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"disquieting" poems
~ *She stands on the roof of the world, a ship in a bottle. She likes to wave at passing boats, inviting 120 volts to raise their sails. Words unbosomed -- her attempt of blotting out the sun and those bloodletting habits. Her eyelids say, "Only the disquieting muses have time for me." So she writes like an umbrella, shading reality; remembering pluck and luck stories about bumblebees, lovingly wrapped in Tiffany-blue ribbon and paper. Father used to solve her every contemplation. Now indecisiveness in what she asks. Now indecisiveness in arbitrary tasks. And she and her negative capability are the last two awake at a slumber party, giving commonplace words the allure of secrecy. You see, she is only harmless when she sleeps.* ~
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Dec 9, 2023
Dec 9, 2023 at 7:49 PM UTC
Pieces of Sylvia
across the Liverpool plains the gas exploration goes on without being contained drilling is never ending holes sunk which invariable cause in the farming community a disquieting funk Santos cares little for the environment's well being its pipeline must garner all the gas in the stream landholders and those in the green party have banded together to protect the agricultural lands from the rabid abuse which the company will wrought on the water table flora and fauna they cry **** as the company exploits the countryside making of it a harlot to be pillaged and misused the state government is at sixes and sevens so many competing interests must be listened to should it give Santos permits to **** and plunder or will it allow the broad acres to continue without sunder
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Dec 8, 2014
Dec 8, 2014 at 7:35 AM UTC
They Cried ****
spirit stone the emotion caught in your embrace where my body melts into yours the perfect blend of masculine and feminine bathing in a river of marble the waves are disquieting the ring is lost spirit stone don’t deceive me with other women don’t trick me with the old man at your feet I do not give up I slave away I work morning and night spirit stone everything has been cut hay, wheat, stone the interlude in the fields the moment when the ring is found dawn and thought watch me dawn and thought wear on my countenance spirit stone the moving echo of my own past the waltz to come the hidden atelier the moment when the king falls in love with his wife with his child spirit stone I am muse I am artist I am caught like a fly an agnostic queen who found the ring to fall in the arms of man spirit stone if you keep your promise we will grow with the sky if you keep your promise we will be in paradise
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Mar 21, 2016
Mar 21, 2016 at 12:46 PM UTC
Camille and the Ring of Recollection
Mother, mother, what ill-bred aunt Or what disfigured and unsightly Cousin did you so unwisely keep Unasked to my christening, that she Sent these ladies in her stead With heads like darning-eggs to nod And nod and nod at foot and head And at the left side of my crib? Mother, who made to order stories Of Mixie Blackshort the heroic bear, Mother, whose witches always, always Got baked into gingerbread, I wonder Whether you saw them, whether you said Words to rid me of those three ladies Nodding by night around my bed, Mouthless, eyeless, with stitched bald head. In the hurricane, when father's twelve Study windows bellied in Like bubbles about to break, you fed My brother and me cookies and Ovaltine And helped the two of us to choir: 'Thor is angry; boom boom boom! Thor is angry: we don't care!' But those ladies broke the panes. When on tiptoe the schoolgirls danced, Blinking flashlights like fireflies And singing the glowworm song, I could Not lift a foot in the twinkle-dress But, heavy-footed, stood aside In the shadow cast by my dismal-headed Godmothers, and you cried and cried: And the shadow stretched, the lights went out. Mother, you sent me to piano lessons And praised my arabesques and trills Although each teacher found my touch Oddly wooden in spite of scales And the hours of practicing, my ear Tone-deaf and yes, unteachable. I learned, I learned, I learned elsewhere, From muses unhired by you, dear mother. I woke one day to see you, mother, Floating above me in bluest air On a green balloon bright with a million Flowers and bluebirds that never were Never, never, found anywhere. But the little planet bobbed away Like a soap-bubble as you called: Come here! And I faced my traveling companions. Day now, night now, at head, side, feet, They stand their vigil in gowns of stone, Faces blank as the day I was born. Their shadows long in the setting sun That never brightens or goes down. And this is the kingdom you bore me to, Mother, mother. But no frown of mine Will betray the company I keep.
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3.9k
The Disquieting Muses
Mother, mother, what ill-bred aunt Or what disfigured and unsightly Cousin did you so unwisely keep Unasked to my christening, that she Sent these ladies in her stead With heads like darning-eggs to nod And nod and nod at foot and head And at the left side of my crib? Mother, who made to order stories Of Mixie Blackshort the heroic bear, Mother, whose witches always, always Got baked into gingerbread, I wonder Whether you saw them, whether you said Words to rid me of those three ladies Nodding by night around my bed, Mouthless, eyeless, with stitched bald head. In the hurricane, when father's twelve Study windows bellied in Like bubbles about to break, you fed My brother and me cookies and Ovaltine And helped the two of us to choir: 'Thor is angry; boom boom boom! Thor is angry: we don't care!' But those ladies broke the panes. When on tiptoe the schoolgirls danced, Blinking flashlights like fireflies And singing the glowworm song, I could Not lift a foot in the twinkle-dress But, heavy-footed, stood aside In the shadow cast by my dismal-headed Godmothers, and you cried and cried: And the shadow stretched, the lights went out. Mother, you sent me to piano lessons And praised my arabesques and trills Although each teacher found my touch Oddly wooden in spite of scales And the hours of practicing, my ear Tone-deaf and yes, unteachable. I learned, I learned, I learned elsewhere, From muses unhired by you, dear mother. I woke one day to see you, mother, Floating above me in bluest air On a green balloon bright with a million Flowers and bluebirds that never were Never, never, found anywhere. But the little planet bobbed away Like a soap-bubble as you called: Come here! And I faced my traveling companions. Day now, night now, at head, side, feet, They stand their vigil in gowns of stone, Faces blank as the day I was born. Their shadows long in the setting sun That never brightens or goes down. And this is the kingdom you bore me to, Mother, mother. But no frown of mine Will betray the company I keep.
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56
at the end of the pier no one is fishing a couple from Jersey leans out over the rail looking down into the brown swill rolling under the weathered boards The wife remarked “Belmar's water is much nicer.” on the Gulf’s edge unhappy gulls convene, plaintively gazing over gray waves ebbing at their feet Brown Pelican crews fly in long ordered formations incessantly circling in widening rounds seemingly reluctant to plunge into the endless depletion of this aquatic dead zone I speak with a Jefferson Parish employee working a shovel to regrade disturbed sand boasting a consistency of moist drying cement “How did the Gulf oil spill affect this place?” I ask “It took evarding.” she said With a slight Cajun accent, “dig down a foot or two in da sand you hit earl. It nevar goes away. Nevar. “I live down bay side near forty years. Had’nt been in de water fer twenty five.  The ****** ******** took evarding. They should go back to Englund” She went back to tilling the sand. Deepwater Horizon yet festers a short forty miles out to sea is now covered by an advancing storm swelling in the Gulf standing at the end of the long pier my hands  grasp the sun bleached lumber straining my eyes peering into a dark avalanche the serenade of bird songs have been replaced by the motorized drone of tenders servicing offshore rigs sounding a constant refrain filling my ears with a disquieting   seaside symphony the taste of light sweet crude dances on my tongue the pungent sting of disbursements climbs into nostrils rends my face prickles my eyes grandeur is a conditional state never permanent forever temporary Music Selection: Cajun Music: Hippy To-Yo Grand Isle 2/20/17 jbm
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Mar 3, 2017
Mar 3, 2017 at 5:52 PM UTC
Grand Isle
at the end of the pier no one is fishing a couple from Jersey leans out over the rail looking down into the brown swill rolling under the weathered boards The wife remarked “Belmar's water is much nicer.” on the Gulf’s edge unhappy gulls convene, plaintively gazing over gray waves ebbing at their feet Brown Pelican crews fly in long ordered formations incessantly circling in widening rounds seemingly reluctant to plunge into the endless depletion of this aquatic dead zone I speak with a Jefferson Parish employee working a shovel to regrade disturbed sand boasting a consistency of moist drying cement “How did the Gulf oil spill affect this place?” I ask “It took evarding.” she said With a slight Cajun accent, “dig down a foot or two in da sand you hit earl. It nevar goes away. Nevar. “I live down bay side near forty years. Had’nt been in de water fer twenty five.  The ****** ******** took evarding. They should go back to Englund” She went back to tilling the sand. Deepwater Horizon yet festers a short forty miles out to sea is now covered by an advancing storm swelling in the Gulf standing at the end of the long pier my hands  grasp the sun bleached lumber straining my eyes peering into a dark avalanche the serenade of bird songs have been replaced by the motorized drone of tenders servicing offshore rigs sounding a constant refrain filling my ears with a disquieting   seaside symphony the taste of light sweet crude dances on my tongue the pungent sting of disbursements climbs into nostrils rends my face prickles my eyes grandeur is a conditional state never permanent forever temporary Music Selection: Cajun Music: Hippy To-Yo Grand Isle 2/20/17 jbm
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89
An overgrown pathway she takes, A smile plastered on her face, so fake. Deeper down does detail disquieting doubt. As she stumbles and searches for a sign of the way out. Entwined in thorns she now becomes, As the overgrown pathway, the night succumbs. Hovering hornets the only sound, Pretending to enjoy the escapade, how profound. A shattering noise halts her stride, But the tranquil look stays in place, what pride. How foolish a girl to continue on, How foolish a girl to act as though nothing is wrong.
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Dec 16, 2015
Dec 16, 2015 at 7:57 AM UTC
A foolish girl
I grew up in a Muslim country Where the culture is different; Dress codes, cuisines, sceneries, and peaceful people, Different from your local news' bombing news content. I met different people at my old school, all of which are my friends; Of different ethnicities, culture, and religion. Despite our major differences, we treated each other as one; We built a bond that is not made for oblivion. I am lucky to grow up experiencing having a Muslim and a Christian for a friend, I get invited to holidays like Christmas and Ramadan. I get to see and feel the best of both worlds, And respect for each religion is the key to living as one. I wrote this to serve as an eye-opener That the terrorists that you see on the news are not my Muslim brothers; For when terror is claimed in Islam's name, They disrespect the Islamic belief and teachings when they make that claim. We need to live in a world where people thinks critically— A world with no woman with a hijab is stared at disrespectfully; A world where nobody uses Islam as a sign of terror; A world with no discriminations, just peace and tranquility. I hope we also learn cultural sensitivity, For religion differences aren't something to joke about and be tagged with petty comedy. Respect is what we need to have a peaceful community, And if we really want to live in a world free from disquieting thoughts and emotions, Let this all start with you and me.
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Mar 24, 2017
Mar 24, 2017 at 4:01 PM UTC
Best Of Both Worlds
Just as how a little stick-man could not perceive the pencil that drew him I could have never seen God and didn't see him when he had molded me from His depths of clay, profound as a rock- that is to say still, solid, silent, cold, old, disquieting... All fancy words for 'not much.' Here's the point: there isn't any, but just as how this little stick-man cannot perceive this pencil that draws him closer and closer to the last panel of his, this, comic or graphic novel: beings of smaller dimensions know nothing of those so much higher, smarter, and more poetic than themselves. Does this have to do with why you disappeared onto an airplane like a bird searching for her freedom...? Am I, in this mess of metaphors, your little stick-man who couldn't get out of his paper sheet and fly with you...? Of course, in existing on a dried white flap, I could not, cannot, fold my own two dimensions of existence into even one crumpled paper plane; so I could not, cannot, follow you through your freeing air and ask you, or beg you, to answer my silly questions... Because I have both length and width, but no depth; no depths of clay. Though I figure the answers to these questions are the same. The truth is that, in this mess of metaphors, neither of us got to pick what we didn't want to be, bird or stick-man. In reality we had only one choice: to hold hands when we could. So we did. And when we did- everything became dimensionless; and Everything made sense because Nothing did. Because the value of the distance between our hands meant that Nothing was our Everything. And from that dense Nothing our Universe was born- Bang. Thus tiny strings of new Everything rippled throughout old Nothing... making Everything matter, almost literally. We then made our stars, our galaxies, our planets; our classrooms, lockers, and lovers: each other. All of this brilliant Creation until we only had one last choice: to hold hands when we could... ...so we did... ... again and again, in the distant dreams of a troubled theorist who chains together pages and birds of poetry, looking to find you, again and again, in the mess of metaphors of our Universe, and I did.                     Almost.
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Sep 24, 2014
Sep 24, 2014 at 3:05 PM UTC
The Unobservable Dreams of a String Theorist.
Just as how a little stick-man could not perceive the pencil that drew him I could have never seen God and didn't see him when he had molded me from His depths of clay, profound as a rock- that is to say still, solid, silent, cold, old, disquieting... All fancy words for 'not much.' Here's the point: there isn't any, but just as how this little stick-man cannot perceive this pencil that draws him closer and closer to the last panel of his, this, comic or graphic novel: beings of smaller dimensions know nothing of those so much higher, smarter, and more poetic than themselves. Does this have to do with why you disappeared onto an airplane like a bird searching for her freedom...? Am I, in this mess of metaphors, your little stick-man who couldn't get out of his paper sheet and fly with you...? Of course, in existing on a dried white flap, I could not, cannot, fold my own two dimensions of existence into even one crumpled paper plane; so I could not, cannot, follow you through your freeing air and ask you, or beg you, to answer my silly questions... Because I have both length and width, but no depth; no depths of clay. Though I figure the answers to these questions are the same. The truth is that, in this mess of metaphors, neither of us got to pick what we didn't want to be, bird or stick-man. In reality we had only one choice: to hold hands when we could. So we did. And when we did- everything became dimensionless; and Everything made sense because Nothing did. Because the value of the distance between our hands meant that Nothing was our Everything. And from that dense Nothing our Universe was born- Bang. Thus tiny strings of new Everything rippled throughout old Nothing... making Everything matter, almost literally. We then made our stars, our galaxies, our planets; our classrooms, lockers, and lovers: each other. All of this brilliant Creation until we only had one last choice: to hold hands when we could... ...so we did... ... again and again, in the distant dreams of a troubled theorist who chains together pages and birds of poetry, looking to find you, again and again, in the mess of metaphors of our Universe, and I did.                     Almost.
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43
loneliness is disquieting it is an isolated battle between you and the world yet all you see is a crowd full of uninterested people unaware of your war
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Aug 17, 2016
Aug 17, 2016 at 11:29 PM UTC
your eyes spell out "lonely"
no matter how much i sleep, rest, or nap i'm exhausted i've taken to yawning in my favorite class. no matter how easy i take it, my body still aches when i move it's frankly rather disquieting. no matter how much i clear out of my head, i'm still hurting letting go of difficult situations is hard. no matter how ahead i get, i'm still stressed for the next thing the rapidity of life is eating away at me. no matter how kind i am to those around me, i still know shame impulsivity of emotion is a thinker's nightmare. no matter how much faith i have, i still feel uncertain my god is for me, but it feels like life is against me. no matter how mature i am, i am still undercut by those older than me focusing on the positive is not going to be theraputic right now. no matter how much control i have, i'm still shackled to my anxiety i cannot just "calm down" to ease your or my own conscience. no matter how many decisions i make, there is still much left undone slowing down is a luxury, one i take guiltily and not without consequence. no matter how much i improve, i'm still bound to expectation of perfection humanity is not perfect, and neither am i, broken and inadequate, but we try, oh we try. no matter how much joy is in my life, i still feel the crushing weight of depression. i said i was doing better no matter how much i am validated by my loved ones, i still hurt myself my eating disorder has infected my system completely, down to my bones. no matter how many breaks i take i'm still being driven into the ground crying because of household tasks is pathetic. no matter how much i try to pretend life is not stressful,  it's digging itself into my heart and soul. i am not okay, and those who know it are trying to keep themselves afloat i can't escape this tired, this exhausted, no matter how hard i try.
0
Jun 13, 2019
Jun 13, 2019 at 6:55 PM UTC
I'm so tired
no matter how much i sleep, rest, or nap i'm exhausted i've taken to yawning in my favorite class. no matter how easy i take it, my body still aches when i move it's frankly rather disquieting. no matter how much i clear out of my head, i'm still hurting letting go of difficult situations is hard. no matter how ahead i get, i'm still stressed for the next thing the rapidity of life is eating away at me. no matter how kind i am to those around me, i still know shame impulsivity of emotion is a thinker's nightmare. no matter how much faith i have, i still feel uncertain my god is for me, but it feels like life is against me. no matter how mature i am, i am still undercut by those older than me focusing on the positive is not going to be theraputic right now. no matter how much control i have, i'm still shackled to my anxiety i cannot just "calm down" to ease your or my own conscience. no matter how many decisions i make, there is still much left undone slowing down is a luxury, one i take guiltily and not without consequence. no matter how much i improve, i'm still bound to expectation of perfection humanity is not perfect, and neither am i, broken and inadequate, but we try, oh we try. no matter how much joy is in my life, i still feel the crushing weight of depression. i said i was doing better no matter how much i am validated by my loved ones, i still hurt myself my eating disorder has infected my system completely, down to my bones. no matter how many breaks i take i'm still being driven into the ground crying because of household tasks is pathetic. no matter how much i try to pretend life is not stressful,  it's digging itself into my heart and soul. i am not okay, and those who know it are trying to keep themselves afloat i can't escape this tired, this exhausted, no matter how hard i try.
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30
I hunger for your mouth, your voice, your skin, And through the streets I slide without nutrition, Silent, without a bite of bread, dawn disquieting me within, I search the liquid sound of your feet at day’s fruition. I’m hungry for your voice’s slippery laughter, For your sunburned hands’ colored clasp, I hunger for the pale shade of your stony nails, and after Want to eat your skin as a ripe, sunburned almond’s rasp. I want to engorge the sunburned rays of your beauty, Your sovereign nose, up to your arrogant face, I want to eat the slumberous slip of your lashes… And hungrily I go to and fro, sniffing the shadows, In search of you, to make your hot heart race. I’m a cougar in the quiet of Quitratúe.
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Jun 14, 2015
Jun 14, 2015 at 10:17 PM UTC
Sonnet XI by Pablo Neruda
The same Cricket has been outside my window for 5 endless nights. I stay awake and think about all of the dark ones I stayed up until 4am trying to find some sort of light. I never found the light. If I recall, you were the one who searched for it. And now this has got my ever disquieting mind reeling- Did you find me light? Or was it false hope?A flashlight with dead batteries? That's how I feel now- Like a car with no engine, Empty under the hood. I don't know why I trusted anyone anyhow. My heart feels like lead, A deadweight in my chest, Broken from the drop off the cliff. Of course you advised it to jump. This same cricket has been here making the same ******* noise - almost like how my mind tells me consistently how naive I was to trust. It hasn't shut up in 6 hellish nights.I can't stand these ******* fights. But you told me I must believe in the lies. Not in so many words- I was supposed to trust the "truth" I guess it was a part of my demise. Leave me to think I had the light, But when I went to use the power it is mysteriously out of service Right? You obviously don't realize how far you push me down into the water. How close I've been to drowning over- Over and over again, only to barely claw my way back to shore. The cricket is still outside and I have tried to smother his sound with the conflation of sad songs, But that's just not fair. He sings of his sorrows just as well as I. The cricket is outside my window and I let him stay now For we both know this feeling Update: I killed the cricket- he knew too much.
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Jul 7, 2015
Jul 7, 2015 at 2:55 AM UTC
Jiminy Cricket
The same Cricket has been outside my window for 5 endless nights. I stay awake and think about all of the dark ones I stayed up until 4am trying to find some sort of light. I never found the light. If I recall, you were the one who searched for it. And now this has got my ever disquieting mind reeling- Did you find me light? Or was it false hope?A flashlight with dead batteries? That's how I feel now- Like a car with no engine, Empty under the hood. I don't know why I trusted anyone anyhow. My heart feels like lead, A deadweight in my chest, Broken from the drop off the cliff. Of course you advised it to jump. This same cricket has been here making the same ******* noise - almost like how my mind tells me consistently how naive I was to trust. It hasn't shut up in 6 hellish nights.I can't stand these ******* fights. But you told me I must believe in the lies. Not in so many words- I was supposed to trust the "truth" I guess it was a part of my demise. Leave me to think I had the light, But when I went to use the power it is mysteriously out of service Right? You obviously don't realize how far you push me down into the water. How close I've been to drowning over- Over and over again, only to barely claw my way back to shore. The cricket is still outside and I have tried to smother his sound with the conflation of sad songs, But that's just not fair. He sings of his sorrows just as well as I. The cricket is outside my window and I let him stay now For we both know this feeling Update: I killed the cricket- he knew too much.
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35
Did you ever see me cry? Hiding in my own corner-- It was a dismal place as dark as Night and as pressing as the Silent presence of death. Did you ever watch me cry? Every tear a diamond, And upheaval of sobs, Disquieting the stillness, And disappearing into shadows. Have you ever noticed The drowning of my eyes, Pools of pain and unpleasant misery, Poaching my soul, While undetected by others?
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Oct 12, 2014
Oct 12, 2014 at 10:36 AM UTC
Laciniate
Standing as a posthumous syllogism on the main platform of the terminal, is the statue, Of what is perceived to be man. Nondescript in attitude and feature, balanced By the raw fact that a craftsman was disposed to cast it in bronze. The likeness of the general populace, defined through blank eyes, in the perfect reflection Of the truth. It seems that the epitome of accepted natural progression, that there Should be no inscription, no engraved statement of popularity or definition on its base. The dank smell and dust on the edifice on which it resides, continues to be a grim reminder of the expected and the commonplace. The reminder of what was and is, is left unnoticed, Forgotten by the familiar repetitive sight. The dying terminal (a redundant epithet) has grown dark through the cast of despair And false hope showering its massive windows from above. Light source has been cut off, Leaving only a path of beaten resolve, to direct the feet of the misguided. Not unlike the path, closest to the fence, struck hard by the hooves of the cattle, prompted forward by the hand out of food in the first cold days of winter. The stream grows on a daily basis, more and more The masses trip and stumble aboard the trains, to find their lurching, rocking way to self destruction. Nobility could have been found in even handed choice. Those who chose the line, the prolonged rail of Indifference and non-comprehension. Rails of iron, rusted like the rotted cheap pines on the waters edge. It is the longest journey, containing the most miles, the last station, the end of earth and existence. In some way you have known the base emotion, and what has been the guise of continuity, it is a new Reality, a new abstraction, there are no contradictions. The checked premise and the realization In words and concepts, those things we have known all along. The realization is loved and hated at the same time, and it can only be beneficial that the welcome Exceeds the hatred. The desperate homage to the masses is fading from the tangibleness, and is Replaced the the disquieting base physical feeling of the impending no mater being undesired. More important is the knowledge, that the precepts and premises held Without words have the tangible meaning long desired, And that the intangible reward, that can only be shared with few.
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Dec 26, 2011
Dec 26, 2011 at 9:02 PM UTC
Destiny Rail
Standing as a posthumous syllogism on the main platform of the terminal, is the statue, Of what is perceived to be man. Nondescript in attitude and feature, balanced By the raw fact that a craftsman was disposed to cast it in bronze. The likeness of the general populace, defined through blank eyes, in the perfect reflection Of the truth. It seems that the epitome of accepted natural progression, that there Should be no inscription, no engraved statement of popularity or definition on its base. The dank smell and dust on the edifice on which it resides, continues to be a grim reminder of the expected and the commonplace. The reminder of what was and is, is left unnoticed, Forgotten by the familiar repetitive sight. The dying terminal (a redundant epithet) has grown dark through the cast of despair And false hope showering its massive windows from above. Light source has been cut off, Leaving only a path of beaten resolve, to direct the feet of the misguided. Not unlike the path, closest to the fence, struck hard by the hooves of the cattle, prompted forward by the hand out of food in the first cold days of winter. The stream grows on a daily basis, more and more The masses trip and stumble aboard the trains, to find their lurching, rocking way to self destruction. Nobility could have been found in even handed choice. Those who chose the line, the prolonged rail of Indifference and non-comprehension. Rails of iron, rusted like the rotted cheap pines on the waters edge. It is the longest journey, containing the most miles, the last station, the end of earth and existence. In some way you have known the base emotion, and what has been the guise of continuity, it is a new Reality, a new abstraction, there are no contradictions. The checked premise and the realization In words and concepts, those things we have known all along. The realization is loved and hated at the same time, and it can only be beneficial that the welcome Exceeds the hatred. The desperate homage to the masses is fading from the tangibleness, and is Replaced the the disquieting base physical feeling of the impending no mater being undesired. More important is the knowledge, that the precepts and premises held Without words have the tangible meaning long desired, And that the intangible reward, that can only be shared with few.
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27
the seat was empty but the guy sitting next to it looked like an ******* so i elected to stand and celebrate the vacant air of non-assholery, next to the doors the atmosphere seems almost more friendly but the celebration was to be short-lived as the cabin was soon filled out at the next stop non-natives, they were, mostly settling into the space quickly, without fuss—without hesitation already looking ahead to the next part of their journey with a disquieting look of weariness and anxiety a not too uncommon look on locals as well but the locals were different they had their techno-gadgets to distract themselves with whereas the non-natives had to content themselves with staring at the urban scenery outside or at themselves which often offers very little comfort, i must say interesting how everybody tries to find their own space in a place which doesn’t actually offer much the bell then rings, and a distinctly un-Singaporean voice announced i have arrived at my destination so i made my exit, eager to start the next part of my journey ready to embrace the future where we are no longer judged by the colour of our skin only by the things that we possess
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Dec 6, 2012
Dec 6, 2012 at 10:18 PM UTC
Empty seat
Is quiet noise Peacefully disquieting Shredding sanity to zillion Pieces.
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Jan 16, 2014
Jan 16, 2014 at 7:39 AM UTC
Silence.....10W
We estimate a teen gets a ***** stuck up his or her **** every four seconds. Vacuous air space remains in the ****** for some time afterwards. Oh yeah. Up my *** Up my *** Up my *** A lit candle–up my *** A firecracker, a finger, a thumb–up my *** An egg. A vibratin' egg. A scrambled egg. Well, yeah, my *** may be big, but I don't recall a song ever being written about your flat one. Interesting! It really does smell like something crawled up my *** and died. It is even more disquieting to find mold growing, pink splotches – Are they from outerspace? *** angel wings, like the kind they got in greeting cards and **** float over to 'em, I'm floating, cause I'm dead.
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Nov 24, 2017
Nov 24, 2017 at 1:47 AM UTC
BACK FROM THE GRAVE, TEENAGE SHUTDOWN
They tell me that inserting a stent in an artery these days is no different than lancing a boil in my *** when I was a kid. It should reassure me, but the use of a phrase such as invasive surgery fills me with such dread, as does the hated “C” word that rattles round involuntarily in my head. And even worse is when they call it Percutaneous Coronary Intervention or PCI for short but not for long before the dreaded doubts once more invade my mind in sinuous counterpoint to that more disquieting portent of invasion.
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Apr 24, 2015
Apr 24, 2015 at 6:32 AM UTC
LIKE LANCING A BOIL IN MY ***
in his love my spirit softened like a fragrant balm had been soothed over the raging storm of my disquieting thoughts, within my soul the storm had been quelled and a stillness fell about my feet like autumn leaves softly silently covering the ground blanketing that which i always wished would swallow me whole
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Aug 22, 2016
Aug 22, 2016 at 6:01 PM UTC
his love
24 begins with its cruel rule: "No sustenance or quenching of thirst until the sad/happy day passes." Caring women with initials enter Poking, prodding, asking the same questions, While loved ones nervously watch. Close friends, friends, and strangers Phone and visit, offering their comforting words. "We love you." "We're praying for you." "Make a pact with God." "Chin up!" "Happy Birthday!" Their messages intermingle with disquieting thoughts Of hopes and dreams left unfulfilled. "Why me?" "What now?" "I knew it was too good to be true." As hunger gnaws, and expectation is postponed. A caring woman with initials enters one last time, Poking, prodding, asking the same questions, As the pushers of the bed arrive with their benign smiles. Unwanted darkness returns, As uncommon mortals work at their bizarre craft, Opening the golden bowl, Exposing its precious contents. East and West Coast loved ones, Separated by time and circumstance, Carry on their prayerful vigil. As 24 continues, Surrounded by love, Sustained by hope.
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Oct 25, 2019
Oct 25, 2019 at 11:41 AM UTC
24
On this day in 1963, Sylvia Plath, a beautiful woman and well known poet, committed suicide in her apartment. A rare recording of her reading her poem The Disquieting Muses was released. https://www.brainpickings.org/2014/10/27/sylvia-plath-reads-the-disquieting-muses-bbc/
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Feb 11, 2016
Feb 11, 2016 at 10:24 AM UTC
Sylvia Plath
To say I'm excited about going to college is like saying Godzilla is big - you don't get the complete picture - you don't see the buildings crumbling and civilians running for their lives. Leaving for college is one of those foundational moments in life... My mind’s been racing, I’ve felt a disquieting anxiety and I realized what I’m experiencing is a new kind of sadness - a “delta” strain new in my experience. In less than a week I‘m off to college and I can’t help knowing that things will never be the same. I’ll step out of this house or we’ll hug at the airport and somewhere in there - I’ll cross a line. Will my childhood be over or is it my adolescence? I’m not sure. Oh, God, should I hand in my key?? I can hardly let my mind linger on the subject of leaving - it’s as sensitive as a tooth - it’s radioactive. The most fleeting or off-handed reference to leaving and my heart hammers, my throat clumps and the room transforms into a thrill ride that starts to slowly spin until the floor drops a bit like an elevator. 30 seconds of focusing on leaving and I’m a muckle of tears. I’m mindlessly, Flamin' Doritos excited about college (the going to) but like a sacrifice, or a coin - there’s a cold, flip-side, almost death-like sadness (about leaving) happening too. So far, I think I’ve masked the sadness, with the cat’s lazy poise and razzle-dazzle and I’m sure this feeling of loss is some sort of pre-home-sickness that will pass. Until then, I'm stoically trying to wear a big-girl skirt here.
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Aug 12, 2021
Aug 12, 2021 at 1:12 PM UTC
radioactive
To say I'm excited about going to college is like saying Godzilla is big - you don't get the complete picture - you don't see the buildings crumbling and civilians running for their lives. Leaving for college is one of those foundational moments in life... My mind’s been racing, I’ve felt a disquieting anxiety and I realized what I’m experiencing is a new kind of sadness - a “delta” strain new in my experience. In less than a week I‘m off to college and I can’t help knowing that things will never be the same. I’ll step out of this house or we’ll hug at the airport and somewhere in there - I’ll cross a line. Will my childhood be over or is it my adolescence? I’m not sure. Oh, God, should I hand in my key?? I can hardly let my mind linger on the subject of leaving - it’s as sensitive as a tooth - it’s radioactive. The most fleeting or off-handed reference to leaving and my heart hammers, my throat clumps and the room transforms into a thrill ride that starts to slowly spin until the floor drops a bit like an elevator. 30 seconds of focusing on leaving and I’m a muckle of tears. I’m mindlessly, Flamin' Doritos excited about college (the going to) but like a sacrifice, or a coin - there’s a cold, flip-side, almost death-like sadness (about leaving) happening too. So far, I think I’ve masked the sadness, with the cat’s lazy poise and razzle-dazzle and I’m sure this feeling of loss is some sort of pre-home-sickness that will pass. Until then, I'm stoically trying to wear a big-girl skirt here.
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