Over 400,000 civilians killed in Iraq
missing from their families and never coming back
mothers, daughters, fathers, sons
why do we **** the innocent ones

it's downright ******
it's downright ******
it's downright ******

no amount of enemy troops being killed
can ever compare to the human toll revealed
doctors, nurses, teachers, nuns
why do we **** the innocent ones

it's downright ******
it's downright ******
it's downright ******

you don't know injustice
injustice is when the ones who said they came to save you, shoot you and your children in the face

Everything faded to black. He had a hard time remembering just what the hell happened. He wasn't sure of downing some random pills from of the medicine cabinet-- his first attempt to end it all. Making sure he would not recover-- if the pills didn't do the job-- he had already devised the set up of the noose in his bedroom. Definitely, he didn't recall anyone cutting the rope, forcing him down to the floor.

Lacie joked with him. "Dude, you've got nine lives! You must really be a ****, fricking cat in disguise! That's why you'll eat those nasty tuna fish sandwiches they serve in the nuthouse! "

Chris grinned at her.  He had to agree. To refer to it as the psych ward at the hospital made it seem like more of a jail term, but calling it "the nuthouse" lightened up the severity of the situation. As grave and nearly tragic as everything  had become, it was kind of laughable to him.  He supposed he had more chances than a cat's fabled life. It all seemed so crazy that it must be funny.

Well, what could he say? He had flirted with death, but unwillingly managed to escape its grip. "Pathetic..."--he commented. "I don't not even know how to die well..."

Chris  eventually realized that he had been rushed to the hospital, but wished it wasn't true. Since then, everything was either a total blur or a bizarre state of mind . Even waking up in his room was like a remotely vague memory, almost like a long ago dream that might not really have happened.

Maybe, he was somewhat aware that his sister was screaming in shock and horror at the sight of him, shouting out downstairs to her boyfriend to help her. But the walls were turning red, a glowing scarlet- red, with an added fiery orange and yellowish-gold-- all joined together in pulsating embers. He was quickly losing consciousness. It was like some, bad acid trip. Not that Chris knew this firsthand, but it sure was like something he saw on TV or at the movies.

And now he was the star of the horror show.

Did he die?  Death was what he planned on, so waking up was not a relief, or a reality back into motion--just the opposite. It was as if being awake was the real nightmare, a delusional time when everything was not true, and was only an scary, offbeat version of the life of Chris Cartier.

The bad acid trip continued. He recalled hospital staff rushing about him, seeming like real people-- sort of. Then they morphed into fish in scrubs. From overhead, an IV was dripping into his arm. Tubes were shoved down his throat. His vital signs were displayed on a screen that made beeps and sounds, increasing the chaos and adding to the mayhem to his mind. Soon, the vital signs machine started talking to him that he was a "very bad boy" and other such scoldings.

He was thoroughly freaked out. If he was still alive, he'd rather be dead.

He wanted to run. One of the fish pushed him back down and muttered out undecipherable utterances-- like underwater gibberish . Then that fish used its slimy fins to inject him with a needle in his arm. The other fish circled around him like fish out of water--with opening and closing mouths-- as if gasping for air.

As they surrounded him as rubber monkeys shot out from the walls and bounced all over the room. On top of all this madness, the florescent lights above were flickering on and off, in sync to the wild music, like the drum beats of a distant jungle. It was one bizarre tangle of events, a freaky, crazy, out-of-control ride in which reality could not be distinguished from the animation and mass confusion. It was one overpowering ride that he would much rather forget.

When Chris got out of critical condition, he found out that he could still not go home. That would take a few weeks more. Dr. What-The-Hell's-His-Name assured him that he needed to start on the path to his psychological healing--just as grave as the physical--right here in a safe place.

It didn't seem so safe to him.

The enemy wasn't what was out there in the world, but the big, bad wolf was actually him. He had to be protected from the true culprit--himself-- and that was a mind-blowing concept. Just what did he get himself into?   

He never had been a patient in a hospital before. In all his twenty-six years, he didn't so much as even have his tonsils out. Feeling now like a prisoner,, he was still scared out of his mind-- as if it was day one all over again. When was he going to get out of here? Chris began to fear that they would never let him out. No professional had a definitive answer, as only time would tell of his improvement.

Man, why couldn't he just be dead?

His parents visited almost everyday, but it was of no reassurance to him. His mother always left in tears, and his father was lost for words. This was nothing new. When it concerned their troubled son, they felt inadequate to help him. The best his dad could say was, "Hey, Chris, we're pullin' for ya". That was of no comfort, whatsoever, like he was some fighter in a boxing ring that his old man had a bet placed on . His mom always clung to him as she said goodbye, like she needed the hug more than he did, saying to Chris through her sobs , "Miss you....love you". Her emotional state just unsettled him to the core, and he was worried for her more than for himself.    

At best, his outlook was grim. But then he met Lacie Weiss, and things started looking up.

Lacie was one of the quietest psych patients in the ward, always sticking to herself. But then he found himself sitting right next to her in group therapy, and they hit it off. He had no idea that she had a fun side. She usually looked apathetic and quietly defiant to society, a nonconformist in the form of a Goth, with edgy, dyed black hair, dark eye make-up and some ****** piercings of the eyebrow, tongue and nose. Her look was quite in contrast to his light blue eyes and sandy-brown hair. Chris never was into Gothic, viewing those who were as spooky creeps.  

It was obvious that Chris was scared and confused. Now although trying to seem tough and stoic, Lacie seemed so little, almost fragile, yet obviously trying to hide her broken self together. Petite and somewhat girlish in appearance, she was barely 5 feet tall. Chris was 5 feet 11 and a half inches, close enough to the six foot stature that he wanted to be. Only a half inch less really didn't cut it for him, though, even though his slim build gave the impression of a lankier guy. He would have loved to be as tall as the basketball players he so emulated. But such was life. He was never used to having the advantages.  

At first, Lacie never opened up, not to a single soul. Like Chris, she certainly acted like she didn't need this place, and nobody was going to help her--or be allowed to help her. As stony and impenetrable as she tried to be, group therapy it was hard to disappear in. Everyone was held accountable for opening up, and the leader was going to see to it.  No way, though, did Lacie want to crack or look weak in her turtle shell composure, in her self-preservation mode. So it was agony for her.

She first spoke to him, whispering loudly to him, onc,e in the group circle "This is all *******!"

Hanging with Chris was the one salvation that she had in this miserable experience. They both could relate more than he ever realized. They both really liked motorcycles and basketball. He had his own Harley, and it was something he loved to work on and go on long rides with it, his own brand of therapy.  In spite of how she looked, Lacie was also actually close to his age. He was twenty-six. and she was twenty-two.

They first broke the ice with casual introductions. "No, the name is not pronounced like Carter", he corrected her about his last name. "It is like Cart-EE-AY...... It's French".

"Yep", she replied. "Like mine is the same way, but as German as brats and sauerkraut,  Ja dummkopf?"

Chris gave her a weird look. She continued, "My mom's dad was from Germany, and I got my mom's name. Ya don't say it how it looks. You would say Weiss like Vice, but I couldn't give a **** how anybody says it. Nobody gets it right and original, anyhow." Her dark brown eyes flashed at him as she said, " But I think I like Chris Cutie, myself, better than Cartier.....cutie it is for me. Huh, cutie pie? "

Chris laughed hard. She was pretty coy for a die-hard Goth. She batted her eyes playfully at him and winked."You're worth being in here for, ya know", he told her, blushing, still laughing at her silly remarks.

She studied his face in response, all laughing aside. Suddenly, her mood turned solemn.  "I'll bet".

They began hanging out in the commons, walking down the halls for exercise, and swapping stories of their plights. Chris quickly found that she Lacie wasn't so steely and unapproachable as the day he first saw her.  And she discovered that he was more than a pretty boy.

"My parents weren't home when I tried", he told her one time after lunch was done. They were sitting in a corner, trying to be as private as possible. "Twenty-six years old...and I still live with them. Yeah, that's my life. I got a twin brother, and he's moved out and doing alright for himself. My sister's younger, is going to college. Wants to be a doctor".

Lacy didn't have any siblings to compare herself to. "Must be cool to have a twin", Lacie said. "I always wondered how that would be to have two of me running around! Scary, huh, dude?"

Chris shook his head. "No, it's nothing like that. Jake and I aren't identical. We are just a two-for-one deal...I mean  is that my parents got two babies in one, huge-*** pregnancy. Jake and me don't even act like twins. Half the time, I don't want to be around him."

No, it wasn't like his cousins, Adam and Alan, who were identical friends, mirror images, and best of friends. Chris never identified with that kind of brotherly relationship. He and Jake never dressed alike, or knew what the other one was thinking. And Chris felt that his brother always felt superior to him. He was the popular one. He was the ambitious one who landed a great job in computers, as a system analyst.  To add to Chris's feelings of inferiority, his little sister, Kate, had surpassed him, too. She was acing most of her classes, and boarding away at college. She was well on her way to becoming a doctor.    

"So if your mom and dad weren't around...who saved you?" Lacie asked. She stared into his eyes with such a probing stare that Chris almost clammed up. Just thinking about that day was overpowering.

"Uh...my sister and her boyfriend were hanging out in the basement. She was home from college, and I didn't know it. My parents were out-of-town. Our dog, Buster, was acting funny. He knew something was up..."

Chris stopped abruptly, but went on. "Kate, my sister, explained to me that she saw me in my room, getting up on a step ladder. She says she yelled at me to stop. I don't remember...but I guess..I guess I was going to do it anyway, and she wouldn't be able to stop me....stop me from...so I hurried up and jumped off before she could stop me."  

Lacie could almost picture it, as if she was there with him. She said, "But she did stop it. She saved you."

"Yeah", he agreed. "Buster started it all...barking, alerting my sister to come upstairs from the basement, and upstairs by my room...." All of a sudden, he felt so weird, like he was having an out-of-body experience.

"Hey, it's OK", Lacie reassured him. "It's over now. You aren't there anymore".

Chris started to cry, but tried not to. "If it weren't for Brian, Kate's boyfriend....she would not of had the strength to hold me up by herself, and cut the rope, too. I must have been like dead weight, and Brian grabbed a kitchen knife and told her to stay cool about it. Yeah, sure, like that could have been possible ! She was trying to keep the rope slack, while trying to save my sorry ****...and she was scared, shitless! "

Lacie opened up, too, relating her tragic past. She had an unbelievable tale, one hell of a ride herself.  It was amazing how detached she was when relating it, though. "Well" actually I got to fess up" "I'm not really an only child....I mean I am...but not really. I know that sounds weird---hey--but I am weird. Oddly unusual is the story of my life-- even before day one. "

Chris had no idea what she was talking about. "What are ya' trying to say?"

She added another surprising bombshell. "Also,  I have a two-year-old boy. His name is Danny. He don't see his dad--ever. The guy's a waste of space. Anyway, my mom has him. She can afford him more, and can do a better job raising him than me. Well, she does OK money-wise. Anyhow, my mom deserves him because she lost everything. And I mean EVERYTHING! Her whole fricking family practically wiped out!"

The shock that Chris had on his face-- his widened, blue eyes and open mouth were expected.   Most people had a hard time believing her.

She explained, calmly, "I mean she nearly died--way before I was born--in a car accident. And her two, little boys were with her in the backseat...and they died that day. "

Chris looked pale. "That is so awful!" he said, hoarsely, barely able to say it.

"Yeah", she continued. "Not a **** thing she could do about it, too. She was like in a million pieces. I know a part of her died right there and then, too. I just know it.  You know, dude, my mom was once really, really coasting along, just doing fine. A typical wife and mother-- a bit older than me now-- life was good. Her little boys were just cute, little toddlers--like Danny. I found out from my grandma that she was  pregnant, too, just a month or two. Nobody could have imagined it coming. She was just driving--doing nothing wrong-- when some idiot broadsided her.  I don't know if it was a guy or a lady, if they were jacked up on ***** or drugs, but they were speeding like a demon out of Hell. Her husband was at work and wasn't around."  

The boys were Benjamin and Gerard, but Lacie couldn't remember their names, for her mom could barely mention them without breaking down. It was an unbearable loss.

Chris was so horrified, amazed that Lacie related this like it was someone else's story. She was almost too cavalier about it.

"And they died ?!" he asked.

"Yeah....*****, don't it? Pure, pure agony. Downright Hell on earth. My mom had to learn to walk again. It took about year, I think."

"Oh, no! What about the baby she was supposed to have?"

"Miscarriage. Worse yet, the **** doctor told her she'd never be able to have kids again. She lost everything, man! Her husband couldn't handle it and left her. **** on top of ****, on top of more ****, on top of more. If it wasn't for her parents, and her sister's help, she would never have made it.

"But she had given birth to you, right? Or were you adopted?"

"Yeah, she gave birth to me. I was her miracle baby, and she didn't give a rat's rear end if my dad wanted me or not. He'd send her money, once in a while, but he wasn't really into either of us. Who cares though? She didn't give a **** what he thought. I was her baby. Truth is, before I came, she ended up slitting her wrists--just like me. What was the use? At first, there was nothing to live for. But now she has Danny.

"And you!" Chris quickly pointed out.

"Dude, are you kidding me? I have been NOTHING but grief for her, a real pain in her ***!"

Unlike her deceased, half-brothers, Lacie grew up before her mother's eyes, from a shy girl to a ******* rebel. Since the age of twelve, she would sneak drinks from her mom's liqueur cabinet. Eventually, she smoked *** and tried ******* and ******. Dropping out of the eleventh grade, she soon away from home, living with friends or boyfriends ever since.  Thankfully, she wasn't doing drugs when she conceived Danny. And her drinking wasn't as prevalent as it was in her teen years of partying and binge drinking. That didn't mean that her drinking problems magically disappeared, or that she was cured. Immediately, though, when she knew she was pregnant, she refused to touch a bottle, but it was just a white knuckle process that was effective momentarily--a band aid on a more serious wound. And going months without a drop of alcohol didn't deaden her urges--quite the opposite--as it only made her crave what she could not have. Often, her fears caught up with her--of especially becoming

This is not a poem. It is not really a story, either. I don't really need to classify it in a category, I suppose.  I simply say it is an expression of respect, gratitude, and love for my mom...like a living eulogy.

Recently losing a loved one in the family to a tragic death, I am realizing how vital it is to tell my mother how much she means to me. No, it doesn't have to be Mother's Day for this to take place, nor her birthday (although she just turned 76 on November 2nd). The reason is so much more than the norm, than the expected. It is an urging need within to express my emotions, my creativity—before I forget—before the emotions fade, or I talk myself out of doing what I think is right.  

I fear I might start to take things for granted again and never decide to actually do it.

You see, when my father died nearly eight years ago, it was at his funeral that I spoke the kind, fond words in a eulogy that I wrote for him. It was nice to say it at church to an attentive audience who heard how I lovingly felt about my dad. It seemed easier, safer to my comfort zone, not to speak such things to him while he was alive. Sure, my father knew I cared. I looked after him when he was dying, and we had a great bond during that time. But I would love to turn back time, and tell him face-to-face. I cannot, but I wish to say these things to my mother now, while she is still here—and not simply in her memory someday—writing it all down before I  forget what I want to her to hear and read for herself.

It is easy to fight with someone you love, and to find fault. Most children have conflicts with their parents. Often, some of us want to place blame and be angry, even if it is momentary. It is another thing to stop and think of what our lives mean, and to remember those who enhanced us, shaped us, and taught us. Sometimes, we learn the hard way. We may learn by fire—I often have—for it is the intense stuff that shapes us, develops us, and refines us into who we are. If we are keenly aware about it, that is, and use everything for our good.

My mother taught me many good things. I want to say them in the here-and-now, not just to memorialize her some day in the future….so here it goes.

This is what my mother taught me:

She taught me that hate is a sin. Yes, a sin, for my mother realized that hate is a strong emotion, a destructive one that is not pleasing to God. She thinks it is simply wrong—no matter what.  As a child, this wasn't always what I wanted to hear—if I was passionately, downright, furious with someone—but I surely have grown up and now understand that she was absolutely right. No matter how justified I can feel, the wisdom of it keeps tugging at my heart. As I have heard in a quote before: Hate is easy, love takes courage.  I have my mother to thank for instilling such principles in my childhood. They perpetually instruct me, speak to me and to remind me throughout my years.

My mother taught me to be fair and even in life, and she never played favorites among me and my two older brothers. If it can be helped, she believed that nobody should get more than the other, or less. As the oldest of 13 children, she understood that proper distribution is important, and nobody should be left out

My mother taught me to be honest. I knew that she did not like to lie to anyone for her own gain or anyone else’s.  If I wanted her to lie for me, I saw that she was against it and quite uncomfortable about going against her belief. That is something that I learned to uphold as a virtue, too, applying to my life.

Even the little things, she taught me. "Cover your mouth when you yawn....Answer people when they address you” all have merit. (She still is in the correcting business on stuff like that!)

She has written a little bit of poetry and sketched a bit, too. Her poetry was simple and sweet, and she would write stuff in my birthday cards a few times. She even wrote poetry in her father's card one time, and he thought it was beautiful. It was not often that she heard such compliments.  I guess that is where I get my love of poetry, story writing, painting and drawing—from her. And I think, perhaps, my mom got her interest in sketching from her father.

My mom had and still has a beautiful singing voice. Many in the family told me so. She certainly could have been a professional singer—she was that good. Some of her siblings could sing well, too, and her mother. It used to drive my crazy that she would hum to songs in commercials or start singing when music played in the movies or on TV. "Do you have to sing?" I would ask. But I later realized how fun singing was, and my mom was surprised that I actually liked to do it, too. I think she was convinced that I held an anti-singing stance in life. If only I could sing half as good as she ever did, and appreciated it more.

My mother taught me not to waste, not food or practical things. And although I used to think she was way too much like that, I now understand it is a value to use money wisely. My mom certainly appreciated the value of a dollar, growing up in a large, impoverished family. She certainly did not come from the "throwaway generation".

My mom also taught me generosity. She has been this way with her children, helping us out financially, if needed. My father was that way, too, later in life. It was a blessing to know my mom and dad were there for me, and I could be there for them. They were adamant about helping others if they helped you. And surely that can be expanded to helping those who cannot help themselves, something I am passionate about.

My mother knew how to laugh and have a playful side to her. Even with her physical ailments—her bad back, her arthritis—my mom has maintained her humor. My dad did, too. There was plenty to be serious about. Yet they both had a silly side to them, and those kinds of qualities remind me that growing older does not mean that one has to lose that childlike part that keeps us young and less heavy-laden. My mom just has always had a more bubbly personality. Starting out in life as very shy and introverted—more like my dad—I also learned to be a bit more like her.

Lastly, my mother taught me about faith, that there is a God. I believed in God as a little girl. Later, my mom and I had our share of fighting and bickering about the importance of going to church.. As a teenager, I had major doubts and disbelief, and stayed away from such practices. But there was a foundation laid down before me that I later desired to lean on and thirst for. Although our religious paths differed for good, my mother and I both are Christians, and my mom never lost or questioned her faith like I often have. I am now glad to be able to say that I have faith in God, and it is so necessary for me.

Yes, my mother taught me many things for which I am grateful for.

This is a poem to warn you of the licentiousness,
the lewdness, the lasciviousness and downright
wickedness of language, especially,
the evil consonants.

Consider, for example, the subtle sibilant 's', seemingly innocuous,
but the consonant first heard in ***.  
And take the letter 'l', standing up *****,
the stiff one in this lustful alphabet.
All boys know about the upright 'l',
as in blind, which they'll go if they play with it
too much, double 'l', well, they'll end up in hell.

The consonant 'b' stands for ***, of course,
everyone knows 'b' for ***,
the bold, barefaced, brazen one,
or, on all fours, raised up, the buttocks form an 'm',
with an inverted 'v' between the legs.
And 'c'!  'C' stands for - for,  no, no.  I can't.
Let's just say 'c' is curled up, crafty, by the coccyx, where it lurks,
cramped and damp, hopefully curtailed.

And 'p'.  Well, 'p' is 'p', just as bad as 's' 'h' with a 't'.
And what about  'f'? Don't worry, I'll give that one the flick, dead quick.
'f' starts a word that's totally perverted.
If you think I'll use the 'f' and add the 'c' 'k',
you'll have to wait another day.

Then contemplate spreadeagled 'x',
the final letter in the word of ***!
These consonants are wanton.
'W' has its legs up in the air. 'w' is wild and wet. Wicked, wicked.
'n' is bent over.  Naughty, naughty!

And 'y', why, 'y's the legs together and the ***** area.
Also, be wary of people who like the 'g' spot in there a lot,
also those who roll their 'r's too much
and others who lash out with s and m.
'r' and 'g' and 's' and 'm' end up in ******!

I believe the higher incidence of ****** offence is due to the influence
of consonants.  It's no coincidence. The evidence is that *******
is social as well as ******, of course,
and there's a preponderance of consonants in *******.
Such coitus should be interruptus
before these consonants totally corrupt us.

Now, the only course for moral rectitude
against such a sinful attitude with the grossest moral turpitude
is vigilance. With discipline and diligence,
we must become the moral militants
in the fight against the sibilants,
the awful incidence of decadence,
and the absence of innocence,
that's the evil consequence
of all the cunning consonants.
Otherwise incontinence with consonants
will be forever on our conscience!

Now. Think of every ***** word you can. This sin will be absolved in heaven!
Yes, ******* has five consonants, testicles has six and ******* seven!
Gynecological has eight, fresh spermatozoa ten and prosthetic devices eleven!
Repent! Repent! Redemption lies with you.  
It's true!  Think of it! If you eschew the consonants in all evil or ugly,
you'll be left with the purity of 'a', 'e', 'i' 'o' 'u'.

Mike T Minehan

Half a breath held
The other half pacing
Your fists are clenched
Your neck muscles, tightening
You become lightheaded
As your heart starts racing
Less carbon dioxide
Sends a million thoughts flying

Then you realize
You're no longer holding
The other half breath
That you were repressing
You enlist help from your stomach
While your chest is heaving
Now you're
FULL ON
     DOWNRIGHT
          HYPERVENTILATING

And as your heart pounds
Your eyes, rapidly blinking
Your mind's befuddled
By all that's happening
That you totally lose track
Of what you were thinking
Except how to stop
Yourself from hyperventilating

Gemini's delightful.
Cancer is polite.
Leo is romantic.
Virgo's quite bright.
Libra is creative.
Scorpio, tenacious.
Sagittarius, festive.
Capricorn, vivacious.
Aquarius is witty.
Pisces, prolific.
Aries is charming.
Taurus, terrific.
----------*---------          
Taurus is quite stubborn.
Aries, a frightful *****.
Pisces, a flaming cheapskate.
Aquarius is mostly crude.
Capricorn's nasty and spiteful.
Sagittarius, shallow and weak.
Scorpio's flagrantly flighty.
Libra, annoying and meek.
Virgo's simply pompous.
Leo, clearly deranged.
Cancer, always impossible.
Gemini, downright strange.
                        

Heretical Poems by Michael R. Burch

Bible Libel
by Michael R. Burch

If God
is good,
half the Bible
is libel.

NOTE: I came up with this epigram to express my conclusions after reading the Bible from cover to cover, ten chapters per day, at age eleven.



Saving Graces
for the Religious Right
by Michael R. Burch

Life’s saving graces are love, pleasure, laughter
(wisdom, it seems, is for the Hereafter).



Multiplication, Tabled
for the Religious Right
by Michael R. Burch

“Be fruitful and multiply”—
great advice, for a fruitfly!
But for women and men,
simple Simons, say, “WHEN!”



***** Nilly
for the Demiurge, aka Yahweh/Jehovah
by Michael R. Burch

Isn’t it silly, ***** Nilly?
You made the stallion,
you made the filly,
and now they sleep
in the dark earth, stilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
You forced them to run
all their days uphilly.
They ran till they dropped—
life’s a pickle, dilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
They say I should worship you!
Oh, really!
They say I should pray
so you’ll not act illy.
Isn’t it silly, ***** Nilly?



What Would Santa Claus Say
by Michael R. Burch

What would Santa Claus say,
I wonder,
about Jesus returning
to **** and Plunder?

For he’ll likely return
on Christmas Day
to blow the bad
little boys away!

When He flashes like lightning
across the skies
and many a homosexual
dies,

when the harlots and heretics
are ripped asunder,
what will the Easter Bunny think,
I wonder?



A Child’s Christmas Prayer of Despair for a Hindu Saint
by Michael R. Burch

Santa Claus,
for Christmas, please,
don’t bring me toys, or games, or candy . . .
just . . . Santa, please . . .
I’m on my knees! . . .
please don’t let Jesus torture Gandhi!



gimME that ol’ time religion!
by michael r. burch

fiddle-dee-dum, fiddle-dee-dee,
jesus loves and understands ME!
safe in his grace, I’LL **** them to hell—
the strumpet, the harlot, the wild jezebel,
the alky, the druggie, all queers short and tall!
let them drink ashes and wormwood and gall,
’cause fiddle-dee-DUMB, fiddle-dee-WEEEEEEEEEEEEEEEEee . . .
jesus loves and understands
ME!



Red State Religion Rejection Slip
by Michael R. Burch

I’d like to believe in your LORD
but I really can’t risk it
when his world is as badly composed
as a half-baked biscuit.



Evil Cabal
by Michael R. Burch

those who do Evil
do not know why
what they do is wrong
as they spit in ur eye.

nor did Jehovah,
the original Devil,
when he murdered eve,
our lovely rebel.



The Heimlich Limerick
by Michael R. Burch

for T. M.

The sanest of poets once wrote:
"Friend, why be a sheep or a goat?
Why follow the leader
or be a blind *******?"
But almost no one took note.



Be very careful what you pray for!
by Michael R. Burch

Now that his T’s been depleted
the Saint is upset, feeling cheated.
His once-fiery lust?
Just a chemical bust:
no “devil” cast out or defeated.


Practice Makes Perfect
by Michael R. Burch

I have a talent for sleep;
it’s one of my favorite things.
Thus when I sleep, I sleep deep ...
at least till the stupid clock rings.

I frown as I squelch its **** beep,
then fling it aside to resume
my practice for when I’ll sleep deep
in a silent and undisturbed tomb.



Enough!
by Michael R. Burch

It’s not that I don’t want to die;
I shall be glad to go.
Enough of diabetes pie,
and eating sickly crow!
Enough of win and place and show.
Enough of endless woe!

Enough of suffering and vice!
I’ve said it once;
I’ll say it twice:
I shall be glad to go.

But why the hell should I be nice
when no one asked for my advice?
So grumpily I’ll go ...
although
(most probably) below.



Redefinitions
by Michael R. Burch

Faith: falling into the same old claptrap.
Religion: the ties that blind.



pretty pickle
by michael r. burch

u’d blaspheme if u could
because ur God’s no good,
but of course u cant:
ur a lowly ant
(or so u were told by a Hierophant).



Defenses
by Michael R. Burch

Beyond the silhouettes of trees
stark, naked and defenseless
there stand long rows of sentinels:
these pert white picket fences.

Now whom they guard and how they guard,
the good Lord only knows;
but savages would have to laugh
observing the tidy rows.



Listen
by Michael R. Burch

Listen to me now and heed my voice;
I am a madman, alone, screaming in the wilderness,
but listen now.

Listen to me now, and if I say
that black is black, and white is white, and in between lies gray,
I have no choice.

Does a madman choose his words? They come to him,
the moon’s illuminations, intimations of the wind,
and he must speak.

But listen to me now, and if you hear
the tolling of the judgment bell, and if its tone is clear,
then do not tarry,

but listen, or cut off your ears, for I Am weary.



fog
by michael r. burch

ur just a bit of fluff
drifting out over the ocean,
unleashing an atom of rain,
causing a minor commotion,
for which u expect awesome GODS
to pay u SUPREME DEVOTION!
... but ur just a smidgen of mist
unlikely to be missed ...
where did u get the notion?



thanksgiving prayer of the parasites
by michael r. burch

GODD is great;
GODD is good;
let us thank HIM
for our food.

by HIS hand
we all are fed;
give us now
our daily dead:

ah-men!

(p.s.,
most gracious
& salacious
HEAVENLY LORD,
we thank YOU in advance for
meals galore
of loverly gore:
of precious
delicious
sumptuous
scrumptious
human flesh!)



no foothold
by michael r. burch

there is no hope;
therefore i became invulnerable to love.
now even god cannot move me:
nothing to push or shove,
no foothold.

so let me live out my remaining days in clarity,
mine being the only nativity,
my death the final crucifixion
and apocalypse,

as far as the i can see ...



u-turn: another way to look at religion
by michael r. burch

... u were borne orphaned from Ecstasy
into this lower realm: just one of the inching worms
dreaming of Beatification;
u'd love to make a u-turn back to Divinity, but
having misplaced ur chrysalis,
can only chant magical phrases,
like Circe luring ulysses back into the pigsty ...



You
by Michael R. Burch

For thirty years You have not spoken to me;
I heard the dull hollow echo of silence
as though a communion between us.

For thirty years You would not open to me;
You remained closed, hard and tense,
like a clenched fist.

For thirty years You have not broken me
with Your alien ways and Your distance.
Like a child dismissed,

I have watched You prey upon the hope in me,
knowing “mercy” is chance
and “heaven”—a list.



I’ve got Jesus’s face on a wallet insert
by Michael R. Burch

for the Religious Right

I’ve got Jesus’s face on a wallet insert
and "Hell is for Queers" on the back of my shirt.
     And I uphold the Law,
     for Grace has a Flaw:
the Church must have someone to drag through the dirt.

I’ve got ten thousand reasons why Hell must exist,
and you’re at the top of my fast-swelling list!
     You’re nothing like me,
     so God must agree
and slam down the Hammer with His Loving Fist!

For what are the chances that God has a plan
to save everyone: even Boy George and Wham!?
     Eternal fell torture
     in Hell’s pressure scorcher
will separate **** from Man.

I’m glad I’m redeemed, ecstatic you’re not.
Did Christ die for sinners? Perish the thought!
     The "good news" is this:
     soon My vengeance is his!,
for you’re not the lost sheep We sought.



Pagans Protest the Intolerance of Christianity
by Michael R. Burch

“We have a common sky.” — Quintus Aurelius Symmachus (c. 345-402)

We had a common sky
before the Christians came.

We thought there might be gods
but did not know their names.

The common stars above us?
They winked, and would not tell.

Yet now our fellow mortals claim
our questions merit hell!

The cause of our damnation?
They claim they’ve seen the LIGHT ...

but still the stars wink down at us,
as wiser beings might.



jesus hates me, this i know
by michael r. burch

jesus hates me, this I know,
for Church libel tells me so:
"little ones to him belong"
but if they use their dongs, so long!
    yes, jesus hates me!
    yes, jesus baits me!
    yes, he berates me!
    Church libel tells me so!

jesus fleeces us, i know,
for Religion scams us so:
little ones are brainwashed to
believe god saves the Chosen Few!
    yes, jesus fleeces!
    yes, he deceases
    the bunny and the rhesus
    because he's mad at you!

jesus hates me—christ who died
so i might be crucified:
for if i use my active brain,
that will drive the "lord" insane!
    yes, jesus hates me!
    yes, jesus baits me!
    yes, he berates me!
    Church libel tells me so!

jesus hates me, this I know,
for Church libel tells me so:
first priests tell me "look above,"
that christ's the lamb and god's the dove,
but then they sentence me to Hell
for using my big brain too well!
    yes, jesus hates me!
    yes, jesus baits me!
    yes, he berates me!
    Church libel tells me so!



and then i was made whole
by michael r. burch

... and then i was made whole,
but not a thing entire,
glued to a perch
in a gilded church,
strung through with a silver wire ...

singing a little of this and of that,
warbling higher and higher:
a thing wholly dead
till I lifted my head
and spat at the Lord and his choir.



Starting from Scratch with Ol’ Scratch
by Michael R. Burch

for the Religious Right

Love, with a small, fatalistic sigh
went to the ovens. Please don’t bother to cry.
You could have saved her, but you were all *******
complaining about the Jews to Reichmeister Grupp.

Scratch that. You were born after World War II.
You had something more important to do:
while the children of the Nakba were perishing in Gaza
with the complicity of your government, you had a noble cause (a
religious tract against homosexual marriage
and various things gods and evangelists disparage.)

Jesus will grok you? Ah, yes, I’m quite sure
that your intentions were good and ineluctably pure.
After all, what the hell does he care about Palestinians?
Certainly, Christians were right about serfs, slaves and Indians.
Scratch that. You’re one of the Devil’s minions.



In His Kingdom of Corpses
by Michael R. Burch

In His kingdom of corpses,
God has been heard to speak
in many enraged discourses,
high, high from some mountain peak
where He’s lectured man on compassion
while the sparrows around Him fell,
and babes, for His meager ration
of rain, died and went to hell,
unbaptized, for that’s His fashion.

In His kingdom of corpses,
God has been heard to vent
in many obscure discourses
on the need for man to repent,
to admit that he’s a sinner;
give up ***, and riches, and fame;
be disciplined at his dinner
though always he dies the same,
whether fatter or thinner.

In his kingdom of corpses,
God has been heard to speak
in many absurd discourses
of man’s Ego, precipitous Peak!,
while demanding praise and worship,
and the bending of every knee.
And though He sounds like the Devil,
all religious men now agree
He loves them indubitably.



Beast 666
by Michael R. Burch

“what rough beast...slouches toward Bethlehem to be born?”―W. B. Yeats

Brutality is a cross
wooden, blood-stained,
gas hissing, sibilant,
lungs gilled, deveined,
red flecks on a streaked glass pane,
jeers jubilant,
mocking.

Brutality is shocking―
tiny orifices torn
by cruel adult lust,
the fetus unborn
tossed in a dust-
bin. The scarred skull shorn,
nails bloodied, tortured,
an old wound sutured
over, never healed.

Brutality, all its faces revealed,
is legion:
Death March, Trail of Tears, Inquisition . . .
always the same.
The Beast of the godless and of man’s “religion”
slouching toward Jerusalem:
horned, crowned, gibbering, drooling, insane.



I AM
by Michael R. Burch

I am not one of ten billion―I―
sunblackened Icarus, chary fly,
staring at God with a quizzical eye.
I am not one of ten billion, I.

I am not one life has left unsquashed―
scarred as Ulysses, goddess-debauched,
pale glowworm agleam with a tale of panache.
I am not one life has left unsquashed.

I am not one without spots of disease,
laugh lines and tan lines and thick-callused knees
from begging and praying and girls sighing "Please! "
I am not one without spots of disease.

I am not one of ten billion―I―
scion of Daedalus, blackwinged fly
staring at God with a sedulous eye.
I am not one of ten billion, I
AM!



Snap Shots
by Michael R. Burch

Our daughters must be celibate,
die virgins. We triangulate
their early paths to heaven (for
the martyrs they'll soon conjugate).

We like to hook a little tail.
We hope there's decent ** in jail.
Don't fool with us; our bombs are smart!
(We'll send the plans, ASAP, e-mail.)

The soul is all that matters; why
hoard gold if it offends the eye?
A pension plan? Don't make us laugh!
We have your plan for sainthood. (Die.)



Unwhole
by Michael R. Burch

What is it that we strive to remember, to regain,
as memory deserts us,
leaving us destitute of even ourselves,
of all but pain?

How can something so essential be forgotten,
if we are more than our bodies?
How can a soul
become so unwhole?



Nonbeliever
by Michael R. Burch writing as Kim Cherub

She smiled a thin-lipped smile
(What do men know of love?)
then rolled her eyes toward heaven
(Or that Chauvinist above?).



evol-u-shun
by Michael R. Burch

does GOD love the Tyger
while it's ripping ur lamb apart?

does GOD applaud the Bubonic Plague
while it's eating u à la carte?

does GOD admire ur intelligence
while u pray that IT has a heart?

does GOD endorse the Bible
you blue-lighted at k-mart?



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.
But gods without compassion
ordained: Frail things must break!
Now what can I do for her shattered psyche's sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



Alien
by Michael R. Burch

for  a "Christian" poet

On a lonely outpost on Mars
the astronaut practices "speech"
as alien to primates below
as mute stars winking high, out of reach.

And his words fall as bright and as chill
as ice crystals on Kilimanjaro―
far colder than Jesus's words
over the "fortunate" sparrow.

And I understand how gentle Emily
felt, when all comfort had flown,
gazing into those inhuman eyes,
feeling zero at the bone.

Oh, how can I grok his arctic thought?
For if he is human, I am not.



Crescendo Against Heaven
by Michael R. Burch

As curiously formal as the rose,
the imperious Word grows
until its sheds red-gilded leaves:
then heaven grieves
love's tiny pool of crimson recrimination
against God, its contention
of the price of salvation.

These industrious trees,
endlessly losing and re-losing their leaves,
finally unleashing themselves from earth, lashing
themselves to bits, washing
themselves free
of all but the final ignominy
of death, become
at last: fast planks of our coffins, dumb.

Together now, rude coffins, crosses,
death-cursed but bright vermilion roses,
bodies, stumps, tears, words: conspire
together with a nearby spire
to raise their Accusation Dire...
to scream, complain, to point out these
and other Dark Anomalies.

God always silent, ever afar,
distant as Bethlehem's retrograde star,
we point out now, in resignation:
You asked too much of man's beleaguered nation,
gave too much strength to his Enemy,
as though to prove Your Self greater than He,
at our expense, and so men die
(whose accusations vex the sky)
yet hope, somehow, that You are good...
just, O greatest of Poets!, misunderstood.



Advice for Evangelicals
by Michael R. Burch

"... so let your light shine before men..."

Consider the example of the woodland anemone:
she preaches no sermons but―immaculate―shines,
and rivals the angels in bright innocence and purity,
the sweetest of divines.

And no one has heard her engage in hypocrisy
since the beginning of time―an oracle so mute,
so profound in her silence and exemplary poise
she makes lessons moot.

So consider the example of the saintly anemone
and if you'd convince us Christ really exists,
then let him be just as sweet, just as guileless
and equally as gracious to bless.



Heaven Bent
by Michael R. Burch

This life is hell; it can get no worse.
Summon the coroner, the casket, the hearse!
I'm upwardly mobile; this one thing I know:
I can only go up; I'm already below!



Shock and Awe
by Michael R. Burch

With megatons of "wonder, "
we make our godhead clear:
Death. Destruction. Fear.

The world's heart ripped asunder,
its dying pulse we hear:
Death. Destruction. Fear.

Strange Trinity! We ponder
this God we hold so dear:
Death. Destruction. Fear.

The vulture and the condor
proclaim: The feast is near!―
Death. Destruction. Fear.

Soon He will plow us under;
the Anti-Christ is here:
Death. Destruction. Fear.

We love to hear Him thunder!
With Shock and Awe, appear!―
Death. Destruction. Fear.

For God can never blunder;
we know He holds US dear:
Death. Destruction. Fear.



Lay Down Your Arms
by Michael R. Burch

Lay down your arms; come, sleep in the sand.
The battle is over and night is at hand.
Our voyage has ended; there's nowhere to go...
the earth is a cinder still faintly aglow.

Lay down your pamphlets; let's bicker no more.
Instead, let us sleep here on this ravaged shore.
The sea is still boiling; the air is wan, thin...
lay down your pamphlets; now no one will "win."

Lay down your hymnals; abandon all song.
If God was to save us, He waited too long.
A new world emerges, but this world is through...
so lay down your hymnals, or write something new.



What Immense Silence
by Michael R. Burch

What immense silence
comforts those who kneel here
beneath these vaulted ceilings
cavernous and vast?

What luminescence stained
by patchwork panels of bright glass
illuminates drained faces
as the crouching gargoyles leer?

What brings them here―
pale, tearful congregations,
knowing all Hope is past,
faithfully, year upon year?

Or could they be right? Perhaps
Love is, implausibly, near
and I alone have not seen It...
But, if so, still, I must ask:

why is it God that they fear?



Intimations
by Michael R. Burch

Let mercy surround us
with a sweet persistence.

Let love propound to us
that life is infinitely more than existence.



Altared Spots
by Michael R. Burch

The mother leopard buries her cub,
then cries three nights for his bones to rise
clad in new flesh, to celebrate the sunrise.

Good mother leopard, pensive thought
and fiercest love's wild insurrection
yield no certainty of a resurrection.

Man's tried them both, has added tears,
chants, dances, drugs, séances, tombs'
white alabaster prayer-rooms, wombs

where dead men's frozen genes convene...
there is no answer―death is death.
So bury your son, and save your breath.

Or emulate earth's "highest species"―
write a few strange poems and odd treatises.



Flight
by Michael R. Burch

Poetry captures
less than reality
the spirit of things

being the language
not of the lordly falcon
but of the dove with broken wings

whose heavenward flight
though brutally interrupted
is ever towards the light.



Winter Night
by Michael R. Burch

Who will be ******,
who embalmed
for all eternity?

The night weighs heavy on me―
leaden, sullen, cold.
O, but my thoughts are light,

like the weightless windblown snow.



Tonight, Let's Remember
by Michael R. Burch

July 7,2007 (7-7-7)

Tonight, let's remember the fond ways
our fingers engendered new methods to praise
the gray at my temples, your thinning hair.
Tonight, let's remember, and let us draw near...

Tonight, let's remember, as mortals do,
how cutely we chortled when work was through,
society sated, all gods put to rest,
and you in my arms, and I at your breast...

Tonight, let's remember how daring, how free
the Madeira made us, recumbently.
Our inhibitions?―we laid them to rest.
Earth, heaven or hell―we knew we were blessed.

Tonight, let's remember the dwindling days
we've spent here together―the sun's rays
spending their power beyond somber hills.
Soon we'll rest together; there'll be no more bills.

Tonight, let's remember: we've paid all our dues,
we've suffered our sorrows, we've learned how to lose.
What's left now to take, only God can tell.
Be with me in heaven, or "bliss" will be hell!

I do not want God; I want to see you
free from all sorrow, your labor through,
a song on your tongue, a smile on your lips,
sweet, sultry and vagrant, a child at your hips,

laughing and beaming and ready to frolic
in a world free from cancer and gout and colic.
For you were courageous, and kind, and true.
There must be a heaven for someone like you.



I, Lazarus
by Michael R. Burch

I, Lazarus, without a heart,
devoid of blood and spiritless,
lay in the darkness, meritless:
my corpse―a thing cold, dead, apart.

But then I thought I heard―a Voice,
a Voice that called me from afar.
And so I stood and laughed, bizarre:
a thing embalmed, made to rejoice!

I ran ungainly-legged to see
who spoke my name, and then I knew
him by the light. His name is True,
and now he is the life in me!

I never died again! Believe!
(Oops! Seems it was a brief reprieve.)



To Know You as Mary
by Michael R. Burch

To know You as Mary,
when You spoke her name
and her world was never the same...
beside the still tomb
where the spring roses bloom.

O, then I would laugh
and be glad that I came,
never minding the chill, the disconsolate rain...
beside the still tomb
where the spring roses bloom.

I might not think this earth
the sharp focus of pain
if I heard You exclaim―
beside the still tomb
where the spring roses bloom

my most unexpected, unwarranted name!
But you never spoke. Explain?



Peers
by Michael R. Burch

These thoughts are alien, as through green slime
smeared on some lab tech's brilliant slide, I *****,
positioning my bright oscilloscope
for better vantage, though I cannot see,
but only peer, as small things disappear―
these quanta strange as men, as passing queer.

And you, Great Scientist, are you the One,
or just an intern, necktie half undone,
white sleeves rolled up, thick documents in hand
(dense manuals you don't quite understand) ,
exposing me, perhaps, to too much Light?
Or do I escape your notice, quick and bright?

Perhaps we wield the same dull Instrument
(and yet the Thesis will be Eloquent!).



Gethsemane in Every Breath
by Michael R. Burch

LORD, we have lost our way, and now
we have mislaid love―earth's fairest rose.
We forgot hope's song―the way it goes.
Help us reclaim their gifts, somehow.

LORD, we have wondered long and far
in search of Bethlehem's retrograde star.
Now in night's dead cold grasp, we gasp:
our lives one long-drawn rattling rasp

of misspent breath... before we drown.
LORD, help us through this spiral down
because we faint, and do not see
above or beyond despair's trajectory.

Remember that You, too, once held
imperiled life within your hands
as hope withdrew... that where You knelt
―a stranger in a stranger land―

the chalice glinted cold afar
and red with blood as hellfire.
Did heaven ever seem so far?
Remember―we are as You were,

but all our lives, from birth to death―
Gethsemane in every breath.



A Possible Argument for Mercy
by Michael R. Burch

Did heaven ever seem so far?
Remember-we are as You were,
but all our lives, from birth to death―
Gethsemane in every breath.



Birthday Poem to Myself
by Michael R. Burch

LORD, be no longer this Distant Presence,
Star-Afar, Righteous-Anonymous,
but come! Come live among us;
come dwell again,
happy child among men―
men rejoicing to have known you
in the familiar manger's cool
sweet light scent of unburdened hay.
Teach us again to be light that way,
with a chorus of angelic songs lessoned above.
Be to us again that sweet birth of Love
in the only way men can truly understand.
Do not frown darkening down upon an unrighteous land
planning fierce Retributions we require, and deserve,
but remember the child you were; believe
in the child I was, alike to you in innocence
a little while, all sweetness, and helpless without pretense.
Let us be little children again, magical in your sight.
Grant me this boon! Is it not my birthright―
just to know you, as you truly were, and are?
Come, be my friend. Help me understand and regain Hope's long-departed star!



Learning to Fly
by Michael R. Burch

We are learning to fly
every day...

learning to fly―
away, away...

O, love is not in the ephemeral flight,
but love, Love! is our destination―

graced land of eternal sunrise, radiant beyond night!
Let us bear one another up in our vast migration.



The Gardener's Roses
by Michael R. Burch

Mary Magdalene, supposing him to be the gardener, saith unto him, "Sir, if thou have borne him hence, tell me where thou hast laid him, and I will take him away."

I too have come to the cave;
within: strange, half-glimpsed forms
and ghostly paradigms of things.
Here, nothing warms

this lightening moment of the dawn,
pale tendrils spreading east.
And I, of all who followed Him,
by far the least...

The women take no note of me;
I do not recognize
the men in white, the gardener,
these unfamiliar skies...

Faint scent of roses, then―a touch!
I turn, and I see: You.
"My Lord, why do You tarry here:
Another waits, Whose love is true? "

"Although My Father waits, and bliss;
though angels call―ecstatic crew!―
I gathered roses for a Friend.
I waited here, for You."



Kingdom Freedom
by Michael R. Burch

LORD, grant me a rare sweet spirit of forgiveness.
Let me have none of the lividness
of religious outrage.

LORD, let me not be over-worried
about the lack of "morality" around me.
Surround me,

not with law's restrictive cage,
but with Your spirit, freer than the wind,
so that to breathe is to have freest life,

and not to fly to You, my only sin.



Cædmon's Face
by Michael R. Burch

At the monastery of Whitby,
on a day when the sun sank through the sea,
and the gulls shrieked wildly, jubilant, free,

while the wind and Time blew all around,
I paced that dusk-enamored ground
and thought I heard the steps resound

of Carroll, Stoker and good Bede
who walked here too, their spirits freed
―perhaps by God, perhaps by need―

to write, and with each line, remember
the glorious light of Cædmon's ember:
scorched tongues of flame words still engender.



He wrote here in an English tongue,
a language so unlike our own,
unlike―as father unto son.

But when at last a child is grown.
his heritage is made well-known:
his father's face becomes his own.



He wrote here of the Middle-Earth,
the Maker's might, man's lowly birth,
of every thing that God gave worth

suspended under heaven's roof.
He forged with simple words His truth
and nine lines left remain the proof:

his face was Poetry's, from youth.



Prayer for a Merciful, Compassionate, etc., God to ****** His Creations Quickly & Painlessly, Rather than Slowly & Painfully
by Michael R. Burch

Lord, **** me fast and please do it quickly!
Please don’t leave me gassed, archaic and sickly!
Why render me mean, rude, wrinkly and prickly?
Lord, why procrastinate?

Lord, we all know you’re an expert killer!
Please, don’t leave me aging like Phyllis Diller!
Why torture me like some poor sap in a thriller?
God, grant me a gentler fate!

Lord, we all know you’re an expert at ******
like Abram—the wild-eyed demonic goat-herder
who’d slit his son’s throat without thought at your order.
Lord, why procrastinate?

Lord, we all know you’re a terrible sinner!
What did dull Japheth eat for his 300th dinner
after a year on the ark, growing thinner and thinner?
God, grant me a gentler fate!

Dear Lord, did the lion and tiger compete
for the last of the lambkin’s sweet, tender meat?
How did Noah preserve his fast-rotting wheat?
God, grant me a gentler fate!

Lord, why not be a merciful Prelate?
Do you really want me to detest, loathe and hate
the Father, the Son and their Ghostly Mate?
Lord, why procrastinate?



Is there any Light left?
by Michael R. Burch

Is there any light left?
Must we die bereft
of love and a reason for being?
Blind and unseeing,
rejecting and fleeing
our humanity, goat-hooved and cleft?

Is there any light left?
Must we die bereft
of love and a reason for living?
Blind, unforgiving,
unworthy of heaven
or this planet red, reeking and reft?

NOTE: While “hoofed” is the more common spelling, I preferred “hooved” for this poem. Perhaps because of the contrast created by “love” and “hooved.”



Modern Dreams
by Michael R. Burch

after David B. Gosselin

I dreamed that God was good, but then I woke
and all his goodness vanished—****!—
like smoke.

I dreamed his Word was good, but then I heard
commandments evil, awful, weird,
absurd.

I dreamed of Heaven where cruel Angels flew
above my head and screamed, the Chosen Few,
“We’re not like you!”

I dreamed of Hell below, where prostitutes
adored by Jesus, played on lovely lutes
“True Love Commutes.”

I dreamed of Earth then woke to hear a Gong’s
repellent echoes in Religion’s song
of right gone wrong.



Star Crossed
by Michael R. Burch

Remember—
night is not like day;
the stars are closer than they seem ...
now, bending near, they seem to say
the morning sun was merely a dream
ember.




Well, Almost
by Michael R. Burch

All Christians say “Never again!”
to the inhumanity of men
(except when the object of phlegm
is a Palestinian).



O, My Redeeming Angel
by Michael R. Burch

O my Redeeming Angel, after we
have fought till death (and soon the night is done) ...
then let us rest awhile, await the sun,
and let us put aside all enmity.

I might have been the “victor”—who can tell?—
so many wounds abound. All out of joint,
my groin, my thigh ... and nothing to anoint
but sunsplit, shattered stone, as pillars hell.

Light, easy flight to heaven, Your return!
How hard, how dark, this path I, limping, walk.
I only ask Your blessing; no more talk!

Withhold Your name, and yet my ears still burn
and so my heart. You asked me, to my shame:
for Jacob—trickster, shyster, sham—’s my name.



To Know You as Mary
by Michael R. Burch

To know you as Mary,
when you spoke her name
and her world was never the same ...
beside the still tomb
where the spring roses bloom.

O, then I would laugh
and be glad that I came,
never minding the chill, the disconsolate rain ...
beside the still tomb
where the spring roses bloom.

I might not think this earth
the sharp focus of pain
if I heard you exclaim—
beside the still tomb
where the spring roses bloom

my most unexpected, unwarranted name!
But you never spoke. Explain?



ur-gent
by Michael R. Burch

if u would be a good father to us all,
revoke the Curse,
extract the Gall;

but if the abuse continues,
look within
into ur Mindless Soulless Emptiness Grim,

& admit ur sin,
heartless jehovah,
slayer of widows and orphans ...

quick, begin!



Bible libel (ii)
by Michael R. Burch

ur savior’s a cad
—he’s as bad as his dad—
according to your strange Bible.

demanding belief
or he’ll bring u to grief?
he’s worse than his horn-sprouting rival!

was the man ever good
before made a “god”?
if so, half your Bible is libel!



stock-home sin-drone
by Michael R. Burch

ur GAUD created this hellish earth;
thus u FANTAsize heaven
(an escape from rebirth).

ur GUAD is a monster,
**** ur RELIGION lied
and called u his frankensteinian bride!

now, like so many others cruelly abused,
u look for salve-a-shun
to the AUTHOR of ur pain’s selfish creation.

cons preach the “TRUE GOSPEL”
and proudly shout it,
but if ur GAUD were good
he would have to doubt it.



un-i-verse-all love
by Michael R. Burch

there is a Gaud, it’s true!
and furthermore, tHeSh(e)It loves u!
unfortunately
the
He
Sh(e)
It
,even more adorably,
loves cancer, aids and leprosy.



yet another post-partum christmas blues poem
by michael r. burch

ur GAUD created hell; it’s called the earth;
HE mused u briefly, clods of little worth:
let’s conjure some little monkeys
to be BIG RELIGION’s flunkeys!
GAUD belched, went back to sleep, such was ur birth.



wee the many
by michael r. burch

wee never really lived: was that our fault?
now thanks to ur GAUD wee lie in an underground vault.
wee lie here, the little ones ur GAUD despised!
HE condemned us to death before wee opened our eyes!
as it was in the days of noah, it still remains:
GAUD kills us with floods he conjures from murderous rains.



Untitled ur poems

since GOD created u so gullible
how did u conclude HE’s so lovable?
—Michael R. Burch

limping to the grave under the sentence of death,
should i praise ur LORD? think i’ll save my breath!
—Michael R. Burch



One of the Flown
by Michael R. Burch

Forgive me for not having known
you were one of the flown—
flown from the distant haunts
of someone else’s enlightenment,
alighting here to a darkness all your own . . .

I imagine you perched,
pretty warbler, in your starched
dress, before you grew bellicose . . .
singing quaint love’s highest falsetto notes,
brightening the pew of some dilapidated church . . .

But that was before autumn’s
messianic dark hymns . . .
Deepening on the landscape—winter’s inevitable shadows.
Love came too late; hope flocked to bare meadows,
preparing to leave. Then even the thought of life became grim,

thinking of Him . . .
To flee, finally,—that was no whim,
no adventure, but purpose.
I see you now a-wing: pale-eyed, intent, serious:
always, always at the horizon’s broadening rim . . .

How long have you flown now, pretty voyager?
I keep watch from afar: pale lover and ******.



what the “Chosen Few” really pray for
by Michael R. Burch

We are ready to be robed in light,
angel-bright

despite
Our intolerance;

ready to enter Heaven and never return
(dark, this sojourn);

ready to worse-ship any gaud
able to deliver Us from this flawed

existence;
We pray with the persistence

of actual saints
to be delivered from all earthly constraints:

just kiss each uplifted Face
with lips of gentlest grace,

cooing the sweetest harmonies
while brutally crushing Our enemies!

ah-Men!



wild wild west-east-north-south-up-down
by Michael R. Burch

each day it resumes—the great struggle for survival.

the fiercer and more perilous the wrath,
the wilder and wickeder the weaponry,
the better the daily odds
(just don’t bet on the long term, or revival).

so ur luvable Gaud decreed, Theo-retically,
if indeed He exists
as ur Bible insists—
the Wildest and the Wickedest of all
with the brightest of creatures in thrall
(unless u
somehow got that bleary
Theo-ry
wrong too).



The Strangest Rain
by Michael R. Burch

"I ... am small, like the Wren, and my Hair is bold, like the Chestnut Bur?and my eyes, like the Sherry in the Glass, that the Guest leaves ..."?Emily Dickinson

"If I read a book and it makes my whole body so cold no fire can ever warm me, I know that is poetry."--Emily Dickinson

The strangest rain, a few bright sluggish drops,
unsure if they should fall, run through with sun,
came tumbling down and touched me, one by one,
too few to animate the shriveled crops
of nearby farmers (though their daughters might
feel each cool splash, a-shiver with delight).

I thought again of Emily Dickinson,
who felt the tingle down her spine, inspired
to lifting hairs, to nerves’ electric song
of passion for a thing so deep-desired
the heart and gut agree, and so must tremble
as all the neurons of the brain assemble
to whisper: This is love, but what is love?
Wrens darting rainbows, laughter high above.



Note to a Chick on a Religious Kick
by Michael R. Burch

Daisy,
when you smile, my life gets sunny;
you make me want to spend all my ****** money;
but honey,
you can be a bit ... um ... hazy,
perhaps mentally lazy?,
okay, downright crazy,
praying to the Easter Bunny!



lust!
by michael r. burch

i was only a child
in a world dark and wild
seeking affection
in eyes mild

and in all my bright dreams
sweet love shimmered, beguiled ...

but the black-robed Priest
who called me the least
of all god’s creation
then spoke for the Beast:

He called my great passion a thing base, defiled!

He condemned me to hell,
the foul Ne’er-Do-Well,
for the sake of the copper
His Pig-Snout could smell
in the purse of my mother,
“the ***** jezebel.”

my sweet passions condemned
by degenerate men?
and she so devout
she exclaimed, “yay, aye-men!” ...

together we learned why Religion is hell.

Published by Lucid Rhythms, The HyperTexts and Black Waters of Melancholy


A coming day
by Michael R. Burch

for my mother, due to her hellish religion

There will be a day,
a day when the lightning strikes from a rainbowed mist
when it will be too late, too late for me to say
that I found your faith unblessed.

There will be a day,
a day when the storm clouds gather, ominous,
when it will be too late, too late to put away
this darkness that came between us.



Hellbound
by Michael R. Burch

Mother, it’s dark
and you never did love me
because you put Yahweh and Yeshu
above me.

Did they ever love you
or cling to you? No.
Now Mother, it’s cold
and I fear for my soul.

Mother, they say
you will leave me and go
to some distant “heaven”
I never shall know.

If that’s your choice,
you made it. Not me.
You brought me to life;
will you nail me to the tree?

Christ! Mother, they say
God condemned me to hell.
If the Devil’s your God
then farewell, farewell!

Or if there is Love
in some other dimension,
let’s reconcile there
and forget such cruel detention.

Keywords/Tags: god, Jesus, Christ, Christian, prayer, Bible, angel, atheist, faith, blasphemy, heresy, heresies, heretic, heretic, heretical, pagan, pagans, god, gods, mrbhere



He Lived: Excerpts from “Gilgamesh”
loose translation/interpretation by Michael R. Burch

I.
He who visited hell, his country’s foundation,
Was well-versed in mysteries’ unseemly dark places.
He deeply explored many underworld realms
Where he learned of the Deluge and why Death erases.

II.
He built the great ramparts of Uruk-the-Sheepfold
And of holy Eanna. Then weary, alone,
He recorded his thoughts in frail scratchings called “words”:
But words made immortal, once chiseled in stone.

III.
These walls he erected are ever-enduring:
Vast walls where the widows of dead warriors weep.
Stand by them. O, feel their immovable presence!
For no other walls are as strong as this keep’s.

IV.
Come, climb Uruk’s tower on a starless night—
Ascend its steep stairway to escape modern error.
Cross its ancient threshold. You are close to Ishtar,
The Goddess of Ecstasy and of Terror!

V.
Find the cedar box with its hinges of bronze;
Lift the lid of its secrets; remove its dark slate;
Read of the travails of our friend Gilgamesh—
Of his descent into hell and man’s terrible fate!

VI.
Surpassing all kings, heroic in stature,
Wild bull of the mountains, the Goddess his dam
—Bedding no other man; he was her sole rapture—
Who else can claim fame, as he thundered, “I am!”



Enkidu Enters the House of Dust
an original poem by Michael R. Burch

I entered the house of dust and grief.
Where the pale dead weep there is no relief,
for there night descends like a final leaf
to shiver forever, unstirred.

There is no hope left when the tree’s stripped bare,
for the leaf lies forever dormant there
and each man cloaks himself in strange darkness, where
all company’s unheard.

No light’s ever pierced that oppressive night
so men close their eyes on their neighbors’ plight
or stare into darkness, lacking sight ...
each a crippled, blind bat-bird.

Were these not once eagles, gallant men?
Who sits here—pale, wretched and cowering—then?
O, surely they shall, they must rise again,
gaining new wings? “Absurd!

For this is the House of Dust and Grief
where men made of clay, eat clay. Relief
to them’s to become a mere windless leaf,
lying forever unstirred.”

“Anu and Enlil, hear my plea!
Ereshkigal, they all must go free!
Beletseri, dread scribe of this Hell, hear me!”
But all my shrill cries, obscured

by vast eons of dust, at last fell mute
as I took my place in the ash and soot.



Reclamation
an original poem by Michael R. Burch

after Robert Graves, with a nod to Mary Shelley

I have come to the dark side of things
where the bat sings
its evasive radar
and Want is a crooked forefinger
attached to a gelatinous wing.

I have grown animate here, a stitched corpse
hooked to electrodes.
And night
moves upon me—progenitor of life
with its foul breath.

Blind eyes have their second sight
and still are deceived. Now my nature
is softly to moan
as Desire carries me
swooningly across her threshold.

Stone
is less infinite than her crone’s
gargantuan hooked nose, her driveling lips.
I eye her ecstatically—her dowager figure,
and there is something about her that my words transfigure

to a consuming emptiness.
We are at peace
with each other; this is our venture—
swaying, the strings tautening, as tightropes
tauten, as love tightens, constricts

to the first note.
Lyre of our hearts’ pits,
orchestration of nothing, adits
of emptiness! We have come to the last of our hopes,
sweet as congealed blood sweetens for flies.

Need is reborn; love dies.

Keywords/Tags: Epic of Gilgamesh, epic, epical, orient occident, oriental, ancient, ancestors, ancestry, primal



Double Dactyls

Sniggledy-Wriggledy
Jesus Christ’s enterprise
leaves me in awe of
the rich men he loathed!

But should a Sadducee
settle for trifles?
His disciples now rip off
the Lord they betrothed.
―Michael R. Burch

Donald Double Dactyl

Higgledy Piggledy
Ronald McDonald
cursed Donald Trump,
his least favorite clown:

"Why should I try to be
funny as Donald? He
gets all the laughs
saying upside is down!"
―Michael R. Burch



Lines for My Ascension
by Michael R. Burch

I.
If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.
If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and scoffs at quaint churchyards
littered with roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.
If I should die,
let no man adore
his incompetent Maker:
Zeus, Yahweh, or Thor.

Think of Me as the One
who never died—
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.
And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark ...

If you look above,
you will see a bright Sign—
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know—
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.



Listen
by Immanuel A. Michael (an alias of Michael R. Burch)

1.
Listen to me now
and heed my voice;
I am a madman, alone,
screaming in the wilderness,
but listen now.

Listen to me now, and if I say
that black is black
and white is white
and in between lies gray,
I have no choice.

Does a madman choose his words?
They come to him:
the moon's illuminations,
intimations of the wind,
and he must speak.

But listen to me now,
and if you hear
the tolling of the judgment bell,
and if its tone is clear,
then do not tarry,
but listen,
or cut off your ears,
for I Am weary.

I desire mercy, not sacrifice.

2.
Listen to me now: I had a Vision.
An elevated train derailed, and Fell.
It was the Church brought low, almost to Hell.
And I alone survived, who dream of Mercy:
the Heretic, who speaks behind the Veil.

3.
Listen to me now: I saw an airplane
fall from the sky. And why should I explain?
The Visions are the same. It is my Heresy
that I survive, because I sing of Mercy,
while elevated "saints" go down in flames.

4.
Listen to me now: I saw in Nashville
how those who "soar" will plummet―Fame in flames!―
and fall on those below, as if to **** them.
The lowly, saved, will understand their names.

5.
Listen to me now: I heard another
say, "That which died shall Resurrect and Live."
An angel with a Rose bestowing Mercy!
What can it mean, but that my Visions give
fair warning to the world that God wants Mercy.
My Heresy is that we must forgive!

6.
Listen to me now: she heard god calling―
O, who will love me, who will be my friend?
Does he want Perfect Saints, the whitewashed Purists,
who frown down on their "brothers," without end?

7.
Listen to me now: you are not perfect,
and your "wise counsel" helps no one at all:
unless it's sweetened with the sweetest Mercy,
it's pure astringent antiseptic gall.

8.
Listen to me now, and learn this lesson:
If God wants mercy, why dig at the speck
in your brother's eye, when even now the Beam,
your lack of mercy, spares, no, neither neck,
becomes the Hangman's Millstone. We're all children,
all little ones! Be patient with the fleck!

9.
Listen to me now: for the Announcer
explained that wars have given Presidents
the precedents to soon assume all Power.
Vote, citizens, or be mere residents!

10.
O, listen to me now: I saw the Warheads
stored safely underground, except for One.
A red-haired woman with a bright complexion
seduced the guard. Translucent blouse, red thong,
white bra―these were her fearsome antique weapons.

I saw the Skull and Crossbones! Heed my Song!

11.
O, listen to me now, and hear my Gospel:
three verses of such sweet simplicity!
God is Light: in Him there is no darkness.
In Christ, no condemnation: Liberty!
God want no Sacrifice, but only Mercy.
O, who could ask for sweeter Heresy?

12.
Theology? I swear that I disdain it!
If Love can be explained, why then explain it!
If Love can't be explained why, then, should God,
if God is Love? Nor hell nor cattle ****
is needed, if God's good, and God's supreme.
Ask, children, what "re-ligion" truly means:
"return to *******! " Heed the bondsman's screams!

13.
Heed, children, which Theologies you dream
when Hellish Nightmares wake you, when you Scream
for comfort, but no comforter is there.
Which Voices do you heed, which Crosses bear?
If god is light, whence do Dark Visions come
which leave the Taste of Venom on your Tongue,
with which you **** your brother for one Sin
you do not share, ten thousand underskin
like Itching Worms that Squirm and Vilely Hiss:
"Your brother's sin will keep him from god's bliss,
but You are safe because god favors You! "
If God is Love, how can this voice be true?

14.
For God is not a favorer of men.
Amen. Amen. Amen. Amen. Amen.

I have always believed that human beings grew up wanting to be grown
and spent the time when we were wanting to try again
all the time I have known I felt this was true
and coming back to me and you I'll say it again:
life is not lived outside of original sin
and every step I take feels like a mistake
no emo lyricism here
just real fear because there's too much dark in this big broad world for anyone to shed any real light
and without light the shadows creep and crawl
and I can watch the walls but who mans the halls
all night long I wait awake
every blink and every breath I take another reason for me to fear
"major depressive disorder"
doctors croon that like a sweet lullabye
but that does nothing to dry my eyes because what?
I'm not sick, just crazy?
I'm not hurt, just lazy?
I know the pains I feel so deep
if they aren't real then neither am I
I fall short of every sunrise with color but I try
major depressive disorder according to books
(allow me to paraphrase, I can't be bothered to look again)
is categorized by an extreme feeling of hopelessness
and loss of interest and I feel they are lacking finesse
when I am told I am a sad sad soul because the world is grand and wide
and I would invite it all to come inside
but I can't and that makes me sad.
it makes me sad when I see the way people are treated.
it makes me sad and often downright defeated
and when the little flame that keeps this broken heart burning
gets washed out by the darkness of the world awake and yearning
waiting for a moment of doubt and weak
I feel so ******* meek
me, meek.
I feel like the world is collapsing but only in my chest
I feel like an infant in a bulletproof vest getting shot
my skin starts to itch and I can't scratch with my nails deep enough
and son of a ***** they don't trust me with sharp things anymore
and the scores on my arms are the times I have lost
and this battle isn't won and this is hardly a war
this is slaughter, this is me standing alone under the whole wide world and keeping it up
and this is everyone I love looking at me straining and telling me that I'm slipping up
alaska is too far south today, do I even give a ****?
depression is not a feeling of overwhelming sadness
I am not sad because of misaligned cables in my mind
I am sad because no matter how hard I try
I'm told that I am not.
but here I am still trying, standing up from my cot on the floor
and every step outside that yawning door
there are people pulling me back and slinging words that cut deeper than I ever did
and every hand that grasps my shirttails to try and pull me home like a lost little kid
leaves mars all down my back, claws that sink and ravage leaving me ****** and raw
and bleeding open and sloppy all on the floor I keep my pace, like every step will be the last straw
like every step is the last one I need to take to get away
and as I go I follow all the trails of similar blood, refreshed by people like me every day.
and I just wanted to say
I don't give a flying **** what you think you know about my scars
I don't care if it makes you uncomfortable to see my arms, the sun is out and it's 90 ******* degrees
don't lie to me and say I should be ashamed and not wear these badges like good luck charms
don't tell me my survival is offensive to your eyes because you should know without being told
these scars are here to help me grow old
when I needed to remember I was alive these scars
were fresh cuts, science experiments on a corpse brought back screaming "I'M ALIVE"
I'm not ashamed for surviving because if I were ashamed
I wouldn't be.

I love being horribly straightforward. I love sending reckless text messages (because how reckless can a form of digitized communication be?) and telling people I love them and telling people they are absolutely magical humans and I cannot believe they really exist. I love saying, “Kiss me harder,” and “You’re a good person,” and, “You brighten my day.” I live my life as straight-forward as possible.

Because one day, I might get hit by a bus.

I could be walking down the street one day, blasting Rihanna or Fleetwood Mac, jamming so hard that I don’t see the bus coming. I could be walking with a book in my hand, reading until the very end. I could be paying total and complete attention, imagine the impact before it arrives.

And I’d really, really rather not die with some confusing statement I said sitting in the phone or the thoughts or the memory of someone I know, care about, need.

I know how it is—we all want to be mysterious. None of us want to get hurt. None of us want to look desperate. So we wait to respond to texts, phone calls, emails, Facebook messages, Tweets. So we communicate our emotions in how we end our messages (no period this time? Really gonna get them.). So we say vague, half-statements and expect people to read our minds.

But what if we died?

What if the last thing you ever texted that girl was, “I don’t know, whenever,” when she asked when she should come over, even though you really really wanted to see her right now? What if you were head-over-heels in lust with some beautiful human in your Lit. class but you chose to wait 15 seconds before texting them back, only to never get the chance to text them at all?

Maybe it’s weird. Maybe it’s scary. Maybe it seems downright impossible to just be—to just let people know you want them, need them, feel like, in this very moment, you will die if you do not see them, hold them, touch them in some way whether its your feet on their thighs on the couch or your tongue in their mouth or your heart in their hands.

But there is nothing more beautiful than being desperate.

And there is nothing more risky than pretending not to care.

We are young and we are human and we are beautiful and we are not as in control as we think we are. We never know who needs us back. We never know the magic that can arise between ourselves and other humans.

We never know when the bus is coming.

(So go text them back.)

-Rachel C. Lewis

Is burrowing a web
weaving a collection,
accumulating an anthology

For a far gone day
Stash them away
set them aside with a
what, when, why

rather than right
now ambitious zeal

discoverable.
findability.

Its the nature of the undertaking.
My minds an unavoidable reciprocal
Gratified by wasting time,
It’s just there filling space

Tucked away for a rainy day
In every nook and cranny

Tickling the fancy.

Affording a kind of intellectual gusto
that's borderline deplorable
accumulatively downright trifling.

Nonetheless,
even if it's unnecessary
I'll never get my fill
paper to hand typing away
uncovering all of life's mysteries

I’ve grown tired of this suit.
I don't like wearing it anymore.
It’s not what it once was.
It’s a constant burden to me.
It’s discolored, faded, and worn thin, especially around the knees.  
It’s marred with tears and stains.
It embarrasses me.
It itches.
It’s suffocating.
It’s downright ugly.
I no longer feel comfortable in it. I haven’t for decades.
I’ve taken it to the best cleaners, the best tailors that money can buy, but it's still a tattered mess beyond repair.
People say I look good in it, that it’s me, it's who I am,  don’t be so self conscious.
But what do they know?
They're not the ones who wear it all the time. I ******* do, ******* it.
Maybe there’s some hidden truth in all of this that I’ve been bypassing all along?
I don’t have the patience and tolerance to keep wearing it.
The long-avoided decision to rid myself of my suit finally catches up with me.
I’m not timid, not scared, not anxious - just relieved. Excited. Ready to undress.
There’s a fresh, clean robe waiting for me, hanging from the mantle at the bottom of the stairs.
I prepare myself for facing the uncertainty.
So, here I go.
I undress.
It takes a matter of seconds before I rid myself of the suit.
I stand naked, towering over the folded mess.  
I think to myself, that wasn’t so bad after all…
Just like anything in life, it’s the anticipation that cripples us.  Remember that.
I lower my head and stare only for a few moments at my *****, mangy suit.
Nothing at all, no remorse, no guilt – only liberation.  I receive the peace that has softly spoken to me in my dreams, through music, by feeding ducks and listening to the early morning birds.  They usually have the first thing to say, and it’s the most beautiful message one will ever hear.    
I place my robe over my naked body and start walking up the worn, creaky stairs.
Distant laughter and muffled conversations travel down to me as I climb higher towards the thick, ornate door.
The voices are familiar.  
I push open the door, welcomed by the faces that have been gone for far too long.

i love you,
fresh from
the shower.
glistening and wet,
smelling of aftershave.
"coolwater" by davidoff.  often aslo sandlewood,
goat soap, from the local
farmers markets.

i love you,
dressed up smart.
in a brook's brother's way
dress pants and shirt,
blue linen vest.
johnny walker silk bow tie,
untied is best. then your twist,
(not as original as you think)
converse skaties, no socks
and  bone bleached cuffs,
turned up.

i love you,
in your work gear.
just come home,
you smell of sweat.  
clean and healthy,
always wood shavings
caught up, in your
unruly shaggy hair.
cargo shorts and
t-shirts,
that have seen,
many days of worksite wear.
size elevens in your hands,
those big feet and freaky toes
bare, ******* in the air.

i love you,
in board shorts and rashie.
rushing into the surf,
hand in hand.
with the energetic bundle
of love,
to which we gave birth.

it is not as though,
clothes made this man,
but boyohboy, you, frame them well.

it s the heart, the chuckle
the hands, the philosphy,
the clever, erudite, caveman,
the downright,
man-dumb bloke.
that endears, your heart to
mine.

it is, that you really listen
and take the time,
to make me feel and be,
phenomenal, wise, sensual
and beautiful beside.

i love you,
best, in my bed.
moving slow and sure,
undressed, silk and velvet.
as we express,
the reality of our love
and whisper words,
well known,
and cry to heaven above.

i love you,
then, here, now and eons
on.
even after the worlds
memory of us,
is  nothing,
dust upon the breeze
our love,
will carry, forth
stardust on heaven's winds
and cries of our love and ecstasy
will birth worlds anew

I'm in that desperate mood again
Where me, myself am not my friend
I pull my hair, I scratch my skin,
My feet? Too small. My waist? Not thin.

I want to scream, be someone else.
With softer hair, a nicer face.
I hate this stupid mirror
I wish I could just run away.

But from yourself, you cannot hide.
With my less than perfect body.
With my less than average brain,
My need for makeup, hair that’s knotty.

I know I could be better
Or you never would have left.
There MUST be something wrong with me
Some bad thing left unkept.

Or maybe you did look past my face,
Though ugly as it is.
Maybe I'm just a stupid freak.
With weird ideas. A downright geek.

Times like this I wish I could just cut my wrist.
But I cant. Too many promises.
But I dream about it night and day...
I wish I could just fade away.

Not like anyone would notice,
Or wonder where id been.
Nobody would ever question
Why I was never seen again.

In the beginning
There were Adam and Eve
There was kindness,
and there was peace

The bible said that it was paradise
and there was  Cain and Abel
The people said the serpent came
With the rain, which angry the Gods
There have been numerous deaths
This time there were no bodies
but their souls seem to vanish

I am here pondering does he truly knows
What love is? He thinks being said I love you
On every chat, or the ending of a chat
Simplify anything;
We can have anything we want in life,
But we can’t have everything.

I might say that’s an understatement
Despite our wants;
I never say I love you to another person
Unless I truly meant it within,
To experiment with another ones heart
And mind, is downright cruel
Some humans isn’t human at all




.

We look for Satan with the same intensity
that my mom and dad looked for God.

In retrospect
my parents were always pushing me to expand my consciousness
by huffing glue or gasoline
or chewing peyote buttons.
Simply because they'd done their time,
wasted their teen years
lolling in the muddy fields of Vermont
and the salt flats of Nevada,
naked except for rainbow face paints
and a thick coating of sweaty filth,
their heads festooned
with fifty pounds of fetid dreadlocks,
teeming with crab lice
and pretending to find enlightenment...
That does NOT mean I have to make the same mistake.

Sorry, Satan,
once again I've said the G-word.

Without breaking stride,
Leonard nods and points
to indicate the former deities of now-defunct cultures,
now warehoused in the underworld.
Among them: Benoth,
a god of the Babylonians;
Dagon,
an idol of the Philistines;
Astarte,
goddess of the Sidonians;
Tartak,
the god of the Hevites.

My suspicion
is that my parents treasure their sordid recollection
of episodes at Woodstock and Burning Man
not because those pastimes led to wisdom,
but because such folly
was inseparable from a period of their lives
when they were young
and unburdened by obligation;
they had free time, muscle tone,
and their futures still looked like a great, grand adventure.
Furthermore,
both my mother and father had been free of social status
and therefore had nothing to lose by cavorting ****,
their swollen genitals smeared with muck.

Thus,
because they had ingested drugs and flirted with brain damage,
they insisted I should do likewise.
I was forever opening my boxed lunch at school
to discover a cheese sandwich,
a carton of apple juice,
carrot sticks,
and a five-hundred-milligram Percocet.
Tucked within my Christmas stocking
--not that we celebrated Christmas--
would be three oranges,
a sugar mouse, a harmonica,
and quaaludes.
In my Easter basket
--not that we called the event Easter--
instead of jelly beans,
I'd find lumps of hashish.
Would that I could forget the scene at my twelfth birthday party
where I flailed at a piñata,
wielding a broomstick in front of my peers
and their respective
former-hippie, former-rasta,
former-anarchist throwback parents.
The moment the colorful papier-mâché burst,
instead of Tootsie Rolls or Hershey's Kisses,
everyone present
was showered with Vicodins,
Darvons, Percodans,
amyl nitrate ampoules,
LSD stamps,
and assorted barbiturates.
The now wealthy,
now-middle-aged parents
were ecstatic,
while my little friends and I couldn't help
but feel a tad bit cheated.

That,
and it doesn't take a brain surgeon to understand
that very few twelve-year-olds
would actually enjoy attending
a clothing-optional birthday party.

Some of the most gruesome images in Hell
seem downright laughable
when compared to seeing an entire generation of adults
stripped **** and wrestling on the floor,
grasping and panting in frantic competition
for a scattered handful of codeine capsules.

It was probably that smile that caught me,
And your bubbly personality,
It was just the perfect mixture,
And that’s why I fell, I’m sure,

But you weren’t someone that moves gracefully,
Everyone actually considers you downright clumsy,
Reaching class late, still having a smile on your face,
Just entering and any existing shame, I see no trace

I could write something that overpraises you,
Like comparing you to the radiant Sun and how I think it’s true,
Or a flower in some garden, where you shine the brightest,
Very cringey stuff are what I often write, cheesy at best,

Excuse me for being the creepy type of man,
You probably won’t like this, since poems and other stuff you’re not much of a fan,
Often making this poems for you is hard, although I like It,
Understand I’m trying to remove how I feel, but constantly failing to do it,

And even when I fail, know I’m trying my best to,
Not fall completely and irrationally fall for you,
Despite that sudden burst of happiness being the reason I feel the way I do,
Somehow I will try slowly becoming distant from you

Okay, finally going back to what I was saying,
Recently though I was just trying to figure out something,
Reasons to why you really look bright through my eye,
Yet I still can’t think of proper answer no matter how hard I try,

To be completely true it’s just how you are overall,
Honestly I think everything about you is what made me fall,
And now I think I’m at the height of what I’m feeling,
Now I’m probably close to its ceiling,

Keeping up with the status quo is the only thing I can do,
You probably will become a distant memory after college is through,
Or someone I can still casually see every once in a blue moon,
Unless I do something about how I feel, I think I should say goodbye soon,

Getting to know someone lie you who can face life with a smile so bright,
Oh how great it is that you can still shine in life’s uphill fight,
Over that smile though is still someone that feels depression,
Despite how bright you smile, I think you still feel this crippling sensation,

Because everyone of us is victim to failure’s hold,
Yet I still believe despite the ton of pressure you experience you wouldn’t fold,
Even if the wind feels a little colder, and you feel breathing the air is becoming harder,
I know you won’t suffocate under the stress, you’ll probably even become better,

This poem is getting a bit long so I’ll wrap this up quick,
I have no idea if you have some kind of trick,
That you can just glow like the way you do,
Again it’s cheesy but I wholeheartedly believe it is true,




You may not feel even the slightest of how I feel for you,
And you probably be even annoyed about the things I do,
But for you to change is something I do not wish,
The imperfect you is the prefect you as crazy as the sound of it is,

You say I'm running from myself
I guess you're right
Maybe I am
All I know is that the reason
I hear my heartbeat so clearly
Is because my chest is hollow

I am made up of layers
Too many layers
As if my skin
Was preparing to survive
Out in dead winter at the South Pole

I'm annoying
  I'm distrustful

    I'm stubborn
       And I'm doubtful

           And secretive

Maybe downright manipulative

   But most of all I'm exhausted

Exhausted of the nothingness
   That I float around in
Exhausted of everything
  That comes and goes
    Ensuring chaos
Exhausted of everything and nothing
  And all things in between
         Exhausted of
                     **living

Ah! how the memory of

those pretty green eyes

enlighten my senses

making them parallel to

round ***** of safety.



Ah! how those eyes

regurgitate and bounce

pupils widening whenever

my eyes meet their gaze

wavering and moving from

person to person in an intimate crowded group setting.



Ah! how those eyes

which resemble soft moss

or the slick flesh of kiwis

stare at mine catching like how

flypaper catches mosquitoes

accidentally but intentionally

awkwardly but inventively

and ultimately intentionally.



Ah! how the memory of

those pretty green eyes

throw me off balance

when they lock into mine

and for a good ten seconds

merging a little too long

unnoticed by the crowd.


Ah! how those eyes

are like ghosts in my

memories so valid and

plausible they seem to

drift yet knowing they

will be seen tonight

creates a fidgety hope

splintered and shaking

within this hubris heart.



Ah! how those eyes

are framed by the

curliest of lashes

so cute they bloom

ripe smiles within this

here empty chest cavity

which seems to be defeated

at the moment but somehow

waiting to witness

orbs of stegosaurus skin

shelled and shellacked and unbuckled am i

at just a smack.



Ah! how those eyes

are like a slap

to my psyche.

Every part a swirling mass

of unabridged uncertainty.

And no matter how it seems

those irises of gold and green

will always be downright dainty.

I have met with downright nasty
and known that underneath they were the weakest
the most empty, the poorest, the ones on the very edge of their own abyss, the ones who show in their actions just how far away they are from what they preach.

Once upon a very old time,
In a perfectly ordinary forest,
Created solely for my words in rhyme,
There lived a very smart tortoise, modest and earnest.

In this same forest of the mind,
There lived a vivacious hare,
She was so stunning, all animals she could spellbind,
And wherever she went, she spread love in the air.

It so happened that the tortoise, our protagonist,
Found himself having an intimate crush
On the hare and if you get my drift,
He wanted to live a life with her, lavish and lush.

So he decided that to her he would propose,
And try to woo her with his intelligence and brains,
To marry her was his ultimate purpose,
He would surely convince her of his pros and gains.

But to his utmost horror, she rejected him downright,
And looked at him in pure disgust,
“no”, she said, “ you can’t win my love’s right,
because it is not for you that I lust.”

But persistent, and smart, he threw a challenge of love,
To her straight to the face,
“will you agree to marry me, my pure white dove,
if ever I beat you in a race?”

The hare agreed readily to the proposition,
Amused to think she could win without a care,
Alas, she didn’t know what the tortoise knew about the situation,
For he had read the story of the tortoise and the hare.

As soon as the race started, away she zipped,
While the tortoise slowly followed behind,
“He’s lost!”, she thought, “ his cream has been whipped!!...”
but the tortoise had something else in mind…

Half way through the race the hare began to tire,
“Oh!” she thought, “for the tortoise I’m still way far ahead…”
so into the hollow of a tree she did retire,
to have a nap in nature’s comfortable bed.

She was still sleeping blissfully when the tortoise reached her,
And saw her asleep in the hollow,
He could have won the race and won his love so dear,
But though he had knowledge, his mind was narrow.

“She’s the girl I love”, he thought,
we should be on equal terms, I shouldn’t get an unfair chance,
and without any fortitude and forethought,
he took a rash decision without a second glance.

“hey! Wake up! The race is still on! Don’t stop!”
his bellowing voice awoke the hare,
she nimbly bounded away, refreshed from the pitstop,
leaving the tortoise to stand and stare.

Obviously, the tortoise lost and well,
What happened after, I know not,
I hear he spent the rest of his life brooding in his shell,
But all this teaches an important lesson about love, does it not???

From the fiery hills of Maui
to the dry Canadian brush
from the flat lands of the delta
down to Texas on the gulf.

The weather’s downright awful
you can hear the people say,
summers sometimes take bad turns,
but it’s never been this way.

From the tall pines of the Great North West
to the Louisiana shore,
from Florida’s boiling waters,
to California’s reservoirs.

The weather’s downright awful
you can hear the people say,
With the heat domes far above us
Montreal’s hotter than Bombay.

From the fiery hills of Maui
to the dry Canadian brush
from the flat lands of the delta
down to Texas by the gulf

The weather’s downright awful
you can hear the people say,
everyday the heat breaks records,
how long can we go on this way?

From the tall pines of the Great North West
to the Louisiana shore,
from Florida’s boiling waters,
to California’s reservoirs.

You can feel that something’s different,
you can hear what people say.
It kind of makes you wonder,
how long can we go on this way?

They said the fairest of the goddesses
Was the one to give us love,
The one to fetch the maidens
And bring the boys their girls.
What they meant by fair was beautiful,
Not just or right or equitable,
For it hardly seems fair
That she's a goddess,
Enthroned on a mountain with a mirror in her hand
And we're all of us mere mortals,
Hapless humans,
With our ribcages wide open,
With no bone to shield our vulnerable ventricles
And no sense to tell us to cover our chests.
It's no wonder that this otherworldly seduction
Can ****** us
And string us along
And consume us
Until we forget what life was
Before love caught us.

It seems impossible
That these frail, impermanent bodies
Can hold such ethereal infatuation;
It's too strong,
So it ravages us,
Strips away dignity,
Rips away common sense,
And seizes all control.
Our little human selves
Never stood a chance.

Tell me, Aphrodite,
Does it make you laugh to watch us struggle?
From your lofty vantage point,
Do you giggle when the rational become foolish,
When the thinkers become unfocused,
When the innocent become broken?
Does it please your fair reflection
When those devoted mortals go to ungodly lengths
For this love that you inflict,
Until they have nothing left of themselves,
Until they're worn to the very bones
That couldn't protect their unsuspecting hearts?

Do you revel in the irony,
Aphrodite,
When, exhausted and dejected
And downright tortured,
They still worship you?
When they bow
And sacrifice
In gratitude?
When we miserable mortals
Thank you for these feelings that destroy us,
Because for tiny moments
We felt transcendentally good.

Perhaps she'd had better intentions,
That goddess Aphrodite,
Thought that she was filling our open hearts
With something to give them meaning.
Maybe she thought
We'd left our ribcages open on purpose,
That we'd all simply been waiting for her,
Wondering when she'd reach down her power
And give us a love to cling to.
Or,
It could be that she had it right,
That our chests were left gaping
And our hearts were left empty
So that Aphrodite could look away from her mirror,
Smile from the clouds,
And send us someone to make us whole.

T'is silence leaps from one self to another. Betrayal, o betrayal, doth greet it-so violently and startlingly, along th' entirety of its journey! Undelightful as 'tis, but made worse by t'at hostile dubiousness. Another fact aside from its ambivalent hatefulness: recognisable to every questioning eye-is t'is downright scary on its own, with unmolested quietude, and ******, but involuntary, unspokenness. Resolutions made within undesirable ambiences! Sacrifice t'at outwardly suggests th' presence of glam profuse in rich elaboration-but bland enough! And on top of all, t'is brimming immovability, and 'tis pool of doubts is causing me but to commence feeling weary about 'tis raising thorn. How didst I send myself into ferocious wanders-about t'is airless rooms, heated like sunflowers bathing themselves to death on th' giggling surface of raging snow. Battle of nature-and war of its childlike beings! Like a stoical plant in th' midst of 'tis glittering forest; vacant and idyllic-passive and unquestioning towards th' blades of farmers t'at come to exploit 'em: with morbid and futile, savage desires for rebellious treasures-unbecoming in t'eir temporariness, and unavoidability of sincere devotion as t'ey wilt soon leave t'eir offspring bereft of t'eir provisions once more. Yet look, look how red t'eir eyes are in t'eir hunger-eccentric vivacity gloweth in t'eir eyes, but mockery governs 'em-as ruptured t'eir weak souls are, by loathsome uncertainty and severe senses of greed. How t'is consideration made aggravated; agitated my soul is-o, seriously agitated! Yes, indeed! No longer doth vanity boast away about being my pride, but th' sultry pointlessness of my power of self-esteem. How melancholy t'is life is! O, and th' raising thorn itself, th' one aforementioned so discreetly within my fourth phrase up t'ere-growing dominantly and selfishly-aye! every day, is unlikely to be abashed by any remorseful incarceration, or stony suicidal attempts hurled by t'ose disgraceful beings out t'ere; but in t'is case, yon disgracefulness is comprised of grateful swarms of exquisite laughter, divine in its own roots, like th' sacred nook of a moonlit river. And how t'ere, on its most godlike slice of rock-so dearly scented by nature and innocent greenness-a sight be so dear to my longing eyes, shalt thou dwell with thy poems, and heart trembling with thy fullness of passion. For me, yes, for me, selfishly! O, my love! Cannot help I uttering thy name-thy very name, whom I am undeniably besotted with, like a feverish storm mooning over its lifelike sea, and whose eager cruelty so invincibly blanched by 'tis romantic tides-gone as it is, in just a seeming couple of cordial seconds! My love, whose name is so unmistakably dear to my heart, and indisputably belongs to 'tis greedy layers-ambitious, my love, desirous of,  and bland to solely th' dormant rains of thy love! O, t'ose pristine tears of blessings t'at are volatile but decorative to my half life-for thou art unarguably th' other half of me! And splendid in t'is very breath, t'at recognition t'en beats furiously along with t'is frail voyage of my humanness-grounded inevitably by unremarkable velocity are my wheels, and sometimes imprisoned in helplessness amidst th' pursuit of my fierce dreaming. But I admire 'tis core-as it is but thy warm, genial slumber; and 'tis skin is but th' very depths wherein I conceal my very whole love for thee. My love, my darling! If only thou wert here-yes, here, querida, to indulge t'is pr'saic quietude, shalt I shrink into nothing but a piece of thy fallen star; and t'ese feeble hands shalt t'en thou own, just as thy heart I should'th won.

Some say it full,
some find it empty.
Few find it impossible,
few say it difficult.

I know it's full,
I make it empty.
I make it impossible,
I say I'm possible.

Some say it upright,
some find it downright.
Few find it wide,
few say it narrow.

I know it's upright,
I make it downright
I make it wide,
And I know it's narrow

after five years
when I write her a love poem,
she is always surprised,
her unexpectation
so very pleases me.

after five years
when I write her a love poem,
I am always surprised,
that a new way to say it,
uncovered.

but this I can tell you,
not once
do I ever write
nor will I ever pen
those I love you words.

they are too easy, too cheap,
a dime a dozen,
naked words make me weep,
dress 'em, cloak 'em, try to
Pradip 'em in
mystery, charming humor,
use conjuring spells of
Bala imagery unreal,
Bzynga!

work hard to tell her why,
work hard to guard your originality,
work hard to tell her in ways
that her into me
smiling, crying, punching.

so I write love poems,
every now and then,
special ways recalled,
teasing her about her forgetfulness,
about her teasing me with rhyming
that is less than spectacular,
how my body has
reshaped itself to fit her.

tell her
I love you,
plain,
well that be downright,

pffft.
(an interjection used to express or indicate
a dying or fizzling out)

the key is to tell her
in a fashion original,
personal to us.

that what all these endless
love poems here strive,
but too oft, fail to arrive.
all tricked up, too direct,
passion burnt used up
after but a single read

stroke her cheek
with soft stanzas,
torrential directness,
no subtly,
fizzles.

write for the long haul,
words that five years hence,
words that five hundred years hence,
make her into me
smiling, crying, punching,
like the first time
she read them,
like they did
five years ago.

"The iniquity of the fathers upon the children."


O the rose of keenest thorn!
One hidden summer morn
Under the rose I was born.

I do not guess his name
Who wrought my Mother's shame,
And gave me life forlorn,
But my Mother, Mother, Mother,
I know her from all other.
My Mother pale and mild,
Fair as ever was seen,
She was but scarce sixteen,
Little more than a child,
When I was born
To work her scorn.
With secret bitter throes,
In a passion of secret woes,
She bore me under the rose.

One who my Mother nursed
Took me from the first:--
"O nurse, let me look upon
This babe that cost so dear;
To-morrow she will be gone:
Other mothers may keep
Their babes awake and asleep,
But I must not keep her here."--
Whether I know or guess,
I know this not the less.

So I was sent away
That none might spy the truth:
And my childhood waxed to youth
And I left off childish play.
I never cared to play
With the village boys and girls;
And I think they thought me proud,
I found so little to say
And kept so from the crowd:
But I had the longest curls,
And I had the largest eyes,
And my teeth were small like pearls;
The girls might flout and scout me,
But the boys would hang about me
In sheepish mooning wise.

Our one-street village stood
A long mile from the town,
A mile of windy down
And bleak one-sided wood,
With not a single house.
Our town itself was small,
With just the common shops,
And throve in its small way.
Our neighboring gentry reared
The good old-fashioned crops,
And made old-fashioned boasts
Of what John Bull would do
If Frenchman Frog appeared,
And drank old-fashioned toasts,
And made old-fashioned bows
To my Lady at the Hall.

My Lady at the Hall
Is grander than they all:
Hers is the oldest name
In all the neighborhood;
But the race must die with her
Though she's a lofty dame,
For she's unmarried still.
Poor people say she's good
And has an open hand
As any in the land,
And she's the comforter
Of many sick and sad;
My nurse once said to me
That everything she had
Came of my Lady's bounty:
"Though she's greatest in the county
She's humble to the poor,
No beggar seeks her door
But finds help presently.
I pray both night and day
For her, and you must pray:
But she'll never feel distress
If needy folk can bless."
I was a little maid
When here we came to live
From somewhere by the sea.
Men spoke a foreign tongue
There where we used to be
When I was merry and young,
Too young to feel afraid;
The fisher-folk would give
A kind strange word to me,
There by the foreign sea:
I don't know where it was,
But I remember still
Our cottage on a hill,
And fields of flowering grass
On that fair foreign shore.

I liked my old home best,
But this was pleasant too:
So here we made our nest
And here I grew.
And now and then my Lady
In riding past our door
Would nod to nurse and speak,
Or stoop and pat my cheek;
And I was always ready
To hold the field-gate wide
For my Lady to go through;
My Lady in her veil
So seldom put aside,
My Lady grave and pale.

I often sat to wonder
Who might my parents be,
For I knew of something under
My simple-seeming state.
Nurse never talked to me
Of mother or of father,
But watched me early and late
With kind suspicious cares:
Or not suspicious, rather
Anxious, as if she knew
Some secret I might gather
And smart for unawares.
Thus I grew.

But Nurse waxed old and gray,
Bent and weak with years.
There came a certain day
That she lay upon her bed
Shaking her palsied head,
With words she gasped to say
Which had to stay unsaid.
Then with a jerking hand
Held out so piteously
She gave a ring to me
Of gold wrought curiously,
A ring which she had worn
Since the day that I was born,
She once had said to me:
I slipped it on my finger;
Her eyes were keen to linger
On my hand that slipped it on;
Then she sighed one rattling sigh
And stared on with sightless eye:--
The one who loved me was gone.

How long I stayed alone
With the corpse I never knew,
For I fainted dead as stone:
When I came to life once more
I was down upon the floor,
With neighbors making ado
To bring me back to life.
I heard the sexton's wife
Say: "Up, my lad, and run
To tell it at the Hall;
She was my Lady's nurse,
And done can't be undone.
I'll watch by this poor lamb.
I guess my Lady's purse
Is always open to such:
I'd run up on my crutch
A ******* as I am,"
(For cramps had vexed her much,)
"Rather than this dear heart
Lack one to take her part."

For days, day after day,
On my weary bed I lay,
Wishing the time would pass;
O, so wishing that I was
Likely to pass away:
For the one friend whom I knew
Was dead, I knew no other,
Neither father nor mother;
And I, what should I do?

One day the sexton's wife
Said: "Rouse yourself, my dear:
My Lady has driven down
From the Hall into the town,
And we think she's coming here.
Cheer up, for life is life."

But I would not look or speak,
Would not cheer up at all.
My tears were like to fall,
So I turned round to the wall
And hid my hollow cheek,
Making as if I slept,
As silent as a stone,
And no one knew I wept.
What was my Lady to me,
The grand lady from the Hall?
She might come, or stay away,
I was sick at heart that day:
The whole world seemed to be
Nothing, just nothing to me,
For aught that I could see.

Yet I listened where I lay:
A bustle came below,
A clear voice said: "I know;
I will see her first alone,
It may be less of a shock
If she's so weak to-day":--
A light hand turned the lock,
A light step crossed the floor,
One sat beside my bed:
But never a word she said.

For me, my shyness grew
Each moment more and more:
So I said never a word
And neither looked nor stirred;
I think she must have heard
My heart go pit-a-pat:
Thus I lay, my Lady sat,
More than a mortal hour
(I counted one and two
By the house-clock while I lay):
I seemed to have no power
To think of a thing to say,
Or do what I ought to do,
Or rouse myself to a choice.

At last she said: "Margaret,
Won't you even look at me?"
A something in her voice
Forced my tears to fall at last,
Forced sobs from me thick and fast;
Something not of the past,
Yet stirring memory;
A something new, and yet
Not new, too sweet to last,
Which I never can forget.

I turned and stared at her:
Her cheek showed hollow-pale;
Her hair like mine was fair,
A wonderful fall of hair
That screened her like a veil;
But her height was statelier,
Her eyes had depth more deep:
I think they must have had
Always a something sad,
Unless they were asleep.

While I stared, my Lady took
My hand in her spare hand,
Jewelled and soft and grand,
And looked with a long long look
Of hunger in my face;
As if she tried to trace
Features she ought to know,
And half hoped, half feared, to find.
Whatever was in her mind
She heaved a sigh at last,
And began to talk to me.
"Your nurse was my dear nurse,
And her nursling's dear," said she:
"No one told me a word
Of her getting worse and worse,
Till her poor life was past"
(Here my Lady's tears dropped fast):
"I might have been with her,
I might have promised and heard,
But she had no comforter.
She might have told me much
Which now I shall never know,
Never, never shall know."
She sat by me sobbing so,
And seemed so woe-begone,
That I laid one hand upon
Hers with a timid touch,
Scarce thinking what I did,
Not knowing what to say:
That moment her face was hid
In the pillow close by mine,
Her arm was flung over me,
She hugged me, sobbing so
As if her heart would break,
And kissed me where I lay.

After this she often came
To bring me fruit or wine,
Or sometimes hothouse flowers.
And at nights I lay awake
Often and often thinking
What to do for her sake.
Wet or dry it was the same:
She would come in at all hours,
Set me eating and drinking,
And say I must grow strong;
At last the day seemed long
And home seemed scarcely home
If she did not come.

Well, I grew strong again:
In time of primroses
I went to pluck them in the lane;
In time of nestling birds
I heard them chirping round the house;
And all the herds
Were out at grass when I grew strong,
And days were waxen long,
And there was work for bees
Among the May-bush boughs,
And I had shot up tall,
And life felt after all
Pleasant, and not so long
When I grew strong.

I was going to the Hall
To be my Lady's maid:
"Her little friend," she said to me,
"Almost her child,"
She said and smiled,
Sighing painfully;
Blushing, with a second flush,
As if she blushed to blush.

Friend, servant, child: just this
My standing at the Hall;
The other servants call me "Miss,"
My Lady calls me "Margaret,"
With her clear voice musical.
She never chides when I forget
This or that; she never chides.
Except when people come to stay
(And that's not often) at the Hall,
I sit with her all day
And ride out when she rides.
She sings to me and makes me sing;
Sometimes I read to her,
Sometimes we merely sit and talk.
She noticed once my ring
And made me tell its history:
That evening in our garden walk
She said she should infer
The ring had been my father's first,
Then my mother's, given for me
To the nurse who nursed
My mother in her misery,
That so quite certainly
Some one might know me, who--
Then she was silent, and I too.

I hate when people come:
The women speak and stare
And mean to be so civil.
This one will stroke my hair,
That one will pat my cheek
And praise my Lady's kindness,
Expecting me to speak;
I like the proud ones best
Who sit as struck with blindness,
As if I wasn't there.
But if any gentleman
Is staying at the Hall
(Though few come prying here),
My Lady seems to fear
Some downright dreadful evil,
And makes me keep my room
As closely as she can:
So I hate when people come,
It is so troublesome.
In spite of all her care,
Sometimes to keep alive
I sometimes do contrive
To get out in the grounds
For a whiff of wholesome air,
Under the rose you know:
It's charming to break bounds,
Stolen waters are sweet,
And what's the good of feet
If for days they mustn't go?
Give me a longer tether,
Or I may break from it.

Now I have eyes and ears
And just some little wit:
"Almost my lady's child";
I recollect she smiled,
Sighed and blushed together;
Then her story of the ring
Sounds not improbable,
She told it me so well
It seemed the actual thing:--
O keep your counsel close,
But I guess under the rose,
In long past summer weather
When the world was blossoming,
And the rose upon its thorn:
I guess not who he was
Flawed honor like a glass
And made my life forlorn;
But my Mother, Mother, Mother,
O, I know her from all other.

My Lady, you might trust
Your daughter with your fame.
Trust me, I would not shame
Our honorable name,
For I have noble blood
Though I was bred in dust
And brought up in the mud.
I will not press my claim,
Just leave me where you will:
But you might trust your daughter,
For blood is thicker than water
And you're my mother still.

So my Lady holds her own
With condescending grace,
And fills her lofty place
With an untroubled face
As a queen may fill a throne.
While I could hint a tale
(But then I am her child)
Would make her quail;
Would set her in the dust,
Lorn with no comforter,
Her glorious hair defiled
And ashes on her cheek:
The decent world would ******
Its finger out at her,
Not much displeased I think
To make a nine days' stir;
The decent world would sink
Its voice to speak of her.

Now this is what I mean
To do, no more, no less:
Never to speak, or show
Bare sign of what I know.
Let the blot pass unseen;
Yea, let her never guess
I hold the tangled clew
She huddles out of view.
Friend, servant, almost child,
So be it and nothing more
On this side of the grave.
Mother, in Paradise,
You'll see with clearer eyes;
Perhaps in this world even
When you are like to die
And face to face with Heaven
You'll drop for once the lie:
But you must drop the mask, not I.

My Lady promises
Two hundred pounds with me
Whenever I may wed
A man she can approve:
And since besides her bounty
I'm fairest in the county
(For so I've heard it said,
Though I don't vouch for this),
Her promised pounds may move
Some honest man to see
My virtues and my beauties;
Perhaps the rising grazier,
Or temperance publican,
May claim my wifely duties.
Meanwhile I wait their leisure
And grace-bestowing pleasure,
I wait the happy man;
But if I hold my head
And pitch my expectations
Just higher than their level,
They must fall back on patience:
I may not mean to wed,
Yet I'll be civil.

Now sometimes in a dream
My heart goes out of me
To build and scheme,
Till I sob after things that seem
So pleasant in a dream:
A home such as I see
My blessed neighbors live in
With father and with mother,
All proud of one another,
Named by one common name,
From baby in the bud
To full-blown workman father;
It's little short of Heaven.
I'd give my gentle blood
To wash my special shame
And drown my private grudge;
I'd toil and moil much rather
The dingiest cottage drudge
Whose mother need not blush,
Than live here like a lady
And see my Mother flush
And hear her voice unsteady
Sometimes, yet never dare
Ask to share her care.

Of course the servants sneer
Behind my back at me;
Of course the village girls,
Who envy me my curls
And gowns and idleness,
Take comfort in a jeer;
Of course the ladies guess
Just so much of my history
As points the emphatic stress
With which they laud my Lady;
The gentlemen who catch
A casual glimpse of me
And turn again to see,
Their valets on the watch
To speak a word with me,
All know and sting me wild;
Till I am almost ready
To wish that I were dead,
No faces more to see,
No more words to be said,
My Mother safe at last
Disburdened of her child,
And the past past.

"All equal before God,"--
Our Rector has it so,
And sundry sleepers nod:
It may be so; I know
All are not equal here,
And when the sleepers wake
They make a difference.
"All equal in the grave,"--
That shows an obvious sense:
Yet something which I crave
Not death itself brings near;
How should death half atone
For all my past; or make
The name I bear my own?

I love my dear old Nurse
Who loved me without gains;
I love my mistress even,
Friend, Mother, what you will:
But I could almost curse
My Father for his pains;
And sometimes at my prayer,
Kneeling in sight of Heaven,
I almost curse him still:
Why did he set his snare
To catch at unaware
My Mother's foolish youth;
Load me with shame that's hers,
And her with something worse,
A lifelong lie for truth?

I think my mind is fixed
On one point and made up:
To accept my lot unmixed;
Never to drug the cup
But drink it by myself.
I'll not be wooed for pelf;
I'll not blot out my shame
With any man's good name;
But nameless as I stand,
My hand is my own hand,
And nameless as I came
I go to the dark land.

"All equal in the grave,"--
I bide my time till then:
"All equal before God,"--
To-day I feel His rod,
To-morrow He may save:
            Amen.

the world according, to a star-studded journalist -
writing the magazine Saturday column, a she, mind you,
all learned about seeing the world: well, only New York -
she's hip! she's funny! she's downright a prop'ah scumbag -
and i say: the iron curtain should have turned into an iron skirt...
but then Pope Jean-Claude von ****, the second, opened up
the brothel... i too would have liked a ****...
but hell, it was always going  to be a bony **** at best...
raise a family? REJECT! they think their post-colonialism is an
affair of scented parchments of hope, what they did in Africa,
they're suddenly doing in Europe... shush-bags of wisdom,
let's get the house in order: i'm a perverted snail, i **** toads for
practice, i ***** out salty ***** on the rotunda circuit of cries:
justice! justice! well, if ever i spotted a deaf ear, it'd be now.
so there she is lazing about with a column on Saturday,
and she drops the New-Irish words: and M & S, buying swimwear,
hoping for a Burkini... the lighting and the flooring gave the place
an unhappy, postwar, eastern European (a new continent, mind you)
vibe. i half-expected a forklift truck to drive past me,
delivering potatoes to some far corner's "thursday potato display -
sprouted ones half price." out of the blue a leprechaun jumps out,
a real ventriloquist by trade, and does a rendition of that famous
song: we all eat potatoes here, nothing but *** *** potatoes!
tra lala la. this fetish in western society, potatoes: the famous mash
and chips... cabbage... and the famous coleslaw...
eastern Europe: land of landfill sites and mountains
of potato... which magically turn into lakes of *****...
and cabbage... i got to know more about the world by being
half the tourist i was supposed to be... and half of what integrating /
assimilating into a host culture allowed: St. George can
hang a ****** on the washing line, and Lizzy can shave her head...
     i'm a patriot of language,
simple as, a patriot of language,
not a patriot of the culture that incubated the language...
first of all check-out North Korean propaganda films,
second of all ask why you received the Marshall Plan
funds, inc. Sweden, which was neutral during the war...
then bewilder yourself as to why you're selling us
a farmer's stereotype, but as the grand observation
of the bellybutton suggests: they're the ones stuffing
crisps into buns and eating it with cheese and ham
at every lunch-break... farmer here, farmer there,
******* potato fetishist anywhere...
and you wonder why i retain a patriotism to the language
rather than to the people that speak it...
they didn't make it easy, and they're certainly not
making it any easier... Leprechaun Irish -
potaytoe - potaytoe - potaytoe -
so the expectation is... i'm a slave, you're the master,
i get to visit the opposite of Auschwitz in the cotton
colony? well, at least the existential answer is simple
in Auschwitz - our german brood will do the job more
effectively... we don't need you, off to God you go...
in a cotton colony? our people are superior,
we need slaves to do the work that our people are not fit
to do... and this is diabolical logic, i don't deny it,
but i'd rather be told to die than be told to live and work
for someone's amusement and benefit...
simple... p'ahtaytoe!
                                    it seems that whenever they
came to Poland they only came to Auschwitz, now,
all of a sudden, i'm the collaborating ****,
the stain on Polish soil, as already noted:
Egypt has its pyramids, Poland has German chimneys...
******* choo choo and Thomas the tank engine rolled into town...
how can you ever attempt a full discrete and competent
assimilation / integration when you have to end up
a solitary form of ethnic cleansing, where bilingualism
is treated as a mental illness, and you have to, in effect,
spit at your parents to embrace an English wife,
with an English household, with 42.3% chance of divorce?
what's the ******* point of that? at least in my
culture monogamy had a sense, not here, among
the brutal brats: who rather than having learned to care
for children, after petting an animal, just leave them
like stray wild dogs, not free to roam in forests and
fields, but in angst ridden kennels...
                                       well, Japan is selling me euthanasia,
cos reaching old age was going to be such an achievement,
that everyone started begging for the living standards
akin to Sudan: dead at 40, dead at 40 and nimble.

We had blown through half the ***** and the drugs were nowhere to be found  in this oasis's of debauchery and bad decisions .
Bone had thrown his usual  temper fit and with his spoiled rich boy roots showed his *** in the worst possible way till someone finally shut him the **** up.

And after the ******* dude had knocked my sometimes friend most times pain in my *** sidekick out.
Looking to me in half spent rage and ****** knuckles asking now what the **** are you  going to do?

Well I'm going to have another round and play the jukebox now that someone finally shut that ******* up what you having amigo?
You mean your just going to sit there and let me get away with what I did to your friend that way.

Who that guy in the floor I don't know him.
But you came in here together **** you been sitting here drinking for at least five hours and your telling me you don't know him?

Oh that guy sleeping in a pool of blood in the floor?
Yeah stupid .
Nope never met him but he 's alright sometime when he's not ******* then he's well less a ***** and more just a regular ******* .

What are you ******* with me ******!?

The burly man asked as pure anger flowed like the Rio grand within his eye's
Some people have to build the rage up like some strange volcano to inflict damage on others and some are just ******* by design.
I wasn't sure of this man's type I just knew it was to dam hot to hit the highway and the cervasa was cold the music was right and I had no intention of leaving before my buzz kicked in.

What's to stop me from just kicking your *** like I did this ******* *******  ****** you tell me what's to stop me from taking your money and  rolling your *** right out of this place?

Mexico still bleeds of the past and it's people still show that passion for a good fight that at it's base is the true nature of man .
Not to be some violent nut but the passion for life at it's sharpest and most dangerous edge .

Well my friend I can think of a few reasons and probably none will be that pleasant.

I'm done with your games ****** .
The man moved forward fists clenched ready for round two I suppose
but his eye's sure were shocked when he found a barrel of a gun placed firmly between his eyes.

Now I told you this wasn't going to be pleasant sure you could have sat your angry *** down on a bar stool had a drink or two but no you had to play the ******* when I was just trying to catch a good buzz I swear some people have no manners .

The room went dead silent like some cheap spaghetti western right before someone was about to get killed minus that weird *** music so I guess it wasn't that silent at all as one old man turned his head then just went back to his drink like I don't give a **** as long as he doesn't bother me or make me stop drinking.


Oh **** ****** don't pull that ******* trigger  the man said his rage had turned more into a look of fear or maybe just a look of he just **** his pants honestly what's the difference well minus the smell.

with a gun in one hand and a beer in another I called the bartender down .
Mix me a mist and coke barkeep please.

No Whiskey just tequila senior .
What ! I replied in a fake sort of shock .
I swear no whiskey No women what kind of bar is this place I swear do I have to shoot somebody to get a bottle of whiskey ?

No no ****** the man at the end of the gun pleaded just get him some ******* whiskey Goddamit  he yelled at the bartender.
Really you don't have to be rude oh I'm sorry what's your name I been to busy holding you at gunpoint you must forgive my manners.

My names Gonzo I enjoy killing my liver hookers but only in moderation  like a good Christian  and ballroom dancing .
The man at the end of the boom stick lost all fear at least for a second.
Really ballroom dancing?

I'm kidding bout that one amigo but I do enjoy watching a good pole dancer  high five to that I mean I would  give you a high five if I wasn't holding a gun to your head and all .

Um you ever going to tell me your name bud?
I looked at this now downright scared shitless man who seemed to have a real issue with sweating from the strange puddle on the floor.

I swear you pull a fully loaded pistol on someone and point it to there head and everyone just acts so serious people are so strange these days.

Bill the man with a sweating problem replied.
Bill ?  Really what Mexican is named Bill ?
I mean I come all the  way down here get into some wild west kickass trouble and I find the only Mexican named Bill .
******* Machete you ruined my whole experience of what this was supposed to be like.

Sir. the man tried to speak up behind the  bar.
Don't interrupt me barkeep I'm on a dam roll here duh who you thinks writing this story imaginary person I created within my own demented mind.

You see Bill when I come across the border I expect a few simple things kick *** ****** cheap drinks and badass people like yourself named Razor or Spider  Or  El Nino or some sort of **** is that raciest sure put labels on what we have here amigo but I come for a kickass time in Mexico  and you really well you just killed it so I hope your happy.

I'm so sorry but please don't **** me Bill Replied .
Sir the barkeep spoke up again.

Okay what bartender being my whole trip has been ruined by Mexican Bill who honestly I feel if not for all this gun and life or death **** we could have a true connection but not like in a gone fishing on that mountain **** were those two cowboys corn hole each other  or maybe they just played corn hole once is fine I mean its not like I saw that movie and cried at the end cause duh I would never go see that in some cheap attempt to get laid by my teenage stripper girlfriend yeah don't ask.

Okay barkeep what the hell is it.
Well sir were not in Mexico.
This man was clearly more drunk than I for he didn't know what dam country he was in.

Amigo are you sure you know what your talking about.
Well yeah the barkeep replied your in Busch gardens theme park .
Well that certainly explains the ******* roller coaster and why that woman near it slapped me when I asked how much for a ******* boy do I feel embarrassed.

I knew I shouldn't have had that acid before leaving the house .
I did think it was strange that Germany was within walking distance.

So after nearly giving Mexican Bill a heart attack who was actually was Canada Bill once made me feel a little better because  honestly just for Nickleback and Justin Bieber  was grounds enough to pull a gun on him .

We sat  enjoyed some drinks as Bone laid passed out in the floor and said I don't want to go to school every time I kicked him cause I'm a true **** for a friend duh like you hadn't figured that out.

We laughed we rode rides we beat some dude up in France just because he was French .

And in the parking lot as we said are goodbyes.
I stood there and said you know Bill it's been great sorry bout the whole thinking I was in a foreign country and pulling a gun on you and stuff.

It's cool Gonz sorry about all my ****** music we pollute your airwaves with I know it's like being prison ****** by some dude called Harley .

Well I got to go and Bill  you stay crazy and by the way go take a ******* bath cause you **** your pants and it smells worse than Taylor swifts crouch okay .

Yeah the city landfill doesn't have **** on her .

We parted  are ways drunk and behind the wheel like good Americans .
And if that ****** you off just wait till my next write.

Duh it's just a story *******.
Stay crazy hamsters .

Your captain  

Gonzo

Aneeth Arora refers to herself as a ‘textile and dress maker’ rather than a fashion designer. That’s because she makes her own fabrics, a process she enjoys, and says that if it’s only designing, then there is not much left to it other than giving shape to the fabric. Aneeth will be showcasing her collection in the city at an exhibition titled Nayaab, which features creations by 12 handpicked designers, who work with craftsmen to produce intricate garments.

Aneeth’s collection is entirely in off-white with gold and silver details. She’s transformed luxurious brocade and wispy Chanderis into shimmery jackets, summer dresses, flowy maxis and tunics, smart scarves, skirts of varying lengths and long kurtis. Adding a dash of colour to the display is the capsule featuring clothes with hand embroidery and beads. Her trademark anti-fits find their place here. The collection is laidback, with a few elements of androgyny and some downright girly.

A part of what’s on display here was showcased at the Amazon India Fashion Week Spring Summer 2016, where she put together the famous pyjama party with sleeping bags and models in comfortably trendy shorts and dresses.

For Nayaab, she’s also specially created a few outfits that are not available at the stores.

Pero, which started in 2009 with one tailor and one runner out of Aneeth’s house in Delhi, now has 80 people working out of a bigger space. “If you count the weavers I work with, the number is far more,” she says.

Right from the beginning, the 32-year-old has worked with handlooms from all over India. For example, the block prints are done with weavers in Gujarat and Rajasthan, ikat is done in the South and the woollens are from Himachal… “We are inclined to anything that’s handmade,” she says. This includes Mexican braids, lace from Europe and crochet from Afghanistan.

The last decade has seen a revival in handloom, with more designers incorporating them in their designs. This has, in turn, brought about a change in the buying pattern of clients.

“There was a point when weavers didn’t see a future in what they were doing and sent their children to work with construction companies. Now, they know there is a market for weaves and they are confident. Their families are getting involved in it again. It’s all going uphill from here,” says Aneeth, contented.Read more at:www.marieaustralia.com/purple-formal-dresses | http://www.marieaustralia.com/long-formal-dresses