She flashed her carmine smile at me,
lips spread like two blooming crimson petals,
beauty mark perched in a temptingly kissable spot,
just above her immaculate lip line.  
Her fang tooth flirtatiously turned inward
& made her look as if
always brewing intent to initiate adventure,
certain to be pleasurable but prohibited,
& most surely to provide
ample opportunities to escape trouble
after having taunted it.
This minor imperfection served as a reminder that
her beauty was still human,
or else I'd have believed that
she was the product of a profoundly, elaborate hallucination;
that I had not yet woken from an impeccable dream.
She roused me up from my stupor & seduced me into sojourns
through the city blocks that lined our teeming, little hometown.
We stood out as dreamers
in a land full of people with their heads down
like drones, working for their hive.
She kept me feeling alive,
& questioning the complacency of my surroundings
in a muted, Midwestern mecca
where you are taught to accept what you are told
& swallow down bland traditions & institutions
like cold oatmeal.
She made me wish I was a boy
so I could seize her by the perfect slopes of her
statuesque cheekbones & paint my timid, **** lips
with her carmine smile;
but to play in her paint would be to stain harsh red
across the flawless landscape
of our very intimate understanding
of one another.

& so I long for Carmine.

Chapter Two

“I think of art, at its most significant, as a DEW line, a Distant Early Warning System that can always be relied on to tell the old culture what is beginning to happen to it.”                Marshall McLuhan  
  
I attended Bucknell University in Lewisburg, Pennsylvania because my father was incarcerated at the prison located in the same town.  My tuition subsidized to a large extent by G.I. Bill, still a significant means of financing an education for generations of emotionally wasted war veterans. “The United States Penitentiary (USP Lewisburg)” is a high-security federal prison for male inmates. An adjacent satellite prison camp houses minimum-security male offenders. My father was strictly high-security, convicted of various crimes against humanity, unindicted for sundry others. My father liked having me close by, someone on the outside he trusted, who also happened to be on his approved Visitor List. As instructed, I became his conduit for substances both illicit, like drugs, and the purely contraband, a variety of Italian cheeses, salamis, prepared baked casseroles of eggplant parmesan, cannoli, Baci chocolate from Perugia, in Tuscany, south of Florence, and numerous bottles of Italian wine, pungent aperitifs, Grappa, digestive stimulants and sweet liquors. I remained the good son until the day he died, the source of most of the mess I got myself into later on, and specifically the main caper at the heart of this story.

I must confess: my father scared the **** out of me.  Particularly during those years when he was not in jail, those years he spent at home, years coinciding roughly with my early adolescence.  These were my molding clay years, what the amateur psychologists write off with the term: “impressionable years hypothesis.” In his own twisted, grease-ball theory of child rearing, my father may have been applying the “guinea padrone hypothesis,” in his mind, nothing more certain would toughen me up for whatever he and/or Life had planned for me. Actually, his aspirations for me-given my peculiar pedigree--were non-existent as far as the family business went. He knew I’d never be either a Don or a Capo di Tutti Capi, or an Underboss or Sotto Capo.)  A Caporegime—mid-management to be sure, with as many as ten crews of soldiers reporting to him-- was also, for me, out of the question. Dad was a soldier in and of the Lucchese Family, strictly a blue-collar, knock-around kind of guy. But even soldier status—which would have meant no rise in Mafioso caste for him—was completely out of the question, never going to happen for me.

A little background: the Lucchese Family originated in the early 1920s with Gaetano “Tommy” Reina, born in 1889 in Corleone, Sicily. You know the town and its environs well. Fran Coppola did an above average job cinematizing the place in his Godfather films.  Coppola: I am a strict critic when it comes to my goombah, would-be French New Wave auteur Francis Ford Coppola.  Ever since “One From the Heart, 1982”--one of the biggest Hollywood box office flops & financial disasters of all time--he’s been a bit thin-skinned when it comes to criticism.  So, I like to zing him when I can. Actually, “One From the Heart” is worth seeing again, not just for Tom Waits soundtrack--the film’s one Academy Award nomination—but also Natasha Kinski’s ***: always Oscar-worthy in my book. My book? Interesting expression, and factually correct for once, given what you are reading right now.

Tommy Reina was the first Lucchese Capo di Tutti Capi, the first Boss of All the Bosses. By the 1930s the Luccheses pretty much controlled all criminal activity in the Bronx and East Harlem. And Reina begat Pinzolo who begat Gagliano who begat Tommy Three Finger Brown Lucchese (who I once believed, moonlighted as a knuckle ball relief pitcher for Yankees.)
Three Finger Brown gave the Lucchese Family its name. And Tommy begat Carmine Tramunti, who begat Anthony Tony Ducks Corallo. From there the succession gets a bit crazy. Tony Ducks, convicted of Rico charges, goes to prison, sentenced to life.  From behind bars he presides through a pair of candidates most deserving the title of boss: enter Vittorio Little Vic Amuso and Anthony Gaspipe Casso.  Although Little Vic becomes Boss after being nominated by Casso, it is Gaspipe really calling the shots, at least until he joins Little Vic behind bars.
Amuso-Casso begat Louis Louie Bagels Daidone, who begat the current official boss, Stephen Wonderboy Crea.  According to legend, Boss Crea got his nickname from Bernard Malamud’s The Natural, a certain part of his prodigious anatomy resembling the baseball bat hand-carved by Roy Hobbs. To me this sounds a bit too literary, given the family’s SRI Lexile/Reading Performance Scores, but who am I to mock my peoples’ lack of liberal arts education?

Begat begat Begato. (I goof on you, kind reader. Always liked the name Begato in the context of Bible-flavored genealogy. Mille grazie, King James.)

Lewisburg Penitentiary has many distinguished alumni: Whitey Bulger (1963-1965), Jimmy Hoffa (1967-1971) and John Gotti (1969-1972), for example.  And fictionally, you can add Paulie Cicero played by Paul Scorvino in Martin Scorsese’s Goodfellas, not to be confused with Paulie Walnuts Gualtieri played by Tony Sirico from the HBO TV series The Sopranos. Nor, do I refer to Paulie Gatto, the punk who ratted out Sonny Corleone in Coppola’s The Godfather, you know: “You won’t see Paulie no more,” according to fat Clemenza, played by the late Richard “Leave the gun, take my career” Castellano, who insisted to the end that he wasn’t bitter about his underwhelming post-Godfather film career. I know this for a fact from one of my cousins in the Gambino Family. I also know that the one thing the actor Castellano would never comment on was a rumor that he had connections to organized crime, specifically that he was a nephew to Paulie Castellano, the Gambino crime family boss who was assassinated in 1985, outside Midtown New York’s Sparks Steak House, an abrupt corporate takeover commissioned by John Teflon Don Gotti. But I’m really starting to digress here, although I am reminded of another interesting historical personage, namely Joseph Crazy Joe Gallo, who was also terminated “with extreme prejudice” while eating dinner at a restaurant.  Confused? And finally--not to be confused with Paul Muldoon, poetry gatekeeper at The New Yorker magazine, that Irish **** scumbag who consistently rejects publication of my work. About two years ago I started including the following comment in my on-line Contact Us, poetry submission:  “Hey Paulie, Eat a Bag of ****!”

This may come as a surprise, Gentle Reader, but I am a poet, not a Wise Guy.  For reasons to be explained, I never had access to the family business. I am also handicapped by the Liberal Arts education I received, infected by a deluge, a veritable Katrina ****** of classic literature.  That stuff in books rubs off after awhile, and I suppose it was inevitable. I couldn’t help evolving for the most part into a warm-blooded creature, unlike the reptiles and frogs I grew up with.

Again, I am a poet not a wise guy. And, first and foremost, I am a human being. Cold-blooded, I am not. I generate my own heat, which is the best definition I know for how a poet operates. But what the hell do I know? Paulie “Eat a Bag of ****” Muldoon doesn’t think much of my work. And he’s the ******* troll guarding the New Yorker’s poetry gate. Nevertheless, I’m a Poet, not a Wise Guy.  I repeat myself, I know, but it is important to establish this point right from the start of this narrative, because, if you don’t get that you’re never going to get my story.

Maybe the best way to explain my predicament—And I mean PREDICAMENT in the sense of George Santayana: "Life is not a spectacle or a feast; it is a predicament." (www.brainyquote.com), not to be confused with George’s son Carlos, the Mexican-American rock star: Oye Como Va, Babaloo!

www.youtube.com/watch?v...YouTube Dec 20, 2011 - Uploaded by a106kirk1, The Best of Santana. This song is owned by Santana and Columbia Records.

Maybe the best way for me to explain my predicament is with a poem, one of my early works, unpublished, of course, by Paulie “Eat a Bag of ****” Muldoon:

“CRAZY JOE REVISITED”  
        
by Benjamin Disraeli Sekaquaptewa-Buonaiuto

We WOPs respect criminality,
Particularly when it’s organized,
Which explains why any of us
Concerned with the purity of our bloodline
Have such a difficult time
Navigating the river of respectability.

To wit: JOEY GALLO.
WEB-BIO: (According to Bob Dylan)
“Born in Red Hook, Brooklyn in the year of who knows when,
Opened up his eyes to the tune of accordion.

“Joey” Lyrics/Send "Joey" Ringtone to your Cell
Joseph Gallo, AKA: "Joey the Blond."
He was a celebrated New York City gangster,
A made member of the Profaci crime family,
Later known as the Colombo crime family,

That’s right, CRAZY JOE!
One time toward the end of a 10-year stretch,
At three different state prisons,
Including Attica Correctional Facility in Attica, New York,
Joey was interviewed in his prison cell
By a famous NY Daily News reporter named Joe McGinnis.
The first thing the reporter sees?
One complete wall of the cell is lined with books, a
Green leather bound wall of Harvard Classics.
After a few hours mainly listening to Joey
Wax eloquently about his life,
A narrative spiced up with elegant summaries,
Of classic Greek theory, Roman history,
Nietzsche and other 19th Century German philosophers,
McGinnis is completely blown away by Inmate Gallo,
Both Joey’s erudition and the power of his intellect,
The reporter asks a question right outta
The Discrete Charm of the Bourgeoisie:
“Mr. Gallo, I must say,
The power of your erudition and intellect
Is simply overwhelming.
You are a brilliant man.
You could have been anything,
Your heart or ambition desired:
A doctor, a lawyer, an architect . . .
Yet you became a criminal. Why?”

Joey Gallo: (turning his head sideways like Peter Falk or Vincent Donofrio, with a look on his face like Go Back to Nebraska, You ******* Momo!)

“Understand something, Sonny:
Those kids who grew up to be,
Doctors and lawyers and architects . . .

They couldn’t make it on the street.”

Gallo later initiated one of the bloodiest mob conflicts,
Since the 1931 Castellammare War,
And was murdered as a result of it,
While quietly enjoying,
A plate of linguini with clam sauce,
At a table--normally a serene table--
At Umberto’s Clam House.

Italian Restaurant Little Italy - Umberto's Clam House (www.umbertosclamhouse.com)
In Little Italy New York City 132 Mulberry Street, New York City | 212-431-7545.

Whose current manager --in response to all restaurant critics--
Has this to say:
“They keep coming back, don’t they?
The joint is a holy shrine, for chrissakes!
I never claimed it was the food or the service.
Gimme a ******* break, you momo!
I should ask my paisan, Joe Pesci
To put your ******* head in a vise.”

(Again, Martin Scorsese getting it exactly right, This time in  . . . Casino (1995) - IMDb www.imdb.com/title/tt0112641/Internet Movie Database Rating: 8.2/10 - ‎241,478 votes Directed by Martin Scorsese. With Robert De Niro, Sharon Stone, Joe Pesci, James Woods. Greed, deception, money, power, and ****** occur between two  . . . Full Cast & Crew - ‎Trivia - ‎Awards - ‎(1995) - IMDb)

Given my lifelong, serious exposure to and interest in German philosophy, I subscribe to the same weltanschauung--pronounced: veltˌänˌSHouəNG—that governed Joey Gallo’s behavior.  My point and Mr. Gallo’s are exactly the same:  a man’s ability to make it on the street is the true measure of his worth.  This ethos was a prominent one in the Bronx where and when I grew up, where I came of age during the 1950s and 60s.  Italian organized crime was always an option, actually one of the preferred options--like playing for the Yankees or being a movie star—until, that is, reality set in.  And reality came in many forms. For 100% Italian kids it came in a moment of crystal adolescent clarity and self-evaluation:  Am I tough enough to make it on the street?  Am I ever going to be tough enough to make it on the street? Will I be eaten alive by more cunning, more violent predators on the street?

For me, the setting in of reality took an entirely different form.  I knew I had what it takes, i.e., the requisite ferocity for street life. I had it in spades, as they say. In fact, I’d been blessed with the gift of hyper-volatility—traced back to my great-grandfather, Pietro of the village of Moschiano, in the province of Avellino, in the region of Campania, Italia Sud. Having visited Moschiano in my early 20s and again in my late 50s, I know the place well. The village square sits “down in the holler,” like in West Virginia; the Apennine terrain, like the Appalachians, rugged and thick. Rugged and thick like the people, at least in part my people. And volatile, I am, gifted with a primitive disposition when it comes to what our good friend Abraham Maslow would call lower order needs. And please, don’t ask me to explain myself now; just keep reading, *******.  All your questions will be answered.

Great Grandfather Pietro once, at point blank range, blew a man’s head off with a lumpara, or sawed-off shotgun. It was during an argument over—get this--a penny’s worth of pumpkin seeds--one of many stories I never learned in childhood. He served 10 years in a Neapolitan penitentiary before being paroled and forced to immigrate to America.  The government of the relatively new nation--The Kingdom of Italy (1861)--came up with a unique eugenic solution for the hunger and misery down south, south of Rome, the long shin bone, ankle, foot, toes & kickball that are the remote regions of the Mezzogiorno, Southern Italy: Campania, Basilicata, Calabria, Puglia & Sicilia. Northern politicians asked themselves: how do we flush these skeevy southerners, these crooks and assassins down South, how do we flush the skifosos down the toilet—the flush toilet, a Roman invention, I report proudly and accept the gratitude on behalf of my people. Immigration to America: Fidel Castro did the same thing in the 1980s, hosing out his jails and mental hospitals with that Marielista boatlift/Emma Lazarus Remix: “Give us your tired and poor, your lunatics, thieves and murderers.” But I digress. I’ll give you my entire take on the history of Italy including Berlusconi and the “Bunga Bunga” parties with 14-year old Moroccan pole dancers . . . go ahead, skip ahead.

Yes, genetically speaking, I was sufficiently ferocious to make it on the street, and it took very little spark to light my fuse. Moreover, I’ve always been good at figuring out the angles--call it street smarts--also learned early in life. Likewise, for knowing the territory: The Bronx was my habitat. I was rapacious and predacious by nature, and if there was a loose buck out there, and legs to be broken, I knew where to go.
Yet, alas, despite all my natural talents & acquired skills, I remained persona-non-grata for the Lucchese Family. To my great misfortune, I fell into a category of human being largely shunned by Italian organized crime: Mestizo-Italiano, a diluted form of full strength 100% Italian blood. It’s one of those voodoo blood-brotherhood things practiced by Southern European, Mediterranean tribal people, only in part my people.  Growing up, my predicament was always tricky, always somewhat bizarre. Simply put: I was of a totally different tribe. Blame my exotic mother, a genuine Hopi Corn Maiden from Shungopavi, high up on Second Mesa of the Hopi Reservation, way out in northern Arizona. And if this is not sufficiently, ******* nuts enough for you, add to the child-rearing minestrone that she raised me Jewish in The Bronx.  I **** you not. I took my Bar Mitzvah Hebrew instruction from the infamous Rabbi Meir Kahane, that’s right, Meir “Crazy Rebbe” Kahane himself--pronounced kɑː'hɑːna--if you grok the phonetics.

In light of the previously addressed “impressionable years hypothesis,” I wrote a poem about my early years. It follows in the next chapter. It is an epic tale, a biographical magnum opus, a veritable creation myth, conceived one night several years ago while squatting in a sweat lodge, tripping on peyote. I

470

I am alive—I guess—
The Branches on my Hand
Are full of Morning Glory—
And at my finger’s end—

The Carmine—tingles warm—
And if I hold a Glass
Across my Mouth—it blurs it—
Physician’s—proof of Breath—

I am alive—because
I am not in a Room—
The Parlor—Commonly—it is—
So Visitors may come—

And lean—and view it sidewise—
And add “How cold—it grew”—
And “Was it conscious—when it stepped
In Immortality?”

I am alive—because
I do not own a House—
Entitled to myself—precise—
And fitting no one else—

And marked my Girlhood’s name—
So Visitors may know
Which Door is mine—and not

PROLOGUE:

“’We must stop this brain working for twenty years.’” So said Mussolini’s Grand Inquisitor, his official Fascist prosecutor addressing the judge in Antonio Gramsci’s 1928 trial; so said the Il Duce’s Torquemada, ending his peroration with this infamous demand.’”  Gramsci, Antonio: Selections from the Prison Notebooks, Introduction, translation from Italian and publishing by Quintin ***** & Geoffrey Nowell Smith, International Publishers, New York, 1971.

BE IT RESOLVED: Whereas, I introduce this book with a nod of deep respect to Antonio Gramsci--an obscure but increasingly pertinent political scientist it would behoove us all to read and study today, I dedicate the book itself to my great grandfather and key family patriarch, Pietro Buonaiuto (1865-1940) of Moschiano, in the province of Avellino, in the region of Campania, southern Italy.

Let it be recognized that Pete Buonaiuto may not have had Tony Gramsci’s brain, but he certainly exhibited an extreme case of what his son--my paternal grandfather, Francesco Buonaiuto--termed: Testaduro. Literally, it means Hardhead, but connotes something far beyond the merely stubborn. We’re talking way out there in the unknown, beyond that inexplicable void where hotheaded hardheads regurgitate their next move, more a function of indigestion than thought. Given any situation, a Testaduro would rather bring acid reflux and bile to the mix than exercise even a skosh of gray muscle matter.  But there’s more. It gets worse.

To truly comprehend the densely-packed granite that is the Testaduro mind, we must now sub-focus our attention on the truly obdurate, extreme examples of what my paternal grandmother—Vicenza di Maria Buonaiuto—they called her Jennie--would describe as reflexive cutta-dey-noze-a-offa-to-spite-a-dey-face-a types. I reference the truly defiant, or T.D.—obviously short for both truly defiant and Testaduro. T.D.’s—a breed apart--smiling and sneering, laughing and, finally, begging their regime-appointed torture apparatchik (a career-choice getting a great deal of attention from the certificate mills--the junior colleges and vocational specialty institutes) mocking their Guantanamo-trained torturer: “Is that what you call punishment?  Is that all you ******* got?”

If, to assist comprehension, you require a literary frame of context, might I suggest you compare the Buonaiuto mind to Paul Lazzaro, Vonnegut’s superbly drawn Italian-American WWII soldier-lunatic with a passion for revenge, who kept a list of people who ****** with him, people he would have killed someday for a thousand dollars.

Go with me, Reader, go back with me to Vonnegut’s Slaughter-House-Five: “Billy Pilgrim has become unstuck in time . . .”
It is long past the Tralfamadorian abduction and his friendship with Stony Stevenson. Billy is back in Germany, one of three dingbat American G.I.s roaming around beyond enemy lines.  Another of the three is Private Lazzaro, a former car thief and undeniable psychopath from Cicero, Illinois.

Paul Lazzaro:  “Anybody touches me, he better **** me, or I’m gonna have him killed. Revenge is the sweetest thing there is. People **** with me, and Jesus Christ are they ever ******* sorry. I laugh like hell. I don’t care if it’s a guy or a dame. If the President of the United States ****** around with me, I’d fix him good. Revenge is the sweetest thing in life. And nobody ever got it from Lazzaro who didn’t have it coming.  Anybody who ***** with me? I’m gonna have him shot after the war, after he gets home, a big ******* hero with dames climbing all over him. He’ll settle down. A couple of years ‘ll go by, and then one day a knock at the door. He’ll answer the door and there’ll be a stranger out there. The stranger’ll ask him if he’s so and so. When he says he is, the stranger’ll say, ‘Paul Lazzaro sent me.’ And then he’ll pull out a gun and shoot his pecker off. The stranger’ll let him think a couple seconds about who Paul Lazzaro is and what life’s gonna be like without a pecker. Then he’ll shoot him once in the gut and walk away. Nobody ***** with Paul Lazzaro!”

(ENTER AUTHOR. HE SPEAKS: “Hey, Numb-nuts! Yes, you, my Reader. Do you want to get ****** into reading that Vonnegut blurb over and over again for the rest of the afternoon, or can I get you back into my manuscript?  That Paul Lazzaro thing was just my way of trying to give you a frame of reference, not to have you ******* drift off, walking away from me, your hand held tightly in nicotine-stained fingers. So it goes, you Ja-Bone. It was for comparison purposes.  Get it?  But, if you insist, go ahead and compare a Buonaiuto—any Buonaiuto--with the character, Paul Lazzaro. No comparison, but if you want a need a number—you quantitative ****--multiply the seating capacity of the Roman Coliseum by the gross tonnage of sheet pane glass that crystalized into small fixed puddles of glazed smoke, falling with the steel, toppling down into rubble on 9/11/2001. That’s right: multiply the number of Coliseum seats times a big, double mound of rubble, that double-smoking pile of concrete and rebar and human cadavers, formerly known as “The Twin Towers, World Trade Center, Lower Manhattan, NYC.  It’s a big number, Numb-nuts! And it illustrates the adamantine resistance demonstrated by the Buonaiuto strain of the Testaduro virus. Shall we return to my book?)

The truth is Italian-Americans were never overzealous about WWII in the first place. Italians in America, and other places like Argentina, Canada, and Australia were never quite sure whom they were supposed to be rooting for. But that’s another story. It was during that war in 1944, however, that my father--John Felix Buonaiuto, a U.S. Army sergeant and recent Anzio combat vet decided to visit Moschiano, courtesy of a weekend pass from 5th Army Command, Naples.  In a rough-hewn, one-room hut, my father sat before a lukewarm stone fireplace with the white-haired Carmine Buonaiuto, listening to that ancient one, spouting straight **** about his grandfather—Pietro Buonaiuto--my great-grandfather’s past. Ironically, I myself, thirty yeas later, while also serving in the United States Army, found out in the same way, in the same rough-hewn, one-room hut, in front of the same lukewarm fireplace, listening to the same Carmine Buonaiuto, by now the old man and the sea all by himself. That’s how I discovered the family secret in Moschiano. It was 1972 and I was assigned to a NATO Cold War stay-behind operation. The operation, code-named GLADIO—had a really cool shield with a sword, the fasces and other symbols of its legacy and purpose. GLADIO was a clandestine anti-communist agency in Italy in the 1970s, with one specific target:  Il Brigate Rosso, the Red Brigades.  This was in my early 20s. I was back from Vietnam, and after a short stint as an FBI confidential informant targeting campus radicals at the University of Miami, I was back in uniform again. By the way, my FBI gig had a really cool codename also: COINTELPRO, which I thought at the time had something to do with tapping coin operated telephones. Years later, I found out COINTELPRO stood for counter-intelligence program.  I must have had a weakness for insignias, shields and codenames, because there I was, back in uniform, assigned to Army Intelligence, NATO, Italy, “OPERATION GLADIO.“

By the way, Buonaiuto is pronounced:

Bwone-eye-you-toe . . . you ignorant ****!

Oh yes, prepare yourself for insult, Kemosabe! I refuse to soft soap what ensues.  After all, you’re the one on trial here this time, not Gramsci and certainly not me. Capeesh?

Let’s also take a moment, to pay linguistic reverence to the language of Seneca, Ovid & Virgil. I refer, of course, to Latin. Latin is called: THE MOTHER TONGUE. Which is also what we used to call both Mary Delvecchio--kneeling down in the weeds off Atlantic Avenue--& Esther Talayumptewa --another budding, Hopi Corn Maiden like my mother—pulling trains behind the creosote bush up on Black Mesa.  But those are other stories.

LATIN: Attention must be paid!

Take the English word obdurate, for example—used in my opening paragraph, the phrase truly obdurate: {obdurate, ME, fr. L. obduratus, pp. of obdurare to harden, fr. Ob-against + durus hard –More at DURING}.

Getting hard? Of course you are. Our favorite characters are the intransigent: those who refuse to bend. Who, therefore, must be broken: Paul Newman in Cool Hand Luke comes to mind. Or Paul Newman again as Fast Eddie, that cocky kid who needed his wings clipped and his thumbs broken. Or Paul Newman once more, playing Eddie Felson again; Fast Eddie now slower, a shark grown old, deliberative now, no longer cute, dimples replaced with an insidious sneer, still fighting and hustling but in shrewder, more subtle ways. (Credit: Scorsese’s brilliant homage The Color of Money.)

The Color of Money (1986) - IMDb www.imdb.com/title/tt0090863 Internet MovieDatabase Rating: 7/10 - ‎47,702 votes. Paul Newman and Helen Shaver; still photo: Tom Cruise in The Color of Money (1986) Still of Paul Newman in The Color of Money (1986). Full Cast & Crew - ‎Awards - ‎Trivia - ‎Plot Summary

Perhaps it was the Roman Catholic Church I rebelled against.  The Catholic Church: certainly a key factor for any Italian-American, a stinger, a real burr under the saddle, biting, setting off insurrection again and again. No. Worse: prompting Revolt! And who could blame us? Catholicism had that spooky Latin & Incense going for it, but who wouldn’t rise up and face that Kraken? The Pope and his College of Cardinals? A Vatican freak show—a red shoe, twinkle-toe, institutional anachronism; the Curia, ferreting out the good, targeting anything that felt even half-way good, classifying, pronouncing verboten, even what by any stretch of the imagination, would be deemed to be merely kind of pleasant, slamming down that peccadillo rubber-stamp. Sin: was there ever a better drug? Sin? Revolution, **** yeah!  Anyone with an ounce of self-respect would have gone to the barricades.

But I digress.

Cloudy,
the sky is filled with heavily condensed water,
and birds flying away taking shelters,
and swaying long grass dancing,
whilst all I can hear is the loud sound of leaves blown by the wind,

No sun,
no shines,
clouds are marching,
soon, very soon,
waters gonna fall,

under the broken bus stop,
with broken rooftop and rusting metal,
I hold my small Carmine coloured umbrella
with the lush green leaves paint the background
the sky cried,
and the tears dropped onto my umbrella,
and millions more followed,

the tense smell of water mixing with the earth,
the smell of rain,
the smell of loneliness
perfectly captured by my friend, nature,
I stood there, looking upward
heavily cloud is darkening and darkening,

it is crying it most heavy downpour,
and all the nature too, silent,
and all the nature too are in deep grieve,
water is rising and drowning my feet,
the ambience is not creepy but tranquillizing
nature most expensive marijuana,

As cold as the ice,
clear like crystal,
so pure, so wild,
the heavenly droplets,

I stood so long at the bus stop,
waiting for the one bus that never arrived,
my feet were numb and start to sore,
move on,
move on,
so I let the rain washed away my uncertainty,

I took the first step,
of my agonizing journey,
through the deserted road,
whilst the rampaging storm is abusing me,
I decide to lose my umbrella to the wind,
and learn how to dance in the rain,

After a storm comes a rainbow,
the saying goes,
I believe in those,
cheap and cheezy echoes,

Rain or shine,
I am fond of them all,
nature is wild
wild is good
good for my unsettling soul,

so let's dance,
dance in this cold unbearable blizzard of rain,
of feelings,
let the healing begin,
aren't we all need healing?

Drowning inside hands.
A fluorescent chime.
Skin scrubbed radiation.
Force-feeding plastic and sugar and flesh.
Pushing and pulling until tendons flail weathered
Up. And. Down.
Up and down upanddown until the store of powders, prints, nails tumble out carmine and is sobbing
gagging on a high chair.
The candied calculator like heart-shaped pupils and sticky soles.  
Opaque ID’s and strands of you abandoned in navy sheets.
Shoulder tassels taught on Adam’s apple.

Love stitches bedding and hollows bodies.
Love lights the West and lines waste baskets wet.
Love is a little girl vomiting into a lion’s den.

Streaks of red and black strike within
To tangle dangerously around my fragile skin
So volatile and sweet
I can melt my surroundings in a blink
And all it would take
Is one disdainful look
To trigger a demise

I live in a home of carmine red
Rigged with thorns of regrets without fortitude
And the floor covered in ragged rugs
To hide the scars of my tragic misfortunes

Rants and screeches bring severe astringency
There is no mercy
As it always reaches deep inside my throat
And around my neck
Tightly coiled, hurtful words begin to suffocate

The boiling blood of relentless fury
I am left in a steam of silence
Without a vent to this clustered chaos
I have become a hidden rage within me
As I watch the icy, red glow
Eradicate my destructive home

558

But little Carmine hath her face—
Of Emerald scant—her Gown—
Her Beauty—is the love she doth—
Itself—exhibit—Mine—

(what blue tells “it’s a girl”)
(part 1)

emerging into the world under the banner
“it’s a girl!”
comes wrapped in nothing but pink
expectations

born pink
helium-filled mylar screams
branding new life from first breath
softness bubble-gum wrapped
cotton candy kissed
baby girl be soft

soft
soft pink
powder-puffed bunnies hide
power-puffed intentions that scream
pink for the taking
precious commodity
but only so long as the soft pink remains
intact
soft pink words rounded
nothing sharp for a baby born
without the blue
pink words saccharine-infused with sweetness
to be planted deep within
tiny bones to replace marrow
marrow meant to sustain a life
but pink
soft pink marrow
makes for a prettier picture
nobody likes a girl that’s jagged when you touch her
it’s a mortal sin to make a man bleed
red is not pink
be gentle


gentle
gentle girl
sit pretty sit silent
swallow down your voice
only open your mouth to make
pink butterflies cascade beauty
spit out only ribboned wings
floating rose-colored feathers
bubble-words all dull edges and placations
make sure those feathers land on the deserving
the deserving being those
born blue
fill the blue with your blush tones
enough to inflate egos
but not enough to touch the cyan
too much pink and blue runs
too much pink and blue changes
into a lilac sunset
blue needs to stay hard
reign in your pink
know when to retreat
know when to only
be seen

seen
seen girl
not heard
find the balance trapped
within the pink
the world expects you to be seen
swizzle sticks and cinnamon hearts
arm candy dress up the pink
you are a bloom-rose candy store that is always open
everything has a price but why pay
when it’s just pink for the taking?
show us the pink
body parts enhanced by slashes of color
not too bold but beautiful
always tasteful to be seen
full lips to spill
carmine kisses
blooming with promise
promises fulfilled on both knees
what pink wants doesn’t matter
when it comes to blue
soft pink skin slick sneaky peak
show some of that wet flesh
flush flash some of that pink
be seen girl
when being born pink
should have come screaming with a warning
caution tape wrapped tight
sealing up flushed flesh flashing pink
what’s wrong girl?
be warm

warm
warm girl
be pink pearl nail polish
strawberry lip gloss leave kisses
warm breath in all the right places
make blue melt in ways
that won’t mix with your pink
warm mouths can work magic
bubble-gum tongue lick ****
strawberry ice cream cones dripping
pink sugar running down sun-burned arms
fuchsia cloth triangles held only tight enough
to cover the pinkest places
laughter filled with light
smoky mauve curls let warm wash
soft edges over hard
but even when surrounded by roses
blue has sharper thorns
bleed
bleed warm girl
bleed crimson-tinted tear drops
with only a hint of salt
sugar and spice but mostly sugar
they will bottle it up to sell as a gift
this marrow-tinted hydrosol distilled
down to it’s purest form
liquid pink scented water stolen
more precious than perfume pressed by monks
deep within spanish caves
the monks at least have compassion
at least they ask the roses for their bodies and blood
blue just takes
they don’t call it “royal blue” for nothing
cobalt fists rain relentless
ribboned words and cloud-wrapped capes
are no match for their fury
be small

small
small girl
you are so fragile
from the moment you enter this world
swaddled in it’s a girl
swaddled in everything but blue
don’t want to be mistaken as a boy
not even right out of the womb
pink brings warmth and comfort
blue is a cool color
it bleeds lost gentleness from first breath
pink is never cool
be small even as you grow
fold into yourself to shift shape
break bones to leak out
soft marrow bubble words meant to appease
“yes” is always your best bet
when it comes to blue
blue can’t hear “no” coming from
a pink mouth
the frequency too high
vocal vibrations far out of blue’s hearing
those spoken syllables mean nothing coming from a mouth
good for only one thing
stay small
keep it tight and trim
just because you are a candy story
strawberry daiquiri lollipop curves
doesn’t mean you have to eat
like you live in one
keep it cherry girl
petite pufflette gummy bites
just waiting to be devoured
by hungry blue mouths
sweet little nothings
a paradise punch buffet
where pink is the only dish served
climb into the box
blue lays before you
squeeze yourself into that molded cage
it doesn’t matter how badly it hurts
it doesn’t matter that everything pink in you is screaming
for release
it doesn’t matter that you’re screaming at all

after all
you were just
born pink

MORNING HAS BROKEN
The men, in lines, ***** two by two,
forgetting all the women who
indulged them through a night of tricks
(their lips designed with crimson sticks,
their eyes a wild mascara mix)

and think instead on times ahead
when they’ll be gone, their bodies dead
(some rotting slow’, some mummified)
though once they were their mummy’s pride.

Attired bright in uniforms,
they strew their bombs in desert storms -
like melting sands, the sky deforms
with darkness, death - and doomsday swarms
through ravished lands where fires warm
the corpses, cold and puriform.

Their eyes flash forward towards the backs
of lucky ones who have the knack
of never being in the way
of bursts of bullets as they stray
(effacing phantoms faraway)
and dodging doom’s Redemption Day.

They’re wishing for a foggy morn
or best of all to be unborn,
and peering down to mark the sway
of wings in webs while spiders prey,

they wonder when their time will come
and they can cease their fleeing from
the sights they’ve seen, the deeds they’ve done,
the life they’ve lost, the death they’ve won,

then muse a while upon the child
they killed today when they went wild,
and when they’re finally reconciled
with broken bodies stacked and piled,

they ponder, does she have a kin
to curse them for their burning sin?

And if she does, will god reply
with tooth for tooth and eye for eye?

Or will her clan be mild and meek
and simply turn the other cheek?

2. MIDDAY MUSINGS
They’re counting steps to pass the time
and puzzle if they’ll reach their prime
or if instead they’ll serve the worm
their carnal flesh and aching *****

when soon, perhaps, they sleep in berth
provided by the chilling earth,
and fret about the fate they’ll find
below the stones that slowly grind.

And once or twice will come to mind
a sultry smile they left behind
(the distant past - a tepid trace –
another time, another place),
reflected in the gray grimace
that paints a frightened fading face.

And on they trek through guilt and gloom
to track their own and others' doom
and soon they’ll  grace another pool
with blood of other beings who’ll

inhale no more the evening airs,
unlike the wily Functionaires
who brutalize the fighting men
and send them far away and then

(relaxed, unwound, with victories made)
confer with sword an accolade
on those who’ve lopped bowed heads, with blade,
so someone bent must turn a *****

to hack a hole which then is filled
with all the cloven bodies killed
then cloaked with clay or loamy dirt,
as if to hide the pain and hurt.

3. TEATIME INTROSPECTION
Amongst the many are the few
who maim and **** and think it’s true
that purple war’s a parlour game
when really they’re submerged in shame
for crimes for which they are to blame
and can’t expunge with searing flame

while plodding through an endless time,
or pealing bells with holy chime,
or posing in a paradigm
where paradox and riddle rhyme.

And when they die (as die they must),
forevermore their putrid dust,
still soaked with gore and carmine lust,
will conjure thoughts of cold disgust.

And even though torrential rain
(which tastes at times like cool champagne)
can wash away the scarlet stain
which soaks the sands of god’s terrain,

it cannot ever cleanse the hands
that work the guns and burning brands,
or purge the throats that give commands
to him who never understands.

Nor can the raging hurricane
from blackened souls the white regain,
rescind the sins or void the banes
or loose the ****** from Satan’s chains
who line the pits of hell’s domains.

4. EVENING REFLECTIONS
When through the day to night they pass,
their eyes avoid the looking glass
displaying dim a pale phantasm
plunging deeper down a chasm,
surging through a blood ******,
smiling thin unveiled sarcasm

for the chances lost to taste
the many fruits that went to waste
when each was still a joyous lad,
who went to school and learned to add
and danced in rivers, barefoot clad,

attended church with mom and dad
(which tends the poor and cheers the sad),
to pray for good and curse the bad,
before, in war insanely mad,
he fought the fight (no Galahad)

by flinging flames and slashing throats,
immersing bods in  midnight moats
between the broken battered boats
where babes and booted bodies float,

and leaving bags of bones to bloat
in bullet-ridden overcoats,
and wondered if the goblins gloat
or spot (behind his eyes, the motes),

then strode away without a thought
that mortal lives had come to naught,
sedated by his conscience brought
to nothing more than dripping snot,
while Others sit upon a yacht
and pluck the eyes of fish They’ve caught,

for, when they die, fish seem to see
The Ones behind the tyranny
(with bellies round from gluttony)
in future dangling from a tree
(with leaves as black as ebony),
for that’s, They fear, Their destiny.

5. MIDNIGHT DREAMS**
At night the soldiers sometimes dream
of many things which make them scream,
like
                      floating down a gelid stream
             with burning flesh and cold ice cream
             upon their lips, which makes it seem
             as though their salt they can’t redeem
             when looking back at bold extremes
             of valiant warriors’ victory schemes.

Or ofter yet,
                      they sometimes meet
             a broken skull upon the street
             with gaping eyes, its mouth replete
             with swollen tongue that can’t repeat
             mere words of joy when lovers greet,
             or yell aloud or indiscreet’,

             or talk about the grand deceit
             of Those Who live on Easy Street,
             Who plot, destroy and overeat,
             while others bide beneath a sheet
             on bed of steely cold concrete,

             with final gift a flag or wreath
             that soon will wither like their teeth
             when once they’re settled underneath
             a mound of muck on mouldy heath,
             to lurk in Limbo Land beneath.

And ever more before they wake,
appear quaint dreams not quite opaque,  
like
                      upside down upon a lake
             keeps popping up a pregnant Drake
             who says “there must be some mistake,
             I only have a bellyache”,
             while high above’s a flying Snake,
             (a sight to make a killer quake).

             She cries aloud “for mercy’s sake
             your foresight’s blind, your wisdom’s fake
             the fragile bodies that you break,
             impale or burn upon a stake,
             then stack in layers like a cake,
             reflect a lust that death can’t slake”.

             And turquoise Turtles on the make
             (though taking time to overtake,
             each slurping down a chocolate shake)
             rev up to plead “let us explain,
             we think you men are all insane
            with morals thin as cellophane;

             for, peering through god’s window pane,
             we see quite clearly those you’ve slain,
             enough to fill the Dim Domain
             with blood and guts and tears and pain,
             Chimeras of a frenzied brain.”

             A worn and weary weather vane
             announces floods of claret rain
             that forty days and nights sustain,
             submerging mountains, raising Cain,
             while flushing mankind’s acid reign
             down nature’s evolution drain.

             The Serpent hails a hydroplane
             “because”, she hissed, “we can’t remain;
             behind the hill, the atom’s spark
             has vaporized the palace park,
             reduced to dust the Meadowlark
             and nullified the Rainbow’s arc”.

             And while the others hush and hark,
             a feline Toad begins to bark
             “This plane is certainly Boa’s Ark.

             Let’s flee the Human hierarch,
             forsake all Men to sate the Shark
             which swim within the Waters Dark,
             and purge all traces of the Mark
             in Eden when we disembark.”

             The beasts, in lines, by twos embark.

The dreamers wake, they’re staring, stark,
behind their eyes, a watermark.

The half-stripped trees
struck by a wind together,
bending all,
the leaves flutter drily
and refuse to let go
or driven like hail
stream bitterly out to one side
and fall
where the salvias, hard carmine—
like no leaf that ever was—
edge the bare garden.

The sky’s a light carnelian’s shade
and, as the brightness starts to fade,
from carnelian to carmine he turns, too-
soft to vivid tones of the hue.
Looks into the ‘windows to my soul,’
     (‘windows to one’s soul’ he called them)
The intensity nearly swallows me whole-
his windows a pair of solitary gems.
Eyes the colour that fire should be,
a fury to turn flames green with envy.

So as carnelian turns to carmine
and the heavens light up with his glow,
a firefly’s brightness is overshadowed,
but the yellow is whitened down in snow

A lone, saphhired rhododendron in full bloom
unaware of its death in a pluck so soon

The furious ball of rage sets
and us (three!) need to return
-a lingering gaze for a moment too long,
cheeks of crimson and burn!
For too long have we tarried,
our hours have wasted the day
Find no longer a reason
nor any excuse to stay

Peer over the edge a last time
     (indecision, in control)
At the vast expanse of cerulean, sublime
     (pause to contemplate my goal)

Tucks the blooming rhod’ between a lock and an ear,
breathes, “it looks prettier still here,”
for another second holds ( ) near
and in parting’s ‘sweet sorrow’ starts to disappear

A gunshot echoing, a resounding sound,
as he turns away from the mead’.
His body slowly hits the ground,
and I know I’ve killed him dead.
For the first time, a lamenting tear’s grace
rolls down one side of my face
and all I see is red.


A gunshot, a second time, lying in bed,
*brow, hair, pillow- all soaked in red.

I'm a poppy made of dried metallic blood; bitter,
wilting and fading in a never ending winter,
my lifeless petals falling like brittle carmine confetti so solemn
upon the grass where a newborn papaver rhoeus will begin to blossom.

I bent down to her ear and said
Thank you for all you’ve done
Not just for
NY
But for the World
She looked at me expressionless from her chair
I don’t think that she understood nor cared
Then I handed her a little
Bag
Containing two lipsticks
And two pencils
I think she threw the pencils on the floor and
Wondered aloud
Why was everyone giving her pencils?

She did not notice that of the two that I gave her
one was stamped in gold
With the one word
Hustler
And on the other, two
Strictly
Business
I made no suggestions nor references
I didn’t smirk
I must have appeared a bit sweet
A treacly aberration

It doesn’t matter
I had selected two perfect reds in LA
One a bit more blue
and one
a classic vampish carmine
Blood red can be a challenge even against
pale
pale
Skin.

Standing in the lift
Fully attuned
she caught me
not merely looking into her eyes
But seeing what I saw
A death’s head?
I hate when I’m caught doing that

Under the fluorescent light
She was dog rough
Pasty with sad sunken eyes
I was thrown, but by what exactly
Her magpie distress?
Her etheric calamity?
Her puffy, aging face?

We sat and spoke for a while later that night
She did not recognize me at all and apologized
maybe it was the next day
that the three of us had lunch
Everyone in good spirits
The mandrake’s screams
Forgotten with smiles and a wink
Memory bamboozled and
Make-up duly applied
She took out the lipstick
And redrew the lines
She liked the shining black case
with the little black ribbon for a pull

She told our companion sitting on a stoop
smoking cigarettes
I like your friend and
I wondered does she realize
that we already know one another?

I come face-to-face with my Shadow
hungry
devouring
depraved.

The lupine
before a full hunter moon
bristles.
Hot saliva
falls
from hurtful pointed rows
in pearls.

This
in Goodge Street Station's
Underground
where a poster
promotes
The Hunger
a page-turner

The Clown in Soho:

3 Chocolate Martinis
4 lagers
1 gram of *******
300 press-ups
7 mile run and
1 sachet of Kamagra

… the night begins …

I howl with delight
- that’s me -
cracks open
a smile
yellow eddies swirl
in thrawl
to that shadow beast o’ mine.

This monstrous
I
can never satiated be --
a beast to straight jacket under the influence of the waning and waxing moon
and on the night of the carmine moon
release

My phone rings
(Excuse me, while I take this).
‘Hello, am I speaking to Ashley?’
‘Depends on who’s asking,’
I respond
licking my lips.
‘You Ashley Chapman?’
I like this kind o’ game.
‘Like I said,
who’s asking?’
Frustrated he repeats, ‘Confirm your name.’
I yawn and tell him as savagely as I can:
'No!'
Wolves
know 'no'
to the pack.

But as in Beauty and the Beast
(the Cocteau 1946 version, of course)
beneath that thick molting hair pelt
beasts have culture
and feelings, too
(a lion's heart?)
and mostly
(occasionally not)
given
space
food
The Den
a willing mate (or two)
we’re okay
affectionate dogs.
For when all is well with my shadow
-- no problem
   in peace
   in chains
'til the looped moon!

In the place of your kin I found you,
In the meadow left out to dry
Your porcelain face,
Glazed in white, glassy blood.
No carmine kiss had spoilt it
On the eve of its last breath,
But the flood, the flush
Of bluish-purple life-fluids
Decaying within your chest.

Hydrangeas will grow from the tears you wept,
And the crows will carry off the bones you left.
Is it best for your love to run out,
Rather than be caressed by death?

What pulsates, in here?
All of life, a carmine boom,
In a stark blue room.

Ice will chill, but blood is warm
Racing, chasing blues away,
Begging love and happiness to stay.

Red, forever reigns
Scarlet heart shall overrule the gloom
In this forsaken, sharp blue room.

25

She slept beneath a tree—
Remembered but by me.
I touched her Cradle mute—
She recognized the foot—
Put on her carmine suit
     And see!

a red aura: grounded, realistic active, the densest colour

you are the densest colour
it is all around you, means so many things
synonym with love, synonym with indulgence, synonym with satisfaction
a core constantly radiating carmine all around you
you are the lightest hug
the sweet oatmeal served by your mom when you get sick
a witch’s tears that create a rainbow
magnifying glass burning patches of grass in the summer
you are true or false questions
the glitter in puddles
roots of daisies

under the dim light
standing right in front of the shore, big big sun slowly sinking into the ocean
“kinda looks like the lion king scene but backwards”
54, 55, 56, 57, 58, it’s all dark
little lanterns are suddenly the only source of light near us, buildings start opening one eye after the other, how many eyes do buildings have at night?
how transparent are your windows?
“smells like salt, i have sand in my mouth”
fireflies are not common here but luckily they have come tonight to say hello to us while we are together for once. i mean, fireflies are a sign that this is just more than what it looks like? can this be more than just a nighttime thing, i wanna see you more often
“when was the first time you saw a firefly”
the first time i saw a firefly i was waiting for my mom to pick me up from my dance class. i was maybe eleven at the time and it was around 8 pm and girls were coming in and out of the place for about 5 minutes- then it was all calm once again and while the music was blasting and going thru the walls i saw a little light from the other side of the street - it was very blue at the moment- and it was like a little flickering on and on - i thought someone was trying to morse-code me but the building in front of us was empty - no lights on. i stared  long enough to realise it was a little firefly that had just come from the mountains surrounding the area - i thought it was a fairy. i read a book that said that fireflies tell fairies where there’s danger and when it’s safe to be out, so i think seeing a firefly for the first time was very magical, but i never saw any until 4 years later by the beach in a completely different country, different surrounding, and there were multiple
we were walking thru some bushes to get to the beach and halfway thru the walk the fireflies lit the way to a little beach opening, but it was different this time: i was 15, not alone, not thinking about fairies, just amazed at how many fireflies were around me: i think fireflies are magical. you are magical
this story i s so slightly personal
i want to lay next to you on the beach and get sand on my hair and just point out how beautiful you are because thinking about you brings me to absolute tears just because you’re so overwhelmingly and absolutely gorgeous and flawless and the fireflies light up your face better than a candle - you’re bioluminescent
i’m telling you this because tonight feels like that night where i first saw that firefly but it smells like the ocean right now and the sky looks like it wants us to be underwater - i think it’s beautiful when the sky mimics the exact shade of the ocean, kind of like a sapphire blue colour- the densest colour.
you’re beautiful. thinking of you brought back this story of fireflies out of me and i think that is a sign - are you another firefly in my life? fairy dust
i think the charms fairies put in us are not always the best ones - my mistake, we don’t know how to handle magic when it’s performed
magic: i think you’re magical
i think you’re lovely
i think you’re more than the sun setting and the wake up of the buildings and the fireflies and fairy dust and sand
i think you’re the warmth of the sun right after you get out of the ocean, i think you’re bioluminescent, i think you’re the wind when it’s 11C outside and you get to wear your favourite hoodie outside, i think you’re butter melting on toast i think you’re the deepest colour, i think you’re the deepest colour, i think you’re holding the deepest aura, i think you’re a child’s night lamp, i think you’re the deepest colour: red is the deepest colour, love is the deepest feeling
i think i love you
i think i’m thinking too much but i’m thinking about you and i think we should think about thinking about the first time we had sand in our mouths
the beach is beautiful at night and it’s chilly and the wind is always spilling a little more sand every time it sneezes. sand or fairy dust? i love you
anything i write won’t even compare to how much love i have right now for you, i can’t keep writing but i wish i could show you how much you mean to me
it’s so hard when i can’y hug you but i want to be surrounded by fireflies when we go out

There was a whisper on the wind
And a tune was in the air
The lights and shadows danced
With moonlight everywhere
 
So he took me by the hand
And he whispered in my ear
The world was listening in
But it was nothing they could hear
 
While the moon lit up the night
And the stars shone from the skies
The song began inside him
When he looked into my eyes
 
My heart sang in harmony
And danced along the tune
The song had taken shape
And we danced beneath the moon
 
The stars fell from the bright sky
And the moon told us farewell
The sun was late in coming
But we really couldn't tell
 
His heart was beating with mine
And my soul shouted out
The smile upon his face then
That is what love's about
 
I can't say how the rest went
And if I missed one part
The reason lies in blurry lines
That flow out from my heart
 
So if the night had ended
I cannot rightly say
If he and I dissolved there
Or remained there to this day
 
So when we see the moonlight
And his heart starts to sing
The night will soon forget us
As we dance, king and queen.

I'm still waiting for you to kiss me
With those crimson lips so smooth.
And I'm still waiting for us to be alone
When the pain in your bright eyes can be soothed.

I'm still waiting for you to get help
For the carmine rivers that you trace.
And I'm still waiting for a reason why
You broke the promise you put in place.

I'm still waiting for my head to stop spinning
The rose hairclip means I see you down the hall.
And I'm still waiting to tell when my stomach flips
If it's good or not at all.

I'm still waiting for my logic to return
But love gives an alazarin tint to every drama.
And I'm still waiting for a chance to talk to you
But I seem to have bad karma.

I'm still waiting for that hug you owe me
My ruby hair shoelace flopping in my eyes
And I'm still waiting to be the tall one of the pair
As I try to move on, part of me dies.

I'm still waiting for that movie date we planned
And the ketchup coloured earring you wear in the left ear
And I'm still waiting to dance and twirl you round
In my arms I could hold you near.

I'm still waiting for when you blush
Vermillion as insults are thrown across the street
And I'm still waiting for the chance to set that right
Remmembering you defending me in the stifling heat.

I'm still waiting for the time to tell you
How much you're in my thoughts
And I'm still waiting for your birthday so I can gift
The cadmium sketchbook that I bought

I'm still waiting for the coral pain to stop in my heart
It's there for you, of that I have no doubt
And I'm still waiting for the laughter to return
To my life when we sort this out

I'm still waiting for the trip to the coast
The bergundy viking boat alight
And I'm still waiting for what will never be
But then again, it might.

We watched the sun fall down and scrape its knee again, across the horizon.
Effusing amaranth, carmine, and cochineal across polluted vista.
It felt petty to issue guttural laughs, or engage the myofacial crescents beneath its visual lament as the Earth turned its back again.

We watched the sun rise, bruised, tender and shy this morning.
Its muddled contusion obviated by the gauze of fog.
A mottled neophyte -
Luminescent crepuscular rays defied dregs of interstellar debris and cloud.
Aching to kiss your skin -
In stellar cloud nursery, it eschewed the torque of orbit and gravity - eras before verity of your essence.
Humbly settling concentrically about oblate sphere, and gaseous tome.
Latterly - It altered the atmospheric pressure on the other side of the planet a week antecedently, as you clung to your dream lattice, and Earth innately turned oblate nucleus.
Its intent –
A veneration of you.
It bade the atmosphere convey a breeze echoing about your dermis, as it gilded your frame laconically, betwixt shaded steps beneath cloud and arbor.

The sun yelled at me at its pinnacle today,
Pallid bone – molten - miasma of rage
Its core missive garnered inertia – coronal plasma warping ellipsoid factions in inflections of elusive filigree
Pirouetting spicules spattered smelted torrents in the dismal anchorite
Atomic schism – silent but felt
It stoked humidity under shadowed niche - casual vaporous smears evinced no clemency.
Flesh torqued, and seized beneath itself, briny globules shed from puckered pore.
Culminations of sensitive fluid sacs scorched into the shallows of my chassis.
Insignia knit in cellular shrapnel

The sun ignored me today – or perhaps, it was I it.
Enigmatic tenacious resolution – an echo of its gravitational collapse
Inverse thermonuclear fusion
It is not fear in a relationship that keeps you apart, it is neglect of the infinitesimal.

Since we met in this life we’ve been so together
The trees and the sky will tell you, just ask them
Since, frankly and completely as one
Searching our souls, discovering each other and ourselves
Loving, living and learning with no effort at all
Moulding our life to divine goals, elements exploring
Each day we grow, smoothing our rituals and tasks
Simple, small, understated and beautiful
Yet enormous, devastating and wonderful
I’ve never been clearer in mind nor more ordered
Serious or intended, structured yet mesmerised and dreamy
Child-like pleasures our little hearts

Honestly, knowing you has given an exclusive season of patience
A crown of peace with measures of muted resonance
My emotion and behaviour  jangle with excitement
Gaining speed and velocity as our developing love fertilises everything we do
If any part of me was withheld or absent it was without cognisance or most importantly intent
I was always here totally,  loving you with an undivided heart
Building our future and having the truest most delightful life
Such destiny within two earthly beings, such kismet
But no..earth is not  from where we sprung
No logic or contract by human standards but from cosmos and celestial forces
Stardust, moonbeams, sunlight and energy

Our future is viridian, cobalt, alizarin, ultramarine, carmine...
Colours drawn from a bow of happiness with arrows of true love
Thudding into our hearts every single moment
Rainbows of kindly sparkly crystals reflecting each tiny emotion
Willow tree flexibility, cool streams of pure clear water whisper in our ears
Look to your soul and to the memories of our short time together
Begin to believe that life is so very good ,so treasured like us
Darling Jan my complete lover
The wife I’ve always had, true soul provider, custodian of my heart
Clearer in the transformation from Jan and Max to a ‘whole’ inseparable
By anyone or anything for all time and eternity..
Even better knowing that as always
Now even more.....I’m all yours

My soul whispered a secret to my heart,
It spoke of spilled blood upon a rose,
Rouged lips within the garden,
Drops of crimson liquid blush.

[CHORUS]
Nature’s beloved colour is green,
So red speaks of originality,
Blood is a passion,
Scarlet bleeding from thy own,
A claret sun dawning beyond,
Sanguine stained skies.

When the little cardinal sings sweetly,
A doorway opens I never chose,
Visions of a bloodshot key,
A lock rusted with dried blood.

A glimpse through the keyhole,
A pale forest awaits on the other side,
Showers of cherry blossoms,
Falling upon the snow.

Red berries bloom under crystal snow,
Glints of sunlight touch down,
Sparks of fire captured within,
Just beyond this rubicund door.

[CHORUS]

The dreams I am allowed,
Burn and scar my will,
When the door swings open,
Of its own accord.

Damask petals on the wind.
How warm and gentle that spray of blood,
Like a hundred tender kisses,
And the golden keys to Heaven.

I glimpsed the gules of true heraldry,
A suffused spirit at the dawn of memory,
Imprisoned by a cage of vermillion frost,
Warmed by a glass of spiced wine.

[CHORUS]

A roseate palace at the end of a long walk,
Painted titian by my tear drops,
Caress a florid complexion,
Carmine not my own.

Roan stones dusted,
By the fall of Angels light,
Make-believe incarnadine carpet of,
A mirrored auburn dusk.

I settle back into the maroon night,
The darkness flushed by concealed art,
Bay canvas touched-up with unreal imagery,
Indifferent to the passing of my former life.

[CHORUS]

Rubies fall from ruddy clouds,
These gems are not for me,
Reddened glass has come to pass,
The moment of my undoing.

[PAUSE (Epilogue)]

Red is not for me,
Red was not meant to be...

There she stands so slender, white
A wraith in gossamer,  so slight,
A trace of smile on carmine lips
Her femaleness on line of hips.
You wouldn't know her yesterdays
She utters only terms of praise,
demure and oh so quite petite
She gives no clue she's from the street.
You wouldn't know the hardness there
The brutish men who wrought despair.
The brutish men who left her laid
Upon cold, concrete slab displayed.
She's past all that, she soothed her soul
And made another world her goal,
Changed her hair and wore a frock
Set her task, that done took stock,
Altered how she saw the world
Watched her secret rose unfurled.
Watched the sweetness feel the light
Watched with trepidation's fright...

Now she stands so slender, white
A quiet confidence... so bright,
Tomorrow's smile on carmine lips
Her femaleness on line of hips.*


Marshalg
Waterview
4 September 2012

Calling nearest janitor
response to minor spill
unidentified indefinitely
a k-11 spill

It bruised burned
extinguished extraneous existence
left minor mess
ignore and maintain
absence of mentality

Shuffle left
avoid sticky shoes
unattended children should abstain
from carmine fingerpainting

Chocolate rations rose
red rose
again this week
enjoy the rapture
thank you come again

A leaf falls
unnoticed

A **** at americana
not from it
belittled no napoleon

Big boy voices only
at the counter
naked pockets mean
no thing
nothing missing
no thing messing
me sing
last mess
cleanup, aisle twelve

"Every time I look into a mirror I see the eyes of the devil".
The perpetual flame of life
A new dawn, an enlightening dusk;
The translucent sun
The convection of eternity,
Abysmal adversary,
The convocation of co-eternal legions!
''Every time I cry I see the face of God".
Influencing twilights perfection,
Hells paradise devouring
The ardent fervour of the carmine flame
Piercing the atmosphere,
Constantly tantalising the air- fuelling.
The forests engulfed, bellowing from the apse shaped canopies
Violet blue threads of of ribbon;
Wofting unto nothingness
Vapourising smoke.
Natures delightful beauty, casting a shadow
The conflagration immanently consuming lands;
Raging across the earth
Dehydrated and scorched.
Baptismal tears vanquishing the fire,
Heavens standing ovation, applauding
A contained flame,
The sound of rain the fires lamentation.



1997 ELEETE J MUIR

Patristic Excerpt
John where made Patristic delays on the island in Christian times by building numerous panagias decorated with mosaics. They enter the port of the island walking in wild revelry after being greeted at the port. At dusk they arrive in Jorió finding the Venetian castle of the knights of the Order of Saint John, completely covered in blue olive oil (a phenomenon that had been caused by the previous visit of Etrestles and his entourage) In the same way, they make an antechamber to the northeast finding the Grotto of the Seven Virgins or Nymphs, whose satire succumbed to some incredulous neighbors, hiding some of their minor daughters after denying its consummation. This is not a minor legend told of how seven young girls disappeared into the cave when fleeing from some pirates, noting if it could be so, also the clues to find Etréstles that he had recently been here in frank search for his ghosts. “Behold, all this paraphernalia of bilocation was accentuated by the god Spílaiaus creating immediacy with all the times that they wanted from the present, and the future that is exclusive to the Itheoi gods” Petrobus the Pelican goes back to the colonies of his ancestors, he wore gold rings around his neck, and had no contact with his native colony since the last day they helped the fields with water due to the lack of fresh water. It is worth noting their property of converting salt water into fresh water but even more the quality of Petrobus in addition to where they step on its paws, everyone will shine and rejuvenate. It off-centers its wings with allotropic dyes that made it turn colors in addition to strengthening and lightening its body during long periods of flight, and lifts its angular bag and takes vertical flight to meet Reader and Vernarth again in the Early Christian Necropolis of the burial chapels, here they meditate with the god Azofar who levitated above them offering their submission to the wind that flows with great power under the catacombs pulling and moving spirits that wish to relocate with their placebo presiding over their doubts. They leave the port boarding a Triaconter that would take them to Kinaros before the night falls and is seized by the coastal fog, not resisting the rope that holds a ship, whatever it was many times these ships were maneuvered by rowing sailors but this time it was only consigned for them, it would only move without anyone intervening, only the eternal wind that kind will take them to the island of Reader's progenitors. On the transparent waters sailing in the Triaconter were the three, Vernarth in the Petrobus bow on the main mast of the sail, and Raeder beside him a few meters away remembering his parents when they emigrated from this island? The name of the ship that was named as “Eurydice” in every certain space of advance they approached the macaroon to empty the tears that this Nymph emanated through her half-open eyes, she would take a rag of the holy cocoon and wipe away the effusions that must have been more for some reason that he would want to know…? Upon arriving in the vicinity of Kinaros, a rainy cyclone hit them which lifted them above the surface of the island when they were less than 5 km from arriving. Vernarth takes the Xiphos's sword from him and cuts the ropes then Raeder noticing that they were at serious risk of being shipwrecked, tells Vernarth to get out of the ship and quickly runs to the bow covering the eyes of the Mask of the Eurydice and leaves the ship.

With an epic metaphysical tendency, he acclaims his magical steed Alikanto..., he flies over the ship and picks them up, and Reader takes hold of the rings on Petrobus's legs reaching the mainland consecutively. Kinaros is a land of fishermen and farmers, a long-lived land and ancient inhabitants who do not age; here there are no cemeteries or monuments, there is only eternal spring for those who can be grateful for a place that gives them peace, and melancholy love for those who do not live there. Here from this bountiful land come the Raeder Parents, they migrated to Kalymnos; being this land the one that saw his birth and immortalizes him so he remembers…: “In the islands of the Dodecanese, subdued by the carmine dew that falls at dawn on its crystalline waters, important archaeological remains and cenacles appear on the sand or gravel beaches to compete in athletic leisure, Raeder ran naked after the outfits of which his mother had made him. He was permeated by crystalline Byzantine, architectural and medieval monuments due to long Venetian dominations in his mannerisms what unite them to these islands is their history, and their occupations: that of the knights of the crusades to that of the Turks, the Italian occupation to the Greek annexation with their volatile outfits useless to dress up, Patmos is very popular among pilgrims from the moment his work was raised in one of the caves on the island of San Juan Evangelista, the disciple of Christ writing the Book of Revelations. Astypalea is the westernmost island of the archipelago and has Dodecanese Cycladic architectural features it is also related here in the Novel of Etréstles of Kalavrita matter of his victorious boast to Patmos when he resorts after the reverie with the Laziko Dance that was held by the little finger and circulated in commemoration of the stripping of the rebirth of spring with the Sousta del Dodecanese. These dances were engendered in the infra-ocean floor of the Ionian Sea, generating the power of the ethereal emanation of Etrestles from Kalavrita by daring to put Eclectic confrontation to the invisible portal of the Evangelist Saint John in his sacred basaltic cavern in the Patmos archipelago (Koumeterium Messolonghi, Chapter 16 - page 114. Editorial Palibrio-USA) (Koumeterium Messolonghi Chapter 16 - page 114 Editorial Palibrio-USA) It is also related here in the Novel of Etréstles of Kalavrita matter of his victorious boast to Patmos when he resorts after the reverie with the Laziko Dance that was held by the little finger and circulated in the commemoration of the stripping of the rebirth of spring with the Dodecanese´s Sousta. It is also related here in the Novel of Etréstles of Kalavrita matter of his victorious boast to Patmos when he resorts after the reverie with the Laziko Dance that was held by the little finger and circulated in commemoration of the stripping of the rebirth of spring with La Sousta del Dodecanese.

In the Chapel of Ministers: They were seconded by the high representatives of Kalymnos, among them the curious immortal serpentine Raeder son of native Kinaros farmers belonging to a clan group of six small islands and six small families. Some islets used to boast the genealogical beams and challenges of Antigone, and documented inspirations found between Leros and Kálymnos in the east and the Cyclades islands of Amorgós in the west. Raeder always got up before dawn on his window sill there always appeared a petite blue bonsai Pelican he called Petrobus, in the mornings he would run beating this Olympic bird in a fast dispute sometimes he was not able to say goodbye to his bird friend because he ran so fast that the days used to be weeks in a row, while Petrobus puffed through the Ouranos with his Hellenic Artificial Intelligence elytra, with his hyper exhalation he moved great rocky crags even moving and disorganizing the geographical nomenclature of these twelve polygon islands between the Cyclades and the Dodecanese. The lesser known and immaculate islands are Leros or Pserimos, while Rhodes and Kos the largest and most cosmopolitan islands are the goal of the migrated Blue Pelicans throughout the year. Before returning to his house, Raeder stretched out on grasses sheared by the heels of Petrobus's migrates and his henchmen in this grass dancer I could feel the dances with the gag dance bread vibrate through his arms in all the rumps of the maidens in the Sousta dance running after Petrobus with his golden mask and hanging from the wings or legs of his bird (Wings Mate), the art of flying with golden magical birds and his Ancient Mama Antigone to Raeder when sometimes he was flying by the legs of Petrobus, he thought...:

“My land… a thousand times I will lift you up with my arms, do not doubt it, my arms believe it… Oh, my venerated Ionian I will do apnea to please you a thousand times to become your Ionian molecule… Wind of Kalimnos himself…, I will make the flute an Ode that runs through twelve perforated epitaphs with my ancestors in the Dodecanese sleeping paroxysm in the panagia where I was baptized for the ninth time! And in the fatuous lavish fire, I will put the ceremonial ribbon of the Sousta Dance in the nap in the new migration of my transparent Pelicans….”

Raeder tells a visibly emotional Petrobus about imagining crying with his imagined friend. "Little Raeder of the Dodecanese" he utters to his magical imaginary friend; Petrobus, what else was missing from ground breadcrumb paste for next winter…? Petrobus, distracted and not looking at him tells him…, only placing his web-footed Hellenophile leg on his other equal…: “Fear nothing Raeder, God does not coexist! ...Now He and you are the same. With your arms you will be able to lift the sphere of the bare earth and reconvert it into a Healthy Earth of Milk and mead of our Kalymnos that runs like a quagmire through the mountains of your Life converted into a new House dressed in a new house” when Raeder finishes thinking…, Vernarth tells him that they had to sail to Patmos, curiously Eurydice's ship was in the bay, they believed that this ship had capsized and sank somewhere in the wide open sea of ​​the Aegean.
The three on boards the ship Eurydice, Alikanto stays in Kinaros batoning very well guarded by peasants who took great affection for him later he would join him on Patmos for service and trades pantry to Saint John the Evangelist. Alikanto will take a great contribution and role in the prophecies of Vernarth on the Isle of Patmos, just on board the Eurydice and surround themselves with a climate of seclusion and peace on the ship, not so far behind were the Cyclades and part of the Dodecanese he was full of vitality, he completely covered the Triaconter it was late and the moon was beginning to dress the deck with phosphorescence, Raeder and his little Petrobus were clearly exhausted deciding to sleep right there on the deck. He was also relieved of emotions after so much experimenting on the islands, as well as not being able to find his brother Etréstles to prepare to rest in her poetry, almost falling asleep he sees that from the bow a very quiet female figure approaches him with her lost gaze, and stands up seeing that it was Eurydice who was in front of him. She had her bandage on her eyes still approaching her and says Eurydice: “Can you remove the tape…? Only you can do that! Although due to this subtlety of yours in attention to me I tried..., of course, I must be able to recover my subsistence and its mobility as an indissoluble watercolor. Vernarth says; “In my narrative we know that Eurydice was a dryad, being the wife of Orpheus as a poet and musician. After evading Aristaeus´s harassment, she would now take refuge in a shipyard in Amphipolis and hide on a ship. She escapes with great speed and fear, as her heart only belongs to Orpheus, as she flees, Eurydice is bitten by a snake and dies, Orpheus, disconsolate, cries for her and her desperation finds no consolation, so he makes the risky decision to go in search of his sweet and beloved wife to Hades, the land of the dead. Vernarth longs to revive her in her comparative fable to her sweet song and her poetry, Orpheus managed to move Charon who lets him cross the River Styx, the boundary between the world of the living and the dead. Later, also with his artistic abilities, Orpheus manages to convince Persephone and Hades to allow him to take Eurydice. The subterranean divinities agree to be taken away but Orpheus must promise that he will not attempt to see his wife until he has brought her into the sunlight, so as agreed, Eurydice followed Orpheus on the way to the light, and at the moment when they were about to leave the dark depths, Orpheus had doubts thus, he began to think about the possibility that Persephone had deceived him and that Eurydice did not come after him, so he could not bear her temptation and turned to look at her and confirm that she was coming with him. When this happened, Eurydice was dragged by an irresistible force back to Hades. Orpheus, desperate tries to go again to rescue his beloved but this time Charon does not allow it, at this moment the god of the Genus Itheoi Aiónius clings to the purity of the distilled water pretending that Eurydice was going to the underworld, but the mirror flash of Ibico 1 would bring Eurydice from the darkness to the parallel world of Orpheus and Vernarth. Here Kaitelka and Borker (Semi Itheoi, concur in total harmony with Demeter, Persephone, and Hestia bringing from the labyrinths the rusty chains of Prometheus and Vertnarth that were wandering through infinity) Orpheus when he doubts is more than divine doubt, it is submithological human doubt that cracks the recondite doubts and trigger the valleys of perdition in the jungle dense in roads without being able to follow, especially if I personalize it in myself, said Vernarth. According to Vernarth giving ears in this magnanimous moment of what was narrated by herself, it represented Eurydice fearing being left unattended under hell, fleeing to Thrace to the port of Amphipolis, then boarding a ship stealthily entering being discovered by a captain later. She runs strong escaping from the officer and jumps overboard, the officer searches for her vehemently for several days, remaining buried in the holistic totally under a complication plot since a sailor had recapitulated her in a passage of this mythology that could take live life and action on your boat. Days go by and this Triaconter ship is whipped by the Persians on a disastrous day, everything frolicked from large figures to consider as well as fleeing from the Persians before an impartial and just intensified attack from the enemies the Triaconter is adrift. Eurydice follows in the footsteps of this ill-fated boat and then boards it again. “In the eighth month of navigating fully, she is discovered by Aristeo, She takes the start of a terrifying heart because she feared what could be born from the ship; perhaps become a subjective fear! She realized that it was not real and she understood that it was an anxiety of profuse delirium”. But it was too late for she hid in the bowsprit on her way to the bowsprit, with the decaying line to the figurehead she stays silent, tries to remove her feet and can't remain thus captive of the ship bound to the figurehead, provoked only by herself not by her as a divine Nymph but by the fear that haunted her like a viral fear in her own and her delusional fears. Vernarth, hates himself and tells Eurydice: “If you wish, I will jump overboard and be swallowed by the sea, and so I can find the oppressors who harass your persecution. Just tell me and I'll jump to save your reckless shattered fate. Only the existence that is nothing more than Bravery will combine the power to relieve you and free you from your chains.”

Words:
whispering sybils
of concealed worlds.
In betweens and beyonds,
somewheres and nowheres,
truths for making believe.

Words.

Carmine nostalgia of the unexperienced.
Utopia upon a time.
Windmill wings to grow a heart,
flavours and scents of new seen worlds,
tangible places pulsating in snow globes,
cosmogony of what is not.

Words:
scribbling, engraving a forever world.

We were,
Scarlet when we discovered each other

We were,
Carmine when we found ourselves

We were,
Ruby when we said our promises


And all of sudden,
We were Blue.

I spilled some blood on the bathroom floor, mama,
But I swear it was an accident.
See, my hand slipped across porcelain, mama;
My skin tore like satin.

The paint flowed like a river then, mama,
And colored me a crimson sunset.
Oh, but it made such a mess, mama,
And I know messes make you upset.

So close your eyes, mama,
'Cause you're weeping red and the tears might stain.
Red for your lost love and red for scarlet fire,
and red for the young rose cut from the briar.

Maybe now I could be poetry, mama
The type you wrote about in your younger days.
Golden sun swallowed in carmine, mama
With its last rays dying in a blaze.