dunedin. friday, three, afternoon.
set from home under a blue sky
with full& prepared pack,
a somewhat empty stomach,
and a necessity to get away from the city.
hiking boots tread asphalt down to the depot,
where, in thirty-seven minutes punctuated
by plastic seats grafted to a wall
and a mildly disjunct group of small or
big-time travellers, the naked bus
pulled in, a hematite centipede
crawling into the lot. it was a bus,
no complaints. all others' bags
stowed, twenty seven bucks outta pocket
and swung into the front-right-window seat,
bid a farewell to the beat-down
pub across the road and onto the one-way
merging into a highway and outta
town the dark bug skittered, on
schedule or something resembling it.
behind the driver, the sun came through
around the beam in the window. warm patterns
laid on skin, the countryside's broad expanse:

cylindrical bales of hay scattered about
paddocks, dark late-autumn florets of flax
on roadsides, plumes of white smoke from
bonfires in townships as small as a thumbnail,
hedgelines of eucalyptus, pine; russet streaks
through bark of single gum trees stood
off-centre in fields. sticky-wooded hillsides
punctured by fire breaks roll almost forever
and back. the rushing sound of passing cars
through the 3/4-golden ratio of the driver's
ajar window; twenty-first century mansions
verging on out-of-place. saplings emerging,
bracketed, through verdant grass patches.
museum abbatoirs. toitoi like hen's plumage
lining drainage ditches. another Elizabeth st-
(how many could be counted out by now?) tidy
front yards and milton liquorland through this
small town. an everpresent tilting sun. fields
of flowered nettle. s-bends through pancake layers
of hills. a delapidated gravel quarry at stony
creek. deer farms, sheep farms, bovine farms, alpaca
farms (favourite); another bonfire seen down a
long gulley; a power substation, all organized
tangles. a two-four 300m before the bridge into

balclutha. 4.40pm.
across the road into the i-site
two friendly ladies circle locations
to make (got a car) or try to make (on foot),
offering a ride in half an hour,
leave it to chance.
across another road, drifter's emporium
(that's the name, no joke) got a knife
to open up cans- bought no cans, brought
no cans, still nice to have one anyway.
down the road, 200ml from unichem, waste
no time, turn ninety degrees, cross a
railway, then outta town in a sec. first
photo: half highway, half clutha river. fine
shot. sit down, watch the water couple mins,
head down the road. red-black ferns radiate
under willows down the riverbank. metal
bumper-bars keep legs on, the road rolls
gentle turns, diverges from the river. stick
to the former, faster that way. no intentions
of hitching. just wanna walk. and walk. and
walk. guy yells out a car window. envy,
likely. who cares. apple tree hangs over
a dry ditch. pick a small one, gone in
a minute. probably ain't sprayed. been
eating ice-cream dinners more often'n
not the last coupla weeks- isn't much
the stomach won't or can't handle anymore,
anyway.

odours of decay from the freezing works.
seagulls sound out nearby.
typical.

down the road, the reek of death fades
out. back to grass. sit in some of the
tall stuff, under a spindly tree. put down
some ink, a handful of asst. nuts. 'bout
thirteen fingers of daylight left. no idea
if the coast is further than that. little
care. down the road the land flattens out,
decent sign. the junction was a fair bit
past reckoned, though. flipped a chunk
of bark (too lazy to get a coin out) to
figure whether the coast was worth it. bark
said no, went out anyway. gotta see the sea,
keeps you sane. past a lush native
acre or two- some lucky ******'s front lawn-
changed mentality, slung out a thumb (first
time). beginner's luck, kid straight outta
seventh form pulls over in a mustard-yellow
*******' kinda beach-van. was headin' out
to the coast, funnily enough. had been up
in raglan (surf central, nz), back down with
the 'rents now, though. out kaka point, only
one of his age, he reckoned, no schoolhouse
there, just olds. was going to surf academy,
pretty apt. little envious.

the plains spread out and out, ocean just
rose up out of a field. there's nothing
more perfect. gentle waves stroke the sands,
houses stare intently out at the mingling of
blues. one cloud hovers so far away it doesn't
even exist. down the other end of kaka point,
back on solid ground, walking into a gorge, laments
about not choosing the coastal route. but owaka
is the new destination, bout 11ks, give or take
(5ks later, sign says another 15.. some give). nothing
coulda beat that sight anyway, stepping outta
a van onto that pristine beach.

entry: gorge route to owaka. seven.
late light painted the tops of hills absolute
gold. thought maybe this way ain't so bad. beside a
converging valley, phone got enough reception
for dad to get through. said in balclutha coulda
got a room with a colleague. too far out now. lost
him in the middle of a sentence about camera film.
surprised to have even got that far. road wound
troughlike through the bottom of the gorge, became
parallel to a cute little stream. climbed down chickenwire
holding the road in place, ****** in it (had to).
clambered back up, continued walking as the occasional
campervan rolled on by. took a photo of the sun perched
on a hilltop, sent it to mel. dunno why. anxieties
over the perfect sunrise picture came frequently,
a goal become turmoil. the gorge flattened out,
and soon in countryside my fears allayed. round
a corner in picturesque nowhere, found my shot.
sat in long grass. stole it. sighed. ate a handful
of nuts. moved on. {about eight}

dark consumed the surrounding gentle-rolling hills,
nowhere near owaka, which was probably the tiny bundle
of lights nestling a little below the foot of a
mountain in the distance (not too far off, in
reality). near the turnoff to surat bay (was heading
there, plans change) a ute honks. taken as friendly.
a right turn instead of a left, farmsteads lit
up in fireplace tones, the sound cows make at
dusk. it got colder. would one jersey be sufficient?
hoepfully. stars began pinpricking the royal blues of the
night sky in its opening hues. eight-fourty-ish slugged
back about 3/4 of the syrup, along with half of a box
of fruit medley (so **** delicious), in light of dull
calf aches becoming increasingly apparent. needed
to walk a helluva lot more. ain't one for lettin'
nothing get in the way of that. lights in the distance
became the entry sign for a camp-site. no interest,
head on. past another farmhouse, stars came out in
packs. three cows upon a slight hilltop. next junction
pulled left a good eighty degrees and was on the
straight to owaka. less than two minutes later,
a dog-ute pulled to a halt and offers up a ride down
most of the stretch. didn't say no.

still stable, as two pig-hunters tell
of their drive back from picking up a couple
pig-dogs somewhere north. they were heading
out bush to shoot, thought they'd seen
another guy they'd picked up a couple weeks
ago, who'd taken 'em out somewhere they
couldn't remember. paranoia grips, but
the lads are fairly innocuous. they say it's
dangerous out here, gotta be ballsy walking
middle of the night, no gun, no dog,
all by yourself. wasn't worried, got nothing
to lose anyway (still, this sets helluva
mood). by a turnoff a k outta owaka, dropped
off. said probably all that'll be open there
is a pub, if that. bid luck and set their way.
above, the whole sky is covered with shining
glitter. down a dip and turn, **** in the
middle of the road. an ominous sign indicating
the outskirts of

owaka. approximately 9.40pm

my head loosens as i approach. the lights
form across a small valley i can't verify
exists or not between dog barks i mistake
for the yells of drunkards and lights
pirouetting from cars behind me. i slow
down i don't want to do this.

owaka is terrifying. plastic.

the street corners thud like cardboard. i
walk past a garden of teapots, a computer
screen inside the house glares through the
window pane bending breathing outward. there
is nobody here, still there is a feeling
like there's people everywhere, flocking
in shadows. a silhouette moving in a
distant cafe doorway. the sound of teeth,
of darkness fallen. thick russian tones
sound from a shelf of a motel. eyes
everywhere, mostly mine. i stop only round
a bend and down near a police station, yet
feeling no more safe, sitting in a gutter to
send mel my plans, to tell myself my plans.
i want to be nowhere again. i am soon nowhere.

out of breath, out the other end of owaka,
the sick streetlights fade into comforting
dark nestled between bunches of indistinct
treelines. the feeling of safety lasts but
twenty minutes, where another dip in the
road leads through a patch of bush, in which
gunshots ring periodically and laughter and
barking rings through. breaking down, it takes
five minutes to resolve and keep going. ain't
got nothing to lose, anyway. boots squeak like
diseased hinges all down the road. hadn't
noticed beforehand, the only thing noticed
now. an impending doom hangs thick like fog,
the thought of being strung up like an
underweight hog. walking faster and
not much quieter, the other side of the
bush couldn't have come sooner. the fear
lasts until the gunshots are distant nothing.
still alive, still out of breath, still
fairly ****** up, there's no comfort like the
sound of nothing but the occasional insect's
chirp. vestiges of still water came around
a corner and just kept coming as the golden
moon sung serenity all over. finally, a peace
came to rest over the landscape. sitting by
the road with a clear view of the moon's light
sheathed in the waters, the stars above wreath
a cirrus eye to watch over the marshland
plants leading into the placid waters of

catlins lake, west. ten fifty-one.
crossing a one-way bridge over a river winding
its way into the lake, another turning point
decision arose: continue down the highway
along the river, or head straight out and
toward the coast again. having resolved to
make it to a waterfall by dawn, and the latter
offering a possibility of this, the decision
made itself. turning back around the other side
of the lake, the road wound a couple times
up a gentle ***** out and up from the valley
at the tail of the lake, and into a slightly
more elevated valley. the country roads ran
easily and smooth, paved roughly but solid.
not a car came by for kilometers at a time.
lay on the road past a turnoff for quarter
of an hour letting serenity wash over, the
hills miniscule in comparison to home, the
sky motionless, massive thin halo about the
moon. walking on, night-birds called from
time to time (no moreporks, though. not until
dawn), figuring out how to whistle them back.
a turnoff to purakaunui bay strongly
considered and ultimately ignored; retrospectively
a great call, considering the size of the detour.
hedgerows of macrocarpa, limbs clearly cut
haphazard where once they'd hung over the
road. occasional 4wd passing, always a 4wd,
be it flash new or trusty old. you'd need
one out here. have no fun, otherwise.
monolithic pine-ish hedge bushes, squatting
giants. once, a glimmering in the sky, a
plane from queenstown (assumedly) almost
way too far to make out. the colossus of
the one human-shaped shadow cast down
from the moon to my boots. how small
a thing in this place. swamped out by
the beauty of this neverending valley.
breathless.

the road turned, not quite a hairpin,
but not entirely bluntly, a welcome
break from the straight or gentle
sway, and five minutes turned to dirt.
had to lay down again- legs screaming
by this point for rest. still, they
had nothing against pressing on. dad
taught me to just keep going. that's
the thing about walking. stop for a
little bit and you're good to go
again. pushing for the fall was probably
overkill, but no worry now. dirt road
felt so right after a good 20+ks of
asphalt, only infrequently punctuated
by roadside moss or thin grass. it
was as if beginning again (well,
kinda, if only with as much energy).
having downed only a litre of water
(leaving only half a litre more), a
litre of fruit juice and about 100
grams of assorted nuts since more
than twelve hours ago by this point,
it should have been a shock to
still be going by this point. don't
really need that much anyway, though.
gone on less for longer. hydration,
anyway, was the least of all worries,
the air being thick with water, ground
fog having been laid down hours ago.

up the dirt track, more cows. they make strange
sounds at night. didn't know anything yet,
though. that's still to come. a ute swang past
going the other way, indiscriminate hollers
from the passenger-side window. waved back
cheerily. so far from anything to be anything
but upbeat now. not even the heavy shroud of
tiredness could touch that, yet. the track wound
on forever. was stopping every half-kilometer
to stand and stretch, warding off the oncoming
aches. the onset was unwieldy, though. didn't
have long. past a B&B;, wondered whether anyone
actually ever stayed there (surely would, who'd
not revisit this place over and over once they'd
discovered it?)- certainly would've, having the
cash (apparently parts of "lion, witch and the
wardrobe" were filmed here. huh). further on, the
road turned back to seal, unfortunately, but
with small promise- surely, at least fairly
close by this point. turning a corner, a small
and infinitely beautiful indent against the bush,
a small paddock bunched up against it, stream
wound against the bases of trees, all lit by
the clear tones of a now unswathed moon, sat
aside the road. it was distilled perfection.
it was too much, just had to keep goin' or
risk shattering that image. next turn was
a set of DOC toilets, an excellent sign. must be
basically sitting on the path entry now. searched
all 'round the back for it, up the road, nothing.
not entirely despondent but bewildered, moved
forward and found a signpost. the falls were now
behind? turned around and searched even more
thoroughly, quiet hope turning to desperation
by the silent light of the moon. finally,
straight across the road from the toilets,
was the green and gold sign, cloaked in
darkness under clustering trees, professing
a ten-minute bushwalk to the

purakaunui falls. saturday. 1.32 am.**
venturing into the bush by the dull light
of a screen of a dying phone, the breeze
made small movements through the canopy. it
couldn't have been any more tranquil. edging
way through the winding cliffish track through
dense brush, the sound of a trickling stream
engorged into a lush symphony of water. crossing
a single-sided bridge across an unseeable chasm,
twinkling from the ferns behind became apparent.
turning off the dull light, the tiny neon bulbs of
glow-worms littered the dirt wall risen up about
half a metre, where the track had been cut out.
my heart soared. all heights of beauty come
together. continuing down the path, glow-worms
litter the surroundings and the rushing of
water comes to a roar. at a look-out platform
above the falls, nothing can be seen save a
slight glisten. down perilous steps (wouldn't
be too bad if you could actually see 'em) the
final viewing platform lay at level with the
bottom of the falls. they stood like a statue
in the dark, winding trails of thin white wash
through the shadows hung under trees. left
speechless from something hardly made out, turned
around and back up the stairs to where the
glowing dots seemed their most concentrated.
into the ferns above, clambered through and
around moss-painted tree trunks and came to rest
a couple hundred metres from the trail, under
a fern, under a rata. packed everything but
a blanket from nan into the bag, laid it out
on curled leaf litter and folded up into it,
feet too sore to remove 'em from boots, curling
knees up into the blanket and tucking a hand
between 'em to keep it warm. only face and
ankles exposed, watched the moon's light trickle
through canopy layers for a few hours, readjusting
tendons in legs as they came to ache. sleep (or
something resembling it) set in, somewhere
around four.

some time slightly before six, the realisation
that my legs had extended and become so cold that
they'd started cramping all the way through hit,
coupled with the sounds coming through the bush.

The wind diverges the horizon boughs
into view finders of royal blue.
The flicker of the blue beyond washes to
brown sticks fettered with dry leaves.
Oh what cadence ensues,
From a bent bough and a
Sifting wind?  
If that limb but a will,
And that breeze but a pulse,
Harmony would hide in the
Heartbeat of an eternal summer.
Yet eternity suffers sterile sadness,
And cadence breeds a timid tempo
Of hollow trees against a grey sky.
So speak the world in discord,
Unveil blue skies from cacophonous trees of green,
And push the wind in hurricanes.
As wind and bough dance in perfect imbalance,
I admire the flicker of their countenance.

Two hearts, one path.
We built an empire together.
We saw the world, conquered it.
Alas, just as empires do,
Love rises, love falls
And now one path diverges two.
I often visit the ruins of our empire,
No longer bitter over the end of our Era.
Instead I see it's monuments,
Gazing in awe over the relics of our past.
I'm filled with pride when I see
how far the civilization that is my life
has grown because of our empire.
My heart has but one wish for you,
its hope: that you have grown too.

The Story of Gypsy of Wind





dust has dissipated
When it rained
Gypsy sang
With his guitar, which he inherited from his father ..
The last farewell song ...
As he crosses the Earth
Without thinking of a terminal to reach
...

A fugitive from modernity.
From every paved road ..
Of all the twinkling constellations ..
From the noise of cities ..
From the gloom of government buildings.
The gypsy diverges,
Evading sandy roads.
He meets the boys of the villages ..
He sings and they dance..
He passes near the peasant women with red hair covers.
He plays love tunes for them.
Until their cheeks flush ...
He meets the shepherds ... and avoids them ...
he receives the wide plains
With bright eyes
And on his back
He hung up his guitar, which he inherited from his father.
.....

The gypsy meets the girl of his dreams.
But he leaves her to continue trekking.
Gypsy knows no boundaries ..
He does not know what warm rooms mean.
He does not know what daily work means.
He does not know what school means ..
Because he does not want to learn ..
Rather, he should live on the road.
....

The gypsy has no identity papers.
But he does not know what the meaning of stained papers and seals.
The gypsy does not know power ..
when he meets the mayor of the village
he Whoops:
Why do they obey you when they are free ..
The gypsy knows no hunger ..
Because he eats anything in nature.
Flowers and butterflies ..
Rivers mud ...
Then he pulls his guitar from his back.
And he goes on trekking
He plays a song that tells about a dream
With the warmth of a beautiful woman's chest.
Gypsy travels after the spring.
as if he tied with a rope..
He does not like winter ..
He does not like summer ..
He does not like autumn ..
Like birds in the sky ..
Gipsy follows the scent of silt and nectar.
He points with his finger to the distant horizon:
- It rained there..
He plays a rain song ...
.....

What do you have, gypsy?
The bar girl asks him
In transit hours standing
He says: What do you mean by the word "you have"?
The gypsy has nothing ..
Because he has everything.
He has his freedom ..
A girl spends a night with him
Then she expels him from her arms in the morning
So he takes up his guitar
And he sings in tears over his broken heart.
Passing through plains and mountains ..
To where he does not know
....

Truck drivers meet him
They offer to get him to where he wants..
But he refuses ..
He doesn't want to miss a moment without being in the heart of nature ...
Sings
Consuming time with his guitar
His guitar, which he inherited from his father ..
His father who does not know him ...
But what his mother told him before her death
when they were traveling on the way ..
He buries her ..
And he prays for her soul..
Without knowing which god he is praying to..
He smiles ..
And he goes on its eternal journey
.....

When crossing forests..
He is surrounded by hyenas.
He pulls his guitar and sings.
The hyenas watched him in amazement.
they remain amazed as they snaps his flesh..
And he is still singing
Playing his guitar
His guitar, which he inherited from his father ..
His father who never knew him ..

you say it's not about the ***
but the declaration does nothing
to ***** the boiling terror
to shoo away that yawning hole
digging deeper and deeper
into the root system of my ribs
tilling the lush soil that is
my traitorous stomach
and ever shrinking lungs
it uproots me
grinds the stump where I once stood
a towering oak
or was I only ever a sapling
that was snapped in half
severed the exact moment
that the floodgates opened
and the raging storms remnants
poured forth unshackled by the walls
I carefully constructed around my trembling heart
how I screamed when they fell
the resounding crash
of my fingers digging into your back
pulling you closer
and closer
I can't stop wanting you closer
to inhabit that feeling
the safety of a harbor in a storm
you somehow can protect me
from the radioactive wasteland
that I am still traversing
dodging gamma rays of manic frenzy
and alpha particles heavy with the
black hole that swears it will consume all of me
its final sacrifice demanded my life
how can I trust this?
when the reality of the matter is
you are no lead apron
absorbing the radiation for me
some kevlar vest that can ever protect me
from the bullets of vitriolic bile I hurl inward
not to mention grenades thrown my way
by wayward neural firings
which find me craving my blood
a box of razors is
a box of friends
and reality diverges into an orthogonal plane.
you could be snatched from me
you are a small worm on
the biggest hook to make the juiciest
most succulent amuse bouche
for a big world of sharks
how ******* stupid am I
to be a fisherwoman who has
fallen in love with her bait?

A blond girl walks in front
and I fall in love
not with how she jgiggles
(that comes later walking home)
because she doesn't
in her neat two short
French braids,
petite flat black shoes
and a rolled up, no
it can't be no one reads
printed media anymore
but it's there, in her purse
as she walks fast
fading into the future
I can't catch up with even if
she doesn't turn left or right
while I'm a centrist so our future
diverges splits into
parallel universes identical
except our minor chord variation
in the Music

Sometimes I write nights, in the séance of the city

to the thrum of the sidewalk, the fume of the smokestack;

I scribble the madcap of it all, I furrow my nails in vinyl and dance

            in memoriam,

            my face blackened by storms in the crematorium;

      there are those that watch the world through a window,

      and those that are watched;

and if they have no voice in their manic stumblings; and if instead they

                  mutter

to the shadows for traction, to the swirl in the gutter, the outer rim of

                  silence

they will find a friction

to descend upon cement with an electric lunacy;

      and though they will be outliers, they put out the candles

      and write nights too;

within the funneled starlight, and the wheel of the sky,

we string our bodies astral,

in procession and out, similar in divergence, until similarity diverges

      into steam and carbon

and time surges backwards to rejuvenate nights

and our visions are left clotted in their seams by

                  the dark.

Separated by progress
We live in isolation
Socially stagnated
Growing ever distant.

Focus further inward
Without hesitation,
Cutting off future conflicts
Before they even happen.

Perspective and reality
No longer separate
Eco chamber catalysts
Shattered-faction fragment.

Elitist tactics brainwash
Entire populations,
Localised abundance withers
With dying vegetation.

Doomsday clocks lurching
Our salvation diverges
Shouting to the twilight sun
We share but false elation.

Entire regions' designated
Means of production
No new doctrines allowed
All hail consumption.

Ever directionless, at a loss
Regressing into violence:
Revolutionaries' proudest
Of our failed revolutions.

Living out our dreams
Of solitary bliss,
Live alone in harmony
Or die in the abyss.

What piece of work is man
That chooses inhumanity
A species in a chasm
Led by mere savages.

I march to the beat of my own drum, but I have no rhythm.
The path diverges in two ways and I choose the third.
My head is a labyrinth from which escape is fruitless.
Please believe me when I tell you that my heart holds more dark corners than most because the sun just doesn't shine as bright as it used to over here.
And it's not often that the gates come down long enough to let others in,
so welcome to the road not traveled.
Now the moon has become my guiding light to eventual freedom,
escorting me through the shadows of the past.
I need your fingers locked with mine as I share the secrets buried so far back I almost forgot where I put them.
You gave me this and more
or so I thought
because now...
Now I worry that the corners are too black and your eyes don't adjust well in the dark
and you too are lost in the labyrinth with little hope for return.
The road worn and beaten by footprints is the one you choose to journey on,
for my path has too many thorns and poisonous plants that choke whoever dares attempt passage.
And as you fade into the distance,
I can tell that my cacophony of percussion will never allow me
to be able to match the melody
of the soft, steady pulsation that emanates from your very core  
but you knew that all along,
didn't you?

To write
to write one's life
is to take a road that leads nowhere
and yet parallels the totality of one's existence

To write one's life
is to evoke a silhouette
that of the writer rushing through his past

One cannot tell where he is going
as he detours diverges deviates
but that is why we want to follow him

Along the way like a lost traveler
he picks up pebbles from the ground
and stuffs them in his pockets

As he gropes backward he loses himself
but we are willing to be disoriented with him
willing to be lulled by his vain repetitions

Stranded in time with him
we lose ourselves in space with him
and yet everything holds in place underneath
as if pulled by a magnet

All that was absent
forgotten from his life
is now suddenly present again

macbeth: it was (once) the owl that shrieked,
  the fatal bellman.

aye, and i too would ask the urban folk
concerning family and congregation
for any event apart from the most cherished:
for i love only those with whom i eat,
and abhor those with whom i drink:
for i deem them sour company.

and if in haste? from Canterbury seek New York,
there you'll learn a thing or two about
gnarling from a yew tree strained against
the ranks and rags of French nobility...
there, dear sir, will you learn the Welsh Churchill
acronym, by the index and middle i say:
pointing toward the sky as if to navigate
a seagull pooping fresh manna
onto a desert plain for an *oasis of sustenance.
clearly the U was never chiseled into bone or
marble, instead a V... which always confuses
my expertise (2014 GSCE gimmick,
expert-... ease? titillation? prioritising?
no wonder they send spies to south korea to
feed off jealousy of the porcelain skinned
and squinty eyed crap of Zen... because Tao
was the practice of not dipping your head in
a honey jar and running up to a beehive for
a Frenchy) / in Grecian (yes,
poets have abhorring punctuation,
they're donning a take on rasta roots: dreadlocks
  inserted between the talk of personal hygiene
   and vanity performances of family life solidification
to seem the ideal citizen).
      poetry really is an obscurity of prose,
      it's that ****** cousin you hide in the attic,
when you stage poetry against prose
you never, really, get a snooze button fault
while taking a microcosmos of thought to bed
  and "forget" reading something....
   a true testament to poetry? something Mussolini
might say... i am a fascist fetishist: in that
i am also a schadenfreude: a shadowy frau...
   i like to see fascism in others...
          well, you know, Hollywood got sickly sweet
over the years, there's no enough Bruce Lee films
to satiate the palette of middle aged crimbo men...
  don't expect a ****** to know the cartwheel mechanics
readying a girl into ballet...
       cos no attitude brings no Bolshoi, girlfriend.
oh god, how can this age and my contemporaries provide
so many stereotypes?! they're all gay...
         there's me with my pouting but really alcoholic-bloated
face, rummaging in pop culture under the exacting maxim
of: the idiots have all the confidence, the smart uns
      have all things Cartesian...
             you swarm over reactionary talk?
i guess modern people really want to engage in dialectics,
but the current sophistry, the current rhetoric,
     is only based (in bias) against any Cartesian intervention...
the "i think" doesn't precipitate into "i am"...
for example? even wittle Adoolf thought he was good,
but then world war ii and therefore kicked in,
    there was nothing good to be said, apart from
a historical endeavour as to why: the New Year's Eve
Ball of Vienna faked a smile to solidify a permanent
audience...
                      this fire-yawning rhetoric is part of
the zeitgeist (holy ghost) of our times...
                                it's enough that i'm reading the
news review contained in a sunday newspaper on a tuesday,
but another that i'm rereading lawrence lipton's
the holy barbarians at the same time... yep:
the father of the guy that interviews actors on that
show the actors' studio... where we learn all things
sentimental... just before Robbie Williams tightens
the noose and everyone's bloated...
which is odd: it was a promising afternoon...
           i know that society really wants to engage with
dialectics, i've been watching lemon-*******-sessions'
worth of cringe concerning Milo Yiannopoulos -
papa-dough-pu-louse (Greeks have surnames like
dinosaur names: word and verbiage in one go...
a bit like decapitating Anne Boleyn,
executioner on tiptoe) -
                 it would be far more easier to stage
a place by Shakespeare that it would be to stage a
conversation by Socrates... that's how difficult
practising dialectics is... so much so that people invented
diacritical indicators to syllable dissections of words
and then forgot to use them... buttnaked Adam of Essex.
but one thing caught my eye...
  not in a rude way... well... Bruce Willis in mercury rising...
      isn't the Greek a tad bit autistic?
those darting eyes, and whenever a confrontation emerges
the sunglasses are invoked? isn't the confrontationalist
an autistic phenomenon? isn't this autism?
   aren't people rebelling against the spaz?
   the cover-up is obviously homosexual, because there's this
underlying subplot... high functioning autism,
i might momentarily get an eye-contact...
       but anglophone psychiatrists have only two notations
to curate the spectrum of "mental" problems:
1. biting your nails...
          and 2. eye contact.
                  if psychiatry is philosophy without thinking,
then philosophy is psychiatry without being...
              catchphrase? i hope to god no.
               god... well: that's when you say:
i do have limitations in my vocabulary... hence the invocation
to a ulterior being, other than my self
                 (yes, the reflective version of the reflexive myself).
      sure as hell there needs to be a dualism
rather than a monism concerning the 1 + 1 = 2 humanism
of cogito ergo sum, can you imagine a consolidation?
how, in the 21st century (which wasn't that spectacular
even though the evangelicalists stressed was the zenith
and a basis for: no future) the two would never meet?
    if anyone Descartes poked fun at it too:
i'm pink, therefore i'm spam.
                                       can you imagine why some people
were diagnosed with schism that later referred to a mind?
            uncomfortable people for social cohesion are ill...
it's because the healthy people are whipped into
constructing society.
                               adding to the fact that if mental
and physical converged and were made equally obstructive
in hindering people, a fewer number of jobs / specialisations
would exist to counter such grievances...
      you term mental illness i term lethargy and
thinking turned into the equivalent of what the heart is:
de-automated heart turned into poetic muse...
                but otherwise? an automaton pump.
and when thinking becomes automaton prone...
       and when thinking becomes too conscious of perceiving
the body as caged, doubly in a world and earnestly
in the cycle of eat sleep **** repeat... when too much
theory pours into an abstracting pronoun of forgotten Latin
and resurgent Latin with a summary of ego...
   when that becomes a Shiva-likened extra limb...
               when thought becomes automated
  but the body isn't... when thought diverges from any
moral construct to be made intrinsic in the complement
of choice as its sole outlet,
                 all variations of thought necessarily translated
into a narrative die out... because, as it turns out,
              not all narratives are pharmaceutical escapisms
to the equivalent of medicating seriously...
            even though the sky is blue in winter
and all decaying flush of colour of autumn is long gone...
i feel no bolder to stampede against the earth's
tides insurrecting a name and month of birth
                                      as sanctimonious:
other than what the polity deems worthy for me to
inherit, that, which will be my epitaph
is all am worthy of, given such contortions: as already
evident.
    
take your heart to Scotland my good friar,
and then from on-high,
   as if between Edinburgh and St. Andrew's,
take the kingly route back south...
                    and learn to educate those who's
tongue was never kindred to cliche and barbarism,
were it not talk of puritanism and
    a hidden dialect: for no cockney would have ever
heard the seven bells,
                   and definitely shied away, spoilt,
from the meddling cuckoo;
and oh how small this world will seem,
       once you've been woven the greatest attire
of all you command to peacock,
   that operatic Monday through to Friday
that'll always be more than Gucci or an Armani belt...
    routine!

I am here,
alone,
where the river diverges in six different paths,
and where the mountain turns into a cliff,
and from there, the water flows
downward
creating a waterfall.

You will find me here,
alone,
where the sun struggles to rise,
and where the rooster rarely crows,
and the eagles endeavor to fly
upward
spreading their wings and drifting through the air.

Come find me here,
for I am alone,
and the wind is howling
but the wolves are louder.

The beasts only come out at night,
when I am alone.
But,
dear friend,
sometimes the moon doesn’t even shine bright enough to see.

Fear has taken my left hand
And Faith has taken my right hand,
Pulling me in opposite directions
Like children playing tug-of-war
I’m swaying between the road that diverges
Into a life of comfort or a life of greatness
And I cannot decide who deserves my heart
Does Faith deserve it because it embraces uncertainty,
A tortured game with unpredictable results?
Or does Fear deserve it more because it promises certainty,
An enemy of progress that loathes new adventures?
Faith has taken my left hand and Fear has taken my right hand
I cannot make a choice; they are pulling me apart
Where do I go from here, I’m running out of time

she is drowning again.
this time she knows the truth
-she can’t do this anymore.
and this time she knows that her mother’s hand is not the hand she needs in hers,
and that she walks alone on the only road she’d ever known.

as the road diverges, her feet are spread further and further apart,
so she’ll fall into a deep crevice,
or jump.
she’ll fall before jumps.

maybe there will a river at the bottom,
so ice cold.
but she’d move along,
and she does love to swim.

maybe it’ll be ground,
and she’ll break all her bones.
then she’ll pick herself up,
keep walking.

what if an abyss is just an abyss?
a pit of nothing,
a pit where you’re falling and you don’t know,
how low you’ll go.

and if you expect wings,
how would you create them on the way down
-no one cares enough to strap them to your back,
because no ones cares.

she knows, it’s all her fault.
you know.

she’s been told she’s everything,
and she wants to be everything.
but her heart is gone.

her appetite is gone,
and the once hungry girl
is left picking at her plate.

Love is eternal
though spirit
may change.

Once you love you always love.
A moment in time is suspended
as past diverges from present,
Love becomes attached in memory.

People may change but memory is immutable
once its sense is set,
Although knowledge and understanding
are not always the fastest of friends.

Don't be afraid of change,
Embrace it, roll with it and
you always come out on top.

I live in the darkest of places,
it is here that I constantly dwell
Some would call it empty,
but to me its name is just hell.

So rare is there anything,
that enters here into my night.
But every so often I am tortured,
by glimpsed reflections of light.

I watch as light approaches,
feel its warmth inside of me.
Giving rise to both dream and hope
and the promise of things that might be.

I watch as light passes,
and bathe in its radiant shine.
Thoughts voiced by madness,
I look to the light for a sign.

As it draws nearer to my existence,
and knowing what I need it to be.
The light always unerringly diverges,
I now aware the light just didn't seek me.

I sit and remember the lights,
here in my own black little shell,
I look all about me at darkness,
knowing that light wont ever want hell.

Time and time again
I find myself
At the threshold,
Where life diverges into a million different outcomes.
Yet, time and time again
They make me doubt
And forget who I am.

As our hearts entwine in each other
Sort of like two rivers
Flowing in tangent
dancing around obstacles left and right
Perfectly mirroring the others shape and speed
I set my eyes on you
And none other

I dream of us on a hill
Laying down
Our ears touching
Hearts beating
Watching the figures in the clouds
You see the shape of a baby
I see you laying there
Looking cuter than ever
You see me watching you
I stand up  and get down on one knee
You see the ring
I see your face as you start crying
That ring of gold
With a shiny diamond
I ask
"Will you marry me?"
You scream with joy
And kiss your boy
Tears from on your face
You can't stop saying yes
I wipe away your tears
You pin me to the ground
We kiss longer than ever before
Before we know it it's night
And we decide to head in

A few months later
You're walking down the aisle
I almost start crying
For you are more beautiful
More beautiful than ever before
You seem to shimmer
Your white dress
Makes you glow
When you reach me
The pastor says the words
We finally get to say it for real
"I do."
We say in unison
He says
"You may kiss the bride"
I go to kiss you but stop...
I sweep you off your feet
Kiss you and off we go
Off we go to party
Our rivers have finally fully joined
And we begin living  together as one

A year goes by
Its Christmas
you give me a small box
Its in my stocking
I open it and almost faint
Here is a little bar in the box
With two vertical lines
You hug/kiss me
And say merry Christmas
"You're a father"

Nine months later
Another river diverges with ours
It's a small child
A boy
Every time I hold him
Care for him
You stand there smiling
Tears forming in your eyes
You are amazed
At how awesome I am with him
It's a new chapter
Of our lives together

A few years past
One more river has joined our stream
We have a family of four
Our lives flow on
Our love endures
Like a river in time
We may keep carving our path
But our stream continues
And it will continue for the rest of eternity

It’s been a while,
I barely remembered your name.
But how could I forget
The curves of your face

We shot for the stars
And then aimed for mars
But ended up
In two for twelve bars.

Press replay on my broken heart
the starting blocks were just a false start
And even if I lose my throne
I’ll still have the memories we own.

Regardless, there’s always
Something on the radio
That makes me think of you
and diverges the sadness in me

And I don’t care if this moment is our last.
For if it is
Everything I’ll ever do will be past.
I won’t be there for the last laugh

Press replay on my broken heart.
Wind back the tape but don’t you warp my record
leave me melting, frightened in the winter heat.

Self focus and hibernate to chase the dream away
"Such narcissistic cynicism laid to rest on a TV dinner tray"
Alright, smart ****.
Your entire personality is a farce.

They hate the now. But hate the past even more!
Stick it to the man! But they’ll still clean his floor
I miss the crowd
I miss the bliss
I never thought it would come to this

She chooses to live
a life of style ,
A life where her story
Will be told using stanza
Rhyme and conclude in verse.

A story which will be
 Written using metaphor and
Simile to illustrate her 
Personification as an elegant
beautiful creature

 She chooses to be poetic,
Ironically she was still prosaic
Every day of her life
Trying to fake it
 till she makes it

She wanted to take the Road that is less travel
The road that diverges
Into two different paths
She took the prosaic
But walk the poetic

I'm not a poet... just a blah-blah machine... intellectual stuttering does involve: searching for... the best choice of words: which do not necessarily add, toward a nomination of intellectual girth... delayed stature... a Pole, like Jew, is more himself in exile, than with a stubborn claim of "origin", or rather, past... a people who have truly understood themselves, among themselves, are the ones without a heritage of a land... which is an ultra-form of democracy: the people have already spoken... the people, having no obligation for: a people... have no necessity for: a land... the Germans are infants in this line of argument, given: der VOLK... 2nd nomadic participation of a secularised people are the Poles... least because the most vocal among the throng of Lithuanians, Estonians and Latvians... grind teeth and say Crimea is not Ukrainian... where land and people are synonymous, in development.

it's sometimes hard to envision the democratised voice as not being either: too personally "impractical", or too "impersonally" practical; of which, politicians fall into the latter category... hence democrscy's shadow dictator, known as the status quo... mind you... even Sisyphus wasn't allocated the task of moving an unmoveable stone... that being said, i feel no need to bask in some intellectual tectonic shift observation, as this is, quite simply, the most unnecessary allocation of words that, needless to say, are said, without encompassing a motivation for any subsequent dynamo expression... lazily rolling a cigarette as precursor, and... a serpentine of rattling skeletons like playing a magician's, xylophone.

       a cold shot of 100ml of żołądkowa gorzka, followed by a rolled sweet Virginia tobacco cigarette... and a walk in a park... high spring scents... and that perfect companion readied for mirror and introversion: there are two, shadow at my most nihilistic, and "loneliness"... at my zenith, which is a gratitude, resembling the closest excavation of the truth bound to carpe diem: a sunset... was it ever going to be a day worth
completing?

     the conundrum of a stiff 5am wake up call,
   some would call it, a stretch of the imagination
to craft a pivot on, that might realise a continuum...
    closer to the heart an empty stomach,
than a claustrophobic mind...
    for once in my life I imagine people
who find thinking unbearable,
   trying to measure their ails in the ethereal,
dissecting the mind entwined with
the soul, or what some would argue is
the sigma of the mechanisation of
the body... nibbling at love from
the unconscious rhythm of the heart,
prodding at desynchronised patterns,
aches of loving bound to
a scaffold without an executioner:
other than oneself...
      perpetually seeking a biography
spanning but two weeks,
    of Nabokov's counter-lollipop-16
frizz in goosebumps...
     my... am I so sterile as to dream-up
a cougar on a leash?!
                 porcelain beauty
before the altar of a bull and
the infuriating moorish -sculinity...
porcelain youth,
    hybrid came the minotaur...
somehow archetypes are stiff
as the introduction of the god
Solipssus into the parthenon...

   un-*******-believable:
    Fraiser's concept of self
some greenish 'reesh 'nome -
  can we do away with the surd letters?
there aren't that many after all,
given the english are famously
tingue-numb vowel impersonating
consonant "grievers' wounds"...
        'ockney 'acking 'ockney,
and some dame off her frrrrr'ah
  ick'ing         'ockers!
       hmm.... súm!
     anything to get past
old riveriera, *** Sinatra...  
   *** martini super dry with
a dupper-uber wet:
    snout of a mole in the caverns of
finding false teeth and
dangling ding-**** virginity...

in a brothel 'ardly the cherry picker...
if you've never been...
   you've never been,
                  and s much can be said
about that...
       what do you call an Arabian
leech?
        a minor European with a taste
for Bulgarian seconds...
   but of course, that white....
  dress is because we all took to
replica monogamy of certain animals
seriously...
          but that weight of
a ring finger,
     has me itching for the down-trodden
being mawled in my mouth
to later constitute pet food,
   almost seems familiar,
but not quiet,
    came those seeking fire and
were vigour prone,
came the necromancer and
tried to raise the dead,
before the living priesthood
began talking with the lead tongue
of mammon...

     the ones who do not monetary
authenticity in the following coins:
a pence, a two pence, ten, twenty,
fifty... perhaps a quid...
     a snippet of royal metal...
   why wham! and not aha!
                               ?
too much, eureka connotations?
bewildering, like 500ml bottle of *****
in Poland, and 25ml "shots" in England...
**** first of puke blood prior to
taking a ****?
        dunno! hence the tycoon
bonanza!
   a bit like asking a pirate parrot
for a quote only by pulling out
one of its feathers... to get the...
    mechanical parts: geared up to
Cucklington.... and that is by no means
a place i can associate, either drunk,
or sober.

   how the hell do people even find
the diem or the motive behind it,
to craft the sort of "1 + 1 = 2"
   momentum, that becomes carpe diem?!
I heard some say (well, I thought it
through):
     dzień ma zbyt wield małych "trosk" - - - - -
(wyroków by zważać na innych...
       tzn. rz pirdole skolną
    ortografie bez autobiograficznego
  zaparcia na: NEIN!
  szambo szfedzkie...
     wiwat!
                 F to finał...
  nad machaną rę(n)ką...
   czyli, tyczy to:
       wodą... e e e! goń ty sam
zza gównem...
                 pierdolonym Soviet
ma tylko bjet...
     bjet... ubogi nasz pan...
       twinie!
                     maciuk jet harciuk!
ble na nowo (Ь)
     i ble na start (Ъ)
                       to mi... kurwa... nowina!
- - - - - - - - - - - -
   (I lost the sense of paragraph
and punctuation)
       the world already knows
of those who shoved carpe diem
down the ***** of public figures,
and lived out
the motto of: carpe tutti...

  better english with none,
than Russian with.... pseudo
impressionism of diacritical marks
beside the geometrical
revisionists of the blank canvas...
    thing...
        nice post-Greek lettering,
shame about
the lack of... finesse...
           when teasing the third tier
of lieracy,
   spelling, grammar ****,
     punctuation, breathing ****,
and diacritical distinction:
**** thappy toad zee gwafrifrifritee!
B7LVARK...

         there is nothing grammatical
about spelling...
             there is simply an aesthetic
involved...
          an "orthography"...
minus the "grammar" Nazis comes...
   the people that say:
   I really don't see why literacy is a
necessary benchmark of education
for the sort of jobs,
    that really require nothing more
than consumer supervision of:
the minimum literacy of
reading advertisements...
         what else?
    if people are sour about an aesthetic
of the written word...
without concern for punctuation...
let alone diacritical application...

PEOPLE ARE SEMI-LITERATE...
     if grammar "nazis" exist,
then people are semi-literate...
   they equate thinking with speaking...
and then file "complaints"...
   as to how their thinking
diverges from speaking
because of sophistry,
    and how talking doesn't integrate
itself back into thinking
because of philosophy.

filozofia: zapał, i - las ~ zapałek.

I've seen carpe diem exhausted
on the shoulders of the routines
of retirees;
    better the life akin to the thrills
of a doormouse,
  or an intellectual,
than some, mythical Taj Mahal of
orgams, reduced,
   into a pale lighthouse insignia
of violent purple, namely black,
masquerading white,
in a sober, en masse, funeral yawn
grey.

   this can only become a "difficult"
reading, something that always seems
to excavate: primo uno...
     and nein auf omega...
   not as an insult this... "thing"
concerning a semi-literate people,
just concerning the people:
who have been taught to read
in order to "read enough"...
   and how much of that is focused
on punctuation?

       tilde contra macron.
just an idea of fathoming pause,
and the comma, ' from above...
     e.g.
                  czas ~ na mosty
   sound slightly different to
    czas - na mosty...

       in no defence and with no concern
for a rubric of populism,
   the half-forgotten:
  neue-punctuation: Saß...
              given the Oxford compound
of the attempt to break (-) away from
using shrapnel...

hence by "arrogant" claim concerning
the literacy of the genral populace...
these come as minor observations with
minor impetus being guaranteed
of populist dent...
          flimsy ******* gay
oops-e-daisy patchwork Adams sort
of reminders to begin a tomorrow
as brimming on: "resolve"...
   and above all: impetus!

      the men should join the army...
Bratislava quarter limbed voters
and the crab eating fetish
reaching its penultimate lap...
for some reason,
I haven't been given the Darwinian
drive,
   somehow lost with
the remainder of my inheritance,
ha ha! slumped into
a canvas remindful of a:
cinemagoers' jerking off screenplay.

Miriam wept.
as she gave birth
to her first born son
in the great room
of her parents windowless house
because there was no space
for her in their guest room.

Miriam wept
amidst the smell of
animals lulling in the stables,
the stench of blood and life,
pouring from her womb
in circles of pain, joy
and the fear of death.

Miriam wept
as she swaddled him
in the bands of linen
the midwife gifted her,
now their only rich thing,
and wept again
in the soothing waters of the Mikvah

Miriam wept
remembering the small voice
that had once whispered
inside her with a thousand hallelujahs
and the acclaim of a heaven of angels
proclaiming him the redeemer.

Miriam wept
unaware of the indifferent
shepherds tending their
flock in the sweltering night,
watching the convergence
of Jupiter and Venus
blessing the heavens
all the way to Persia.

And knowing that Miriam
treasured up all these things
and pondered them in her heart-
Jesus wept-
openly on the cross
in full view of her.

This poem is a more realistic and historically accurate version of what the nativity story was really like. As such it diverges substantially from the accounts of Luke and Mark found in the New Testament.

Orange
reflecting
channel
markers

making
passage
one way
and

dependent
on men
to wave us
on

and yet this
is where
the road
diverges

literal
and symbolic
is
the fork

it's hot today
so right now
well travelled
looks pretty good

to me
so so sorry
frost
and W.D.

1) Be very broad-minded. Take the Broad Road.
(It is paved with good intentions and says Fool’s Gold, can’t miss it)

2) When you see the signs for salvation, declare loudly that you are tolerant and loving and that sin is an outmoded relic of patriarchal religion.

3) Follow the virtue-signals away from the true light towards your own sinful conceit.

4) Deny absolute truth when you get to Philosophy and take the exit toward Esthetics.

5) Stay on the path of least resistance. Celebrate ANYTHING except the God of Scripture.

6) When the road diverges, revile the nationalist R., along with tradition.
Hatefully label your fellow citizens as Racist Nazis until you merge onto Interfaith 666 at Hypocrisyville.

7) Turn repeatedly L. while flattering  yourself that you are progressive and enlightened.

8) Follow the exact same agenda and antichrist values as that of trans-national corporations while telling yourself you are a bold free-thinker “resisting fascism”.

9) Follow the bumper-stickers of the tenured professor in front of you for 59 miles.

10) Your destination is on the Left, but there’s still time to change the road you’re on
(if the Led Zeppelin song ends and you see the people leaving church as reactionary rubes, you have gone too far.)



Approx. time to arrive in Hell = 1 lifetime

Where the winding path
diverges, and splits into two
where the wounds and
scars open up in blinding
black and iridescent blue

this is the space
where light
comes through