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"shanty" poems
Searching my heart for its true sorrow, This is the thing I find to be: That I am weary of words and people, Sick of the city, wanting the sea; Wanting the sticky, salty sweetness Of the strong wind and shattered spray; Wanting the loud sound and the soft sound Of the big surf that breaks all day. Always before about my dooryard, Marking the reach of the winter sea, Rooted in sand and dragging drift-wood, Straggled the purple wild sweet-pea; Always I climbed the wave at morning, Shook the sand from my shoes at night, That now am caught beneath great buildings, Stricken with noise, confused with light. If I could hear the green piles groaning Under the windy wooden piers, See once again the bobbing barrels, And the black sticks that fence the weirs, If I could see the weedy mussels Crusting the wrecked and rotting hulls, Hear once again the hungry crying Overhead, of the wheeling gulls, Feel once again the shanty straining Under the turning of the tide, Fear once again the rising freshet, Dread the bell in the fog outside,— I should be happy,—that was happy All day long on the coast of Maine! I have a need to hold and handle Shells and anchors and ships again! I should be happy, that am happy Never at all since I came here. I am too long away from water. I have a need of water near.
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31.5k
Exiled
Porous asphalt, And bandaged, quilt Homes puncture the Neighborhood, Which reads like a tattered American flag; all Coke Ads and weight loss Billboards, Half-burnt houses slant, Like the hills of San Francisco— Our own makeshift cable Carts, limping up And down the inclines. We are slowly being burned By our once golden sun— Having been taught to Bleach ourselves Pale, tucked shamefully In the shade. Makeshift shanty towns Which smell of mildew And processed laundry soap, Flimsy tin roofs Tied with Kleenex and Pizza Hut tarpaulins. The fact that this neighborhood Was christened "Freedom" Strikes an empty pang.
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Jul 6, 2014
Jul 6, 2014 at 9:50 AM UTC
Kalayaan Avenue
Smoke tokes out of the monkey's head, embers embellish empathic light enlightening gypsy nymphs from miles around, a glowing lighthouse haven heaven in nirvana massages lavender bubbles upon pores restoring strength to warriors of the rainbow tribe." Wind rustles with us... Stay grounded, you're found before you're even lost. Some get tossed and turned by the sea, but a smooth one never created a skilled pirate with third-eye versatile switch-blade heartbeat ink scribed on blood-vessel maps, following the soul tattoos and taboo time scars along with the azurite lightning stars shooting in our brain. Time stops sometimes... *Seasons change DNA re-arranges as we grow goin' with our own flow down the subconscious ocean, sometimes watchin' sunsets into a haze of sweet *** sweat and green cigarette peacetime sufi twirling our conscious to the north star crown chakra.* Love is. Always.
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Mar 22, 2014
Mar 22, 2014 at 4:12 PM UTC
Mind Pirates Sea Shanty
For 21 days I saw changes wrought by the freedom of 22 years Secrets of razor wire straight and taut Speak of those who continue to fear I saw nature’s beauty in land and face As black heel continues to rise Via school, ambition they prep for the race Even as secretly despised What’s changed in Soweto? I did not live But photos and newsreels survive Pictures of shanties bulldozed to give Whites room to extend their hives Now malls; monuments to white retail Built on Mandiba’s words Polished chrome and marble hail “Happy” workers in a black-faced world Monuments ringed with vendors tribal Carved goods for sale and cheap The rands they make do not rival What multi-nationals’ continue to reap Happiness is shallow until sundown When the curtain of decorum lifts Showing reality’s new shanty-town Where space and plumbing are gifts I wonder if He would be okay Seeing his people so used As pawns for labor with little say As black is seldom excused The young know the time is now As old hatred’s in shallow graves To be unearthed by book and plow Keeping dreams from stunting and fade
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Oct 12, 2016
Oct 12, 2016 at 8:48 AM UTC
SOUTH AFRICA - POST APARTHEID
I have come humble to seek your knowledge With exhausted feet and weighing burden, I bear my heart I have travelled far to arrive at the world's edge Ready to receive what wisdom you will impart I'll set myself cross-legged on the opposite of you I see you peering, examining my physical entirety With one good eye, you gaze right through Makes me uncomfortable, if I may... But I'll hold steady I notice you muttering but no words could be heard Your hands hovering over a glassy globe with an ominous glow You turn to the left, as if conversing with an invisible third Whispering secrets that I will never learn to know Shifting your gaze now into the crystal orb What do you see, Wise One, in that ball of yours You shudder upon it's touch as though it's power you absorb Tell me, Soothsayer... What lies for me in this course? You swiftly pull your hands behind your back I flinch with a start at your sudden display You bring back your hands revealing cards out of a stack You tremble in spasms, dropping the rest leaving one for play The card you place face down, right in front of me You motion for me to pick it up and flip it round I see the card bore inscriptions and ancient runes, quizzically You ****** the card and begin chanting in odd sounds Reciting your incantations, in a tongue I do not understand They sound like curses rather than the answers I seek It all ends almost as soon as it started... I can't comprehend You then place your warm palms gently touching my cheeks Your features softened as you stared into my sullen eyes A connection like eternity trapped within seconds never going astray Then you turn away to fetch a bundle roped in knots and ties You hand it to me hastily before ushering me on my way I am now perplexed much... What does it show? What did you see, what does my future hold? Please enlighten me what you've come to know From all of that, what could you have foretold? Bundle in hand I turn to leave your rundown shanty As I leave, you speak in your voice, different from before Soft yet raspy you say, *"Do not open till the end of journey" "Open only when in house, behind closed door"* Moon is up illuminating, as I make my way up north Armed in hand a strange, scented, tied up bundle Leaving with the same questions with no answers, I amble forth Wondering if in the bundle I may find the missing pieces of the puzzle...
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Sep 11, 2014
Sep 11, 2014 at 4:45 AM UTC
Dear Mystic (I)
I have come humble to seek your knowledge With exhausted feet and weighing burden, I bear my heart I have travelled far to arrive at the world's edge Ready to receive what wisdom you will impart I'll set myself cross-legged on the opposite of you I see you peering, examining my physical entirety With one good eye, you gaze right through Makes me uncomfortable, if I may... But I'll hold steady I notice you muttering but no words could be heard Your hands hovering over a glassy globe with an ominous glow You turn to the left, as if conversing with an invisible third Whispering secrets that I will never learn to know Shifting your gaze now into the crystal orb What do you see, Wise One, in that ball of yours You shudder upon it's touch as though it's power you absorb Tell me, Soothsayer... What lies for me in this course? You swiftly pull your hands behind your back I flinch with a start at your sudden display You bring back your hands revealing cards out of a stack You tremble in spasms, dropping the rest leaving one for play The card you place face down, right in front of me You motion for me to pick it up and flip it round I see the card bore inscriptions and ancient runes, quizzically You ****** the card and begin chanting in odd sounds Reciting your incantations, in a tongue I do not understand They sound like curses rather than the answers I seek It all ends almost as soon as it started... I can't comprehend You then place your warm palms gently touching my cheeks Your features softened as you stared into my sullen eyes A connection like eternity trapped within seconds never going astray Then you turn away to fetch a bundle roped in knots and ties You hand it to me hastily before ushering me on my way I am now perplexed much... What does it show? What did you see, what does my future hold? Please enlighten me what you've come to know From all of that, what could you have foretold? Bundle in hand I turn to leave your rundown shanty As I leave, you speak in your voice, different from before Soft yet raspy you say, *"Do not open till the end of journey" "Open only when in house, behind closed door"* Moon is up illuminating, as I make my way up north Armed in hand a strange, scented, tied up bundle Leaving with the same questions with no answers, I amble forth Wondering if in the bundle I may find the missing pieces of the puzzle...
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44
*This poem is dedicated to the memory of Admiral Albert ***** Potter who displayed amazing bravery by wearing full drag through several major sea battles.  He was cashiered for insisting the Admiralty rename his ship HMS Butch instead of HMS Fearless. In fact the vessel was eventually renamed HMS Damp **** because it was full of ****** A life on the ocean wave, ** In the olden days of sail When England's ships were proud and brave And their crews were very male. The Captain stood upon his bridge Looking smart and flash; But below the decks, the orders were *** and *** and the lash. The bosun went to the main gunroom, **** Deadeye at the ready; Initiation time had come For little midshipman Freddy. "Strap him o'er that cannon, lads!" Roared the hirsute fellow, "Gag his mouth securely, lads, In case he tries to bellow!" The sailors did as he had bid - Refused and they'd be punished - And they knew their turn would come After the bosun had finished. The bosun went up the poor young lad And soon was going strong; Midshipman Fred looked rather pained - The Bosun was THICK and LONG. Then came the turn of the other men And they set to with a will; Little Fred could not say no Until they'd had their fill. What a life our sailors had then, Always singing shanties; When men were men and big and butch And cabin boys wore silk ******* A life on the ocean wave, ** With the rolling sea and the spray. Sinking the Frogs and murdering Wogs Kept England's sailors so gay. OLÉ!  OLÉ!  OLÉ!  OLÉ!  OLÉ!  OLÉ!
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Mar 13, 2015
Mar 13, 2015 at 6:37 PM UTC
Sea Shanty
*This poem is dedicated to the memory of Admiral Albert ***** Potter who displayed amazing bravery by wearing full drag through several major sea battles.  He was cashiered for insisting the Admiralty rename his ship HMS Butch instead of HMS Fearless. In fact the vessel was eventually renamed HMS Damp **** because it was full of ****** A life on the ocean wave, ** In the olden days of sail When England's ships were proud and brave And their crews were very male. The Captain stood upon his bridge Looking smart and flash; But below the decks, the orders were *** and *** and the lash. The bosun went to the main gunroom, **** Deadeye at the ready; Initiation time had come For little midshipman Freddy. "Strap him o'er that cannon, lads!" Roared the hirsute fellow, "Gag his mouth securely, lads, In case he tries to bellow!" The sailors did as he had bid - Refused and they'd be punished - And they knew their turn would come After the bosun had finished. The bosun went up the poor young lad And soon was going strong; Midshipman Fred looked rather pained - The Bosun was THICK and LONG. Then came the turn of the other men And they set to with a will; Little Fred could not say no Until they'd had their fill. What a life our sailors had then, Always singing shanties; When men were men and big and butch And cabin boys wore silk ******* A life on the ocean wave, ** With the rolling sea and the spray. Sinking the Frogs and murdering Wogs Kept England's sailors so gay. OLÉ!  OLÉ!  OLÉ!  OLÉ!  OLÉ!  OLÉ!
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38
Chaos humdrum of roaring engines. The lost siren between concrete slabs Ricocheting its scream throughout the hallway streets, already echoing with horns and yells. Sleepless and ever burning, the city lurches on in agonizing sounds muffled between high rise pristine glass and shanty shacks painted with dust. The frantic commotion of agonized madness, In zigzag traffic and potholed roads. The stop and start of hustle and frustration Rises and falls like a dancing dust storm. Everything present in a quieter world is lost in the struggle of city life. There's no peace or silence here. Just constant exhaustion in the luminescent roar of human chaos. 26 Dec. 2015
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Jan 31, 2016
Jan 31, 2016 at 7:32 AM UTC
City Chaos
Of course the two of us                                                                                 want to get away from here                                                             We were so innocent  Running                                                             Hand in hand To the outskirts of this                                                              Upside – down  town  Where  were  we  going?                                                          To  the  mansion  we  had  built  with  daddy                                                High in the sky of the     towering sycamore tree                                                      But now going back           walking the dirt trail that supposedly                                             brought us to        dreams             Kicking aside pebbles we pushed                                                                with        all our           might       to                                                                 to        escape              from        the                                                                   Monsters                chasing    us                                                                    Seeing                              the                                                                        Wimpy                   vines                                                                            That                      were                                                                               once               chains                                                                               and       shackles                                                                               intertwined                                                                              imprisoning                                                                            all of the trunk                                                                           seemed   unreal                                                                          But  I  had  made                                                                         Peace   with   it   all                                                                    When I saw our shanty hut                                                            Atop the mangled, dwarfed skeleton tree
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Mar 24, 2012
Mar 24, 2012 at 8:52 PM UTC
Treehouse
Of course the two of us                                                                                 want to get away from here                                                             We were so innocent  Running                                                             Hand in hand To the outskirts of this                                                              Upside – down  town  Where  were  we  going?                                                          To  the  mansion  we  had  built  with  daddy                                                High in the sky of the     towering sycamore tree                                                      But now going back           walking the dirt trail that supposedly                                             brought us to        dreams             Kicking aside pebbles we pushed                                                                with        all our           might       to                                                                 to        escape              from        the                                                                   Monsters                chasing    us                                                                    Seeing                              the                                                                        Wimpy                   vines                                                                            That                      were                                                                               once               chains                                                                               and       shackles                                                                               intertwined                                                                              imprisoning                                                                            all of the trunk                                                                           seemed   unreal                                                                          But  I  had  made                                                                         Peace   with   it   all                                                                    When I saw our shanty hut                                                            Atop the mangled, dwarfed skeleton tree
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Forbegging yay Progress, me Most High Lord Besoothe thaye Stock's High-Cast-Baste-Reborough And Livvenny-Lug, quain Twill-Truth's-Be-Word Would Sluggenny-Bust thaye Pell's Arthorough Aye, take them Less to thore Summerful Sum Therr quine bemime blubber-boost up-to-front Shanty ye, Crown, dow Caraparcel's Hum Laugh more shan't take much Desire on Wont We porkify Lub-Senses wore Jiggers clude Feast-Tea ye Merry; Jolly-Cant, digress Till Ferry thaye Maidens; And Torque-Pie, **** Rode ye Arkins - Road! Be thaye Kiss address. Labber ye, Throne, deserve Cot's Privilege Roar Pull-Course Attract; Mine Concubinage.
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Mar 14, 2013
Mar 14, 2013 at 1:04 AM UTC
SONNET TRIBUTE SUNDRY - EIGHTY-SEVEN - TOM DALEY
a sensual curve to the facade - infinite femininity - arched above rounded windows - innuendos art of love - deco of desire climbing higher - echoing fire - ...descending spiral stairway home to shanty on the bay. r ~ 10/9/14
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Oct 9, 2014
Oct 9, 2014 at 9:40 PM UTC
art deco
On the outer Barcoo where the churches are few, And men of religion are scanty, On a road never cross'd 'cept by folk that are lost, One Michael Magee had a shanty. Now this Mike was the dad of a ten year old lad, Plump, healthy, and stoutly conditioned; He was strong as the best, but poor Mike had no rest For the youngster had never been christened. And his wife used to cry, 'If the darlin' should die Saint Peter would not recognise him.' But by luck he survived till a preacher arrived, Who agreed straightaway to baptise him. Now the artful young rogue, while they held their collogue, With his ear to the keyhole was listenin', And he muttered in fright, while his features turned white, 'What the divil and all is this christenin'?' He was none of your dolts, he had seen them brand colts, And it seemed to his small understanding, If the man in the frock made him one of the flock, It must mean something very like branding. So away with a rush he set off for the bush, While the tears in his eyelids they glistened — ''Tis outrageous,' says he, 'to brand youngsters like me, I'll be dashed if I'll stop to be christened!' Like a young native dog he ran into a log, And his father with language uncivil, Never heeding the 'praste' cried aloud in his haste, 'Come out and be christened, you divil!' But he lay there as snug as a bug in a rug, And his parents in vain might reprove him, Till his reverence spoke (he was fond of a joke) 'I've a notion,' says he, 'that'll move him.' 'Poke a stick up the log, give the spalpeen a prog; Poke him aisy — don't hurt him or maim him, 'Tis not long that he'll stand, I've the water at hand, As he rushes out this end I'll name him. 'Here he comes, and for shame! ye've forgotten the name — Is it Patsy or Michael or Dinnis?' Here the youngster ran out, and the priest gave a shout — 'Take your chance, anyhow, wid 'Maginnis'!' As the howling young cub ran away to the scrub Where he knew that pursuit would be risky, The priest, as he fled, flung a flask at his head That was labelled 'MAGINNIS'S WHISKY'! And Maginnis Magee has been made a J.P., And the one thing he hates more than sin is To be asked by the folk, who have heard of the joke, How he came to be christened 'Maginnis'!
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3.1k
A Bush Christening
On the outer Barcoo where the churches are few, And men of religion are scanty, On a road never cross'd 'cept by folk that are lost, One Michael Magee had a shanty. Now this Mike was the dad of a ten year old lad, Plump, healthy, and stoutly conditioned; He was strong as the best, but poor Mike had no rest For the youngster had never been christened. And his wife used to cry, 'If the darlin' should die Saint Peter would not recognise him.' But by luck he survived till a preacher arrived, Who agreed straightaway to baptise him. Now the artful young rogue, while they held their collogue, With his ear to the keyhole was listenin', And he muttered in fright, while his features turned white, 'What the divil and all is this christenin'?' He was none of your dolts, he had seen them brand colts, And it seemed to his small understanding, If the man in the frock made him one of the flock, It must mean something very like branding. So away with a rush he set off for the bush, While the tears in his eyelids they glistened — ''Tis outrageous,' says he, 'to brand youngsters like me, I'll be dashed if I'll stop to be christened!' Like a young native dog he ran into a log, And his father with language uncivil, Never heeding the 'praste' cried aloud in his haste, 'Come out and be christened, you divil!' But he lay there as snug as a bug in a rug, And his parents in vain might reprove him, Till his reverence spoke (he was fond of a joke) 'I've a notion,' says he, 'that'll move him.' 'Poke a stick up the log, give the spalpeen a prog; Poke him aisy — don't hurt him or maim him, 'Tis not long that he'll stand, I've the water at hand, As he rushes out this end I'll name him. 'Here he comes, and for shame! ye've forgotten the name — Is it Patsy or Michael or Dinnis?' Here the youngster ran out, and the priest gave a shout — 'Take your chance, anyhow, wid 'Maginnis'!' As the howling young cub ran away to the scrub Where he knew that pursuit would be risky, The priest, as he fled, flung a flask at his head That was labelled 'MAGINNIS'S WHISKY'! And Maginnis Magee has been made a J.P., And the one thing he hates more than sin is To be asked by the folk, who have heard of the joke, How he came to be christened 'Maginnis'!
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48
once we were one, so close now turncoat in lakes of oleander, creeks run poison we two betrayed what stolen ideal cast in stone against her? my anima still wants love from me, yet twists on proverbial dime coats were rejected colors negated, unflown prisoner of tumble town chained like a queen a shanty wish disregard so no wings, air of nonesuch grace barrio color to fly in my mind, sleeping mariachis playing loud, my anima rescued me real,  such desert here just my shivering id skinned seal, bad memory still hopeful still here surely mi anima mi alma will grant my dying wish I am the traitor of my anima
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Aug 25, 2018
Aug 25, 2018 at 8:36 PM UTC
my anima calls me traitor
Baja California Tequila drawings on the wall A big fat policeman against the door The drunken band plays on and on Baja California Cheap motel bugs on the wall Pimps and ****** out in the hall The neon light goes on and on Baja California Mescal tequila throat on fire Burnt rubber takeoff screeching tyres The dirt toll road goes on and on Baja California Mother tied up on the front lawn Daddy waiting for the doctor in the dawn And the pain goes on and on Baja California Shanty houses complete with TV Pumping in the American dream While the children scream on and on
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Jan 17, 2012
Jan 17, 2012 at 9:52 AM UTC
Baja California
EAT YOUR ALLIGATOR TILLY! Darling daughter refusing to eat so, I: sea shanty her. "Oh what do ya think we'll have for supper?" "Eat Tilly eat!" "Oh maybe we'll have alligator!" "Eat my Tilly girl...eat!" "Oh but I couldn't eat a whole alligator!" "Eat Tilly eat!" "Well...eat only half and keep half for later!" "Eat my Tilly girl...eat!" "Eat alligator before he eats you!" My little sailor suited girl opens her mouth to laugh and in pops Mr. Spoon. Hmmmmmm.....yum yum. Soon alligator becomes her word for any eatables whether it be ice cream or scone. Now she sings heartily to self my three year old salty sea dog 'EAT YOUR ALLIGATOR TILLY!"
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Apr 25, 2016
Apr 25, 2016 at 6:25 PM UTC
EAT YOUR ALLIGATOR TILLY!
To be taken silently with violence Not to utter a salutation Just the cracking of a door hinge And a look that indicates that stopping your desires would be laughable An absurdity not to be pondered! The jolting sound of head cracking against metal And wrist yearning to be ground to the bone After hours of furtive clutching The kind on nail bending fervor that just takes the taste right from bread Grabbed into a cranium synthesis Im am forever enslaved in the darkest corridor of your existence I doubt I will ever be able to leave this lighting wasteland The eagerness pounding through the point were skin meets weapon I am infiltrated like a shanty filled village A real slum filled valley Hopeless against tracking systems and torture methods You plunder my underdeveloped hospitality Like Jesus to a farm boy As I scream **** you Mongoloid I am gasping into your filth A sacrificial lamb Bliss by the slaughter wells Mouthfuls of disgust As your knees jab deep into skid row Grinding the forgotten and the deserted Until they are flattened corpses ****** dry of the water holding them together You are pleased The phantom has been fed and to ask for seconds would only tease the lamb As I lay gushing organs with a smirk Broken bent and emaciated I feel alive and it is wondrous.
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Nov 30, 2010
Nov 30, 2010 at 9:02 AM UTC
Cannibalism in the laundry mat
EAT YOUR ALLIGATOR TILLY! Darling daughter refusing to eat so, I: sea shanty her. "Oh what do ya think we'll have for supper?" "Eat Tilly eat!" "Oh maybe we'll have alligator!" "Eat my Tilly girl...eat!" "Oh but I couldn't eat a whole alligator!" "Eat Tilly eat!" "Well...eat only half and keep half for later!" "Eat my Tilly girl...eat!" "Eat-alligator-before-alligator-eats-you!" My little sailor suited girl opens her mouth to laugh and in pops Mr. Spoon. Hmmmmmm.....yum yum. Soon alligator becomes her word for any eatables whether it be ice cream or scone. Now she sings heartily to self my three year old salty sea dog 'EAT YOUR ALLIGATOR TILLY!"
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Apr 28, 2019
Apr 28, 2019 at 4:41 PM UTC
EAT YOUR ALLIGATOR TILLY!
I'm going AWOL at first light Sherman threatens my hometown I hate to leave Robert E. Lee But my heart's not backing down There's a railroad to Atlanta I'll fight side by side with Paw   General Johnson's too outnumbered But we'll stand at Kennesaw I don't like to leave Virginia But Atlanta needs me there With my family in danger It's a duty I must bear I'll meet Mayde at Big Shanty We can have some time at last I'll get up at the crack of dawn And kick old Sherman's *** Now I know we're way outnumbered They have more than two to one And Sherman hates all rebels He's Abe Lincoln's favorite skunk If we could get old Stonewall To come down for just a spell We could kick old Abe's invaders From Kennessaw to hell Mayde, I'm real scared of dying If our rebel line should fall But I'll stand to fight **** yankees Make 'em think they hit a wall We own no slaves but Sherman thinks It's rebel killin' time So I'll shoot holes in Yankee coats Before there's one in mine
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Dec 10, 2010
Dec 10, 2010 at 5:59 AM UTC
Great Grandpaw Died at the Battle of Atlanta [Based on a true Story]
YES, the Dead speak to us. This town belongs to the Dead, to the Dead and to the Wilderness. Back of the clamps on a fireproof door they hold the papers of the Dead in a house here And when two living men fall out, when one says the Dead spoke a Yes, and the other says the Dead spoke a No, they go then together to this house. They loosen the clamps and haul at the hasps and try their keys and curse at the locks and the combination numbers. For the teeth of the rats are barred and the tongues of the moths are outlawed and the sun and the air of wind is not wanted. They open a box where a sheet of paper shivers, in a dusty corner shivers with the dry inkdrops of the Dead, the signed names. Here the ink testifies, here we find the say-so, here we learn the layout, now we know where the cities and farms belong. Dead white men and dead red men tested each other with shot and knives: they twisted each others' necks: land was yours if you took and kept it. How are the heads the rain seeps in, the rain-washed knuckles in sod and gumbo? Where the sheets of paper shiver, Back of the hasps and handles, Back of the fireproof clamps, They read what the fingers scribbled, who the land belongs to now-it is herein provided, it is hereby stipulated-the land and all appurtenances thereto and all deposits of oil and gold and coal and silver, and all pockets and repositories of gravel and diamonds, dung and permanganese, and all clover and bumblebees, all bluegrass, johnny-jump-ups, grassroots, springs of running water or rivers or lakes or high spreading trees or hazel bushes or sumach or thorn-apple branches or high in the air the bird nest with spotted blue eggs shaken in the roaming wind of the treetops- So it is scrawled here, "I direct and devise So and so and such and such," And this is the last word. There is nothing more to it. In a shanty out in the Wilderness, ghosts of to-morrow sit, waiting to come and go, to do their job. They will go into the house of the Dead and take the shivering sheets of paper and make a bonfire and dance a deadman's dance over the hissing crisp. In a slang their own the dancers out of the Wilderness will write a paper for the living to read and sign: The dead need peace, the dead need sleep, let the dead have peace and sleep, let the papers of the Dead who fix the lives of the Living, let them be a hissing crisp and ashes, let the young men and the young women forever understand we are through and no longer take the say-so of the Dead; Let the dead have honor from us with our thoughts of them and our thoughts of land and all appurtenances thereto and all deposits of oil and gold and coal and silver, and all pockets and repositories of gravel and diamonds, dung and permanganese, and all clover and bumblebees, all bluegrass, johnny-jump-ups, grassroots, springs of running water or rivers or lakes or high spreading trees or hazel bushes or sumach or thornapple branches or high in the air the bird nest with spotted blue eggs shaken in the roaming wind of the treetops.
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Yes, the Dead Speak to Us
YES, the Dead speak to us. This town belongs to the Dead, to the Dead and to the Wilderness. Back of the clamps on a fireproof door they hold the papers of the Dead in a house here And when two living men fall out, when one says the Dead spoke a Yes, and the other says the Dead spoke a No, they go then together to this house. They loosen the clamps and haul at the hasps and try their keys and curse at the locks and the combination numbers. For the teeth of the rats are barred and the tongues of the moths are outlawed and the sun and the air of wind is not wanted. They open a box where a sheet of paper shivers, in a dusty corner shivers with the dry inkdrops of the Dead, the signed names. Here the ink testifies, here we find the say-so, here we learn the layout, now we know where the cities and farms belong. Dead white men and dead red men tested each other with shot and knives: they twisted each others' necks: land was yours if you took and kept it. How are the heads the rain seeps in, the rain-washed knuckles in sod and gumbo? Where the sheets of paper shiver, Back of the hasps and handles, Back of the fireproof clamps, They read what the fingers scribbled, who the land belongs to now-it is herein provided, it is hereby stipulated-the land and all appurtenances thereto and all deposits of oil and gold and coal and silver, and all pockets and repositories of gravel and diamonds, dung and permanganese, and all clover and bumblebees, all bluegrass, johnny-jump-ups, grassroots, springs of running water or rivers or lakes or high spreading trees or hazel bushes or sumach or thorn-apple branches or high in the air the bird nest with spotted blue eggs shaken in the roaming wind of the treetops- So it is scrawled here, "I direct and devise So and so and such and such," And this is the last word. There is nothing more to it. In a shanty out in the Wilderness, ghosts of to-morrow sit, waiting to come and go, to do their job. They will go into the house of the Dead and take the shivering sheets of paper and make a bonfire and dance a deadman's dance over the hissing crisp. In a slang their own the dancers out of the Wilderness will write a paper for the living to read and sign: The dead need peace, the dead need sleep, let the dead have peace and sleep, let the papers of the Dead who fix the lives of the Living, let them be a hissing crisp and ashes, let the young men and the young women forever understand we are through and no longer take the say-so of the Dead; Let the dead have honor from us with our thoughts of them and our thoughts of land and all appurtenances thereto and all deposits of oil and gold and coal and silver, and all pockets and repositories of gravel and diamonds, dung and permanganese, and all clover and bumblebees, all bluegrass, johnny-jump-ups, grassroots, springs of running water or rivers or lakes or high spreading trees or hazel bushes or sumach or thornapple branches or high in the air the bird nest with spotted blue eggs shaken in the roaming wind of the treetops.
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32
"Where literature is concerned, I will not cooperate at all": A mind resolutely turned From the social crusades of fall. Seventy-eight years later I agree with the "dilettante"; Twenty-five years cater To reclusion in a shanty, "Writing frightening verse To a straight-toothed dude In New York." Curse My reckless solitude!
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Oct 2, 2014
Oct 2, 2014 at 2:59 PM UTC
Birthday Poem, Beginning with a Phrase of Yvor Winters' from a Letter Written to Kenneth Rexroth and Almost Ending with an Altered Lyric of Steven Morrissey's
It’s four in the morning, and I can’t sleep. I’m tossing and turning in the ocean so deep. And before I know it, the sun begins to rise Over the horizon, blinding my eyes. Time to wake up and start the day, And finish my work so I can play. I’ll drink my *** and I’ll do my dance On the deck of this ship on this vast expanse. But a storm’s-a-brewin’, and now it’s getting late, So I’ll save all my work for a later date And I’ll die in this storm with a smile on my face, Dancing my way out of this nautical rat race.
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Dec 19, 2013
Dec 19, 2013 at 5:26 PM UTC
A Sea Shanty About Sleep
This topic is near and dear so let me ask you the reader I just want to take the pulse or check the reflexes. Ladies and gentlemen. Step right up step right up. Little closer now dont let the smell of formaldehyde turn you aside. This is something that goes on. The government thinks it has a right.to. 1.Tax you while you live. 2. Levy a an exit tax when you croak. How is that for a sick joke. This is just an observation, a point of fact. Ever been to an Irish wake. Ther's drinking and singing Tall tales abound as the guest of honor poses ashen and.stil. A drink is on standby. As a test of his will. Here's a wee snort for you laddie just reach up and knock this one back And sing us a shanty or a sad mournfull tune . You say what?. Yeah that's a shell game where the rules change Like I change underwear. Now that I pulled you leaches of my sack. Hey come back we want more.
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Nov 13, 2012
Nov 13, 2012 at 9:58 PM UTC
Stealing Coins Of A Dead Man's Eyes
slaves never owned the land nor themselves and its hard to imagin if we were free in every possible way.let me explain,master gave us a piece of land seeds and let us have credit at the corner store where our ious were accepted plus he owned the shanty that we used to fight off the wind rain snow such as it was.lest I forget to make it known master also took most of the crops when they came in which left only enough for our family to live on until the next crops came up. this happened year after year until the ious were taler than the trees that once hung us and let dangling like biter fruit thrown away with blood on the leaves running down to the roots.
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Sep 26, 2013
Sep 26, 2013 at 8:07 PM UTC
WATCHING OUR CROPS COME IN BY VICTOR TRIPP
Look upon the shanty town of plenty town where 'those' people live and those who have will seldom give, In shanty town we barely survive on humbleness and outright lies. Look, now comes the infantry, marching three by three. What is it that they see ? but more and more, they've seen it all a thousand times before, poverty in every doorway. No gay hussars ,these infantry, they come not to set 'those' people free but to shoot them down. The don in his board and gown may be bright and know a deal but this is the place where his hypothesis is real and lives are at stake. In Oxford where they take a break from studies which the privileged make their own,then go home and make some English tea, I guess that's being free, for a fee, but we don't want no chi We Just want a chance to fly as high as others ,who in shanty town would want to do the same? From Belize or from Tobruk,Brighton,Glasgow we don't give a flying... tuck your wings in guys and watch the bullets fly, watch your dreams die hear your kids cry nothing's changed except the rules.
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Oct 19, 2014
Oct 19, 2014 at 11:38 AM UTC
The ruins.
Umbrella green rain upset  harmless stripped And because of thunder children snapped their fingers like jazz enthusiasts Milk obsessed rats rant and render their own insanity Passing three winged' angels in the street flowing serenity Friends are best left in the mind and in the heart But do not stray too far from them For loneliness is a cold touch without love or hate We are lucky to be feeling anything at all The dead lie still The weak do too The strong move The courageous seek The other side of The hill Music moves underneath the fog of the sun Near the flower garden the tourists roam free A minds eye is a terrible thing to waste Getting to know yourself through sleep is revealing When is the next time for tea? Your gibberish speaks things to me That nothing in this world has ever done What is the color of genius? What is the feeling of epiphany? Where do the dead flowers grow? Packaged up Sent off Read up The critics scoff Growing old near the swamp the shanty town sways Old culture rusts blood brown and neon orange The bills are on the fridge and being cashed yesterday Another day passes as the clock strikes 13 A friend brushes past another in a party and they smile They do not speak for there is history there Marking calenders for future experiences in all planning aside There is nothing like chaos to introduce you to yourself As I walk down the sidewalk, pass the cleaners, I see fiction Moving under the trees, breathing the sea, I see narration Talking to the barista, laughing lines, I see dialogue Shakespeare penned the highest and the lowest of us all And I think Bukowski was right there with him too Watch a marble roll down the street Observe each crack and the path it takes We are very much the same way Define your cracks, your bumps, your potholes And see where they have taken you See what became of you after the hard times. This year Apricots will writhe in the trees Like a worm on a fishing hook. The sea is foaming at the mouth, And we are children All over again.
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Jan 3, 2014
Jan 3, 2014 at 2:08 PM UTC
All Over Again
Umbrella green rain upset  harmless stripped And because of thunder children snapped their fingers like jazz enthusiasts Milk obsessed rats rant and render their own insanity Passing three winged' angels in the street flowing serenity Friends are best left in the mind and in the heart But do not stray too far from them For loneliness is a cold touch without love or hate We are lucky to be feeling anything at all The dead lie still The weak do too The strong move The courageous seek The other side of The hill Music moves underneath the fog of the sun Near the flower garden the tourists roam free A minds eye is a terrible thing to waste Getting to know yourself through sleep is revealing When is the next time for tea? Your gibberish speaks things to me That nothing in this world has ever done What is the color of genius? What is the feeling of epiphany? Where do the dead flowers grow? Packaged up Sent off Read up The critics scoff Growing old near the swamp the shanty town sways Old culture rusts blood brown and neon orange The bills are on the fridge and being cashed yesterday Another day passes as the clock strikes 13 A friend brushes past another in a party and they smile They do not speak for there is history there Marking calenders for future experiences in all planning aside There is nothing like chaos to introduce you to yourself As I walk down the sidewalk, pass the cleaners, I see fiction Moving under the trees, breathing the sea, I see narration Talking to the barista, laughing lines, I see dialogue Shakespeare penned the highest and the lowest of us all And I think Bukowski was right there with him too Watch a marble roll down the street Observe each crack and the path it takes We are very much the same way Define your cracks, your bumps, your potholes And see where they have taken you See what became of you after the hard times. This year Apricots will writhe in the trees Like a worm on a fishing hook. The sea is foaming at the mouth, And we are children All over again.
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53
I am seeking an unspeakable beacon-- that which defies not solely the misty discontents of mine own but the time-wrought err of man: a taut reminder to cross the burgeoned  blur of millennia up and down the current and the tides of an ocean to quench such fiery dispositions, inspiring a shanty not for sanctuary but for the cleansing of such tarnished deposits clinging steadfast to the side of aching vessels harboring, hidden, a virtue free of salted regard and an anchor to an oft ennobled canon.
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Jul 15, 2013
Jul 15, 2013 at 8:15 PM UTC
A lighthouse and a song