Poets from all over the world are invited to submit their original poems to Mombasa poetry anthology 2016.These anthology is organized by the Kenyan society of poets and literary scholars. It is out of literary and cultural recognition of the historical fact that Mombasa and its environs is home man, it is an indisputable home to all types of people in all their capacities and stations. It is historically evident that, at least a European, an African, Asian, Indian, American, Australian or Chinese have a home in Mombasa. This has been the case from as early as 7 AD. When the Oman Arabs landed at the east African coast in the moon-son wind driven dhows.
This anthology will be published Kenya, as a print version latest by December 2016, under the title, ANTHEM OF HOPE.   The anthology will have a collection of 2000 poems, written in English, or written in any other language but accompanied with a translation to English, each poet is allowed to submit three poems, a poem must not exceed 500 words, all poems must be submitted as one document of MS word attachment, the font types to be used are times Romans, the size is 12. The poem can be in any style without having creativity of the poet being decimated by traditional literary canonicity, but as long as the poem will be addressing and not limited to the following themes in relation to Mombasa;
1) Mombasa city, other towns Around Mombasa like Kisumayu, Lamu, Kibino,Hola, Mpeketon, Bamburi, Malindi, Watamu, Gede, Matsangoni, kilifi, Vipingo, Takaungu, Mtwapa, Shimo la tewa, Bamburi, Likoni,ukunda,wa,msambweni,lunga Lunga,Vanga , Shimoni, Tanga,msofala, Dar salam and Zanzibar, as well as Mariakani and Voi,taita,taveta and Arusha,
2) Mombasa people, The miji-kenda,arabs,European, bajuni, Indians, and any other in relation to Mombasa
3) Mombasa features like the Indian ocean, likon ferry, fort jesus,beaches,vasco da Gama pillar, nyali bridge,Makupa cause way and any other feature,
4) Mombasa populations; Christians, muslim,LGBTI,drug addicts, the deaf, blind, scrotal elephantiasis victims,dwarfs,jinis and any other in realtion to Mombasa,
5) Mombasa fauna and flora, kilifi trees, mango trees, palm wine tree, crow birds, cats, flies, vultures,snakes,pythons Mombasa
6) Mombasa cultures,womenfolk,weddings, music, donkey-games, stick-games and any other in relation to Mombasa,
7) Mombasa city dynamics, hustles,bustles,Al-shabab, job seeking, youths and behaviour and any other theme ,
8 ) Overall themes to be addressed under the Mombasa city context are; Indian ocean and poetry, family, human rights, climate change, security , poverty, pollution, globalization,migration,corruption,cosmopolitanism,culture,langua­ge,war,refuges,natural resources and any other them pertinent to Mombasa
******, racist, prejudicial or any hate perpetrating poems will not be published, For the poets that will have their poems published there will be a ceremony of spoken word and poetry reading from the published poems in early December  2016 ( exact date will be communicated) on the white sands beach at Sarova hotel.
The last day for submission of your poems is July 31st 2016, the notification about your poem being accepted and yet to be published is 31st august 2016.
Submit your poems along with a bio note of not more than 500 words to the email mombasapoetryanthology@yahoo.com, along with a serial number and a scanned copy of the slip for payment of the handling fees of Kenya shillings 500 or 5 US dollars for the three poems. The account to pay in is Standard Chartered Bank (Kenya) account number; 0100310788200 the swift code is; SCBLKENX and bank code is 02
Five winning poets will be prized in the following order; the first poet will win 5000 US dollars, second poet will win 4000 US dollars, the third will win 3000 US dollars, 2000 US dollars, and lastly 1000 US dollars.
Each published poet will get two copies of the anthology free of charge. Further questions for clarification about the Mombasa Poetry anthology can be emailed mombasapoetryanthology@yahoo.com

meeting you was drowning without water, i didn’t know i was already dead

my body was stronger before my tongue tasted your name
and kissing you was like cliff diving to meet cement

your fingerprints left bruises without a warranty, i can no longer find my skin
somewhere between lost and found, your hands are ghosts around my throat
i choke on my own steps

you stain the bathroom tile like i’ve had too much to drink
loving you was like eating a cereal box of sea glass, and still searching for the prize at the bottom
my fingertips bleed broken promises

sometimes i sleep on the couch to avoid the absence of your shadow in my sheets
my sheets still ask about you
so do my parents

i rehearse words you’ll never hear
my insecurities crawl out of your one-word responses and tell me i’m not worth more

for your love of multiples, i could have been anyone
your hands carry the baggage of “ew she’s my best friend”
i’ve lost count of all the ‘shes’

you were not searching for my heartbeat when your hands groped my chest
i’ve had trouble finding my pulse lately

i need a receipt for our memories but they’re stuck to me like a shirt i can’t get over my shoulders
i can’t get over your smile –

the way the corners curled like bare willow branches dancing in the wind to our song
it was running your parseltongue through my veins, and i’d run out the high for days
i think i’m still running, but my feet are stuck in the same **** city we met

your face is plastered post-it notes on all the places we had our firsts as if i need reminders you used to look in my eyes and mean it

i visit museums to remind myself beautiful things have history too

no one ever tells you that goodbye tastes like empty air, tastes like looking in the mirror and not being able to swallow yourself

i bear the scars of your touch, poetry scratched into my skin like tattoos

i remember the first time you hit me
your palm crashed my cheek like a chance seismic stamp and i liked it

you told me, “run while you can i’m dangerous,”
but i stuck around to be buried in the dirt of the grave you dug me with “hello”

sometimes i’m convinced we only hug so you can check my hands for a shovel

loving me
allow me to lay
me into you.
open me how only you do,
press upon my being
my necessary lesson.
to lay myself in We, only.
loosen the worldly grip,
submit.

melt and fade away.
my outline merged, stretched,
consoled, coaxed to join the whole,
consciously, again.
I testify to be absolved of
the grim
realities of time.
submit to reunion.

I write my submissions
and provide documentation
of time.
I assist energies plans,
providing a helping hand when I can.
when I'm not caught in my mind,
planning my energies span.

I open my heart in submission.
I open my life to the illumination, within.
I need not technological advances
to tell me the time.
I look up, and see the times
before us, upon us,
coursing through us, setting
the future.
and I fear not.
for my heart has felt the truth,
it submits naturally
once the focus is set
on submission
to God

There’s a time and season for every reason
no cookie bakes itself
cherries don’t burst on their own
cherries don’t burst *******!
a bottle doesn’t empty itself to full/fill
breaking clocks is a wonderful way to **** time
ironic glory hole of blood and glass
running out of test tubes, the ****’s too tight
****… reason!
INVEST!

Admiration is the state furthest away from understanding
pawns don’t need details
******* with teeth make ******* meaningful
smashing the cow softens it, …digest it well
meaning is derived from screening STD g string
of a starry eyed jail-bait that drowns in a sea of ******
obtuse and absolute are the only submissions
failure to comprehend results in *******
cuckolds worth….
IMPROVE!

Lexicon laxative
this antipathy won’t last
stimulate thinking with cankerous drinking
***** ***** need no season or reason
to drown ****** who never show
the tears of heaven that understood
misled admiration and adolescent aberration
that silently candle deplorable fornication
time stays unchanged
counting doesn’t prove progress in this game
falling short… half beat hesitation
ITERATE!

Let free your muses
from iron shackles
and submit your poems
to feed the jackals.

It is noble,
It is just,
to release your words
into the cosmic dust.

And who knows
perhaps you will be famous
for sending your poem,
and reach once more to greatness

Thethingswewrotesubmission@gmail.com

And winds they wither and they accentuate cosmic dithers
Ducks become swans and butterflies fly in the air of rivers
We should soon begin to question who we are on this plan-et
A bucket or cube, a form of strings finding tune
They said there’d be purveyors and pilgrims
These sages would then show the way in a web of disarray
So the picture plays and their gleam is seen
Incarnating from distant streams
’yes they call them starseeds

They have been helping societies feel secure, giving answers
Contributing to the developments thereto
Some called them heroes, psychics or star-soldiers
It was forgotten that they were merely messengers, creating vortexes so the many
Would get to the essence or heart of Creation and Divinity
The problems began with the worship of the commissars of Divinity
And the gods their parents, being merged into a monotheistic god
For artificial synchronization of stealing light and doctoring it into dark light
To subdue the power of Darkness
So with more people being manipulated and hooked by crystals
And chips, scrapping their memory of their once absolute multi-dimensional divinity
They began to forget and this energy was channeled to the heads of darkness and their fortresses
And as such humanity grew weak and the solutions were left to be found by the so called heroes

With the growing human-farming, as the hybrids being created then were used as mere sheep or even cattle  
With the decaying or ceasing dignity of the human conscience, they were made to be intermediary-conscious
And so the lives of the Messengers and their affiliates became the epitome of living for the many
Absurd as it is, the human races with its varying colours and fragrances, each soul being unique in its right
And now with this bombardment of doctrine that set a standard of being
These laws not culminating the commonwealth of many
Not governing humanity in its best interests, so the heroes began to be sacrificed
Their lives weren’t pure, they were planned before they were even born
Corrupting the consciousness of individuality and essential or sincere being

And they came in Kings/Priest Kings or Sorcerer Kings
And who would blame them, it is their Parents who set out or designed these paradigms
And so these corrupt thought forms of half truths and duality and dark light became hereditary
The times changed and these heroes took on the impressions of Presidents, Wealthy business men or Emperors of Commerce
Finding themselves in the modern Capitalistic World,  a world which was manufactured prior to their reign
The grave concern is the death of Identity and the Integrity of the Soul
And the lives of Pastors/Chanellers/Pilgrims/Shamans  or what have you became the mirror of Divinity
As opposed to Divinity mirroring in the clear view of people having identity and a sincere embrace of the heart’s mysterious logic
So it is safe to say that this would create a world robotic

This wouldn’t last forever though for some Parents are responsible and they care
So the Earth then would be visited by the Golden ones once more
Apparent with the recent UFO Sightings, crashed UFOs and the bodies of Extraterrestrials
Alien Abduction confessions, cavern findings
With this people would begin to remember and would not load their worries or problems on the shoulders
Of a few individuals as they would learn how big the world is
As Humanity would identify, if for the first time, who or what God is
Furthermore Who or WHAT THE Source is
And once the lives of heroes would cease to be manipulated, so too would the lives of the many
We would learn that there needn’t be “special” people for we will have found the Divine elements in each of us
And that the sooner we can enhance Intelligent Life working together without the need for hierarchies we can soon develop a
High Level of Spirituality and be an Independent Race
Heroes are beings too who have lives and ambitions, have flaws and afflictions, have faced convictions and submissions
The gods are beings with their mistakes as well, some who have lied and have not revealed the whole truth to
Protect their children for it could have been noted that they were too “young”
But humans will grow and God they will know, the Source furthermore, and there will be a shift in thinking and thus in being and Living
It has begun, Finding the answers following the Dignity of the Conscience,
Cosmic blueprint, a song sung for parents absent
A play of star glow, uplifting the wayward ways of the big show
Living in the Integrity of the Soul, following the Dignity of the Conscience.

Hey Fragments! a Haiku Contest!!

Spring is everywhere.

We want everyone to contribute to the first, "Quarterly Season Greetings Haiku Contest!"

We will select a panel of judges, who will send me their three favorite haiku submissions. The haiku with the most selections will be declared the "winner" and enjoy a warm feeling of satisfaction.

Please, have those haiku in by the end of May

No limit on the number of submissions. Your haiku should follow the traditional form, but as always, the poem is more important than strict observance of form.

Write Every Day!

John and LP

ALMOST 500 aspiring fashion designers competed to represent Malaysia in the grand finale of this year’s AirAsia Runway Designer Search 2016.

The online submissions were narrowed down to 25 contestants, where a panel of judges chose their top 10 from that pool.

These top 10 contestants aged between 18 and 28 years old were judged based on their creativity, originality, theme and presentation.

From there, the top three lucky ones will represent Malaysia in the grand finale, which will also see contestants from five other Asian countries including Singapore, Indonesia and the Philippines.

“We have so many potential designers this year and it is very exciting to see their designs come to life on the runway,” said Kuala Lumpur Fashion Week Ready to Wear (KLFW RTW) founder Andrew Tan.

He said there was no one winner when it came to fashion as everyone had their own kind of creativity, which is why he is happy to send three finalists from Malaysia to compete in the grand finale.

“We are proud to have three designers representing our country.

“This year’s theme of Asean inspiration is where they can draw their inspiration from any Asean country, not just Malaysia,” he said.

He advised aspiring designers to not miss this opportunity to shine at one of the country’s biggest fashion events.

This can also be their platform to make their dreams come true as their designs will be showcased at the Kuala Lumpur Fashion Week and sold on Fashion Valet.

Joining Tan on the judging panel was AirAsia Berhad chief executive officer Aireen Omar who sees this as an event to capture Malaysia’s best talent in the fashion industry.

“We decided to make this contest a regional one to not only create more excitement but elevate the contest to a higher level,” she said.

Last year, the runway designer search was limited to Malaysian contestants.

She said making the contest regional was in line with AirAsia, which was all about networks and connectivity.

“It is also in sync with our Asean theme, where contestants draw inspiration from their travels to other countries,” she said.

In August, the top three contestants from each country will compete at the grand finale in Kuala Lumpur.

The winner will walk away with the title “Air Asia’s Most Promising Young Designer 2016” and prizes worth at least RM350,000 including a confirmed show segment to showcase the full collection on (KLFW RTW).

In addition, the winner will be mentored by the KLFW RTW team, RM25,000 to produce a capsule collection on Fashion Valet and RM150,000 AirAsia BIG Points to fly.Read more at:http://www.marieaustralia.com/formal-dresses-adelaide | www.marieaustralia.com/formal-dresses-perth

Friday April 10


Walking in Limbo

a man finds himself alone
in a dark forest
filled with strange trees
and hears voices
in the wind

he walks forward
towards a light
in the forest

and soon finds himself
confronted by a ghostly image
the dead are all around
and he realizes
that he has died

and he is wandering
in limbo
he walks towards the light

and sees a man
at a desk
who asks his name

he says his name
and the man
smiles and tells him
welcome to limbo

join the others
to wait your turn
for judgement is due

and the man
walks back
through the haunted forest

trying to remember how he died
but he has no memory
of his past life

and is doomed
to wander in limbo
stuck between time
and worlds

comforted by the ghosts
around him
and the light
in the forest

writers digest prompt to write an ekphrastic  Poem




New Bodies in New Era

we are living
in a SF world
things are changing
at breath taking speeds

nowhere more
than with the coming biomedical revolution
soon we will be confronted
with the reality

that we can live forever
in new bodies
grown for us
in laboratories

with our memories intact
and I can hardly wait
want to throw off
this aging 65-year old body

and get a new 20-old perfect body
boy, I can’t wait

I would be come
what I always wanted to be

6 foot 6 inches tall
perfect athletic basketball body

perfect visions
perfect hearing
perfect smelling
perfect teeth



well behave hair
no more learning disability
no more coordination problems

no more fibromyalgia
no more arthritis either
no more aching aging pain
no more mental fog

god,
I can hardly wait
hope it happens
before I die

and I hope
I can live
on forever
with my wife

also transformed
into a perfect
**** as hell
new body

poetry soup prompt to write a poem about changes

life interrupted by corona


we live in a strange world
life interrupted by corona
the virus spread throughout the world
disrupting everything

putting life on hold
as more people
hunkered down
waiting for the virus

to pass over us
like in biblical times
the virus
will test us all

life interrupted
on hold
until the virus
spreads through the world

and then
we will all
go back
to life interrupted

writing.com Daily Dew Drop interruption


Saudade for friends I have lost

as I get older
I lose more people
every year

more people I knew
have died moving on
and I mourn their lost friendship

wished I had been
a better friend for them
and knew them better

and with the corona virus
spreading around the world
I will lose so many more

in the coming year
as the virus spreads
its malignancy far and wide

I lost my father due to cancer in 1985
and my sister
due to a freak illness in 2007

and my mother
due to Alzheimer’s in 2005
and my father-in-law as well in 2007

Demel Tucker
high school debate teammate
dead of *** in 1995

Julian Bartley and his son
died in a terrorist bombing
in Nairobi in 1998

Jon Weber college roommate
dead due to prostate cancer
in 2000

Paul Simon  friend from the visa line
dropped dead of a heart attack
in 2004

Ted Halstead
one of my best bosses
died of heart attack in 2007

Chris Richard
one of my former bosses
from my days in Bangkok

dropped dead of a heart attack
shortly before we were due
to have lunch in 2014


and so many others
I have lost
along the way

and soon there will be
so many more
as I get old in the corona era




my lover’s body inspires me

my lover
Lover’s face
inspires me

Filled ****
as hell
still got it

drives me
wild desires
tonight

concrete poem - national poetry month prompt day 9


Vogan Poetry inspires us all

Couth super- of  the world
trailer, stringendo travels afar
Rent center bank me bark me
recipe, stringendo.for sure for sure

National poetry month prompt  day eight Vogan Bot Poetry


The end of the world news depresses me

the end of the world new
depresses me
makes me want to shout and scream

**** leave me alone
to deal with my grief
amid the death and destruction

watching CNNMSNBCFOXBBC media nonstop
filled with essential dread
the end of the world is upon us

from the screaming news media
spreading forth across the land
fake news screams the president

all is alright he proclaims
no one believes his 16,000 lies
and so it goes

we are drowning with information
coming at us so fast
and furious

When will it end my friend
is anyone’s guess
in the long run we are dead

National poetry Month Day Seven poem inspired by the news


the Devil speaks In the Garden of Earthly Delights

in the garden of earthly delights
the devil makes a covert appearance
disguised as always

he wanders about the world
corrupting everything
with his evil foul deeds

the devil turns to me
and says welcome to my world
human

you will soon be mine
death and destruction
revenge is mine

you will all die
i decree it
and he laughs

and continues to corrupt
the garden of Eden
and earthly delights


ekphrastic garden of earthly delights national poetry month prompt day 6

president trump haunts my Dream

president Trump
haunts my dreams
daily dystopian nightmares
as he daily proclaims
the end to the republic

as he ushers in fascism
with his every lie
he corrupts the world
and I hate
seeing his bloated fat ugly body

that haunts my every dream
as I watch him  rant and rage
against my old friends,
his enemies in the deep state
ushering in chaos and destruction


National Poetry Month day four prompt image from a dream



ten words random rhymes

every day I see our president
Trump proclaims that he will be president
his image haunts my dreams
dystopian nightmares propels my dreams
as the president proclaims he is president
the end of republic follows
no one hears our screams
He ushers in endless dreams
fascism inspires
our collective screams

national poetry month Day three prompt  write a poem based on ten random words


674 Santa Rosa

my childhood home
for almost 10 years
was 674 Santa Rosa
Berkeley California

A five bedroom
adobe California home
on the side of a hill
at the bottom of the Berkeley hills

you entered on the top floor
across the street you entered
on the bottom floor
thus it was in the Berkeley Hills

the house
had a large deck
with a perfect view
of the golden gate

we used
to sit outside
watching the sunset
as we ate dinner

my Mom and Dad
would have
their nightly cocktails
on the deck

before retreating inside
to continue
their nightly fights
and arguments

I grew up
downstairs
hearing their constant words
of hatred, dismay and outrage

my parents were the proverbial
odd couple
perhaps
never should have married

but despite the hate
there was still some love
that kept them together
throughout the years

we had a rec room
with a pool table
and I hung out there
with my friends

my mother tolerated my friends
most of the time
she would be somewhat sober
until after they left

and the madness came
over her
as she drank her whisky
and wine

the basement room
was added later
was my younger brother’s room
later was my room

whenever I visited
from college days
hiding out downstairs
avoiding my mad mother

my old room lay abandoned
filled with books
thousands of books
that I had read over the years

when she died
I should have taken
all the books
instead I took

about one hundred
just no space
for the books
of my childhood memories

National Poetry month day two prompt specific place poem 674 Santa Rosa Berkeley California


My life appears to a dream


For I dream
of meeting
the love of my life

in a dream
she haunted my dreams
for eight years

she walked out of my dreams
into my life
and became my wife

yes my life
resembles a fairy tale
complete with a princess

that rescued me
with her undying love
and made my life complete

national Poetry Month Day One Prompt Metaphor for Life Dreamer




Trump Derangement Syndrome Blues

Trump haunts my nightmares
dystopian visions
soon to come true

fan story 15 syllable poem contest

Saturday April 11

To My Dream Woman Who Loves Me

to my dream woman
who has loved me so
over the years
since I first dreamt
of meeting her
thank you for finding me
and rescuing me
I just have three words
to say
I love you
Saran hae
and  in a million other languages
and will love you
until the end of time

writers digest prompt to write a x  Blank  x

BLACK OUT POEM

Black out Poem
God’s Punishment

Original text


During a press briefing today to address the nation’s response to the coronavirus pandemic, President Trump was asked about certain Christian pastors who plan to defy state lockdown orders and hold Easter church services this Sunday.
“I’ve had talks with the pastors, and most of the pastors agree … that they are better off doing what they are doing, which is, distancing,” Trump said, adding that the pastors want to “get back to church so badly.”
Report Advertisement
Trump then referred to a notorious pastor who sits on his religious advisory council.
Defend democracy. Click to invest in courageous progressive journalism today.
“I’m going to be watching Pastor Robert Jeffress, who’s been a great guy,” Trump said. “He’s a great guy and I’m going to be watching on a laptop.”

Jeffress is known for his litany of statements demonizing the LGBT community, abortion, and secular people. One of his most reviled comments came in 2015 when he said the 9/11 attacks were God’s punishment on America for abortion.
“People ask me all the time,” Jeffress said during a speech at Liberty University. “‘Well, I just don’t understand why God wouldn’t protect our nation and he would allow these radical Muslims in 2001 to **** 3,000 of our citizens and why God doesn’t protect us. Surely, God doesn’t use pagans to bring judgment upon his own people, does he?’”


“I’ve had talks with the pastors, and most of the pastors agree … that they are better off doing what they are doing, which is, distancing,” Trump said, adding that the pastors want to “get back to church so badly.”
Report Advertisement
Trump then referred to a notorious pastor who sits on his religious advisory council.
Defend democracy. Click to invest in courageous progressive journalism today.
“I’m going to be watching Pastor Robert Jeffress, who’s been a great guy,” Trump said. “He’s a great guy and I’m going to be watching on a laptop.”


Jeffress is known for his litany of statements demonizing the LGBT community, abortion, and secular people. One of his most reviled comments came in 2015 when he said the 9/11 attacks were God’s punishment on America for abortion.
“People ask me all the time,” Jeffress said during a speech at Liberty University. “‘Well, I just don’t understand why God wouldn’t protect our nation and he would allow these radical Muslims in 2001 to **** 3,000 of our citizens and why God doesn’t protect us. Surely, God doesn’t use pagans to bring judgment upon his own people, does he?’”

Black out text

the coronavirus pandemic, President Trump
hold Easter church services this Sunday.
“I’ve had talks with the pastors, get back to church so badly.”

“He’s a great guy and I’m going to be watching on a laptop.”

he 9/11 attacks were God’s punishment on America for abortion.
“People ask me all the time,” ‘Well, I just don’t understand why God wouldn’t protect our nation and he would allow these radical Muslims in 2001 to **** 3,000 of our citizens and why God doesn’t protect us. Surely, God doesn’t use pagans to bring judgment upon his own people, does he?’”

Poem

Corona Pandemic is Not’s God’s Punishment



Amid  the coronavirus pandemic,
President Trump
Attended virtual Easter church services
I’ve had talks with the pastors,
We need to get back
to church so badly.”

Rev Jeffries is  a great guy
I’m going to be watching on a laptop.”

Rev Jeffries said

The 9/11 attacks were God’s punishment

on America for abortion.

“People ask me all the time,”
‘Well, I just don’t understand
why God wouldn’t protect our nation
and he would allow these radical Muslims in 2001
to **** 3,000 of our citizens
and why God doesn’t protect us.

Surely, God doesn’t use pagans
to bring judgment
upon his own people,
does he?’”

I am sad to report

Rev Jeffries

I spoke to God

This morning

He confirmed

He did not cause 9-11

To bring judgement

On the US

For abortion

He went on to say

The corona virus

Is beyond his control

And he is not sending it

To punish the US

Or the world

His final words

Please tell Rev Jeffries

To simply ****

poetry super highway black out poem

coffee Whitney

my coffee
morning delight
all day long
not though at night
can not sleep
afternoon coffee
leads to nightmares lasts all night


writing.com Whitney poem form
  
coffee Hay Na Ku


hot
coffee
in morning

ice
coffee
afternoon

Drink
coffee
afternoon

will
soon have
bad nightmares

must
have my
coffee now

drink
coffee
all day long

no
way sleep
will come me

curse
of my
mad coffee

writing.com prompt write a Hay Na Ku Poem
Daily Dew Drop In submissions as well



women playing the lute contemplating God

a woman sits
by herself playing the lute

deep in contemplation
thinking of God's love
for her

thinking of the devil
and his temptations
she continues playing the lute

all poetry contest

I’m the worst **** in the world
No one is worse than me.
For my next bride,
I shall marry the Queen of She
Ba (Academy presents her majesty.
Nominee gushes.
Audience applauds exhaustively.)
She will manhandle me,
Liquor on her breath,
Feathers framing ******.
Inflamed blossoms drenching submissions
She told me to delete
The photographs,
Even though there were many
Caught her beauty in amazing graces.
She hated me
For putting up so little struggle,
Obliterating her splendor
Indifferently.
I wanted to prove
Deserving of her love.
she dilly-dallied, distracted.
I cried pitifully, “Where’s my girlfriend?”
Chain of events to nothingness
My desolate existence
One deficit after another
Honed to fragile cutting-edge.
I wanted her to pleasure me
With subtle painful tinge.
She brilliantly found fault
Every conceivable way to blame.
She accused, “you fiddle in noodle factory.”
She was the true artist,
Dissatisfied with the sound
Of my heart beating.
You want to play hardball with the big boys?
You better show up with bulging intelligent creativity.
You complain about
Every infinitesimal gargantuan thing.
Nothing makes you happy.
I will always love you no
Matter how impossible.
Looking back,
You were an impossible chance.

they said he should submit this
make submissions and do readings
this is the way it’s been done
for many years
but he didn’t really want to
a couple of rejections left him weary
and he’s a writer not a performer

the contests say “all styles and subjects”
but surely they have criteria
not this one
not this one
this one
the all inclusiveness is a lie
the judges know what they want
he wished they’d be up front and specific
but it’s all about the entry fee
they pretend to be seeders
offering everyone a chance
to grow and bloom
but they’re actually weeders
quickly quashing poems
rubber stamped with doom
they never really stood a chance
because it’s all about the entry fee

“Don’t self publish”, they said
“You’ll regret it”
he did the design and layout anyway
“Can ‘we’ make changes to the cover?”
who the hell is “we”?
this is his book?
sure he wanted sales
that’s what publishing is about
but sink or swim
he wanted his book, his way
especially his first book
and he’s a stubborn *******

the internet is accommodating
this IT age makes it easier
the process has been long
with glitches and obstacles
doubt and procrastination
but the would be destination was worthy
available at amazon

Submissions to the Annual Musical Torture Experiment for 2017 are officially open!

Submit your five songs by emailing them to
TorturePlaylist@gmail.com

"BUT WHAT IS THE MUSICAL TORTURE EXPERIMENT NICK?"

Well me, I'm glad you asked.
The Musical Torture Experiment was started in 2013 by yours truely, Nicholas R Coulombe.
Where I asked everyone I knew, met, or saw on the street, to hand me 5 songs that I would add to one playlist,
listen to that playlist on a loop
AND NO OTHER MUSIC
for an entire month.

I have continued this tradition each year
recruiting Willing victims & voulenteers
to listen along with me.

These victims have many different lives, interests, and genre preferences,
but there is one thing they all have in common.

The blissfull escapism of living in their headphones.

This gaggle of Tune-heads who use their music as a fundamental life resource, a coping mechanism, an escapist fantasy or meditation.
These people offer their body and spirit to music.

Now, for a whole month, they are relinquishing control of their music.

Shotgun no longer shuts their piehole.

For an entire month.
Listeners will not be able to skip or select any music other than
YOUR SUBMISSIONS!

This is the perfect opportunity to force someone to really find whats so amazing about those artists we culturally hate.
Or maybe theirs an oldy that your grandkids Refuse to consider music because there is static or twangy voices instead of bass drops.

Maybe you talk about your love of skrillex and a hipster spits their kombucha in your face.

If you have songs that DESERVE the light of day.
This is your chance to indulge in their exhibition.

want to voulenteer yourself as tribute to listen along with these crazy *******?
keep tabs on what is being added cause you think its kinda interesting?
Or contribute YOUR five songs?

Just
Send an email to TorturePlaylist@gmail.com
by the end of August to participate!

Go check out the playlist itself here:

https://open.spotify.com/user/124409443/playlist/2TAdzDUKx7sfW1uJrqMS7K

I meditate upon shore of thoughts;
washing over my countenance, caressing
my soul.

as he forms verses in syllabic count, fore, his voice
ebbs in tidal waves, teasing with submissions of
cognitive chains of thought; where bated breath
pounds against my peninsula

open to laps in hunger, tasting passions complaisancy;
each rush, mouthed in a sauntering flow; touched
in currents of his thoughts; I absorb bittersweet brine

as there's no lack of verbiage, threatening consumption
of uttered articles of enticement

like driftwood floating; his words glide as tides drag
mind, to and fro with each affluxion, I acquaint
thoughts in odes

his sung ballads brush against me like seaward
breezes and I consume his melody in swelled seas
of delicacy

in harmony and bouyancy of song; I surrender
within his thoughts, relishing serenity; upon his
island of passion, wrapped within his poetry in thought

Shepard in a field,
crucified upon  a wooden fence
Your grieving flock was scattered
worldly

Liberty's book was swiftly plunged into
the blood of bigotry
Fascism laughed in tones of red, white and blue

Land where our fathers died
Land where our bigots hide
I say to you Amen...

I love Jesus;
you must too
resounded these hollow
words

Hate is now the doctrine
intertwined morph-boiled into fear and hate,
being poured over enlightenment
in destruction of green lands
engulfing
youthful sprouts
in destructive steamy waters

The book of Leviticus
is the demise of reason
fractured from critical thinking;
allocated to the current pulped-swine,
swaying in hypnosis listeners of these pulpit-swine-beasts;
they embark with twisted trepidation's disdain

Shepard in other fields of life
into brute submissions
you will succumb being baptised
in your own red pools,
being smitten by the pulpit-swine-listners
of ancient prophets

The dirge, the slow dirge is heard
throughout our delicate land

Ooh sweet brilliant Oscar, we still suffer
as you had
my brilliant Irish lad

I love Jesus
you
must too
My country tis not for me
sweet land of bigotry
to thee I sing, to thee I sing...

The ones we hurt the most
And the ones who hurt us the most
Are ours
Parts of us

Our beloved boomerang admirers
And they’re the ones who love us more than anything

Yugoslavian aggressively panhandling for depositions from unrelated denizens of the gin joint

A panoramic view of a wire tapped room with a lunatic with latent panic that is undisturbed

Hoarded handouts
Admissions
Acceptance
Embarking on a new flight of stairs

Pitter patter of foreign fitted shoes

Coming across label makers
“Jew”
“******”
“******”

Steer clear

Then those who memorize banned books and recite them
Who question the validity and relevance of tradition and old fashion ways

Finding things in common
Tastes in music
Fondness in wine
Alike minds that crave astonishing world widening writing
And thought provoking art

A libation to the collision of the alive and living

A somewhat scary visionary who breaks the black and white patterns of a wheel of fortune and misfortune with a lance of optimistic disregard

Stealing kisses and sipping on top shelf liquor

Smoking mystic cigarettes from Indian mountains

Idioms and vernacular

Dedicated guardian angels who hang their heads and rest their faces in their palms in puzzled disappointment

New visions
In music
In literature
In technology

But actually in
Self-expression
Communication
And progression

Stab a knife into the stuffy conservative dollar sign chasing guard

And let the prisoners of self-doubting overlooked misunderstanding go free

The complex complications of cement commitment

Walking out on an infant
Walking away in an instant
Instantaneous fear
Spontaneous combustion

A noose
Legendary
No
Not yet

Sing it to me
Play t

Lay morality to sleep
And raise yourself up
And proclaim a new way today

A jumbled viewpoint
That is brilliant and completely sound

Have a sip

Your hatred, look deep
****** it and rip it out
Then let it go

Busting up regulations and requirements

Creating an image that cannot be simulated
That is originated from the imitation out of respect from the innovative minds

Slow it down
Go
The lust
The envy
Two ingredients for a new story
All that’s left is the spilled blood and you’re done

Drift and go on a dimly lit trek into the subconscious and give birth to underived works

The world may burn, melt, freeze and shine

Surrender, transform, standstill then ascend

The ones in need fall into our laps along with the decision we all must make
To help them
Or pass them by

Click clack goes my keyboard
Revisits to the times before

With the aid of chemicals and inspiration
Mixed with ******* and crazed obsession

The feeling of being replaced
Like lying in bed on a cold night
Without a blanket that has some place better to be

My dear naval, nautical nincompoop
I miss you, you’re fighting pirates
Soon terrorists

You know it’s useless
You don’t want to be part of this nonsensical unholy fuckfest of political unrest

You’re a poet, you don’t write
Your life is your poetry
It’s beautiful, you want to live
Not just exist

Be wary, I have foreseen the pandemonium festering in your heart
You are lucky in your naïve exile in paradise
You’ve been hurt
Looking for love
Live, lend
And all the above

Fool proof plans
And ideal daylight

The suicide of the farmer’s daughter
California sushi roll
Burning embers
Red hot coals

Best of luck to you

No elegy
A eulogy
See it to the end

Distract them
Steal the vital piece
Then proceed to take what you came for

It’s okay
Forget what you’ve been spoon-fed your whole life
The greatest caper committed

Jam the doors
Skeleton keys
Skull and cross bones on the bottles
Take whatever you can carry

No man left behind

Leaving a not, imprints
For them to see
And know why we did
What we have done

Phony fame
Upper hand
Inclined
Shame

There is a time and a place for treason
When all is ugly and bigoted

For you will only be this young at this very second and never again

Shoot from the hip
Fly high on the seat of your pants

Grungy soap dish
Domestic disagreements
Empty reflections
Rapping at the window

Go away
Please
For your sake and mine
It’s insane

I expunge your from my life
Not in hate
But in agony
We both know it’s for the best

Don’t be spiteful
I hate being used
Just a tool to b left behind

Extraordinary shallow callousness

Let’s take a walk around the universe

I see two lovers showing their vulnerabilities to each other
I see a man and a man making love so pure
I see my friend traveling the world
I see an amateur addict about to take their first step into a lifelong dependency  
I hear the screams of those about to be murdered
Does that quench your thirst for reality?

Aiding and abetting
Guilty by association
Confession of guilt
Squandering money on bail

**** that
There’s a rat
*** wrap
****** wrap
Saving you from yourself
Following, no matter where you go
Always

       -Tommy Johnson

Others fail you
But you must never fail yourself

Drop
Down
Drown
Die

So many futile attempts
****** submissions
Preponderant talent

And that’s about it

Bring 'em on home

A long time ago,
A fellow New York Jew,
Happened to be a poet too,
Like someone else I knew,
Wrote some lines
The people of France
Thought were pretty grand.

So they built a statute to,
Her words, realized in copper,
And placed those words on its base,
Where it rests today in the harbor.

Everybody, especially a lady of
A goodly number of years,
Needs an occasional makeover.

A colossal mistake of unbridled arrogance.
Natty, you sure?

For sure, my words to greet, to welcome meet,
A special class of people,
Who come not by sea, but electronically,
Who need a statute of their own!

Give me them again and again,
The sad eyed teenagers of the lowlands,
The cutters, the pill poppers, the heartbroken,
The incomplete poems,
Send them my way
So I can
Bring 'em on home.

I have no lamp just many arms
And a handful of words,
To comfort them tween the lonely hours
From midnight to dawn,
When the ancients are on duty,
On the lookout, on patrol,
For these special many.

My qualifications you ask?
I can read, I can feel, torment, he be,
My right hand man, scars to prove it too.
Do I need more to simple want, please,
Bring 'em on home.

Like scraps of unfinished poems,
I want them all,
My job to complete and send them on their journey,
Back slapped, chin chucked, safe home,
Secured, knowing, that there are many o'me,
Who desire the same.

I cannot give them absolution, or permission
To do what they feat most in their submissions,
Lend them my grays, my ancient perspective,
My heart that has no shape,
But room enough for them all.

Unafraid to cry alongside them,
Unafraid to say it is beyond belief, inconsolable,
That hurt has entered thine bloodstream,
That there is no drug to cure what drugs undone,

But I have intent, I have poetry aplenty,
To assist, write with you, new endings,
For you are but a stanza now,
And someday you will be a
New Colossus...

And I will still be
Here, in case...

--------------------------------------------------
"No­t like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
"Keep, ancient lands, your storied pomp!" cries she
With silent lips. "Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!"

Emma Lazarus
The New Colossus

"The New Colossus" is a sonnet by American poet Emma Lazarus (1849–87), written in 1883. In 1903, the poem was engraved on a bronze plaque and mounted inside the lower level of the pedestal of the Statue of Liberty.

Standing tall take on all challenges
Ready to over come this opponent
The next obstacle so I can achieve greatness
Take this test win be the best and better
Every punch you comeback for me
They try to trap you on the mat you escape
Give them your all and some more
The body weak and sore but loves every minute on the mats
They throw a punch you come back with power
Refuse to lose or stay down never quit
Choke outs submissions regardless of pain never give in escape to survive
Gain a win to stay alive

Remind me, please
Write me one more letter
One like letters 16 through 53
The golden ages
Write the last paragraph
Like you don’t want it to end
Squeeze out the lines
You were planning on holding back
Like you did
For those 37
Teach me how to fall asleep before midnight
Again
Teach me how to wake up without hangovers
How to wake up with ideas
Show me everything
Like our poetry collections
Volumes 1 through 3
When we alternated days
And submissions
For 188 straight days
Minus the 14 days
We wrote four-letter poems
Remind me, please
When the bar was a date
And 1.75 liters was a dinner party
Not a Tuesday
Make me pay you back
The $65.00 in make-up
That I used to paint
“You’re too beautiful for make-up”
On the bedroom wall
Make me buy your little brother beer
For painting over it
Put 7,640 new songs on my itunes
Because these 7,640 are played out
Make sure we see every movie
Nominated for best picture
Before your cheesy award show party
It’s up to ten now, you know
Stay with me
For nine more minutes
While I hit snooze
Awake and right at it
Like ’04
Baby snores and blanket wars
Like ’05
Up before the alarm
Like ’06
Or at least in my dreams
Like ’07
And ’08
Rub it in my face
For the umpteenth time
By taking extra good care of me
When I’m sick
Even though
I never get sick
Pose for me
While I paint
And stare
Like that one time
When you were feeling so brave
Let’s spend our last $8.00
On yellow tail
Our last $18.00
On Sebastiani
Our last $38
On Veuve Cliquot
Because every day is a celebration
*******
Let’s reminisce on the 414 times
Our bodies became one
And the 671 times
They were at least in the same bed
Inspire me
Call attention to my capabilities
And caution to my chaos
Instigate that ******* in me
That made a jealous appearance or two
At christmas parties and night clubs
Hum me all 162 times I teared up in ’06
At the exact same time
Like a drumline
Of being lost
Because baby i’m lost
Point me
Point me in the right direction
Send me on the right path
You know, the one with you at the end of it

My first rejection Email arrived today
during a rainy day at work
My phone vibrated once in my pocket
We are sorry to inform you
due to an influx of submissions
we will not be publishing your piece
we wish you luck in your future writing endeavors
the staff
of course,
me being me,
my first reaction was to be *******
a child not allowed that really sweet action figure
because
"We need food"
but after stewing on it a while
I realized
I need this
because it's not success which defines us
a lucky guy can succeed
it's how we respond to defeats
the big ones
the small ones
the oh my god why don't I just quit
failures
that they'll write in the book of judgement
long after we are just dust
trapped inside of a coffin

Hello my fellow poets

I would like to say I've enjoyed writing and reading poems on this site and will continue to enjoy through my days.

Alas I will soon be going on a hiatus and will return after awhile, but before I go I would like to issue a challenge to all my fellow poets.

It's a collaborative poem challenge
It's very simple two poets pair up and write a poem no restrictions.

The rules are simple and are as follows:

1. The submissions will be from today till the end January 25th

2. The fellow poet has to be on this site.

3. Whoever uploads the poem their partner has to share it.

4. They have to be mentioned either in the title or side note.

5. Once the poem is uploaded send me a link so I can add it and you and your partner to the collab poem collection

6. What's a challenge without a prize, the winners will receive a notebook a pen and a hat

7. How do you win you ask. Well after the 25th I will tally all the views on February 2nd and message the winners.

Have fun writing and I hope to see many interesting collaborations

I mouthed beer breathed approbation
at the invited wonder of your sister's sweatered *******
the tableau set then,
for such delicious beginnings and shaky revisions,
once I  left the "look but do not touch" misgivings
amongst the litter of a thousand such instructions

I borrowed that hazel eyed angel for a night
rescued from drowning in a clear bottled wasp trap
the fattened marital photo was covered,
alternating friends corrected and reassigned
their alibis and frightened lies
while heaven was briefly in our sights

and we shook and screamed the clearing of our names
from every future Christmas list

and yet

clearance comes only once inventory becomes stale
and folds around your wintered house,
offers no plan to buy or stamp a route to someplace else

slow submissions rattle my pen
this is no season for love and there is no reason to begin
other than there, in the shadows, where portraits breed desire

and while mirrors shall dream of falling
I am not through looking yet
for while fun and feuds begin with *******
an ending always screams attention

You make me feel like a fool
You have me thinking I'm crazy
You **** me with your eyes and act like its nothing at all
You were never one to kiss and tell
But you tell me no and kiss me senseless
I don't know why I'm still here
Burning up and cooling down every time you hold my ear
Three times I love you
Three times no
Too many masqueraded intentions and submissions
If only you'd open up and let me know
Nothing matters more to me than the trust
The tryst was fun but the mystery is enough
Kiss and tell and hold my lips
No more talking, no more lies, I plead
Gift me this.

Lambasted by the bushwhacking shambles of potsherds burrowed beneath enchanted rhapsodies of sunken Earth lurks a might unleashed by the preemptive dirges of Heaven
Shattering the weight of mismeasure adaptive to apt remarks of conservatory stellar repartees gilded in the flombricks of insuperable gammon wed to the divorce between mammon and guardian treasure etched by revets of colorful nuance but colorblind fortitude chalky yet with scattered sound blinking in the wink of intelligentsia a thousand parsecs of understanding in milliseconds of orbit
The periphery of forgotten stars bereaved but informed of circular axioms of axiolative thermolysis bellowing stoked smokestack locomotives of hibernal clairvoyance dare to wonder beyond limited or enhanced pulchritude the denizens of thievery stolen in a flashbang grenade of a new Grenada of fustilugs gabbling in flushed rosy red tongues of frenzy or aplomb what lurks beyond centurion sentinels of robotic half-witted half-baked semi-cooked bludgeons of cruel insensate irony withheld by vulcanized drapes of curtailed curglaff fashioned by kneaded distance and suspended for heaved awakening at riometer’s knock barnstorming the crude churlishness of the foreign at trespass of the inane scaled down by infamies unstated and flanged to appropriate provisions of measure that conquest lurks behind recess and all is grafted from the callous pachyderm skin of absolution cozy to remedies but aloof from necessities of pang and Tang rollicking magpiety like a rotten pastime aged past its due.
Yet the batting average of the uncanny visitor undaunted by glaring photogenic record balks at precedent and aims to lollygag his chicanery roundhouse above the ricochet of enamor to whilded terminus at circular diamonds soaring illimitable skies boundaries to another nothing beyond the past of something worthy of pearls piggish in appetite for oysters to inhabit
Yet these cloistered vacuums between the pleonexia of the avarice of retches of chyme and the digestion of complete guarantors of shielded heterochrony wassail on dreams Titanic and sunken living repeatedly in revised stereodimensional waves of registry beyond fundus hijacked by towering dimensions ulterior to the profaned foresight of the wretched dimensions of reprehensible coteries belonging lost even when fetched by glimmers of the profound.
The riches of aberrant mobilized fleets swung into tether pole centripetal flictions of swarpollock surpassing credibility and peace surmounting mountebanks of petty finicky itches of cretaceous extinction mapped to qwersy frugal mathematical jokes recoiling at rebarbative manifest destiny belong to the records of soundracketeer trivialization of malleable gold fashioned from Whisky Bar encounters with goldmines ascertained in magic by the suspense of upholstered dramaturgy lurking beneath tall crestfallen visagists who toss and bandy about in tempests of curdacted flow emissary and envoy to flajousts emergent from the verdure of aboriginal machinery fumbled by human ergonomic chicanery espoused by asylum rather than touted as marksman prestige flippant by inordinate gavels ****** asunder into delignated copper-brass keys of foreboding prisons on sinking ships for counterfeit litanies of bogus warning meeting inclement poverty to a drawn sine in the sand vacillating on purpose but intransigent in declension.
Starlet gnashes of odontoloxia wavers of tangential tendentiousness escaping the orbit of enumeration by sly remarks surprising the elective prerogative for convergent autumn to skittish paces of fast-forward beating the brumal bears in their gelid lollygag reminders why the 2nd protects the 1st and the primacy of interposition is the immediacy of flexed muscular DeLoreans cavorting with fringes of unfurled destiny in flashbang instants between the space among malingered pauses among secondary waves of betrayal shift the curious rip tide of stretchgraves too ennobled for widescreen yet narrowly faint in their promontory illusions as mantelpieces of emblazoned scarlet A’s for nothing more than a tempestuous flair with stigma but simultaneously the realization of true dreamy blues escalating around tensions finessed into ****** before drooping into the droll 1850s as the balderdash of detriment belonging to the salvo of picturesque still-life expressionism dripping troudasque in antiquity with flairs of impertinence celebrated more by melodrama than by billows of industrial hinderbaggle toxic to the stated alarmism of trinkochre preventing treony by the warbles of songbirds hemmed in by bushwhacking galactic police forces of granted licentiousness for backbites in the feral canine drollery of aged literacy chosen over youthful foofaraw belittled by retches of attentive brevity rather than protracted obtuseness: neither ideal for the gravity of aborning centuries
Yet we dally in convergent esprit filibustering rhymed cadavers of cadence for prurience in ebullient parvenu damsels vacant from the setting but entranced by the galloping herds of buffalo formidable with warmth because of death and locomotive drive-by shootings Daphne wouldn’t miss.
Yet what Mission Impossible has a BioCyte worthy of henpecked ransom and detached villainy of a trespassed appendix bursting in the Young crowd much to the awakened dismay of the colored affront to black-and-white hubris finicky in oligochrome yet fainter yet than stellified bronteums burgeoning in generativity separated by inherent gulfs of heterochrony balking at submissions fished by loaves of interest in the hambasket of aswallone fractious to redshort individualism in the subhastation of Jurassic prowls of replication hibernal for millions of extinct permanence scowling only by the mandibles of crackjaw Samson yielding his jaunty hair to flummoxed Cutthroat Collapses trimming yardstick furloughs of pleckigger for demotic flavork above fishy warbles of tilted pretense vagrant to everybody simultaneously renowned for arrested cacophony but bridled by few examinations barnstorming teetotalers with haunted patrons of aged wine speaking redivivus in contemplation.
Measured glare radioactive to lizards beneath Mojo Grooves monikers fielding “fly away” as transcendental harpsichord anagrams filter through lavaderos of hackneyed nockerslugs berating illusion for conflation in the influx of dacoitage among Vikings who swim flanked by sonic blares of innocuous dolphins floating dead by the carnage of bloated whales and ridiculous spates of welter above conscience ragged with tetherball futility.
Sparring with engastrimyths sapping the sapwood of sappy banality for toonardical lullabies that pacify opposition more than the Pacific is internecine to volcanic tirades of seismotic jolts of burgeoned awakening I vanquish petty sneakthievery with the unspoken power of a Tweed that masquerades not on ******* but on virtual rhymes cascading throwaway brown-brick fifties collapse on Dagon armed with gnashing poise against guttural gubbertushed victimized flippant fantasias arrayed to brook the decrepit streams of my elevated retinue for staged intrepid barnstorms against phony assassinations to prove petty Edison powerhouses clairvoyant in even their specious participles of quantum irony decisive in fliction marveling at sensible conveyor belt beltways infested by sluggards of inferior hives contrary to every inclination of self-edified skyscraper invented by the mettle of industrious man
So swanky in boast but gingerly in insightful discretion I careen ping-pong victories into a plevisable fortune of Bubba Gump wealth and Fortune Magazine ostentation as the ringleader in Barnum’s neutered circus that never spays a single sword of creation in the barnacles of progeny and progress frogmarched by cruelty and vehement in suppositions of craven popinjay popples of a whangam metropolitan artifice tinsellated with angles of trim prance above suburban ecstasy in transcendent flash and peerless reaches of stratosphere above mundane plaid macaroni witeless in the sterling grace of foreign domestication of livable conditions abiding by aborning stardom.
Harriet Tubman flowers on the bedside of ****** seances of 70’s Parisian cafes gerrymandered by hobohemias of herculean heft squaring account with encompassed brevity in byword dazes with ***** futures yet to court the cordial consensus in dodged drafts of fumiduct riots bailing upon New York Time for 44th street colored incineration of an orphaned Africa embodied in a totemic titan with reninjuble peerless majesty compromised by a frapplank in immodest incisive harpricks of fumbled swerves against the original proclamations anniversary to Boston Indians revolting against Manifest Destinies magnified in incidental clarity by bestowed churches fuming with rampant clairvoyance tamed by the grisly realism of intermittent thaumaturgy swaddled by the reconnaissance of eventual warps blistering in milliseconds to overturn the ultimate row that the mire always wades through in impoverished egestuous profligate convenience of hamstring declension against chary mettle in scruples by elementary riddles in precise junctures of sanctity the bodewash of slick partisan gibes of a puppet show vampire avenging Sarah Marshall. Harriet Tubman is an overblow of subniveal pickets of defensive clarity to immemorial churlish katzenjammer of a protracted flux capacitor dynamos in abolished feral groves of bohemian legend rather than ignoble rhapsody flirting with apartheid’s chosen engineers whittling an indelible scourge of hatred rather than a revived simian immunity scalded with potboilers of sveldtang water scorching like Helsinki after Stockholm goes up in conflagration over bonanza of wednongue dative duress in impregnated purpose skanky with ministered drivel of doytined attempts to flicker a switch exorcised by the integrity of neuroscience besides an intransigence of exuberant interruption of warped logics of pataphysical coarse arenas for submerged vapid Yellow Belly Pie Slingers aimed at 7/11.
Broadside bruisers aim at fracked 80s heyday like a Hey Bulldog reminiscence on a quaint suburban joke of alien freebooters in Franc Swiss gloss swanky on the spot of frapplanks endless in retired liturgy of surpassed peace amicable to truces among the pragmatica of checkerboard pastries willful in array backing sentinels from rearguard hindsight to flank the motatory missiles of target from ransom built like fortress of immutable graves lost to the celerity of the outpaced spectral wonder of teenage flights and hegiras into recessive parsecs enamored by a stage-fright of recocted astral wonders plasma to the ears of a strange foreign abode hospitable to most heaved alacrity sidewinding into effigy and the crumples of used demise recycled twice by intrinsic spirituel flocks of engulfed eagles spooning the pristine littoral waters of precision in nexility
Stayin’ Alive cackles resound in the hallowed furrows of a neat daydream in a scattershot imagination screaming to make myths sticky pigment rather than imbroglios of intaglio filibustering cohesive firm firmaments flexing with windfall at princely surprises cobbled from chocolate-box chariots of brisk elation shoveled by the conglomerate of prim-looking star-crossed unbuttoned snoozes with glamour in the corsair sojourn beyond the space emergent from stardust tinsel and glowered vindication of self-engineered huffs of vulpine vainglory touted as preeminent above dodgy 70s swerve in the vibrant kantikoys of covert tenure and flickers of swandamo glitterati borne of triumphant dimples on immaculate refraction.
Yet lingering on the precipice of aboriginal unity in disjointed sejungible frames of vernal restive residence decaying with anthill colonies of demarche the cadence lost to gyrovague trinkets balks from corridors of Pacific  Avenue peace that is the cardinal to the priests feasting on militias of rentgourge evicted from their own leash of lease ruffled in the plumage of horizontal margins folded into origami zenkidu gullible on Raptor estrangement chained to the rhythms of parsed sparse rumbles of the rhombos without a complexion intended for sparkled starlets doomed to regular tides in swollen tsunamis of soft-spoken surrealism the providence of aimed dreams of drastic marvels beloved to impregnate a verdant cadence latent by faltered seamstress elopes flickering for caress in the duress of finesse.
The quaint drawl of scrabbled runes of rumbled rumination streaks like a quivered acerbic winsome peacock jagged in the parlance of henpecked peak beyond the reach of the highest teacher that ever had the privilege of tutelaries spawned born to teach in Steppenwolf rhythms of rugged heavy metal impeachment yet ripe enough to preach. The last juggernaut is vile bereaved of yets to become the blemish on risky flambeaus overrun by crackles fuzzy in written retch for sudden bursts of volcanic speech.
In the quagmires of serrated heavy leaps I stroke the frazzle as the choir reaps the grim proclamation gilded by sentinels of majestic Challenger Deep burrowing tunnels of coltish ploy dilettante to all his curated adoration that toys with the children of majestic modesty ever so fractious as to balk at the priggish calumny of retinues of the tired coy rampant in emasculated spayed days of stranglehold filigree geometry bent on noisome bleats prone to annoy
So I leapfrog the redundant hackencrude fawn of gripping spectacles of alpenglow summits on acid at dawn foaming with betrothed pumice on borrowed past from potentiated future belonging once to a man yet always bred to prefer fairer damsels sprinkled with a hint of germane Soy saucy to the Bossy promenade to an Islander born and bred.
Guilt like Gravity gilded into spacious trailblazed glory sent seminal and said loudly bowdlerized the pasture of hidden thickets in sparse backwater chavish remanded by fisticuffs of elapse travail in artistry fundamental to rhapsody in distant milky affection jangling high plaudits of auditoriums of the delicate audit bulldozing fraudsters colored by defected records set ablaze in seminal disco becoming cordial homes for shaken residue blushing in crude crass mass the inertia of the classy beyond recognition without flashbang clashes of cultural class glimmering to faltered waterdrips of palatial mischief in correct lens for froward recalcitrance of jittery stash hidden in dacoitage by the police that knelt on incinerated livelihood predicated on chauvinist cash for departed untouchable caste of radical haste too blinkered for internet barnstorms limited only to lurid copy-and-paste regimented for revolution damaged by the loneliest orchestra of refineries of an alien taste.
We crack skulls against ossified hulls riveted weakly to iceberg submarine bulge battled in wars past always to suppress greater travesty yet divulged that Barbarosa was an insider coup expunged by remonstrance against finicky postulate brayed from deranged heirs to a disease of relish quartered by blue danger dancing with shadowed emancipation librettos finkly in tripwire terms of routed inefficacy killjoy to seanced second guess prisms of rootless flimsy accusation wagered by pathetic overstatement in hypenstance trimmed by the crimson paint of a glowering silk woven from dramaturgy belittled by grasp if not by locomotive passerby pause wicked by subversion inclined not to dismay by oriented by nefarious rage of flagrant hapless scrimshanks in prowess sued by process and refined by progress never erased by a five-second glower by the sentinels of parlance intrepid by desiccation to supervised superstition bemused by abundant gray twists of turnverein pillory.

i have a rendezvous with rhyme
with only the lyrics of this orchestra
my cadence is only for rhythm
free-verse in its purest ingenuity

I ache for quarterly submissions
of my essential need to write
the autopilot poetica of my

last kaleidoscopic vision strange
a musical hopscotch of surrender
a mystical milking it of thirst

muse & fate here relaxes
for a final teasing and tasting
of the plump record of odes
and the promise of exhaustive cadence

that reaches humming pentameter
stares organic pink into utopia
requesting documentation from the stars

in how to be a poet, as legends burn
martyrs in their alien worlds
a last dynasty of awkward prayer-rituals.

Ce n'est donc pas assez ; et de la part des muses,
Ariste, c'est en vers qu'il vous faut des excuses ;
Et la mienne pour vous n'en plaint pas la façon :
Cent vers lui coûtent moins que deux mots de chanson ;
Son feu ne peut agir quand il faut qu'il s'explique
Sur les fantasques airs d'un rêveur de musique,
Et que, pour donner lieu de paraître à sa voix,
De sa bizarre quinte il se fasse des lois ;
Qu'il ait sur chaque ton ses rimes ajustées,
Sur chaque tremblement ses syllabes comptées,
Et qu'une froide pointe à la fin d'un couplet
En dépit de Phébus donne à l'art un soufflet :
Enfin cette prison déplaît à son génie ;
Il ne peut rendre hommage à cette tyrannie ;
Il ne se leurre point d'animer de beaux chants,
Et veut pour se produire avoir la clef des champs.

C'est lors qu'il court d'haleine, et qu'en pleine carrière,
Quittant souvent la terre en quittant la barrière,
Puis, d'un vol élevé se cachant dans les cieux,
Il rit du désespoir de tous ses envieux.
Ce trait est un peu vain, Ariste, je l'avoue ;
Mais faut-il s'étonner d'un poète qui se loue ?

Le Parnasse, autrefois dans la France adoré,
Faisait pour ses mignons un autre âge doré :
Notre fortune enflait du prix de nos caprices,
Et c'était une banque à de bons bénéfices :
Mais elle est épuisée, et les vers à présent
Aux meilleurs du métier n'apportent que du vent ;
Chacun s'en donne à l'aise, et souvent se dispense
A prendre par ses mains toute sa récompense.

Nous nous aimons un peu, c'est notre faible à tous ;
Le prix que nous valons, qui le sait mieux que nous ?
Et puis la mode en est, et la cour l'autorise.
Nous parlons de nous-mêmes avec toute franchise ;
La fausse humilité ne met plus en crédit.  

Je sais ce que je vaux, et crois ce qu'on m'en dit.
Pour me faire admirer je ne fais point de ligue ;
J'ai peu de voix pour moi, mais je les ai sans brigue ;
Et mon ambition, pour faire plus de bruit,
Ne les va point quêter de réduit en réduit ;
Mon travail sans appui monte sur le théâtre ;
Chacun en liberté l'y blâme ou l'idolâtre :
Là, sans que mes amis prêchent leurs sentiments,
J'arrache quelquefois leurs applaudissements ;
Là, content du succès que le mérite donne,
Par d'illustres avis je n'éblouis personne ;
Je satisfais ensemble et peuple et courtisans,
Et mes vers en tous lieux sont mes seuls partisans :
Par leur seule beauté ma plume est estimée :
Je ne dois qu'à moi seul toute ma renommée ;
Et pense toutefois n'avoir point de rival
A qui je fasse tort en le traitant d'égal.

Mais insensiblement je baille ici le change,
Et mon esprit s'égare en sa propre louange ;
Sa douceur me séduit, je m'en laisse abuser,
Et me vante moi-même, au lieu de m'excuser.

Revenons aux chansons que l'amitié demande :
J'ai brûlé fort longtemps d'une amour assez grande,
Et que jusqu'au tombeau je dois bien estimer,
Puisque ce fut par là que j'appris à rimer.
Mon bonheur commença quand mon âme fut prise.
Je gagnais de la gloire en perdant ma franchise.
Charmé de deux beaux yeux, mon vers charma la cour ;
Et ce que j'ai de nom je le dois à l'amour.

J'adorais donc Phylis ; et la secrète estime
Que ce divin esprit faisait de notre rime
Me fit devenir poète aussitôt qu'amoureux :
Elle eut mes premiers vers, elle eut mes premiers feux ;
Et bien que maintenant cette belle inhumaine
Traite mon souvenir avec un peu de haine,
Je me trouve toujours en état de l'aimer ;
Je me sens tout ému quand je l'entends nommer,
Et par le doux effet d'une prompte tendresse
Mon cœur sans mon aveu reconnaît sa maîtresse.

Après beaucoup de vœux et de submissions
Un malheur rompt le cours de nos affections ;
Mais, tout mon amour en elle consommée,
Je ne vois rien d'aimable après l'avoir aimée :
Aussi n'aimais-je plus, et nul objet vainqueur
N'a possédé depuis ma veine ni mon cœur.

Vous le dirai-je, ami ? tant qu'ont duré nos flammes,
Ma muse également chatouillait nos deux âmes :
Elle avait sur la mienne un absolu pouvoir ;
J'aimais à le décrire, elle à le recevoir.
Une voix ravissante, ainsi que son visage,
La faisait appeler le phénix de notre âge ;
Et souvent de sa part je me suis vu presser
Pour avoir de ma main de quoi mieux l'exercer.

Jugez vous-même, Ariste, à cette douce amorce,
Si mon génie était pour épargner sa force :
Cependant mon amour, le père de mes vers,
Le fils du plus bel œil qui fût en l'univers,
A qui désobéir c'était pour moi des crimes,
Jamais en sa faveur n'en put tirer deux rimes :
Tant mon esprit alors, contre moi révolté,
En haine des chansons semblait m'avoir quitté ;
Tant ma veine se trouve aux airs mal assortie,
Tant avec la musique elle a d'antipathie ;
Tant alors de bon cœur elle renonce au jour !
Et l'amitié voudrait ce que n'a pu l'amour !
N'y pensez plus, Ariste ; une telle injustice
Exposerait ma muse à son plus grand supplice.
Laissez-la toujours libre, agir suivant son choix,
Céder à son caprice, et s'en faire des lois.

Everyone is standing, staring at the front.
Here i go, I have to.
It's me.
Be abnormal in the norm.
Everyone stares thinking Im going to say something, is it going to brilliant? Sassy? Witty?
I exit to the left with no words spoken, no attempt to entertain those around me.
This is me.
This is who I am.
I am not an entertainer. I am not someone to stare at, to gawk at, to perceive as special, to want to be.
I am me.  
I am the one that spent years finding out who I am, I am the one who doesn't like being told what to do or who to be.
I am the "Me" you wish you could find in you.
I am the freedom that makes you scream
I am the voice you keep disciplined, hiding inside like a frightened child.
The voice you fear will one day collide with the reality which you live day to day.
I am Me.
I am the Me, you wish you could be.
I know myself, I know my "Me" and I know "What" I can be.
I have handled and grew from my past, i have dealt with my submissions of self hate and removed my disguise.
I have been in front of the wall and felt the cage that surrounded me, how else do you think i found the me in "Me"? I broke free.
I have witnessed my life be someone else's, I was trained to obey, but now these days I am ME.

A Penn Hills man will have items from his clothing line featured in a fashion show in Pittsburgh on Saturday.

Cary Heard, owner of CDH LABEL Clothing Co., has teamed up with The Ladies of Distinction — a recently-formed group of women in Pittsburgh and surrounding areas who are focused on community outreach, fundraisers and programming that benefits the educational growth of underprivileged youth — to headline his first fashion show as they present, “Make Me Over,” an extravaganza with a vision to “spread self-love awareness in the community and embody the greatness that exists in all of us.”

Heard, 22, said the show's goals were relatable to him as he relied on support from family and friends to pursue his ambition to become a fashion designer.

“I was always encouraged because I was good at (designing clothes). It was a talent and people wanted to see it grow,” said Heard, who has been featured three times in Pittsburgh's Fashion Week.

He said his friend's mother bought him a new sewing machine when he was 14 under the condition that he practiced sewing daily.

Heard said receiving the gift turned out to be a “pivotal point” to change his hobby into something he could make into a career.

Kim Heard, his mother, said Cary was “full-blast” with designing after that.

“He wanted to make things for himself, and his style changed. He was passionate about looking good in his clothing and making things he could wear. His peers asked him to make things and that snowballed into making vests for guys, and he made dresses for his dates to semi-formals, and then prom gowns,” Kim Heard said.

Fellow designer Starr Thomas has worked with Heard for more than five years, a time in which she said the duo has both collaborated and given one another input on designs.

“Our bond is just motivating one another and giving each other confidence to keep going,” she said.

Thomas said that since she's known Heard, his attitude toward others has always been “be confident in yourself,” and that he lives his own life that way.

“He's so passionate about (designing clothes). That's part of what makes him special. That, and his talent,” she said.

Heard's passion, talent and demeanor toward life has propelled him into headlining fashion shows.

Saturday's show will provide an opportunity for others to have confidence.

“Make Me Over” creators hosted an open online contest, where 40 contestants submitted photos and essays describing why they thought they deserved a makeover.

Two winners were selected, and on Saturday they will have a complete makeover and get a chance to walk the runway sporting a new look which includes hair, makeup and wardrobe.

Heard described one of the winners as a single mother who devotes the majority of her time to her daughter and hasn't had “much time for maintenance on herself.”

The second winner was nominated by her friend. Heard said she is “very involved” with community outreach, and is a “mother figure to many young people in the community.”

The person who nominated her wrote that she was deserving of the makeover due to her “strong cultural presence.”

Heard said all of the submissions received were “heartfelt,” and that he's glad to headline a show encouraging self-confidence, and gives fellow-designers chance for exposure.

“I'm hoping to make (the show) an annual thing. I hope it will bring a crowd that will create networks for myself and our other designers,” he said.Read more at:www.marieaustralia.com/****-formal-dresses | http://www.marieaustralia.com/cheap-formal-dresses