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let’s live suddenly without thinking

under honest trees,
                        a stream
does.the brain of cleverly-crinkling
-water pursues the angry dream
of the shore. By midnight,
                                a moon
scratches the skin of the organised hills

an edged nothing begins to prune

let’s live like the light that kills
and let’s as silence,
                            because Whirl’s after all:
(after me)love,and after you.
I occasionally feel vague how
vague idon’t know tenuous Now-
spears and The Then-arrows making do
our mouths something red,something tall
my mind is
a big hunk of irrevocable nothing which touch and
taste and smell and hearing and sight keep hitting and
chipping with sharp fatal tools
in an agony of sensual chisels i perform squirms of
chrome and execute strides of cobalt
nevertheless i
feel that i cleverly am being altered that i slightly am
becoming something a little different, in fact
myself
Hereupon helpless i utter lilac shrieks and scarlet
bellowings.
Zeeb Jul 2015
Hotrod
Verse I

Wrenches clanging, knuckles banging
A drop of blood the young man spilt
A new part here, and old part… there
A hotrod had been built!
A patchwork, mechanical, quilt

Feeling good.  Head under a raised hood, hands occupied, the job nearing completion.  Sometimes the good feelings would dissipate though, as quickly as they came, as he cursed himself for stripping a bolt, or cursed someone else for selling him the wrong part, or the engineer whose design goals obviously did not consider “remove and replace”.
He cursed the “gorilla” that never heard of a torque-wrench, the glowing particle of **** that popped on to the top of his head as he welded, the metal chip he flushed from his eye, and even himself for the burn he received by impatiently touching something too soon after grinding. 
 He, and his type, cursed a lot, but mostly to their selves as they battled-on with things oily, hot, bolted, welded, and rusty – in cramped spaces. One day it was choice words for an “easy-out” that broke off next to a broken drill bit that had broken off in a broken bolt, that was being drilled for an easy-out. 
  Despite the swearing, the good and special feelings would always return, generally of a magnitude that exceeded the physical pain and mental frustration of the day, by a large margin.  
Certifiably obsessive, the young man continued to toil dutifully, soulfully, occasionally gleefully, sometimes even expertly, in his most loved and familiar place, his sanctuary, laboratory… the family garage.

And tomorrow would be the day.
With hard learned, hard earned expertise and confidence - in this special small place, a supremely happy and excited young man commanded his creation to life.

Threw a toggle, pressed a switch
Woke up the neighbors with that *******

The heart of his machine was a stroked Chevy engine that everyone had just grown sick hearing about.  Even the local machine shop to which the boy nervously entrusted his most prized possession had had enough.  “Sir, I don’t want to seem disrespectful, but from what I’ve read in Hot Rod Magazine, you might be suggesting a clearance too tight for forged pistons…” then it would be something else the next day.  
One must always speak politely to the machinist, and even though he always had, the usual allotment of contradictions and arguments afforded to each customer had long run out – and although the shop owner took a special liking to the boy because, as he liked to say, “he reminds me of me”, well, that man was done too.  But in the end, the mill was dead-on.  Of course from the start, the shop knew it would be; that’s almost always the case; it’s how they stay in business - simply doing good work.  Bad shops fall out quickly, but this place had the look of times gone by.  Good times. 
 Old porcelain signs, here and there were to be found, all original to the shop and revered by the older workers in honored nostalgia.  The younger workers get it too; they can tell from the co-workers they respect and learn from, there is something special about this past.  One sign advertises Carter Carburetors and the artwork depicts “three deuces”, model 97’s, sitting proudly atop a flathead engine, all speeding along in a red, open roadster.  Its occupants, a blond haired boy with slight freckles (driver), and a brunette girl passenger, bright white blouse, full and buttoned low. They are in the wind-blown cool, their excited expressions proclaim… "we have escaped and are free!" (and all you need is a Carter, or three).  How uniquely American.

The seasoned old engine block the boy entrusted to the shop cost him $120-even from the boneyard.  Not a bad deal for a good high-nickel content block that had never had its first 0.030”overbore.  In the shop, it was cleaned, checked for cracks by "magnafluxing", measured and re-measured, inspected and re-inspected.  It was shaped and cut in a special way that would allow the stroker crankshaft, that was to be the special part of this build, to have all the clearance it would need.  The engine block was fitted with temporary stress plates that mimic the presence of cylinder heads,  then the cylinders were bored to “first oversize”,  providing fresh metal for new piston rings to work against.  New bearings were installed everywhere bearings are required.  Parts were smoothed here and there.  Some surfaces were roughened just so, to allow new parts to “work-into each other” when things are finally brought together.  All of this was done with a level of precision and attention far, far greater than the old “4- bolt” had ever received at the factory on its way to a life of labor in the ¾ ton work van from which it came, and for which it had served so dutifully.  They called this painstaking dedication to precision measurement and fit, to hitting all specifications on the mark, “blueprinting”, and it would continue throughout the entire build of this engine.  The boy remained worried, but the shop had done it a million times.

After machining, the block was filled with new and strong parts that cost the young man everything he had.   Parts selected with the greatest of effort, decision, and debate.   You can compromise on paint and live with some rust,  he would say, wait for good tires, but never scrimp on the engine.  Right on.  Someone taught the boy right, regardless of whether or not he fully understood the importance of the words he parroted.  His accurate proclamation  also provided ample excuse for the rough, unfinished, underfunded look of the rest of his machine.  But it was just a look, his car was, in fact, “right”.   And its power plant?  Well the machine shop had talked their customer into letting them do the final engine assembly - even cut their price to do it.  To make that go down easy, they asked to have two of their shop decals affixed to the rod on race-days.  The young man thought that was a fair deal, but the shop was really just looking out for the boy, with their herring of sorts.  
The mill in its final form was the proper balance of performance and durability; and with its camshaft so carefully selected, the engine's “personality” was perfectly matched to the work at hand.   It would produce adequate torque in the low RPM range to get whole rig moving quickly, yet deliver enough horsepower near and at red-line to pile on the MPH, fast.  No longer a polite-natured workhorse, this engine, this engine is impatient now.  High compression, a rapid, choppy idle - it seems to be biting at the bit to be released.  On command, it gulps its mixture and screams angrily, and often those standing around have a reflexive jump - the louder, the better - the more angry, the better.  If it hurts your ears, that’s a good feeling.  If its bark startles, that’s a good startle.  A cacophony?  No, the “music” of controlled explosions, capable of thrusting everything and everyone attached, forward, impolitely, on a rapid run to the freedom so well depicted in the ad.  

This is the addictive sound and feel that has appealed to a certain type of person since engines replaced horses, and why?  A surrogate voice for those who are otherwise quiet?  A visceral celebration of accomplishment?    Who cares.  Shift once, then again - speed quickly makes its appearance.  It appears as a loud, rushing wind and a visually striking, unnatural view of the surrounding scenery.  At some point, in the sane, it triggers a natural response - better slow down.    

He uncorked the headers, bought gasoline, dropped her in gear, tore off to the scene
Camaros and Mustangs, an old ‘55
Obediently lined-up, to get skinned alive!

Verse II (1st person)

I drove past the banner that said “Welcome race fans” took a new route, behind the grandstands
And through my chipped window, I thought I could see
Some of the racers were laughing at me

I guess rust and primer are not to their taste
But I put my bucks mister in the right place

I chugged/popped past cars that dealers had sold
Swung into a spot, next to something old

Emerging with interest from under his hood
My neighbor said two words, he said, “sounds good”

The Nova I parked next to was “classic rodding” in its outward appearance.  The much overused “primer paint job”.  The hood and front fenders a fiberglass clamshell, pinned affair.  Dice hanging from the mirror paid homage to days its driver never knew, but wished he had.  He removed them before he drove, always.

If you know how to peel the onion, secrets are revealed.  Wilwood brake calipers can be a dead giveaway. Someone needs serious stopping power - maybe.  Generally, owners who have sprung the bucks for this type gear let the calipers show off in bright red, to make a statement, and sometimes, these days, it’s just a fashion statement.  Expensive calipers, as eye candy, seem to be all the rage.  What is true, however, is very few guys spend big money on brakes only to render them inglorious and seemingly common with a shot of silver paint from a rattle can - and the owner of this half fiberglass racer that poses as a street car had done just that.  I'll glean two things from this observation. One, he needs those heavy brakes because he’s fast, and two, hiding them fits his style.  
Really, the message to be found in the silver paint, so cleverly applied to make your eyes simply slide across on their way to more interesting things, was “sleeper”.   And sleeper really means, he’s one of those guys with a score to settle - with everyone perhaps.   The list of “real parts” grew, if you knew where to look.  Looking was something I had unofficial permission to do since my rod was undergoing a similar scrutiny.  
“Stroked?”, I asked.  That’s something you can’t see from the outside. “ No”, my racer friend replied.  
“Hundred shot?”  (If engines have their language, so do the people who love them).   Despite the owner’s great efforts to conceal braided fuel and nitrous lines, electrical solenoids and switches, I spied his system.  The chunks of aluminum posing as ordinary spacers under his two Holly's were anything but.   “No”, was his one-word reply to my 100- shot question.  I tried again; “Your nitrous system is cleanly installed, how much are you spraying?”  “Two hundred fifty” in two stages, he said.  That’s more like it, I thought, and I then figured, he too had budgeted well for the machine shop – if not, he was gambling in a game that if lost, would soon fly parts in all directions.   Based on the overall neat work on display, I believed his build was up to the punishment planned. 
  I knew exactly what this tight-lipped guy was about, seeing someone very familiar in him as it were, and that made the “sounds good” complement I received upon my arrival all the more valuable.  I liked my neighbor.  And I liked the fact of our scratch-built rods having found each other - and I looked forward to us both dusting off the factory jobs.  It was going to be a good day.

The voice on the loudspeaker tells us we’re up.

Pre-staged, staged, then given the green
The line becomes blurred between man and machine

Bones become linkage
Muscle, spring
Fear, excitement

Time distorts ….
Color disappears …
Vision narrows…
Noise ---  becomes music
Speed, satisfaction

End
Staff Sgt. Joseph D'Augustine
a proud Jersey son
whom Thou hast blessed
laid in St. Luke’s ground
for his heavenly rest
April 4, 2012

1.

in a far off province of
God forsaken Helmand,
our dear son Joey
met his untimely end

an explosive crack
a most terrible sound
felled a beloved Jersey son
to the cold cruel ground

working the live wires
of a well placed IED
a deathly burst killed him
it was awful to see  

Staff Sgt. Joseph D’Augustine
in solemn duty fell
fellow brothers in arms
will forever reverently tell

of courage and character
of a dear fallen friend
and how the valiant warrior
met with death at his end

for he was always faithful
to his beloved corps
comrades couldn't ask
a valiant marine for more


2.

details of his death
are not the real story
selflessness and bravery
are but part of his glory

is it brash to
question why he fell?
in a useless bitter war
an embroiled senseless hell

a generation mustered
to fight in the war on terror
serving four tours of duty
in a lost decade of errors

two tours in Afghanistan and Iraq
could a nation ask a man for more?
for he was always faithful to the call
upholding pledges he hath sworn

3.

the burden of war
to a  few confined
it rarely crosses
an American’s mind

incessant war machine
drones on apace
the horror of conflict
so cleverly displaced

with afternoon baseball
and super bowl parties
big disco paychecks
and other selfish priorities

pay hollow tribute
to dear weary troops
when valor is mentioned
we gather in groups

we’ll raise the flag
sing stirring anthems
than its back to the party
pay it no more attention

self styled patriots
wave handfuls of flags
but ask them to contribute
the zeal soon lags

its left to the few
to shoulder burdens of many
fairness is lost
its a democratic calamity

four tours in a decade
an inhumane task
burdens require sharing
its only fair to ask

Joey was always faithful
to the task at hand
willing to step forward
to serve his homeland


4.

in the wake of 9/11
a nation deeply shaken
young patriots stirred
liberty’s call not forsaken

a call to serve answered
to quell the rise of terror
a clear clarion alarm
marks the nature of the era

Joey boldly came forward
to train and learn
the art of warriors
his bright patriotism burned

deployed to Afghanistan
to capture Osama
routing the Taliban
without much problem

but a pacified Afghan
not enough for Bush
he invaded Iraq
another military push

we rolled into Baghdad
adorned with victors garlands
Saddam’s statue toppled
our troops were honored

deposing a dictators
soon turned to occupation
a ****** mission transformed
to build the Iraqi and Afghan nations

once honored liberators
now a conquering force
bestriding broken nations
on a civil war course

military industrialists
stood to profit most
sweet protracted conflict
record earnings to boast

lives bartered for lucre
a region held hostage
the conflict deepened
hostilities hardened

America dipped into
a great recession
the war machine
bled money and
kept on ticking

scooping up contracts
rewarding investors
the dividends of war
heaven sent treasure

continuation of hostilities
preys on a nation's youth
as casualties mount
ill portents forsoothed

a fraction of citizens
bare heartaches of war
gulping measures of despair
to guard a nations door

a nation always faithful
to the holy pursuit of profit
a highest citizens calling
put money into your pocket


5.

our beloved Jersey son
gave a full measure of devotion
in dress blues they shipped him
back across the ocean

on the Dover tarmac
they received his remains
for a last ride northward
to his hometown terrain

repatriated body
bereft of soul saluted
solemn escort knelt
hearts trembled, tears muted

a hearse for a gallant man
flanked by state troop cruisers
to escort the funeral train
assure an honored movement

one last trip up
old thunder road
the storied highway
Joey often trod

the last detail legged up 17
reverent firefighters saluted  
from overpasses
to honor  the woeful scene

as the motorcade passed
the Garden State Malls
frenzied consumers
failed to notice at all

busy window shoppers
didn't to turn an eye
as Joey rolled home
to the sweet by and by

vets interred at the
Old Paramus Church
gently stirred in their graves
reasons for war they search

Channel 12 Chopper
circled its eye in the sky
televised the sad parade
captured many teary eyes

the early spring blooms
colorful petals displayed
maples and forsythias
a royal carpet laid

spring remains always faithful
as the new season turns
offer sunshine and glory
as our sinking hearts burn

6.

motorcycle escort
northbound lane clear
rolling homeward
Waldwick was near

leaves exploding
green shoots budding
****** white maple blooms
natures accolades stunning

the oaks yet bare
just waking from slumber
winters death passing
a sad day put asunder

the motorcade passed
Joey’s home on Prospect Ave
few  envision lifes endings
this woefully sad

red chevy pickup idles
in hoop crowned driveway
never to drain jumpers again
departed children can’t play

the eye in the sky
framed neighbors in mourning
welcoming back a fallen hero
unsettled emotions dawning

neighbors waved Old Glory
from painted stoops and curbs
unsure how this tragedy
visits this blessed suburb

green grass of home
always flush with spirit
tears welled in the eyes
most difficult to bear it

last cruise of the town
sad neighbors stand witness
paying final due respects
and ponder from a distance

what purpose is served
by this man’s passing?
the dead cannot speak
rationale is for the living

the terrible herse
death circles our town
moves through our day
hope of spring drowned

murderer of sunshine
killer of young flowers
budding trees breaking
our hearts an ashen pallor

we remember the beauty
of Joey’s stout face
as it looked on your finest day
exuding pure honor and grace

old vets gather
donning caps and pins
boasting semper fi jackets
jutting tear dripping chins

shaking hands, giving hugs
bearing tattered banners
the hearse ambles onward
we head home in solemn manner

good folks are always faithful
where beloved ones grew
the death of our children
we sadly cannot undo


7.

the bells of St. Lukes
called out from the sky
platoons of limping vets
marched in with pride

pomp and circumstance
requisite dress blues
family, friends, townsfolk
overflowed the pews

doleful bells resound
tolling a mournful reckon
the cost of war mounts
a family’s loss beckons

the casualties of war
falls upon a nation's youth
a seasons page not  turned
a flowing wound not soothed

the wistful cornet calling
floats on the fluted air
the bereaved ***** gently sounds
a congregations somber despair

an unsettling dirge
the parish grows uneasy
nationalist bravado wanes
in the forlorn sanctuary

both church and flag
draped in colors of war
mock stain glass windows
communicants adore

is it a betrayal of the flag
to offer enemies
psalms of reconciliation?
where does true loyalty lay
with God or a warring nation?

afterall this is a sanctuary
where peace and harmony reigns
are we not called to beat swords
into ploughshares as the highest
calling of our Lord?

we are always faithful
to the pathways to war
when the practice of peace
is what we should adore

8.

coughing and whispers
incessant low murmur
a baby cries out
we sit and remember

the crucifers process
in solemnity to greet
subtle ***** notes salute
a coffin draped in Old Glory sheets

the beloved child welcomed
to his eternal repose
priests splash holy water
within the sacred dome

an amazing grace revealed
lifted by marine pallbearers
dearly departed body presented
gently placed at the altar

a grief struck sister
lovingly eulogizes
recalls tonka trucks,
GI Joe’s and cool transformers

a punch in the nose
an approaching wedding
beckoning Eastertide
vacation plans left begging

my second grade class sent
Christmas cookies and cards
to dear Joey and warrior friends
he said it warmed stark winter hearts

he was raised in this church
taught trust and reconciliation
the comfort of the Lords peace
may it surely go with him

for he was always faithful
to sisters, family and faith
his resurrection service
imbues sacredness
to this space

9.

sharp in dress blues
Eddie T USMC Gunny
big 50 caliber smile
offers his eulogy

Bada Bing Jersey Humvee
we called him Joey Calzones
good mood, loved sausages
he tickled the funny bone

always willing to sacrifice
loved the Patriots Tom Brady
a women dominated household
gave him a way with the ladies

his calling explosive ordinances
he said he was livin the dream
March 6th last time we met
knocking frost off cold ones
man whatta scream

a gallant marine,
beloved brother,
a sure friend
he was always faithful
I’m deeply wounded
by his untimely end


10.

the gospel read
the homily offered
Ecclesiastes wisdom
a time for everything
proffered

God never turns
an eye from the beloved
though seasons change
we are not forsaken
never unloved

as loss arrives
surely grief grows
turn away not
wisdom knows

in resignation
love lay dead
diligent intention
banishes dread

our rekindled hope
we rend and sow
our beloved Joey
knew this was so

our favorite son’s
example taught us
now rises on eagle’s wings
to claim his divine justice

Jesus faithfully tramped
the path to an awful death
Joey too fought the good fight
a warrior now gratefully at rest

The Lord holds him close
to the ***** of sure love
a cantors beatific voice incants
Joey’s spirit that forever enchants

The Lord is always faithful
to the bereaved and  beloved
no one ever forsaken
all unconditionally loved

11.

the Holy Eucharistic cup
affirms everlasting giving
tasted to nourish evermore
a libation for the living

singing the Beatitudes
praising peace makers
mercy filled voice and song  
pallbearers lift Joey’s coffin

off to seek his final peace
an earthly occupation ended
he’ll suffer worldly hate no more
down the aisle his coffin wended

the family closely followed
a mother haltingly sobbing
faithful marines came forth
to steady her wobbling

there is no sudden waking
from this terrible dream
the pungent incense rose
to the chapels sacred beams

the stained glass murals depict
the passion of Jesus’s story
illuming a consuming sorrow
in all its grace filled glory

the ***** of death slinks on again
we search for consolation
the recompense of honor blest
leaves a hollow heart wanting
no answers offered to quell the dark
of these terrible life’s moments
only the desperate need to hold onto
beleaguered treasure that sustains us

for we are always faithful
to the things we know
always faithful to the
things we refuse to let go

12.

the color guard and funeral detail
assembled in front of St. Luke’s
the cemetery right next door
the procession a short troop

the living will stumble through
the darkness of separation
seeking elusive answers
of poignant uncertainty;
all gave some, Joey gave all
nothing more required for his
journey through eternity

Joey will always be with us
his stories forever retold
as long as the machinery of
great nations engage
the gears of wasteful war

Joey’s spirit lives
in a peoples desire
for freedom, only if
our hope of peace
is greater than the
need for conflict

Joey’s lifes work
is sure to bear fruit
if those remaining
fight the good fight
by taking up the
task to protect and
expand the values
of liberty we
hold most dear

like our good
friend Jesus
Joey wears a crown
bejeweled with
a ring of thorns
hoisted on a
terrible cross
the sweet
incense of you
meets our nose
we inhale your
earthly presence
beholding beautifully
adorned crucifix,
a reminder of
unjust persecution
and a perfect
resurrection
yet this wretched
coffin remains

pledging allegiance
we rationalize our
stories, articulating
our small parts
in  heroic sagas,
reciting myths of
ourselves, recording
the grim history of
a young marine
surrounded by
a smart color guard,
feasting on todays
eucharist, this
days sweet taste
of  the daily bread
of human sorrow

The priest finishes
his graveside
commendation
of Joey D

Taps conclude
a wind rises
crows take flight
winging over
a stand of budding
Sugar Maples
exploding in white
blooms, reveling
in the glorious
sunshine of this
magnificent day

St. Luke’s stairway to
God Country and Home
smiling portrait of you
forever young

we surround your grave
to bless the earth
you've returned home
to your place of birth

our flowing pride
and salty tears bless
the anointed ground
that you loved best

a proud Jersey son
whom Thou hast blest
laid in St. Luke’s ground
for his heavenly rest

for he was always faithful
to the blessed land
forever at peace
in the soils sure hands

Charles Ives
The Unanswered Question

Oakland
11/10/13
jbm
RAJ NANDY Nov 2015
GREAT ARTISTS & THEIR IMMORTAL WORKS :
CONCLUDING ITALIAN RENAISSANCE IN
VERSE.  -  By Raj Nandy, New Delhi.

Dear Readers, continuing my Story of Western Art in Verse chronologically, I had covered an Introduction to the Italian Renaissance previously. That background story was necessary to appreciate Renaissance Art fully. Now, I cover the Art of that period in a summarized form, mentioning mainly the salient features to curb the length. The cream here lies in the 'Art of the High Renaissance Period'! Hope you like it. Thanks, - Raj.

                          INTRODUCTION
“Painting is poetry that is seen rather than felt, &
  Poetry is painting that is felt rather than seen.”
                                                        – Leonardo Da Vinci
In the domain of Renaissance Art, we notice the
enduring influence of the Classical touch!
Ancient Greek statues and Roman architectures,
Inspired the Renaissance artists in their innovative
ventures!
The pervasive spirit of Humanism influenced
creation of life-like human forms;
Adding ****** expressions and depth, deviating
from the earlier stiff Medieval norms.
While religious subjects continued to get depicted
in three-dimensional Renaissance Art;
Portraits, **** figures, and secular subjects, also
began to appear during this great ‘Re-birth’!
The artists of the Early and High Renaissance Era
are many who deserve our adoration and artistic
due.
Yet for the sake of brevity, I mention only the
Great Masters, who are handful and few.

EARLY RENAISSANCE ARTISTS & THEIR ART

GITTO THE PIONEER:
During early 13th Century we find, Dante’s
contemporary Gitto di Bondone the Florentine,
Painting human figures in all its beauty and form
for the first time!
His masterwork being the 40 fresco cycle in the
Arena Chapel in Padua, depicting the life of the
****** and Christ, completed in 1305.
Giotto made the symbolic Medieval spiritual art
appear more natural and realistic,
By depicting human emotion, depth with an
artistic perspective!
Art Scholars consider him to be the trailblazer
inspiring the later painters of the Renaissance;
They also refer to Giorgio Vasari’s “Lives Of
The Eminent Artists,” - as their main source.
Giotto had dared to break the shackles of earlier
Medieval two-dimensional art style,
By drawing lines which head towards a certain
focal point behind;
Like an illusionary vanishing point in space,
- opening up a 3-D ‘window into space’!
This ‘window technique’ got adopted by the
later artists with grace.
(
Giorgio Vasari, a 16th Century painter, architect & Art
historian, was born in 1511 in Arezzy, a city under the
Florentine Republic, and painted during the High
Renaissance Period.)

VASARI’s book published in 1550 in Florence
was dedicated to Cosimo de Medici.
Forms an important document of Italian Art
History.
This valuable book covers a 250 year’s span.
Commencing with Cimabue the tutor of Giotto,
right up to Tizian, - better known as Titan!
Vasari also mentions four lesser known Female
Renaissance Artists; Sister Plantilla, Madonna
Lucrezia, Sofonista Anguissola, and Properzia
de Rossi;
And Rossi’s painting “Joseph and Potiphar’s
Wife”,
An impressive panel art which parallels the
unrequited love Rossi experienced in her own
life !
(
Joseph the elder son of Jacob, taken captive by Potiphar
the Captain of Pharaoh’s guard, was desired by Potiphar’s
wife, whose advances Joseph repulsed. Rossi’s painting
of 1520s inspired later artists to paint their own versions
of this same Old Testament Story.)

Next I briefly mention architects Brunelleschi
and Ghiberti, and the sculptor Donatello;
Not forgetting the painters like Masaccio,
Verrocchio and Botticelli;
Those Early Renaissance Artists are known to
us today thanks to the Art historian Giorgio
Vasari .

BRUNELLESCHI has been mentioned in Section
One of my Renaissance Story.
His 114 meter high dome of Florence Cathedral
created artistic history!
This dome was constructed without supporting
buttresses with a double egg shaped structure;
Stands out as an unique feat of Florentine
Architecture!
The dome is larger than St Paul’s in London,
the Capitol Building of Washington DC, and
also the St Peters in the Vatican City!

GILBERTI is remembered for his massive
15 feet high gilded bronze doors for the
Baptistery of Florence,
Containing twenty carved panels with themes
from the Old Testament.
Which took a quarter century to complete,
working at his own convenience.
His exquisite naturalistic carved figures in the
true spirit of the Renaissance won him a prize;
And his gilded doors were renamed by Michel
Angelo as ‘The Gates of Paradise’!
(
At the age of 23 yrs Lorenzo Ghiberti had won the
competition beating other Architects for craving the
doors of the Baptistery of Florence!)

DONATELLO’S full size bronze David was
commissioned by its patron Cosimo de’ Medici.
With its sensual contrapposto stance in the
classical Greek style with its torso bent slightly.
Is known as the first free standing **** statue
since the days of Classical Art history!
The Old Testament relates the story of David
the shepherd boy, who killed the giant Goliath
with a single sling shot;
Cutting off his head with Goliath’s own sword!
Thus saving the Israelites from Philistine’s wrath.
This unique statue inspired all later sculptors to
strive for similar artistic excellence;
Culminating in Michael Angelo’s **** statue of
David, known for its sculptured brilliance!

MASSACCIO (1401- 1428) joined Florentine
Artist’s Guild at the age of 21 years.
A talented artist who abandoned the old Gothic
Style, experimenting without fears!
Influenced by Giotto, he mastered the use of
perspective in art.
Introduced the vanishing point and the horizon
line, - while planning his artistic works.
In his paintings ‘The Expulsion from Eden’
and ‘The Temptation’,
He introduced the initial **** figures in Italian
Art without any inhibition!
Though up North in Flanders, Van Eyck the
painter had already made an artistic innovation,
By painting ‘Adam and Eve’ displaying their
****** in his artistic creation;
Thereby creating the first **** painting in Art
History!
But such figures greatly annoyed the Church,
Since nudes formed a part of pagan art!
So these Northern artists to pacify the Church
and pass its censorship,
Cleverly under a fig leaf cover made their art to
appear moralistic!
Van Eyck was also the innovator of oil-based paints,
Which later replaced the Medieval tempera, used to
paint angles and saints.

Masaccio’s fresco ‘The Tribute Money’ requires
here a special mention,
For his use of perspective with light and shade,
Where the blithe figure of the Roman tax collector
is artistically made.
Christ is painted with stern nobility, Peter in angry
majesty;
And every Apostle with individualized features,
attire, and pose;
With light coming from a single identifiable source!
“Render unto Caesar the things that are Caesar’s,
and unto God things that are God’s”, said Christ;
Narrated in Mathew chapter 22 verse 21, which
cannot be denied.
Unfortunately, Masaccio died at an early age of
27 years.
Said to have been killed by a jealous rival artist,
who had shed no tears!

BOTTICELLI the Florentine was born half a
century after the Dutch Van Eyck;
Remembered even to this day for his painting
the ‘Birth of Venus’, an icon of Art History
making him famous.
This painting depicts goddess Venus rising out
of the sea on a conch shell,
And the glorious path of female **** painting
commenced in Italy, - casting a spell!
His full scale **** Venus shattered the Medieval
taboo on ******.
With a subject shift from religious art to Classical
Mythology;
Removing the ‘fig-leaf cover’ over Art permanently!

I end this Early Period with VERROCCHIO, born
in Florence in fourteen hundred and thirty five.
A trained goldsmith proficient in the skills of both
painting and sculpture;
Who under the patronage of the Medici family
had thrived.
He had set up his workshop in Florence were he
trained Leonardo Da Vinci, Botticelli, and other
famous Renaissance artists alike!

FOUR CANONICAL PAINTING MODES OF
THE RENAISSANCE:
During the Renaissance the four canonical painting
modes we get to see;
Are Chiaroscuro, Sfumato, Cangiante and Unione.
‘Chiaroscuro’ comes from an Italian word meaning
‘light and dark’, a painting technique of Leonardo,
Creating a three dimensional dramatic effect to
steal the show.
Later also used with great excellence by Rubens
and the Dutch Rembrandt as we know.
‘Sfumato’ from Italian ‘sfumare’, meaning to tone
down or evaporate like a smoke;
As seen in Leonardo’s ‘Mona Lisa’ where the
colors blend seamlessly like smoke!
‘Cangiante’ means to ‘change’, where a painter
changed to a lighter or a darker hue, when the
original hue could not be made light enough;
As seen in the transformation from green to
yellow in Prophet Daniel’s robe,
On the ceiling of Sistine Chapel in Rome.
‘Unione’ followed the ‘sfumato’ quality, but
maintained vibrant colors as we get to see;
In Raphael’s ‘Alba Madonna’ in Washington’s
National Gallery.

ART OF HIGH RENAISSANCE ERA - THE
GOLDEN AGE.

“Where the spirit does not work with the
hand there is no art.”- Leonardo

With Giotto during the Trecento period of the
14th century,
Painting dominated sculpture in the artistic
endeavor of Italy.
During the 15th century the Quattrocento, with
Donetello and Giberti,
Sculpture certainly dominated painting as we get to
see!
But during the 16th century or the Cinquecento,
Painting again took the lead commencing with
the great Leonardo!
This Era was cut short by the death of Lorenzo the
Magnificent to less than half a century; (Died in 1493)
But gifted great masterpieces to the world enriching
the world of Art tremendously!
The Medieval ‘halo’ was now replaced by a fresh
naturalness;
And both Madonna and Christ acquired a more
human likeness!
Portrait paintings began to be commissioned by
many rich patrons.
While artists acquired both recognition and a status
of their own.
But the artistic focus during this Era had shifted from
Florence,  - to Venice and Rome!
In the Vatican City, Pope Julius-II was followed by
Pope Leo the Tenth,
He commissioned many works of art which are
still cherished and maintained!
Now cutting short my story let me mention the
famous Italian Renaissance Superstar Trio;
Leonardo, Raphael, and Michael Angelo.

LEONARDO DA VINCI was born in 1452 in
the village of Vinci near the City of Florence,
Was deprived of a formal education being born
illegitimate!
He was left-handed, and wrote from right to left!
He soon excelled his teacher Varrocchio, by
introduced oil based paints into Italy;
Whose translucent colors with his innovative
techniques, enhanced his painting artistically.
Sigmund Freud had said, “Leonardo was like a
man who awoke too early in the darkness while
others were all still asleep,” - he was awake!
Leonardo’s  historic ‘Note Book’ has sketches of a
battle tank, a flying machine, a parachute, and many
other anatomical and technical sketches and designs;
Reflecting the ever probing mind of this versatile
genius who was far ahead of his time!
His ‘Vituvian Man’, ‘The Last Supper’, and ‘Mona Lisa’,
Remain as his enduring works of art and more popular
than the Leaning Tower of Pisa!
Pen and ink sketch of the ‘Vitruvian Man’ with arms
and leg apart inside a square and a circle, also known
as the ‘Proportion of Man’;
Where his height correspondence to the length
of his outstretched hands;
Became symbolic of the true Renaissance spirit
of Man.
‘The Last Supper’ a 15ft by 29ft fresco work on
the refectory wall of Santa Maria, commissioned
by Duke of Milan Ludovic,
Is the most reproduced religious painting which
took three years to complete!
Leonardo searched the streets of Milan before
painting Judas’ face;
And individualized each figure with competence!
‘Mona Lisa’ with her enigmatic smile continues
to inspire artists, poets, and her viewers alike,
since its creation;
Which Leonardo took four years to complete
with utmost devotion.
Leonardo used oil on poplar wood panel, unique
during those days,
With ‘sfumato’ blending of translucent colors with
light and shade;
Creating depth, volume, and form, with a timeless
expression on Mona Lisa’s countenance!
Art Historian George Varasi says that it is the face
of one Lisa Gherardini,
Wife of a wealthy Florentine merchant of Italy.
Insurance Companies failed to make any estimation
of this portrait, declaring its value as priceless!
Today it remains housed inside an air-conditioned,
de-humidified chamber, within a triple bullet-proof
glass, in Louvre France.
“It is the ultimate symbol of human civilization”,
- exclaimed President Kennedy;
And with this I pay my humble tribute to our
Leonardo da Vinci!

MICHEL ANGELO BUONARROTI (1475-1564):
This Tuscan born sculptor, painter, architect, and
poet, was a versatile man,
Worthy to be called the archetype of the true
‘Renaissance Man’!
At the age of twelve was placed under the famous
painter Ghirlandio,
Where his inclination for sculpting began to show.
Under the liberal patronage of Lorenzo de Medici,
He developed his talent as a sculptor as we get
to see.
In the Medici Palace, he was struck by his rival
Torregiano on the nose with a mallet;
Disfiguring permanently his handsome face!
His statue of ‘Bacchus’ of 1497 and the very
beauty of the figure,
Earned him the commission for the ‘PIETA’ in
St Peter’s Basilica;
Where from a single piece of Carrara marble he
carved out the figure of ****** Mary grieving
over the dead body of Christ;
This iconic piece of sculpture which along with
his ‘David’ earned him the ‘Superstar rights’!

Michel Angelo’s **** ‘DAVID’ weighed 6.4 tons
and stood 17 feet in height;
Unlike the bronze David of Donatello, which
shows him victorious after the fight!
Michel’s David an epitome of strength and
youthful vigour with a Classical Greek touch;
Displayed an uncircumcised ***** which had
shocked the viewers very much!
But it was consistent with the Mannerism in Art,
in keeping with the Renaissance spirit as such!
David displays an attitude of placid calm with
his knitted eyebrows and sidelong glance;
With his left hand over the left shoulder
holding a sling,
Coolly surveys the giant Goliath before his
single sling shot fatally stings!
This iconic sculpture has a timeless appeal even
after 500 years, depicting the ‘Renaissance Man’
at his best;
Vigorous, healthy, beautiful, rational and fully
competent!
Finally we come to the Ceiling of the Sistine
Chapel of Rome,
Where Pope Julius-II’s persistence resulted in the
creation of world’s greatest single fresco that was
ever known!
Covering some 5000 square feet, took five years
to complete.
Special scaffoldings had to be erected for painting
scenes from ‘The Creation’ till the ‘Day of Judgment’
on a 20 meter’s high ceiling;
Where the Central portion had nine scenes from
the ‘Book of Genesis’,
With ‘Creation of Adam’ having an iconic significance!
Like Leonardo, Michel Angelo was left-handed and died
a bachelor - pursuing his art with devotion;
A man with caustic wit, proud reserve, and sublimity
of imagination!

RAFFAELLO SANZIO (1483-1520):
This last of the famous High Renaissance trio was
born in 1483 in Urbino,
Some eight years after Michel Angelo.
His Madonna series and decorative frescos
glorified the Library of Pope Julius the Second;
Who was impressed by his fresco ‘The School
of Athens’;
And commissioned Raphael to decorate his
Study in the Vatican.
Raphael painted this large fresco between 1510
and 1511, initially named as the ‘Knowledge of
Causes’,
But the 17th century guide books referred to it
as ‘The School of Athens’.
Here Plato and Aristotle are the central figures
surrounded by a host of ancient Greek scholars
and philosophers.
The bare footed Plato is seen pointing skywards,
In his left hand holds his book ‘Timaeus’;
His upward hand gesture indicating his ‘World
of Forms’ and transcendental ideas!
Aristotle is seen pointing downwards, his left
hand holds his famous book the ‘Ethics’;
His blue dress symbolizes water and earth
with an earthly fix.
The painting illustrates the historic continuance
of Platonic thoughts,
In keeping with the spirit of the Renaissance!
Raphael’s last masterpiece ‘Transfiguration’
depicts the resurrected Christ,
Flanked by prophets
something twas awry with the piper's flute
a most inconsistent rhyme it did oft play
twas very much like an out of tune lute

he thought his flute twas cleverly cute
but a listener did detect its disarray
something was awry with the piper's flute

of the tune's sound the listener did mute
as it bought to the ear such dismay
he thought his flute twas cleverly cute

those discordant notes you can refute  
they've a rather off putting sort of splay
something twas awry with the piper's flute

at all times hearing must be acute
for the bearer of the instrument may stray
he thought his flute twas cleverly cute

whence tones don't uniformly salute
there's a cacophony in the aural bay
something twas awry with the piper's flute
twas very much like an out of tune lute
I hate the dripping dark hollow behind the little wood;
Its tips a cursed maroon with a blood-red heath.
I think I praised and lamented it too soon;
Before seeing its scent; I saw already its stray mystical death.

My crown is torn, outraged by florid winds and scorn;
Like a tangled old roots of the windblown thorn;
I shall feel scanty by my own poetry,
And throw it about, duly, like a static little joke.

I shall let my heart grow dull and illiterate;
I shall not taste joy, no more, in any clear--flowery fate.
I shall seek everything bitter, and not sweet;
Even not pure as the honey of a bee; for it shall be plain.

I shall curve and bend any straightforward light;
I shall harass it, and blind it--as if my ghost’s dead soul is very not here.
Ah, where is but Maud, Maud, Maud, and Maud;
Perhaps she is astray in my memory still, and not by my side.

I feel relieved so soon as glanced at her beside me;
She owns still that full lips like a perniciously tasty moon;
She is adorable like the flower of heaven itself;
She strikes me again when away, and tosses me about when near.

Ah, Maud, Maud, Maud;
Tame me again with thy rain of laugh;
Saint me once more like a fresh young bird;
Come to me now, and return my unheeded love.

Ah, Maud, Maud, Maud;
And kissing her forehead takes me back to that day;
A day of myths, a day of agile swans and storms;
An ornate time of hatred; a whirl of bitter fate; a dust of sorrow.

Ah, Maud, Maud, Maud;
And again I was alive in this tale, with a burning heart;
On one eve of tears, a mischief, and a wan poetry;
I caught about shadows in which there was no soul of Maud.

I could only see the stones, lying ghastly about the fireplace;
Ah, Maud, are you but still haunting those whimsical moors?
Their strange murmurs but I cannot hear;
But still they consume me, ah, I am scared;
I wish they would be gone soon, I wish you were but here.

These storms were amusing but peculiar;
They are bizarre, but intelligent and stellar;
And calling thy name out but breathes into me strength;
Ah, but should I be here, and bear away thy image alone?

Ah, and thou wert in but nymphic and lilac dream;
And my heart was still not massaged by the tender storm;
For it meant thee, and hungered but for thee only;
And in the midst of love had it longed, and yearned for thee.

Ah, where is but Maud, Maud, Maud, and Maud;
Her with her childish eyes and rounded head of bronze,
With her rapturous steps and wild glittering aroma,
With her atrocious jokes, and a wintry secret touch?

But still she was not anywhere about;
She dissolved like one romantic bough of soda;
And within a rough joke, she would be but gone;
And now the storm returned, but I was wholly on my own.  

Ah, and now the striking storm is mounting the earth;
Should I write alone and chill myself by the green hearth?
For I hath nothing to console and lengthen my parched logs;
I shall wait outside and drift about yon wintry bog.

Ah, where is but Maud, Maud, Maud;
Maud with her heart-shaped face and bare voice aloud;
A voice that soaked my senses and craving throat;
Maud but teased me and left me to that joke.

Where is but Maud, Maud, Maud and Maud;
Maud, the goth princess within my ancient poetry;
Who but remained symmetrical and biblical in her vain torments;
Who but stayed sturdy and silent; amidst her anger, and vain fellows’ arguments.

Listen to me. I am but full of hatred.
I am neither a gentleman nor a well-bred;
I, who is just a son of an infamous parson;
A malleable son; with a bleak aura of a putrid spring.

I, one who crafted ingenious jokes;
But interminable as they always are;
I made Maud sit still as I held my woodwork;
While she perched herself on yon bench, gazing at dispersed starry stars.

Maud the shadow in my pale mirror;
At times she ceased at morns, but retreated at night;
On her brother’s sight she fled in horror;
But on mine her smile turned me bright.

Maud was idle, sparkling, vibrant, and tedious;
Her heart was free and not marred by stupor.
She was the sun on my very bright days;
She made me startled; she always left me curious.

Maud the green of the farm, the red of the moon;
Without her everything would spring not and remain odious;
Everything would be bleak and stayed tedious;
Ah, but still I could not own her, though I was her saviour.

I was a farmer and perhaps still am;
Perhaps that’s why her mother ditched me with shame.
Maud said she had not places like home;
Her house was the mere shallow--and gratuitous throne.

Maud came often down and agitated;
Her mood shadowy, she cried and cried too aggravated;
I caressed her back, and placed my palms on her white knees;
She told me stories whenever no-one else would see.

She wanted not to mount the throne;
She giggled often, at our country escapade;
She loved my cottage, she sweetened my thin grass;
Even those apple trees had then her eyes, which sprayed tough, lonely seas of green.

Maud took to hymn and dear children’s little songs;
She was popular always among the talkative throngs.
She would love to dance and wiggle and turn around;
While village pupils gathered to sing a noble sound.

Ah, but when the mirthless prince arrived;
With white horses and swords of a knight;
Maud was swallowed every morning, all through day and night;
Maud was no more seen by my side.

I thought I was not alive, for dreams were unreal;
If they had been, then they I’d have want’d to ****;
But seeing Maud not gave me fretful chills;
I often woke up tensely, within a midnight’s shrills.

Ah, where is but Maud, Maud, Maud, and Maud;
Maud my bumblebee and my delicate little honey.
I kept waiting for her behind the rustic brook;
I fetched my net and fished by my old nook.

Ah, and where is Maud, Maud, Maud, and Maud;
My eyes were still and my chest could no more speak.
I wearily fancied she had been kidnapped faraway;
She would be jailed in a sore realm, and would no more be back here.

Ah, for had she been lost, then I had lost my ultimate pearl;
For there would no more be magic, there would be no more of her;
No-one would so restore my original spring;
Perhaps there would be no spring at all, and I would suffer in summer.

And I would lose anyway--my lyrical, elusive demon;
For Maud had always been elusive herself.
She wore that evil smile and thin laugh;
As I told her tales of fairies that she loved.

As I am fond of magical poetry and dramas;
Maud too used to read them with genuine personas.
She was my epic fanatical little devil;
She liked tropical cold and a faithful Mephistopheles.

I should be Faust, as she once said;
For had I fair hair, yet a bald head;
She said like Faust, I was cleverly amusing;
But to me, like Mephistopheles--she was unusually entertaining.

She danced before me a beautiful ballet;
She was young and keen to levitate as a ballerina;
She crafted me limericks and such fair lines of sonnets;
She made earth my heaven, and my melodies a twin cantata.

Ah, and where is Maud, Maud, Maud, and Maud;
I need my butterfly amongst this wheezy curdling cold.
I need my lover to soothe my chained hysteria;
I need to get out of here, and feed my love with her charms.

Ah, but where is Maud, Maud, Maud, is not she here?
I was then screaming in my solitude, could she but not hear?
I could speak not, no more--sore and wounded by this snowstorm;
I crept sick and weak like a dumb old worm.

She was not even heard of upstairs;
While I was dying here as a roaring beetle.
I hath almost lost all my creative flair;
I felt tormented and neglected and nearly feeble.

Ah, but a story like this is not such a fable;
So at that time I did shun sadness and seek a warm ending;
But indeed, to escape fate the poor were perhaps not able;
And the farmer’s son shall never be a king.

And ‘twas the nobles’ right to be idyllic;
To be deemed far then fairly righteous.
My charms were trivial, and so was then my wit;
My prayers were too parted and despaired; no matter how rigorous.

I kept my work along the countryside;
I toiled all night and behind fierce daylight.
I hoped Maud would see me back one day;
But what I found was to my dismay!

Ah, Maud, for she was now engaged;
To that pathetic creature the cursed morn brought about;
And parties arranged, voices too raised;
The union was now what people had in thought.

Onto my shoulders my head kept sinking;
I killed myself nearly, for my irksome defeat in this rivalry;
A rivalry that failed to transgress vital destiny;
A rivalry I could not even bear to think.

But again, this love had always been everything;
And thus Maud’s union would equal my death;
One night I crept out of my bed;
I had in hand a keychain and a net.

The soldier was infused by sound sleep;
And into Maud’s grand chamber I crept;
Everything was pink and quite neatly kept;
But woke I her not--as I heard her breast breath slowly.

She was tremendous still--in beauty;
Maud in her splendour; so young and free.
Ah, she was free but not free, I fathomed;
I looked at her over and over again.

I looked at her violet bed and comfort net;
Ah, my Maud too ****** and temptingly red.
She was too abundant in her young and chaste soul;
Ah, I could not imagine how she would soon be one else’s.

Long did I stand; ‘till morning streamed back again;
Still I remained unmoved; I stared at my darling in vain.
I jumped startled as the door opened;
And showed me the horror of the Queen!

‘Come, ye’ fool’, she voicelessly instructed;
Her face emotionless as these words emanated;
‘And embrace thy very fate’, to the handcuffs me she directed;
‘For daring look into my dame’s immaculately flawless chamber’.

She pointed thereof--a black gun at my chest;
It would soon burst out and tear my vest;
And even fly me straight to death;
So drifted I, without further haste nor breath.

Those poor soldiers imprisoned me there;
A cellar room at the top of filthy stairs;
I stayed awake only for grief and tears;
And most of the time I laid about sleepless and stared.

I grew skinless as my bones squinted;
And laughed at me with their sordid might;
Flies were about me, bending onto my rotten pies;
And slices of meat left out by sniggering guards.

I hit my head on witnessing Maud’s cold marriage;
‘Twas on a Saturday on the castle’s rain-wetted field.
I heaved myself onto the windowsill and saw;
How the couples were blessed and sent thereby back.

I could not see Maud’s face and fleshy cheeks;
But didst I feel her discarded tears;
Marred and defiled her lovely fits;
Though just those innate, and not out there.

I struck the lifeless paint with my bare palms;
Now the walls were tainted; they smelled like my blood.
Time passed and desire for Maud was never killed;
I’th missed her every day, since then, and perhaps always will.

But my love for Maud was never probable;
I was decent, honest, but indeed not preferable;
I was not even preferable by fate, as thou might see;
Fate who is neither truthful; nor frankly urges us to lie.

I often laid hopeless by the moonbeam;
Until night came and eyesight grew more and more vulnerable.
I waited ‘till it was dark and left to day no more gleam;
Then took my journal of Maud’s jests and read her affable poems.

I turned around--and would disgrace my bed still;
I was plain starved but had no desire to be properly fed;
Of a dream of death I grew instantly pertinacious;
And of my future tomb I grew fonder--and yet rapidly curious.

Ah, but my sweet Maud, Maud, Maud, and Maud;
And deliriously she somehow became pregnant;
But remorse said she kept the souls of two;
And fatefully could not make them both perfect!

I indeed plain prayed for Maud’s survival;
I cared not whose sons they might be;
Ah, but the twins were still sinning babies--as I comprehended,
For they were formed not from cells of mine!

Ah, Maud, Maud, Maud,
And during those last days she was cautiously ill;
And a drive of cholera had again grown widespread;
But she was not maddened; by it she was not marred.

She was sickened by temper still;
And the prince found dead, she grew more terrifyingly ill;
She had a pure heart, so she flourished not over the beast’s death;
Nonetheless, he remained the father of yon sickly offspring.

Ah, Maud, Maud, Maud,
I was duly growing perfectly anxious;
She was to give birth--ah, to those little ignoramuses;
And within a little chord in one or days of two--she would do so.

But without a father to care for her notorious sons;
And even I was locked away, and could not do so;
I was terrified, I was horribly undignified;
To learn this stern reality we were so sullenly faced with!

Ah, not now! I could not too believe my ears!
Maud and her children were dead--they’d been stillborn;
Before they left Maud alone to receive her fate;
Her locksmith would not come; he had another due in a nameless town.

By the time he arrived my darling had gone;
Perhaps she was now shimmering in heaven;
Enchanting her children with her enormous spells;
Narrating stories no plain human could ever tell.

Even in heaven my love would perhaps be famous;
Her tenderness would make other angels jealous;
And angered by envy, they would gather and complain to God;
How an earthly soul could be more vivacious than their heavenly were.

Ah, but where is Maud, Maud, Maud;
Maud and her chain of songs that were never to be broken;
Maud and her familiarity with gardens and blue lilies;
Maud and her immaculate pets of birds that still sweetly sing.

Ah, but where is my darling, my darling, my darling;
My eternal ocean, my hustling flowerbed, my immortal;
My poem, my enchanting lyric, my wedding ring;
My novelty, my merited charm, my eternal.

And now she was longing for her grave, as I’d been told;
For I’d been told by the dimmed torches and fuss and mirthless air outside;
By the endless wandering and the prince’s wails and wordless screams.
Ah, my Maud had now migrated from her life--but attained her freedom!

And he was thus unworthy of being in her heaven;
Her heaven where there would be me, her true love;
And thus he would be glad to greet his fires of hell;
He would marry an evil angel there--and make himself again full.

But I’d be with Maud, Maud, Maud and Maud;
I’d be again with my gem, indefatigable little darling;
Whose voice was unsure, whose poems were never known;
But ‘twas enough that they’d been known to me, her secret--ye’ dearest lover.

So took I, that spinning penchant and a circle of strings;
The edges I matched to the chains on my ceilings.
I braced myself for my very own fiery death;
But again, I’d be with Maud and death would no more, aye, be sad.

Thus the above poem was done by my spirit;
But with the same token and awe of genuineness and wit;
I feel tired--I shall close my eyes, and thus enjoy my heaven now;
For my wife and starlings are all waiting for me to-morrow.

It is now nighttime in heaven;
And there is indeed, no place on earth lovelier;
I gaze into my wife with a loving madness;
Her cheeks sweeter still, than any proudest swiftness.

I shall take my vow of marriage tomorrow;
My proud wife sitting in yon angelic chair by my side.
I shall cradle, then, those white little nuptial fairies;
They are Maud’s children’s, but lithe and gracious and bow to me in chaste mercies.

Ah, Maud, Maud, Maud, she is but all mine now;
I am still surprised now, as sitting by this heaven riverside.
One even grander than the one I’d had beside the lake;
Which I often farmed when I had needs to bake.

Ah, Maud, Maud, Maud, she is a ghost but as ever lively;
We are both dead but she boldly remaineth lovely;
I know she is worthier than serene jewels or mundane affairs;
And still she is worthier all the same, than any other terrific palace--or heir.

Ah, Maud, Maud, Maud, and this war is but all over now;
Thus let us dream dead of the exciting tomorrow.
We shall see life and our children grow;
We shall witness delight--and miracles none ever knows.
Robin Carretti Jun 2018
She, "City' cafe cat
But we would do
anything
for a cup of coffee right?
Where not the punctual
calendar girls day or night
The territories

(My Heaven's) steep spoon swirls
How it became the show
Guys and Dolls
Coffee of diaries souls
How a fortune of words
can burn a cup
One sip out of you just ****
At least my flavor trip
I did a lot of long walking
Sipping below his sea level
Hialeah slim blend
The firelight is
glowing
 Beloved by brown warm eyes firefly
This one is the long
sip to meet him bewitched

The Spanish fly
always on his cup trim
More Sambuca  Italian coffee
but why is this so long_
mouth stretching
Another long wait
To get the creamy shining
Knight
My light long
way home
Queen bee cream and
sugar delight, not honey
cleverly cupped
international trip money

The charming Knight
Over the coffee feeling
  camelback
She brews her
fulfillment
he massages her skin
On the fortune road
coffee beans "Parliament"
One long sip enjoyment
Brown leaf so Autummy
That long trip something
is falling
Good body flavor his calling
She neighed into
his love fire dim text
The desire long
extension
all wired

I just want — to — hold you — Egyptian

King with her cherries bing
I never heard of that coffee?
Got like jewels shall bling

One big fortune her vocal chord sing
we work harder to be more
golden winning goes to _
__

The winner holding beans
Eyes of fortune Emmy fascination
(Sweet Carolina) honey so much more
blossom into her coffee such luster
bean amazingly guilty hey buster
Feeling so fortunate
how he reads into her expression

The Lord is my shepherd is coming
but hesitancy in her response
Then the next kiss would be with
her coffee embrace could he afford her
Also, her Sophia seduction like
styled camped
Safari how coffee became
the love cure for illnesses
how it healed hearts and asthma

(Her Vows) desireable boiled bows
Buganda Kingdom
I love you in the morning shore

What an obsession fortune beds
of Coffee, fingertips trailed to him
because he couldn't let her go
completely loving coffee and she

He cupped her in his
broad shoulders so he
Let’s be creative and
think of fortune names

Fortune:

Richest self-made millionaires
the rim of my coffee cup

I see a fortune flowing one long
trip faces glowing

Howard Schultz Forbes fortunes from scratch
I guess he saw his beans clearly no eye to patch
So the name like "Starbucks"
Knocking on heavily cup the
woodpecker chucks trip of coffee perks
That billionaire
secrets
is Facebook
Mark Zuckerberg
entrepreneur what a face
nothing more just faces
Will I get an idea the way they do?

Let’s open the (Gate Bill)
micro-soft computer,
French roast bold what was
really told
Hungary England how he
survived the **** Budapest
now he trying to save
other refuges with 500 million

Like her tiny cup of Turkish
heavy sediment Istanbul
Oceans storms her Grecian coffee
Also, her mind was dazzled but rambled
by the intruder
Leaving her all different coffee flavors
Like a fortune of familiar words
One knowing about coffee?
The “Spicy Taco” I felt I was in a
spiritual environment
of the Mecca in the holy city
Stephen when he went to her place
he would try so hard to protect her

Seeing the fortune coming inside the
amber water fountain
She knew his (Grecian Island)
flavors so well
with cardamon meet lovely (Cinnamon)
The coffee so sinfully the game
backgammon and chess

How love came in many Cafes parades
of the New Orlean Carnival
the Turkish armies "Parisian ****"
women and Men
Robes Pierre French revolution
What an evolution world cafes
Long ago far away 1600 Pope Clement
V111 pleasure full cup of Turkish coffee
very popular business thinkers

One golden ticket most expensive coffee
(Starbucks) the trip of a lifetime
(Cafe Nero)
Please bow to (Grace Kelly) coffee
Princess of Morocco how people
are looking more exotic back
in fortunes bed and ***
One long lie what to be said
Doing the Egyptian coffee dance
Exotic love Islands and France
How she Sophia waited for him in
bed nakedly the "Egyptian silky"
love sheets pour the crystal eyes
milky
((Fifty flavor))
shades of coffee her
eyes opened he
saved her with her
special blend
The depth of loving his hands
melted inside of her coffee
He was her love intruder
sending
her all his coffee flavors
For an instant, their eyes
met like the grains
of heat, she was drowning
in his honey brown depths.
One long Coffee trip my way of telling this coffee-lite all over the website story I hope you have time for my fresh many flavors to enhance your love life even if your single may e in a whole bean better or married to a fortune King you know how to get you coffee he serves you hot and boiling mad but at the end of the coffee *** your siling money glad
i dreamed a rattlesnake was loose in the closet i heard it rattling i was afraid to open the door



a man suffering a toothache goes to see his dentist the dentist administers laughing gas when the man comes to his numb tongue swooshes around his mouth he asks how long was i under the dentist answers hours i needed to pull them all out



he imagines when he grows old there will be a pencil grown into one hand and a paintbrush grown into the other they will look like extra fingers grown out from the palms extensions of his personal evolution little children will be horrified when they see mommy mommy look at that man’s hands!



what if we are each presented with a complete picture of a puzzle from the very start then as our lives proceed the pieces begin showing up out of context sometimes recognizable other times a mystery some people are smarter more intuitive than others and are able to piece together the bigger picture some people never figure it out



i wasn’t thinking i didn’t know to think nobody taught me to think maybe my teachers tried but i didn’t get it i wasn’t thinking i was running reacting doing whatever i needed to survive when you’re trying to survive you move fast by instinct you don’t think you just act



many children are relieved when their parents die then they no longer need to explain prove themselves live up to their parent’s expectations yet all children need parents to approve foster mentor teach love



she was missing especially when her children needed her most she was busy lunching with girlfriends dinner dates beauty shop manicure masseuse appointments shopping seamstress fittings constant telephone gossiping criticizing she was too busy to notice she was missing more than anything she wanted to party show off her beauty to be the adored one the hostess with the mostest



i dreamed i was condemned to die by guillotine the executioner wore black and wielded an axe just in case the device failed in the dream the guillotine sliced shallow then the executioner went to work but he kept chopping unsuccessfully severing my head this went on for a long time



1954 Max Schwartzpilgrim sits at table in coffee shop on 5th floor of Maller’s Building elevated train loudly passes as he glances out window it is typical gloomy gray Chicago day he worries how he will find the money to pay off all his mounting debts he is over his head in debit thinks about taking out a hefty life insurance policy then cleverly killing himself but he cherishes his lovely wife Jenny his young children and social life sitting across table Ernie Cohen cracks crass joke Max laughs politely yet is in no mood to encourage his fingers work nervously mutely drumming on Formica table then stubbing out cigarette in glass ashtray lighting another with gold Dunhill lighter bitter tastes of coffee and cigarettes turns his stomach sour he raises his hand calling over Millie the waitress he flirtatiously smiles orders bowl of matzo ball soup with extra matzo ball Ernie says you can’t have enough big ***** for this world Max thinks about his son Odysseus



when Odysseus is very young Dad occasionally brings him to Schwartzpilgrim’s Jewelers Store on Saturday mornings Dad shows off his firstborn son like a prize possession lifting Odysseus in the air Dad takes him to golf range golf is not an interest for Odysseus Dad pushes him to learn proper swing Odysseus fumbles golf club and ***** he loves going anyway because he appreciates spending time with Dad once Dad and Odysseus take shower together Dad is so life-size muscular hairy Odysseus is so little Dad reaches touches Odysseus’s ******* feeling lone ******* Dad says we’ll correct that make it right Odysseus does not understand what Dad is talking about at finish Dad turns up cold water and shields Odysseus with his body he watches Dad dressing in mornings Dad is persnickety to last details of French cuff links silk handkerchief in breast pocket even Dad’s fingernails toenails are manicured buffed shiny clear



Odysseus’s left ******* does not descend into his ******* the adults in extended family routinely want to inspect the abnormality Mom shows them sometimes Dad grows agitated and leaves room it is embarrassing for Odysseus Daddy Lou’s brother Uncle Maury wants to check it out too often like he thinks he is a doctor Uncle Maury is an optometrist the pediatrician theorizes the tangled ******* is possibly the result of a hormone fertility drug Mom took to get pregnant the doctor injects Odysseus with a hormone shot then prescribes several medications to induce the ****** to drop nothing works eventually an inguinal hernia is diagnosed around the age of 9 Odysseus is operated on for a hernia and the ******* surgically moved down into his ******* the doctor says ******* is dead warning of propensity to cancer later in life his left ball is smaller than his right but it is more sensitive and needy he does not understand what the doctor means by “dead” Odysseus fears he will be made fun of he is self-conscious in locker room he does not comprehend for the rest of his life he will carry a diminutive *****



spokin alloud by readar in caulkknee axescent ello we’re Biggie an Smally tha 2 testicles whoooh liv in tha ******* of this felloh Odys Biggie is the soyze of a elthy chicken aegg and Smally is the size of a modest Bing cheery



one breast ****** points northeast the other smaller breast ****** points southwest she is frightened to reveal them to any man frightened to be exposed in woman’s locker room she is the most beautiful girl/woman he will ever know



Bayli Moutray is French/Irish 5’8” lean elongated with bowed legs knobby knees runner’s calves slim hips boy’s shoulders sleepy blue eyes light brown hair a barely discernable freckled birthmark on back of neck and small unequal ******* with puffy ******* pointing in different directions Laura an ex-girlfriend of Odysseus’s describes Bayli’s appearance as “a gangly bird screeching to be fed” Laura can be mean Odysseus thinks Bayli is the coolest girl in the world he is genuinely in love with her they have been sleeping together for nearly a year it is March 11 1974 Bayli’s birthday she turns 22 today Bayli is away with her family in Southeast Asia Odysseus understands what a great opportunity this is for her to learn about another culture he knows Bayli plans to meet up again with him in late summer or autumn in Chicago Dad wants Odysseus to follow in his footsteps and become a successful jewelry salesman he offers Odysseus a well-paying job driving leased Camaro across the Midwest servicing Dad’s established costume jewelry accounts Odysseus reasons it is a chance to squirrel away some cash until Bayli returns it is lonely on the road and awkward adjustment to be back in Chicago Odysseus made other plans after graduating from Hartford Art School he is going to be an important painter after numerous months and many Midwestern cities he begins to feel depressed he questions how Bayli can stay away for so long when he needs her so bad the Moutray’s send Mom and Dad a gift of elegant pewter candleholders made in Indonesia Mom accustomed to silver and gold excludes pewter to be put on display she instructs Teresa to place the candleholders away in a cabinet Mom also neglects to write a thank you note which is quite out of character for Mom Bayli’s father is a Navy Captain in the Pacific he is summoned to Norfolk Naval Station in Virginia the Moutray’s flight has a stopover in Chicago Bayli writes her parents want to meet Odysseus and his family Odysseus asks Dad to arrange his traveling itinerary around the Moutray’s visit Dad schedules Odysseus to service the Detroit and Michigan territory against Odysseus’s pleas Odysseus is living with his sister Penelope on Briar Street it is the only address Bayli’s parents know Odysseus has no way to reach them when the Moutray’s arrive at the door Penelope does not know what to tell them Mom and Dad are not interested in meeting Bayli’s parents it is not the first sign of dissatisfaction or disinterest Mom and Dad convey regarding Bayli Odysseus does not understand why his parents do not like her is it because Bayli is not Jewish is that the sole reason Mom and Dad do not approve of her Odysseus believes he needs his parent’s support he knows he is not like them and will likely never adopt their standards yet he values their consent they are his parents and he honors Mom and Dad let’s take a step back for a moment to get a different perspective a more serious matter is Odysseus’s financial dependency on his parents does a commitment to Bayli threaten the sheltered world his parent’s provide him is it merely money binding him to them why else is he so powerless to his parent’s control outwardly he appears a wild child yet inwardly he is somewhat timid is he cowardly is he unsure of Bayli’s strength and sustainability is that why he let’s Bayli go whatever the reason Dad’s and Mom’s pressure and influence are strong enough to sway his judgment he goes along with their authority losing Bayli is the greatest mistake of Odysseus’s life



he dreams Bayli and he are at a Bob Dylan concert they are hidden in the back of the theater in a dark hall they can hear the band playing Dylan’s voice singing and the echoes of the mesmerized audience Odysseus is ******* Bayli’s body against a wall she is quietly moaning his hand is inside her jeans feeling her wetness rubbing fingers between her legs after the show they hang around an empty lot filled with broken bottles loose bricks they run into Dylan all 3 are laughing and dancing down the sidewalk Dylan is incredibly playful and engaging he says he needs to run an errand not wanting to leave his company Odysseus and Bayli follow along they arrive at an old hospital building it is dark and dingy inside there is a large room filled with medical beds and water tanks housing unspeakably disfigured people swarming intravenous tubes attach the patients to oxygen equipment feed bags and monitoring machines Dylan moves between each victim like a compassionate ambassador Odysseus is freaking out the infirmary is too horrible to imagine he shields his eyes wanders away losing Bayli searching running frantically for a way out he wakes shivering and sweating the pillow is wet sheets twisted he gets up from the bed stares out window into the dark night he wonders where he lost Bayli



these winds of change let them come sailor home from sea hunter home from hill he who can create the worst terror is the greatest warrior
Big Virge Nov 2015
Everybody lacks ... something ...
That's a ... Fact ... !!!  
  
So ...
Let me ask you this ... ?
What do ... You Lack ... ?
  
Do you lack ...  
" Common Sense "  
or .... Confidence ... ???
  
or ...  
Do you lack what it takes ... ?
to forsake what you gain ...
from living ... just for money ...
like these ... Corporate Heads ... !!!
  
Well money ...
" Certainly " .... Pays .... !!!
  
But ....
Does not ... " Allay " ...
Unhappy Days ... !!! ...
  
Ask those ... who take ...
"Every Piece" ... of the cake ... !!!
  
If they say ... Their Cash ... !!!
Removes ... Their Pain ...
They're being ... Fake ... !!!
  
Question .... ?
what they say ... ?
  
If they lost their ...
... " Loved Ones ' ...
  
Could their cash ... Replace ... ?
" Loved Ones " ... who'd placed ...
Smiles on ... Their face ... !!! ? !!! ...
  
The answer is ... NO ... !!!
and this ... They Know ... !!!
  
So ...
Do you lack ...  
" Other things " ... ?
that ... make you think ...  
  
" What is The Point !!?!! "
of ... Making Noise ...  
about the way ...
we live ... today ...
  
Well ...  
that's okay ...
it's been ... that way ...
since the ... early days ...
of ... " Shackled Slaves ! " ...
  
Many lack ... the ability ...
to face ... " The Truth " ... !!!
  
Do those ... last words ...
Apply ... to you ... !!?!! ...
  
Well ...  
If they ... DO ... ?!?
  
You're lacking in food ...
You should ... Consume ... !!!
  
These days ...  
I Lack ... " Patience " ...
with those who are ...
..... " Blatant " .....
  
" Ignorant Fools !!! " ...
  
Those I find ...
with ... " Narrow Minds " ...
who choose to ... move ...
in the land ... of the blind ... !!!
  
Those now inclined ...
to ... Ignoring Signs ... ?!?
that .... " Indicate " ....
  
.......... " New " ...........  
" Troubled Times " ... !!! ...
for ... "Our" ...
" Human Kind " ... !!!
  
But ... if we pressed ...  
  
"CLICK" ...........  

Rewind ...  
  
I'm sure we'd find ...
Many Things ... " Replicated " ...
Like ...... " Old Pastimes " ......  
  
Do you lack ...  ?
The Ability ...
to want to ... " Backtrack " ... ?
  
Can I ask you ...  
" Freely " ... ?
  
Why are you ... like that ... ???
  
Afraid of what you'll see ... ??!??
or ... what you'll ... FIND ...
that'll ... EXPOSE ... Lies ...
"Cleverly" ... disGuiSed ...
to keep ... The Truth ...
  
hidden ......
  
..... From .....  
" Enquiring Minds ? " ...
  
  
This seems to be ...
... " Planned " ... !?!
  
to ... Ensure Most ...
..... " Lack " .....  
  
" The Ability " .....
  
to deal with ... FACTS ...  
  
Like .....
Why are women ...
Soooo hard ... to understand ... ???
  
In the very beginning ....
They're ... HARD to ATTRACT ... !!!!!
  
If ....  
You're a man ...
who ... HOLDS ... Your Stance ...
THAT ... You give a **** ...
" About " ... Their Needs ...  
  
while those who ... Lack ...
such ..... " Courtesies " .....  
seem to get ... ***** ...
  
Like .... " Next one please !!! "
  
Girls who ... LACK ...
any ... Common Sense ...
are those ... I don't want ...
inside ..... My Bed ..... !!!!!!!!!!
  
But ....
Hell Yes ... Yeah ...
  
I'll pass through theirs' ... !!!!!
  
Now ....
Hear me out girls ...  
Don't take ... Offence ... !!!!!
  
But ....
Too Many ... of you ...
Pick The  ....
  
"Wrong ****** Men ?!?"  
  
Again and Again .....
Your Case ... CLEARLY ...
Has .... " No Defence " ... !!!!!
  
These days ...
There's a .... LACK ....
of ... " Good ol' ... FUN ... !!!
  
Especially with ...
A ... " Good Woman ! " ...
  
..... " Relationships " .....
seem to end ... So Quick ... !!!
  
Before ... " Love's Able " ...
to get a .... " GRIP !!! " ....
and have a chance to ...
  
........ " Sit " .........
  
at the ... Dinner Table ...
That's ... " REALITY " ...
and is ... " No Fable ! " ...
  
Like .... Cain and Abel ...
  
Things are ... CLEARLY ...
Quite .... " Unstable " .... !!!!!
  
Like ... reception through ...
Those ... " Dodgy Cables ! ' ...
  
No ... MTV ...
or ... Sky TV ...
  
But ...  
Here's the link ...
So take ... THIS IN ... !!!
  
There's now a ... LACK ...
of ..... " RELIABILITY " .....
in how .... People ....
Now Seem ... to be ... !!!!!
  
"I'll call you tonight !"
  
"Cool, that's just fine,
I should be home,
by, half past nine,
don't let me down,
I don't like to be clowned !!!"
  
"Trust me man,
I will ring you !!!"
  
" Haven't heard from  
..... THAT FOOL .....
for a whole week now ...
if he calls me with ...
A Poor excuse ...
My mouth is gonna,
leave him ... Schooled ...
and make him ... frown ...
with the words ... I Choose ... !!! "
  
I just can't stand ....
when people .... LACK ....
  
..... " Reliability " ..... !!!!!!!!!!!
  
or ... is it ... Just Me ... ?!?
  
Asking ... TOO MUCH ... !!!
to hope that .... Some ....
  
"Good Ones" ... are left ... !!!
who are .... " Reliable " ....
from ... Start to End ... !!!
  
and deal in ...  
" Honesty " ...

as well as ...
" Respect " ...
  
People ... You TRULY ..
can call ... Your Friends ... !!!!!
  
Well ....
One thing ... I Don't Lack ... !
is a will to ... " Express " ...
through poetry .... sent ....
to my .... Notepad .... !!! ....
  
So ... now it's time ...
to end ... This Rhyme ...  
  
About ....  
Some Things ....
  
That ... WE ALL ...  
...... " Lack " ...... !!!!!
  
But ....
If you think ....
  
You DON"T ... Lack Anything ... ???  
  
Let me just say this ....
  
You are ... DREAMING ... !!!!!!!!!
  
EVERYONE ...  
Lacks something ....
  
That's just ... FACT ... !!!!!!!
  
So .....
Be HONEST ... with yourself ...
  
What Do ... You ... ?
  
........ Lack ........ ???
We ALL ... Lack something, as the piece says ....Dunno what really inspired this, but, clearly one day, the question entered my mind !
Lawrence Hall Aug 2018
Lunch at the Cleverly Named It’s-Not-Really-a-Fish-Camp

A Penance in Two Parts

1.

Waitress-Speak

Or

What is the Correct Response When Someone Says “Thank You?”


No problem no problem sorry ‘bout that
no problem no problem sorry ‘bout that
your order should be here shortly no problem
no problem sorry ‘bout that no problem
no problem sorry ‘bout that your order
should be here shortly no problem no problem
sorry ‘bout that no problem no problem
sorry ‘bout that your order should be here
shortly no problem no problem sorry ‘bout that
no problem no problem sorry ‘bout that
your order should be here shortly no problem
no problem sorry ‘bout that no problem
no problem sorry ‘bout that your order should

Note: Read “no problem” as unselfconscious valley-speak with a nasal twang


2.

Sister-in-Law-Speak

So me and her tried this new place my grandson
said *! so I said *! back and then we
all just laugheddddddddddd oh man this is soooooooo good then
I said I was tired of her * and me and her found this sale and then my
husband said *
So me and her tried this
new place my grandson said *! So I said
! back and then we all just laugheddddddddddd oh man
this is soooooooo good then I said I was tired
of her
* and me and her found this sale
and then my husband said *
So me and
her tried this new place my grandson said
!
So I said *
! back and then we all just
laugheddddddddddd oh man this is soooooooo good then I said

Note: just one margarita but a whole bunch of cackling. Loud cackling.
The site made a foul mess of the second stanza with all the italics and bolds and what-nots.
Sally Tsoutas Apr 2015
Banned,
momentarily.
young, impetuous
stubborn and aware,
tac sharp, she merrily
swears all contraband.
trapped by parental snare
in her room of thoughts
she battles valiantly
with screaming demons,
playing cleverly,
her winning
hand.
So good to have you back iz.
raw with love Nov 2015
(Yes, better than Harry Potter, get your pitchforks ready)

My first encounter with THG was approximately four years ago, when I had barely turned fourteen, did not consider myself bilingual and was romantically frustrated. Naturally, I made several mistakes at the time. First off, I read the series in translation, since I'm not a native English speaker, and missed out a huge chunk of the significance of the story. Then, as I said, I was romantically frustrated and thus paid such a monstrous amount of attention to the romance aspect of the story that I want to bitchslap myself. Finally, at fourteen, I was still ignorant and uneducated about so many things that I read the series, got hyped for perhaps six months or so, then forgot all about it, save for the occasional rewatch of the movies. In retrospect, this is probably one of the biggest mistakes I've ever made. Now, at the ripe old age of eighteen, a significantly better-read person, waaay more woke, as well as socially aware, I decided to finally read the series in the original and am finally able to put my thoughts together in a coherent, educated review of the series.

The Hunger Games has continuously been compared to a number of other books and series, occasionally put down as inferior and forgettable. In those past few years I managed to read a great part of the newly established young adult dystopian genre and am able to argue that A. The Hunger Games is undoubtedly universal and unrestricted to young adult audiences and that B. it is, without the slightest shade of uncertainty, the best series written in our generation.

While many people draw parallels between The Hunger Games and, say, Battle Royale, the similarities end with the first book, which, while spectacular in execution, seems unoriginal in its very idea. As the series unrolls, however, it is hardly possible to compare it to anything, save for, perhaps, Orwell's 1984. The social depiction and the severe criticism laid down in the very basis of the story are so brutally honest that it fails my understanding how the series was ever allowed to become this popular. What starts out as a story about a nightmarish post-Apocalyptic world works up to be revealed as a cleverly veiled portrayal of our own morally degraded and dilapidated society (if you're looking for proof, seek no further: as the series was turned into several blockbuster movies, public interest was primarily concerned with the supposed love triangle rather than the bitter truths concealed in the narrative). Class segregation, media manipulation, dysfunctional governments are just the tip of the iceberg when it comes to the realities that The Hunger Games so adroitly mimics. If I were to dissect, chapter by chapter, all three books, I'd probably find myself stiff with terror at the accuracy of the societal portrait drawn by Collins. I strongly advise those of you who haven't read the series between the lines to immediately do so because no matter how many attempts I make to point it out to you, you simply have to read the series with an alert sense of social justice to realize that it doesn't simply ring true, it shakes the ground with rock concert amplifiers true.

Other than the plot that unfolds into a civil war by the third book (the series deals so amazingly with trauma survival and with depicting the atrocities of war that I am still haunted by certain images), the characters of the story are what makes it all the more realistic. Though Hollywood has done a stunningly good job in masking the shocking reality of the fact that these are children - aged twelve through eighteen, innocent casualties paying for the adults' mistakes; children forced into prostitution, fake relationships, children forced into maneuvering through a world of corruption, media brain-washing and propaganda.

Consider Katniss. She is a person of color (olive-skinned, black-haired, gray -eyed, fight me if you will but she is not a white person), disabled (partially deaf, PTSD-sufferer, malnourished), falling somewhere in the gray spectrum both sexually and romantically. As far as representation goes, Katniss is one of the most diverse characters in literature, period. Consider Peeta, his prosthetic leg (which, together with Katniss's deafness, has been conveniently left out of the movies) and his mental trauma in the third book. Consider Annie's mental disability. Consider Beetie in his wheelchair. Consider all the people of color, as well as the fact that people in the Capitol seem to have neglected all sorts of gender stereotypes (e.g. all the men are wearing makeup). There is absolutely no doubt that the series is the most diverse piece of literature out there. Consider this: the typical roles are reversed and Peeta is the damsel in distress whereas Katniss does all the saving.

Furthermore, the alarming lack of religion (in a brutal society reliant on the slaughter of children God serves no purpose), as well as several other factors, such as the undisputed position of authority of President Snow, is suspiciously reminiscent of the already familiar model of a totalitarian society.

The Hunger Games, in other words, is revolutionary in its message, in its diversity, in the execution of its idea, in its universality. I mentioned Harry Potter in the subtitle. While this other series has played a vital role in the shaping of my character, it has gradually receded to the back line for several reasons, one of which is how problematic it actually is. This, though, is a problem for another day. (The Hunger Games is virtually unproblematic and while it may be argued that the LGBTQ society is underrepresented, a momentary counterargument is that *** has a role too insignificant in the general picture of the story to be necessary to be delved into this supposed problem). Where I was going with this is that, at the end of the day, Harry Potter, while largely enjoyed by adults and children alike, is a children's book and contains a moral code for children, it was devised to serve as a moral compass for the generation it was to bring up. The Hunger Games, on the other hand, requires you to already have a moral compass installed in order to understand its message. It is, as I already said, a straightforward critique of a dysfunctional society, aimed at those aware and intelligent enough to pick on it.

As for its aesthetic qualities, the series is written, ominously, in the present tense, tersely and concisely, yet at the same time in a particularly detailed and eloquent manner. It lacks the pretentious prose to which I am usually drawn, yet captivates precisely with the simplicity of its wording, which I believe is a deliberate choice, made so as to anchor the story to the mundane reality of the actual world that surrounds us.

That being said, I would like to sum up that The Hunger Games is, to my mind, perhaps the most successful portrayal of the world nowadays, a book series that should be read with an open mind and a keen sense of social awareness.
the river flows as
living memory

the birds of the
Nile are its
knowing eyes

fly catchers
ply the rich
delta
probing
sediments
of sand
washed
from
distant
Nubian
mountains
eons
ago

layers of
recollection
go fathoms
deep

shrieking
gulls
plumb the
mud flats
with heroic
persistence
as they did
when the
first rafts
drifted out
of the
Great Rift
ferrying
civilizations
forebears
to the
opening chapters
of world history

the first
seafarers
competed with
greedy spoonbills
to navigate
porous
papyrus
crafts
through
the narrow
channels
of the
Damietta,
transporting
ideas, skills
and goods
to build an
emerging
world

mallards
troll the
same
gentile
eddies that
goaded the
Mother of
All Waters
to float the
basket cradling
Yahweh’s
infant prophet
Musa, into the
loving arms
of Bithiah
who nurtured
the vanquisher
of Osiris’
galleries of
Gods

a litany
of conquests
rolled on the
silver waves
of this river

conquerors
maneuvered
the truculent
currents
like sharp
eyed hawks
skimming the
pliant waters
with well
extended
razor quick
talons
picking the
Nile’s bounty
clean

this fertile
delta remembers
more than
6,000 seasons
of harvests

the
cycles of time
has produced
seasons of plenteous
abundance and
desperate privation
all cleverly exploited
by generations of
fearless herons
who wrangled
the demons
of hardship
to route the
dread of hunger
expelling despair
from the Egyptian
DNA, etching
a new hieroglyph
of freedom onto
survivors hearts

the Niles
sorrows
and glories
perpetually
wash this
magnanimous
delta
surely as
the gentle
wakes
of feluccas
continue
to lap its
shore

the marshes
have not withered

the verdant
reeds prosper

flamingos find
the water
rich in fish

in due
season
the red
lotus will
paint
the arcuate
alluvial
fans in
scarlet
autumnal
hues

In the
Valley of
the Kings
the shadows
of migratory
flocks mark
the foundation
stones of the
pyramids
as they did
when slaves
pushed them
into place

the eternal
lines of
pharaohs
rule has fallen,
their gods
imprisoned
in hieroglyphs
adorning their
royal tombs
on display
in the worlds
museums

the weathered
pyramids continue
to crumble

the face of
the sphinx
withers away

torrents of
blood flowed
in this rivers
currents, now
strained clear
by the reeds
anchoring
its banks

the fleeting
rule of regimes
are pictured
as momentary
reflections
skimming along
the ripppling
water; the
rise and fall
of rulers is
captured like
the shifting hues
sunrises and
sunsets bespeak
upon the waters

the ascending
waves of
the Sacred Ibis
dance atop
the Nile’s gray
waters; the
river jumps
to life as the
graceful wings
take flight
to foreign
destinations;
expecting
to return
again as
the cycles
of seasons
round once
more

as the Nile flows
its memory deepens
the eyes of the birds
watch and remember


Music Selection:
Gary Bartz, I've Known Rivers

Oakland
3/31/12
jbm
I

Out of the little chapel I burst
Into the fresh night-air again.
Five minutes full, I waited first
In the doorway, to escape the rain
That drove in gusts down the common’s centre
At the edge of which the chapel stands,
Before I plucked up heart to enter.
Heaven knows how many sorts of hands
Reached past me, groping for the latch
Of the inner door that hung on catch
More obstinate the more they fumbled,
Till, giving way at last with a scold
Of the crazy hinge, in squeezed or tumbled
One sheep more to the rest in fold,
And left me irresolute, standing sentry
In the sheepfold’s lath-and-plaster entry,
Six feet long by three feet wide,
Partitioned off from the vast inside—
I blocked up half of it at least.
No remedy; the rain kept driving.
They eyed me much as some wild beast,
That congregation, still arriving,
Some of them by the main road, white
A long way past me into the night,
Skirting the common, then diverging;
Not a few suddenly emerging
From the common’s self through the paling-gaps,
—They house in the gravel-pits perhaps,
Where the road stops short with its safeguard border
Of lamps, as tired of such disorder;—
But the most turned in yet more abruptly
From a certain squalid knot of alleys,
Where the town’s bad blood once slept corruptly,
Which now the little chapel rallies
And leads into day again,—its priestliness
Lending itself to hide their beastliness
So cleverly (thanks in part to the mason),
And putting so cheery a whitewashed face on
Those neophytes too much in lack of it,
That, where you cross the common as I did,
And meet the party thus presided,
“Mount Zion” with Love-lane at the back of it,
They front you as little disconcerted
As, bound for the hills, her fate averted,
And her wicked people made to mind him,
Lot might have marched with Gomorrah behind him.

II

Well, from the road, the lanes or the common,
In came the flock: the fat weary woman,
Panting and bewildered, down-clapping
Her umbrella with a mighty report,
Grounded it by me, wry and flapping,
A wreck of whalebones; then, with a snort,
Like a startled horse, at the interloper
(Who humbly knew himself improper,
But could not shrink up small enough)
—Round to the door, and in,—the gruff
Hinge’s invariable scold
Making my very blood run cold.
Prompt in the wake of her, up-pattered
On broken clogs, the many-tattered
Little old-faced peaking sister-turned-mother
Of the sickly babe she tried to smother
Somehow up, with its spotted face,
From the cold, on her breast, the one warm place;
She too must stop, wring the poor ends dry
Of a draggled shawl, and add thereby
Her tribute to the door-mat, sopping
Already from my own clothes’ dropping,
Which yet she seemed to grudge I should stand on:
Then, stooping down to take off her pattens,
She bore them defiantly, in each hand one,
Planted together before her breast
And its babe, as good as a lance in rest.
Close on her heels, the dingy satins
Of a female something past me flitted,
With lips as much too white, as a streak
Lay far too red on each hollow cheek;
And it seemed the very door-hinge pitied
All that was left of a woman once,
Holding at least its tongue for the *****.
Then a tall yellow man, like the Penitent Thief,
With his jaw bound up in a handkerchief,
And eyelids ******* together tight,
Led himself in by some inner light.
And, except from him, from each that entered,
I got the same interrogation—
“What, you the alien, you have ventured
To take with us, the elect, your station?
A carer for none of it, a Gallio!”—
Thus, plain as print, I read the glance
At a common prey, in each countenance
As of huntsman giving his hounds the tallyho.
And, when the door’s cry drowned their wonder,
The draught, it always sent in shutting,
Made the flame of the single tallow candle
In the cracked square lantern I stood under,
Shoot its blue lip at me, rebutting
As it were, the luckless cause of scandal:
I verily fancied the zealous light
(In the chapel’s secret, too!) for spite
Would shudder itself clean off the wick,
With the airs of a Saint John’s Candlestick.
There was no standing it much longer.
“Good folks,” thought I, as resolve grew stronger,
“This way you perform the Grand-Inquisitor
When the weather sends you a chance visitor?
You are the men, and wisdom shall die with you,
And none of the old Seven Churches vie with you!
But still, despite the pretty perfection
To which you carry your trick of exclusiveness,
And, taking God’s word under wise protection,
Correct its tendency to diffusiveness,
And bid one reach it over hot ploughshares,—
Still, as I say, though you’ve found salvation,
If I should choose to cry, as now, ‘Shares!’—
See if the best of you bars me my ration!
I prefer, if you please, for my expounder
Of the laws of the feast, the feast’s own Founder;
Mine’s the same right with your poorest and sickliest,
Supposing I don the marriage vestiment:
So, shut your mouth and open your Testament,
And carve me my portion at your quickliest!”
Accordingly, as a shoemaker’s lad
With wizened face in want of soap,
And wet apron wound round his waist like a rope,
(After stopping outside, for his cough was bad,
To get the fit over, poor gentle creature
And so avoid distrubing the preacher)
—Passed in, I sent my elbow spikewise
At the shutting door, and entered likewise,
Received the hinge’s accustomed greeting,
And crossed the threshold’s magic pentacle,
And found myself in full conventicle,
—To wit, in Zion Chapel Meeting,
On the Christmas-Eve of ‘Forty-nine,
Which, calling its flock to their special clover,
Found all assembled and one sheep over,
Whose lot, as the weather pleased, was mine.

III

I very soon had enough of it.
The hot smell and the human noises,
And my neighbor’s coat, the greasy cuff of it,
Were a pebble-stone that a child’s hand poises,
Compared with the pig-of-lead-like pressure
Of the preaching man’s immense stupidity,
As he poured his doctrine forth, full measure,
To meet his audience’s avidity.
You needed not the wit of the Sibyl
To guess the cause of it all, in a twinkling:
No sooner our friend had got an inkling
Of treasure hid in the Holy Bible,
(Whene’er ‘t was the thought first struck him,
How death, at unawares, might duck him
Deeper than the grave, and quench
The gin-shop’s light in hell’s grim drench)
Than he handled it so, in fine irreverence,
As to hug the book of books to pieces:
And, a patchwork of chapters and texts in severance,
Not improved by the private dog’s-ears and creases,
Having clothed his own soul with, he’d fain see equipt yours,—
So tossed you again your Holy Scriptures.
And you picked them up, in a sense, no doubt:
Nay, had but a single face of my neighbors
Appeared to suspect that the preacher’s labors
Were help which the world could be saved without,
‘T is odds but I might have borne in quiet
A qualm or two at my spiritual diet,
Or (who can tell?) perchance even mustered
Somewhat to urge in behalf of the sermon:
But the flock sat on, divinely flustered,
Sniffing, methought, its dew of Hermon
With such content in every snuffle,
As the devil inside us loves to ruffle.
My old fat woman purred with pleasure,
And thumb round thumb went twirling faster,
While she, to his periods keeping measure,
Maternally devoured the pastor.
The man with the handkerchief untied it,
Showed us a horrible wen inside it,
Gave his eyelids yet another *******,
And rocked himself as the woman was doing.
The shoemaker’s lad, discreetly choking,
Kept down his cough. ‘T was too provoking!
My gorge rose at the nonsense and stuff of it;
So, saying like Eve when she plucked the apple,
“I wanted a taste, and now there’s enough of it,”
I flung out of the little chapel.

IV

There was a lull in the rain, a lull
In the wind too; the moon was risen,
And would have shone out pure and full,
But for the ramparted cloud-prison,
Block on block built up in the West,
For what purpose the wind knows best,
Who changes his mind continually.
And the empty other half of the sky
Seemed in its silence as if it knew
What, any moment, might look through
A chance gap in that fortress massy:—
Through its fissures you got hints
Of the flying moon, by the shifting tints,
Now, a dull lion-color, now, brassy
Burning to yellow, and whitest yellow,
Like furnace-smoke just ere flames bellow,
All a-simmer with intense strain
To let her through,—then blank again,
At the hope of her appearance failing.
Just by the chapel a break in the railing
Shows a narrow path directly across;
‘T is ever dry walking there, on the moss—
Besides, you go gently all the way up-hill.
I stooped under and soon felt better;
My head grew lighter, my limbs more supple,
As I walked on, glad to have slipt the fetter.
My mind was full of the scene I had left,
That placid flock, that pastor vociferant,
—How this outside was pure and different!
The sermon, now—what a mingled weft
Of good and ill! Were either less,
Its fellow had colored the whole distinctly;
But alas for the excellent earnestness,
And the truths, quite true if stated succinctly,
But as surely false, in their quaint presentment,
However to pastor and flock’s contentment!
Say rather, such truths looked false to your eyes,
With his provings and parallels twisted and twined,
Till how could you know them, grown double their size
In the natural fog of the good man’s mind,
Like yonder spots of our roadside lamps,
Haloed about with the common’s damps?
Truth remains true, the fault’s in the prover;
The zeal was good, and the aspiration;
And yet, and yet, yet, fifty times over,
Pharaoh received no demonstration,
By his Baker’s dream of Baskets Three,
Of the doctrine of the Trinity,—
Although, as our preacher thus embellished it,
Apparently his hearers relished it
With so unfeigned a gust—who knows if
They did not prefer our friend to Joseph?
But so it is everywhere, one way with all of them!
These people have really felt, no doubt,
A something, the motion they style the Call of them;
And this is their method of bringing about,
By a mechanism of words and tones,
(So many texts in so many groans)
A sort of reviving and reproducing,
More or less perfectly, (who can tell?)
The mood itself, which strengthens by using;
And how that happens, I understand well.
A tune was born in my head last week,
Out of the thump-thump and shriek-shriek
Of the train, as I came by it, up from Manchester;
And when, next week, I take it back again,
My head will sing to the engine’s clack again,
While it only makes my neighbor’s haunches stir,
—Finding no dormant musical sprout
In him, as in me, to be jolted out.
‘T is the taught already that profits by teaching;
He gets no more from the railway’s preaching
Than, from this preacher who does the rail’s officer, I:
Whom therefore the flock cast a jealous eye on.
Still, why paint over their door “Mount Zion,”
To which all flesh shall come, saith the pro phecy?

V

But wherefore be harsh on a single case?
After how many modes, this Christmas-Eve,
Does the self-same weary thing take place?
The same endeavor to make you believe,
And with much the same effect, no more:
Each method abundantly convincing,
As I say, to those convinced before,
But scarce to be swallowed without wincing
By the not-as-yet-convinced. For me,
I have my own church equally:
And in this church my faith sprang first!
(I said, as I reached the rising ground,
And the wind began again, with a burst
Of rain in my face, and a glad rebound
From the heart beneath, as if, God speeding me,
I entered his church-door, nature leading me)
—In youth I looked to these very skies,
And probing their immensities,
I found God there, his visible power;
Yet felt in my heart, amid all its sense
Of the power, an equal evidence
That his love, there too, was the nobler dower.
For the loving worm within its clod
Were diviner than a loveless god
Amid his worlds, I will dare to say.
You know what I mean: God’s all man’s naught:
But also, God, whose pleasure brought
Man into being, stands away
As it were a handbreadth off, to give
Room for the newly-made to live,
And look at him from a place apart,
And use his gifts of brain and heart,
Given, indeed, but to keep forever.
Who speaks of man, then, must not sever
Man’s very elements from man,
Saying, “But all is God’s”—whose plan
Was to create man and then leave him
Able, his own word saith, to grieve him,
But able to glorify him too,
As a mere machine could never do,
That prayed or praised, all unaware
Of its fitness for aught but praise and prayer,
Made perfect as a thing of course.
Man, therefore, stands on his own stock
Of love and power as a pin-point rock:
And, looking to God who ordained divorce
Of the rock from his boundless continent,
Sees, in his power made evident,
Only excess by a million-fold
O’er the power God gave man in the mould.
For, note: man’s hand, first formed to carry
A few pounds’ weight, when taught to marry
Its strength with an engine’s, lifts a mountain,
—Advancing in power by one degree;
And why count steps through eternity?
But love is the ever-springing fountain:
Man may enlarge or narrow his bed
For the water’s play, but the water-head—
How can he multiply or reduce it?
As easy create it, as cause it to cease;
He may profit by it, or abuse it,
But ‘t is not a thing to bear increase
As power does: be love less or more
In the heart of man, he keeps it shut
Or opes it wide, as he pleases, but
Love’s sum remains what it was before.
So, gazing up, in my youth, at love
As seen through power, ever above
All modes which make it manifest,
My soul brought all to a single test—
That he, the Eternal First and Last,
Who, in his power, had so surpassed
All man conceives of what is might,—
Whose wisdom, too, showed infinite,
—Would prove as infinitely good;
Would never, (my soul understood,)
With power to work all love desires,
Bestow e’en less than man requires;
That he who endlessly was teaching,
Above my spirit’s utmost reaching,
What love can do in the leaf or stone,
(So that to master this alone,
This done in the stone or leaf for me,
I must go on learning endlessly)
Would never need that I, in turn,
Should point him out defect unheeded,
And show that God had yet to learn
What the meanest human creature needed,
—Not life, to wit, for a few short years,
Tracking his way through doubts and fears,
While the stupid earth on which I stay
Suffers no change, but passive adds
Its myriad years to myriads,
Though I, he gave it to, decay,
Seeing death come and choose about me,
And my dearest ones depart without me.
No: love which, on earth, amid all the shows of it,
Has ever been seen the sole good of life in it,
The love, ever growing there, spite of the strife in it,
Shall arise, made perfect, from death’s repose of it.
And I shall behold thee, face to face,
O God, and in thy light retrace
How in all I loved here, still wast thou!
Whom pressing to, then, as I fain would now,
I shall find as able to satiate
The love, thy gift, as my spirit’s wonder
Thou art able to quicken and sublimate,
With this sky of thine, that I now walk under
And glory in thee for, as I gaze
Thus, thus! Oh, let men keep their ways
Of seeking thee in a narrow shrine—
Be this my way! And this is mine!

VI

For lo, what think you? suddenly
The rain and the wind ceased, and the sky
Received at once the full fruition
Of the moon’s consummate apparition.
The black cloud-barricade was riven,
Ruined beneath her feet, and driven
Deep in the West; while, bare and breathless,
North and South and East lay ready
For a glorious thing that, dauntless, deathless,
Sprang across them and stood steady.
‘T was a moon-rainbow, vast and perfect,
From heaven to heaven extending, perfect
As the mother-moon’s self, full in face.
It rose, distinctly at the base
With its seven proper colors chorded,
Which still, in the rising, were compressed,
Until at last they coalesced,
And supreme the spectral creature lorded
In a triumph of whitest white,—
Above which intervened the night.
But above night too, like only the next,
The second of a wondrous sequence,
Reaching in rare and rarer frequence,
Till the heaven of heavens were circumflexed
Another rainbow rose, a mightier,
Fainter, flushier and flightier,—
Rapture dying along its verge.
Oh, whose foot shall I see emerge,
Whose, from the straining topmost dark,
On to the keystone of that are?

VII

This sight was shown me, there and then,—
Me, one out of a world of men,
Singled forth, as the chance might hap
To another if, in a thu
k-s-h Jul 2013
So the clever artist manages to push all her friends away,
And the clever artist decides to distract herself from her plight.
The clever artist goes outside to paint
In the rain.
In the middle of the night.
The clever artist crafts damaged brushstrokes.
And the very clever artist watches them wash away.

The clever artist sends herself mostly blind
As she watches her foggy breath over a flashlight.
The clever artist thinks about the silence that blares,
Despite the music coming from everywhere.
And oh the clever artist!--
Dropped her brush in the dirt.
But she still managed to disguise her hurt..
The artist cleverly insulted the paintbrush in hand;
Clever words, metaphorically meant.

It was then the clever artist ran inside
Her hair dripping from the rain, tangled and wild.
The stupid artist sits down before a page,
Taking her favourite seat.
And writes the worst excuse of a poem ever made.
Becoming the least worthy poet you'll ever meet
The stupid artist can't write,
Nor paint for ****.
And of her friendship skills?
Well, **** it.
Mercury Chap Mar 2015
I tried to draw,
But my sketches are raw
I am imperfect in every way
I used to be good is all I say
Because then I hadn't heard of the word flaw.

My mind was never worried
My words never hurried
To say something worth it
Because my mind at that time was fit
To say, my mouth cleverly flurried.

But when time passes,
All the green grasses
Finally lose their sheen
But they still try to feign
That they are worth to be looked at carefully with glasses.

Just like that
I have changed, it's sad
I have become annoying
But I won't stop even if I'm knowing
That you don't want to talk 'cause I'm talking bad.
Brittany Wynn Sep 2015
He strides up to my desk, beaming
like I'm the winning lotto
ticket he wants to rub off in his truck--
"Well, aren't you as cute as a button."

Puke creeps up my throat while
his creased eyes clearly try to
conjure the image of my naked
**** I thought I cleverly disguised
by a collared grandma blouse.
"Is there anything else I can help you with, sir?"

Heart racing from the effort to keep
my mouth shut and my cheeks
pale, I see other people
whisper, widen their eyes
at his use of "cutie" and "dearest"
while he winks repeatedly--
apparently a Morse code for
I'd-do-you-baby.

I practically feel the slime
slipping down my outsides,
but I give him a smile.
-because I have to-
Epic Monkey Nov 2013
(To my sisters and brother)

I will always miss …


Our sunset ending quarrels

Our never-ending teases

Christmas’ shared carols

Warm hugs

Through sweet gazes

The sarcastic smiling faces

The growing-up races

Revenge taking chases

Greed over goodies to be hidden

In unpredictable places


And I will always miss …


Competitions and crazy bets

Singing hilarious duets

Of made-up songs in the shower

This innocence

Of our childish humor

Screamed from a room to another

That art of tricking eachother

To cleverly stay in control

Or wrestling over the remote control



And I will always miss …

Decades of shared history

Amplified joy and divided misery

Bursts of laughter on old tapes

Creatively imagined games

Of whirlpools in drapes

And goalkeeper leaps

Random costume parties

Daily role-play stories

Sega sagas from dusk to dawn

Alliances and conspiracies


Sisters, my lovely sisters

Wise, you have become

Loving wives, caring mothers

Soon, you will become

Make sure your kids relive

What we used to live

Their uncle will make you proud

Just like you fill him with pride


Brother, dear brother

I secretly looked up to you

As I grew older

I kept resembling you

It doesn’t matter

If you’re a little far

Brotherhood’s a matter

Of unbreakable bond


And I will always admire, respect, love and cherish …
Every single one of you
Written last month.
My brother lives in another country and my sisters will both get married next year
Kim McCarthy Mar 2013
They live in huge houses, drive fancy cars
Most know poverty only secondhand
So how can they fix a problem... They don't really understand

Given the role of a leader
However, I'm convinced they are confused
We live in worlds too far apart...
How can they lead with similar views

Their children go to private schools
Only the finest and elite
Their children will never need public education
So they allow funding to deplete
Their children will succeed
I believe it's part of their plan
To ensure that high society
Will forever lead the average man

The evidence is no secret
They don't seem to care if we agree
They know they hold this power
So it doesn't matter if we see

Our taxes keep going up
Unemployment is at an all time high
Life keeps getting harder for those just scrapping by
The people making these decisions
Of course they find it easy enough to do
They're not deciding for themselves
They decide for me and you

The truth of the matter is...
This country is ruled by hypocrisy
They disguise this, however, very cleverly
Today it's what we know as Democracy

"A political government run by 'The People' through 'Selected' officials"... Democracy defined
Compare it to the way it was truly designed

Sure we get to 'select the official'
But the one thing they seem to neglect
They pick the people
Many, that corruptive politics help select
Traveler Dec 2018
Collaboration
Cen' and Traveler Tim

Traveler:
This is not about ***
There will be no
******* *****
Any flesh
That you read
Shall not be nibbled
On by me
Any mentions
Of flower traps
Petals filled with
Sweet cream sap
Curves or crevasses
Such lustful lines
I refuse to burn
By your design
You **** thing
Such beauty I seek
But I won't
Be made
Into a freak!!

Cné:
A poem of ***
But not in this text
I just used those words to see
~
If you would come
Looking for fun
And read this poem by me
~
You will not find
Words of that kind
No moaning passionate steam
~
Two of the night
Not in this write
All of these verses are clean
~
Lips locking soft
Hearts now aloft
Maybe what you did expect
~
Candlelight flame
Screaming a name
Glistening skin, beads of sweat
~
Sensual sighs
Quivering thighs
****** moments to trace
~
Euphoric throes
Fingers and toes
Sorry you’re in the wrong place
~
None of that here
Let’s make it clear
Nary a stanza reflects
~
Words that you see
Written by me
Not a Poem of ***

Traveler:
I'm sure these words
Cleverly crafted
Would never lead astray
A moaning voice
Breathing heavy
With a wanting to get laid

No words of touching
Self out loud
No fleshly fluid rhymes
I'm sure your words
Would never stir
My lustful hunger mind!!
Traveler Tim
And
Cen'
ride into the floorboards
on the backs of people
you once trusted

        even fooling for a second
        the cleverly disguised devout

        why cleverly hide yr God?

he hangs beneath me
from the cages of
shopping carts

        he who would give up his eyes
        until they turn to milky white
        crescent moons that leak thick

******* on anything
that ever disturbed
yr morning walk

        the devout,
        who would give up their eyes
        for a *******

Michael Sinclaire/Mary Fahey. March 2013.
Shang Dec 2013
I am a
figure of speech
for the permanent solution
of a temporary problem.

you were the universe
expressing it's depression.

oh,
how concerned you
certainly always
were.
in total shambles-
I anxiously awaited
as time cleverly excluded you.

I now face this hurling semi alone.
(C) Shang
Terry Jordan Nov 2015
I Am Peter the Apostle

Just an illiterate fisherman
Before the Holy Spirit spread
Even my shadow had power
To heal and raise Dorcus from the dead

Jesus called my brother Andrew, too
When we both toiled as fishermen
To follow Him in God’s mission
And learn how to be Fishers of men

I witnessed his transfiguration
Meeting Elijah and Moses
A prelude to Jesus Risen
He knew he faced no bed of roses

Jesus taught me how his days on Earth
All were numbered to the hour
He transfigured on the mountain
I saw His magnificent power

I proclaimed, “You are the Messiah!”
I assure you God loves us all
Angels tapped me on the shoulder
To be witness to His mighty call

I was there when God spoke lovingly
“This is my much beloved son”
I’ve not been telling fairy-tales
In the light of Eternity Won

I was ordained by Jesus Himself
And founded two churches of hope
Spread His message of salvation
To Catholics I’m the very first pope

I am warning you ahead of time
Surprise, like a thief in the night
He’s giving more time for sinners
Who are trying hard to get it right

Believe that day is surely coming
So while waiting for His return
Achieve closer union with God
Holy, Godly lives are your concern

Live without sinning and be at peace
With everyone-it’s not too late
My own eyes have seen His Glory
Let His light dawn in your soul-don’t wait!

Remember I walked on water, too
Following Jesus in His wake
All ungodly men will perish
So follow him, too, for your own sake

Those who fall in love with money
Always doing wrong to others
Beware false prophets who tell lies
Destroy their unrepentant covers

I remind you all so solemnly
Of ***** and Gomorrah’s end
And yet God saved that good man, Lot
And He can rescue you, too, my friend

A man’s a slave to what controls him
“Do what you like, be free”, say men
False teachers are fools, don’t listen
For they really are slaves to their sin

I remind you He came to save us
From the rottenness all around
Demonstrating His character
To the Golden Rule you should be bound

A dog coming back to his *****
Or a pig wallowing again
It’s worse than not to have known Him
For those who turn once again to sin

When a person escapes wickedness
Then tangles up with sin once more
By turning on His commandments
He’ll be worse off than he was before

No woman escapes their sinful stares
They proudly boast of sin, no giving
They’ve gone off the road, useless and doomed
Luring others to wicked living

God delivered us from the old life
Put aside your own desires
Gladly be patient and Godly
Living the good life He requires

He’ll open wide the gates of heaven
You are among those God has called
Into His Eternal Kingdom
I’m reminding you what prophets told

In the last days he warns of scoffers
Who cleverly lie about God
They laugh at the truth when taunting
“Where is he? Why so slow?  He’s a fraud!”

Is His promised return slow for you?
In a day or a thousand years…
To God is just like tomorrow
When Christ our Savior again appears

He’s given us all blessings promised
Let God have His way, not a whim
Find out what God wants you to do
Become fruitful and useful to Him

Yes, I know how I denied Jesus
And recall the rooster crowed, too
Three times I said I don’t know Him
Ask yourself how many times have you?
All I knew about Peter was that he denied Jesus three times, until I read more about him...
I am the carnage
dripping with emoluments
reeking of duplicity
occupier of cities
torturer of insurgents
ruler by decree of tweets

A grand vision of myself
is forever fixed
in my mind’s eye

I am the zeitgeist
my murmuration
reverberates
through every
media channel
dazzling the
dizzy digerati
diligently tweeting
my precious
prescient
predilections

I descended from
my gilded 5th Ave tower
conveyed by a downward escalator
to save the common mass
from devastation and destruction

sweeping across
magnificent porticos
making grand entrances
through marine guarded gates
the glint of a rising sun
highlights the halo
of my golden coiff
and the fortitude of
my deep red power tie

I survey the global landscape
that fellow elites and I
have assiduously crafted
to loot unfathomable wealth
to indulge our idiosyncratic whims

The perpetual war
Toppled soverns
The viral terrors
The blighted cities
Ineffectual schools
Strangling bureaucracies
Egregious taxation
Omnipotent corporations
Offshored industries
Meager wages
Balooning wealth gap
Industrial stasis
Imminent domaine
Deteriorating health
Withering private life
Fractured families
Ubiquitous addictions
Disempowerment
Disenfranchisement
Stultifying work
Environmental degradation
Consuming violence
Government  spying
Police State repression
All was created by me
For the benefit of me

I alone can fix the carnage
I and like minded confederates
so cleverly created for our sole benefit


I understand the peril of
The Forgotten Man
He is under siege  
Hiding in the bowels
Of violent cities
He is foreclosed in
Shuttering suburbia
He is lost in the changing
Ethnicity of our homeland
He's been abandoned
By the perpetually elected
Politicians beholden to the
Monied interests
He is set adrift    
To wander among
the tombstones
Of a dying America

We are under siege
By Illegals stealing jobs
Victimized by their crime sprees
They live off the public dole
They undermine America
aided and abetted by the liberals
Who like the terrorists
Are waiting to pounce
with blood dripping fangs
to further their
UnAmerican agenda

I am the corruptor
I bought the politicians
Skidded the regulations
evaded taxes
cut corners
pushed every
envelop to
advance the
cause of me
-the devoted profiteer-
the dissolution
of Atlantic City
is the hallmark
of my handiwork

I gorged myself
at the public troughs
Reaping tax abatements
my skilled hand
always extracting
concessions and coinage
from the public purse
a clever businessman indeed

I am the art of the deal
the bankrupter of businesses
prince of crooked commerce
Defaulter on debts
Whelsher on payments
to workers for service due
I am the darling of the
double dealing derring-do

I am drawn to the beautiful
I am enamoured with me
My favorite pastime,
Watching Celebrity
Apprentice reruns
-the highest rated show
of all time… (a curious alt fact)-
more people attended and
watched my inaugural address
then any other president
throughout history….
PERIOD!

I have a proud collection
of trophy wives ….
the purpose of my family
is to affirm and flatter me
I agree with Howard Stern
that Ivanka is a piece of ***
I wish I could date her

As I walk the fantastic
performance stages of my life
I am radically entitled
to gleefully grab *****
insult disgusting subordinates
castigate uppity females
like Rosie and Megyn
while remaining
a titillated ******
visiting teenage
beauty pageant
dressing rooms

I am a committed
serial adulterer
that staunchly upholds
the sanctity of family values

I made my fortune
Extracting rent
trafficking in vice...
gambling and circuses
For the masses
These are my specialties
and I ***** my name
to all licensees
willing to pay me
to brand any
faux luxerient

I alone can fix the carnage
I and like minded confederates
so cleverly created
for our personal benefit

Tax me with requests
for insights to whom
I am and with whom
I do business
I will offer nothing but
the impenetrable
opaqueness

Look into the mirror
Every base impulse
Every fear, prejudice
Resent you discover
You will find me

I am settled into
every ****** crag
Every worry line
searing your brow
Skillfully plained by me

I am a paradox
wrapped in the
enigma of self
aggrandizing deals

I am the
daring deconstructor
of public schools
Rent seeking
holy privatization
will enrich fellow elites
together we shall
gleefully grease the slide
of the dumb down ride
abhorring facts
ideology, opinions
and optics rule

I cultivate a
suspicion of science
Preferring the superiority
of suspicion in service to
A bloated gut feel
as the ultimate arbiter of
The course to pursue

I pledge allegiance
to the ruthless exploitation
Of Mother Earth
Like a juggernaut
I will roll over the
Standing Rock Protectors
And any opposition
to the extraction
And distribution
of fossil fuels
I'll Frack
the republic to pieces
Direct my armies
To conquest oil rich nations
to quench my insatiable thirst
For the fuel of all capitalist tools

health care is not
a universal right
I care only for
The health of my own
and the welfare of
the privileged few
I promise to *******
Many with my Trumpcare

I am the defiler
of sanctuary cities
Disruption is my pleasure
the route of humanity
Tramping through
this burning world
Is welcomed to my hell

I distrust unity
I slice through cohesion
At ribbon cutting ceremonies

I drain The Swamp
And fill it with quicksand
I Enable anger
It's a sign of manliness

I collaborate with
a rising Confederacy
The Altright promises
To undermine the Union
With assault and battery…

My pout crowns
a cunning heart
My scowl is
the router of joy

Purple bunting
Perpetually hangs
On my heart

The blue line
Is not blue enough
the lawless half
Must be cowed
Into submission

I vow to scrub
The institutional memory
Of the Federal system
and all democratic tradition

I exalt  the fantasies
Of the forgotten man
I will fill his long memory
With fables of his foibles
And litanies of my
next great conquest

My Scepter of deception
Anoint the fictions of me
Attesting to my greatness
My craft is vanity

Putin is my model
I empathize with
How he deals with
dishonest journalists

I am empowered by the
Apartheid of Zion
I too am a builder of walls
Celebrant of separatism
Suspicious of the other
I burn the bridges
Severing all connections to them

Duplicity is our new national religion
My thumbs are bloodied by furtive tweets
My mind is pinched by anguish
The weight of myself
Strides across our
denigrated landscape
like Goya's Colossus
I am the carnage  

Music; Led Zeppelin
When the Levee Breaks

Lavallette
1/29/17
jbm
composed after the Women's March
to honor ****** Hair,
the 45th President of the US
Saloni Sep 2014
I asked again but my hope refused to extinguish,
It smiled and told I had always been distinguished.
So, I kept checking my mail box even if it seemed lame,
I kept waiting and waiting but that Hogwarts letter never came.

Eleven progressed to twelve, twelve to thirteen,
Mistaken- I thought-they must have been,
Meanwhile I did my own reading and learnt all the curses,
And with the wand I never had I practiced all the verses.

First of September arrived again, and again, and again.
And with the years that passed, so increased the pain,
“So the age limit isn’t actually eleven!” then I optimistically thought,
“Oh! What a brutal test of patience they cleverly plot!”

Pictures in newspaper don’t move, brooms yet don’t fly,
And yes there are times that these thoughts make me cry,
“Hogwarts doesn’t exist”- Oh! These oblivious muggles continue to tell,
Deep down they are just jealous that they just can’t cast a spell,
“Well, can you?” they ask laughing and teasing,
Their voice brimming up with sarcastic appeasing…
“Not yet” I silently speak, “Just wait for days some...
My pretty little Hogwarts letter is just about to come.”
"Wagons East (1994) - IMDb www.imdb.com/title/tt0111653/ Internet Movie Database Rating: 4.7/10 - ‎3,545 votes (stylized onscreen as ‘Wagons East’) is a 1994 western comedy film directed by Peter Markleand starring John Candy and Richard Lewis. The film marked one of Candy's last film appearances although it was not his last film release. His last film, Canadian Bacon which he had completed before “Wagons East,” had a delayed release in 1995. The film was notable for its leading actor Candy dying of a heart attack during the final days of the film's production. A stand-in and special effects were used to complete his remaining scenes and it released five months after his death."

And it’s Wagons East!
John Candy’s last mega-bomb,
Released 5 months postmortem.
Alas, even the sympathy vote stayed home,
Reject the we-owe-it-to-him-for
“Planes, Trains & Automobiles”(1987, IMDB).
The role, like money in the bank,
Earning diminishing returns,
Yielding interest but losing value over time.
The myth of INTEREST:
Das Capital, 2015.
The Prime is at 0%,
Yet, Inflation soars at, well,
At inflationary rates,
Digit-pounding inflation,
Higher food & shelter prices,
Masked ever so cleverly,
So deftly obscured by benevolent gasoline prices.

“Planes, Trains & Automobiles” (1987, IMDB)
Meet Del Griffith,
An obnoxious slob,
A complete schlemiel
(Also shle·miel (shlə-mēl′),
A serene shower curtain ring
Salesman and tour de force.
A film illustrative of everything
We love about farce,
(Merci beaucoup, Molière!)
And love about any
John Hughes/Steve Martin collaboration.

Needless to say,
I watched “Wagons East”
On TV the other day.
It was ten o’clock in the morning.
Will-o'-wisping in the ashtray,
Smoke from my first joint of the day.
The ashtray, a mosh pit carbonara--
Actually, an inverted exoskeleton dome--
One of dem big muthas,
I once free-dived for,
Offshore Mendocino Coast,
Back in the day,
Back when THE FRENCH LAUNDRY . . .
(The French Laundry: Thomas Keller Restaurant Group, www.thomaskeller.com. Chef Thomas Keller visited Yountville, California in the early 1990's on a quest for a space to fulfill a longtime culinary dream: to establish a destination for fine --314 Google reviews · Write a review 6640 Washington St, Yountville, CA 94533 (707) 944-2380. Daily Menus - ‎Make a Reservation - ‎Restaurant)
Back when THE FRENCH LAUNDRY
Paid beaucoup bucks for
Well-tenderized,
Sledge hammered slabs of illegal,
Black Market abalone.
Most assuredly, I digress.

So where else would I be?
My laptop was open & willing,
Legs spread, wet and waiting for
Whatever comes what may.
What came was a film
Earning pitch perfect
Dramatic chops for Candy.
We owe you, Del.
We owe you for this Anthem:
“You wanna hurt me? Go right ahead if it makes you feel any better. I'm an easy target. Yeah, you're right, I talk too much. I also listen too much. I could be a cold-hearted cynic like you . . . but I don't like to hurt people's feelings. Well, you think what you want about me; I'm not changing. I like . . . I like me. My wife likes me. My customers like me. Cause I'm the real article. What you see is what you get.”
But that was then,
This is now.
Wagons East:
A disastrous ****** bomb.
A vapid character jambalaya:
(1) A defrocked doctor
(2) A sagebrush *****.
(3) A queer book vendor.
(4) A Donner Party Survivor
Sounds can’t miss, right?
Or was it a classic Broadway/Hollywood sting?
Redux: “Spring Time for ******.”
N'est-ce pas?
Four *******
Heading east by wagon train;
Giving up on The West,
Heading east for Saint Louie,
Where freaks & geeks go undercover.
Down go their guards.
Camouflaging the chimera,
Transits the urban Wasteland,
Vast & nasty, as it were.

St. Louis, Missouri:
A much more tolerant
Hideout place.
THE WEST:
Just too much of
A hassle, I guess,
Too much for one’s
Flat-lined human mind,
Bored too shitless by
Buffalo turds to venture thought.
THE WEST:
Neorealismo italiano.
Complete Jolting-Joe reality,
A veritable wake-up call
Devouring any & all
Residual romantic fantasies . . .
THE WEST:
Struggle & Drudge,
Life lived west of the Mississippi.

Rangeland Romances #9 Go West For Your Man! Kindle (www.amazon.com) Books Literature & Fiction Amazon.com, Inc. Start reading Rangeland Romances #9 Go West For Your Man! Get the free Kindle Reading App or read on your Kindle in under a minute. Don't have a Kindle? www.amazon.com

That’s right: another advertisement,
Smack dab in the middle of
Of the ******* poem!
My invention, by the by,
Putting herein another plug for
A preferred memorial gravesite,
The Shrine To Me!
Situated in Scituate,
(Always wanted to say that.)
Scituate MA (www.scituatema.gov)
Knowing my kryptonite crypt,
My not-marble-nor-gilded
Princely-monument,
Had no chance to outlive
This fakakta rhyme scheme . . .
The Shrine To Me!
My final resting place:
My very tony, exclusive
Sub Zip Code?
The South Transept
Westminster Abbey
The so-called Poets’ Corner,
Of course!

Which brings me to my true purpose:
My true intentions for you this morning?
To publicize the strange Case of
CHARLES ROCKET:
(Go ahead, ******* Google him!)
“Charlie Rocket, found dead in a field near
His Connecticut home on October 7, 2005,
His throat had been cut.
He was 56 years old.
The state medical examiner
Later ruled the death a suicide.”
And if you believe the Coroner,
A Medicine Man &
Master of Self-Interest;
If you give that sharp-dealing,
Proverbial Connecticut Yankee his due,
Then you will probably also think
That millionaire Robert Durst
Didn’t **** Susan Berman,
Even as we see him
Getting away with ******.
Again.
there's a guy
sequestered
someplace in a
secret location

his job is to keep
****** alive

since the purported
death of mein Fuhrer
this has become the
most important job
in the world

with ****** alive
and well, we know
what evil looks like
and it sports a
funny mustache

compared to ******’s
lip growth even
old Beelzebub’s
goatee looks
kinda cute

with ****** alive
nations churn out
industrial strength
collateral damage
on the scale of a
Fortune 500
sausage maker
wholly blessed
with the
moral impunity
of profiting on
the war on
terror

assembly lines
manufacturing
the stewed vats
of pink slime
soylent green
lays a wide grin on
Henry Ford’s face
watching happy
Chinese proles
grind through
the day’s
bleating stocks
grateful to have
a wage paying job

we are
the righteous
dudes,

hanging ten on
Malibu pipes
water boarding
the terrorists

pouring waves of
umbrellaed  
Coolattas down
the desert thirsty
gullets of
dead enders

and they don’t
even have
the decency
lay a tip on
their earnest
servers

freakin
barbarians

we are the
empowered
heavies
licensed to
dispatch
immediate
fast food
have it your way
justice,
with
drone strikes
on reprobate
Americans who
spent their last
bill of rights on
a Happy Meal
of Freedom Fries
leaving the
executioner
begging for nickel
change so he
can pick up
a dime bag
of the best
Afghan horse
after laying a
bullet between
old Osama’s
cross crooked
eyes

when civilized men
begin to wonder
if the modus operandi
of intelligence
gathering could be
construed as torture,
we point northward
to scurrying Koreans
sneaking briefcase
nukes over the the
southern border
cleverly disguised
as Chicano grape
pickers heading
for Napa.

in national
tantrums of
undulating
shock and awe
we launch
cruise missiles
to deliver the
news of a well
considered
Bush Doctrine
self conferring the
sweet liberty
to detonate
bunker busters
in noble strikes
of preemptive
interventionism

we hate war
so much
we initiate
warfare before
a war breaks out

we reserve
first strike
blitzkrieg
prerogatives
as an exalted
strength to
alleviate the pain
of enduring
the weakness of
protracted peace

we are firm in the
belief that the blasted
dust from our bombs
form the cornerstones
of future democracies

to serve the greater
global good, America
has dispatched a
humanitarian team of
Navy Seals to East
Africa to get Kony

we’re rooting out this
bad guy whose
trying to implement
his twisted version
of a Santorumish
10 Commandment
based paradise

Kony is living proof that
Islamo Fascists don’t
hold a monopoly on
terror and though
Kony’s got some
powerful supernatural juju
Seals got motion sensors
that can spot a
cantankerous poltergeist
through the darkest jungle
canopies

it also will minimize
the risk of friendly fire
casualties

they’ll have to be careful
not to wander into
the disputed oil fields
of southern Sudan
and they’ll need to
be mindful of Chinese
engineers building
pipelines and refineries

But thank goodness
that guy has kept
the touchstone of evil
alive and well.

we’ll always
recognize it
when we see it
and get hot
on the trail of
******’s latest
incarnations
when they
show their
ungodly face

civilized people
demand justice

and we will not rest until
Kony’s head is displayed
atop a spike on YouTube
buzzing with the hum
of ecstatic flies joining
the chorus of happy
tribesmen singing
kumbaya with
stirring gratitude
from the aboriginal
comfort of their
mud and
grass huts

****** lives
Osama is dead
Lets get Kony

Music selection:

Smash Mouth,
Walking on the Sun

Oakland
May Day
5/1/12
jbm
igc May 2015
Up
I can feel my lungs collapsing with every shallow breath
And I can't decide if it's the holes left behind from
cigarette smoke burns
Or the pieces of me that followed behind you

It's 10:05 and as much as I keep trying to warp the truth
the minutes tick on leaving me stranded in seconds of long lost times

Wishing from fruitless bones
Remembering could have beens that weren't
And chasing endings that never quite were within reach

And I know cigarette fills don't last
But I can ******* time running out
And my bones refuse to give away hints to weather it's a
countdown or liftoff
The essence never quite strong enough to disguise
the bitter after-taste your words left behind with me

It's 4:00 am and as smoke fills my lungs
I vaguely remember being told
the only souls awake at this time are
the lonely and the loved

Now it's been months since I was introduced to this hour but still
all I feel is nothing.

You told me pretty girls don't light their own cigarettes
but that never stopped my lungs from burning
every time you breathed my way

Leaving scars of razor sharp words never spoken
Pushed down to the hollow of my scorching throat
Thirsting for the oasis of the syllables
they were never quite within reach of quenching.

They say cigarettes curve your hunger.
And I guess they're almost right because
so far all this nasty habit has curved is
My appetite for you

Now it Hurts to realize that the attention
I mean cigarettes
You willingly offered were just cleverly disguised poison
Burning away my insecurities only to reintroduce them in misunderstood exhales of passion

All I have left to feel are my lungs gasping for every last breath
Lungs pulsing for every last breath
Lungs shrinking to accommodate every last breath
You took away from me
Tom Meyer Apr 2014
Everything is broken. Broken clocks, broken doors, broken spirits. Struggling just to softly breathe your name without my voice breaking. Shredded letters, meaningless scripts to highlight just how much my life is a cleverly constructed piece of satire, poorly printed on a newspaper page that no one reads, tossed to the sidewalk and stomped into fibers that do nothing but pollute the already ***** puddles on the side of the street. The words upon that parchment, the ink within the pages, is insignificant. I am insignificant. I am a vagrant. I am a knot in a tree trunk, and when a tree falls in the forest, it screams. It silently screams to be held back up by it's brothers, by its friends, by its family, but none of them move. They let it fall and they watch it rot.
Sarah Ellis Apr 2011
The glint
in Miss Jessel’s hair
was so simple, so quick,
that I almost missed it,
like an answer to a riddle.
Suddenly, I cared about derivatives
even less.
So casual, how she tossed her strands,
and yet how cleverly she caught me.

It wrapped me up tight
in a cotton memory
of home, when I was nine,
beneath a fort of pillows
and hiding from the night.
Her glint of blonde hair now
was the light from my hall then
that peeked through my door
to tuck me in.

My parents’ shadows
walked across my bedroom wall
and I saw them in her hair
now, as if my past were a part of her body.
My father’s silhouette from twelve years ago
snuck in to Miss Jessel’s hair
as if he were going to bed
down the hall
in the nape of my teacher’s neck.
Tita Oct 2018
There was a time telling my truth was hard,
Stuck between sinking or swimming looking for a lifeguard.
It was weighted, and heavy slowly pulling me down,
But I thought if I open my mouth, for sure I’ll drown.
That you wouldn’t hear me but find holes in my story,
Throwing Daggered questions at me as punishment in this reformatory.
I have the Vivid memories, I’ve tried to make blurry,
Then there’s backlash from the self appointed jury.
But You DO know hurt people, hurt people that’s a fact,
I’ve done my share of hurting, but no never that.
See I’m not on trial just telling my truth,
Trying to create a better future, One that protects our youth!
My hope is that by sharing “This happened to me”,
Helps you realize it was never your fault so stop feeling guilty.
Because I won’t let them discredit you, it doesn’t matter when it occurred,
We’re not speaking because we’re spoken too, we’re dying to be heard.
I’ve extended my heart to you with words cleverly placed,
With each line hope you feel my love in a tight embrace.
At first it’s hard not knowing how to push through,
But YOU ARE A SURVIVOR , I know because I’m a survivor too.
As a survivor of ****** abuse my heart is with anyone who is, or has gone through it. You are not alone, and you are loved. I don’t know you but I love you. There is a way out speak up and be heard. It’s hard but we can do it.
Anthony Carrasco Mar 2016
I don't enjoy making new friends.
I loathe the conversations I have with
my own friends about branching out
and meeting new people.
I know this makes me sound like
someone who lacks the ability to make
a friend, but I can't stress
enough how it really comes down
to how much I actually
care for and trust the friends
that I already have.

I'll start from the beginning so maybe you
can understand why it is I think this way.

I grew up in a traditional home, with a very loving family
that for most of my childhood allowed me to
be content with the life I was living.

Later in my youthful years, it became aware to me
that I was unlike the typical child. I was not the average boy
who imagined walking on grains of sand while holding hands
with his beautiful wife. I was not the "ordinary" boy who one day
pictured himself fathering children with a loving newlywed who I
would spend the rest of my life with.

You see,
these societal standards of achievement to which
I could never merit only made me notice how
little I could ever contribute to the plans
my family laid out for me.  

For the longest time I considered myself
to be a religious person, one that could worship
the God that I was raised to love.

The day that I finally welcomed my
"unnatural" thoughts as merely an echo of my
soul guiding me towards a better life
is also the day I began questioning
the existence of any higher being.

How could it be possible to feel so much joy
when looking at another boy, yet be so
hated for even having that feeling?
A feeling that was out of my control
from the moment I understood what it
was like to be attracted to another human.

Why is it so common for believers to
shun the feelings of people like myself
for simply wanting to enjoy life in the same way
they do? This is where my faith was destroyed.
I  just can't find myself to trust the teachings
of a creator who purposefully created me
to be considered an abomination in His eyes.

I look back on my adolescent years and
only now realize that I always lived in a glass box;
a world that appeared to be accepting and loving
but was rather shielding me away
from the true potential of happiness
that I now know I deserve.

Ever heard the term,
"coming out of the closet"?
Let me put it to you this way...

I have this memory of when I was little
of my babysitter locking me in a closet,
turning out all the lights,
and laughing to himself as I cried for hours.
For a very long time I was scared of dark places,
of being confined to an area that I was
forcefully put into.

As painful as it was in the moment,
I am beyond thankful for going through that
because it helped me to see light in a new way.
It may as well have been symbolic
of the future decisions I was
going to make, ones that would
show me how bright
my love could actually be.

Now, I ask this of you because
I want you to imagine what I went through,
but have you ever heard the term,
"coming out of the closet"?

If you haven't, then all I can tell
you is that it brings about the most
liberating emotion that I
have ever felt, and one
that I wish every similar minded kid like
me has the opportunity to experience.

It was tough admitting to my family that
I was going to put all their hopes aside,
and start allowing myself to break free
from that dark cage I was trapped in
for so long.

It went exactly as I knew it would.
The support that I was so used
to having seemed to swiftly fade away.
It was missing for a while,
but then I found it in the strangest of places.
Who knew that such love and acceptance
could come from people you never knew existed?

My friends from day one were
always there for me.
They were always that metaphorical handkerchief
for me to wipe my tears and the
punching bags for me to release my anger.

It may sound cliche,
but there are no words for me to
show how much I value the friendships
that I have been so blessed with.
There are no poems,
not even this one I'm writing,
cleverly worded enough to
represent the amount of love
I have for those I consider
to be my friends.

My friends have burrowed
into places of my mind
that let me feel like I have
a family again.

This is why
I despise the introductions of new
people into my life.
I am terrified of the possibility
that they will take me
away from the second family that
I worked so hard to convince myself
that I had.

I listen to my friends tell me
how I need to just let go and allow
myself to be free, and to
not be scared of meeting new people; but,
until they feel the same sense of family
being torn away from them
then their mouths may as well be
sewn shut.

Do you get it now?
Wrote this because sometimes I feel misunderstood by my friends. They constantly have new interactions, and silently judge me for not doing the same. This poem was sparked just to try and explain why it is that I hurt inside every time they choose to interact with someone new, as opposed to experiencing life with me. I'm not thinking badly about them because they do that, but what kind of human would I be
if I didn't feel anything from it?
Close your eyes, my love, let me make you blind;  
      They have taught you to see  
Only a mean arithmetic on the face of things,  
A cunning algebra in the faces of men,  
      And God like geometry          
Completing his circles, and working cleverly.  
  
I'll kiss you over the eyes till I kiss you blind;  
      If I can—if any one could.  
Then perhaps in the dark you'll have got what you want to find.  
You've discovered so many bits, with your clever eyes,        
      And I'm a kaleidoscope  
That you shake and shake, and yet it won't come to your mind.  
Now stop carping at me.—But God, how I hate you!  
      Do you fear I shall swindle you?  
Do you think if you take me as I am, that that will abate you        
Somehow?—so sad, so intrinsic, so spiritual, yet so cautious, you  
Must have me all in your will and your consciousness—  
      I hate you.
Then Pallas Minerva put valour into the heart of Diomed, son of
Tydeus, that he might excel all the other Argives, and cover himself
with glory. She made a stream of fire flare from his shield and helmet
like the star that shines most brilliantly in summer after its bath in
the waters of Oceanus—even such a fire did she kindle upon his head
and shoulders as she bade him speed into the thickest hurly-burly of
the fight.
  Now there was a certain rich and honourable man among the Trojans,
priest of Vulcan, and his name was Dares. He had two sons, Phegeus and
Idaeus, both of them skilled in all the arts of war. These two came
forward from the main body of Trojans, and set upon Diomed, he being
on foot, while they fought from their chariot. When they were close up
to one another, Phegeus took aim first, but his spear went over
Diomed’s left shoulder without hitting him. Diomed then threw, and his
spear sped not in vain, for it hit Phegeus on the breast near the
******, and he fell from his chariot. Idaeus did not dare to
bestride his brother’s body, but sprang from the chariot and took to
flight, or he would have shared his brother’s fate; whereon Vulcan
saved him by wrapping him in a cloud of darkness, that his old
father might not be utterly overwhelmed with grief; but the son of
Tydeus drove off with the horses, and bade his followers take them
to the ships. The Trojans were scared when they saw the two sons of
Dares, one of them in fright and the other lying dead by his
chariot. Minerva, therefore, took Mars by the hand and said, “Mars,
Mars, bane of men, bloodstained stormer of cities, may we not now
leave the Trojans and Achaeans to fight it out, and see to which of
the two Jove will vouchsafe the victory? Let us go away, and thus
avoid his anger.”
  So saying, she drew Mars out of the battle, and set him down upon
the steep banks of the Scamander. Upon this the Danaans drove the
Trojans back, and each one of their chieftains killed his man. First
King Agamemnon flung mighty Odius, captain of the Halizoni, from his
chariot. The spear of Agamemnon caught him on the broad of his back,
just as he was turning in flight; it struck him between the
shoulders and went right through his chest, and his armour rang
rattling round him as he fell heavily to the ground.
  Then Idomeneus killed Phaesus, son of Borus the Meonian, who had
come from Varne. Mighty Idomeneus speared him on the right shoulder as
he was mounting his chariot, and the darkness of death enshrouded
him as he fell heavily from the car.
  The squires of Idomeneus spoiled him of his armour, while
Menelaus, son of Atreus, killed Scamandrius the son of Strophius, a
mighty huntsman and keen lover of the chase. Diana herself had
taught him ******* every kind of wild creature that is bred in
mountain forests, but neither she nor his famed skill in archery could
now save him, for the spear of Menelaus struck him in the back as he
was flying; it struck him between the shoulders and went right through
his chest, so that he fell headlong and his armour rang rattling round
him.
  Meriones then killed Phereclus the son of Tecton, who was the son of
Hermon, a man whose hand was skilled in all manner of cunning
workmanship, for Pallas Minerva had dearly loved him. He it was that
made the ships for Alexandrus, which were the beginning of all
mischief, and brought evil alike both on the Trojans and on Alexandrus
himself; for he heeded not the decrees of heaven. Meriones overtook
him as he was flying, and struck him on the right buttock. The point
of the spear went through the bone into the bladder, and death came
upon him as he cried aloud and fell forward on his knees.
  Meges, moreover, slew Pedaeus, son of Antenor, who, though he was
a *******, had been brought up by Theano as one of her own children,
for the love she bore her husband. The son of Phyleus got close up
to him and drove a spear into the nape of his neck: it went under
his tongue all among his teeth, so he bit the cold bronze, and fell
dead in the dust.
  And Eurypylus, son of Euaemon, killed Hypsenor, the son of noble
Dolopion, who had been made priest of the river Scamander, and was
honoured among the people as though he were a god. Eurypylus gave
him chase as he was flying before him, smote him with his sword upon
the arm, and lopped his strong hand from off it. The ****** hand
fell to the ground, and the shades of death, with fate that no man can
withstand, came over his eyes.
  Thus furiously did the battle rage between them. As for the son of
Tydeus, you could not say whether he was more among the Achaeans or
the Trojans. He rushed across the plain like a winter torrent that has
burst its barrier in full flood; no *****, no walls of fruitful
vineyards can embank it when it is swollen with rain from heaven,
but in a moment it comes tearing onward, and lays many a field waste
that many a strong man hand has reclaimed—even so were the dense
phalanxes of the Trojans driven in rout by the son of Tydeus, and many
though they were, they dared not abide his onslaught.
  Now when the son of Lycaon saw him scouring the plain and driving
the Trojans pell-mell before him, he aimed an arrow and hit the
front part of his cuirass near the shoulder: the arrow went right
through the metal and pierced the flesh, so that the cuirass was
covered with blood. On this the son of Lycaon shouted in triumph,
“Knights Trojans, come on; the bravest of the Achaeans is wounded, and
he will not hold out much longer if King Apollo was indeed with me
when I sped from Lycia hither.”
  Thus did he vaunt; but his arrow had not killed Diomed, who withdrew
and made for the chariot and horses of Sthenelus, the son of Capaneus.
“Dear son of Capaneus,” said he, “come down from your chariot, and
draw the arrow out of my shoulder.”
  Sthenelus sprang from his chariot, and drew the arrow from the
wound, whereon the blood came spouting out through the hole that had
been made in his shirt. Then Diomed prayed, saying, “Hear me, daughter
of aegis-bearing Jove, unweariable, if ever you loved my father well
and stood by him in the thick of a fight, do the like now by me; grant
me to come within a spear’s throw of that man and **** him. He has
been too quick for me and has wounded me; and now he is boasting
that I shall not see the light of the sun much longer.”
  Thus he prayed, and Pallas Minerva heard him; she made his limbs
supple and quickened his hands and his feet. Then she went up close to
him and said, “Fear not, Diomed, to do battle with the Trojans, for
I have set in your heart the spirit of your knightly father Tydeus.
Moreover, I have withdrawn the veil from your eyes, that you know gods
and men apart. If, then, any other god comes here and offers you
battle, do not fight him; but should Jove’s daughter Venus come,
strike her with your spear and wound her.”
  When she had said this Minerva went away, and the son of Tydeus
again took his place among the foremost fighters, three times more
fierce even than he had been before. He was like a lion that some
mountain shepherd has wounded, but not killed, as he is springing over
the wall of a sheep-yard to attack the sheep. The shepherd has
roused the brute to fury but cannot defend his flock, so he takes
shelter under cover of the buildings, while the sheep,
panic-stricken on being deserted, are smothered in heaps one on top of
the other, and the angry lion leaps out over the sheep-yard wall. Even
thus did Diomed go furiously about among the Trojans.
  He killed Astynous, and shepherd of his people, the one with a
****** of his spear, which struck him above the ******, the other with
a sword—cut on the collar-bone, that severed his shoulder from his
neck and back. He let both of them lie, and went in pursuit of Abas
and Polyidus, sons of the old reader of dreams Eurydamas: they never
came back for him to read them any more dreams, for mighty Diomed made
an end of them. He then gave chase to Xanthus and Thoon, the two
sons of Phaenops, both of them very dear to him, for he was now worn
out with age, and begat no more sons to inherit his possessions. But
Diomed took both their lives and left their father sorrowing bitterly,
for he nevermore saw them come home from battle alive, and his kinsmen
divided his wealth among themselves.
  Then he came upon two sons of Priam, Echemmon and Chromius, as
they were both in one chariot. He sprang upon them as a lion fastens
on the neck of some cow or heifer when the herd is feeding in a
coppice. For all their vain struggles he flung them both from their
chariot and stripped the armour from their bodies. Then he gave
their horses to his comrades to take them back to the ships.
  When Aeneas saw him thus making havoc among the ranks, he went
through the fight amid the rain of spears to see if he could find
Pandarus. When he had found the brave son of Lycaon he said,
“Pandarus, where is now your bow, your winged arrows, and your
renown as an archer, in respect of which no man here can rival you nor
is there any in Lycia that can beat you? Lift then your hands to
Jove and send an arrow at this fellow who is going so masterfully
about, and has done such deadly work among the Trojans. He has
killed many a brave man—unless indeed he is some god who is angry
with the Trojans about their sacrifices, and and has set his hand
against them in his displeasure.”
  And the son of Lycaon answered, “Aeneas, I take him for none other
than the son of Tydeus. I know him by his shield, the visor of his
helmet, and by his horses. It is possible that he may be a god, but if
he is the man I say he is, he is not making all this havoc without
heaven’s help, but has some god by his side who is shrouded in a cloud
of darkness, and who turned my arrow aside when it had hit him. I have
taken aim at him already and hit him on the right shoulder; my arrow
went through the breastpiece of his cuirass; and I made sure I
should send him hurrying to the world below, but it seems that I
have not killed him. There must be a god who is angry with me.
Moreover I have neither horse nor chariot. In my father’s stables
there are eleven excellent chariots, fresh from the builder, quite
new, with cloths spread over them; and by each of them there stand a
pair of horses, champing barley and rye; my old father Lycaon urged me
again and again when I was at home and on the point of starting, to
take chariots and horses with me that I might lead the Trojans in
battle, but I would not listen to him; it would have been much
better if I had done so, but I was thinking about the horses, which
had been used to eat their fill, and I was afraid that in such a great
gathering of men they might be ill-fed, so I left them at home and
came on foot to Ilius armed only with my bow and arrows. These it
seems, are of no use, for I have already hit two chieftains, the
sons of Atreus and of Tydeus, and though I drew blood surely enough, I
have only made them still more furious. I did ill to take my bow
down from its peg on the day I led my band of Trojans to Ilius in
Hector’s service, and if ever I get home again to set eyes on my
native place, my wife, and the greatness of my house, may some one cut
my head off then and there if I do not break the bow and set it on a
hot fire—such pranks as it plays me.”
  Aeneas answered, “Say no more. Things will not mend till we two go
against this man with chariot and horses and bring him to a trial of
arms. Mount my chariot, and note how cleverly the horses of Tros can
speed hither and thither over the plain in pursuit or flight. If
Jove again vouchsafes glory to the son of Tydeus they will carry us
safely back to the city. Take hold, then, of the whip and reins
while I stand upon the car to fight, or else do you wait this man’s
onset while I look after the horses.”
  “Aeneas.” replied the son of Lycaon, “take the reins and drive; if
we have to fly before the son of Tydeus the horses will go better
for their own driver. If they miss the sound of your voice when they
expect it they may be frightened, and refuse to take us out of the
fight. The son of Tydeus will then **** both of us and take the
horses. Therefore drive them yourself and I will be ready for him with
my spear.”
  They then mounted the chariot and drove full-speed towards the son
of Tydeus. Sthenelus, son of Capaneus, saw them coming and said to
Diomed, “Diomed, son of Tydeus, man after my own heart, I see two
heroes speeding towards you, both of them men of might the one a
skilful archer, Pandarus son of Lycaon, the other, Aeneas, whose
sire is Anchises, while his mother is Venus. Mount the chariot and let
us retreat. Do not, I pray you, press so furiously forward, or you may
get killed.”
  Diomed looked angrily at him and answered: “Talk not of flight,
for I shall not listen to you: I am of a race that knows neither
flight nor fear, and my limbs are as yet unwearied. I am in no mind to
mount, but will go against them even as I am; Pallas Minerva bids me
be afraid of no man, and even though one of them escape, their
steeds shall not take both back again. I say further, and lay my
saying to your heart—if Minerva sees fit to vouchsafe me the glory of
killing both, stay your horses here and make the reins fast to the rim
of the chariot; then be sure you spring Aeneas’ horses and drive
them from the Trojan to the Achaean ranks. They are of the stock
that great Jove gave to Tros in payment for his son Ganymede, and
are the finest that live and move under the sun. King Anchises stole
the blood by putting his mares to them without Laomedon’s knowledge,
and they bore him six foals. Four are still in his stables, but he
gave the other two to Aeneas. We shall win great glory if we can
take them.”
  Thus did they converse, but the other two had now driven close up to
them, and the son of Lycaon spoke first. “Great and mighty son,”
said he, “of noble Tydeus, my arrow failed to lay you low, so I will
now try with my spear.”
  He poised his spear as he spoke and hurled it from him. It struck
the shield of the son of Tydeus; the bronze point pierced it and
passed on till it reached the breastplate. Thereon the son of Lycaon
shouted out and said, “You are hit clean through the belly; you will
not stand out for long, and the glory of the fight is mine.”
  But Diomed all undismayed made answer, “You have missed, not hit,
and before you two see the end of this matter one or other of you
shall glut tough-shielded Mars with his blood.”
  With this he hurled his spear, and Minerva guided it on to
Pandarus’s nose near the eye. It went crashing in among his white
teeth; the bronze point cut through the root of his to tongue,
coming out under his chin, and his glistening armour rang rattling
round him as he fell heavily to the ground. The horses started aside
for fear, and he was reft of life and strength.
  Aeneas sprang from his chariot armed with shield and spear,
fearing lest the Achaeans should carry off the body. He bestrode it as
a lion in the pride of strength, with shield and on spear before him
and a cry of battle on his lips resolute to **** the first that should
dare face him. But the son of Tydeus caught up a mighty stone, so huge
and great that as men now are it would take two to lift it;
nevertheless he bore it aloft with ease unaided, and with this he
struck Aeneas on the groin where the hip turns in the joint that is
called the “cup-bone.” The stone crushed this joint, and broke both
the sinews, while its jagged edges tore away all the flesh. The hero
fell on his knees, and propped himself with his hand resting on the
ground till the darkness of night fell upon his eyes. And now
Aeneas, king of men, would have perished then and there, had not his
mother, Jove’s daughter Venus, who had conceived him by Anchises
when he was herding cattle, been quick to mark, and thrown her two
white arms about the body of her dear son. She protected him by
covering him with a fold of her own fair garment, lest some Danaan
should drive a spear into his breast and **** him.
  Thus, then, did she bear her dear son out of the fight. But
Amanda Blomquist Jan 2013
Complex cosmos.
   Intertwined divine.
Emerging energies tangled in vibrant vibrations.

   Beings of light.
      Woven through time and space.
Mind meeting spirit.
    An Awakening.

Truth echoes in the silent wind.
   Open eyes with ancient ties.
          The illusion is wearing off.
        Dormant souls colliding,
    Seeing light beyond this realm.

A revolution beyond government and world order.
       A conscious shift, long awaited.
           Beyond technology and media schemes.
         A new view.
     Simply pure.
Beautifully complex.

   A transcending universe in the minds eye.
Opening mystical doorways into the great forgotten.
     Taking spirit back.
         Claiming love and light for all who accept it.

Nature fueling the human imagination.
  The endless curiosity,
       We are cleverly designed to crave.

Follow me tonight,
      I’m the stars in the sky.
  We’re all just seeking truth
        And we’re just passing by.
The Goddess of the Moon dethroned; hark, she strikes-
the hunter she remains.
Her next prey she takes,
setting him among her hounds.

“Forth!” cry she, and forth he go,
Frenzied in rage by the mistress.

The former prey, his escape near completed
but new hound upon him set,
the wolf, he is, and he is wounded
escape he make, it not be yet.
His wounds, to which he may have attended
And made his life profuse in ecstasy,
But alas, new hound upon him baited
Pinned is he now, below his maw.

“Forth!” Quoth she, the former Prey overtaken,
Cruel arrow strike among the vitals,

Even further crippl’d be he.
Set upon by hounds and jackals,
Escape he makes,
Seems but an impossibility.

He crieth out in pain and lashes out at cruel once mistress,
Turning upon a cur, once friend
“Did I not at once befriend you?”
“Aye,” say he, “but attack command doth my mistress send.

A cruel beast am I, to be obeyed by none,
Once wild but contained now among her fleet.
Bewitched by her bait of comfort,
and tantalizing cuts of meat.”

Onward flees the former,
Set upon by pack and foot
Running from his love, now fallen;
Goddess of the moon; now mortal.

He stumbles forth weak and wounded,
But laughs with sick incredulity,
“I fear, my friend, you hath been tricked,
Nothing but pain and woe await for thee.

Although I am hurt and heavy,
My escape I make, and too my recovery.
Although I have not a place to run,
My defenses shall I prepare for thee.

And once her arrows no longer find me,
Her frustration mounts forevermore,
For I wert the one to she denieth,
The quarry escaped from her bitter clutch,
Her rages shall fall upon you, the silent,
Innocent cur, bewitched in her trust.”

An arrow flew and missed its mark,
And former prey made his escape.
Domestic cur sat now puzzling,
Would there ever come a day?

“Cur!” she cried, the brazen huntress
What fault is it that he hath escap’d?
Would you not have him captured for eternal torture,
To please thy mistress forevermore?”

He looks upon her with woe and worry,
“Why him doth you desire so?
Wherefore his eternal torture
Do you desire him to be in constant throes?

Thou hast me now,” he cries despairing,
“Canst thou be sate, is this not enough?
Must his pain you also seeth,
To satisfy your sickn’d mind?”

“You are my hound, dearest of course,
But one of many I am afraid,
This one cleverly hath escaped,
If not possessed, he must be slain.

No wild coyote may treat me so,
For Artemis, am I.
No one may disrespect the huntress,
with flashing teeth and golden eye.

Forth! I say, forth, go onward,
In pursuit may you him follow,
For my arrows are not enough display
Of the pain deserved him so.”

Here the cur sat wondering,
Lost among his mistress’ hate,
He began to puzzle her condition,
And if her rage would ever sate.

“Doth you not hate him?
He is mine enemy, this is for sooth.
Thereby the ‘proximation,
Should he be yours in truth, in truth.

Let your rage boil up,
Your hackles slacken,
Your saliva build,
This wild beast hath defamed your maiden!

Your beauty, your treasure, your master and mistress!
Go forth young hound, go forth and be vicious!
Tear him apart, rip him asunder!
Have ye no doubt, and make you no blunder!”

And thence stood the hound,
The Goddess’ new prey,
He ran after the wolf,
With little heed.

His doubts now removed,
His blood now aboil,
His frenzy at max,
He set to his toil.

He would now find the wolf,
And pin him down so,
Allowing his maiden to deal that finite blow.
Mark Lecuona Jan 2012
Virtual life isolation is considered VIP seating as all who may enter are pre-screened in a self-preservation dance of solipsism as strained honesty pours from my fingers onto the digital RGB floor only to harden intermingled with the lives of dissonant strangers who reciprocate eagerly in revealing their weaknesses in a prosaic waltz across a frozen dreamscape where our misunderstood inner souls are reflected back to us as they float in monolithic mass on top of the depths of final judgment. Rather than providing final victory to the daily control alternate delete lather rinse repeat boot of my innermost fantasies and trauma which are as random as my physical interactions it seems recently and most superficially I was moved to speak of a self-assured young woman cleverly drawing confidence off the bottom of the deck while casually discarding competence who is triumphantly opening a high-end eatery of sorts but with time I find she is only the manager and after all prefers not to talk business because my questions have exhausted her ego-infested opening line as she stuffed her face with samples of diabolical confections soon to be marketed under the guise of pretentious cuisine for the beautiful people as we exhaust ourselves each day enduring the ambitious one-dimensional high-riser who wishes for depth never seen or heard in personal conversation but now the standard error of his own estimate deviates from the arrogantly leveled but just plain wrong command uttered in disdain to those who have actually lived with the people represented by mooted numbers begging to be deleted and yet I remain challenged by a life-long puzzle as I try not to make eye-contact but somehow still absorb the possible useful loaves and fishes of the God-fearing seeker of salvation that has been promised and now must be advertised as available in a never-ending give away as long as I humble myself in the prescribed manner neither to the left or right but squarely as King James promised he understood but on the other channel the drones of war which made prophetic the words of the old general who lamented the possible obsolescence of heroism and cowardice reminding of a futuristic movie as it now seems I am cheering for the death star or possibly the machines that travel time back in order to **** the very person who would bring soul forward to remind the company that people and not profits are what God allows through the eye of the needle. In spite of all this my smiling children know I love them deeply and there is no place that pain can be so welcome as in my heart to suffer willingly and openly until they are able to look at me and understand my ways and my decisions which may never be fully communicated because if God does shockingly exist then the revelation of truth will be delivered when they finally open the box that contains their thinking minds and the mysteries that may require further illumination. In a rush for meaning the virtual tour of all that touches my life is completed without fanfare and yet I cannot know who or what I am other than a mad ball of pain and confusion masquerading as a competent oar in the river of legal tender which I continue to worship as the answer to all manner of doubt.
Just some musing after another happy hour of phony's.....
The fearless ones
are fanning out
into the woods.

Others are huddled
in smartly constructed
camouflaged blinds.

These self styled
eco-warriors
brave the cold
and the discomforts
of inclement weather.

They keep a
watchful eye
over the stale
remains of
Dunkin Donuts,
bagels and
bacon grease
they cleverly
scattered
outside their
deadly bivouac.

These bold ones
eagerly finger the
barrels of their high
powered rifles,
palming the smooth
wooden stocks with
warm naked hands.

They itch to squeeze
the trigger but discipline
and fortitude inform
the vigilance of these
sentinels of sustainability.

They philosophically muse
about restorative balance
and the paradox of killing
in order to survive.

Another day has broken
over the New Jersey Highlands.

The hunt for bear is on.
Let the mammalian cleansing begin.

jbm
Oakland
12/6/10

Music Suggestion: Radiohead, Hunting Bears

— The End —