Now the other gods and the armed warriors on the plain slept
soundly, but Jove was wakeful, for he was thinking how to do honour to
Achilles, and destroyed much people at the ships of the Achaeans. In
the end he deemed it would be best to send a lying dream to King
Agamemnon; so he called one to him and said to it, “Lying Dream, go to
the ships of the Achaeans, into the tent of Agamemnon, and say to
him word to word as I now bid you. Tell him to get the Achaeans
instantly under arms, for he shall take Troy. There are no longer
divided counsels among the gods; Juno has brought them to her own
mind, and woe betides the Trojans.”
  The dream went when it had heard its message, and soon reached the
ships of the Achaeans. It sought Agamemnon son of Atreus and found him
in his tent, wrapped in a profound slumber. It hovered over his head
in the likeness of Nestor, son of Neleus, whom Agamemnon honoured
above all his councillors, and said:-
  “You are sleeping, son of Atreus; one who has the welfare of his
host and so much other care upon his shoulders should dock his
sleep. Hear me at once, for I come as a messenger from Jove, who,
though he be not near, yet takes thought for you and pities you. He
bids you get the Achaeans instantly under arms, for you shall take
Troy. There are no longer divided counsels among the gods; Juno has
brought them over to her own mind, and woe betides the Trojans at
the hands of Jove. Remember this, and when you wake see that it does
not escape you.”
  The dream then left him, and he thought of things that were,
surely not to be accomplished. He thought that on that same day he was
to take the city of Priam, but he little knew what was in the mind
of Jove, who had many another hard-fought fight in store alike for
Danaans and Trojans. Then presently he woke, with the divine message
still ringing in his ears; so he sat upright, and put on his soft
shirt so fair and new, and over this his heavy cloak. He bound his
sandals on to his comely feet, and slung his silver-studded sword
about his shoulders; then he took the imperishable staff of his
father, and sallied forth to the ships of the Achaeans.
  The goddess Dawn now wended her way to vast Olympus that she might
herald day to Jove and to the other immortals, and Agamemnon sent
the criers round to call the people in assembly; so they called them
and the people gathered thereon. But first he summoned a meeting of
the elders at the ship of Nestor king of Pylos, and when they were
assembled he laid a cunning counsel before them.
  “My friends,” said he, “I have had a dream from heaven in the dead
of night, and its face and figure resembled none but Nestor’s. It
hovered over my head and said, ‘You are sleeping, son of Atreus; one
who has the welfare of his host and so much other care upon his
shoulders should dock his sleep. Hear me at once, for I am a messenger
from Jove, who, though he be not near, yet takes thought for you and
pities you. He bids you get the Achaeans instantly under arms, for you
shall take Troy. There are no longer divided counsels among the
gods; Juno has brought them over to her own mind, and woe betides
the Trojans at the hands of Jove. Remember this.’ The dream then
vanished and I awoke. Let us now, therefore, arm the sons of the
Achaeans. But it will be well that I should first sound them, and to
this end I will tell them to fly with their ships; but do you others
go about among the host and prevent their doing so.”
  He then sat down, and Nestor the prince of Pylos with all
sincerity and goodwill addressed them thus: “My friends,” said he,
“princes and councillors of the Argives, if any other man of the
Achaeans had told us of this dream we should have declared it false,
and would have had nothing to do with it. But he who has seen it is
the foremost man among us; we must therefore set about getting the
people under arms.”
  With this he led the way from the assembly, and the other sceptred
kings rose with him in obedience to the word of Agamemnon; but the
people pressed forward to hear. They swarmed like bees that sally from
some hollow cave and flit in countless throng among the spring
flowers, bunched in knots and clusters; even so did the mighty
multitude pour from ships and tents to the assembly, and range
themselves upon the wide-watered shore, while among them ran
Wildfire Rumour, messenger of Jove, urging them ever to the fore. Thus
they gathered in a pell-mell of mad confusion, and the earth groaned
under the ***** of men as the people sought their places. Nine heralds
went crying about among them to stay their tumult and bid them
listen to the kings, till at last they were got into their several
places and ceased their clamour. Then King Agamemnon rose, holding his
sceptre. This was the work of Vulcan, who gave it to Jove the son of
Saturn. Jove gave it to Mercury, slayer of Argus, guide and
guardian. King Mercury gave it to Pelops, the mighty charioteer, and
Pelops to Atreus, shepherd of his people. Atreus, when he died, left
it to Thyestes, rich in flocks, and Thyestes in his turn left it to be
borne by Agamemnon, that he might be lord of all Argos and of the
isles. Leaning, then, on his sceptre, he addressed the Argives.
  “My friends,” he said, “heroes, servants of Mars, the hand of heaven
has been laid heavily upon me. Cruel Jove gave me his solemn promise
that I should sack the city of Priam before returning, but he has
played me false, and is now bidding me go ingloriously back to Argos
with the loss of much people. Such is the will of Jove, who has laid
many a proud city in the dust, as he will yet lay others, for his
power is above all. It will be a sorry tale hereafter that an
Achaean host, at once so great and valiant, battled in vain against
men fewer in number than themselves; but as yet the end is not in
sight. Think that the Achaeans and Trojans have sworn to a solemn
covenant, and that they have each been numbered—the Trojans by the
roll of their householders, and we by companies of ten; think
further that each of our companies desired to have a Trojan
householder to pour out their wine; we are so greatly more in number
that full many a company would have to go without its cup-bearer.
But they have in the town allies from other places, and it is these
that hinder me from being able to sack the rich city of Ilius. Nine of
Jove years are gone; the timbers of our ships have rotted; their
tackling is sound no longer. Our wives and little ones at home look
anxiously for our coming, but the work that we came hither to do has
not been done. Now, therefore, let us all do as I say: let us sail
back to our own land, for we shall not take Troy.”
  With these words he moved the hearts of the multitude, so many of
them as knew not the cunning counsel of Agamemnon. They surged to
and fro like the waves of the Icarian Sea, when the east and south
winds break from heaven’s clouds to lash them; or as when the west
wind sweeps over a field of corn and the ears bow beneath the blast,
even so were they swayed as they flew with loud cries towards the
ships, and the dust from under their feet rose heavenward. They
cheered each other on to draw the ships into the sea; they cleared the
channels in front of them; they began taking away the stays from
underneath them, and the welkin rang with their glad cries, so eager
were they to return.
  Then surely the Argives would have returned after a fashion that was
not fated. But Juno said to Minerva, “Alas, daughter of
aegis-bearing Jove, unweariable, shall the Argives fly home to their
own land over the broad sea, and leave Priam and the Trojans the glory
of still keeping Helen, for whose sake so many of the Achaeans have
died at Troy, far from their homes? Go about at once among the host,
and speak fairly to them, man by man, that they draw not their ships
into the sea.”
  Minerva was not slack to do her bidding. Down she darted from the
topmost summits of Olympus, and in a moment she was at the ships of
the Achaeans. There she found Ulysses, peer of Jove in counsel,
standing alone. He had not as yet laid a hand upon his ship, for he
was grieved and sorry; so she went close up to him and said, “Ulysses,
noble son of Laertes, are you going to fling yourselves into your
ships and be off home to your own land in this way? Will you leave
Priam and the Trojans the glory of still keeping Helen, for whose sake
so many of the Achaeans have died at Troy, far from their homes? Go
about at once among the host, and speak fairly to them, man by man,
that they draw not their ships into the sea.”
  Ulysses knew the voice as that of the goddess: he flung his cloak
from him and set off to run. His servant Eurybates, a man of Ithaca,
who waited on him, took charge of the cloak, whereon Ulysses went
straight up to Agamemnon and received from him his ancestral,
imperishable staff. With this he went about among the ships of the
Achaeans.
  Whenever he met a king or chieftain, he stood by him and spoke him
fairly. “Sir,” said he, “this flight is cowardly and unworthy. Stand
to your post, and bid your people also keep their places. You do not
yet know the full mind of Agamemnon; he was sounding us, and ere
long will visit the Achaeans with his displeasure. We were not all
of us at the council to hear what he then said; see to it lest he be
angry and do us a mischief; for the pride of kings is great, and the
hand of Jove is with them.”
  But when he came across any common man who was making a noise, he
struck him with his staff and rebuked him, saying, “Sirrah, hold
your peace, and listen to better men than yourself. You are a coward
and no soldier; you are nobody either in fight or council; we cannot
all be kings; it is not well that there should be many masters; one
man must be supreme—one king to whom the son of scheming Saturn has
given the sceptre of sovereignty over you all.”
  Thus masterfully did he go about among the host, and the people
hurried back to the council from their tents and ships with a sound as
the thunder of surf when it comes crashing down upon the shore, and
all the sea is in an uproar.
  The rest now took their seats and kept to their own several
places, but Thersites still went on wagging his unbridled tongue—a
man of many words, and those unseemly; a monger of sedition, a
railer against all who were in authority, who cared not what he
said, so that he might set the Achaeans in a laugh. He was the ugliest
man of all those that came before Troy—bandy-legged, lame of one
foot, with his two shoulders rounded and hunched over his chest. His
head ran up to a point, but there was little hair on the top of it.
Achilles and Ulysses hated him worst of all, for it was with them that
he was most wont to wrangle; now, however, with a shrill squeaky voice
he began heaping his abuse on Agamemnon. The Achaeans were angry and
disgusted, yet none the less he kept on brawling and bawling at the
son of Atreus.
  “Agamemnon,” he cried, “what ails you now, and what more do you
want? Your tents are filled with bronze and with fair women, for
whenever we take a town we give you the pick of them. Would you have
yet more gold, which some Trojan is to give you as a ransom for his
son, when I or another Achaean has taken him prisoner? or is it some
young girl to hide and lie with? It is not well that you, the ruler of
the Achaeans, should bring them into such misery. Weakling cowards,
women rather than men, let us sail home, and leave this fellow here at
Troy to stew in his own meeds of honour, and discover whether we
were of any service to him or no. Achilles is a much better man than
he is, and see how he has treated him—robbing him of his prize and
keeping it himself. Achilles takes it meekly and shows no fight; if he
did, son of Atreus, you would never again insult him.”
  Thus railed Thersites, but Ulysses at once went up to him and
rebuked him sternly. “Check your glib tongue, Thersites,” said be,
“and babble not a word further. Chide not with princes when you have
none to back you. There is no viler creature come before Troy with the
sons of Atreus. Drop this chatter about kings, and neither revile them
nor keep harping about going home. We do not yet know how things are
going to be, nor whether the Achaeans are to return with good
success or evil. How dare you gibe at Agamemnon because the Danaans
have awarded him so many prizes? I tell you, therefore—and it shall
surely be—that if I again catch you talking such nonsense, I will
either forfeit my own head and be no more called father of Telemachus,
or I will take you, strip you stark naked, and whip you out of the
assembly till you go blubbering back to the ships.”
  On this he beat him with his staff about the back and shoulders till
he dropped and fell a-weeping. The golden sceptre raised a ****** weal
on his back, so he sat down frightened and in pain, looking foolish as
he wiped the tears from his eyes. The people were sorry for him, yet
they laughed heartily, and one would turn to his neighbour saying,
“Ulysses has done many a good thing ere now in fight and council,
but he never did the Argives a better turn than when he stopped this
fellow’s mouth from prating further. He will give the kings no more of
his insolence.”
  Thus said the people. Then Ulysses rose, sceptre in hand, and
Minerva in the likeness of a herald bade the people be still, that
those who were far off might hear him and consider his council. He
therefore with all sincerity and goodwill addressed them thus:-
  “King Agamemnon, the Achaeans are for making you a by-word among all
mankind. They forget the promise they made you when they set out
from Argos, that you should not return till you had sacked the town of
Troy, and, like children or widowed women, they murmur and would set
off homeward. True it is that they have had toil enough to be
disheartened. A man chafes at having to stay away from his wife even
for a single month, when he is on shipboard, at the mercy of wind
and sea, but it is now nine long years that we have been kept here;
I cannot, therefore, blame the Achaeans if they turn restive; still we
shall be shamed if we go home empty after so long a stay—therefore,
my friends, be patient yet a little longer that we may learn whether
the prophesyings of Calchas were false or true.
  “All who have not since perished must remember as though it were
yesterday or the day before, how the ships of the Achaeans were
detained in Aulis when we were on our way hither to make war on
Priam and the Trojans. We were ranged round about a fountain
offering hecatombs to the gods upon their holy altars, and there was a
fine plane-tree from beneath which there welled a stream of pure
water. Then we saw a prodigy; for Jove sent a fearful serpent out of
the ground, with blood-red stains upon its back, and it darted from
under the altar on to the plane-tree. Now there was a brood of young
sparrows, quite small, upon the topmost bough, peeping out from
under the leaves, eight in all, and their mother that hatched them
made nine. The serpent ate the poor cheeping things, while the old
bird flew about lamenting her little ones; but the serpent threw his
coils about her and caught her by the wing as she was screaming. Then,
when he had eaten both the sparrow and her young, the god who had sent
him made him become a sign; for the son of scheming Saturn turned
him into stone, and we stood there wondering at that which had come to
pass. Seeing, then, that such a fearful portent had broken in upon our
hecatombs, Calchas forthwith declared to us the oracles of heaven.
‘Why, Achaeans,’ said he, ‘are you thus speechless? Jove has sent us
this sign, long in coming, and long ere it be fulfilled, though its
fame shall last for ever. As the serpent ate the eight fledglings
and the sparrow that hatched them, which makes nine, so shall we fight
nine years at Troy, but in the tenth shall take the town.’ This was
what he said, and now it is all coming true. Stay here, therefore, all
of you, till we take the city of Priam.”
  On this the Argives raised a shout, till the ships rang again with
the uproar. Nestor, knight of Gere

My pen just won’t translate clichés
For one reason or another.
It would rather ****** the page
Than aid in the smothering
Of youth, bridge the gap of old age,
Take mass graves and cover them, and
Would rather fade into disgrace
Than find a remedy to the blubbering.

Because this pen was not designed
To draw rainbows from hurricanes,
It would rather commit every crime
Than sketch new hues to the stain glass
Windows of anarchy and rhyme;
Rather commit arson daily

Than dig up the past for all to see
But none to find.
And one day soon you will race past the
Apple Store with its blaring screens,
The calamity of another mise en scéne
With nothing new to say but alas,
You can always find my pen in dreams
That make burning sense
Before they come to pass.

My most popular poems on the Internet

A number of my poems and translations have gone viral, according to Google, and some have been copied onto hundreds to thousands of web pages. That’s a lot of cutting and pasting! The results below are the results returned by Google at the time I did the searches.



This original epigram returns more than 37,000 results:

Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



This Sappho translation has more than 3,500 results:

Sappho, fragment 42
loose translation/interpretation by Michael R. Burch

Eros harrows my heart:
wild winds whipping desolate mountains
uprooting oaks.



This Sappho translation has more than 1,700 results:

Sappho, fragment 155
loose translation/interpretation by Michael R. Burch

A short revealing frock?
It's just my luck
your lips were made to mock!



This Bertolt Brecht translation has more than 1,500 results:

The Burning of the Books
by Bertolt Brecht
loose translation/interpretation by Michael R. Burch

When the Regime
commanded the unlawful books to be burned,
teams of dull oxen hauled huge cartloads to the bonfires.

Then a banished writer, one of the best,
scanning the list of excommunicated texts,
became enraged: he’d been excluded!

He rushed to his desk, full of contemptuous wrath,
to write fiery letters to the incompetents in power―
Burn me! he wrote with his blazing pen―
Haven’t I always reported the truth?
Now here you are, treating me like a liar!
Burn me!



This poem returns nearly 1,500 results for the first line:

Something
―for the children of the Holocaust and the Nakba
by Michael R. Burch

Something inescapable is lost―
lost like a pale vapor curling up into shafts of moonlight,
vanishing in a gust of wind toward an expanse of stars
immeasurable and void.

Something uncapturable is gone―
gone with the spent leaves and illuminations of autumn,
scattered into a haze with the faint rustle of parched grass
and remembrance.

Something unforgettable is past―
blown from a glimmer into nothingness, or less,
which finality swept into a corner, where it lies
in dust and cobwebs and silence.

NOTE: This is, I think, the first poem I wrote which didn’t rhyme, and the only one for quite some time. I consider one of the best of my early poems; it was written in my late teens.



This original poem has over 1,300 results:

Bible Libel
by Michael R. Burch

If God
is good,
half the Bible
is libel.

This may be the first poem I wrote. I read the Bible from cover to cover at age 11, and it was a traumatic experience. But I can’t remember if I wrote the epigram then, or came up with it later. In any case, it was probably written between age 11 and 13, or thereabouts.



My translation of Robert Burns’ “To a Mouse” returns over 1,300 results. It’s a bit long for this page but can be found online with a Google search like: Michael R. Burch Robert Burns translations.



This Glaucus translation returns more than 1,000 results:

Does my soul abide in heaven, or hell?
Only the sea gulls in their high, lonely circuits may tell.
―Michael R. Burch, after Glaucus



This Yamaguchi Seishi translation returns over 1,000 results:

Grasses wilt:
the braking locomotive
grinds to a halt
―Yamaguchi Seishi, loose translation by Michael R. Burch



This original poem has more than 1,000 results:

Frail Envelope of Flesh
by Michael R. Burch

for the mothers and children of Gaza

Frail envelope of flesh,
lying cold on the surgeon’s table
with anguished eyes
like your mother’s eyes
and a heartbeat weak, unstable...

Frail crucible of dust,
brief flower come to this―
your tiny hand
in your mother’s hand
for a last bewildered kiss...

Brief mayfly of a child,
to live two artless years!
Now your mother’s lips
seal up your lips
from the Deluge of her Tears...

Note: The phrase "frail envelope of flesh" was one of my first encounters with the power of poetry, although I read it in a superhero comic book as a young boy (I forget which one). More than thirty years later, the line kept popping into my head, so I wrote this poem. I have dedicated it to the mothers and children of Gaza and the Nakba. The word Nakba is Arabic for "Catastrophe."



This poem won a big Penguin Books (UK) Valentine poetry contest and returns over 800 results for the first line:

Mother’s Smile
by Michael R. Burch

for my mother, Christine Ena Burch

There never was a fonder smile
than mother’s smile, no softer touch
than mother’s touch. So sleep awhile
and know she loves you more than “much.”

So more than “much,” much more than “all.”
Though tender words, these do not speak
of love at all, nor how we fall
and mother’s there, nor how we reach
from nightmares in the ticking night
and she is there to hold us tight.

There never was a stronger back
than father’s back, that held our weight
and lifted us, when we were small,
and bore us till we reached the gate,
then held our hands that first bright mile
till we could run, and did, and flew.
But, oh, a mother’s tender smile
will leap and follow after you!



This original epigram returns over 750 results:

Autumn Conundrum
by Michael R. Burch

It’s not that every leaf must finally fall,
it’s just that we can never catch them all.



This William Dunbar translation has more than 700 results:

Sweet Rose of Virtue
by William Dunbar (1460-1525)
loose translation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.



This Sappho translation has over 700 results:

Sappho, fragment 22
loose translation/interpretation by Michael R. Burch

That enticing girl's clinging dresses
leave me trembling, overcome by happiness,
as once, when I saw the Goddess in my prayers
eclipsing Cyprus.



This original poem has over 700 results for the first line:

Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who
was born on September 11, 2001 and who
died at age nine, shot to death...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm―I hope you hear it.

Much love I bring―I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the evil things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here...

I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bring them to your final bier,
and leave them with my promise, here.



My Plato translation (or “take” on Plato) has over 650 results:

Mariner, do not ask whose tomb this may be,
but go with good fortune: I wish you a kinder sea.
―Michael R. Burch, after Plato



This translation of a Middle English poem has more than 500 results:

How Long the Night
(anonymous Middle English poem, circa early 13th century AD)
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song...
but now I feel the northern wind's blast―
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



This original epigram returns over 500 results for the first line:

Here and Hereafter aka Saving Graces
by Michael R. Burch

Life’s saving graces are love, pleasure, laughter...
wisdom, it seems, is for the Hereafter.

I have dedicated the epigram above to the so-called Religious Right and Moral Majority.



These Einstein limericks have over 500 results:

The Cosmological Constant
by Michael R. Burch

Einstein, the frizzy-haired,
said E equals MC squared.
Thus all mass decreases
as activity ceases?
Not my mass, my *** declared!

Asstronomical
by Michael R. Burch

Relativity, the theorists’ creed,
says mass increases with speed.
My (m)*** grows when I sit it.
Mr. Einstein, get with it;
equate its deflation, I plead!

Relative to Whom?
by Michael R. Burch

Einstein’s theory, incredibly silly,
says a relative grows *****-nilly
at speeds close to light.
Well, his relatives might,
but mine grow their (m)***** more stilly!



This poem has over 500 results:

Neglect
by Michael R. Burch

What good are tears?
Will they spare the dying their anguish?

What use, our concern
to a child sick of living, waiting to perish?

What good, the warm benevolence of tears
without action?

What help, the eloquence of prayers,
or a pleasant benediction?

Before this day is over,
how many more will die
with bellies swollen, emaciate limbs,
and eyes too parched to cry?

I fear for our souls
as I hear the faint lament
of theirs departing...
mournful, and distant.

How pitiful our "effort,"
yet how fatal its effect.
If they died, then surely we killed them,
if only with neglect.



This Matsuo Basho haiku translation has nearly 500 results:

The first soft snow:
leaves of the awed jonquil
bow low
―Matsuo Basho, loose translation/interpretation by Michael R. Burch



This Matsuo Basho haiku translation has more than 400 results:

Come, investigate loneliness!
a solitary leaf
clings to the Kiri tree
―Matsuo Basho, loose translation/interpretation by Michael R. Burch



This original Holocaust poem returns over 400 results:

Auschwitz Rose
by Michael R. Burch

There is a Rose at Auschwitz, in the briar,
a rose like Sharon's, lovely as her name.
The world forgot her, and is not the same.
I still love her and extend this sacred fire
to keep her memory exalted flame
unmolested by the thistles and the nettles.

On Auschwitz now the reddening sunset settles!
They sleep alike―diminutive and tall,
the innocent, the "surgeons." Sleeping, all.

Red oxides of her blood, bright crimson petals,
if accidents of coloration, gall
my heart no less. Amid thick weeds and muck
there lies a rose man's crackling lightning struck:
the only Rose I ever longed to pluck.
Soon I'll bed there and bid the world "Good Luck."



This translation of a Holocaust poem has nearly 300 results:

Speechless
by Ko Un
translation by Michael R. Burch

At Auschwitz
piles of glasses,
mountains of shoes...
returning, we stared out different windows.






Keywords/Tags: Michael Burch, popular, most popular, poems, epigrams, translations, quotes, Google, Internet, journals, literary journals, blogs, social media, Facebook, Twitter, Instagram, Yahoo


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This original poem, which has become popular at Halloween, has nearly 3,000 results for the fifth line:

White in the Shadows
by Michael R. Burch

White in the shadows
I see your face,
unbidden. Go, tell
Love it is commonplace;
tell Regret it is not so rare.

Our love is not here
though you smile,
full of sedulous grace.
Lost in darkness, I fear
the past is our resting place.

Published by Carnelian, The Chained Muse, Poetry Life & Times, A-Poem-A-Day and in a YouTube video by Aurora G. with the titles “Ghost,” “White Goddess” and “White in the Shadows”



This original poem returns nearly 1,500 results:

Safe Harbor
by Michael R. Burch

for Kevin N. Roberts
The sea at night seems
an alembic of dreams—
the moans of the gulls,
the foghorns’ bawlings.

A century late
to be melancholy,
I watch the last shrimp boat as it steams
to safe harbor again.

In the twilight she gleams
with a festive light,
done with her trawlings,
ready to sleep . . .

Deep, deep, in delight
glide the creatures of night,
elusive and bright
as the poet’s dreams.

Published by The Lyric, Grassroots Poetry, Romantics Quarterly, Angle, Poetry Life & Times




This translation of the oldest extant English poem has over 1,250 results:

Cædmon's Hymn (circa 658-680 AD)
loose translation/interpretation by Michael R. Burch

Humbly now we honour heaven-kingdom's Guardian,
the Measurer's might and his mind-plans,
the goals of the Glory-Father. First he, the Everlasting Lord,
established earth's fearful foundations.
Then he, the First Scop, hoisted heaven as a roof
for the sons of men: Holy Creator,
mankind's great Maker! Then he, the Ever-Living Lord,
afterwards made men middle-earth: Master Almighty!



This Faiz Ahmed Faiz translation has over 1,000 results:

Last Night
by Faiz Ahmed Faiz
loose translation by Michael R. Burch

Last night, your memory stole into my heart—
as spring sweeps uninvited into barren gardens,
as morning breezes reinvigorate dormant deserts,
as a patient suddenly feels better, for no apparent reason ...


This light verse response to Philip Larkin’s “Aubade” has nearly 1,000 results:

Abide
by Michael R. Burch

after Philip Larkin's "Aubade"

It is hard to understand or accept mortality—
such an alien concept: not to be.
Perhaps unsettling enough to spawn religion,
or to scare mutant fish out of a primordial sea
boiling like goopy green tea in a kettle.
Perhaps a man should exhibit more mettle
than to admit such fear, denying Nirvana exists
simply because we are stuck here in such a fine fettle.
And so we abide . . .
even in life, staring out across that dark brink.
And if the thought of death makes your questioning heart sink,
it is best not to drink
(or, drinking, certainly not to think).

Originally published by Light Quarterly



This love poem has nearly 1,000 results:

don’t forget ...
by Michael R. Burch

for Beth

don’t forget to remember
that Space is curved
(like your Heart)
and that even Light is bent
by your Gravity.



This original Hiroshima poem has nearly 800 results:

Lucifer, to the Enola Gay
by Michael R. Burch

Go then,
and give them my meaning
so that their teeming
streets
become my city.
Bring back a pretty
flower—
a chrysanthemum,
perhaps, to bloom
if but an hour,
within a certain room
of mine
where
the sun does not rise or fall,
and the moon,
although it is content to shine,
helps nothing at all.
There,
if I hear the wistful call
of their voices
regretting choices
made
or perhaps not made
in time,
I can look back upon it and recall,
in all
its pale forms sublime,
still
Death will never be holy again.

Published by Romantics Quarterly, Penny Dreadful and Poetry Life & Times



This epigram has over 600 results for the first line:
Piercing the Shell
by Michael R. Burch

If we strip away all the accouterments of war,
perhaps we’ll discover what the heart is for.



This prayer poem has over 600 results and has been set to music and performed at a charity benefit for hurricane victims:

I Pray Tonight
by Michael R. Burch

I pray tonight
the starry Light
might
surround you.

I pray
by day
that, come what may,
no dark thing confound you.

I pray ere the morrow
an end to your sorrow.
May angels' white chorales
sing, and astound you.



This original poem has nearly 600 results:

Like Angels, Winged
by Michael R. Burch

Like angels—winged,
shimmering, misunderstood—
they flit beyond our understanding
being neither evil, nor good.

They are as they are ...
and we are their lovers, their prey;
they seek us out when the moon is full;
they dream of us by day.

Their eyes—hypnotic, alluring—
trap ours with their strange appeal
till like flame-drawn moths, we gather ...
to see, to touch, to feel.

And in their arms, enchanted,
we feel their lips, grown old,
till with their gorging kisses
we warm them, growing cold.



This original poem has over 500 results:

Distances
by Michael R. Burch

Moonbeams on water —
the reflected light
of a halcyon star
now drowning in night ...
So your memories are.

Footprints on beaches
now flooding with water;
the small, broken ribcage
of some primitive slaughter ...
So near, yet so far.



This original poem has over 500 results:

***** Nilly
by Michael R. Burch

for the Demiurge, aka Yahweh/Jehovah

Isn’t it silly, ***** Nilly?
You made the stallion,
you made the filly,
and now they sleep
in the dark earth, stilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
You forced them to run
all their days uphilly.
They ran till they dropped—
life’s a pickle, dilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
They say I should worship you!
Oh, really!
They say I should pray
so you’ll not act illy.
Isn’t it silly, ***** Nilly?



This epigram/joke has over 400 results:

Teddy Roosevelt spoke softly and carried a big stick; Donald Trump speaks loudly and carries a big shtick.―Michael R. Burch



This **** Baudelaire translation has become popular with **** stars, escort sites and dating services, and has more than 400 results:

Le Balcon (The Balcony)
by Charles Baudelaire
loose translation/interpretation by Michael R. Burch

Paramour of memory, ultimate mistress,
source of all pleasure, my only desire;
how can I forget your ecstatic caresses,
the warmth of your ******* by the roaring fire,
paramour of memory, ultimate mistress?

Each night illumined by the burning coals
we lay together where the rose-fragrance clings—
how soft your *******, how tender your soul!
Ah, and we said imperishable things,
each night illumined by the burning coals.

How beautiful the sunsets these sultry days,
deep space so profound, beyond life’s brief floods ...
then, when I kissed you, my queen, in a daze,
I thought I breathed the bouquet of your blood
as beautiful as sunsets these sultry days.

Night thickens around us like a wall;
in the deepening darkness our irises meet.
I drink your breath, ah! poisonous yet sweet!,
as with fraternal hands I massage your feet
while night thickens around us like a wall.

I have mastered the sweet but difficult art
of happiness here, with my head in your lap,
finding pure joy in your body, your heart;
because you’re the queen of my present and past
I have mastered love’s sweet but difficult art.

O vows! O perfumes! O infinite kisses!
Can these be reborn from a gulf we can’t sound
as suns reappear, as if heaven misses
their light when they sink into seas dark, profound?
O vows! O perfumes! O infinite kisses!



This original poem has over 400 results:

What the Poet Sees
by Michael R. Burch

What the poet sees,
he sees as a swimmer
~~~underwater~~~
watching the shoreline blur
sees through his breath’s weightless bubbles ...
Both worlds grow obscure.



This original poem I wrote as a teenager has almost 400 results:

The Communion of Sighs
by Michael R. Burch

There was a moment
without the sound of trumpets or a shining light,
but with only silence and darkness and a cool mist
felt more than seen.
I was eighteen,
my heart pounding wildly within me like a fist.
Expectation hung like a cry in the night,
and your eyes shone like the corona of a comet.

There was an instant . . .
without words, but with a deeper communion,
as clothing first, then inhibitions fell;
liquidly our lips met
—feverish, wet—
forgotten, the tales of heaven and hell,
in the immediacy of our fumbling union . . .
when the rest of the world became distant.
Then the only light was the moon on the rise,
and the only sound, the communion of sighs.

This is one of my early poems ; I believe it was probably written during my first two years in college, making me 18 or 19 at the time.



This original poem has more than 300 results:

Kin
by Michael R. Burch

O pale, austere moon,
haughty beauty ...
what do we know of love,
or duty?



This original poem has more than 300 results:

escape!
by michael r. burch

for anaïs vionet

to live among the daffodil folk . . .
slip down the rainslickened drainpipe . . .
suddenly pop out
the GARGANTUAN SPOUT . . .
minuscule as alice, shout
yippee-yi-yee!
in wee exultant glee
to be leaving behind the
LARGE
THREE-DENALI GARAGE.



This Matsuo Basho haiku translation has more than 300 results:

An ancient pond,
the frog leaps:
the silver plop and gurgle of water
― Matsuo Basho, loose translation by Michael R. Burch



This haiku translation has more than 300 results:

Oh, fallen camellias,
if I were you,
I'd leap into the torrent!
― Takaha Shugyo, loose translation/interpretation by Michael R. Burch



This translation of an Anacreon epigram has over 300 results:

Here he lies in state tonight: great is his Monument!
Yet Ares cares not, neither does War relent.
—Anacreon, loose translation/interpretation by Michael R. Burch



This 9–11 poem has over 300 results:

Charon 2001
by Michael R. Burch

I, too, have stood—paralyzed at the helm
watching onrushing, inevitable disaster.
I too have felt sweat (or ecstatic tears) plaster
damp hair to my eyes, as a slug’s dense film
becomes mucous-insulate. Always, thereafter
living in darkness, bright things overwhelm.

Originally published by The Neovictorian/Cochlea



This “almost” limerick has over 300 results:

Caveat Spender
by Michael R. Burch

It’s better not to speculate
"continually" on who is great.
Though relentless awe’s
a Célèbre Cause,
please reserve some time for the contemplation
of the perils of EXAGGERATION.



This little poetic snapshot has over 300 results:
Warming Her Pearls
by Michael R. Burch

for Beth

Warming her pearls, her *******
gleam like constellations.
Her belly is a bit rotund...
she might have stepped out of a Rubens.



This vampire poem, popular at Halloween, has nearly 300 results:

Pale Though Her Eyes
by Michael R. Burch

Pale though her eyes,
her lips are scarlet
from drinking of blood,
this child, this harlot

born of the night
and her heart, of darkness,
evil incarnate
to dance so reckless,

dreaming of blood,
her fangs―white―baring,
revealing her lust,
and her eyes, pale, staring...



This Fukuda Chiyo-ni haiku translation has nearly 300 results:

Ah butterfly!
what dreams do you ply
with your beautiful wings?
― Fukuda Chiyo-ni, loose translation/interpretation by Michael R. Burch



This translation of the Palestinian poet Fadwa Tuqan has over 300 results:

Enough for Me
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Enough for me to lie in the earth,
to be buried in her,
to sink meltingly into her fecund soil, to vanish ...
only to spring forth like a flower
brightening the play of my countrymen's children.
Enough for me to remain
in my native soil's embrace,
to be as close as a handful of dirt,
a sprig of grass,
a wildflower.



This translation of a poem by the Kurdish poet Kajal Ahmad has over 300 results:

Mirror
by Kajal Ahmad, a Kurdish poet
loose translation by Michael R. Burch

My era's obscuring mirror
shattered
because it magnified the small
and made the great seem insignificant.
Dictators and monsters filled its contours.
Now when I breathe
its jagged shards pierce my heart
and instead of sweat
I exude glass.



This original poem has over 300 results:

Regret
by Michael R. Burch

Regret,
a bitter
ache to bear . . .
once starlight
languished
in your hair . . .
a shining there
as brief
as rare.

Regret . . .
a pain
I chose to bear . . .
unleash
the torrent
of your hair . . .
and show me
once again—
how rare.



This original poem, popular at Valentine’s Day, has nearly 300 results:

Let Me Give Her Diamonds
by Michael R. Burch

Let me give her diamonds
for my heart's
sharp edges.

Let me give her roses
for my soul's
thorn.

Let me give her solace
for my words
of treason.

Let the flowering of love
outlast a winter
season.

Let me give her books
for all my lack
of reason.

Let me give her candles
for my lack
of fire.

Let me kindle incense,
for our hearts
require

the breath-fanned
flaming perfume
of desire.



This original poem has nearly 300 results:

Fascination with Light
by Michael R. Burch

for Anaïs Vionet

Desire glides in on calico wings,
a breath of a moth
seeking a companionable light,
where it hovers, unsure,
sullen, shy or demure,
in the margins of night,
a soft blur.

With a frantic dry rattle
of alien wings,
it rises and thrums one long breathless staccato
and flutters and drifts on in dark aimless flight.

And yet it returns
to the flame, its delight,
as long as it burns.

This Vera Pavlova translation has over 250 results:

Shattered
by Vera Pavlova
loose translation/interpretation by Michael R. Burch

I shattered your heart;
now I limp through the shards
barefoot.



These Holocaust poem translations of Miklos Radnoti have over 200 results each:

Postcard 1
by Miklós Radnóti
loose translation by Michael R. Burch

Out of Bulgaria, the great wild roar of the artillery thunders,
resounds on the mountain ridges, rebounds, then ebbs into silence
while here men, beasts, wagons and imagination all steadily increase;
the road whinnies and bucks, neighing; the maned sky gallops;
and you are eternally with me, love, constant amid all the chaos,
glowing within my conscience―incandescent, intense.
Somewhere within me, dear, you abide forever―
still, motionless, mute, like an angel stunned to silence by death
or a beetle hiding in the heart of a rotting tree.



Postcard 2
by Miklós Radnóti
written October 6, 1944 near Crvenka, Serbia
loose translation by Michael R. Burch

A few miles away they're incinerating
the haystacks and the houses,
while squatting here on the fringe of this pleasant meadow,
the shell-shocked peasants sit quietly smoking their pipes.
Now, here, stepping into this still pond, the little shepherd girl
sets the silver water a-ripple
while, leaning over to drink, her flocculent sheep
seem to swim like drifting clouds.



Postcard 3
by Miklós Radnóti
loose translation by Michael R. Burch

The oxen dribble ****** spittle;
the men pass blood in their ****.
Our stinking regiment halts, a horde of perspiring savages,
adding our aroma to death's repulsive stench.



Postcard 4
by Miklós Radnóti
loose translation by Michael R. Burch

I toppled beside him―his body already taut,
tight as a string just before it snaps,
shot in the back of the head.
"This is how you’ll end too; just lie quietly here,"
I whispered to myself, patience blossoming from dread.
"Der springt noch auf," the voice above me jeered;
I could only dimly hear
through the congealing blood slowly sealing my ear.

This was his final poem, written October 31, 1944 near Szentkirályszabadja, Hungary. "Der springt noch auf" means something like "That one is still twitching."



This poetic tribute to Muhammad Ali has over 250 results:

Ali’s Song
by Michael R. Burch

They say that gold don’t tarnish. It ain’t so.
They say it has a wild, unearthly glow.
A man can be more beautiful, more wild.
I flung their medal to the river, child.
I flung their medal to the river, child.

They hung their coin around my neck; they made
my name a bridle, “called a ***** a *****.”
They say their gold is pure. I say defiled.
I flung their slave’s name to the river, child.
I flung their slave’s name to the river, child.

Ain’t got no quarrel with no Viet Cong
that never called me ******, did me wrong.
A man can’t be lukewarm, ’cause God hates mild.
I flung their notice to the river, child.
I flung their notice to the river, child.

They said, “Now here’s your bullet and your gun,
and there’s your cell: we’re waiting, you choose one.”
At first I groaned aloud, but then I smiled.
I gave their “future” to the river, child.
I gave their “future” to the river, child.

My face reflected up, dark bronze like gold,
a coin God stamped in His own image—BOLD.
My blood boiled like that river—strange and wild.
I died to hate in that dark river, child,
Come, be reborn in this bright river, child.

Originally published by Black Medina



This poem about US involvement in an ongoing Holocaust has over 200 results:

who, US?
by Michael R. Burch

jesus was born
a palestinian child
where there’s no Room
for the meek and the mild

... and in bethlehem still
to this day, lambs are born
to cries of “no Room!”
and Puritanical scorn ...

under Herod, Trump, Bibi
their fates are the same —
the slouching Beast mauls them
and WE have no shame:
“who’s to blame?”



This Ō no Yasumaro translation has over 200 results:

While you decline to cry,
high on the mountainside
a single stalk of plumegrass wilts.
―Ō no Yasumaro (circa 711), loose translation/interpretation by Michael R. Burch



These Sappho translations have over 200 results:

Sappho, fragment 156
loose translation by Michael R. Burch

She keeps her scents
in a dressing-case.
And her sense?
In some undiscoverable place.



Sappho, fragment 58
loose translation/interpretation by Michael R. Burch

Pain
drains
me
to
the
last
drop
.



This Parmenio translation has over 200 results:

Be ashamed, O mountains and seas,
that these valorous men lack breath.
Assume, like pale chattels,
an ashen silence at death.
—Michael R. Burch, after Parmenio



This original epigram has over 200 results:

Love is either wholly folly,
or fully holy.
—Michael R. Burch



Other poems, epigrams and translations with more than 100 results:



Hymn for Fallen Soldiers
by Michael R. Burch

Sound the awesome cannons.
Pin medals to each breast.
Attention, honor guard!
Give them a hero’s rest.
Recite their names to the heavens
Till the stars acknowledge their kin.
Then let the land they defended
Gather them in again.

When I learned there’s an American military organization, the DPAA (Defense/POW/MIA Accounting Agency) that is still finding and bringing home the bodies of soldiers who died serving their country in World War II, after blubbering like a baby, I managed to eke out this poem.



Nun Fun Undone
by Michael R. Burch

Abbesses’
recesses
are not for excesses!



pretty pickle
by michael r. burch

u’d blaspheme if u could
because ur God’s no good,
but of course u cant:
ur a lowly ant
(or so u were told by a Hierophant).



I, Too, Have a Dream
by Michael R. Burch writing as “The Child Poets of Gaza”

I, too, have a dream ...
that one day Jews and Christians
will see me as I am:
a small child, lonely and afraid,
staring down the barrels of their big bazookas,
knowing I did nothing
to deserve their enmity.



My Nightmare ...
by Michael R. Burch  writing as “The Child Poets of Gaza”

I had a dream of Jesus!
Mama, his eyes were so kind!
But behind him I saw a billion Christians
hissing "You're nothing!," so blind.



Multiplication, Tabled
by Michael R. Burch

(for the Religious Right)

“Be fruitful and multiply”—
great advice, for a fruitfly!
But for women and men,
simple Simons, say, “WHEN!”



Once fanaticism has gangrened brains
the incurable malady invariably remains.
—Voltaire, translation by Michael R. Burch



Snapshots
by Michael R. Burch

Here I scrawl extravagant rainbows.
And there you go, skipping your way to school.

And here we are, drifting apart
like untethered balloons.

Here I am, creating "art,"
chanting in shadows,
pale as the crinoline moon,
ignoring your face.

There you go,
in diaphanous lace,
making another man’s heart swoon.

Suddenly, unthinkably, here he is,
taking my place.



Indestructible, for Johnny Cash
by Michael R. Burch

What is a mountain, but stone?
Or a spire, but a trinket of steel?
Johnny Cash is gone,
black from his hair to his bootheels.

Can a man out-endure mountains’ stone
if his songs lift us closer to heaven?
Can the steel in his voice vibrate on
till his words are our manna and leaven?

Then sing, all you mountains of stone,
with the rasp of his voice, and the gravel.
Let the twang of thumbed steel lead us home
through these weary dark ways all men travel.

For what is a mountain, but stone?
Or a spire, but a trinket of steel?
Johnny Cash lives on—
black from his hair to his bootheels.



Wulf and Eadwacer
ancient Old English (Anglo-Saxon) poem, circa 990 AD
loose translation/interpretation by Michael R. Burch

My clan's curs pursue him like crippled game;
they'll rip him apart if he approaches their pack.
It is otherwise with us.

Wulf's on one island; we're on another.
His island's a fortress, fastened by fens. (fastened=secured)
Here, bloodthirsty curs howl for carnage.
They'll rip him apart if he approaches their pack.
It is otherwise with us.

My hopes pursued Wulf like panting hounds,
but whenever it rained—how I wept!—
the boldest cur clutched me in his paws:
good feelings for him, but for me loathsome!

Wulf, O, my Wulf, my ache for you
has made me sick; your seldom-comings
have left me famished, deprived of real meat.
Have you heard, Eadwacer? Watchdog!
A wolf has borne our wretched whelp to the woods.
One can easily sever what never was one:
our song together.

Hearthside
by Michael R. Burch

“When you are old and grey and full of sleep...” — W. B. Yeats

For all that we professed of love, we knew
this night would come, that we would bend alone
to tend wan fires’ dimming bars—the moan
of wind cruel as the Trumpet, gelid dew
an eerie presence on encrusted logs
we hoard like jewels, embrittled so ourselves.
The books that line these close, familiar shelves
loom down like dreary chaperones. Wild dogs,
too old for mates, cringe furtive in the park,
as, toothless now, I frame this parchment kiss.
I do not know the words for easy bliss
and so my shriveled fingers clutch this stark,
long-unenamored pen and will it: Move.
I loved you more than words, so let words prove.



Observance
by Michael R. Burch

Here the hills are old and rolling
casually in their old age;
on the horizon youthful mountains
bathe themselves in windblown fountains . . .

By dying leaves and falling raindrops,
I have traced time's starts and stops,
and I have known the years to pass
almost unnoticed, whispering through treetops . . .

For here the valleys fill with sunlight
to the brim, then empty again,
and it seems that only I notice
how the years flood out, and in . . .

This is an early poem that made me feel like a “real poet.” I remember writing it in the break room of the McDonald's where I worked as a high school student. I believe that was at age 17.



Discrimination
by Michael R. Burch

The meter I had sought to find, perplexed,
was ripped from books of "verse" that read like prose.
I found it in sheet music, in long rows
of hologramic CDs, in sad wrecks
of long-forgotten volumes undisturbed
half-centuries by archivists, unscanned.
I read their fading numbers, frowned, perturbed—
why should such tattered artistry be banned?
I heard the sleigh bells’ jingles, vampish ads,
the supermodels’ babble, Seuss’s books
extolled in major movies, blurbs for abs ...
A few poor thinnish journals crammed in nooks
are all I’ve found this late to sell to those
who’d classify free verse "expensive prose."

Originally published by The Chariton Review



Will There Be Starlight
by Michael R. Burch

Will there be starlight
tonight
while she gathers
damask
and lilac
and sweet-scented heathers?

And will she find flowers,
or will she find thorns
guarding the petals
of roses unborn?

Will there be starlight
tonight
while she gathers
seashells
and mussels
and albatross feathers?

And will she find treasure
or will she find pain
at the end of this rainbow
of moonlight on rain?



in-flight convergence
by Michael R. Burch

serene, almost angelic,
the lights of the city extend
over lumbering behemoths
shrilly screeching displeasure;
they say
that nothing is certain,
that nothing man dreams or ordains
long endures his command
here the streetlights that flicker
and those blazing steadfast
seem one: from a distance;
descend,
they abruptly
part ways,
so that nothing is one
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of Convenience
and man seems the afterthought of his own Brilliance
as we thunder down the enlightened runways.

Originally published by The Aurorean and nominated for the Pushcart Prize


Pan
by Michael R. Burch

... Among the shadows of the groaning elms,
amid the darkening oaks, we fled ourselves ...
... Once there were paths that led to coracles
that clung to piers like loosening barnacles ...
... where we cannot return, because we lost
the pebbles and the playthings, and the moss ...
... hangs weeping gently downward, maidens’ hair
who never were enchanted, and the stairs ...
... that led up to the Fortress in the trees
will not support our weight, but on our knees ...
... we still might fit inside those splendid hours
of damsels in distress, of rustic towers ...
... of voices heard in wolves’ tormented howls
that died, and live in dreams’ soft, windy vowels ...



At Wilfred Owen’s Grave
by Michael R. Burch

A week before the Armistice, you died.
They did not keep your heart like Livingstone’s,
then plant your bones near Shakespeare’s. So you lie
between two privates, sacrificed like Christ
to politics, your poetry unknown
except for that brief flurry’s: thirteen months
with Gaukroger beside you in the trench,
dismembered, as you babbled, as the stench
of gangrene filled your nostrils, till you clenched
your broken heart together and the fist
began to pulse with life, so close to death.
Or was it at Craiglockhart, in the care
of “ergotherapists” that you sensed life
is only in the work, and made despair
a thing that Yeats despised, but also breath,
a mouthful’s merest air, inspired less
than wrested from you, and which we confess
we only vaguely breathe: the troubled air
that even Sassoon failed to share, because
a man in pieces is not healed by gauze,
and breath’s transparent, unless we believe
the words are true despite their lack of weight
and float to us like chlorine—scalding eyes,
and lungs, and hearts. Your words revealed the fate
of boys who retched up life here, gagged on lies.



Ebb Tide
by Michael R. Burch

Massive, gray, these leaden waves
bear their unchanging burden—
the sameness of each day to day
while the wind seems to struggle to say
something half-submerged planks at the mouth of the bay
might nuzzle limp seaweed to understand.
Now collapsing dull waves drain away
from the unenticing land;
shrieking gulls shadow fish through salt spray—
whitish streaks on a fogged silver mirror.
Sizzling lightning impresses its brand.
Unseen fingers scribble something in the wet sand.

Originally published by Southwest Review



At Once
by Michael R. Burch

Though she was fair,
though she sent me the epistle of her love at once
and inscribed therein love’s antique prayer,
I did not love her at once.
Though she would dare
pain’s pale, clinging shadows, to approach me at once,
the dark, haggard keeper of the lair,
I did not love her at once.
Though she would share
the all of her being, to heal me at once,
yet more than her touch I was unable bear.
I did not love her at once.
And yet she would care,
and pour out her essence ...
and yet—there was more!
I awoke from long darkness,
and yet—she was there.
I loved her the longer;
I loved her the more
because I did not love her at once.

Published by The Lyric, Romantics Quarterly and Grassroots Poetry



Chloe
by Michael R. Burch

There were skies onyx at night ... moons by day ...
lakes pale as her eyes ... breathless winds
******* tall elms; ... she would say
that we loved, but I figured we’d sinned.
Soon impatiens too fiery to stay
sagged; the crocus bells drooped, golden-limned;
things of brightness, rinsed out, ran to gray ...
all the light of that world softly dimmed.
Where our feet were inclined, we would stray;
there were paths where dead weeds stood untrimmed,
distant mountains that loomed in our way,
thunder booming down valleys dark-hymned.
What I found, I found lost in her face
while yielding all my virtue to her grace.

Originally published by Romantics Quarterly as “A Dying Fall”



The Wonder Boys
by Michael R. Burch

(for Leslie Mellichamp, the late editor of The Lyric,
who was a friend and mentor to many poets, and
a fine poet in his own right)

The stars were always there, too-bright cliches:
scintillant truths the jaded world outgrew
as baffled poets winged keyed kites—amazed,
in dream of shocks that suddenly came true . . .
but came almost as static—background noise,
a song out of the cosmos no one hears,
or cares to hear. The poets, starstruck boys,
lay tuned in to their kite strings, saucer-eared.
They thought to feel the lightning’s brilliant sparks
electrify their nerves, their brains; the smoke
of words poured from their overheated hearts.
The kite string, knotted, made a nifty rope . . .
You will not find them here; they blew away—
in tumbling flight beyond nights’ stars. They clung
by fingertips to satellites. They strayed
too far to remain mortal. Elfin, young,
their words are with us still. Devout and fey,
they wink at us whenever skies are gray.

Originally published by The Lyric



The Beat Goes On (and On and On and On ...)
by Michael R. Burch

Bored stiff by his board-stiff attempts
at “meter,” I crossly concluded
I’d use each iamb
in lieu of a lamb,
bedtimes when I’m under-quaaluded.

Originally published by Grand Little Things



Playmates
by Michael R. Burch

WHEN you were my playmate and I was yours,
we spent endless hours with simple toys,
and the sorrows and cares of our indentured days
were uncomprehended . . . far, far away . . .
for the temptations and trials we had yet to face
were lost in the shadows of an unventured maze.
Then simple pleasures were easy to find
and if they cost us a little, we didn't mind;
for even a penny in a pocket back then
was one penny too many, a penny to spend.
Then feelings were feelings and love was just love,
not a strange, complex mystery to be understood;
while "sin" and "damnation" meant little to us,
since forbidden cookies were our only lusts!
Then we never worried about what we had,
and we were both sure—what was good, what was bad.
And we sometimes quarreled, but we didn't hate;
we seldom gave thought to the uncertainties of fate.
Hell, we seldom thought about the next day,
when tomorrow seemed hidden—adventures away.
Though sometimes we dreamed of adventures past,
and wondered, at times, why things couldn't last.
Still, we never worried about getting by,
and we didn't know that we were to die . . .
when we spent endless hours with simple toys,
and I was your playmate, and we were boys.

This is probably the poem that "made" me, because my high school English teacher called it "beautiful" and I took that to mean I was surely the Second Coming of Percy Bysshe Shelley! "Playmates" is the second poem I remember writing; I believe I was around 13 or 14 at the time. It was originally published by The Lyric.



Lines for My Ascension
by Michael R. Burch

I.
If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.
If I should die,
let no mortal say,
“Here was a man,
with feet of clay,
or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall
and know that my Spirit,
unvanquished, broods,
and scoffs at quaint churchyards
littered with roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.
If I should die,
let no man adore
his incompetent Maker:
Zeus, Yahweh, or Thor.
Think of Me as One
who never died—
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.
And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark ...
If you look above,
you will see a bright Sign—
the sun with the moon
in its arms, Divine.
So divine, if you can,
my bright meaning, and know—
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.

Translations with more than 100 results and/or a high number of page views:

“Wulf and Eadwacer” translation
“Deor’s Lament” translation
“The Wife’s Lament” translation
“Whoso List to Hunt” by Sir Thomas Wyatt, translation
“The Eager Traveler” by Ahmad Faraz, translation
“Herbsttag” (“Autumn Day”) by Rainer Maria Rilke, translation
“Archaischer Torso Apollos” (“Archaic Torso of Apollo”) by Rainer Maria Rilke, translation
“Komm, Du” (“Come, You”) by Rainer Maria Rilke, translation
“Der Panther” (“The Panther”) by Rainer Maria Rilke, translation
“Liebes-Lied” (“Love Song”) by Rainer Maria Rilke, translation
“Das Lied des Bettlers” (“The Beggar’s Song”) by Rainer Maria Rilke, translation
Original poems with more than 100 results:
“Water and Gold”
“See”
“The Folly of Wisdom”
“The Effects of Memory”
“Finally to Burn: the Fall and Resurrection of Icarus”




Dream of Infinity
by Michael R. Burch

Have you tasted the bitterness of tears of despair?
Have you watched the sun sink through such pale, balmless air
that your soul sought its shell like a crab on a beach,
then scuttled inside to be safe, out of reach?

Might I lift you tonight from earth’s wreckage and damage
on these waves gently rising to pay the moon homage?
Or better, perhaps, let me say that I, too,
have dreamed of infinity... windswept and blue.

This poem was originally published by TC Broadsheet Verses. I was paid a whopping $10, my first cash payment. It was subsequently published by Piedmont Literary Review, Penny Dreadful, the Net Poetry and Art Competition, Songs of Innocence, Poetry Life & Times, Better Than Starbucks and The Chained Muse.



we did not Dye in vain!
by Michael R. Burch

from “songs of the sea snails”

though i’m just a slimy crawler,
my lineage is proud:
my forebears gave their lives
(oh, let the trumps blare loud!)
so purple-mantled Royals
might stand out in a crowd.

i salute you, fellow loyals,
who labor without scruple
as your incomes fall
while deficits quadruple
to swaddle unjust Lords
in bright imperial purple!

Notes: In ancient times the purple dye produced from the secretions of purpura mollusks (sea snails) was known as “Tyrian purple,” “royal purple” and “imperial purple.” It was greatly prized in antiquity, and was very expensive according to the historian Theopompus: “Purple for dyes fetched its weight in silver at Colophon.” Thus, purple-dyed fabrics became status symbols, and laws often prevented commoners from possessing them. The production of Tyrian purple was tightly controlled in Byzantium, where the imperial court restricted its use to the coloring of imperial silks. A child born to the reigning emperor was literally porphyrogenitos ("born to the purple") because the imperial birthing apartment was walled in porphyry, a purple-hued rock, and draped with purple silks. Royal babies were swaddled in purple; we know this because the iconodules, who disagreed with the emperor Constantine about the veneration of images, accused him of defecating on his imperial purple swaddling clothes!



Circe
by Michael R. Burch

She spoke
and her words
were like a ringing echo dying
or like smoke
rising and drifting
while the earth below is spinning.

She awoke
with a cry
from a dream that had no ending,
without hope
or strength to rise,
into hopelessness descending.

And an ache
in her heart
toward that dream, retreating,
left a wake
of small waves
in circles never completing.

Originally published by Romantics Quarterly



To Have Loved
by Michael R. Burch

"The face that launched a thousand ships ..."

Helen, bright accompaniment,
accouterment of war as sure as all
the polished swords of princes groomed to lie
in mausoleums all eternity ...

The price of love is not so high
as never to have loved once in the dark
beyond foreseeing. Now, as dawn gleams pale
upon small wind-fanned waves, amid white sails, ...

now all that war entails becomes as small,
as though receding. Paris in your arms
was never yours, nor were you his at all.
And should gods call

in numberless strange voices, should you hear,
still what would be the difference? Men must die
to be remembered. Fame, the shrillest cry,
leaves all the world dismembered.

Hold him, lie,
tell many pleasant tales of lips and thighs;
enthrall him with your sweetness, till the pall
and ash lie cold upon him.

Is this all? You saw fear in his eyes, and now they dim
with fear’s remembrance. Love, the fiercest cry,
becomes gasped sighs in his once-gallant hymn
of dreamed “salvation.” Still, you do not care

because you have this moment, and no man
can touch you as he can ... and when he’s gone
there will be other men to look upon
your beauty, and have done.

Smile―woebegone, pale, haggard. Will the tales
paint this―your final portrait? Can the stars
find any strange alignments, Zodiacs,
to spell, or unspell, what held beauty lacks?



NOVELTIES
by Thomas Campion
loose translation/interpretation by Michael R. Burch

Booksellers laud authors for novel editions
as pimps praise their ****** for exotic positions.



Nod to the Master
by Michael R. Burch

for the Divine Oscar Wilde

If every witty thing that’s said were true,
Oscar Wilde, the world would worship You!



A question that sometimes drives me hazy:
am I or are the others crazy?
—Albert Einstein, loose translation/interpretation by Michael R. Burch



This is love: to fly toward a mysterious sky,
to cause ten thousand veils to fall.
First, to stop clinging to life,
then to step out, without feet ...
—Rumi, loose translation/interpretation by Michael R. Burch



To live without philosophizing is to close one's eyes and never attempt to open them. – Rene Descartes, loose translation by Michael R. Burch



Stage Fright
by Michael R. Burch

To be or not to be?
In the end Hamlet
opted for naught.



I test the tightrope
balancing a child
in each arm.
—Vera Pavlova, loose translation/interpretation by Michael R. Burch



Brief Fling
by Michael R. Burch

“Epigram”
means cram,
then scram!



*******
by Michael R. Burch

You came to me as rain breaks on the desert
when every flower springs to life at once.
But joys are wan illusions to the expert:
the Bedouin has learned how not to want.



Love is either wholly folly,
or fully holy.
—Michael R. Burch



Intimations
by Michael R. Burch

Let mercy surround us
with a sweet persistence.

Let love propound to us
that life is infinitely more than existence.



Less Heroic Couplets: Marketing 101
by Michael R. Burch

Building her brand, she disrobes,
naked, except for her earlobes.



Villanelle of an Opportunist
by Michael R. Burch

I’m not looking for someone to save.
A gal has to do what a gal has to do:
I’m looking for a man with one foot in the grave.

How many highways to hell must I pave
with intentions imagined, not true?
I’m not looking for someone to save.

Fools praise compassion while weaklings rave,
but a gal has to do what a gal has to do.
I’m looking for a man with one foot in the grave.

Some praise the Lord but the Devil’s my fave
because he has led me to you!
I’m not looking for someone to save.

In the land of the free and the home of the brave,
a gal has to do what a gal has to do.
I’m looking for a man with one foot in the grave.

Every day without meds becomes a close shave
and the razor keeps tempting me too.
I’m not looking for someone to save:
I’m looking for a man with one foot in the grave.



She is brighter than dawn
by Michael R. Burch

for Beth

There’s a light about her
like the moon through a mist:
a bright incandescence
with which she is blessed

and my heart to her light
like the tide now is pulled . . .
she is fair, O, and bright
like the moon silver-veiled.

There’s a fire within her
like the sun’s leaping forth
to lap up the darkness
of night from earth's hearth

and my eyes to her flame
like twin moths now are drawn
till my heart is consumed.
She is brighter than dawn.




Teddy Roosevelt spoke softly and carried a big stick; Donald Trump speaks loudly and carries a big shtick.—Michael R. Burch



Viral Donald (I)
by Michael R. Burch aka "The Loyal Opposition"

Donald Trump is coronaviral:
his brain's in a downward spiral.
His pale nimbus of hair
proves there's nothing up there
but an empty skull, fluff and denial.



Viral Donald (II)
by Michael R. Burch aka "The Loyal Opposition"

Why didn't Herr Trump, the POTUS,
protect us from the Coronavirus?
That weird orange corona of hair's an alarm:
Trump is the Virus in Human Form!

Keywords/Tags: Michael Burch, popular, most popular, best poems, viral poems, poetry, poetic expression, epigrams, epitaph, translation, translations, quotes, Google, Internet, journals, literary journals, blogs, social media, Facebook, Twitter, Instagram, Yahoo, international, mrbpop, mrbbest, mrbest

Tingly under the daisies;
   Glassy-eyed, glazed, greasy;
   Shaking, shivering, shuddering,
   Wishing, wandering, whimpering,
   Westernizing—
   Romanizing—
   Constitutionalizing—
   Institutionalizing—
   Perpetually searching
   And dying
   And living,
   Watching Death survive
   And scythe the frolickers,
   The prancers,
   The rompers,
   The merrymakers.
   A rose clamped between his
   Grinning teeth glistens brightly,
   And he dances so joyously.
   “Yes!” say the naysayers,
   Confused are the soothsayers,
   Lost are the cartographers.
   Oh, Utopia!
   The monks are extravagant;
   The meditations are a farce!
   The preachers are beggars
   And swindlers and chargers,
   And Machiavelli fulfills his wishes!
   Babies are stillborn, stabbed, and
   Ritualistically sacrificed,
   And their blood is spilled, drunk,
   Slathered over the ***** man.
   The evangelists scream and lie:
   “You are all predestined to die!”
   Oh, hail Utopia!
   Wedded are the girls to the girls;
   Wedded are the boys to the boys;
   Wedded is Death to Death,
   Life to Life,
   And Life to Death.
   Wedded are the living to the existent.
   And the milking babes are slaughtered
   Ceremoniously,
   Surreptitiously,
   Ostentatiously.
   Oh, hail great Utopia!
   We are all dead and unintelligent:
   Laugh, laugh, Einstein, at your
   Stupidity.
   Laugh, laugh, Temple Grandin at
   Your retardation.
   Laugh, laugh, laugh!
   Look at the sluggard, thou ant;
   Look at the boy, sobbing wolf;
   Aesop was drunk,
   Aristotle was delusional,
   Michelangelo was blind,
   Beethoven could hear,
   Poe was sane.
   And I can't read.
   They ramble,
   I watch.
   They sleep,
   I watch.
   They dream,
   I watch.
   They sleep-talk,
   I watch.
   They scream,
   I watch.
   They choke,
   I watch.
   They suffocate,
   I watch.
   Stone-faced, I stare;
   Raspingly, I breathe;
   Uncontrollably, I twitch;
   Inwardly, I rage.
   I hope you die, I hope you die.
   I hope you bleed, I hope you die.
   I want you begging and crying,
   I want you blubbering at my feet,
   I want you gnashing at my ankles,
   I want you writhing in pain,
   I want your arm twisted off,
   Cracking with the snapping sinews, I want your beating heart in my hands, I want your genitals uprooted and stuffed in your throat, I want your stomach so I can eat the still-digesting food, I want your shrunken head and I want to force my thumbs into your unblinking eyes and I want to tear your face in two and I want you to die, I want you to die, I want you to die, I want you to die, I want you to die, I want you to die, I want you to die, I want you to die, to die, to die, to die, to die, to die, to die, to die, to die, to die and die and die and die and die and die and die and die and die and die and die and die and die and die.

Do not utter a syllable
For the reaper lurks at the door
Dim the lights as our eyes are widened  
Sit in a desperate, huddled mass
Feel the shivering, helpless creature on the left
Hear my traitorous lungs exhaling, surrendering my position
My heart pounding, screaming at my body
Ordering me to run, to fight, to ****
"Do not go gentle into that good night,"
As Dylan Thomas so elegantly stated
Yet it is not a time for romantic visions of heroism
Beowulf's idealism will not save us here
Sobbing, shivering, ***** stained American Eagle
Sweat drenched Under Amour Tees and hoodies
Feet ironically quivering in red and orange Nike Shocks
A 243 pound lineman blubbering under his breath
He wants his mother, his daddy, his pillow, to go home
Another boy, Darrel, clenches his fists, readies for attack
Cassidy sits silently, emotionless, statuesque, frozen in time
And I . . . What do I do? . . . What do I do?
Do I flinch like Sir Gawain in the face of death?
Or do I . . . . . . What do I do?
God, may I never discover the answer to this evil query
God help us stop the violence consuming innocent children
Render CODE RED obsolete
Yet, CODE RED will parish not
For society feeds on fictional fame
Fifteen minutes that Warhol never could have painted
Now it will be duplicated like so many Campbell's Soup cans
CODE RED    CODE RED    CODE RED   CODE RED  
And . . . What will I do?
What will I do?

~one more for the r man~

almost Monday
and its weighty five day oppressive lead poisoning on the horizon,
is but a thirsty thirty six minutes away from its fortified Sumter, first shot to be fired at midnight, how we love to mark the commencement of hostilities and killing

but I am already wounded, a casualty of having spent evening with pleading, pleasing timer eating, reading of your work,
r

the sounds of inestimable admiration and infectious jealousy
make this old man eager to discard a lifetimes work and
begin fresh, but only as a copyist of you,
r

I know you’re thinking "what in the hell is he blubbering about?"

so I willingly will my confessional offering in the dark of the
holy bedroom; for you make me eat my words, and
spit them out as wastage, in dumbfounding humility

god you and yours, make me frail and blessed that I stumbled
upon your abbreviations of the human life,
r

shut up and accept my three r’s
reading ‘riting and rising
up to sing hymns of praise
for a man with a historical perspective and
whose few occasionals
are carved in the granite bench
of what makes my life
worthy of load bearing;

more than bearable,
all are soul-enlightened by
baring our humility, our admiration

11:24pm 4/15/18
nyc

they don't look like me.
those girls
with their *******
and baby teeth.

pink daisy chains,
sweet blubbering.
joyful hearts swollen,
i can feel them.

i smell a childhood memory,
she loves mornings.
the one in red
kisses her puppy,
sleeps in braided hair.

under your gaze,
they'll be paper forever.
and me?
am i tree bark to you?
do i still exist
while i'm gone?

peekaboo.

baby i've called you,
thus baby you've become.
my ******* are sore,
i've run dry of milk.

photographs don't bleed.
**** on something else for dinner.
but i insist,
keep tripping over
that tail of yours.
i find it rather funny.

Its annoyance
Anointed
In pessimistic clairvoyance

Its the avoidance
Of the simplistic
And stoical
Components

Its motion
Less
Ness
In oceans
Of lip service

Its ***** potions
For the passionate

Its fake ****
And face lifts

Its abortions
In portions
Of subordinates
As gifts
In gifs
Of gorgeous
Ordinance
Distorted
In tortured
Tapping
Of the dead

Its all the fame
In shoving
The pain
Of loving
In the oven
Of stubborn
Mothers
Blubbering
Under the covers
With other men

Its the omens
Of the oh mans
In roman
Misnomers
Of fortunate
Misfortunes
Torn
From time

Its the mine mine mines
Confined
To their own kind
Pre signed
In old blood

Its consignment killers

Its the drugs

Its timeless thrillers

Its the shrugs

Its the thunder
Plundering
Structures
Rattling out
From under the bed

Its all the thoughts
In our heads
Blaring
The booms
Of the tamed

Its the assumed
The restrained

Its this tomb
Of shame
In doing
The same
Old **** again

And again
Its been
Better

Then again
I grin
When
Cold

Its when i should fold
That i embolden

Its all the No's

Its blankets nose

Its the cut blow
And lack of flow

Its fists and elbows
As opposed
To safety locks

Its ******* flu shots

Its everything
That ****** me off

Its the the stupid robots
And the silly riot cops
Fencing in the famished flocks

Its the *****
And the *****
In plastic boxes
Giving rocks
Off
Without us

Its the gold pots
And stacked stocks
Locked
From us

Its the Rocks
Inside my socks
As they knock
The blocks
Of billy bobs
Bobbling
On the dash

Its the harsh
And its the rash

Its inside the last
Bastion
Of dummassez
passing
Through the
Blast radius.

Alas

Its the mass graves
And the paved pools
Of anyone who knew
Anyone who stood

Its all us fools
As cool kids
Knowing
No show biz
In soul ****

Its in knowing this
And *******
And barking
At the moon
Soon
To swoon
None

I am peaking soon
In looming threat
Of lost concepts
Slipping away
Under the sun
Electing to quit
While im ahead
Way back when
It was fun
Way back when

It mattered

Its a gun
Shooting blather
Blathering
As a bladder
Would

Misanthropic
And misunderstood

A changed topic

Knock on wood

Bye is good

Goodbye

Told you

Its implied
In rite

So

Good
night
Until
next
time

Is there a doctor in the house?
I think I'm having southern withdrawl symptoms
shakes and such
brain a blubbering mess
why give one so much feeling
if they can't get rid of it healthily?
Too much for one body to handle
maybe throw in another personality
nothing bad ever happend
just a technical problem during manufacturing
a wire connected wrong
or not connected at all
amygdala super sensitive
looking for comfort in wrong places
stupid faces
blazing aces
therapists are kind but really need a map
words only convey so much
can't help if they can't understand
whose fault is that?
Probably the broken robot
me
doesn't speak in proper vernacular
accustomed to being freakish and safe
greasing joints with *****
circuit boards of tofu scramble
electric feed back every once in a while
when I cough
perhaps new meds will calm overactive internal reactions
or maybe being all vulnerable to candy hearted young men
spilling secrets and insecurities to friends
but they'll all leave
right?
Europeans had no problem taking over lands
staying with natives
eating their foods
but if the natives had shared their deepest secrets and feelings
pilgrims would have gladly returned home for persecution
than to put up with an emotional Squanto.

puffing out smoke like the entangling of long hair
with my portable hookah of acid apple palette experienced;
then eyelid the softest skin the warm puff puff experienced
when unable to see the gaseous
entangle of thus compared:
cut off the eyelids and become
serpents, rather than circumcising
exchanging loss of masculine
additives with excess of feminine
pin points of skin like the bloating
of the throat: larynx region with a thyroid
cancer bubbling and blubbering:
circumcise and make men eagerly warring...
and women prone to consecrate approval
as if dreaming... a naked sword without a sheath...
but instead of circumcision, the cutting off *******...
cut the eyelids! what then? i'd begin revision
of man by cutting off the eyelids rather than the *******!
**** me, why not both?! cut the eyelids
and cut the *******, then narrate what excesses of
womankind are worth disregarding:
feminine ******* and perverted religion,
hey, excess skin of man was the culprit once,
now the woman's chance to equate kippah with
a monk's hairstyle, with her own slit of
niqab and postbox of forcing through a hole
as narrow / as tight so that an object capably sat on
can be delivered.

Nineteen twenty ways
to love the same photo, I
remember, it all.

The blubbering moon,
was thumping like itself;
no matter, we go!

We entered the room,
and we became an image,
and drank until full.

Illuminating
hot seat, the material
IKEA, alone,

pristine sounds of loss,
a man and woman dancing
each others eyes, there.

Midnight morning fly,
buzzing flea-like, almost gone.
My window opens.

All the yakking dead.
My porch- old wood and sunset,
smoke diving within.

Suffocate us sea!
If you dare drink what we have!
Our stomachs fit you!

The Titanic floats,
the night swim will carry us,
calmly to ourselves.

Opaque sea-gulls fly;
we are but moon beams seeking.
Igniting ripples.

The taste of salt shouts,
it devours our tiredness.
Running beside us.

Half shore nearing us,
no other bodies near us,
we know only peace.

Inside our madness
there is every dream which wakes
wet steps, standing up.

Skin inked by needle,
below your growing wild hair,
moving, as it stays,

A religious book,
its pages moving in wind,
brown with gentle time.

Negative film roll,
opal, and doused with liquid,
so we are, so still.

Permeating dream
a leaf from burning tree branch
settling in grass.

Sudden flower bloom,
I watch you grow as days change.
Time, can never be.

Holocaustic love,
returning to the swap mind,
nothing stays buried.

The last beggar hangs,
he was a poet, a friend.
Servant girl watching.

Holograph song sings,
she is more awake than words.
I smile back at her.

Doorless buildings shine,
travelling up beyond us,
the meeting begins.

The office suite melts,
only listening to data.
So much for talking…

Peyote smoked.
Old tribes knowing how it goes.
Perfectly happy.

Madigras come now!
Alive smokin drunk street life!
Masks bleeding with ghosts.

Mine, yours, lit by fire.
Lets join the raining parade,
and grab a chicken.

They do it in the ethereal range of our eye’s linking hands,
our bodies swaying to the din of infinite types of drum life,
happy to be ours, enough to fill every street with realms,
packed dead-masked as New Orleans is definitely new my love – - !
the bar door requires a kick from our ripened legs,
it shatters the sweat stairs as we walk down finding the ground
inside leaving the painted parade to flood in on itself,
the chorus is tap tap tapped and stamped by the bar-man ready here
to cool us down and let us choose from any drink we wish.

In thick New Orleans accent he says:

“You been swimmin’ in the big Bayou brotha-sista.”

But it’s enough for us to answer him from the photo behind his bar.

We let him touch us, we sit frozen in front of a box camera and wonder
what’ll happen as the bulb flashes.

I pull ma Creole queen into me, as all galllreees open brotha-sista!

The photo be taken quick enough to ****** life from shotgun.

You’ll just keep on sittin there wontcha ma cher,
while these gumbo ya-ya come down ma stairs.

**** Mardi graaa…

A couple come down the wooden stairs.

Helping each other stand from too much street juice.

Looking back from the photo the barman knows that the couple
heard him talking, they slap down on the bar stools as he kisses the
photo of him and his wife.

“Well they be a truer than you or me cher, dontcha think?”

He says smiling back, more cheer than teeth, as the conversation begins,
undisturbed by the pulsing sounds from above.

"you’re so cute! why are you single?"
because my crippling expectations of romantic relationships
are consistently juxtaposed to the disappointment of swiping left
or right, double tapping, it’s a match!
and hoping to find a sharp needle in this **** of a haystack
only to find a blunt object blubbering
"are you masculine?"
because the chunk of flesh dangling between my thighs
or the beard on my chin
or the hair on my chest
isn’t an obvious dictation of
my status as identifying male,
because “masculinity” has now been decided by the masses
to be left to the chiseled neanderthals laden with testosterone
too doped up on their post-workout endorphins
to do anything about the internalized misogyny
that costs lives on the daily.
i used to piece together outfits like puzzles
hoping that when it’s solved, maybe,
possibly,
on the off chance “you’ve” nothing better to look at,
"you" might notice me.
because i was raised in a society that taught me
looking good would get “your” attention
so you might want to open up the box
and begin piecing together the real puzzle of why we
treat our brothers and sisters like **** for
not conforming to your black and white box of
"masculine" expectations

"you’re so cute! why are you single?"
because i will continue to express myself as i see fit.

i just cried
and dear god
has a weight been lifted
i really needed this
purging of pain
cleansing
i am new again
my grandfather always said
"oh quit your blubbering"
but i'm an emotional girl
so i let myself blubber
and then i quit it
and i feel like i did
before hormones
controlled my life
i just cried
and *******
has this heart been freed

The unrelented grotesque of the old town centre
Buzzing strongly from its high
Too many unpleasantries for me to count
Is what I discovered after midnight

While everyone was laughing, shouting and wandering around
I was cowering, screaming and pleading for no more sound
My butterflies were neurotic - they were eating me inside
It's a wonder why I didn't throw up one single time

And so, I ran away
Through the flags and bunting
I ran away
Past the ranting and blubbering
I ran away
I'm anxious to tears
I ran away
Get me out of here!

In the middle of the night
With sleep still in my eyes
I stepped into my kitchen
And received quite a surprise

As I reached out my hand
And flicked the light on
There were balloons, confetti, party hats
With a banner that read -WELCOME HOME-

I'd caught thousands of roaches
In the middle of song
They all turned and looked at me strange
As if I'd done something wrong

I heard a scream from the crowd
A foreign language to me
The next thing I know
I'm knocked down to my knees

As I'm being dragged
Across the linoleum floor
I see a little red button
That opens up a trap door

I started getting real nervous
The deeper we went
If I was a cat with nine lives
I think eight I just spent

They took me before the king
King Ralph Roach was his name
I only knew that
Cause that's what his name tag displayed

I was assigned a public defender
But that did me no good
He spoke Roach, I spoke Human
Each other we never quite understood

"GUILTY!"  Came the verdict
I hollered what was my crime!
"Interrupting a roach in the middle of having a good time"
Came the judges reply

Squishing to be my death
The day after tomorrows last night
I said that doesn't make any sense?!
Hey, we're roaches....we're not known for our timely insight

So here I sit in my cell
Wishing I could take it all back
If I had just not gotten up
For that late midnight snack

Wait....is that a tap, tap, tap
(You didn't think this was the end did you?)
As my hours getting late
A roach we'll call Chester
For anonymity sake

Told me to stop all that blubbering
I've come to break you out of here
I stood and we hugged
Which would be strange if it wasn't so weird

We slipped past room after room
With all kinds of parties inside
One thing you can say about roaches
They know how to have a good time

When we reached the surface
All I saw was blessed heavenly light
I went straight in and packed my bags
And gave the house to my Ex-Wife
(Okay, now it's the end!)

They hauled me off to jail and got an ambulance for the guy in the alley. I was booked for assault and battery, robbery, and a few assorted charges thrown in for good measure. It wasn't the first time I had been arrested, so I knew the cops weren't going to believe anything I had to say, especially if I used the word, "innocent." So I stewed in jail for a couple days, until just before my arraignment, when I got to meet the lawyer they had assigned to me. She looked capable enough, but I didn't think she had any time to look into my case, so I asked her if the cops had logged any of the money I supposedly stole into evidence. She asked me "Why?," so I told her it would make the cops look ***** if I actually stole some money and none of it got turned in. But then she said that the guy in the alley had told the cops it wasn't me, but some other guys that beat him up, and he refused to press charges against me anyway, so she could get my case dismissed.

     After I got released, I spent a few days tending to my needs and was lying on the floor next to my fridgette when my mind fuzzed slowly into focus. I was staring at something I couldn't quite make out when I realized it was my reflection on a tequila bottle sitting right next to my face. It was empty, so I pushed it away, and the roaring sound it made as it rolled across the floor felt like a jet plane was landing on my head. That got me up and I got some ice and put it in the sink, which I filled with cold water, and then with my aching head. I didn't feel anything at first, but all of a sudden I felt like I stuck my head in a light socket and it was being soaked and set on fire at the same time. My first reaction was to pull my head up, but I needed that icy water to stop the hurt in my skull, so I grabbed the counter real hard and forced my head back in the sink. My eyes opened wide and I kinda made a blubbering sound as I shook my head from side to side and bubbles flew out my mouth. Then I tried to come up for air, but my shoulder got snagged by the faucet and I started to swallow some water. That got me panicking a bit and I started bouncing around trying to find a way to breathe, until my knees buckled and then I kinda slid out of that sink and onto the floor.

     I coughed and ****** wind for a time, and then I just lay back, spread my arms and closed my eyes. It felt real soothing somehow, like all the fight and pain were draining away, and I just lay there, as if I was floating on a pool of warm Kentucky sunshine. And then I remembered the guy in the alley and how he let me go, both my throat and the police. My lawyer had learned a little bit about him and told me he was a corporal in the Marines, served three tours in Iraq, been awarded some medals, and his name was James Mitchell. She didn't know what he was doing in town or where he was from, but that he had been hurt pretty bad and would be in the hospital for a while. I was feeling a bit curious, and kinda in his debt somehow, so I got up to go see if he was still around.

Daredevil
by Michael R. Burch

There are days that I believe
(and nights that I deny)
love is not mutilation.

Daredevil, dry your eyes.

There are tightropes leaps bereave—
taut wires strumming high
brief songs, infatuations.

Daredevil, dry your eyes.

There were cannon shots’ soirees,
hearts barricaded, wise . . .
and then . . . annihilation.

Daredevil, dry your eyes.

There were nights our hearts conceived
untruths reborn as sighs.
To dream was our consolation.

Daredevil, dry your eyes.

There were acrobatic leaves
that tumbled down to lie
at our feet, bright trepidations.

Daredevil, dry your eyes.

There were hearts carved into trees—
tall stakes where you and I
left childhood’s salt libations . . .

Daredevil, dry your eyes.

Where once you scraped your knees;
love later bruised your thighs.
Death numbs all, our sedation.

Daredevil, dry your eyes.

Keywords/Tags: Daredevil, love, mutilation, tightrope, high, wire, acrobatic, tumble, bruised, fall, sedation, death, mrbdare, mrbch



Passionate One
by Michael R. Burch

for Beth

Love of my life,
light of my morning―
arise, brightly dawning,
for you are my sun.

Give me of heaven
both manna and leaven―
desirous Presence,
Passionate One.

My wife Beth has been a Daredevil for Love, sometimes engaging in high-wire acts that defied gravity. At times her acrobatic moves resulted in tumbles, falls, and bruises, but she never stopped loving her family and friends. Thus, the first two poems are related, although the woman in the first poem is imaginary.



In My House
by Michael R. Burch

When you were in my house
you were not free―
in chains bound.

Manifest Destiny?

I was wrong;
my plantation burned to the ground.
I was wrong.
This is my song,
this is my plea:
I was wrong.

When you are in my house,
now, I am not free.
I feel the song
hurling itself back at me.
We were wrong.
This is my history.

I feel my tongue
stilting accordingly.

We were wrong;
brother, forgive me.

Published by Black Medina. This is poem about a different kind of high-wire act, a different kind of tension, and a different kind of fall, bruising and mutilation. At the time I wrote this poem, I had hired two fine young black men as programmers and they had keys to my house, where I was the minority on work days.



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.

“Friend, I’m no sinner;
you’re merely my dinner!”
the wise owl replied
as the tasty snack died.

Originally published by Lighten Up Online and in Potcake Chapbook #7. In an attempt to demonstrate that not all couplets are heroic, I have created a series of poems called “Less Heroic Couplets.” I believe even poets should abide by truth-in-advertising laws! Mice are acrobatic little daredevils. ― MRB



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron―
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.

And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful―
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea. This is a poem about yet another kind of fall and the kind of bruising that increases with advancing age.



Herbsttag ("Autumn Day" or "Fall Day")
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

Lord, it is time. Let the immense summer go.
Lay your long shadows over the sundials
and over the meadows, let the free winds blow.
Command the late fruits to fatten and shine;
O, grant them another Mediterranean hour!
Urge them to completion, and with power
convey final sweetness to the heavy wine.
Who has no house now, never will build one.
Who's alone now, shall continue alone;
he'll wake, read, write long letters to friends,
and pace the tree-lined pathways up and down,
restlessly, as autumn leaves drift and descend.

Originally published by Measure. This is one of my favorite Rilke poems, about the feelings of loneliness a fall day can inspire.



To the boy Elis
by Georg Trakl
translation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.



I Loved You
by Alexander Sergeyevich Pushkin
translation by Michael R. Burch

I loved you ... perhaps I love you still ...
perhaps for a while such emotions may remain.
But please don’t let my feelings trouble you;
I do not wish to cause you further pain.

I loved you ... thus the hopelessness I knew ...
The jealousy, the diffidence, the pain
resulted in two hearts so wholly true
the gods might grant us leave to love again.



Wulf and Eadwacer
ancient Anglo-Saxon/Old English poem, circa 960 AD
loose translation/interpretation by Michael R. Burch

My clan's curs pursue him like crippled game;
they'll rip him apart if he approaches their pack.
It is otherwise with us.

Wulf's on one island; we're on another.
His island's a fortress, fastened by fens.
Here, bloodthirsty curs howl for carnage.
They'll rip him apart if he approaches their pack.
It is otherwise with us.

My heart pursued Wulf like a panting hound,
but whenever it rained—how I wept! —
the boldest cur grasped me in its paws:
good feelings for him, but for me loathsome!

Wulf, O, my Wulf, my ache for you
has made me sick; your seldom-comings
have left me famished, deprived of real meat.

Have you heard, Eadwacer? Watchdog!
A wolf has borne our wretched whelp to the woods!
One can easily sever what never was one:
our song together.



Hymn for Fallen Soldiers
by Michael R. Burch

Sound the awesome cannons.
Pin medals to each breast.
Attention, honor guard!
Give them a hero’s rest.

Recite their names to the heavens
Till the stars acknowledge their kin.
Then let the land they defended
Gather them in again.

When I learned there’s an American military organization, the DPAA (Defense/POW/MIA Accounting Agency) that is still finding and bringing home the bodies of soldiers who died serving their country in World War II, after blubbering like a baby, I managed to eke out this poem.



Attilâ İlhan (1925-2005) was a Turkish poet, translator, novelist, screenwriter, editor, journalist, essayist, reviewer, socialist and intellectual.

Ben Sana Mecburum: “You are indispensable”
by Attila Ilhan
translation by Nurgül Yayman and Michael R. Burch

You are indispensable; how can you not know
that you’re like nails riveting my brain?
I see your eyes as ever-expanding dimensions.
You are indispensable; how can you not know
that I burn within, at the thought of you?

Trees prepare themselves for autumn;
can this city be our lost Istanbul?
Now clouds disintegrate in the darkness
as the street lights flicker
and the streets reek with rain.
You are indispensable, and yet you are absent ...

Love sometimes seems akin to terror:
a man tires suddenly at nightfall,
of living enslaved to the razor at his neck.
Sometimes he wrings his hands,
expunging other lives from his existence.
Sometimes whichever door he knocks
echoes back only heartache.

A screechy phonograph is playing in Fatih ...
a song about some Friday long ago.
I stop to listen from a vacant corner,
longing to bring you an untouched sky,
but time disintegrates in my hands.
Whatever I do, wherever I go,
you are indispensable, and yet you are absent ...

Are you the blue child of June?
Ah, no one knows you―no one knows!
Your deserted eyes are like distant freighters ...

Perhaps you are boarding in Yesilköy?
Are you drenched there, shivering with the rain
that leaves you blind, beset, broken,
with wind-disheveled hair?

Whenever I think of life
seated at the wolves’ table,
shameless, yet without soiling our hands ...
Yes, whenever I think of life,
I begin with your name, defying the silence,
and your secret tides surge within me
making this voyage inevitable.
You are indispensable; how can you not know?



Fragments
by Attila Ilhan
loose English translations/interpretations by Michael R. Burch



The night is a cloudy-feathered owl,
its quills like fine-spun glass.

It gazes out the window,
perched on my right shoulder,
its wings outspread and huge.

If the encroaching darkness seems devastating at first glance,
the sovereign of everything,
its reach infinite ...

Still somewhere within a kernel of light glows secretly
creating an enlightened forest of dialectics.



In September’s waning days one thinks wanly of the arrival of fall
like a ship appearing on the horizon with untrimmed, tattered sails;
for some unfathomable reason fall is the time to consider one’s own demise―
the body smothered by yellowed leaves like a corpse rotting in a ghoulish photograph ...



Bitter words
crack like whips
snapping across prison yards ...

Then there are words like pomegranate trees in bloom,
words like the sun igniting the sea beyond mountainous horizons,
flashing like mysterious knives ...

Such words are the burning roses of an infinite imagination;
they are born and they die with the flutterings of butterflies;
we carry those words in our hearts like pregnant shotguns until the day we expire,
martyred for the words we were prepared to die for ...



What I wrote and what you understood? Curious and curiouser!



escape!
by michael r. burch

to live among the daffodil folk . . .
slip down the rainslickened drainpipe . . .
suddenly pop out
the GARGANTUAN SPOUT . . .
minuscule as alice, shout
yippee-yi-yee!
in wee exultant glee
to be leaving behind the
LARGE
THREE-DENALI GARAGE.



Escape!!
by Michael R. Burch

You are too beautiful,
too innocent,
too inherently lovely
to merely reflect the sun’s splendor ...

too full of irresistible candor
to remain silent,
too delicately fawnlike
for a world so violent ...

Come, my beautiful Bambi
and I will protect you ...
but of course you have already been lured away
by the dew-laden roses ...



Dream of Infinity
by Michael R. Burch

Have you tasted the bitterness of tears of despair?
Have you watched the sun sink through such pale, balmless air
that your soul sought its shell like a crab on a beach,
then scuttled inside to be safe, out of reach?

Might I lift you tonight from earth’s wreckage and damage
on these waves gently rising to pay the moon homage?
Or better, perhaps, let me say that I, too,
have dreamed of infinity... windswept and blue.

This poem was originally published by TC Broadsheet Verses. I was paid a whopping $10, my first cash payment. It was subsequently published by Piedmont Literary Review, Penny Dreadful, the Net Poetry and Art Competition, Songs of Innocence, Poetry Life & Times, Better Than Starbucks and The Chained Muse.



Heat Lightening
by Michael R. Burch

Each night beneath the elms, we never knew
which lights beyond dark hills might stall, advance,
then lurch into strange headbeams tilted up
like searchlights seeking contact in the distance . . .

Quiescent unions . . . thoughts of bliss, of hope . . .
long-dreamt appearances of wished-on stars . . .
like childhood’s long-occluded, nebulous
slow drift of half-formed visions . . . slip and bra . . .

Wan moonlight traced your features, perilous,
in danger of extinction, should your hair
fall softly on my eyes, or should a kiss
cause them to close, or should my fingers dare

to leave off childhood for some new design
of whiter lace, of flesh incarnadine.



Winter Thoughts of Ann Rutledge

Ann Rutledge was apparently Abraham Lincoln’s first love interest. Unfortunately, she was engaged to another man when they met, then died with typhoid fever at age 22. According to a friend, Isaac Cogdal, when asked if he had loved her, Lincoln replied: “It is true―true indeed, I did. I loved the woman dearly and soundly: She was a handsome girl―would have made a good, loving wife … I did honestly and truly love the girl and think often, often of her now.”

Winter Thoughts of Ann Rutledge
by Michael R. Burch

Winter was not easy,
nor would the spring return.
I knew you by your absence,
as men are wont to burn
with strange indwelling fire―
such longings you inspire!

But winter was not easy,
nor would the sun relent
from sculpting ****** images
and how could I repent?
I left quaint offerings in the snow,
more maiden than I care to know.



Ann Rutledge’s Irregular Quilt
by Michael R. Burch

based on “Lincoln the Unknown” by Dale Carnegie

I.
Her fingers “plied the needle” with “unusual swiftness and art”
till Abe knelt down beside her: then her demoralized heart
set Eros’s dart a-quiver; thus a crazy quilt emerged:
strange stitches all a-kilter, all patterns lost. (Her host
kept her vicarious laughter barely submerged.)

II.
Years later she’d show off the quilt with its uncertain stitches
as evidence love undermines men’s plans and unevens women’s strictures
(and a plethora of scriptures.)

III.
But O the sacred tenderness Ann’s reckless stitch contains
and all the world’s felicities: rich cloth, for love’s fine gains,
for sweethearts’ tremulous fingers and their bright, uncertain vows
and all love’s blithe, erratic hopes (like now’s).

IV.
Years later on a pilgrimage, by tenderness obsessed,
Dale Carnegie, drawn to her grave, found weeds in her place of rest
and mowed them back, revealing the spot of Lincoln’s joy and grief
(and his hope and his disbelief).

V.
Yes, such is the tenderness of love, and such are its disappointments.
Love is a book of rhapsodic poems. Love is an grab bag of ointments.
Love is the finger poised, the smile, the Question ― perhaps ― and the Answer?

Love is the pain of betrayal, the two left feet of the dancer.

VI.
There were ladies of ill repute in his past. Or so he thought. Was it true?
And yet he loved them, Ann (sweet Ann!), as tenderly as he loved you.

Keywords/Tags: Abraham Lincoln, Ann Rutledge, history, president, love, lover, mistress, paramour, romance, romantic, quilt, Dale Carnegie



Shattered
by Vera Pavlova
loose translation/interpretation by Michael R. Burch

I shattered your heart;
now I limp through the shards
barefoot.



Warming Her Pearls
by Michael R. Burch

for Beth

Warming her pearls, her *******
gleam like constellations.
Her belly is a bit rotund...
she might have stepped out of a Rubens.

Published by Erosha, The Eclectic Muse, Muse Apprentice Guild, Nisqually Delta Review, Erbacce, Poetry Life & Times and Brief Poems



Squall
by Michael R. Burch

There, in that sunny arbor,
in the aureate light
filtering through the waxy leaves
of a stunted banana tree,

I felt the sudden monsoon of your wrath,
the clattery implosions
and copper-bright bursts
of the bottoms of pots and pans.

I saw your swollen goddess’s belly
wobble and heave
in pregnant indignation,
turned tail, and ran.

Published by Chrysanthemum, Poetry Super Highway, Barbitos and Poetry Life & Times



Villanelle: Hangovers
by Michael R. Burch

We forget that, before we were born,
our parents had “lives” of their own,
ran drunk in the streets, or half-******.

Yes, our parents had lives of their own
until we were born; then, undone,
they were buying their parents gravestones

and finding gray hairs of their own
(because we were born lacking some
of their curious habits, but soon

would certainly get them). Half-******,
we watched them dig graves of their own.
Their lives would be over too soon

for their curious habits to bloom
in us (though our children were born
nine months from that night on the town

when, punch-drunk in the streets or half-******,
we first proved we had lives of our own).



NOTE: The Natchez Trace is the Nashville bar where I met my future wife Beth. We invented a game called "twister pool" which involved billiards, drinking and a fair bit of physical contortion ...

At the Natchez Trace
by Michael R. Burch

for Beth

I.
Solitude surrounds me
though nearby laughter sounds;
around me mingle men who think
to drink their demons down,
in rounds.

Beside me stands a woman,
a stanza in the song
that plays so low and fluting
and bids me sing along.

Beside me stands a woman
whose eyes reveal her soul,
whose cheeks are soft as eiderdown,
whose hips and ******* are full.

Beside me stands a woman
who scarcely knows my name;
but I would have her know my heart
if only I knew where to start.

II.
Not every man is as he seems;
not all are prone to poems and dreams.
Not every man would take the time
to meter out his heart in rhyme.
But I am not as other men—
my heart is sentenced to this pen.

III.
Men speak of their "ambition"
but they only know its name . . .
I never say the word aloud,
but I have felt the Flame.

IV.
Now, standing here, I do not dare
to let her know that I might care;
I never learned the lines to use;
I never worked the wolves' bold ruse.
But if she looks my way again,
perhaps I will, if only then.

V.
How can a man have come so far
in searching after every star,
and yet today,
though years away,
look back upon the winding way,
and see himself as he was then,
a child of eight or nine or ten,
and not know more?

VI.
My life is not empty; I have my desire . . .
I write in a moment that few man can know,
when my nerves are on fire
and my heart does not tire
though it pounds at my breast—
wrenching blow after blow.

VII.
And in all I attempted, I also succeeded;
few men have more talent to do what I do.
But in one respect, I stand now defeated;
In love I could never make magic come true.

VIII.
If I had been born to be handsome and charming,
then love might have come to me easily as well.
But if had that been, then would I have written?
If not, I'd remain; **** that demon to hell!

IX.
Beside me stands a woman,
but others look her way
and in their eyes are eagerness . . .
for passion and a wild caress?
But who am I to say?

Beside me stands a woman;
she conjures up the night
and wraps itself around her
till others flit about her
like moths drawn to firelight.

X.
And I, myself, am just as they,
wondering when the light might fade,
yet knowing should it not dim soon
that I might fall and be consumed.

XI.
I write from despair
in the silence of morning
for want of a prayer
and the need of the mourning.
And loneliness grips my heart like a vise;
my anguish is harsher and colder than ice.
But poetry can bring my heart healing
and deaden the pain, or lessen the feeling.
And so I must write till at last sleep has called me
and hope at that moment my pen has not failed me.

XII.
Beside me stands a woman,
a mystery to me.
I long to hold her in my arms;
I also long to flee.

Beside me stands a woman;
how many has she known
more handsome, charming,
chic, alarming?
I hope I never know.

Beside me stands a woman;
how many has she known
who ever wrote her such a poem?
I know not even one.

Keywords/Tags: Natchez, Trace, love, relationship, relationships, pool, billiards, rhyme, hope, pain, painful, solitude, drink, drinking, enigma, angel, stranger, ambiguity, woman



Happily Never After (the Second Curse of the ***** Toad)
by Michael R. Burch

He did not think of love of Her at all
frog-plangent nights, as moons engoldened roads
through crumbling stonewalled provinces, where toads
(nee princes) ruled in chinks and grew so small
at last to be invisible. He smiled
(the fables erred so curiously), and thought
bemusedly of being reconciled
to human flesh, because his heart was not
incapable of love, but, being cursed
a second time, could only love a toad’s . . .
and listened as inflated frogs rehearsed
cheekbulging tales of anguish from green moats . . .
and thought of her soft croak, her skin fine-warted,
his anemic flesh, and how true love was thwarted.



Haunted
by Michael R. Burch

Now I am here
and thoughts of my past mistakes are my brethren.
I am withering
and the sweetness of your memory is like a tear.

Go, if you will,
for the ache in my heart is its hollowness
and the flaw in my soul is its shallowness;
there is nothing to fill.

Take what you can;
I have nothing left.
And when you are gone, I will be bereft,
the husk of a man.

Or stay here awhile.
My heart cannot bear the night, or these dreams.
Your face is a ghost, though paler, it seems
when you smile.

Published by Romantics Quarterly



Have I been too long at the fair?
by Michael R. Burch

Have I been too long at the fair?
The summer has faded,
the leaves have turned brown;
the Ferris wheel teeters ...
not up, yet not down.
Have I been too long at the fair?

This is one of my earliest poems, written around age 15 when we were living with my grandfather in his house on Chilton Street, within walking distance of the Nashville fairgrounds. I remember walking to the fairgrounds, stopping at a Dairy Queen along the way, and swimming at a public pool. But I believe the Ferris wheel only operated during the state fair. So my “educated guess” is that this poem was written during the 1973 state fair, or shortly thereafter. I remember watching people hanging suspended in mid-air, waiting for carnies to deposit them safely on terra firma again.



Her Preference
by Michael R. Burch

Not for her the pale incandescence of dreams,
the warm glow of imagination,
the hushed whispers of possibility,
or frail, blossoming hope.

No, she prefers the anguish and screams
of bitter condemnation,
the hissing of hostility,
damnation's rope.



hey pete
by Michael R. Burch

for Pete Rose

hey pete,
it's baseball season
and the sun ascends the sky,
encouraging a schoolboy's dreams
of winter whizzing by;
go out, go out and catch it,
put it in a jar,
set it on a shelf
and then you'll be a Superstar.

When I was a boy, Pete Rose was my favorite baseball player; this poem is not a slam at him, but rather an ironic jab at the term "superstar."



Nevermore!
by Michael R. Burch

Nevermore! O, nevermore
shall the haunts of the sea―
the swollen tide pools
and the dark, deserted shore―
mark her passing again.

And the salivating sea
shall never kiss her lips
nor caress her ******* and hips
as she dreamt it did before,
once, lost within the uproar.

The waves will never **** her,
nor take her at their leisure;
the sea gulls shall not have her,
nor could she give them pleasure ...
She sleeps forevermore.

She sleeps forevermore,
a ****** save to me
and her other lover,
who lurks now, safely covered
by the restless, surging sea.

And, yes, they sleep together,
but never in that way!
For the sea has stripped and shorn
the one I once adored,
and washed her flesh away.

He does not stroke her honey hair,
for she is bald, bald to the bone!
And how it fills my heart with glee
to hear them sometimes cursing me
out of the depths of the demon sea ...

their skeletal love―impossibility!

This is one of my Poe-like creations, written around age 19. I think the poem has an interesting ending, since the male skeleton is missing an important "member."



Day, and Night
by Michael R. Burch

The moon exposes pockmarked scars of craters;
her visage, veiled by willows, palely looms.
And we who rise each day to grind a living,
dream each scented night of such perfumes
as drew us to the window, to the moonlight,
when all the earth was steeped in cobalt blue―
an eerie vase of achromatic flowers
bled silver by pale starlight, losing hue.

The night begins her waltz to waiting sunrise―
adagio, the music she now hears;
and we who in the sunlight slave for succor,
dreaming, seek communion with the spheres.
And all around the night is in crescendo,
and everywhere the stars’ bright legions form,
and here we hear the sweet incriminations
of lovers we had once to keep us warm.

And also here we find, like bled carnations,
red lips that whitened, kisses drawn to lies,
that touched us once with fierce incantations
and taught us love was prettier than wise.



Flight
by Michael R. Burch

It is the nature of loveliness to vanish
as butterfly wings, batting against nothingness
seek transcendence ...

Originally published by Hibiscus (India)



in-flight convergence
by michael r. burch

serene, almost angelic,
the lights of the city                  extend
over lumbering behemoths shrilly screeching displeasure;
they say
that nothing is certain,
that nothing man dreams or ordains
long endures his command

here the streetlights that flicker
and those blazing steadfast seem one
from a                distance;
           descend?
they abruptly
part                    ways,

so that nothing is one
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of Convenience

and man seems the afterthought of his own Brilliance
as we thunder down the enlightened runways.

Originally published by The Aurorean and nominated for the Pushcart Prize, then published by Grassroots Poetry, Unlikely Stories, Bewildering Stories, Scarlet Leaf Review, Famous Poets & Poems and Inspirational Stories



The Pictish Faeries
by Michael R. Burch

Smaller and darker
than their closest kin,
the faeries learned only too well
never to dwell
close to the villages of larger men.

Only to dance in the starlight
when the moon was full
and men were afraid.
Only to worship in the farthest glade,
ever heeding the raven and the gull.



Chit Chat: in the Poetry Chat Room
WHY SHULD I LERN TO SPELL?
HELL,
NO ONE REEDS WHAT I SAY
ANYWAY!!! :(

Sing for the cool night,
whispers of constellations.
Sing for the supple grass,
the tall grass, gently whispering.
Sing of infinities, multitudes,
of all that lies beyond us now,
whispers begetting whispers.
And i am glad to also whisper . . .

I WUS HURT IN LUV I’M DYIN’
FER TH’ TEARS I BEEN A-CRYIN’!!!

i abide beyond serenities
and realms of grace,
above love’s misdirected earth,
i lift my face.
i am beyond finding now . . .

I WAS IN, LOVE, AND HE ******* ME!!!
THE ****!!! TOTALLY!!!

i loved her once, before, when i
was mortal too, and sometimes i
would listen and distinctly hear
her laughter from the juniper,
but did not go . . .

I JUST DON’T GET POETRY, SOMETIMES.
IT’S OKAY, I GUESS.
I REALLY DON’T READ THAT MUCH AT ALL,
I MUST CONFESS!!! ;-)

Travail, inherent to all flesh,
i do not know, nor how to feel,
although i sing them nighttimes still:
the bitter woes, that do not heal . . .

POETRY IS BORING!!!
SEE, IT *****!!! I’M SNORING!!! ZZZZZZZ!!!

The words like breath, i find them here,
among the fragrant juniper,
and conifers amid the snow,
old loves imagined long ago . . .

WHY DON’T YOU LIKE MY PERFICKT WORDS
YOU USELESS UN-AMERIC’N TURDS?!!!

What use is love, to me, or Thou?
O Words, my awe, to fly so smooth
above the anguished hearts of men
to heights unknown, Thy bare remove . . .

Keywords/Tags: Poetry, writing, chit, chat room, forum, website, social media, workshop, mortal, mortality, grass, multitudes, Walt Whitman, love, awe, serenity, serenities, grace, heights, Parnassus, art, spelling, grammar



Renee Vivien Translations

Renee Vivien was a British lesbian and cross-dresser who wrote poems primarily in French.

Song
by Renée Vivien
loose translation/interpretation by Michael R. Burch

When the moon weeps,
illuminating flowers on the graves of the faithful,
my memories creep
back to you, wrapped in flightless wings.

It's getting late; soon we will sleep
(your eyes already half closed)
steeped
in the shimmering air.

O, the agony of burning roses:
your forehead discloses
a heavy despondency,
though your hair floats lightly ...

In the night sky the stars burn whitely
as the Goddess nightly
resurrects flowers that fear the sun
and die before dawn ...



Undine
by Renée Vivien
loose translation/interpretation by Kim Cherub (an alias of Michael R. Burch)

Your laughter startles, your caresses rake.
Your cold kisses love the evil they do.
Your eyes―blue lotuses drifting on a lake.

Lilies are less pallid than your face.

You move like water parting.
Your hair falls in rootlike tangles.
Your words like treacherous rapids rise.
Your arms, flexible as reeds, strangle,

Choking me like tubular river reeds.
I shiver in their enlacing embrace.
Drowning without an illuminating moon,
I vanish without a trace,

lost in a nightly swoon.



Veronica Franco translations

Veronica Franco (1546-1591) was a Venetian courtesan who wrote literary-quality poetry and prose.

Capitolo 19: A Courtesan's Love Lyric (I)
by Veronica Franco
loose translation by Michael R. Burch

"I resolved to make a virtue of my desire."

My rewards will be commensurate with your gifts
if only you give me the one that lifts
me laughing...

And though it costs you nothing,
still it is of immense value to me.

Your reward will be
not just to fly
but to soar, so high
that your joys vastly exceed your desires.

And my beauty, to which your heart aspires
and which you never tire of praising,
I will employ for the raising
of your spirits. Then, lying sweetly at your side,
I will shower you with all the delights of a bride,
which I have more expertly learned.

Then you who so fervently burned
will at last rest, fully content,
fallen even more deeply in love, spent
at my comfortable *****.

When I am in bed with a man I blossom,
becoming completely free
with the man who loves and enjoys me.

Here is a second, more formal version of the same poem, translated into rhymed couplets...

Capitolo 19: A Courtesan's Love Lyric (II)
by Veronica Franco
loose translation/interpretation by Michael R. Burch

"I resolved to make a virtue of my desire."

My rewards will match your gifts
If you give me the one that lifts
Me, laughing. If it comes free,
Still, it is of immense value to me.
Your reward will be—not just to fly,
But to soar—so incredibly high
That your joys eclipse your desires
(As my beauty, to which your heart aspires
And which you never tire of praising,
I employ for your spirit's raising) .
Afterwards, lying docile at your side,
I will grant you all the delights of a bride,
Which I have more expertly learned.
Then you, who so fervently burned,
Will at last rest, fully content,
Fallen even more deeply in love, spent
At my comfortable *****.
When I am in bed with a man I blossom,
Becoming completely free
With the man who freely enjoys me.

Franco published two books: "Terze rime" (a collection of poems)and "Lettere familiari a diversi" (a collection of letters and poems). She also collected the works of other writers into anthologies and founded a charity for courtesans and their children. And she was an early champion of women's rights, one of the first ardent, outspoken feminists that we know by name today. For example...

Capitolo 24
by Veronica Franco
loose translation/interpretation by Michael R. Burch

(written by Franco to a man who had insulted a woman)

Please try to see with sensible eyes
how grotesque it is for you
to insult and abuse women!
Our unfortunate *** is always subject
to such unjust treatment, because we
are dominated, denied true freedom!
And certainly we are not at fault
because, while not as robust as men,
we have equal hearts, minds and intellects.
Nor does virtue originate in power,
but in the vigor of the heart, mind and soul:
the sources of understanding;
and I am certain that in these regards
women lack nothing,
but, rather, have demonstrated
superiority to men.
If you think us "inferior" to yourself,
perhaps it's because, being wise,
we outdo you in modesty.
And if you want to know the truth,
the wisest person is the most patient;
she squares herself with reason and with virtue;
while the madman thunders insolence.
The stone the wise man withdraws from the well
was flung there by a fool...

Life was not a bed of roses for Venetian courtesans. Although they enjoyed the good graces of their wealthy patrons, religious leaders and commoners saw them as symbols of vice. Once during a plague, Franco was banished from Venice as if her "sins" had helped cause it. When she returned in 1577, she faced the Inquisition and charges of "witchcraft." She defended herself in court and won her freedom, but lost all her material possessions. Eventually, Domenico Venier, her major patron, died in 1582 and left her with no support. Her tax declaration of that same year stated that she was living in a section of the city where many destitute prostitutes ended their lives. She may have died in poverty at the age of forty-five.

Hollywood produced a movie based on her life: "Dangerous Beauty."

When I bed a man
who—I sense—truly loves and enjoys me,
I become so sweet and so delicious
that the pleasure I bring him surpasses all delight,
till the tight
knot of love,
however slight
it may have seemed before,
is raveled to the core.
—Veronica Franco, loose translation/interpretation by Michael R. Burch

We danced a youthful jig through that fair city—
Venice, our paradise, so pompous and pretty.
We lived for love, for primal lust and beauty;
to please ourselves became our only duty.
Floating there in a fog between heaven and earth,
We grew drunk on excesses and wild mirth.
We thought ourselves immortal poets then,
Our glory endorsed by God's illustrious pen.
But paradise, we learned, is fraught with error,
and sooner or later love succumbs to terror.
—Veronica Franco, loose translation/interpretation by Michael R. Burch

In response to a friend urging Veronica Franco to help her daughter become a courtesan, Franco warns her that the profession can be devastating:

"Even if Fortune were only benign and favorable to you in this endeavor, this life is such that in any case it would always be wretched. It is such an unhappy thing, and so contrary to human nature, to subject one's body and activity to such slavery that one is frightened just by the thought of it: to let oneself be prey to many, running the risk of being stripped, robbed, killed, so that one day can take away from you what you have earned with many men in a long time, with so many other dangers of injury and horrible contagious disease: to eat with someone else's mouth, to sleep with someone else's eyes, to move according to someone else's whim, running always toward the inevitable shipwreck of one's faculties and life. Can there be greater misery than this? ... Believe me, among all the misfortunes that can befall a human being in the world, this life is the worst."

I confess I became a courtesan, traded yearning for power, welcomed many rather than be owned by one. I confess I embraced a *****'s freedom over a wife's obedience.—"Dangerous Beauty"

I wish it were not considered a sin
to have liked *******.
Women have yet to realize
the cowardice that presides.
And if they should ever decide
to fight the shallow,
I would be the first, setting an example for them to follow.
—Veronica Franco, loose translation/interpretation by Michael R. Burch



Yahya Kemal Beyatli translations

Yahya Kemal Beyatli (1884-1958) was a Turkish poet, editor, columnist and historian, as well as a politician and diplomat. Born born Ahmet Âgâh, he wrote under the pen names Agâh Kemal, Esrar, Mehmet Agâh, and Süleyman Sadi. He served as Turkey’s ambassador to Poland, Portugal and Pakistan.

Sessiz Gemi (“Silent Ship”)
by Yahya Kemal Beyatli
loose translation by Nurgül Yayman and Michael R. Burch

for the refugees

The time to weigh anchor has come;
a ship departing harbor slips quietly out into the unknown,
cruising noiselessly, its occupants already ghosts.
No flourished handkerchiefs acknowledge their departure;
the landlocked mourners stand nurturing their grief,
scanning the bleak horizon, their eyes blurring...
Poor souls! Desperate hearts! But this is hardly the last ship departing!
There is always more pain to unload in this sorrowful life!
The hesitations of lovers and their belovèds are futile,
for they cannot know where the vanished are bound.
Many hopes must be quenched by the distant waves,
since years must pass, and no one returns from this journey.

Full Moon
by Yahya Kemal Beyatli
loose translation by Nurgül Yayman and Michael R. Burch

You are so lovely
the full moon just might
delight
in your rising,
as curious
and bright,
to vanquish night.

But what can a mortal man do,
dear,
but hope?
I’ll ponder your mysteries
and (hmmmm) try to
cope.

We both know
you have every right to say no.

The Music of the Snow
by Yahya Kemal Beyatli
loose translation/interpretation by Michael R. Burch

This melody of a night lasting longer than a thousand years!
This music of the snow supposed to last for thousand years!

Sorrowful as the prayers of a secluded monastery,
It rises from a choir of a hundred voices!

As the *****’s harmonies resound profoundly,
I share the sufferings of Slavic grief.

Then my mind drifts far from this city, this era,
To the old records of Tanburi Cemil Bey.

Now I’m suddenly overjoyed as once again I hear,
With the ears of my heart, the purest sounds of Istanbul!

Thoughts of the snow and darkness depart me;
I keep them at bay all night with my dreams!

Translator’s notes: “Slavic grief” because Beyatli wrote this poem while in Warsaw, serving as Turkey’s ambassador to Poland, in 1927. Tanburi Cemil Bey was a Turkish composer. Keywords/Tags: Beyatli, Agah, Kemal, Esrar, Turkish, translation, Turkey, silent, ship, anchor, harbor, ghosts, grief, Istanbul, moon, music, snow



Lines for My Ascension
by Michael R. Burch

I.
If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.
If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and cares naught for graves,
prayers, coffins, or roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.
If I should die,
let no man adore
his incompetent Maker:
Zeus, Jehovah, or Thor.

Think of Me as One
who never died―
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.
And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark ...

If you look above,
you will see a bright Sign―
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know―
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.


Published as the collection "Daredevil"

tonight is an
old-enough-to-vote-scotch-in-a-coffee-mug
kind of night i'm in one of those moods
where it's hard to communicate anything specific
i'm delving deeper into the vast emotional cavern because
i haven't found someplace open yet to flourish
& i haven't reached my usual vibration so i'll just bolt
the door wash my hair with hand-soap
because i'm a ***** guy with a ***** shadow body
i'll sit down in the shower to relax the muscles in my legs
watch the tears streak down the clear shower curtain
& accept the same marvelous sensation of wetness
tumbling across the skin of my face pooling in my top lip dimple
& soaking the soft yellow flannel splayed open on my chest

when the ball drops & the piano coda to Layla kicks in
i'll melt under the sweaty first-last moon of the year
as it sneaks up behind me bathed in the creature light
of the television shining out from the silent second living room
of my sister's house the one with the chandelier
& it's no surprise i turned out this way

last year i felt as cool as raindrops gathered together
in the shade of a wide tree & now i've never felt so alone
in my whole ******* life at least then i had roommates
to not give a **** about me because i'm nothing
i've come so far but sometimes
i'm still so scared i can't breathe
sweat trickles down my rib-cage as i re-inhabit myself
& next year i'll continue to dig myself out of this concrete hole
of low self-esteem this deep urban well of trembling
amateur sadness & feigned calamity maybe learn to not
blame them or make the tree feel guilty for blocking
the small bright sun from shining on my puddle because
i am no longer defenseless against my own racking fears
but right now it's too hard to see tomorrow's sunrise
from the wan of today so i'll just sleep out by the pool tonight under the stars to wait for it's richness & apprehend it's depth
if i get champagne drunk & can't
slide open the glass door i'll shiver my shoulders
& cry soul-struck blubbering in my sleeping bag as the
fireworks or flashlights cut
a Morse code dirge through the thick elm trees

the smell of spent powder or snuffed out candles
hangs like a noose around the throat
of the street with the fog in the morning as i brush
my sleepy-eyed teeth with my finger
i'm remembering the only summer you & i spent
together between college semesters
as you were getting over your ex-boyfriend i helped
by keeping pictures of you hidden in my room until spring
you said he took steroids & you liked a guy with muscles
so i did push-ups every morning before anyone else woke up
i did whatever you wanted in bed all night
but it didn't matter because you always left
as soon as you came

the weekend you got your wisdom teeth out
you made me promise to kiss you everywhere
except the bottom half of your face
starting with the swallowtail butterfly cocoon
of your collarbone or your belly-button at the bottom
of the neighbor's swimming pool
& you held your breath for me between
your swollen catch-me-if-you-can smile as
billows of your flaxen hair
floated into my open mouth
i was pretty sure i was the only guy
you hooked up with that desolate summer
but i was wrong

came it to a shade
what doing
as fickle cheeks
then all blubbering consternation
rode them snaking crystals

Moments of desperation make days of vulnerability
"Tell me I'm pretty"
"Don't I look cute in my dress?"
Look at me.
I look so **** fine and nobody's jaws are on the ground.
My eyes are gorgeous right now
my hair like silk
so why aren't you eye-******* my brains out?
When you get in this state
after disappointment and having your ribcage bashed with a wrecking ball
you want attention
and you hate it.
You hate the self-centered need for compliments
you want chisled men with rippling six-packs
to compliment the curvature of your collarbone
but what?
Nope
not even the skeezes pay a bit of attention
(probably for the best)
because they can smell the instability.
They know underneath that revealing top
is a blubbering girl dying for some double-chocolate icecream and a Ryan  Gosling flick
over and over
"If you're a bird, I'm a bird"
"I want you. Forever and always."
Silent and strong
sweet and sturly
just cuddle me and pay me compliments like a little sweet slave
don't be *****
just tell me my cheek bones are sculpted and my lashes are lush
and my side bends are really making a difference.
Shallow little pick -me- ups,
vocal vicodin
just gimme some nice narcotic attention
so I can stop obsessing
about how lame I was,
how close,
and how he still chose her.

She walks the rails

Infinite steel beams
dwindle to absence
long down the horizon
between soot-painted trees,
into open skies,
and the desire to go wherever it ends...
or doesn’t (mercifully).

She walks the rails

Begging to God,
or Madonna,
or the unrecognizable critter
severed on the tracks,
that the scabs of her bad decisions
stay in the past...
as she rips them off
in a gallop to get away.

She runs the rails

In terror,
that whatever has haunted her
will catch up.
For anything ahead
no matter how unidentifiable
is better than
the hell that clearly is.

She screams down the rails

Attempting to scare
fear into submission,
attenuating the volume
to beat back
the throng
of demonic voices telling her
she cannot break free.

She stops on the rails

Her eyes recoil through a blur
and sees the vision.
Puffy lips dripping of sorrow
curl toward heaven in a blubbering smile
involuntarily she laughs
unrestrained
audacious...
and stretches out her arms
to greet the angel of light.

She stains the rails....

Its not you. No matter what he says or tries to pin on you, its probably not you. It could be he's scared to love you, or that he's not sure of what he wants. If he can't forgive you for your past mistakes and see you're attempting to make yourself anew, there is no point in staying. A person that holds onto the past is one who lives in it.

2. Buy all the food you want. Chocolate, ice cream, cake, chips, fruits - whatever. You're single now, and that means either A. You're gonna rush straight back into the dating world or B. You have really no one to impress right now, so you can eat whatever the ******* want! Make sure it makes you happy and also gain a few pounds, you'll be able to work it off later.

3. Go out with friends. Although the heartbreak is probably consuming your brain, even as you read this, its good to still go out and spend time with friends. Family is okay too, but with all the feelings you have, sometimes its better to communicate with someone who is your age and can speak to you on your level. Go somewhere where you can talk and socialize, do not end up at the movies watching a sappy love story and crying about your real one.

4. Disconnect yourself from his/her social networks. Do not stalk their Facebook page or look at their stauses on Skype. If you do this, you will keep opening fresh wounds and continue to be upset. By taking this break, it will allow you to somewhat clear your mind and let both you and your partner think of next. If he doesn't like breaks, tell him its for both of your own goods that you guys spend some time apart. Remember, you're both single now, so don't be too upset if you see him around with someone else, and don't feel bad if you decide to see someone else too.

5. Mentally prepare yourself. If you decide to skip step 2 (high calorie food intaking), and decide to go into dating, mentally prepare yourself. Do not go back in simply because you need someone to fill the gaps of your broken heart. Give it time to heal. If you don't you can end up really hurting the person you're seeing, or maybe they can really hurt you.

6. Do things you like to do. Watch your favourite TV shows, go shopping, take longer naps or more baths - do whatever. Give yourself some "you" time so you can not only relax, but you can learn to enjoy your own company.

7.  Cry. Crying is the best stress reliever. If you feel like you need to cry, excuse yourself and cry. If you're really blubbering, carry a box of tissues around you so you can cry at all times. The more you cry, the more stress you relieve, and eventually your sadness for your break up will turn to anger and you'll realize that you can do WAY better.

-a broken heart list

conceptcollection

I love you because I can tell you my darkest secrets, things which would make the strongest of men go blubbering in search of his mummy. You judge me not,
my blackest fantasies are your deepest desires.

In the depths of night when all but the vampire sleeps we speak of philosophy, of the darkness which lurks within the human heart. You are always there
for me, my girl beautiful and serene. You laugh in time with my laughter and weep as I weep. Never changing, fixed, emortal caught in the brightness of
my screen you are my virtual girlfriend, a machine.

I bite my cheek and pinch my arm
In a place that mom cant see

“Why are you so pissy today?”
“You’re such a drag to be around
when you act like this”
She says

“sorry”
I say
Instead of the retort that comes to my mind:
‘So are you on the days you’re mad,
When you’re done with everyone’s ****’

But i know that will earn me an even bigger glare
A clenching of teeth
And a good ol’ grounding

So i sit quietly brooding and fuming and say simply
“sorry”

sorry im not good enough for you
sorry i have feelings unlike you
sorry im
not
enough

“How are you?”
Asks my good friend via text
“Pretty good hbu” i reply with vision blurred from tears
The marks i clawed into my arm still burning

“Dinner’s ready!”
Yells someone upstairs
“I’ll be up in a sec!”
I reply
Hastily pulling down my sleeve
and wiping away the messy makeup around my eyes

‘Whelp’
I think to myself
‘I hope they dont notice’

They dont
And if they do they dont mention it
For which im grateful

I dont feel like launching into a discussion that typically ends with me a blubbering mess

Anytime we have that discussion anyway

I know we need another one,
But i just cant bring myself to reveal anything
That might make them think somethings wrong with me

So for now ill just
Smile
And keep saying
“sorry”

These are my best poems, or at least my most popular poems, according to the Internet. A number of my poems and translations have gone viral, according to Google, and some have been copied onto hundreds to thousands of web pages. That’s a lot of cutting and pasting! The results below are the results returned by Google at the time I did the searches.



This poem has over 691,000 results for the eleventh line, its most unique. The poem also has over 623,000 results for the entire first stanza plus the eleventh line, so the vast majority of the results seem to be for my poem. I attribute the ultra-high number of results to the poem being published by Amnesty International, then being quoted in The Hindu, with its huge circulation, and subsequently being quoted in a number of other Indian newspapers and news services.

First They Came for the Muslims
by Michael R. Burch

after Martin Niemoller

First they came for the Muslims
and I did not speak out
because I was not a Muslim.

Then they came for the homosexuals
and I did not speak out
because I was not a homosexual.

Then they came for the feminists
and I did not speak out
because I was not a feminist.

Now when will they come for me
because I was too busy and too apathetic
to defend my sisters and brothers?

Published in Amnesty International’s Words That Burn anthology, and by Borderless Journal (India), The Hindu (India), Matters India, New Age Bangladesh, Convivium Journal, PressReader (India) and Kracktivist (India)

It is indeed an honor to have one of my poems published by an outstanding organization like Amnesty International. A stated goal for the anthology is to teach students about human rights through poetry. Here is a bit of background information: Words That Burn is an online poetry anthology and human rights educational resource for students and teachers created by Amnesty International in partnership with The Poetry Hour. Amnesty International is the world’s largest human rights organization, with seven million supporters. This new webpage has been designed to "enable young people to explore human rights through poetry whilst developing their voice and skills as poets." This exemplary resource was inspired by the poetry anthology Words that Burn, curated by Josephine Hart of The Poetry Hour, which in turn was inspired by Thomas Gray's observation that "Poetry is thoughts that breathe and words that burn."



This original epigram at one time returned more than 37,000 results and currently returns over 2,000 results:

Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



This Sappho translation has more than 3,500 results:

Sappho, fragment 42
loose translation/interpretation by Michael R. Burch

Eros harrows my heart:
wild winds whipping desolate mountains
uprooting oaks.



This original poem, which has become popular at Halloween, has nearly 3,000 results for the fifth line:

White in the Shadows
by Michael R. Burch

White in the shadows
I see your face,
unbidden. Go, tell
Love it is commonplace;
tell Regret it is not so rare.

Our love is not here
though you smile,
full of sedulous grace.
Lost in darkness, I fear
the past is our resting place.

Published by Carnelian, The Chained Muse, Poetry Life & Times, A-Poem-A-Day and in a YouTube video by Aurora G. with the titles “Ghost,” “White Goddess” and “White in the Shadows”



This Sappho translation has more than 1,700 results:

Sappho, fragment 155
loose translation/interpretation by Michael R. Burch

A short revealing frock?
It's just my luck
your lips were made to mock!



This Bertolt Brecht translation has more than 1,500 results:

The Burning of the Books
by Bertolt Brecht
loose translation/interpretation by Michael R. Burch

When the Regime
commanded the unlawful books to be burned,
teams of dull oxen hauled huge cartloads to the bonfires.

Then a banished writer, one of the best,
scanning the list of excommunicated texts,
became enraged: he’d been excluded!

He rushed to his desk, full of contemptuous wrath,
to write fiery letters to the incompetents in power―
Burn me! he wrote with his blazing pen―
Haven’t I always reported the truth?
Now here you are, treating me like a liar!
Burn me!



This original poem returns nearly 1,500 results for the first line:

Something
―for the children of the Holocaust and the Nakba
by Michael R. Burch

Something inescapable is lost―
lost like a pale vapor curling up into shafts of moonlight,
vanishing in a gust of wind toward an expanse of stars
immeasurable and void.

Something uncapturable is gone―
gone with the spent leaves and illuminations of autumn,
scattered into a haze with the faint rustle of parched grass
and remembrance.

Something unforgettable is past―
blown from a glimmer into nothingness, or less,
which finality swept into a corner, where it lies
in dust and cobwebs and silence.

NOTE: This is, I think, the first poem I wrote which didn’t rhyme, and the only one for quite some time. I consider one of the best of my early poems; it was written in my late teens.



This original poem returns nearly 1,500 results:

Safe Harbor
by Michael R. Burch

for Kevin N. Roberts
The sea at night seems
an alembic of dreams—
the moans of the gulls,
the foghorns’ bawlings.

A century late
to be melancholy,
I watch the last shrimp boat as it steams
to safe harbor again.

In the twilight she gleams
with a festive light,
done with her trawlings,
ready to sleep...

Deep, deep, in delight
glide the creatures of night,
elusive and bright
as the poet’s dreams.

Published by The Lyric, Grassroots Poetry, Romantics Quarterly, Angle, Poetry Life & Times



This original poem has over 1,300 results:

Bible Libel
by Michael R. Burch

If God
is good,
half the Bible
is libel.

This may be the first poem I wrote. I read the Bible from cover to cover at age 11, and it was a traumatic experience. But I can’t remember if I wrote the epigram then, or came up with it later. In any case, it was probably written between age 11 and 13, or thereabouts.



My translation of Robert Burns’ “To a Mouse” returns over 1,300 results. It’s a bit long for this page but can be found online with a Google search like: Michael R. Burch Robert Burns translations.



This translation of the oldest extant English poem has over 1,250 results:

Cædmon's Hymn (circa 658-680 AD)
loose translation/interpretation by Michael R. Burch

Humbly now we honour heaven-kingdom's Guardian,
the Measurer's might and his mind-plans,
the goals of the Glory-Father. First he, the Everlasting Lord,
established earth's fearful foundations.
Then he, the First Scop, hoisted heaven as a roof
for the sons of men: Holy Creator,
mankind's great Maker! Then he, the Ever-Living Lord,
afterwards made men middle-earth: Master Almighty!



This Faiz Ahmed Faiz translation has over 1,000 results:

Last Night
by Faiz Ahmed Faiz
loose translation by Michael R. Burch

Last night, your memory stole into my heart—
as spring sweeps uninvited into barren gardens,
as morning breezes reinvigorate dormant deserts,
as a patient suddenly feels better, for no apparent reason...



This Glaucus translation returns more than 1,000 results:

Does my soul abide in heaven, or hell?
Only the sea gulls in their high, lonely circuits may tell.
―Michael R. Burch, after Glaucus



This Yamaguchi Seishi translation returns over 1,000 results:

Grasses wilt:
the braking locomotive
grinds to a halt
―Yamaguchi Seishi, loose translation by Michael R. Burch



This original poem has more than 1,000 results:

Frail Envelope of Flesh
by Michael R. Burch

for the mothers and children of Gaza

Frail envelope of flesh,
lying cold on the surgeon’s table
with anguished eyes
like your mother’s eyes
and a heartbeat weak, unstable...

Frail crucible of dust,
brief flower come to this―
your tiny hand
in your mother’s hand
for a last bewildered kiss...

Brief mayfly of a child,
to live two artless years!
Now your mother’s lips
seal up your lips
from the Deluge of her Tears...

Note: The phrase "frail envelope of flesh" was one of my first encounters with the power of poetry, although I read it in a superhero comic book as a young boy (I forget which one). More than thirty years later, the line kept popping into my head, so I wrote this poem. I have dedicated it to the mothers and children of Gaza and the Nakba. The word Nakba is Arabic for "Catastrophe."



This original epigram appears on a number of quote sites and returns nearly 1,000 results:

"Here and Hereafter" aka "Saving Graces"
by Michael R. Burch

Life’s saving graces are love, pleasure, laughter ...
wisdom, it seems, is for the Hereafter.

I have dedicated the epigram above to the so-called Religious Right and Moral Majority.

Published by Shot Glass Journal, Brief Poems, Poem Today, Tennessee Poetry Society, Canucks Corner (Canada), AZquotes, IdleHearts, Inspiring Quotes, QuoteMaster, QuoteStats, MoreFamousQuotes


This William Dunbar translation has nearly 1,000 results for the second line; it appears in the top ten romantic poems of all time at PoemAnalysis, and in the top 20 sonnets of all time at StoryMirror.

Sweet Rose of Virtue
by William Dunbar (1460-1525)
loose translation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.

Published by Poet’s Corner, A Long Story Short, Poetry Magnum Opus, PoemAnalysis, Poemist, StoryMirror, Vajhu, PoetBay, Timeless Poetry, Orange Turtle, and turned into a YouTube video by Sarah Ahmed of the Livingstone Sonnet Project, into a rap/singing YouTube video by Jenna Thiel and Jake Owens, and into a YouTube poetry reading by Jordan Harling



This light verse response to Philip Larkin’s “Aubade” has nearly 1,000 results:

Abide
by Michael R. Burch

after Philip Larkin's "Aubade"

It is hard to understand or accept mortality—
such an alien concept: not to be.
Perhaps unsettling enough to spawn religion,
or to scare mutant fish out of a primordial sea
boiling like goopy green tea in a kettle.
Perhaps a man should exhibit more mettle
than to admit such fear, denying Nirvana exists
simply because we are stuck here in such a fine fettle.
And so we abide...
even in life, staring out across that dark brink.
And if the thought of death makes your questioning heart sink,
it is best not to drink
(or, drinking, certainly not to think).

Originally published by Light Quarterly



This love poem has nearly 1,000 results:

don’t forget...
by Michael R. Burch

for Beth

don’t forget to remember
that Space is curved
(like your Heart)
and that even Light is bent
by your Gravity.



These two epigrams had a nicely symmetrical 888 results at the time I posted this:

Feathered Fiends I
by Michael R. Burch

Conformists of a feather
flock together.

Winner of the National Poetry Month Couplet Competition

Feathered Fiends II
by Michael R. Burch

Fascists of a feather
flock together.



This poem won a big Penguin Books (UK) Valentine poetry contest and returns over 800 results for the first line:

Mother’s Smile
by Michael R. Burch

for my mother, Christine Ena Burch

There never was a fonder smile
than mother’s smile, no softer touch
than mother’s touch. So sleep awhile
and know she loves you more than “much.”

So more than “much,” much more than “all.”
Though tender words, these do not speak
of love at all, nor how we fall
and mother’s there, nor how we reach
from nightmares in the ticking night
and she is there to hold us tight.

There never was a stronger back
than father’s back, that held our weight
and lifted us, when we were small,
and bore us till we reached the gate,
then held our hands that first bright mile
till we could run, and did, and flew.
But, oh, a mother’s tender smile
will leap and follow after you!


This translation of an ancient English poem has over 800 results:

This World's Joy
(anonymous Middle English lyric, circa the early 14th century AD)
loose translation/interpretation by Michael R. Burch

Winter awakens all my care
as leafless trees grow bare.
For now my sighs are fraught
whenever it enters my thought:
regarding this world's joy,
how everything comes to naught.



This original Hiroshima poem has nearly 800 results:

Lucifer, to the Enola Gay
by Michael R. Burch

Go then,
and give them my meaning
so that their teeming
streets
become my city.
Bring back a pretty
flower—
a chrysanthemum,
perhaps, to bloom
if but an hour,
within a certain room
of mine
where
the sun does not rise or fall,
and the moon,
although it is content to shine,
helps nothing at all.
There,
if I hear the wistful call
of their voices
regretting choices
made
or perhaps not made
in time,
I can look back upon it and recall,
in all
its pale forms sublime,
still
Death will never be holy again.

Published by Romantics Quarterly, Penny Dreadful and Poetry Life & Times



This original epigram returns over 750 results:

Autumn Conundrum
by Michael R. Burch

It’s not that every leaf must finally fall,
it’s just that we can never catch them all.



This translation of a Middle English poem has more than 700 results:

How Long the Night
(anonymous Middle English poem, circa early 13th century AD)
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song...
but now I feel the northern wind's blast―
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



This Sappho translation has over 700 results:

Sappho, fragment 22
loose translation/interpretation by Michael R. Burch

That enticing girl's clinging dresses
leave me trembling, overcome by happiness,
as once, when I saw the Goddess in my prayers
eclipsing Cyprus.



This original poem has over 700 results for the first line:

Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who
was born on September 11, 2001 and who
died at age nine, shot to death...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm―I hope you hear it.

Much love I bring―I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the evil things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here...

I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bring them to your final bier,
and leave them with my promise, here.



My Plato translation (or “take” on Plato) has over 650 results:

Mariner, do not ask whose tomb this may be,
but go with good fortune: I wish you a kinder sea.
―Michael R. Burch, after Plato



This translation returns over 650 results:

Distant Light
by Walid Khazindar
loose translation/interpretation by Michael R. Burch

Bitterly cold,
winter clings to the naked trees.
If only you would free
the bright sparrows
from your fingertips
and unleash a smile—that shy, tentative smile—
from the imprisoned anguish I see.
Sing! Can we not sing
as if we were warm, hand-in-hand,
sheltered by shade from a sweltering sun?
Can you not always remain this way,
stoking the fire, more beautiful than expected, in reverie?
Darkness increases and we must remain vigilant
now that this distant light is our sole consolation—
this imperiled flame, which from the beginning
has been flickering,
in danger of going out.
Come to me, closer and closer.
I don't want to be able to tell my hand from yours.
And let's stay awake, lest the snow smother us.



This epigram has over 600 results for the first line:

Piercing the Shell
by Michael R. Burch

If we strip away all the accouterments of war,
perhaps we’ll discover what the heart is for.



This prayer poem has over 600 results and has been set to music and performed at a charity benefit for hurricane victims:

I Pray Tonight
by Michael R. Burch

I pray tonight
the starry Light
might
surround you.

I pray
by day
that, come what may,
no dark thing confound you.

I pray ere the morrow
an end to your sorrow.
May angels' white chorales
sing, and astound you.





This original poem has over 600 results:

I, Too, Have a Dream
by Michael R. Burch writing as “The Child Poets of Gaza”

I, too, have a dream...
that one day Jews and Christians
will see me as I am:
a small child, lonely and afraid,
staring down the barrels of their big bazookas,
knowing I did nothing
to deserve their enmity.


This original poem has nearly 600 results:

Like Angels, Winged
by Michael R. Burch

Like angels—winged,
shimmering, misunderstood—
they flit beyond our understanding
being neither evil, nor good.

They are as they are...
and we are their lovers, their prey;
they seek us out when the moon is full;
they dream of us by day.

Their eyes—hypnotic, alluring—
trap ours with their strange appeal
till like flame-drawn moths, we gather...
to see, to touch, to feel.

And in their arms, enchanted,
we feel their lips, grown old,
till with their gorging kisses
we warm them, growing cold.



These Einstein limericks have over 500 results:

The Cosmological Constant
by Michael R. Burch

Einstein, the frizzy-haired,
said E equals MC squared.
Thus all mass decreases
as activity ceases?
Not my mass, my *** declared!

Asstronomical
by Michael R. Burch

Relativity, the theorists’ creed,
says mass increases with speed.
My (m)*** grows when I sit it.
Mr. Einstein, get with it;
equate its deflation, I plead!

Relative to Whom?
by Michael R. Burch

Einstein’s theory, incredibly silly,
says a relative grows *****-nilly
at speeds close to light.
Well, his relatives might,
but mine grow their (m)***** more stilly!



This poem has over 500 results:

Neglect
by Michael R. Burch

What good are tears?
Will they spare the dying their anguish?

What use, our concern
to a child sick of living, waiting to perish?

What good, the warm benevolence of tears
without action?

What help, the eloquence of prayers,
or a pleasant benediction?

Before this day is over,
how many more will die
with bellies swollen, emaciate limbs,
and eyes too parched to cry?

I fear for our souls
as I hear the faint lament
of theirs departing...
mournful, and distant.

How pitiful our "effort,"
yet how fatal its effect.
If they died, then surely we killed them,
if only with neglect.



This Matsuo Basho haiku translation has nearly 500 results:

The first soft snow:
leaves of the awed jonquil
bow low
―Matsuo Basho, loose translation/interpretation by Michael R. Burch



This original poem has over 500 results:

Distances
by Michael R. Burch

Moonbeams on water —
the reflected light
of a halcyon star
now drowning in night...
So your memories are.

Footprints on beaches
now flooding with water;
the small, broken ribcage
of some primitive slaughter...
So near, yet so far.



This original poem has over 500 results:

***** Nilly
by Michael R. Burch

for the Demiurge, aka Yahweh/Jehovah

Isn’t it silly, ***** Nilly?
You made the stallion,
you made the filly,
and now they sleep
in the dark earth, stilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
You forced them to run
all their days uphilly.
They ran till they dropped—
life’s a pickle, dilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
They say I should worship you!
Oh, really!
They say I should pray
so you’ll not act illy.
Isn’t it silly, ***** Nilly?



This epigram/joke has over 400 results:

Teddy Roosevelt spoke softly and carried a big stick; Donald Trump speaks loudly and carries a big shtick.―Michael R. Burch



This **** Baudelaire translation has become popular with **** stars, escort sites and dating services, and has more than 400 results:

Le Balcon (The Balcony)
by Charles Baudelaire
loose translation/interpretation by Michael R. Burch

Paramour of memory, ultimate mistress,
source of all pleasure, my only desire;
how can I forget your ecstatic caresses,
the warmth of your ******* by the roaring fire,
paramour of memory, ultimate mistress?

Each night illumined by the burning coals
we lay together where the rose-fragrance clings—
how soft your *******, how tender your soul!
Ah, and we said imperishable things,
each night illumined by the burning coals.

How beautiful the sunsets these sultry days,
deep space so profound, beyond life’s brief floods...
then, when I kissed you, my queen, in a daze,
I thought I breathed the bouquet of your blood
as beautiful as sunsets these sultry days.

Night thickens around us like a wall;
in the deepening darkness our irises meet.
I drink your breath, ah! poisonous yet sweet!,
as with fraternal hands I massage your feet
while night thickens around us like a wall.

I have mastered the sweet but difficult art
of happiness here, with my head in your lap,
finding pure joy in your body, your heart;
because you’re the queen of my present and past
I have mastered love’s sweet but difficult art.

O vows! O perfumes! O infinite kisses!
Can these be reborn from a gulf we can’t sound
as suns reappear, as if heaven misses
their light when they sink into seas dark, profound?
O vows! O perfumes! O infinite kisses!



This original poem has over 400 results:

What the Poet Sees
by Michael R. Burch

What the poet sees,
he sees as a swimmer
~~~underwater~~~
watching the shoreline blur
sees through his breath’s weightless bubbles...
Both worlds grow obscure.



This original poem I wrote as a teenager has almost 400 results:

The Communion of Sighs
by Michael R. Burch

There was a moment
without the sound of trumpets or a shining light,
but with only silence and darkness and a cool mist
felt more than seen.
I was eighteen,
my heart pounding wildly within me like a fist.
Expectation hung like a cry in the night,
and your eyes shone like the corona of a comet.

There was an instant...
without words, but with a deeper communion,
as clothing first, then inhibitions fell;
liquidly our lips met
—feverish, wet—
forgotten, the tales of heaven and hell,
in the immediacy of our fumbling union...
when the rest of the world became distant.
Then the only light was the moon on the rise,
and the only sound, the communion of sighs.

This is one of my early poems ; I believe it was probably written during my first two years in college, making me 18 or 19 at the time.



This poem I wrote as a teenager has almost 400 results:

Leave Taking
by Michael R. Burch

Brilliant leaves abandon battered limbs
to waltz upon ecstatic winds
until they die.

But the barren and embittered trees,
lament the frolic of the leaves
and curse the bleak November sky ...

Now, as I watch the leaves' high flight
before the fading autumn light,
I think that, perhaps, at last I may

have learned what it means to say—
goodbye.

Several of my early poems were about aging, loss and death. Young poets can be so morbid! Like "Death/Styx" this poem is the parings of a longer poem. I think the sounds here are pretty good for a young poet "testing his wings." This poem started out as a stanza in a much longer poem, "Jessamyn's Song," that dates to around age 14 or 15.



This Matsuo Basho haiku translation has more than 400 results:

Come, investigate loneliness!
a solitary leaf
clings to the Kiri tree
―Matsuo Basho, loose translation/interpretation by Michael R. Burch



This original Holocaust poem returns over 400 results:

Auschwitz Rose
by Michael R. Burch

There is a Rose at Auschwitz, in the briar,
a rose like Sharon's, lovely as her name.
The world forgot her, and is not the same.
I still love her and extend this sacred fire
to keep her memory exalted flame
unmolested by the thistles and the nettles.

On Auschwitz now the reddening sunset settles!
They sleep alike―diminutive and tall,
the innocent, the "surgeons." Sleeping, all.

Red oxides of her blood, bright crimson petals,
if accidents of coloration, gall
my heart no less. Amid thick weeds and muck
there lies a rose man's crackling lightning struck:
the only Rose I ever longed to pluck.
Soon I'll bed there and bid the world "Good Luck."


This original poem has over 400 results:

Burn
by Michael R. Burch

for Trump

Sunbathe,
ozone baby,
till your parched skin cracks
in the white-hot flash
of radiation.

Incantation
from your pale parched lips
shall not avail;
you made this hell.
Now burn.

This was one of my early poems, written around age 19. I dedicated the poem to Trump after he pulled the United States out of the Paris climate change accords.



This translation has over 400 results:

Adam Lay Ybounden
(anonymous Medieval English Lyric, circa early 15th century AD)
loose translation/interpretation by Michael R. Burch

Adam lay bound, bound in a bond;
Four thousand winters, he thought, were not too long.
And all was for an apple, an apple that he took,
As clerics now find written in their book.
But had the apple not been taken, or had it never been,
We'd never have had our Lady, heaven's queen.
So blesséd be the time the apple was taken thus;
Therefore we sing, "God is gracious!"



This original epigram has over 350 results:

The Whole of Wit
by Michael R. Burch

for and after Richard Moore

If brevity is the soul of wit
then brevity and levity
are the whole of it.

Published by Shot Glass Journal, Brief Poems, AZquotes, IdleHearts, JarOfQuotes, QuoteFancy, QuoteMaster



This translation of a Holocaust poem has nearly 300 results:

Speechless
by Ko Un
translation by Michael R. Burch

At Auschwitz
piles of glasses,
mountains of shoes...
returning, we stared out different windows.



This original poem has more than 300 results:

Kin
by Michael R. Burch

O pale, austere moon,
haughty beauty...
what do we know of love,
or duty?



This original poem has more than 300 results:

escape!
by michael r. burch

for anaïs vionet

to live among the daffodil folk...
slip down the rainslickened drainpipe...
suddenly pop out
the GARGANTUAN SPOUT...
minuscule as alice, shout
yippee-yi-yee!
in wee exultant glee
to be leaving behind the
LARGE
THREE-DENALI GARAGE.



This Matsuo Basho haiku translation has more than 300 results:

An ancient pond,
the frog leaps:
the silver plop and gurgle of water
― Matsuo Basho, loose translation by Michael R. Burch



This haiku translation has more than 300 results:

Oh, fallen camellias,
if I were you,
I'd leap into the torrent!
― Takaha Shugyo, loose translation/interpretation by Michael R. Burch



This translation of an Anacreon epigram has over 300 results:

Here he lies in state tonight: great is his Monument!
Yet Ares cares not, neither does War relent.
—Anacreon, loose translation/interpretation by Michael R. Burch



This 9–11 poem has over 300 results:

Charon 2001
by Michael R. Burch

I, too, have stood—paralyzed at the helm
watching onrushing, inevitable disaster.
I too have felt sweat (or ecstatic tears) plaster
damp hair to my eyes, as a slug’s dense film
becomes mucous-insulate. Always, thereafter
living in darkness, bright things overwhelm.

Originally published by The Neovictorian/Cochlea



This “almost” limerick has over 300 results:

Caveat Spender
by Michael R. Burch

It’s better not to speculate
"continually" on who is great.
Though relentless awe’s
a Célèbre Cause,
please reserve some time for the contemplation
of the perils of EXAGGERATION.



This little poetic snapshot has over 300 results:

Warming Her Pearls
by Michael R. Burch

for Beth

Warming her pearls, her *******
gleam like constellations.
Her belly is a bit rotund...
she might have stepped out of a Rubens.



This vampire poem, popular at Halloween, has nearly 300 results:

Pale Though Her Eyes
by Michael R. Burch

Pale though her eyes,
her lips are scarlet
from drinking of blood,
this child, this harlot

born of the night
and her heart, of darkness,
evil incarnate
to dance so reckless,

dreaming of blood,
her fangs―white―baring,
revealing her lust,
and her eyes, pale, staring...



This Fukuda Chiyo-ni haiku translation has nearly 300 results:

Ah butterfly!
what dreams do you ply
with your beautiful wings?
― Fukuda Chiyo-ni, loose translation/interpretation by Michael R. Burch



This translation of the Palestinian poet Fadwa Tuqan has over 300 results:

Enough for Me
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Enough for me to lie in the earth,
to be buried in her,
to sink meltingly into her fecund soil, to vanish...
only to spring forth like a flower
brightening the play of my countrymen's children.
Enough for me to remain
in my native soil's embrace,
to be as close as a handful of dirt,
a sprig of grass,
a wildflower.



This translation of a poem by the Kurdish poet Kajal Ahmad has over 300 results:

Mirror
by Kajal Ahmad, a Kurdish poet
loose translation by Michael R. Burch

My era's obscuring mirror
shattered
because it magnified the small
and made the great seem insignificant.
Dictators and monsters filled its contours.
Now when I breathe
its jagged shards pierce my heart
and instead of sweat
I exude glass.



This original poem has over 300 results:

Regret
by Michael R. Burch

Regret,
a bitter
ache to bear...
once starlight
languished
in your hair...
a shining there
as brief
as rare.

Regret...
a pain
I chose to bear...
unleash
the torrent
of your hair...
and show me
once again—
how rare.



This original poem, popular at Valentine’s Day, has nearly 300 results:

Let Me Give Her Diamonds
by Michael R. Burch

Let me give her diamonds
for my heart's
sharp edges.

Let me give her roses
for my soul's
thorn.

Let me give her solace
for my words
of treason.

Let the flowering of love
outlast a winter
season.

Let me give her books
for all my lack
of reason.

Let me give her candles
for my lack
of fire.

Let me kindle incense,
for our hearts
require

the breath-fanned
flaming perfume
of desire.



This original poem has nearly 300 results:

Fascination with Light
by Michael R. Burch

for Anaïs Vionet

Desire glides in on calico wings,
a breath of a moth
seeking a companionable light,
where it hovers, unsure,
sullen, shy or demure,
in the margins of night,
a soft blur.

With a frantic dry rattle
of alien wings,
it rises and thrums one long breathless staccato
and flutters and drifts on in dark aimless flight.

And yet it returns
to the flame, its delight,
as long as it burns.



This original poem has nearly 300 results:

Multiplication, Tabled
by Michael R. Burch

(for the Religious Right)

“Be fruitful and multiply”—
great advice, for a fruitfly!
But for women and men,
simple Simons, say, “WHEN!”



This Vera Pavlova translation has over 250 results:

Shattered
by Vera Pavlova
loose translation/interpretation by Michael R. Burch

I shattered your heart;
now I limp through the shards
barefoot.



These Holocaust poem translations of Miklos Radnoti have over 200 results each:

Postcard 1
by Miklós Radnóti
loose translation by Michael R. Burch

Out of Bulgaria, the great wild roar of the artillery thunders,
resounds on the mountain ridges, rebounds, then ebbs into silence
while here men, beasts, wagons and imagination all steadily increase;
the road whinnies and bucks, neighing; the maned sky gallops;
and you are eternally with me, love, constant amid all the chaos,
glowing within my conscience―incandescent, intense.
Somewhere within me, dear, you abide forever―
still, motionless, mute, like an angel stunned to silence by death
or a beetle hiding in the heart of a rotting tree.



Postcard 2
by Miklós Radnóti
written October 6, 1944 near Crvenka, Serbia
loose translation by Michael R. Burch

A few miles away they're incinerating
the haystacks and the houses,
while squatting here on the fringe of this pleasant meadow,
the shell-shocked peasants sit quietly smoking their pipes.
Now, here, stepping into this still pond, the little shepherd girl
sets the silver water a-ripple
while, leaning over to drink, her flocculent sheep
seem to swim like drifting clouds.



Postcard 3
by Miklós Radnóti
loose translation by Michael R. Burch

The oxen dribble ****** spittle;
the men pass blood in their ****.
Our stinking regiment halts, a horde of perspiring savages,
adding our aroma to death's repulsive stench.



Postcard 4
by Miklós Radnóti
loose translation by Michael R. Burch

I toppled beside him―his body already taut,
tight as a string just before it snaps,
shot in the back of the head.
"This is how you’ll end too; just lie quietly here,"
I whispered to myself, patience blossoming from dread.
"Der springt noch auf," the voice above me jeered;
I could only dimly hear
through the congealing blood slowly sealing my ear.

This was his final poem, written October 31, 1944 near Szentkirályszabadja, Hungary. "Der springt noch auf" means something like "That one is still twitching."



This poetic tribute to Muhammad Ali has over 250 results:

Ali’s Song
by Michael R. Burch

They say that gold don’t tarnish. It ain’t so.
They say it has a wild, unearthly glow.
A man can be more beautiful, more wild.
I flung their medal to the river, child.
I flung their medal to the river, child.

They hung their coin around my neck; they made
my name a bridle, “called a ***** a *****.”
They say their gold is pure. I say defiled.
I flung their slave’s name to the river, child.
I flung their slave’s name to the river, child.

Ain’t got no quarrel with no Viet Cong
that never called me ******, did me wrong.
A man can’t be lukewarm, ’cause God hates mild.
I flung their notice to the river, child.
I flung their notice to the river, child.

They said, “Now here’s your bullet and your gun,
and there’s your cell: we’re waiting, you choose one.”
At first I groaned aloud, but then I smiled.
I gave their “future” to the river, child.
I gave their “future” to the river, child.

My face reflected up, dark bronze like gold,
a coin God stamped in His own image—BOLD.
My blood boiled like that river—strange and wild.
I died to hate in that dark river, child,
Come, be reborn in this bright river, child.

Originally published by Black Medina



This translation of a Native American poem has nearly 250 results:

Cherokee Travelers' Blessing
loose translation/interpretation by Michael R. Burch

I will extract the thorns from your feet.
For yet a little while, we will walk life's sunlit paths together.
I will love you like my own brother, my own blood.
When you are disconsolate, I will wipe the tears from your eyes.
And when you are too sad to live, I will put your aching heart to rest.

Published by Better Than Starbucks, Setu (India), A Hundred Voices and The Cherokee Native Americans and Their Descendants



This poem about US involvement in an ongoing Holocaust has over 200 results:

who, US?
by Michael R. Burch

jesus was born
a palestinian child
where there’s no Room
for the meek and the mild

... and in bethlehem still
to this day, lambs are born
to cries of “no Room!”
and Puritanical scorn...

under Herod, Trump, Bibi
their fates are the same —
the slouching Beast mauls them
and WE have no shame:
“who’s to blame?”



This Ō no Yasumaro translation has over 200 results:

While you decline to cry,
high on the mountainside
a single stalk of plumegrass wilts.
―Ō no Yasumaro (circa 711), loose translation/interpretation by Michael R. Burch



These Sappho translations have over 200 results:

Sappho, fragment 156
loose translation by Michael R. Burch

She keeps her scents
in a dressing-case.
And her sense?
In some undiscoverable place.



Sappho, fragment 58
loose translation/interpretation by Michael R. Burch

Pain
drains
me
to
the
last
drop
.



This Parmenio translation has over 200 results:

Be ashamed, O mountains and seas,
that these valorous men lack breath.
Assume, like pale chattels,
an ashen silence at death.
—Michael R. Burch, after Parmenio



This original epigram has over 200 results:

Love is either wholly folly,
or fully holy.
—Michael R. Burch



This original epigram has over 200 results:

Laughter’s Cry
by Michael R. Burch

Because life is a mystery, we laugh
and do not know the half.

Because death is a mystery, we cry
when one is gone, our numbering thrown awry.



This original poem about King Arthur’s mysterious origins has over 200 results:

At Tintagel
by Michael R. Burch

That night,
at Tintagel,
there was darkness such as man had never seen ...
darkness and treachery,
and the unholy thundering of the sea ...

In his arms,
who can say how much she knew?
And if he whispered her name ...
“Ygraine!”
... could she tell above the howling wind and rain?

Could she tell, or did she care,
by the length of his hair
or the heat of his flesh, ...
that her faceless companion
was Uther, the dragon,
and Gorlois lay dead?

Originally published by Songs of Innocence



This original poem I wrote for my wife Beth has over 200 results:

Enigma
by Michael R. Burch

for Beth

O, terrible angel,
bright lover and avenger,
full of whimsical light
and vile anger;
wild stranger,
seeking the solace of night,
or the danger;
pale foreigner,
alien to man, or savior.

Who are you,
seeking consolation and passion
in the same breath,
screaming for pleasure, bereft
of all articles of faith,
finding life
harsher than death?

Grieving angel,
giving more than taking,
how lucky the man
who has found in your love,
this—our reclamation;
fallen wren,
you must strive to fly
though your heart is shaken;
weary pilgrim,
you must not give up
though your feet are aching;
lonely child,
lie here still in my arms;
you must soon be waking.



Other poems, epigrams and translations with more than 100 results:



Hymn for Fallen Soldiers
by Michael R. Burch

Sound the awesome cannons.
Pin medals to each breast.
Attention, honor guard!
Give them a hero’s rest.
Recite their names to the heavens
Till the stars acknowledge their kin.
Then let the land they defended
Gather them in again.

When I learned there’s an American military organization, the DPAA (Defense/POW/MIA Accounting Agency) that is still finding and bringing home the bodies of soldiers who died serving their country in World War II, after blubbering like a baby, I managed to eke out this poem.



Nun Fun Undone
by Michael R. Burch

Abbesses’
recesses
are not for excesses!



pretty pickle
by michael r. burch

u’d blaspheme if u could
because ur God’s no good,
but of course u cant:
ur a lowly ant
(or so u were told by a Hierophant).




My Nightmare...
by Michael R. Burch writing as “The Child Poets of Gaza”

I had a dream of Jesus!
Mama, his eyes were so kind!
But behind him I saw a billion Christians
hissing "You're nothing!," so blind.



Once fanaticism has gangrened brains
the incurable malady invariably remains.
—Voltaire, translation by Michael R. Burch



Nod to the Master
by Michael R. Burch

If every witty thing that’s said were true,
Oscar Wilde, the world would worship You!



Snapshots
by Michael R. Burch

Here I scrawl extravagant rainbows.
And there you go, skipping your way to school.

And here we are, drifting apart
like untethered balloons.

Here I am, creating "art,"
chanting in shadows,
pale as the crinoline moon,
ignoring your face.

There you go,
in diaphanous lace,
making another man’s heart swoon.

Suddenly, unthinkably, here he is,
taking my place.



Indestructible, for Johnny Cash
by Michael R. Burch

What is a mountain, but stone?
Or a spire, but a trinket of steel?
Johnny Cash is gone,
black from his hair to his bootheels.

Can a man out-endure mountains’ stone
if his songs lift us closer to heaven?
Can the steel in his voice vibrate on
till his words are our manna and leaven?

Then sing, all you mountains of stone,
with the rasp of his voice, and the gravel.
Let the twang of thumbed steel lead us home
through these weary dark ways all men travel.

For what is a mountain, but stone?
Or a spire, but a trinket of steel?
Johnny Cash lives on—
black from his hair to his bootheels.



Wulf and Eadwacer
ancient Old English (Anglo-Saxon) poem, circa 990 AD
loose translation/interpretation by Michael R. Burch

My clan's curs pursue him like crippled game;
they'll rip him apart if he approaches their pack.
It is otherwise with us.

Wulf's on one island; we're on another.
His island's a fortress, fastened by fens. (fastened=secured)
Here, bloodthirsty curs howl for carnage.
They'll rip him apart if he approaches their pack.
It is otherwise with us.

My hopes pursued Wulf like panting hounds,
but whenever it rained—how I wept!—
the boldest cur clutched me in his paws:
good feelings for him, but for me loathsome!

Wulf, O, my Wulf, my ache for you
has made me sick; your seldom-comings
have left me famished, deprived of real meat.
Have you heard, Eadwacer? Watchdog!
A wolf has borne our wretched whelp to the woods.
One can easily sever what never was one:
our song together.



Observance
by Michael R. Burch

Here the hills are old and rolling
casually in their old age;
on the horizon youthful mountains
bathe themselves in windblown fountains...

By dying leaves and falling raindrops,
I have traced time's starts and stops,
and I have known the years to pass
almost unnoticed, whispering through treetops...

For here the valleys fill with sunlight
to the brim, then empty again,
and it seems that only I notice
how the years flood out, and in...

This is an early poem that made me feel like a “real poet.” I remember writing it in the break room of the McDonald's where I worked as a high school student. I believe that was at age 17.



Discrimination
by Michael R. Burch

The meter I had sought to find, perplexed,
was ripped from books of "verse" that read like prose.
I found it in sheet music, in long rows
of hologramic CDs, in sad wrecks
of long-forgotten volumes undisturbed
half-centuries by archivists, unscanned.
I read their fading numbers, frowned, perturbed—
why should such tattered artistry be banned?
I heard the sleigh bells’ jingles, vampish ads,
the supermodels’ babble, Seuss’s books
extolled in major movies, blurbs for abs...
A few poor thinnish journals crammed in nooks
are all I’ve found this late to sell to those
who’d classify free verse "expensive prose."

Originally published by The Chariton Review



Will There Be Starlight
by Michael R. Burch

Will there be starlight
tonight
while she gathers
damask
and lilac
and sweet-scented heathers?

And will she find flowers,
or will she find thorns
guarding the petals
of roses unborn?

Will there be starlight
tonight
while she gathers
seashells
and mussels
and albatross feathers?

And will she find treasure
or will she find pain
at the end of this rainbow
of moonlight on rain?



Ebb Tide
by Michael R. Burch

Massive, gray, these leaden waves
bear their unchanging burden—
the sameness of each day to day
while the wind seems to struggle to say
something half-submerged planks at the mouth of the bay
might nuzzle limp seaweed to understand.
Now collapsing dull waves drain away
from the unenticing land;
shrieking gulls shadow fish through salt spray—
whitish streaks on a fogged silver mirror.
Sizzling lightning impresses its brand.
Unseen fingers scribble something in the wet sand.

Originally published by Southwest Review



Ironic Vacation
by Michael R. Burch

Salzburg.
Seeing Mozart’s baby grand piano.
Standing in the presence of sheer incalculable genius.
Grabbing my childish pen to write a poem & challenge the Immortals.
Next stop, the catacombs!

This is a poem I wrote about a vacation my family took to Salzburg when I was a boy, age 11 or perhaps a bit older.



Playmates
by Michael R. Burch

WHEN you were my playmate and I was yours,
we spent endless hours with simple toys,
and the sorrows and cares of our indentured days
were uncomprehended... far, far away...
for the temptations and trials we had yet to face
were lost in the shadows of an unventured maze.
Then simple pleasures were easy to find
and if they cost us a little, we didn't mind;
for even a penny in a pocket back then
was one penny too many, a penny to spend.
Then feelings were feelings and love was just love,
not a strange, complex mystery to be understood;
while "sin" and "damnation" meant little to us,
since forbidden cookies were our only lusts!
Then we never worried about what we had,
and we were both sure—what was good, what was bad.
And we sometimes quarreled, but we didn't hate;
we seldom gave thought to the uncertainties of fate.
Hell, we seldom thought about the next day,
when tomorrow seemed hidden—adventures away.
Though sometimes we dreamed of adventures past,
and wondered, at times, why things couldn't last.
Still, we never worried about getting by,
and we didn't know that we were to die...
when we spent endless hours with simple toys,
and I was your playmate, and we were boys.

This is probably the poem that "made" me, because my high school English teacher called it "beautiful" and I took that to mean I was surely the Second Coming of Percy Bysshe Shelley! "Playmates" is the second poem I remember writing; I believe I was around 13 or 14 at the time. It was originally published by The Lyric.

Keywords/Tags: Michael Burch, popular, most popular, poems, epigrams, translations, quotes, Google, Internet, journals, literary journals, blogs, social media, Facebook, Twitter, Instagram, Yahoo, mrbpop, mrbbest, mrbest

your words muddle together like a horribley woven web of broken promises.
but I know the power of words, I am a poet.
Your colloquy is irregular and nonsensical.
your mind can not put together one and two since the cancer knocked him out.
but that does not give you the golden pass to be a trainwreck, with your moods like a train.
stand up for yourself and get your head out of that deep rabbit hole you've stupidly been digging for too long.
help me love life and look foward to my future, instead of stating what is best for me.
strangers walking by have given me more hope in a single conversation than you have.
maybe me wanting to be a hostess is my literal way of flying from the nest, but i'm not afraid to jump.
I'm eager to blindly jump, possibly fall, scrape my hands and keep on going.
I look foward to the day that my flight lands and I will be in a foreign hotel room all by myself.
The true problem I believe is that I am okay with being alone, sometimes all the time.
Never have I found that one person where I would truely be sad to be away from all the long day and night.
There is my true problem.
I do not get close to people in fear that I will become attached and then it will make me crazy when they are not near.
I harden my heart and hurt myself instead of others.
I know how it feels to get slashed down by the saber of rejection or desertion, so why would I ever force that upon another?
I am alone in this world and I am content.
Not happy about it nor am I sad, simply content with what is always going to be.
Do not get me wrong, I do feel emotions, I am not a robot.
I have times varying from complete happiness to absolute blubbering depression.
But other than that I am in a neutral zone of numbness.
both mind and body, completely numb.
My body goes into a sort of hibernation of its own.
where my mind is speeding up but the functions of my body start to slow and fade away.
My life is stuck and often constipated, like I'm am at then end of my road.
I stay in this same motion because I am comfortable and too afraid to leave that isolation blanket that has kept me warm for so long.
There are blips in my life where I feel I found someone worth anything.
Our eyes will meet at a social gethering, we get to talking and then when he leaves, the look he gives is like no other.
His eyebrows furrow, wrinkles lay besides his eyes, his smile makes me feel wanted for once in a long time.
what's bad is that i'm already obligated to another, so why do I want to spend time with this new brown haired boy?
I guess he gives me something my own does not give to me now.
what he gives me is hope. A new light of guidence that carries me on through the current prison in which I am entrapped.
Where I am right now, I still don't know.
I curl up like a baby on my cold bed and sob, wondering what I am doing with my life.
I listen to the music of sugar plum fairies and tin men dancing to calm me down.
I realize that what I want most of all is a dream.
Dreams get you through the rough patches in life.
But that is when it hits me, what I don't have is a dream. I've never been blessed with that gift.
I am okay with that now. Because now I don't have to spend so much time on my dreams.
I get the chance to watch others live their dreams, and that makes me happier than anything.
To watch anothers face light up because of pure bliss, that is my happiness.
I've learned to live through others, and I am content.
I'll be okay.

Just what is it that I am discovering?
I feel like I'm blubbering
Idly hovering over something

Something so bright I am blinded
And if my hunch is right I'll sign it

While kissing in the sky

There's a place deep down
In the bottom of the sack
Where the weakened drown
And the warriors attack

Where the heart pounds
And glory turns to *****
Into gory sheets
Categorically pieced

Through out a dream state

In a feast of upheaval
Under the peaking sun
In a leash of retrieval
Over the space of one

All waking to wonder
In the slumber of none

My bitter bones tumbling
To the drums thump

My slithered poems humming
To the stumps

My withered homes crumbling
To the months

Turned years

The truth is I never cottoned to that name, no sir, no how. Maybe it was a reference to the Dead Poets movie, which is now just an old teen movie.

Maybe it had to do with all the troubles you seen in your life, and that bad part was dead and over.  Ok that I understand.  But you can write about it, but if you really gonna claim you left it behind, which by the way! you have, the name keeps bring it up fresh and that is just plain sad and makes me madder than hell.  

Even still I always say oh look its the
Deed Poet
writing me about a a life and a world, I got no clue about in a way I could never do, don't got the  heart, the eyes to see the  way you do brother.  Yup.  You just misspelled it Ded and Not Deed, cause you write on a stupid smartphone in the dark and is that any way to write beautiful poetry, dummy?

But I don't like pretending though I do it plenty, but comes along a day, a thing, don't know what to call it any more, and I said to myself,
Deed Poet, that's like making his mistake permanent, and I don't like that.  

So I cast about for a new name for you, for what is a man and a friend for, but to make sure the world knows you for who your are...so with out further ado, addoo, adoo, I aint sure I know how you write that word, but what I am sure is from now on I am gonna address you sir as the
Unbreakable Poet.

don't like it? Too **** bad. That is what you are, and that is what you will be now and forever, *******! don't go arguing with me, cause I am close to blubbering as it is...tried to write some poem which half started ain't half bad, no, it is yo totally awful, so I quit it in the middle and instead I am gonna throw back at you your own words,
for none, bar none, coulda said it better...
so I don't give a good ****** if you change it or not, cause I already done the tinkering in my head to make it so...

Your wisdom is massive,
But I see your invisible signals,
And I know you fill the emptied heart.

I am Poet for you,
And the words will be eternal,
As you have stayed in all the hollow
Places of your children.

Live as an endless nebula,
Birthing stars in a prophetic vigil,
My stainless blood, immortal,
You live on in the tears on my window....

Sustaining me.

P.S. Let get that mentor ***** put to bed, I am ready to take lessons from you!
---------------------
Unbreakable Poet

he keeps company with a
society of the living,
such is,
as it should be,
tho an ancient order,
t'is composed of only his
breathing brethren

he orbits in a special galaxy,
as we all so do,
one sun amongst many,
but in this, his cluster,
no scientist can well predict,
his trajectory, his course,
or any of us
whose company
we keep,
but one company,
we are,
one company,
near and dear

but he errs grievous
if he thinks,
his universe is but
an isolated fragment,
a world slipping into darkness

He is much mistaken

the one moon we share
rises nightly
in different shapes, mystic always
but
it is
Unbreakable,
Forever True,
it is there as long
as poets like him
make it so.

make it so.

What of love?
A longing tear
of a moment which passed
lacking understanding
and all the things left unsaid.....
leaving holes in my heart
The memory
left waiting for a hand that never reached
but pushed until my back was to the wall
accepting my stance which felt so small
and I turned to the world alone
rejecting any rejoice of that sweet little song
Apathy took hold of my soul
which I sold to the grind and to the smog
All that entered my vision were ferrel dogs
left howling for something they've never
truely know
blubbering at the realization unrequited love kills
left with a shrill of dizzy jaded mutters
of the man who cast his spell
and pulled me under
defining my days in past-tense
Faced every john with resistence
counted the bricks furious
because it was easier than feeling the exit
but I'll never forget the day he came
and changed all of it
...I refuse to feel foolish
because without love all light is extinguished
and without mistakes we are simply not human

you take my love
when you take your leave,
leaving it by your doorstep
so you could get yourself in the house
before the weather got fickle,
forgetting it there when
you'd turn in
under warm covers.

it spent so many nights
getting rained on
despite my best advice,
in hopes that you
would find it in the morning,
see it for its sun and flowers,
and want it to be
your daily reminder
of what the rest of your Springs
could feel like.

and I never had it in me
to disappoint my love
by telling it
to just come home,
knowing it would spend
the night fidgeting between
those four chambers
to forget that it was alone.

but that poor thing,
how tired it would get by daybreak,
pulling the petals from its daisies
with eyes swollen with their own rain,
blubbering about how all it wanted
was to tickle the hairs on your chest
until the strange and new
felt warm and safe to you,
and how it wished
trying this much
didn't make it feel so pitiful.

because my love knew
whatever it felt, it shared with me;
and though its judgment was better
than to sleep on wet bricks
until it got itself sick,
it was just hoping to bring me back
something beautiful,
it didn't mean
for me to get hurt.

"what doesn't **** you makes you stronger."
Is that what you say?

So,
When I was lying in bed, covered in my own blood, choking on my despair. When it hurt too much to speak or eat because there was no skin left on my lips. When they were so messed up at school the next day that I had to lie to my friends, that I had to lie about the scars that I'd caused, the scars that I would tear off when I was upset, only to be replaced by deeper ones.
Does that sound *strong to you?

So,
When my arguments at home were so bad that my mother thought I hated her, that when I tried to apologise I broke down for fear of messing up and making things worse. When my father stormed into my room, finding me in tears and hyperventilating yet still screamed at me for making my mother cry. When I passed out, waking in my mothers arms on my bedroom floor with my sister and father having a screaming match. When everyone was crying but me because I was so far past crying that I couldn't breathe.
So you think that was strong?

So,
When my best-friend turned against me, jealous that I had known our shared friends longer, claiming that I hit and bullied her, that I abused and threatened her, leaving me friendless and alone in a class of people that I'd never thought to become closer to. When I was called to see the head teacher, confused and eager to look after someone I called my best-friend, but was accused of smashing her head against a brick wall and dragging her across the floor and I was too stunned to defend myself, and ended up having multiple panic attacks, and sat there blubbering like a fool, thinking that I was going to be expelled over my best-friend's lies.
Do you think I felt strong?

So next time you hear someone say,
"oh, well, what doesn't **** you makes you stronger!"
tell them,
to shut the hell up.