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Rustling among his odds and ends of knowledge
Suddenly, to his wonder, Senlin finds
How Cleopatra and Senebtisi
Were dug by many hands from ancient tombs.
Cloth after scented cloth the sage unwinds:
Delicious to see our futile modern sunlight
Dance like a harlot among these Dogs and Dooms!
First, the huge pyramid, with rock on rock
Bloodily piled to heaven; and under this
A gilded cavern, bat festooned;
And here in rows on rows, with gods about them,
Cloudily lustrous, dim, the sacred coffins,
Silver starred and crimson mooned.
What holy secret shall we now uncover?
Inside the outer coffin is a second;
Inside the second, smaller, lies a third.
This one is carved, and like a human body;
And painted over with fish and bull and bird.
Here are men walking stiffly in procession,
Blowing horns or lifting spears.
Where do they march to? Where do they come from?
Soft whine of horns is in our ears.
Inside, the third, a fourth . . . and this the artist,--
A priest, perhaps--did most to make resemble
The flesh of her who lies within.
The brown eyes widely stare at the bat-hung ceiling.
The hair is black, The mouth is thin.
Princess! Secret of life! We come to praise you!
The torch is lowered, this coffin too we open,
And the dark air is drunk with musk and myrrh.
Here are the thousand white and scented wrappings,
The gilded mask, and jeweled eyes, of her.
And now the body itself, brown, gaunt, and ugly,
And the hollow scull, in which the brains are withered,
Lie bare before us. Princess, is this all?
Something there was we asked that is not answered.
Soft bats, in rows, hang on the lustered wall.
And all we hear is a whisper sound of music,
Of brass horns dustily raised and briefly blown,
And a cry of grief; and men in a stiff procession
Marching away and softly gone.
david badgerow Dec 2015
honest, the ones that hurt the most to write
are the self-love poems because
they remind me no one's around
to do it for me. they're also the most rewarding
to finish for the same reason. sometimes i sit at
the hickory writing desk my grandfather built
waiting for clarity to be chirped out of the bulb of a
trumpet or true love honked longingly from the
fever nose of a saxophone but it never happens that way.
instead i write my feelings -- veined hand curled
around a crude pencil with gnawed erasers at both ends.
or idly scratch the flowers from the wallpaper
while the moon looks down like a twisted bottle-cap
smashed in half by macho fingers into the gray
asphalt sky primping its reflection in the pond,
i think that someday i'll learn to love myself the same
way, by facing all my bad parts in the sharp mirror and my
friends abandoning me. each time they do i hold church inside
my own individual heart on sundays or saturdays,
huddled tight on the first frozen december morning around
a hymnal fire altar, only standing to **** or light another
stick of peppered citrus incense. but right now
i've got a crumb of real turkish hash
and only spittle left in the wine bottle reciting Keats
to the empty moon-painted cow field across the brittle fence
and laughing with lilac bulbs pasted on my face, watching
a low cloud thread itself between the skinny
barbs of pecan tree fingers as i wander through
the orchard. the stars hop restlessly like chigger bugs
and sparkle raw in my
swimming-pool-blue eyes but the ones that
blink back really aren't stars at all.
-df Feb 2018
don’t be cruel, my love.
this world is painting
you gray
where the colors once shone
the brightest.

let’s not let this wicked
system overtake your kind soul.

you painted me when i was black and white,
so take my hand
while i restore your
lilacs, blues, and reds.

my dear, let the light
shine through.

{d.f. | 09/28/17}
i hope you have the loveliest weekend. -love always, d.f. {p.s. instagram.com/inafieldofchaos}
Valerie Jul 2017
I forgot what it was like to be happy

until you painted my whole world with colors.
Michelle Garcia Nov 2014
There once lived a girl
Barely even three
Who wore childish, innocent smiles
And ran around freely.
She spent summer with her sister
Picking lilac flowers,
Rolling down grassy hills
Endless fun for hours.

There once lived a girl
Finally thirteen
Who wore gloss on her lips
And said things she didn’t mean.
She spent summer all alone
Never picking any flowers
Claiming she had better things to do
With her endless summer hours.

There once lived a girl
Sixteen, impossibly thin
Who painted scarlet on her wrists
Because she could never ever win.
She spent summer locked away
Bawling in her room for hours
And there was nothing in the world she wanted
More than lilac flowers.

There once was a girl
Who tried so hard in life
But she couldn’t bear to live
With her sugarcoated strife
And one day she just vanished
So her sister cried for hours
And upon her solemn grave
She laid withering lilac flowers.
Midnight creeps into view and the fog weighs heavily on my eyes,
Walking in the last sacred place that has not been tainted,
Divine in its authenticity and designs of reserved grandeur,
The barren surroundings and decrepit structures painted,
The snow begins to fall onto the branches of the willow tree,
The night calls out to me and the wilderness stirs with sentience,
The wolves begin their descent from the mountains approaching,
Encircling me waiting for my integral compliance,
I fear them; with their feral eyes and primal rituals,
I fall to my knees grasping at the soil in sincere repentance,
My eyes reflect those of an innocent pure soul,
They beckon me to the edge of the dense tree line in diligence,
I follow hesitantly through the darkness of the forest,
The wolves gather in a clearing around a beautiful brown fawn,
Heads bowed in apology at having to steal a life in its prime,
The night grows further from the forest and so breaks a new dawn.
Poetic T Aug 2014
Blank canvass,
Then colour brings it to life
Shades and tones scratch in to picture
It bleeds creativity,
Moments become minutes
Which consume the hours of the day,
A picture is formed by
Impressions,
Outlines ,
Engraving.
Life upon the page,
One last brush stoke, shading put there
Complete,
But what did my brush strokes create
A hand, as if  reaching out the page
Ominous,
Distressing,
Sinister,
Is what covered this canvas of white
To look upon it,
"Did my eyes deserve me"
Moving forward as if to clench
I move, but to slow
As what was inanimate,
Now paint drips off as it has hold
Upon my hand,
The paint seeps up as I am consumed
By the canvas
Holding on to the frame,
My finger scratch upon the wood
As I scream,
The terror frozen within the paint,
I am but brush stokes
My face painted on canvas
The hand upon my shoulder
I am cold now,
I am for eternity now the paints prisoner,
The hand is my guard
Such vivid brushstrokes
As if she painted fear upon the canvass
A master piece of cloth and paint
Not knowing I am trapped now for eternity
Terror painted within this frame.
Stanley Zakyich May 2014
Coaches giving their good graces
As the runners approach the painted asphalt.
Memories race through past races,
Through every failure. They're all my fault.
Sweat drips past my timid eyes
As I see the confidence shine in everyone else.
I ready my stance with stomach's butterflies,
And the announcer screams alongside school bells,
"GO!"
The others run with all their might,
While my ankle is bound by the starting line.
I struggle with the racing track's fight
As everyone passes for their second lap's time.
JaxSpade Jul 2020
Straight lines
Curved into scribbling
                      Minds
Painted in pictures

                         My blurry eyes
Couldn't comprehend the size
Overwhelming
        In feature

The crooked
            Lines
   Imperial
Kingdoms
And Nations

Lie in the sketches

       While sleeping dogs
Dream with their *******
The wise disappear
      In the ignorance
Delivered by witches

  I realized time
Was just an hour
Waiting

To fulfill a prophecy
Known by the ages

And the last time I checked
I couldn't read the gauges
                           I studied the manual
But I couldn't comprehend the pages

Straight lines
         Crooked
Scribbling books
     For the stupid

                 I qualified
As the dumbest guy
To ever be evaluated by humans

My first strike
Was I couldn't think alike

And the second strike
Was the fact that I didn't care
About another mans skin type

Strike 3
Was I believed in a G
That would save me
From the worlds crazy

                              I said
You can walk a straight
Line
Crooked sometimes
                And if you
Scribble your graffiti
On the worlds cities
With spray crayons

That's who you are
                         I Am
Says green eggs and ham
Share our delicious
                         Sam
Because sometimes
Are straight lines

Our crooked
Tiffany N Castro Jun 2013
I see Melancholia as she struts on by
her lips painted blood-scarlet, raven-haired, dressed in black and fishnets. We look very much alike.
Her sister Euphoria, I'm not so familiar with...
her sun-golden hair, and her smile that floats through the air. She's lovely, I wish she would pay me more visits.
Melancholia gives me her melted smokey-eyed glare,
Euphoria, her pink-rose cheek smiling stare.
Melancholia is an old friend of mine.
Euphoria is a stranger to me, but I hope to know her better in time.
Melancholia stops to talk with me she says "Would you like to see a grin on my face?...
well, you'll have to carve it in with the sharpest of blades
it is only then that I will be allowed
to show you my smile of Glasgow..."

but I have no desire to see the bleeding dagger teeth of Melancholia
I don't want them to dig into and puncture my fragile glass mosaic memoria...
If they do my memories will shatter and break apart
and I will lose myself along with those cracked shards.
Rod E Kok May 2014
I am perceived as being
strong
confident
unbowed by the winds
that besiege me from
every direction.

Yet branches in
my mind are buffeted
by fears of inadequacy.

Nobody sees my tears,
or feels my pain
as the roots which hold me
weaken under stress.

I fear judgement from my peers,
so I hide.

What truly exists inside
gets painted with
an opaque veneer,
a disguise made up of
words, smiles and laughter.

I try reach out,
offering a glimpse into
my tortured soul...
fear draws me back,
back to the shame I feel,
to the disappointment I have created.

Failure is mine.

You tried to help,
crawling to me, your own tears
laving my feet...
I pushed you away
out of despair.

I pray
for a gentle breeze
to caress me,
but the answer comes
in a gale.

And knocks me
off my feet.
'Off My Feet' is the 8th attempt on the given theme, and in my humble opinion, it is the strongest. I believe that the words are the culmination of the previous 7 attempts. Out of all the poems and words I wrote for this collaboration, this one is the most personal. I can honestly say that there are many things in this piece that reflect me. Maybe you didn't know that about me. Maybe you can't see which parts I am referring to. Do you see me as confident, as being able to stand against the wind? Yes dear reader, this poem is deeply reflective.

It took 7 attempts to come up with what I wanted to present to the world. It took 7 attempts to write about me. Although the previous pieces have elements of myself, none so much as this one is like looking in the mirror.

This is another poem that reduced me to tears. The weight of emotion and self-reflection was simply unbearable at that particular moment. I know that a good number of you will not be able to understand this, and I am very cognizant of that. But I needed to reveal this...it is the first time I have bared myself in this manner.

Please, dear reader...don't judge me. If you don't get it, read the Anxiety series of poems (and the introductions) and try to understand. At the very least (and this I have asked before), please try to appreciate the words. Appreciate the emotional journey the poems take you on, acknowledge the power and passion of the message that I am trying to convey, and please be sensitive to the fact that people we know exist in the world I have written.

As always, dear reader, I encourage interaction. I love feedback, positive or negative. I am deeply grateful for the time you have taken to read my work, and I encourage you to read this series of poems (starting with ''Thanks for the Ride'') and ending in this piece.
damage has always been your forte -
an expertise,
your recalcitrant venom.
you annihilate
before they could burn you
and your fortress is painted
in a deep, metallic rouge.

you wear the word 'vicious'
like a crown;
loyal weapon tucked neatly in the
taverns of your mouth.
you are adroit with words, after all.
such a fine weapon,
such a clean cut.

realms bow down, subjects to terror.
sweet vilification's best served
in your court.
not one soul would dare to beard
the lion,
no single breath,
shall make your empire topple.

the caucus adjourns; your grip is slipping
you may be the head,
but we
are
the
body.

your realm will rot
from the inside.
(we) often fail to look deep within us to find the problem. (we) combat the diseases and threats, yet are oblivious to the poison in our veins - killing us from within.

then there's the other explanation. but you'll just have to read the title. ;)
Michal Shilor Jan 2014
i wait for you to appear anywhere that is not under my skin,
or under my eyelids,
in the space between my thighs when i lie on my side and rock myself to sleep.

i do that,
you should know.
i rock myself to sleep like a baby does on his mother's shoulder.

for you i wait under a starry sky,
for someone who gets the way that i birthed you,
for your maturity and my forfeited release of you,
my heartbroken relapse of painted-over, washed-out days.
starry skies add reminiscing to their picture
and i, with you, am forced to collide
crash and burn our mended memoirs, hope for a replacement

for you I wait,
my dear replacement.
I close my eyes and type you out and maybe something good will arise from my madness.
I do, I wait for you, I do so sometimes and you do not arrive and I am blinded that you are busy and I am less important so you will visit and I will wait,
wait,
wait longer and longer and then I will have missed
all the other words that could have come my way
which I deflected in the hope of the bone you may have thrown me

you teach me wiser things than you think you know, you know?
I gather wisdom from your child-like behavior,
sift it like sand in between my own two hands,
clasped fingers,
cup your wisdom as my eyes are shut and you come to me,
and I write you out,
and no one else will understand, I suppose,
but the one that will:
if it is you, now,

buy me a rose and that will be our sign.
Ram B Dec 2015
A lovely sunny day
Out of the window
lined by wood, painted white
Marvelous guest house
filled with mystery, personality
style and history.
I feel good
One quiet morning
A new day begins.
Helios Rietberg Dec 2010
The sun rose in all its splendour
It dyed the screen of water blue
Sprayed through the jets of desire
And painted the crests and troughs of you

The cherry blossoms burst and bloomed
In the spring of the dawned sky
Luck was on its side as the shepherds
Herded their flocks back to the eye

Mountains of green changed and morphed
In the diamonds of dreary existence
Grieving for the ever crushed ancestry
And the rapidly changing seasons

They walked on home though I stayed
In the dark looking for your silhouette
Patiently wondering when you would turn
And while I was waiting, the sun set.
© Helios Rietberg, December 2010
jeffrey robin Jun 2010
tower of babel days
king david sings for a rock n roll band

an the ****** mary is a movie star
an she does  no worse than a touch of
soft ****

her mansion costin so much
these days

an the little angel boy
done made a mistake
gave himself over to a
catholic priest

now he's a lawyer for
BP

but he aint yet come down
with
AIDS

PRAISE THE LORD

tower of babel
babel of disgrace

painted faces
cute an viral

sweet hope sacred
is lost in the darkness

an the farce that somewhere
a democracy

is lookin out for the people?

god aint dead
he just done walked away

tower of babel shame

king david got kicked
outa the band

the world is outa money

an the corpses lookin so funny

i guess we shoulda been warned

when the ****** mary
started doin soft ****
AJ Chilson Nov 2012
My brain is painted,
Your face is my memory --
A recollection.
Kristo Frost Apr 2013
-
-
-**
hello

-

my name is unannounced

but i come hearing a sweet beat for you

and it flows like

-

Jell-O

-

specifically the green kind

but that’s too far off topic to matter

to us so

-

mellow

-

by sitting in an armchair

imagining the world to come

though it looks so

-

shallow

-

you'll be pleasantly surprised

to find the glass can never be too full

-

even though we settle too soon

-

love it for three weeks

and then rename it

to forget how

-

hollow

-

it really is inside

but the puppy’s made of painted glass

-

of life i’ve wondered

what we want

while it certainly is challenging

there must be more than what it seems

-

lets examine

our lives when we were kids

we find bruises scrapes and cuts

and your goldfish Tim

he likes to swim in circles cause the world's too big

but he only swims clockwise cause he’s missing a fin

-

now he

-

speeds up

-

grows legs

-

takes form

-

and he

-

gets lost

-

plays God

-

gets born

-

but he loses sight of clarity

and succumbs to the apathy

of time in all its brevity

at every opportunity to

-

return

-

to the Jell-O whose convictions seem far less firm

as they softly fall on flowers wearing    f r e s h   s n o w

-

goodbye

-

i’ll be missing you for years to come

on lets go fishing we might catch us something *******’

about

why don’t we just pretend everything is fine

-

why don’t

we just take a number

get in line

-

why don’t

we search for truth inside our blackest lies

-

how else

to lend true purpose to these fading lives
The Sun now rose upon the right:
     Out of the sea came he,
     Still hid in mist, and on the left
     Went down into the sea.

     And the good south wind still blew behind
     But no sweet bird did follow,
     Nor any day for food or play
     Came to the mariners' hollo!

     And I had done an hellish thing,
     And it would work 'em woe:
     For all averred, I had killed the bird
     That made the breeze to blow.
     Ah wretch! said they, the bird to slay
     That made the breeze to blow!

     Nor dim nor red, like God's own head,
     The glorious Sun uprist:
     Then all averred, I had killed the bird
     That brought the fog and mist.
     'Twas right, said they, such birds to slay,
     That bring the fog and mist.

     The fair breeze blew, the white foam flew,
     The furrow followed free:
     We were the first that ever burst
     Into that silent sea.

     Down dropt the breeze, the sails dropt down,
     'Twas sad as sad could be;
     And we did speak only to break
     The silence of the sea!

     All in a hot and copper sky,
     The ****** Sun, at noon,
     Right up above the mast did stand,
     No bigger than the Moon.

     Day after day, day after day,
     We stuck, nor breath nor motion;
     As idle as a painted ship
     Upon a painted ocean.

     Water, water, every where,
     And all the boards did shrink;
     Water, water, every where,
     Nor any drop to drink.

     The very deep did rot: O Christ!
     That ever this should be!
     Yea, slimy things did crawl with legs
     Upon the slimy sea.

     About, about, in reel and rout
     The death-fires danced at night;
     The water, like a witch's oils,
     Burnt green, and blue and white.

     And some in dreams assured were
     Of the spirit that plagued us so:
     Nine fathom deep he had followed us
     From the land of mist and snow.

     And every tongue, through utter drought,
     Was withered at the root;
     We could not speak, no more than if
     We had been choked with soot.

     Ah! well a-day! what evil looks
     Had I from old and young!
     Instead of the cross, the Albatross
     About my neck was hung
Second part of the previously posted epic poem
Megan Cruz Oct 2017
i.

If I could, I would tie promises around
each and every one of your fingertips, so that
the next time you scale the side of a mountain,
and begin to feel your grip slowly melting away
from between the cracks of the earth, as gravity
nudges you to take the long way down,

you would remember that there are hands
waiting to catch you if you do take that fall,
and realize that the strongest ropes are those
with kerns wreathed in the heartstrings of first love,
and a mantle webbed in the colors of daybreak
and the hopes carried by new tomorrows.

ii.

If I could, I would write love letters
across your arms, so that the next time
you feel as if the world is taking so much
more than you could give, and your hands
have nothing left to hold but pieces crumbled
under the weight of pain and frustration,

you would see the words carefully pulled out
one by one from the splintered chest of a girl
who once held you in her arms, and remember
that someone’s heart still beats to the syllables
of your name, and that the ink never dries out
as long as the writer never stops writing.

iii.

If I could, I would tuck metaphors
behind your ears, so that the next time
you try to swallow your sorrows, and end up
locking yourself away in a lonely silence
trapped with the words you want to say
and deprived of those you need to hear,

you would slowly make out the tides of life
crashing against the shore in cadence with
the ebb and flow of ‘I’m okay’ and ‘I’m not’,
and allow your burning reality to be painted over by
the full spectrum of love and loss, give and take —
finding beauty even in the fault in our stars.

iv.

If I could, I would wrap your heart in a blanket
woven with raw poetry and tender lullabies,
so that the next time you come home late
from a long day at work, and collapse on a mattress
as cold as the words ‘good’ and ‘night’ gone stale
after being left to dry on the empty side of the bed,

you would drift into a dream sweeter
than laughter and stardust drizzled all over
our fondest memories, and wake up to the sunlight
spilling meaning back into ‘good’ and ‘morning’,
as you start the day taking in all the warmth
of being loved and of always being loved.
Taylor Lynn Jul 2015
Welcome ladies and gentlemen to the age of the dead,
where we raise our children to be worse than the last.
Welcome to the era of the self conceited,
and the arrogant.
We've been raised in the age,
where the amount of likes on our pictures,
is considered more worthy than our own morals.
Welcome to the age of self deranged idiots,
that run amongst our streets causing havoc.
Welcome to the generation of the lost cause.
Where the teenagers are feared and cause chaos.
Have you opened your eyes yet?
Welcome to the age of the broken,
were we are believed to be the kids that won't amount to anything.
Welcome one and all to this world,
this society that has become hell.
Because you see we raise our children,
to feel as if they need to fit specific standards,
in order to be worth anything.
The young woman of this era,
believe they need to look like the girls in the magazine,
to be worth a mans affection.
Welcome to the time where being skinny, pretty, and tan,
is worth more than the knowledge in a woman's head.
Or the generation where we teach our daughters to "cover up,"
instead of teaching our sons right from wrong.
Now we can't forget the boys,
we teach our sons that they are less than a woman,
we raise them to feel like their lives are worth less than a woman's.
Or how about the fact that we raise our sons,
to believe that "swag" and "****" are the cool things to be.
This is the generation of terror,
do you not see that we are this worlds future?
The kids of today are influenced by what we see,
brain washed by what's put on the T.V.
You see we've raised our kids to believe,
that we are a failure to our society.
Is this what you wanted?
Look how warped our world has become,
the apocalypse is here.
The apocalypse where technology, and our contorted image of normal,
has overtaken the world.
Schools no longer educate,
only mesmerize our kids into lifeless bodies.
Music no longer has meaning,
its only about being on top and *******, hoes, and money.
Art is discouraged,
a splash of paint is considered more artistic than a spray painted master piece.
Do you see the problem here?
Our government slips everything under the noses of its people,
because society makes out petty things to be important.
Our society is so distorted,
and nobody even sees that us kids are your future.
So
Do I have your attention now?

T.B.
fray narte Oct 2020
i miss loving you; i miss the calm and easy and content way of just kissing in the blue hour — clothes, falling out of flushing skin; mine was a map of scars named after estranged people, and yours, an anomaly of carnelians breaking at the softest touch.

and yet, nothing hurt enough. not the fading autumn days leaving us to fall apart in october. not the poems that painted this love to be more beautiful than it actually was. not the carnelians, breaking everywhere.

and i miss loving you, but this october rain isn't cleansing — it just falls cruelly on a heart too eager to break itself.  i miss loving you, but all these blue hours have corrupted what's left of your first tainted kiss. i miss loving you, but betrayal still rests comfortably on my skin: a map of scars named after people. a map of scars cut by carnelians. a map of scars named after you.

and this october rain isn't healing; it's just cruel.

it's just cold.

— fray narte
Michelle Garcia Jun 2016
I miss the days when I would find poetry resting peacefully on the kitchen counter, hiding skillfully between the cracks of the tile bathroom floor. Back then, it shuttled out from the tips of my fingers like golden lightning that kept my heart pulsing, my eyelids propped open wide with all of the secrets I had been struck with.  

There were nights I found it in the soft flutter of his eyelashes against my cheek, the glowing warmth of his hand that held mine like something he would never grow tired of carrying, even though that was where I kept all of the words that had been stolen from my lips since the first moment I knew that I loved him.

But back then, they were everywhere-- the words-- nestling in high nests perched upon branches I was always tall enough to reach, settling in the pockets of worn denim overalls and the creases of watercolor smiles I had secretly painted on strangers with no names to match the dim light of their faces.

There was a time. There is a time.

Now, I sit at my desk with trembling hands and words stuck jumbled and uncharted in the aftermath of the past. And poetry no longer spills from the cracks of the baby pink teapot, no longer falls with every tear that still remembers how to emulate the rain.

But it is here when I am with him, his arms becoming the paper I have spilled my soul onto back before I memorized the melody of his heartbeat. In the sound of our voices filling all of the vacant spaces that used to haunt my bones, in the hushed music that plays every time my name drips like honey from the edges of his laughter.

There is a time. It is now. Poetry was once written, now it is living.
TheIdleOwl Jun 2019
22
The sky electric blue behind wisps of ash,
Over the road by the hammock lies the whispering grass,
The traveller lays there imagining Charles Monet,
In the bay to the right above the sprinkled bouquet,
There’s a scatter of conversation by the wicker chairs,
Discarded pasts float on up through the air

In the city at night the road is painted in gradient,
There’s a smattering of lanterns in a crescent they radiate,
A hubbub of excitement hums on the rooftop bar,
To the eyes at the top life below is bizarre,
Lessons thrown around like invisible flares,
Discarded pasts float on up through the air

Trains to new destinations and thumbs up by the road,
From island to island old habits corrode,
Aircrafts pepper the sky restraining adventures for now,
From the temples of Peru to the Cathedral of Bilbao,
When you only know one thing how can you compare?
Discarded pasts float on up through the air
Nikki Paulin Dec 2013
We spoke whispers in the shadows
because since the beginning
we were doomed in the dark.

You had the utter decency of telling me how you'd outgrown my gnarled hands that used to be clasped in endless hope with you.

And so you proceeded with your litany of sad literature and decided to head for the hills.

You trod along that lonely road
as though every step you took
was saying goodbye to forever.

Slowly, the distance that painted
the unforgiving space between us
ran its soft fingers through my seething soul, rendered me so mortified I could die.

Tonight, I take refuge in the thought
that things will eventually fall into place.

I will shuffle all my sobbing into my sleeves. Guess I'm getting bloodshot eyes after all.
Janhavi Kharat Mar 2021
I never let anyone touch my heart.
But I let you  dig in hard.
Your hands grabbed to paint my heart.
My heart's your painting; it's every part.
Painting it with hope ,life and colour.
You painted it with love so subtle.
The Reds ,blacks and blues still speak.
They talk to me as they fade to leak .
Weren't we happy? But what happened then?
There were life's unpleasant winds all of a sudden.
The water needed by the water colours.
The wind's ****
Spill the water in the mug.
The water hated by my life's colours.
Spilling straight on the painting of yours.
Spoiling straight the glee of ours.
The dull water made the painting dull.
The dull wind's made my heart dull.
You had to throw away.
But to me my heart: your painting is a masterpiece
A thing only you could cease.
You never came back again
You left me hanging.
It's not you whom I blame.
It's the wind's blow.
I hate the wind i hate air
I'll never breath again.
So this is what was a sudden hit of motivation to me idk if I could express well let me know whether I could hehe .
Lunar Apr 2016
we both had two different painting styles. he was into calligraphy, the bold and gentle strokes of black ink on white paper; i was into watercolor, the translucent colors slowly spreading to a gradient on a Canson. we were two painters with brush styles of stark contrasts.

three objects. a flower arrangement, an antique vase and grecian sculpture. we were asked to pick the most eye-catching one out of the three, paint it in our of style of representation. and so we began.

him: what will you be painting?
me: i can't tell, you might judge me for it.
him: alright, but promise me you'll show it to me once you're done.
me: okay. same to you too, then.

hours passed, and while i often discreetly glimpsed at him, he caught my eye sometimes and would make funny faces or just softly smiled at me. i could not deny that my hands were shaking as i dunked my brushes into the watercolor jar and continued to finish my painting.

him: i'm finally done. this is a masterpiece.
me: i believe it's the same for me too.
him: should we count down as we turn our boards to each other?
me: nothing better than a surprise of what's the most beautiful thing out of all the objects before us.

we flipped our boards to each other's viewpoint, and we were both shocked to be looking at ourselves, a painting of ourselves, one done by the other. he painted me in black and white, a figure-ground influenced painting, strong in lines, simplicity in its finest state, rendering me bare and raw. i painted him in pale colors, a positive reflection of him lighting up life, and soft shadings to give depth to the meaning of his existence.

after knowing this and scrutinizing our works, his cheeks turned pink as the pink on my palette, while i covered my eyes with my hair as dark as his ink. we burst out laughing and blushing at the fact that the most beautiful object before our eyes was each other.

sometimes, i wonder if he's my muse, the art or the artist. and i felt like a watercolor jar at that exact moment, as if brushes soaked with different colors were being dipped into me all at once, the tint, hue and vibrancy bleeding into the clear liquid, getting murky. it was like those colors are my emotions, and with every emotion mixing, my thoughts get murky. i guess this is how it feels to be in love with all forms of art at once.
wjh, you, and loving you, is the definition of my art.
you and only you are the meaning of my muse.
you and just you are the artist
Maybe im alone in my views maybe just bitter from age.
The road a fond memory like a old man who sits dead in legs yet giving thought to only wind
of times blonde hairs and scent did linger jasmine of his thoughts is sweetest when reflected by window so far from that time.

Now im like that man unable to run so here i sit lost to life a stranger to all even myself.
A cold drink on a honey suckle laced backpoarch.
If only my turns were diffreent maybe id know happiness i never been able to grasp unto myself.

But poets thirst for pain and self destruction is a well unfilled no lifetime could quench.

Alone I understand reason a monster ive grown to call myself.
In ways ive grown only to speak in pages none choose to read yet many can grasp.
Ive seen wars fought internal to cast shadows over the most clear sky.

Is it not time for a seaside eternal rest?

In pain I find logic sadness my eternal home nothing can mend broken roads but only help to build
more isolated paths.
Please i beg never to choose my road for it was never my to choose.

Tommorow will find tears in what never was todays reality.

It never was ment but it sure felt right.
All my hopes have finally found rest.
With motions a roar shall you recall my liftime based
apon one single night.

View me a pawn so mention the fool.
Judge only your actions and always remeber the voice silent in rage washed clean of tommorows misery for which iv'e had my final share.

Two strangers grasp togather all of nothing why must we question all that never can be?

                    The sunset holds promise red in color painted in thoughts
                    may one at least be held in happiness of farewell to me.

My road was always headed in a direction we all understood it was bound to happen sooner than later.
Why follow when I had no other choice.

Underneath nights stage in a gentle breeze soliace is such a peacefull fade.
What is taken shall never be replaced.
olivia larson Aug 2015
you told me you could see lifetimes in my eyes
you told me my fingers painted galaxies on your skin
you told me we would be okay
so now what am i supposed to believe?
the moon weeps for us
the stars look down in sorrow
they have lost their shine
the same ones we danced beneath
now mourn our demise
the same ones we laughed up to
and told secrets to
and whispered cotton candy promises to
now do not believe in love.
the galaxies i once painted on your skin
call us liars
Mirlotta Dec 2015
Love, now, is considered 'cute'.
That's all there is to it.

It's not looking up at the stars and
wishing for that same blazing fire
inside yourself.

It isn't those long, after-dark
conversations we had when
the constellations sang us melodies
in Ursa Major and Ursa Minor until
we remembered that I could play the piano
and you were alright on the recorder
and we joined in.

Sometimes, you'd stroke your fingers
through my hair, and my tears would
stroke the piano keys at the beautiful
audacity of your perfection.

Our shadows would intertwine,
flecked with tiny shards of the moonlight
and its spittle,
and it would seem to us that all
the great expanses and extravagances
of our universe had aligned to give us
this moment.

I'm told that wasn't love either.
No. Love is cute.

Love, according to the here and now,
is not what Shakespeare promised me
it would be.

It is not speaking the sort of words
that have stretched from the dawn of
the dawn of time and have tangled and
coiled and wrapped us together
like words are ribbons and we're
a human maypole.

It isn't seeing the sun and thinking
of the way your eyes lit up when
you first read my poetry.

After, you'd rise from where you sat
to the right of me, the east
and whisper to me how
lucky you were, how lucky we were
to be here, in this world, together.

Our hands would clasp, my small fingers
warmed by the inexplicably intrinsic
sense of togetherness.
Of you. Of me.

The two words blended like
we were only colours and this
world our painted grey palette.

None of it mattered.
None of it mattered, because none of it was love.
'Love', according to the modern mind, is simply
Cute.

We were boiled down,
like we'd been pushed into a pan and
they couldn't understand why we wouldn't fit
even once they'd chopped us up.

Everything - because wasn't love everything? -
was just plagiarised love letters scribbled on the
dog-eared corners of textbooks.

And though to us we were Nut and Geb,
Gaia and Ouranos,
Romeo and Juliet, if Romeo had
had your freckles and Juliet had
had my temper and they'd had
love built on the transcendence
of time instead of party crashing.

Except, to everyone else in the here and now,
we weren't. We weren't *******
Nut and Geb.
We were cute.

Somehow, love seems to equate to
you carrying my books around for me
like you don't  have enough of your own to drag.

Love is suits and cravats and
prom dresses with stick on sparkles
because the night sky is no longer enough.

Love is kisses on the end of text messages
to replace the kisses in real life,
and pink and red heart emoticons to
pretend that we all still have hearts that are capable of
anything more than 'cute'.

And when I close my eyes and try to remember that it was real,
what we had, remember that it was the kind of untarnished love that
I could look in and see our reflection,
it's not your voice that I hear, but the words of 'love' in the here and now.

'You two are so cute together!'
'I wish I could have a relationship like yours. It's adorable.'
Quaint. Charming. Darling.
Cute.

Love, now, is considered 'cute'.
Even when it's not.

More than a myth than Nut and Geb ever were.

Even when it's real.
Especially when it's real.

That's all there is to it.
It's hard to surrender
To what and to whom the eyes cannot see
Giving in to something Heavenly
It seems to be risky.

But not risking
Makes you risk every thing
Including your salvation.

They ask,
"Is Hell real?"
"Is Heaven real?"

Faith comes then
By hearing
And hearing the Word;
Will you listen?

In the latter days,
Every white flag shall be seen
Those that are authentic
And sealed and painted with red.

And at the end of the Story
His Story will not be left untold
There're corpses all over
To where bodies might be dying
But we are always alive in Him!
Hallelujah! We surrender!

— The End —