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Lou Jul 2017
4
At the Zoo

Patriots and faux exhibit and binge on synonyms of liberty printed on beer and underwear
Advertising what should be unspoken and inspired to pervert and romanticize
Preludes to the parades and finale above us all
Weeks of saturated irony
Cuckoo bird irony and BBQ
As they reform Phoenix, rebirth of distractions and thievery
Predators in ally ways pursing America's diamonds and legs

Then gunpowder
Gunpowder of colors and cuckoos
Layers of streets in gunpowder
Towns built of gunpowder
Sky is gunpowder
We are born addicted to led and gunpowder
Gunpowder ****** in the air
Success, display and diversion and more gunpowder to ingest.

The Grand Finale
The Volta of the evening
The hammer of the judge
*** appeal of death and nature flexing it's muscles-  
show us some skin!

Covering your ears
Eyes fastened-
Ready to burrow back to mothers womb
Binged and free
Chinese celebration hijacked
Red, White and Blue
And a moment of silence  

Orchestrated onomatopoeia in heaven
Chorus of arousal on Earth
Band marching war machines in hell

The showdown of 241 years!
This freedom we are all grateful to only talk about

Only free to battle shackling intoxication
Men and women tugging extra weighted offspring
Sulking for indoors and portable addiction  
Chanting three letter obedience
God being counted by his blessings
Fear and Statism in every breathe for salvation from our stick swatted enemies
Checkpoints that serve and protect asking for a toll;
liberty synonyms.
Arresting the too free

At the Zoo,

The cuckoos regaining reality.
The phoenix red eye and held under oath
To the next day where we are back
To hate each others freedom, again.
Written on the 4th of July.
Bo Burnham Mar 2015
I want to beat you to death with a blunt object.

I want to grab one of those high-end fashion mannequins by the ankles and bash your ribcage in.

I want to sharpen fifty pencils, bind them with a rubber band, stick the lead ends in your mouth, and punch the erasers.

I want to strap you to a bed of nails and then strap that bed of nails to the hood of my car so I can watch you suffer as we drive over speed bumps in a mall parking lot during an earthquake.

I want to burn your dog in front of you, mix his ashes with gunpowder, melt his bone-shaped name tag into a small metal ball, load it all into a musket, and shoot you in the face with him.

I want you to somehow survive a terrible car crash and then somehow not survive a small fender ****** on the way back from the hospital.
PoserPersona Aug 2018
Gaze on that woman by the train.
With curves like gunpowder
that will shoot fireworks again.
As her and I once were.

Since then, of women, I've abstained.
My chest is a pyre
to the damsel I couldn't retain;
fondness that won’t expire.


You say I could never attain
and imply I'm a liar!?
Or you think either me insane
or least she's miswired?

The evidence on my brain -
melancholy, ire -
the despondent husk that remains,
need you more enquire?


...True, of her, no displays of pain;
eyes that jolt not tire,
poker voice tipping no disdain,
legs that feed desire!

For her, gone love is not a chain
hidden by attire
or flushed down a forgotten drain.
It merely retired.

Love like hers was the wind and rain
to my earth and fire.
"My woman says that she prefers to marry no one
over me, not even if Jupiter himself should seek her.
She says (these things), but what a woman says to her desirous lover
is fitting to write on the wind and on fast-flowing water."
Poem 70 - Catullus
Maggie Emmett Jul 2015
PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi
This poem is part of a longer poem called Seasons of Terror. This poem was performed at the University of Adelaide, Bonython Hall as a community event. The poem was read by local poets, broadcasters, personalities and politicians from the South Australia Parliament and a Federal MP & Senator. The State Premier was represented by the Hon. Michael Atkinson, who spoke about the role of the Emergency services in our society. The Chiefs of Police, Fire and Ambulence; all religious and community organisations' senior reprasentatives; the First Secretary of the British High Commission and the general public were present. It was recorded by Radio Adelaide and broadcast live as well as coverage from Channel 7 TV News. The Queen,Tony Blair, Australian Governor General and many other public dignitaries sent messages of support for the work being read. A string quartet and a solo flautist also played at this event.
You are going to ask: and where are the lilacs?
and the poppy-petalled metaphysics?
and the rain repeatedly spattering
its words and drilling them full
of apertures and birds?
I'll tell you all the news.

I lived in a suburb,
a suburb of Madrid, with bells,
and clocks, and trees.

From there you could look out
over Castille's dry face:
a leather ocean.
My house was called
the house of flowers, because in every cranny
geraniums burst: it was
a good-looking house
with its dogs and children.
Remember, Raul?
Eh, Rafel?         Federico, do you remember
from under the ground
my balconies on which
the light of June drowned flowers in your mouth?
Brother, my brother!
Everything
loud with big voices, the salt of merchandises,
pile-ups of palpitating bread,
the stalls of my suburb of Arguelles with its statue
like a drained inkwell in a swirl of hake:
oil flowed into spoons,
a deep baying
of feet and hands swelled in the streets,
metres, litres, the sharp
measure of life,
stacked-up fish,
the texture of roofs with a cold sun in which
the weather vane falters,
the fine, frenzied ivory of potatoes,
wave on wave of tomatoes rolling down the sea.

And one morning all that was burning,
one morning the bonfires
leapt out of the earth
devouring human beings --
and from then on fire,
gunpowder from then on,
and from then on blood.
Bandits with planes and Moors,
bandits with finger-rings and duchesses,
bandits with black friars spattering blessings
came through the sky to **** children
and the blood of children ran through the streets
without fuss, like children's blood.

Jackals that the jackals would despise,
stones that the dry thistle would bite on and spit out,
vipers that the vipers would abominate!

Face to face with you I have seen the blood
of Spain tower like a tide
to drown you in one wave
of pride and knives!

Treacherous
generals:
see my dead house,
look at broken Spain :
from every house burning metal flows
instead of flowers,
from every socket of Spain
Spain emerges
and from every dead child a rifle with eyes,
and from every crime bullets are born
which will one day find
the bull's eye of your hearts.

And you'll ask: why doesn't his poetry
speak of dreams and leaves
and the great volcanoes of his native land?

Come and see the blood in the streets.
Come and see
The blood in the streets.
Come and see the blood
In the streets!
Ah.. shes here...I shuffle around the stalls... watching..out of the corners of my eyes.... she knows ....Intimacy...a hand on flank..careful..
.you'll break me....with your gentle hands..
..My hard mouth....your soft lips..
..unruly, unruled....old horse...a kiss.
.. Confused, ...stallion in name only.
... You whisper... My ears *****..
... forward..the hunt! ....your scent on..
..My bridle...I smell u still...
.. Calm...Comfort...Welcome...
.Gentled, not too gently....a strong hand.
. It grows trust …..truth...a Stallion! Once more.
Panting...pawing...'Be easy'..nervous eyes roll.
.a hand on the neck...a caress..'Gently '...you whisper,
.... hot breath against ear
… I snuffle and toss my head
…. still a bit frightened…..her power!
..Will you ride.? ! ..firm thighs and buttocks..
..Toes point... Heels dig...all Give and Take….
. Instruction to...from...the muscled beast.
..straddled. Awkward… too long without….
..A Rider … the matching... Gait with hip...
Walk-on.. Trot, pounding...Heels clip.
..faster, just a bit..Then smoothly they fit her to him.
...a canter.....this long stretch....rocking like one creature
….each a part of the other...breathing evenly…
...caught ….. Breath comes quick...bodies warm.
. Exertion...strength..trust.. Leaning forward..
knees grip..pulling...toes curl..in..
..hot breath..whisper in an ear… Now!
...hands grip mane... As they clench
… bit between the teeth...She..
...gives him his head... Finding his rhythm
…. home in sight...a last burst……
Rider/Stallion sweat soaked … blood pounding..There... againthe scent of her...Sweet Hay rising.
..she whispers… yes oh yes… I knew…
you had it in you.. In me...oh gods….YES! ! .
. No! not the pasture yet for you.. She chuckles..
.bodies tangled in sheets ….. Her mane of dark hair..
Scent of her fills him …
glad to be..Alive? Yes..head…. Heat…
heart...bursting…Not now… But soon.
. A gift.. This youth.. Who see's value in an old war horse.
..ridden.. but no more to war and blood..
.gentled, both he and she… sleep…bridled passion.
..her...a scent of sweet hay…
.him...an old spice..and gunpowder? ..mmm.
by Alexander K Hamilton
For M.R. come safely home.
Paul Butters Oct 2018
Back in the day,
When I was a little whipper snapper in Leeds,
We would go “chumping”, as we called it, for firewood,
For weeks and weeks.

Everyone built towering infernos,
Ready for November Fifth:
Bonfire Night.
Some made effigies of the “evil” Guy Fawkes,
Leader of the “Gunpowder Plot”
And stood in the street saying
“Penny for the Guy”.

What a night!
Roaring fire on a chill Winter night,
Those flames burning your face.
A World War Three
Of Fireworks:
Rockets, Catherine Wheels and bangers.
Bangers to scare the girls.
Kids painting pictures in the air
With sparklers.

And best of all,
That yummy gingery Parkin cake:
A taste I cannot put
Into words.
Oh and deep dark
Treacle Toffee,
Jacket potatoes,
Roast chestnuts
And Crunchie-like cinder toffee.

It’s many a year since I went to a bonfire.
Politically correct firework displays
Are more the modern thing.

Seems strange to burn the effigy
Of a man who had the sense
To try to blow parliament up –
Especially a Yorkshire Man.
Ha ha.

But then I read that good
Religious reasons are behind
This bonfire Celebration:
Those flames are orange
After all.

Not wishing to create divisions
Anywhere in the world,
It’s still good to see traditions
Being maintained.

Let those fires and fireworks keep rising,
Constantly emerging from the shadows
Of Halloween.

Paul Butters

© PB 27\10\2018.

Written at the request of Stephen Chapman. “Treacle toffee” added later, with “jacket potatoes” and “cinder toffee” added on 31\10\18. "Roast chestnuts" added 18\11.
Stephen Chapman indeed requested this...
RAJ NANDY Jul 2015
INTRODUCTION TO THE FIRST WORLD WAR
            BY RAJ NANDY: PART ONE

                   INTRODUCTION
  “What passing-bells for those who die as cattle?
         Only the monstrous anger of the guns.
        Only the stuttering rifles’ rapid rattle
    Can patter out their hasty orisons.”
      -by Wilfred Owen, British Army Lt. killed in
        action in France on 04th Nov 1918.

The Socialists called it the ‘Imperialist’s War’,
and it was the ‘Trench War’ for the soldiers;
But Europe hailed it as ‘The War to End All Wars’,                
Expecting it to end prior to 1914’s Christmas!
But alas, it soon became a mighty global war
fueled by national and ethnic aspirations and
territorial lust!
The assassination of Archduke Ferdinand, heir
to the Austro-Hungarian Monarchy, -
On the 28thof June 1914 at Sarajevo, was the
spark which triggered off this great catastrophe!
During 1876 when German Chancellor Bismarck
was asked about chances of an European War at
a future date;
He felt that Europe was like a big store house of
gunpowder keg!
While pointing to the volatile BALKANS he had said,
That European leaders were smoking in an arsenal,
where a small spark could cause a mighty explosion!
And 38 years later the world had witnessed,
Bismarck’s unfortunate prediction!
This war ended on 11th of November 1918, after a
four and half year’s long duration;
With 16.5 million military and civilian deaths, and
many more wounded and missing in action!
For the War had spread beyond the traditional
killing fields,
Killing many innocent civilians following the
bombing raids by German Zeppelins!
Now, before proceeding further some background
information here becomes necessary,
To understand the socio-political events leading
to the unfolding of this Great War Story!

         PRELUDE TO THE GREAT WAR
The Nationalistic fervor aroused by Napoleon,
And the February Revolution of 1848 in France,
Inspired Europe’s inhabitants to preserve their
ethnic and racial identities, without leaving
things to chance!
The Italian and German unification, and the
Hapsburg Austro-Hungarian polarization,
Aroused the expectations of the Slavic people,
Who remained spread all over Central and
Eastern Europe!
The various ethnic groups forming the Slavic race,
Always dreamt of an independent Balkan State!

         CAUSES FOR ‘THE GREAT WAR’
Imperialism, Nationalism, Militarization, Alliances,
and finally the assassination of the Archduke
Ferdinand,
Are the five main causes for this war, which is
generally mentioned by our Historians!
However, I shall now try to acquaint you briefly,  
With some relevant events from our recorded
History.

BRITISH IMPERIALISM:
Towards the turn of the 20th century Britain was
the dominant global imperial power;
And since the mid-19th Century it was seen that
the sun never set over the British Empire!
The British had a vast mercantile and a naval fleet,
To trade with, and administer their far flung colonies.
At the turn of the 20th Century the British Navy was
changing over from steam to oil power like other
big nations;
So the oil fields of the Middle East was important
for British militarization.
Also passage through the Suez Canal was vital for
maintaining their colonial possessions!
These facts will get linked up in Part Two of my
later composition!

GERMAN NATIONALISM:
The nationalistic fervor aroused in Germany
since Chancellor Bismarck’s days,
Made the Germans try to outstrip the British
in many ways!
This fervor was reflected in Goethe’s poetry and
through Richard Wagner’s musical notes;
Between 1898 and 1912 five Naval Laws were
passed in the German Reichstag, by majority
votes,
For building battleships, cruisers, and 96 torpedo
boats;
Which later became a scourge for Allied and
British shipping, known as the U-Boats!
The German nationalism and militarization went
hand in hand during those days,
While her industrialization also progressed at a
rapid pace.
Kaiser Wilhelm II had sought “a place in the sun”
by trying to outstrip the British in the arms race!
Statistic show more number of German scientists
had received the Noble Prize for their inventions,
Between this period and World War- II, when
compared with the combined winners of other
Western nations!

AUSTRIA-HUNGARIAN MONARCHY:
In 1867 by a comprising agreement between
Vienna and Budapest the capital cities,
The Austro-Hungarian kingdom became a Dual
Monarchy!
Many ethnic groups had composed this Monarchy
in those early days as we see;
With Germans, Hungarians, Romanians, and Slavic
people like the Czechs, Poles, Croats, Slovaks,
Serbs, and the Slovenes!
While the Austrian Officers of this Monarchy spoke
German, the majority of the soldiers were Hungarians,
Czechs, Slovaks, who never spoke German!
So the soldiers were taught 68 single-words of
German commands,
For the Austro-Hungarian Imperial Army to function
collectively as one!
While Francis Joseph their sovereign and emperor,
aspired to become a strong centralized European
power.
But out of the 50 million people of this Monarchy
around 23 million were Slavs,
Who always dreamed of an independent Slavic
Kingdom in the Balkans!

THE BALKANS & THE KINGDOM OF SERBIA
After the Iberian and the Italian peninsulas of
Europe, the BALKAN peninsular is seen to be
lying in Europe’s extreme south east, -
South of the Danube and Sava River, bounded
in the west by the Adriatic and Ionian Sea.
In the east is the Aegean and Black Sea,
With the Mediterranean Sea in the south, -
washing the tip formed by Greece with its many
islands around!
Now much of the Balkan areas were under the
Ottoman Empire since early 14th Century;
And here I cut across many centuries of past
European History!
Following a series of revolutions since 1804
against the Turks,
The Principality of Serbia was carved out in the
area of the Balkans!
A new constitution in 1869 defined it as an
independent State of Serbia;
Was internationally recognized at the Treaty
of Berlin in 1878, to later become the Kingdom
of Serbia!
This kingdom was located south adjoining the
Monarchy of Austro-Hungarians, much to their
annoyance those days,
Since the Kingdom of Serbia was looked upon
as a ‘beacon of liberty’ by the Southern Slavic
race!

THE BOSNIAN CRISIS (1908-1909)  
This dual provinces of Bosnia and Herzegovina
in the Balkans,
Were formally under the control of the
Ottoman Sultan.
With permission of the Congress of Berlin in
1878, it was administered by Austria-Hungary;
Though the legal rights remained with Turkey!
But the Slavic population present there had
Nationalistic ambitions,
Aspired to join the Slavs in nearby Kingdom of
Serbia, to form a pan-Slavic nation!
The Slavic population in Austria-Hungary, also
entertained such dreams wistfully!
Now in 1908 a ‘Young Turk Movement’ based
at Macedonia,
Had planned to replace the absolute Turkish
rule in Bosnia!
And by modernizing the Constitution hoped
to rejuvenate the sick Ottoman Empire.
These developments set alarm bells ringing
in Austrian capital Vienna!
So on the 6th of October 1908 they quickly
annexed Bosnia and Herzegovina!
After having lost a war with Japan, and following
an internal Revolution of 1905 the Russians,
Prevented an escalation by staying out of the
Bosnian Crisis!
But the annexation of Bosnia had angered the
Serbs greatly,
So they started to train secret terrorist groups to
liberate Bosnia from Austria-Hungary!
These terrorist groups operated in small cells,
Under the leadership of Col. Dimitrijevic, also
known as the ‘Apis’ those days.
Now, a secret cell called the ‘Black Hand’ operated
in the Bosnian capital of Sarajevo with Gavrilo
Princep as one of its members;
Who was trained and equipped in Serbia along
with other ‘Black Hand’ members.
The Austro-Hungarian Monarchy had remained
distressed about these subversive activities by
the Slavic race!
So in Jan 1909 they obtained the unconditional
support from Germany, in the event of a war
with Serbia even if Austria was the aggressor!
And also secretly hoped in a war to annex
Serbian territory!
For in the two Balkan Wars of 1912 and 1913,
Serbia had greatly extended its territory to
become a powerful adversary!
Serbia had also obtained an assurance from
its protector Russia, should a war break out with
Austria!
Now, as tension mounted upsetting the delicate
balance of power in the Balkans gradually,
Archduke Franz Ferdinand with his wife Sophie,
planned to visit Sarajevo from Austria-Hungary!
It was a God sent moment for the secret
organization the ‘Black Hand’,
To plan the assassination of Archduke Ferdinand!

THE ASSASSINATION: SARAJEVO 28TH JUNE 1914
Now when I look back in time I pause to wonder,
How such an amateurish assassination plot could
have ever succeeded,
Without the cruel hands of destiny and fate!
The 28th of June was a bright summer’s St. Vitus
Day and a holiday in Serbia;
And also the 14th marriage anniversary of Franz
Fernandez and his wife Sophia!
Several assassins were positioned along the route,
Which was to be taken by the Archduke!
While the motorcade proceeded to the Town Hall
a bomb was thrown,
Which bounced off the rear of Archduke’s car,
Injuring few bystanders and a passenger in the
rear car!
The Archduke however refused to cancel his trip,
Saying that it was the act of some lunatic!
After completion of the Town Hall ceremony, the
Archduke wanted a change of plan deviating from
the laid down route;
By wanting to visit the patients in the hospital,
Injured by the bomb which had struck his cars
rear hood!
But the Czech driver was not briefed and took
a wrong turn by mistake;
Reversed trying to correct himself, stalled the car
stoppling next to Gavrilo Princep!
Presenting Princep with a stationary target, a
cruel work of destiny and fate!
Prince pulled out his pistol and fired two shots  
at a point blank range, killing both Ferdinand
and  wife Sophie;
When Ferdinand cried out ‘’Sophie, Sophie,
don’t die, live for the children’’, - words which
now remain enshrined in History!

TRIAL OF PRINCEP & THE CONSPIRATORS
The trial began in a military court on 12th of
October at Sarajevo,
With three judges and no jury, when Princep
pleaded 'Not Guilty'!
Killing of Duchess Sophie was an unplanned
accident,
Since he wanted to **** the Governor instead!
He claimed to be a Serbian nationalist working
for the unification of the Slavic race,
and detested the annexation of Bosnia by the
Austo-Hungarians!
Along with 15 other accused, Princep was found
guilty of high treason;
But being underage, was sentenced to 20 years
labour in prison.
But died three year's later from tuberculosis!

           CONCLUDING PART ONE
  ''Blow out, you bugles, over the rich Dead!
   There's none of these so lonely and poor of old,
   But dying, has made us rarer gifts than gold."
      -Rupert Brook, part of the British Naval Expeditionary
       Force, buried in Skyros, Greece 1914.
Now, looking back over a hundred years in
hindsight I do realize,
That this assassination was not the immediate
cause or the spark which triggered this War,
But only an excuse and a pretext for the
Austro-Hungarians to carve up Serbia,
And distribute those territories between
Allies and friends of Austria;
Also enhance the prestige of their Empire!
Since the war had commenced almost two
months after the Archduke’s assassination,
Austria had lost the high moral ground for
vengeance with righteous indignation!
It was a cynical and a predetermined plan
of Austria in connivance with Germany,
To destroy Serbia and squash the hopes of
Slavic people for a pan-Slavic State, - as we
now get to see!
This war ended with the dissolution of four old
Empires of the Austro-Hungarians, Ottomans,
Tsarist Russians, and the Germans!
While new nations of Czechoslovakia, Yugoslavia,
Austria, and Hungary, got created from the
dissolved Empire of Austria-Hungary.
Russia gave up lands creating Finland, Estonia,
Latvia, and Lithuania.
The Ottomans gave up lands in SW Asia and the
Middle East, and in Europe retained only Turkey!
Thus this Great War had creating new nation states,
And gave Europe its new revamped face!
Composed by Raj Nandy of New Delhi,
Thanks for reading patiently!
   TO BE CONTINUED LATER AS PART TWO
**ALL COPY RIGHTS ARE WITH THE AUTHOR
Dear Readers, this is a product of three weeks of my research work, put across in simplified verse! Hope to compose Part Two at a later date, and tell you about trench warfare & the poems composed about this War! On the 28th of June 2015, 101 years of this First World War was completed! Kindly give Comments only after reading in your spare time, for this Great War  took place during our grandfather's time! Thanks! -Raj
Meg Apr 2018
I am alive by luck at this point.
I wonder if the gun that will eventually take me has been made.
Whose trigger will bury me.
How many bullets, like a flock of sparrows, will come carry my life to its final bed.
Today, I am alive but there is no law to thank.
If not me, then someone else.
Born into a game of chance we never asked for. Traded diplomas for obituaries. Traded graduation speeches for eulogies. Traded futures for an early grave. Forced to cash in their chips. We don’t want to play anymore.
And this too is eulogy. And this too is prayer. And this too can resurrect the coffin wood back to a tree. Can sing back alive whatever parts of you died with them. Whatever leapt in your throat at yet another headline.
Mourning until you, too, are a thing to mourn.
But we will no longer be martyrs.
We are the rude awakening to politicians who pawned out our safety, who bartered our lives for bribes.
You say “gun reform is not the answer” but all I can see is a bullet rattling like a pinball in an innocent student’s jaw.
You smell like gun smoke and
I can see the AR15 you're holding behind your back and
I guess it's easy to crack jokes about dodging bullets when you're the one firing them.
Give teachers books not bullets:
Kafka isn’t kevlar.
Bronte isn’t bulletproof.
And how sick is it that we must add school shootings to your list of proud american traditions.
Throwing opinions like punches.
How many more have to die before you decide your ego isn’t as important as you think it is?
And I, too, am buried alive
My soggy grave parting its greedy lips.
To you, my bones, when ground into gunpowder and mixed into water, taste like champagne.
My pulse, as thin as an obituary panting beneath sweaty palms, and sure
We are “just kids,”
But you are forgetting we are the next generation
And you autopsy your fists.
Call it reclamatory.
Lately, when asked “how are you?” I respond with a name no longer living.
And who knows if mine will be next
Performed this yesterday in my first poetry slam and won second place :)
Kewayne Wadley Jun 2021
There are fireworks
Everywhere.
Small & big reminders
Of everywhere we’ve been.
Above the rooftops, above our
Top lips, in tremendous fashion.
Spread far, your soul & mine.
I couldn’t imagine life
Without you.
Something out of the blue,
Loud & breathtaking.
How we’ve inspired each other
In quick rocket bursts.
If nothing else we’ve learned
That in a matter of minutes
It can all come to an end.
The way you kiss me &
The ethos of traveling souls
Finding a color to forever live in.
I’ve found a place, there are
Fireworks everywhere.
If nothing else, we’ve learned
That in a matter of minutes
it can all come to an end.
& when it does, I’ll race you
To the top & kiss you and
Every memory I have of you.
The cosmos of left over
Gunpowder & shredded paper
All combustible in our celebration.
With eyes closed,
& the sizzling palpitation of my heart.
Possibly the biggest reminder.
Whenever I see fireworks,
I think of you
thatdreadedpoet Mar 2014
The first time someone called me a poet
it was in the cramped back hallway of a party in early July
heat rising between our ****** spaces
sweat collecting at the base of my brow to keep anxiety at bay
I listen as someone who I could barely call an acquaintance describe me to a boy I just met:
“she is an amazing writer, trust me, she’s so cool”
As if me using metaphors for antidepressants
and words as bandages for wounds
was reason to make me worthy to get to know beyond my first name
to pin my feet onto a pedestal I didn’t ask to stand on to begin with
I press autopilot in my muscles,
mechanically flip my hair,
split my lips into a half-*** smile,
****** my hand,
and let my laugh ring with the music.
Little does everyone know I am the broken jukebox
with a disappearing voice.

I hide behind love and at 19, I wrote “What High School History Taught Me”
It was for you
you, the NYU junior with a mouth that clung onto vowels
and whose fingertips could read the braille embedded in my skin
You loved chasing storms,
I was almost named after a hurricane,
and this was how we were born after Hurricane Sandy-
it was never a question how we found comfort in destruction
But I still remember telling you
that I wanted to love you forever even if you didn’t stay to find out
And ever since I spit that
men come to me looking for their taste of mystery
for their chance to be immortalized
They don’t know I only speak in train station
and everybody is always a few minutes too late
No one has gotten the chance to get too close
because it’s never romantic to **** the girl who makes love to her own sadness every night

I’ve stopped seeing the fire in my poetry like most strangers do
because to them
my pain is pretty
my heartache is dressed in a bow so
they can all sleep better at night knowing
some 20 year old girl in California understands them
better than she understands herself.

I have been singing in a language I never fully understood
because I am the girl who attaches my reflection to a man
whose memory I still keep prisoner in my mind
and this is how I hide from myself
this is my disappearing act

This isn’t poetry anymore
and it hasn’t been for a long time
This is the sound of survival
This is my heart leaking gunpowder and discharging bullets
Right here
on this stage
is where I understand what it feels like to choke on the gas chamber of lost dreams
Right here
is a dusky New York City apartment
with a boy dressed in the mask of a man hunting me as prey
This stage is where I come home to after being at war with myself
This stage is my peace
my prayer for forgiveness once a week
Right here
is why friends from school don’t call me that much anymore
This stage
is why me and Joe broke up
This place
is why I don’t sit with my family at the dinner table no more
because why
Why share grace with those who can’t understand
how these lights I stand under make the full moon I need
to break my neck and howl at some nights

This is where I pluck the guitar strings of my throat to sing like a bluebird and slow dance with every ghost
This stage is the only place I can forklift
all the misunderstood out of my chest and force you to watch
and you
will still call it art
you
will still call it poetry

But this isn’t poetry anymore
it hasn’t been for a long time
This
is the sound of survival
This
is the sound of me using the inhale of night
just to make it to the exhale of morning.
Right here.
On this stage.
This
is where
and why
I
fight.
Jade Jul 2018
I am the prodigal daughter
of Hestia--
Goddess of hearth,
warmth,
embers that do not fade,
for they glow as softly
as lightning bugs.

But this time,
I will not be returning home.

Don't you see?

I've burned it down already.

Perhaps there shall exist no redemption
for my pyromanic sins.

They could not save
Sylvia Plath
as she ****** her head into the oven,
carbon monoxide stealing away
her last strands of breath.

(Sadness climbs up my throat in
stalagmites of flame,
rises from the chasm of my soul like bile,
like a phoenix reborn.)

They could not save
Joan of Arc,
whose flesh screamed out among
the ringlets of fire
and threads of cinder
that consumed it
so mercilessly.

(No, I am not a witch--
just a demi-goddess,
just a dangerous woman
But, unlike Joan of Arc,
I am no Saint either.)

They could not save Pompeii
whose inhabitants lay
victimized
asphyxiated
stolen
by the magma regurgitated by
the Almighty Vesuvius

(I cannot decide who I am
more similar to--
the inhabitants of Pompeii,
or the lava itself)

Perhaps then,
there is no saving a woman like me--
a woman forged from brimstone,
Hell's very own Femme Fatale.

I wear lighter fluid
atop my collar bone like its fragrance;
braid singed ribbon into my hair,
its ends charred and
curling upwards like tendrils of smoke;
rouge my lips with gunpowder.

Kiss me and
bite the bullet, darling--
make love to me
and you will combust.

But oh!

How these men will  bite their lip
at the thought of
******* me,
of dipping their fingertips
into the molten pools
that dwell between my thighs
similar to the way
a mere girl
(I, 16 years old)
is fascinated by the prospect
of baptizing her own melancholic
hands in candle wax.

(Who's the real ******* here, Baby?


Sincerely,
your Filthy Pyrophilliac.)


I am a
shadow charmer,
arsonist
the  Siren
of this Inferno
(wanted for her crimes).

Perhaps I was never the epitome of darkness,
perhaps I simply
lured the darkness towards me
(sorrow and the devil too.)

It's funny now that I think about it,
how the stars too reside in darkness,
how, when I wish upon them,
I am really only wishing on fire.

And where there is fire,
there is destruction;
it's no wonder all these dreams--
those of
love
magic
poetry--
have shuddered to ash.

Still, l I find myself making
snow angels in the ashes,
stick my tongue out,
let the remnants of desire
scorch my taste buds.

Here I lie
like an extinguished cigarette,
my use fulfilled and discarded.
But that's just fate,
stars ain't too fond
of nicotine, ya see,
ain't too fond of me
even though the very atoms
that comprise my being
are made of the stuff of galaxies.

But, oh, how these galaxies
have escaped my brooding grasp.

I do whatever it takes
to re-ignite what has been
lost--
chew on matchsticks,
let the splinters sear themselves
into my tongue;
lap at the iridescent gasoline puddles
that wade along
lonely streets corners;
howl beneath paper lanterns,
for both the sun and the moon
have forsaken me.

I do whatever it takes
to remember where I come from--
a state of limbo,
wherein I am simultaneously
angel (falling) |and| demon (the fallen)

What am I without flame?

Flame--
they could not save me from it,
from burning.

But perhaps the peril was never in burning;
perhaps it was in  burning out;
perhaps it was in disintegrating.
jadefbartlett.wixsite.com/tickledpurple
david badgerow Dec 2011
the world sits on the wing of a dove
being swallowed whole by a fiery goddess
descended from heaven on a chariot of ivy
i am incarcerated by shaking flesh and itching cloth
the road before me is giant and knows no bounds
the graveyard is warm and wet with spirits and dew
and red clouds are born from fire in the dawn
there is an intelligent horse being ridden by a snarling insect
and this man has come to claim our souls
our sunset blood burns boils blisters until a million animals wounded
i'm still alive, transfigure me into a creator
choke up my nostrils with the scent of your ***
invade my lungs with the burn of your god
caress my toungue with the infinite promise
enter my brain from above, and regurgitate your anxiety on me
slimy worms devour a psychadelic tomato laughing
into transendency, an eyeless eel has dissappeared into a pocket
i speak from balconies, from terrible heights, from hastened windowsills
in a million desperate quarrelling cities
this is where i **** up illusion, i give up to despondency
i ring the great iron bell that resounds with corruption, with hatred, with hideous *** and admiration,
i scream and cavort on rooftops alone with a black & blue midnight
covered in electric lights and gunpowder tongues
here comes the disintegration of my mind
disgraced by the eye of the earth and spat into
a realm of salivating light
i am swimming through digested heartbreak and melancholy livers
sickened by madness and homemade bombs and ******
the rainclouds carry a truckload of babies' hearts
and it's raining eyes over the city now
the cry of the mind escapes from waving mouths in impotence
as millions of bacteria invade the brain
may these lines be answered by the bird of the sun
by the worm at my ear
by the sight of my skeleton
by the stench of ***** in the air
by the dead gong shivering through midnight
by the bleeding eye of abandoned dreams
by the prophets in proclamation
by the god of all my sorrows
Autumn Whipple Mar 2016
Once upon a time
Lived a boy drenched in reason and rhyme
He culled the fields
A plow he yields
With a smile as soft as soil

But he heard the call to better things
away to rocks and stones that sing
Buried down in dirt and dust
Yields a bite of metal's rust
A smile as sharp as flint

The hand of death touched his soil
But through that barrage he twisted and toiled
But as he pleaded an escape from the grip of black
He knew that it would pull him back
And a set as solid as stone

Back to farm and yield he traveled
To see he life had unraveled
His green fields of corn and roan
Was all dark, and filled with stone
The green boy shadow stained

The boy had twisted and shouted
That the shadow of death should let him out
But in his haste to escape
He forgot the trace of blood and the deeper scrape
That was gunpowder and blood

He forgot to ask
He forgot the tasks
That had given him a soil smile
And in that lost guile
He forgot to ask the hand that gripped him
To wash itself of the shadow
Of blood and gunpowder
I was reading a war novel. Sue Me.
Patrick Conroy Mar 2014
I've called this ghost town home for far too long.
Spent my nights drinking with the dead.
Each sip cementing their existence in my head.
Listlessly taking shot after shot.
Whiskey,
the water of life,
commemorates the spirit of the deceased.
One
for those who passed away in peace.
Two
for those taken prematurely.
Toast number three shall be a farewell to me
but I am not ready to no longer
be.

You see,
if I were to dream eternally
and sink deeper down the fiery well,
those infamous nine levels of hell,
I would forge fresh footprints through the ash covered ground.
Walking with boots of compressed gunpowder,
the trail I leave behind is always primed to catch up with me and
spark the time bomb I walk with.
The seconds
tick
tick
tick
away.
The clock is always heading toward zero.
I tried to be a hero for many,
yet couldn't save myself.
My desires put upon a shelf.
A self inflicted penance handed down from the only one
I was foolish enough to call
god.
I am too far gone to be saved.
Grave stones mark the decay of my hopes and dreams.
The etchings on each marble tablet will eventually fade away.
The soil I am to be buried in must be overturned if anything is
to grow where I could not.
Mother nature always finds a way to nurture even the worst of her children.
Like any good matriarch, she refuses to accept anything less than her child's full potential.
Even in death.
Though I refused nourishment and love,
mother earth still holds me close.
Embraces me in a final attempt to squeeze the last drops of good which
were buried deep and thought to be dried long ago.

Ignoring her guidance, I've lived as if I would never end up six feet.
Deep were my thoughts,
dangerous my actions.
Though I lived as if I couldn't be defeated,
my first true test comes as I fight for control of my soul.
Angels and devils are now my judges,
each making their case for my demise.
The scales of destiny weigh my past actions.
The outcome holding my future.

So I'll fill my glass one final time,
and toast to those who left before me.
I'm coming home.
‘Arson’,
Cries the enslaved gunpowder path ,
That bridged our realms , of love and lust;
For beyond the rubbles , of Cupid’s wrath,
We are but orphan specks of dust.

So now,
Dwell we in the realms ,of those forgotten,
And to every legend , vanquished by rust,
Remind with verses bold , bitter but seldom rotten,
That We are but orphan specks of dust .

For every silent ballad
Raging in distant lands ;
For  every broken dream
Swallowed in temporal sands;
For  every dewdrop that will never burst ;
We are but orphan specks of dust .
Sombro Dec 2014
We all want to change
Looking on our world so high
We know it's there to be remodeled
And we can.

Peace. Each. Understand.
Is the food to our feelings,
But tools are the torch
To show us the way.

Love, it's bright,
Truth, it's right,
We, don't fight,
But to some, their candle is the gunpowder flash.

Try to build a house and the land must be squashed,
Try to write a poem and ink must be spilled,
Try to say a cliché and eggs must be broken,
But try to build a better world with bullets then people will suffer.

I don't want your world
You, out there who cannot read this,
I don't want to be in a place
Where learning means knowing

That men could be outside the door
Ready to stop your new world
Ready to make mistakes,
Ready to not care.

I'll light a candle for you
Because I wish
It could have been your illumination
Rather than the shared,

Gunpowder flash

Of those mistaken.
(PIANO DI SORRENTO.)

Fortu, Frotu, my beloved one,
Sit here by my side,
On my knees put up both little feet!
I was sure, if I tried,
I could make you laugh spite of Scirocco;
Now, open your eyes—
Let me keep you amused till he vanish
In black from the skies,
With telling my memories over
As you tell your beads;
All the memories plucked at Sorrento
—The flowers, or the weeds,
Time for rain! for your long hot dry Autumn
Had net-worked with brown
The white skin of each grape on the bunches,
Marked like a quail’s crown,
Those creatures you make such account of,
Whose heads,—specked with white
Over brown like a great spider’s back,
As I told you last night,—
Your mother bites off for her supper;
Red-ripe as could be.
Pomegranates were chapping and splitting
In halves on the tree:
And betwixt the loose walls of great flintstone,
Or in the thick dust
On the path, or straight out of the rock side,
Wherever could ******
Some burnt sprig of bold hardy rock-flower
Its yellow face up,
For the prize were great butterflies fighting,
Some five for one cup.
So, I guessed, ere I got up this morning,
What change was in store,
By the quick rustle-down of the quail-nets
Which woke me before
I could open my shutter, made fast
With a bough and a stone,
And look through the twisted dead vine-twigs,
Sole lattice that’s known!
Quick and sharp rang the rings down the net-poles,
While, busy beneath,
Your priest and his brother tugged at them,
The rain in their teeth:
And out upon all the flat house-roofs
Where split figs lay drying,
The girls took the frails under cover:
Nor use seemed in trying
To get out the boats and go fishing,
For, under the cliff,
Fierce the black water frothed o’er the blind-rock
No seeing our skiff
Arrive about noon from Amalfi,
—Our fisher arrive,
And pitch down his basket before us,
All trembling alive
With pink and grey jellies, your sea-fruit,
—You touch the strange lumps,
And mouths gape there, eyes open, all manner
Of horns and of humps.
Which only the fisher looks grave at,
While round him like imps
Cling screaming the children as naked
And brown as his shrimps;
Himself too as bare to the middle—
—You see round his neck
The string and its brass coin suspended,
That saves him from wreck.
But today not a boat reached Salerno,
So back to a man
Came our friends, with whose help in the vineyards
Grape-harvest began:
In the vat, half-way up in our house-side,
Like blood the juice spins,
While your brother all bare-legged is dancing
Till breathless he grins
Dead-beaten, in effort on effort
To keep the grapes under,
Since still when he seems all but master,
In pours the fresh plunder
From girls who keep coming and going
With basket on shoulder,
And eyes shut against the rain’s driving,
Your girls that are older,—
For under the hedges of aloe,
And where, on its bed
Of the orchard’s black mould, the love-apple
Lies pulpy and red,
All the young ones are kneeling and filling
Their laps with the snails
Tempted out by this first rainy weather,—
Your best of regales,
As tonight will be proved to my sorrow,
When, supping in state,
We shall feast our grape-gleaners (two dozen,
Three over one plate)
With lasagne so tempting to swallow
In slippery ropes,
And gourds fried in great purple slices,
That colour of popes.
Meantime, see the grape-bunch they’ve brought you,—
The rain-water slips
O’er the heavy blue bloom on each globe
Which the wasp to your lips
Still follows with fretful persistence—
Nay, taste, while awake,
This half of a curd-white smooth cheese-ball,
That peels, flake by flake,
Like an onion’s, each smoother and whiter;
Next, sip this weak wine
From the thin green glass flask, with its stopper,
A leaf of the vine,—
And end with the prickly-pear’s red flesh
That leaves through its juice
The stony black seeds on your pearl-teeth
…Scirocco is loose!
Hark! the quick, whistling pelt of the olives
Which, thick in one’s track,
Tempt the stranger to pick up and bite them,
Though not yet half black!
How the old twisted olive trunks shudder!
The medlars let fall
Their hard fruit, and the brittle great fig-trees
Snap off, figs and all,—
For here comes the whole of the tempest
No refuge, but creep
Back again to my side and my shoulder,
And listen or sleep.

O how will your country show next week
When all the vine-boughs
Have been stripped of their foliage to pasture
The mules and the cows?
Last eve, I rode over the mountains;
Your brother, my guide,
Soon left me, to feast on the myrtles
That offered, each side,
Their fruit-*****, black, glossy and luscious,—
Or strip from the sorbs
A treasure, so rosy and wondrous,
Of hairy gold orbs!
But my mule picked his sure, sober path out,
Just stopping to neigh
When he recognized down in the valley
His mates on their way
With the *******, and barrels of water;
And soon we emerged
From the plain, where the woods could scarce follow
And still as we urged
Our way, the woods wondered, and left us,
As up still we trudged
Though the wild path grew wilder each instant,
And place was e’en grudged
’Mid the rock-chasms, and piles of loose stones
(Like the loose broken teeth
Of some monster, which climbed there to die
From the ocean beneath)
Place was grudged to the silver-grey fume-****
That clung to the path,
And dark rosemary, ever a-dying,
That, ’spite the wind’s wrath,
So loves the salt rock’s face to seaward,—
And lentisks as staunch
To the stone where they root and bear berries,—
And… what shows a branch
Coral-coloured, transparent, with circlets
Of pale seagreen leaves—
Over all trod my mule with the caution
Of gleaners o’er sheaves,
Still, foot after foot like a lady—
So, round after round,
He climbed to the top of Calvano,
And God’s own profound
Was above me, and round me the mountains,
And under, the sea,
And within me, my heart to bear witness
What was and shall be!
Oh Heaven, and the terrible crystal!
No rampart excludes
Your eye from the life to be lived
In the blue solitudes!
Oh, those mountains, their infinite movement!
Still moving with you—
For, ever some new head and breast of them
Thrusts into view
To observe the intruder—you see it
If quickly you turn
And, before they escape you, surprise them—
They grudge you should learn
How the soft plains they look on, lean over,
And love (they pretend)
-Cower beneath them; the flat sea-pine crouches
The wild fruit-trees bend,
E’en the myrtle-leaves curl, shrink and shut—
All is silent and grave—
’Tis a sensual and timorous beauty—
How fair, but a slave!
So, I turned to the sea,—and there slumbered
As greenly as ever
Those isles of the siren, your Galli;
No ages can sever
The Three, nor enable their sister
To join them,—half-way
On the voyage, she looked at Ulysses—
No farther today;
Though the small one, just launched in the wave,
Watches breast-high and steady
From under the rock, her bold sister
Swum half-way already.
Fortu, shall we sail there together
And see from the sides
Quite new rocks show their faces—new haunts
Where the siren abides?
Shall we sail round and round them, close over
The rocks, though unseen,
That ruffle the grey glassy water
To glorious green?
Then scramble from splinter to splinter,
Reach land and explore,
On the largest, the strange square black turret
With never a door,
Just a loop to admit the quick lizards;
Then, stand there and hear
The birds’ quiet singing, that tells us
What life is, so clear!
The secret they sang to Ulysses,
When, ages ago,
He heard and he knew this life’s secret,
I hear and I know!

Ah, see! The sun breaks o’er Calvano—
He strikes the great gloom
And flutters it o’er the mount’s summit
In airy gold fume!
All is over! Look out, see the gipsy,
Our tinker and smith,
Has arrived, set up bellows and forge,
And down-squatted forthwith
To his hammering, under the wall there;
One eye keeps aloof
The urchins that itch to be putting
His jews’-harps to proof,
While the other, through locks of curled wire,
Is watching how sleek
Shines the hog, come to share in the windfalls
—An abbot’s own cheek!
All is over! Wake up and come out now,
And down let us go,
And see the fine things got in order
At Church for the show
Of the Sacrament, set forth this evening;
Tomorrow’s the Feast
Of the Rosary’s ******, by no means
Of Virgins the least—
As you’ll hear in the off-hand discourse
Which (all nature, no art)
The Dominican brother, these three weeks,
Was getting by heart.
Not a post nor a pillar but’s dizened
With red and blue papers;
All the roof waves with ribbons, each altar
A-blaze with long tapers;
But the great masterpiece is the scaffold
Rigged glorious to hold
All the fiddlers and fifers and drummers
And trumpeters bold,
Not afraid of Bellini nor Auber,
Who, when the priest’s hoarse,
Will strike us up something that’s brisk
For the feast’s second course.
And then will the flaxen-wigged Image
Be carried in pomp
Through the plain, while in gallant procession
The priests mean to stomp.
And all round the glad church lie old bottles
With gunpowder stopped,
Which will be, when the Image re-enters,
Religiously popped.
And at night from the crest of Calvano
Great bonfires will hang,
On the plain will the trumpets join chorus,
And more poppers bang!
At all events, come—to the garden,
As far as the wall,
See me tap with a *** on the plaster
Till out there shall fall
A scorpion with wide angry nippers!

…”Such trifles”—you say?
Fortu, in my England at home,
Men meet gravely today
And debate, if abolishing Corn-laws
Is righteous and wise
—If ’tis proper, Scirocco should vanish
In black from the skies!
Amoy Mar 2018
Death, darkness, despair, that how I found you.
Stardust, gunpowder, riffle, nine, I’m glad I came in time
Loss, anger, no fear, no care, oh dear!
I stared deep in your eyes and wonder, wonder, wonder and wonder
Why oh why did I let you go
Why oh why did you tell me no
Time, ring, cell, nothing can keep it in
Tears, pain, emotions I wanted none
Gun, run, no fear, no fun, in a minute the bullet left the gun
Into the darkness you retreat, leaving no trace of light not even from the sun
Walls closing in, dark as night, that’s where I found you
Clinging tight to the pain, let me be your knight
You took my hands and we drifted, drifted out of sight
Like flowers sequestered from the sun
  And wind of summer, day by day
I dwindled paler, whilst my hair
    Showed the first tinge of grey.

"Oh, what is life, that we should live?
  Or what is death, that we must die?
A bursting bubble is our life:
    I also, what am I?"

"What is your grief? now tell me, sweet,
  That I may grieve," my sister said;
And stayed a white embroidering hand
    And raised a golden head:

Her tresses showed a richer mass,
  Her eyes looked softer than my own,
Her figure had a statelier height,
    Her voice a tenderer tone.

"Some must be second and not first;
  All cannot be the first of all:
Is not this, too, but vanity?
  I stumble like to fall.

"So yesterday I read the acts
  Of Hector and each clangorous king
With wrathful great AEacides:--
    Old Homer leaves a sting."

The comely face looked up again,
  The deft hand lingered on the thread
"Sweet, tell me what is Homer's sting,
    Old Homer's sting?" she said.

"He stirs my sluggish pulse like wine,
  He melts me like the wind of spice,
Strong as strong Ajax' red right hand,
    And grand like Juno's eyes.

"I cannot melt the sons of men,
  I cannot fire and tempest-toss:--
Besides, those days were golden days,
    Whilst these are days of dross."

She laughed a feminine low laugh,
  Yet did not stay her dexterous hand:
"Now tell me of those days," she said,
    "When time ran golden sand."

"Then men were men of might and right,
  Sheer might, at least, and weighty swords;
Then men in open blood and fire
    Bore witness to their words,--

"Crest-rearing kings with whistling spears;
  But if these shivered in the shock
They wrenched up hundred-rooted trees,
    Or hurled the effacing rock.

"Then hand to hand, then foot to foot,
  Stern to the death-grip grappling then,
Who ever thought of gunpowder
    Amongst these men of men?

"They knew whose hand struck home the death,
  They knew who broke but would not bend,
Could venerate an equal foe
    And scorn a laggard friend.

"Calm in the utmost stress of doom,
  Devout toward adverse powers above,
They hated with intenser hate
    And loved with fuller love.

"Then heavenly beauty could allay
  As heavenly beauty stirred the strife:
By them a slave was worshipped more
    Than is by us a wife."

She laughed again, my sister laughed;
  Made answer o'er the laboured cloth:
"I rather would be one of us
    Than wife, or slave, or both."

"Oh better then be slave or wife
  Than fritter now blank life away:
Then night had holiness of night,
    And day was sacred day.

"The princess laboured at her loom,
  Mistress and handmaiden alike;
Beneath their needles grew the field
    With warriors armed to strike.

"Or, look again, dim Dian's face
  Gleamed perfect through the attendant night:
Were such not better than those holes
    Amid that waste of white?

"A shame it is, our aimless life;
  I rather from my heart would feed
From silver dish in gilded stall
    With wheat and wine the steed--

"The faithful steed that bore my lord
  In safety through the hostile land,
The faithful steed that arched his neck
    To ****** with my hand."

Her needle erred; a moment's pause,
  A moment's patience, all was well.
Then she: "But just suppose the horse,
    Suppose the rider fell?

"Then captive in an alien house,
  Hungering on exile's bitter bread,--
They happy, they who won the lot
    Of sacrifice," she said.

Speaking she faltered, while her look
  Showed forth her passion like a glass:
With hand suspended, kindling eye,
    Flushed cheek, how fair she was!

"Ah well, be those the days of dross;
  This, if you will, the age of gold:
Yet had those days a spark of warmth,
    While these are somewhat cold--

"Are somewhat mean and cold and slow,
  Are stunted from heroic growth:
We gain but little when we prove
    The worthlessness of both."

"But life is in our hands," she said;
  "In our own hands for gain or loss:
Shall not the Sevenfold Sacred Fire
    Suffice to purge our dross?

"Too short a century of dreams,
  One day of work sufficient length:
Why should not you, why should not I,
    Attain heroic strength?

"Our life is given us as a blank,
  Ourselves must make it blest or curst:
Who dooms me I shall only be
    The second, not the first?

"Learn from old Homer, if you will,
  Such wisdom as his books have said:
In one the acts of Ajax shine,
    In one of Diomed.

"Honoured all heroes whose high deeds
  Through life, through death, enlarge their span
Only Achilles in his rage
    And sloth is less than man."

"Achilles only less than man?
  He less than man who, half a god,
Discomfited all Greece with rest,
    Cowed Ilion with a nod?

"He offered vengeance, lifelong grief
  To one dear ghost, uncounted price:
Beasts, Trojans, adverse gods, himself,
    Heaped up the sacrifice.

"Self-immolated to his friend,
  Shrined in world's wonder, Homer's page,
Is this the man, the less than men
    Of this degenerate age?"

"Gross from his acorns, tusky boar
  Does memorable acts like his;
So for her snared offended young
    Bleeds the swart lioness."

But here she paused; our eyes had met,
  And I was whitening with the jeer;
She rose: "I went too far," she said;
    Spoke low: "Forgive me, dear.

"To me our days seem pleasant days,
  Our home a haven of pure content;
Forgive me if I said too much,
    So much more than I meant.

"Homer, though greater than his gods,
  With rough-hewn virtues was sufficed
And rough-hewn men: but what are such
    To us who learn of Christ?"

The much-moved pathos of her voice,
  Her almost tearful eyes, her cheek
Grown pale, confessed the strength of love
    Which only made her speak.

For mild she was, of few soft words,
  Most gentle, easy to be led,
Content to listen when I spoke,
    And reverence what I said:

I elder sister by six years;
  Not half so glad, or wise, or good:
Her words rebuked my secret self
    And shamed me where I stood.

She never guessed her words reproved
  A silent envy nursed within,
A selfish, souring discontent
    Pride-born, the devil's sin.

I smiled, half bitter, half in jest:
  "The wisest man of all the wise
Left for his summary of life
    'Vanity of vanities.'

"Beneath the sun there's nothing new:
  Men flow, men ebb, mankind flows on:
If I am wearied of my life,
    Why, so was Solomon.

"Vanity of vanities he preached
  Of all he found, of all he sought:
Vanity of vanities, the gist
    Of all the words he taught.

"This in the wisdom of the world,
  In Homer's page, in all, we find:
As the sea is not filled, so yearns
    Man's universal mind.

"This Homer felt, who gave his men
  With glory but a transient state:
His very Jove could not reverse
    Irrevocable fate.

"Uncertain all their lot save this--
  Who wins must lose, who lives must die:
All trodden out into the dark
    Alike, all vanity."

She scarcely answered when I paused,
  But rather to herself said: "One
Is here," low-voiced and loving, "Yea,
    Greater than Solomon."

So both were silent, she and I:
  She laid her work aside, and went
Into the garden-walks, like spring,
    All gracious with content:

A little graver than her wont,
  Because her words had fretted me;
Not warbling quite her merriest tune
    Bird-like from tree to tree.

I chose a book to read and dream:
  Yet half the while with furtive eyes
Marked how she made her choice of flowers
    Intuitively wise,

And ranged them with instinctive taste
  Which all my books had failed to teach;
Fresh rose herself, and daintier
    Than blossom of the peach.

By birthright higher than myself,
  Though nestling of the self-same nest:
No fault of hers, no fault of mine,
    But stubborn to digest.

I watched her, till my book unmarked
  Slid noiseless to the velvet floor;
Till all the opulent summer-world
    Looked poorer than before.

Just then her busy fingers ceased,
  Her fluttered colour went and came:
I knew whose step was on the walk,
    Whose voice would name her name.

       * * * * *

Well, twenty years have passed since then:
  My sister now, a stately wife
Still fair, looks back in peace and sees
    The longer half of life--

The longer half of prosperous life,
  With little grief, or fear, or fret:
She, loved and loving long ago,
    Is loved and loving yet.

A husband honourable, brave,
  Is her main wealth in all the world:
And next to him one like herself,
    One daughter golden-curled:

Fair image of her own fair youth,
  As beautiful and as serene,
With almost such another love
    As her own love has been.

Yet, though of world-wide charity,
  And in her home most tender dove,
Her treasure and her heart are stored
    In the home-land of love.

She thrives, God's blessed husbandry;
  Most like a vine which full of fruit
Doth cling and lean and climb toward heaven,
    While earth still binds its root.

I sit and watch my sister's face:
  How little altered since the hours
When she, a kind, light-hearted girl,
    Gathered her garden flowers:

Her song just mellowed by regret
  For having teased me with her talk;
Then all-forgetful as she heard
    One step upon the walk.

While I? I sat alone and watched;
  My lot in life, to live alone
In mine own world of interests,
    Much felt, but little shown.

Not to be first: how hard to learn
  That lifelong lesson of the past;
Line graven on line and stroke on stroke:
    But, thank God, learned at last.

So now in patience I possess
  My soul year after tedious year,
Content to take the lowest place,
    The place assigned me here.

Yet sometimes, when I feel my strength
  Most weak, and life most burdensome,
I lift mine eyes up to the hills
    From whence my help shall come:

Yea, sometimes still I lift my heart
  To the Archangelic trumpet-burst,
When all deep secrets shall be shown,
    And many last be first.
Samantha Creek Aug 2012
Her eyes are the stained glass broken from confession.
Her withered hair buried beneath dirt gravel.
Her forbidden mind fosters slobs of crazy.
Her mind is a battlefield of Trojan takeover.
Her bare feet remember sacred ground of tainted memories.
Her ears embrace the screech of still weather.
Her grapefruit mouth juiced with venom is tasteless.
her sharp egg shelled fingertips woven from braids of straw.
Her body is the Earthquake ruptured by the vibrations of collision.
Her thoughts trespass gated abandonment
Her firework pen exploding with gunpowder secrets.
Her gunpowder secrets deterring the sanity.
Her cracked lips cobweb from silenced words.
Her puppet stringed smile puts on a show to the audienced world.
Her soul has been toyed with by the cynical Fates.
Her echo without direction is a heartbroken drum line.
Her armor has been dowsed with sharp, penetrating words.
Her skin has painted stories interior to her porcelain frame.
Her soulless story can be dry swallowed by rocks.
Her tears bleed of whispered screams.
Skaidrum Jun 2015
●Sunken to my basalisk heart
○the drums of nebula bursting
•Saturn sliding down my shoulder•
°-Lupus circling the lunar fire-°
◇A flask of ivory,◇
¤in the diamond flesh.¤
•This mirror glinting•,
○Steel jaws meet my neck.
~Casting amethyst over
my hair.~
| Reflections scratching at the mist. |
______
"You look lovely covered in
words."

A luminous face, pale and lean.
Spirited as foxes, a shadowman in
gunpowder chain.
Ghost.
"I think you mean sleeves of
poetry."

.
In memory of Jack Addison.
Your grave looks lovely in stale moonlight.
I'm sorry.

© Copywrite
I felt you.
I, felt, You.
Before I even met you.
I had dreamed of you since the 90's
and never known it;
Through episodes of byker grove and Dawson's Creek,
I longed to be the rebel in the story,
and we would ******* into the sunset.

I felt you
In every GCSE and A-level result;
Elation and deflation of achievement,
which led to me to feel the same
in kissing one boy, whilst dating another,
like I was tasting ying-yang in my mouth
pretending it was double dip; sweet and sour,
and realising I never much liked sweets anyway.

I felt, you,
From the take-off at MCR
through the greyhound at NYC central station,
to the VIA rail stop at SBURY.
I felt you in the air of the smoking car,
in the hard ******* in the train toilets,
to falling in love with a twist I was never meant to curl.
And 10yrs later I can still tell you what that tasted like.

I felt you.
In every dance move I learnt to attract a beneficial gaze.
In each time my lover ****** me and left me.
When I was lost in textbooks
and I fell in love with the wrong type of girl;
And as she drowned me in champagne, and I ****** her with my eyes,
I felt, I was a fool for, you.

I felt you,
Each time the make-up *** started,
to when the bruises began to heal;
To when I walked away and became the hunter,
with my tequila shot eyes casting a weary bedroom glaze.
I felt you as I licked each shot glass clean through,
and put on my moves, snorted a line of gunpowder,
and ****** to the beat of the dance.

I felt you,
In every ***** I kissed,
Knelt on my knees, watching the time,
as ***, sweat and spit filled my mouth and nose,
and I thought thank god for that, when it was over,
and I got to light a cigarette,.
I felt you,
As she whispered, panting and hoarse,
'no-one's ever ****** me that good'

I felt you.
As I brought the girl home for the first time,
and she threw red wine round the flat
and ****** me like it was my birthday on the 4th of July whilst celebrating Holi.
She ******* made me that night.
She was ******, and she still tasted like water after getting lost in the desert.
In the red wine we drank, I felt you,
from the seed, to the sun, to the water, to the grape,
as you fell dripping down my throat.


I. Felt. You.
The first time a man undressed
in front of me and I blushed,
whilst running my tongue across my teeth, tasting lust and my heartbeat.
I felt you in each ******, each stare that wanted to slap me for *******, then **** me harder each time; in each bead of sweat that would be licked from my body, to the way I was smelt, to the look in his eyes
and each cup of tea we drank copiously throughout the night.
I felt you as a power was unleashed and surged throughout my body and mind in cruise control.

I felt you.
In everything I ever wanted in my teenage rebel dreams.
In everything I ever wanted in learning the bitter sweet crescendo of taste
In everything I ever wanted in a worldwide love affair.
In everything I ever wanted in a 5yr cocktail world with a dancing girl
In everything I ever learnt from a hidden bruise
In everything I ever wanted in salt, lime and a gunfight, stalking my prey
In everything I ever licked, ******, devoured and became a karmic bruise on my heart
In everything I ever found in the never-ending well of love and heartbreak
In everything I ever learnt about loving something that was broken.

I know this.
I felt it as you kissed me,
and I felt you move
like the universe was between us, within us
and we were joined once more,
by a lip's caress.
Gary Gibbens Jun 2012
Summer Solstice

"Everybody knows that the change is coming
"Everybody knows that the deck is stacked"
Leonard Cohen

In Colorado, the Cache La Poudre is burning
That's where they hid the gunpowder
Has it blown yet?

In the Southeast Asia Enterprise Zone
The suicide nets are ready for another night's harvest
Do we understand that our beautiful electric screens
Are polished with blood?

In Syria, the death squads are arming
For another day in the abattoir
Everyone is ready for the bodies

I called out to you in the night
I dreamed you loved me
From the bottom of your soul
In the morning, your e-mail address
Was blocked, texts came  back forlorn

The earth is crying out
But Jimi is so long gone
No one understands
And the wind howls alone

In the land of plenty
We're all tucked into our corners
Of the unlimited cage match
Our abs are ripped
Our tattoos look good
But our eyes are empty.

Winter is coming.
Aaron LaLux Oct 2016
Espresso Yourself

Word hit like espresso shots,
got that stress of regret you’re best to let it go,
best to express it outta your self tun it into espresso,
or else that regret will fester into gunpowder until it totally explodes,

unload reload,
you’re the gun,
memories are the ammo,
noting is verboten even when forgotten,

this twisted linguistic addict attitude is not an act or a show,

but the derangement of this is entertainment regardless,

and this artist is in demand all around the world,

they want to take my time,
and everything else that I thought was mine,
but I don’t have the time to spare because I’m in a race to nowhere,
trying to find the finish line before I completely lose my mind,

gaining ground in quicksand sick and no one seems to care,
grinding grounds no chitchat i just grab my espresso and get outta there,

there as in here no beer just these coffee beans this is a caffeine affair,

I’ll take a double on the double,
actually if it’s more simple I’ll take a triple,
no milk no sugar no trouble,
just this espresso and these expressions that ripple,

with words hit like espresso shots,
got that stress of regret you’re best to let it go,
best to express it outta your self tun it into espresso,
or else that regret will fester into gunpowder until it totally explodes…

∆ Aaron LA Lux ∆
Check yo self
Once, and but once found in thy company,
All thy supposed escapes are laid on me;
And as a thief at bar is questioned there
By all the men that have been robed that year,
So am I (by this traiterous means surprized)
By thy hydroptic father catechized.
Though he had wont to search with glazed eyes,
As though he came to **** a cockatrice,
Though he hath oft sworn that he would remove
Thy beauty’s beauty, and food of our love,
Hope of his goods, if I with thee were seen,
Yet close and secret, as our souls, we’ve been.
Though thy immortal mother, which doth lie
Still-buried in her bed, yet wiil not die,
Takes this advantage to sleep out daylight,
And watch thy entries and returns all night,
And, when she takes thy hand, and would seem kind,
Doth search what rings and armlets she can find,
And kissing, notes the colour of thy face,
And fearing lest thou’rt swol’n, doth thee embrace;
To try if thou long, doth name strange meats,
And notes thy paleness, blushing, sighs, and sweats;
And politicly will to thee confess
The sins of her own youth’s rank lustiness;
Yet love these sorceries did remove, and move
Thee to gull thine own mother for my love.
Thy little brethren, which like faery sprites
Oft skipped into our chamber, those sweet nights,
And kissed, and ingled on thy father’s knee,
Were bribed next day to tell what they did see:
The grim eight-foot-high iron-bound servingman,
That oft names God in oaths, and only then,
He that to bar the first gate doth as wide
As the great Rhodian Colossus stride,
Which, if in hell no other pains there were,
Makes me fear hell, because he must be there:
Though by thy father he were hired to this,
Could never witness any touch or kiss.
But Oh, too common ill, I brought with me
That which betrayed me to my enemy:
A loud perfume, which at my entrance cried
Even at thy father’s nose, so were we spied;
When, like a tyran King, that in his bed
Smelt gunpowder, the pale wretch shivered.
Had it been some bad smell he would have thought
That his own feet, or breath, that smell had wrought.
But as we in our isle imprisoned,
Where cattle only, and diverse dogs are bred,
The precious Unicorns strange monsters call,
So thought he good, strange, that had none at all.
I taught my silks their whistling to forbear,
Even my oppressed shoes dumb and speechless were,
Only, thou bitter sweet, whom I had laid
Next me, me traiterously hast betrayed,
And unsuspected hast invisibly
At once fled unto him, and stayed with me.
Base excrement of earth, which dost confound
Sense from distinguishing the sick from sound;
By thee the seely amorous ***** his death
By drawing in a leprous harlot’s breath;
By thee the greatest stain to man’s estate
Falls on us, to be called effeminate;
Though you be much loved in the Prince’s hall,
There, things that seem, exceed substantial.
Gods, when ye fumed on altars, were pleased well,
Because you were burnt, not that they liked your smell;
You’re loathsome all, being taken simply alone,
Shall we love ill things joined, and hate each one?
If you were good, your good doth soon decay;
And you are rare, that takes the good away.
All my perfumes I give most willingly
T’ embalm thy father’s corse; What? will he die?
DaSH the Hopeful Oct 2014
Memories
Hazy as the clouds you don't reside under
My eyes thunder with the possibility of seeing you
And the mist is from the realization I never will

Black silhouetted are the dreams,
That scream at me through windows
Like widows
Begging for their lovers to come home...
All so beautiful...
Like petals on headstones
Or blood on snow...
Nightmares remind me
My life was never a show.
I remember triggers and barrels,
....
Screams and sparrows...

Blood spilled to keep blood concealed in the hearts I love
Are liters of my life well spent
The screams die down even in my own ears and silently I repent

The roses bloom,
In last winter's corpse.
Watch the strings on the loom,
They weave life's course.
Breathe in the same air ****** did,
Exhale the same breath Mother Theresa Had.
Accept the curse among the twigs,
For there are blessings to be had.
But never forget,
Any stone on that path.
Swallow regret,
We all wear a mask

**Carpe Diem
Steven Hutchison Apr 2013
It takes courage to be born in a grave
where the earthworms caress
and the night is like day.
But where two or three are gathered
they will burrow deeper yet,
pressing the earth to their faces.

It takes gall to bite the mouth that eats you,
little rocket ships
who never left the ground.
Launch your cultured pungent taste,
for if you must go,
go loudly.

Daikon, Cherry Belle, Easter Egg,
Black Spanish, Red King,
you are conquerers.
Digging away until the sun comes to find you,
blushing in myriad shades
of fearless ambition.

It takes integrity to never leave your roots.
Break bold and crisp,
candied keg of gunpowder.
LN May 2014
Children awake to sizzling butter and fresh eggs
Birds chirp and settle on their windowsills
Greeting them with the sound of nature.
How lovely it must be!

Childhood is all about the games and the play, they said.
Buttons are pressed,
Video games begin,
because violence is but a pixelated projection for them.

Two extremities of this earth are facing each other now.
Darkness lies on the opposite side.
What a shame!
Home now bleeds images of destruction.

Childhood is non-existent there.
Children awake to the nauseating scent of gunpowder,
Anxiety has filled their minds,
The future remains vague
Lives hanging on a thread
The drones set off missiles to cut it.

They are worth the entire world to their mothers
Young souls who are the lens from which their parents see happiness
but sadly,
survivors scrape the rubble off their ****** feet
scavenging for the roots they once tried to protect
wetting the ground with utter despair.

Home now bleeds destruction
and constant chaos.
Aquinas Feb 2015
The sky looks like cotton candy
Pink and blue are its pastel hues
"When do I ever tire of you?"
Is what came out of your liquor lips
That smelled of cherry gum drops and old wine

Something only old money can buy
You treated me like a queen and
"Now what are we?"
Is what comes out of your liquor lips
That smells of smoke and gunpowder
"Even I don't know." I retort
But let's live life like I'm not your last resort
I'm on a sugar high but I'm afraid of crashing

— The End —