Submit your work, meet writers and drop the ads. Become a member
Johnny Warren after life all-stars v the Saturn stringers




Johnny warren got together an after life soccer team with players like Don Bradman, as well as 2Pac, and even Christopher Reeve, also Elvis Presley, and Paul Berenyi, and Brett Eggins, we're all fired up to give Saturn a total soccer makeover, Johnny Warren alan picked Scott McDonald as well as Billy Thorpe and Tony Campbell and Saturn was a team who had some very good names as well, who are John FKennedy, Robert Kennedy as well as Martin Luther King, Walter Burley Griffin who has lived on Saturn since 1980, earth time, and never wanting to go , because Saturn has really nice homes where he can be a good athlete, also Jack Dyer and Tony Grieg and Chris Mainwaring made up the numbers.
So the game started and Johnny Warren started the play, passing it to Christopher Reeve, who is trying to bring Superman in with a really beautiful kick up the centre which is blocked by Martin Luther king, who passes it to burley Griffin who stops to look down on earth, to hear what a stupid professor is trying to say he'd like, and used his powers with a kick which made the goal, to put Saturn in the lead 1-0, the kick off came and Johnny Warren gave a big kick up which was intercepted by Jack Dyer, who dribbled it up the field, trying to stop the interception, by the other players, and then after that he passed it to Martin Luther king, who began to dribble it down a few more times, and nearly got a goal, but he missed,and the ball was intercepted by 2Pac, who ran right to the other side and kicked it in the goal, and it was counted, and that made the score 1-1, and 2Pac very happy and went to the crowd, and said, me and Johnny W, go back a long way, in afterlife sports.
The kick off happened as Martin Luther king kicked the ball over to John F Kennedy, who dribbled it further down the field, and dodged so many of Johnny Warren all star players, and finally passed it and the Johnny Warren Allstars intercepted it and John F Kennedy tried to block 2Pac the whole way, and he did and then John F Kennedy passed it to brother Robert and Robert ran down to the other side, dribbling the ball as he goes, but Billy Thorpe, intercepted it and ran down to the other side, with the ball and passed the ball to Johnny Warren who missed from right in front, and suddenly Walter Burley Griffin got the ball and dribbled it down to the other end, and yes, he kicked but it was saved very nicely by the Johnny Warren All stars goalkeeper, yes, this game was looking very good, you see these are only 1 half games,,because Johnny Warren wanted it that way, as Paul Berenyi ran it to the half way line and passed it to Brett Eggins who ran it down and as soon as he got to the goal line, he passed it to Johnny Warren who snuck it in to 2Pac who scored the Johnny Warren all stars second, and that made the score 2-1, with 2 minutes to go in the match, and the reason why there is no half time, because the players are the undead, and they don't need to break cause they can no longer be killed,
And Martin Luther king ran it down and flicked it across to John F Kennedy who passed it to Johnny Warren who was so excited he booted the ball all the way to the other side, and 2Pac knocked it in, to make the score 3-1, yes and this was really exciting for Johnny Warren and then Margaret Thatcher came into the field and Paul Berenyi booted the ball so hard, It hit Margaret thatcher right in the noggin,,and despite trying very hard to hurt her, she can't be hurt, but people can try to hurt her if they want to, and then Margaret Thatcher, left, saying I want that Paul Berenyi in Mercury, and then Martin Luther King scores a goal and at the end of the match, the score was, 3-2 to Johnny Warren all stars, and Johnny Warren sat down and had a talk with Paul Berenyi, and Paul said it's the after life coach, she can't be hurt, but Johnny, said I know, but we need to be nice to one another, or you Paul Berenyi will be locked in Mercury for all eternity, and Paul said he'll behave, and was let off with a warning.
JJ Hutton Jul 2013
The first time a man ever pointed a gun at me and asked me to love him was at Granny's Kitchen in Greensboro, North Carolina.

The waitress, a soft spoken white woman with her hair pulled back in a bun, had just dropped off my plates --- a simple mix of scrambled eggs, two pieces of greasy bacon, and a short stack of pancakes. Now, no matter how cheap, I always feel like I'm cutting loose at breakfast places for the sheer abundance of plates. While I'm sure the eggs and bacon could have shared real estate, each component had its own china.

The waitress lingered at my table, her fingers fidgeting with straws in her apron. I made eye contact. Well, my eyes contacted hers; she was staring at my lips.

Sure I can't get you something to drink? she asked.

This was approximately the tenth time she'd made sure. She was uncomfortable that I had supplied my own beverage -- a Big Gulp. But even more than that, she was uncomfortable by the deep red stain taking over my lips. Contents of the Big Gulp: merlot, boxed.

(That is an unnecessary detail. I've only written it so I never do it again.)

Before Greg hopped up on a table and announced to the restaurant, If I could have your attention, my name is Greg and this will only take a second, blah, blah blah, I poured a copious amount of syrup on my pancakes. Then I moved the bacon to my pancake plate. In my experience, very little in this life is better than syrup on bacon.

I shut my eyes for that first bite, just like the commercials. The syrup dribbled a bit onto my beard, and when I opened my eyes, I discovered it had also landed on my shirt. I grabbed a napkin. Heard a chair slide backwards. I started with my beard, peering around the diner, making sure no one saw. I think I heard someone gasp. But I was busy, working that napkin then against my shirt. Jesus, I thought. My grandma, who's got a splash of the Parkinson's, could eat with more grace.

If I could have your attention, my name is Greg and this will only take a second, a very official voice boomed behind me.

I turned around to see if I recognized him as one of those cuffed jean-sporting, wild plaid-loving NPR hosts. He wasn't one of those. He was a sunburn with mop hair in a black tank top and hemmed jean shorts. He did, however, have a cleft chin. That's actually worth noting. Don't see a lot of them these days.

I know you guys are busy, he said. I know that like me, you guys are probably broke as hell. I mean no offense Granny's, I love this place, but it ain't exactly four stars. Or three. Anyway, all I want from each of you is five dollars. If you ain't got five, give me four. Ain't got four, three. And so on.

He started with the stringy Japanese couple on the west side of the restaurant. Nobody really seemed scared, not the freckled brat in canvas sneakers, not the liver-spotted gentleman with a copy of that day's paper.

My old friend Jerome used to say that white folks are the only romantic criminals. He tacked it up to that whole Bonnie and Clyde crap. Greg, it seemed, was privy to that information, too. He smiled and thanked each person as he robbed them of a few presidents. The victims, smiling back, seemed to be thinking of their names tagged at the end of some newspaper dialogue. A few even gave more than he asked.

Here, take fifteen. Times will get better.

Aren't you just a charmer.

It was all very moving.

So he gets to me, and of course, I don't have any cash. I carry a debit and an arsenal of credit cards like a normal American. I don't know how he made it to me before running into this particular problem.

No, I don't have one of those iPhone card swipers, he said. Well, you gotta give me something.

I offered a gift card to Harold's Clothes for Men, it had like two bucks on it, but he wasn't interested.

What's your name?

Henry.

How much do you weigh?

Enough to keep me prohibited from most amusement park rides.

I like you, Henry. Well, let me ask you something. Have you ever loved a man? he asked, pointing his smudgy revolver just past my ear.

I shook my head no.

Me neither. I've always been curious, though. You been curious?

There was a time when I was thirteen -- Blake Hinton was changing after basketball practice -- and I remember thinking, that is an incredible chest. These lines just sprawled from his sternum, lines leading to these almond *******, and I specifically remember wanting to eat them like, well, almonds. But that hardly counts as curious. So, I said, No.

To which Greg responded: Get curious, boy. You're coming with me.


In the spirit of honesty, I was in a bit of a haze before Greg made me climb into his beat up Cavalier. Not just from the Big Gulp brimmed with merlot, no, I hadn't slept in two days prior to the whole gun-in-face incident. Reason being, I was, as Greg would say, broke as hell, and the rent was due. I stayed up both nights conspiring (and drinking). So, really I was pretty thrilled to be kidnapped away from the whole situation.

I had visions. I guess from the lack of sleep. Maybe they weren't visions, maybe just dreams, or fever dreams, I don't know. All I know is I blinked, and we were in the Appalachians. And there was a grey longbeard in the backseat rattling on and on about how change is easy, movement is easy; it's that whole nesting thing that takes courage and strength, blah, blah, blah. I told him to be quiet. Greg told me to get some sleep. I blinked.

We were in a karaoke bar in Madison, Tennessee. There was a gin and tonic in front of me. I took a drink. There was a water with lime in front of me.

Greg asked, Where did you go?

I told him, your dreams, trying to be cute. He turned and asked the bartender for a Yeager bomb. Reaching for the server in -- granted -- an overly dramatic gesture, I said, Make it two. We made it three. We made it four. Seven. Then some vague, but perfect number, because my head rang right. The words came right. And I was a journalist, asking Greg all the right questions.

I'm not a criminal, he said.

I was just bored, man, he said.

You see, I was in a rut, he said. Last month I put up a personal on Craigslist. I know, it's pretty ******* desperate. I've read the kind **** people put on there. But mine was different. I just wanted some time with my ex-wife. Some couch ***, you know? We hadn't done it on a couch since I dropped out of college, and I hadn't even really thought about it until a couple weeks after the divorce. Then it was all I could think about.

A black woman, whose teeth glowed under the black light, began singing "Wild Horses." Then he read my mind, I think.

Yeah, she answered it. Did our thing on her sofa. It was nice and all, and like all nice things, you just want more, but she said I couldn't have no more, this was a fluke, a one-time, or no, a one-off thing, she said. Had to relocate, so that's why I did that whole thing at Granny's.

You ever get it on a couch? he asked.

No, I said. I've see a bra though --- two actually.

He took that as a joke, which was good.

Though wild horses couldn't drag me away, a gasoline horse could.


He handed me a courtesy breath mint after I finished throwing up. The Nashville skyline looks perfect, he said. Especially at night.

My stomach was gravel in a washing machine. Masculine love. At gunpoint, I had agreed to indulge it. I was going to make love to a man -- not just a man -- a criminal. Not something to write about on a postcard.

Mr. Winters, my esteemed landlord,
Apologies about the rent. Got kidnapped by a *******, and I'm presently banging and being banged by him in Music City, USA.


I blinked.

We laid on opposite ends of the queen-sized mattress.

I always liked Super 8s, Greg said. I don't see the point in spending so much on a hotel. A bed is a bed.

And I tried to be funny with something about the confidentiality of dark bedsheets, but it fell flat.

Greg cried. I love my ex-wife, he said.

Can I help?

Will you hold me? he asked.

The air conditioner kicked on in the already freezing room.

I'm sorry. You don't have to, he said.

I scooted against him. He smelled pleasant in a family-vacation-kind-of-way, like a fresh pretzel covered in salt. I put my arm under his neck. He buried his face into my shoulder. I blinked.


The front end of his Cavalier was held together with copper wire and coat hangers. It was a two-door. Both doors dented from, according to Greg, hit-and-runs. It had a Vermont plate on the back. It was red. I mention all of this to say: if we kept moving, we were bound to get pulled over.

In the parking lot of 3B's Breakfast, Burgers And Beer, Greg asked me to retrieve his revolver from the glove compartment. You kinda have to uppercut it, he said. And I did.

I don't want to do it again, but we have to. I'm not staying put, not until I hit the ocean. But don't worry, I'm not going to hurt anyone.

He showed me the revolver. No bullets. I nodded, in approval, I guess.


The second time a man ever pointed a gun at me and asked me to love him was at 3B's Breakfast, Burgers And Beer in Bellevue, Tennessee. Of course, it was the same man, Greg, but the circumstances were a little different.

I went with two orders of biscuits and gravy --- or B & G as my dear friend Chance affectionately calls it. Four bites in and I'd yet to hit biscuit. For a moment, I wanted to tell Greg, C'mon man, ***** the ocean. Tennessee does gravy the way God intended. Nobody would find us in this suburb. We could be sharecroppers. Do they still have sharecroppers?

Do you like fresh corn? I asked. It was the first crop that came to mind.

Greg didn't answer. I noticed his plate of hash browns and eggs -- sunny-side up -- were untouched. You okay?

He was, he said, trying to get in the zone, that's all.

Alright.

Our waitress looked like a poster child for ******'s Youth. She couldn't have been much more than sixteen. She had blonde -- almost white -- hair. Her eyes changed color with the intensity and direction of light, a gradient between seaweed and dark ocean blue. She appeared to be an amish girl gone defective, and I was about to inquire into that very supposition when Greg stood on the table, and said, If I could have your attention, my name is Greg and this will only take a second.

Tennessee is not North Carolina. In North Carolina, they got a healthy aversion to firearms. In Tennessee, however, once a babe can walk, the *******'s got a BB gun and an endless supply of empty soda cans for target practice. I say that, to say this: when Greg stood on the table, so did three other men. Their three guns pointed right at him.

Lower that gun, brother. You ain't gettin' any money out of us.

Hate to shoot you in front of your boyfriend.

Coffee spilled and ran off the tray our waitress held. She shook so hard, it wasn't clear how many women she was.

Greg's cleft chin centered on one gunman, than the other, than the other.

Just drop the gun, *******.

We don't want to ruin no one's breakfast.

Fellas, I said, he doesn't have any bullets in his gun. We need a little money that's all.

That ****** is just trying to protect him.

I'm calling the cops, a purple-haired old woman yelped from under her table. Silverware clanged against the floor. Then the buzz of a fly. Then the pop of fries drowning in grease. Then the bell chimed as some idiot walked inside.

Greg's arm was shaky as he pointed the gun at me. Do you love me? he asked.

I blinked.

And I was at 3B's in Bellevue, Tennessee.

I blinked.

And I was at 3B's in Bellevue, Tennessee.

I blinked.

And I was at 3B's in Bellevue, Tennessee.

I put my arms up. Slid my chair back a ways. Stepped on the chair, then unto the table.

Do you love me? Greg asked.

His breath smelled like last night's alcohol and that morning's coffee. He was a child, a sunburnt child with a cap gun. He wasn't going to hurt anyone.

I put my hand on top of the revolver and lowered it. He crumpled, as if I were scolding him. They still pointed their guns at us. But for the first time in my life, I felt secured, tethered to a space.

I lifted Greg's chin up with my index finger. Covered his eyes with the palm of my hand. And I kissed him. I kissed him, keeping my eyes closed tight.
Autumn Oct 2014
I stuck chickens in my baggy tie dye shirt
nuzzled on the couch, coffee in hand.
I enjoyed a deep conversation with a willow tree
and asked how it felt about the other species.
I slid cookies in the back pocket of my tattered jeans
before biking through the morning air.
I smiled at old Ted in the nursing home
with a wink, he smiled back.
I dribbled the basketball with the strong scent
of campfire coming from my backyard.
I danced in the shower
the warm droplets falling on my skin.
I smoked in the sparkling cove
with strangers that became my friends.
I flew off the high rocks
and submerged into cold crystal waters.
I looked into those faded blue eyes,
and chuckled cause' we do that.
I balanced on the fallen limb
and hopped up onto the beautiful stump.
I giggled with my sisters
cause' we made some really mean jokes.
I ate spaghetti with my friends,
and laughed so hard we choked.
I tumbled over tree roots
got back up and kept on trailin'.
I thanked God for this life
and he said you're welcome.
some things I like in random orders
Lily Priest Apr 2021
You made me soft;
A Marshmallow drop that melted sweetness,
and tasted like nostalgia on your tongue
In that place where camps fires smoked and we smouldered,
Orange with a glow
that crackled envy,
I saw forever in those flames.
Just a little tiny taste of eternity
Reaching for me, as I reached for you.
I curled and crisped,
Dribbled into that abyss
and bubbled up in the heat.
The loves that last a summer and burn out quickly. Old memories and old campfires remain.
Lick me
like an ice cream cone
Catch
my dribbled form
with your tongue

Bite
into my bones
Hear
that satisfying crunch

Savor
my sweetness
****
the sticky taste
from your fingers

Devour me,
your prey
Sophie Herzing Nov 2013
I hope you talk about me when you're slammed,
laying in the hall playing soccer at 2am.
I hope you see my reflection in the smashed mirror
from an aggressive kick you missed blocking.
I hope my shattered complexion reflects
in the broken glass
like a soft reminder that beckons you back
to your bed. A memory from a week ago rises,
when you were singing me a song
through your lips and cradling my expectations.

I played keeper and you were just trying to score.
Our roles reversed.
You dribbled me for a good while,
spinning on the ground you drug me on
just trying to catch hold.
I already had stains; I didn't need new ones.

I hope you talk about me when you're sipping
on something that will numb you seven different ways to Sunday.
I hope people have to stop you from calling me,
"It's all ****** up," you whine
with your eyes closed
about how you messed with me--
what happened there?
Take another shot.

I hope you talk about me.
Lily Jul 2018
When I’m looking out my bedroom window,
And look down,
I see the big old air conditioner compressor,
Rusty after decades of use
In Michigan’s sometimes-90s summers.

When I’m looking out my bedroom window,
And glance left,
I see the faithful church,
Where I’ve spent almost as much of my life in as this house,
Where I’ve met my best friends.

When I’m looking out my bedroom window,
And view right,
I see the standard size basketball hoop,
That I’ve dribbled under my whole life,
That has seen countless children attempt at its rim.

When I’m looking out my bedroom window,
And overlook the church’s parking lot,
I see the large backyard,
Where I’ve kicked innumerable soccer *****,
And dug limitless snow forts.

When I’m looking out my bedroom window,
And gaze into the past,
I see you and me,
Riding around in that PowerJeep,
And that dent we put in the church.

When I’m looking out my bedroom window,
And contemplate what’s in the present,
I see the crooked basketball hoop,
The steeple that lost its cross,
And the dead tree we don’t have the heart to tear down.

When I’m looking out my bedroom window,
And focus on the future,
I see a million different scenarios
Playing out in my head,
And I don’t even know which one I want.

All I know is nothing’s
Going to get done now,
My future isn’t going to be decided,
My life isn’t going to make itself,
While I’m just gazing out my bedroom window.
Andrew T May 2016
Vicky opened the freezer compartment of her refrigerator, and got out a box of vanilla ice cream. She looked down at the ceramic bowl and scooped a piece of vanilla ice cream with a spoon. She ate it and it tasted creamy and cold.

            Glenn forced a smile, as if he were trying to placate her, and knew he had no chance in hell of accomplishing that feat. He reached out and grabbed her hand, squeezing it.

            “You’re really going today?” Vicky asked.

            “Yeah, I really am. Hey, don’t do that. Can't you be strong for us?” Glenn asked.

            Vicky nodded and watched Glenn take in a deep breath and look down at his scuffed tennis shoes. They went out of the house and walked to the veranda. The sunlight was bright and hot and the ice cubes in the lemonade melted from the heat that blazed and scorched when Vicky pulled from her vape.  

             Glenn pushed his chair back and sat down, the veranda was filled with shade, and he dribbled his fingers on the table in a steady rhythm. She tried not to look at him, tried not to think about him leaving for the war, but all she could think about was him flying a fighter jet and seeing it fly into a golden mountain range, smashing into a thousand pieces of aluminum and scrap metal.

            “I don’t understand why you have to go back to the Middle East…you were so against the fighting in the beginning when the war started. And now you’re changing your mind. I mean, what are you trying to prove?” Vicky asked, taking a sip from her lemonade.

            Glenn folded his hands on the table and said in a quiet voice, “I’m not trying to prove anything. But I got to go over there. So many of my friends have died in Afghanistan and Iraq. Now people are dying in Syria. All of those refugees are getting murdered. Not killed. Murdered. They don’t have anyone helping them. I just want to make a small contribution and **** these terrorists up.”

            “What about me Glenn? Who’s going to be there for me? Who’s going to take care of me?” Vicky said, feeling her tears brim her eyes.

            “Look Vicky. I have to do this and I don’t expect you to understand what I’m doing, but I need your support. All these people are dying. You can see it all over the news, the net, social media. The terrorists don’t discriminate in their slaughter. Women, men, boys, girls, young and old. Every person is getting hurt out there. I can’t sit back and do nothing. I won’t be gone for long. I’ll be back before you know it. Promise, I’ll come back,” Glenn said, rubbing her Vicky’s hand. He touched the skin right above her wrist and offered her a smile.

            Vicky withdrew her hand immediately, got up from her seat, and went inside to the family room. He was drinking his lemonade when he set the glass down on the countertop and walked into the kitchen. Vicky slammed the freezer door so hard that some of the alphabet magnets fell off. Glenn flinched and cleared his throat as he washed his glass in the sink. The water dripped down his hands and washed his wrists.  

              She set the ice cream down on the countertop and looked directly into Glenn’s eyes. They were droopy and red with his pupils fixated on the large flat screen mounted on the wall in front of him. A computer keyboard sat on the couch cushion and a mouse-pad sat on the couch-arm. The TV screen showed a picture of men and women cramped in black inflatable boats coasting up and down waves that undulated in murky waters. A commercial break popped up: Anderson Cooper doing the news from Turkey.

               Glenn rubbed his chin and his new buzz cut, a huge difference from his old stoner’s shaggy hair. His face was narrow, but he had a broad chin with dimples in his cheeks. He was clean shaven, so much, that it looked like the razor had cut off the frightened expression from his face that had appeared when he found out he was going to be training to be a pilot. Glenn had a huge fear when it came to heights, and had never even been on a plane, let alone flying into an unknown territory like Syria. The military operated with drones at this point in the war, something Glenn hoped he could use instead of actually flying. He tucked in his raggedy camo green tee with the sleeves cut off. He smoothed out the wrinkles in his tan khakis, folded the ends up like edges on a cocktail napkin. Glenn looked comfortable in his old attire, but seemed unsettled, as if unsure about going back into the military.

              Vicky stared across the room at the decaying bonsai trees on the cracked windowsill. She had bought the trees for Glenn and now the leaves were browning and turning dead. Outside, it thundered with lightning. She said softly, “You remember Maggie Drayner, right? Well, her husband died over there. I can’t imagine what she must go through every day. I think she’s gone insane. Just absolutely insane. She cremated him and put some of the ashes in a mason jar, and stashed that in her purse. But she always looks so happy, she tells me: he’s always with her now. I worry about her.”

              Glenn wiped his hands on a bath towel. “So, they’re like us now? Is that what you’re saying? Why are you telling me this?” he asked, turning around to face her.

              Vicky put her hands on her hip and sighed. “If you go over there, they’re going to hurt you,” she said, pulling on her vape. A plume of smoke rose and fell.

               Focused on the screen now, Glenn watched as three American soldiers were standing in front of an American flag. “That’s nice of you to say. Do you understand my perspective though? I really got to help out these guys right now Vicky, I’d feel like I’m letting them down if I don’t go over there. They need me. Maybe you don’t see this, but I’m making a difference.”

              “Life isn’t some stupid game. You don’t get a restart, lives, or a respawn. Why can’t you stay home, stay with me?” she asked. Vicky frowned and pointed at the TV screen. “Do you think that’s smart? Killing people?”

              Glenn reached over to hug Vicky and she moved right out of his grasp. He looked up at her and sighed and said, “It’s a one-way street and both sides are crashing into each other, without any regard for any soul. Baby, baby look at me. Do you think I enjoy doing this to you? That this is a vacation for me? Trust me. I’d rather be doing spending time with you than fighting the enemy. But that’s not how life turned out.”

               Vicky bit her lip. “So this is how life turned out? You’re going to war, and I’m stuck here at home, we’re both going to die aren’t we Glenn?” she said. Her mouth felt sore and parched and her face burned with irritation. She knew she couldn’t stop him from going, not even if she poured quicksand over the front entrance.

                 Glenn ran his fingers through his black hair and rested his chin on his palm. “You know that’s not what I meant, don’t twist my words. You think it’s easy for me to go?”

            She turned away from him and rapped her nails against the TV screen. “What do you see that I don’t? It’s a stupid war. Everyone dies over there. Glenn, you don’t have to save the world. You have me,” she said, feeling some tension in her stomach rise up.

              Glenn picked up the remote control and turned off the TV. The picture went fuzzy and then went black. He said, “Vicky, I’m going to say this once and then I don’t want to have to repeat myself, so please be calm down, and listen to me. Please.”

                 Vicky curled her bottom lip, but didn’t say anything.

                “Do you even know why I’m doing a second tour again? A bomb hit my best friend Theo’s squad on the way to a mission. The car flipped and rolled twice. Theo was the driver and he had severe head trauma. Now, he can’t even remember his first name. He almost lost and arm and a leg due to the explosion. I think his mind is deteriorating. I don’t know how he survived, why some higher power let him breathe another breath. I haven’t been to church in months. But that’s not the point. What I’m trying to say is Vicky—the reason why I’m going back into this war, is because, I want to save guys like Theo. I could have protected him. I could have saved him. He’s family to me. We’re brothers. And in my home, I can pretend to fight and protect my family and my country. But it’s not the same. It’s just not. And honestly, I don’t care if this is pathetic to you or if you’re embarrassed of me. You’re going to have to accept that I’m leaving, but that I’m doing it for the right reasons.” Glenn said.

                  Vicky frowned. She went back to the kitchen and opened her ice cream. But she hesitated before scooping any ice cream out. She was looking for substance and instead she was left with melted vanilla cream and vapors.
J McDevitt Jun 2013
With miles to go before I sleep
and sounds around risen from the deep;
If I heard them, should I keep
the memories from haunting?

And as the grey rolls into black,
can you see the white hiding in the back?
The foundation that let’s us hold fast
and gives the hope to make it last.  

I see faces in the pages
jumbled between line spaces.
Hallucinations become engrained in
my vision while I listen

to the clack of chalk
scribbled
spat from fingers
and thoughts
dribbled.
Far spread the moorey ground a level scene
Bespread with rush and one eternal green
That never felt the rage of blundering plough
Though centurys wreathed spring’s blossoms on its brow
Still meeting plains that stretched them far away
In uncheckt shadows of green brown, and grey
Unbounded freedom ruled the wandering scene
Nor fence of ownership crept in between
To hide the prospect of the following eye
Its only ******* was the circling sky
One mighty flat undwarfed by bush and tree
Spread its faint shadow of immensity
And lost itself, which seemed to eke its bounds
In the blue mist the horizon’s edge surrounds
Now this sweet vision of my boyish hours
Free as spring clouds and wild as summer flowers
Is faded all—a hope that blossomed free,
And hath been once, no more shall ever be
Inclosure came and trampled on the grave
Of labour’s rights and left the poor a slave
And memory’s pride ere want to wealth did bow
Is both the shadow and the substance now
The sheep and cows were free to range as then
Where change might prompt nor felt the bonds of men
Cows went and came, with evening morn and night,
To the wild pasture as their common right
And sheep, unfolded with the rising sun
Heard the swains shout and felt their freedom won
Tracked the red fallow field and heath and plain
Then met the brook and drank and roamed again
The brook that dribbled on as clear as glass
Beneath the roots they hid among the grass
While the glad shepherd traced their tracks along
Free as the lark and happy as her song
But now all’s fled and flats of many a dye
That seemed to lengthen with the following eye
Moors, loosing from the sight, far, smooth, and blea
Where swopt the plover in its pleasure free
Are vanished now with commons wild and gay
As poet’s visions of life’s early day
Mulberry-bushes where the boy would run
To fill his hands with fruit are grubbed and done
And hedgrow-briars—flower-lovers overjoyed
Came and got flower-pots—these are all destroyed
And sky-bound mores in mangled garbs are left
Like mighty giants of their limbs bereft
Fence now meets fence in owners’ little bounds
Of field and meadow large as garden grounds
In little parcels little minds to please
With men and flocks imprisoned ill at ease
Each little path that led its pleasant way
As sweet as morning leading night astray
Where little flowers bloomed round a varied host
That travel felt delighted to be lost
Nor grudged the steps that he had ta-en as vain
When right roads traced his journeys and again—
Nay, on a broken tree he’d sit awhile
To see the mores and fields and meadows smile
Sometimes with cowslaps smothered—then all white
With daiseys—then the summer’s splendid sight
Of cornfields crimson o’er the headache bloomd
Like splendid armys for the battle plumed
He gazed upon them with wild fancy’s eye
As fallen landscapes from an evening sky
These paths are stopt—the rude philistine’s thrall
Is laid upon them and destroyed them all
Each little tyrant with his little sign
Shows where man claims earth glows no more divine
But paths to freedom and to childhood dear
A board sticks up to notice ‘no road here’
And on the tree with ivy overhung
The hated sign by ****** taste is hung
As tho’ the very birds should learn to know
When they go there they must no further go
Thus, with the poor, scared freedom bade goodbye
And much they feel it in the smothered sigh
And birds and trees and flowers without a name
All sighed when lawless law’s enclosure came
And dreams of plunder in such rebel schemes
Have found too truly that they were but dreams.
Joseph Valle Nov 2012
Memory comes quickly and goes faster still.
Childhood blurs and bends from the action
to nostalgia to nothing to a surprise visit
and ultimately, back to nothing.
It's never formal, opting out of knocking
before entering with muddy sneakers
and corn-butter-dribbled chin.
The hues of a late, summer afternoon
filled with fireflies and barbecue smell
connect the doorbell circuit
and make itself at home
before ears or legs can bid welcome.
Smile and greet one another breathless
only to depart at a moment's notice
as if the nomad suddenly realized
that no crop or solace remains.

So distinctly different
than that of a severed relationship,
which typically takes its bitter, sweet time.
For months, that fracture can stay and continue asking
for another Earl Grey and bowlful of discontent,
adding in spurts of lonely self-conversation
every several, silence-ridden hours.
Eventually, ever so carefully and quietly,
it tip-toes away with lip-marked cup and peacoat
at the moment when you've unwillingly returned
from the kitchen to fill pained guest's requests
but the only thing that remains
are indents in the leather armrests
and moisture gone cold.

Flashed across mind's eye and on its way.
The hollow fills itself endlessly with present
and distantly connects with past to find
that neither can be here while the other exists.
Start again and re-ember remembering,
drifted away on a silent plane
of glazed eyes and wide smile.
Life's a Beach Aug 2014
A fear of crazy turned
Psychotic
****** Rotting Cakes
Dribbled sugared wax
And the birds spat out
Their alphabet
Out
Pouting expletives
At an earless void

Too Sweet
Incomplete
A single (W)hole

Freezer left to boil
Skaidrum Jul 2016
...
Drew,
the ashtray is full again


1.)  As I write this to you now, the doves were bleeding diamonds
2.)  And to this very day, I still find your name is in every cigarette the ocean's ever smoked
3.)  I wonder if you remembered the time we realized that flowers preferred the taste of blood over water...
4.)  Or the time we sipped some of the moon's tea; and realized that our teacups were gifts from her lover, the sun
5.)  Distance isn't constant, it's overgrown like the lucid garden that I planted in honor of my wolf girl; yet you were the one who tended it with me as if it was your own
6.)  I know, I know; I didn't thank you enough for all those moments as you held me when time melted into puddles at my feet
7.)  I wrote God a simple letter, still haven't heard from him about how you're doing yet...
8.)  "Unfortunately, on some nights my grief tastes all too silver again"
9.)  You feared all the talents that flowered in the dark and I remember the second you realized I too, was one of them
10.)  Your voice shed sapphire fireworks in my room and what I wouldn't give to see that one more time
11.)  Sleepy roses dribbled down the walls of your hospital room whenever I visited and played with your hair
12.)  The milky way shed it's fickle skins-- and sometimes when the dawn's shoulders snap into place I can hear your laughter echoing along the ribs of the sky
13.)  Your name was a natural disaster born on my pink tongue and delivered by my quaking lips and I can feel the clouds turning in their sleep
14.)  I suppose that you were a cigarette yourself
15.)  And you knew I was the lighter, but you hung around anyways
16.)  Every time I see a shooting star, I'll know that it's you in heaven just throwing away your cigarette so you don't get caught...

I think you were my bad habit
...
You were oh so pretty, smokin' through the canopy


© Copywrite Skaidrum
John Stevens Jan 2011
For a week all I heard was...
   “You coming to the Big Game?”
Every where we went
to total strangers... it was the same.

Saturday arrived
  (oh sleep, where art thou)
in all it glory.
Eight in the morning
  (oh breakfast... later)
that's another story.    (yawn!)

Calling traveling, double dribble
was off the menu today.
Staying on the same court, now
that was a challenge we say.

Ref Jerry blew the whistle
Stopped... to tie some shoes.
Can't have a star
fall on the court and lose.

Tony got the ball, dribbled a yard.
Stopped.  Eyed the net.
Upward! Upward! Upward!
Almost had it...  I lost my bet.

The excitement rose high
in the stands this day.
For the efforts  freely given
the Kindergarten way.

Coach Clay with his gentle spirit
quietly lead his team
Passing, dribbling, shooting,
Oh the faces did beam.

Excitement ran high
on and off court this day.
Shoot it! Shoot it!
Upward! Upward! They play.
01-22-2011
Grandson Tony is "playing" (to use the term loosely) basketball.  What a hoot it is to watch. He guards his "MAN" fervently... even when his team has the ball.
There is more to this but I left it on my blog at:
http://idahostevens.com/idscom/?page_id=413
Leigh May 2015
A droplet in a cave echoes the
impact that I've made;
A life of dribbled
lime it takes
to lay this
path of
mine.

.

As
dark
throbbing
waves wash
out the resonance
I crave - That steady, stoic
drop too forms the biding end atop.
.
Time drips slowly by.

Also, this rhyming business is getting fun!
.
Dish on it gwib
**** on my bib
From the bib dribbled a slibular fib
A glandular ****
A rugged soghard
A pish-po-dish get it wet
Pish po dib, gwib, flib
flippy pippy whip slick
The tick slipped wicked from the slippy drib
Michael Jordan basketball
New Kix,
Box of
Got it three-ninety-nine in the aisle
Put it on the box of it did it
Why didn't I do it?
Did it.
Sock hard the block guard
The twiss'ed grits
M W Feb 2013
A clay *** holds your happiness.
It's halfway tall,
reaching up to your thigh,
Narrow, blown up in the middle, narrow.
Simple lid with a spherical dot for fingers to grasp,
and a black drawn line
that curls from base to lip,
and over.
Insides encumbered by sweet darkness,
shaded glory,
because outside,
gleaming.
Spiraled gold that must have dribbled off the sun's ice cream cone
leaked through the bottom where the end had broken
and flavor escaped
to land on your mirthful urn.
Blue so clear,
the sky surely lost a piece of itself
as a crack appeared
and a fragment cascaded downward
to shatter along your pleasant chalice.
And in between,
are lines of green
that could have only originated
on pinewood trees
in a forest so dark
that monsters beware.
Bordering a little town
where children played
and only truth was called,
never dare.
Because there is red on your delighted decanter.
Spattered droplets
of coagulated sparks.
Jaded needles saturated,
with pine fresh essence
emanating from your zesty flagon.
And a single spot,
Barren.
Bereft of treasure.
Parted from cerulean.
Robbed of Viridian.
And severed in the roots of a blushing Amaryllis.
Occupying there,
a white blemish,
a shape of infinite corners
immaculately defined
and so small,
you will never find it                                                                                                 ­               on the canister
that harbors your smile.
Poetic T Sep 2014
When searching for the lost remember 8 things.

1.
We are vessels. We are circuit boards
swallowing the electricity of life upon birth.
It wheels through us creating every moment,
the pulse of a story, the soft hums of labor and love.
In our last moment it will come rushing
from our chests and be given back to the wind.
When we die. We go everywhere.

2.
Newton said energy is neither created nor destroyed.
In the halls of my middle school I can still hear
my friend Stephen singing his favorite song.
In the gymnasium I can still hear
the way he dribbled that basketball like it was a mallet
and the earth was a xylophone.
With an ear to the Atlantic I can hear
the Titanic’s band playing her to sleep,
Music. Wind. Music. Wind.

3.
The day my grandfather passed away there was the strongest wind,
I could feel his gentle hands blowing away from me.
I knew then they were off to find someone
who needed them more than I did.
On average 1.8 people on earth die every second.
There is always a gust of wind somewhere.

4.
The day Stephen was murdered
everything that made us love him rushed from his knife wounds
as though his chest were an auditorium
his life an audience leaving single file.
Every ounce of him has been
wrapping around this world in a windstorm
I have been looking for him for 9 years.

5.
Our bodies are nothing more than hosts to a collection of brilliant things.
When someone dies I do not weep over polaroids or belongings,
I begin to look for the lightning that has left them,
I feel out the strongest breeze and take off running.

6.
After 9 years I found Stephen.
I passed a basketball court in Boston
the point guard dribbled like he had a stadium roaring in his palms
Wilt Chamberlain pumping in his feet,
his hands flashing like x-rays,
a cross-over, a wrap-around
rewinding, turn-tables cracking open,
camera-men turn flash bulbs to fireworks.
Seven games and he never missed a shot,
his hands were luminous.
Pulsing. Pulsing.
I asked him how long he’d been playing,
he said nine 9 years

7.
The theory of six degrees of separation
was never meant to show how many people we can find,
it was a set of directions for how to find the people we have lost.

I found your voice Stephen,
found it in a young boy in Michigan who was always singing,
his lungs flapping like sails
I found your smile in Australia,
a young girls teeth shining like the opera house in your neck,
I saw your one true love come to life on the asphalt of Boston.

8.
We are not created or destroyed,
we are constantly transferred, shifted and renewed.
Everything we are is given to us.
Death does not come when a body is too exhausted to live
Death comes, because the brilliance inside us can only be contained for so long.
We do not die. We pass on, pass on the lightning burning through our throats.
when you leave me I will not cry for you
I will run into the strongest wind I can find
and welcome you home.
I did a link to this poem a spoken word poem I was very moved by it this is his poem in words... Awesome
Darin Marie Oct 2012
we came up from the beach at night
the bridge doomed under a sheet of fog- orange glowing.
the bus horned down the hill like a life size slug storming to get me.
i stood up, staggering with fleet and flight. arms up in surrender.
i was told to just sit down;wave them off.
the raccoons kept staring. a thousand pairs of eyes reflecting off my lights.
i ran but the pavement kept on moving.
we were droogs in the night bending backwards and forwards possessed with heaving laughter.
we pulsated under streetlights.
we melted on walls.
we sat in silence as colorful sweat dribbled down our faces.
our eyes rolled back.
the clock struck midnight as we struggled to count our cash
we ventured to the bus stop and waited.
there, a hopeless man kept on pounding his chest; testosterone flying in the air.
i merely took the greens he offered and left.
thanks.
i was late for a meeting on the next corner.
the appointment commenced.
a bump of life swept through us. back in the realm we were again.
the bus driver nodded, pupils as big as dimes.
dooms day.
i need to get off on 6th.
Michael R Burch Sep 2020
Poems about Children


The Desk
by Michael R. Burch

for Jeremy

There is a child I used to know
who sat, perhaps, at this same desk
where you sit now, and made a mess
of things sometimes.I wonder how
he learned at all...

He saw T-Rexes down the hall
and dreamed of trains and cars and wrecks.
He dribbled phantom basketballs,
shot spitwads at his schoolmates' necks.

He played with pasty Elmer's glue
(and sometimes got the glue on you!).
He earned the nickname "teacher's PEST."

His mother had to come to school
because he broke the golden rule.
He dreaded each and every test.

But something happened in the fall—
he grew up big and straight and tall,
and now his desk is far too small;
so you can have it.

One thing, though—

one swirling autumn, one bright snow,
one gooey tube of Elmer's glue...
and you'll outgrow this old desk, too.

Originally published by TALESetc



A True Story
by Michael R. Burch

for Jeremy

Jeremy hit the ball today,
over the fence and far away.
So very, very far away
a neighbor had to toss it back.
(She thought it was an air attack!)

Jeremy hit the ball so hard
it flew across our neighbor's yard.
So very hard across her yard
the bat that boomed a mighty "THWACK! "
now shows an eensy-teensy crack.

Originally published by TALESetc



Success
by Michael R. Burch

for Jeremy

We need our children to keep us humble
between toast and marmalade;

there is no time for a ticker-tape parade
before bed, no award, no bright statuette

to be delivered for mending skinned knees,
no wild bursts of approval for shoveling snow.

A kiss is the only approval they show;
to leave us—the first great success they achieve.



Picturebook Princess
by Michael R. Burch

for Keira

We had a special visitor.
Our world became suddenly brighter.
She was such a charmer!
Such a delighter!

With her sparkly diamond slippers
and the way her whole being glows,
Keira's a picturebook princess
from the points of her crown to the tips of her toes!



The Aery Faery Princess
by Michael R. Burch

for Keira

There once was a princess lighter than fluff
made of such gossamer stuff—
the down of a thistle, butterflies' wings,
the faintest high note the hummingbird sings,
moonbeams on garlands, strands of bright hair...
I think she's just you when you're floating on air!



Tallen the Mighty Thrower
by Michael R. Burch

Tallen the Mighty Thrower
is a hero to turtles, geese, ducks...
they splash and they cheer
when he tosses bread near
because, you know, eating grass *****!



Lullaby
by Michael R. Burch

for Jeremy

Cherubic laugh; sly, impish grin;
Angelic face; wild chimp within.

It does not matter; sleep awhile
As soft mirth tickles forth a smile.

Gray moths will hum a lullaby
Of feathery wings, then you and I

Will wake together, by and by.

Life's not long; those days are best
Spent snuggled to a loving breast.

The earth will wait; a sun-filled sky
Will bronze lean muscle, by and by.

Soon you will sing, and I will sigh,
But sleep here, now, for you and I

Know nothing but this lullaby.



Sappho's Lullaby
by Michael R. Burch

for Jeremy

Hushed yet melodic, the hills and the valleys
sleep unaware of the nightingale's call,
while the pale calla lilies lie
listening,
glistening . . .
this is their night, the first night of fall.

Son, tonight, a woman awaits you;
she is more vibrant, more lovely than spring.
She'll meet you in moonlight,
soft and warm,
all alone . . .
then you'll know why the nightingale sings.

Just yesterday the stars were afire;
then how desire flashed through my veins!
But now I am older;
night has come,
I’m alone . . .
for you I will sing as the nightingale sings.

NOTE: The calla lily symbolizes beauty, purity, innocence, faithfulness and true devotion. According to Greek mythology, when the Milky Way was formed by the goddess Hera’s breast milk, the drops that fell to earth became calla lilies.



Oh, let me sing you a lullaby
by Michael R. Burch

for Jeremy (written from his mother’s perspective)

Oh, let me sing you a lullaby
of a love that shall come to you by and by.

Oh, let me sing you a lullaby
of a love that shall come to you by and by.

Oh, my dear son, how you’re growing up!
You’re taller than me, now I’m looking up!
You’re a long tall drink and I’m half a cup!
And so let me sing you this lullaby.

Oh, my sweet son, as I watch you grow,
there are so many things that I want you to know.
Most importantly this: that I love you so.
And so let me sing you this lullaby.

Soon a tender bud will ****** forth and grow
after the winter’s long ****** snow;
and because there are things that you have to know ...
Oh, let me sing you this lullaby.

Soon, in a green garden a new rose will bloom
and fill all the world with its wild perfume.
And though it’s hard for me, I must give it room.
And so let me sing you this lullaby.



Springtime Prayer
by Michael R. Burch

They’ll have to grow like crazy,
the springtime baby geese,
if they’re to fly to balmier climes
when autumn dismembers the leaves ...

And so I toss them loaves of bread,
then whisper an urgent prayer:
“Watch over these, my Angels,
if there’s anyone kind, up there.”

Keywords/Tags: Nature, spring, birth, baby animals, babies, fawns, fledglings, angels, prayer, heaven, mercy, compassion, chesed



On Looking into Curious George’s Mirrors
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

Maya was made in the image of God;
may the reflections she sees in those curious mirrors
always echo back Love.

Amen



Maya's Beddy-Bye Poem
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

With a hatful of stars
and a stylish umbrella
and her hand in her Papa’s
(that remarkable fella!)
and with Winnie the Pooh
and Eeyore in tow,
may she dance in the rain
cheek-to-cheek, toe-to-toe
till each number’s rehearsed ...
My, that last step’s a leap! ―
the high flight into bed
when it’s past time to sleep!

Note: “Hatful of Stars” is a lovely song and image by Cyndi Lauper.



Limericks

There once was a leopardess, Dot,
who indignantly answered: "I'll not!
The gents are impressed
with the way that I'm dressed.
I wouldn't change even one spot."
—Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can't sing,
but now, here's the thing—
just think of the tunes you can carry! "
—Michael R. Burch



Generation Gap
by Michael R. Burch

A quahog clam,
age 405,
said, "Hey, it's great
to be alive! "

I disagreed,
not feeling nifty,
babe though I am,
just pushing fifty.

Note: A quahog clam found off the coast of Ireland is the longest-lived animal on record, at an estimated age of 405 years.



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!

Until the great & mighty heron
brandishes his fearsome sword.



Mother's Smile
by Michael R. Burch

There never was a fonder smile
than mother's smile, no softer touch
than mother's touch. So sleep awhile
and know she loves you more than "much."

So more than "much, " much more than "all."
Though tender words, these do not speak
of love at all, nor how we fall
and mother's there, nor how we reach
from nightmares in the ticking night
and she is there to hold us tight.

There never was a stronger back
than father's back, that held our weight
and lifted us, when we were small,
and bore us till we reached the gate,
then held our hands that first bright mile
till we could run, and did, and flew.
But, oh, a mother's tender smile
will leap and follow after you!

Originally published by TALESetc



Keep Up
by Michael R. Burch

Keep Up!
Daddy, I'm walking as fast as I can;
I'll move much faster when I'm a man...

Time unwinds
as the heart reels,
as cares and loss and grief plummet,
as faith unfailing ascends the summit
and heartache wheels
like a leaf in the wind.

Like a rickety cart wheel
time revolves through the yellow dust,
its creakiness revoking trust,
its years emblazoned in cold hard steel.

Keep Up!
Son, I'm walking as fast as I can;
take it easy on an old man.



Poems for Older Children

Reflex
by Michael R. Burch

for Jeremy

Some intuition of her despair
for her lost brood,
as though a lost fragment of song
torn from her flat breast,
touched me there...

I felt, unable to hear
through the bright glass,
the being within her melt
as her unseemly tirade
left a feather or two
adrift on the wind-ruffled air.

Where she will go,
how we all err,
why we all fear
for the lives of our children,
I cannot pretend to know.

But, O!,
how the unappeased glare
of omnivorous sun
over crimson-flecked snow
makes me wish you were here.



Happily Never After (the Second Curse of the ***** Toad)
by Michael R. Burch

He did not think of love of Her at all
frog-plangent nights, as moons engoldened roads
through crumbling stonewalled provinces, where toads
(nee princes)ruled in chinks and grew so small
at last to be invisible. He smiled
(the fables erred so curiously), and thought
bemusedly of being reconciled
to human flesh, because his heart was not
incapable of love, but, being cursed
a second time, could only love a toad's...
and listened as inflated frogs rehearsed
cheekbulging tales of anguish from green moats...
and thought of her soft croak, her skin fine-warted,
his anemic flesh, and how true love was thwarted.



Limericks

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride? "
"Nevermore! " bright-eyed Raven replied.
—Michael R. Burch



Autumn Conundrum
by Michael R. Burch

It's not that every leaf must finally fall,
it's just that we can never catch them all.



Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



Salat Days
by Michael R. Burch

Dedicated to the memory of my grandfather, Paul Ray Burch, Sr.

I remember how my grandfather used to pick poke salat...
though first, usually, he'd stretch back in the front porch swing,
dangling his long thin legs, watching the sweat bees drone,
talking about poke salat—
how easy it was to find if you knew where to look for it...
standing in dew-damp clumps by the side of a road, shockingly green,
straddling fence posts, overflowing small ditches,
crowding out the less-hardy nettles.

"Nobody knows that it's there, lad, or that it's fit tuh eat
with some bacon drippin's or lard."

"Don't eat the berries. You see—the berry's no good.
And you'd hav'ta wash the leaves a good long time."

"I'd boil it twice, less'n I wus in a hurry.
Lawd, it's tough to eat, chile, if you boil it jest wonst."

He seldom was hurried; I can see him still...
silently mowing his yard at eighty-eight,
stooped, but with a tall man's angular gray grace.

Sometimes he'd pause to watch me running across the yard,
trampling his beans,
dislodging the shoots of his tomato plants.

He never grew flowers; I never laughed at his jokes about The Depression.

Years later I found the proper name—"pokeweed"—while perusing a dictionary.
Surprised, I asked why anyone would eat a ****.
I still can hear his laconic reply...

"Well, chile, s'm'times them times wus hard."



Of Civilization and Disenchantment
by Michael R. Burch

for Anais Vionet

Suddenly uncomfortable
to stay at my grandfather's house—
actually his third new wife's,
in her daughter's bedroom
—one interminable summer
with nothing to do,
all the meals served cold,
even beans and peas...

Lacking the words to describe
ah!, those pearl-luminous estuaries—
strange omens, incoherent nights.

Seeing the flares of the river barges
illuminating Memphis,
city of bluffs and dying splendors.

Drifting toward Alexandria,
Pharos, Rhakotis, Djoser's fertile delta,
lands at the beginning of a new time and "civilization."

Leaving behind sixty miles of unbroken cemetery,
Alexander's corpse floating seaward,
bobbing, milkwhite, in a jar of honey.

Memphis shall be waste and desolate,
without an inhabitant.
Or so the people dreamed, in chains.



Neglect
by Michael R. Burch

What good are your tears?
They will not spare the dying their anguish.
What good is your concern
to a child sick of living, waiting to perish?

What good, the warm benevolence of tears
without action?
What help, the eloquence of prayers,
or a pleasant benediction?

Before this day is gone,
how many more will die
with bellies swollen, wasted limbs,
and eyes too parched to cry?

I fear for our souls
as I hear the faint lament
of their souls departing...
mournful, and distant.

How pitiful our "effort, "
yet how fatal its effect.
If they died, then surely we killed them,
if only with neglect.



Shock
by Michael R. Burch

It was early in the morning of the forming of my soul,
in the dawning of desire, with passion at first bloom,
with lightning splitting heaven to thunder's blasting roll
and a sense of welling fire and, perhaps, impending doom—

that I cried out through the tumult of the raging storm on high
for shelter from the chaos of the restless, driving rain ...
and the voice I heard replying from a rift of bleeding sky
was mine, I'm sure, and, furthermore, was certainly insane.



Passages on Fatherhood
by Michael R. Burch

for Jeremy

He is my treasure,
and by his happiness I measure
my own worth.

Four years old,
with diamonds and gold
bejeweled in his soul.

His cherubic beauty
is felicity
to simplicity and passion—

for a baseball thrown
or an ice-cream cone
or eggshell-blue skies.

It's hard to be "wise"
when the years
career through our lives

and bees in their hives
test faith
and belief

while Time, the great thief,
with each falling leaf
foreshadows grief.

The wisdom of the ages
and prophets and mages
and doddering sages

is useless
unless
it encompasses this:

his kiss.



Boundless
by Michael R. Burch

for Jeremy

Every day we whittle away at the essential solidity of him,
and every day a new sharp feature emerges:
a feature we'll spend creative years: planing, smoothing, refining,

trying to find some new Archaic Torso of Apollo, or Thinker...

And if each new day a little of the boisterous air of youth is deflated
in him, if the hours of small pleasures spent chasing daffodils
in the outfield as the singles become doubles, become triples,
become unconscionable errors, become victories lost,

become lives wasted beyond all possible hope of repair...

if what he was becomes increasingly vague—like a white balloon careening
into clouds; like a child striding away aggressively toward manhood,
hitching an impressive rucksack over sagging, sloping shoulders,
shifting its vaudevillian burden back and forth,

then pausing to look back at us with an almost comical longing...

if what he wants is only to be held a little longer against a forgiving *****;
to chase after daffodils in the outfield regardless of scores;
to sail away like a balloon
on a firm string, always sure to return when the line tautens,

till he looks down upon us from some removed height we cannot quite see,

bursting into tears over us:
what, then, of our aspirations for him, if he cannot breathe,
cannot rise enough to contemplate the earth with his own vision,
unencumbered, but never untethered, forsaken...

cannot grow brightly, steadily, into himself—flying beyond us?



Chip Off the Block
by Michael R. Burch

for Jeremy

In the fusion of poetry and drama,
Shakespeare rules! Jeremy’s a ham: a
chip off the block, like his father and mother.
Part poet? Part ham? Better run for cover!
Now he’s Benedick ― most comical of lovers!

NOTE: Jeremy’s father is a poet and his mother is an actress; hence the fusion, or confusion, as the case may be.



Tall Tails
by Michael R. Burch

for Jeremy

Irony
is the base perception
alchemized by deeper reflection,
the paradox
of the wagging tails of dog-ma
torched by sly Reynard the Fox.

These are lines written as my son Jeremy was about to star as Benedick in Much Ado About Nothing at his ultra-conservative high school, Nashville Christian. Benedick is rather obvious wordplay but it apparently flew over the heads of the Puritan headmasters. Samson lit the tails of foxes and set them loose amid the Philistines. Reynard the Fox was a medieval trickster who bedeviled the less wily. “Irony lies / in a realm beyond the unseeing, / the unwise.”



Pan
by Michael R. Burch

... Among the shadows of the groaning elms,
amid the darkening oaks, we fled ourselves...

... Once there were paths that led to coracles
that clung to piers like loosening barnacles...

... where we cannot return, because we lost
the pebbles and the playthings, and the moss...

... hangs weeping gently downward, maidens' hair
who never were enchanted, and the stairs...

... that led up to the Fortress in the trees
will not support our weight, but on our knees...

... we still might fit inside those splendid hours
of damsels in distress, of rustic towers...

... of voices of the wolves' tormented howls
that died, and live in dreams' soft, windy vowels...

Originally published by Sonnet Scroll



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron—
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.

And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful—
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.

We are walking somewhere that her feet know to go,
so I smile, and I follow...

And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes—
I can almost remember—goes something like this:
the prince is a horned toad, awaiting her kiss.

She wiggles and giggles, and all will be well
if only we find him! The woodpecker's knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me

rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Just Smile
by Michael R. Burch

We'd like to think some angel smiling down
will watch him as his arm bleeds in the yard,
ripped off by dogs, will guide his tipsy steps,
his doddering progress through the scarlet house
to tell his mommy "boo-boo!, " only two.

We'd like to think his reconstructed face
will be as good as new, will often smile,
that baseball's just as fun with just one arm,
that God is always Just, that girls will smile,
not frown down at his thousand livid scars,
that Life is always Just, that Love is Just.

We do not want to hear that he will shave
at six, to raze the leg hairs from his cheeks,
that lips aren't easily fashioned, that his smile's
lopsided, oafish, snaggle-toothed, that each
new operation costs a billion tears,
when tears are out of fashion. O, beseech
some poet with more skill with words than tears
to find some happy ending, to believe
that God is Just, that Love is Just, that these
are Parables we live, Life's Mysteries...

Or look inside his courage, as he ties
his shoelaces one-handed, as he throws
no-hitters on the first-place team, and goes
on dates, looks in the mirror undeceived
and smiling says, "It's me I see. Just me."

He smiles, if life is Just, or lacking cures.
Your pity is the worst cut he endures.

Originally published by Lucid Rhythms



Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who was born
on September 11, 2001 and died at the age of nine,
shot to death...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm — I hope you hear it.

Much love I bring — I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the vicious things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here...

I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bear them to your final bier,
and leave them with my promise, here.

Originally published by The Flea



For a Sandy Hook Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails,
when thunder howls,
when hailstones scream,
when winter scowls,
when nights compound dark frosts with snow...
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?



Frail Envelope of Flesh
by Michael R. Burch

―for the mothers and children of the Holocaust and Gaza

Frail envelope of flesh,
lying cold on the surgeon's table
with anguished eyes
like your mother's eyes
and a heartbeat weak, unstable...

Frail crucible of dust,
brief flower come to this—
your tiny hand
in your mother's hand
for a last bewildered kiss...

Brief mayfly of a child,
to live two artless years!
Now your mother's lips
seal up your lips
from the Deluge of her tears...



This is, I believe, the second poem I wrote. Or at least it's the second one that I can remember. I believe I was around 13 or 14 when I wrote it.

Playmates
by Michael R. Burch

WHEN you were my playmate and I was yours,
we spent endless hours with simple toys,
and the sorrows and cares of our indentured days
were uncomprehended... far, far away...
for the temptations and trials we had yet to face
were lost in the shadows of an unventured maze.

Then simple pleasures were easy to find
and if they cost us a little, we didn't mind;
for even a penny in a pocket back then
was one penny too many, a penny to spend.

Then feelings were feelings and love was just love,
not a strange, complex mystery to be understood;
while "sin" and "damnation" meant little to us,
since forbidden batter was our only lust!

Then we never worried about what we had,
and we were both sure-what was good, what was bad.
And we sometimes quarreled, but we didn't hate;
we seldom gave thought to injustice, or fate.

Then we never thought about the next day,
for tomorrow seemed hidden—adventures away.
Though sometimes we dreamed of adventures past,
and wondered, at times, why things didn't last.

Still, we never worried about getting by,
and we didn't know that we were to die...
when we spent endless hours with simple toys,
and I was your playmate, and we were boys.



Children
by Michael R. Burch

There was a moment
suspended in time like a swelling drop of dew about to fall,
impendent, pregnant with possibility...

when we might have made...
anything,
anything we dreamed,
almost anything at all,
coalescing dreams into reality.

Oh, the love we might have fashioned
out of a fine mist and the nightly sparkle of the cosmos
and the rhythms of evening!

But we were young,
and what might have been is now a dark abyss of loss
and what is left is not worth saving.

But, oh, you were lovely,
child of the wild moonlight, attendant tides and doting stars,
and for a day,

what little we partook
of all that lay before us seemed so much,
and passion but a force
with which to play.



Kindergarten
by Michael R. Burch

Will we be children as puzzled tomorrow—
our lessons still not learned?
Will we surrender over to sorrow?
How many times must our fingers be burned?

Will we be children sat in the corner
over and over again?
How long will we linger, playing Jack Horner?
Or will we learn, and when?

Will we be children wearing the dunce cap,
giggling and playing the fool,
re-learning our lessons forever and ever,
never learning the golden rule?



With a child's wonder
by Michael R. Burch

for Jeremy

With a child's wonder,
pausing to ponder
a puddle of water,

for only a moment,
needing no comment

but bright eyes
and a wordless cry,
he launches himself to fly ...

then my two-year-old lands
on his feet and his hands
and water explodes all around.

(From the impact and sound
you'd have thought that he'd drowned,
but the puddle was two inches deep.)

Later that evening, as he lay fast asleep
in that dreamland where two-year-olds wander,
I watched him awhile and smilingly pondered
with a father's wonder.



The Watch
by Michael R. Burch

for Jeremy

I have come to watch my young son,
his blonde ringlets damp with sleep . . .
and what I know is that he loves me
beyond all earthly understanding,
that his life is like clay in my unskilled hands.

And I marvel this bright ore does not keep—
unrestricted in form, more content than shape,
but seeking a form to become, to express
something of itself to this wilderness
of eyes watching and waiting.

What do I know of his wonder, his awe?
To his future I will matter less and less,
but in this moment, as he is my world, I am his,
and I stand, not understanding, but knowing—
in this vast pageant of stars, he is more than unique.

There will never be another moment like this.
Studiously quiet, I stroke his fine hair
which will darken and coarsen and straighten with time.
He is all I bequeath of myself to this earth.
His fingers curl around mine in his sleep . . .

I leave him to dreams—calm, untroubled and deep.



The Tapestry of Leaves
by Michael R. Burch

for Jeremy

Leaves unfold
as life is sold,
or bartered, for a moment in the sun.

The interchange
of lives is strange:
what reason—life—when death leaves all undone?

O, earthly son,
when rest is won
and wrested from this ground, then through my clay’s

soft mortal soot
****** forth your root
until your leaves embrace the sun's bright rays.



The Long Days Lengthening Into Darkness
by Michael R. Burch

for Jeremy

Today, I can be his happiness,
and if he delights
in hugs and smiles,
in baseball and long walks
talking about Rug Rats, Dinosaurs and Pokemon

(noticing how his face lights up
at my least word,
how tender his expression,
gazing up at me in wondering adoration)

. . . O, son,
these are the long days
lengthening into darkness.

Now over the earth
(how solemn and still their processions)
the clouds
gather to extinguish the sun.

And what I can give you is perhaps no more nor less
than this brief ray dazzling our faces,
seeing how soon the night becomes my consideration.



Renown
by Michael R. Burch

for Jeremy

Words fail us when, at last,
we lie unread amid night’s parchment leaves,
life’s chapter past.

Whatever I have gained of life, I lost,
except for this bright emblem
of your smile . . .

and I would grasp
its meaning closer for a longer while . . .
but I am glad

with all my heart to be unheard,
and smile,
bound here, still strangely mortal,

instructed by wise Love not to be sad,
when to be the lesser poet
meant to be “the world’s best dad.”

Every night, my son Jeremy tells me that I’m “the world’s best dad.” Now, that’s all poetry, all music and the meaning of life wrapped up in four neat monosyllables! The time I took away from work and poetry to spend with my son was time well spent.



Miracle
by Michael R. Burch

for Jeremy

The contrails of galaxies mingle, and the dust of that first day still shines.
Before I conceived you, before your heart beat, you were mine,

and I see

infinity leap in your bright, fluent eyes.
And you are the best of all that I am. You became
and what will be left of me is the flesh you comprise,

and I see

whatever must be—leaves its mark, yet depends
on these indigo skies, on these bright trails of dust,
on a veiled, curtained past, on some dream beyond knowing,
on the mists of a future too uncertain to heed.

And I see

your eyes—dauntless, glowing—
glowing with the mystery of all they perceive,
with the glories of galaxies passed, yet bestowing,
though millennia dead, all this pale feathery light.

And I see

all your wonder—a wonder to me, for, unknowing,
of all this portends, still your gaze never wavers.
And love is unchallenged in all these vast skies,
or by distance, or time. The ghostly moon hovers;

I see; and I see

all that I am reflected in all that you have become to me.



Always
by Michael R. Burch

for Jeremy

Know in your heart that I love you as no other,
and that my love is eternal.
I keep the record of your hopes and dreams
in my heart like a journal,
and there are pages for you there that no one else can fill:
none one else, ever.
And there is a tie between us, more than blood,
that no one else can sever.

And if we’re ever parted,
please don’t be broken-hearted;
until we meet again on the far side of forever
and walk among those storied shining ways,
should we, for any reason, be apart,
still, I am with you ... always.



The Gift
by Michael R. Burch

for Beth and Jeremy

For you and our child, unborn, though named
(for we live in a strange, fantastic age,
and tomorrow, when he is a man,
perhaps this earth will be a cage

from which men fly like flocks of birds,
the distant stars their helpless prey),
for you, my love, and you, my child,
what can I give you, each, this day?

First, take my heart, it’s mine alone;
no ties upon it, mine to give,
more precious than a lifetime’s objects,
once possessed, more free to live.

Then take these poems, of little worth,
but to show you that which you receive
holds precious its two dear possessors,
and makes each lien a sweet reprieve.



This poem was written after a surprising comment from my son, Jeremy.

The Onslaught
by Michael R. Burch

“Daddy, I can’t give you a hug today
because my hair is wet.”

No wet-haired hugs for me today;
no lollipopped lips to kiss and say,
Daddy, I love you! with such regard
after baseball hijinks all over the yard.

The sun hails and climbs
over the heartbreak of puppies and daffodils
and days lost forever to windowsills,
over fortune and horror and starry climes;

and it seems to me that a child’s brief years
are springtimes and summers beyond regard
mingled with laughter and passionate tears
and autumns and winters now veiled and barred,
as elusive as snowflakes here white, bejeweled,
gaily whirling and sweeping across the yard.



To My Child, Unborn
by Michael R. Burch

for Jeremy

How many were the nights, enchanted
with despair and longing, when dreams recanted
returned with a restless yearning,
and the pale stars, burning,
cried out at me to remember
one night ... long ere the September
night when you were conceived.

Oh, then, if only I might have believed
that the future held such mystery
as you, my child, come unbidden to me
and to your mother,
come to us out of a realm of wonder,
come to us out of a faery clime ...

If only then, in that distant time,
I had somehow known that this day were coming,
I might not have despaired at the raindrops drumming
sad anthems of loneliness against shuttered panes;
I might not have considered my doubts and my pains
so carefully, so cheerlessly, as though they were never-ending.
If only then, with the starlight mending
the shadows that formed
in the bowels of those nights, in the gussets of storms
that threatened till dawn as though never leaving,
I might not have spent those long nights grieving,
lamenting my loneliness, cursing the sun
for its late arrival. Now, a coming dawn
brings you unto us, and you shall be ours,
as welcome as ever the moon or the stars
or the glorious sun when the nighttime is through
and the earth is enchanted with skies turning blue.



Transition
by Michael R. Burch

for Jeremy

With his cocklebur hugs
and his wet, clinging kisses
like a damp, trembling thistle
catching, thwarting my legs—

he reminds me that life begins with the possibility of rapture.

Was time this deceptive
when my own childhood begged
one last moment of frolic
before bedtime’s firm kisses—

when sleep was enforced, and the dark window ledge

waited, impatient, to lure
or to capture
the bright edge of morning
within a clear pane?

Was the sun then my ally—bright dawn’s greedy fledgling?

With his joy he reminds me
of joys long forgotten,
of play’s endless hours
till the haggard sun sagged

and everything changed. I gather him up and we trudge off to bed.



What does it mean?
by Michael R. Burch

for Jeremy

His little hand, held fast in mine.
What does it mean? What does it mean?

If he were not here, the sun would not shine,
nor the grass grow half as green.

What does it mean?

His arms around my neck, his cheek
snuggling so warm against my own ...

What does it mean?

If life's a garden, he's the fairest
flower ever sown,
the sweetest ever seen.

What does it mean?

And when he whispers sweet and low,
"What does it mean?"
It means, my son, I love you so.
Sometimes that's all we need to know.



First Steps
by Michael R. Burch

for Caitlin Shea Murphy

To her a year is like infinity,
each day—an adventure never-ending.
    She has no concept of time,
    but already has begun the climb—
from childhood to womanhood recklessly ascending.

I would caution her, "No! Wait!
There will be time enough another day ...
    time to learn the Truth
    and to slowly shed your youth,
but for now, sweet child, go carefully on your way! ..."

But her time is not a time for cautious words,
nor a time for measured, careful understanding.
    She is just certain
    that, by grabbing the curtain,
in a moment she will finally be standing!

Little does she know that her first few steps
will hurtle her on her way
    through childhood to adolescence,
    and then, finally, pubescence . . .
while, just as swiftly, I’ll be going gray!



The Sky Was Turning Blue
by Michael R. Burch

Yesterday I saw you
as the snow flurries died,
spent winds becalmed.
When I saw your solemn face
alone in the crowd,
I felt my heart, so long embalmed,
begin to beat aloud.

Was it another winter,
another day like this?
Was it so long ago?
Where you the rose-cheeked girl
who slapped my face, then stole a kiss?
Was the sky this gray with snow,
my heart so all a-whirl?

How is it in one moment
it was twenty years ago,
lost worlds remade anew?
When your eyes met mine, I knew
you felt it too, as though
we heard the robin's song
and the sky was turning blue.



Life Sentence or Fall Well
by Michael R. Burch

... I swim, my Daddy's princess, newly crowned,
toward a gurgly Maelstrom... if I drown
will Mommy stick the Toilet Plunger down

to **** me up?... She sits upon Her Throne,
Imperious (denying we were one),
and gazes down and whispers "precious son"...

... the Plunger worked; i'm two, and, if not blessed,
still Mommy got the Worst Stuff off Her Chest;
a Vacuum Pump, They say, will do the rest...

... i'm three; yay! whee! oh good! it's time to play!
(oh no, I think there's Others on the way;
i'd better pray)...

... i'm four; at night I hear the Banging Door;
She screams; sometimes there's Puddles on the Floor;
She wants to **** us, or, She wants some More...

... it's great to be alive if you are five (unless you're me) :
my Mommy says: "you're WRONG! don't disagree!
don't make this HURT ME! "...

... i'm six; They say i'm tall, yet Time grows Short;
we have a thriving Family; Abort! ;
a tadpole's ripping Mommy's Room apart...

... i'm seven; i'm in heaven; it feels strange;
I saw my life go gurgling down the Drain;
another Noah built a Mighty Ark;
God smiled, appeased, a Rainbow split the Dark;

... I saw Bright Colors also, when She slammed
my head against the Tub, and then I swam
toward the magic tunnel... last, I heard...

is that She feels Weird.


Keywords/Tags: child, children, childhood, son, daughter, grandchild, grandson, granddaughter, family, mother, father
Tryst Aug 2014
Rita bustled busily,
To decorate each room
With jack-o'-lanterns, giggling ghouls,
And grinning ghosts with dribbled drools,
And moonlight glimmered spookily
On ghastly painted tombs;

She went to fetch her costume
And hoped it wouldn't itch;
She grabbed a strange and pointed hat,
An odd shaped broom, a stuffed black cat,
And in the mirror of her room
She turned into a witch!

A sudden tap-tap-tapping
Came from her green front door;
She opened it excitedly,
A-wondering who it might be
And then she started clapping
And dancing on the floor!

Her good friend Fox was outside,
He wore a long black cape;
With plastic fangs, he danced about,
But when he sang his fangs fell out!
They laughed so hard, then went inside
And had a slice of cake!
For Joe Cole's "MAGIC" challenge.

Originally inspired by Joe Cole's "Freedom" challenge, the story of Rita continues!
Matthew May 2014
She gives the gift of gab!

When her love snapped onto my back, like a rucksack to be worn
The old me died, a rambling man was born.

My words are playing a twisted game of Temple Run
The monkeys are her eyebrows, cocked like pistols, and we're playing Russian Roulette.

My words are emptiness and hot air and imagined shapes, yet not nearly as two-dimensional as constellations.

She's a phrase I just learned, and will incorrectly overuse.
She's a worm in my ear, impossible to lose.

She feels like two cups of tea at three in the morning.
She feels like assembling an RC car without reading the instruction manual.

And by God, those eyebrows.

I need her like rocks need water and snow needs the sun.
I want her like turtles want to fly and eagles want to run.

She's that feeling when rain comes down on an empty highway.
She's half a bottle of Elmer's glue I just dribbled onto my hands.

I miss her like broken bowls miss Cheerios and holey socks miss feet.
I miss her like diarrhea misses constipation.
I miss her like NBC misses viewers who have turned to online news sources.
I miss her like journalists miss exposés.
I miss her like polar bears miss ice caps.
I miss her like avalanches miss snowy peaks.
I miss her like Hiroshima survivors miss World War One.
I miss her like cities miss silence.

Mostly, I just miss the silence.
Victoria Maretti Dec 2012
I wanted you to fall in love with this:
A picture of perfection painted well
Content to be a lovely mask you’d kiss
But through my time with you my image fell---
And did I right away share honest words
That dribbled from my lips pathetically
While fearing scorn and judgment I’d incur
Let my tears drop un-surreptitiously.
But now I had no sleek and stealthy ways;
You tore apart my well-crafted façade
I had not seen the brightness of the days
Twas shrouded by opacity of gauze
I did not like this much, I had delayed
Pursuing individuality
And then, somehow, my deep beliefs were swayed
Perplexed that you’d desire the real Me . . .
And now the front has gone, I’m pleased to make
Acquaintance to my Self for my own sake.
Sonnet 5 on HelloPoetry
mads Dec 2012
Did I forget to mention
How adorable you are
When you're intoxicated?

Or was the sarcasm not thick enough?

And do you forget
When "I dont wanna be dr-drunk anymore"
Dribbled from your mouth?

You stink.
Go home.
cheryl love Mar 2014
It is the spooky story of the footballer’s ghost
The younger players are affected the most
They are destined to fall
When they’ve dribbled the ball
They will remember and miss when they reach the post
Janek Kentigern Oct 2014
When his mother was dying we each said goodbye
I was moved to tears.

The funeral came and though I tried to remain stoic, English, I cried.
Then he died, pulled under by umbilical cords, tied by my bloodied hands.

When the service came I cried then too.
My parents told me not to cry, as though it was an admission of guilt.
Still I wept through the service, as though their sternly worded advice meant nothing.
I sat and felt several tides of sorrow wash over me.
I tried to clench my bowels when it came. Through the first I stayed strong, forcing the emotion down.

The second wave made my eyes water; and whilst a stray tear dribbled off my chin I remained strong, forcing the emotion back down my swollen throat to maintain composure.

The third wave came, and though I kicked and struggled to keep my head above the guilty waves I sank below
My weeping, scabbed face betrayed the guilt of a murderer and finally I let go
Allowing the full horror of what had transpired to engulf me.
I drowned, my face covered by my ***** jacket.
The priest offered for us to share a final moment with the victim before he was burnt to ashes
And I, like the guilty party sat stock still, paralysed by the truth; that I, at that young age, had killed
And whilst I swore that I would never **** again
I collapsed adrift on a bitter sea of tears,
Howling at the injustice that I had wrought.

Later, when composure had been regained I felt a stirring in those clenched bowels.
I sat down on the porcelain throne and proceeded to **** out a large and meaty ****
I strained, my eyes watered, and my **** tipped to the edge of prolapse.

Comforted, I wiped and then felt nothing.

With humility I knew, that I was not noble Simon Daedalus but lowly Leopold Bloom.

The same avenues corporeal brinkmanship that led me to that sad place
Had led me to safety.

It was at first a sad realisation
But I’m happier now.
I haven't looked at this one in ages. I was shocked and repulsed to the point where I considered editing it.

Then I realised that my former self must've thought that was kind of the point.
Jey Blu Nov 2018
Amanda confidently made the first incision on the corpse, as she’d done many times before. Starting near the right shoulder, she pulled the scalpel through the layers of tissue down the middle of the abdomen. She bobbed her head as she worked, listening to Where Did the Party Go by Fall Out Boy. The pathologist turned away from the body and pushed her long black hair out of her hands with her wrist. Taking her gloves off, she turned the **** on her speaker. “My old aches become new again, my old friends become exes again…” She hummed the tune while securing her locks in a ponytail. Pausing, she picked up her phone and rewinded the music. She could have sworn she Patrick Stump sing the words, “Woah, where did the body go?” Listening closer this time, she started the song. “Woah, where did the party go?” played through the speaker. She shook her head and took another sip of her coffee.
She gazed at the ceiling, bright lights blinding her suddenly. “Jordan!” She waited for a reply. Nothing. She called again. Flustered, she sighed and looked over at the schedule pinned to the wall. Jordan wasn’t scheduled today, Amanda was the only one. “Then why did the lights- Never mind.” She was obviously just tired. Tugging on another pair of gloves, she picked up a pair of forceps and a scalpel and turned back towards the body. It was gone! She looked behind and underneath the table, thinking it had fallen. It wasn’t there. “****! How am I going to explain this to the family?”
“You can’t.” She jumped at the deep, gravelly voice. “Wh-who are you?” she asked with uncertainty. Amanda was too afraid to look him in the face yet. “That’s not important,” the voice replied. “We need you to come with us.”
“We?” She looked towards the direction of the voice. There were thirteen men in black suits with dark shades standing in formation at the door. “Why? Will you tell me where the body is?”
“Just follow us, ma’am. We’ll explain everything in the car.” She followed them out the door. The man who spoke led her to a black Range Rover with extremely tinted windows. Once they were in the car, the man introduced himself. “I’m Peter C. Schultz. I work with the MIB.”
“MIB? Like in that movie with Will Smith?” She sounded confused.
“Exactly. But we don’t get laser guns.” He smiled, hoping to earn her trust.
She laughed softly and looked out the window. “So was he an alien?”
“Possibly. The craft seems to have removed the body, sensing alien DNA in the area.” Peter looked over his shoulder, quickly pulled out of the parking spot and turned onto the highway. Amanda still wasn’t sure if she was awake. Aliens? MIB? A disappearing body? What if they had taken her instead? All types of thoughts swirled through her head.
They arrived at a large, nondescript building. She hopped out of the range rover and shut her door. The men lead her into the building and down the hall to an interrogation room.
“So, Ms. Browne, tell me. Did you notice any strange noises or lights at the time the body “Um. Yeah, yeah, uh, there was. I was listening to music and the lyrics sounded different. I replayed the track and it sounded normal. There was also a bright flash of light right before I noticed the body was gone. I thought it was my assistant, but they didn’t weren’t on the schedule.”
“We’ve heard of the lyrics changing before. The lights are different, they don’t usually come that close.” Peter sighed.
“Before? You mean to tell me people’s bodies have been stolen by aliens before? What the hell?!? Why doesn’t the government tell us these things?” She started to panic.
“Calm down, Ms. Browne. The MIB has it all under control. Amanda stared him in the eyes. “Really? Because there are BODIES missing! That doesn’t seem under control!” She was yelling at this point.
Peter took a step towards her. She continued to glare at him. All of a sudden, his eyes went black. Amanda was confused. This had to be a dream. A lizard like tongue flicked out of Peter’s mouth. Blood poured out of his mouth and dribbled down his chin. She screamed and tried to run. A hand with sharp long nails and slender blue fingers came up from behind her shoulder and covered her mouth. She was instantly silenced. Another hand pushed her back to her chair, the alien body pressing against her. She forcibly sat down. The hands let go of her. The terrified pathologist tried to scream but didn’t have the ability to even whisper. Peter’s form changed into a tall, blue, thin body with disproportionately long arms and neck. She shook from head to toe, when suddenly she heard a strange voice in her mind. It spoke in alien tongue but she could somehow understand it. It said, “Look into the mirror placed in front of you. Be terrified of what you see and know it is your truth.” With shaky hands, she picked up the piece of reflective glass lying in front of her. Bringing it to her face, she looked at the aliens and then herself. She stared back into cold black eyes. She opened her mouth and could see the lizard tongue curled up between her sharp, pointed teeth. She expected to be scared, but instead felt strangely content. She noticed a new hunger awakening from deep inside her. Amanda stood up and walked over to the aliens. Her own kind. She spoke in the native alien language she now had a name for, Kewalanaei. “Do you have anymore of the body left? I need flesh.” Peter grinned toothily and led her into a room where hundreds of bodies lay. They feasted.
I know this isn't a poem or perfectly edited but its just something I wrote for class and kinda liked. I might start doing more 45 minute writes. Hope you enjoy it :)
Luke Gagnon Jun 2015
I

in the dark starvation is real.
In dark, the emesis that fills my
cheeks is a currency I soak inside, animal
coinage, the fine
bulbous talons of Sepiidae.

Savagely, pelagically
starving made me rich when
Muskrat’s claws pull apart delicate meat.
Sad Spanish blood, I would like you
to panic about what has been lost.
No body, no crime—we are all cannibals; so the muskrat ate
flesh from the dugong-heavy remora

a parallax of sorts occurs
when I cannot find my own entrails—
perhaps they are ruminating in my gut—
boiling in my optic nerve.

But–I found little boys betting quarters for eating bowels
of goat. I was small enough to fit through
playground gates so I could swing
swing in earthquakes, and portents
ride out this day on the waves—to succeed

foothills, grasses, and bath salts
by the creek. I got my quarters.
They asked me who made me as Mountain
Dew dribbled down my chest.
Infant teeth shattered my infant

fists and I did not eat divvied livers and
Victim watchers.
I wrote on
my protruding
viscera
proverbs from my ancient days


–extraordinary porch things, depleted
Phosphorus, and, on bendable limbs
I catalogued my windscraped knees.

How does one so young
become
so fed up with
hunger.

II

Starving made me easier to tie.
easier to lift.
my ancient autopsy of starvation
made me feel gutted out
like Finished
ice-cream containers.
Made me able to hold my breath for
up to six minutes—starving
made me full of Household Gods and rickety
rosaries,

small brown globular clusters,
1 arcsecond of stress
capable of aligning me
with spring-loaded washers

I pop one nut—two—
Dental Work can be a rhizome,
ordering wee-soldiers from
its tethered nodes without
lactation, laceration, infection into
my sleep-deprived throat,
Choking on bird chirps
and x-ray bursts

below the cradle where
my android sleeps. I
have named him The Alabaster.
(Synching The Alabaster.)
The Alabaster–Allie–is a kind of boat
that I have hole-punched into; like
children of the deep I have hurled
nearby rocks into its lungs.
I have wrenched crumbs of my honeymoon
sidewalk, for a beast that panics.
I would trade
the last of the dugongs
for a muskrat’s smile–
now there exists a cult for Plastic
that the spotlights started,

and in the night it will not
end with the filter feeder sinking
to the depth of the imagined water column,
spinning in the Gyre disposal.
There isn’t a colander large enough
to sift through the pejorative waste.

I knew the night would be fraught.
It makes my fusiform body necessary for
transport. Makes Monophyletic solid consumption
trucks and ACE arms reach for
well-behaved spearfish bodies.
Makes days disappear and cold
seem like simmering.
Makes staying out of sight
a trim.

And I told them,
the Fusiforms and Balusters, that
the spearfish would devour the hero who comes
from afar bearing the gift of travel–
Tully-Fisher, with his cottonseed oil
“Manufactured in USA” in
compounding pharmacies.
He made me.
And I told him:

to Tell me to trawl for something less
plastic than my second
self–that I which exists
in Mary Poppins cannons, compact
intimacies, medical and portable–

to dig within my throat, discover a nurdle
that failed to photodegrade during the the day
the Sirenia sang,
the Muskrat gnawed off his leg and hand
fed it to the remora.
III

My mouth is parched
for diagnosis of rickets, for
my un-mineralized bones.
I need RR Lyrae, Statistical π,
population “II”s
to stand in for my night.
I need Sweetened,
Spoonfuls of BB pellets and
Spoonfuls of cepheids to help
the tetany go down,

myopathic infants and
ricket Rosary symbols only work
in sacrifice–In this sense,
I have constructed a panic
architecture–Craniotabes are too
vast. Prions and viroids have seeped
through,

Infections more than dreams,
for injured muskrats who yearn for
the last real mermaid’s smile,
or tears if that would smash open
the cluttered ocean and scatter
the unwanted hosts multiplying
in my spinal fluid.

In day there is no more starvation–
the remora bring me
Libations and admire
my six pack rings mobile.
My connective obligatory.

Under my fingernails are thin
crisps that may somehow create equilibrium.
Although I nibble them regularly
I can’t always swallow.
Surrounded by a dense fog of fleas
my tongue is itching.
My teeth are scratching, scraping
away the space that will always be there.


The antique aisle at the local international
superstore is handing out shriveled
heads of past didactic patients.
But I tell them it’s not what’s there that matters
it’s what’s not there. And in my case
there’s a surplus of nothing that
I can live without.
Bob Englehart Sep 2016
By Bob Englehart
(based on a true story)


Ben Hogan was the strongest man.
The game had ever seen,
The purest golfer in the world,
Who’d ever graced a green.

He had one dream and only one:
To play a perfect round,
Eighteen glorious holes-in-one
Before he’s in the ground.

One day a wealthy patron,
The richest man in town,
Said “Ben, I’ll tell you what I’ll do,
If you play that perfect round.

I’ll give you a million dollars,
More than fifty grand a stroke.
If you can do what no man’s done.”
Said Ben “Is this a joke?”

“Let’s do it now” the man said.
“Lets have a little fun.”
“OK”, said Ben.  “I’ll get my clubs.”
And they walked to number one.

He put his ball down on the tee,
The turf was Kentucky Blue.
He squared his body to the plane,
And swooped his follow-through.

Oh, he started on the first one,
And heaved his mighty whack!
It rolled onto the high side
And dribbled in the back.

The next one was a dogleg,
He waved the crowd away,
The gallery was silent now,
The trees began to sway.

A little breeze had risen up,
He put his club back in,
And took out something with less loft
And a little more backspin.

He hit it with a wallop!
It carved into the wind,
It chose a path below the wrath
And bounced and rolled.  It’s in.

The third one was a downhill,
With water on the left,
A line of trees behind the stream
And sand traps hard and wet.

Ol’ Ben let go a low one,
It swallowed up the air,
And blew right through an apple tree,
A peach tree and a pear.

That ball had so much on it,
Though it hardly did rise up,
It scattered rocks and leaves and dust
‘Til it rolled into the cup.

Its cover had unraveled,
Ben bent to lift it out.
He gave it to his caddy
Who gave a mighty shout.

Number four and five the same,
Perfection every shot,
Six through nine were ones apiece.
He was thirsty now and hot.

Number ten, the toughest hole
The golf course had on tap,
A double-dogleg, raised up green,
And a bunker called The Trap.

The Trap was a crater in the ground,
With a rope to climb on down,
And a flashlight on the bottom sand,
By a skull some golfer’d found.

Ol’ Ben just squinted skyward,
And lifted up his chin,
“I want to try to make this shot
Before the darkness settles in.”

He came down through that golf ball,
With a smile of purest pleasure,
And it headed for The Trap at speeds
Impossible to measure.

It dipped into the chasm,
And headed for the gloom,
It plunged down deep in the abyss
‘Til it hadn’t any room.

It hit the skull like a bullet,
Some bone was blown clean off,
Out the top of the Trap it flew
And lined up with the moss.

It rolled two hundred yards or so,
And headed for the cup,
And dropped in with a gentle plop
With its logo facing up.

Eleven, twelve and thirteen,
Were handled much the same,
You couldn’t hold a candle to him,
When Ben was on his game.

The next four holes were all alike,
The ones that came before,
All holes-in-one were on his card,
No twos were on his score.

He strolled up to the eighteenth tee,
His heart was beating loud.
He put his fingers to his lips,
And quieted the crowed.

The last one was a short one,
A straight-ahead par three
There were no hazards anywhere,
No sand trap, pond or tree.

“This should be a snap, ol’ sport”
The patron said as he looked.
He reached into his pocket,
And got out his checkbook.

Ben hit the ball without a tee,
A divot flopped in front,
The ball flew forward to the rough
Like a major-leaguers’ bunt.

It straightened out and bounded for
The cup which was dead ahead,
His target clearly right on line,
“Draino,” the patron said.

But deep inside that little hole,
In the center of the green,
A bug was singing courtship songs
That filled the round ravine.

And on the edge…above him,
His girl bug sat and giggled,
And fluttered sixteen eyelids
Her antennae bobbed and jiggled.

The ball snuck up behind her,
It didn’t see her charms,
And it knocked her off the slippery edge
Right into her boy bug’s arms.

The ball stopped when it hit her.
It wouldn’t moved an inch.
The patron’s eyes popped real wide,
Ben Hogan didn’t flinch.

Ben couldn’t know the truth of it,
He only knew he failed.
He took it all upon himself,
And stomped the ground and wailed.

Other dreams would have to wait.
He couldn’t rest until
He turned around and headed back
To the first tee on the hill.

They say his ghost’s still out there
And on moonlit nights you’ll hear
The pounding of his irons
Against the dimpled sphere.
Michael R Burch Apr 2020
Kindergarten
by Michael R. Burch

Will we be children as puzzled tomorrow—
our lessons still not learned?
Will we surrender over to sorrow?
How many times must our fingers be burned?

Will we be children sat in the corner
over and over again?
How long will we linger, playing Jack Horner?
Or will we learn, and when?

Will we be children wearing the dunce cap,
giggling and playing the fool,
re-learning our lessons forever and ever,
never grasping the golden rule?

Keywords/Tags: kindergarten, golden rule, lessons, timeout, corner, dunce cap, fool, foolish, flunk, graduate, mrbchild



Mother’s Smile
by Michael R. Burch

for  my mother, Christine Ena Burch, and my wife, Elizabeth Harris Burch

There never was a fonder smile
than mother’s smile, no softer touch
than mother’s touch. So sleep awhile
and know she loves you more than “much.”

So more than “much,” much more than “all.”
Though tender words, these do not speak
of love at all, nor how we fall
and mother’s there, nor how we reach
from nightmares in the ticking night
and she is there to hold us tight.

There never was a stronger back
than father’s back, that held our weight
and lifted us, when we were small,
and bore us till we reached the gate,
then held our hands that first bright mile
till we could run, and did, and flew.
But, oh, a mother’s tender smile
will leap and follow after you!

Originally published by TALESetc



The Desk
by Michael R. Burch

for Jeremy

There is a child I used to know
who sat, perhaps, at this same desk
where you sit now, and made a mess
of things sometimes.  I wonder how
he learned at all ...

He saw T-Rexes down the hall
and dreamed of trains and cars and wrecks.
He dribbled phantom basketballs,
shot spitwads at his schoolmates’ necks.

He played with pasty Elmer’s glue
(and sometimes got the glue on you!).
He earned the nickname “teacher’s PEST.”

His mother had to come to school
because he broke the golden rule.
He dreaded each and every test.

But something happened in the fall—
he grew up big and straight and tall,
and now his desk is far too small;
so you can have it.

One thing, though—

one swirling autumn, one bright snow,
one gooey tube of Elmer’s glue ...
and you’ll outgrow this old desk, too.

Originally published by TALESetc



A True Story
by Michael R. Burch

for Jeremy

Jeremy hit the ball today,
over the fence and far away.
So very, very far away
a neighbor had to toss it back.
(She thought it was an air attack!)

Jeremy hit the ball so hard
it flew across our neighbor’s yard.
So very hard across her yard
the bat that boomed a mighty “THWACK!”
now shows an eensy-teensy crack.

Originally published by TALESetc



Picturebook Princess
by Michael R. Burch

for Keira

We had a special visitor.
Our world became suddenly brighter.
She was such a charmer!
Such a delighter!

With her sparkly diamond slippers
and the way her whole being glows,
Keira’s a picturebook princess
from the points of her crown to the tips of her toes!



The Aery Faery Princess
by Michael R. Burch

for Keira

There once was a princess lighter than fluff
made of such gossamer stuff—
the down of a thistle, butterflies’ wings,
the faintest high note the hummingbird sings,
moonbeams on garlands, strands of bright hair ...
I think she’s just you when you’re floating on air!



Tallen the Mighty Thrower
by Michael R. Burch

Tallen the Mighty Thrower
is a hero to turtles, geese, ducks ...
they splash and they cheer
when he tosses bread near
because, you know, eating grass *****!



On Looking into Curious George’s Mirrors
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon aka Seamus Cassidy

Maya was made in the image of God;
may the reflections she sees in those curious mirrors
always echo back Love.

Amen



Maya's Beddy-Bye Poem
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon aka Seamus Cassidy

With a hatful of stars
and a stylish umbrella
and her hand in her Papa’s
(that remarkable fella!)
and with Winnie the Pooh
and Eeyore in tow,
may she dance in the rain
cheek-to-cheek, toe-to-toe
till each number’s rehearsed ...
My, that last step’s a leap! —
the high flight into bed
when it’s past time to sleep!

Note: “Hatful of Stars” is a lovely song and image by Cyndi Lauper.



Sappho’s Lullaby
by Michael R. Burch

for Jeremy

Hushed yet melodic, the hills and the valleys
sleep unaware of the nightingale's call
while the dew-laden lilies lie
listening,
glistening . . .
this is their night, the first night of fall.

Son, tonight, a woman awaits you;
she is more vibrant, more lovely than spring.
She'll meet you in moonlight,
soft and warm,
all alone . . .
then you'll know why the nightingale sings.

Just yesterday the stars were afire;
then how desire flashed through my veins!
But now I am older;
night has come,
I’m alone . . .
for you I will sing as the nightingale sings.

Originally published by The HyperTexts



Lullaby
by Michael R. Burch

for Jeremy

Cherubic laugh; sly, impish grin;
Angelic face; wild chimp within.

It does not matter; sleep awhile
As soft mirth tickles forth a smile.

Gray moths will hum a lullaby
Of feathery wings, then you and I

Will wake together, by and by.

Life’s not long; those days are best
Spent snuggled to a loving breast.

The earth will wait; a sun-filled sky
Will bronze lean muscle, by and by.

Soon you will sing, and I will sigh,
But sleep here, now, for you and I

Know nothing but this lullaby.




Oh, let me sing you a lullaby
by Michael R. Burch

for Jeremy (written from his mother’s perspective)

Oh, let me sing you a lullaby
of a love that shall come to you by and by.

Oh, let me sing you a lullaby
of a love that shall come to you by and by.

Oh, my dear son, how you’re growing up!
You’re taller than me, now I’m looking up!
You’re a long tall drink and I’m half a cup!
And so let me sing you this lullaby.

Oh, my sweet son, as I watch you grow,
there are so many things that I want you to know.
Most importantly this: that I love you so.
And so let me sing you this lullaby.

Soon a tender bud will ****** forth and grow
after the winter’s long ****** snow;
and because there are things that you have to know ...
Oh, let me sing you this lullaby.

Soon, in a green garden a new rose will bloom
and fill all the world with its wild perfume.
And though it’s hard for me, I must give it room.
And so let me sing you this lullaby.



Success
by Michael R. Burch

for Jeremy

We need our children to keep us humble
between toast and marmalade;

there is no time for a ticker-tape parade
before bed, no award, no bright statuette

to be delivered for mending skinned knees,
no wild bursts of approval for shoveling snow.

A kiss is the only approval they show;
to leave us—the first great success they achieve.



With a child's wonder
by Michael R. Burch

for Jeremy

With a child's wonder,
pausing to ponder
a puddle of water,

for only a moment,
needing no comment

but bright eyes
and a wordless cry,
he launches himself to fly ...

then my two-year-old lands
on his feet and his hands
and water explodes all around.

(From the impact and sound
you'd have thought that he'd drowned,
but the puddle was two inches deep.)

Later that evening, as he lay fast asleep
in that dreamland where two-year-olds wander,
I watched him awhile and smilingly pondered
with a father's wonder.



Chip Off the Block
by Michael R. Burch

for Jeremy

In the fusion of poetry and drama,
Shakespeare rules! Jeremy’s a ham: a
chip off the block, like his father and mother.
Part poet? Part ham? Better run for cover!
Now he’s Benedick — most comical of lovers!

NOTE: Jeremy’s father is a poet and his mother is an actress; hence the fusion, or confusion, as the case may be.



Tall Tails
by Michael R. Burch

for Jeremy

Irony
is the base perception
alchemized by deeper reflection,
the paradox
of the wagging tails of dog-ma
torched by sly Reynard the Fox.

These are lines written as my son Jeremy was about to star as Benedick in Much Ado About Nothing at his ultra-conservative high school, Nashville Christian. Benedick is rather obvious wordplay but it apparently flew over the heads of the Puritan headmasters. Samson lit the tails of foxes and set them loose amid the Philistines. Reynard the Fox was a medieval trickster who bedeviled the less wily. “Irony lies / in a realm beyond the unseeing, / the unwise.”



The Watch
by Michael R. Burch

for Jeremy

I have come to watch my young son,
his blonde ringlets damp with sleep . . .
and what I know is that he loves me
beyond all earthly understanding,
that his life is like clay in my unskilled hands.

And I marvel this bright ore does not keep—
unrestricted in form, more content than shape,
but seeking a form to become, to express
something of itself to this wilderness
of eyes watching and waiting.

What do I know of his wonder, his awe?
To his future I will matter less and less,
but in this moment, as he is my world, I am his,
and I stand, not understanding, but knowing—
in this vast pageant of stars, he is more than unique.

There will never be another moment like this.
Studiously quiet, I stroke his fine hair
which will darken and coarsen and straighten with time.
He is all I bequeath of myself to this earth.
His fingers curl around mine in his sleep . . .

I leave him to dreams—calm, untroubled and deep.



The Tapestry of Leaves
by Michael R. Burch

for Jeremy

Leaves unfold
as life is sold,
or bartered, for a moment in the sun.

The interchange
of lives is strange:
what reason—life—when death leaves all undone?

O, earthly son,
when rest is won
and wrested from this ground, then through my clay’s

soft mortal soot
****** forth your root
until your leaves embrace the sun's bright rays.



The Long Days Lengthening Into Darkness
by Michael R. Burch

for Jeremy

Today, I can be his happiness,
and if he delights
in hugs and smiles,
in baseball and long walks
talking about Rug Rats, Dinosaurs and Pokemon

(noticing how his face lights up
at my least word,
how tender his expression,
gazing up at me in wondering adoration)

. . . O, son,
these are the long days
lengthening into darkness.

Now over the earth
(how solemn and still their processions)
the clouds
gather to extinguish the sun.

And what I can give you is perhaps no more nor less
than this brief ray dazzling our faces,
seeing how soon the night becomes my consideration.



Renown
by Michael R. Burch

for Jeremy

Words fail us when, at last,
we lie unread amid night’s parchment leaves,
life’s chapter past.

Whatever I have gained of life, I lost,
except for this bright emblem
of your smile . . .

and I would grasp
its meaning closer for a longer while . . .
but I am glad

with all my heart to be unheard,
and smile,
bound here, still strangely mortal,

instructed by wise Love not to be sad,
when to be the lesser poet
meant to be “the world’s best dad.”

Every night, my son Jeremy tells me that I’m “the world’s best dad.” Now, that’s all poetry, all music and the meaning of life wrapped up in four neat monosyllables! The time I took away from work and poetry to spend with my son was time well spent.



Miracle
by Michael R. Burch

for Jeremy

The contrails of galaxies mingle, and the dust of that first day still shines.
Before I conceived you, before your heart beat, you were mine,

and I see

infinity leap in your bright, fluent eyes.
And you are the best of all that I am. You became
and what will be left of me is the flesh you comprise,

and I see

whatever must be—leaves its mark, yet depends
on these indigo skies, on these bright trails of dust,
on a veiled, curtained past, on some dream beyond knowing,
on the mists of a future too uncertain to heed.

And I see

your eyes—dauntless, glowing—
glowing with the mystery of all they perceive,
with the glories of galaxies passed, yet bestowing,
though millennia dead, all this pale feathery light.

And I see

all your wonder—a wonder to me, for, unknowing,
of all this portends, still your gaze never wavers.
And love is unchallenged in all these vast skies,
or by distance, or time. The ghostly moon hovers;

I see; and I see

all that I am reflected in all that you have become to me.



Always
by Michael R. Burch

for Jeremy

Know in your heart that I love you as no other,
and that my love is eternal.
I keep the record of your hopes and dreams
in my heart like a journal,
and there are pages for you there that no one else can fill:
none one else, ever.
And there is a tie between us, more than blood,
that no one else can sever.

And if we’re ever parted,
please don’t be broken-hearted;
until we meet again on the far side of forever
and walk among those storied shining ways,
should we, for any reason, be apart,
still, I am with you ... always.



The Gift
by Michael R. Burch

for Beth and Jeremy

For you and our child, unborn, though named
(for we live in a strange, fantastic age,
and tomorrow, when he is a man,
perhaps this earth will be a cage

from which men fly like flocks of birds,
the distant stars their helpless prey),
for you, my love, and you, my child,
what can I give you, each, this day?

First, take my heart, it’s mine alone;
no ties upon it, mine to give,
more precious than a lifetime’s objects,
once possessed, more free to live.

Then take these poems, of little worth,
but to show you that which you receive
holds precious its two dear possessors,
and makes each lien a sweet reprieve.



This poem was written after a surprising comment from my son, Jeremy.

The Onslaught
by Michael R. Burch

“Daddy, I can’t give you a hug today
because my hair is wet.”

No wet-haired hugs for me today;
no lollipopped lips to kiss and say,
Daddy, I love you! with such regard
after baseball hijinks all over the yard.

The sun hails and climbs
over the heartbreak of puppies and daffodils
and days lost forever to windowsills,
over fortune and horror and starry climes;

and it seems to me that a child’s brief years
are springtimes and summers beyond regard
mingled with laughter and passionate tears
and autumns and winters now veiled and barred,
as elusive as snowflakes here white, bejeweled,
gaily whirling and sweeping across the yard.



To My Child, Unborn
by Michael R. Burch

for Jeremy

How many were the nights, enchanted
with despair and longing, when dreams recanted
returned with a restless yearning,
and the pale stars, burning,
cried out at me to remember
one night ... long ere the September
night when you were conceived.

Oh, then, if only I might have believed
that the future held such mystery
as you, my child, come unbidden to me
and to your mother,
come to us out of a realm of wonder,
come to us out of a faery clime ...

If only then, in that distant time,
I had somehow known that this day were coming,
I might not have despaired at the raindrops drumming
sad anthems of loneliness against shuttered panes;
I might not have considered my doubts and my pains
so carefully, so cheerlessly, as though they were never-ending.
If only then, with the starlight mending
the shadows that formed
in the bowels of those nights, in the gussets of storms
that threatened till dawn as though never leaving,
I might not have spent those long nights grieving,
lamenting my loneliness, cursing the sun
for its late arrival. Now, a coming dawn
brings you unto us, and you shall be ours,
as welcome as ever the moon or the stars
or the glorious sun when the nighttime is through
and the earth is enchanted with skies turning blue.



Transition
by Michael R. Burch

for Jeremy

With his cocklebur hugs
and his wet, clinging kisses
like a damp, trembling thistle
catching, thwarting my legs—

he reminds me that life begins with the possibility of rapture.

Was time this deceptive
when my own childhood begged
one last moment of frolic
before bedtime’s firm kisses—

when sleep was enforced, and the dark window ledge

waited, impatient, to lure
or to capture
the bright edge of morning
within a clear pane?

Was the sun then my ally—bright dawn’s greedy fledgling?

With his joy he reminds me
of joys long forgotten,
of play’s endless hours
till the haggard sun sagged

and everything changed. I gather him up and we trudge off to bed.



What does it mean?
by Michael R. Burch

for Jeremy

His little hand, held fast in mine.
What does it mean? What does it mean?

If he were not here, the sun would not shine,
nor the grass grow half as green.

What does it mean?

His arms around my neck, his cheek
snuggling so warm against my own ...

What does it mean?

If life's a garden, he's the fairest
flower ever sown,
the sweetest ever seen.

What does it mean?

And when he whispers sweet and low,
"What does it mean?"
It means, my son, I love you so.
Sometimes that's all we need to know.



First Steps
by Michael R. Burch

for Caitlin Shea Murphy

To her a year is like infinity,
each day—an adventure never-ending.
    She has no concept of time,
    but already has begun the climb—
from childhood to womanhood recklessly ascending.

I would caution her, "No! Wait!
There will be time enough another day ...
    time to learn the Truth
    and to slowly shed your youth,
but for now, sweet child, go carefully on your way! ..."

But her time is not a time for cautious words,
nor a time for measured, careful understanding.
    She is just certain
    that, by grabbing the curtain,
in a moment she will finally be standing!

Little does she know that her first few steps
will hurtle her on her way
    through childhood to adolescence,
    and then, finally, pubescence . . .
while, just as swiftly, I’ll be going gray!



Will There Be Starlight
by Michael R. Burch

Will there be starlight
tonight
while she gathers
damask
and lilac
and sweet-scented heathers?

And will she find flowers,
or will she find thorns
guarding the petals
of roses unborn?

Will there be starlight
tonight
while she gathers
seashells
and mussels
and albatross feathers?

And will she find treasure
or will she find pain
at the end of this rainbow
of moonlight on rain?

Originally published by Grassroots Poetry, Poetry Webring, TALESetc, The Word (UK)



Limericks and Nonsense Verse

There once was a leopardess, Dot,
who indignantly answered: "I’ll not!
The gents are impressed
with the way that I’m dressed.
I wouldn’t change even one spot."
—Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing—
just think of the tunes you can carry!"
—Michael R. Burch



Generation Gap
by Michael R. Burch

A quahog clam,
age 405,
said, “Hey, it’s great
to be alive!”

I disagreed,
not feeling nifty,
babe though I am,
just pushing fifty.

Note: A quahog clam found off the coast of Ireland is the longest-lived animal on record, at an estimated age of 405 years.



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!

Until the great & mighty heron
brandishes his fearsome sword.



****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.

“Friend, I’m no sinner;
you’re merely my dinner!”
the wise owl replied
as the tasty snack died.

Published by Lighten Up Online and in Potcake Chapbook #7



hey pete
by Michael R. Burch

for Pete Rose

hey pete,
it's baseball season
and the sun ascends the sky,
encouraging a schoolboy's dreams
of winter whizzing by;
go out, go out and catch it,
put it in a jar,
set it on a shelf
and then you'll be a Superstar.

When I was a boy, Pete Rose was my favorite baseball player; this poem is not a slam at him, but rather an ironic jab at the term "superstar."



Keep Up
by Michael R. Burch

Keep Up!
Daddy, I’m walking as fast as I can;
I’ll move much faster when I’m a man . . .

Time unwinds
as the heart reels,
as cares and loss and grief plummet,
as faith unfailing ascends the summit
and heartache wheels
like a leaf in the wind.

Like a rickety cart wheel
time revolves through the yellow dust,
its creakiness revoking trust,
its years emblazoned in cold hard steel.

Keep Up!
Son, I’m walking as fast as I can;
take it easy on an old man.



Haiku

The butterfly
perfuming its wings
fans the orchid
― Matsuo Basho, loose translation by Michael R. Burch

A kite floats
at the same place in the sky
where yesterday it floated ...
― Buson Yosa, loose translation by Michael R. Burch

An ancient pond,
the frog leaps:
the silver plop and gurgle of water
― Matsuo Basho, loose translation by Michael R. Burch



Poems for Older Children

Reflex
by Michael R. Burch

for Jeremy

Some intuition of her despair
for her lost brood,
as though a lost fragment of song
torn from her flat breast,
touched me there . . .

I felt, unable to hear
through the bright glass,
the being within her melt
as her unseemly tirade
left a feather or two
adrift on the wind-ruffled air.

Where she will go,
how we all err,
why we all fear
for the lives of our children,
I cannot pretend to know.

But, O!,
how the unappeased glare
of omnivorous sun
over crimson-flecked snow
makes me wish you were here.



Happily Never After (the Second Curse of the ***** Toad)
by Michael R. Burch

He did not think of love of Her at all
frog-plangent nights, as moons engoldened roads
through crumbling stonewalled provinces, where toads
(nee princes) ruled in chinks and grew so small
at last to be invisible. He smiled
(the fables erred so curiously), and thought
bemusedly of being reconciled
to human flesh, because his heart was not
incapable of love, but, being cursed
a second time, could only love a toad’s . . .
and listened as inflated frogs rehearsed
cheekbulging tales of anguish from green moats . . .
and thought of her soft croak, her skin fine-warted,
his anemic flesh, and how true love was thwarted.



Limericks

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.
—Michael R. Burch



Autumn Conundrum

It's not that every leaf must finally fall,
it's just that we can never catch them all.
—Michael R. Burch



Epitaph for a Palestinian Child

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.
—Michael R. Burch



Salat Days
by Michael R. Burch

Dedicated to the memory of my grandfather, Paul Ray Burch, Sr.

I remember how my grandfather used to pick poke salat ...
though first, usually, he’d stretch back in the front porch swing,
dangling his long thin legs, watching the sweat bees drone,
talking about poke salat—
how easy it was to find if you knew where to look for it ...
standing in dew-damp clumps by the side of a road, shockingly green,
straddling fence posts, overflowing small ditches,
crowding out the less-hardy nettles.

“Nobody knows that it’s there, lad, or that it’s fit tuh eat
with some bacon drippin’s or lard.”

“Don’t eat the berries. You see—the berry’s no good.
And you’d hav’ta wash the leaves a good long time.”

“I’d boil it twice, less’n I wus in a hurry.
Lawd, it’s tough to eat, chile, if you boil it jest wonst.”

He seldom was hurried; I can see him still ...
silently mowing his yard at eighty-eight,
stooped, but with a tall man’s angular gray grace.

Sometimes he’d pause to watch me running across the yard,
trampling his beans,
dislodging the shoots of his tomato plants.

He never grew flowers; I never laughed at his jokes about The Depression.

Years later I found the proper name—“pokeweed”—while perusing a dictionary.
Surprised, I asked why anyone would eat a ****.
I still can hear his laconic reply ...

“Well, chile, s’m’times them times wus hard.”



Of Civilization and Disenchantment
by Michael R. Burch

Suddenly uncomfortable
to stay at my grandfather’s house—
actually his third new wife’s,
in her daughter’s bedroom
—one interminable summer
with nothing to do,
all the meals served cold,
even beans and peas . . .

Lacking the words to describe
ah!, those pearl-luminous estuaries—
strange omens, incoherent nights.

Seeing the flares of the river barges
illuminating Memphis,
city of bluffs and dying splendors.

Drifting toward Alexandria,
Pharos, Rhakotis, Djoser’s fertile delta,
lands at the beginning of a new time and “civilization.”

Leaving behind sixty miles of unbroken cemetery,
Alexander’s corpse floating seaward,
bobbing, milkwhite, in a jar of honey.

Memphis shall be waste and desolate,
without an inhabitant.
Or so the people dreamed, in chains.



Neglect
by Michael R. Burch

What good are tears?
Will they spare the dying their anguish?
What use, our concern
to a child sick of living, waiting to perish?

What good, the warm benevolence of tears
without action?
What help, the eloquence of prayers,
or a pleasant benediction?

Before this day is over,
how many more will die
with bellies swollen, emaciate limbs,
and eyes too parched to cry?

I fear for our souls
as I hear the faint lament
of theirs departing ...
mournful, and distant.

How pitiful our “effort,”
yet how fatal its effect.
If they died, then surely we killed them,
if only with neglect.



Passages on Fatherhood
by Michael R. Burch

for Jeremy

He is my treasure,
and by his happiness I measure
my own worth.

Four years old,
with diamonds and gold
bejeweled in his soul.

His cherubic beauty
is felicity
to simplicity and passion—

for a baseball thrown
or an ice-cream cone
or eggshell-blue skies.



It’s hard to be “wise”
when the years
career through our lives

and bees in their hives
test faith
and belief

while Time, the great thief,
with each falling leaf
foreshadows grief.



The wisdom of the ages
and prophets and mages
and doddering sages

is useless
unless
it encompasses this:

his kiss.



Boundless
by Michael R. Burch

for Jeremy

Every day we whittle away at the essential solidity of him,
and every day a new sharp feature emerges:
a feature we’ll spend creative years: planing, smoothing, refining,

trying to find some new Archaic Torso of Apollo, or Thinker . . .

And if each new day a little of the boisterous air of youth is deflated
in him, if the hours of small pleasures spent chasing daffodils
in the outfield as the singles become doubles, become triples,
become unconscionable errors, become victories lost,

become lives wasted beyond all possible hope of repair . . .

if what he was becomes increasingly vague—like a white balloon careening
into clouds; like a child striding away aggressively toward manhood,
hitching an impressive rucksack over sagging, sloping shoulders,
shifting its vaudevillian burden back and forth,

then pausing to look back at us with an almost comical longing . . .

if what he wants is only to be held a little longer against a forgiving *****;
to chase after daffodils in the outfield regardless of scores;
to sail away like a balloon
on a firm string, always sure to return when the line tautens,

till he looks down upon us from some removed height we cannot quite see,

bursting into tears over us:
what, then, of our aspirations for him, if he cannot breathe,
cannot rise enough to contemplate the earth with his own vision,
unencumbered, but never untethered, forsaken . . .

cannot grow brightly, steadily, into himself—flying beyond us?



Pan
by Michael R. Burch

... Among the shadows of the groaning elms,
amid the darkening oaks, we fled ourselves ...

... Once there were paths that led to coracles
that clung to piers like loosening barnacles ...

... where we cannot return, because we lost
the pebbles and the playthings, and the moss ...

... hangs weeping gently downward, maidens’ hair
who never were enchanted, and the stairs ...

... that led up to the Fortress in the trees
will not support our weight, but on our knees ...

... we still might fit inside those splendid hours
of damsels in distress, of rustic towers ...

... of voices heard in wolves’ tormented howls
that died, and live in dreams’ soft, windy vowels ...

Originally published by Sonnet Scroll



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron—
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.

And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful—
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.

We are walking somewhere that her feet know to go,
so I smile, and I follow ...

And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes—
I can almost remember—goes something like this:
the prince is a horned toad, awaiting her kiss.

She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me

rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Just Smile
by Michael R. Burch

We’d like to think some angel smiling down
will watch him as his arm bleeds in the yard,
ripped off by dogs, will guide his tipsy steps,
his doddering progress through the scarlet house
to tell his mommy "boo-boo!," only two.

We’d like to think his reconstructed face
will be as good as new, will often smile,
that baseball’s just as fun with just one arm,
that God is always Just, that girls will smile,
not frown down at his thousand livid scars,
that Life is always Just, that Love is Just.

We do not want to hear that he will shave
at six, to raze the leg hairs from his cheeks,
that lips aren’t easily fashioned, that his smile’s
lopsided, oafish, snaggle-toothed, that each
new operation costs a billion tears,
when tears are out of fashion.
                                             O, beseech
some poet with more skill with words than tears
to find some happy ending, to believe
that God is Just, that Love is Just, that these
are Parables we live, Life’s Mysteries ...

Or look inside his courage, as he ties
his shoelaces one-handed, as he throws
no-hitters on the first-place team, and goes
on dates, looks in the mirror undeceived
and smiling says, "It’s me I see. Just me."

He smiles, if life is Just, or lacking cures.
Your pity is the worst cut he endures.

Originally published by Lucid Rhythms



Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who was born
on September 11, 2001 and died at the age of nine,
shot to death ...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm — I hope you hear it.

Much love I bring — I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the vicious things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short ... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here ...

I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bear them to your final bier,
and leave them with my promise, here.

Originally published by The Flea



For a Sandy Hook Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails,
when thunder howls,
when hailstones scream,
when winter scowls,
when nights compound dark frosts with snow ...
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?



Frail Envelope of Flesh
by Michael R. Burch

for the mothers and children of the Holocaust and Gaza

Frail envelope of flesh,
lying cold on the surgeon’s table
with anguished eyes
like your mother’s eyes
and a heartbeat weak, unstable ...

Frail crucible of dust,
brief flower come to this—
your tiny hand
in your mother’s hand
for a last bewildered kiss ...

Brief mayfly of a child,
to live two artless years!
Now your mother’s lips
seal up your lips
from the Deluge of her tears ...



Playmates
by Michael R. Burch

WHEN you were my playmate and I was yours,
we spent endless hours with simple toys,
and the sorrows and cares of our indentured days
were uncomprehended . . . far, far away . . .
for the temptations and trials we had yet to face
were lost in the shadows of an unventured maze.

Then simple pleasures were easy to find
and if they cost us a little, we didn't mind;
for even a penny in a pocket back then
was one penny too many, a penny to spend.

Then feelings were feelings and love was just love,
not a strange, complex mystery to be understood;
while "sin" and "damnation" meant little to us,
since forbidden cookies were our only lusts!

Then we never worried about what we had,
and we were both sure—what was good, what was bad.
And we sometimes quarreled, but we didn't hate;
we seldom gave thought to the uncertainties of fate.

Hell, we seldom thought about the next day,
when tomorrow seemed hidden—adventures away.
Though sometimes we dreamed of adventures past,
and wondered, at times, why things couldn't last.

Still, we never worried about getting by,
and we didn't know that we were to die . . .
when we spent endless hours with simple toys,
and I was your playmate, and we were boys.

This is probably the poem that "made" me, because my high school English teacher called it "beautiful" and I took that to mean I was surely the Second Coming of Percy Bysshe Shelley! "Playmates" is the second poem I remember writing; I believe I was around 13 or 14 at the time. It was originally published by The Lyric.




Children
by Michael R. Burch

There was a moment
suspended in time like a swelling drop of dew about to fall,
impendent, pregnant with possibility ...

when we might have made ...
anything,
anything we dreamed,
almost anything at all,
coalescing dreams into reality.

Oh, the love we might have fashioned
out of a fine mist and the nightly sparkle of the cosmos
and the rhythms of evening!

But we were young,
and what might have been is now a dark abyss of loss
and what is left is not worth saving.

But, oh, you were lovely,
child of the wild moonlight, attendant tides and doting stars,
and for a day,

what little we partook
of all that lay before us seemed so much,
and passion but a force
with which to play.



Kindergarten
by Michael R. Burch

Will we be children as puzzled tomorrow—
our lessons still not learned?
Will we surrender over to sorrow?
How many times must our fingers be burned?

Will we be children sat in the corner,
paddled again and again?
How long must we linger, playing Jack Horner?
Will we ever learn, and when?

Will we be children wearing the dunce cap,
giggling and playing the fool,
re-learning our lessons forever and ever,
still failing the golden rule?



Life Sentence or Fall Well
by Michael R. Burch

. . . I swim, my Daddy’s princess, newly crowned,
toward a gurgly Maelstrom . . . if I drown
will Mommy stick the Toilet Plunger down

to **** me up? . . . She sits upon Her Throne,
Imperious (denying we were one),
and gazes down and whispers “precious son” . . .

. . . the Plunger worked; i’m two, and, if not blessed,
still Mommy got the Worst Stuff off Her Chest;
a Vacuum Pump, They say, will do the rest . . .

. . . i’m three; yay! whee! oh good! it’s time to play!
(oh no, I think there’s Others on the way;
i’d better pray) . . .

. . . i’m four; at night I hear the Banging Door;
She screams; sometimes there’s Puddles on the Floor;
She wants to **** us, or, She wants some More . . .

. . . it’s great to be alive if you are five (unless you’re me);
my Mommy says: “you’re WRONG! don’t disagree!
don’t make this HURT ME!” . . .

. . . i’m six; They say i’m tall, yet Time grows Short;
we have a thriving Family; Abort!;
a tadpole’s ripping Mommy’s Room apart . . .

. . . i’m seven; i’m in heaven; it feels strange;
I saw my life go gurgling down the Drain;
another Noah built a Mighty Ark;
God smiled, appeased, a Rainbow split the Dark;

. . . I saw Bright Colors also, when She slammed
my head against the Tub, and then I swam
toward the magic tunnel . . . last, I heard . . .

is that She feels Weird.



Untitled

I sampled honeysuckle
and it made my taste buds buckle!
by Michael R. Burch



Poems about Man's Best Friend

Dog Daze
by Michael R. Burch

Sweet Oz is a soulful snuggler;
he really is one of the best.
Sometimes in bed
he snuggles my head,
though he mostly just plops on my chest.

I think Oz was made to love
from the first ray of light to the dark,
but his great love for me
is exceeded (oh gee!)
by his Truly Great Passion: to Bark.



Xander the Joyous
by Michael R. Burch

Xander the Joyous
came here to prove:
Love can be playful!
Love can have moves!

Now Xander the Joyous
bounds around heaven,
waiting for him mommies,
one of the SEVEN —

the Seven Great Saints
of the Great Canine Race
who evangelize Love
throughout all Time and Space.

                        Amen



Oz is the Boss!
by Michael R. Burch

Oz is the boss!
Because? Because ...
Because of the wonderful things he does!

He barks like a tyrant
for treats and a hydrant;
his voice far more regal
than mere greyhound or beagle;
his serfs must obey him
or his yipping will slay them!

Oz is the boss!
Because? Because ...
Because of the wonderful things he does!



Epitaph for a Lambkin
by Michael R. Burch

for Melody, the prettiest, sweetest and fluffiest dog ever

Now that Melody has been laid to rest
Angels will know what it means to be blessed.

                                                Amen


­
Excoriation of a Treat Slave
by Michael R. Burch

I am his Highness’s dog at Kew.
Pray tell me, sir, whose dog are you?
—Alexander Pope

We practice our fierce Yapping,
for when the treat slaves come
they’ll grant Us our desire.
(They really are that dumb!)

They’ll never catch Us napping —
our Ears pricked, keen and sharp.
When they step into Our parlor,
We’ll leap awake, and Bark.

But one is rather doltish;
he doesn’t understand
the meaning of Our savage,
imperial, wild Command.

The others are quite docile
and bow to Us on cue.
We think the dull one wrote a poem
about some Dog from Kew

who never grasped Our secret,
whose mind stayed think, and dark.
It’s a question of obedience
conveyed by a Lordly Bark.

But as for playing fetch,
well, that’s another matter.
We think the dullard’s also
as mad as any hatter

and doesn’t grasp his duty
to fling Us slobbery *****
which We’d return to him, mincingly,
here in Our royal halls.



Bed Head, or, the Ballad of
Beth and her Fur Babies
by Michael R. Burch

When Beth and her babies
prepare for “good night”
sweet rituals of kisses
and cuddles commence.

First Wickett, the eldest,
whose mane has grown light
with the wisdom of age
and advanced senescence
is tucked in, “just right.”

Then Mary, the mother,
is smothered with kisses
in a way that befits
such an angelic missus.

Then Melody, lambkin,
and sweet, soulful Oz
and cute, clever Xander
all clap their clipped paws
and follow sweet Beth
to their high nightly roost
where they’ll sleep on her head
(or, perhaps, her caboose).



Wickett
by Michael R. Burch

Wickett, sweet Ewok,
Wickett, old Soul,
Wicket, brave Warrior,
though no longer whole . . .

You gave us your All.
You gave us your Best.
You taught us to Love,
like all of the Blessed

Angels and Saints
of good human stock.
You barked the Great Bark.
You walked the True Walk.

Now Wickett, dear Child
and incorrigible Duffer,
we commend you to God
that you no longer suffer.

May you dash through the Stars
like the Wickett of old
and never feel hunger
and never know cold

and be reunited
with all our Good Tribe —
with Harmony and Paw-Paw
and Mary beside.

Go now with our Love
as the great Choir sings
that Wickett, our Wickett,
has at last earned his Wings!



The Resting Place
by Michael R. Burch

for Harmony

Sleep, then, child;
you were dearly loved.

Sleep, and remember
her well-loved face,

strong arms that would lift you,
soft hands that would move

with love’s infinite grace,
such tender caresses!



When autumn came early,
you could not stay.

Now, wherever you wander,
the wildflowers bloom

and love is eternal.
Her heart’s great room

is your resting place.



Await by the door
her remembered step,

her arms’ warm embraces,
that gathered you in.

Sleep, child, and remember.
Love need not regret

its moment of weakness,
for that is its strength,

And when you awaken,
she will be there,

smiling,
at the Rainbow Bridge.



Lady’s Favor: the Noble Ballad of Sir Dog and the Butterfly
by Michael R. Burch

Sir was such a gallant man!
When he saw his Lady cry
and beg him to send her a Butterfly,
what else could he do, but comply?

From heaven, he found a Monarch
regal and able to defy
north winds and a chilly sky;
now Sir has his wings and can fly!

When our gallant little dog Sir was unable to live any longer, my wife Beth asked him send her a sign, in the form of a butterfly, that Sir and her mother were reunited and together in heaven. It was cold weather, in the thirties. We rarely see Monarch butterflies in our area, even in the warmer months. But after Sir had been put to sleep, to spare him any further suffering, Beth found a Monarch butterfly in our back yard. It appeared to be lifeless, but she brought it inside, breathed on it, and it returned to life. The Monarch lived with us for another five days, with Beth feeding it fruit juice and Gatorade on a Scrubbie that it could crawl on like a flower. Beth is convinced that Sir sent her the message she had requested.



Solo’s Watch
by Michael R. Burch

Solo was a stray
who found a safe place to stay
with a warm and loving band,
safe at last from whatever cruel hand
made him flinch in his dreams.

Now he wanders the clear-running streams
that converge at the Rainbow’s End
and the Bridge where kind Angels attend
to all souls who are ready to ascend.

And always he looks for those
who hugged him and held him close,
who kissed him and called him dear
and gave him a home free of fear,
to welcome them to his home, here.
Ben Jones Oct 2015
A doctor who lost his dear wife
Took to probing the secrets of life
His intention was pure
Though success premature
Lead him quickly to trouble and strife

The notion popped into his head
To dig up the recently dead
With his stitching and knife
He created a life
Which promptly absconded and fled

He looked like the worst of mankind
But was blessed with a brilliant mind
He lurked in the wood
For as long as he could
But he yearned for the touch of his kind

To the doctor he went to proclaim
That his plight was of Frankenstein's blame
And he said he'd begin
To **** off his kin
Unless Frankenstein made him a dame

So the doctor stole bodies and stitched
With a frenzy, the man was bewitched
For his son would be saved
Once this woman, de-graved
Was alive and the monster was hitched

But a face at the window appeared
As his second success was neared
The creature was grinning
His eyeballs were spinning
He dribbled and lustfully leered

So the doctor was filled up with guilt
And he tore up the woman he'd built
So the very next day
In a horrible way
His son was all strangled and ****'t

The doctor pursued his creation
Across countries with growing frustration
He went for a stroll
In the southern most pole
A long way off from civilization

The going was chilly and slow
But he finally caught up his foe
The creature was greater
He killed his creator
And buggered off into the snow

The End
Kayla Gray Feb 2012
You tricked me into loving you,
But really I just loved the way you made me feel.
You tempted me from across the room,
Winking and bubbling in your multicolored smiles,
Every person that dared delve into your playful perversions-
Stammered away in a radiant buzz.

I clung to an innocent corner,
I hid from your wicked stare,
But your tantalizing teasing,
Was more than I could bare.

I sipped your sinful cider, love,and lost all my control,
Your venom pulsing through my veins-
Face glowed,hips shook,
And my hair ran down my back and urged my inhibitions to run away with it.

In an intoxication fixation-I opened my mouth and kissed the world,
It tingled.

We floated on the music and surrendered to the beat
The crowd became a single blur, but I knew I had you,baby,
I nestled you tight against my lips-
Your powerful sting still irresistible.

How quickly you betrayed me,
You turned my bliss to tears,
You drug me to the bathroom,
Shame faced me in the mirror,
You left me quite abruptly,
Guilt spilled across the floor,
It dribbled down my swollen face-
You won the Friday War.

You tricked me into loving you-
And now I hate you too.
Debra A Baugh Jun 2012
I'm the fire of his afterthought,
the spark of guilt that lit his
soul on fire
that blazing innocence
around
his eyes
when he smiles
I stick tongue in his ear
in devilish voice
of seduction
whisper in heated
breath what I'm gonna
do to him,
one lick of heat
he flitters like a moth
to flame flickering in
and out breathing my
name; I got game, when
I make him holler in vain
he's tamed; sweet
as a kitten licking and
dipping in fiery pit,
as I allow him to suckle
a little ***; having a fit,
mind bound in illusions
wrapping lips around
wanton conclusions

I leave him delusional as
I whip with lust; blowing
his mind just so, I can
control him as I allow him to
leave nibbling teeth marks
tonguing wetness
back to front upon
silkiness of skin,
delving into
softness of elusive
innocence;
still whispering words,
igniting fires of
desirable passion
as he's gasping for
breath between wet
thighs...yes I sighed
as each word and lick
fell between each
soft petal dripping
with his tenderest
touch caught as I
squeezed and teased,
the heat of his
passion blew flames
in and out of petalled
mouth, zapping any
thoughts of guilt;
sipping sweet nectar
seeking political
asylum as a defector
tasting his way south;
dribbling and mouthing
in hunger on bended
knee's to forever
please me as
he walked beside
me collared on leash;
in beggary silently
still ******* me
melting away each layer
with every lick of my
whip; he adored me
with his touch, as I,
his ebony skinned
Mistress whipped
his mind into
submission;
bending him
to my will
****! he
thrilled me
as I played
him like
a
fiddle,
he
dribbled
into
my
fiery
pit
in
which
he
was
well
equipped
so,
I
allowed
him
to
dip
with
his
flaming
hot
wick...LICKED
James Ellis Jan 2014
I happen to remember a writer
One that didn't hide from creativity
And that scribbled his chicken scratch
Whether it was shame or glory.

I happen to remember a writer
One that dribbled with a ball point pen
On the court of composition
And his unique game was his story.

I happen to remember a writer
One that was afraid to speak
So he wrote his thoughts on pages
And it didn't matter if it would flow.

I happen to remember a writer*
One that shared his voice
With the world and helped others-
I wonder where he decided to go?
Teen angst poetry
dribbled in red pen.
Well, ideally.
I only have black type.

In fact, I never have experienced
teen angst. I only have
the perpetual piece of blackandred
corners me alone

The beast beneath my bed ceases
whenever daddy checks
but I never had a daddy
only a mommy valiantly battling the
blackandred demons her daddy
never scared away either.

and in the
end we feel nothing nothing can
touch us. We are the empty rusty
pail crying out from the Dripdripdrip of
our loneliness because no one comes in
because, in the foggy glass, no one can see each other
and coldandclammy jostling elbows
do Not touch- NeverNever

We hope the redhot heart of the
lovers we hold so closely will defrost
our windshields to the world and let in
Lightlovehopejoyhappiness
Contentment

AND THEN
I have hope enough
that the monsterinmycloset
cannot grip my dangling elbow. Hope that the steep
fall of bladeandblood and littleroundpills
Always stays a few feet away

I call and pray for stray sunbeams.

Later- I pull
out the quicksilver shards of glass
from my eyes and under my polluted
fingernails.
I shrug off their sodden coats.
I won't borrow burdens. Anymore.
So that my light may shine encore
Abeaconpillar of radiance
Est deus in nobis
angel May 2017
when i would hold that blade in between my fingers i would shake.
i don't know why it made me shake,
but it did.
i think part of why i would shake was because i had the weight of my hate for myself dragging me so far down that i was straining my muscles just to stand.
when i would dig the metal into my flesh my tears would evaporate
and i would watch the slice turn rosy
and then it would fill up with my blood
until it dribbled over the edge of the wound
and slid down my hips
then my legs would shake
the blood made me dizzy and sick

— The End —