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"discolored" poems
Why Men Cry in the Bathroom For so many reasons. I will tell you the why. I think you know, Or perhaps, you think you know. Men are always O.K., Even when not. We expect the worse, Accept the worse, Nonetheless, We are forever unprepared. Wearily, we cry, In the bathroom, in private, Lest sighs slip by, We be unmasked, Early warring, strife signs warning. Copious, tho we weep Before the mirror confessor, It is relief untethered, Unbinding of the feet, An uncounting Of beaded rosaries, Of freshly fallen hail stones, Of night times terrors By dawn's early edition's light, and welcomed. But look for the mute tear, The eye-cornered drop, *** tat, that never drops, But never ceases formation and Reforming, over and over again, In a state of perpetuity of reconstitution, *The tippy tear of an iceberg revealing, And I see you peeping, wondering, What is beneath* Look for: the torn worm-eaten edges of spirit, thrift shop bought, extra worn, grieving lines neath the eyes, where the salt has evaporated, discolored the skin. worry lines, under and above, browed mapped, furrowed boundaries. the laugh line saga, where better days are stored, recalled, as well as recanted, publicly, privately. Why just men? I don't know, Perhaps, it is all I know. end.<nml> Jan 6, 2013
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Jun 22, 2013
Jun 22, 2013 at 10:46 AM UTC
Do You Know Why Men Cry in the Bathroom? (2013, can u believe it)
Dusk. I won't paint you another sunset, another beautiful striped sea; no, not today. Picture instead a smooth discolored surface on which a firmly gripped stone was roughly ground, causing a painful chalky screech; the misemployed rock left vague yellow scars and lavender bruises on the horizon; the sun cowers behind them fearfully, distraught by the undue violence; this is the sunset I experienced at your fragrant side, and wondered - not unlike that astre - what could possibly justify the yellow, spectral scars in my heart, the bright, undue violence brought upon my pride, and the slighted sunset in my soul. This is Dusk.
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May 4, 2015
May 4, 2015 at 9:05 PM UTC
Sonnet at Dusk
I’ve grown tired of this suit. I don't like wearing it anymore. It’s not what it once was. It’s a constant burden to me. It’s discolored, faded, and worn thin, especially around the knees.   It’s marred with tears and stains. It embarrasses me. It itches. It’s suffocating. It’s downright ugly. I no longer feel comfortable in it. I haven’t for decades. I’ve taken it to the best cleaners, the best tailors that money can buy, but it's still a tattered mess beyond repair. People say I look good in it, that it’s me, it's who I am,  don’t be so self conscious. But what do they know? They're not the ones who wear it all the time. I ******* do, ******* it. Maybe there’s some hidden truth in all of this that I’ve been bypassing all along? I don’t have the patience and tolerance to keep wearing it. The long-avoided decision to rid myself of my suit finally catches up with me. I’m not timid, not scared, not anxious - just relieved. Excited. Ready to undress. There’s a fresh, clean robe waiting for me, hanging from the mantle at the bottom of the stairs. I prepare myself for facing the uncertainty. So, here I go. I undress. It takes a matter of seconds before I rid myself of the suit. I stand naked, towering over the folded mess.   I think to myself, that wasn’t so bad after all… Just like anything in life, it’s the anticipation that cripples us.  Remember that. I lower my head and stare only for a few moments at my ***** mangy suit. Nothing at all, no remorse, no guilt – only liberation.  I receive the peace that has softly spoken to me in my dreams, through music, by feeding ducks and listening to the early morning birds.  They usually have the first thing to say, and it’s the most beautiful message one will ever hear.     I place my robe over my naked body and start walking up the worn, creaky stairs. Distant laughter and muffled conversations travel down to me as I climb higher towards the thick, ornate door. The voices are familiar.   I push open the door, welcomed by the faces that have been gone for far too long.
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Apr 27, 2014
Apr 27, 2014 at 9:54 PM UTC
My Old Suit
I’ve grown tired of this suit. I don't like wearing it anymore. It’s not what it once was. It’s a constant burden to me. It’s discolored, faded, and worn thin, especially around the knees.   It’s marred with tears and stains. It embarrasses me. It itches. It’s suffocating. It’s downright ugly. I no longer feel comfortable in it. I haven’t for decades. I’ve taken it to the best cleaners, the best tailors that money can buy, but it's still a tattered mess beyond repair. People say I look good in it, that it’s me, it's who I am,  don’t be so self conscious. But what do they know? They're not the ones who wear it all the time. I ******* do, ******* it. Maybe there’s some hidden truth in all of this that I’ve been bypassing all along? I don’t have the patience and tolerance to keep wearing it. The long-avoided decision to rid myself of my suit finally catches up with me. I’m not timid, not scared, not anxious - just relieved. Excited. Ready to undress. There’s a fresh, clean robe waiting for me, hanging from the mantle at the bottom of the stairs. I prepare myself for facing the uncertainty. So, here I go. I undress. It takes a matter of seconds before I rid myself of the suit. I stand naked, towering over the folded mess.   I think to myself, that wasn’t so bad after all… Just like anything in life, it’s the anticipation that cripples us.  Remember that. I lower my head and stare only for a few moments at my ***** mangy suit. Nothing at all, no remorse, no guilt – only liberation.  I receive the peace that has softly spoken to me in my dreams, through music, by feeding ducks and listening to the early morning birds.  They usually have the first thing to say, and it’s the most beautiful message one will ever hear.     I place my robe over my naked body and start walking up the worn, creaky stairs. Distant laughter and muffled conversations travel down to me as I climb higher towards the thick, ornate door. The voices are familiar.   I push open the door, welcomed by the faces that have been gone for far too long.
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33
Save for the yellow ring framing his pupils he has the bluest eyes Wrinkles that date back to 15 but at 27 they've never been so defined The smile he gives, he gives it away like it is nothing He smiles at everyone even though he knows his smile is busted Twice lost and held together with a metal post one discolored tooth is proof that he can fight and win if hurt by someone too close He sees monsters in mirrors and makes mountains out of his fear He was barely even 12 when he first asked "why am I here?" He knows everything is in his head but the noise is loud and always there He's scared to get too close to anything and worries it comes off like he doesn't care They say he is handsome, intelligent and kind but he has no idea why They're looking at me but never make it past my eyes Most people only see sunflowers in a blue sky
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Nov 18, 2013
Nov 18, 2013 at 3:43 PM UTC
sunflowers in a blue sky
it became a perpetual motion a dance someone hands the card, another lights the amount of aching discolored grazed fingers was immense put your finger on the flint wheel press it down karen thought we should make a sign the scrambles of bruised fingers for a piece of cardboard my fingers throbbed as i scratched our message on the board i kept the pink flower locked in the crease of my hand and threw them in air “draft card burning here” it was 7 00 in the morning october 21 1967 i was only 17 my brother jeffrey was flying a plane over dien bien phu a friend richard was screaming in the trenches of xuan loc a lover michael treading through a swamp in mui bai **** i stepped up to The Police. The. Men. In. Suits. Stared. At. Me Blank. Faces. And. No. Expression. I picked up my Pink Daisy, and brought it up to their bayonets this is for Jeffrey, for Richard, and for Michael the men in suits stared at me in a world of chaos and confusion all I heard was Silence.
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Oct 22, 2014
Oct 22, 2014 at 2:09 PM UTC
for the 882,000
The glassy clear water does not know. But it will soon no longer be so pure. My brush is running out of time. I must finish the stroke of color. The task of keeping the color alive is difficult. The color once as vivid as the sun, is now of an older paper. The fading of yellow. The color once as rich as the most palatable grape, is now of a sickly bellflower. The fading of purple. The color once as alive as the fish in the pond, is now of a dwindling flame. The fading of orange. The color once as striking as the sky, is now of a mountain with no wanders upon it. The fading of blue. The color once as atrocious as the fresh blood from a crying girls arms, is now the discolored water she lay in. The fading of red. The colors start as beautiful possibilities. Yet we always dip our brushes back in the pure water to redeem our admired colors. The fading of colors is the not the fading of excitement. It is the fading of accustomed standards. The sun wanted change of scenery. The grape longed to be big. The fish desired to view others. The sky aspired to change with the sun. The girl begged for relief, she begged for the standards the fade. The fading of colors.
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Jan 26, 2018
Jan 26, 2018 at 10:08 AM UTC
The Fading of Colors.
Sometime after mid night, it had rained Putting out summer’s sultry heat The sky had its face washed clean And wiped the grime off Earth’s soiled feet The dawn is quietly breaking Night lights still glimmer here and there The blue firmament remains cloudless And cool is the mild blowing air The sleeping town is slowly waking up And at this transitional point I look out into the street To see a sight that shall never disappoint Along the road moves one, ragged and withered His discolored white hair left unkempt With hunch back and drooping shoulders The marks Time has left of the hard years spent Though age has drained his life sap away He has a firm resolve never to beg His frail body supported on a stick Serves as a veritable third leg With his staff, he perseveringly stirs Every heap of abandoned ******* Indiscriminately piled on either side of the road Hunting for trinkets lying hidden in the trash A rag picker with a sack on his back Picking up today’s treasure From yesterday’s discarded trash Things, for him ‘priceless’ beyond measure With complaints none He faces life and its trials Never losing the glitter in his eyes Though a loner in life’s dark isles I ask myself, why every day I routinely look for this man who limps along And I get a quick answer ‘He helps you turn your sobs into a song’
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May 12, 2016
May 12, 2016 at 6:33 AM UTC
A Rag Picker
You can see slightly through the discolored leaves That so lazily blow With the wind Flowing slowly behind   Encouraging them to break Supporting them to make The sound that they do. I wonder if you hear it too From far faraway hidden to most. The sound that they have given Echoes past where is safe, Past where is hidden. And a girl with curls Falling down her back And eyes wide open Hears the rustling once again One that she’s swore she’s Heard sometime before It’s a quiet continuous rumble A soft and welcoming mumble. I appreciate the brief glance Into the other side that I was allowed Though rarely thanked In the out loud. A whisper signals an ending. Bring forth a closure of sorts. I resolve to bid farewell To my place amongst this wonder.
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Jun 29, 2018
Jun 29, 2018 at 4:29 AM UTC
Amongst the Trees
The old man gazed at the sun about to set And its molten core soon to dissolve in the sea Scratching his head with tremulous hands And running his fingers on the stubble of his unshaven face He held once more tight to his wheel chair Casually he had a glance at his hands Those dry, weak and shriveled hands Gone wrinkled with passing years! His hands once so busy are now limp His days once so brisk are now long and dull He noticed the discolored patches on his skin Under them the lattice of tortuous veins on the dorsum They run down to join with the bigger ones Like small rivulets flowing towards larger rivers He remembered how the streams from summits So vigorously come down with a gush Also the noisy cataracts somersaulting down, Leaving reverberating echoes all around But they produce only a soft musical sound As they join with the rivers and pass through plains And finally end in a kind of hushed stillness Just before merging with the sea! The old man philosophized; Life too, is like a river Fierce and ferocious when one is young Gentler and sedate after middle age And slow and sloppy in old age With this calm acceptance of the need to de accelerate Wrapping himself in the shawl against the growing cold He turned away from the window. Pushing his wheel chair, He moved forward, Knowing no haste….. Towards his bed for another night’s tired sleep!
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Feb 1, 2017
Feb 1, 2017 at 7:27 AM UTC
On a Wheelchair
**The heart, full of hatred Hardened with tarred emotions It does not beat with rhythm of Love Discolored beyond recognition Pumping thick fluid of crass Across all veins in the body Paralyzing the mind and the limbs Finally, hatred suffocates Unable to breathe the fresh hope As the body is full of vicious hatred Asphyxiating the last breath of hope To revive the chances of Love again Hatred wins, and the soul, succumbs** © Amitav (Radiance)
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May 22, 2014
May 22, 2014 at 4:52 AM UTC
Hatred
Moths—they are nearly all comprised of the same tender characteristics: empty colors that've somehow been ****** away like the nectar they digest, fuzzy abdomens that crumble within the softest pinch, and powder encrusted wingspans that fray with countless beatings from the wind. I have come to recognize that there are people like Her who dwindle within themselves among all of us, unheard; enthralled by color that doesn't exist to the naked eye, but rather to an imaginative mind and a battered soul. She is The Moth Girl and she, too is the epitome of simpler things. With Her fair skin and enchanting, grey eyes that **** you in with a single glance; lips so chapped and brittle that they're nearly as drained of pigment as the rest of her. I've decided that She is the reason oblivion hasn't doomed us all and obliterated our world to dust. I've imagined Her as oblivion itself, annihilating other galaxies and collecting the discolored soot from each explosion to sift it over the wings of every moth that has ever been criticized. With this, I have concluded that every moth must be a victim. ⠀ But, if given the chance, would they transfigure? ⠀ I've undergone the thrill of witnessing these moths revolutionize into harlequin humming birds that thrive at Her will. Wings that were once littered with dust are now far too rapid and swift for manifestation. The Moth Girl — She remains a flower of a woman, though now She is sprouting with petals that burst with color; filled with nectar sweeter than She. They are all rich with vibrancy. ⠀ With it, they have concluded that it's not much different being evocative. ⠀ After everything, I have decided that they were blooming with color all along, and it was the rest of us that simply couldn't see it.
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Jan 30, 2017
Jan 30, 2017 at 3:48 PM UTC
The Moth Girl.
Moths—they are nearly all comprised of the same tender characteristics: empty colors that've somehow been ****** away like the nectar they digest, fuzzy abdomens that crumble within the softest pinch, and powder encrusted wingspans that fray with countless beatings from the wind. I have come to recognize that there are people like Her who dwindle within themselves among all of us, unheard; enthralled by color that doesn't exist to the naked eye, but rather to an imaginative mind and a battered soul. She is The Moth Girl and she, too is the epitome of simpler things. With Her fair skin and enchanting, grey eyes that **** you in with a single glance; lips so chapped and brittle that they're nearly as drained of pigment as the rest of her. I've decided that She is the reason oblivion hasn't doomed us all and obliterated our world to dust. I've imagined Her as oblivion itself, annihilating other galaxies and collecting the discolored soot from each explosion to sift it over the wings of every moth that has ever been criticized. With this, I have concluded that every moth must be a victim. ⠀ But, if given the chance, would they transfigure? ⠀ I've undergone the thrill of witnessing these moths revolutionize into harlequin humming birds that thrive at Her will. Wings that were once littered with dust are now far too rapid and swift for manifestation. The Moth Girl — She remains a flower of a woman, though now She is sprouting with petals that burst with color; filled with nectar sweeter than She. They are all rich with vibrancy. ⠀ With it, they have concluded that it's not much different being evocative. ⠀ After everything, I have decided that they were blooming with color all along, and it was the rest of us that simply couldn't see it.
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9
Note to stranger: Don't let her long eyelashes fool you Stemming off from eyelids filled with promise Pupils composed of green and brown paint Mixed and made permanent by the look on her face when you ask her what love means to her Because to her Love is an antique promise Tic Tac Toed into her shoulder blades Another lost game Lonely is made apparent by the reveal of her hipbones Sticking out from the belt loops on the waistband of her dreams Her clothes become looser She is welcomed by friends to parties that she refuses to go to Because even in a room of people The only emotion she is capable of feeling REALLY feeling Is lonely And you may argue that lonely is not an emotion But a state of being But when she truly feels it Lonely becomes both Discolored tulips growing for a flowerpot of unfertilized dirt Masked by a smile that could fool anyone Even her own father Sometimes even herself Mascara stained floor tile Quick change scenes Equivalent to her multiple personalities Sad happy sad happy Sad... She is capable of being both sad and happy She is introverted AND extroverted She is 5 million different people Sometimes wishing she could narrow herself down to just one She is ME
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Dec 9, 2014
Dec 9, 2014 at 6:21 PM UTC
She
This is what I want A little house with an a frame top And giant colored strands of lights in every window With a huge tree , too big most definitely for the room And a ridiculous mixture of old and new just covering the walls I want wallpaper Peeling from the walls As though it almost hurts it to remain stuck on so hard And I want it so be intricately ugly and old an’ discolored In a cozy way I want to live on a street of little houses With potluck suppers Small gardens that are improperly tended Maybe with some oregano spread throughout I want a little cozy life With a tall cozy boy We can pick our oregano and our turnips Cook us a stew Peel the onions Like the wallpaper from our little walls I want a Polaroid camera So I can take instant pictures that I cannot regret That I can keep in a tin beneath my bed Forever they will stay etched I want to ride trains everywhere Sitting in my seat Glaring out at the window at the little houses With A-frame tops Yellowing lights Covered in that glinting snow Today the snowflakes looked like real flakes Like the ones you cut out of paper And hang on the wall of your dorm To cover up the stains and cracks In the yellowing paint As is peels from the wall Like my dream wallpaper The wind in Buffalo makes me cry From my right eye My wrong one just sits and wonders “What makes the right one so weak? It is just a little storm, Why can’t the right ones just hang in there? Without drowning us in their sorrows…
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Mar 6, 2010
Mar 6, 2010 at 7:47 AM UTC
This is What I Want
the house was painted a soft hue. an old tobacco trap; discolored white where pictures once hung. in the kitchen, grease stains, faded bluebird wallpaper — long since ceased it's song, and one cast-iron skillet off to the side. pale and forgotten, the fine china shrieks! my barefoot innocence is lost as the cold-colored porcelain eats at the floor. sometimes when I lay there covered in turpentine, stars usually topple out of the cabinet, and my gas stove aspirations are botched. the sink drain moans with the silent invectives of an impure saint… her rosary still atop the mantle. just outside, a stone angel that smells of lilies, — savagely eats rosebuds over an autumn bonfire. from time to time her face is one of lament… it follows me from room to room, and my hands shake for hours while holding little antique figurines in a basket full of milkweed… they’d tuck at the curtain, their little music box voices complain about her eyes... they'd scurry up the ivy on the side of the house to avoid her disappointed glance… there was a sad wingbeat as I stepped out on the balcony to collect them one last time.
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Jul 11, 2015
Jul 11, 2015 at 8:51 AM UTC
There's a Broken God in my Head
The age, when they are supposed to play with toys Picking up the broken & trashes for others, these Garbage boys In the piles of disposed plastic chocked their story sentimental The boys, dusty body so frail & gentle Wrapped in clothes, tattered torn, dull & discolored like them Surviving against the rules of Darwin Too starved & malnutritioned & no one cares Only the open sky & thrown food, they share In the chaos of every city they have to find a place to sleep They collect the things, what people call waste & cheap No parents, no future, just the harsh life on the road side Living in their small world unaware with pride Shiny cars & luxury clothes, sparks their eyes Telling that they have dreams, But Their memories full of hate, insult & razed Which are permanent & can't be erased Unexpected rains, deadly cold & sweaty summers Not every one of them end up like a Kite Runner When people sleep comfortably in their sweet home They stand there with the fainted & blurred shadow alone
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Dec 30, 2014
Dec 30, 2014 at 2:08 PM UTC
The Garbage boys
7:06 bringing a new weight to the words "high and dry," she crushes ten 0.5 milligram pills of xanax with the **** end of a spoon, puts half of it up her nose, mixes the rest into a bottle of water along with a koolaid packet. 8:47 bringing a new weight to the words "high and dry," she pulls three more pills from an empty lipstick tube in her bag, chases them with her koolaid xanax cocktail and checks her email: for every day that she doesn't change her underwear, she makes twenty dollars, [email protected] tells her. 9:32 bringing a new weight to the words "high and dry," she snorts three more fat discolored lines in a public bathroom with her best friend. her friend crushed the pills with a pen that clicked every time she pressed down; breathe in fast and hold your ******* breath. 10:15 bringing a new weight to the words "high and dry," she takes her last pill of the day. today has cost her at least thirty dollars as she makes a career out of killing herself.
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Dec 4, 2015
Dec 4, 2015 at 10:13 AM UTC
xanax nationale
Shocking ends, and brand new lies, sit behind, covered eyes. Little tips, and discolored lips, strangely there, in a discreet air. Ticking clocks, and mismatched socks, unique ideas, wrapped in tears. Shaking hands, and disheveled strands, of long thin hair, you're without an heir. Strangled air, and you're without a care, that this lack of support, is all you'll report. And when you die, you'll hear a lullaby, of when lives tend, to reach a shocking end.
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Feb 22, 2013
Feb 22, 2013 at 11:14 AM UTC
Shocking Ends
My Night with Art Garfunkel some years back wrote a poem titled My Night with Paul Simon,^ so it seems that in time, this his companion’s piece would find me, reaching its own due date, the timing right, indeed, perceived, by the muses that this one, the poet who cannot sing, needs urgently another soft poet’s voice, to come to me at night, and so it came to pass last night a regaler, the teller of tales, both of us looking admiringly upon what was our youthful appearance that only we see in a vintage Murano mirror the where the why, no matter, just two NYC boys in their declining years reminiscing about growing up in Queens, telling tales with no need for exaggeration, too old for that, for old men lying is always sadder than sad and the truthful stories are not stories, but harmonies the voices are worn soft, the worse for wear, and the velveteen is two shaded where usage has reduced the weave, and sunlight has discolored but not discouraged the aging agents we exchange verses, the swapping of our ****** fluids, I do not share my prior pope paul adventure, a separate but now equalized recording he signs his new book for me, full of reminisce and new verses and I am thinking Art for art’s sake, or art for Art’s sake or both wistful higher and higher notes that can longer be reached of no consequence, for the body is the work and the work is from the body let’s take a selfie I ask, but a polite demurral hints of better a preference remembrance of things the way they were, in the past, but I snap a quick photo and it resides on a Facebook entry, unless the muses deleted it without telling me (which they do quite frequently, hoarding the best I made all for their elusives elfish selfish-selves)^^ Dec 5, 2017 10:20pm <•> ^ https://hellopoetry.com/poem/387251/my-night-with-paul-simon/ June 2013 ^^ https://hellopoetry.com/poem/747333/the-elusives/ June 2014
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Jan 13, 2018
Jan 13, 2018 at 5:19 AM UTC
My Night with Art Garfunkel (a true story)
My Night with Art Garfunkel some years back wrote a poem titled My Night with Paul Simon,^ so it seems that in time, this his companion’s piece would find me, reaching its own due date, the timing right, indeed, perceived, by the muses that this one, the poet who cannot sing, needs urgently another soft poet’s voice, to come to me at night, and so it came to pass last night a regaler, the teller of tales, both of us looking admiringly upon what was our youthful appearance that only we see in a vintage Murano mirror the where the why, no matter, just two NYC boys in their declining years reminiscing about growing up in Queens, telling tales with no need for exaggeration, too old for that, for old men lying is always sadder than sad and the truthful stories are not stories, but harmonies the voices are worn soft, the worse for wear, and the velveteen is two shaded where usage has reduced the weave, and sunlight has discolored but not discouraged the aging agents we exchange verses, the swapping of our ****** fluids, I do not share my prior pope paul adventure, a separate but now equalized recording he signs his new book for me, full of reminisce and new verses and I am thinking Art for art’s sake, or art for Art’s sake or both wistful higher and higher notes that can longer be reached of no consequence, for the body is the work and the work is from the body let’s take a selfie I ask, but a polite demurral hints of better a preference remembrance of things the way they were, in the past, but I snap a quick photo and it resides on a Facebook entry, unless the muses deleted it without telling me (which they do quite frequently, hoarding the best I made all for their elusives elfish selfish-selves)^^ Dec 5, 2017 10:20pm <•> ^ https://hellopoetry.com/poem/387251/my-night-with-paul-simon/ June 2013 ^^ https://hellopoetry.com/poem/747333/the-elusives/ June 2014
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39
~for you, girl~ words have definitions; shades; moods, even within the contextual moment, the coloration sometimes is discolored, one person frantic is another’s normal passing fancy insanity quiet overwrought silliness frantic is a continuum’s conundrum and oft the hubbub coverhup lends a veneer of urgency importance when knowledge acquisition is iron irony, best when well chewed, quietly considered and consumed with the perspective of addition and subtraction what we know is more than yesterday, and less than what we will one day own, for the only purity of learning is that’s final refining is never ending the artifice of deadlines, gradation vis-a-vis all the rest, is not a distinction  worthy of distinguishing your human value is beyond compare exactly! the greatest of valued adders to the world body of understanding put the race of ego to one side, and so should we all, not be ****** in by the imposition of qualifiers you are quality, and that is the only qualification you will ever acquire and require and in my naïveté I reflect looking back and give you here the free use thereof, of its worth, you will determine but in summary judgement: always keep thinking ridicule is ridiculous but best when applied by oneself to oneself with a *** did I really think:say that?” and laugh out loud at our human foibles, especially our own, with a wry smile, admitting some of things we conjure up in all seriousness are are the funniest things we’ve ever heard
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Dec 5, 2024
Dec 5, 2024 at 11:13 AM UTC
The Frantic Life
~for you, girl~ words have definitions; shades; moods, even within the contextual moment, the coloration sometimes is discolored, one person frantic is another’s normal passing fancy insanity quiet overwrought silliness frantic is a continuum’s conundrum and oft the hubbub coverhup lends a veneer of urgency importance when knowledge acquisition is iron irony, best when well chewed, quietly considered and consumed with the perspective of addition and subtraction what we know is more than yesterday, and less than what we will one day own, for the only purity of learning is that’s final refining is never ending the artifice of deadlines, gradation vis-a-vis all the rest, is not a distinction  worthy of distinguishing your human value is beyond compare exactly! the greatest of valued adders to the world body of understanding put the race of ego to one side, and so should we all, not be ****** in by the imposition of qualifiers you are quality, and that is the only qualification you will ever acquire and require and in my naïveté I reflect looking back and give you here the free use thereof, of its worth, you will determine but in summary judgement: always keep thinking ridicule is ridiculous but best when applied by oneself to oneself with a *** did I really think:say that?” and laugh out loud at our human foibles, especially our own, with a wry smile, admitting some of things we conjure up in all seriousness are are the funniest things we’ve ever heard
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54
On the day you were born, Two Candles were it. They were two very different towers: One just a lump of discolored, black, wax, The other a solid Construction of white. Now it's your first day of school, Two Candles burn. They are still very different towers: One a hill of black wax, The other a Mountain of white. High school rolls along, Two Candles blaze on. They are shifting, changing shapes: One is a small house of blacks and brown, The other is a Mansion of white wax. Your wedding day has arrived, Two Candles shine. They are nearly the same hight: One is a dandelion of black, The other is a Sunflower of white. The day has come to light new candles: Two Candles for a new life. They are with no similarity: A puddle of black, A Waterfall of white. You watch their candles change: Two Candles for your child. They alter: Growing black Shrinking white. And as you watch theirs, you loose track of your own. Two Candles dying. A Tower of black, A mound of white. You're on your death bed. Two Candles flicker Black grows strong with a red flame, white shrinks with a small blue fire. They lower you into Earth. One Candle rages on. Black - strong and tall as ever. white is no longer. They place your Candle With the billions of others. You name engraved in silver. That's what you will be known for: a tower of black wax.
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Jun 15, 2013
Jun 15, 2013 at 9:06 PM UTC
A Burning Flame is a Dying Flame
In the garden, which once bloomed Is left with dry leaves and weeds Unattended by any gardener Shrubs and hedges grown out of proportion Even the walls have been claimed by poison ivy No visitor here, in this forlorn patch Dried and desolated, bereft of all the juice It can’t sustain beauty anymore Reminiscing, its heyday, the bird’s paradise Variety of flowers, thronged by bees Sweetest of nectar have once been tasted The wooden bench, discolored, and weary Once part of the romantic words exchanged Between lovers, and a place to rest For the elderly couples, trying to revive old memories Garden itself is now a part of memory Listening to so many anecdotes, happy or gloomy Yet, the garden, was paradise once Welcoming everyone with open arms Now past its prime, it’s in a dilapidated state Not a soul to tend its broken heart No one will be there, to mourn the loss of paradise
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Jun 8, 2014
Jun 8, 2014 at 7:43 AM UTC
Once a Paradise
I hope you believe me when my I tell you my body is composed of more than a skin and bone frame. My body is a picture book of times stained to me like tattoos of memories unable to be washed off. If you stare closely enough my purple knuckles tell a story of walls caving in on days I can't remember. My fingers are a light shade of skin because they have traced bodies who's pigment fell in love with my hands. My palms are empty from receiving and giving a little more than I should of let go; some things I should of clutched onto for longer. My arms are made of clenched embrace and have a scent of regret laced from wrist to elbow. My shoulders hold individual carvings of finger nails and teeth marks from more than one individual night. My lips are a discolored red from every poison stained mouth in which they've met. My neck is a canvas of rough hands, ropes not tied tight enough and purple stains of affection from those who have lied about loving me, and my eyes have turned grey from staring for too long into the forests and oceans they've met at three in the morning in the caves of unfamiliar faces. So if you happen to walk into my room, don't be alarmed by the smell of apathy. Don't concern yourself about the bottles buried and broken under mounds of clothes that reek of Marlboros. Don't turn the light on, and don't open the curtains. I have lived long enough, my body will tell you the story. But before you read it, please trust me when I say "there is more to me than this."
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Feb 9, 2015
Feb 9, 2015 at 9:48 PM UTC
There's more to me than this
I hope you believe me when my I tell you my body is composed of more than a skin and bone frame. My body is a picture book of times stained to me like tattoos of memories unable to be washed off. If you stare closely enough my purple knuckles tell a story of walls caving in on days I can't remember. My fingers are a light shade of skin because they have traced bodies who's pigment fell in love with my hands. My palms are empty from receiving and giving a little more than I should of let go; some things I should of clutched onto for longer. My arms are made of clenched embrace and have a scent of regret laced from wrist to elbow. My shoulders hold individual carvings of finger nails and teeth marks from more than one individual night. My lips are a discolored red from every poison stained mouth in which they've met. My neck is a canvas of rough hands, ropes not tied tight enough and purple stains of affection from those who have lied about loving me, and my eyes have turned grey from staring for too long into the forests and oceans they've met at three in the morning in the caves of unfamiliar faces. So if you happen to walk into my room, don't be alarmed by the smell of apathy. Don't concern yourself about the bottles buried and broken under mounds of clothes that reek of Marlboros. Don't turn the light on, and don't open the curtains. I have lived long enough, my body will tell you the story. But before you read it, please trust me when I say "there is more to me than this."
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**** stained drainpipe raining pain unexplained sameness expressed in veiny legs egg salad crustacean situationally challenged prophetic procreator bending spoons and your will shill trolls on and on seeking weakness tweeking while twerking discolored molars twinkle baboons *** shiner dines on refined lime mining dimes unwound ground cover lamenting lack of green queen like boy toy bounds across the turnpike exhilarated and misinformed dorm room **** forlorn sounding horn born of jazzy lips quips to the mainstream hipsterism is like a disease complete with rashes and bumpy outbreaks 15 century rake awaits her date and is placed on the stake for a belief in an alternative
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Jun 3, 2014
Jun 3, 2014 at 7:38 PM UTC
poetic rambling