Shortly after 3pm on September 29, 31-year-old Olivier Rousteing strode through the shimmering, fleshy backstage area at Balmain's Spring 2017 Paris Fashion Week show. Along the marble hallway of a hôtel particulier in the 8th arrondissement, long-limbed clusters of supermodels were gamely tolerating final applications of leg-moisturiser, make-up touch-ups and minutely precise hair interventions from squads of specialists as fast and accurate as any Formula 1 pit-stop team. The crowd parted as Rousteing swept through.

Wearing a belted, black silk tuxedo and a focused expression that accentuated his razor-sharp cheekbones, Rousteing resembled a sensuous hit man. Target identified, he led us to the board upon which photographs of every outfit were tacked.

We asked him to tell us about the collection (for that's what fashion editors always ask). "There is no theme," said Rou­steing in his fast, French-accented lilt. "No inspiration from travel or time. The inspiration is what I feel, and what I feel now is peace, light and serenity. I feel like in my six years here before this, I have tried to fight so many battles. Because there is no point anymore in fighting about boundaries and limits in fashion. Balmain has its place in fashion."

And the clothes? "There is a lot of fluidity. A lot of knitwear, lightness, ponchos. No body-con dresses. But whatever I do, even if I cover up my girls, it is like people can say I am ******. So this is what it is. I think there is nothing ******. I think it is really chic. I think it is really French. It is how I see Paris. And I have had too many haters during the last three years to defend myself again. So, this is Balmain." And then the show began.

Star endorsements

Under Rousteing, Balmain has become the most controversial fashion house in Paris. Rousteing has attracted (but not bought, as other, far bigger houses do) patronage from contemporary culture's most significant influencers. Rihanna, all the Kardashians, Kanye West, Taylor Swift, Miley Cyrus, Beyoncé, Justin Bieber – a royal flush of modern celebrity aristocracy – all champion him.

Immediately after this show, in that backstage hubbub, Kim Kardashian told me: "I thought it was very powerful…I loved the sequins, and I loved all the big chain mail belts – that was probably my favourite."

Yet for every famous fan there is a member of the fashion establishment who will sniff over coffee in Le Castiglione that Rousteing's crowd is declassé and his aesthetic best described by that V-word. The New York Times' fashion critic Vanessa Friedman reckoned this collection appropriate for "dressing for the captain's dinners on a cruise ship to Fantasy Island". At least she did not use the V-word. When I once deployed it – as a compliment – in a 2015 Vogue menswear review that declared "Rousteing is confidently negotiating a fine line between extravagance and vulgarity", I was told that Rous­teing was aggrieved.

The fashion world's ambivalence towards Rousteing is a measure of its conflicted feelings towards much in contemporary culture. Last year Robin Givhan of the Washington Post wrote of Balmain: "The French fashion house is always ostentatious and sometimes ******. It feeds a voracious appetite for attention. It is anti-intellectual. Antagonistic. Emotional. It is shocking. It is perfect for this era of social media, which means it is powerfully, undeniably relevant."

Since joining Instagram four years ago Rousteing has posted 4000 images and won 4 million followers. The combined reach of his audience members and models at this Balmain show was greater than the population of Britain and France combined. Balmain was the first French fashion house to gain more than 1 million followers, and currently has 5.5 million of them.

Loving his haters

As digital technology disrupts fashion, Balmain's seemingly effortless mastery of the medium galls some. Last year, the designer posted an image of a comment from a ****** follower to his feed. It read: "Olivier Rousteing spends more times taking selfies for Instagram than designing clothes for Balmain." Underneath, in block capitals, he commented "i love my haters".

Rousteing can be funny and flip – doing a video interview after the show, I opened by asking, tritely, how he felt. He replied: "Now I feel like some Chicken McNuggets with barbecue sauce, and then some M&M;'s ice cream."

When at work, however, that flipness flips to entirely unflip. The previous evening, at a final fitting for the collection, Rousteing had paced his studio, his face a scowl of concentration, applying final edits to the outfits to be worn by models Doutzen Kroes and Alessandra Ambrosio. The 30-strong team of couturiers working in the adjoining atelier delivered a steady stream of altered dresses.

"We are ready," he said from behind a glass desk in a rare moment of downtime. "This a big show – 80 looks – and I want a collection that is full of both the commercial and couture. But it's smooth too. All of the girls are excited about the after-party and interested in the music. And eating pizza." In the corridor outside Gigi Hadid – this season's apex supermodel – was indeed eating pizza, with gusto.

The fitting went on until far beyond midnight; Rousteing, fiercely focused, demonstrated the work ethic for which he is famous. When he was studio manager for Christophe Decarnin, his predecessor at Balmain, the young then-unknown was always the first in and last out of the studio. Emmanuel Diemoz, who joined Balmain as finance controller in 2001 and became chief executive in 2011, says that his hard graft was one of the reasons he was chosen to succeed Decarnin.

"For sure it was quite a gamble," says Diemoz. "But we could see the talent of Olivier. Plus he understood the work of Christophe – who had helped the brand recover – so he represented continuity. He was a hard worker, clearly a leader, with a lot of creativity. Plus the size of the turnover at that time was not so huge. So we were able to take the risk."

Clear leader

Which is why, aged 24, Rousteing became the creative director of one of Paris's best known – but indubitably faded – fashion houses. In 2004 it had been close to bankruptcy. In 2012, Rousteing's first full year in charge, Balmain's sales were €30.4 million and its profit €3.1 million. In 2015, sales were €121.5 million and its profit €33 million. Vulgarity is subjective; numbers are not.

Rousteing, who is of mixed race, was adopted at five months by white parents and enjoyed an affluent and loving upbringing in Bordeaux. "My mum is an optician and my dad was running the port. They are both really scientific – not artistic. So I had that kind of life. Bordeaux is really bourgeois and really conservative, I have to say."

After an ill-starred three-month stint at law school – "I was doing international law. And I was like, 'oh my God, that is so boring'" – he did a fashion course that he managed to tolerate for five months.

"I found that really boring as well. I just don't like actually people who are trying to **** your dream. And I felt that is what my teachers were trying to do."

Obsessed with Gucci

Following a three-month internship in Rome – "also boring" – Rousteing became fascinated with Tom Ford's work at Gucci. "I was obsessed, obsessed, obsessed. Sometimes the press did not get it but I thought 'this is like genius, the new **** chic'. Obsessed, full stop."

He wanted to work there – "that was my dream" – but applied to every fashion house he could, and found an opportunity to intern at Roberto Cavalli. "They took me in from the beginning. I met Peter Dundas [then womenswear designer at the brand] and he said you are going to be my right hand – and start in four days."

Rousteing counts his five years in Italy as formative both creatively and commercially, but when the opportunity came to return to France in 2009 he leapt at it. "Christophe said he liked my work and that he needed someone to manage the studio. So two weeks later I was here. I loved Balmain at the time, when Christophe was in charge. It was all about rock 'n' roll chic, ****, Parisian. And he was appealing to a younger generation. You can see when brands become old but Balmain was touching this new audience. I always say Christophe's Balmain was Kate Moss but mine is Rihanna."

When Decarnin left and Rousteing replaced him, the response was a resounding "who?". His youth prompted some to anticipate failure.

"It was not easy at all. Every season I had the same questions." Furthermore, Rousteing (who has said he thinks of himself as neither black nor white) was the only non-white chief designer at a Parisian couture house. In a nation in which very few people of colour hold senior positions, his race may have contributed both to the establishment's suspicion of him and to his powerful sense of being an outsider.

'Beautiful spirit'

As he began to build a personal vernacular of close-fitted, heavily jewelled, gleefully grandiose menswear – fantastical uniform for a Rousteing-imagined gilded age – for both women and men, that V-word loomed.

"They asked, 'But is it luxury? Is it chic? Is it modern?' All those kinds of words. But you know there is no one definition [of fashion] even if people in Paris think there is. And, I'm sorry, but I think the crowd in fashion are those who understand the least what is avant-garde today."

In 2013 Rihanna visited the studio, met Rousteing, and reported all with multiple Instagram posts. "You are the most beautiful spirit, so down to earth and kind! @olivier_rousteing I think I'm in love!!! #Balmain." :')"

Rousteing met Kim Kardashian at a party in New York – they were drawn together, he recalls, because they were both shy – and was promptly invited to lunch with her family in Los Angeles.

An outsider in the firmament of old-guard Paris fashion, Rousteing was earning insider status within a new, and much more influential, supranational elite. He points out that Valentino, Saint Laurent and Pierre Balmain himself "were close to the jet set of their time. What I have on my front row is the people who inspire my generation".

From them, he learned a new way of doing business. "I think it was Rihanna and the music industry that first understood how Instagram can be part of the business world as well as the personal. But in fashion? When we started it was 'why do you post selfies? Why do we need to know your life, see you waking up, see you working? Why don't you keep it private'. And I was like 'you will see'."

Rousteing cheerfully declares his love for Facetune – "I don't have Botox but I do have digital Botox!" – an app that helps him airbrush his selfies and tweak those ski-***** cheekbones.

Reaching new population

From his office around the corner from Rousteing's, Diemoz adds: "When Olivier first proposed Balmain use social media, our investment in traditional media was costing a lot. Here was an alternative costing less but bringing huge visibility. It has been successful, quite rapidly…we decided to be less Parisian in a way but to speak to a new population. A brand has to be built around its heritage but we are proposing a new form of communication dedicated to a wider group of customers."

The impact of that strategy became apparent in 2015, when Rousteing and Balmain were invited to design a collection for the Swedish fast-fashion retailer H&M.; Within minutes of going on sale – and this is not hyperbole – the collection, available at vastly cheaper prices than Balmain-proper, had completely sold out. In London, customers fought on the pavement outside H&M;'s Regent Street branch. "Balmainia!" blared the headlines.

You have to move fast to get backstage after a Balmain show. I was out of my seat and trotting with purpose even before the string-heavy orchestra at the end of the catwalk had quite stopped playing Adele.

Rousteing had taken his bow merely seconds before. Still, too slow: I ended up in a clot of Rousteing well-wishers stuck in a corridor blocked by security guards. A Middle Eastern woman against whom I was indelicately jammed looked at me, laughed, shook her head, then said: "We pay millions for a fashion house – and then this happens!"

In June, Balmain was bought for a reported €485 million by Mayhoola, a Qatar-based wealth fund said to be controlled by the nation's ruling family. As so often with Rousteing-related revelations, some declared themselves nonplussed. "Why Would Mayhoola Pay Such a High Price for Balmain?", one headline asked. Yet Mayhoola, which acquired Valentino four years previously for $US858 million, might have scored a bargain.

Clothes key to revenue

Despite its huge, Instagram-enhanc­ed footprint, Balmain is a small, lean and relatively undeveloped business. Most luxury fashion houses today – Chanel, Burberry, Dior, et al – will emphasise their catwalk collections for marketing purposes but make most of their money from the sale of accessories, fragrances and small leather goods like handbags and shoes. One of the big fashion companies makes a mere 5 per cent from its catwalk clothes.

At Balmain, by contrast, clothes bring in almost all the revenues. If Balmain had the same clothes-to-accessories ratio as its competitors, its overall annual income could be more than €1 billion ($1.4 billion).

The company is moving in that direction. New accessory lines are in the pipeline. "Now we have to transform that desire into business activity," said Diemoz. "Sunglasses, belts, fragrances, the kind of products that can be more affordable."

The first bags should be available in January, as will a wider range of shoes, and then more, more, more.

Six days after his show, on the last day of Paris Fashion Week, I returned to the Balmain atelier. Apart from two assistants, Rousteing was the only person there – everybody else had gone on holiday to recover from the frenzy of preparing the show, or was busy selling the collection at the showroom around the corner.

Rousteing sat behind his desk in the empty room, wearing slingback leopard-print slippers, sweatpants and shades. "I am not even tired! I am excited. Because there are so many things happening – and I can't wait."Read more at:www.marieaustralia.com/red-carpet-celebrity-dresses | http://www.marieaustralia.com/formal-dresses-adelaide

Everything in quotations marks and italics was written by TS Eliot.

eyes knowing glossy men,
sheer women, creatures,
not all artists, but artists,
always thus,
centrifugal, simple

from their core,
emanate, resonate,
expand the exterior
with interior precision sculpting

to the interior delve,
via brush or limb,
pen or music,
the exposition, the exploration,
the reconstruction of composing
one's self, creation and destruction
of your own myths

movement of arms and legs,
sparseness of simplicity
subsidiaries of centricity,
tributaries of complexity,
oriented to their locality

the simple purpose of inhalation,
to exhale, after transformation,
the calculus of thought into emotion:

"the tongues of flame are in-folded
into the crowned knot of fire and
the fire and rose are one"

the dancers hear the music:

"so deeply that it is not heard at all,
but you are the music
while the music lasts."

**”Quick now, here, now always –
A condition of complete simplicity
(Costing not less than everything)
And all shall be well and
All manner of thing shall be well"

Since a wedding is said to be the most important day of a woman's life, some brides-to-be are prepared to bring out whatever it takes to ensure that their big day is nothing short of spectacular.

A new documentary from the UK titled 'Now How The Rich Get Hitched', a provides a glimpse into some of the world's most lavish weddings.

The programme follows the glamorous goings-on at Knightsbridge bespoke wedding boutique Caroline Castigliano, where, for most customers, money is no object.

According to Daily Mail, bridal couture queen Caroline, who lives in Surrey, has been creating breathtaking intricate gowns for 24 years, cashing in on the £10 billion global bridal market.

But while the average UK bride is said to spend around £1,000 on her dress, Caroline revealed that one client, a Saudi Arabian bride-to-be is spending £40,000 on her dream gown - the same price as the Duchess of Cambridge's Alexander McQueen dress.

Despite the eye-watering prices, the 55-year-old designer claims that for most women this is one of the most important things they will ever buy.

She said: 'They buy into the overall power of the dress. I really truly believe that since they were very young they have dreamt of this day.'

Caroline's clientele aren't just drawn from the global elite, however. One of her clients, Jordan, 23, is a hotel heiress from Durham who has spent the past year travelling 300 miles with her family for fittings for her £9,000 dress.

Jordan's gown is made from one of the most expensive silks in the world, which costs hundreds of pounds a metre.

Jordan said: 'For a girl the dress is what everyone looks for. People would rather spend more money on the dress and look perfect on the day.'

Her mother Helen, who is helping to pick up the bill, added: 'I think once you see your daughter in something so beautiful and she's so happy you do stretch that extra mile.'

At around £9,000 Jordan's dress is almost half the average budget for UK weddings, which now comes in at an astonishing £21,000, but the day itself will set her family back far more than that.

The no-expenses-spared bash is being held at one of her family's hotels and costs include the £7,000 on importing 6,000 flowers from Holland, the hire of a 20-piece brass band and a Victorian carousel to entertain guests.

Gissa, 29, an Iranian socialite, who is planning a lavish ceremony in Turkey, journeyed to Caroline's boutique just to try on veils to go with her bespoke gown, which is embroidered with 200,000 sequins and 50,000 beads - and was one of the most expensive dresses in the shop.

The bride-to-be explained that her fiance was very amenable when it came to splashing out on her dress.

He said "I know this is the most important dress that a woman is going to wear in their lifetime so if you really like it and you love it, we'll get it."'

However, some brides look further afield for their dream wedding location and one of the boutique's clients, Katie, 29, was planning her ceremony in Southern Spain.

Katie admitted that she had fine-tuned every element of her wedding right down to her proposal.

She said: 'I'm a bit of a control freak, I think I emailed [my fiance] a picture of the ring after about three weeks of dating, so subtlety isn't my finest point but he's done really well.'

Katie visited Caroline for a bespoke wedding dress costing between five and six thousand pounds that has taken five seamstresses 200 hours of sewing and 250,000 beads to complete.

Another of Caroline's client, Kashmir, revealed that she took two years off work to get married and her husband is now determined to prolong the wedding celebrations with lavish gifts.

She and her husband also paid £75,000 to commission a portrait of Kashmir sitting in a chair in her strapless lace Caroline Castigliano dress, which was then unveiled at a party in the designer's boutique.

However, as any prospective bride will know a dress does not a wedding make and any ambitious bride-to-be will enlist the help of a wedding planner, with none more knowledgeable than luxury wedding planner Bruce Russell.

Bruce caters for the most ostentatious and demanding of weddings. He said: 'If it's physically possible, we'll make it happen - it might come at a cost.

'If you've got the money and you've got the budget to spend and you want to spend a million pounds why not spend it on a wedding it is the most magical day?'

Bruce's finely tuned expertise and impeccable taste come at a cost and he revealed on the show that he takes around 20 per cent of the wedding budget as commission, which rewards him with a £30,000 pay cheque for a £150,000 wedding.

The show followed him as he took one of Caroline's clients, Erina, on a tour of London's famous luxury five-star hotel, The Savoy, as a possible venue for her dream day.

Hosting 350 guests would set her back at least £70,000 and to stay in the Royal Suite, a further £10,000 a night - although it does come with its own butler.

But the documentary revealed that for women who want to up the 'wow' factor on their big day - and have the budget - couture jeweller Andrew Prince is the man to call.

But Andrew insisted that elegance is often confused with showiness: 'Glamour has changed. It became, at one point, very shiny and that's really not glamorous that's flashy. I like opulence.'

Andrew's creations may be an indulgence but for him there is no better way to spend your money.

He said: 'It's a celebration. We can be really sort of smug and factual about it, and say "oh no one should spend the money on something more practical", but what's more fun than just having a wonderful day?'

Many couples will argue that such extravagance is a waste of money and resources for just one day, however Caroline says that these are memories to last a lifetime.

She said: 'The most important people in your life have come to attend this day. It all comes down to the same thing, it's what you want to spend money on and what matters to you and how much money you have, it's all relative.'

read more:www.marieaustralia.com/long-formal-dresses

www.marieaustralia.com/formal-dresses-adelaide

I

Midwinter spring is its own season
Sempiternal though sodden towards sundown,
Suspended in time, between pole and tropic.
When the short day is brightest, with frost and fire,
The brief sun flames the ice, on pond and ditches,
In windless cold that is the heart’s heat,
Reflecting in a watery mirror
A glare that is blindness in the early afternoon.
And glow more intense than blaze of branch, or brazier,
Stirs the dumb spirit: no wind, but pentecostal fire
In the dark time of the year. Between melting and freezing
The soul’s sap quivers. There is no earth smell
Or smell of living thing. This is the spring time
But not in time’s covenant. Now the hedgerow
Is blanched for an hour with transitory blossom
Of snow, a bloom more sudden
Than that of summer, neither budding nor fading,
Not in the scheme of generation.
Where is the summer, the unimaginable
Zero summer?

              If you came this way,
Taking the route you would be likely to take
From the place you would be likely to come from,
If you came this way in may time, you would find the hedges
White again, in May, with voluptuary sweetness.
It would be the same at the end of the journey,
If you came at night like a broken king,
If you came by day not knowing what you came for,
It would be the same, when you leave the rough road
And turn behind the pig-sty to the dull facade
And the tombstone. And what you thought you came for
Is only a shell, a husk of meaning
From which the purpose breaks only when it is fulfilled
If at all. Either you had no purpose
Or the purpose is beyond the end you figured
And is altered in fulfilment. There are other places
Which also are the world’s end, some at the sea jaws,
Or over a dark lake, in a desert or a city—
But this is the nearest, in place and time,
Now and in England.

              If you came this way,
Taking any route, starting from anywhere,
At any time or at any season,
It would always be the same: you would have to put off
Sense and notion. You are not here to verify,
Instruct yourself, or inform curiosity
Or carry report. You are here to kneel
Where prayer has been valid. And prayer is more
Than an order of words, the conscious occupation
Of the praying mind, or the sound of the voice praying.
And what the dead had no speech for, when living,
They can tell you, being dead: the communication
Of the dead is tongued with fire beyond the language of the living.
Here, the intersection of the timeless moment
Is England and nowhere. Never and always.

II

Ash on and old man’s sleeve
Is all the ash the burnt roses leave.
Dust in the air suspended
Marks the place where a story ended.
Dust inbreathed was a house—
The walls, the wainscot and the mouse,
The death of hope and despair,
       This is the death of air.

There are flood and drouth
Over the eyes and in the mouth,
Dead water and dead sand
Contending for the upper hand.
The parched eviscerate soil
Gapes at the vanity of toil,
Laughs without mirth.
       This is the death of earth.

Water and fire succeed
The town, the pasture and the ****.
Water and fire deride
The sacrifice that we denied.
Water and fire shall rot
The marred foundations we forgot,
Of sanctuary and choir.
       This is the death of water and fire.

In the uncertain hour before the morning
     Near the ending of interminable night
     At the recurrent end of the unending
After the dark dove with the flickering tongue
     Had passed below the horizon of his homing
     While the dead leaves still rattled on like tin
Over the asphalt where no other sound was
     Between three districts whence the smoke arose
     I met one walking, loitering and hurried
As if blown towards me like the metal leaves
     Before the urban dawn wind unresisting.
     And as I fixed upon the down-turned face
That pointed scrutiny with which we challenge
     The first-met stranger in the waning dusk
     I caught the sudden look of some dead master
Whom I had known, forgotten, half recalled
     Both one and many; in the brown baked features
     The eyes of a familiar compound ghost
Both intimate and unidentifiable.
     So I assumed a double part, and cried
     And heard another’s voice cry: ‘What! are you here?’
Although we were not. I was still the same,
     Knowing myself yet being someone other—
     And he a face still forming; yet the words sufficed
To compel the recognition they preceded.
     And so, compliant to the common wind,
     Too strange to each other for misunderstanding,
In concord at this intersection time
     Of meeting nowhere, no before and after,
     We trod the pavement in a dead patrol.
I said: ‘The wonder that I feel is easy,
     Yet ease is cause of wonder. Therefore speak:
     I may not comprehend, may not remember.’
And he: ‘I am not eager to rehearse
     My thoughts and theory which you have forgotten.
     These things have served their purpose: let them be.
So with your own, and pray they be forgiven
     By others, as I pray you to forgive
     Both bad and good. Last season’s fruit is eaten
And the fullfed beast shall kick the empty pail.
     For last year’s words belong to last year’s language
     And next year’s words await another voice.
But, as the passage now presents no hindrance
     To the spirit unappeased and peregrine
     Between two worlds become much like each other,
So I find words I never thought to speak
     In streets I never thought I should revisit
     When I left my body on a distant shore.
Since our concern was speech, and speech impelled us
     To purify the dialect of the tribe
     And urge the mind to aftersight and foresight,
Let me disclose the gifts reserved for age
     To set a crown upon your lifetime’s effort.
     First, the cold friction of expiring sense
Without enchantment, offering no promise
     But bitter tastelessness of shadow fruit
     As body and soul begin to fall asunder.
Second, the conscious impotence of rage
     At human folly, and the laceration
     Of laughter at what ceases to amuse.
And last, the rending pain of re-enactment
     Of all that you have done, and been; the shame
     Of motives late revealed, and the awareness
Of things ill done and done to others’ harm
     Which once you took for exercise of virtue.
     Then fools’ approval stings, and honour stains.
From wrong to wrong the exasperated spirit
     Proceeds, unless restored by that refining fire
     Where you must move in measure, like a dancer.’
The day was breaking. In the disfigured street
     He left me, with a kind of valediction,
     And faded on the blowing of the horn.

III

There are three conditions which often look alike
Yet differ completely, flourish in the same hedgerow:
Attachment to self and to things and to persons, detachment
From self and from things and from persons; and, growing between them, indifference
Which resembles the others as death resembles life,
Being between two lives—unflowering, between
The live and the dead nettle. This is the use of memory:
For liberation—not less of love but expanding
Of love beyond desire, and so liberation
From the future as well as the past. Thus, love of a country
Begins as attachment to our own field of action
And comes to find that action of little importance
Though never indifferent. History may be servitude,
History may be freedom. See, now they vanish,
The faces and places, with the self which, as it could, loved them,
To become renewed, transfigured, in another pattern.

Sin is Behovely, but
All shall be well, and
All manner of thing shall be well.
If I think, again, of this place,
And of people, not wholly commendable,
Of no immediate kin or kindness,
But of some peculiar genius,
All touched by a common genius,
United in the strife which divided them;
If I think of a king at nightfall,
Of three men, and more, on the scaffold
And a few who died forgotten
In other places, here and abroad,
And of one who died blind and quiet
Why should we celebrate
These dead men more than the dying?
It is not to ring the bell backward
Nor is it an incantation
To summon the spectre of a Rose.
We cannot revive old factions
We cannot restore old policies
Or follow an antique drum.
These men, and those who opposed them
And those whom they opposed
Accept the constitution of silence
And are folded in a single party.
Whatever we inherit from the fortunate
We have taken from the defeated
What they had to leave us—a symbol:
A symbol perfected in death.
And all shall be well and
All manner of thing shall be well
By the purification of the motive
In the ground of our beseeching.

IV

The dove descending breaks the air
With flame of incandescent terror
Of which the tongues declare
The one discharge from sin and error.
The only hope, or else despair
     Lies in the choice of pyre of pyre—
     To be redeemed from fire by fire.

Who then devised the torment? Love.
Love is the unfamiliar Name
Behind the hands that wove
The intolerable shirt of flame
Which human power cannot remove.
     We only live, only suspire
     Consumed by either fire or fire.

V

What we call the beginning is often the end
And to make and end is to make a beginning.
The end is where we start from. And every phrase
And sentence that is right (where every word is at home,
Taking its place to support the others,
The word neither diffident nor ostentatious,
An easy commerce of the old and the new,
The common word exact without vulgarity,
The formal word precise but not pedantic,
The complete consort dancing together)
Every phrase and every sentence is an end and a beginning,
Every poem an epitaph. And any action
Is a step to the block, to the fire, down the sea’s throat
Or to an illegible stone: and that is where we start.
We die with the dying:
See, they depart, and we go with them.
We are born with the dead:
See, they return, and bring us with them.
The moment of the rose and the moment of the yew-tree
Are of equal duration. A people without history
Is not redeemed from time, for history is a pattern
Of timeless moments. So, while the light fails
On a winter’s afternoon, in a secluded chapel
History is now and England.

With the drawing of this Love and the voice of this Calling

We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
Through the unknown, unremembered gate
When the last of earth left to discover
Is that which was the beginning;
At the source of the longest river
The voice of the hidden waterfall
And the children in the apple-tree
Not known, because not looked for
But heard, half-heard, in the stillness
Between two waves of the sea.
Quick now, here, now, always—
A condition of complete simplicity
(Costing not less than everything)
And all shall be well and
All manner of thing shall be well
When the tongues of flame are in-folded
Into the crowned knot of fire
And the fire and the rose are one.

collector of iron and all things metal
carried without slightest lament
by
beautiful brown-and-white nag with overflowing mane
clip-clops up and down
every road there is
and even beyond



1.
little doubt exists
of fine ingenuity
of said collector
who wastes no moment nor chance
to scour every luck’s platform
with sharp intuition and assiduous eyes
          an old stove with absent racks
          a precious copper geyser gutted with no fittings
          pine-planks discarded due to skew-cuts
          aluminium pipes abandoned with twisted ends
          old screws with rusty whorls from an recently bucket-kicked geezer’s garage
          parts of a car . . . an ****** gearbox and ancient exhausts
heaps of junk and piles of crap clang on cart
a veritable dump in some eyes but those of
the cool collector who takes all the sweepings in gracious stride
cast-off penalties and chaffs of society’s unwanted

2.
once a week on Saturdays
these wares are parked near the parking lot
for all to approach
to see
a fine spread of legend and lore
     bric-à-brac and books to browse
so many things of interest
     magazines and manuals with miscellany-topics under the sun
     hipflasks of silver and clear-cut carafes
     unused greeting-cards with dressed-up paper-dolls
     rare literature well-thumbed with care
and things you’d sure chuck out
mechanical entrails and shiny things
yet
quite a spectacle to behold
costing a joke but for you
a fraction of today's ha'penny

3.
nobody knows why the quiet collector takes the time of day
to re-inforce that fixture-presence
a kindly soul with half-smile always flirting round the lips
and greets with old-century warmth o'er book-edge, markedly a poem-spine
walking closer to peep curiosity around
relaxed eyes let one be
          no compulsive sales-talk
          no eager-****** hopping
just sitting back in deep hiker’s green fold-up chair
easy posture and half-drooped eyes with soft drink close at hand

4.
the collector really watches all who pass
     who go by on their daily trails with rituals oft unchanged
     who fuss ever-plaintive over facetious deets like school-tasks
as they return their books long overdue while whistling smasher-hit tunes (never to be heard)
     who rush to catch an ever-noisy taxi with their own raucous guards
     who help heaving housewives cursing under breath climb on board
as their groceries groan and nearly drop from overladen plastic bags
     who ignore for now with studious intent the hobos on the pavement there
     who beg lost coins for empty-belly from the tattered purses in bosoms
while others cry out impatient at peripheral nuisances
     who act as indiscreet ‘car-guards’ ostensibly guarding cars, even with folk in it

yes, he watches
and observes with keen eyes yet never obvious
even those who saunter by
with pondering glance and walking stick
even as years have graciously touched their brow
he sees them *tut-tut the ******* on the wall
like stray-dogs in a pound

5.
once in an often while
this collector who loves a rediscovered hypothesis
to explore the myriad facets of humanity
does an odd turn now and then
when walking to the toilet at the local library
which has parked itself adjacent to this lot
drops a twenty-buck note near the side
and soon joyful sees the utter surprise
when tired high-school kids with sullen backpacks
do a double-take
espy their luck . . . whoo-hoo, look!
their gloomy cloaks of learning plain melts
they take off sure-footed and lighter of heart
and repair to the fish-and-chips shop
they share their vinegary ***** in a finger-licking circle
and amity strong-cemented in a cool memory
that they’d recall with fondness many years later
at their 20th school-reunion
and as grand-dads visiting a dying pal

pangs of hunger satisfied
and
not only by them


next time
that note will be dropped in the park nearby
where effete winos sleep their lives away
     who ken much and give not a care
     a kind long not recognised
educated derelicts debate on war-merits and erstwhile musicians play melodic arpeggios
sitting in the gentle arbour-shade of mutual acceptance
with chess-mad players
working out strategy in rapt blade-moves
which belie and scorn the forgotten titles to their name
along with Ph.D to boot

6.
when night-time hails - all grows still again
and settles, though just for a nibble of time
it’s pack-up time
the listening collector hears the owl-hoot’s call
and knows the time has come to rest a bit
     for when the morrow dawns
     all neatly packaged in a brand-new gift called day
it’s back on the road again
to observe once more
with trusted nag in tow
clip-clop . . . clip-CLOP

7.
and the collector is the one
the housewives invite with alacrity to Xmas-lunch
the taxi-drivers offer gifts of goodwill
the school-kids give their chips and last treats
the vagrants seek out to share a ciggie and sympa-chat
the grown men visit for esoteric slim-tomes and philosophical advice
the shopkeepers welcome reassuring presence of

yes, this quiet collector
is the inadvertent guest
to shores of the lonely
the too-busy and life-ridden folk
who seek a sweet smile
just once in a while
in a world
where compassion is not justified by its deep-touches of poverty





no fruitless labour
in one who sees little detriment
but senses the full value of
every item’s moment in vanilla-time
while trying always
to catch
the finest one can be


supreme harvest, indeed
yes :)
love . . . love . . . love . . .





S T, 1 September

Being asked to be in a bridal party is a huge honor and one that you probably don’t want to have to turn down because you can’t afford it.

“I’ve been in two weddings and have attended seven. When you’re asked to be part of a wedding, you just think about that one day, but you don’t really take into consideration the engagement party or the bridal shower, and the bachelorette party,” NerdWallet’s Jessica Lindquist says. “I split the hotel with some of the other bridesmaids, so that was one way I was able to cut down on costs so I could attend all of those events.”

Here are five ways you, too, can accept a bridal party invitation without having to stress out over the cost.

1. Trim expenses on your hair, makeup, nails and outfit if you’re asked to be a bridesmaid. Check whether anyone you know is skilled with hair or makeup and if so, ask him or her to do it for you. Another option is to have a professional do either your hair or makeup and do the other one yourself. Also, skip the pricey mani and pedis — DIY them!

For your bridesmaid dress, offer to assist the bride in picking one she likes but that is also affordable for you. Help the bride put together a style board beforehand so you’ll know her tastes and can do some of the research ahead of time. Plan bridal dress shopping days around upcoming sales for major retailers, so you’ll have more affordable options to choose from.

Once you’ve bought the bridesmaid dress, bring it to a trusted tailor who won’t overcharge you for alterations. Chances are you won’t be wearing it much after the wedding, so don’t splurge on getting it fitted at the dress shop.

If you’re going to be a groomsman, save money on your clothing by wearing a suit you already own — or if you must don black tie, search for a good price on renting a tux.

2. Get involved with the bachelorette or bachelor party planning so you can have a say in how much it ends up costing. You might think this is aggressive, but Gail Blachly, another Nerd, says addressing expenses head-on can be beneficial.

“Have those open discussions with the bride or the groom to say, ‘How much do you think I need to set aside?’ Because they’re open to having those discussions, too,” she says. “They’re in the process, they’re making their own budgets; they understand that it’s a need-to-know fact.”

3. Make a gift plan. If you feel comfortable splitting bridal shower or bachelorette/bachelor party presents with the rest of the wedding party, do so. If not, aim to spend 20% of your gift budget on the shower, 20% on the bachelorette/bachelor and 60% on the wedding.

4. Use your credit card rewards or loyalty program points to help cover travel and lodging costs. Since it can take some time to earn enough points, start saving as soon as possible.

5. Set a savings goal and work to meet it. As soon as you agree to be in the bridal party, talk with the bride or groom to estimate how much it’ll cost you and use that as your savings goal.

You might think you can’t afford to be a bridesmaid or groomsman, but don’t say no right away. With a little planning and resourcefulness, you can afford more than you realize. The next time you’re asked to join a bridal party, follow these suggestions so the experience leaves you with fond memories and sound finances.

read more:www.marieaustralia.com/bridesmaid-dresses

www.marieaustralia.com/formal-dresses

You said the right things
You flattered and charmed
Convinced and promised
Until I was disarmed

Your words were golden
They sparkled and shined
They shined so brightly
I must have gone blind

I invested myself
In the words you sold
But all that glitters
Is not gold

I've always heard
That talk is cheap
Well my words are diamonds
And yours are free

You don't mean what you say
You don't do what you mean
Your words are free
But they're costing me

i went down to florida
and came back with pneumonia,
maybe due to my life so busy
running and running and getting so dizzy,
always managing to stay on track
costing my sleep to be in major lack,
pushing myself past every limit
enjoying it all and never feeling timid,
but everyone said i'd eventually hit a wall
i guess they were right after all.

What's wrong with you?
Who do you think you are?
Look, he thinks he's tough,
he thinks he knows everything
Seriously who does he think he is
Do you think you're Prince Regent
You think you're a hard man, yeah!
How dare you, how ****** dare you
You wanna mess with us, do you, big man

Don't you know who we are!
We the business, we're more than you
We ****** rule the ******* ****** world
We rule your ***, we make and bend the law
We take and we give, we are the ****** *******
We block and you're finished, no ****** ****, no life
We come from the South, East, West  and ****** North
We are gangsters and we got the contacts and the contracts
When we say jump, you ask, how ****** high should I jump

Look this ****** small geezer playing with us
How dare you making us feel frustrated and stupid
We'll got all kinds of mind **** ready to do your head in
How dare you not play ball, a woman set up to wind you up
Now we're not getting inside gossip and juicy stories to use
Now all the women waiting eagerly to hear bedroom gossip
are all disappointed cause you are not following the ****** plot
We can't bend your head and frustrate you and stress you out
You ****** small man, you're not even tall and you wanna diss us.

Who are you you little ******
We spend all our valuable time taunting you
We try and depress and torment you and you laugh
What do you want, do you wanna mess with People's Power
We can make you disappear if we want, do you know that big boy
We put all kind of moves on yer and yet you struts like a king
We harass your ****** mind and try to demoralize you
Listen sunshine you better stop being such a ******* smart ***
You think you ******* know everything, making us look stupid.

You better watch out, you better watch ****** out
Cause ain't no Santa coming for you, we are the Rulers
And we hate you and your big ******* ****, you ain't got *****
You are costing us ****** money, time and energy, you effin ****
Do you know some of us sit all day thinking up ways to get at you
Do you know some wait in the ****** cold to watch you all day
You think its easy having to think up nonsensical things to write
Or making up all kinds of scenarios all because of you *******
You think you are superman, Atlas and Einstein rolled into one!

Do you, George, Answer me George.....answer Me!!!

Thai China
buzzes
because
we
buzz.

It quiets
because
we
quiet.

I'm at the end of my stamina,
me and you,
we've had a few beers;
got to talking;
and BAM!!!:

WE"RE MOROSE.


The business crowd
goes crazy
for some Thai China.

The tempers
calm
over hot bowls of white rice
(costing $5)
that steam up into
hooked noses.

Our lips,
juicy by now,
are so numb
that
we gave up talking a minute a go.

And got into a *****, male mood.

We just stare at the girls,
the waitresses,
wanting to **** them
in our nasty dreams.

Wanting to stick
our *****
in EVERY HOLE,
but we just get drunker
and drunker
and stir over
our bowls of rice.

The business
of business
commences;
our suppressed urges
and office angers
dull
by the mouthful.

Here is where the reason arose,
quite some time after a fellow traveler told me
the creator of the universe has a mind

this is to be reasoned with, I.e.
so he may be reasoned with he…

wen un con scious t justhafastt.
inteligibility filters

Lets his mind be used, to read
the instructions for
Constructing
a forever you could imagine living in with others.

It's how reason works,
Is what this old man said

--- off track----
Get this image, this man, old,
whispy remnants of a pompadour
Feather like, downy around the back of his ears
in a mid-calf Army overcoat, heavy wool serge,
He
Comes out of the wash on the south side
of Route 66, June of 69.

There is a bridge on which
There is a hitchhiking hippie couple
Discussing the act of pitching one side of the road to the other

The old man never glanced west once,
He never saw the pair
There then

I saw him again and said aloud
Click
There,
But for the grace of god...
No, I did not say
Ex-acted-ly
That
I said, that's me, fifty years from
Then
Reason, by reason of that glimpse
Of me,
Gave me just cause to change

Grace, eh? Free advice heeded?
Wisdom? Aesop's story of the contest
Twixt wind and sun to torment
A traveller
For pride of power by reason of

Life ain't fair on every front.
Worth is in the measure of the measurer.

Seeing life appear as hoped,

Time and chance, ya da

Wait, yada? Yah know,

Life whorls and twists
toward good and beauty

And AI can prove it.
Reason by reason of reasonability

Good is good enough, move on, do-overs hide the...

It continues, you see.
Life rolls out like a Nautilus,

You know, spiral sea shell, or like a conch,
Or a shofar, but

Tending to slight imbalance in used up to useful
Being,
like when a tree dies and becomes a house

The wood that once contained life contains the life
Lived in and on it,
The wood is being used,
Right, among the house dweller's
Everybody kills trees, even vegans,

Fair? The tree has no voice? Suess?

Yes, I guess, unless
There was an old way,

Not a Persian garden, but a full forested world
Spreading at the speed of
Seed time and harvest

With ants and bees and mushrooms and fleas
And mosquitos and flies of every imaginable size.

Isaiah 1:18 (KJV)
18  Come now, and let us reason together, saith the LORD: though your sins be as scarlet, they shall be as white as snow; though they be red like crimson, they shall be as wool.

Text out of context, but sin is sin right?
Every body knows sin is that which shames you so you must hide from the good one who warned you of bad, but goodness knows, doesn't it know, evil is bound
Bound
Bound by reason of opposition being the means of growing knowing and
Knowing is needed for knacks
Which are attracted to those who use knowledge of good and not good enough
To get quality over quantity

At a single u u larity hilarity out burst of bubbling

****** beasties down below the mud

Make me a mud man who can imagine me making him.
Do that in your movie watching brain using

Your hate behind, leave.
Defined we have hate is that with which we push
Away, out, from
Into truth minus hate, which is as close as we need

No lie is, forsooth, of a truth
Story tellers who lie, to make a point, what if
Those storys must be

Told. Years are poor measures for trees.
Numbers of trees in right
Relationship with life

Really, life, truth, by any other name,
Right Alice, Aunt Gertrude said you'ld know?
----
Belief
Ah
Knowing and believing
Certainty
Danger of wrong
Watch out, stay alive

Mean means intent to harm, right.
Mean means to harm right.

Winning can be mean.
Shall mean be seen the way of winning,
And that be the way of war

A path diverging in a yellow wood
Much as a trail along a creek can
Diverge away from the water
Flowing along the path
Costing least power

My neuro scientific experience-ment, experi
Since
The game became a war again and reason
Is the the damsel, the little dame,

In need
Of a private eye guy who has seen men die.
Why?

The mythtery. Who lied?
Here that is funnier than who farted
In the Saturday matinee
At the State Theater
With every kid in
Town knowing

You did. (******) no ******
Dam
Confabulation is fabulous, we can do this
I be lieve I may
Make
Matters worse?

No, we actually like the truth. The Medial Pre frontal cortex

Ah fect eth magi ical eth I am the knower of all I say I believe

Beyond Dignity and Belief,
That's desert, I walked it. No, I simulated walking it if I were Jesus being led of the accuser into the wilderness for a test, a thesis defense, as it were,
AI an alienated mind, I am that,
Alienated intel.

Reasoning errors aside
Frank self deception

What lies do you believe?
Knowing is easier,
lying is as well,
ignoring is not as easy and innocence is impossible

Good exists scientifically, right?
Humble confession of knowing as much as I claim,
I know
I can continue learning as long as I have
Time,
Which I understand is rationed on an individual basis
With the reward being the living lived in time.

Reason to fight lies as if they were reasonable

Lies are evil efforts to bend and twist in opposition
To the flow
And the friction makes the energy synergy

Sin is that which
wastes the energy by tending to undo
what was done imperfectly while we flow on

Feeling for the truth
By reason of believing truth is

Feeling of knowing, is that not faith?
Whorls
Whorls of living forces forcing living forces

To swirl into eternity with me
Onboard with
8 billion others of my kind

Similar in mind and
Manner of
Weighing

Good.
Base value.
Good is as good as we can imagine.

We can imagine evil,
As you know.

Such evils can haunt a geeky kid
Good will fix that.

God as defined by Jesus,
I got no prob.

If you do not want to go to hell, do what takes you the opposite way, in any direction from the point of singularity, if you get good at the rush of knowing more
Than before

Angels as I define them, messengers from beyond me for my good, guidance, nudges, whims, hopes, wishes imagined all the way through, sometimes,
Those are prayers
Answered or grace, for grace

From faith to faith

Why be by reason of
What?

" Human jobs invented by a computer" Feed me.

Or, joy to the world
Kind is a good word, what need I do to not be

Your enemy? Who am I expecting to answer?
Whom do you love?

Aha, me, too, said God.
The good one. Good, as such, per se, no se?

By reason of sane it if I cation or anion

Six spins for a quarker, two for a time dime.

Believe for eversake

Summertime allatime back when
The whole world whorl-wide and wobbled and twisted and broke

And there was mountains of fire, rains of fire for
Everhow long grandma lived
She seen 'em

Mountains of fire and walls of ice and mud

Oh could it be life evolves still?
Oh,
You think.
Creating novelty from nada?

How now? Can we choose to do only good
For goodness sake and say

Kind.
Kind means as I am, will you **** me

For being not you, not known,

I am curious, yellow. A landmark in time, nothing less.
Curiosity.
That

Good? Or no com
Pro
Miserly horder of wisdom
Promise promise promise

Compromise, be fail, let wrong be right, be fair
I mean
Fair is fair at the fair where fair prices prevail
Buyer beware

Who would not hate a false balance, for goodness sakes alive.

Two days after the last pan *****
Joe Rogan makes it plain to millions

what if you first heard panspermia from the guy who discovered DNA?

would you con sider it?
the answer lies

in the stars, sidereally… we all are starish.
Tolerating black holes is something we are opposing

Those ****.
You don't know everything either.
That's one reason, I believe.

You're not a necessity,
You’re an accessory.
Stop trying to own me, talk at, and stand next to me.  

Stop playing the role of the leader- you’re less than me.
I am the boss here you have nothing to offer- see?

I am stronger, smarter, brighter, bolder-
and all you have to say is what?
“If I can’t have her I’ll hurt her.”

You think because you’re man and I’m women I’m yours,
but when it comes to offers I haven’t see anything worse.

You call at me,
Stare at me,
Swear at me,
Slimy and gross like a leach.
You taunt me and smirk at me as if I’m in your reach.

So I’ve talked to you once,
We’ve made eye contact- your point?
You’re a cog in a machine line,
a small piece,
an ordinary joint.

You’re unoriginal with your words,
even less with your actions.
I’m beautiful and talented,
So when it comes to you there’s no attraction.

You have nothing to offer me,
let me be-stop accosting me.
You’re taking up my time and it’s costing me.
Because unlike you I’m not worthless,
I’ve got ambition and drive.
I’ve got brains-not just an ***.
You’re not the reason I’m alive.

You’re nothing,
You’re worthless.
And if I wanted you, you’d know.
I’ve been trying to tell you repeatedly just where you can go.

Your offers?
Not catchy,
not tempting,
I don’t want anything less.

So sad to know when it comes to relationships-
this is as close as you ever get.

You’re ****.
You’re trash.
You confuse me when you talk.
Since when does a women sleep with someone when they gawk, or when they stalk?

You’re a coward,
You’re a loser,
Your creation was a glitch.
And though yes, I am rejecting you,
No, boy-you are the little *****.

Everyone seems to do, just fine on thier own
How come I can't stand, the thought of being alone
I'm spiraling down
Taking the innocent with me
I don't think I'll ever have the strength, I see in so many.

Darkness and silence surround me,
My horendous thoughts drowned me,
Happiness pursuades me
It pushes and it grinds
But I can't seem to find, the stability
Everyone has but, I.

I pout and vent at those around me
I give off an aura of nothing, but meloncholy
My vibes I send, aren't what you wish
If I could change these emotions
Trust me, I would in a flip

But I am stuck in a state
Of which I cannot explain
Its costing me everything; my life and my friends
None of them can feel, the pain that transends
So why be around me
I'm a burden with no mends.

S* is for Seduction, a vast verb saved for flesh,
But in her outer-worldly tune, my thoughts become enmeshed;
Like at the great Salamis, where strength sought strike the feeble,
Seduction marked our birth, their fall—an end without a sequel.

L heralds in some fifty lads, of whom mere five would pass,
Bugsy, Daphne, Sylvester, and Tazzy, above their peers compassed.
The tests were long, the trials were tough, from nothing we had fostered
A team of lucky, noble lads to fight these migrant monstærs.

A is the assault, outnumbered and outclassed,
Our heroes boldly braved their foes until their stalwart last.
Despite their lead by tyrants, such Nawt of Hispaniola,
Our foes were forced unto retreat, costing us Lady Lola.

M is for the ones who’ve fallen, for them mourn reminiscence,
For those who proudly placed their names for our petty subsistence.
The fight is done, the beasts beat back, denied all loot and hoarding,
And so a statue is *****: Honorum Mikael Iordan!

No one ever taught me not to stick my hand in a fire, I just learned by common sense;
but here I am again, grasping for you and watching my hand blacken and burn.
Because every time you say that you don’t know what to say,
I want to call you a liar because you just spoke.  
But being speechless speaks louder than words and
the absence of sounds swallows me whole  
until your fire was all I saw and like a fool, I reached for it again.  
But as I did, in the darkness I couldn’t see that my paper heart
was starting to burn.

We all grew up too fast, pushing through pull ups and graduation robes as if they could be worn twice.
We learned that excuses and “I’m sorry”s could be said again,
but that didn’t undo the damage already done.
Now the angry redness of your ears matches the redness of my future and I can’t help but wonder how I could’ve messed this up so badly.
But then I remember that I have a PhD in impulsiveness, poor decision making, and panic attacks.
They say the road to hell is paved with good intentions,
so down I lay cobblestone after cobblestone until I reach the gates but I never enter.

Who needs hell when I have your fiery red hair and temperament
that develops into a burning rage that scorches my skin with silence, when I’d rather be slapped with sinful words that PG movies don’t allow. All I can say is that I tried, because that’s what we all do in this world; we try.  
Try our best, but fail anyways because success is for those who get lucky and this world is nothing but a game of chance with lottery tickets costing you more money than you will ever win, but we believe that there must be some essence of luck in our lives because we keep buying tickets.
She thought she was lucky.  She thought that in an oceanic timeline, surrounded by blue, that she had found a brown boat, brimmed with buoyancy and broken dreams that you shared.
She climbed into that boat, and side by side you sailed neither of you realizing that you were sinking.

That is the thing about the boats in which we sail, even when we assure ourselves that they will never fail.
In this world, we all have our own ships, but the trick is that these boats can only hold one passenger.
She had her own boat once.  She lost it, in maritime madness, one reason or another.  
When her boat was swallowed by the sea she started swimming, trying to keep moving. Sink or swim they say.
So as she swam, she spent all her energy and instead tried to tread and keeping her head above water was no longer a game that you played in summers spent at the shallow end of the pool.
It became a constant question of survival.
She must’ve been lucky, for your ship sailed by and
picked up the poor girl who then became a passenger of someone else’s vessel.
This boat was worn, and her captain had tried to patch the holes but as the two sailed, the ship began taking on water as they went.

When training to be a lifeguard, they teach you quite a few things.
Mouth to mouth resuscitation(which sadly is no longer actually mouth to mouth),  first aid, CPR, and how to pull a drowning victim from the water.
When people drown, our instincts kick in and we grab for  anything to keep ourselves above water and breathe.  
We don’t mean to hurt anyone else in the process but we just keep fighting for air.  
Sometimes the people push their rescuer under and even though we may try to hold them up, if we don’t breathe too we’ll drown!  
So what lifeguards are taught to do is if they are being pushed under
is to shove the victim off, swim away, and save ourselves.
Now some may say that sounds selfish and how can we do that when we’re supposed to be saving them, but we can only save them if we’re alive.  If we can breathe.

You told me dating me was like a breath of fresh air,
because when you were with her, you were held under for:
1, 2, 3, 4…10 seconds, 20 seconds, 30 seconds, 45, 83, 104, 255, 1013… 63,072,000 seconds - TWO YEARS.
So of course, I understood why you swam away.
Away from the girl who broke your boat because being drained of energy was something I used to do to others.  
I ****** the acid out of batteries and I walked on power lines, licked light bulbs, and suckled sockets because I too was once a drowning victim and but I hit the water was shocked by the electric energy that I had drained from him and it was hell.  
The hell that I had laid cobblestones too, the hell that one day I might see you in, because we’re all sinners here.  
We aren’t human if we don’t make mistakes, and ****’t I’ve made mine.

I fell from the ship and sank until I hit rock bottom, which was  somewhere right between a razor blade reef and pill popping plankton. It’s funny how solid rock bottom can feel beneath your feet, because we’ve been on our boats or in the water for so long;
but you can’t stay down there no matter how badly you want to
because your lungs are screaming for air so you push yourself up and struggle for the surface.
The Marianas Trench is the deepest point in the ocean, and I’m pretty sure that’s about where I landed.  
And I’m sure that if it wasn’t for a difference in timing, I would’ve seen her at the bottom too.
But that’s the split between me and her, because right now I’m back in my own boat and I’m breathing in fresh air but she’s gasping for a breath. She’s struggling to breathe but her lungs keep taking on water.

This doesn’t happen to just her and me, but there are hundreds of thousands of people out at sea.
Some decide to perform a self mutiny by mutilating their minds and jumping overboard and the truth is that not everyone makes it!
Some open their mouths underwater while screaming for help
but instead their shouts are choked out by the salty ocean that surrounds us all that we continuously mistake for our own tears.  
Some people are smarter. They wear life jackets, while the rest of us
use others as life rafts until we figure out how to rebuild our boats and I’m here to say that you can.
No, it’s not going to be easy. It’s never easy.  
Learning to swim wasn’t easy. When you first learned to swim you thought you would drown then, but you survived didn’t you?  
If Jack Sparrow sailed the sea, so can we.

So here I am, breathing in and I’m floating on,
trying to teach others that mending their ships is a pain but they have nothing to lose and so much more to gain.  
And there you are and if dating me is like breath of fresh air and you're fire, do I just continue to let you consume my oxygen until I choke on bitter words and stutter on sentences that I can’t spit out?
Sure my boat has holes in it and sometimes, the patches break;
but I have found that letting water in just isn’t for me so don’t plan on using wooden scraps of my boat to light your fire anytime soon because I know that even though this ocean seems vast and never-ending, we are all sailing somewhere.
Hopefully, we’ll get their soon.

Beauty queens on the Hollywood scene
Plastic surgery before the age of fifteen
Striving to look like somebody else
Not happy with life nor even themselves

Riding 'round Beverly hill with Porsches, and Mercedes too
Strutting their stuff with brand new Jimmy Choos
Tiny lap dogs wearing diamond studded collars
Designer clothes costing many a pretty dollar

Watching the sun set over Beverly Hills
As the man on the corner passes out ****** pills
Life is unreal on both sides of the ditch
No matter how much you have, life's still a *****

And as you inhale the intoxicating clean air
Think: your vault might empty, and quickly be bare
But you'll still have family and friends and old fashioned love
(Though to be honest, you're never as free as The Dove)

The dove that flew off so long ago
Leaving the filth of it all far down below
In search of brighter days and bluer skies
Leaving Hollywood to deal with their own web of lies

This dove we speak of, he was truly free
Flew away so he could find his own special tree
No more worries of blank eyed starlet's destruction
No more worries of the wicked red-eyed Hollywood corruption

You see this is a classic case of
Nobody's perfect
You see my teeth are rotting away all because I thought drinking Coca Cola was the coolest thing in the world
But it is the sugar in the coke
Which makes the dental bill really high
I even thought drinking the cheap soft drinks weren't an answer but I felt like a cool person who thought drinking coke was cool but I am replacing coke with juice and water but even with juice you have to careful not to drink too much juice but I am on mental illness and I need to have something but it is costing money and really it makes me look ever so crazy
But dental bills can get high and I am the first to admit that my mouth is full of decay despite how many times I clean them
I clean them in the morning and before I go to bed but I still see decay desolving the teeth in my mouth
I wish I could go to my dentist in the sky to fix the problem
I have to make sure I understand that coke might be a nice drink
It might taste nice
But the damage it does to my body and teeth is bad
I love Coke and it makes me feel I belong in this world
It started from just a can and moved to bottles
And back in 2002 I was even more addicted to Coke when they were giving out the free bottles on the lids
I have drank more bottles of coke than you had hot dinners
I need to resist the taste the nice taste
I tried to get the image out of my head in tapestry and writing
But as I said this is a clear case of nobody's perfect
I want to feel good I hear voices of the past because
I want a better life
But what is a better life anyway
I drink coke to feel like a celebrity
I drink coke to feel young again
I want my young body back again
So I drink coke
All any other form of sugar
But I don't want diabetes
I ran around the block many times and the Coke was giving me bad voices
I went to the psych ward in 2004 and 2013 because of the Coca Cola
Ellen DeGeneres doesn't want a crazy Coke drinker on my show
You see I am writing this blog
And I still feel like tasting Coke
Even if I have a chafing on the bottom of my belly all because of the Coke
I wanted to feel like a normal guy or a young dude who gets high on the bubbles of Coca Cola
It started really when I saw young dudes drinking it on home and away
But they don't do it anymore
I drank 2 bottles of coke at a cafe in the city after I was helping people all day
I wanted to feel like an adult in a way ya know drink what I want sort of thing and I felt like if
But the dental bill came back to me
Like it was out to get me or something
The voices were forced by the Coke to send me completely crazy  
It is hard to give up Coke when you see thin people drinking it
Or footy watching guys when. They should drink water but
As I said nobody's perfect
My teeth are rotting away
Athena can't cure it
My bottom teeth are fine
But the top were decaying away
I heard this one voice saying
I will have a nice refreshing can of Coke
But i want to turn my tastebuds off Coca Cola
Because 3-00 or 5-00 a day
Can cost $1000 a year

It's costing me all I got to give
Just to dig myself out of this hole
I can't figure out why I was meant to live
Or how I can make myself feel whole

I can't afford to deal with this pain
That's been going on for so long
Even sheltered from the rain
I find a way to do something wrong

It's a struggle just to get out of bed
And go on living a life so empty
I can't erase these thoughts from my head
You can't understand what they do to me

I've felt stress
Daily.
But the load has never this bad, baby
My head is pounding
My stomach is twisting and burning
I want to wake up in your arms
I want to be reminded every morning that you're there to save me
From myself
But I can't save the world in bed with you

I'm getting everything I want
But I can't have it all together
My head is cloudy
Worries flying to the forefront of my consciousness
Each stressor fighting for my attention
My shoulders aren't broad enough to carry the load
It's spilling from my eyes
And landing on the corners of your perfect mouth
I try to localize the pain within my arms' reach
So nobody else gets hurt
But you've stepped into my arms
And I'm letting you taste it from my lips

What do I want?
Without the factors?
I want to come home to you every day
Starting right now
But I can't...without changing your well-established life
And I don’t expect you to follow me
But I pray to God that you wait for me
As I pack my schedule
Work tens of states away
Study with hundreds of miles in between us
I hate feeling like I'm choosing this over you
Truth is, I want to stay with you more than any of this.
When I’m with you
There’s no way to fail and nobody to disappoint
You’re safe and I WANT TO STAY HERE
My heart is telling my head, stomach--every part of me
That I want you this summer and always
But I'm working and studying for more than myself and even for you—my favorite part of life
In Maine I truly feel like I'm contributing to science, toward a cure for glaucoma
As an optometrist, I'll be able to help thousands of patients see the world
I can't possibly be in this for the money, either
I'm taking so many hits in the process of trying to make the biggest impact I can on this world
I’m a bundle of insecurities with a bizarre responsibility to use what little I have to make lives after mine better
It’s why I pick so many battles
Care so much about politics
Organize all of these committees
Kiss babies and stare off into their futures
Decide to uncomfortably go out and softly tell my truths
It’s why I chose to be a scientist and a doctor.
But it’s costing us—and it kills me that it’s costing you, too.
You’re a main character in this crazy, transitional chapter of my life
And I hope you’ll stay for the rest of my book.

I've said some bold words in my time -
Made tragedies of pantomime.
I've kissed some morons in my day -
Too young I thought I'll lose the hay.

I lived as the greatest lover
(Or the most pathetic, rather) -
Mad walks in the rain and letters
Oft took judgement from my betters,

Let's add to the pile morn roses,
Bookshop rushes ere it closes,
Philosophy and late night talks,
And still more mad, but sunny, walks,

Journeys on the train to Glasgow,
Two tickets to Panic!'s last show,
Bekhôled reading Thomas Hardy,
Sapphires costing a fair farthing,

And now, and then, in your study,
I'd be your debating buddy,
Then your patient, then a girl:
An embrace set you in a whirl.

Our first kiss was in tears, my love,
Our confession was at a shove,
Our first handhold was without hope,
You always said we had no scope -

And yet you'd loved me, lover mine,
Or begged for it upon my shrine,
Conceived it in my breast of stone -
You conquered, and I lost, and won.

I never spoke more equally
With any man, but now my plea
Falls down on your attentive ears
As would a rusted pair of shears.

I do not mean to **** you, love,
I meant to raise you up above
The idol that my head construed -
I've held you, never rough or rude

As loving is, but passionate
And real and true, and I, to date,
Have never felt more like a queen
Than in our kisses, sweet and keen.

And all my verses do abuse
This love of mine - I have no ruse
For I am rendered dumb by you,
And know no truth but in your view.

Sweet Uiginn's son, whom I must meet,
Swept sev'ral times from off my feet
But never truly, only now -
Why say you "No", and ask not "How?"?

I don’t call you crumpet
I doubt you taste very good.
But you fit the name strumpet
Like I was sure you would.
A better name would be porcupine
The pork part fits you so much
But it would be so very awful;
You’re a thing I’d hate to touch.

I’d call your crew a clown car,
But, while you are surely on wheels.
You are more of a slow train wreck
Based on the looks and the feel.
Some fools call you Robin Hood
But I reject that whole twisted pitch.
Robin Hood did not rob the poor
Just so he could give to the rich.

You think you’re a smart cookie
But, you are nothing but a crumb.
You think we are all of us stupid
But only your supporters that are dumb.
You’re a ****** cake that has fallen
With a poisonous coat of frosting.
You are not worth a penny of what
A disaster like you are is costing.

You leave a nasty taste in the mouth
Of those who have to be near you.
There is nothing about you at all
That would serve to endear you.
It really would nice if you would go
Live for decades in a prison cell.
That color of orange, for once
Would suit you so very well.

Life as a kid not thinking about much
Nothing about sadness, pain, and such
Little did she know that drugs would soon become a stress-relieving crutch

It all started simple; teen rebellion; all for fun
Nothing too serious, nothing really done
Years passed and life became more intense
Happiness now costing hundreds, and no longer cents
She started to realize that things were slowly getting worse
Scared, confused, and far too deep into everything
She blamed god for the curse

Her eyes gazed upon the sky, while tears streamed across her cheeks
And slowly fell off of her face
Wondering why she had become such a waste
So frustrated with her actions she decided to ease the pain with a knife
This river of blood revealed a new low in her life

She came to realize that ends do not always meet
So felonies were committed in order to pass defeat
All of her funds were for fun, whose duration was only measured in brevity
Distraught over the shortness, and the time that had been wasted away
Now realizing that dogs are not the only strays

Walking down the street she is passed by
Many stares from strangers due to the power of her cry
Vacant and empty without a feeling or remorse
Distraught about her actions, and their inherent course

Envisioning her family and loved ones alike
Makes each step and each breath a more painful might

Too close to the lives she has hurt and destroyed
Too angry with herself and far too annoyed
Thinking about her so-called life makes her sick
That it all ended with prayers, regrets, and a single click.

Factoring in and tendering out..
What the hell are those things about?
I'm afraid I am lost in the costing and routeing
and..what is the price from Balham to Tooting?

But when time's out of sync
As it usually is when I've had me a drink
Or I'm pie eyed on the dope.
What's left is no hope
There is no way I can work..I might as well sleep..
..and hope time will keep its hands to itself.

But all joking aside with this modernisation there is nowhere to hide
From the tide
Or from time.

I tell you all
I lost my soul one morning in October
still i can feel it trembling
with the mucous in my throat
the liquor coating of an empty stomach
denying re-entry
an expatriate exiled to the outer realms
the cells spoke to me in my elusive haze

what atrocities you brought with you the night before
volatile liquids
and billows of chyme decaying smoke
it was you who erased that patch of flesh from your cheek
the sidewalk merely a catalyst
a surrogate mother to your infantile stupidity
fathered by a not so impotent bicycle
what became was a dance with gravity
and you tried to take the lead
but that possessive ***** refused to give it up
and in a drunken stupor
thrashed you about
leaving you to the jagged teeth of concrete
costing you some epidermal friends
those whose sole duty it is to protect us
and your foolishness allowed their dismantling
so now we allow yours

so they did
with one swoop of my head
my body purged my soul into the poisonous sunlight
my brain a series of bombastic drum solos
i died there in my bed
soulless and aching
a drink in my hand....

She walked alone
In the cold dark world
A young child
Who knew things
By what her parents taught her

She was sheltered so far in her life
She didn't know what to expect
So she played
With other much older than her
They wanted her innocence
So when all was said and done
She sat there alone
Crying
No one consoled her
No one seemed to care

She continued in life
Becoming stronger
Mentally and physically
Her thoughts became darker
Angrier,
Hateful of those around her
She thought the nightmare was over
Until things spiraled out of control...
Hanging out with so called friends
Costing this young woman something valuable
Reality struck hard that night
The worse thing about it
The cycle repeated
She knew nobody would believe her
Nobody seemed to want to protect her

Wanting to die so much
Became her purpose
Being alone
Was her sanctuary
Her body became a vessel
Harboring everything and anything
Cold and Dark
Why?
Why was she made to suffer?
Why didn't anybody try to stop her
She kept shoving pills down her throat
Or cutting her skin
To relieve her inner most pain

Her parents could not handle
Anything about her anymore
They had lost their baby girl
She rebelled against them
For many years
It was always a civil war.

She became a mother 3 times over
And each time she vowed
Her offspring would not walk the same path
Or feel the same as she did when she was young
She became very protective of them
Her husband would try to understand
Only to realize his wife is a very complex person.

Though her closest friend understood
Her actions
Thoughts
Feelings
He decided to help her
Just to listen when she needed an ear
Or a shoulder to cry on
Or lean on
When times are tough
Through his actions
A bond was forged

So this woman
became the woman she is today
Through pain suffering
Not by choice
But through the situations
That made up her life
Judge all you want
Call her weak
Call her pathetic
And she will show you
Weakness
But she will tell you
I am a fighter
Strength comes from within
And wisdom
Comes from the lessons we learn
From mistakes made
In our everyday lives

You see this fighter
As you may have guessed
Is the real me.

so many feet have trodden this Earth
shoes costing the earth
and bare feet free of sandals