with pail
The storms have rolled off the catalogues for rain
All our efforts to mop up the mess end up in vain



677. THE AREA LEADERS

They cracked coconuts on the heads for the crown
And embraced our days with their castaway pollen
Sadness and sorrow have dyed our garment brown
With the strongest song sung when night has fallen

These are the blinding dusts from our barn’s grains
They breed cunning serpents in the soft pasturages
They are failed cargoes on our broad societal trains
They dedicate our common committee to outrages

Now our days seek deliverance from their tentacles
Like the colourful fields immersed in gloomy beauty
They play our eyeballs with the stenciled spectacles
With our consciences to sight and found us off duty

To rescue us the colossal clouds were born gadarene
Our communal life was willed to pageants of gaieties
Then moonlight stories held us for a larger gathering
Now all the objects we sight dress up like cold deities

678. THE LAST DESCENDANTS

The rapacious thunderstorms ***** the skies for their tears
The hot embers were born to glow mourning the late forest
The moon crawled out of the blue like a great grandmother
Cuddling her descendants wrapped up in her ancient shawls

The wild waves were weird weavers weaving withering wails
The captioned wigs gyrated on stunning shoes upon auctions
The little creatures crouched in primeval baskets of the night
To gnaw at the generational tubers in the creative farmlands

The dazzling specimens of dentitions relaxed in water basins
Like bright red artistic architectures on potent ocean boards
Golden hearts glow in the threatening prisms of the furnace
As beautiful sunset defines her beauties in her nightly corset

It had been a sweet pill for the past descendants to swallow
Depending on the colonial masters for loaves, lore and lures
Our creativity had been packaged in their mortal depravities
Like the tranquil days resting sorrowfully upon the dark oars

The centenarian thunders downgraded our minute whispers
We had been kept upon our toes by the eternally sworn foes
At last our worthy artworks have worn their wormy catwalks
The refreshed dawns greet our easting days in their greenery



679. VICTIMS IN THE VALLEY

The victims in the dark rally
Caged, dried and browning
Therein their meanings tally
With waves born drowning

In the depth of a cold valley
Horrible nobles are cultures
Like pilgrims in the dark alley
Willed to ravenous vultures

The victims all robed in tears
With hearts like potter’s clay
For pains they have no fears
Only mimed games they play

For victory awaits the victims
Alien to a blind mimed game
Glorious are eternal rhythms
For death Christ died to tame

680. THE GIANT SCARS

These are our giant threatening scars
Engraved on our demonstrative heads
Our sympathies crawled on superstars
Weeping for us on their moonlit beds

They threatened us with nasal sounds
Like thunderclouds seasoned to burst
For us their galleries are out of bounds
Behind the iron bars plagued with rust

Our patience passed their wildest tests
Like the lions roaring in the thick jungle
On the heart of the Lord our faith rests
Like numbers posted on the right angle

681.  A LADY

In a lady’s handbag
Is her hidden hunchback
Stuffed with her heart ache
For the pains relieving groom

In a lady’s tender smile
Is hidden miles of similitude
Marked with the zebra crossings
For the ever winning marathoner

In a tender lady’s heart
Is hidden her cowboy’s hat
Soaring within the white clouds
To soothe the earth with the latter rains

682. BRING BACK OUR GIRLS

Bring back our homesick girls
Their vacant cradles are bleeding
Bring back our innocent girls
On the chariots of fire descending

Bring back our suckling girls
Their feeding bottles are weeping
Bring back our infant girls
Their mothers’ ******* are heavy

Bring back our harmless girls
The united universe is thundering
Bring back our dewy girls
In the sharp sun rising in the skies

Bring back our beautiful girls
Like light plucked from darkness
Bring back our glorious girls
Aboard the shore-bound waves

Bring back our worthy girls
On their fresh faces our lights seek to glow
Bring back our living girls
Our fountains of joy are bubbling to burst

For our returned girls the skies shall bear
Roaring rivers, singing seas, chiming clouds
With gongs and songs, pianos and praises
Dulcet dulcimers and documentable dances
With healthy hymns and eloquent embraces
All nations shall into a common cathedral flow

683. ****** GENEOLOGIES

They electrify their demonic high tables with old fears
Only their ****** genealogies are bookmarked to reign
The sight of their portables whetted our eyes to tears
We are reinforced by the clouds born to the later rain

Our skins have renovated the sickening cattle wagons
With our dreams flying upon huge smokes in the skies
Beneath their tables we abridge their creaking jargons
Upon their floors with our generational landmark tiles

The dew drops dropped like old crops upon our brows
To soften the veils falling to the flaming edged swords
The flaming hearted sword of the penetrating sunrays
Born to pluck us alive from our hotly bandaged bruises

684. LET US SPEAK UP

The light is climbing downstairs
And danger is sprouting abroad
Our feet are listening for a word
Let us speak up lest they go deaf

The light is melted on the glades
And terror grazing our eyelashes
Our feet are listening for a word
Let us speak up lest they go deaf

The light is late and lately buried
The mourners are on danger list
Our feet are listening for a word
Let us speak up lest they go deaf

The light has divorced the grave
Her grave clothes are dew dyed
Our feet are listening for a word
Let us speak up lest they go deaf

Silence is a forgotten tombstone
Lost in the din of cold morticians
Our feet are listening for a word
Let us speak up lest they go deaf

685.  THE SUN

The sun smiles on all prescriptively
Like the waves spreading on shores
The green grass glows descriptively
Like the full moon upon dark sores

The sun is a tailor fixing the buttons
Preparing the sky for incoming stars
Like the weaverbird weaving cottons
To conceal the day’s damnable scars

The sun is a marker on diurnal pages
Tall grace he bestows on the flowers
The sun retains his graces for all ages
Bees and butterflies are his followers

Our common laughter is endangered
When sun bows down in big setbacks
All mortals have the starlets fingered
When the night comes on drawbacks

686. UNTIL HERE

(For Lou Lenart and his team)

Their floods came seeking Jewish bloods
Like streams they roared for our dreams
They emerged as columns of soldier ants
Like whirlwinds they zoomed towards us

Until here we were crumbs for the reptiles
Until here we were like airborne cloudlets
But here the sudden change unveiled to us
From here the elusive victory embraced us

With skeletal jets we fought like bold lions
Soared like eagles and spoke like thunders
We conquered columns of invading armies
The bleeding armies turned back and blank

From here we turned from victims to victors
From here enemies’ defeat our greatest feat
Upon this memorable bridge it all happened
Victories leapt upon our pool like joyful frogs

687.  JOY UNLIMITED

The fledging sun offers its rays
And the rays offer golden trays
For our joy a platform to spray
Rowdy paratroops like thunder
To scoop roses from pure oasis

Our joy is ripe upon celebrations
Our celebrations with decorations
Decorations with documentations
Documentations for all generations
Generations in our joyful habitations

688. ANOTER RAINING DAY

The dark clouds are wandering river basins
Spiral bounded by breakable outer casings
The rivers and the seas display empty cups
For the swift blessings descending the tops

The rains come as defense troops’ missiles
And the drowning lands look like imbeciles
Now we are groaning in the watered claws
With the liberated scales marking our flaws

The retreating clouds crawl away in a belch
Dumping the missing cargoes on the beach
The winds bow in a state of shock in a cord
Praying and fasting for a visit from the Lord

689. GRANDMOTHER

Grandmother, please wake and get up
The sky is quarreling with her husband
Soon they will spill their freezing sweat
On our bodies for us to catch dead cold

Grandmother, please sneeze not louder
The sky and her husband are quarreling
Soon they will send old floods like gales
To sweep mankind away from the world

Grandmother, you are everything I have
My moon, my sun and my morning stars
Provoke not the couples with your cough
Lest they refill their greasily wraths again

Grandmother, the big reptiles have come
With their lethal grandchildren following
They are laced with secret burial shrouds
With sympathetic tears tearing their eyes

Grandmother, I kiss you a shaky goodbye
With broken pains roaring within my soul
Grandmother, where are your groundnuts
To conduct my solo heart as you sing away

690.  A NIGHT WALK THROUGH THE FOREST

Lured away on an alluring dream by fables
I trudged along the grassy paths with fears
Upon my steps spilling the prevailing dews
The shadows bowed their heads in silence
Like the soul issued with a death sentence

The night crawlers emerged above boards
Throwing light upon contrary communities
In their hearts and eyes were painful tears
Crawling down their exaggerated eye *****
Like a handbag filled with rotten cosmetics

The shadows were bold animators’ shelves
Stage managing the horror motion pictures
In the ghostly commodities I met wild hosts
Lifeworks evaporated from my fresh breath
Like foreign tragedies in common comedies

The sorrowful shadows cast away their veils
Like the candles letting go of the weird wax
Sadly I sat in the sack for conflicting fetuses
Another sun appeared like a serial divorcee
Counting the testicles of another naked day

691.  SUBJECTIVE SUBJECTS

The sad sun descended upon her haunting melodies
Reeling from mysterious layers for electoral riggings
To harden the flowerbed for flower girls born tender
Disenfranchised voters came weeping in barren polls
Dressing the blank nest for the fat electoral parodies
With the mourners the faulty bells they came ringing
Like the angry water castigating a ****** port fender
And the smokes climbed upon their wide aerial poles
Arching over the emptied shelves with liberal singing
They subjected their subjective subjects to all objects
xoK Mar 2014
Inside my brain
There is a tornado
Spinning to infinity and beyond.
God only knows how fast.
My shoulders ache and my feet cramp.
My wrists click
And my eyes go damp.
Inside my brain instead is a monsoon:
A tumultuous storm that rages on.
Waves froth and smash,
Beating against the backs of my eyeballs.
Sometimes they find their way
Down my soft spotted cheeks.
My lashes float to the earth
One by one by one by one.
Would you collect them for me
Like discarded flower petals
Down the aisle of my soul's chapel
And press them into a scrapbook
Full of twisted memories?
Inside my brain is an H2O tornado
Like reckless rainstorm pirouettes.
My swirling view is blurred,
But every so often
I catch a clear picture
Of the glowing whites of your eyes
And I remember to fill my lungs,
Head above the water,
And breathe.
Twirl, twist.
Wind, mist.
But don't panic,
Because every so often
I catch a clear picture
Of you.
LDR life.
At the mailbox, again:
“Who loves me, baby?”
Well, let’s see: there’s a flyer from Mercury Insurance,
Reminding me that most middle-income customers
Save an average of $4 million smackaroons when they switch too.
The Penny Saver USA.com is here,
Thank God, almighty!
So now I know that Thomas Roofing & Paving
Is having a special on 20-year leak-free flat roofs;
"All work guaranteed & insured.
No job too big or small.
Free estimates/Emergency services/License # I8U-69."
And thank you, Jesus,
For another $4.99 Farmer Boys 3-Egg Breakfast
Combo with Coffee coupon, and that
Little Caesars Hot-N-Ready, $5.00 cheese or pepperoni,
Mae-West-“why-don’t-you-come up and see me sometime?”—mailer. And, of course, another technology Siren’s song:
Verizon FiOS delivers entertainment this big,
Dish me up some dish NETWORK, $19.99 a month . . .
Are you ******* me?
For 12 ******* months?
AT&T;: whack me off on 120 channels.
DIRECTV.com - DIRECTV® Official Site‎
Worry-free 99.9%  . . . cue Joe E. Brown,
"Some Like It Hot“ Osgood:
"Well, nobody’s perfect!"
Time Warner/Sprint/T-Mobile;
And ******* Leather, Polk Street, San Francisco.
******* leather?
Must be for my neighbor: that ***** ****!
And here’s the weekly 8-page color fold-out from Stater Bros:
Lowering prices every day, large cantaloupes
(Jessica Lange, are you back?)
10 for $10.00, 32 oz. Gatorade
Or 24 oz Propel in 30 assorted varieties @ 79 cents
+ CRV: California Redemption Value?
Nice euphemistic cover-up for a TAX.
Nice, nice, very nice, CA elected state officials;
Nicely done, Sacramento.
Everywhere else in the country you get real money—
A fixed number of pennies, nickels, or dimes—
For your plastic bottles and aluminum cans.
But in California, the licensed recyclers
Get to pull the market price out of their *** each morning.
California Redemption Value?
What ******* genius government kleptocrat thought that one up? Conspiracy Alert: who gets all that CRV money?
And what are they doing with it?
Feeling plain, Jane?
Marinello Schools of Beauty, want you,
Offer you hands-on training in cosmetology,
Skin care esthetics, manicuring and vaginal deodorizing—
Just kidding, Babaloo.
Food tip for the Third World:
Never try to write poetry on an empty stomach.
Sizzler 6 oz juicy & succulent.
RENEGADE DEAL:
El Pollo Loco guacamole chicken sandwich,
Coupon free, small drink and small chips,
When you purchase a guacamole or jalapeno sandwich,
includes pepper jack cheese and a southwest sauce.
Gardenas sandia con semilla, 7 lbs 99 cents.
GARDENAS: “en precios, servicio y calidad, nadie nos iguaia.”
Bud Gordon’s Quality NISSAN:
One at this price after a $1500 factory rebate.
TERMINIX: get them before they get you!
The Kingdom Animalia, Phylum Arthropoda, Class Insecta
Bug up my *** again.
And a form letter from the VA
Asking me to please update my whereabouts.
And a form letter from the VA asking me
To please update my whereabouts.
And miles to go before I sleep.
Bite me, Mr. Frost!

An outing, at last.
I am going for a walk around the inside of my gates.
I live in one of those gated over-55 lunatic asylums.
There are gates. It is gated. Get it?
GATED! We feel safe here.
Probably a good thing at our age:
Self-imposed institutionalization,
Putting oneself in an asylum to ferment and die.
The fact that so many of us
Need it so bad at only 55
Says something itself about the current state of
Baby Boomer metal-fatigue.
I am now standing at the far end of the golf course.
I wait at the far end of the 18th Hole.
A ball bounces past my head and
Rolls off past the green into the far rough.
The 18th Hole is perched atop a small plateau,
Out of sight, far above the horizon for anyone teeing off.
I am Puck, invisible and impish.
I pluck the ball up.
I scamper to the green.
I pop the ball into the hole.
Which is better than popping a hole in the ball,
Surely, kind of a drag,
As we were once fond of saying.
Deflated Ball.
Deflator Maus.
OPERA can be ****.
Bodice-ripping corsets, whorehouses and naked ******!
Hardly what you might expect from
A night with the Welsh National Opera,
But they found their way into this production of "Die Fledermaus."
Ripe language, contemporary jokes and
Toilet humor thrown in, adding immensely
To the pleasures of Strauss’s operetta.
"Die Fledermaus," or The Bat’s Revenge,
Is all about drunkenness and adultery.
Despite being written in the 1870s,
It remains equally pertinent to today’s pub culture of excess.
Daring; Colorful; ****: PGA golf.
I steal a golf ball on the far end of the 18th Hole.
I pick up the Titleist and stick it in the hole
(Steady Jessica, not yours.
I hide behind your bush.
(Cue up PSA, First Lady Bird Johnson’s 1960s
Nationwide Beautification Campaign:
“I want everyone in America to plant a tree,
A sherrrr-rub, or a booosh.”)
The golfer now searching frantically:
Why is the cup always the last place they look?
Then, wham, bam, he looks:
A legend is born.
A hole in one,
His name forever immortalized
On a plaque over the bar, the proverbial 19th Hole.

As you know, I speak for all mediocrities,
Safe in my 55+ gated-community.
I go next to the Club House,
"The Lodge" as it’s called.
Each afternoon, the usual suspects
Claiming first come/first serve tiered mini-theater seats
Where Netflix matinee gems are screened.
It is two minutes to DVD show time.
I walk to the front of the room.
I stare at my audience.
I count the house slowly,
Making meaningful eye contact with each wrinkled face.
I cup my hands behind my back and speak:
“I assume you are all here for my lecture on Kierkegaard.”
No one reacts.
I turn to leave but do a double-take and smile.
One old woman in the top right corner of the amphitheater laughs, Perhaps the one other human being within the gates
Who has also smoked a joint today.
For an instant, I am overwhelmed with paranoia,
Perhaps I’ve gone too far over the line:
No longer “oh-he’s-a-character;”
I am now “that creep is ******* nuts.”
Is it time for someone to approach my family,
My next of kin, my “who-to-contact-in-event-of-emergency” number? Who will make the call on behalf of the HOA—
The Homeowner’s Association—
The Tsars, the Duma, the Supreme Soviet in these parts?
They are the power inside the gates;
Those who determine the state’s enemies,
Who govern its community norms.
Power within the gates.
Law within the asylum.
Little Hitlers one and all.
Hopefully they reach my sister first.
She’s been briefed.
KEY POINT IN THE NARRATIVE:
The new narrative is non-linear.
We can no longer sustain a narrative understanding of ourselves;
We are each an individual stream of consciousness,
All of us random, non-linear and disconnected.
We grow more and more disconnected from others.
We may be neighbors in space and time,
But we remain deprived of any significant human contact;
Any spiritually significant human contact.
Our social circle narrows to what can fit in The Telescreen;
We become more intimate with a legion . . .
Did someone say a legion? SPQR:
Am I having some sort of genetic-linguistic seizure here?
Am I channeling Benito Mussolini again?
Il Duce speaks to me from the grave,
Still blowing smoke up my Hopi-Jew-*** ***,
Filling in my insecurities,
Plugging the holes in my character
With delusions of classical Roman grandeur, glory and empire. Hmmmm? Quite an appetizing pitch for the average *****,
A message so completely, so ethnocentrically slick,
Olive oily, and so seductive.
A non-Italian would have thought
American Legion or Legionnaire’s disease,
Or The Foreign Legion, The French Foreign Legion.
The French: a virulent, promiscuous people.
Do you want fries with that, Simone?
No, I don’t get out much.
Only an occasional brisk walk around the asylum,
In and around the golf course, around but inside the gates. (LINKS) Bill Gates. Daryl Gates. Billy Bathgate’s Gates? Ghiberti’s Gates? The Hot Gates? Thermopylae? 300 Spartans/700 Thespians:
“The noun causing idiots to think of
Two girls sloppily eating each other’s mighty vaginas,
When they hear mention of someone being an actor.” http://www.urbandictionary.com
Not even close.
No, I rarely venture out.
This is Hemetucky.
There are methamphetamine-stoked
Teenage zombies at the gate.
Note to costume control:
Perhaps camouflage clothing is the safe choice?
No loud red Hawaiian.
No garish Indonesian batik.
Fleet of feet are these Hemet tweakers,
These cranked up Riverside County teenage barbarians,
These Huns & Visigoths,
These amped up, ravenous jackals.
And why stop there?
These Vandals & Vandellas.
A Motown flashback:
“Nowhere to run, baby, nowhere to hide.”
With or without Martha—
They remain dangerously lethal.
Yes, let it be camo clothes for me.
Those **** heads may be young.
They may be fast.
They may be able to run me down
On a dry grass dog-legged fairway savannah,
Tearing the meat from my carcass.
But the sons-a-******* have to see me first.
Besides, we know who are real friends are.
Hooray for our media peeps!
We become more intimate with a legion
Of television personalities on 125 different channels.
Most of these we know by name and context.
We know their families, their friends,
Their histories, their tragedies,
Their favored hyperbole and manner of speech.
Sometimes we establish intimacy with celebrities
Strictly on the basis of universal body language.
At times–in the absence of any other
Empathetic facility of identification–
We connect on instinct alone.
Instinct: perhaps animal at its core,
An animal kingdom affinity group,
Connecting on a bio-linguistic level,
Particularly when the Korean, or Spanish,
Mandarin, or Arabic,
Japanese, or even Hebrew language version is broadcast.
All languages cryptically alien,
A dense boundary, a barrio border wall,
Undecipherable, impenetrable concrete.
But we’ve never spoken to our neighbors,
Nor do we know their names.
Celebrities are the neighbors we know best;
Although the intimacy is an illusion,
Permission to invade their privacy presumed,
Tacit in the relationship between celebrities and their fans.
I am an independent contractor now,
An outside consultant to the NSA.
Try as I might I cannot crack the enigma,
Kim Kardashian remains far beyond my code-breaking prowess.
I repeat myself:
We can no longer sustain a narrative understanding of ourselves;
We are each an individual stream of consciousness,
All of us random, non-linear and disconnected.
We are more and more disconnected from others.
We may be neighbors in space and time,
But we remain deprived of any significant human contact;
Any spiritually significant human contact.
Our social circle narrows to what can fit in The Telescreen; we become more intimate with a legion . . .
Back to you, David Ulin:
“Sometime late last year—I don’t remember when, exactly—I noticed I was having trouble sitting down to read. That’s a problem if you do what I do, but it’s an even bigger problem if you’re the kind of person I am. Since I discovered reading, I have always been surrounded by stacks of books. I read my way through camp, school, nights, and weekends; when my girlfriend and I backpacked through Europe after college graduation, I had to buy a suitcase to accommodate the books I picked up along the way.”
Thank you, David L. Ulin.
I cannot help myself.
I grow more eccentric each day.
My eyeballs glued to that flat screen!

Cosmo Kramer: "The bus is outta control.
So I grab him by the collar, I take him out of the seat,
I get behind the wheel, and now I’m driving the bus."
Jerry: "Wow!"
George Costanza: "You’re Batman."
Cosmo Kramer: "Yeah, yeah, I am Batman.
Then the mugger, he comes to and he starts choking me.
So I’m fighting him off with one hand,
And I kept driving the bus with the other, ya know.
Then I managed to open up the door,
And I kicked him out the door, ya know,
With my foot, ya know, at the next stop."
Jerry: "You kept making all the stops?"
Cosmo Kramer: "Well, people kept ringing the bell!"
(Share this moment with a stranger.)

I speak for all mediocrities.
I am their champion, their patron saint.
Boom Chaka Laka. Boom Chaka Laka.
Boom Chaka Laka. BOOM!
Isn’t it time Salieri tempted Constanze–
Frau Mozart–with a plateful of Capezzoli di Venere:
“******* of Venus.”
You had me at hello, Kidman.
I know you too well, Nicole.
I knew you from before,
Way before Tom’s Oprah couch freak show.
Listen to me, Nicole:
We are face to face
With the most profound question in American literature:
"What is the grass?
The flag of my surrender?
The flag of my disposition?"
I resort to Socratic maxims: Know yourself;
The un-****** life is not worth living.
Is it stress? Is it lack of conviction?
Everything Jeff Lebowski neither wants nor needs in his life?
I watched you *** in "Eyes Wide Shut," Nicole.
Now I know you with my eyes and your legs wide open.
Thank you, Sidney Pollack.
Sidney knew.
Sidney dealt us cards
From his Hollywood Tarot deck.
We are intimate, Nicole.
I watched you squat.
Cunning Linguist Dec 2013
Immerse yourself until wholly submerged
in my unholy divergence;
Poor form tormented soul - 
Roll your pain in a J
then dip it in chloroform
Embrace my urges to purge
the remnants of sanity,
Spilling and screaming
all these profanities at humanity

Confuddling all posers
with my bastardized prose ~
Please, continue badgering
and nagging me
with your ****-******* menagerie
of trivial drudgery
I’m in misery so
go ahead and bludgeon me
Square in the noggin’
So that I can jog it,
whilst juggling all these nails
from my coffin

I’m awfully harmful and cruel
got these scoffing jealous skeptics
Acting a fool,
coughing up a lung-full of fuel
for all of the putrid mind puke I spew
My mixing *** skull’s
where the ingredients accrue
Just stew with me for a little
while longer though won’t you

I’m a cancer-ridden addler
babbling mad adages,
ravishingly tenderizing my meat
Laced with some dust from space, yes, no lackage/absence of it lining
within my nasal passages see
spun off some of that absinthe
In a cloud of burning trees
Please tell me you feel me

It’s staggering how I’m both crazy batshit,
**** smooth as rotten laxative cheese
Brain’s melting acidic beef
I’m like Randy Savage I got
Bombastic fat ******* in heat
Straight making my **** go flaccid post-weep

Don’t get offended women
just imagine
How painfully average the package
is within my lap that I’m packin
But now it’s wrapped
and I’m ready to fucken
fully send it no cap
My turnaround is lightning fast
In and out of your *** quick as a wink like The Flash

Faces contort in ghastly panic, actually
Dastardly antics unleashed in vast swarms
Plague the masses in pandemic proportions with them massive casualties factually once more
Give ya some relaxing action 
And skull-**** y’all
with such a passion *******
Your corpse falls to the floor
and right through the trapdoor

Candid, my pen-chance enchants
Heavy-handedly inanimate
in suspended animation
Supplant reality augmentation
Machinations of my imagination;
Implicating **** ransacking  
and seafaring through crab infestations 
Wreaking havoc and bequeathing vengeance
I’m a fire breathing grim reaper reeking of ****** ~

- Off is the nearest direction in which to ****
Dissect my ******* with your tongue
Turnt up ******* plumpies in the rumpus 
Just for the fun of it until I erupt
Remember, I’m avid for dismembering appendages
I expect you’re exceptional at accepting
a barrage of septic bombardment
Chance of success: logistics analysis zero percentage
(Cos I done ******* on all those *******.)

Superbly superlative and speculative
So fast on Adderall
I make Mad Hatter’s head spin
Quicker than you can snap: 
Giving your family heart attacks
Smack you in the face, 
While fapping my fabulous lap rocket

Thunderously plundering under covers
Spring-loaded with faux pas’ so hot
Make your mother’s ***** pop out
and say “hello”
like a Jack-in-the-Box

& U kno Those foxy grandmas
be jaxing off my **** -
Bingo wings beckoning me to flock
Choppin’ up rocks round the clock
with the glock in my pocket til I rot 
Undoubtedly
Caught em wit the molly-whop eyeballs pop out they sockets all dramatically
Whole squad **** swap the rod, on God
Blow my whole *** when I start spitting them double entendre fatality snowballs
Zippity-zop like Cosby’s special BBQ sauce
Bet I’ll dip my puddin’ pop and stay fresh with the drip til I drop
Y’all just holler when you want me to stop

Palpable, these **** butts malleable as putty
Barbarically barrel rolling into dat ***
rip it to shreds like confetti
Power Pole extend
Face pressed into your *******
Inhaling the wafting aromatic stenches
of distant French fish factories

Clearly getting dome from your dearly betrothed violently
Now she bridal and my seeds spiraling virally
Vital signs finalizing
Bounce that *** like jello
Swell; I’m in your hair like gel
Now swallow my jollies and don’t bother
Unless you hollerin’ and giving me dollars
Zealots idol my harlotry

If nose goes go slow grow low
Throwing those yoloing hoes out windows
This ***** simply bonkers
I conquer fear me

***** DON’T HARSH MY MELLOW
SWEAR I’LL MARSH YOUR MALLOWS
David Adamson Jan 2019
A landscape devoid of transparent eyeballs.
When did we all become photographers?
Freeze fleeting things,
filter clouds, endless beauty a simple effect.

Funny how enclosures feel obsolete—
the graves, the houses, three-sided mornings—
when I am a share, a like,
self-simulacrum selfie.
I stand on a fascinating algorithm,
Below that it’s reposts all the way down.

Share, share a like,
share a googol of happy lives
better than yours.

Are we saying yes  
to starting off yet again,
absent this time?
rusty shacks Jun 2013
Sitting in a dark room
I feel a chill go down my spime.
my stomach pleads for release from its incarceration,
with its incessant growling, but I cannot cooperate.
All attempts to gain fluency in Russian had failed,
I cannot comprehend a backwards R, Toys 'я' us a notable exception.
Я должен уйти от этой мрачной тюремной со знанием двух языков!
I must escape this dark bilingual prison!
I turn my eyeballs inside my head
and gasp in horror at what I had become.
Brycical Aug 2011
BPD
We get it—
nobody paid attention to you
growing up.
Now the reward is attention,
lots of it—
From police, therapists, and a family
that doesn’t understand.
They want to help
but you make it hard—
The anger isn’t directed at you,
merely the troubling revelation
truth is whatever garner’s the most eyeballs.
What are we supposed to believe?
Even the cutting you implore
isn’t linked to depression.
Everyone wants to help,
but you have to want  it as much
as the attention you desire.
In all my years as professor of Paleontology at Ublique University, I never thought I'd have a bad day. My life was a happy one. I had a car that was payed for. A cold refrigerator, full of food. New & improved gadgets & gizmos. A wife who would rub my back on request. & it all changed when I turned 42.

It was the morning of August 12th when things changed. An orange & cool, slightly windy day. The sun had a warmth that started as soon as I woke up. No heat. Just warmth. I woke up to find nobody at my bedside.

"Bacon." I quietly whispered in excitement.

If Sharon woke up before me that meant breakfast. & that meant coffee. I could use some. The night before, we had a party celebrating my 42nd birthday. A special one I think. Making it to 40 is a feat. Surviving the next year is an accomplishment. But, driving gracefully past 41 into a mature 42 is... smooth.

I stretch & roll out of bed. Squeezing into my slippers I noticed the bedroom is messier than usual. A few things are missing out of my drawers & the rest of my room. The bathroom is missing a few things as well. Soap, washcloths, towels &...

Oh dear, lipstick!

There's a lipstick message on the mirror in elegant cursive. "Goodbye" is all it says & needs to say. Sharon's left & taken my heart & soul with her. & the bacon.
"Alright, time to think." I keep repeating in my head. I'm thinking, but only one thought comes to mind.

"Why?"

Sharon's gone. I get up from the bed. My heart drops to the floor. That's not her handwriting. We've been robbed & she's been taken for ransom.



I sit down for a minute.
No!

Not for ransom!

It's a sicker crime. They only want her. For their own sick, twisted reasons.

"****, what should I do?" the only thing rushing through my body.

Again. Stop it.

I run downstairs into the kitchen. Alright, i have a knife. I'm armed & dangerous. I run into the living room. My blood runs cold. They're still here. ****, ****, ****, ****, ****, ****.

I run back upstairs.

In a flash of white light the scenery changes.

I'm in a hospital.

"How did I get here?" I ask myself. My stomach hurts & my left arm & leg are wound in casts. There's a vibrant red lipstick stained kiss on my left foot with the words, "You knew all along" written in cursive along the bottom of the kiss. Before I can collect my thoughts, a sharp looking doctor walks in.

"Didn't your mother ever tell you not to run with scissors? Or rather, knives?" he asks.

She did & I musn't have listened. I had a hard time listening. Sharon! She almost slipped my mind.

"Doctor, I need to go home." I semi-ask.

He rebuttals with, "Nope, the wound in your stomach isn't life threatening, but we want to keep you here for a few days."

I bite my tongue ax logic kicks in.

"Okay." I say.

I'm going to escape.

I pull out the IV's in my arm & look for my clothes. Can't find them, so I settle for the guy's down the hall. They're a little loose on me, but the belt fits. The shoes however, do not. ****. How am I going to get past the guards?

Wait, there aren't guards in hospitals. Are there?

No.

Maybe.

No.

Definitely not.

I take the elevator down to the main floor & walk out the front door. It was easier than I thought to escape from a hospital.

I'm outside & no one is chasing me. I hail a cab & realize my wallet is back at the hospital. This whole thing is crazy, I know.

I arrive at home & pay the guy with some of Sharon's jewelry. Looking around, I realize the living room isn't trashed. & only Sharon's purse & shoes are missing downstairs. Maybe she wasn't taken for ransom.

Again, time to sit down & relax. Not relax, but think.

Last night. Something must have happened last night.

Okay, there was a party. It was a surprise party. Ron, Sue, Burgundi, Jon & a few people from the campus were there.

I'm not that guy who hates surprise parties. Or surprises for that matter. They're great. So, I remember walking in the door a spectacular Friday. All my students  wished me a happy birthday.

The house was dead dark when I walked in & then, KABOOM!

The place lit up. "Happy Birthday!" they all shouted & champagne is thrown my way. All was normal there. I talked to everyone. Had cake & opened my presents. My favorite was the pen/pencil combo.

Then I went outside to the backyard, lit a cigar & watched a silvery, grayish cat scurry along our wooden fence. Night had fallen & the moon was half full.

I can't believe I broke my leg, my arm & stabbed myself in the stomach. I walk back upstairs to change.

Wait.

There's no blood on the stairs. & who called 911?

It's quiet in the house. Too quiet. Someone's here. I'm three steps up the stairs, no point in turning around. The bedroom & office are safe. So are the closets. Under the bed as well.

Relax. Change clothes & relax. It's difficult getting into pants now, but I make it happen.

Back downstairs. The living room, kitchen & bathroom are safe. Okay. Either I don't bleed or something strange is going on. Maybe, Sharon came back & saw me.
But she couldn't be that heartless as to leave me in the hospital alone, could she? Oh no! Maybe she didn't come into the house. Maybe, she really has been kidnapped.

I'm staring at my hand. Noticing the deep & fine wrinkles along with my veins & cuticles. My palms look like satellite images of rivers & microscopic views of capillaries. There is a candy bar on the coffee table. I eat it & instantly feel better.

My head swings back & my body warms & tingles. I close my eyes & see my granpa showing me how to measure & cut wood to turn it into something useful. We're making forms for a concrete pathway from the house to the garden. A blooming garden with peas, onions, spinach & okra. I reach my hand to write my name in the wet concrete & a bee stings me. It hurts for a millisecond. Then the pain moves away. My granpa looks at me from in the garden. Then he hunches over to look at something in the ground. My arms goes numb as I walk towards him. I feel something pulling me back.

I look behind me & see myself unraveling. The threads of my shirt & cast are being unwound like thread from a spool. In a few steps, I'm naked. I keep walking as my granpa shouts my name. I see his mouth moving, but can't hear him. My body feels lighter with every step. I look at my bee wound & find that my hand is unraveling along with my arm & the rest of me. Layer by layer I'm being unwound. I'm down to my nervous system, brain & eyeballs when I open them & see my granpa's face. he's smiling. I'm down to my eyes when I start to look at what my granpa sees.

Time slows & my eyeballs unravel,
leaving me in complete & silent darkness.
Tragedy
He was a Grecian lad, who coming home
With pulpy figs and wine from Sicily
Stood at his galley’s prow, and let the foam
Blow through his crisp brown curls unconsciously,
And holding wave and wind in boy’s despite
Peered from his dripping seat across the wet and stormy night.

Till with the dawn he saw a burnished spear
Like a thin thread of gold against the sky,
And hoisted sail, and strained the creaking gear,
And bade the pilot head her lustily
Against the nor’west gale, and all day long
Held on his way, and marked the rowers’ time with measured song.

And when the faint Corinthian hills were red
Dropped anchor in a little sandy bay,
And with fresh boughs of olive crowned his head,
And brushed from cheek and throat the hoary spray,
And washed his limbs with oil, and from the hold
Brought out his linen tunic and his sandals brazen-soled,

And a rich robe stained with the fishers’ juice
Which of some swarthy trader he had bought
Upon the sunny quay at Syracuse,
And was with Tyrian broideries inwrought,
And by the questioning merchants made his way
Up through the soft and silver woods, and when the labouring day

Had spun its tangled web of crimson cloud,
Clomb the high hill, and with swift silent feet
Crept to the fane unnoticed by the crowd
Of busy priests, and from some dark retreat
Watched the young swains his frolic playmates bring
The firstling of their little flock, and the shy shepherd fling

The crackling salt upon the flame, or hang
His studded crook against the temple wall
To Her who keeps away the ravenous fang
Of the base wolf from homestead and from stall;
And then the clear-voiced maidens ‘gan to sing,
And to the altar each man brought some goodly offering,

A beechen cup brimming with milky foam,
A fair cloth wrought with cunning imagery
Of hounds in chase, a waxen honey-comb
Dripping with oozy gold which scarce the bee
Had ceased from building, a black skin of oil
Meet for the wrestlers, a great boar the fierce and white-tusked
spoil

Stolen from Artemis that jealous maid
To please Athena, and the dappled hide
Of a tall stag who in some mountain glade
Had met the shaft; and then the herald cried,
And from the pillared precinct one by one
Went the glad Greeks well pleased that they their simple vows had
done.

And the old priest put out the waning fires
Save that one lamp whose restless ruby glowed
For ever in the cell, and the shrill lyres
Came fainter on the wind, as down the road
In joyous dance these country folk did pass,
And with stout hands the warder closed the gates of polished brass.

Long time he lay and hardly dared to breathe,
And heard the cadenced drip of spilt-out wine,
And the rose-petals falling from the wreath
As the night breezes wandered through the shrine,
And seemed to be in some entranced swoon
Till through the open roof above the full and brimming moon

Flooded with sheeny waves the marble floor,
When from his nook up leapt the venturous lad,
And flinging wide the cedar-carven door
Beheld an awful image saffron-clad
And armed for battle! the gaunt Griffin glared
From the huge helm, and the long lance of wreck and ruin flared

Like a red rod of flame, stony and steeled
The Gorgon’s head its leaden eyeballs rolled,
And writhed its snaky horrors through the shield,
And gaped aghast with bloodless lips and cold
In passion impotent, while with blind gaze
The blinking owl between the feet hooted in shrill amaze.

The lonely fisher as he trimmed his lamp
Far out at sea off Sunium, or cast
The net for tunnies, heard a brazen *****
Of horses smite the waves, and a wild blast
Divide the folded curtains of the night,
And knelt upon the little ****, and prayed in holy fright.

And guilty lovers in their venery
Forgat a little while their stolen sweets,
Deeming they heard dread Dian’s bitter cry;
And the grim watchmen on their lofty seats
Ran to their shields in haste precipitate,
Or strained black-bearded throats across the dusky parapet.

For round the temple rolled the clang of arms,
And the twelve Gods leapt up in marble fear,
And the air quaked with dissonant alarums
Till huge Poseidon shook his mighty spear,
And on the frieze the prancing horses neighed,
And the low tread of hurrying feet rang from the cavalcade.

Ready for death with parted lips he stood,
And well content at such a price to see
That calm wide brow, that terrible maidenhood,
The marvel of that pitiless chastity,
Ah! well content indeed, for never wight
Since Troy’s young shepherd prince had seen so wonderful a sight.

Ready for death he stood, but lo! the air
Grew silent, and the horses ceased to neigh,
And off his brow he tossed the clustering hair,
And from his limbs he throw the cloak away;
For whom would not such love make desperate?
And nigher came, and touched her throat, and with hands violate

Undid the cuirass, and the crocus gown,
And bared the ******* of polished ivory,
Till from the waist the peplos falling down
Left visible the secret mystery
Which to no lover will Athena show,
The grand cool flanks, the crescent thighs, the bossy hills of
snow.

Those who have never known a lover’s sin
Let them not read my ditty, it will be
To their dull ears so musicless and thin
That they will have no joy of it, but ye
To whose wan cheeks now creeps the lingering smile,
Ye who have learned who Eros is,—O listen yet awhile.

A little space he let his greedy eyes
Rest on the burnished image, till mere sight
Half swooned for surfeit of such luxuries,
And then his lips in hungering delight
Fed on her lips, and round the towered neck
He flung his arms, nor cared at all his passion’s will to check.

Never I ween did lover hold such tryst,
For all night long he murmured honeyed word,
And saw her sweet unravished limbs, and kissed
Her pale and argent body undisturbed,
And paddled with the polished throat, and pressed
His hot and beating heart upon her chill and icy breast.

It was as if Numidian javelins
Pierced through and through his wild and whirling brain,
And his nerves thrilled like throbbing violins
In exquisite pulsation, and the pain
Was such sweet anguish that he never drew
His lips from hers till overhead the lark of warning flew.

They who have never seen the daylight peer
Into a darkened room, and drawn the curtain,
And with dull eyes and wearied from some dear
And worshipped body risen, they for certain
Will never know of what I try to sing,
How long the last kiss was, how fond and late his lingering.

The moon was girdled with a crystal rim,
The sign which shipmen say is ominous
Of wrath in heaven, the wan stars were dim,
And the low lightening east was tremulous
With the faint fluttering wings of flying dawn,
Ere from the silent sombre shrine his lover had withdrawn.

Down the steep rock with hurried feet and fast
Clomb the brave lad, and reached the cave of Pan,
And heard the goat-foot snoring as he passed,
And leapt upon a grassy knoll and ran
Like a young fawn unto an olive wood
Which in a shady valley by the well-built city stood;

And sought a little stream, which well he knew,
For oftentimes with boyish careless shout
The green and crested grebe he would pursue,
Or snare in woven net the silver trout,
And down amid the startled reeds he lay
Panting in breathless sweet affright, and waited for the day.

On the green bank he lay, and let one hand
Dip in the cool dark eddies listlessly,
And soon the breath of morning came and fanned
His hot flushed cheeks, or lifted wantonly
The tangled curls from off his forehead, while
He on the running water gazed with strange and secret smile.

And soon the shepherd in rough woollen cloak
With his long crook undid the wattled cotes,
And from the stack a thin blue wreath of smoke
Curled through the air across the ripening oats,
And on the hill the yellow house-dog bayed
As through the crisp and rustling fern the heavy cattle strayed.

And when the light-foot mower went afield
Across the meadows laced with threaded dew,
And the sheep bleated on the misty weald,
And from its nest the waking corncrake flew,
Some woodmen saw him lying by the stream
And marvelled much that any lad so beautiful could seem,

Nor deemed him born of mortals, and one said,
‘It is young Hylas, that false runaway
Who with a Naiad now would make his bed
Forgetting Herakles,’ but others, ‘Nay,
It is Narcissus, his own paramour,
Those are the fond and crimson lips no woman can allure.’

And when they nearer came a third one cried,
‘It is young Dionysos who has hid
His spear and fawnskin by the river side
Weary of hunting with the Bassarid,
And wise indeed were we away to fly:
They live not long who on the gods immortal come to spy.’

So turned they back, and feared to look behind,
And told the timid swain how they had seen
Amid the reeds some woodland god reclined,
And no man dared to cross the open green,
And on that day no olive-tree was slain,
Nor rushes cut, but all deserted was the fair domain,

Save when the neat-herd’s lad, his empty pail
Well slung upon his back, with leap and bound
Raced on the other side, and stopped to hail,
Hoping that he some comrade new had found,
And gat no answer, and then half afraid
Passed on his simple way, or down the still and silent glade

A little girl ran laughing from the farm,
Not thinking of love’s secret mysteries,
And when she saw the white and gleaming arm
And all his manlihood, with longing eyes
Whose passion mocked her sweet virginity
Watched him awhile, and then stole back sadly and wearily.

Far off he heard the city’s hum and noise,
And now and then the shriller laughter where
The passionate purity of brown-limbed boys
Wrestled or raced in the clear healthful air,
And now and then a little tinkling bell
As the shorn wether led the sheep down to the mossy well.

Through the grey willows danced the fretful gnat,
The grasshopper chirped idly from the tree,
In sleek and oily coat the water-rat
Breasting the little ripples manfully
Made for the wild-duck’s nest, from bough to bough
Hopped the shy finch, and the huge tortoise crept across the
slough.

On the faint wind floated the silky seeds
As the bright scythe swept through the waving grass,
The ouzel-**** splashed circles in the reeds
And flecked with silver whorls the forest’s glass,
Which scarce had caught again its imagery
Ere from its bed the dusky tench leapt at the dragon-fly.

But little care had he for any thing
Though up and down the beech the squirrel played,
And from the copse the linnet ‘gan to sing
To its brown mate its sweetest serenade;
Ah! little care indeed, for he had seen
The ******* of Pallas and the naked wonder of the Queen.

But when the herdsman called his straggling goats
With whistling pipe across the rocky road,
And the shard-beetle with its trumpet-notes
Boomed through the darkening woods, and seemed to bode
Of coming storm, and the belated crane
Passed homeward like a shadow, and the dull big drops of rain

Fell on the pattering fig-leaves, up he rose,
And from the gloomy forest went his way
Past sombre homestead and wet orchard-close,
And came at last unto a little quay,
And called his mates aboard, and took his seat
On the high ****, and pushed from land, and loosed the dripping
sheet,

And steered across the bay, and when nine suns
Passed down the long and laddered way of gold,
And nine pale moons had breathed their orisons
To the chaste stars their confessors, or told
Their dearest secret to the downy moth
That will not fly at noonday, through the foam and surging froth

Came a great owl with yellow sulphurous eyes
And lit upon the ship, whose timbers creaked
As though the lading of three argosies
Were in the hold, and flapped its wings and shrieked,
And darkness straightway stole across the deep,
Sheathed was Orion’s sword, dread Mars himself fled down the steep,

And the moon hid behind a tawny mask
Of drifting cloud, and from the ocean’s marge
Rose the red plume, the huge and horned casque,
The seven-cubit spear, the brazen targe!
And clad in bright and burnished panoply
Athena strode across the stretch of sick and shivering sea!

To the dull sailors’ sight her loosened looks
Seemed like the jagged storm-rack, and her feet
Only the spume that floats on hidden rocks,
And, marking how the rising waters beat
Against the rolling ship, the pilot cried
To the young helmsman at the stern to luff to windward side

But he, the overbold adulterer,
A dear profaner of great mysteries,
An ardent amorous idolater,
When he beheld those grand relentless eyes
Laughed loud for joy, and crying out ‘I come’
Leapt from the lofty **** into the chill and churning foam.

Then fell from the high heaven one bright star,
One dancer left the circling galaxy,
And back to Athens on her clattering car
In all the pride of venged divinity
Pale Pallas swept with shrill and steely clank,
And a few gurgling bubbles rose where her boy lover sank.

And the mast shuddered as the gaunt owl flew
With mocking hoots after the wrathful Queen,
And the old pilot bade the trembling crew
Hoist the big sail, and told how he had seen
Close to the stern a dim and giant form,
And like a dipping swallow the stout ship dashed through the storm.

And no man dared to speak of Charmides
Deeming that he some evil thing had wrought,
And when they reached the strait Symplegades
They beached their galley on the shore, and sought
The toll-gate of the city hastily,
And in the market showed their brown and pictured pottery.
In Memoriam

What's missing is the eyeballs
in each of us, but it doesn't matter
because you've got the bucks, the bucks, the bucks.
You let me touch them, ****** the green faces
lick at their numbers and it lets you be
my "Daddy!" "Daddy!" and though I fought all alone
with molesters and crooks, I knew your money
would save me, your courage, your "I've had
considerable experience as a soldier...
fighting to win millions for myself, it's true.
But I did win," and me praying for "our men out there"
just made it okay to be an orphan whose blood was no one's,
whose curls were hung up on a wire machine and electrified,
while you built and unbuilt intrigues called nations,
and did in the bad ones, always, always,
and always came at my perils, the black Christs of childhood,
always came when my heart stood naked in the street
and they threw apples at it or twelve-day-old-dead-fish.

"Daddy!" "Daddy," we all won that war,
when you sang me the money songs
Annie, Annie you sang
and I knew you drove a pure gold car
and put diamonds in you coke
for the crunchy sound, the adorable sound
and the moon too was in your portfolio,
as well as the ocean with its sleepy dead.
And I was always brave, wasn't I?
I never bled?
I never saw a man expose himself.
No. No.
I never saw a drunkard in his blubber.
I never let lightning go in one car and out the other.
And all the men out there were never to come.
Never, like a deluge, to swim over my *******
and lay their lamps in my insides.
No. No.
Just me and my "Daddy"
and his tempestuous bucks
rolling in them like corn flakes
and only the bad ones died.

But I died yesterday,
"Daddy," I died,
swallowing the ****-*** animal
and it won't get out
it keeps knocking at my eyes,
my big orphan eyes,
kicking! Until eyeballs pop out
and even my dog puts up his four feet
and lets go
of his military secret
with his big red tongue
flying up and down
like yours should have

as we board our velvet train.
Lee Sharks May 2015
BELIEF & TECHNIQUE FOR TELEPATHIC PROSE
Lee Sharks & Jack Feistfrom Pearl and Other Poems

1.     Compose real poems telepathically, with mind control powers, inside your glorious brain.

2.     You are your own best advocate. Insist the world acknowledge your poems as artifacts of tiny doom. Accept nothing less. Threaten to smash yourself in the face with gasoline and set your hair on fire. Leap over the seats to aggressively stand inside the world’s personal space and get up in its grill. Take this container of Tic-Tacs and smash it on your forehead. Crush each Tic-Tac individually into your eyeballs and ask the world if it likes your poem, and if it likes your poem, then eat your poem: “Do you like my poem? Then eat it.”

3.     Always seek constant approval, then punch your cat in the face.

4.     Arrive alive. Don’t text and drive.

5.     Always write poems all the time.

6.     Never professionalize writing. Professionalism is the last refuge of responsible people looking for work.

7.     Your life is your poem. Take care to write it biographically. Failing that, invent false biographies and post them on Wikipedia.

8.     Get as much education as you can, then ****** your education in the face to save it from sloppy education. Get enough education to respect your contempt for education.

9.     Give it all that you have, as deep as it goes, as desperate and total as taking a breath.

10.  Also be pedantic mundane pig-critic of precise punctuation juggling and ruthless crossed-out darling murdering of your own puny sentences. Save every draft and revert to original after enormous work, then drown yrself in the bathtub. Remember: editing is organization.

11.  Be long-sighted prodigy of skeptically believing in nothing, but also believe in destiny, but quietly, and hit yourself in the face for naivety’s sake.

12.  You are a seamstress of words—place each stitch carefully, deliberately. Develop a series of rituals and perform them, without variation, prior to placing each word. Allow the frequency and intensity of these rituals to grow until you spend hours, each day, touching and retouching your left index finger to the tip of your nose in a rhythmic, counter-clockwise motion, in sets of thirty revolutions, in order to place a single character. Spend years of your life shut away from the world, wasting away into an awkward, unhygienic shadow of your former self, and have, to show for it, a two-syllable word of Germanic origins on an otherwise clean, white page. This word will be redoubtable, the bedrock of your writing career. Go on to spend vast sums of personal wealth and total dedication, alienating the remaining handful of long-suffering friends who continue, despite all odds, to solicit the memory of your humanity, in order to learn the arts of metalworking, Medieval alchemy, and font design, recreating a metal-cast, alpha-numeric set of Times New Roman font, from scratch, going broke long before “numeric,” and with only the half-formed germs of the characters W, N, and sometimes-vowel Y.  hat are such retrictio s to  ou?  ou are a poet,  ot a mathematicia .  ou are a creature of steel.  ou  ill  rite a  e  and better  orld, a  orld  ithout the letter   , forgi g it, o e smoki g husk of a  ord at a time.

13.  Turn over a new leaf. You’re not getting much done like this, anyways, let’s face it. Break the chains of your censoring, conscious mind; tap into the spontaneous well of unconscious human brilliance that springs from the source of dreams. Thwart the stick-in-*** tyranny of your internal editor by making a commitment to write constantly, without ceasing, editing, or even thinking, no matter what, ignoring the anally retentive quips your brain will no doubt make. Make a further commitment: you will not only write, irrespective of internal censorship, but in a way that is unconscionably terrible, on purpose. Your writing will be, by turns, embarrassing, infantile, automatic, and marmaduke poppers—or shall we say, antagonistic to the indoctrination in repressive concepts such as “sentence” and “word” of your reader, who is always, and only, you. Let your writing be a spiritual discipline of Bat-a-rang pancakes and lightly alarm clock, ding—your toast is done.

14.  Always Alka-Seltzer eyelids all the time.

15.  At last, you are ready to make it new, to ****** your darlings, to first thought, best thought, to your heart’s content. Your adverb will be the enemy of your verb, the difference between your almost-right word and your right word will be the difference between your lightning bug and your lightning. You are ready to have a spontaneous overflow of powerful feeling, then censor the s**t out of it. You are ready to turn your extremes against each other: Unlearn your apple pancakes and burst through the mental barriers; then slow the flood, let the lovely trickle out & edit, edit, edit. Capture spontaneous gem of native human genius, then marshal vast armies of technical knowledge & self-discipline to ensure it glimmers and cuts.

16.  Believe in things like destiny. No really—the path will shatter you so many times your shards will have splinters, your bombshells, shrapnel. By the time you get there—which you probably won’t—even your exhaustion will be tired. Exhaustion of mind and body will have passed so far beyond the physical, and through malaise of spirit, that it will emerge on the other side, as physical exhaustion again. In the face of this, nothing but a little Big Purpose will do. Besides, a little ideology never hurt anyone. Feel free to be all Voltaire with your bad self, in public—but don’t give up.

17.  After all of this, when your will is finally broken (again), and you have given up for the final time (again), start over. The former model wasn’t working. Refashion yourself and your writing. Lather, rinse, usurp your noble half-brother, and repeat, until you get somewhere, or die in the trying.  

18.  Achieve consistency of voice; it is the signature by which you will be known. Your “you” should ring out clearly from each individual letter. In this, the writer is like the salesman. Like a new car, neither the writing’s merits, nor the reader’s needs, will be the final, deciding factor. Ultimately, the deciding factor is you.

19.  Unlike a new car, it is difficult to drive a poem, to use it to get to school or work. Unlike a car salesman, a writer does not wear enormous ties.

20.  Be so consistent that your writing consists in composing the same words, in the same order, creating the some overall voice and style, consistently, over and over, an eternal return of the same. Maintain this disciplined drudgery over the course of years. Let years become decades, and decades, an entire life: You will have “found your voice.” Variety is the spice of life, but consistency is its signature.

20.  Be so consistent that your writing consists in composing the same words, in the same order, creating the some overall voice and style, consistently, over and over, an eternal return of the same. Maintain this disciplined drudgery over the course of years. Let years become decades, and decades, an entire life: You will have “found your voice.” Variety is the spice of life, but consistency is its signature.

21.  Then again, consistency is the hobgoblin of small minds. Throw things up a little bit. One day, put on your hobgoblin hat, the next day, your small mind.

22.  On second thought, re: #16-17: Stop here. You don’t look like much of a writer. Save yourself the trouble of a deep investment that is sure to yield no returns. The prize is big, and not many take it. The Iliad showed us that the prize of writing is life eternal, and taught us to long for that promise; but the Odyssey taught us not to bother. There are many suitors, a single Odysseus. While the husband wends arduously homeward, Penelope weaves impending glory, an evaporating glamour, enchanting them, until he arrives. We are in for a bad end, if we chase another man’s wife, or a prize not rightfully ours. There are many suitors, a crowd of them. They begin as a chittering swarm of bats and end in the very same manner. You cannot have what is not yours. What is yours, no man can take. So, like Emily says,

I smile when you suggest that I delay ‘to publish’—that being foreign to my thought as Firmament to Fin. If fame belonged to me, I could not escape her—if she did not, the longest day would pass me on the chase—and the approbation of my Dog would forsake me—then—My Barefoot Rank is better—

23.  Therefore, take these Sturm und Drang commandments to the trash heap. Return to step 1, as the only useful piece of advice: Compose real poems telepathically, with mind control powers, inside your glorious brain.

(c) 2014 lee sharks & jack *****

from Pearl and Other Poems:

http://www.amazon.com/Pearl-Other-Poems-Crimson-Hexagon/dp/0692313079/ref=sr11?ie=UTF8&qid;=1429895012&sr;=8-1&keywords;=lee+sharks+pearl
BELIEF & TECHNIQUE FOR TELEPATHIC PROSE http://mindcontrolpoems.blogspot.com/2014/12/belief-technique-fortelepathic-prose.html
Ayad Gharbawi Dec 2009
THE STORY OF SARA


AYAD GHARBAWI


CHAPTER 3: BEING AN ACTIVIST

  
Gradually, we become ever more radical in our burning quest to uproot every conceivable element of the corrupting culture of the oppressors.
  We soon started to call these oppressors 'Pigs', because that is exactly what they were: overweight, bloated, filthy animals who live simply eat and consume all day, and who love to live in their own excrement.
  The Pigs had to be removed, because you cannot negotiate with a pig.
  It was so obvious to me!
  Some people did, indeed, argue that diplomacy and negotiations were the way to achieve our blessed equality-based society, but that was pure idiocy to me; because, for Heaven's sake, a pig will remain a pig and cannot become an 'enlightened' pig! These criminals, who are creating poverty, and who are killing people, because they do not allow them decent health services, must be completely eradicated, or else, ordinary people will continue to suffer.
  One day I heard Tony give a speech in front of a huge audience: "There's no point in cutting the tail of the snake. No, you must go straight for the head, and that's how you **** it!" And there ensued roars and cheers, from the mainly young crowd. "And, if someone is trying to **** you, what do you do? Negotiate? Talk to them? No, you **** them first, that's what you do! That's who the Pigs are, my friends. They are out there killing you, and so many of you tonight are simply not even remotely aware that you are dying slowly – so, you must, first of all wake up, and realize that someone, somewhere, is draining out the blood of your life, and next you must identify the cancer that is killing you. So, who's the cancer?" Tony screamed, and the by now delirious crowds immediately responded with a thunderous and hate-filled, "Pigs! Pigs! Pigs!"
  "The Pigs talk and teach us about 'morality' and 'respect' and 'decency', and other subjects like that. That's laughable now, isn't it?! I mean, the blood stained mass murderer is teaching us etiquette here?!"
  "No! No!" roared back the audience. "**** the pigs! **** the pigs!" they suddenly and somehow instantaneously started to chant. So, I must correct what many people think about Tony, and that is, he 'invented' and popularized that phrase, '**** the pigs". No, he didn't; it was the audience that night who spontaneously came up with that really exciting and vibrant phrase!
  From then on, violence became more common along with the never ending chants – if not screams – of '**** the pigs!' Every day, and all over the country, the movement had flourished, and there were the most refreshing and gloriously destructive riots in almost every major city.

  It was at this time that I first heard a speech from Omar.
We waited for the man to appear, but he seemed nowhere to be found.
  My God, I heard from so many people that he was the most radical in the deepest sense of the word!
  Apparently, he made Tony sound like a child!
  He also had a well disciplined party – unlike Tony.
  Here was a place that I can find the ‘cause of my life’!
  I could work for Omar and that would be the point of my life!
  The thought thrilled me – because I was already a convert to their ideas, but with Omar, there was a real party that was actively fighting the government, whereas Tony and other leaders like him were independent activists, but with no party behind them.
    Then, Omar suddenly appeared.
  He was of medium height, average looks - but it wasn’t long before you noticed his inexpressibly burning, fanatical eyes!
  I was about a few metres from him, and I could feel the sheer intensity of passion and rage within those eyeballs!
  This man must have absolutely the words of truth, for no Man could look like that and be a liar!
And then he gently spoke:
  "**** the pigs, I hear you say. Well, that's not good enough for me. People like that make me yawn. And, I'm bored of yawning every day. We need more. We need to move on faster. I need speed. It's not just '**** the pigs', it's '**** the cops!', because the cops defend the Pigs and attack us every day; '**** the teachers!' because every teacher does nothing except to teach us with pointless information'. And, '**** every human being' who sides or serves the establishment!”.
  Omar’s eyes were literally able to stab right through your heart and soul simply by staring at you!
  I can well imagine that my reader will not believe me and will say it was because I was a convert to Omar’s ideas that I found his eyes to be so abnormally powerful – but, what do you say to all those people who did not like him, and who met him, and yet, they, too, all said that his eyes were profoundly piercing?!
  So, you see, reader, do believe me – it’s not because I was emotionally enthralled by Omar, that I am describing him to you the way I do!
  He had beautifully framed fingers – I don’t know why I noticed that!
  He had a rather longish nose – maybe, that was one defect in his face, but you hardly noticed that, given the other attractions in this man.
  And then he possessed the deepest, most guttural, and yet so sweetly melodic voice, that I had ever heard, and when he spoke, he simply entranced me – not to mention the thousands of others.
  Omar continued, beginning to raise his ragged voice:
“And, so I order you, tonight, and tomorrow, and every day, to fanatically and ruthlessly exterminate every visible sign, agent, artist, writer, philosopher, painter, sculptor, journalist, teacher, professor, lawyer, doctor, surgeon, banker, engineer, everyone who works in the mass media like the television, every film maker, every scientist, and every single employer and employee of the Pigs."
  The audience now simply shrieked the verb, '****! ****! ****!’ while Omar went silent, amidst this wild orchestra of hate being played out.


  I noticed, that unlike Tony, Omar wouldn't gesticulate or move his hands at all.
  Actually, he just stood there, rock solid, like a statue while only eyes and mouth spoke!
  The man, I swear, looked like a 'human rock'!
  He was the absolute epitome of boundless hatred; of unrestrained defiance against the rulers ruling us!
  Yes, I do admit, and I hesitate to say so, but, yes, he almost did like completely maniacal – were it not for his self control and the beauty of his words!
  The audience relaxed.
  Omar waited until there was silence, and he continued:
  "Do you see the difference between what I am saying and what brothers like Tony say? People like Tony demand from us to uproot the pigs. But what Pigs does he, in fact, mean? Who does he mean, when he says 'Pigs'? He means the rich. That's it.”


  Now, Omar abruptly went silent.
  Tension.
  He was staring at us.
  I could feel that the audience felt nervous precisely because Omar was staring at them.
  Finally, he continued:
  “Can you imagine the limits of his intellect?! To Tony and his misguided followers, the solution facing the problem before us is simple enough: you simply wipe out the rich, and suddenly we have the beautiful society!"
  Omar was sneering, being utterly sarcastic in his voice and tone.
  "So is that it, Brother Tony? Is that all we need to do?”
  There, he stopped again, with a sarcastic, wicked smile on his face.
  The man’s body simply had no motion in it!
  I was waiting to see, if Omar would, at some point, move his body or his arms, but so far nothing!
  He continued:
“My goodness, I never knew that the gigantic problem facing us was to be solved in such a simple manner! But, no, you're being fools. Or, maybe you're fooling your selves. Either way, I don't know, and more importantly, I don't care, because, as I told you all out there listening to me,” suddenly, he began to scream with his rasping voice:
  “I'm a serious man, with a serious mission, and above all, I'm a man in a hurry!"
  Again, Omar went suddenly silent.
  I could sense, that he was deliberately teasing the audience, because they were obviously desperate for him to continue speaking, while he, would every so often stop speaking, thus adding to the tension in the atmosphere!
  The audience laughed, loving the biting sarcasm; obviously there were lots of rivalry and jealousies between the two camps, and so Omar's followers just loved to hear the buckets of insults being poured upon the followers of Tony.
  The mocking tone continued:
  "These fools are retarding our own path to victory! These followers of Brother Tony, are doing the dumbest acts that I have ever seen. I mean, what do you mean and what are you trying to achieve, when you have his followers going to restaurants and disrupting the place? I mean, is this what the definition of 'stupidity' is, or what?!"
  The crowd cheered: "Yes! Yes! Idiots!"
  "Listen here Brother Tony; I would like to say, 'it's all right, you're still young and you'll soon grow up'. But I can't say that. You know why?"
  The audience waited as Omar paused.
  He was staring at his audience.
  Suddenly, he erupted with his deafening scream:
  "I can't wait. Didn't I already tell you that? Didn't I tell you I'm a man IN A HURRY AND I'VE GOT TO DO MY WORK! DON'T YOU PEOPLE OUT THERE GET IT?"
  He roared, and the masses applauded furiously.
  "I don't have time, for children like Tony, and for his own little children, to stand in my way, and wait for them to grow up! I don't have the time, because I have an enemy out there, that needs to be completely, ruthless and fanatically exterminated, root and branch, do you now follow me?"
  "Yes! Yes! We follow!" screamed the masses.
  Silence.
  And then, Omar continued:
  "So, we know who Tony defines as the Pigs. What about myself? We must talk the talk of the brave. If you're scared, then get out of here. Why do I say this? Because this struggle requires the most ruthless behaviour on our part, and to be ruthless, you need to be brave, and to be rave means you have no fear."
  It sounded almost as if he were singing.
  Or maybe it was my imagination.


"So, who are the Pigs, you ask me? Simple. The Pig is a man, woman and child who has any Pig Attributes. What do I mean by 'Pig Attributes'? Very simple. Any human, who has in his brain, any idea, concept, believe and acceptance of any value from the rulers who rule us all. And, what are these 'values' that come from our dear rulers? They are ideas and values such as: there are the simple ones, like the belief in the right to profit, belief in the right of property, inheritance and so on. Then, there are the other beliefs, such as, belief in compassion for the rich, or cooperating with the rich or socialising with the rich. You follow?"
  The audience was silent.
  "That means, any human in our sick society, poor or not, who in any way, not only physically interacts with the rulers is a Pig himself, but also any human, poor or not, who has in his heart and mind, any empathy for the rich is a Pig himself, and so therefore, it follows – and I hope you people out there are listening to me – it means, therefore, that a poor human being who has any Pig Attributes, is a Pig himself, just like the rulers themselves. Do you understand?"
  Silence.
  And then he walked out.


  It was so sudden, because I expect a really screaming end from Omar, but to the surprise of everyone, he ended and simply walked out!
  But, I, understood what he meant.
  Basically, he was enlarging the definition of what it meant to be the 'enemy'.
  This struggle was now going to be infinitely more difficult. With Tony, the war was simple enough.
  We were 'right' while anyone belonging to the ruling class was 'evil' and that was it.
  Obviously, no member in the ruling class can deny that he's in the ruling class! They can even change their accents and their clothes, pretending to be poor, but there are computers and archives, such as birth certificates, school records, and it doesn't take long, to find out a person's origins.
  But now what Omar was proposing, that a Pig is any human being who interacts with the ruling class is evil.
  Also, anyone who has any thoughts that have any Pig Attributes (for example, being pro-ruling class), are also evil, and therefore, had to be eliminated.
  In other words, the poor can be Pigs as well.
  I loved that, because, I was never comfortable with most other left leaders, including Tony, who only focused their ire against the rich.
  To them all the poor were ‘blessed’ and ‘sinless’, and I knew, from my own background, that they simply romanticised the poor, probably because they themselves were all rich people who had never lived one day of their lives in poverty.
  With Omar, being impure, or sinful could be anyone in society – and, your background or class didn’t matter.
  That was far more logical to me!

But with joining Omar’s party, came other problems for me.
How were we supposed to ‘find’ a Pig, or an impure person?
  How can we be sure if a person has the Pig Attributes in his mind?
  It seemed ludicrous to me!
  I had doubts because as attractive an orator that Omar was, once you went home and thought about what he actually said, a lot did not make sense.
  I had so many ideas that contradicted what Omar had to say.
  For example, can’t we achieve our goals by peaceful means – rather than choosing the path of violence?
  And if we must use violence, then why don’t we attack military targets and not civilians?
  Wasn’t it wrong to target civilians and civilian places – like factories, farms, and shops?

  
  There he stood; eyes blazing as ever.
  What makes eyes 'blaze' I wondered.
  They don't actually emit any light, do they?
  So how can one man have such penetrating, piercing eyes that go right to your innermost heart?
  Omar seemed to be made of steel.
  Or, maybe it was all in my imagination, as Sanji would always be telling me.
  It was his personality and also his body language: that stern, stiff way of standing, that seemed to be the epitome of defiance against the evil in the world!
  His whole body seemed to be chiselled from the purest marble; there he stood, this heroic rock, against the tyranny of the storms and the oceans that were crashing on him; and still, there he stood, not only in supreme piety, but also, there he stood, waging a struggle against these very dark forces of evil.
  He will rid our society and our nation from evil, and one day, we shall live in a truly happy country.
  This nation and its sad people, this nation that has so many miserable, poor and unhappy people, will soon be able to live free, happy lives, without the burdens and the shackles imposed on them by the ruling elites.
  He spoke:
"They need to be utterly, and without a shred of human mercy, be exterminated, or else, it is us, who will be exterminated! It is either them or us! We need to cleanse our entire body from these cancerous cockroaches. Don't you people understand? Call it '******', call it 'exterminate', call it 'butchering them' – I do not care; what I do care and what I need in order to breathe uncontaminated, fresh air,  is to surgically and methodically and blindly eliminate the very existence of every Pigs on our land! That is why we have no choice but to fight. The criminals leave us with no choice. If they surrender their corrupting ways agai
Rhinestone Kelp May 2012
******* in you nose can do that,
This is the rosebush, the fuschia,
the striding spiderweb of summer.
Your trees from the ocean and sky,
and sepals turned sences.
A spindle-spinning wheel,
turning sunflowers to liquid honey,
yum - yum - yum !
Oh the tastes of nature,
hidden in burrow holes,
with small mice chittering their teeth,
through chestnut temples!
A crucified sunflower, soft-spoken ochre,
the pumpkins turning fields to dust
and growing seeds of castles.
Three blades of grass in
tasseled soil.
Three green-squash faces
among the fields burgundy,
growing eyeballs.
Viola splashes wave,
Palo Santo fragrance,
Filling the nostrils with
Happiness!
Day-to-day ecstatic twirls
Twists and twirls,
a steep staircase to
the waterfall's epicenter.
The soul of the falls tumbling
across the sealed creek,
oiled with the feathers of soils.
The queen of frozen loganberries
gazes with approval,
watching seperate streams congeal, spiral,
and form starry nights
beneath the sky.
Lime scent comforting
the ☀ of rivers!

*Written by: Lotus and Simon
Holly M Aug 2017
who am i?
what am i?
is my identity determined by my actions?
so that makes me a girl who'd rather write than live
and takes in life about as well as a siv
but is that all i am?
because that excludes the laughter
the offkey singing
the mediocre horn playing
and my lack of praying

or is the only me who matters
the one who is seen
through a million other eyeballs?
she says i'm a talent, a bottomless pit
a good friend, one you'd want
a girl obsessed with times new roman font
someone who's all the best parts of salty and sweet
but tell me, if that's the truth
then how come my phone isn't blowing up with calls?

am i little else than the me in the mirror?
two little tired chocolate truffles
unruly dark hair
skin that doesn't know what to be
all contained underneath a makeup mask

it's difficult to put a label on a person
while also taking time to imagine them complexly
to call me just one name ignores the best and the worst
the person in love with language
also uses it as a weapon to attack
the girl with a chip on her shoulder
never wants to look back

inside of me is a multitude of ladies
pretty preppy ladies
singing show girls
nifty nerd chicks
to choose one and ignore the rest would be a sham
so maybe i don't know who i am
and maybe that's okay

— The End —