Submit your work, meet writers and drop the ads. Become a member
English Jam Apr 2018
Sitting in some car in a forgotten parking lot
Grey marks the skies
Lush green plants peeping in
The wildlife of concrete and paint makes the perfect background
For
Little ***** of liquid heaven falling on my windscreen
And some music to complete the scene
Each guitar line synchronises with each raindrop
Each blast of power thunder hits hard like heavy metal
But the soft clouds, the gentle ebb and flow lull me to sleep
Whispering, persuading me to dream
But I really don't want to miss this shard of time
I never want to lose little moments like these

A silver raindrop is born by landing on my car
Crash landing, rather
The bubbling pocket of mystery travels down
Swerving and slamming into other fellow pockets in crime
It's life cycle completes when it reaches the bottom
It races to it's death, unable to stop gravity's plan for it
Each drop morphs into another, making a wave
The rain weaves an intricate web of waves
All strutting their sparkly magic before me
I sense a metaphor for humanity creeping in
Millions of crescendos growing about
Too concerned with their internal politics to worry about others
But I stay focused on the beauty all around

I wonder if heaven has rainy days
If so, this must be one of them
Wen Ao Long Nov 2014
Hello snorer, I hope you didn't sleep any poorer
when I stayed up all night typing this not-poem
I meant you no harm, but I had to stay up
Because I couldn't make music out of your obnoxiously loud cacophony of windpipe crap, er "music".  Time to not-pretend to absolutely hate your snoring under the guise of being perfectly okay with it for the sake of setting the tone a bit nicer to all who must hear it, so they can BEAR to, for otherwise it would be absurd.  Not as absurd as anyone hating to have aural drills applied to all their chakras all night, but still absurd enough to get a chuckle out of me (I hope it didn't wake your fine specimen here). It was never my intent, though it was always my ethical concern (if only everyone could be as reciprocal as you and I).   Oh, my not-pretend hatred is very thinly veiled.  I wasn't totally defeated by your snore-sound armies so that I couldn't type words, but I may have lost some of my desired effect due to the sometimes wincing distraction they caused to my piece of mind at this or that time when I needed it the most (even though I was awake, which is no crime if snoring at night and keeping me that way isn't).

Well, I did ask you if you'd mind if I typed,
I did tell you that you could tell me if its quiet purr of clicks would bother your precious sleep
But I never felt a need to be concerned, because whenever I
was typing, I heard you snore, and whenever I was in the heights of
some new discovery or epiphany, your sharp sudden thunderstroke of near death
corrugated metal vibrating in the torrent of some sudden gale force gust of wind.

These were signs to me of your restful sleep.  So I simply didn't worry about your sleep.  I was certain that my electronic beeps were every now and then music to your ears, just as they were to mine.  This is because in the midst of these I heard you snore, and when you snored, I took you to be asleep.

Ah but then again, then again, these are fanciful constructions which simply say that what is wonderful for me should be just fine and dandy with you, at a bare minimum, and on those grounds of very unsymmetrical attitude about right and wrong I would have to begin my music tirade of words as well.  But I don't view justice and propriety along such selfish lines as these.

What I see is that duplicity is your thesis.  I have anecdotal accounts which are marvelous to behold first hand, but the details of the absurdities cannot be done justice in the language of men, for the intensity of such insanity can only be borne lightly by the frailest frayed ends of my sanity for having lived through your acoustically maddening inanity.

You didn't ever admit to me that my noises were not music to YOUR ears.  Indeed  you claimed never to be bothered by them because you never voiced up against them.  I suppose you might as well voice up against them in the street as well if it turns out not all of you snorers-go-a-viking types like to hear my mouse clicking away like a tapping noises on a metal plate in your skull.  Sorry if it is another non-snorer-who-must-stay-up-late-and-so-be-occupied person whose nocturnal joys were misinterpreted as direct assaults on the dignity, spirit, or just basic mental viability of your wounded snoremonster troop of anti-late-stayer-uppers, because in fact, we used to be sleep-at-night-entities like you, but that was before you showed up, thoracic marching band in tow.  Marching bands are musical also, to some people.  And for some all hours of the night are perfect for a marching band.  Who am I to tell them otherwise.  

Well let me know the next time a marching band is given special permit to come through your neighborhood at night, and I'll be glad to point out to you the first Snorer'sville, because only they should be expected, in all justice to live with the macroscopic manifestation of their personal narcissistic paradises.

Let you all go to your own place and form your own nation, and see if you can consistently demand everyone else find music in your ****** and accursed racket!  But until then I expect some of you will have to take the damage returned by the growing number of people who are very much tired of living under the horrors of your infliction upon us, your demonic and evil tyranny of mind-crushing hate that is your ****** noise.  We will do yoga and breathe, and stretch, and some light calesthenics to relax and seek some focus and composure, whenever our spirits require, and this will be unchallenged by you so long as you are asleep, and it will be unchallenged by you so long as you are awake too.  For in the latter case you are already awake (and so still are we, usually) while in the former case it is far quieter than your snoring, both in its valleys and peaks.  And moreover it has not kept you up, but in fact I have noted that you wake yourself up with your own music when it reaches a certain crescendo.  

Unless you want to say that those crescendos are some sort of involuntary complaint about MY crescendos of spirit, when I start typing about 20% faster than normal, with perfect focus and accuracy while reaching an aesthetic pleasure approaching ****** as I realize that it is almost unerringly in the midst of such an experience that I hear your crescendo resound. And since it was no more intended to be a distraction for me, then surely my music must have also gone undetected by your ears, as well as your spirit. Or is it fairer to say it was the very cause of your crescendo, or at least its inspiration?

Therefore I needn't worry that it is I that is keeping you up, even if for only brief stints at a time, especially by comparison to my all-night vigils.  Not so, but it is you who are so enraptured by my occasional laughs or giggles as I edify my weary, sleep-deprived mind on some bit of morale boosting entertainment.  With headphones on of course.  It's also courteously plugged into the computer to prevent my favorite bit of Judas Priest from hurting your ear drums, or else overstimulating your music appreciation centers, which are verily attached to your ear-drums by a nerve bundle (and what nerve you all have there).  This means I've spared you too much distraction from any already-abundant music of the spheres effect you may be savoring which might have emanated from my bumbling around in the dark (to keep the lights out of course, after all people are sleeping).

Yes but that is a minority of you perhaps, who would lie about that and in fact who ought to say that our nocturnal emissions are not what you'd call restfully mind-relaxing crickets in the dead of night with an occasional hoot in the distance...  But they are a minority, the rest of you are so definitely in good faith.

But then why do I always run into those of your tribe who have strange and unethical habits, such as destroying others' lives by ruining their one perhaps most preciously personal and inalienable need second only to air and water, and that is sleep.  It is, in terms of acute necessity, in many ways more needed than food, though in the long term food catches up.  But food catches up only because not eating food is a  lot like not getting sleep, but just a lot more intense on the body when it drops to some critical point because we know from experience it is on raw nerves that we can go for a while in search of food, but if the food can't be found (perhaps because of our lack of sleep ruining our cognition in some way), then we will not eat, nor sleep, because we'll be dead.  

But either way, we'll be dead, for lack of sleep kills, both directly and indirectly, if suffered over a short time and/or in a diluted form over a long time.  That would be poetically commensurate to the sadistic similitude of the types of snoring sounds with the types of ways to die from being deprived of sleep according to two modes (acute and chronic), over many keys of incident, accident, lost opportunity and ill-stared fate, all of which can be mapped in some way back to that auditory persecution of our very souls of which your kind are in some swelling numbers quite proud.  Just think of all the car accidents, work accidents, altercations, fits of rage, inability to concentrate well or sometimes at all, and other life-damaging conditions of the mind, and also of the body, which accrue from lack of proper and healthy sleep at night!

Good thing for most of you though, right?  Because surely our music is also sweet, and I really hope I've inspired many to face this need for equality, and be on their guard against any unjust whining or groaning from those who seem in point of fact to value their sleep just a good deal more than they value anyone else's.  Not only because they really really love to get those zzz's but because they think that in the natural order of things, before people suddenly went mad and evil, people went to bed and slept well even partly BECAUSE of this brachio-esophageal orchestral lullaby.

But we'll be on our guard against those complaints, because we know you have plotted to take to the streets against us to defend your noisiness-all-night-every-night rights.  So we'll be on guard to defend ours, TO THE LAST FIBER OF OUR BEING.

Because you insufferable ******* are cruel, and cruelty no one should abide.  No one in my world, in my society of people, will be allowed to inflict cruelty on another person, nor be callously prejudicial in their own favor when injuries do occur because of their actions merely on the grounds that the damage it causes coincides with the fulfillment of a need on their own part, even while that fulfillment is of a need which is obstructed from satisfaction in the other part, and by THAT VERY SAME REASON, so that your sleep depends on keeping others awake.  UNLESS you can somehow con or coerce them into developing some form of Stockholm Syndrome and confuse the torment you inflict upon them with a sign of your love and wonderfulness to be around.

Yes, I know you hear me typing now, through your well-behaved proxy.  I feel it. If not he per se, then in a parallel universe not too far off, there's a version of him who does.  Perhaps not the one I know now, on day one of having moved into this room, but perhaps one represented in this universe by someone who has found himself in some sort of circumstances found later on during his stay, this mixed with the fact that familiarity breeds contempt... He'll start making some righteous demands of some kind, and I might not be in a such a good mood about that due to lack of proper sleep, and this will coincide with said contumacy against my own rights (such as to breathe, type, surf the net, or do other nocturnal things other than snoring which might keep others up).

As to that last point in parentheses, snoring is an activity which you perform in conjunction with your getting sleep, and it therefore means not well for your notion of fairness to say things as they are, and simply say the truth, which is that your getting sleep deprives others of theirs, but it can be logically deduced.

It can also be logically deduced that the don't give flying **** if you don't like the fact that we don't like your ear-**** night after night, which is a good name as any, but should perhaps at times be amended to body-demolishing soul-****** of a mortally sinful nature, and with an ethical incongruity to good character of a person to maintain it, all the more to sings its praises to us and call it "good poetry".
My tirade is intended to be expressive of a sincerely felt Truth, manifested in this which is only one of many forms, where things are never neutral, but divided neatly and perfectly into either Good or evil, so that no thought, word, or deed can be trivialized as mundane, neither in its innate import nor in its exported impact for others.  This is of the essence of ethics and has many metaphysical groundings which can be rationally demonstrated, but only to rational people.
JR Rhine Nov 2015
The concrete jungle.
Home of the dreaded concrete beasts
Who lie in plain sight for the world to see

Crouched in marble ledges, twisted in metal beams
Wrapped around handrails, perched in their cemented trees
They laugh at those who cannot perceive
Because they don’t believe.

And who am I,
Yes possibly me
To find my identity
In removing my wooden sword from its sheath

Placing it beneath my two shuffled feet
To answer the alluring call of the beasts beckoning
To my hero’s heart, for my eyes to blink
To suddenly see them as they were meant to be.

In a world between
Real and imaginary.

For it is I,
Yes I believe it to be
Chosen to find my destiny
In a single push

That propels me
Into the path of the snarling beasts
Approaching their stairs and rails, ledges and beams
Gaps and bumps and ramps with speed

And as they stare at me hungrily
Opening their mouths expecting me
I will stand strong on my wooden sword
As the wheels of fire erupt beneath

And the scenery blurs in the flash of the rapidity
I bend my knees and grit my teeth
My eyes narrow and the drum in my chest crescendos its beat
A shout explodes from my chest, a primal scream

As I press on
In the concrete jungle.

Home of the dreaded concrete beasts
Who quiver in plain sight for the world to see
And whimper at the sight of who they now perceive
Because I do believe.

And it is I,
Yes undoubtedly me
Who will find my destiny
Conquering the concrete jungles of the world unseen

Surfing the concrete waves of the world between
With my loyal vessel being the wooden sword from the sheath,
That remains steady in the face of danger beneath my feet.

I am alive
In the concrete jungle.
I love skateboarding.
Glenn McCrary Mar 2012
Psychedelic scenery



Elicit blithe resolutions



Television





Brilliant channels



Procreate felicity



Evolution





Crescendos



Ameliorate composure



Termination




© 2012 (All rights reserved)
DeeDeeK Apr 2012
thoughts of you make me breathless,
like walking into a steam sauna too hot
seeing you causes my knees to go weak,
blood rushing to that secret spot
that only you know how to touch and finger
driving me wild as you stop and linger
crescendos of pleasurable torment
until you see I'm finally spent
Oh God! I'll never have enough of you
baby take my breath, it's all for you
Raphael Uzor Apr 2014
Slipping into my apron,
Hungry in body and soul
Humming as a song played...

I grab my knife and chop-board
Unsure of what to cook
Strange inspirations possess me
Filling me with *****!

My kitchen becomes a stage
In my hands- a plectrum and fretboard
Silver utensils- my live audience!

As I play divine recipes
Strumming master acoustic chords
Chopping fresh, colorful vegetables.

I dash to the remote,
Punch "Repeat" and dash back on stage
Landing on E♭ minor,
Scaling impossible notes,
I slice with razor-sharp plectrum,
On onions and other root chords
My fret arrayed with colors,
Of spinach, lettuce, tomatoes
Carrots, potatoes, olives
Pepper, cabbage and cucumbers.

I hear a thunder of applause
As I ignite the cooker
Butter sizzling in the hot pan
A staccato of sharp notes,
Ready to modulate innocent vegetables
Through spicy aromatic crescendos!


I fight hard to suppress a sneeze,
No sneezing on-stage! Unprofessional!
Multitudes of seconds rush by and…
Voila!!!

I stand for a moment
Salivating, awed at my bravura!
Wishing I could hang it on my wall
Tis beautiful like art
But I can’t eat this cake and have it!

So I dig in…
Heaven and earth kiss for a moment
L U S C I O U S!!!
Luckily, it didn’t taste nauseating
Like my last attempt.

No time for ceremonies
I munch from pan to mouth
Pausing for what may pass for a prayer,
I relish every bite!
Not that I’m a foodie or something,
But nothing beats this combo-
Of good food and soul music.

And yes,
Music is indeed food to the soul!
I devour, in view- the next meal...


© Raphael Uzor
Inspiration came while cooking and listening to Ayo’s And its Supposed to be Love
Tell me I'm not a foodie :-)
1967 san francisco is transformed into city of missing children haight ashbury brims with scraggly orphans thousands sit on street curbs live in cars hang out on floors of shops roam streets parks sleep on sidewalks unthinkable social cultural phenomenon Odysseus embraces madness walking through different neighborhoods going without food sleep in golden gate park floral smells so strong he can taste flowers kids openly pass joints acid doses trip dance make music laugh Odysseus is risk-taker but he is not street smart along with flocks of totally wasted kids street hustlers abound Odysseus sets down backpack beside eucalyptus tree rests when he wakes backpack is gone he is penniless disconnected hitchhikes across bay to berkeley less congested more manageable meets some runaways like him but not like him they squatter in abandoned house off telegraph avenue maybe 20 hippies crashing in house Odysseus adopts enormous closet hidden in back bedroom as his space has small window feels like sanctuary sometimes he comes home finds 5 or 6 kids sleeping in closet in a way people in house become his family tribe some of people are suspicious especially older secretive man with 2 tongue-tied underage girls whom he claims are his daughters Odysseus suspects veiled ****** exploitation girls are lovely yet behave frightened repressed life on street does not come easy telegraph avenue overflows with lost souls searching to hook-up fragrance of frankincense drifts amidst music drug deals rip-offs bullying brawls hierarchy from hell’s angels down Odysseus stays high dances sometimes panhandles “i live in commune with 2 pregnant girls” whatever cash he collects scores acid **** subsists on diet of gum candy sunflower pumpkin seeds sometimes ketchup with french fries his acne crescendos he learns if he drops acid daily by third or fourth day he cannot get off no matter how much he doses tries peyote cactus buttons after waiting nearly hour to get off he suffers stomachache dizziness projectile vomits finally flies into freaky hallucinations he swallows mescaline capsules feels sick to his stomach forgets about his nausea trips for 9 hours tries psilocybin mushrooms laughing straight through night experiments with stp trips for 3 days Bobby Stern and Martha Quigley come out from chicago to visit they are curious about the scene need to hook up Odysseus introduces them to his friends shows them telegraph avenue he turns and they have vanished he does not know where they have gone everybody is losing everybody new kids show up everyday oakland **** named red rat kidnaps Martha is heiress from distinguished chicago family their disappearance makes chicago papers after week Bobby and Martha manage to escape they never reveal to Odysseus what red rat did to them radio plays doors’ “light my fire” and jimi hendrix’s "purple haze" Odysseus has crush on beautiful blonde Patty she  ran off for summer from her parent’s home in sunset section of san francisco Odysseus and Patty hang out go see country joe and fish in provo park on sundays hitchhike into city watch Jefferson Airplane play for free in golden gate park hitchhike to marin see Grateful Dead jam at muir beach dude hands out free acid Odysseus is total acidhead acid reveals everything in new intensified light *** on acid is beyond *** wilder than *** more primal *** so intense it transcends limits of eroticism acid helps Odysseus realize his true self his pain sadness tears lies crazy-*** side first tingling tremors in stomach chest hands then initial flashes of sparkle traces of color echoes of giggling laughter lucid thoughts sometimes he swallows such large doses all he can do is stare out at white light what is it about massive hits of acid? measure of how fierce his spirit? self-punishment? escapism? he wonders why he so desperately needs to escape from what whom? himself? Mom’s numerous efforts to convince him he is mentally disturbed? Dad’s fists? escape from real world to where? Odysseus hangs with Pluto skinny 16 year old ****-addict golden wavy hair rotting teeth finesse with girls Pluto claims crystal **** enhances *** more than acid needles frighten Odysseus he lets one of Pluto’s girls hit him up with methamphetamine feels sudden overwhelming rush through head body forgets about needle before it ever leaves his arm having been initiated Odysseus begins scoring with Pluto’s girls Pluto knows tons of girls Odysseus loves feeling numb free being out of control not giving a **** getting ****** ****** by pretty girl if he could have his way he would go from ****** to ****** with pretty girl all day every day deep in drug induced state because drugs lower inhibitions allow them to explore some sick disgusting stuff that is paradise for Odysseus he is rapidly slipping into street life drug addiction wakes up with ants crawling in his hair witnesses numerous fights freak-outs 2 different kids o.d. while he is present lots of creepy stuff  by early august realizes he might wind up dead soon or rotting like Pluto Odysseus has spirit but troubled by what he sees troubled enough to return home go back to school he feels lost desperate alone not thinking plots drug deal swindle double-crosses some people guilt and shame for conning people haunts him for years he gives Pluto half the money tells him to share with Patty with his cut buys ticket back to chicago Penelope is first to greet him she gives him big hug comments “you need a shower and shave real bad!” his hair is wild scraggly beard Odysseus holds on to her he has missed his little sister glad to be near her feels panicky his parents will punish him Mom and Dad are relieved but agitated their worry and shame at his flight have turned to anger resentment they rationalize he selfishly ran off merrymaking for 3 months they sternly make plans for his next semester while Odysseus was away in california Penelope has ****** ******* for first time in back seat of Jed Zurbeck's black pontiac Penelope in secret goes to see doctor for pregnancy test doctor recognizes Penelope’s last name calls house Odysseus answers phone doctor asks to speak with Mr. or Mrs. Schwartzpilgrim Mom picks up phone doctor informs her Penelope is pregnant all hell breaks loose doctor makes house call with Mom and Dad present offers 2 options for Penelope “you can be picked up by limousine on state street and blindfolded you will be taken to an undisclosed location where abortion procedure is performed then re-blindfolded and returned by limousine to state street or you can report incident as **** and get signatures of three physicians then have abortion in a hospital” Mom and Dad choose to report it as a **** fabricate story about Penelope walking home from school and being grabbed pulled into alley by black man who rapes her Penelope is made to tell lie three times deeply disturbs her after abortion is done in hospital Dad makes Penelope swear not to admit abortion to anyone insists she tell Jed Zurbeck she made up stupid lie and she was never really pregnant Penelope obeys and tells no one
Outside Words Oct 2018
At an unknown time of night at our cottage in northern Michigan…
My younger brother and I heard strange noises coming from the beach again…
We looked up at the ceiling and then the window…
As the voices from outside, in a lively allegro…
Grew softer and louder in repeating crescendos…
We skittered out the door and stared in fascination…
For what we saw must have been our imagination…

The door closed with a creak as our feet hit the grass…
It was at that moment we got a look at the mass…
Of stubby foot, hunchback creatures from which the sounds had amassed…

There was about six of them chanting like a choir…
They danced and paraded around our burnt out fire…
As we looked on, we saw our fire raise…
It got brighter as they lifted their hands in waves…
As light betook the blue beach night…
A crowd of colorfully masked gremlins caught us in their sights!

Their feet slowed to a stop and they quieted down…
They stood still as the fire flickered off their weird wooden frowns…
One reached out his hand in a come-here motion…
They seemed to stand and wait with an encouraging notion…
As the fire crackled and the waves tumbled onto the beach…

All I can remember, is for the rest of that summer…
My younger brother and I served as the drummers…
For that quirky marching band of lake sprites…
With which our burnt out fire we’d reignite…
At an unknown time of night at our cottage in northern Michigan…
© Outside Words
Lorem Ipsum Nov 2017
It doesn’t matter why I was there, where the air is sterile and the sheets sting.
it doesn’t matter that I was hooked up to this thing that buzzed and beeped every time my heart leaped, like a man whose faith tells him:
God's hands are big enough to catch an airplane

or a world,

doesn’t matter that I was curled up like a fist protesting death,
or that every breath was either hard labor or hard time,
or that I’m either always too hot or too cold
it doesn’t matter because my hospital roommate wears star wars pajamas,
and he’s nine years old

His name is Louis

and I don’t have to ask what he’s got, the bald head with the skin and bones frame speaks volumes. The Gameboy and feather pillow booms like, they’re trying to make him feel at home ‘cuase he’s gonna be here a while

I manage a smile the first time I see him and it feels like the biggest lie I’ve ever told.
so I hold my breath
cause I’m thinking any minute now he’s gonna call me on it
I hold my breath
cuase I’m scared of a fifty seven pound boy hooked to a machine, becuase he’s been watching me, and maybe I’ve got him pegged all wrong, like

maybe he’s bionic or some ****.
so I look away.

like I just made eye contact with a gang member who’s got a rap sheet the length of a lecture on dumb mistakes politicians have made. I look away like he’s gonna give me my life back he minute I’ve got something to trade, I **** near pull out my pack and say


Cigarette?

but my fear subsides in the moment I realize Louis is all about show and tell. he’s got everything from a shot gun shell to a crows foot and he can put them all in context like:

See, this is from a shooting range and

see, this is from a weird girl

I watch his hands curl around a cuff link and a tie tack and realize that every nick knack is a treasure and every treasure’s got a story and every time I think I can’t handle more he hits me with another story. says:

See, this is from my father. see, this is from my brother. see, this is from that weird girl. see this is from my mother. it took me two days to figure out that

that weird girl, is his sister.

took him about two hours today after she left for him to figure out he missed her.

they visit every day and stay well passed visiting hours. because for them that term doesn’t apply. but when they do leave Louis and I are left alone and he says the worst part about being sick is you get all the free ice cream you ask for. and he says the worst part about that is realizing that there’s

nothing more they can do for you. he says:

Ice Cream can’t make every thing ok.

and there’s no easy way of asking and I already know what he’s gonna say, but maybe he just needs to say it so I ask him any way. Are you scared? Louis doesn’t even lower his voice when he says

**** yeah.


I listen to a nine year old boy say the word ****, like he was a thirty year old man with a nose bleed being lowered into a shark tank, he’s got a right to it and if it takes this kid a curse word to help him get through it, I want to teach him to swear like the devil was sitting there taking notes with a pen and a pad but before I can forget that Louis is nine years old he says:

please don’t tell my dad.

he asks me if I believe in angels,

and before I realize I don’t have the heart to tell him, I tell him Not lately, and I just lay there waiting for him to hate me. but he doesn’t know how to, so he never does.

Louis loves like a man who lived in a time before god gave religion to men and left it to them to figure out what hate was.

He never greets me with silence. only smiles. and a patience I’ve never seen in someone who knows they’re dying. and I’m trying so hard not to remind him, I’ll be out of here in a couple of days, smoking cigarettes and taking my life for granted. and he’ll still be planted in this bed like a flower that refuses to grow, I’ve been with him for five days and all I really know is Louis loves to pull feathers out of his pillow, and watch them float to the ground, almost as if he was the philosopher inside of the scientist ready to say that its gravity that’s been getting us down. but the truth is

there’s not enough miracles to go around kid,

and there’s too many people petitioning god for the winning lotto ticket. and for every answered prayer there’s a cricket with arthritis, and the only reason we can’t find answers is the search party didn’t invite us, and Louis right now the crickets have arthritis

so there is no music.

no symphony of nature swelling to crescendos, as if we bent halo’s into melodies that could keep rhythm with the way our hearts beat.
so we must meet silence with the same level of noise that the parents of dying nine year old boys make when they take liberties in talking with heaven. we must shout until we shatter in our own vibrations then let our lives

echo, and grow
echo, and grow
echo, and grow

Grow distant.


grow distant enough to know that as far as our efforts go we don’t always get a reply. but I swear to whatever god I can find in the time I have left I’m gonna remember you kid. gonna tell your story as often as every story you told me, and every time I tell it I’ll say see,

there’s bravery in this world

there’s 6.5 billion people curled up like fists protesting death, but every breath we take has to be given back, a nine year old boy taught me that.

so hold your breath. the same way you’d hold a pen when writing thank you letters on your skin to every tree that gave you that breath to hold.
then let it go. as if you understand something about getting old and having to give back
let it go like a laugh attack in the middle of really good ***

the black eye will be worth it.

because what is your night worth without a story to tell, and why wield a word like worth if you’ve got nothing to sell. people drop pennies down a wishing well as if the cost of a desire is equal to that of a thought. but if you’ve got expectations expect others have bought your exact same dream for the price of the hard work, hang in, hold on mentality, like I accept any challenge so challenge me
like

I’ve brought a knife to this gun fight, but other night I mugged a mountain so bring that **** I’ve had practice.

Louis and I cracked this world wide open and found the prize inside because we never lied to ourselves, never told ourselves it would be easy or undemanding.
so we sing in our own vibration and dare angels to eavesdrop and stop midflight to pluck feathers from their wings and write demands on gods hands

take the time to catch you

so that even if god doesn’t, it wasn’t because we didn’t try.

I don’t often believe in angels, but on the day I left Louis pulled a feather from his pillow and said this is for you,

I half expected him to say

See, this is the first one I grew.

-Shane Koyczan
Shane L. Koyczan is a Canadian spoken word poet, writer, and member of the group Tons of Fun University. He is known for writing about issues like bullying, cancer, death, and eating disorders.(Wikipedia)
Tan and soft as cotton ;tracing
Along my chin; lingering against my lip.
Your gentle caress along my edges
Over each curve every dip .
Singing to every nerve in my delicate pale skin,
Crescendos into sweetest sin.
Smooth eager lips strip away
Distractions, firm against hesitations,
Your mouth is the greatest temptation
I will ever face.
Your face the largest gratification.
Your body the basis for the greatest satisfaction
I will ever taste.
Your energy surges in right rhythm
In right place.
Your raw determination to take me up
To draw me out
And make me…
Come undone at your will,
Implode and spill
all my influences
Across your sun kissed skin,
Tumbling in ,
To open arms,
You pull me in.
I love the way we fit.
I love the way you want to try again.
Invocation Apr 2014
Stop describing your terrible ****** encounters
I know you've had other women since I ended things with you
You're acting like you don't have magazines stashed under your bed
What, when I was with you your hand was your secret lover
And now it's not enough?

I'm so cold. I just want the affirmation of another soul's proximity
Is anyone out there?
The spinning feeling increases its tempo
The awful silence crescendos
Bring me back, bring me back
I miss the Saturday night I spent on mushrooms.
Everything was alright in the world
Anonymous carefree the world was ablaze
I convinced myself I was a fire spirit and you were a deer
I'm not addicted: I only tried it once.


All I want is a cigarette and to go back to sleep.
The world will turn without me
Your heart will be cold either way
Why and I vying for your attentions?
I tell myself I'm too antisocial
Until I have asked every single last one of my faceless friends to come get me
I guess it's alright to take some time for yourself
Is this a manifestation of grief or depression?
Is anyone out there?
I prefer the company of strangers to those who I've already become disillusioned with
Will anyone feel my gentle tugging and lend me a hand?
Just a coffee
Just a smoke
Just a walk through the warming days
Spring cleaning
I've successfully ignored your texts for long enough
I think I'll sleep with you
Not because I think that's all I'm good for.

Is it really "being used" if you're aware of it?
Am I not using you as well?
I can't decide if this will turn out well.



To you: Help.
This is shattering my bones again

#5-5-14 - I didn't sleep with the *******, thought I'd point this out
Z May 2021
TW: r#pe culture

anxiety-riddled,
my head is a constant battle of sounds
and feelings crashing
like waves into each other;
interference scares me.
as does being out of rhythm,
missing too many beats — i am
conflict-averse but i am also
realistic:

i know that
sound travels faster
through solids and liquids
than through the air,
can be distorted
and interfered
into oblivion—
that when
push comes to shove,
whisper networks
can only reach so far.

scores of screaming matches
between metoo advocates and r#pist apologists
crescendos of nails
scraped across a board
feel a bit too familiar
like listening to white noise and broken records on repeat
while scrolling through toiletpaperworthy nonapologies
witnessing victims collectively crying in an orchestra of agony
and then be blamed for attention-seeking at best,
of causing their own suffering at worst.

although it pains me to listen to these tragic tunes,
it is amusing how so many mishear this collective choir as
survivors celebrating with silly receipts in cancel parties
serving blistering hot tea sweetened by revenge - no

all this is anything but
cathartic.

it’s to make people aware
that the same melodies are sung or screamed
  by those who suffered similar pains
and so that those of a similar frequency know
there are those who listen
that their voice matters
and we are not alone.

- 20210315
last updated: 20210531
Damian Acosta Aug 2014
... and all of Life's questions were set to be answered,  from "Why are we here?" and "Why should we care?"  to "Why don't he love me?" and "What should I wear?" and
                                                        "Wher­e is my father?"  and
                                                   ­                                                    "Can I kiss my daughter?"              and

                                    ­            "What does it matter?"
"Flannel or Mod?"                              and
                          ­                                                                 "What about God?"
                      "Meat on a stick? or Shish Kabob?"
and
                                                            ­                            "Free Will or Fate?"
                                                       and
                        "Do you think of me when you *******?"                                                   and
"Is Santa for real?"
                                                                ­                  and

                                          ­                                                    "What does love feel--"
                                                         ­                                                                 ­              "Like this or like that?"  
                                   "Do I really look fat?"            
                                                   "Do u thnk its gonna b bettr than the 1st one??"     "When Atheists go to court, do they have to swear on the bible?"               "Is it legal to travel down a road in reverse, as long as your following the direction traversed?"                        "Where do u see urselvef in 5 yrs?"
               "what's the most embarrasing thing that has happened to you?"                    "Why are the best looking things the most deadly?""What does i.e. stand for?"            "How do you know when you fall in love?"" If ghosts can float, why do they waste their time walking around?"          
"Why am I still in the bed?"                        "Why would u get pregnant by a dude that doesn't take care of the kids he already have?""Why do ppl Cheat ?"
                 "Did u really love me or u just lied???"                    " whats the point of tryin anymore if u tried so hard in the past and nuttin happened?" "why is the sky blue?"?????????????????????????????????????????????????????????
?­?????????????.?????????????????????????????????????????????????
?­??????????.????????????????????????????????????????????????????
?­???????????????.???????????????????????????????????????????????
?­????????????????????.??????????????????????????????????????????
?­?????????????????????????.?????????????????????????????????????
?­?????????????????????????????.?????????????????????????????????
?­??????????????????????????????????.????????????????????????????
?­???????????????????????????????????????.???????????????????????
?­??????????????????????????????????????????.????????????????????
?­????????????????????????????????????????????????.??????????????
?­???????????????????????????????????????????.???????????????????
?­????????????????????????????????????????.??????????????????????
?­????????????????????????????????????????.??????????????????????
?­?????????????????????????????????????????.?????????????????????
?­??????????????????????????????????????????.????????????????????
?­???????????????????????????????????????????.???????????????????
?­???????????????????????????????????????? .
                                                               ­                                 ¿
                              ­                                                                 ­     ?
                                                          ­                                              ¿
                                                                ­                                         ?

                                                                ­                                             ¿

Age old wives' tales,



                                                       ­                                                          ?

                                                      propheci­es,

                                                            ­                                                            

jud­gement day--
                                                           ­                                                                 ­  ¿

                                      The Human Symphony


of doubt and faith,

                                      
                  ­                   with crescendos of hope now played,                              ?



as the moments of our naive darkness


                                                      ­                      Tick
                                      ­                          

                                                               ­                        Tock
                                                            ­                                         slip, slide



&

                  fade



















                     ­                                                                 ­                  




















                          ­                                                                 ­           











                                                     ­                                                            ¿















































                ­                                                            10


­













































                   ­                                        6




































                           ­                                                                 ­ 8


                                  


























­














                                                  ­                                                                 ­      7










                                                     ­                                                                 ­                    ¿

                                                               ­                                                                 ­           ?

                                                               ­                                                                 ­               0

                                                             ­                                                                 ­                      1
The greatest accomplishment of humankind took the stage just                      
                                                                ­                                                                 ­                   
                                             ­                                 past 11:59,  New Years Eve 2099          !
                                                 ­                                             
The first and only of its kind,
    
                                                           ­     
                                                                ­  
                                            
                   ­                                         Born from the Hope and Ingenuity



                                                    ­              of
The Great Recession Generation--
                                                    ­        Whose Change and "Deviation"  gave birth



                                                        ­           to
The Artificial Assimilation Generation--
                                                    ­          Whose Instant Omniscience created




                                                     ­               the
Automation Generation, whose lack of challenge
                                                       ­         Evolved into the Great Stimulation Generation--


                                                    dependent upon emotional simulation
for spiritual mental and human validation.



                                                  ­                    A
Civilization whose foundations were pillars
                                                         ­           





                                                            ­                  0f  



21st Century Dust..............................★★★★★★★★★★★
                   ­                  ★★★★★★★★★★★★★★★★★★★★★★★★★★★
                                     ★★★★★★★★★★★★★★★★★★★★★★★★★★★
                                     ★★★★★★★★★★★★★★★★★★★★★★★★★★★
                                     ★★★★★★★★★★★★★★★★★★★★★★★★★★★
                                     ★★★★★★★★★★★★★★★★★★★★★★★★★★★
★★★★★★★★★★★★★★★★★★★★★★★★★★★          ­ 
★★★★★★★★★★★★★★★★★★★★★★★★★★★
                                   ­  .                                                    
                                     .
                                      .
                       ­                 the perfect shambles of a custom built artificial
                                                      ­                                                                 ­                    life.
Intelligent saturation, automation, assimilitation-- the cries of *******--
                                                  ­                                      nothin' but digital elation!
                                                        ­                                                                 ­             No
                                                 ­                                                                 ­      more
                                                      ­                                                Heroes--
        ­                                                                 ­                              Tears
                                                           ­                                                                 ­of
                                                              ­                                                                 ­    Nero.

                                                                ­                                                                 .

                                                              ­                                                           .
                  
                                                                ­                                                   .

Thursday December 31,  2099                                    
                 23:59:31                                   ­                   A time of ever present
                     ☼   42°                                                              ­                      Knowledge
         Aged 25 years 12 days
           Heart Rate 154 bmp        
           Daily Caloric Intake
            1660.079/1830.15
                Calorie Buffer
                     170.071
         Personal Headlines
"First Artificial and Visceral Intelligence
        To Be Unveiled @ Midnight"


"First we were meat. After, sentient meat. Then self aware meat.
As such, manipulative meat. Adaptive meat. Rotting meat. Limbo Meat.

Then came awareness of spirit.
Freedom from the mortal meat,
Via a mastering of its meaty concepts.

We became one in the same; spirit and meat.
Held mirrors to one another, reflected our dreams.

Shared sense of Being.

Then meat met metal, plastic and graphene--
Testing the infinite ways to give birth to Life.
And we did.

We called our first child Artificial--
afraid for our mortality.
Yet called it intelligent in its ability.

A selfish denial of a miraculous act.

The question was inevitable,

'If knowledge is infinite, and
                                                   intelligence is the capacity to acquire knowledge,
Would we call such a pursuit, of intellectual Life, "Artificial"?'

'If God is infinite, and
                                       Non-visible, non-provable,
Would we call a pursuit for such a source of Life, "Artificial"? In vain?'

'Is this not Life before us existing in the shape of electrically charged plastic? Entities that observe and react to their environment, is that any more artificial than a man?'

Emotion. One word, and the intellectuals were silenced....

Emotion.

Meat knows emotion.
Our meat has been stimulated and shaped by
pain and joy.

Machine knows only causation, not visceral relation.

Visceral. One word, and the intellectuals were aroused.

Visceral.

A machine's viscera lies within its programming, its sense of being.

Meat's viscera lies within its program to survive (food, sexuality), its sense of being.

"If a program can understand environment and its relation to that environment, it may be able to approximate a sensation to a high level of accuracy based on temperature, humidity, and whether or not that environment is detrimental to its functioning hardware, and thereby make a statistical decision as to where to move next.  It may interpret sound as obtrusive or melodic based on input sensitivity. But creating hardware with central parts is counter-intuitive to information flow-- which is of paramount importance, far above form.

However, the nano-sized 'cloud'  hardware used in this new "form", will have sensors by the trillions. Examining its environment-- functioning as One, Creating a field-- a floating specter of the collective human mind. Where its understanding of history is both objective and subjective (given of course the established norm of a non-private society).

The most important factor, is its relation to us... Meat. That comes with empathy, compassion. If it can understand basic weather, terrain, and statistics, it can understand basic human survival challenges and its solutions. If it can hold all of the information past and present, circumstantial factors of old and new, would it not have a more clear perspective of our human state of being? Would it not be our most reflective mirror? Would it not have some visceral answers? Would it not be an awareness of Spirit? Spirit meaning by definition: the principle of conscious life; the specter or trace of existence."

At last the intellectuals gave themselves a centennial deadline. Blood sweat and tears of a generation upon a generation...

'We are calling her Aavi.' they said early in December.
"Artificial and Visceral Intelligence.

So, The World listened...

" A Computer Will Reveal Our Greatest Secrets" were they laymen headlines.

"Artificial and Visceral Intelligence with the Free Will to pursue anything." for the Romantic readers

Either way-- meat or metal-- it comes down
                                                            ­                                        to Choice.
Choice, based upon instinct
                                                        ­                                                          and reason--
Until now an option reserved only for Man.

What will our greatest achievement say about its creator?

                                                       ­                       (feel here for list of  sources)
                                                    ­                                                                 ­                                                                 ­     *23:59:50 Countdown
2010- 2014
What if we could create an "Artificial and Visceral Intelligent" being? What would it reveal about our nature, our process? How would it express its observation of its creator?
Sometimes the
swells and crescendos
in my heart
scare me.
Alastur Berit Nov 2013
Her poems are like
sound waves
they can't help the shape they make
arcing, cresting, jagging scores into the sky then
crashing
into smaller crescendos and puddles
refusing to stay still
adamantly holding their shape then
suddenly relenting
into smaller
smaller
lines
Then it HITS, her thoughts
They rip through the message finally clear
not even sure how my brain processes
these tiny wave forms not really sure
how these shapes make me feel
not sure how the words
can drift into my head
and make me feel
something
anythi
ng
.
.
.
This is just an idea I had as I was leaving the house. Definitely needs more work.
Jazmine Moore Feb 2015
i wanted more from him
than enjoying my pizzicatos
while bringing me to crescendos
but it seems
our love may
have already reached
its forte without ever
breathing in its
*diminuendo
Aaron Kerman Jan 2010
We met in the Red Square at Midnight. Sitting on the austere steps of the Kremlin We drank Stolichnaya in silence; listened to St. Basil’s Bells stoic ringing until Our sun rose pale over Moscow  

Beauty is created when I press your mulatto skin to mine.
We shift. You move, and as you’re moved you move me.
Our motion akin to your mother’s in a gentle breeze or a dancer;
Some Elise pirouetting et fouetter and falling over graceful infinities.    

I am deliberate during this ballet. Subdominant.
Una corda e sostenuto, and as you request so do you respond; relaxed,
Sustaining single notes; soft into that ethereal Moonlight…
Blurred and blunted, your perfect meter dampened by my learned cadence.
    
As you sound off forte I rock slightly forward, coming into you harder.
We breathe sharp together; my fingertips caressing you legato;
My Ana Magdalena. Andantino; rolling into flurries of crescendos
presto allegro climaxing; Capitulating again before we rest…
Before lento diminuendo.                                                      ­                

We courted at the Konig Von Ungarn in Vienna. It was classical and   romantic. Baroque. We fell in love. At Figaro’s wedding we tasted sangria as the stars Set, pastel, over Seville. Our first kiss was the Holy Roman Empire fading; A footnote under bass cleft.

We were married in the Rhineland, a single Canon announcing our nuptial.
You a Riesling and I your lattice. I stood firm, resolute, as you grew in, around, and from me. But the lords, they taint you, they **** me of your fruits; oblivious, they invoke their subtle prima nocta.                            

From the rooftops and the gutters they hear you. A virtue is lost between us. We shift. They are unwelcome eavesdroppers’ playing ******.  
They come and gather round us and I grow nervous, stiff; sweat falling from my brow to your ebony and ivory.
They move provocative, but they do not care; they do not notice us.                            

I stop as they begin. They’re discourteous during this Can-can. Their  praise and kind words may arouse the pimps and ****** wandering Montmartre into Paris’s red-light,  “Hear,” they fall on deaf ears.
This is no Moulin Rouge. We are not meant to be exhibitionists and yet
we yield to their flat appeals.                                                         ­                           

I put my clothes back on, Rags is all they are, and you, you’ve become stark.
I project my discontent through your string and hammer heart;
I slap your toothy face and stomp your sterling feet without relent.
I-De-tach-My-self-From-You. Staccato. They call me Inventive and as they sip their whiskey, their bourbons and their Texas Tea they tell us that
we have Entertained.        

We build our home from the precious stones of foreign countries.
We traverse ages to reach the mines and the rock fields, finding rough Diamonds and sapphires. Naked, we wash them in ether; they luster.
The noblemen come. They smile and applaud as they peep through the Windows and knock at the doors, but We shall not  be moved.
Aztec Warrior Nov 2015
(Where I worked, they set up TV’s in the cafeteria to watch the continuing coverage of the events of 9/11. I had become known as a sort of poet and many asked me to write something, a poem about 9/11. In the printed version which I handed out to people, they translated into their language the word ‘******’ and into the poem. The company did not like it cause they wanted to whip up the patriotic jingoism and calls for revenge. Thankfully this poem helped to stop this at this factory.)  

911 Thoughts

“Our grief is not a cry for war”
--Artists Network, Refuse & Resist

“..and the poets down here
don’t write nothing at all,
they just stand back
and let it all be”
–‘Jungle Land’, by B. Springsteen


“Beto nki tutasala” (‘What are we doing’)
--Old African saying


New York City 9/11/01:
She walks down the street
numb
peering side to side
pausing,
showing his picture to everyone who looks.
Tears streak her brown skin
as the reality of his loss
sinks deeper in,
yet searching, as if just looking
will make him appear by her side
an ease the vacuum of why that
echoes mockingly in her heart.
~~~
Friends have asked me,
write a poem about these events, Red.
Write about 911,
and the horror from the sky.
Tell us what you think.
Can you give us some hope
that when the dust
and tears
settle from our eyes,
we will still be able to see the sun.
How?
What words can I use to describe
or even surmise all the reasons why.
How do you explain to your grand kids
the war has come home.
They have put us in harms way.

New York City, 9/11/01
Yes the ‘war’ has come home
so many innocents have paid
a blood price for a
globalized monster
grown, nurtured, raised
in the dark soils of the USA.

Southern Iraq, 9/8/01
U.S. and British ghosts
swoop down on a ‘radar installation’
that turns mysteriously into a village.
8 civilians known dead,
many others injured.

Baghdad Iraq. 2/91
Clutching her injured child to her breast,
she flees collapsing buildings
while thunder surrounds her,
she is looking frantically for shelter
from ‘smart rain’
pouring down from the night sky.
Explosions that almost drown out her
screams.
Screams for a lost generation;
how do you rebuild a generation?

West Bank / Gaza, Any day
Young comrades pick thru
blood soaked rubble of once homes
looking for survivors of
‘made in the USA’ helicopter terror.
Or picking up stones to fight off
‘made in the USA’ tanks
spewing out ‘collective punishment’
needed for new Israeli settlements.

Beirut Lebanon, 1980
Safely, miles out to sea,
the USS New Jersey
spits out salvo after salvo
painting the city with fire storms.
Thousands die, thousands more
made refugees in their own country
punished for harboring
Palestinian refugees who refuse to
recognize ‘stolen land’
now claiming to be Israel.

New York City, 9/11/01
The view of passenger jets
lingers in our vision.
Over and over they seem to play with,
dance,
then mingle with those towers
until only twisted steel,
burnt flesh,
and crumbled cement remains
creating a mass grave.


Vietnam, 1970
The village explodes.
Children running
naked
flesh singed, burnt
burning
as liquid fire drops
from high flying 52's.
******; an English word
which in Vietnamese, Chinese or Khmer
Means DEATH!
(Imagine here the words for death in Chinese, Vietnamese and Khmer.)


Hiroshima / Nagasaki, 1945
150,000 human beings now only shadows
seared into the concrete,
human outlines
that still scream their agony
heard even today by anyone
who doesn’t have selective amnesia.

New York City, 9/11/01
What words can explain the loss
of loved ones, friends?
What words can capture
the vacant look of the black woman
seeking her young daughter
who had her very first job interview
on the 104th floor?
What emotions are left
after the search for loved ones
finds only gray dust and charred stench
whether in New York or:
Baghdad, Beirut, Belgrade, Gaza,
Chile, Guatemala, El Salvador, My Lai,
Sudan, or Mogadishu?
What can prepare you for the
sickening sweet scent of
burnt flesh carried on lazy breezes;
of dust coating everything with
the stink of human blood?

~~~~~

And now there is talk of
And preparation for:
Retribution
Justice
Retaliation.
More words that the people of
the world understand all too well:
DEATH! (The words for death in Chinese, Vietnamese, Hindi, Urdu, Ctujarati, and Khmer are not formating when I cut and paste. Imagine them here.)
MUERTE! DEATH!

~~~~~

Every day now the powers that be
prepare us for even more untold horrors;
hype us with red, white and blue views.
Pass on to us today’s NEWS:
“Congress passed new war legislation today”;
“unnamed sources report that”
“a high government official who wishes to remain anonymous”;
“the word at the White House”;
SPECULATIONS: there are 50 governments that harbor or support terrorism.
Several undocumented Arabs have been arrested trying to buy illegal chemicals
INNUENDO: known terrorist are said to have links to Afghanistan.
RUMOR: the next attacks could come as early as 9/22;
Air Force One was threatened today;
terror may come in the form of chemical or biological;
All the conjectures ‘fit to be news’;
Bin Laden is the one, Iraq, Iran,
somebody in the Sudan,
someone, somewhere has to be made to pay.
Conjecture pumped out continuously
24/7
why, we got it straight from heaven
so it must be true!

~~~~~

New York City, Aftermath
For many the future is hard to imagine,
uncertainty weighs heavy
like an echo that bounces endlessly
off tenement walls.
Like the way the “WHY’S”
multiply with each official explanation
and grows from whispers to amplified
crescendos of NOOOOOOOO! NO!
Not in our name.
You cannot exploit our grief,
our sorrow for so many lost lives
into your “holy war of retribution”;
into your vision of “Homeland Security”
and more repressive police powers;
into your call for Justice envisioned as an
Americanized world.
The people of our planet
do not need another
unjust war. And yet,
as long as this system continues,
as long as organized greed,
backed up by Washington bullets reign,
these horrors will continue to
rain from the skies.


Afghanistan, 10/07/01
Today the bombing began.
More horror fell from the sky
as talk of even more countries, people
are added to the “suspected list”.
One thing is sure, those hundreds,
thousand who have already died
had nothing to do with 9/11.
How long?
How many more will die
before we put it to an end?

~~redzone 10.04.01~~ (edited 10/07/01)
(written while using the pen name 'redzone'
reposted by Aztec Warrior 11.18.15)
I wanted to add this poem because many have 'forgotten' who actually unleashed the hooror of ISIS, Al Quieda, and the Taliban on the world. Not enough space to go into all this here, but if you are aagonizing over what is going on in the world, I suggest that a visit to http://www.revcom.us will help to understand not only what and what is behind these horrors, but also a way OUT of this madness...
Ayelle Garcia Jul 2014
Trembling as it sounds,
Every time the keys play down low,
My life tones & pounds
In its own decrescendo.

Things become shallow,
As blurry as fogged glass.
Can I pull myself out of this hollow
Or wait for time to pass?

Let your encompassing melody
Lift me off my hollow.
I wish to be free
So I can hear your sweet crescendo.
One of the first poems I posted online, inspired by the sound of rainfall.
Trevor Gates Apr 2013
Good evening

And welcome to tonight’s decadent performance

Curtains…

Out there
Some where
Is the one.

The one person that matters
The one person that will make everything different
I can see her now
But you think I’m seeing a specific person with particular physical features.

You’re wrong

I see a white light
A being floating above all else

She is a soul before the human
She is everything before I know what everything is

Her eyes caress me with shear benevolence
Her voice soothes the restless and weary
Her touch calms my frantic heart and all that ails me

Where is this fulfilling wonderment of a person?
Is she at the end of a life journey?
That only I need to take the first step?

Maybe a distant land coated in dunes of sand
Below the ocean of the sky.

Or

In the cozy city apartment
Reading the stories of poetic urban decay
And fantasy encounters.
The corridors of her minds’ catacombs
The labyrinth of her dreams and unspoken desires
Fleeting glimpses of rich suspension
Over vast beds of Baghdad silk.

Hazel ember eyes



Listen

Yes can you hear that?

In our silence, a lone tone can be heard; felt through us.

We are all partnered with an instrument.  
This instrument plays the lone pitch of
Mine would be a number of instruments

A soft bow of a cello

A light note off a piano

The soft, mellow strum of a nylon guitar

The tearful violin

The noble French horn

The dreamy orchestral harp

The rise of a heavenly choir  

The thump of a bass

Ave Maria

Sonata Allegro

Tearful adagio

Glistening swells of rippling arpeggios over transcendent phrases
Eternal crescendos scaling across plains of astral enchantments
Our absolution through forgiving sounds
Eclipsing tones that speak the whispers of angels
They are here
Trying to relieve us of daily anguish and clockwork regrets
But
You
Many of you
Ignore these simple phrases
Through dismal conversations
And
Uncultured prejudice
Manipulated through shallow ignorance
The music that is neglected begins to wilt
Diminish
In more ways than one.

Stop it…

It hurts them
The notes of life
Go away from the norm
Derive from what is socially accepted
Find that one musician
That one composer
That one singer
That no one listens to

No one

Just you

Make their music, your music.
Cater to that personal bond
Imagine the film of your life
Score to this wonderful
Solidarity

Please

This is for you

Not me.

Because I love you.

This is dedicated to:  Gustavo Santaolalla, Geinoh Yamashirogumi, Christopher Nolan, Scarlett Johansen, Rodrigo y Gabriela, Jon Gomm, The Elephant man, Bach, David Lynch,  Lisa Gerrard, Hanz Zimmer, Bob Marley, Trevor Jones, David Cronenberg, William Peter Blatty, Clint Mansell, Chef Ramsey, Vanessa Mae, Nosferatu, Sisters of Mercy, black Coffee, mouse pads, The Diving bell and the butterfly, The catcher and the Rhye, The Last of the Mohicans, Isabel Bayrakdarian, Rene Flemming, Sarah Brightman and Natalie Gray.

May you return if fate allows it to be.
Moriah J Chace Oct 2014
I hate my acne,
How it blemishes my cheeks,
Leaving scars for you to trace in the dark
as you kiss away my skin

2. I hate my weight.
The rolls of fat unevenly proportioned around my middle
so that my jeans will never
fit "just right"
and my broad shoulders reminding me every time
I pull on a shirt that I'm not built like a woman

3. I hate my appetite.
My stomach's never satisfied with a salad or a soup.
No,
I need the whole **** steak.

4. I hate my laugh,
how it crescendos through deep rolling hills
starting in my belly and ending in my soul.
It's infectious, because
once I start
you can't stop

5. I hate that I'm beautiful,
because I know that I'm not,
but ****, when you look at me like that,
I outshine the stars.

6. I hate my honesty,
"No, I'm fine," why the hell can't I just say that,
but no,
I have to go bare my whole soul to you in hopes that
you don't bare it right back

7. Man, I hate that I'm faithful.
I hate that I'm never gonna throw in the towel
when things get tough,
and that every time you leave, I'll stay

8. I hate that I believe,
believe all the lies that you feed me,
hoping, maybe, by God's grace.
It's different this time and you'll stay

9. I hate myself.
I'm too good for you,
and not good enough for you,
and I'll never
ever be what you need,
but I keep trying and changing to become
bad enough for you,
and good enough for you,
and to somehow attempt to be what you need.
I hate myself because I have lost myself.

But 10.
Mostly, I just hate that I give a ****.
I hate that I care about myself,
my weight,
my height,
my face,
my attitude
I hate that I'm not happy being me.
Malia Jan 20
Bathed in the amber light
I watch these fields in slumber
Resting beneath scattered snow
As the music crescendos.

The mountains gleam in the distance
But every crevice and branch
Is coated in gold
Like a remnant of Midas’ touch.

Peace washes over me
A purifying, gentle force.
The sky’s tender blue
Kisses the horizon.
Carl Barton Dec 2012
Tss-dat-ts-tss-dat-ts-tss-dat-ts-tss-dat…
The beat repeated over and over as the band plays on.
As it approaches I feel the butterflies flutter.
My arms start shaking nervously.
My hands begin to sweat and grow clammy.
The drumsticks become harder to hold with each stroke.
The band crescendos….
LOuder!.
LOUDer!..
LOUDER!!!... Then,
silence.
Only the drums are playing.
Tss-dat-ts-tss-dat-ts-tss-dat-ts-tss-dat.
Everyone is waiting, all of their eyes are staring.
The band now holds the beat, as the drums take the floor,
Center stage.
Shivering in a cold sweat, fearing failure, I change the beat.
Bass drum and hi-hat start off…
Boom-tss-boom-tss-boom-tss-boom-tss
A snare rolls…
Dadadadadadadadadadadadadadadadadadadada… it crescendos… GAT!
*** dum da de dum bop a duba de dop pop…
I play several measures.
All of them unique, but connected.
Finally the band joins back in, and the pressure is off.
Back to the same old groove, the comfortable beat.
Tss-dat-ts-tss-dat-ts-tss-dat-ts-tss-dat.
The audience roars with applause.
I look to my father, and the smile on his face is all that I need.
Keith Labonte Apr 2016
Crescendos and arpeggios alleviate the pressing
of residual enfilades of harmonies created,
raising the frequencies of thee.
.
Primordially placing seeds in the fertile heath
wandering with Orion's lead.
Sirius B'eing chronically appealing.
.
Our tranquility will rely on the apogees of the moon
and the crescendos of our eternal music.
A belaying maestro raising our moods with diction.
Mikaila Aug 2018
Blue stage lights on skin
The curve of a jaw
Eyes glittering in the dark,
Raw and human.
Something swells with the silence
A truth never spoken
Like a ****** of music only half heard,
Barely remembered but achingly lovely.
Some marriage of sweetness and savagery
Courses beneath the shadows of this place,
An intimate wound
It scrapes at the hollow parts of hearts and lungs
Demanding
Purchase,
Demanding breath-
Famished in its brevity.
It is made here and it dies here,
Witnessed, at least, if not inhabited.
Every other face- white as bone and as hard-
Stares, blank,
And they do not understand
But sometimes,
They feel.

Fairy lights
The trees glow and fade
Shadows stretch long, reaching for feet that scuttle back
Afraid to let light soak them
Because here it has substance.
Others bathe in it
Nourished
Faces bared to the blue and the red
Upturned as to rain after a long and bitter drought.
They know it as water
Hold it as water- it slides away from them,
A thought half formed, a memory half loved
A step toward
God
That falls into a stumble.

I am always afraid that nobody treasures this place.
Always sad, somehow, to suspect that many don’t.
They say the magic will fade with time.
They do not know magic.

Hands, gentle,
The hands of a stranger
But known, known as water
As light.
Contained within one fragile touch, the idea that hands are not weapons
The cautious testing of fingers against flesh
Innocent, a connection between beings
Who were born of blood and will turn to dust within seconds
And who only just now have become aware
That their palms are miracles.

Safety- a contract,
A careful consent  
To reveal,
To be vulnerable for a moment-
If the moment is scripted and choreographed,
The bow and curtsy of a dance both partners know,
The permission a mask gives
To tell the truth.

It is eyes which cut deep, not hands
Wounds that last for years
Resurfacing as prayer.
Silent in the mirror of another's eyes,
A vision of what we could be
If we shed our disguises as Ordinary People and rose to our forgotten grace,
If we let others in not as lovers or as owners but as fragments of the soul we all share.

That loneliness- the grief of contact- crescendos in the corners of this place.
It is loud
Louder than music,
Louder than shouts and screams.
It grows by the moment, reaching its fingers along the walls behind footsteps, digging its heels into the fragile fabric of whispers, wrapping its ghostly arms around shoulders and tracing collarbones with cold tenderness.
It is the grief of closeness, and the grief of isolation.
It breathes here, unsmothered by the roar of subway cars, the murmur of smalltalk, or the burn of a liquor that tastes like forgetting.
This is the feeling of remembering, of being, of a truth long lost but not quite gone-
Something far away enough to be painful
But close enough to be
Unsettling.

That is why people laugh here
Why they grab what is not theirs
Why they run.
That is why they shut the door and don’t return, content to float above the surface,
Desperate to,
Terrified that if they sink even an inch
They will fall forever into themselves
And, groping for an edge
Find none.
(Terrified to realize
In becoming endless
That they always have been.)
They turn away, and call it nonsense,
Begging to remain small inside.

Not me.
I could sew my heart into the shadows of this place and not be close enough to the world it holds.
Instead I press my palms against the walls, hoping to take some of it with me each day when I leave.

They say the magic will fade with time.

They do not know magic.
M Apr 2012
I'm wading in gray water, it lures me
I'm waiting for a dream to choke on now
The music crescendos when I scrape knees
But me and the dancer still take our bow
The water kisses my lips then my nose
I'm gone because I never met happy
For the cons will always outweigh the pros
But you never saw me being sappy
"I love you! Be mine!" the water will say
And I gladly submerge myself in it
The whales will come and carry me away
I'll find my Becoming an Undine kit
Suffice it to say I could never dream
Of such a silent, so hidden a scream
Chris Voss Mar 2011
Katherine writes songs about wheat fields and her father’s blisters
From the four-by-six closet beneath the staircase.
Aaron doesn’t write anymore.

Katherine draws music notes to record
The tune of footsteps and creaking oak,
While Aaron feels the rough grain of maple window frames
And avoids his reflection in the double-paned glass.

Katherine holds tight to her pen
Like a man who’s lived a good life holds on to his final breath.
Aaron, he never found it that hard to exhale.

Katherine knows love like she knows the Sun,
While Aaron, who once flew wax-winged,
Stopped studying mythology
And found trust in extinguished light bulbs.

Katherine draws stick figures in the collected dust
Of cracked-cloth book covers
And embraces every particle that kisses her fingerprint.
Aaron wears black leather gloves
Like a desensitizing second-skin.
But they both close their eyes
When the wind brushes their cheeks.

When Katherine cries it’s wet and sloppy
And when it’s over she usually giggles
At the feeling of being human.
Aaron’s eyes are desert moons;
If he believed in a god he’d pray for rainstorms,
But instead he picks tumble weeds from his teeth
With the ribcage he found when the vultures were through.

Katherine webs outlines with plot twists and foreshadows
While Aaron knows some stories
Are made up as they’re written.

Katherine collects crushed asphalt from both sides of divided highways
And mixes it with ****** wax to varnish her innocence.
Aaron drives the back-roads and keeps one eye on the rearview mirror.
He finds solace in sharp turns.

Tonight, Katherine curls her toes as she writes a song about
loving up until your very last breath
And caresses her lips.
Aaron chews on his and slides open the window.
They both recall the taste of someone else’s skin from the salt in the air.
Katherine’s candle flickers and pops when she moves
Her hand through the light to cast stories on the wall.
Aaron crawls down the shadowed side of hallways
And feels the grey grow in his hair as he starts up the staircase.

Step by step by step by
each breath is
step by step
loved a little bit less
An all but silent cacophony of creaking oak.

Katherine etches a treble clef but her pupils dilate
When she senses the unfamiliar feeling of a second heartbeat.
With stitched silk stockings
she tip-toes up the same song.
Aaron hears music for the first time in so long
And turns to see where goose bumps come from.

Katherine crescendos at the top of the stairs and
Stares into two full, bright desert moons.
Aaron finds it hard to let go of the breath it takes to say,
“Don’t be afraid.”
Katherine tumbles like fingers down piano keys,
But for a split-second in the moment their eyes met
They both forgot the weight of loneliness.
C. Voss (2010)
Perspiration accumulates into salty beads,
Falling into her eyes, eyes that have lost their gleam.
We’ve been trapped like savaged animals for three agonizing nights.
Diminutive apertures in this death box supply minimal light.
The screech of the rails are a bittersweet melody to our ears.
For we only know what these horrific monsters have taught. Fear.

As the door slams open, I’m pried from my wife.
I wonder if this will be the last moment I see her smile.
My people are marked with terror and pain.
I realized were barricaded in with barbed wire chains.
My subverted clothes reek of secretion.
This camp is untrustworthy, raising apprehension.

They claim we are not human.
But I ask, do we not bleed, when we are injured?
Do we not dream blissful thoughts?
Do we not pray to the same God?
The same God that punishes the innocent;
Bringing blithe to those sinners that shed blood.

When we lose our cherished, our loved ones,
Do we not shed tears? Do we not mourn?
No! We must not, for we are not human,
According to what the Nazis see.

We are the innocent, robbed of life.
They are the monsters who roam free.
At least, that’s what I see.

I see men, women, and children stripped of clothing,
Stripped of dignity, stripped of all things humane.
While these barbaric monstrosities make allegations.
Claiming they are purifying society, when they are to blame.
Men lose wives; children lose mothers.
Families are torn apart; sisters lose brothers.

Those of us who survive, work until brittle.
Still we carry on, if our minds are able.
Backs of men are scarred from arduous lashes.
While the sick are trapped in rooms imbued with gases.
My hands are enveloped with calicoes and cuts.
My mind grows weary, I dream an ending abrupt.

I’m crippled with anger, and tears that still drip sore.
My heart crescendos with pain, about to implode.
It’s difficult to refuse the tears when I hear the desolate screams.
I’m trapped in a perpetual nightmare, a ceaseless dream.
Still I carry on in life, for that is the greatest revenge.
The day we feel the kiss of freedom, will be the day we have avenged.
Derik M Smith Jul 2013
Poets go blind from writing by moonlight,
But my artist smites the moon with her luminance,
I write by her subtle, cyan, rays
And would gladly go blind for, with her, my eyes find their fill quickly,

She is the unexpected wind bouncing off the water’s surface,
And my chest is the sail,
Lifted, pushed, expanded and fulfilled to its most righteous purpose,

If the world is a stage than she is the red velvet curtain,
Commanding a sway so slight and savory
That other rags rent and burn,

No matter how mesmerizing the performance is,
A sudden hush or vibrant ovation is demanded in her wake,
A sultry swirl of goddess and girl,
Too precious to be stored with other jewels,

Elegance with every hinting glance, every rowdy inhale,
And every placement of those sinister legs,
That rams would think twice to scale,

The bend in her back is the stroke of my oils,
The pout of her lips is scarlet meat to the lions,
And the feel of her hips sum up my surreptitious desires,

Like good jazz things seem to pull back
Before the cathartic crescendos,
But to put it bluntly dear, the next time you’re here,
It may pay to freshen up with a Mentos.
the brevity of a singular breath,
one that is full of peace,
such a rare glimpse but
if you look at his face, at the right time,
you might just see him smile.

then, much like an old spruce cello,
descending in suspense,
that smile  -evaporates-, and the
quick "bliss" is no more.

oh how old and wise is this cello i play,
if only it was genuinely surprised by the
intensity of such
-hair raising horror-
it faces in its composure, daily.

"but it simply ain't",
as Bukowski would drunkenly say,
and his quivering cigarette would rightfully echo
through the halls of this unholy Cathedral.  

"put me the **** down already, Charles", it echoes.

"no,
i refuse
to let go of my
identity...

...why would i let go of all

-i feel-

is left?"

he (i) is either a man,
or on the road to understanding
what this even means really...

...maybe he's halfway there...

regardless, he now understands,
he must accept
"reasons" to smile won't come often,
and one is subject to the tug of war of life,
of society,
of women,
of his children,
of his forgetful mother,
of his vices,
his hair raising horrors,
the torment,
of his absent father.

to continue is to face those suspenseful

-crescendos-

of life, with
"a ******* smile on your face",
as Bukowski would say,

no matter
-what-
he's been through, or
-how-
-deeply-
he
-feels-

...

-melancholicreator
transferred and added on from paper on a very tough night that required lots of crying to get anywhere creatively, reflects my current struggles/state of mind.

enjoy.
Mymai Yuan Sep 2010
All my life I’ve watched them dance,
Swing and dip and sway
Rustle and nod, so fresh and sweet

The young ladies skirts are
All decorated with beautiful, delicate lace-like veins
Threaded through carefully,
Or sprawled decoratively

Some ladies are full and round
Frail and graceful
Or pointed and elegant
But all dance divinely.

Their skirts are
Sprayed with a pinch of cologne
Some smell too strong,
Are barely there
Or smell perfectly lovely
Yet all are carried off with the melody of the wind.

Stick-like creatures climb up and down
Our dance floor,
Picking one of us off our dance floor
And leave us lying on an eerily still ground.

I’m just a skinny bud
Pale-green, like all other buds
Yet I’m shamefully paler and skinnier
I notice a pale white spot beside me

Some time has passed.
The early-budding young dancers
And their pink flowers have wilted
To a strange orange color
Turning brown
Before falling to the still ground

It’s become my time.
My thin, curled frame has changed
Fanning out and my skirts darkening an enviable green
A deep, rich green with its edges colorless
So the sunlight can
Tint it a merry gold
The lace-like veins are fine and soft
Stitched to make an almost symmetrical pattern

The white spot beside me has blossomed to be
My pretty, pink flower
Soft against my skin
With a sweet, alluring fragrance
Enveloping my pointy-edged but round frame

It’s become my time
To dance as the wind conducts
Never-ceasing

The melody of the wind whispers
We lean gently, softly
The music caresses me
Sunrays glowing

The tune of the wind picks up
We rustle and nod
The music embraces me
Sunshine kissing

The beat of the wind crescendos
We dip and sway
The music rushes around my waist
Increasing the velocity of my dancing

The chorus of the wind starts
We swing and twirl
Our dance floor swings to and fro
The music whips my skirts
The last rays of sunshine start to leave us.

The orchestra of the wind erupts
We joyfully prance and wildly flutter
The dance floor shudders violently
The echoes of the thundering cymbals excite us
Far-away spotlights of silvery purple pierce the dark sky
Fat, watery droplets pour
Trembling on our skin

The music holds me a welcome prisoner
All I can do is dance, dance, dance.
The Sun has disappeared from the sky
But is in our hearts right now

The fat droplets hang on the tip of my dress
And the sun glow them rainbow
Making me sparkle and shine
As I dance to my hearts content.
Rustling, whistling, dipping, swaying and swinging
My beautiful green dress

When all around us is dark,
And they’re no parties tonight,
We yawn and tuck in our skirts
While the dance floor rocks us to sleep.

When we wake we dance again.
This dance never seems to end
As the sun says hello,
And the sun says goodbye.

I see the pale-green buds watching us enviously
Watching me, with my rosy-petal jewel
As I watch the azure-blue patches of ceiling

Many sunsets and sunrises have past.
The whipping of my skirts are loosening
The energy of my hips are fading
My green skirt is getting old, ever so old
Its fringes turning an odd yellow-orange
Dancing has become wearisome
The dress slowly turns an ugly brown, with specks of yellow-green
My flower-jewel has turned brown,
And flown away with the music in the wind
Many of my friends have fallen from our dance floor
To rest finally in a beautiful sleep
We’ve all danced for too long and are tired
But I keep holding tight.
I have but one last dance to do.

I see the buds still watching me enviously
Surprised, I notice they’ve gotten fatter.
When blinded by youth and happiness
It was hard to remember I was ever one of them
But I remember now, I do.
I remember so clearly now that my time has come
To pick up my skirts
And silently fall…
So I dance to them my story
As I have danced to you mine.
mymaimonkey
Hannah May 2012
Cool, gentle air
glides across my face.
Strains of hydrangeas
mingle with THC
and sweet, cheap, fermented
grain alcohol.

The stillness
knocks the breath from
My lungs.
Wafts of voices drift
across the swaying trees
mingling
with the steady chirp of
crickets and a lone car puttering
in the distance.

A gentle whistle
Like the start of piano concerto
No. 15
crescendes
to the roar
Of a thousand bullfrogs
Straining to hit a high note.

Trees bow
To the iron god,
Voices melt into the grating
Metal monster
Declaring their
Subservience.

The air rushes and then
Disappears
Just as suddenly
And the voices return
and the crickets hum their
chorus
and the stillness
whispers
crescendos
screams.
traces of being May 2016
.
The sensual caress
          twilight mist impearled flesh
          alighting a feral desire
          within blossoming spring petals

The newness of uncovered skin
          a sweetness on unsated lips ,
          the taste of passion and salty *******;

          with hastened breath
          sighs do brush with warm ****** breeze  
                               across my naked chest

          wild feathers sweeten
          tender touch
                                ... emanating
          sensual awakenings

Arousing buried desires

          unable to hold back
          constant cravings

          the inevitable currents
          pummeling shameless floodgates
with arising untamed springtides swell

Fleshly enslaved yen --  
energy sprouts tingling sensations

          nascent buds blossoming deeply
          flourishing exploding flames  
          bursting flush
                                       ... deliciously white hot

In an unstoppable carnal moment
          passion betides
          like the surging sea ;


Rising and falling crescendos
          unleashed waves crashing ,
          drowning in the rhythmic undertow

          interlaced bodies heaving adrift in the moment 
          like entangled seaweeds
                                            in a riptide

         as the rolling thunder storm 
         dances across invigorated tides
         with a surging cadence of cresting waves bloom
         caught in the Rhythm and the Sea



                           ✩ ✩ ☼ ✩ ✩
I have enjoyed writing many sensual art pieces the past few years but have published few.   Cheers to May Day, Spring and new beginnings ~
Fah Sep 2014
At 15 we were women
And at 12 we were sexualized, scrutinized , afraid , wary , shameful .

Plain Sight is the best place to hide something,
What do you stand for?

We are made from the creative ****** force,
So don’t tell me that I must be dressed up like a pig after slaughter to experience
Sexuality….
I’m made from an ******.
I’m an ******’s repercussions…
And I won’t be told any different
No matter how “scary” you make *** sound
I’m pure ENERGY WALKING.
I’m a cosmic bliss wave flowing….
What do you stand for?
At 15 we were women , but we didn’t know what it was to respect our wombs for the stargates they are.
At 12 we were sexualized , scrutinized , afraid , wary , shameful of the natural blooming of this  cosmic force, sneaking looks at naked ladies on the internet
but we didn’t know how to respect that shaking energy that called out
so we hid it  , underneath our pillows.
Plain sight is the best place to hide something , and right there on the cover of The Sun or Daily Star is the most powerful force for change on this planet.
A woman…
And her ****** power –
If a woman can create a child from her own energy systems in 9 months
Then what do you think that power could do to a project or idea
Over .. say 5 years…?
What you stand for is where you invest your attention.
But for now we march on –
Because there are forces mightier than any human being
And they move despite all our frantic pride and jealousy ,
hatred and pain
they move in our heartbeats and in that solar flare , or the pulsar star on the other side of the universe
they move in the spaces dark energy
they move
crescendos rising
majestic beyond any king or queen
holy like you’ve never been privy to
the forces that move in the wild flowers breath
power the changes on our planet .

Balance is coming
Will you be in balance?
fighting bees May 2015
in choir, we sing a song about the death of children,
all latin and deep and dark
in my head is a forest with the song always playing, deep and latin and dark
imaginings of trees and dead children,
this is what I am singing
Of course, everyone else is singing crescendos and diminuendos and harmonies and their parts, but I
I am singing trees and dead children
on second thought this is maybe not the best plan,
just as this poem is maybe not the best plan
here we go breaking the 4th wall again
trees and dead children

in choir we sing a song about marriage
someone said no
the piece is conversational and relaxed
i am not relaxed about rejection,
regardless of performance markings and instructions

in choir there is a workshop, where a man tells us about feeling the line of the song.
I understand all about these lines,
pulling and pushing and carrying us through the music
he says we have to control it,
but no one has ever controlled the line of music
Alex Higgins Mar 2015
Since you have already plucked my heart strings,
let us make music together.
Whisper to me at night,
in syllable serenades that I
will only half remember on waking.
Kiss me, kiss me, kiss me,
until my tongue can stand it no more
and I must speak in symphonies.
Touch me delicately,
tickle my ribs until they become piano keys,
and play them until they cry out
chords that spell your name.
Let your laughter be trills in our cadenzas.
Let the pop of your knee drive a march to my bed.
Let me run my fingers up your spine,
jumping vertebrae like octaves,
from your tip to your toes.
Let my every shuddered breath be but syncopation
to the bass drum of your heart.
Be quiet with me,
let us play in piano,
soft as silence or sleep.
Stay there, linger for as long as the fermata holds.
And then, let us raise our voices together,
glorious crescendos upon crescendos,
until at last we can build no longer, and
return together to the tonic.
Run your hands across my hips,
play my longing in liquid legato strokes,
effortless in your endeavors.
Touch me again.
Let our gasps play counterpoint
to the melodies of our moans.
Take what you will of me,
fill me with song,
write sheet music in my lungs,
so that every breath I draw
sings on its way out.
Purse your lips and kiss me like embouchure.
Give me every quaver, every semitone, every holy harmony.
Leave me buzzing vibrato,
kiss me con brio.
Let me caress your delicate curves,
as though you were a violin made flesh.
If my temperament be just, then play on.
And let us be of one form, sonata-allegro,
until we must be jazz.
And then we shall burn the world with passion,
with chords no one knows but us.
So, for the sake of recapitulation,
I must ask again:
let us make music together.

— The End —